All language subtitles for Paper Tiger (1975) When Strength Is Just an Illusion [English (auto-generated)] [DownloadYoutubeSubtitles.com]

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Original subtitles

Heat.

[music]

Heat. [music]

>> [music]

[music]

>> Heat up

[music]

[music]

here.

Heat.

[music]

[music]

Heat.

[music]

Heat.

[music]

[music] Heat.

[music]

Heat.

[music]

[music]

[music]

Heat. [music]

>> [music]

>> Heat. Heat.

[music]

[music]

>> [music]

>> We are

[music]

[singing]

[music]

[music]

glory.

>> [music]

[music]

[music]

>> Heat. Heat.

[music]

Heat. Heat. [music]

[music]

[music]

[music]

[music]

Heat.

[music]

Heat. [music]

>> [music]

>> All of

Follow me, sir.

>> Are you trying to tell me that lions

aren't dangerous?

>> Oh, not you know how to handle them.

I've had one sleeping in the same tent

as me before. Now

>> you're kidding, honey. He had a lion

sleeping in the same tent with him.

>> In the same bed?

>> No, not in the same bed. In the same

tent. Wait just a moment, please, sir.

>> Would you come this way, sir?

>> Oh, thank you.

>> Thanks.

>> Boy, it sure was a privilege traveling

with that English guy.

>> Big game hunter, member of parliament,

deep sea diver, you know.

>> Yeah.

>> Hey, why should he get away first like

that?

>> I told you, honey. He's a VIP. Will all

passengers on MA724

flight to Manila, please proceed

immediately to passport control. Thank

you.

>> He's married, isn't it? How old?

>> That's me. That's my uncle, General.

>> I bet he's been through customs a few

hundred times in his life. You know,

he's a son of a Vic count.

>> You don't say.

>> You mean he's a real live lord?

>> Oh, sure. Only he doesn't use his title

because he's a member of the Labour

Party. That socialist in England.

>> You mean he's a pinko, a karmi?

>> Hurt your leg in Kenya?

>> No motor racing. 24-hour race at Lemore.

Terrible prank. Got

You have to stop conference. Police.

>> What's the hold up?

>> Big conference in the city. Foreign

ministers. Police say maybe 10 minutes

for another 5 minutes.

>> My hair. See the pain.

Heat. Heat.

>> [music]

>> Take care of us. Take care of us. What

happened anyway?

>> What sort of place is this? Surely the

police.

>> There was no accident. It was a mine.

Are

>> you suggesting it were deliberate?

>> I'm not suggesting anything. We've run

into a minefield. I know about mines.

>> The PRP, the revolutionary party. Must

have been another demonstration.

>> Hey,

you don't think that he had anything?

>> He could be funny. He should zoom off

like that.

Delighted to meet you, your excellency.

Charmed to meet you, Mr. Ambassador.

Delighted is better than charmed.

[music]

Hi

>> come in please.

>> Good morning sir.

Good morning, Major Bradbury. I hope you

had a pleasant flight.

>> Oh, lucky to be here, Jir. Got involved

in a bomber outrage. Bit of a lucky

squeak, actually.

>> I am sorry. Please sit down, major,

>> if it's all right with you, your

excellency. The uh major only a wartime

rank. I mentioned it my letter because I

thought you would like to know that I

did uh reach field rank during the war.

Fortunately, I was only called upon to

fight against the Germans, never against

the That is um I quite understand.

I'm most grateful to you, sir, for

offering me this most responsible

position.

>> Your references were the best. Very

impressive.

>> Oh. Uh, I only tutoed the sons of the

Duke of Berford and Sir Francis's

mannering during the holidays. You

understand, sir?

>> Your headmaster also said some very nice

things about you.

I see you have served your country in

Germany with honor during World War II.

Two military crosses and a quadrat.

Excellent.

You have never visited Japan.

>> Practically everywhere else in the

world, sir, but uh never Japan.

>> So, it is unlikely that you know how we

educate our children.

>> I know they're very strictly disciplined

and presumably taught to live up to your

samurai customs and traditions.

>> As many as fit in with the modern world.

You will find Kohici obedient, eager to

learn, and respectful. That's how I like

all my boys to be, sir.

>> In three months, I am to be posted to

London. I wish my son to enter an

English school and learn a little of the

British way of life. He knows nothing of

your culture or your customs. Can you

teach him these things in the time?

>> Yes, sir. I would think I could.

>> That is the answer I hoped for.

Let us now meet Kuichi.

>> [screaming]

>> Come here.

>> [music]

>> Mr. Bradbury,

>> I am much honored. Mr. Bradberry, sir,

>> with your permission, I will leave you

with Kohichi.

I am sure you will wish to know him as

he is to know you.

>> [music]

>> This stick is because I have a bad leg.

It's not too uh to beat you with.

>> Thank you, sir. I better please. I would

not like to be beaten by such a thick

stick.

Well, Karichi, what do you know about

England?

>> I'm a very big city, sir, full of pop

stars and dirty birds, very fine queen

and I was seven, plenty holes, plenty

policemen,

plenty double deck buses. I know this

from television.

>> Oh, what a description of the land of

Shakespeare, Nelson, and Churchill.

You've heard of them, I hope.

>> No, sir.

>> But haven't you been taught any history?

>> Yes, sir. Japanese history. I know all

about Minamoto.

>> Yes. Well, uh, my subject is, um,

English history.

>> Really?

I'm very sorry, sir. I work very hard to

learn all about English history.

>> Good. Well, let's start our first

lesson. Uh, is this uh important?

>> It says, "Welcome to my classroom, Mr.

Blberry.

I will do my best to be a good pew pew

and comrade."

>> That's very nice of you, Kuichi. Thank

you very much. It's a shame to rub it

out, but uh, well,

1066. That's when English history of

area started when William the Conqueror

invaded from Norway.

Foreign

party.

[music]

>> Mr. Bradbury, I believe. I'm Ga Muller

of ZTF, the German equivalent of your

BBC television.

>> I didn't think you handled the World Cup

too well.

>> At least we played in it.

>> How did you know my name?

>> Mr. King. The American chef who was on

the flight with you.

>> Oh, him? Yes. I'm afraid I pulled his

leg a bit, but uh you shouldn't believe

anything he told you about me.

>> I didn't. Anyway, he described you quite

accurately, even down to the limp. You

received that in the motor racing

accident, I understand.

>> No, I got that in the war. As a matter

of fact, your lot did it.

>> Really? You were a flyer.

What was all that about?

The guest of honor, foreign secretary.

As the second most unpopular man in the

country, he rates a bulletproof car

[music] and a police escort.

You were saying [music] you were in the

Royal Air Force. No, brigade of guards

and then the parachute regiment. I was

one of one of Monty's chaps.

>> Are you wounded in the desert?

>> No, just um outside Hamburg.

>> Hamburg? I know that region quite well.

Can you recall the name of the village?

>> Look, you'll be asking official secrets

next. Oh, there he is.

>> He's come up in the wood.

>> Good evening. It's a pleasure.

>> Good evening, Mr. Minister. Mr.

Ambassador, Madame Kagayoyama,

you honor us with your presence. The

president asked me to convey his

personal greetings to his imperial

majesty on the occasion of his honored

birthday.

>> Splendid looking fellow, don't you think

so?

>> I don't like politicians or the press.

>> May I offer you a little refreshment?

Perhaps some champagne.

>> You are very kind, but please continue

to greet your guests. I I see a good

friend of mine. Oh, I see.

No, really. I get too fast.

>> Can I?

>> It could go now. Whenever you say

>> we'll get out of here soon

over there.

Audience

outside with me outside.

Are you all right? Melissa,

>> bring abundance to me.

Come on. Think

you're right.

[music]

really

>> good showberry.

>> Get me some air. Oh, let me see. Let me

see.

>> Oh, it's nothing, Bradberry. Just a

slight abrasion.

>> Here, have this. Thank you.

>> Come and drink it. Break your rules.

Pull you together. And then when you

feel better, perhaps an interview for

television, you know, hero of the day. I

can't stand that sort of cheap

publicity.

Morning

chief.

>> Good morning, Mr. Black Belly. Sir.

>> Now then, many Asian people when they're

speaking English transpose the letter L

and the letter R. You, for example, you

call me Mr. Blad Belly instead of Mr.

Bradberry.

>> Please excuse very, very much.

>> Nothing to be ashamed about at all. As a

matter of fact, we've been trying to

teach the rest of the world to speak

English for 200 years.

Round the rugged rock, the ragged rascal

ram. Now you repeat that after me. Round

the rugged rock, the ragged rascal ram.

>> Round the rugged rock.

>> No, no, not it's rugged

rock.

>> That's right. Now round rugged.

>> Move on, please. Round the rugged.

It's not as though you can't pronounce

the R. You can

lovely

ladies

love

lamp light. Now that's what I want you

to say. Lovely ladies love lamp light.

Now you repeat this after me. Lovely

ladies love lamp light.

Radies

Rob right.

>> Exactly. So you can pronounce the letter

R. The only trouble is you pronounce it

when you're reading the letter L.

>> I promise to do better, sir.

>> Don't worry about it. I've got a plan.

Give me the pencil. I'm going to write

my name in such a way that you can

pronounce it properly. There. Read that.

Mr.

>> Mr. Barber.

That's right. Now we're getting

somewhere, aren't we?

>> Some drinks, Marco. Yes, sir.

>> You can see the whole city from here,

sir.

>> Playtime's over. Get off at the next

terminal.

>> Okie do. Mr. Blackberry, sir.

Thank you, Marco.

>> Not at all, sir.

>> I'd say about 1 hour.

>> Uh, the ambassador likes me to stay

nearby, sir.

>> Oh, I don't think we have anything to

worry about.

>> There you are. You drink it slowly. I

don't want you burping all over the

place.

Carile wrote, "Under the sky, there is

no uglier spectacle than two men with

clenched teeth and hellfire eyes hacking

one another's flesh, converting living

bodies and priceless souls into nameless

masses of putresence useful only for

turnip manure. Do you understand that?"

>> Some of it, sir,

the wars have a present sound. War is

evil and unnecessary, but nations still

fight each other even today.

>> Did you kill many people in the war, Mr.

Braer?

>> Well, when either killed or one was

killed.

>> Were you ever frightened?

>> No, not really.

You see,

when you go into action, the chemicals

start to work, the adrenaline pumps. You

do all sorts of things you never dreamed

you were capable of doing.

I remember once in France, October 44

actually. I was holed up in a foxhole

with four of my men. Hell of a battle

was going on. Shells, mortars, nebble,

flamethrowers, bullets by the million.

[snorts] Oh, they were throwing the lot

at us.

Go back.

What? The CEO wants to talk to you, sir.

>> Bradbury here, sir. Well, the boss still

holds the strong point on top of the

hill and control the whole valley from

there up.

Yes,

bit tricky, sir. We'll do the CEO wants

us to storm the hill.

>> It's impossible, sir.

>> It's an order. As Longfellow says, I've

got to reason why.

>> Well, he didn't have to run into or

[screaming] die.

>> Get me the bazooka. You tell the

company. Tell the company to keep me

coming.

>> You're not going out there alone.

>> You stay here and that's an order. If I

don't make it, act on your own

initiative.

>> Good luck, sir.

[music]

Get in cover.

Stop.

Get ready.

Get up. Get in there.

>> [music]

>> We took a lot of prisoners that day.

>> I wish I was old enough to do such brave

deedies.

>> I hope you never have the opportunity to

do so, either of you.

Ah, Mr. Bradbury,

it is good of you to join me here.

The garden is looking very beautiful, is

it not?

>> Certainly is, your excellency.

>> I have been glancing through Kochi's

books, Mr. Bradbury. Well,

>> there's nothing wrong, I hope, your

excellency.

On the contrary, he seems to be doing

very well.

>> Oh, he's a good worker. He's quick,

attentive, and he has a lively

imagination. Ah,

>> sometimes a little too lively.

>> You will forgive me asking you, Mr.

Bradbury.

But did you also tell Kuichi

you were um friendly with the Queen of

England? I'm

>> not friendly, sir. No, I But I certainly

told him I'd met her.

>> Oh, yes.

>> Oh, yes. at a at a at a charity garden

party actually in one of the big

marquees as a matter of fact. I was

exhibiting some roses that uh some of my

boys had grown and her manager stopped

to admire them and she said uh

and I can remember exact word she used

her she said to me has it stopped

raining outside yet and I said I I think

so ma'am that's how we address the queen

so we called her ma'am I think so ma'am

I said shall I send one of my boys to

find out and she said no thank you Mr.

Revery, that will not be necessary.

>> How did she know your name?

>> Oh, we all had our names printed on

those little things you pin on your

lapel. Is she very quick at that sort of

thing?

>> I see.

Goi also said something about taking off

your coat and laying it in the water so

that her majesty would not get her feet

wet.

>> Oh, good gracious. He's getting me mixed

up with the great Sir Walter Rally.

That's a choice one. We must both take

great care that Kohici does not get his

thoughts mixed up. Must he not?

>> Oh, absolutely, your excellency.

Absolutely. Is there anything else, sir?

>> I think not.

>> Oh, yes. There is one other thing,

>> sir.

>> Forgive me, but I know Kohici is always

pestering you to tell him about your

experiences.

>> Oh, I don't mind that, sir.

>> I am sure you do not. But these days,

Japanese people do not wish even to

speak about the war. So I ask you not to

encourage Kuici in such inquiries.

>> Your excellency, I quite understand. And

as I quoted Kuichi just the other day

from Carlile,

under the sky, there is no uglier

spectacle than two men hacking one

another's flesh, converting living

>> [bell]

[music]

[music]

[music]

[music]

>> Fore

[music] speech. Fore!

Foreign! Foreign!

[music]

What did I say?

>> Yo, where's me?

>> Where's me?

>> Thank you, Kishi.

Keep going. Keep going.

It's a kind of

course all this

you're doing fine

back at 12:30. Marco, please allow for

the traffic.

>> All right, sir.

>> Here we go.

Azian good station.

As the dionis of hell says, "A thought

beforehand is better than regret

afterwards."

>> A quotation for every occasion. Mr.

Bradbury, huh?

>> What are you doing here?

>> English history. the rise and alas the

fall of the British Empire.

>> It's easy to see what you're doing.

You're photographing a native dance

routine, right?

>> Wrong. They call it martial arts.

>> For a man of your military background, I

would have thought you would have

recognized that.

>> Mr. Bradbury has a black boat in judo.

Haven't you, Mr. Blood Belly?

>> Ah, really, Mr. Bloodbelly?

>> Well, what we learned in the commanders

was very different from that sort of

thing.

>> Commanders? I thought you were in the

parachute regiment.

>> Both, old man. Both parachute commandos.

remember Arnm or were you out of it by

then?

>> I hope it won't disappoint you, Major,

but I was never in.

>> Let's get back. We have to change plans.

It

>> is Wednesday, is it not?

Yes, Miss Bradberry very soon.

>> Yeah, sir.

>> Oh, s museum not closed, is it?

>> Yes, sir. Been closed for a month.

Surely to fun, sir.

>> Come on.

>> Oh, I am sorry.

>> Can't be help, sir. Military matters do

not interest the younger generation,

sir. They've been more interested in

playing their transistors than not

getting their haircut.

>> Come here, sir. Great performance. Thank

you very very much, boys. Rev it up.

Thank you.

>> Now that we're in, Sergeant, could we uh

take a last look around?

>> According to higher authority, no sir.

But see as I was in the brigade, just um

>> carry on regardless.

>> Thank you.

>> Careful with that. Now

>> excuse me, sir. I think I remember you,

sir. Wasn't you in the Scots Guards

first battalion under Colonel Redver

McKenzie, sir?

>> Yes, that's uh that's right, Sergeant.

>> I thought so. I never forget the face

up. Oh, uh uniforms and so forth that

way, sir. Thanks.

>> Oh, uh

have a drink with me for old time's

sake.

>> Oh, most civil of yours are

>> Dad.

Grubs up. Dad, how much she give you?

>> The equivalent of 10p. The stingy

bastard. He stole more regards officer

than I'm a bleeding belly dancer.

>> Well, never mind, Dad. You stay in Ky

for lunch.

>> Yeah.

>> Oh, to make up for it.

>> Was the sergeant a good sergeant, Mr.

Bradley, sir?

>> Oh, I expect so difficult to remember

after all these years. I can't remember

everyone. I just remember specific

incidents like uh when I got this for

example,

>> you know, but I don't remember that,

sir.

>> I'm afraid I can't. I promised your

father I wouldn't talk to you anymore

about fighting.

>> Oh, please. Just this once. Did it hurt

when they cut your leg off?

>> You didn't cut it off. Happened in

Germany, as a matter of fact, when I was

escaping from Croninberg.

But I suppose I could tell you about

that. That's not really fighting. We

were locked up in a castle surrounded by

water. No one had ever escaped from it

before. But after months of preparation,

we set in motion an ingenious plan.

>> [music]

>> Hey,

I know how

my

my hand. I'll give you the signal.

>> [music]

>> Stapes.

See you in London.

You made it. Well done. Hooray. Now for

the next one.

>> Finish. Dismiss. Hold it.

>> Can't let you risk it, Bradley. And

that's an order. Sorry, sir. Not wearing

the old hearing aid.

[music]

There comes a time, Kuichi, when it is

necessary to disobey an order. Remember

when I told you about Admiral Nelson

putting his telescope to his blind eye?

>> Yes, sir.

>> This was one of those occasions. We made

it. But I still got slivers in the old

leg.

Ah, here comes Marco. Come on.

Can I tell you about that fish?

Swordfish. Oh, it's about as big as your

father's. It has a sort of samurai sword

thing sticking out front. Most people

call them the halibit, but we were

clever. We caught them with a sardine.

Now, uh, I know what we can do. Should

we go fishing one day, you and I? Just

you and I together.

>> Tell me some water, sir.

>> So, we'll choose a nice day and we go to

the fish market and get some bait. Come

on, slow coach.

>> Jeremy, then the boat and as soon as we

get there, we'll

[music]

leave

now.

No,

no.

Let me go.

>> [music]

>> Oh no.

Blondie

Dad. Call the police.

[music]

Take him

back.

[screaming]

No, no, no.

I call the police.

>> Get out of here.

[music]

>> Why in hell did anyone shoot?

>> The driver started it. We did not need

him.

>> He saw my face. He won't give us any

trouble. Keep still. Hook him down.

>> What can we do?

>> Oh.

If you don't keep still, we'll kill him.

>> Okay, I keep still. Are you all right,

Mr. Blberry?

>> He's fine.

>> You won't understand this boy, but we've

got to do it.

>> You make a big mistake. You don't know

what to have in Mr. Blberry.

>> Get down.

No, we were bloody well filming here

only 20 minutes ago. It is a PRP job

without a doubt.

>> I think you'll need faces, huh? Oh, I

have them on film. I must have at least

some of them.

>> Miller, German television.

>> May I offer my my sympathy?

And if we can assist you in any possible

way, just let me know.

>> Thank you.

>> He was a good man.

A good man.

Get his body back to the embassy and

inform his wife. I

>> This looks like Bradburz.

>> Permission to speak, sir.

>> Is Bradbury dead, too?

>> He was dragged off with your son, sir.

>> The gentleman concerned took on all

comers with that walking six. He went

down time and time again. Very gallant

excellence, huh?

It just shows how one can misjudge a

man.

>> I made no misjudgment, Herm.

All

right.

>> Keep going. Keep going.

Okay. Keep going.

Faster. Faster. Faster.

Here [music]

[music]

[music]

they go.

Come on. Come on.

>> [music]

[music]

>> you over there. You this way.

We just finished include a woman are in

a black and yellow taxi

before.

>> The roads are all locked down.

Come over here.

>> Put them in the taxi. A yellow and

black.

>> There. There. There. There. There.

There. There.

>> They don't have a chance.

>> Good.

>> There they are.

>> Truck's coming. Look, it's here.

They had a rough ride.

>> Okay, get ready. Use this. Right.

>> Give the boat to me.

>> Put him in the truck.

>> Shouldn't we blindfold them?

>> They don't have any idea where we are.

Heat.

Heat.

Mr. Muller.

>> Yes.

>> I can't seem to differ.

>> What do you know of the teacher,

>> Mr. Redberry?

I can't

>> can't say I know him. I've met him.

>> He puzzles me.

>> Mr. Bradbury is a man who seems to

attract trouble.

>> Really?

>> I would like to know more about him.

>> Perhaps you can help me.

>> Perhaps I could. May I use your phone?

>> Why not?

Get them into the hut quickly.

>> Let me go. I kick you.

Mr.

Women, cover.

[screaming]

>> Give him something to eat.

>> I'll take care of him.

This should clear your head a bit. You

are not as badly hurt as you think.

It is unfortunate that we have to select

a child as hostage. But it is only by

horrifying the world that we can bring

attention to the plight of 65 of our

comrades held imprisoned under the most

revolting circumstances.

>> That's no concern of mine.

It should be. You're a human being, are

you not?

>> Take fast guard.

>> Sakono, lock him up with the boy.

>> Come on.

>> Now we've got to fix guard duties.

Montes is on first shift.

Got everything. Don't make them too

comfortable.

>> Are you all right, sir?

>> Yes. Thank you, Kichi. I I think I'm a

bit concussed. I don't

I don't really know what's happening.

You try to escape, we shoot you.

>> Don't worry, we won't.

>> And keep a good look out.

>> He doesn't mean it about not escaping.

>> Of course I didn't.

I couldn't tell him that though, could

I?

>> You escaped from two personal camps. It

will be a piece of cake to escape from

here.

>> Remember Croninberg?

>> Of course I do.

Couldn't have told you about it

otherwise.

>> You were joy brave then.

>> That was 30 years ago. Group effort.

Numb boy.

Hello.

What are you looking at?

>> Only the sun coming off from behind a

mountain.

>> There is no slimmity so deep to a

rightthinking creature as that of dawn.

These hats are built off to ground. Mr.

Bradberry,

if we could lay the floors,

>> but the man of the gun is watching us. I

think not. Kichi,

>> you are not afraid of dying, are you,

sir?

>> No, of course not. He who fears death is

forfeit of life. But I should quite

understand if you were. I am only afraid

of dying at this honorable death.

I will try and be brave like you sir.

This way,

please.

You can file these and I'll have a look

at that while uh

>> Japanese ambassador,

>> the the president and I all of us are

deeply distressed for you and your

family. Mr. Ambassador,

please be seated.

>> I prefer to stand if I may, Mr.

Minister.

As you wish.

[clears throat] These are the terms of

the release of your son and his tutor.

They use the usual formula, even to the

threat of laying their bodies on the

Senate steps.

The president has requested me to inform

you that he must refuse these demands.

No nation can allow itself to be

dictated to by black mailers,

kidnappers, and murderers. But you can

rest assured that every effort will be

made by the police and army forces to

find your son before the 72 hours are

up.

>> Please convey my grateful thanks to the

president.

>> I need hardly add, Mr. [music]

Ambassador, that you have the sympathy

of the entire country.

>> [music]

>> Please also tell the president

that had I been in his position,

I would have taken exactly the same

decision.

What are they doing?

>> [music]

>> Kuichi, what do you think you're doing?

>> Trying to get the floor. Sir,

>> come out of there. Come out.

>> You little idiot. Do you want to get us

both shot? No sir, but it is better to

be shot trying to escape than to face a

firing squad.

>> Who told you that rubbish?

>> You did sir.

>> I was younger then.

>> But you are fighting proper soldiers,

not too many. The guru, you could easily

deal with them like this.

>> I'd be much obliged, Kuichi, if you

would leave the thinking to me.

>> Yes, I'm very sorry, sir.

Still I am glad we have decided to do

something soon

and you can rely on me to help organ

dangerous.

>> What's the trouble?

>> That boy is too young.

>> So are thousands of other children

starving to death in this country. He's

not even one of us.

>> If he was, no one would care what

happens to him. No one cares that our

children died deadly. What difference

does the death of one more child make?

>> Where did you get that pen and paper? I

have this notebook with me

>> for a gallant act.

>> It's Mr. Bl.

>> What are you writing?

>> A letter to my father.

>> Write it in English.

>> Do you write to your father in English?

My father, my mother, and my brothers

were all murdered by the police three

years ago.

>> I'm sorry.

>> Read me what you have written.

>> My beloved father, it is with great

sadness that I like to tell you I may

never see you again.

That is as far as we got.

>> It's a difficult letter to write.

You will tell your father that you are

being well treated

and if he loves you, he will demand that

the president releases our 65 comrades.

Otherwise,

>> yes,

>> you and your tutor will be executed.

>> May I also say I love my parents very

dearly and I miss them very much.

>> [music]

>> now. There you are, Her.

Nice of you to drop in.

>> Scotch, ice, water. Correct.

>> Correct, Mr. Secretary.

We all know you're a good friend of our

country, Hula.

And as a senior member of the press

corp, we would like a little advice off

the record about the Kagyama kidnapping.

The president thinks he can save the

child's life.

>> Really?

>> He's considering informing the

kidnappers that unless the boys return

alive and unharmed within the next 48

hours, all of their comrades will be

immediately executed.

Is the president prepared to carry out

the threat?

>> Of course.

>> Now, the advice we want from you is what

would be the reaction of the Western

world? Would he be considered as

barbaric as those we are trying to

defeat?

>> Yes, Mr. Secretary, I believe he would.

And if you were the president, would you

lose any sleep because the world was

concerned with the fate of 65 criminals

who if released would undoubtedly commit

more crimes of violence, terror,

blackmail, kidnapping, and murder?

>> I personally might not.

>> Good.

But no matter what decision the

president may make,

it's going to be wrong with some people.

He has to make that decision alone.

And once he's made it,

he'll have to live with it.

>> We live in a terrible world.

>> Yes, terrible.

>> We have been told

that if the president

does not release the prisoner,

I could not remember how many prisoners

there were. It

>> doesn't matter. Continue.

They are going to kill us. Please,

please help us. Father,

>> I love you and mama very much. Kichi,

>> that could give us just the extra

pressure we need.

>> I don't like it. Written in Japanese.

>> What does it matter? They can't have any

idea where we are.

>> Where is my father going to get it?

>> Tonight.

What did you really write in that

letter, Kohici?

>> What do you mean, Miss Bradberry?

>> Boys your age don't easily fool me.

You were making that letter up as you

went along, weren't you?

I don't like boys who lie to me. What

did you really write?

>> I was trying to help my father to find

us.

>> I want the truth.

We left the city at 2:25

and got here at 7:20. Say 5 hours.

>> I have no idea.

>> It was mostly up here. So our speed was

the about 30 m an hour. So 5 * 30

>> 150.

>> And we went north because the sun was

always behind us.

>> Very clever. I learned to work things

out like that in the postcard.

>> Oh, you should have consulted me before

you did it.

>> I was only trying to help Sue.

>> But they'll murder us if they find out.

>> My father will send airplanes to search

for us.

>> And as soon as they see them, they'll

shoot us just like that.

I'm

>> sorry to disturb you at this time of the

night, excellency. Thank you. But I have

some information that I think you should

know

>> about my son,

>> about his tutor.

I've just received an answer to a few

questions [snorts] have put to our boys

in London. Quite an efficient outfit.

They can find no record of Brettbury

ever having served in the British Army

or being awarded any military

decorations.

>> In other words, he's a fraud.

>> I'm afraid so.

>> Thank you for bringing this to my

attention, Amida.

>> I didn't think it would be right for you

to read about it in the papers. There's

always the danger of someone else making

the same inquiries I made and to come up

with a story.

>> You are not going to do so.

>> No, excellency. If Brett Bray comes

safely out of this terrible thing, I

wouldn't like to be the cause of his

going through the rest of his life

publicly disgraced.

>> I suppose he does not come out alive.

In any case, nothing would be achieved

by reporting that he was a pathological

liar.

>> I have made a bad error.

Very bad.

>> Don't blame yourself. Excellency

Bradbury isn't all bad.

He lives in a fantasy world, but but he

is spirit.

Even so,

>> I appreciate your visit, Herm.

Thank you. Thank you very much.

>> Goodbye.

[music]

Wait a

[groaning and screaming]

What on earth you doing?

>> My father said I should always be able

to look at myself in the mirror and not

be ashamed.

I cannot look at myself, Mr. Bradberry,

because I've been dishonest and [music]

because I'm threatened.

>> What have you done that was dishonest,

Kichi?

>> I have not been trusting you, Mira.

After all the many brave things you have

done,

please forgive me, sir. I promise in

future to be patient and do only what

you want me to do. Oh, thank you.

[laughter]

Naturally, I accept your apology.

So, you go to bed.

>> [music]

>> Thank you.

>> [music]

[music]

[music]

>> Yes, Mr. Blackberry.

>> Wake up, little friend. The time has

come

>> for getting up.

>> No, to escape.

Just take a look at those floorboards.

>> They're too loose already.

>> Yes. If we loosen another, we can both

squeeze.

>> What about the guard?

>> Just getting rid of the guard is only

our first hurdle. You see, we're high up

on a mountain, miles from anywhere. We

may be stuck for days. We got to eat. We

got to keep warm at night and we got to

think of some plan to attract attention

if they do send an aircraft to search

for us.

>> Perhaps we shouldn't try to escape, Miss

Burberry.

>> Oh, nonsense. I got it all planned out.

Hello. Hello.

>> Mush.

>> Who is it?

>> What?

[music]

Sir, have

>> you seen anyone?

>> No, it's a message. And look, [music]

>> what's happening?

>> Everybody

looking for you. I'll find open the gate

quickly.

>> We've seen nothing. There's nothing

here.

over here.

[music]

>> Thank you, General. Please excuse me for

disturbing you.

>> What does he say? What does he say?

The Air Force will make an intensive

search of the area starting in 3 hours

time.

>> 3 hours? Why not now? Immediately.

>> It's no good searching in the dark.

>> We look like a couple of Elson's.

>> Who, sir? Of course you don't remember

the singing fool. He always used to

black up. I used to have all his

records. I used to dance to them as a

kid before I got polio.

You better know now in case uh anything

goes wrong.

Look, I didn't get this gam leg.

>> Don't tell me. Don't tell me. I don't

want to know.

>> You must know what kind of man I am,

Kuishi.

You're a very fine man, sir.

>> Thank you for that, little friend. Thank

you very much.

>> Now, hats on.

>> And we mustn't forget the mirror to

signal with.

>> Give me the zap.

Here

we are. Got it.

>> No, no. I'll go first. You pass out the

stuff. Now, remember, don't make a sound

and do exactly as we planned.

>> I won't forget, Mr. Brazil. And good

luck.

What is it? Here

we go.

Shut your eyes. [music]

Roof's gone.

>> [music]

>> Come in here.

>> They have escaped in Mo's old car. Stop

them.

>> Understood. Wake up. They've escaped. Ly

up there. Real

slow.

I can't

[music]

Get out.

Rage's gone.

>> Maniac

coming. Sakuro.

>> Harold, are you all right?

>> Sure. Jump on.

>> We must stop this.

[music] Heat.

Heat.

Ah,

okay.

Kuichi

I'm all right sir I think

don't know how I got here

now we can't stay here give me this

The mil don't break. That's good luck.

>> Look down there.

>> We could get to the desert.

>> Yes. gone.

>> Come in, Tala.

>> We're going after them,

>> right?

>> You take the river bed. We'll beat the

bush.

Yeah.

>> Should we stay here, sir?

>> No, we go up here.

We search the [music] area and keep in

contact.

[music]

Let's drink here while we can.

You won't stay here long.

go.

Beep.

>> [music]

>> Hold your fire. Where are they? Find me.

I've lost them. I think they're heading

northwest.

>> We must go where my father can find us.

>> Yes.

We try and work our way to the top. Look

up there. You go first. Run.

>> [music]

>> So corn. So call it.

It's no good. I've got no head for

heights.

>> We must go once. They're following us.

>> If they don't know where we are.

>> They do, Mr. Blubberly. I see them.

>> Where? Why didn't you tell me before?

>> A long way away, sir. Prove out to shoot

at them.

>> I'm not going to. I don't see them.

>> There's one on that cliff near the tree.

You sure you're not imagining things,

Kohishi?

>> Very strong, Mr. Bra. We have to go on

this way.

[screaming]

[music]

[music]

>> [music]

[music]

>> We're almost there.

>> It's no good. I can't go on.

>> Please,

please. We in great danger. Greater

therefore should our courage be

[music]

Hold on, Mr. Hold on.

>> [music]

>> Are you bad hood sir?

>> I think so. Yes.

[music]

>> Go that rock.

>> Not without you, Mr. Blackberry. It's an

order.

>> Sorry. Not wearing the old hearing aid.

>> We must stop the bleeding.

>> Come back.

[music]

[music]

>> [music]

[music]

>> Everyone listen, don't shoot the boy.

Repeat, do not shoot the boy.

>> You got something?

>> Yes, just me.

Tala Pat Sakuro. Now come in all of you.

Thank you little friend. Must have

passed out.

>> Not like me at all.

>> Come in Pat. Come in. Come in.

>> Perhaps she hadn't seen us.

>> Give me the rifle.

Message understood.

>> Understood.

>> Just like the one I had that time up the

Amazon.

>> What was that, sir?

>> Nothing.

>> The safety cut, sir.

>> Oh, yes.

>> It's exactly as I took it down off the

radio.

What is it? What is it all about? Unless

the boy and the man are released

unharmed by noon today, they say they

will shoot all our people in prison.

>> The man? Maybe he's dead. I think I shot

him.

>> Could it be a bluff?

>> Our pig of the president is capable of

any atrocity.

>> He would kill all 65 just like that. The

decision has to be ours. Can we sentence

our people to certain death?

>> Yes.

>> We'll take a vote.

>> Please.

Please.

>> If help doesn't come soon, I think I'm

going to

>> My father will come. I know he will.

Mr. Bradbury

[screaming]

Mr. Brad

we are going to release

>> Mr. Bra, please.

>> Always wanted to dive with my boots on.

Always wanted to see see a little

action. Never thought I'd be so so

lucky.

>> Don't die, Miss Braun. Please don't die.

>> Dear little friend,

try to remember me. Tell your father

I'm sorry. So sorry.

Helicopter.

Two helicopters.

I told you my brother would find us.

Heat. Heat.

[music]

Heat.

[music]

[music]

Heat.

Hurry.

It's over there. Get down to him.

>> Quick

him up.

to her.

Take him.

under.

[music]

>> Give it to me.

Careful. Don't sleep.

>> Doctor, cover here.

>> Hey. Hey.

[music]

>> [music]

>> Still breathing.

>> He's unconscious.

>> Heartbeat's regular.

>> Lost a lot of blood.

>> How is he?

>> Excellency, Mr. Ambassador. Got good

news for you. Mr. Bradbury lost a lot of

blood, but the doctor tells me he'll be

all right.

>> He's alive.

>> Yes.

I think our friend will be around to

tell a few more tales.

[music]

The old fraud

[music]

Mr. Bradberry, your excellency.

>> Good morning, Mr. Bradbury.

I'm glad to see you well again. Please

sit down.

>> I'll only take a minute of your time,

your excellency.

I'm sure that Kohici has told you all

about our adventure.

>> Everything?

>> Not quite everything, I suspect.

There one or two other things I have to

tell you, sir.

I spent World War II as a country school

master.

I never was a soldier.

I never won a decoration for anything.

I am always have been. I always will be

and nothing.

That's all, sir. I'm very sorry.

Goodbye.

>> One moment, Mr. Bradbury.

It is not such a terrible thing to dream

of glory.

Many people imagine themselves.

Great lovers,

sportsmen, warriors,

even great diplomats.

It makes up for what they cannot achieve

and usually does no harm.

>> Academic references I sent you were

real, sir. I know.

I am not interested in your past, but in

my son's future, of course.

>> And I am well aware. But but for you, he

would have no future.

>> That's not quite true, sir. But the

other way around.

>> Kuichi and I are both anxious to [music]

know when he can resume his lessons.

Would

this morning be convenient?

Kohichi is waiting for you.

[crying]

>> Welcome home, Mr. Burberry.

>> Good morning, Kuichi. Off to work.

>> [music]

[music]

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