All language subtitles for The.Rookies.S02E11.Down.Home.Boy.1080p.WEB-DL.AAC2.0.H.264-BTN_track3_[eng]

[THEME MUSIC PLAYING]

[SIRENS WAILING]

Good morning!
Fill her up?

Morning, uh, give me just
two dollars' worth please.

Ask him.

Excuse me, Mister?

We're strangers
round here

and I was wondering

if you could tell me
where television station

KBEX is.

You want to be
first in line to see

all those TV stars, huh?

Yeah that's what
we figured.

Well, you'll see
your share.

According to
the ads,

they got some
of the biggest names

in show business

coming to help
raise money

for the hospital

and that new
children's wing.

Hey Mister,

directions is what we want
and two dollars' worth of gas,

not conversation.

Where is
this place?

Four lights
back down

the highway,

left two blocks,
right, left again

about a mile
and a half.

You'll run
right into it.

Uh, four lights down
and then left?

I got it, cool it.
I got it.

Pay the man,
let's go.

Ah, thank you
very much.

All right.
[EXHALES]

Let's go see
some of them

big TV stars.

Maybe kill
us one.

[CAR ENGINE STARTING]

Okay,
but take it slow?

Why don't you
count to 10

or something?

WEBSTER: Five, ten.

Where is he?

Who's he?

There is only
one here

around here.

Okay, where
is he?

RYKER: He's in his office
with the door knob

you just impaled
in his back, Webster.

Won't you gentlemen
come in?

Now, what is it
we're going

to discuss here?

Uh, this assignment,
this telethon thing,

it's silly.

You concur with that,
Officer Gillis?

Yes sir, I do.

Well gentlemen,

the way the procedure
on that works is this.

You do not choose
your assignments.

You are chosen
for your assignments

and you will
carry them out

as ordered,

when ordered
and because ordered.

Might be helpful
for you

to remember that.

Come on lieutenant,

all we're
asking for

is an even break.

Even break?
What does

that mean?

Maybe some
of the guys

you put
on the stakeout

would, uh, be willing
to trade off with us.

I mean, maybe some
of them would like to

nursemaid this country
and western singer.

Fix it up
among yourselves,

is that what
you're saying?

Yeah, at least
give us a chance

to ask around.

Wonderful! I can
see it now.

200 men

gathered around
every morning,

over coffee,

trying to decide
which assignments

they would
like to keep

for that day,

which ones
they would like

to trade off,

how picturesque
and how tranquil,

and above all,
how democratic!

Well, you may
live in a democracy

but you don't
work in one.

This is a dictatorship
and I am your dictator,

is that understood?

All right,

I want you
to roll your unit

over to that hotel

and I want
you to stay

with Mr.
Country Marc Rogers

until that telethon
is over.

Any questions?

Well Sir, um...

You can ask them
later on.

Get out of here now.

[TELEPHONE RINGING]

Well, I guess
it will pass.

Yeah,

so will
a kidney stone,

but the process
is usually

a painful one.

[GIRLS SCREAMING]

SECURITY: All right, you kids
get back over there

before you get hurt.

[PEOPLE CHATTERING]

[GIRLS SCREAMING]

SECURITY: Get back
on the sidewalk.

I got it! Did you
see him?

I mean,
from up close?

Oh, what eyes.

You ought not
be running back

to this kind of people,

you ought to be home
where you can't

get into any trouble.

Home?
Are you serious?

I'm only telling you
for your own good.

Him and his kind
will cause you

nothing but grief.

Hey man,
you're giving me

all the grief I need.

See you later,
El Freako.

[CAR ENGINE REVVING]

GIRL: There's another one.
SECURITY: All right kids,

let's go.

GIRL: I just don't believe it.
Never in a billion years.

You see him?

No, I didn't.
Guard said

he hadn't
gone through yet.

Well, what
are you doing

back here, Corley?

I'm tired.
That's why I'm here.

I've been out there
waiting long enough,

you want to go out there
and stand, go on.

I'm gonna stay here.

Okay, okay.
Simmer down.

She wasn't no
older than Ellie?

Who wasn't
no older than Ellie?

That girl.

I bet
if somebody told Ellie,

she'd have gone home.

If somebody had just
taken the time

and told her.

If she'd known
what was

going to happen.

She knew.

She did not know.
Ellie was

a good girl.

Don't talk
about our sister

that way.

Corley, when
are you going

to face the fact

that Ellie was
a grown woman?

She was only
a few months

past 17.

Well, that's old enough.
She proved that,

didn't she?

Giving birth
to his baby

is what killed her,
you remember that?

You know what T.J.
What?

If Ellie knew
what we was going to do,

she'd say it was wrong.

Yeah maybe
she would

if she was alive,
but she ain't.

That's why
we're here,

ain't it?

Ain't it?

[GIRLS TALKING INDISTINCTLY]

GIRL: Doesn't he
just give you

shivers all over?

GIRL: Whoo!

MARC: Hey,
hold it man.

Pull up right here.

I got to
say hello

to my people.

What people?

The worthy
and deserving ones.

What Marc's saying

is that anybody
who's got

the price of record

in his blue jeans
is deserving.

Um, Mr. Rogers?

We are supposed
to have you in the studio

in 10 minutes.

Oh now,
don't you go getting

all head up.

[GIRL SCREAMING]
You like that Billy?

Head up?

This ain't
going to

take long.

'Cause in my experiences,
a man wearing tight pants

carrying a guitar,

he ain't lonesome
very long.

I'll go along with you.
Make sure

you get there in time.

WEBSTER: Meet you
at the guard shack.

Don't stand
too close to me,

my people
don't like me

hanging out with cops.

Yeah, well my people
don't like me

hanging out

with country
and western singers.

[GIRLS SCREAMING]
GIRL: Marc Rogers.

MARC: Hey do me a favor.
Here, hold that

for a minute.

MARC: Okay honey,
don't push now,

watch my shoes.

[GIRLS TALKING INDISTINCTLY]

MARC: Don't get
my clothes either.

One at a time.
One at a time.

I got you all.

Okay, here you go.
There you go.

I guess
a lot of big stars,

wouldn't take the time
to do something like that,

would they?

That's true.
Most of them

just have the girls
sent up to the room.

[GIRLS TALKING INDISTINCTLY]

Start the engine.

Huh, where are
we going?

Do what I tell you.

GIRL: May I have
your autograph?

We got ourselves
a chance here.

Let's see
if we can do something

with it, all right?

T.J., there are
too many policemen

down there.

Ah, it'll be over
so quickly,

we won't have time
to scratch ourselves.

But...
Corley...

[GIRLS TALKING]

We got
to get this done.

GIRL: I'm gonna
get another picture.

[GIRLS TALKING INDISTINCTLY]

Atta boy.

[CAR TIRES SCREECHING]

WEBSTER: Watch out.

[CAR TIRES SCREECHING]

[GIRL SHOUTING]

You okay?
Yeah.

All right?
BILLY: Mark!

Yeah, I'm okay.
Are you alright?

If it hadn't been
for this officer

right here, Billy,

you'd be looking
for a new

guitar picker.

I sure want to
thank you, Officer.

It's okay.

Well, it maybe
just okay to you,

but you made
my mom

a happy woman.

And her son
awful grateful.

You just had to sign
a couple of autographs,

didn't you?

It's all over Billy,
don't fret it.

[GIRL TALKING INDISTINCTLY]

Why, thank you honey.
You're welcome.

Oh, that's
mighty neighborly

of you.

Hey Billy,
see if you can get

my little honey here

a ticket
to Friday night's concert.

Can you make it?

Officer, I got
to get in there.

I'm running late.

Let's go.
The car's

right over here, man.

Write down your name,
your address,

your telephone number.

Okay.

[MUSIC PLAYING]
[PEOPLE CHATTERING]

[TELEPHONE RINGING]

Telethon.

Yes sir.

Robert

Christensen.
S-E-N?

Uh-huh,

for 10 dollars?
Can I have

your address please?

What?

I don't know, uh...

The more
I think about it,

the more
I keep

telling myself

that I should
call it in.

There's nothing
to call in.

It's all supposition.

Okay, so it's supposition,
but I was there, I saw it.

I saw that car
almost kill Marc Rogers

and in my mind,
it's premeditated.

Okay, you want
to call Ryker,

do it.

I'll be right back.
Uh, Terry...

Just remember

that we fought against
getting this assignment.

Ryker's not going to be
too happy

if we're over reacting.

What I am suggesting
Officer Webster

is that you take a look
at the overall picture,

and see if
you can come up

with any other
possible motives

for this
almost hit

and run?

WEBSTER: Like
what, Lieutenant?

For instance,
a publicity stunt,

that's been known
to happen.

Well, it didn't today.

That car
only missed him by...

RYKER: Missed him,
you see Webster.

That's the operative clause
we want to hang onto here.

Missed him,
because it did

miss him.

Add it up
this way.

A speeding car

swerves at the last minute,

it's a near miss.

A country and western singer
is the intended victim

and the car
happens to be carrying

Tennessee license plates.

WEBSTER: Tennessee?

Well, you told me
black on white,

that's Tennessee

or would you care
to check me out

on that?

Oh, no, Sir.

But there is
another way

to add it up.

RYKER: What's that Webster?

That it wasn't
a publicity stunt

and that someone
is really out to kill

Marc Rogers.

Well, we'll know
more about that

once we
pick up the car,

won't we?

You will put out
a call on the car?

RYKER: I never said
I wouldn't, Webster.

If you're right,
it's a possible ADW,

if I'm right,
it was

a publicity stunt

that endangered the public.

RYKER: Goodbye,
Officer Webster.

[PHONE HANGS UP]

Goodbye Lieutenant.

T.J.: We had that sucker
dead to right

and you missed him
on purpose.

I'm saying
you missed him

on purpose.

Well, you'd seen
that policeman,

that girl,

I couldn't hit
them too.

T.J.: We ain't talking
about the policeman

and the girl,

they ain't
in this

conversation, Corley,

we're talking
about Marc Rogers

and you missed him
and I'm going to...

DADDY CURLEW: Hello?

Hello, Daddy.
Who's this?

This is T.J.
Did you do it? Did you?

No Sir.

You didn't!
No sir,

we didn't get him.

Little Rock, Oklahoma?
Missed him

in Oklahoma City too sir, yes.

Blind or something,
I taught you better.

Dad...

Looks to me
like you ain't even trying.

Bu...

Daddy,

Daddy, we was
trying to run him down

with a car see,

Corley was driving,
we had him cold

and Corley turned off.

He missed him
deliberately.

DADDY CURLEW: You put that boy
on the phone.

Put Corley
on the phone

right now.

Says he'd like a word
with you, Corley.

Hello, Daddy.

Corley, you tell me
what's going on

out there.

You best have
one good excuse.

CORLEY: There's
too many policemen.

[LAUGHS]

Oh, policemen huh?
Well, so what?

MAN: That ain't no more reason
than you had the other time.

But I couldn't
hit him too, Daddy.

You know what you
went up there for.

Yes sir.
Well?

Yes sir, but...

You keep telling me
you want to raise

that little whoop
your sister Ellie spawned.

Well there ain't no way
you're gonna to do that

unless you do
what I told you

to do.

Corley Curlew,
you always was

a cross for me to carry,

now you prove
you can carry our name.

You kill
Mr. Country Marc Rogers

and this brat
is yours.

You don't?

Don't you never
come back here,

you understand me?
Never!

I understand, Daddy.

Yes sir.
Put T.J. back on the phone.

Daddy?
Is that you, son?

Yes sir.
Did he get my meaning?

I think
he understood you

good, Daddy.

He better
understand me good,

you hear me!

[DRAWER OPENING]

We'll get him.
This time,

next time out,
he's dead, Daddy.

Well, he for sure
better be dead.

You'll be
hearing from us

real soon, Daddy.

I want
no more mistakes. Bye.

Bye...
[PHONE HANGS UP]

You know what T.J.?

Somebody stole
the Bible

out of here.

It's hard to believe
what some folks will do,

ain't it?

♪♪ Lightning Express

♪♪ Was pulling out

♪♪ A little boy
Got on the train

♪♪ His hat was pulled down

♪♪ Over his eyes

♪♪ There was no one
That knew his name

♪♪ The conductor came through

♪♪ And said tickets please

♪♪ The little boy
Looked up in shame

♪♪ And every time
The conductor came through

♪♪ These words would ring
In his ears

♪♪ Please Mr. Conductor ♪♪

John Tole,

pledge of
10 dollars.

Can you give me
an address,

Mr. Tole?

♪♪ Expect her to die

♪♪ Any moment sir

♪♪ She may not live
Through the day ♪♪

Baby don't look
nothing like you.

[EXHALES] I'm glad.

It would make loving
her awful hard.

♪♪ Little girl sitting in
By his side

♪♪ Said to put that boy off
Is a shame ♪♪

It just ain't right
to give a new life

and take another
in its place.

It just ain't right
that Ellie died

the way she did.

I ain't even all that sure
it's right in killing you.

Can't see what good
it's going to do.

Ellie's dead
and she's going

to stay that way

whether we
kill you

or not.

[EXHALES DEEPLY]

All I know is
this is going to bring

a lot of trouble
and misery

to everybody.

[SINGING ON TV CONTINUES]

Maybe even someday
to the baby.

♪♪ Expect her to die

♪♪ Any moment sir

♪♪ She may not live
Through the day

♪♪ I'd like to get home
To kiss my momma goodbye

♪♪ Before God
Takes her away ♪♪

[CROWD APPLAUDING ON TV]

[TELEPHONE RINGING]

Hello?

I'd like to talk
to Mr.

Country
Marc Rogers, please.

Well, yes Ma'am I know it,
I'm watching the television.

But I got to talk to him
just as soon as I can.

No ma'am.
I don't know nothing

about them pledges.

All I know is
I got to talk

to Mr. Country
Marc Rogers.

Mr. Rogers,
fantastic, good work.

While you were singing,
4000 more dollars

were raised.

Hey, we're doing
okay, young buddy.

I would say
you're doing great.

Ah, remember that nurse
I told you

I'd introduce you to?

Let's show
you how.

Jill, I would like you
to meet

Country Marc Rogers.

Hello.
Jill Danko.

Mrs. Jill Danko.
Ma'am, it's

a real pleasure.

Pleasure to meet you,
Country Marc.

You know I got to say it,
you nurses up there

are doing a fine thing.

Well, we really appreciate
what you've done to help us,

I'll tell you that.

JILL: Um, there's
some phone calls

coming in for you

if you wouldn't mind
taking a couple of them.

Well, I'd be
tickled blue, Ma'am,

you just point me
in the right direction.

Hey Mr. Rogers,
Mr. Rogers?

Hey man.
That was very nice.

Why, thank you buddy.
Very nice.

Could I ask you
a couple of questions

before you get too busy?

Well, I have a party
waiting on the line,

it won't take too long?
Sure...

Okay.
No, no, no.

It won't take
too long.

Excuse us.

You know anybody
in Tennessee?

Well, I hope to smile
and say, "Howdy."

I record In Nashville.

Play the Opry
twice a year.

Hmm.

Why?

Well, that car
that almost ran you down

had Tennessee plates.

Well, there's
a whole lot of people

living in Tennessee

no matter who
tells it different.

I was, uh,

just talking
to few people outside,

those who saw what
happened.

And a couple of them
just aren't that sure

that it wasn't deliberate.

Oh, who'd want
to run me down?

Well, you tell me.

Well, if
I could, I would.

And I'd make certain
a whole mess of people

knew about it.

Now, let me
get off this

onto something more pleasant.

Excuse me. Ms. Danko.
Yeah.

Don't you think
we've kept that party

waiting long enough?

Sure do,
come on.

Hey partner,

you're more worried
than he is.

Come on, relax.

Relax?
Yeah.

WEBSTER: If somebody
is trying

to kill him

and we're
supposed to

stick close to him,

we're liable
to get hurt.

I don't want to get hurt.
You know what I mean.

Hello Cuz,
this is Country

Marc Rogers here,

what can I
do for you?

Hello?

MARC: You got
a request?

Want to hear something?
You go ahead

and speak out,

tell me
what it is.

Don't be bashful,
come on.

Hello?

Ah, Mrs. Danko,

if you weren't
a married lady,

I'd swear
you just trying

to get me off alone.

Ain't nobody
on that phone

to talk.

[TELEPHONE RINGING]

[DOOR OPENING]

[MUSIC PLAYING]

Is he still down there
at that TV station?

Uh, yeah.
He just

sung a song.

[MUSIC PLAYING ON TV]

He's got
a real nice voice.

He's got
a real nice voice?

Well, hurray
for his

real nice voice Corley.

What you got
in there?

What I got
in here?

What I got
in here

is what's
going to get me

inside that
TV station, Corley.

Where do you think
you're going?

You see,
my boss's kid

was in
Memorial hospital

a couple of years back.

And he figured
the least

he could do

was send over
a whole mess

of hamburgers

for the folks
that are working

so hard on telethon

T.J.: It's, uh,
it's his

contribution, kind of.

SECURITY: Well, uh, I better
take a look here

and see what you got here.

Yeah, well I guess
you can go on in.

Uh, but you better
be back here

in 10 minutes

or I'll come
looking for you.

Sure, shouldn't
take me

no longer than that.

CORLEY: T.J.!

Now, you
come back here.

[MUSIC PLAYING]

[PEOPLE CHATTERING]
[TELEPHONES RINGING]

Uh, could you
tell me

where they keep food

for the people
on the telethon?

Mmm, oh yeah.

Yeah, it's right
over there,

right through
the double doors,

over there.

Thank you very much.
You're welcome.

[PEOPLE TALKING INDISTINCTLY]

WOMAN: What's this
over here?

Would you like me
to get you a cup of coffee

or a sandwich or something?

No, thank you.
I think I'll eat later.

Okay.

MARC: Do you know
how to tie a half Windsor?

JILL: I got no idea.

MARC: Me either.

I always
have trouble

with my ties.

I just fake it,

I just tuck it under.

JILL: It's pretty good.
MARC: It's nothing.

JILL: Well, I love it.

What are these?
Hamburgers.

Help yourself.

Thank you.

[WOMAN TALKING INDISTINCTLY]

Mostly they get rooms
for the stars

over at the Fayette Lodge.

Most times
I get autographs

over there.

GIRL: Last year,
after it was all over,

I snuck in the studio.

It was really easy
to sneak in

I got some
great souvenirs.

I got a pair
of David Cassidy's socks.

[SNICKERS] At least
I think they were

David Cassidy's.

WEBSTER: Hey!

Jill's been asking
about you.

Why so late?

Oh, I had to go in
on a possible

hit and run.

Oh, join the club.

Yeah, mine came in
10 minutes before

I was ready to get off duty.

Had to go over
and check a motel

on Adams.

Uh, they spotted
the car over there.

Took me an hour
to fill out the reports,

not to mention
the out of state DMV.

Out of state?
Like in Tennessee?

Yeah.

Two guys?

How'd you know?

Pick him up?

No. I missed him
by a couple of minutes

but the motel's
going to call headquarters

when they come back.

Ryker know
about it?

Yeah, he knows.

Tell me where
you bought

that hamburger

and I'll tell you
the whole story.

[GIGGLES] Well uh,

you don't have to
buy them.

Some guy
just brought them in

about five minutes ago.

[MUSIC PLAYING]

Uh Jill,
excuse me,

I think
I see somebody

I would like to know.

She's almost as pretty
as you are.

I'll see you later.

Oh!
Shh.

[WHISPERING]
I'm sorry I'm late.

[WHISPERING] It's okay.

Hey, wait a minute.
I got

a surprise for you.

Ha, how would you
like to have dinner

in the dressing room
of a star?

[CRASHING]

[MUSIC PLAYING]

[MOANING]

[CRASH]

[GROANING]

[KNOCKING ON THE DOOR]

[CRASHING]

You okay?
Yeah.

[WOMAN SHRIEKS]

WEBSTER: Police, halt!

Wait a minute.
[GROANS]

Halt!

[GUN SHOT]
Don't shoot.

[LOUD TRUCK HORN]

[PEOPLE SCREAMING]

Oh, Lord!

No.

Mister, there's
a dead man out there

and I want to know why.

How about this
for a reason why?

This guy's ID,
Ryker's on his way.

What about it?
Are you gonna

need a doctor?

No, I think
he'll be okay.

Yeah. You're
real brave.

The name T.J. or Corley
would mean anything

to you?

Nothing.
Tullahoma, Tennessee?

Less than nothing.

Who was he?

Did you ever
see him before?

If I did,
I can't tell you

when or where.

Well, what'd
he say?

He didn't
say anything.

Mr. Rogers,
there were two men

in that car

that tried
to run you down.

What if the second guy
is waiting

to make his move?

Now come on,
isn't there anything

you can tell us?

If I could, I would
but I can't.

I don't know who
and I don't even

know why!

You'll grant
it wasn't an accident

this morning?

I will now.

I think
you knew it then.

I saw the look
your manager gave you.

Yeah, well,
after what happened

in Oklahoma City
and in Little rock.

I just thought
it was some of

the same ones.

After what happened?

Accidents or what
I thought

was accidents.

Why didn't you
tell us about that

this morning?

Well, what could I say
that somebody's

trying to kill me?

And I don't even know
who it could be or why?

Y'all would have thought
I was a little dingy,

wouldn't you?

No Sir.

I tried to convince
the department

that someone
was out to kill you.

Now, if you
had leveled with me,

we just
might have been able

to convince them.

Yeah, well, maybe
they'll believe

our story now.

[SNIFFLING]

T.J. got killed, Daddy.

I seen them
take his body away.

How did it
come to be, Corley?

A policeman shot him.

MAN: Did he,
did he kill

that Rogers fellow?

Well did he?

No, no, he didn't.

I loved that boy, Corley.

Saw he died, Daddy.

I know it son.
I know you did.

What do I do now?

Do? You do
what I sent you there to do.

What good
would that do?

Ellie's dead
and T.J.'s dead.

That's right.
Your brother's dead,

your sister's dead.

One man's responsible.

You do
what I told you

to do Corley.

Or I swear
you'll never see

that child

you're so fancied on.

[SOBBING] No,
no, Daddy.

Then do it,
Corley, do it.

Okay, I'll do it.

I'll do it, Daddy.

I swear
I'll do it.

[CRYING]

Hey, I won't
be able to give you

the ride I promised.

Oh, that's all right.
I'll hitchhike.

Girls ought
not hitchhike.

You're just
full of things

people should not do.

You better hurry
and join the 20th century

while there's still time.

Things like this,
like running

after celebrities?

Something to do,
some of them

are really nice.

How old are you?
17.

Same as Ellie.
Who?

Tell me,

would you make love
to one of them?

Yeah, I guess
I would, with some

of them anyway.

Why?

[SNICKERING] Are you
putting me on?

No, it's just that
I knew

a girl like you once

and she felt
the same

as you do

and I never
understood why.

It's because
they're who

they are.

I mean
they're way up there

in a far out world, all alone,

and we're
down here.

You look around
and you see

nothing's going for you,

I mean, your whole life
is just one big so what?

Yeah, if I could
climb up there

with them

for even an hour,
it'd be worth it.

I could look back
from then on

no matter
what happens

to me

and say,
"Yeah, I've been there,

I know what it's like."

It's like death.

It's mean
and it's ugly

and it leaves you
more alone

than you were before.

They're only people,
they're not gods.

They're not worth
T.J. dying for.

[CAR HONKING]

Yeah, well, different strokes
for different folks.

See you later.

Hi.
Hi.

I'll tell you what,
you hold that, okay?

Sure.

[CAR ENGINE STARTING]

Are you
anybody important?

Yeah, I'm uh,
Mick Jagger's astrologer.

Hey, what's the name
of that motel

where they all stay?

The autograph place?
Fayette House.

Much obliged.

[MUSIC PLAYING]
[PEOPLE CHATTERING]

You can sing it up,
you all deserve to

because we did it babe.

Say it, we did it!
ALL: Yes. [CHEERING]

500,000 dollars.
We went over the top.

Over the top!

We did...
Well, actually...

Actually we didn't
do it ladies

and gentlemen,

you did it!

You did it from
the bottom of

your bottomless hearts.

You did it because
from sea to shining sea,

there's no one like you.

And there's
no one like me.

So this
is Eddy Chacky saying,

bye-bye

and God bless
every one

of you fantabulous people

and don't forget
to drop down

to the...

Let that be a lesson
to you Webster,

never overlook the obvious.

What may look like
a publicity stunt

may indeed be an
attempted murder.

Well, the words
are familiar Lieutenant

but I can't quite
get the tune,

if you could hum
a few bars, uh...

I'm not going to sing
any apology to you.

You were right
and I was wrong.

Now what about
Marc Rogers?

Well, I pushed him
as hard as I could,

but as far
as he's concerned,

he doesn't
have an enemy

in the world.

WEBSTER: He didn't recognize
this T.J. Corley,

his name or face.

You think
he's holding back?

At first,
I did but...

[INHALES DEEPLY]

Now I'm not
quite sure, I mean, uh,

the guy's
been around, Lieutenant,

he could have
stepped on

thousands of toes

without ever
knowing anything

about it.

Where is he now?

Um, Mike and Jill
took him back

to the motel.

Mike's going to stay with him
till another unit's assigned.

Well, you two
are the other unit,

let's go.

RYKER: I've got some questions
I want to ask him.

DIRECTOR: Thank you,
very much, everybody.

Crew call for eight
tomorrow morning

to strike the set.

Got to arrive sober
but at least arrive.

[ALL BOOING]

Let's go
straight on down

to 307.

See, I hate
to complain

but I think
this thing's

opened up again.

Looks like
it might have.

Yeah, I'll get
the kit

from the car.

You know, it wasn't
too long ago,

I was trying to figure out
how to get you up here.

But, this isn't exactly
what I had in mind.

CORLEY: Sure wished
you hadn't brought

this lady with you.

Sure wished
you hadn't.

[KNOCKING]

[MIKE GROANS]
Mike!

Don't move.
He's all right.

Drag him
in there.

Come on.

Mister, I don't know
who you are

or what the heck
this is all about.

Well, I'll just
take you someplace

we won't be disturbed,

and I'll tell you
who I am.

And I'll tell you
how come

I'm going to kill you.

[CORLEY PANTING]

There's too
many folks

around here.

Now come on,
you go first.

Go that way.

[DOOR OPENING]

Marc! Another little drink?

The toddy
for the body?

[SNICKERS]

After the kind
of day

you've had,

I figured
it sounded

pretty good.

Marc?

Hey come on,
I just make

this offer

about twice
a year,

you know.

Marc! Are
you awake?

Are you in there?

[GRUMBLING]

Hey, I thought
you people

were gonna look after him,

where the dickens
is he?

Mike should've been here
at least 15 minutes ago.

Now, let's
take a look inside.

Closer.

[MIKE MOANING]

He's gone.

He took Jill
and Rogers

with him.

Who? You ever
see him before?

Look, I've got some rye
in the room

if you want to drink.

No, I walked
through that door

and he decked me.

You have any idea
where he

might have taken them?

I was out two seconds
after I came through

that door.

Well there aren't
that many possibilities,

are there, Lieutenant?

Rogers doesn't
know the town,

does he?

Oh, no.

Doesn't sound
like that other guy

with the Tennessee
plates does either.

Alright Webster,
if they're not

in the motel, where are they?

Well, either
he's running

which would be tough
with two hostages

or else
he's gone back

to the only
other place in town

he knows,

the television studio.

[GUN SHOT]

CORLEY: Okay move.
[BREATHING HEAVILY]

Hold it!

[GUN COCKS]

You're going
to kill me?

I got to.

Well, why
are you

doing this?

I mean,
a condemned man's

got rights.

The least of them he
ought to be told

why he's gonna be killed.

Some 'cause
of Ellie.

It's only 'cause
of her dying.

Please don't
do that, miss.

CORLEY: Now, I got
no reason

to hurt you.

Now, I'm just
gonna do, what I

got to do

and I'm going
to leave you here

and they'll find you
in the morning.

And you'll be all right,
just as long as

you do what I tell you.

Now, put that phone
back where it was.

You mind telling me,
who is Ellie?

This ain't no time
to make jokes.

Man, don't
you think

I know that.

[POLICE SIRENS WAILING]

So help me God,
I don't remember her.

Liar!

She told me
all about you

and that night in Nashville.

Now you remember,
don't you?

No.

Ellie?

I'm talking
to you

about Ellie?

Damn it,
you got to

remember her.

She gave you something
she could only give once.

Now, don't you
dirty her name

by telling
you don't remember.

[GUN SHOT]

[MARC SOBBING]

I don't mean
to do that.

I mean I swear it,
but I swear

I don't remember her.

There's been so many.
So many faces,

so many stages.

I swear,
I can't

separate them.

They're just nothing,
no faces or nothing.

They were just a way
to get from sunset

to sun up.

She died for you.

Hey, I mean,
I should

remember her,

she's very pretty.

Not anymore,
she ain't.

She came back
from Nashville,

and she told me,
she says, "Corley,

"Corley," she says,

"I met me
an honest to God

record star."

She was so happy,

even when
she held the baby

in her arms, she was,

[SNIFFLING] she was,
she was...

Even when...

Even when
she was dying,

and you
don't even

remember her.

[CORLEY CRYING]

WEBSTER: This is
the police.

RYKER: Drop that gun!

WEBSTER: Police.
RYKER: Drop the gun.

WEBSTER: Don't move.
Jill, country, over here.

WEBSTER: Police, halt!

Terry, his
name's Corley.

All right, out the back,
please, the two of you.

Listen,
that might help.

Because
he's just afraid.

MIKE: Come on, Jill.

WEBSTER: Corley!

GILLIS: Corley!

Give up. There's no
way out of here.

RYKER: [WHISPERING]
Gillis?

Come on, Corley.

[CORLEY PANTING]

There's no
way out.

Come on.

Put the gun down.

Please.

Yes, Sir.

Slowly.

Look, Corley,

I'm going to read
you your rights,

take you down
to the station.

Today you can
make a phone call,

do you understand?

There ain't nobody
to call but Daddy,

and he ain't
going to want to hear

what I got to tell him.

ELLIE: Corley, I just met me
an honest to God record star.

Well, at least we raised
the money we needed

for the new children's wing.

Assuming everybody you
promised to contribute

actually comes through
with some cash.

Not all of them do,
you know?

Lieutenant,
you are a cynic.

A realist.

A lot of those pledges
are never going to

be backed up.

What about Corley?
What happens to him now?

[POURING]

He does time
if he gets convicted,

that's what
happens to him.

He kidnapped two people,
he conspired to take part

in a murder.

That just doesn't go away
because you want it to.

Yeah, but neither does that
baby back in Tennessee,

Lieutenant.

RYKER: Since he may
become legally involved,

Mark Rogers has shown
a little interest.

Maybe he'll show more
than a little once

he sees the child.

Maybe.

Well, he's right,
you're a cynic.

Sometimes,
I have just cause.

[PHONE RINGING]

Ryker.

[CLICKS TONGUE] Yes, this is
Lieutenant Edward Ryker,

is there something
I can do for ya?

You're calling to verify
my contribution to what?

To the telethon?

Now look here, I
never made any...

$25?

I know this is
a worthy cause

but... I'm going to
get even with you

so help me.

[THEME MUSIC PLAYING]