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Work!
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What you're looking at, as I'm sure you
all know, is a simplified model of
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psychological cyclic behavior.
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But to recap, in the days following the
kill, the killer will experience
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feelings of exhilaration.
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He went through with it. He had the
courage to do it.
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His fantasy has become reality.
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His self -esteem is at its highest. But
Emerson knows who killed Falls. What we
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need is a key to get him to open up.
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If you'll bear with me.
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Now, most of us tend to see serial
killers as cold, calculating monsters
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human feelings.
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Quite the opposite is generally true.
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After the initial exhilaration, guilt
begins to set in.
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They may try to deflect this guilt by
blaming others, as is normally the case
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with copycats.
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However the guilt is expressed, there's
a gradual down surge in the killer's
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self -esteem.
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They feel compelled to regain that self
-esteem, to recapture that brief sense
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of exhilaration.
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The only way in which they can achieve
this is by killing again.
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Of course, it's never the same as the
first time.
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The guilt phase comes more and more
quickly.
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The killer is forced to find new ways to
experience the same feeling.
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How does this help us with Emerson?
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It's my guess that Emerson might well be
approaching a guilt phase.
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How that might manifest itself, I've no
idea.
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But when we find out, we find his
weakness.
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We have the tapes of your telephone
conversations with Laney.
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He gave us them.
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Cheap trick.
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Laney wouldn't do that. Why not?
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Who told you about Margaret Fould?
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Was it Laney? If I'm to help you, I want
something in return.
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What?
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A lock of your hair.
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We don't need you that much.
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Susan.
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We'd like a word, David.
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Back to the OSC.
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He and Lady got the deal.
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The women have to die.
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The balance must be restored.
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I know you mean.
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You do.
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Some women go too far, right?
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Not like everything in nature.
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There's a balance between men and women.
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Exactly.
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And some women upset that balance.
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You know, I really think you're
beginning to understand.
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How do you choose the woman?
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Gravity.
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I don't understand.
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Each of us exudes our own gravitational
force that draws certain people to us.
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Do you hate them, the woman?
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Science has no room for emotion.
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We see ourselves as a scientist.
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Science of killing.
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Natural, logical. The complexity of
structure.
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The natural animal drive tempered with
our own capacity for thought.
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This is my dominion.
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Can it be learned?
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You wish to become my student.
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I want to learn.
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And did you?
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What? Learn.
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I got to know him pretty well, if that's
what you mean.
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How well?
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You know, I really thought we might have
had something, you and me.
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Thought we were sharing something, while
all the time you're screwing me to keep
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me occupied while your body raids my
flat.
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Nice work, officer.
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He didn't know.
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He could be a bloody murder suspect.
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I didn't know that then.
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Bloody stupid!
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None of us have got a life beyond this
place.
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I'm sorry.
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You don't go anywhere near Laney.
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When did the conversation start?
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About a month ago.
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And you didn't think to inform us?
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I had every intention of letting you
know the second I found out anything
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useful.
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How well did you get to know him?
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I've already answered that.
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What, enough to imitate him?
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What? When did you tell me about
Margaret?
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Margaret? You discussed Margaret Foulds
with Emerson when?
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Wait a minute, just... What the hell has
Margaret Foulds got to do with this?
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Look, OK, I'm a naughty boy, I should
have given you the tapes, but this is
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research, pure and simple. Surely you
can see that?
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Emily Hawkins is dead.
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Was that part of your research?
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That was your balls up, don't pin it on
me.
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Daddy! No!
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Some women go too far.
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She deserved it.
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I want to learn.
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Research? I was drawing him out, getting
his trust. It's a recognised technique.
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Nothing on those tapes would have saved
Emily Hawkins. What about Margaret
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Fowles? What is this?
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Fowles is dead.
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He seemed surprised by Fould's death.
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He was bluffing.
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Everything on the tapes supports his
research claim.
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So we can't make conspiracy.
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His life's already kicking up a fuss.
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The best we can do him for is
withholding evidence.
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Even that's on dodgy ground.
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There's nothing on the tapes we didn't
already know.
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Emerton knew about Fould.
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Laney was in contact with Emerton and
doesn't have an alibi for the time Fould
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was killed.
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Nor did he have a motive for killing
her, as far as I can see. Well, he knew
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about her. He wrote about her.
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I thought that was his job.
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Keeping him here gets us nowhere.
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Heavy surveillance might.
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Hello, Ronnie coming?
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Yeah, this is Ronnie. Yeah, you want to
try hanging a flag out the window?
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I can see your bloody lens.
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Sorry, sir. I'll move back a bit.
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Boy, he needs a good shagging.
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You got any suggestions?
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Has he moved yet? Over.
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He's still leaning on the wall outside
the building. Over.
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He's been there for three hours.
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What the hell's he playing at?
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Let's go see.
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What do you want?
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Back in there, though everyone knew.
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You've been waiting here all this time
to tell me that. I just wanted you to
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know.
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Come in, please.
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Cregan here.
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He's just made a call.
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Where to?
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D .I. Taylor's flat.
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There's no reply.
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Thanks, Ronnie.
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I refuse to feel guilty about this. Did
I say anything? And I do not want an
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issue made out of it.
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You keep it to yourself, okay?
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And no sucky bloody remarks about me
doing the same. Never cross my mind.
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Don't lose him.
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Are you nothing if not the system?
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My best future.
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Do I get to come in?
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I don't think that's a good idea.
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Right.
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So this is the brush off then, is it?
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What are you telling me, you don't want
me anymore, is that it?
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See, I don't actually believe that.
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I think you should go.
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Okay.
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It's Cregan, isn't it?
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Cregan?
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It's okay.
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I've got a picture.
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We're all like this.
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What are you doing? You can't go in
there.
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Lainey ran a story about Fowles, the
over -the -top great MP, et cetera, et
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cetera. He built her up into some kind
of hero.
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She wasn't the only one.
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I'm locking up now.
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Excuse me.
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I'm locking up.
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Finishing my coffee.
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You've been nursing that for an hour.
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Paid for it. Yeah, well, don't give you
the right to live here.
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What did you say?
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Sorry?
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What did you just say?
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Deborah Highsmith.
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High -flying lawyer.
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She was tipped to become a judge.
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Found dead six months ago.
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By all accounts, took an overdose.
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Margaret Falls, we all know about. Both
women in positions of power.
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Both with hidden secrets.
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One suicide, one murder.
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But you won't.
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Let's start with an apology.
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There's money in the till.
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What's your name?
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What?
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Your name.
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00:17:09,829 --> 00:17:10,879
It's Jan.
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Jan. Well, Jan, you've a bit of a sharp
tongue, haven't you?
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Haven't you? Yeah.
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Yeah. Whatever.
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There's money in the till. Just take it,
please. Just take it.
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00:17:25,510 --> 00:17:27,500
I don't want the money. I want an
apology.
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00:17:29,070 --> 00:17:31,120
I don't understand what you want me to
do.
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Apology!
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I'm sorry.
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00:17:37,550 --> 00:17:38,600
What?
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00:17:39,710 --> 00:17:40,760
I'm sorry.
201
00:17:41,870 --> 00:17:43,670
You see, I don't really think you are.
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00:17:43,671 --> 00:17:48,109
Laney wrote stories about their success,
followed by stories about their
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secrets, and now they're both dead. He's
a reporter.
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00:17:50,450 --> 00:17:54,649
He built them up, he gave them coverage,
made them into celebrities, role
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models, and then he destroyed them.
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00:17:57,591 --> 00:18:02,139
Highsmith committed suicide after Laney
ran the story. He was doing exactly the
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same to Margaret Fould.
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You're not really sorry.
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00:18:05,420 --> 00:18:07,060
None of you are ever really sorry.
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You get a little bit of power and you
think that makes you something special.
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00:18:13,760 --> 00:18:17,699
There's a definite pattern here. Too
many connections to Laney. The collage
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00:18:17,700 --> 00:18:22,360
Emerson's wall. Every headline written
by Laney. Both victims women in power.
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00:18:22,540 --> 00:18:26,150
The conversations with Emerson.
Emerson's knowledge of Fould's death.
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Emerson saw it.
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00:18:27,500 --> 00:18:29,240
He understood the nature of things.
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The natural balance between the strong
and the weak.
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Between men and women.
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00:18:33,761 --> 00:18:37,479
We let Laney go because we couldn't see
his motive for killing folks. Now we
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have one. Women in power.
220
00:18:39,280 --> 00:18:40,660
You looked at the other case.
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Definitely suicide.
222
00:18:42,660 --> 00:18:44,830
So why all of a sudden did he turn to
murder?
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00:18:45,700 --> 00:18:46,750
Sorry to interrupt.
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00:18:46,751 --> 00:18:47,859
What is it?
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Laney's gone AWOL.
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00:18:51,020 --> 00:18:52,680
I don't ask for much. Just a little.
227
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A little respect.
228
00:18:54,171 --> 00:18:57,259
A little atonement. Do you know what
that means?
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Assumption of conscience.
230
00:18:58,780 --> 00:19:01,790
Dependence for what you've done. For
upsetting the balance.
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00:19:03,540 --> 00:19:04,780
Is that so much to ask?
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Any number of rows leading off.
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Could be anywhere.
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00:19:22,260 --> 00:19:24,000
There's something you should know.
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00:19:26,850 --> 00:19:29,870
Back at the shack, I could have killed
Emerson.
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00:19:32,450 --> 00:19:37,470
He was dragging Emily into the shack,
and I had my gun on his back.
237
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A clear shot.
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And I... I just couldn't pull the
trigger.
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00:19:54,670 --> 00:19:59,550
I hadn't killed a man before. It was
just... You say something for God's
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00:20:08,390 --> 00:20:09,440
Get out.
241
00:20:10,370 --> 00:20:12,010
What? Get out.
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00:20:12,410 --> 00:20:13,460
You're kidding.
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It happens, right? I mean,
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it must have been the same for you. I
mean, the first time... Get out of the
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car!
246
00:21:49,699 --> 00:21:50,749
Still here?
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That makes two of us.
248
00:21:56,820 --> 00:21:58,080
You should get some sleep.
249
00:21:59,900 --> 00:22:00,950
So should you.
250
00:22:06,760 --> 00:22:07,810
Regan.
251
00:22:15,960 --> 00:22:17,010
I'm leaving now.
252
00:22:24,280 --> 00:22:28,040
Joe, Joe, I'd like to meet Detective
Inspector David Cregan.
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00:22:29,060 --> 00:22:30,580
He's my good buddy from work.
254
00:22:33,700 --> 00:22:35,680
Buddies look out for each other, right?
255
00:22:37,580 --> 00:22:39,560
To manage.
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00:22:42,560 --> 00:22:44,800
First, I need a slice.
257
00:22:47,500 --> 00:22:49,420
How many people have you killed, Dave?
258
00:22:52,380 --> 00:22:53,430
How many?
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He doesn't want to talk about it.
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00:23:03,250 --> 00:23:04,990
Nobody wants to talk about it.
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You know how many I've killed?
262
00:23:17,310 --> 00:23:18,360
Zilch.
263
00:23:20,530 --> 00:23:22,210
Big fat zero.
264
00:23:26,160 --> 00:23:27,210
I've had my chances.
265
00:23:29,520 --> 00:23:33,679
And no shortage of opportunities. I just
never got around to pulling that
266
00:23:33,680 --> 00:23:34,730
trigger.
267
00:23:38,400 --> 00:23:40,450
I guess that means I'll go to heaven,
eh?
268
00:23:43,060 --> 00:23:45,350
What do you think, Dave? You not go to
heaven?
269
00:23:46,200 --> 00:23:47,400
You want to go to heaven?
270
00:23:48,380 --> 00:23:49,430
Get another job.
271
00:23:53,200 --> 00:23:54,860
Be full of people like me, heaven.
272
00:23:56,140 --> 00:23:57,190
Nice people.
273
00:23:58,660 --> 00:24:01,380
No bulls. And gallopsters.
274
00:24:01,640 --> 00:24:02,690
Nice.
275
00:25:08,260 --> 00:25:09,310
Come on.
276
00:25:09,360 --> 00:25:10,410
She's my daughter.
277
00:25:10,760 --> 00:25:12,320
Yeah, but you can't come in here.
278
00:25:12,820 --> 00:25:13,870
I want her back.
279
00:25:14,020 --> 00:25:17,630
Look, I understand, and I'm sorry for
you, but you've got to come with us.
280
00:25:17,760 --> 00:25:19,420
I won't leave without her. Come on.
281
00:25:21,460 --> 00:25:24,230
I'm not leaving without her. Come on, I
want her back. No!
282
00:25:59,310 --> 00:26:00,750
I did what I thought was right.
283
00:26:00,890 --> 00:26:01,940
Look at it.
284
00:26:01,941 --> 00:26:04,329
You wanted to be the hero.
285
00:26:04,330 --> 00:26:05,750
No. Get your name in the paper.
286
00:26:06,510 --> 00:26:07,770
Offer to save the day. No.
287
00:26:08,890 --> 00:26:11,180
That's all it was to you, a bloody
career move.
288
00:26:11,790 --> 00:26:13,030
I had to make a decision.
289
00:26:13,270 --> 00:26:14,410
You had to wait for help.
290
00:26:15,150 --> 00:26:17,930
That's what you had to do. That was all
you had to do. Wait.
291
00:26:19,090 --> 00:26:20,140
How bad is that?
292
00:26:20,141 --> 00:26:23,489
If I'd waited for you, I'd be ready to
help you. She'd still be alive.
293
00:26:23,490 --> 00:26:24,540
We don't know that.
294
00:26:24,790 --> 00:26:28,160
I said this is lying and not bloody
French. And you put it out, Cregan.
295
00:26:37,610 --> 00:26:38,660
Oh, I'm paying.
296
00:26:56,790 --> 00:26:57,950
She's a bit of a mess.
297
00:26:57,951 --> 00:27:01,409
Jugular veins severed with a knife and
the killer's made a hand -fisted attempt
298
00:27:01,410 --> 00:27:02,460
to cut off her hair.
299
00:27:15,760 --> 00:27:18,620
But when he came to see you last night,
what did he want?
300
00:27:20,060 --> 00:27:21,560
To know if we were still an item.
301
00:27:22,980 --> 00:27:24,180
I gave him a brush off.
302
00:27:26,860 --> 00:27:28,560
A few hours later, he killed again.
303
00:27:43,300 --> 00:27:44,680
What do you think you'll do?
304
00:27:46,250 --> 00:27:47,330
You have to find Laney.
305
00:27:47,650 --> 00:27:48,700
No.
306
00:27:50,170 --> 00:27:51,450
I won't let you do this.
307
00:27:55,370 --> 00:27:56,870
What the hell else have we got?
308
00:28:35,220 --> 00:28:36,270
Definitely you.
309
00:28:37,840 --> 00:28:39,140
I'll save it for later.
310
00:28:39,860 --> 00:28:41,320
Oh, I will favour it.
311
00:28:43,960 --> 00:28:45,260
Where do we find Lane?
312
00:28:46,700 --> 00:28:48,080
Something new has happened.
313
00:28:48,480 --> 00:28:49,860
Or else you wouldn't be here.
314
00:28:50,100 --> 00:28:51,300
He killed another woman.
315
00:28:52,020 --> 00:28:53,080
A cafe owner.
316
00:28:53,540 --> 00:28:54,920
And what was their history?
317
00:28:55,780 --> 00:28:56,830
Ordinary.
318
00:28:57,320 --> 00:29:00,320
Married woman, two kids, mortgage, small
business.
319
00:29:00,760 --> 00:29:02,260
No skeletons in the cupboard?
320
00:29:02,440 --> 00:29:03,700
None that we were aware of.
321
00:29:04,650 --> 00:29:05,910
And where did he kill her?
322
00:29:06,150 --> 00:29:07,290
In the cafe she had.
323
00:29:08,650 --> 00:29:10,430
An interesting aberration.
324
00:29:12,830 --> 00:29:14,530
What is Lainey's fixation?
325
00:29:15,050 --> 00:29:16,110
Women in power.
326
00:29:16,370 --> 00:29:17,420
Women in power.
327
00:29:17,630 --> 00:29:19,530
His drive and his weakness.
328
00:29:19,870 --> 00:29:22,650
He desires them and he despises that
desire.
329
00:29:23,390 --> 00:29:27,670
How can a man reconcile his need for
domination with his need to remain a
330
00:29:29,270 --> 00:29:31,370
By killing the thing he desires.
331
00:29:31,790 --> 00:29:32,890
You're a fast learner.
332
00:29:33,480 --> 00:29:34,920
He didn't deny the cafe owner.
333
00:29:34,980 --> 00:29:36,480
He's chosen another victim.
334
00:29:37,020 --> 00:29:38,640
But this victim is difficult.
335
00:29:39,180 --> 00:29:40,230
Scares him.
336
00:29:40,580 --> 00:29:41,800
But he needs to kill.
337
00:29:42,080 --> 00:29:43,130
He must.
338
00:29:43,680 --> 00:29:48,240
The cafe owner, a chance encounter,
satiate the need.
339
00:29:49,020 --> 00:29:50,700
But simply marking time.
340
00:29:51,140 --> 00:29:52,640
How does that help us find him?
341
00:29:53,220 --> 00:29:55,140
You already know what to look for him.
342
00:29:55,980 --> 00:29:58,840
A writer can't help but bare his soul.
343
00:29:59,840 --> 00:30:02,670
The other victims were attacked first in
the newspaper.
344
00:30:04,490 --> 00:30:05,590
He's coming after you.
345
00:30:07,270 --> 00:30:08,590
You need some protection.
346
00:30:09,110 --> 00:30:10,670
Bodyguards, maybe a safe house.
347
00:30:12,050 --> 00:30:15,530
He's obsessed with women in power. I
don't think it's me who needs
348
00:31:03,760 --> 00:31:04,810
Can't sleep?
349
00:31:06,700 --> 00:31:07,750
How did you get in?
350
00:31:08,720 --> 00:31:10,340
What a wonderful night together.
351
00:31:10,640 --> 00:31:11,690
Find your spare key.
352
00:31:14,120 --> 00:31:15,170
What do you want?
353
00:31:15,200 --> 00:31:16,460
I'll have to see you again.
354
00:31:17,540 --> 00:31:18,590
Don't move.
355
00:31:18,920 --> 00:31:19,970
Looks like you got me.
356
00:31:21,160 --> 00:31:22,960
Does it make you feel strong, Susan?
357
00:31:23,020 --> 00:31:24,160
The gun in your hand.
358
00:31:24,440 --> 00:31:25,700
Does it give you the edge?
359
00:31:25,860 --> 00:31:27,180
Throw it to the living room.
360
00:31:36,650 --> 00:31:37,700
Go ahead, Mark.
361
00:31:37,830 --> 00:31:40,060
Yeah, we've got another message from
Laney.
362
00:31:41,610 --> 00:31:42,660
You trace it?
363
00:31:43,710 --> 00:31:44,910
Came from the Daily News.
364
00:31:46,130 --> 00:31:47,450
Right, I'll meet you there.
365
00:31:47,830 --> 00:31:49,030
Control, this is Cregan.
366
00:31:49,670 --> 00:31:53,710
Control. Yeah, DI Taylor's flat. I want
two cars, front and back.
367
00:31:54,090 --> 00:31:55,830
And don't let her know you're there.
368
00:32:04,130 --> 00:32:05,180
You calling him?
369
00:32:19,709 --> 00:32:21,329
Cregan. You don't need him, Susan.
370
00:32:23,670 --> 00:32:24,720
Just you and me.
371
00:32:27,570 --> 00:32:28,620
What are you doing?
372
00:32:30,170 --> 00:32:31,490
Giving you another chance.
373
00:32:33,230 --> 00:32:34,490
To make the right choice.
374
00:32:35,320 --> 00:32:36,370
Stop it.
375
00:32:37,260 --> 00:32:38,310
You and me.
376
00:32:39,120 --> 00:32:40,170
We belong together.
377
00:32:40,700 --> 00:32:41,750
Need each other.
378
00:32:43,340 --> 00:32:44,700
I would do anything for you.
379
00:32:47,140 --> 00:32:48,320
You just have to name it.
380
00:32:49,100 --> 00:32:50,150
Get dressed.
381
00:32:50,440 --> 00:32:52,240
Just think what we could be together.
382
00:33:02,560 --> 00:33:04,670
I thought about trusting you. I really
did.
383
00:33:06,960 --> 00:33:08,200
A little voice said no.
384
00:33:10,400 --> 00:33:11,540
The voice was right.
385
00:33:21,900 --> 00:33:23,040
Tomorrow's front page.
386
00:34:12,480 --> 00:34:13,530
Welcome home.
387
00:34:16,040 --> 00:34:17,090
Why here?
388
00:34:21,120 --> 00:34:22,620
The scene of your great arrest.
389
00:34:23,760 --> 00:34:25,020
And Cregan's big mistake.
390
00:34:25,651 --> 00:34:32,138
I've managed to swing some extra
manpower. We've got over 100 officers at
391
00:34:32,139 --> 00:34:34,279
disposal. The question is, where do they
start looking?
392
00:34:34,280 --> 00:34:35,319
Could be anywhere.
393
00:34:35,320 --> 00:34:37,899
The part that he sent a message, it left
his ego driven.
394
00:34:37,900 --> 00:34:40,159
He had the need to let us know, to
involve us.
395
00:34:40,160 --> 00:34:43,649
It isn't enough for him to kill. He has
a desire to feel clever, to feel he's
396
00:34:43,650 --> 00:34:44,629
outsmarting us.
397
00:34:44,630 --> 00:34:46,309
Which means we might have missed
something.
398
00:34:46,310 --> 00:34:47,630
Emerson knows where she is.
399
00:34:48,770 --> 00:34:49,820
Who's this?
400
00:34:50,449 --> 00:34:51,589
Where did you get that?
401
00:34:51,770 --> 00:34:54,730
Bedroom chest, bottom drawer, under old
tights.
402
00:34:55,389 --> 00:34:56,439
Someone special.
403
00:34:57,290 --> 00:34:58,340
Name? Jonathan.
404
00:34:58,790 --> 00:34:59,840
An old boyfriend.
405
00:34:59,841 --> 00:35:00,749
We're engaged.
406
00:35:00,750 --> 00:35:01,800
Where is he now?
407
00:35:02,730 --> 00:35:03,780
He died.
408
00:35:04,890 --> 00:35:05,940
Shame.
409
00:35:08,300 --> 00:35:10,590
And you've never found anyone like him
since.
410
00:35:11,140 --> 00:35:14,720
You keep looking, hoping this will be
the one, but it's never the same.
411
00:35:15,620 --> 00:35:20,620
All those partners, all those men, none
of them were ever Jonathan.
412
00:35:21,360 --> 00:35:22,620
Why are you doing this?
413
00:35:24,380 --> 00:35:25,430
What about me?
414
00:35:25,900 --> 00:35:26,980
How did I compare?
415
00:35:28,600 --> 00:35:29,650
You didn't.
416
00:35:30,140 --> 00:35:31,190
What about Cregan?
417
00:35:33,020 --> 00:35:34,070
Nobody compared.
418
00:35:36,480 --> 00:35:37,920
You're lucky, you know that?
419
00:35:39,670 --> 00:35:41,230
Right now, I don't feel so lucky.
420
00:35:41,231 --> 00:35:44,809
You have someone special, even for just
a short time. Some people go through
421
00:35:44,810 --> 00:35:46,550
their whole lives looking, hoping.
422
00:35:47,470 --> 00:35:48,520
Nothing happens.
423
00:35:49,570 --> 00:35:50,620
Like you.
424
00:35:51,770 --> 00:35:53,390
I thought maybe you were special.
425
00:35:53,391 --> 00:35:57,889
I didn't reckon on Cregan. I've told you
before, there's nothing... Don't lie to
426
00:35:57,890 --> 00:35:59,750
me. I'm not lying. You're always lying!
427
00:35:59,751 --> 00:36:03,029
Cheating anything together you want to
go, and it doesn't matter how many
428
00:36:03,030 --> 00:36:04,080
get screwed!
429
00:36:05,610 --> 00:36:06,660
That's not true.
430
00:36:10,670 --> 00:36:12,050
You want me to turn this off?
431
00:36:12,950 --> 00:36:15,540
What does it matter? You're going to
kill me anyway.
432
00:36:23,530 --> 00:36:24,790
Blaine kidnapped Taylor.
433
00:36:24,791 --> 00:36:27,729
I had a feeling he would, and do you
have a feeling where he might have taken
434
00:36:27,730 --> 00:36:29,450
her? I have some ideas.
435
00:36:29,930 --> 00:36:30,980
So tell us.
436
00:36:31,650 --> 00:36:33,570
Events must take their natural course.
437
00:36:34,010 --> 00:36:35,060
I can't interfere.
438
00:36:38,290 --> 00:36:39,550
What have you got to lose?
439
00:36:40,060 --> 00:36:41,110
My life's work.
440
00:36:43,460 --> 00:36:44,510
I must prevail.
441
00:36:46,420 --> 00:36:48,120
I think I've said enough.
442
00:36:53,180 --> 00:36:54,560
That night we were together.
443
00:36:58,040 --> 00:37:00,390
I haven't felt so close to anyone in a
long time.
444
00:37:03,300 --> 00:37:04,560
I thought you should know.
445
00:37:07,340 --> 00:37:09,140
I wondered how long it would take you.
446
00:37:10,860 --> 00:37:12,200
What? Cheap psychology.
447
00:37:12,580 --> 00:37:14,020
Gotta trust to keep him sweet.
448
00:37:14,021 --> 00:37:15,219
It's the truth.
449
00:37:15,220 --> 00:37:16,270
It's your job.
450
00:37:17,460 --> 00:37:19,780
Right now you'd say or do anything to
survive.
451
00:37:20,560 --> 00:37:23,700
No. Oh, I love you, David. You're so
great.
452
00:37:23,900 --> 00:37:24,950
I know what happens.
453
00:37:25,920 --> 00:37:27,480
I've seen it before, remember?
454
00:37:29,380 --> 00:37:33,580
Emerson brought us here, and Emerson
will force you to kill me.
455
00:37:52,080 --> 00:37:53,160
No luck with Emerson.
456
00:37:53,520 --> 00:37:55,000
I can't find his weakness.
457
00:37:55,380 --> 00:37:56,430
It'll be there.
458
00:37:56,980 --> 00:38:00,860
You said guilt would weaken his self
-esteem. Well, I've seen no sign of
459
00:38:01,920 --> 00:38:05,050
I mean, this guy honestly believes he's
going to go on forever.
460
00:38:05,740 --> 00:38:08,150
But what would it take to maintain that
belief?
461
00:38:11,420 --> 00:38:15,210
More killings. And if he can't do them
himself, he experiences them by proxy.
462
00:38:17,960 --> 00:38:20,130
Taylor giving him the look of hell.
Exactly.
463
00:38:20,180 --> 00:38:23,850
He believes he's continuing through
others and in strange ways, right?
464
00:38:25,660 --> 00:38:26,710
Wait a minute.
465
00:38:28,640 --> 00:38:29,690
What?
466
00:38:30,660 --> 00:38:31,710
His weakness.
467
00:38:34,080 --> 00:38:35,740
He needs people to believe in him.
468
00:39:20,750 --> 00:39:22,310
Thanks. Tell me about Lainey.
469
00:39:22,590 --> 00:39:23,970
Your relationship with him.
470
00:39:24,250 --> 00:39:25,300
Our relationship?
471
00:39:25,970 --> 00:39:27,790
Teacher, pupil, master student.
472
00:39:28,210 --> 00:39:30,430
How he was so repressed. I set him free.
473
00:39:30,730 --> 00:39:32,230
And now you live on through him.
474
00:39:32,470 --> 00:39:34,970
The power lives on. We simply serve it.
475
00:39:35,210 --> 00:39:36,830
He made you into a household name.
476
00:39:37,230 --> 00:39:38,550
I simply wrote what he saw.
477
00:39:39,270 --> 00:39:41,190
Got you your place in the history books.
478
00:39:42,950 --> 00:39:44,210
Where's this leading us?
479
00:39:44,310 --> 00:39:45,360
It's today's paper.
480
00:39:58,990 --> 00:40:00,250
He's taken over, Emerson.
481
00:40:02,190 --> 00:40:03,430
Donning your mantle.
482
00:40:05,390 --> 00:40:06,440
He wouldn't.
483
00:40:06,950 --> 00:40:09,300
He'd take the credit for all the other
murders.
484
00:40:12,610 --> 00:40:14,050
You know that's not true.
485
00:40:14,350 --> 00:40:15,400
Oh, I know.
486
00:40:17,890 --> 00:40:19,450
But what will the public think?
487
00:40:20,750 --> 00:40:22,370
What will the history books say?
488
00:40:25,450 --> 00:40:26,710
What are you waiting for?
489
00:40:28,350 --> 00:40:29,610
Why don't you kill me now?
490
00:40:30,230 --> 00:40:32,030
Everything at the appropriate time.
491
00:40:32,390 --> 00:40:34,190
You're waiting for Cregan to find me.
492
00:40:35,810 --> 00:40:36,860
What if he doesn't?
493
00:40:36,950 --> 00:40:38,000
He will.
494
00:40:39,430 --> 00:40:42,430
When you kill me, what will be the
reason?
495
00:40:42,770 --> 00:40:44,710
Reason? I don't need a reason.
496
00:40:45,410 --> 00:40:46,550
I just have to be myself.
497
00:40:47,310 --> 00:40:48,390
A natural self.
498
00:40:48,590 --> 00:40:50,880
You're even beginning to sound like
Emerson.
499
00:40:51,490 --> 00:40:53,540
I don't believe you want to be doing
this.
500
00:40:53,910 --> 00:40:54,960
Not the real you.
501
00:40:57,160 --> 00:40:59,020
What would you know about the real me?
502
00:40:59,700 --> 00:41:01,300
I know the you I saw that night.
503
00:41:03,220 --> 00:41:06,940
You thought you could manipulate him,
control him. He'd left you behind,
504
00:41:06,941 --> 00:41:09,539
Emerson. Stolen your image. Destroyed
your reputation.
505
00:41:09,540 --> 00:41:10,590
Enough!
506
00:41:10,640 --> 00:41:12,780
This is as it should be.
507
00:41:13,000 --> 00:41:15,160
He was the one manipulating you. No.
508
00:41:15,480 --> 00:41:16,580
We had an agreement.
509
00:41:16,940 --> 00:41:20,840
If ever I was killed or arrested, he
would continue my work.
510
00:41:21,100 --> 00:41:25,660
It's his work now. No. He told you about
Foltz. He... This is...
511
00:41:26,010 --> 00:41:27,060
This is wrong.
512
00:41:27,250 --> 00:41:30,980
You're losing control, Emerson. Lainey
has the control. I have the control.
513
00:41:31,070 --> 00:41:32,120
Me. Me.
514
00:41:34,950 --> 00:41:36,000
So use it.
515
00:41:44,230 --> 00:41:46,710
He told me about driving the woman to
suicide.
516
00:41:47,890 --> 00:41:51,450
Said he would do the same to Falls. I
told him that wasn't enough.
517
00:41:52,230 --> 00:41:53,350
Killing by proxy.
518
00:41:54,410 --> 00:41:56,310
You can't hate words.
519
00:41:56,730 --> 00:41:57,780
Where's Taylor?
520
00:41:58,070 --> 00:41:59,410
Did you leave a message?
521
00:41:59,870 --> 00:42:01,850
He said, I'm sending you a reward.
522
00:42:03,790 --> 00:42:07,170
It's the same message I sent him before
I killed Emily Hawkins.
523
00:42:09,930 --> 00:42:11,610
He's recreating her death.
524
00:42:14,430 --> 00:42:15,480
The shack.
525
00:42:17,050 --> 00:42:18,100
Regan!
526
00:42:20,010 --> 00:42:21,710
Don't hesitate this time.
527
00:42:33,930 --> 00:42:35,430
You think you know the real me?
528
00:42:37,250 --> 00:42:38,300
Do you know this man?
529
00:42:42,070 --> 00:42:43,630
Sometimes I have this daydream.
530
00:42:43,970 --> 00:42:46,740
It can happen any time. I can be walking
down some street.
531
00:42:47,230 --> 00:42:48,280
What do you see?
532
00:42:49,350 --> 00:42:50,400
Women.
533
00:42:50,510 --> 00:42:52,800
Strangers. I don't know them, but I
watch them.
534
00:42:53,070 --> 00:42:54,870
Do they know they're being watched?
535
00:42:54,990 --> 00:42:56,790
Sometimes. And how do they react?
536
00:42:57,510 --> 00:42:58,560
Fear.
537
00:42:58,790 --> 00:43:01,370
They catch me watching and I see fear in
their eyes.
538
00:43:02,670 --> 00:43:04,050
How does that make you feel?
539
00:43:04,910 --> 00:43:05,960
In control.
540
00:43:05,961 --> 00:43:09,689
And then the daydream comes, and I seem
as though following someone, hunting
541
00:43:09,690 --> 00:43:10,709
them down.
542
00:43:10,710 --> 00:43:13,070
Do you kill them in your dream?
543
00:43:14,550 --> 00:43:17,730
Not to begin with, but lately, I'm not
sure.
544
00:43:18,790 --> 00:43:21,440
How would you feel if I told you these
are not dreams?
545
00:43:21,441 --> 00:43:23,529
Of course they're dreams.
546
00:43:23,530 --> 00:43:25,429
What are dreams but alternate realities?
547
00:43:25,430 --> 00:43:27,850
A parallel dominion where you can be
king.
548
00:43:30,370 --> 00:43:32,050
I haven't actually killed anyone.
549
00:43:32,350 --> 00:43:33,400
How can you know?
550
00:43:33,810 --> 00:43:35,590
What's imagined, what's real.
551
00:43:35,591 --> 00:43:40,109
What are you saying, that I've killed
these women?
552
00:43:40,110 --> 00:43:41,550
How would you feel if you had?
553
00:43:43,310 --> 00:43:44,360
Complete.
554
00:43:48,610 --> 00:43:49,660
The real me.
555
00:43:51,390 --> 00:43:53,130
Do you think this is a dream, David?
556
00:43:53,510 --> 00:43:54,560
What?
557
00:43:54,650 --> 00:43:55,700
All of this, us.
558
00:43:56,350 --> 00:43:57,490
It's just a dream to you.
559
00:43:57,491 --> 00:44:00,589
Nobody knows for sure what's real,
what's imagined.
560
00:44:00,590 --> 00:44:01,640
This is real, David.
561
00:44:03,149 --> 00:44:05,810
His rope's real. That knife's real. You
and me.
562
00:44:06,110 --> 00:44:07,160
Shut up.
563
00:44:07,590 --> 00:44:09,310
Emerson was manipulating you.
564
00:44:09,730 --> 00:44:10,970
And he still is. No.
565
00:44:11,610 --> 00:44:12,660
My choice.
566
00:44:13,350 --> 00:44:14,400
I let them inside.
567
00:44:18,510 --> 00:44:19,560
I should go in.
568
00:44:20,630 --> 00:44:23,460
He was recreating Emily's death. He
needs you to be there.
569
00:44:23,650 --> 00:44:26,000
Maybe he won't kill her if it's me. I
have to go in.
570
00:44:27,350 --> 00:44:29,880
You don't have to worry. I can do this.
Another time?
571
00:44:31,530 --> 00:44:32,580
Laney's mine.
572
00:44:39,950 --> 00:44:41,190
First time I killed a man.
573
00:44:42,350 --> 00:44:43,650
And then he destroyed me.
574
00:44:45,870 --> 00:44:46,920
And me or him.
575
00:44:48,330 --> 00:44:49,430
I had no choice.
576
00:44:52,290 --> 00:44:54,070
I remember every detail.
577
00:44:56,410 --> 00:44:58,760
Movement of every muscle on his face as
he died.
578
00:45:01,330 --> 00:45:06,550
I felt this... rush of life.
579
00:45:08,750 --> 00:45:10,010
Most alive I've ever felt.
580
00:45:11,370 --> 00:45:12,420
Enjoyed it?
581
00:45:13,250 --> 00:45:14,300
No.
582
00:45:16,210 --> 00:45:17,510
But I didn't feel guilty.
583
00:45:19,670 --> 00:45:20,720
Not then.
584
00:45:21,250 --> 00:45:22,300
No emotion.
585
00:45:22,650 --> 00:45:29,110
But later, when I had to watch him die
over and over,
586
00:45:29,270 --> 00:45:31,050
then there was emotion.
587
00:45:33,030 --> 00:45:34,080
Too much.
588
00:45:35,650 --> 00:45:36,710
You felt that?
589
00:45:36,981 --> 00:45:38,849
I still do.
590
00:45:38,850 --> 00:45:39,930
How do you keep it out?
591
00:45:40,550 --> 00:45:41,600
Get rid of it?
592
00:45:41,870 --> 00:45:42,920
You don't.
593
00:45:44,430 --> 00:45:45,480
I'm still here.
594
00:45:47,250 --> 00:45:48,650
There is hope, David.
595
00:45:50,770 --> 00:45:52,330
I can help you find it.
596
00:45:53,270 --> 00:45:54,320
You'd help me?
597
00:45:55,930 --> 00:45:57,110
We can help each other.
598
00:46:01,850 --> 00:46:03,030
You really are special.
599
00:46:18,961 --> 00:46:20,649
What'd we do?
600
00:46:20,650 --> 00:46:21,700
We covered it up.
601
00:46:41,390 --> 00:46:42,440
What's wrong?
602
00:46:44,350 --> 00:46:45,400
Shit!
603
00:46:45,401 --> 00:46:46,309
David, no!
604
00:46:46,310 --> 00:46:47,990
You don't want to do this. Stop!
605
00:46:50,090 --> 00:46:51,450
He won't kill me.
606
00:46:52,010 --> 00:46:53,060
He won't.
607
00:46:54,030 --> 00:46:56,490
He doesn't want to kill me. Shut up!
608
00:46:56,950 --> 00:46:58,510
Put the knife down, David.
609
00:46:59,010 --> 00:47:00,060
I can't.
610
00:47:02,130 --> 00:47:03,180
I've been waiting.
611
00:47:04,110 --> 00:47:08,370
I have to. I have to. He's not Emerson
Cregan.
612
00:47:09,610 --> 00:47:12,130
What? He isn't Emerson.
613
00:47:14,050 --> 00:47:16,710
He doesn't want to kill me and he won't.
614
00:47:17,890 --> 00:47:20,120
Put the knife down. Put the knife down,
David.
615
00:47:20,760 --> 00:47:23,230
You don't have to do anything you don't
want to do.
616
00:47:23,480 --> 00:47:25,380
Put the knife down and I'll help you.
617
00:47:57,540 --> 00:47:58,820
Mark, put the gun away!
618
00:48:02,900 --> 00:48:04,940
You stupid bastard!
619
00:48:06,280 --> 00:48:08,760
What? He wasn't going to kill me!
620
00:48:09,040 --> 00:48:10,840
He had a bloody knife at your throat!
621
00:48:12,080 --> 00:48:13,780
You saw it, he had a knife!
622
00:48:13,830 --> 00:48:18,380
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