All language subtitles for The.Arrangement.2017.S01E05.Temptation.1080p.AMZN.WEB-DL.DDP5.1.H.264-CRUD_track3_[eng]

Previously on
"The Arrangement"...

Have you ever been up to
the Institute?

-Nope.
-Some people find it weird.

Well, it obviously
worked for you.

I wouldn't be here
without it.

So it's true?
I'm being replaced.

I got a call
from Amelia's rep.

He's Institute, so we know
how that works.

- Megan.
- Have you looked at

the language in this contract?

He's expecting you to be
the perfect girlfriend.

And I'm sorry, but we both know
you haven't been perfect.

I'm not on the list,
but I love your play.

Every actor who walks in here
tells me they love my play.

And have you found
your Kate yet?

We'll read your script,
but you're just going to

need to be patient.

I found someone for us.

DeAnn, this is Annika.

I'm not so good
at being patient.

You make things look one way,
and then Terence

snaps his fingers, and you
become a different person.

I wasn't worth knowing
when I met Terence.

And everything I have that's
good in my life--including you--

I have because of Terence.
It's just gonna take time.

People always ask me
if it was really me

jumping off that suspension
bridge in "AWOL."

The answer is yes.
I was the only one

to jump off that very,
very tall bridge.

I was also the only one
who couldn't stop

shaking beforehand.

Now, why do you think
I was shaking?

Because you were scared.

I was cold.

All right, maybe I was
a little bit scared.

But the point is is I always
like to keep it real.

That's why I'm so proud to be
a part of building

the new
Central L.A. Youth Center.

This place is
very important to me.

'Cause not only
am I a movie star,

but I'm also one of you guys.

I grew up an orphan.

And I never liked that word.

Each and every one of you
have a story

as to how you got here.

My story's about
an eight-year-old kid

from Lone Grove, Oklahoma

whose dad was killed
by a drunk driver.

A boy who lost his mother
to cancer...

and ended up on the streets.

The good news is
is where you start

is just the beginning.

Like a movie,
your life is a story.

Nobody gets to write it but you.

You know,
it just occurred to me,

you haven't been to the
Institute yet, have you?

No, not yet.

You know, IHM is such
a big part of Kyle's life,

I think you'd wanna
experience it, too.

I wanna experience
everything in Kyle's life...

including the Institute
at some point.

Well, we should get you
in the intro workshop, then.

Did Kyle tell you
I was just cast in a play?

Yeah, that's great.

But you can never be too busy
to work on yourself.

I know it's hard...

What is it
you're afraid of?

I know it's a lot easier
just to close yourself off.

♪ ♪

♪ ♪

♪ ♪

♪ Let me tell you about
a little situation ♪

♪ It's been testing
my patience, man... ♪

-Hey, you.
-Hey.

You working today?

Just here to watch
and support.

-Nice.
-And to say congratulations.

I read on "Deadline"
you're going to direct.

Did you?

-Must be true, then.
-You are going to be amazing.

-Hey.
-Hello, sir.

-How are you?
-I'm good, how are you?

Good. Did I see your name
on the list

-for the new awareness seminar?
-You did.

-I'm really excited.
-Excellent.

You keeping this knucklehead
in line?

More like
the other way around.

-She's working hard.
-Exactly.

Well, a little enthusiasm
never hurt.

Speaking of which,
I spoke to Megan

about taking the workshop
at IHM.

Oh, you did?
What'd you say?

Oh, I didn't--didn't push,
but it's been two months, man.

She's a huge part of your life.

She hasn't set foot
in the place.

Kyle, the writer's
on set if you wanna

-go through your changes.
-Good. Thanks.

Let me talk to Megan.

♪ ♪

How does he seem to you?

A little distant.

Has been for a few days. Why?

Because this is the third time
he's asked for a rewrite

on this scene, and we're already
behind schedule.

-Well, how is the scene?
-The scene is fine.

-It's him that's not right.
-Well, apparently

Megan's very busy
doing a play.

We both know he's used to
having...an outlet.

You know, Terence, not
everything is about sex.

Not for Kyle at least.

Can we have first team
in for rehearsal, please?

♪ ♪

I spent the entire flight
at the window,

staring down at the clouds,

looking for patches of ground
to appear.

I know that window.
I see it at night when I--

Okay, stop, please.

I have no idea
what either of you are doing

besides just saying the words.

This is the most important
moment of the act.

They are finally telling
the truth--or trying to.

Oh.
Yeah, I-I didn't get that.

Which is exactly my point.

There is never a moment
in this play

where you are not making
a choice, Owen.

Otherwise, we all die.

I don't think the audience
will get it either,

no matter what choice
we make.

-Excuse me?
-I think the importance

of the moment is gonna
get lost in the metaphor.

-Lost in the metaphor.

Wow.

That is insanely deep.

-It's--
-Let's take it from

-the beginning of the scene.
-Just my opinion.

The metaphor
is what the writing is.

That's what makes it a play
and not some processed rubbish

we spoon-feed an audience.
Now back to one!

Look, we love the writing.

It's dense and complex, and it
constantly makes you think.

But if you're gonna
ask the audience to do the work,

don't you have to reward them?

I'm not asking them
to work for it.

I'm asking you.
I am telling you.

Yeah.

Reward them with what?

Clarity.

At some point,
they're gonna want you to just

come out and say it.

We are completely
wasting our time here.

So...are we on a ten or--

He seems nice.

What are you doing here?

I got some downtime.
I thought I'd take you to lunch.

-Yeah.
-All right.

-Here you go.
-Thank you.

-All right.
-Okay!

Noodles and seaweed
on a hot dog.

You think I'm gonna
like this?

I know you will.

I was right about
Carlito's Tacos, wasn't I?

Aw, the first day we met.

Best day of my life.

All right, I'm doing this
for you.

-All right.
-Okay.

Mm. Hmm.

You know what?

It's way better
than it looks.

-I know what you like.
-Yeah, you do.

So the day at Carlito's,
do you remember when

I talked about the Institute
for a little bit?

-Sure.
-Did I freak you out at all?

-Hey, bro, check it out!
-No. Mm-mm.

-Right there!
-I can see how good

it's been for you.
Why?

Because you haven't really
mentioned anything

about wanting to get involved.

Did Terence put you
up to this?

Forget Terence.
This is me asking.

Honestly, I mean--

I had my fill of the Institute
when Terence

-bailed out Brandon Drake.
-I hear you.

That was a bad night.

I just don't want that
to be your impression

of the Institute.

You know,
maybe that's not fair,

but it's a big part
of my life for a reason.

Look, all I'm asking is that you
take the introductory workshop.

If you hate it, we don't ever
have to talk about IHM again.

But I think you're gonna
like it.

I mean, I'm already
batting 1.000, right?

Is everything okay?

Yeah, it's just
a business manager

all over my ass about taxes.

No. Run and hide--this is
exactly what I was afraid of.

It's a couple of days
at an introductory workshop.

-How's it gonna hurt?
-That's how they hook you.

They get you to go in
to just try it out.

And then they make it
so you cannot leave.

Like, there's a new guy
at my work

whose ex-boyfriend's sister
started off the exact same way.

Sounds like a reliable
source.

And she got really into it,

and then when she
tried to get out,

they started totally
harassing her.

-Harassing her how?
-Harassing her--spying on her,

following her everywhere.

She literally couldn't
take it anymore

and actually went back
to them.

'Cause that's what they do.

It's like, once you're in,
they have all your secrets

so they own your ass.

And then you're just, you know,
their little self-help zombie.

You think about that
while I pee.

Look, don't listen
to Hope.

She doesn't know what the hell
she's talking about.

What have you heard?

I've taken the workshop myself.

-What?
-Mm-hmm.

So remember that guy James
I met at Kyle's party?

-Yeah.
-He hooked me up.

-After we hooked up.
-Wow.

So what was it like?

Great.

Wait, are we talking about
the hook-up, or are we

-talking about the Institute--
-The workshop.

-All right.
-You know, it--it's intense.

But it's a lot of soul
searching, you know?

Yeah.
I don't know.

I mean, it's one thing
to be involved with someone

who wants me to look
at myself.

You know, reveal myself.

You know, I could figure out
how to do that.

But when it's in the middle of
a group of strangers, how--

Mm-mm. No, Megan.
You don't have to say anything

you don't wanna say.

You can keep your past
to yourself.

-Yeah.
-And as long as

you're with Kyle, this is just
gonna keep coming up.

Right. Yeah.

♪ ♪

You gotta stop blowing up
my phone, Drea.

It isn't cool.

He's been asking to see you.

You coulda said that
in a text.

The doctors
are giving up, Kyle.

He's going to die soon.

Yeah, well, that doesn't
make me like him any better.

He's still our father.

You asked me to pay
his hospital bills,

and I shouldn't even have
done that.

Stop contacting me.

Welcome.

Let me start by telling you
what I am not going

to ask you to do over
the next couple days--

anything that you
don't want to do.

All I ask, while you're here,
is that you make a commitment.

Anyone can do that, right?

I'm not talking about
a commitment to me.

I'm not talking about
a commitment to this group

or even to the Institute.

But I am talking about
a commitment

to being present and open

and truthful with yourself.

I'm talking about you
making a commitment to you.

His half-sister must be
depositing the checks.

It took me five minutes
to find the money trail

back to the hospital.

So we now know
what's been bothering him.

Question is, what exactly
is bothering you?

Is it that he's doing this
in the first place

or just that he didn't
talk to you about it?

Both. We have an agreement
with these people, DeAnn.

And we put a lot of work in
to get them out of his life

and build a better narrative.

His father is dying.

We can't tell him how he's
supposed to experience that.

I know. But the world thinks
his father died years ago.

I'm gonna talk to him.
I understand the circumstances,

but he can't just do
whatever he wants.

So you're gonna tell him
how you found out?

Show him the photos?

You're just gonna push him
further away.

So I'm just supposed to
do nothing?

His father doesn't have
much time.

Let's just let it play out.

I'm sure he'll come to you
when he's ready, Terence.

Yeah, it's not that.

It's what happens
in the meantime.

Well, I'm going to be
with him all week on set.

So if I see that this is
continuing to be an issue,

I will nudge him
in the right direction.

I promise.

Speaking of which,
I need to get back there

because if we have
any more delays,

Andres is gonna need
a trailer load of Xanax.

Don't worry,
I'll save you some.

So now I want you all to
picture the person in your life

that you feel
has held you back the most.

And as you get a clear picture
in your head,

be aware of how your body
wants to move now.

Follow that instinct.

♪ Caught up ♪

-♪ The stakes ♪
-Okay, now everyone

go to your notebooks
and start writing.

♪ Yeah, won't you take me
there? ♪

Anything you want,
but you're writing it

to this person.

♪ I go solitaire ♪

♪ I'm not into waking up ♪

♪ When the night is young ♪

♪ Moving like we're one ♪

♪ Dance until it's gone ♪

♪ I'm not into waking up ♪

♪ I'm not into
waking up ♪

♪ I'm not into waking up ♪

Great first day, everybody.

Now, remember how
you're all gonna start day two--

jumping out of bed,
energized, ready to go--

without using an alarm.

Everybody can do this.
Make a commitment to yourself.

If I could do that,
I'd wear a size two

and Krispy Kreme
would be out of business.

Sorry, I should probably
have a better attitude.

But I'm only here because my
boss, he's way into this crap

- and he's making us.
- I know what you mean.

I wasn't sure I really wanted
to be here, either.

-So why'd you come?
-Honestly? For my boyfriend.

Oh, I hear that.

Yeah, if was getting that sweet
Kyle West loving,

I'd join the Amish
if he wanted me to.

So, um...
what's he like, really?

I mean, he can't possibly be
as great as he seems.

He's not. He's better.

-Come on. Seriously?
-Trust me.

And I'm not just saying that,
'cause I've been around

some total a-holes.

Nate! Crap!

-I'll see you tomorrow.
-Uh, okay.

♪ ♪

I'm sorry, I'm sorry.

I couldn't find parking
anywhere.

When I cast you,
you promised me

you'd never be late
to rehearsals.

You made a commitment.

Please don't use that word.

Maybe you'd rather be
spending more time

with your besties
at the Institute.

Excuse me?

I just went
to check it out, and--

You know what? I don't have to
explain myself to you.

I'm here,
I'm ready to rehearse.

We can't.
At least not yet, anyway.

Everybody's reading
the new pages.

-What new pages?
-The ones I wrote

after you told me
my play was too confusing.

I didn't say
it was confusing.

No, you simply suggested it
with a series of other words.

Which is exactly how
a metaphor works.

Start reading.

It's fantastic.
I read scripts all day long.

Most of them are from
very successful writers,

and I can't remember
the last time one grabbed me

the way this one did.

-Really?
-Really.

Now, I've made some notes
in the margin.

Nothing too extreme.

The whole arson sequence
right now

is buried under a lot of stuff
that nobody's gonna care about.

So I want you to really put some
thought into the third act.

And then I really think we
should do something with this.

Thank you.

I'm sorry about the way
I went about this.

I...have this side of me--

Stop right there.

That side of yourself
that you're about to tell me

that you're ashamed of
is fearless.

And destructive.

And all over this script.

And I find that very attractive.

So...I'd like to keep my husband
out of this from here on.

I don't know
if you're ready for me.

But I guess we'll find out.

No.

Come on, man.
This is bullshit.

You talking to yourself?

Saying it now so I don't have
to do it to the writer's face.

I am not ruthless like you.

I am ruthless.

And he made the changes.

I don't doubt that.

So how was the workshop?

It was amazing.

I mean, it was only
the first day,

but it was good.

I think I made a new friend.

Hey, everyone from the play
is doing the bonfire thing

up in Topanga later.
Will you come?

I really want you
to meet everyone.

Can't. Sorry,
this scene shoots tomorrow

and it's looking like I'm gonna
have to rewrite it myself.

-Boo.
-Yeah.

Okay.

It'd be so much better
if you were with me.

You're still gonna go?

You're gonna be working.

-Is that a problem?
-No.

-No, it's fine.
-It doesn't seem fine.

It is, really.

I'm just bummed that I have to
stay here and work.

You want me to help you,
we could talk it out.

No, no. Thank you, though.

I gotta just hunker down
and do it.

Go, have fun.

I'll try.

♪ ♪

Can't tell--
Wait, wait, let me finish.

So we're all on stage,
totally naked, right?

We're doing the big number,
"Let the Sun Shine In,"

singing and dancing,
and it just...fell out of me.

On stage? Oh, my God!
What did you do?

What could I do?
The show must go on, right?

So we all just danced around it

until someone managed
to kick it off into the wings.

-No!
-With--wait, wait--

with a crimson trail...

the whole way.

Okay, um, what do you
guys do...

When you need to cry
for a scene?

I think about my paycheck.

I've never really had
a problem with it.

It's kinda like
a switch for me.

Just comes on when I need it.

Uh, what about you, Jen?

Oh, um, I...

I think about my baby
who died.

Jesus Christ!

-Are you serious?
-Yeah.

I was 16 when I got pregnant.

I knew that
I didn't want to keep it,

but my parents--
they were really religious.

So...I tried to
take care of it myself.

I heard there are ways--
things you can drink.

But it didn't work.

Which was good, because I...
I changed my mind.

And maybe it was hormones,
but...

I fell in love
with that baby inside me.

So I carried him
for the whole nine months.

He only lived for a few days
after he was born.

Patrick.

That was gonna be his name.

When I have to cry,
I just pinch myself

really, really hard.

That explains a lot.

Come on, Liam.
Say it.

If I say it,
is that gonna change anything?

They think you're too far gone
to stop me.

No, no, no.
Don't write that.

It's already in.

-That was really good.
-Really?

-Yeah.
-Okay, keep it.

Then the next line, Zev crosses
over to the wall, thinking--

Somebody's at
the driveway gate.

You want me to get rid of them?

No, no, it's probably Megan.

She must have left
the party early.

♪ ♪

Sorry to just drop in,
but I was at a CAA party

literally right down the street
and I thought, I'm bored.

I wonder what Kyle and his
girlfriend are up to right now.

-Hi.
-Hey.

-Megan is at a bonfire.
-Oh. That sounds sort of fun.

Why aren't you there?

Had to work on
this scene for tomorrow.

You running lines?
Do you need help?

Doing some rewrites,
actually.

Oh, taking a pass.
Must be nice.

You know, someday I will have
that as a part of my contract.

Your house is unbelievable.

Do you need to get that?

No.

Can I ask you a question?

Sure.

Do you think that
redemption exists?

Wow,
that's quite a question.

It's supposedly
what this scene is about.

A man is haunted by everything
that he did in his past.

So if he destroys the man
that taught him to do it,

is he...changed in some way?

Like, does anything change?

Maybe not.

That's heavy.

Yeah.

That's why I was asking
about redemption.

Maybe it's just an idea
in the movies...

not real.

I went to Catholic school,
so that's a tricky one for me.

But I have been
right where you are...

you know, when you're trying
to make something work

and it just doesn't
feel right in here.

I can stay a while.

Help you get through it.

Thank you.

But I gotta do this myself.

You sure?

Yeah.

Okay.

Well, if you change your mind
and you wanna talk...

I'll be up for a while.

Take care of yourself.

You too.

Hey, hey, hey, hey!

Why is no one in the hot tub?

Ooh!

It's incredible!

Don't let me stop you.

Yeah. No, thanks.

I've had enough embarrassing
exposure this year.

Those photos.

Didn't see 'em.

So you're the one.

If I had, you probably
wouldn't have anything

to be embarrassed about.

Holy shit!
Was that a compliment?

Oh, come on.
I'm not that much of an asshole.

I just want the work
to be great, you know?

It's going to be great.

It's going to be
a bloody disaster.

That much is
completely clear to me.

-Owen is just--
-No, he's not...

-He's awful, Megan.
-Bad.

He can't take direction.

His performance
never changes.

-So pinch him.
-I'd rather hit him

-with a brick.
-No, I'm serious, Nate.

Like, he just sat here and he
told us what he does to cry.

You know, you need to
work with him on that level.

Not everybody thinks
like you do.

You don't seem to
have a problem.

Why is that?

I don't know,
I just don't.

Ever since I read the play,
it's like...

the voices of the characters
have already been in my head

for a long time.

Maybe you can explain that.

♪ ♪

I--I have to go.

-Megan, wait.
-No, I can't. I can't.

-I can't do this.
-Megan.

♪ And we danced by
the light of the moon ♪

♪ Buffalo gals,
won't you come out tonight ♪

♪ Come out tonight,
come out tonight ♪

♪ Buffalo gals,
won't you come out tonight...♪

[somber music

♪ ♪

♪ ♪

♪ ♪

Mm.

No! No, no, no, no.

Oh, God.

- Hey.
- Hey.

I can't talk right now,
I'm really--

- Oh, shit.
- Are you okay?

What's going on?

I had a really weird night
last night.

I kissed my director.

And now I'm gonna be late
for my Institute workshop,

'cause apparently
I can't make a commitment

-to anything.
-Okay, wait.

Back up to
that first thing again.

And I think that
Hope is right.

I think that somebody
is following me

in a blue BMW.

Oh, please. I told you not to
listen to Hope's crazy shit.

What's going on with you?

It's gonna have to wait.

I'm crazy late already.

Oh, I'll call you later.

So how many of you
jumped out of bed

at 7:00 this morning,
energized and ready to go

without an alarm?

Megan, you didn't have to rush
to make it here on time?

Nope. Woke up at 7:00
right on the button.

Right on.

What is the point of lying

about breaking a commitment
to ourselves?

Think about that for a second.

Building your column
starts with a clear vision

of what you want
your life to be.

The vision becomes real
when you follow through

on your commitment
to make it real.

That's what the wakeup exercise
is about.

Declare an intention
and make it happen.

But first things first.

Diana, what's your deepest,
darkest secret?

Something you've never
told anyone.

Don't--I'm sorry to put you
on the spot.

Listen, the point
of that question

is that you cannot have a clear
picture of your future

if you are held hostage
by your past.

Now here's the dirty
little secret:

you're free to go at any time.

No one's holding you hostage
but you.

Okay, let's all find a partner.
We're gonna build some trust,

and how we're gonna do that
is we are gonna share something

surprising about ourselves.

Doesn't matter what it is,
as long as it's true.

Okay?

What do you say?
Partners?

Great.

Okay.

-I'll go first.
-Mm-hmm.

Um...

James was right.
I did not wake up on time,

and I have no idea
how the hell he knew that.

Oh, please.
That's easy.

Your sweater's on
inside out.

And that wasn't surprising,
so you owe me another one.

Tell me something
about Kyle West.

I have a very visual mind.

Ooh.
Thank God for this break.

-I though I was gonna burst.
-I can't believe we had to

commit to no food at all
until lunch.

I'm starving.

Well I might be able
to help you out.

I know it's verboten,
but I brought some granola bars.

Oh, hell yeah!
Bust them out, girl.

They're in here
somewhere. Oh--

Oh, let me help you
with that.

Wait, no, I-I got it.

No, no, no, I got it.

What the hell?
This is a voice recorder.

-You've been spying on me?
-No.

Trying to get me to say
things about Kyle.

No,
that's not what I'm doing.

-Bullshit.
-Okay, okay, okay.

I'll tell you. Just please
keep your voice down.

I'm a journalist.
I'm doing an undercover piece

on the Institute.

Sure, they put out
this positive image

about helping the community
and all that.

But there are stories about some
pretty dark shit going on here.

You do know that, right?

I've heard things.

Yeah, and nobody's
talking about it.

That's the problem.

When my piece comes out,

I'm blowing the whole thing
wide open.

I'm bringing this place down.

I know your boyfriend
is into it,

but I don't think he knows
what's really going on.

If he did, he'd want
the truth to come out.

Don't you think?

Break time's over.
We're starting up again.

We're coming.

Be cool. Please.

Wow.

Well, this is really
beautifully done.

But we can't shoot it.

What are you talking about?

Kyle, this is the climax
of a huge, big budget movie.

The scene is about an assassin
who's been running away

his whole life
finally confronting the man

who made him that way, and
you've written away from that.

Yeah, I disagree.
I--I feel like I gave

Zev's character humanity
and--and texture.

No, you give Zev humanity
as an actor.

But as a writer,
you have him brooding,

speaking these beautifully
written speeches

about redemption, when he needs
to be taking action.

He's avoiding reality.

I don't know. I--

Maybe I can look at it again.
I just--

No. No more delays.

I need you to do
whatever you need to do

to get your head straight

because we are
shooting this scene later today.

The original version,
as written.

♪ ♪

So you decided to come.

See the old man off.

Look, I know I made mistakes.

Wasn't much of a role model.

But I did the best I could.

You need to know that,
son.

It's the last one.

♪ ♪

I watched as those men
beat that boy

half to death.

They didn't even know him.

They just did it because of
the color of his skin.

I wanted to stop them.
I wanted to do something.

But I couldn't.
I couldn't even move.

I was so afraid.

And when they finally left,
they said

not to say anything to anybody.

Ever.

And I never did until now.

I always felt so ashamed.

How about now?
How do you feel?

Better.

Because that secret
no longer controls you.

Here's my secret:

This is...what I was
afraid to share with the world.

And now when I look at it,
it just tells me

how far I've come.

The good stuff
is just beginning.

Trust me.

Go ahead. You think
if I'm gone it's all over?

You're done?

No, Liam. I don't.

But I gotta start somewhere.

And cut!
That's a cut!

Fantastic. Brilliant.

We were riveted back there.

On this one, let's dial
the emotions back a hair.

Right. Yeah.

All right,
let's go again.

Secrets do so much
more harm to us than truth.

Truth is freedom.

So what are we
actually afraid of?

Who wants to go next?

♪ ♪

Right. Okay.

Um, Nina, would you please
go with these gentlemen?

Take your things with you.

Why? What's going on?

Hey, you can't do that.

We need you to come with us.

What are you doing?
Let go of me!

This is your fault.
You did this, didn't you?

You di--Let go of me!

Not to say anything
to anybody, ever.

And I never did until now.

I appreciate what you did.

That woman, Nina--
if that's even her real name--

clearly had an axe to grind.

It doesn't feel great,
ratting someone out.

But there are people sharing
some really personal stories

that shouldn't end up in
some random magazine article.

Well, I should probably
head back.

Megan.

Your workshop's almost over.

Don't just be a spectator.

If you really wanna know
what IHM's all about,

do the work.

♪ ♪

So...did you find out
what you wanted?

Not the expected outcome,
honestly.

Sometimes the ones who are
most resistant

end up with
the biggest breakthroughs.

Okay. We have one last member
of our esteemed group

who has yet to share.

Megan. Your deepest,
darkest secret.

I--I'm not really sure.

Well, you don't have to.

But I promise you,
whatever you're afraid

is gonna happen won't.

And I'll be right here
to help you clean up

if you start blubbering
like I did.

I've been living
with this for so long.

I haven't told anyone.

No one, except my best friend.

Well, you're with a whole
group of best friends now.

It's safe here.

♪ ♪

I thought everything
would be all right.

I thought changing my mind
was enough.

But it wasn't.

He only lived a few days
after he was born.

And they told me it was some
kind of genetic defect

and that he never had a chance,
but...I knew the truth.

It was my fault...
that Patrick died.

That's what I named him.

Patrick.

And I still put flowers
on his grave

every year for his birthday.

Thank you.

I'm glad you told me. Yeah.

And just remember,
your real family's here, bud.

So you choose what to hold onto
and what to let go of.

You know?

Yeah, me too.

-Kyle's father died.
-Ah.

He said that he'd been
sending them money

for a few months,
after the insurance ran out.

He also said that
that was a mistake,

not sharing it with me.

It was much better, letting him
come to me on his own.

You were right.

You're welcome.

And now you get to take me
to Nobu for dinner.

Okay.

♪ ♪

And I promise we'll have
proper wine glasses

by the time we open.

Okay, we'll pick it up tomorrow
with the prison scene.

But really nice work, everybody.

Great job.

-Wow, thanks.
-Thanks, Nate.

Well, then.

Megan, can you
hang back a minute?

Listen, I know the right thing
to say here.

Last night was a mistake.

We have a play to do
and we have to be professional,

and what happened
by the fire

was just about
the beer and weed.

But I don't know.

Something tells me
that isn't the truth

for either of us.

Do you think I'm wrong?

We have a play to do,

and we have to be
professional.

Last night was a mistake.

♪ ♪

♪ Eyes, barely open ♪

♪ See red ♪

♪ And the smoke
that got in the way...♪

Hey.

Hey.

You okay?

♪ ♪

♪ We will rise ♪

♪ We will fall down ♪

♪ ♪

♪ We will rise ♪

♪ We will fall down ♪

♪ Rising, rising
like a plume of fire ♪

♪ Falling, falling
like a troubled ♪

♪ Rain ♪