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These are the user uploaded subtitles that are being translated: 1 00:00:03,503 --> 00:00:05,271 WOULD YOU SAY THAT, UH, THERE'S A MOMENT IN YOUR LIFE 2 00:00:05,372 --> 00:00:06,773 THAT'S BEEN THE GREATEST JOY? 3 00:00:06,873 --> 00:00:08,908 WHEN I WON MY FIRST "SOUL TRAIN" AWARD. 4 00:00:09,009 --> 00:00:10,076 WHAT? 5 00:00:10,176 --> 00:00:11,611 WHOEVER WAS ON "SOUL TRAIN" MADE IT. 6 00:00:11,711 --> 00:00:13,546 CAN I GET YOU GUYS TO COME OUT ON THE ROAD 7 00:00:13,646 --> 00:00:16,349 FOR, LIKE, A DAY OR TWO? 8 00:00:16,449 --> 00:00:17,851 Y'ALL THAT BOOKED? 9 00:00:17,951 --> 00:00:19,919 I'M ALREADY FEELIN' BAD BECAUSE I DON'T KNOW 10 00:00:20,020 --> 00:00:22,222 HOW TO HANDLE THE LOGAN SITUATION. 11 00:00:22,322 --> 00:00:23,823 - DON'T SECOND-GUESS YOURSELF. - YOU KNOW, 12 00:00:23,923 --> 00:00:25,959 I JUST MISS YOU GUYS. 13 00:00:26,059 --> 00:00:27,594 I'M GLAD YOU'RE HERE. 14 00:00:28,795 --> 00:00:30,697 EVERYTHING IS GOING GREAT FOR US IN OUR LIVES, 15 00:00:30,797 --> 00:00:33,600 BUT WE TOO STUPID TO GET ALONG-- FOR REAL? 16 00:00:33,700 --> 00:00:35,535 DO YOU KNOW HOW STUPID WE LOOK? 17 00:00:35,635 --> 00:00:37,103 THAT'S NOT EVEN WHAT WE'RE TALKING ABOUT RIGHT NOW. 18 00:00:37,203 --> 00:00:38,271 BUT WHAT I'M TRYING TO SAY IS, TRINA, 19 00:00:38,371 --> 00:00:39,539 BUT THAT'S HOW STUDIO WE LOOK, 20 00:00:39,639 --> 00:00:41,107 BECAUSE WE ARGUIN' OVER WHAT? 21 00:00:41,207 --> 00:00:43,343 YOU DON'T LIKE ME BECAUSE OF WHY? 22 00:00:43,443 --> 00:00:46,579 ♪ WE ARE THE BRAXTONS AND YOU'LL SEE ♪ 23 00:00:46,679 --> 00:00:50,683 ♪ THAT WE ARE NOT LIKE AN ORDINARY FAMILY ♪ 24 00:00:50,784 --> 00:00:53,887 ♪ TONI TRACI TOWANDA TRINA TAMAR AND MISS E ♪ 25 00:00:53,987 --> 00:00:56,756 ♪ WILL TEACH YOU A THING OR TWO ♪ 26 00:00:56,856 --> 00:01:01,094 ♪ ON BRAXTON FAMILY VALUES ♪ 27 00:01:11,938 --> 00:01:13,840 - HEY, GUYS. - HEY. 28 00:01:13,940 --> 00:01:15,308 - WHAT UP, SIS? - WHAT'S HAPPENING? 29 00:01:15,408 --> 00:01:16,776 - YOU GOOD? - I AM. 30 00:01:16,876 --> 00:01:17,877 I SEE YOU. 31 00:01:17,977 --> 00:01:19,012 WE GOTTA GET THIS RECORD OUT. 32 00:01:19,112 --> 00:01:21,881 THE STATUS OF MY MUSIC CAREER IS AT A STANDSTILL. 33 00:01:21,981 --> 00:01:25,718 IT'S LIKE I DON'T HAVE TIME TO REALLY PUT MY FOCUS INTO IT, 34 00:01:25,819 --> 00:01:27,454 SINCE I WAS ON TOUR WITH TAMAR 35 00:01:27,554 --> 00:01:29,289 AND CONCENTRATING SO MUCH ON "BAR CHIX," 36 00:01:29,389 --> 00:01:30,457 TO MAKE SURE THAT'S LAUNCHED PROPERLY. 37 00:01:30,557 --> 00:01:31,558 AND SO, NOW, 38 00:01:31,658 --> 00:01:33,626 MY PRODUCERS HAVE BEEN THREATENING TO ABANDON MY EP 39 00:01:33,726 --> 00:01:35,895 IF I DON'T GET MY BUTT IN THE STUDIO ASAP. 40 00:01:35,995 --> 00:01:37,697 SO, HERE I AM. 41 00:01:37,797 --> 00:01:39,099 THE FIRST EP, 42 00:01:39,199 --> 00:01:41,301 HOW MANY SONGS YOU GUYS THINK WE SHOULD HAVE ON THERE, TOTAL? 43 00:01:41,401 --> 00:01:43,169 - WHAT DID WE SAY, SIX? - WE SAID SIX. 44 00:01:43,269 --> 00:01:45,371 NO MORE THAN EIGHT FOR THE EP. 45 00:01:45,472 --> 00:01:47,807 - EIGHT'S A LOT. - IT'S NOT. 46 00:01:47,907 --> 00:01:48,875 HOW ABOUT SEVEN? 47 00:01:48,975 --> 00:01:50,810 THAT'S BETWEEN SIX AND EIGHT. 48 00:01:52,779 --> 00:01:54,547 LET'S GET 10, LET'S GET 12, 49 00:01:54,647 --> 00:01:55,715 LET'S GET 15. - RIGHT. 50 00:01:55,815 --> 00:01:56,950 SO WE HAVE OPTIONS TO CHOOSE. 51 00:01:57,050 --> 00:01:58,084 SO WE HAVE OPTIONS, YOU KNOW WHAT I'M SAYING? 52 00:01:58,184 --> 00:02:00,753 YOU GOTTA HEAR THE NEW RECORD. - OKAY, LET ME HEAR IT. 53 00:02:00,854 --> 00:02:03,022 OKAY, SO, IT'S LIKE THIS. 54 00:02:03,123 --> 00:02:04,557 THE FIRST VERSE IS LIKE... 55 00:02:04,657 --> 00:02:06,860 ♪ WAKE UP IN THE MORNIN' FEELIN' KINDA COOL ♪ 56 00:02:06,960 --> 00:02:10,396 ♪ LIKE EVERYTHING'S GOIN' MY WAY ♪ 57 00:02:10,497 --> 00:02:12,499 WHEN I FIRST HEARD "GOOD DAY," 58 00:02:12,599 --> 00:02:14,434 I WAS JUST NOT FEELING IT 59 00:02:14,534 --> 00:02:16,136 BECAUSE IT SEEMED TOO BUBBLE-GUMMY, 60 00:02:16,236 --> 00:02:17,203 EVEN FOR ME, 61 00:02:17,303 --> 00:02:18,838 AND YOU KNOW I'M THE QUEEN OF BUBBLE-GUMMY SONGS. 62 00:02:18,938 --> 00:02:20,807 AND IT'S JUST, I'M NOT SURE IF IT'S A GOOD FIT. 63 00:02:20,907 --> 00:02:23,309 ♪ IT'S GONNA BE A GOOD DAY ♪ 64 00:02:23,409 --> 00:02:24,544 - ALL RIGHT. - YOU KNOW WHAT I'M SAYING? 65 00:02:24,644 --> 00:02:26,513 WHAT YOU THINK? 66 00:02:26,613 --> 00:02:29,849 WELL... IT IS A LITTLE DIFFERENT THAN, YOU KNOW, 67 00:02:29,949 --> 00:02:31,317 "PARTY OR GO HOME" AND "GAME TIME." 68 00:02:31,417 --> 00:02:33,953 I THINK THE DIRECTION IS INCREDIBLE. 69 00:02:34,053 --> 00:02:35,722 WE JUST GOTTA GET YOU IN THE STUDIO. 70 00:02:35,822 --> 00:02:38,258 FOR THE SAKE OF GETTING THE BALL ROLLING WITH THE EP, 71 00:02:38,358 --> 00:02:40,660 I'M GONNA TRY "GOOD DAY." 72 00:02:40,760 --> 00:02:44,497 BUT... COME ON, GUYS, CAN I BE 30? 73 00:02:44,597 --> 00:02:46,032 AT LEAST 30. 74 00:02:46,132 --> 00:02:49,169 ♪ IT'S GONNA BE A GOOD DAY ♪ 75 00:02:49,269 --> 00:02:51,304 ♪ AND NOTHING'S GONNA BLUE MY HEART ♪ 76 00:02:51,404 --> 00:02:53,173 ♪ IT'S GONNA BE A GOOD DAY ♪ 77 00:02:53,273 --> 00:02:55,375 I CAN'T-- 78 00:02:55,475 --> 00:02:57,510 I'M BUSY TRYIN' TO TAP-- DO IT AGAIN. 79 00:02:57,610 --> 00:02:59,412 I THINK YOU'RE SMOOTHING IT OUT TOO MUCH. 80 00:02:59,512 --> 00:03:00,747 YEAH, IT NEEDS TO BE MORE CHOPPY. 81 00:03:00,847 --> 00:03:02,148 IT NEEDS TO BE MORE CHOPPY. 82 00:03:02,248 --> 00:03:03,850 ♪ IT'S GONNA BE A GOOD DAY ♪ 83 00:03:03,950 --> 00:03:06,619 MAYBE I'M NOT-I DON'T THINK I'M FEELING IT YET. 84 00:03:06,719 --> 00:03:09,989 LET ME TAKE MY HAT OFF. 85 00:03:10,089 --> 00:03:11,558 IT MIGHT SOUND BETTER, TOO. 86 00:03:11,658 --> 00:03:13,159 - WITH YOUR HAT OFF? - YEAH. 87 00:03:13,259 --> 00:03:14,894 OKAY. 88 00:03:14,994 --> 00:03:17,063 OH-OH, STAY WITH IT. 89 00:03:20,366 --> 00:03:22,936 OH... CHILD. 90 00:03:23,036 --> 00:03:25,905 - STAY WITH IT, TRINA. - I'M TRYING TO. 91 00:03:26,005 --> 00:03:27,440 JUST START RIGHT ON "DAY." 92 00:03:27,540 --> 00:03:29,409 DO YOU WANT ME TO GO AHEAD AND CHOP IT UP ALREADY, 93 00:03:29,509 --> 00:03:30,710 OR DO YOU WANT ME TO DO IT STRAIGHT, 94 00:03:30,810 --> 00:03:32,178 AND THEN WE'LL CHOP IT POST-- 95 00:03:32,278 --> 00:03:34,781 JUST DO IT STRAIGHT AND I CAN CHOP IT. 96 00:03:35,848 --> 00:03:38,418 ♪ DAY ♪ 97 00:03:38,518 --> 00:03:41,254 ♪ DAY ♪ 98 00:03:41,354 --> 00:03:44,090 ♪ DAY ♪ 99 00:03:44,190 --> 00:03:46,826 ♪ DAY ♪ 100 00:03:46,926 --> 00:03:48,127 ALL RIGHT, THAT'S ALL I NEED. 101 00:03:48,228 --> 00:03:50,063 YOU CAN COME ON OUT. 102 00:03:50,163 --> 00:03:51,965 GOOD JOB-- GOOD JOB. 103 00:03:52,065 --> 00:03:53,600 - MUCHAS, MUCHAS. - GOOD JOB. 104 00:03:53,700 --> 00:03:56,636 THIS IS REALLY GONNA BE NICE. 105 00:03:56,736 --> 00:03:59,472 ♪ YEAH I GOT A FEELIN' ♪ 106 00:03:59,572 --> 00:04:03,309 ♪ TODAY IS GONNA BE A GOOD DAY ♪ 107 00:04:06,145 --> 00:04:08,081 - OH, YOU ALREADY CUT IT UP? - YES. 108 00:04:10,850 --> 00:04:12,819 NOW THAT I'M HEARING MYSELF ON THE TRACK 109 00:04:12,919 --> 00:04:15,955 AND I'M KIND OF PUTTING MY OWN LITTLE JOOSH ON IT, 110 00:04:16,055 --> 00:04:17,991 I'M GETTING REALLY EXCITED ABOUT THIS SONG. 111 00:04:18,091 --> 00:04:19,926 I'M THINKING THAT MAYBE IT COULD WORK. 112 00:04:20,026 --> 00:04:22,262 YOU'VE BEEN NEEDING THIS KIND OF RECORD. 113 00:04:22,362 --> 00:04:24,430 ♪ GONNA BE A GOOD DAY ♪ 114 00:04:24,530 --> 00:04:27,066 ♪ GONNA BE A GOOD DAY ♪ 115 00:04:27,166 --> 00:04:29,869 ♪ IT'S GONNA BE A GOOD DAY ♪ 116 00:04:29,969 --> 00:04:31,671 - YEAH, GOOD. - YEAH. 117 00:04:45,618 --> 00:04:47,920 HI. 118 00:04:48,021 --> 00:04:49,155 THANK YOU. 119 00:04:49,255 --> 00:04:50,189 WHAT ARE YOU HAVING, MOMMY-- YOU WANT SOMETHING TO DRINK? 120 00:04:50,290 --> 00:04:53,760 YOU KNOW WHAT-- GIVE ME ICE WATER, PLEASE. 121 00:04:53,860 --> 00:04:55,128 UM, DO YOU GUYS HAVE ICE COFFEE? 122 00:04:55,228 --> 00:04:56,262 YES, WE DO. 123 00:04:56,362 --> 00:04:57,797 DO YOU HAPPEN TO HAVE ALMOND MILK? 124 00:04:57,897 --> 00:04:59,098 I'LL HAVE TO CHECK INSIDE FOR THAT. 125 00:04:59,198 --> 00:05:00,833 - OKAY. - THANK YOU. 126 00:05:00,933 --> 00:05:02,869 I DO NOT FEEL PREPARED FOR THIS EVENING. 127 00:05:02,969 --> 00:05:04,537 YEAH, I WAS JUST GETTIN' READY TO ASK YOU. 128 00:05:04,637 --> 00:05:06,472 HOW DO YOU FEEL? - STRESSED. 129 00:05:06,572 --> 00:05:07,974 - A LITTLE NERVOUS. - NO. 130 00:05:08,074 --> 00:05:09,342 MORE STRESSED THAN NERVOUS. 131 00:05:09,442 --> 00:05:11,444 SO, WE'RE IN VEGAS, AND ME AND MY MAMA, 132 00:05:11,544 --> 00:05:13,546 WE DECIDED TO GO GET SOMETHING TO EAT, 133 00:05:13,646 --> 00:05:16,115 JUST TO TRY TO LIGHTEN THE MOOD, 134 00:05:16,215 --> 00:05:18,618 AND, YOU KNOW, TRY TO GET ME TOGETHER 135 00:05:18,718 --> 00:05:21,020 SO I CAN GO AND DO THE "SOUL TRAIN" AWARDS. 136 00:05:21,120 --> 00:05:22,822 YOU KNOW, I DON'T EVEN KNOW IF I'M GONNA DO THE RED CARPET, 137 00:05:22,922 --> 00:05:25,558 BECAUSE MY RED CARPET LOOK IS NOT WHAT I WANTED IT TO BE. 138 00:05:25,658 --> 00:05:29,095 AND, YOU KNOW, I JUST-I DON'T EVEN KNOW IF I WANNA GO, 139 00:05:29,195 --> 00:05:31,931 AT THIS POINT. - YOU'LL BE FINE, TRUST ME. 140 00:05:32,031 --> 00:05:33,299 I FEEL LIKE I'M SUPPOSED TO BE HAVING THIS CONVERSATION 141 00:05:33,399 --> 00:05:34,434 WITH, LIKE, TONI, 142 00:05:34,534 --> 00:05:35,601 'CAUSE SHE'S BEEN THROUGH THIS BEFORE 143 00:05:35,702 --> 00:05:36,836 AND I-I DON'T EVEN REALLY HAVE THAT. 144 00:05:36,936 --> 00:05:38,738 SHE'S GONNA CALL YOU-- SHE'LL CALL YOU. 145 00:05:38,838 --> 00:05:40,039 I-I-- YOU KNOW, MOMMY, I-I'M HOPING, 146 00:05:40,139 --> 00:05:41,674 AND I'M BANKING ON IT, AND I-I'M REALLY-- 147 00:05:41,774 --> 00:05:42,942 YEAH, YOU'RE BANKING ON IT. 148 00:05:43,042 --> 00:05:44,811 I THINK THAT'S WHAT'S REALLY BOTHERING ME RIGHT NOW. 149 00:05:44,911 --> 00:05:46,913 THE GIRLS ARE HERE AND I AIN'T EVEN SEEN 'EM. 150 00:05:47,013 --> 00:05:48,181 THEY HAVEN'T CALLED YOU? 151 00:05:48,281 --> 00:05:49,382 I HAVEN'T HAD THAT SUPPORT YET 152 00:05:49,482 --> 00:05:51,751 THAT I'M YEARNING FOR. 153 00:05:51,851 --> 00:05:55,922 BUT, SOMETIMES, PEOPLE NOT ALWAYS THERE FOR YOU. 154 00:05:56,022 --> 00:05:58,658 SOMETIMES, PEOPLE FAIL US. - I UNDERST-- 155 00:05:58,758 --> 00:06:01,160 IT'S NOT THAT THEY MEAN TO. 156 00:06:01,260 --> 00:06:03,196 THAT'S JUST LIFE. 157 00:06:05,698 --> 00:06:07,300 IT'S TOUGH 'CAUSE, SOMETIMES, IT'S LIKE, 158 00:06:07,400 --> 00:06:08,901 WHY DID I GET MYSELF IN THIS PREDICAMENT 159 00:06:09,001 --> 00:06:10,803 IN THE FIRST PLACE? - WAIT A MINUTE, WAIT A MINUTE. 160 00:06:10,903 --> 00:06:13,106 WHAT PREDICAMENT ARE YOU TALKING ABOUT? 161 00:06:13,206 --> 00:06:16,175 THAT YOU HAVE FULFILLED YOUR DREAMS? 162 00:06:16,275 --> 00:06:19,145 SOMETHING THAT YOU'VE ALWAYS WANTED TO DO? 163 00:06:19,245 --> 00:06:21,147 SOMETHING THAT YOU ALWAYS WANTED TO BE? 164 00:06:21,247 --> 00:06:23,716 I-I DON'T UNDERSTAND WHAT YOU'RE SAYING. 165 00:06:23,816 --> 00:06:25,985 BECAUSE IT'S NOT-I WOULDN'T TRADE THAT 166 00:06:26,085 --> 00:06:30,757 FOR THE RELATIONSHIP WITH MY SISTERS, 167 00:06:30,857 --> 00:06:33,693 AND IT'S SOMETIMES JUST TOO MUCH. 168 00:06:36,329 --> 00:06:38,731 I HEAR WHAT YOU'RE SAYING. 169 00:06:38,831 --> 00:06:42,201 AND BECAUSE YOU GUYS WAS RAISED SO CLOSE, 170 00:06:42,301 --> 00:06:46,038 YOU'VE ALWAYS BEEN THERE FOR ONE ANOTHER. 171 00:06:46,139 --> 00:06:50,676 BUT, TAMAR, SOMETIMES... 172 00:06:50,777 --> 00:06:52,378 YOU GOTTA WALK ALONE. 173 00:06:52,478 --> 00:06:53,846 MOMMY, SOMETIMES I DON'T FEEL LIKE 174 00:06:53,946 --> 00:06:55,615 I'M STRONG ENOUGH TO DO THAT. 175 00:06:55,715 --> 00:06:57,383 LIKE, I GOTTA JUGGLE MY CAREER, 176 00:06:57,483 --> 00:06:59,786 AND THEN MY MARRIAGE, AND BEING A NEW MAMA. 177 00:06:59,886 --> 00:07:01,888 I DON'T KNOW WHAT THE HELL I'M DOIN', 178 00:07:01,988 --> 00:07:06,659 AND I JUST-I JUST THOUGHT IT WOULD BE MORE FUN, YOU KNOW? 179 00:07:06,759 --> 00:07:09,796 AND IT'D BE EASIER BECAUSE-- THEY WOULD BE EASIER. 180 00:07:09,896 --> 00:07:12,865 AND THEN-AND IT'S ONE THING WHEN PEOPLE CAN'T BE THERE, 181 00:07:12,965 --> 00:07:15,334 BUT WHEN IT'S A CHOICE 'CAUSE THEY DON'T WANNA BE, 182 00:07:15,435 --> 00:07:17,637 LIKE, IT'S SO HEARTBREAKING, 183 00:07:17,737 --> 00:07:20,540 AND THEN THAT BECOMES OVERWHELMING. 184 00:07:20,640 --> 00:07:22,241 YOU KNOW WHAT I MEAN? 185 00:07:22,341 --> 00:07:24,410 IT'S LIKE LOVING A MAN THAT DON'T LOVE YOU BACK, 186 00:07:24,510 --> 00:07:27,079 AND THERE AIN'T NOTHING YOU CAN DO ABOUT IT. 187 00:07:35,588 --> 00:07:38,157 I JUST DON'T KNOW WHAT I DID SO BAD, YOU KNOW? 188 00:07:38,257 --> 00:07:41,394 I ALWAYS THOUGHT THAT I DID EVERYTHING FOR MY FAMILY. 189 00:07:41,494 --> 00:07:43,596 YOU KNOW, I'M NOT SAYING I HAVE THE BEST MOUTH IN THE WORLD, 190 00:07:43,696 --> 00:07:47,400 BUT I ALWAYS THOUGHT THAT, AT THE END OF THE DAY, 191 00:07:47,500 --> 00:07:50,002 THEY KNEW WHERE I WAS COMING FROM, YOU KNOW? 192 00:07:50,102 --> 00:07:52,405 BUT MAYBE NOT. 193 00:07:52,505 --> 00:07:54,574 IT'S JUST A LOT, AND IT'S A LOT TODAY. 194 00:07:54,674 --> 00:07:56,976 IT'S ABOUT YOU RIGHT NOW. 195 00:07:57,076 --> 00:07:59,445 SO YOU HAVE TO FIND YOUR STRENGTH, 196 00:07:59,545 --> 00:08:02,648 EVEN THOUGH YOU FEEL YOUR SISTERS HAVE ABANDONED YOU, 197 00:08:02,748 --> 00:08:05,284 WHICH I DON'T BELIEVE THAT. 198 00:08:05,384 --> 00:08:07,987 I FEEL LIKE, YOU KNOW, IT'S SO LATE 199 00:08:08,087 --> 00:08:11,891 THAT I'M NOT CLOSE WITH MY SISTERS RIGHT NOW, 200 00:08:11,991 --> 00:08:13,759 BECAUSE REALLY, HONESTLY, WHO I GOT? 201 00:08:13,860 --> 00:08:14,827 FOR REAL. 202 00:08:14,927 --> 00:08:16,028 I MEAN, I GOT MY MAN AND I GOT MY BABY, 203 00:08:16,128 --> 00:08:17,663 AND THAT'S GREAT. 204 00:08:17,763 --> 00:08:19,365 AND I GOT MY MAMA, AND THAT'S FABULOUS. 205 00:08:19,465 --> 00:08:22,435 BUT THEY'RE NOT MY SISTERS, YOU KNOW WHAT I'M SAYING? 206 00:08:22,535 --> 00:08:24,971 CAN I HAVE A HUG? 207 00:08:25,071 --> 00:08:27,073 TAMAR, YOU CAN HAVE TWO HUGS. 208 00:08:27,173 --> 00:08:29,442 WHAT ABOUT THREE? 209 00:08:31,077 --> 00:08:33,679 I LOVE YOU-- IT'S OKAY. - LOVE YOU, TOO. 210 00:08:33,779 --> 00:08:35,915 IT'S OKAY, BABY. 211 00:08:36,015 --> 00:08:37,350 OKAY? 212 00:08:37,450 --> 00:08:39,485 THIS, TOO, SHALL PASS. 213 00:08:41,988 --> 00:08:43,089 NOW, LET'S EAT. 214 00:08:43,189 --> 00:08:44,490 MAMA, YOU DIDN'T GET THAT PLUM ON MY HAIR, DID YOU? 215 00:08:44,590 --> 00:08:47,093 I JUST GOT MY HAIR DONE. - WHAT-- SEE, SEE, SEE? 216 00:08:47,193 --> 00:08:49,996 SEE WHY I DON'T WANT-DON'T HUG YOU? 217 00:08:50,096 --> 00:08:51,898 SEE-- DID YOU MESS MY HAIR UP? 218 00:08:51,998 --> 00:08:53,232 LET ME SEE. 219 00:08:53,332 --> 00:08:55,668 YEAH, WELL, IT'S NOT SO BAD. 220 00:08:55,768 --> 00:08:57,403 - OKAY. - HOW ABOUT THAT? 221 00:08:57,503 --> 00:08:59,739 THANKS-- YOU KNOW THAT PLUM STAIN DON'T COME OFF. 222 00:08:59,839 --> 00:09:01,874 - TAMAR, YOU PLAYIN'. - I'M-- NO. 223 00:09:09,882 --> 00:09:12,418 MMM-HMM, I LOVE THOSE. 224 00:09:12,518 --> 00:09:15,721 HEY, TRA-RAY. - HEY. 225 00:09:15,821 --> 00:09:17,423 - COME IN. - I'M TRYING TO GET READY. 226 00:09:17,523 --> 00:09:19,425 I-I HAVE MY ROBE ON. 227 00:09:19,525 --> 00:09:20,993 VEGAS, BABY. 228 00:09:21,093 --> 00:09:22,962 TONIGHT, ALL OF THE BRAXTON GIRLS 229 00:09:23,062 --> 00:09:24,497 ARE GOING TO THE "SOUL TRAIN" AWARDS, 230 00:09:24,597 --> 00:09:26,132 AND I'M EXCITED. 231 00:09:26,232 --> 00:09:30,469 SIN CITY, SISTERS, AND SOLO. 232 00:09:30,570 --> 00:09:33,306 LET ME SEE YOUR DRESS. 233 00:09:33,406 --> 00:09:35,074 BAM! 234 00:09:35,174 --> 00:09:38,744 OH, YOU GOTTA SLENDERIZE, TRACI RENEE. 235 00:09:38,844 --> 00:09:42,048 YOU HAVE A GREAT SLENDERIZATION PROCESS GOIN' ON. 236 00:09:42,148 --> 00:09:43,616 - THANK YOU. - ALL RIGHT. 237 00:09:43,716 --> 00:09:45,117 THE SISTERS IN LAS VEGAS, 238 00:09:45,217 --> 00:09:47,453 AND WE GOING TO WALK ON THE RED CARPET, HONEY, 239 00:09:47,553 --> 00:09:49,722 AND I CAN'T WAIT TO GO TO THE SHOW. 240 00:09:49,822 --> 00:09:51,490 TAMAR IS NOMINATED. 241 00:09:51,591 --> 00:09:54,026 TONI IS PRESENTING WITH BABYFACE. 242 00:09:54,126 --> 00:09:55,795 LIFE IS GOOD. 243 00:09:55,895 --> 00:09:57,697 IT'S HOT IN HERE. - IT'S VERY HOT IN HERE. 244 00:09:57,797 --> 00:10:00,766 I-I-I PROMISE, IT'S JUST LIKE I'M SWEATING, 245 00:10:00,866 --> 00:10:03,536 AND IT'S JUST... 246 00:10:03,636 --> 00:10:05,705 CAN-CAN YOU SMELL ME REAL QUICK? 247 00:10:05,805 --> 00:10:07,406 - IT-IT'S ON 65. - SMELL ME. 248 00:10:07,506 --> 00:10:08,608 TRINA, YOU SMELL LIKE BABY POWDER. 249 00:10:08,708 --> 00:10:10,476 WHY YOU MAKING ME SMELL ALL-- - WELL, SMELL THIS SIDE. 250 00:10:10,576 --> 00:10:12,178 SMELL THIS SIDE. - NO, THAT'S OKAY. 251 00:10:12,278 --> 00:10:13,779 - NO, JUST SMELL-- - BUT YOUR TAY-TAYS ALL-- 252 00:10:13,879 --> 00:10:15,915 - WELL, JUST SMELL THIS SIDE. - I'M SORRY-- OKAY. 253 00:10:16,015 --> 00:10:18,351 JUST GO RIGHT HERE-- JUST SMELL THIS SIDE RIGHT... 254 00:10:20,119 --> 00:10:21,354 - NO, I DON'T SMELL ANYTHING. - WHAT'S IT SMELL LIKE? 255 00:10:21,454 --> 00:10:22,421 IS IT STINKY? 256 00:10:22,521 --> 00:10:23,322 NO, IT SMELLS LIKE BABY POWDER. 257 00:10:23,422 --> 00:10:24,323 I CAN'T BELIEVE YOU PUT YOUR-- 258 00:10:24,423 --> 00:10:25,691 I DID TAKE A SHOWER, BUT SOMETIMES I SWEAT 259 00:10:25,791 --> 00:10:28,861 WHEN I GET NERVOUS. - WELL, YOU PUT SOME-- 260 00:10:28,961 --> 00:10:31,063 I'M NOT EVEN PERFORMING AND I'M NERVOUS. 261 00:10:31,163 --> 00:10:32,365 I'M SWEATING AND STUFF. 262 00:10:32,465 --> 00:10:34,333 BUT TRINA PUT HER CLEAVAGES IN MY FACE. 263 00:10:34,433 --> 00:10:36,235 TRACI, YOU'VE SEEN THEM ALL MY LIFE. 264 00:10:36,335 --> 00:10:38,104 IF YOU SMELL FUNKY, 265 00:10:38,204 --> 00:10:40,206 IT'S A SISTER'S DUTY TO TELL YOU. 266 00:10:40,306 --> 00:10:42,041 I DON'T WANNA WALK DOWN THE RED CARPET 267 00:10:42,141 --> 00:10:43,776 SMELLING LIKE A GYM LOCKER. 268 00:10:43,876 --> 00:10:45,311 THAT'S NOT CUTE. 269 00:10:45,411 --> 00:10:46,379 I CAN'T LIE. 270 00:10:46,479 --> 00:10:47,813 YOU TALKIN' ABOUT YOUR UNDERARMS AND EVERYTHING. 271 00:10:47,913 --> 00:10:48,981 I AM SWEATIN'. 272 00:10:49,081 --> 00:10:50,082 DON'T YOU KNOW HOW, WHEN YOU NERVOUS, 273 00:10:50,182 --> 00:10:51,517 SOMETIMES YOU SWEAT RIGHT THERE? 274 00:10:51,617 --> 00:10:52,585 THAT'S WHAT IT FEEL LIKE. 275 00:10:52,685 --> 00:10:53,986 DO YOU NEED SOME TALCUM POWDER? 276 00:10:54,086 --> 00:10:56,389 I-I THINK SO-- LET ME PUT SOME TISSUE RIGHT THERE. 277 00:10:56,489 --> 00:10:59,458 BUT THAT'S DIFFERENT THAN NEEDING TALCUM POWDER THERE. 278 00:11:01,293 --> 00:11:03,429 WAIT, HOLD ON. 279 00:11:03,529 --> 00:11:04,964 - OKAY, I THINK THAT'S GOOD. - IS IT? 280 00:11:05,064 --> 00:11:06,999 OKAY, I'LL JUST PUT THIS RIGHT HERE. 281 00:11:07,099 --> 00:11:10,136 MAKE SURE WHEN I SIT, SO I WON'T MAKE NO MARKS. 282 00:11:10,236 --> 00:11:11,771 MARKS? 283 00:11:11,871 --> 00:11:13,639 ON WHAT? - MY DRESS. 284 00:11:13,739 --> 00:11:15,508 I DON'T... 285 00:11:15,608 --> 00:11:18,678 WAIT! 286 00:11:18,778 --> 00:11:21,113 - NO WET MARKS ON YOUR DRESS? - RIGHT. 287 00:11:21,213 --> 00:11:24,950 ARE YOU WEARING-ARE YOU WEARING, UM, PANTIES? 288 00:11:25,051 --> 00:11:27,920 I HAVE NO PANTIES ON. 289 00:11:28,020 --> 00:11:30,089 YOU IN COMMANDO? 290 00:11:30,189 --> 00:11:32,892 TRACI! 291 00:11:32,992 --> 00:11:34,794 BUT WHAT IF YOU GET OUT OF THE CAR, TRA-RAY, 292 00:11:34,894 --> 00:11:38,164 AND THEN EVERYONE SEES ALL THE CONTENTS OF YOUR PURSE? 293 00:11:38,264 --> 00:11:39,432 YOU WON'T SEE IT. 294 00:11:39,532 --> 00:11:41,767 YOU WON'T SEE NOTHIN' OF MY PUR-MY POCKETBOOK. 295 00:11:41,867 --> 00:11:44,203 MY CLUTCH BAG. 296 00:11:44,303 --> 00:11:45,905 BECAUSE IT'S TIGHT. 297 00:11:46,005 --> 00:11:48,574 OOH, TRACI. 298 00:11:48,674 --> 00:11:50,643 YOU KNOW YOU WRONG FOR THAT. 299 00:11:50,743 --> 00:11:52,244 THANK YOU. 300 00:11:52,344 --> 00:11:55,581 COMING UP ON "BRAXTON FAMILY VALUES"... 301 00:11:55,681 --> 00:11:56,949 WE LOVE EACH OTHER. 302 00:11:57,049 --> 00:11:58,684 WE JUST DON'T LIKE EACH OTHER RIGHT NOW. 303 00:11:58,784 --> 00:12:00,519 - YOU LOST 20 POUNDS? - YES. 304 00:12:00,619 --> 00:12:01,954 YOU HAVE 20 MORE TO DO. 305 00:12:02,054 --> 00:12:03,289 YOU ARE NOT BI-POLAR, YOU ARE TRI-POLAR, 306 00:12:03,389 --> 00:12:04,356 'CAUSE YOU'RE TRYING ME. 307 00:12:20,606 --> 00:12:23,409 HONEY CHILD, MAY I SAY, I WAS LOOKING SCRUMPTIOUS. 308 00:12:23,509 --> 00:12:25,544 I WANTED TO KISS MYSELF ON THE LIPS. 309 00:12:25,644 --> 00:12:27,513 WE NEED THE GROUP TOGETHER. 310 00:12:35,521 --> 00:12:37,456 I AM EXCITABLE. 311 00:12:37,556 --> 00:12:39,859 RED CARPETS ARE SO MUCH FUN. 312 00:12:39,959 --> 00:12:42,728 WE GET DRESSED UP, AND WE SEE LOTS OF PEOPLE. 313 00:12:42,828 --> 00:12:46,599 WE GET OUR PICTURES TAKEN A COUPLE HUNDRED THOUSAND TIMES, 314 00:12:46,699 --> 00:12:49,068 AND I JUST THINK THAT WE WERE BORN TO DO THIS. 315 00:12:49,168 --> 00:12:50,269 WE SHOULD DO THIS EVERY NIGHT. 316 00:12:50,369 --> 00:12:52,438 I LOVE SEEING THE ENERGY OF YOU LADIES TOGETHER. 317 00:12:52,538 --> 00:12:54,907 IT'S AN INSPIRATION TO SEE SISTERS COME TOGETHER. 318 00:12:55,007 --> 00:12:56,542 HAVE A GREAT NIGHT TONIGHT. 319 00:12:56,642 --> 00:12:58,144 THANK YOU. 320 00:12:58,244 --> 00:13:00,679 REGARDLESS IF TAMAR AND I ARE GETTING ALONG 321 00:13:00,780 --> 00:13:03,816 RIGHT NOW OR NOT, WE PUT ALL OF THAT ASIDE 322 00:13:03,916 --> 00:13:05,518 SO THAT WE CAN CELEBRATE EACH OTHER. 323 00:13:05,618 --> 00:13:08,087 WE'RE HERE TO CELEBRATE TAMAR'S NOMINATIONS 324 00:13:08,187 --> 00:13:09,822 FOR THE "SOUL TRAIN" AWARDS, 325 00:13:09,922 --> 00:13:11,490 AND I WOULDN'T HAVE MISSED IT FOR THE WORLD. 326 00:13:11,590 --> 00:13:13,659 WHO ARE YOU GUYS EXCITED TO SEE TONIGHT? 327 00:13:13,759 --> 00:13:15,628 WELL, NUMBER ONE, WE'RE EXCITED BECAUSE OUR SISTER, 328 00:13:15,728 --> 00:13:17,496 TAMAR, IS UP FOR FIVE AWARDS. 329 00:13:17,596 --> 00:13:19,431 WHOO! 330 00:13:19,532 --> 00:13:21,534 YEP, SHE-SHE DID THAT. 331 00:13:21,634 --> 00:13:25,671 - GOOD TO SEE YOU. - RIGHT-- HOW ARE YOU? 332 00:13:25,771 --> 00:13:27,740 I'M HERE WITH ONE OF MY FAVORITE FAMILIES, 333 00:13:27,840 --> 00:13:29,742 THE BRAXTON SISTERS. 334 00:13:29,842 --> 00:13:31,443 YAY! 335 00:13:31,544 --> 00:13:33,312 SO, WHAT CAN WE EXPECT FOR THE NEW SEASON? 336 00:13:33,412 --> 00:13:35,614 A LOT OF DRAMA-- I MEAN, EVEN MORE DRAMA. 337 00:13:35,714 --> 00:13:37,249 BUT WE LOVE EACH OTHER. 338 00:13:37,349 --> 00:13:38,651 WE JUST DON'T LIKE EACH OTHER RIGHT NOW. 339 00:13:38,751 --> 00:13:40,286 STILL? 340 00:13:40,386 --> 00:13:42,188 THERE ARE SOME THINGS THAT YOU SHOULDN'T DO OR SAY 341 00:13:42,288 --> 00:13:43,689 IN FRONT OF THE COMPANY, 342 00:13:43,789 --> 00:13:47,293 AND THAT COMMENT IS NOT SOMETHING SHE SHOULD HAVE SAID 343 00:13:47,393 --> 00:13:48,694 IN FRONT OF THE COMPANY, HONEY. 344 00:13:48,794 --> 00:13:50,663 IT'S JUST, YOU KNOW, 345 00:13:50,763 --> 00:13:53,566 I'M NOT SAYING BE FRAUDULENT ABOUT WHAT'S GOING ON. 346 00:13:53,666 --> 00:13:55,634 BUT, UH, AT THE SAME TIME, 347 00:13:55,734 --> 00:13:57,403 YOU HAVE TO RESERVE SOMETHING FOR YOURSELF 348 00:13:57,503 --> 00:14:01,240 AS FAR AS FAMILY DYNAMICS ARE CONCERNED. 349 00:14:03,943 --> 00:14:05,411 TONE'S HERE. 350 00:14:05,511 --> 00:14:06,912 I'M WALKING THE RED CARPET WITH KENNY TONIGHT, 351 00:14:07,012 --> 00:14:09,081 AND I THINK MY SISTERS ARE HERE. 352 00:14:09,181 --> 00:14:11,116 I-I DON'T SEE THEM AND I CAN'T FIND THEM. 353 00:14:11,217 --> 00:14:12,351 IT'S LIKE A SEA OF PEOPLE, 354 00:14:12,451 --> 00:14:14,320 AND THE REPORTERS AND THE CAMERAS. 355 00:14:14,420 --> 00:14:16,522 BUT, WE'RE GONNA BE TOGETHER FOR THE SHOW 356 00:14:16,622 --> 00:14:18,057 AND CROSS OUR FINGERS FOR TAMAR. 357 00:14:18,157 --> 00:14:20,459 I KNOW SHE'S GONNA WIN-- SHE'S GONNA WIN. 358 00:14:23,896 --> 00:14:25,197 THANK YOU SO MUCH-- THANK YOU. 359 00:14:25,297 --> 00:14:26,065 WELL, YOU KNOW, REALLY HONEST TO GOD, 360 00:14:26,165 --> 00:14:27,766 I DIDN'T WALK THE CARPET 361 00:14:27,867 --> 00:14:29,902 BECAUSE MY OUTFIT WASN'T ALL THE WAY TOGETHER. 362 00:14:30,002 --> 00:14:32,805 I WAS A HOT ASS MESS IN MY HEAD, YOU KNOW, 363 00:14:32,905 --> 00:14:35,374 AND, YOU KNOW, NO TELLING WHAT I WOULD HAVE SAID 364 00:14:35,474 --> 00:14:37,877 ON THE RED CARPET THAT I COULDN'T TAKE BACK. 365 00:14:37,977 --> 00:14:40,179 AND I SIT IN MY SEAT... 366 00:14:40,279 --> 00:14:41,881 NEXT THING I KNOW, 367 00:14:41,981 --> 00:14:44,250 THEY ARE READING OFF THE CATEGORY THAT I'M IN. 368 00:14:44,350 --> 00:14:48,387 THE WINNER IS... 369 00:14:48,487 --> 00:14:50,155 TAMAR BRAXTON! 370 00:14:55,794 --> 00:14:57,263 I WASN'T SURE SHE WAS TALKING TO ME. 371 00:14:57,363 --> 00:14:58,397 THERE COULD HAVE BEEN ANOTHER TAMAR, 372 00:14:58,497 --> 00:15:00,032 'CAUSE MY NAME'S TAMAR, OKAY? 373 00:15:00,132 --> 00:15:02,234 AND I WAS LIKE, OH! 374 00:15:02,334 --> 00:15:05,537 THAT WAS-- I THINK SHE MEAN ME! 375 00:15:18,717 --> 00:15:20,019 I CAN'T FEEL MY LEGS. 376 00:15:20,119 --> 00:15:21,186 I ACTUALLY FEEL LIKE I'M FLOATING. 377 00:15:21,287 --> 00:15:22,554 I DON'T EVEN KNOW WHAT'S HAPPENING. 378 00:15:22,655 --> 00:15:27,226 IT'S LIKE I'M INSIDE OF A BUBBLE IN MY DREAM, RIGHT? 379 00:15:27,326 --> 00:15:29,361 LIKE I'M WATCHING MYSELF, ALMOST. 380 00:15:29,461 --> 00:15:32,131 AND I'M NOT EVEN AWARE OF WHAT I'M GONNA SAY, 381 00:15:32,231 --> 00:15:33,799 OR WHAT I'M GONNA DO, 382 00:15:33,899 --> 00:15:36,936 BECAUSE I'M JUST EMOTIONLESS RIGHT NOW. 383 00:15:37,036 --> 00:15:41,140 LIKE, IT'S VERY, VERY HARD TO GRASP. 384 00:15:46,211 --> 00:15:49,448 I JUST WANNA THANK MY FABULOUS FAMILY. 385 00:15:49,548 --> 00:15:52,718 MY FANTASTICALLY BEAT TO DEATH SISTERS. 386 00:15:55,521 --> 00:15:58,357 AND MY HUSBAND, VINCENT HERBERT. 387 00:15:58,457 --> 00:16:03,829 I NEVER THOUGHT IN MY LIFE THAT I WOULD BE HERE, 388 00:16:03,929 --> 00:16:05,631 AND THE ONLY REASON IS THAT 389 00:16:05,731 --> 00:16:07,666 BECAUSE I ALMOST GAVE UP ON MYSELF, 390 00:16:07,766 --> 00:16:09,702 AND I JUST WANNA LET YOU GUYS KNOW, 391 00:16:09,802 --> 00:16:12,504 NO MATTER WHAT YOU WANNA BE AND NO MATTER WHO YOU WANNA BE, 392 00:16:12,604 --> 00:16:14,540 DON'T GIVE UP ON YOU. 393 00:16:14,640 --> 00:16:19,311 IT'S POSSIBLE. 394 00:16:19,411 --> 00:16:22,214 I'M 36 YEARS OLD AND I'M PROUD OF IT. 395 00:16:22,314 --> 00:16:24,383 AND I DON'T GIVE A DAMN IF I WAS 56, 396 00:16:24,483 --> 00:16:27,953 SHE WAS NOT GONNA STOP. 397 00:16:28,053 --> 00:16:31,423 POINT BLANK, END OF PERIOD. 398 00:16:31,523 --> 00:16:35,861 JUST FOR THAT WONDERFUL TEN SECONDS OR 20 SECONDS I HAD, 399 00:16:35,961 --> 00:16:37,663 I'MA TELL YOU SOMETHING, I WOULDN'T TRADE THAT, 400 00:16:37,763 --> 00:16:40,299 BECAUSE IF I DON'T WIN ANOTHER AWARD IN MY ENTIRE LIFE, 401 00:16:40,399 --> 00:16:42,368 THAT MOMENT WAS ALL WORTH IT. 402 00:16:42,468 --> 00:16:44,336 THANK YOU GUYS SO MUCH, SO MUCH. 403 00:16:44,436 --> 00:16:46,305 I LOVE YOU SO MUCH. 404 00:16:46,405 --> 00:16:48,374 OH, AND MY TAMARTIAN FRIENDS. 405 00:16:53,612 --> 00:16:55,180 I'M SO HAPPY FOR TAMAR, 406 00:16:55,280 --> 00:16:57,349 AND I'M CRYING AND MOMMY'S CRYING, 407 00:16:57,449 --> 00:16:59,385 AND I DIDN'T EVEN HAVE TIME TO FIND A TISSUE 408 00:16:59,485 --> 00:17:01,553 BEFORE THEY CALLED HER NAME AGAIN. 409 00:17:01,653 --> 00:17:04,223 WHOO-- "LOVE AND WAR," TAMAR BRAXTON. 410 00:17:04,323 --> 00:17:05,791 AND I COULD TELL SHE'S A LITTLE SHOCKED, THOUGH. 411 00:17:05,891 --> 00:17:09,461 I DON'T BLAME HER-- I WAS, TOO. 412 00:17:09,561 --> 00:17:11,764 I'M NOT THAT MUCH OF A TALKER. 413 00:17:11,864 --> 00:17:13,732 I KNOW Y'ALL THINK I'M LYIN'. 414 00:17:15,567 --> 00:17:18,337 AND I JUST WANNA THANK YOU GUYS SO, SO, SO, SO MUCH. 415 00:17:18,437 --> 00:17:22,074 OVERALL, THAT WHOLE NIGHT WAS GREAT, YOU KNOW? 416 00:17:22,174 --> 00:17:24,977 IT'S JUST LIKE, YOU KNOW, MY WHOLE JOURNEY GETTING HERE, 417 00:17:25,077 --> 00:17:26,545 IT WAS HARD. 418 00:17:26,645 --> 00:17:28,847 I GAVE UP, BUT STILL KEPT GOING, 419 00:17:28,947 --> 00:17:32,985 AND I GOT THE AMAZING PRIZE AT THE END OF THE NIGHT. 420 00:17:33,085 --> 00:17:35,921 SO, IT WAS ALL WORTH IT. 421 00:17:48,434 --> 00:17:50,235 LOGAN WANTS HIS FAVORITE AUNTIE TONI. 422 00:17:50,335 --> 00:17:51,837 HERE I AM. 423 00:17:51,937 --> 00:17:53,972 - CONGRATULATIONS. - THANK YOU, MOM. 424 00:17:54,073 --> 00:17:55,541 HE SAID, "CONGRATULATIONS, MOMMY." 425 00:17:55,641 --> 00:17:57,209 MOMMY WON AN AWARD TONIGHT. 426 00:17:57,309 --> 00:18:01,046 YAY! 427 00:18:01,146 --> 00:18:03,615 WHOO-HOO-- SAY, KISSES, MOMMY. 428 00:18:03,715 --> 00:18:05,984 YOU GIVE MOMMY KISSES. 429 00:18:06,085 --> 00:18:07,719 GIVE MOMMY KISSES. 430 00:18:07,820 --> 00:18:09,054 YOU GONNA WAKE UP? 431 00:18:09,154 --> 00:18:12,024 TAMAR WON THREE AWARDS AND I'M SO HAPPY FOR HER. 432 00:18:12,124 --> 00:18:13,892 THERE'S SO MANY PARTIES GOING ON TONIGHT, 433 00:18:13,992 --> 00:18:16,562 BUT WE'VE DECIDED US SISTERS JUST WANNA HANG OUT 434 00:18:16,662 --> 00:18:19,565 IN THE HOTEL ROOM WITH LOGAN, AND HAVE A GLASS OF CHAMPAGNE 435 00:18:19,665 --> 00:18:21,233 AND CHILL OUT TOGETHER. 436 00:18:21,333 --> 00:18:23,502 AND THAT'S WHAT I CALL A CELEBRATION. 437 00:18:23,602 --> 00:18:25,437 WE HAVE A LOT TO CELEBRATE. 438 00:18:25,537 --> 00:18:28,874 NUMBER ONE, I WANNA SAY, TAMAR, CONGRATULATIONS. 439 00:18:28,974 --> 00:18:31,577 - YES, CAN WE ? - BUT, I'M SORRY. 440 00:18:31,677 --> 00:18:33,145 THERE IS SOMETHING THAT I HAVE TO SAY 441 00:18:33,245 --> 00:18:35,280 ABOUT TAMAR'S NIGHT TONIGHT. 442 00:18:37,916 --> 00:18:39,918 THAT'S-- GET MY PHONE, TRINA. 443 00:18:42,488 --> 00:18:44,857 THANK YOU GUYS SO MUCH, 444 00:18:44,957 --> 00:18:49,962 AND THANKS TO MY BIG SISTERS TONIGHT, 445 00:18:50,062 --> 00:18:56,635 AND I JUST WANNA TELL ALL OF YOU... 446 00:18:56,735 --> 00:19:00,739 THAT R&B IS NOT DEAD. 447 00:19:00,839 --> 00:19:03,475 LIES-- I DIDN'T SAY THAT! 448 00:19:03,575 --> 00:19:05,177 TRINA BE REALLY TRYIN' IT 449 00:19:05,277 --> 00:19:06,945 AND SHE THINK SHE REAL DAMN CUTE, 450 00:19:07,045 --> 00:19:08,547 YOU KNOW, IMITATING ME. 451 00:19:08,647 --> 00:19:10,382 HOW Y'ALL GONNA SHADE ME AFTER I WIN MY AWARD? 452 00:19:10,482 --> 00:19:12,951 THAT IS TERRIBLE. - THAT WASN'T SHADE. 453 00:19:16,555 --> 00:19:22,628 I'VE BEEN WAITING FOR THIS... 454 00:19:22,728 --> 00:19:25,731 FOR A LONG TIME. 455 00:19:25,831 --> 00:19:27,199 IT'S A LITTLE DRAMATIC. 456 00:19:27,299 --> 00:19:28,667 IT'S A LITTLE DRAMATIC. 457 00:19:28,767 --> 00:19:30,235 WE'RE NOT AT THE OSCARS. 458 00:19:30,335 --> 00:19:36,041 IF YOU HAVE A DREAM... 459 00:19:36,141 --> 00:19:38,410 LET YOUR DREAM COME TRUE. - LIES. 460 00:19:38,510 --> 00:19:42,748 'CAUSE I NEVER REALLY EXPECTED IT. 461 00:19:42,848 --> 00:19:46,652 AND IF I CAN DO IT, YOU CAN DO IT. 462 00:19:46,752 --> 00:19:49,221 IF IT CAN COME TRUE FOR ME-- - LIES. 463 00:19:49,321 --> 00:19:51,557 I WISH THEY'D PLAY IT AGAIN, 'CAUSE YOU SAID IT. 464 00:19:51,657 --> 00:19:52,925 THAT IS NOT WHAT SHE SAID. 465 00:19:53,025 --> 00:19:54,526 IT CAN COME TRUE FOR ALL OF YOU. 466 00:19:54,626 --> 00:19:56,228 ALL THE LIES THAT YOU TELL. 467 00:19:56,328 --> 00:19:57,930 I AM 36 YEARS OLD. 468 00:19:58,030 --> 00:19:59,831 I AM NOT ASHAMED TO SAY THAT. 469 00:19:59,932 --> 00:20:01,333 - I DIDN'T SAY THAT. - I'M 36 YEARS OLD. 470 00:20:01,433 --> 00:20:02,834 - YES, YOU DID! - YEAH, YOU DID. 471 00:20:02,935 --> 00:20:04,369 - I SAID, I AIN'T ASHAMED? - YES! 472 00:20:04,469 --> 00:20:06,505 - YES, YOU DID. - I AIN'T. 473 00:20:06,605 --> 00:20:09,041 YOU SAID, "I DON'T GIVE A DAMN IF I WAS 56." 474 00:20:09,141 --> 00:20:10,909 - YES! - I DID? 475 00:20:11,009 --> 00:20:12,211 WELL... 476 00:20:12,311 --> 00:20:14,313 NO, TAMAR DIDN'T LIKE IT, BUT SHE KNEW IT WAS THE TRUTH. 477 00:20:14,413 --> 00:20:16,248 GO ON AND LAUGH, WENCH-- GO ON AND LAUGH. 478 00:20:16,348 --> 00:20:17,883 YOU KNOW THAT WAS FUNNY. 479 00:20:17,983 --> 00:20:20,252 I LAUGHED. 480 00:20:20,352 --> 00:20:21,987 MAYBE TRINA THOUGHT IT WAS CUTE, 481 00:20:22,087 --> 00:20:24,957 BUT TAMAR DIDN'T SEE ANY HUMOR IN IT. 482 00:20:25,057 --> 00:20:26,258 THANK YOU GUYS SO MUCH. 483 00:20:26,358 --> 00:20:27,559 WHY ARE YOU LOOKING AT HER LIKE THAT? 484 00:20:27,659 --> 00:20:29,928 BECAUSE, YOU KNOW, I-I-I BELIEVE SOME OF IT. 485 00:20:32,197 --> 00:20:34,600 TRINA'S IMITATION OF TAMAR'S ACCEPTANCE SPEECH 486 00:20:34,700 --> 00:20:37,236 WAS PRETTY ACCURATE. 487 00:20:37,336 --> 00:20:40,172 "AND IT'S JUST"... 488 00:20:40,272 --> 00:20:41,340 SOMETIMES, YOU KNOW, 489 00:20:41,440 --> 00:20:42,474 SHE TAKES ON DIFFERENT PERSONALITIES. 490 00:20:42,574 --> 00:20:44,042 TRINA, YOU LOST A LITTLE WEIGHT. 491 00:20:44,142 --> 00:20:46,545 STAND UP-- I CAN TELL BY YOUR ARMS. 492 00:20:46,645 --> 00:20:48,981 - AND WAIST. - THANKS FOR NOTICING. 493 00:20:49,081 --> 00:20:50,682 YEAH, YOU HAVE LOST A LITTLE BIT. 494 00:20:50,782 --> 00:20:52,884 - YES, I LOST A LOT BIT. - A LOT BIT? 495 00:20:52,985 --> 00:20:54,653 - A LOT OF BIT. - LIKE, TEN POUNDS? 496 00:20:54,753 --> 00:20:56,121 NO, LIKE, 20. 497 00:20:56,221 --> 00:20:57,422 TONI, DON'T YOU MISS CHAMPAGNE? 498 00:20:57,522 --> 00:20:59,057 - YOU LOST 20 POUNDS? - YES. 499 00:20:59,157 --> 00:21:01,093 - YOU GAINED 40 POUNDS? - I GAINED 65. 500 00:21:01,193 --> 00:21:03,462 WE'RE GONNA-WE'RE GONNA-WE'RE GONNA STAY WITH THAT. 501 00:21:03,562 --> 00:21:06,164 NO, I DON'T MEAN-- THAT SOUNDS SHADY. 502 00:21:06,265 --> 00:21:08,967 YOU HAVE 20 MORE TO DO. - I BEG YOUR PARDON? 503 00:21:09,067 --> 00:21:11,570 - THAT'S A PALM TREE, GIRL. - THAT IS NOT A PALM TREE. 504 00:21:11,670 --> 00:21:13,538 YES, IT IS-- THAT'S A REAL PALM TREE. 505 00:21:13,639 --> 00:21:15,207 TRINA, WOULDN'T YOU LIKE TO BE 20 POUNDS SMALLER 506 00:21:15,307 --> 00:21:17,009 FROM WHERE YOU ARE NOW? 507 00:21:17,109 --> 00:21:19,544 NO. 508 00:21:19,645 --> 00:21:21,647 TWENTY-FIVE? 509 00:21:25,684 --> 00:21:27,919 COMING UP ON "BRAXTON FAMILY VALUES"... 510 00:21:28,020 --> 00:21:30,188 MIRROR, MIRROR ON THE WALL, 511 00:21:30,289 --> 00:21:33,859 WHO'S THE SHADIEST BRAXTON OF THEM ALL? 512 00:21:33,959 --> 00:21:36,328 TONI. 513 00:21:36,428 --> 00:21:39,765 AND THEN WE COULD DO A GOSPEL ALBUM. 514 00:21:39,865 --> 00:21:42,701 - WHO'S WE? - EVERYBODY. 515 00:21:45,137 --> 00:21:46,371 A REAL PALM TREE. 516 00:21:46,471 --> 00:21:47,973 TRINA, WOULDN'T YOU LIKE TO BE 20 POUNDS SMALLER 517 00:21:48,073 --> 00:21:49,708 FROM WHERE YOU ARE NOW? 518 00:21:49,808 --> 00:21:52,077 NO. 519 00:21:52,177 --> 00:21:54,713 TWENTY-FIVE? 520 00:21:58,650 --> 00:22:00,385 BUST HER, TRINA. 521 00:22:00,485 --> 00:22:01,987 TRINA NEEDS TO LOSE ABOUT 20 POUNDS. 522 00:22:02,087 --> 00:22:03,455 I'M SORRY, IT'S TRUE. 523 00:22:03,555 --> 00:22:04,823 MAYBE 30. 524 00:22:04,923 --> 00:22:06,058 YOU ARE NOT BIPOLAR, YOU ARE TRIPOLAR, 525 00:22:06,158 --> 00:22:07,559 'CAUSE YOU'RE TRYING ME RIGHT NOW. 526 00:22:07,659 --> 00:22:09,294 - I'M JUST SAYIN'. - YOU'RE TRYING ME. 527 00:22:09,394 --> 00:22:11,463 MIRROR, MIRROR ON THE WALL, 528 00:22:11,563 --> 00:22:15,367 WHO'S THE SHADIEST BRAXTON OF THEM ALL? 529 00:22:15,467 --> 00:22:18,470 TONI, TONI, SHE IS. 530 00:22:20,706 --> 00:22:22,674 I'M THE SHADIEST BRAXTON? 531 00:22:22,774 --> 00:22:24,943 OH, MY-- TAMAR, OOH-OOH. 532 00:22:25,043 --> 00:22:27,679 NO, MA'AM-- I THINK THAT IT'S TAMAR. 533 00:22:27,779 --> 00:22:29,681 TAMAR HAS TO BE THE SHADIEST BRAXTON. 534 00:22:29,781 --> 00:22:32,784 SHE'S SUPPOSED TO BE IN SHADY ANONYMOUS, 535 00:22:32,884 --> 00:22:35,187 OR WHATEVER THE CRAP THAT SHE SAID SHE WAS IN, 536 00:22:35,287 --> 00:22:36,888 AND SHE'S OBVIOUSLY NOT IN THAT 537 00:22:36,988 --> 00:22:38,657 IF SHE'S GONNA MAKE THAT STATEMENT. 538 00:22:38,757 --> 00:22:41,727 I'M NOT THE SHADIEST-- TAMAR'S THE SHADIEST. 539 00:22:41,827 --> 00:22:44,162 TAMAR, YOU KNOW YOU'RE THE SHADIEST. 540 00:22:44,262 --> 00:22:46,331 DID YOU FEEL GOOD ABOUT ACCEPTING YOUR AWARDS? 541 00:22:46,431 --> 00:22:48,800 - UM, I DON'T REMEMBER. - WELL, YOU SOUNDED GREAT. 542 00:22:48,900 --> 00:22:51,103 - . - YOU SOUNDED GREAT. 543 00:22:51,203 --> 00:22:52,404 IT WAS REALLY GOOD-- IT WAS GREAT. 544 00:22:52,504 --> 00:22:53,472 SOMETIMES YOU MISS YOUR MOMENTS 545 00:22:53,572 --> 00:22:54,706 BECAUSE YOU FORGET TO ENJOY THEM. 546 00:22:54,806 --> 00:22:57,075 I KEEP TELLING YOU THAT YOU HAVE TO ENJOY YOUR MOMENTS. 547 00:22:57,175 --> 00:23:00,412 WELL, THE GREATEST PART ABOUT IT THAT I WILL REMEMBER 548 00:23:00,512 --> 00:23:03,849 IS THAT ALL OF Y'ALL WAS HERE FOR IT. 549 00:23:03,949 --> 00:23:05,717 OF COURSE-- ABSOLUTELY. 550 00:23:05,817 --> 00:23:08,387 THAT IS THE ONLY THING I NEED TO REMEMBER. 551 00:23:22,334 --> 00:23:24,636 - TOWANDA? - YES? 552 00:23:24,736 --> 00:23:26,972 WHAT'S THESE-- EARRINGS? 553 00:23:27,072 --> 00:23:28,607 YEAH. 554 00:23:28,707 --> 00:23:30,776 TRACI GAVE ME THOSE. - DID SHE? 555 00:23:30,876 --> 00:23:32,010 LET'S SEE. - YOU DON'T REMEMBER? 556 00:23:32,110 --> 00:23:33,845 SHE WANTED TO WEAR 'EM FOR THE "SOUL TRAIN" AWARDS. 557 00:23:33,945 --> 00:23:35,614 - ARE YOU SERIOUS? - I SAID, "TRACI... 558 00:23:35,714 --> 00:23:37,015 "THEY'RE TOO BIG." - SHE CAN'T DO THAT. 559 00:23:37,115 --> 00:23:38,784 THAT'S WAY TOO BIG. 560 00:23:38,884 --> 00:23:41,987 I'M SORRY-- I'M JUST SO CONCENTRATED ON THIS. 561 00:23:42,087 --> 00:23:43,688 IT'S LIKE... 562 00:23:45,624 --> 00:23:46,825 YEAH, THEY'RE REAL KIND OF... 563 00:23:46,925 --> 00:23:48,226 I SAID, "TRACY, YOU CAN'T WEAR THESE." 564 00:23:48,326 --> 00:23:49,728 SHE WANTED TO WEAR THESE BIG OLD EARRINGS. 565 00:23:49,828 --> 00:23:50,962 NO! 566 00:23:51,062 --> 00:23:52,364 AFTER THE "SOUL TRAIN" AWARDS, IN VEGAS, 567 00:23:52,464 --> 00:23:55,133 WE ALL CAME BACK TO L.A., SINCE IT'S SO CLOSE BY. 568 00:23:55,233 --> 00:23:56,968 I INVITED TRACI AND TOWANDA OVER 569 00:23:57,068 --> 00:23:58,770 TO HELP ME CLEAN OUT MY CLOSET, 570 00:23:58,870 --> 00:24:00,439 AND I USUALLY LIKE TO DONATE SOME OF MY STUFF, 571 00:24:00,539 --> 00:24:03,074 BUT I LIKE TO GIVE MY SISTERS FIRST PICK. 572 00:24:03,175 --> 00:24:04,743 I WAS GONNA GIVE THIS ONE TO TAMAR. 573 00:24:04,843 --> 00:24:08,013 YOU THINK SHE'D WEAR THIS? - IT LOOK LIKE, UM, 574 00:24:08,113 --> 00:24:09,648 THE CHURCH MOTHER OR SOMETHING. 575 00:24:09,748 --> 00:24:11,817 BUT IT'S COUTURE-- YOU KNOW TAMAR LOVES FASHION. 576 00:24:11,917 --> 00:24:13,585 YOU DON'T THINK SHE LIKE IT. 577 00:24:13,685 --> 00:24:15,053 THAT'S WHY YOU HANGING IT BACK UP. 578 00:24:15,153 --> 00:24:17,389 I THINK IT'S VERY IMPORTANT TO PUT THIS TO THE SIDE, 579 00:24:17,489 --> 00:24:19,991 BECAUSE I WANT TO SHOW HER WHAT HER BIG SISTER-- 580 00:24:20,091 --> 00:24:22,227 OH, SO THAT MEANS YOU AND TAMAR ARE TALKING BETTER NOW? 581 00:24:22,327 --> 00:24:23,929 YAY. 582 00:24:24,029 --> 00:24:25,630 YOU KNOW I LOVE MY LITTLE BABY. 583 00:24:25,730 --> 00:24:26,932 - BUT-- - I GOTTA TALK TO HER 584 00:24:27,032 --> 00:24:27,933 BECAUSE I LOVE MY LITTLE BABY. 585 00:24:28,033 --> 00:24:29,167 - HAVE YOU TALKED TO HER YET? - NO. 586 00:24:29,267 --> 00:24:31,736 WELL, Y'ALL HAVE TO GET TOGETHER AND TALK. 587 00:24:33,438 --> 00:24:36,975 IN VEGAS, EVERYBODY WAS REALLY CIVIL AND NICE, 588 00:24:37,075 --> 00:24:38,877 BUT I ALSO HEARD THAT TOWANDA SAID SOMETHING 589 00:24:38,977 --> 00:24:41,179 ABOUT THE SISTERS NOT GETTING ALONG. 590 00:24:41,279 --> 00:24:43,915 SO I THOUGHT IT WAS TIME THAT WE SHOULD TALK ABOUT IT. 591 00:24:44,015 --> 00:24:45,750 - HEY, TRACI! - HEY, TRACI! 592 00:24:45,851 --> 00:24:47,285 THANK GOD! - PERFECT TIMING-- KISSES. 593 00:24:49,187 --> 00:24:50,755 I AM GOING THROUGH MY CLOSET. 594 00:24:50,856 --> 00:24:51,957 SHE'S GETTING RID OF SHOES, 595 00:24:52,057 --> 00:24:53,458 SO YOU MIGHT WANNA TRY SOME ON. 596 00:24:53,558 --> 00:24:54,893 SO, I ONLY-I GOT THESE. 597 00:24:54,993 --> 00:24:56,361 THESE ARE THE ONES WE'RE GIVING AWAY. 598 00:24:56,461 --> 00:24:58,263 HERE, TRACI, TRY THESE ON. 599 00:24:58,363 --> 00:25:00,031 I LIKE FOR THINGS TO BE ORGANIZED, 600 00:25:00,131 --> 00:25:02,300 AND MY SHOES SHOW MY PERSONALITY A BIT. 601 00:25:02,400 --> 00:25:03,902 AND WHEN I SEE 'EM ALL TOGETHER, 602 00:25:04,002 --> 00:25:05,637 AND THEY'RE COLOR CODED AND THERE'S A PICTURE, 603 00:25:05,737 --> 00:25:07,172 IT MAKES ME HAPPY 'CAUSE IT LETS ME KNOW 604 00:25:07,272 --> 00:25:09,474 I'M A LITTLE BIT IN CONTROL OF MY LIFE. 605 00:25:09,574 --> 00:25:11,209 'CAUSE, SOMETIMES, I FEEL LIKE I'M LOSING CONTROL A BIT, 606 00:25:11,309 --> 00:25:12,878 SOMETIMES, WITH WORK. 607 00:25:12,978 --> 00:25:15,146 - THEY MAY-- HOLD ON. - TRACI, THAT'S-- 608 00:25:15,247 --> 00:25:17,015 IT-IT'S HANGING OFF. 609 00:25:17,115 --> 00:25:18,550 IT LOOKS LIKE BREAD. - TRACI! 610 00:25:18,650 --> 00:25:20,685 NO, YOU CAN'T DO THAT. - LOOKS LIKE A LOAF OF BREAD. 611 00:25:20,785 --> 00:25:23,421 IT'S HANGING OUT ON THE SIDE-- TRACI. 612 00:25:23,522 --> 00:25:25,757 OKAY, IF I PUT IT DOWN LIKE THIS-- HOW ABOUT THAT? 613 00:25:25,857 --> 00:25:27,792 TAKE THEM OFF-- THEY'RE TOO SMALL. 614 00:25:27,893 --> 00:25:30,362 I WILL BE CINDERELLA'S STEPSISTER 615 00:25:30,462 --> 00:25:32,497 AND CUT OFF MY TOES AND HEELS. 616 00:25:32,597 --> 00:25:34,966 I'M GONNA FIT ONE OF THESE PAIRS OF SHOES. 617 00:25:35,066 --> 00:25:36,501 I'M LETTIN' YOU KNOW WHAT. 618 00:25:36,601 --> 00:25:38,303 HOW-DID YOU HEAR, TOWANDA AND TAMAR? 619 00:25:38,403 --> 00:25:40,071 I'M GONNA MAKE THEM TWO TALK. 620 00:25:40,171 --> 00:25:41,973 THEY GOTTA TALK, DON'T THEY? - YEAH. 621 00:25:42,073 --> 00:25:43,675 YOU AND TAMAR WENT THROUGH IT, LIKE, 622 00:25:43,775 --> 00:25:45,043 TWO YEARS AGO, A YEAR AND A HALF AGO NOW. 623 00:25:45,143 --> 00:25:46,511 YOU AND TAMAR. 624 00:25:46,611 --> 00:25:48,547 WELL, YOU KNOW, SHE APOLOGIZED TO ME. 625 00:25:48,647 --> 00:25:50,482 - SEE? - DID SHE SAY, "IF?" 626 00:25:50,582 --> 00:25:52,851 SHE SAID, "IF," BUT SHE DID APOLOGIZE. 627 00:25:52,951 --> 00:25:54,586 I MEAN, TELL ME WHAT THE "IF" MEANS? 628 00:25:54,686 --> 00:25:57,088 SHE SAID, "IF I'VE DONE ANYTHING TO HURT YOU, 629 00:25:57,188 --> 00:25:59,090 OR "IF I'VE HURT YOU." 630 00:25:59,190 --> 00:26:00,692 THAT'S NOT AN APOLOGY. 631 00:26:00,792 --> 00:26:03,228 I DON'T KNOW WHY YOU DON'T TALK TO ME. 632 00:26:03,328 --> 00:26:08,600 BUT, IF I HAVE HURT YOU AND OFFENDED YOU, 633 00:26:08,700 --> 00:26:10,235 I APOLOGIZE. 634 00:26:10,335 --> 00:26:12,437 TAMAR IS STILL BEING A LITTLE BRATTY. 635 00:26:12,537 --> 00:26:14,205 I KNOW, BUT TAMAR MIGHT GET ON YOUR NERVES SOMETIMES, 636 00:26:14,306 --> 00:26:15,874 BUT WE LOVE EACH OTHER ALL THE TIME. 637 00:26:15,974 --> 00:26:17,275 - OH, ABSOLUTELY. - SO... 638 00:26:17,375 --> 00:26:20,178 I LOVE HER-- I JUST DON'T LIKE HER RIGHT NOW. 639 00:26:20,278 --> 00:26:22,247 THAT'S HONEST! 640 00:26:22,347 --> 00:26:24,749 MAYBE JUST SHOULD BE Y'ALL TWO. 641 00:26:24,849 --> 00:26:26,718 DID YOU DO THAT-DID THEY TALK LIKE THAT LAST TIME? 642 00:26:26,818 --> 00:26:28,086 LET'S GO BACK-- YES, WE DID. 643 00:26:28,186 --> 00:26:29,654 - IT WAS JUST Y'ALL TWO? - YES, WE DID. 644 00:26:29,754 --> 00:26:31,122 AND SHE LEFT BECAUSE SHE DIDN'T LIKE 645 00:26:31,222 --> 00:26:32,824 HEARING THE THINGS THAT I HAD TO SAY. 646 00:26:32,924 --> 00:26:34,726 WE'VE ALWAYS BEEN THE ONES TO SUPPORT 647 00:26:34,826 --> 00:26:36,461 EACH AND EVERY ONE OF US, PERIOD. 648 00:26:36,561 --> 00:26:38,496 WELL, YOU KNOW, YOU'RE NOT BEING SUPPORTIVE RIGHT NOW, 649 00:26:38,597 --> 00:26:40,065 BECAUSE LET ME TELL YOU WHAT HAPPENED. 650 00:26:40,165 --> 00:26:43,068 I JUST TOLD YOU WHAT THE 100% TRUTH IS. 651 00:26:43,168 --> 00:26:45,103 - THAT WASN'T THE REALITY. - I LOVE YOU, 652 00:26:45,203 --> 00:26:47,405 BUT I CAN'T DO THIS. - OF COURSE YOU CAN'T. 653 00:26:50,408 --> 00:26:52,911 WE CAN LOCK HER IN A ROOM-- WE CAN FORCE HER TO TALK. 654 00:26:53,011 --> 00:26:54,879 LET'S GO GET SOMETHING TO EAT. 655 00:26:54,980 --> 00:26:56,881 I'M TIRED OF DOING THIS. - WHO'S COOKING? 656 00:26:56,982 --> 00:26:58,984 TOWANDA CAN MAKE SOME CHICKEN. 657 00:26:59,084 --> 00:27:00,352 OKAY. 658 00:27:00,452 --> 00:27:01,853 AND THEN YOU THINK ABOUT WHEN YOU AND TAMAR 659 00:27:01,953 --> 00:27:03,488 ARE GONNA TALK. - WAIT A MINUTE. 660 00:27:03,588 --> 00:27:05,123 THAT-THAT DOESN'T MAKE ME WANNA THINK. 661 00:27:05,223 --> 00:27:06,524 YEAH, LET'S GO GET SOME CHICKEN. 662 00:27:06,625 --> 00:27:07,659 THAT-THAT AIN'T GOOD. 663 00:27:07,759 --> 00:27:09,060 FRYING CHICKEN DON'T MAKE ME THINK. 664 00:27:09,160 --> 00:27:11,496 I'M ALMOST OVER MY COLD, AND SOME CHAMPAGNE. 665 00:27:11,596 --> 00:27:13,231 COME ON, COME ON. 666 00:27:13,331 --> 00:27:14,599 IT'S GOOD. - COME ON, IT'S A GOOD THING. 667 00:27:14,699 --> 00:27:16,134 HOW ABOUT TRACI COOK? 668 00:27:16,234 --> 00:27:17,369 - NO. - NO, COME ON, TOWANDA. 669 00:27:17,469 --> 00:27:18,436 I'LL MEET YOU DOWNSTAIRS. 670 00:27:18,536 --> 00:27:19,738 I'M SO TIRED OF PEOPLE DESIGNATING ME 671 00:27:19,838 --> 00:27:21,206 TO DO EVERY GOD DAGGONE THING. 672 00:27:21,306 --> 00:27:22,907 TOWANDA GOTTA TALK. 673 00:27:23,008 --> 00:27:24,643 TOWANDA GOTTA DO THIS. 674 00:27:24,743 --> 00:27:26,444 TOWANDA GOTTA DO THAT. 675 00:27:26,544 --> 00:27:29,147 I'M TIRED OF DOING EVERY GOD DAGGONE THING ALL THE TIME, 676 00:27:29,247 --> 00:27:30,615 FOR EVERYBODY. 677 00:27:30,715 --> 00:27:32,317 AND I'M NOT PUTTING THE SHOES AWAY. 678 00:27:32,417 --> 00:27:34,085 YOU BETTER GET ONE OF YOUR ASSISTANTS. 679 00:27:34,185 --> 00:27:36,254 I'M NOT YOUR ASSISTANT ANY MORE. 680 00:27:43,895 --> 00:27:46,197 TOWANDA, SWITCH SEATS WITH ME. 681 00:27:46,297 --> 00:27:48,366 I'LL SWITCH WITH MOMMY THEN. - TRACI'S SICK, TOO. 682 00:27:48,466 --> 00:27:50,301 SHE AIN'T GOT NO VOICE-- I AIN'T GOT TIME FOR THAT. 683 00:27:50,402 --> 00:27:52,337 THAT'S THE ONLY REASON WHY I GET UP, 684 00:27:52,437 --> 00:27:54,606 FOR YOU TO SIT BY ME. 685 00:27:54,706 --> 00:27:56,608 NO, I'M JUST-I'M JUST LOOKIN' AROUND, LIKE, 686 00:27:56,708 --> 00:27:58,476 , EVERYBODY'S SICK. 687 00:27:58,576 --> 00:28:00,945 TAMIE, CONGRATULATIONS ON YOUR GRAMMY NOMINATION! 688 00:28:01,046 --> 00:28:03,248 THANK YOU. 689 00:28:03,348 --> 00:28:08,053 SO, GUESS WHO'S NOMINATED FOR THREE GRAMMYS? 690 00:28:08,153 --> 00:28:09,988 SHE IS. 691 00:28:10,088 --> 00:28:11,523 WHAT IF YOU LOSE-- THAT'S NOT FUN. 692 00:28:11,623 --> 00:28:12,891 BUT YOU'RE NOMINATED. 693 00:28:12,991 --> 00:28:14,559 THAT'S REALLY A BIG DEAL, TO BE NOMINATED. 694 00:28:14,659 --> 00:28:16,294 YEAH, IT IS A BIG DEAL-- IT'S A BIG DEAL. 695 00:28:16,394 --> 00:28:17,996 - IT'S A HUGE DEAL. - BECAUSE YOU WILL ALWAYS BE 696 00:28:18,096 --> 00:28:20,331 GRAMMY NOMINEE, TAMAR BRAXTON. 697 00:28:20,432 --> 00:28:22,701 - GRAMMY NOMINATED ARTIST. - FOR THE REST OF YOUR LIFE. 698 00:28:22,801 --> 00:28:23,935 HERE, HOLD ONE OF MINE, 699 00:28:24,035 --> 00:28:25,136 SO YOU CAN SEE HOW IT'S GONNA FEEL. 700 00:28:25,236 --> 00:28:27,272 - ALL RIGHT! - ALL RIGHT. 701 00:28:27,372 --> 00:28:29,174 NO, I DON'T WANNA DO IT-- I DON'T WANNA DO IT. 702 00:28:29,274 --> 00:28:32,744 - I CAN'T-I CAN'T REACH 'EM. - I DON'T WANNA DO IT. 703 00:28:32,844 --> 00:28:35,146 SOMEBODY PLEASE HELP TONI BEFORE SHE BREAK THOSE THINGS. 704 00:28:35,246 --> 00:28:37,515 - CAN EACH OF US HOLD ONE? - LOOK-LOOK AT TONI-- 705 00:28:37,615 --> 00:28:39,184 SHE'S JUMPING UP TO GET 'EM. 706 00:28:39,284 --> 00:28:41,519 - OKAY, GET THE R&B ONE. - YOUR SISTER'LL GET IT. 707 00:28:41,619 --> 00:28:42,987 GET THE R&B ONE. 708 00:28:43,088 --> 00:28:44,189 CAN EACH OF US HOLD ONE, 709 00:28:44,289 --> 00:28:45,457 SO WE CAN SEE WHAT IT FEELS LIKE? 710 00:28:45,557 --> 00:28:47,392 OKAY, Y'ALL BE THE MODELS THAT COME AND BRING 'EM OUT. 711 00:28:47,492 --> 00:28:50,095 I WILL. 712 00:28:50,195 --> 00:28:53,965 THE NOMINEES FOR BEST R&B PERFORMANCE... 713 00:28:54,065 --> 00:28:55,366 TAMAR BRAXTON. 714 00:28:58,403 --> 00:29:00,839 I DON'T KNOW THE OTHERS. 715 00:29:00,939 --> 00:29:02,474 AND THE OTHERS. 716 00:29:02,574 --> 00:29:07,045 AND THE WINNER IS... 717 00:29:07,145 --> 00:29:09,147 TAMAR BRAXTON! 718 00:29:18,623 --> 00:29:20,125 DON'T POINT YOUR BUTT TO THE AUDIENCE. 719 00:29:20,225 --> 00:29:21,826 I PROMISE, I GOTTA LET 'EM SEE THE WHOLE OUTFIT. 720 00:29:21,926 --> 00:29:23,561 YOU CAN'T PUT YOUR BUTT TO THE AUDIENCE. 721 00:29:23,661 --> 00:29:25,797 OH, OH, OH, OH! 722 00:29:25,897 --> 00:29:28,133 - I'M FIRST, I'M FIRST. - SHE BE DOING LIKE THIS. 723 00:29:28,233 --> 00:29:31,002 YOU'D BE NOMINATED, TOO. 724 00:29:31,102 --> 00:29:34,305 OOH, OOH. 725 00:29:34,405 --> 00:29:36,274 - DON'T DO THAT. - OKAY, I'LL STAND IN HERE. 726 00:29:36,374 --> 00:29:38,543 HOLD IT FOR ME, GIRL. 727 00:29:38,643 --> 00:29:41,646 AND THE SECOND GRAMMY GOES TO... 728 00:29:41,746 --> 00:29:43,882 - AH! - TAMAR BRAXTON! 729 00:29:43,982 --> 00:29:46,084 SHE WON AN AWARD EARLIER THIS EVENING. 730 00:29:46,184 --> 00:29:49,487 OH, OH, OH, OH! 731 00:29:49,587 --> 00:29:53,458 AND THE THIRD GRAMMY GOES TO TAMAR BRAXTON! 732 00:29:53,558 --> 00:29:55,527 TAMAR BRAXTON HAS WON TWO PRIOR GRAMMIES 733 00:29:55,627 --> 00:29:56,995 EARLIER THIS EVENING. 734 00:29:57,095 --> 00:30:00,431 CONGRATULATIONS TO HER. - OH, MY GOD. 735 00:30:00,532 --> 00:30:02,634 OKAY, HAVE A SEAT. 736 00:30:02,734 --> 00:30:04,736 - IF YOU BOUNCE IT LIKE THAT. - HAVE A SEAT. 737 00:30:04,836 --> 00:30:06,271 - AND YOU POP IT ON BACK. - HAVE A SEAT, 738 00:30:06,371 --> 00:30:08,106 'CAUSE I DON'T NEED YOU-- - TO YOUR MANAGER, 739 00:30:08,206 --> 00:30:10,909 YOU MIGHT BE HERE, TOO. 740 00:30:11,009 --> 00:30:13,178 SIT DOWN, TAMAR. 741 00:30:13,278 --> 00:30:15,713 GOOD JOB. 742 00:30:15,814 --> 00:30:19,717 TAMAR'S GRAMMY NOMINATIONS, 743 00:30:19,818 --> 00:30:24,889 THAT'S GOING TO TURN HER HEAD INTO A HOT AIR BALLOON. 744 00:30:24,989 --> 00:30:26,658 I'M PROUD OF HER. 745 00:30:26,758 --> 00:30:28,560 IT'S JUST GONNA BE KIND OF DIFFICULT TO DEAL WITH 746 00:30:28,660 --> 00:30:30,995 TAMAR AND HER HEAD. 747 00:30:31,095 --> 00:30:33,665 GRAMMY NOMINATED ARTIST. 748 00:30:33,765 --> 00:30:35,133 GO AHEAD AND SAY IT. - IT MEANS YOU'RE A WINNER. 749 00:30:35,233 --> 00:30:36,100 - TRY IT. - SAY IT. 750 00:30:36,201 --> 00:30:37,368 IT FEELS SO GOOD. 751 00:30:37,468 --> 00:30:38,536 'CAUSE SHE'S SCARED SHE MIGHT JINX IT. 752 00:30:38,636 --> 00:30:39,838 WHEN I AM, I'M GONNA SAY IT. 753 00:30:39,938 --> 00:30:42,307 HOW ARE YOU GONNA SAY IT, TRINA? 754 00:30:42,407 --> 00:30:43,975 HI, MY NAME IS TRINA, 755 00:30:44,075 --> 00:30:45,343 AND I'M A GRAMMY NOMINATED ARTIST. 756 00:30:45,443 --> 00:30:46,411 NOT THE HAND-- YOU CAN'T DO THAT. 757 00:30:46,511 --> 00:30:47,512 YOU GOTTA PUT THAT HAND DOWN, GIRL. 758 00:30:47,612 --> 00:30:48,746 - THE-THE HAND STAYS. - IT'S A DISTRACTION. 759 00:30:48,847 --> 00:30:50,148 GUESS WHAT-- THE HAND IS A PART OF MY BODY. 760 00:30:50,248 --> 00:30:53,985 . - MY FOOT IS PART OF MY BODY. 761 00:30:54,085 --> 00:30:57,355 OH, WAIT-- BLAH-BLAH-BLAH-BLAH. 762 00:30:57,455 --> 00:31:00,959 AND THEN WE COULD DO A GOSPEL ALBUM. 763 00:31:01,059 --> 00:31:02,527 WHO'S WE? 764 00:31:02,627 --> 00:31:04,829 COMING UP ON "BRAXTON FAMILY VALUES"... 765 00:31:04,929 --> 00:31:08,233 I AM NOT WILLING TO ACCEPT THIS BEHAVIOR ANYMORE 766 00:31:08,333 --> 00:31:10,134 IN MY LIFE. - WHAT BEHAVIOR? 767 00:31:10,235 --> 00:31:11,502 - THAT'S NOT COOL. - WHAT BEHAVIOR, TOWANDA? 768 00:31:11,603 --> 00:31:13,137 - THIS BEHAVIOR. - WHAT IS "THIS BEHAVIOR?" 769 00:31:13,238 --> 00:31:13,838 THIS. 770 00:31:15,640 --> 00:31:16,841 TONI SING HER SONGS. 771 00:31:16,941 --> 00:31:18,610 TAMAR SANG HER SONG ANOTHER NIGHT. 772 00:31:18,710 --> 00:31:20,745 TRINA SANG HER LITTLE BASKETBALL RECORDS. 773 00:31:20,845 --> 00:31:22,480 AND, YOU KNOW, THEN WE HAVE, LIKE-- 774 00:31:22,580 --> 00:31:24,515 OH, DID A TREE JUST GROW FROM YOUR MOUTH? 775 00:31:24,616 --> 00:31:27,051 - THAT'S SHADE. - A TREE HAS GROWN, 776 00:31:27,151 --> 00:31:28,887 AND LEAVES. - THAT IS SHADE. 777 00:31:28,987 --> 00:31:30,722 "GAME TIME"-- BASKETBALL RECORDS. 778 00:31:30,822 --> 00:31:32,090 - THAT WAS SHADE, GIRL. - GAME TIME 779 00:31:32,190 --> 00:31:33,591 GAME TIME 780 00:31:33,691 --> 00:31:35,994 GAME TIME 781 00:31:36,094 --> 00:31:38,529 GAME-- NO SHADE! - OKAY, OKAY. 782 00:31:38,630 --> 00:31:40,331 I LIKE DOING GAME TIME! 783 00:31:40,431 --> 00:31:41,900 GAME TIME 784 00:31:42,000 --> 00:31:44,636 G-G-GAME TIME 785 00:31:44,736 --> 00:31:47,272 I-I THINK A LE-A LEAF JUST CAME OUT OF YOUR MOUTH 786 00:31:47,372 --> 00:31:49,774 WHILE YOU WERE TALKING. - NO! 787 00:31:49,874 --> 00:31:51,876 YOU SAID-- I'MA TELL YOU WHAT YOU SAID. 788 00:31:51,976 --> 00:31:53,978 - G-GAME TIME - TONI CAN SING HER SONGS. 789 00:31:54,078 --> 00:31:55,380 I CAN SING MY SONGS. 790 00:31:55,480 --> 00:31:57,415 TRINA CAN SING HER LITTLE BASKETBALL S-- 791 00:31:57,515 --> 00:31:58,950 I LIKE THE BASKETBALL SONG. 792 00:31:59,050 --> 00:32:00,218 GAME TIME - NO-NO. 793 00:32:00,318 --> 00:32:01,586 NO, LISTEN TO ME VERY CAREFULLY. 794 00:32:01,686 --> 00:32:03,087 GAME TIME 795 00:32:03,187 --> 00:32:05,056 TRINA CAN SING HER LITTLE BASKETBALL-- 796 00:32:05,156 --> 00:32:07,425 THAT'S NOT WHAT I MEAN-- DON'T DO THAT. 797 00:32:09,427 --> 00:32:11,062 - PUT THAT HAND DOWN, GIRL. - THE-THE HAND STAYS. 798 00:32:11,162 --> 00:32:12,397 - IT'S A DISTRACTION. - GUESS WHAT? 799 00:32:12,497 --> 00:32:13,698 THE HAND IS A PART OF MY BODY. 800 00:32:13,798 --> 00:32:17,735 . MY FOOT IS PART OF MY BODY. 801 00:32:17,835 --> 00:32:20,505 OH, WAIT-- BLAH-BLAH-BLAH. 802 00:32:20,605 --> 00:32:24,142 AND THEN WE COULD DO A GOSPEL ALBUM. 803 00:32:24,242 --> 00:32:27,178 - WHO'S WE? - EVERYBODY. 804 00:32:27,278 --> 00:32:29,314 YOU NAME NAMES. 805 00:32:29,414 --> 00:32:32,250 TONI TRACI TOWANDA TRINA TAMAR AND MISS E 806 00:32:32,350 --> 00:32:33,318 I WANT YOU TO SIGN SOMETHING RIGHT HERE, 807 00:32:33,418 --> 00:32:34,519 RIGHT NOW. 808 00:32:34,619 --> 00:32:36,154 THEN WE COULD BE NOMINATED FOR A-A-A GOSPEL GRAMMY. 809 00:32:36,254 --> 00:32:37,388 I KNOW YOU GOT SOME LEGAL PAPER OVER HERE. 810 00:32:37,488 --> 00:32:38,690 WAIT A MINUTE. - OH, SHE WRITIN' IT DOWN. 811 00:32:38,790 --> 00:32:39,891 SHE WANT PAPER. 812 00:32:39,991 --> 00:32:41,726 I'M NOT SURE WHY I WANNA TRY THIS AGAIN. 813 00:32:41,826 --> 00:32:44,095 I WILL JUST TELL YOU THAT TAMAR HAS THE KNIFE TO MY THROAT. 814 00:32:44,195 --> 00:32:46,497 SHE'S BEEN REMINDING ME OF THIS FOR YEARS AND YEARS. 815 00:32:46,597 --> 00:32:48,099 WE NEED TO DO A SISTERS GOSPEL ALBUM. 816 00:32:48,199 --> 00:32:49,734 AND SHE IS RIGHT, IT'S TIME, 817 00:32:49,834 --> 00:32:51,569 AND I THINK THIS MAY BE THE BEST TIMING. 818 00:32:51,669 --> 00:32:54,706 I'VE BECOME PROFESSIONAL AND I WANT YOU TO WRITE, 819 00:32:54,806 --> 00:32:57,041 "I, TONI D. BRAXTON"... - MOVE YOUR-- 820 00:32:57,141 --> 00:32:59,110 LET ME TELL YOU SOMETHING. - "DO SOLEMNLY SWEAR"... 821 00:32:59,210 --> 00:33:01,813 "I, TONI D. BRAXTON, SOLEMNLY"... 822 00:33:01,913 --> 00:33:03,681 HOW DO YOU SPELL THAT? - THERE'S NO 'D'. 823 00:33:03,781 --> 00:33:05,516 - S-O-L-E-M-N-L-Y. - THAT'S NOT LEGAL. 824 00:33:05,616 --> 00:33:08,319 YOU'D HAVE TO SAY "TONI M"-- NOT 'D'. 825 00:33:08,419 --> 00:33:10,054 I DIDN'T SAY 'D'-- I SAID "THE." 826 00:33:10,154 --> 00:33:11,689 - OH, "THE." - ALL RIGHT. 827 00:33:11,789 --> 00:33:14,859 NOW I'M GONNA BE AS SHADE-FREE AS I CAN. 828 00:33:14,959 --> 00:33:18,363 JUST KEEP IN MIND THAT I'M TRYING HERE, OKAY? 829 00:33:18,463 --> 00:33:20,331 SO, IN THE PAST, 830 00:33:20,431 --> 00:33:23,301 IT'S BEEN REAL HARD TO GET THE BRAXTON GIRLS 831 00:33:23,401 --> 00:33:27,572 TO DO ANYTHING TOGETHER, 'CAUSE NUMBER ONE-- 832 00:33:27,672 --> 00:33:29,040 DON'T NOBODY LIKE TO PRACTICE. 833 00:33:29,140 --> 00:33:30,475 TOWANDA'S LEAVING. 834 00:33:30,575 --> 00:33:31,809 TOWANDA, DO YOU HONESTLY FEEL LIKE 835 00:33:31,909 --> 00:33:33,411 YOU'RE READY FOR THIS PERFORMANCE? 836 00:33:33,511 --> 00:33:36,214 NUMBER TWO-- WE CAN'T AGREE ON NOTHING. 837 00:33:38,783 --> 00:33:41,252 BECAUSE IT'S SOME BULLCRAP! 838 00:33:41,352 --> 00:33:44,789 AND NUMBER THREE-- DON'T NOBODY LIKE TO PRACTICE. 839 00:33:44,889 --> 00:33:46,290 WE'RE IN THE MIDDLE OF REHEARSAL. 840 00:33:46,391 --> 00:33:47,425 WE ARE RIGHT IN THE MIDDLE OF REHEARSAL. 841 00:33:47,525 --> 00:33:48,426 OKAY, THEN WHO ARE WE TALKING TO? 842 00:33:48,526 --> 00:33:49,594 BUT WHO ARE YOU TALKING TO? 843 00:33:49,694 --> 00:33:52,630 AN INTRICATE PART OF BEING AN ARTIST... 844 00:33:52,730 --> 00:33:55,566 PRACTICE. 845 00:33:55,666 --> 00:33:57,068 TRINA, WHY DON'T YOU WRITE THIS FOR ME? 846 00:33:57,168 --> 00:33:58,469 NO-NO-NO, THIS HAS TO BE YOUR-- 847 00:33:58,569 --> 00:33:59,771 - I'LL SIGN IT. - NUH-UH-UH, THIS IS-- 848 00:33:59,871 --> 00:34:01,305 NO, YOU WILL WRITE IT, 849 00:34:01,406 --> 00:34:03,941 'CAUSE I DON'T WANT ANYBODY SAYING THAT YOU WERE IN DURESS, 850 00:34:04,042 --> 00:34:06,377 AND SOMEBODY WROTE IT FOR YOU, AND-- NOPE. 851 00:34:06,477 --> 00:34:08,246 - YOU WAS UNDER PRESSURE. - NUH-UH-UH. 852 00:34:08,346 --> 00:34:10,982 YOU WRITE IT YOURSELF. 853 00:34:11,082 --> 00:34:13,084 YOU HAVE TO BE VERY SPECIFIC WITH THIS ONE. 854 00:34:13,184 --> 00:34:14,652 SHE'S VERY SLICK. 855 00:34:14,752 --> 00:34:16,654 SLICK AS HEN PISS-- THE FRESH KIND. 856 00:34:16,754 --> 00:34:18,189 OKAY, I DID IT. 857 00:34:18,289 --> 00:34:20,391 YOU READ IT, TAMAR. 858 00:34:20,491 --> 00:34:22,193 "I, TONI D. BRAXTON, SOLEMN"... 859 00:34:22,293 --> 00:34:23,628 IS THAT HOW YOU SPELL "SOLEMNLY?" 860 00:34:23,728 --> 00:34:24,695 - YES. - YES. 861 00:34:24,796 --> 00:34:25,830 HERE, LET ME GET THAT PEN, 862 00:34:25,930 --> 00:34:26,931 'CAUSE I-I DON'T KNOW IF THAT'S SPELLED CORRECTLY. 863 00:34:27,031 --> 00:34:28,633 - IT'S SPELLED RIGHT. - IT IS SPELLED RIGHT. 864 00:34:28,733 --> 00:34:30,668 THERE-THERE'S AN 'N' IN IT, ACTUALLY. 865 00:34:30,768 --> 00:34:31,969 IT IS. 866 00:34:32,070 --> 00:34:33,871 "I, TONI D. BRAXTON, REALLY DO SWEAR 867 00:34:33,971 --> 00:34:36,808 "THAT I WILL DO"... 868 00:34:36,908 --> 00:34:39,077 NO, YOU HAVE TO PUT "RECORD," BABY. 869 00:34:39,177 --> 00:34:42,113 WHAT-- YOU DON'T HAVE TO PUT ALL THAT STUFF IN. 870 00:34:42,213 --> 00:34:45,416 "A GOSPEL CD. 871 00:34:45,516 --> 00:34:49,053 "INSPIRATIONAL OR WHATEVER." 872 00:34:49,153 --> 00:34:50,321 WHAT? 873 00:34:50,421 --> 00:34:51,556 WHATEVER KIND OF NAME IS ON IT. 874 00:34:51,656 --> 00:34:53,491 - WHATEVER GENRE IT'S CALLED? - YES, THANK YOU. 875 00:34:53,591 --> 00:34:55,593 - ALL RIGHT. - "WITH MY SISTERS"... 876 00:34:55,693 --> 00:34:57,462 I PUT MOMMY DOWN FOR ONE SONG. 877 00:34:57,562 --> 00:34:59,363 - ONE? - MAYBE. 878 00:35:02,300 --> 00:35:03,734 FIRST, I NEED YOU TO PUT YOUR INITIALS 879 00:35:03,835 --> 00:35:06,304 ON ALL THE THINGS THAT'S IN PARENTHESIS, PLEASE, FIRST. 880 00:35:06,404 --> 00:35:08,973 AND THEN WE'LL ALL SIGN IT, STARTING WITH TRACI. 881 00:35:09,073 --> 00:35:11,943 I DON'T THINK THAT SIGNING THIS CONTRACT 882 00:35:12,043 --> 00:35:15,079 IS GONNA HELP PREVENT ANYBODY FROM HAVING DISAGREEMENTS, 883 00:35:15,179 --> 00:35:19,083 OR AN INDIVIDUAL OR TWO TO SAY THAT 884 00:35:19,183 --> 00:35:21,152 THEY DON'T WANNA DO THIS ANYMORE. 885 00:35:21,252 --> 00:35:23,788 I... 886 00:35:23,888 --> 00:35:25,456 THAT JUST SAY "T. BRAXTON." 887 00:35:25,556 --> 00:35:27,558 IT-THAT'S HOW I SIGN MY NAME ON MY CHECKS AND EVERYTHING. 888 00:35:27,658 --> 00:35:29,260 NO, MA'AM-- NO, MA'AM, SIR. 889 00:35:29,360 --> 00:35:30,428 CHANGE THAT. 890 00:35:30,528 --> 00:35:31,429 HEY, IF THAT'S THE ONE SHE'S GOT AT THE BANK, 891 00:35:31,529 --> 00:35:33,164 I'LL TAKE IT. 892 00:35:33,264 --> 00:35:35,533 IT'S BEEN SO HARD IN THE PAST TO GET ALL OF US TOGETHER 893 00:35:35,633 --> 00:35:37,935 TO DO A SISTERS BRAXTON'S GOSPEL ALBUM. 894 00:35:38,035 --> 00:35:39,704 AND A LOT OF IT IS, I WOULD TELL THE GIRLS, 895 00:35:39,804 --> 00:35:42,006 "OKAY, I'M AVAILABLE TO DO TWO OR THREE SONGS," 896 00:35:42,106 --> 00:35:43,741 AND THAT WASN'T ENOUGH FOR TAMAR. 897 00:35:43,841 --> 00:35:45,376 SO, IT'S GONNA BE INTERESTING 898 00:35:45,476 --> 00:35:48,479 SEEING HOW TAMAR IS GONNA MAKE HER SCHEDULE WORK 899 00:35:48,579 --> 00:35:50,081 IN ALL OF THIS. 900 00:35:50,181 --> 00:35:51,582 "I MEAN, I CAN'T DO IT-- I'M TOO BUSY RIGHT NOW." 901 00:35:51,682 --> 00:35:53,851 IT'S GONNA BE A LOT OF THAT. 902 00:35:53,951 --> 00:35:56,454 "SHE-HER-ME-SHE-HER-- SHE'S BOOKED." 903 00:35:56,554 --> 00:35:58,222 DEFINITELY. 904 00:35:58,322 --> 00:36:01,359 NOW THE GRAMMY'S FEEL THIS MUCH MORE IMPORTANT 905 00:36:01,459 --> 00:36:03,427 BECAUSE WE HAVE TILL THE NEXT GRAMMIES 906 00:36:03,528 --> 00:36:06,564 TO COMPLETE OUR ALBUM. - LOOK AT GOD. 907 00:36:06,664 --> 00:36:07,999 I REALLY DO HOPE IT WORKS OUT 908 00:36:08,099 --> 00:36:09,600 BECAUSE I FEEL LIKE ME AND MY SISTERS NEED THIS 909 00:36:09,700 --> 00:36:11,169 FOR OUR SISTERHOOD, YOU KNOW? 910 00:36:11,269 --> 00:36:13,271 WE NEED SOMETHING THAT WE CAN SAY WE DID TOGETHER 911 00:36:13,371 --> 00:36:15,106 AND DID SUCCESSFULLY. 912 00:36:15,206 --> 00:36:16,674 YOU KNOW, WHERE, YOU KNOW, 913 00:36:16,774 --> 00:36:18,809 WE ALL PUT OUR TALENTS TOGETHER 914 00:36:18,910 --> 00:36:22,613 AND WORKED TOGETHER IN HARMONY. 915 00:36:22,713 --> 00:36:24,749 ALL RIGHT, ALL DONE. 916 00:36:42,166 --> 00:36:43,201 HI, LADIES. 917 00:36:43,301 --> 00:36:44,569 - HI. - HELLO. 918 00:36:44,669 --> 00:36:47,872 - IS THAT A COCKTAIL LIST? - THERE YOU GO. 919 00:36:47,972 --> 00:36:51,108 I ASKED TOWANDA AND TAMAR TO MEET ME FOR DINNER TONIGHT, 920 00:36:51,209 --> 00:36:53,578 IN HOPES OF SQUASHING THIS BEEF BETWEEN THEM, 921 00:36:53,678 --> 00:36:55,646 ONCE AND FOR ALL. 922 00:36:55,746 --> 00:36:58,416 WELL, HOW'S LOGAN? - LOGAN'S THE PERFECT BABY. 923 00:36:58,516 --> 00:37:00,451 HE IS A GOOD BABY. 924 00:37:00,551 --> 00:37:03,254 - HE'S FUN. - WANNA HAVE ANOTHER ONE? 925 00:37:03,354 --> 00:37:07,892 NO, BECAUSE I PROBABLY WILL HAVE SATAN'S REVENGE. 926 00:37:07,992 --> 00:37:09,727 WHAT, A GIRL? 927 00:37:09,827 --> 00:37:13,030 A REAL BADASS CHILD, AND I CAN'T DEAL. 928 00:37:13,130 --> 00:37:16,901 WELL, GIRLS, I BROUGHT US ALL TOGETHER FOR A KUMBAYA. 929 00:37:17,001 --> 00:37:19,337 FOR A LITTLE COME TO JESUS. 930 00:37:21,239 --> 00:37:23,641 COMING UP ON "BRAXTON FAMILY VALUES"... 931 00:37:23,741 --> 00:37:25,710 YOU-YOU NEED TO BE RESPONSIBLE. 932 00:37:25,810 --> 00:37:27,612 I CAN'T BE RESPONSIBLE FOR BEING SO BEAT. 933 00:37:27,712 --> 00:37:28,746 - NO-NO-NO-NO. - I CAN HELP OUT, 934 00:37:28,846 --> 00:37:30,648 BUT I CAN'T BE RESPONSIBLE. 935 00:37:30,748 --> 00:37:33,584 I CAN'T HELP THAT I'M SKINNY AND YOU'RE NOT. 936 00:37:38,923 --> 00:37:42,460 WELL, GIRLS, I BROUGHT US ALL TOGETHER FOR A KUMBAYA. 937 00:37:42,560 --> 00:37:45,429 FOR A LITTLE COME TO JESUS. 938 00:37:45,529 --> 00:37:47,932 WE HAVE NOT BEEN GETTING ALONG AS WELL AS WE NORMALLY DO, 939 00:37:48,032 --> 00:37:49,634 AND THAT'S NOT COOL. 940 00:37:49,734 --> 00:37:52,503 IT'S BEEN TENSE, AND WE KNOW IT HAS. 941 00:37:52,603 --> 00:37:54,038 - JUST IN TIME. - OOH! 942 00:37:54,138 --> 00:37:57,708 SAVED BY THE LIBATION. 943 00:37:57,808 --> 00:38:00,711 I'M GLAD WE, YOU KNOW, FINALLY DECIDED TO SIT DOWN 944 00:38:00,811 --> 00:38:04,048 AND GET OUR LIFE BECAUSE I'M OVER IT, THE DRAMA. 945 00:38:04,148 --> 00:38:05,549 YOU WENT ON AND YOU WAS LIKE, 946 00:38:05,650 --> 00:38:06,684 "WE DON'T LIKE EACH OTHER RIGHT NOW," 947 00:38:06,784 --> 00:38:08,452 AND PEOPLE ARE TAKING THAT TO A WHOLE OTHER LEVEL. 948 00:38:08,552 --> 00:38:10,054 YEAH, THAT-I'M KINDA CONFUSED. 949 00:38:10,154 --> 00:38:11,922 I MEAN, THAT HURT MY FEELINGS, TOO. 950 00:38:12,023 --> 00:38:13,858 WHY IT HURT YOUR FEELINGS? 951 00:38:13,958 --> 00:38:17,094 WHEN YOU STANDING THERE WITH THE REST OF YOUR SISTERS, 952 00:38:17,194 --> 00:38:19,497 AND EVERYBODY'S SMILING AND EVERYBODY'S COOL, RIGHT? 953 00:38:19,597 --> 00:38:21,832 I'M JUST LIKE... 954 00:38:21,932 --> 00:38:23,301 YOU CAN ONLY BE TALKING ABOUT ME OR TONI, 955 00:38:23,401 --> 00:38:25,970 AND I KNOW YOU AIN'T TALKING ABOUT TONI. 956 00:38:26,070 --> 00:38:27,605 WERE YOU TALKING ABOUT TONI? 957 00:38:27,705 --> 00:38:30,274 NO. 958 00:38:30,374 --> 00:38:31,909 I DON'T KNOW WHAT SHE'S TALKING ABOUT, 959 00:38:32,009 --> 00:38:33,978 WHEN SHE SAYS THE SISTERS DON'T LIKE EACH OTHER RIGHT NOW. 960 00:38:34,078 --> 00:38:35,880 DOES THAT MEAN THE SISTERS DON'T LIKE ME? 961 00:38:35,980 --> 00:38:37,281 BECAUSE I LIKE MY SISTERS. 962 00:38:37,381 --> 00:38:38,949 MATTER OF FACT, I LOVE MY SISTERS. 963 00:38:39,050 --> 00:38:42,086 WHEN THEY CALLED MY NAME AT TH-THE "SOUL TRAIN' AWARDS, 964 00:38:42,186 --> 00:38:44,188 YOU AND THE GIRLS CAME UP TO HUG ME, 965 00:38:44,288 --> 00:38:45,790 AND THEN TOWANDA, YOU WERE THERE, TOO. 966 00:38:45,890 --> 00:38:48,159 WELL, DAMN, I CAN'T EVEN GET YOUR ASS ON THE PHONE, SHORTY. 967 00:38:48,259 --> 00:38:50,728 I AGREED TO COME 968 00:38:50,828 --> 00:38:54,432 BECAUSE I AM VERY INTERESTED IN KNOWING WHAT THE PROBLEM IS. 969 00:38:54,532 --> 00:38:56,067 I DON'T REALLY DEAL WITH TOWANDA. 970 00:38:56,167 --> 00:38:57,735 I DON'T TALK TO HER. - THAT'S NOT TRUE. 971 00:38:57,835 --> 00:38:59,370 WELL, IT'S NOT MY FAULT, YOU KNOW? 972 00:38:59,470 --> 00:39:01,038 - OH, IT'S NEVER, YOU KNOW-- - I DON'T TALK TO HER. 973 00:39:01,138 --> 00:39:02,440 - IT'S ALWAYS EVERYONE ELSE. - AND IT'S BECAUSE-- 974 00:39:02,540 --> 00:39:03,974 FIRST OF ALL, IT'S EMBARRASSING AS HELL 975 00:39:04,075 --> 00:39:05,843 TO ARGUE ANYWHERE WITH YOUR SIBLING. 976 00:39:05,943 --> 00:39:07,044 LIKE, WHO WANTS TO-- FIRST OF ALL, 977 00:39:07,144 --> 00:39:09,246 I'M VERY UNBEAT AND I'M SO UNBOTHERED. 978 00:39:09,347 --> 00:39:12,283 LIKE, I'M NOT MESSING UP MY HAIR. 979 00:39:12,383 --> 00:39:15,453 SHE'S BEAT AND SHE'S UNBOTHERED. 980 00:39:15,553 --> 00:39:19,223 WELL, WHAT SHE SHOULD SAY IS, SHE'S A NARCISSIST. 981 00:39:19,323 --> 00:39:21,959 I CAN'T TALK TO A NARCISSISTIC PERSON. 982 00:39:22,059 --> 00:39:24,261 I CAN'T, BECAUSE IT'S ALWAYS CONTINUOUSLY 983 00:39:24,362 --> 00:39:25,696 GONNA BE ABOUT THEM. 984 00:39:25,796 --> 00:39:27,465 - NO, IT'S NO SHADE. - SEE, THAT KIND OF STUFF-- 985 00:39:27,565 --> 00:39:28,966 THAT KIND OF TALK'S NOT NECESSARY. 986 00:39:29,066 --> 00:39:30,267 - NO, IT IS VERY NECESSARY. - THAT IS A TREE, TAMAR. 987 00:39:30,368 --> 00:39:31,435 NO, IT'S NOT. 988 00:39:31,535 --> 00:39:34,038 I JUST CHOOSE TO BE A BEAT, UNBOTHERED BITCH. 989 00:39:34,138 --> 00:39:36,006 I'M NOT GONNA ARGUE WITH ANYBODY. 990 00:39:36,107 --> 00:39:37,408 BUT THAT'S SOMETHING YOU SAY TO OUTSIDERS. 991 00:39:37,508 --> 00:39:38,743 THAT'S NOT SOMETHING YOU SAY TO YOUR SISTERS. 992 00:39:38,843 --> 00:39:40,344 NO, IT'S NO-- WELL, TO WHOMEVER. 993 00:39:40,444 --> 00:39:42,279 - BUT THIS IS NOT COOL. - THAT'S ALL I'M SAYING. 994 00:39:42,380 --> 00:39:43,614 AND LET ME TELL YOU SOMETHING. 995 00:39:43,714 --> 00:39:48,552 YOU CAN'T HAVE POSITIVITY, IF YOU LIVE IN THE NEGATIVITY. 996 00:39:48,652 --> 00:39:50,187 I'M NOT INTERESTED IN THAT. 997 00:39:50,287 --> 00:39:53,524 I WORK TOO HARD IN MY CAREER AND IN MY LIFE 998 00:39:53,624 --> 00:39:55,593 TO HAVE THINGS WHERE, YOU KNOW, 999 00:39:55,693 --> 00:39:58,262 GOD HAS CHOSEN TO BLESS ME AND FLOURISH ME WITH BLESSINGS, 1000 00:39:58,362 --> 00:40:00,598 AND YOU CAN'T GET NONE OF THAT BEING NEGATIVE 1001 00:40:00,698 --> 00:40:01,899 AND HATIN' ON PEOPLE. 1002 00:40:01,999 --> 00:40:03,167 I'M SORRY. 1003 00:40:03,267 --> 00:40:04,602 HASHTAG, YOU'RE LATE. 1004 00:40:04,702 --> 00:40:06,137 HASHTAG, YOU'RE ALWAYS GONNA BE IN THE SAME SITUATION 1005 00:40:06,237 --> 00:40:07,972 YOU WAS IN THREE YEARS AGO, IF YOU'RE STILL NEGATIVE, OKAY? 1006 00:40:08,072 --> 00:40:09,473 THANK YOU VERY MUCH. 1007 00:40:09,573 --> 00:40:11,308 PUBLIC SERVICE ANNOUNCEMENT. 1008 00:40:11,409 --> 00:40:14,745 I AM NOT WILLING TO ACCEPT THIS BEHAVIOR ANYMORE 1009 00:40:14,845 --> 00:40:16,046 IN MY LIFE. - WHAT BEHAVIOR? 1010 00:40:16,147 --> 00:40:17,782 - THAT'S NOT COOL. - WHAT BEHAVIOR, TOWANDA? 1011 00:40:17,882 --> 00:40:19,483 - THIS BEHAVIOR. - WHAT IS "THIS BEHAVIOR?" 1012 00:40:19,583 --> 00:40:21,152 - THIS. - WHAT, WHAT? 1013 00:40:21,252 --> 00:40:22,420 YOUR BEHAVIOR-- THE DISRESPECT. 1014 00:40:22,520 --> 00:40:23,921 I'M NOT DOING THAT ANYMORE. - WHAT IS DISRESPECTFUL? 1015 00:40:24,021 --> 00:40:25,189 OH, MY GOD. 1016 00:40:25,289 --> 00:40:27,491 AT THIS MOMENT IN MY LIFE, I HAVE CREATED BOUNDARIES, 1017 00:40:27,591 --> 00:40:30,561 AND I'M NOT GOING TO TOLERATE CERTAIN THINGS IN MY LIFE. 1018 00:40:30,661 --> 00:40:31,962 AND AS I TOLD TAMAR, 1019 00:40:32,062 --> 00:40:33,764 I'M NOT WILLING TO ACCEPT THE TANTRUMS. 1020 00:40:33,864 --> 00:40:36,200 I'M NOT WILLING TO ACCEPT, YOU KNOW, 1021 00:40:36,300 --> 00:40:38,469 YOU THROWING THE STONES, AND YOU-- 1022 00:40:38,569 --> 00:40:40,805 I'M NOT JUST WILLING TO DO THAT ANYMORE. 1023 00:40:40,905 --> 00:40:44,108 YOU-YOU NEED TO BE RESPONSIBLE FOR THE THINGS THAT YOU DO 1024 00:40:44,208 --> 00:40:45,509 AND THE THINGS THAT YOU SAY. - SUCH AS WHAT? 1025 00:40:45,609 --> 00:40:46,644 PERIOD. 1026 00:40:46,744 --> 00:40:48,045 I CAN'T BE RESPONSIBLE FOR BEING SO BEAT. 1027 00:40:48,145 --> 00:40:49,246 - NO-NO-NO-NO. - I CAN HELP OUT, 1028 00:40:49,346 --> 00:40:50,881 BUT I CAN'T BE RESPONSIBLE. - THAT'S NOT NECESSARY. 1029 00:40:50,981 --> 00:40:54,185 I CAN'T HELP THAT I'M SKINNY AND YOU'RE NOT. 1030 00:40:54,285 --> 00:40:56,020 - THAT'S NOT NECESSARY NEITHER. - BUT RIGHT NOW, RIGHT NOW-- 1031 00:40:56,120 --> 00:40:58,122 BUT YOU'RE NOT-- BUT THE POINT IS, YOU'RE NOT. 1032 00:40:58,222 --> 00:40:59,990 I'M CURVACEOUS, BUT I'M NOT FAT. 1033 00:41:00,090 --> 00:41:01,992 - WAIT, TAMAR, BUT YOU'RE NOT. - TOWANDA, WAIT. 1034 00:41:02,092 --> 00:41:04,728 "OH, I'M FATTER THAN YOU AND YOU'RE FATTER THAN ME." 1035 00:41:04,829 --> 00:41:07,097 WELL, , I'M FATTER THAN BOTH OF Y'ALL, OKAY? 1036 00:41:07,198 --> 00:41:08,966 SO LET'S SQUASH IT-- NOW WHAT? 1037 00:41:09,066 --> 00:41:11,469 - BEAT AND THICK. - YEAH, AND THICK. 1038 00:41:11,569 --> 00:41:13,270 BE SURE YOU SAY IT, FATTY. 1039 00:41:15,406 --> 00:41:16,674 WHO CARES? 1040 00:41:16,774 --> 00:41:18,209 IT'S SO DUMB-- DO YOU HEAR YOURSELVES? 1041 00:41:18,309 --> 00:41:20,010 REWIND TAPE, LISTEN TO YOURSELVES. 1042 00:41:20,110 --> 00:41:21,745 IT SOUNDS DUMB. 1043 00:41:21,846 --> 00:41:22,847 FINISH IT. 1044 00:41:22,947 --> 00:41:24,181 I'M NOT A 14, SHE'S NOT A 10. 1045 00:41:24,281 --> 00:41:26,584 EXCUSE ME! 1046 00:41:26,684 --> 00:41:27,885 DAMN! 1047 00:41:27,985 --> 00:41:31,121 YOU CANNOT HEAR A PERSON 1048 00:41:31,222 --> 00:41:34,325 WHEN THEY'RE ACTING OR REACTING A CERTAIN WAY. 1049 00:41:34,425 --> 00:41:36,827 IT-IT'S JUST LIKE, YOU CAN'T DO IT. 1050 00:41:36,927 --> 00:41:38,395 EVERYBODY HAS THE RIGHT TO BE BEAT. 1051 00:41:38,496 --> 00:41:39,797 YOU SIT IN THE CHAIR LONG ENOUGH, 1052 00:41:39,897 --> 00:41:41,332 THEN YOU CAN BE BEAT, TOO. 1053 00:41:41,432 --> 00:41:43,334 GIRL, I GOTTA GO-- I'M BOOKED. - TAMAR, DON'T WALK AWAY. 1054 00:41:43,434 --> 00:41:44,802 AND THAT'S ONE OF THE PROBLEMS THAT WE HAVE. 1055 00:41:44,902 --> 00:41:46,537 DON'T WALK AWAY-- THAT'S NOT COOL. 1056 00:41:46,637 --> 00:41:48,606 WELL, YOU KNOW, I THINK WE HAVE NOT 1057 00:41:48,706 --> 00:41:50,708 MADE ANY PROGRESS TONIGHT BECAUSE HASHTAG, 1058 00:41:50,808 --> 00:41:53,244 TOWANDA DOES NOT KNOW WHY SHE'S MAD. 1059 00:41:53,344 --> 00:41:54,945 OR HASHTAG, SHE AIN'T GOT THE, 1060 00:41:55,045 --> 00:41:56,947 YOU KNOW, THE BALLS TO TELL ME WHY SHE'S MAD. 1061 00:41:57,047 --> 00:41:59,650 OR HASHTAG, YOU JUST PLAIN OLD MAD. 1062 00:41:59,750 --> 00:42:01,552 TRINA, I'M NOT THE ROADRUNNER. 1063 00:42:01,652 --> 00:42:03,487 I'M NOT THE PROBLEM. 1064 00:42:03,587 --> 00:42:05,823 AND I'M TIRED OF WEARING THAT HAT. 1065 00:42:05,923 --> 00:42:08,392 I DON'T WANT NOTHING TO DO WITH THAT HAT. 1066 00:42:08,492 --> 00:42:12,496 FAT, SKINNY, BEAT, PALM TREE, SHADE OR NOT. 1067 00:42:12,596 --> 00:42:15,099 I AIN'T DOIN' THIS. 1068 00:42:15,199 --> 00:42:18,102 I LOVE YOU-- KISS THE BABY. 1069 00:42:18,202 --> 00:42:20,304 PEACE IN THE MIDDLE EAST-- I GOT TO GO. 1070 00:42:20,404 --> 00:42:22,740 I WANNA PUT MY BABY TO SLEEP. 1071 00:42:32,283 --> 00:42:34,718 WELL, THAT WENT WELL. 79213

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