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These are the user uploaded subtitles that are being translated: 1 00:00:01,001 --> 00:00:03,003 PREVIOUSLY, ON "BRAXTON FAMILY VALUES"... 2 00:00:03,103 --> 00:00:05,939 CAN I GET YOU GUYS TO COME OUT ON THE ROAD FOR, 3 00:00:06,039 --> 00:00:07,774 LIKE, A DAY OR TWO? - NOT RIGHT NOW. 4 00:00:07,874 --> 00:00:10,710 TYPICAL TAMAR-- I MEAN, WE HAVE LIVES, TOO. 5 00:00:10,810 --> 00:00:12,379 I CAN GO. 6 00:00:12,479 --> 00:00:14,481 YOUR TIMIN' IS OFF, AND YOU'RE A LITTLE FLAT, BABY. 7 00:00:14,581 --> 00:00:16,916 THE PIE AIN'T GONNA DROP OUT THE SKY. 8 00:00:17,017 --> 00:00:18,618 THIS JUST HAPPENED TO BE A BAD DAY. 9 00:00:18,718 --> 00:00:20,120 REAL BAD DAY. 10 00:00:20,220 --> 00:00:22,722 I REALLY WANNA USE THIS MEMOIR TO HELP THEM UNDERSTAND 11 00:00:22,822 --> 00:00:25,158 A TONI THAT THEY DIDN'T KNOW THEY DIDN'T KNOW. 12 00:00:25,258 --> 00:00:27,961 DO YOU WANNA TALK ABOUT THE BANKRUPTCY? 13 00:00:28,061 --> 00:00:30,997 ♪ WE ARE THE BRAXTONS AND YOU'LL SEE ♪ 14 00:00:31,097 --> 00:00:35,201 ♪ THAT WE ARE NOT LIKE AN ORDINARY FAMILY ♪ 15 00:00:35,301 --> 00:00:36,970 ♪ TONI TRACY TOWANDA TRINA ♪ 16 00:00:37,070 --> 00:00:38,705 ♪ TAMAR AND MISS E ♪ 17 00:00:38,805 --> 00:00:41,875 ♪ WILL TEACH YOU A THING OR TWO ♪ 18 00:00:41,975 --> 00:00:45,879 ♪ ON BRAXTON FAMILY VALUES ♪ 19 00:00:59,959 --> 00:01:01,127 GOOD EVENING, LADIES-- HOW YA DOIN' TONIGHT? 20 00:01:01,227 --> 00:01:02,462 - HI. - OH! 21 00:01:02,562 --> 00:01:03,696 HOW ARE YA? 22 00:01:03,797 --> 00:01:05,165 UH, WHAT WOULD YOU RECOMMEND? 23 00:01:05,265 --> 00:01:06,166 WHAT'S GOOD? - ALL RIGHT. 24 00:01:06,266 --> 00:01:08,935 HOW ABOUT A, UH, UM, A DARK AND STORMY? 25 00:01:09,035 --> 00:01:11,071 IT'S A RUM BASED COCKTAIL WITH A HOUSE-MADE GINGER SOLUTION. 26 00:01:11,171 --> 00:01:13,573 - UH-UH-- SHE'S LIGHT SKINNED. - FAIR ENOUGH. 27 00:01:13,673 --> 00:01:15,241 I'M GONNA HAVE A GLASS OF CHAMPAGNE. 28 00:01:15,341 --> 00:01:17,043 I'M JUST GONNA HAVE A REGULAR GIMLET. 29 00:01:17,143 --> 00:01:19,145 SO, I ASKED MY SISTERS TO COME OUT WITH ME ON TOUR 30 00:01:19,245 --> 00:01:22,248 AND, OF COURSE, TRINA'S THE ONLY ONE WHO CAN MAKE IT, 31 00:01:22,348 --> 00:01:24,651 AND I'M SO HAPPY AND GRATEFUL THAT SHE'S HERE TONIGHT. 32 00:01:24,751 --> 00:01:27,620 BUT, I CAN'T LIE THAT I'M NOT IN MY FEELINGS 33 00:01:27,720 --> 00:01:31,191 AND NOT HURT A LITTLE BIT THAT TRACI AND TOWANDA DIDN'T COME. 34 00:01:31,291 --> 00:01:34,360 ON THE SOCIAL NETWORKS, THEY WERE DOING A SIGNED PETITION 35 00:01:34,461 --> 00:01:36,529 FOR ME TO DO R&B MUSIC. 36 00:01:36,629 --> 00:01:37,964 NO, THEY-THEY ADDED ME, AND THEY WANTED ME 37 00:01:38,064 --> 00:01:39,199 TO HAVE A CONVERSATION WITH YOU ABOUT IT. 38 00:01:39,299 --> 00:01:40,700 SO, THIS IS THE CONVERSATION. - ARE YOU SERIOUS? 39 00:01:40,800 --> 00:01:41,801 YEAH. 40 00:01:41,901 --> 00:01:43,436 I'M JUST NOT AN R&B SINGER-- THAT'S NOT MY ZHUSH. 41 00:01:43,536 --> 00:01:45,505 I TOLD THEM, YOU KNOW, JUST, LIKE, 42 00:01:45,605 --> 00:01:48,141 I CANNOT CHANGE MY SISTERS' MINDS. 43 00:01:48,241 --> 00:01:50,510 LIKE, I DON'T KNOW WHY MY SISTERS 44 00:01:50,610 --> 00:01:52,011 ARE NOT HERE TONIGHT. - THAT'S NOT WHO I AM. 45 00:01:52,112 --> 00:01:54,013 BUT, YOU UNDERSTAND WHAT I'M SAYIN'. 46 00:01:54,114 --> 00:01:55,315 - UH, I'M LISTENING. - WHAT'S HAPPENIN'? 47 00:01:55,415 --> 00:01:57,917 LIKE, THIS WAS PLANNED FROM THE BEGINNING OF THE TOUR 48 00:01:58,017 --> 00:02:00,453 THAT WE WERE SUPPOSED-- EVERYBODY WAS SUPPOSED TO COME OUT. 49 00:02:00,553 --> 00:02:02,922 I THINK TAMAR IS VERY HURT 50 00:02:03,022 --> 00:02:05,325 BECAUSE, NO MATTER WHERE WE ARE IN OUR SISTERSHIP, 51 00:02:05,425 --> 00:02:07,594 I THINK SHE JUST EXPECTED FOR EVERYONE 52 00:02:07,694 --> 00:02:10,029 TO COME AND SEE HER SHOW. 53 00:02:10,130 --> 00:02:14,033 SO, YOU FEEL LIKE NO ONE IS-- - NO ONE IS SUPPORTIVE OF ME. 54 00:02:14,134 --> 00:02:18,638 LIKE, EVEN TOWANDA'S BIRTHDAY, YES, I FUSSED. 55 00:02:18,738 --> 00:02:19,873 YES, I COMPLAINED. 56 00:02:19,973 --> 00:02:22,142 HOWEVER, THE ONLY REASON WHY I FUSSED AND I COMPLAINED, 57 00:02:22,242 --> 00:02:24,043 'CAUSE I DIDN'T KNOW WHAT WAS GOIN' ON. 58 00:02:24,144 --> 00:02:25,478 BUT, I DON'T KNOW WHAT WE'RE DOIN'. 59 00:02:25,578 --> 00:02:27,647 I TOLD YOU GUYS WHAT I WANTED TO DO. 60 00:02:27,747 --> 00:02:28,848 THAT-- TELL THE TRUTH. - I DIDN'T HEAR THAT. 61 00:02:28,948 --> 00:02:30,383 PUT YOUR HANDS IN THE AIR, IF YOU GOT THE CALL. 62 00:02:30,483 --> 00:02:31,451 OH, THE LIES TO TELL. 63 00:02:31,551 --> 00:02:32,385 I NEVER CALLED YOU AND ASKED YOU? 64 00:02:32,485 --> 00:02:33,386 LA-LA-LA-LA-LA-- I'M TELLING YOU 65 00:02:33,486 --> 00:02:34,821 'CAUSE I WOULDA CAME IN HERE PREPARED. 66 00:02:34,921 --> 00:02:37,423 I HAD A NUMBER-ONE ALBUM, AT THE TIME, 67 00:02:37,524 --> 00:02:39,225 A NUMBER-ONE SINGLE, AT THE TIME, TRINA, 68 00:02:39,325 --> 00:02:42,128 BUT EVERY TIME I WAS CALLED TO REHEARSAL, I CAME. 69 00:02:42,228 --> 00:02:43,596 YEAH, I'M PISSED THAT YOU'RE NOT HERE. 70 00:02:43,696 --> 00:02:45,732 YEAH, I'M PISSED THAT I'M-- I-I DON'T KNOW WHAT'S GOIN' ON, 71 00:02:45,832 --> 00:02:47,700 BUT I STILL SHOWED UP. 72 00:02:47,800 --> 00:02:49,269 THAT'S WHAT I'M TALKIN' ABOUT. 73 00:02:49,369 --> 00:02:51,938 YOU CAN BE MAD AT ME ALL YOU WANT, BUT SHOW YOUR DAMN FACE. 74 00:02:52,038 --> 00:02:54,774 SHOW ME THAT YOU GOT-GOT MY BACK AT THE END OF THE DAY. 75 00:02:54,874 --> 00:02:57,977 I-I CAN'T EVEN CONTEND THAT BECAUSE THAT'S REAL TALKERIZATION. 76 00:02:58,077 --> 00:02:59,245 I'M JUST SAYIN'. 77 00:02:59,345 --> 00:03:01,147 NOW, I'M QUESTIONIN', LIKE-LIKE, ARE-- 78 00:03:01,247 --> 00:03:03,650 DID YOU COME TO LOGAN'S BIRTH 'CAUSE YOU DIDN'T WANNA LOOK BAD? 79 00:03:03,750 --> 00:03:04,951 OR, DID YOU COME TO LOGAN'S BIRTH 80 00:03:05,051 --> 00:03:06,119 'CAUSE YOU REALLY WANTED TO BE THERE? 81 00:03:06,219 --> 00:03:08,154 - NO, TAMAR. - WELL, HOW ABOUT THIS? 82 00:03:08,254 --> 00:03:11,024 AFTER HE WAS BORN, AIN'T NOBODY CALLED ME. 83 00:03:11,124 --> 00:03:12,659 ONLY PERSON THAT CAME TO SEE ME AT THE HOSPITAL 84 00:03:12,759 --> 00:03:15,728 WAS YOU AND T-- YOU AND TONI-- I DIDN'T GET NO TEXTS. 85 00:03:15,828 --> 00:03:18,031 "HOW YOU FEELIN'-- HOW'S YOUR VAGINA FEELING, GIRL? 86 00:03:18,131 --> 00:03:21,401 "I KNOW IT'S ON FIRE." 87 00:03:21,501 --> 00:03:23,136 JUST SAYIN'. 88 00:03:23,236 --> 00:03:26,072 DO YOU REMEMBER HOW YOU AND I HAD TO HAVE A COME-TO-JESUS, 89 00:03:26,172 --> 00:03:27,840 AND WE TALKED, AND WE HASHED IT OUT? 90 00:03:27,941 --> 00:03:30,043 I THINK, SOMETIMES, THAT JUST NEEDS TO HAPPEN. 91 00:03:30,143 --> 00:03:31,811 WE ARE ALL HEALTHY-- WE ARE ALL WELL. 92 00:03:31,911 --> 00:03:33,913 EVERYTHING IS GOING GREAT FOR US IN OUR LIVES. 93 00:03:34,013 --> 00:03:37,050 BUT, WE'RE TOO STUPID TO GET ALONG, FOR REAL? 94 00:03:37,150 --> 00:03:39,118 DO YOU KNOW HOW STUPID WE LOOK? 95 00:03:39,219 --> 00:03:40,353 HEY, THAT'S NOT EVEN WHAT WE'RE TALKING ABOUT, 96 00:03:40,453 --> 00:03:41,521 RIGHT NOW, TAMAR. - NO, I'M JUST SAYIN'. 97 00:03:41,621 --> 00:03:42,755 BUT-BUT, WHAT I'M TRYING TO SAY, IS, TRINA-- 98 00:03:42,855 --> 00:03:44,057 WHAT I'M SAYIN' TO YOU, IS-- WHAT I'M SAYIN' TO YOU, IS-- 99 00:03:44,157 --> 00:03:45,124 BUT, THAT'S HOW STUPID WE LOOK BECAUSE WE'RE ARGUIN' OVER WHAT? 100 00:03:45,225 --> 00:03:46,326 YOU DON'T LIKE ME BECAUSE OF WHY? 101 00:03:46,426 --> 00:03:48,962 TRINA-TRINA-TRINA, THESE ARE NOT MY SISTERS 102 00:03:49,062 --> 00:03:52,332 BECAUSE MY SISTERS THAT I KNEW, THAT I GREW UP WITH, 103 00:03:52,432 --> 00:03:55,368 WOULD HAVE BEEN HERE. 104 00:03:55,468 --> 00:03:58,805 I DON'T KNOW WHAT I DID TO NOBODY, BUT I'M SORRY, OKAY? 105 00:03:58,905 --> 00:04:01,774 MY LAST TIME APOLOGIZIN'-- I ALREADY HAVE MY FIRST BORN. 106 00:04:01,874 --> 00:04:03,142 THIS AIN'T NO RUMPELSTILTSKIN. 107 00:04:03,243 --> 00:04:04,644 UH, THERE'S NOTHIN' ELSE I CAN DO. 108 00:04:04,744 --> 00:04:10,717 I'M SORRY, SORRY, SORRY FOR WHATEVER I HAVE DONE, OKAY? 109 00:04:10,817 --> 00:04:13,686 BUT, TOWANDA MOSTLY BECAUSE IT'S, LIKE, I DON'T KNOW 110 00:04:13,786 --> 00:04:14,887 WHAT I HAVE DONE TO HER. 111 00:04:14,988 --> 00:04:17,357 LIKE, TRACI, TOO, BECAUSE, YOU KNOW, I-I FELT LIKE 112 00:04:17,457 --> 00:04:22,962 I HUMBLED MYSELF, AND IT TAKES A LOT, YOU KNOW, 113 00:04:23,062 --> 00:04:26,266 TO ADMIT YOU'RE WRONGDOINGS-- YOU KNOW WHAT I MEAN? 114 00:04:26,366 --> 00:04:28,234 I THOUGHT AT LEAST I SHOULDA GOT, YOU KNOW, 115 00:04:28,334 --> 00:04:30,303 "I'M SORRY, TOO, FOR WHATEVER I DID" BACK. 116 00:04:30,403 --> 00:04:35,275 I DIDN'T GET THAT-- BUT, I GOT A MILKSHAKE. 117 00:04:35,375 --> 00:04:38,144 - WHAT THE FREAK IS A MILK-- - SHADE, TRINA, THICK-- 118 00:04:38,244 --> 00:04:41,514 THERE'S THICK SHADE, LIKE THE THICKEST OF THE SHADE, OKAY? 119 00:04:41,614 --> 00:04:44,050 YOU SUCK A MILKSHAKE LIKE THIS. 120 00:04:44,150 --> 00:04:46,252 I UNDERSTAND THE SHADERIZATION BEING THICK. 121 00:04:46,352 --> 00:04:47,787 I UNDERSTAND THAT, BUT, YOU CAN'T SAY MILKSHAKES AND MILK. 122 00:04:47,887 --> 00:04:51,024 OKAY, MILKSHAKE, GIRL-- MALT. 123 00:04:51,124 --> 00:04:53,426 TAMAR IS ALL THE WAY IN HER FEELINGS, 124 00:04:53,526 --> 00:04:55,194 AND I UNDERSTAND WHY. 125 00:04:55,295 --> 00:04:58,598 BUT, THE ONLY WAY WE'RE GONNA GET HER AND TOWANDA 126 00:04:58,698 --> 00:05:01,901 BACK ON TRACK, IS FOR THEM TO HASH IT OUT, PERIOD. 127 00:05:02,001 --> 00:05:03,970 THERE'S LEVELS TO THIS BEATNESS, HONEY. 128 00:05:04,070 --> 00:05:06,239 I CAN'T-- YOU CAN'T BE MAD. 129 00:05:06,339 --> 00:05:08,007 ASK ME-- I'LL SHOW YOU HOW TO GET HERE. 130 00:05:08,107 --> 00:05:09,709 WELL, I'M NOT-I'M NOT-I'M NOT MAD BECAUSE YOU'RE BEAT. 131 00:05:09,809 --> 00:05:11,210 OH, YOU'RE NOT, BECAUSE YOU KNOW WHY, TRINA? 132 00:05:11,311 --> 00:05:12,645 YOU'RE HERE-- AND YOU KNOW WHAT? 133 00:05:12,745 --> 00:05:15,615 AND YOU ARE BEAT TO CAPACITY, EVEN THOUGH YOU HAVE 134 00:05:15,715 --> 00:05:17,950 THAT HORSE AROUND YOUR NECK, AND I'M NOT QUITE SURE WHY. 135 00:05:18,051 --> 00:05:19,185 THERE'S NOTHIN'-- I LIKE MY HORSE. 136 00:05:19,285 --> 00:05:21,020 IT'S VERY-IT'S VERY EQUESTRIAN. 137 00:05:21,120 --> 00:05:22,955 DO YOU HAVE A HORSE, GIRL? 138 00:05:23,056 --> 00:05:24,257 NO, THIS IS-- YOU KNOW WHAT? 139 00:05:24,357 --> 00:05:26,259 I'M GONNA TELL YOU WHAT. - YOU WENT A-RIDIN'? 140 00:05:26,359 --> 00:05:28,428 - YES, I LIKE TO RIDE. - OH, GOD, GIRL! 141 00:05:28,528 --> 00:05:30,563 NOW, IT'S TIME TO GO. - YEAH. 142 00:05:41,107 --> 00:05:41,941 I TOLD YOU-- I DIDN'T TELL YOU THIS. 143 00:05:42,041 --> 00:05:46,512 L.A. REID GAVE ME THIS HERMES JOURNAL. 144 00:05:46,612 --> 00:05:47,914 HE SAID, "WRITE WHAT YOU-WHAT YOU FEEL." 145 00:05:48,014 --> 00:05:49,315 YOU HAVE A JOURNAL-- THIS IS MUSIC TO MY EARS. 146 00:05:49,415 --> 00:05:50,583 HE WROTE-- GAVE IT TO ME JUST RECENTLY. 147 00:05:50,683 --> 00:05:52,118 THAT'S WHY I SAID SEVERAL-- A COUPLE MONTHS AGO. 148 00:05:52,218 --> 00:05:55,922 AND SAID, UM, "WRITE YOUR THOUGHTS OUT." 149 00:05:56,022 --> 00:05:57,190 OKAY. 150 00:05:57,290 --> 00:05:58,658 AND HE GAVE THAT, AND THAT'S WHAT MADE ME GO, 151 00:05:58,758 --> 00:05:59,692 "OH, MY GOD-- I NEED TO DO A BOOK. 152 00:05:59,792 --> 00:06:00,827 "THIS IS L.A. TRYING TO TELL ME 153 00:06:00,927 --> 00:06:02,195 I NEED TO GET PAST CERTAIN MOMENTS IN MY LIFE, 154 00:06:02,295 --> 00:06:04,364 "AND WRITE ABOUT IT, AND TALK ABOUT IT." 155 00:06:04,464 --> 00:06:09,435 SO, I TOOK THAT AS A SIGN. 156 00:06:09,535 --> 00:06:11,170 I'VE DECIDED TO WRITE AN AUTO-BIOGRAPHY, 157 00:06:11,270 --> 00:06:14,240 AND SINCE THE FIRST MEETING WITH MY BIOGRAPHER, MICHELLE BUFORD, 158 00:06:14,340 --> 00:06:15,808 I'VE BEEN REALLY EXCITED. 159 00:06:15,908 --> 00:06:19,145 BUT, I'M ALSO STRUGGLING WITH: "WHAT-WHAT SHOULD I SAY-- 160 00:06:19,245 --> 00:06:20,246 "WHAT SHOULD I REVEAL? 161 00:06:20,346 --> 00:06:21,247 "WHAT SHOULDN'T I REVEAL?" 162 00:06:21,347 --> 00:06:22,682 AND I WANNA TELL THE TRUTH, AND I WILL, 163 00:06:22,782 --> 00:06:24,650 BUT I ALSO HAVE TO CONSIDER 164 00:06:24,751 --> 00:06:27,653 WHAT THE CONSEQUENCES OF TELLING MY STORY COULD BE 165 00:06:27,754 --> 00:06:30,123 FOR ME AND MY FAMILY, SO-- 166 00:06:30,223 --> 00:06:31,824 YOU KNOW, I WAS THINKING ABOUT EVERYTHING 167 00:06:31,924 --> 00:06:33,426 WE TALKED ABOUT LAST TIME, 168 00:06:33,526 --> 00:06:36,529 AND I HAVE A FEW RESERVATIONS ABOUT THIS. 169 00:06:36,629 --> 00:06:38,731 I'VE NEVER SAT DOWN WITH A PERSON 170 00:06:38,831 --> 00:06:43,302 WHO DID NOT HAVE RESERVATIONS ON SOME LEVEL. 171 00:06:43,403 --> 00:06:44,570 OKAY. 172 00:06:44,670 --> 00:06:47,273 IF I'M WRITING A BOOK, AND MY FAMILY MEMBERS ARE INVOLVED, 173 00:06:47,373 --> 00:06:49,409 IT CHALLENGES ME TO TALK ABOUT MY LIFE, 174 00:06:49,509 --> 00:06:52,945 WITHOUT AIRING ANY OF THEIR LAUNDRY. 175 00:06:53,045 --> 00:06:54,680 PEOPLE MAY THINK OF IT AS DIRT-- 176 00:06:54,781 --> 00:06:56,849 - RIGHT. - WHERE IT'S NOT DIRT. 177 00:06:56,949 --> 00:06:59,018 LIKE, GIVE ME AN EXAMPLE OF ONE THING THAT'S SCARING YOU, 178 00:06:59,118 --> 00:07:01,020 SOMETHING ABOUT YOUR FAMILY. 179 00:07:01,120 --> 00:07:05,091 UM, IF I TALKED ABOUT HOW MY PARENTS TAUGHT US 180 00:07:05,191 --> 00:07:06,526 HOW TO BECOME SINGERS-- - RIGHT. 181 00:07:06,626 --> 00:07:08,394 WE ALREADY WERE THERE, WE HAD THE TALENT, 182 00:07:08,494 --> 00:07:09,929 THEY HELPED FOSTER IT. - RIGHT. 183 00:07:10,029 --> 00:07:12,565 - IT WAS A BIT "JOE JACKSONISH." - RIGHT. 184 00:07:12,665 --> 00:07:14,400 ALTHOUGH, ME AND MY SISTERS, WE'VE TALKED ABOUT IT A LITTLE BIT-- 185 00:07:14,500 --> 00:07:16,002 HA-HA, HEE-HEE. - RIGHT. 186 00:07:16,102 --> 00:07:18,805 BUT, I WOULDN'T WANT ANYONE TO THINK OF MY PARENTS 187 00:07:18,905 --> 00:07:20,606 IN A NEGATIVE WAY. - EXACTLY. 188 00:07:20,706 --> 00:07:22,608 I LOVE MY MOM, BUT I WOULDN'T WANT THEM TO GO, 189 00:07:22,708 --> 00:07:26,045 "THAT WAS REALLY SOME JOE JACKSON ." 190 00:07:26,145 --> 00:07:28,614 I DON'T LIKE TO CALL MY MOM "JOE JACKSON," 191 00:07:28,714 --> 00:07:30,183 LIKE THE OTHER GIRLS, 192 00:07:30,283 --> 00:07:33,653 BUT I WILL SAY SHE WAS A FIRST COUSIN OF JOE JACKSON, JOE JACKSONESQUE, 193 00:07:33,753 --> 00:07:35,922 BECAUSE MY FRIENDS WOULD BE OUTSIDE PLAYING, 194 00:07:36,022 --> 00:07:37,857 AND WE WERE IN THE HOUSE PRACTICING, 195 00:07:37,957 --> 00:07:40,326 SINGING CHURCH SONGS, OR WE WOULD GET IN TROUBLE, 196 00:07:40,426 --> 00:07:41,928 IF WE WEREN'T PRACTICING ON TIME. 197 00:07:42,028 --> 00:07:45,364 IF WE SUNG WRONG NOTES, WE MIGHT GET A LITTLE S-- 198 00:07:45,465 --> 00:07:48,034 BACK AND FORTH, HERE AND THERE, AND MY MOM WAS RIGID, 199 00:07:48,134 --> 00:07:51,504 AND-AND SHE HELPED US BECOME THE STARS THAT WE ARE, TODAY, 200 00:07:51,604 --> 00:07:52,505 THE TALENT THAT WE HAVE, TODAY. 201 00:07:52,605 --> 00:07:53,706 I HAVE TO GIVE IT UP TO MY MOM. 202 00:07:53,806 --> 00:07:55,074 IF WE DIDN'T HAVE THAT TYPE OF UPBRINGING, 203 00:07:55,174 --> 00:07:56,676 DEFINITELY WOULDN'T BE DOING THIS. 204 00:07:56,776 --> 00:07:58,744 MOM WAS A LITTLE UPSET WHEN I TALKED ABOUT 205 00:07:58,845 --> 00:08:00,880 I DIDN'T WEAR PANTS 'TIL I WAS 14 OR 15-YEARS OLD. 206 00:08:00,980 --> 00:08:01,881 RIGHT-- RIGHT. 207 00:08:01,981 --> 00:08:02,949 AND I COULDN'T LISTEN TO SECULAR MUSIC. 208 00:08:03,049 --> 00:08:04,450 RIGHT. 209 00:08:04,550 --> 00:08:05,651 AND I DIDN'T CELEBRATE CERTAIN THINGS-- MY PARENTS WERE VERY STRICT. 210 00:08:05,751 --> 00:08:07,220 MY MOM WAS A LITTLE BIT UPSET ABOUT THAT. 211 00:08:07,320 --> 00:08:08,788 RIGHT. 212 00:08:08,888 --> 00:08:10,857 I DON'T WANT ANYTHING ELSE TO ALIENATE US. 213 00:08:10,957 --> 00:08:12,492 BUT, AT THE SAME TIME, 214 00:08:12,592 --> 00:08:15,995 I-I'M SO TIRED OF HAVING TO SUPPRESS WHO I AM 215 00:08:16,095 --> 00:08:18,631 AND WHO I WOULD LIKE TO BE FOR MY FAMILY. 216 00:08:18,731 --> 00:08:21,033 UH, I GOTTA MAKE WISE CHOICES 217 00:08:21,133 --> 00:08:23,503 'CAUSE IT WON'T JUST IMPACT-- IT WON'T JUST INVOLVE ME. 218 00:08:23,603 --> 00:08:25,738 I WOULD LOVE TO BE SELFISH IN WRITING THIS BOOK 219 00:08:25,838 --> 00:08:26,973 AND TELL ABOUT MY STORY 220 00:08:27,073 --> 00:08:29,976 AND HAVE A WHOLE PUBLIC THERAPY SESSION FOR MYSELF, 221 00:08:30,076 --> 00:08:31,744 BUT IT'S NOT MY STORY TO TELL, 222 00:08:31,844 --> 00:08:32,979 MY FAMILY'S STORY, 223 00:08:33,079 --> 00:08:34,580 AND I'M CONCERNED ABOUT HOW IT WILL AFFECT THEIR LIVES, 224 00:08:34,680 --> 00:08:35,648 AND IT'S REALLY HARD. 225 00:08:35,748 --> 00:08:38,017 I'M-I'M A LITTLE CONFLICTED ABOUT SOME THINGS. 226 00:08:38,117 --> 00:08:39,385 OKAY. 227 00:08:39,485 --> 00:08:40,786 SO, I HAVE A LOT TO THINK ABOUT. 228 00:08:40,887 --> 00:08:43,289 YOU DO HAVE A LOT TO THINK ABOUT, YEAH. 229 00:08:43,389 --> 00:08:44,457 WELL, I THINK THERE'S A WAY TO-- 230 00:08:44,557 --> 00:08:45,892 I DON'T EVEN SMOKE-- MAYBE I NEED A CIGARETTE. 231 00:08:45,992 --> 00:08:48,961 MAYBE YOU NEED A CIGARETTE-- MAYBE WE BOTH DO. 232 00:09:08,781 --> 00:09:10,950 PUT YOUR FEET ON-ON THE BRAKE. 233 00:09:11,050 --> 00:09:12,518 I KNOW HOW TO DRIVE MY CAR, TRAY. 234 00:09:12,618 --> 00:09:14,820 SEE, I GOTTA GET AN ELECTRIC CAR. 235 00:09:14,921 --> 00:09:15,988 ALL THIS GAS IS UP TO-- 236 00:09:16,088 --> 00:09:17,623 YOU WOULDN'T HAVE TO WORRY ABOUT ANY GAS. 237 00:09:17,723 --> 00:09:20,426 I PUT GAS IN MY CAR TODAY, AND IT WAS $80. 238 00:09:20,526 --> 00:09:21,627 SEE WHAT I'M SAYIN'-- UH-UH. 239 00:09:21,727 --> 00:09:24,096 THIS IS THE GUZZLER, TOO. 240 00:09:24,196 --> 00:09:25,531 I'VE BEEN SO BUSY WORKING ON THE ALBUM 241 00:09:25,631 --> 00:09:26,899 AND TRYING TO FINISH UP THIS BOOK, 242 00:09:26,999 --> 00:09:28,501 AND I'VE BEEN DYING TO HEAR TRACI'S SONG. 243 00:09:28,601 --> 00:09:30,770 SO, I'M SO EXCITED SHE'S COME OUT HERE TO L.A. TO VISIT ME, 244 00:09:30,870 --> 00:09:32,805 AND I THINK SHE'S EXCITED TO LET ME HEAR IT. 245 00:09:32,905 --> 00:09:35,474 I CAN'T WAIT-- WELL, LET ME HEAR YOUR SONG. 246 00:09:35,575 --> 00:09:36,542 BUT, TOWANDA SAID SHE HEARD YOUR SONG. 247 00:09:36,642 --> 00:09:37,710 I DIDN'T HEAR IT. - I KNOW, YES. 248 00:09:37,810 --> 00:09:39,979 TONI, YOUR LITTLE SISTER IS IN THE STUDIO. 249 00:09:40,079 --> 00:09:41,547 YOU GOT IT WITH YOU-- YOU GOT IT? 250 00:09:41,647 --> 00:09:43,215 LET ME HEAR IT. - YES. 251 00:09:47,420 --> 00:09:49,021 ♪ IT'S THE LAST CALL LAST CALL ♪ 252 00:09:49,121 --> 00:09:51,357 - IS THAT TOO LOUD? - UH-UH. 253 00:09:51,457 --> 00:09:54,427 I VALUE TONI'S OPINION SO MUCH 254 00:09:54,527 --> 00:09:57,096 BECAUSE SHE'S THE GRAMMY WINNER. 255 00:09:57,196 --> 00:09:58,931 PLUS, SHE'S MY BIG SISTER. 256 00:09:59,031 --> 00:10:02,635 ♪ WHY IT'S SO DIFFERENT WHEN IT COMES TO ME ♪ 257 00:10:02,735 --> 00:10:06,105 ♪ HOW MANY MORE TIMES CAN I BELIEVE ♪ 258 00:10:06,205 --> 00:10:11,177 ♪ BE-BE-BEFORE I LET GO OF A FANTASY ♪ 259 00:10:11,277 --> 00:10:15,414 ♪ 'CAUSE IT SEEMS SO REAL TO ME ♪ 260 00:10:15,514 --> 00:10:17,583 ♪ WHEN YOUR BODY'S CLOSE TO ME ♪ 261 00:10:17,683 --> 00:10:19,251 - THAT'S NICE, TRAY. - THANK YOU. 262 00:10:19,352 --> 00:10:21,420 ♪ WHEN YOU MAKE LOVE TO ME ♪ 263 00:10:21,520 --> 00:10:25,224 I SING-- I SOUND LIKE, UH, TOWANDA, RIGHT NOW. 264 00:10:25,324 --> 00:10:26,759 NO, YOU SOUND LIKE TRACI. 265 00:10:26,859 --> 00:10:27,860 YOU THINK SO? 266 00:10:27,960 --> 00:10:30,096 - YES-- IT'S HOT. - THANK YOU. 267 00:10:30,196 --> 00:10:32,431 DOPE TITLE-- WHO CAME UP WITH "LAST CALL?" 268 00:10:32,531 --> 00:10:34,767 WELL, ACTUALLY, WE WERE SITTIN' DOWN 269 00:10:34,867 --> 00:10:36,902 AND WE WAS TALKIN'-- WE WAS LIKE, "OKAY-- 270 00:10:37,003 --> 00:10:39,105 "THIS IS THE LAST CALL-- NOT-- WE WAS THINKIN' BOUT 271 00:10:39,205 --> 00:10:41,307 "'LAST CALL FOR ALCOHOL'-- BUT WE WAS LIKE, FOR REAL, 272 00:10:41,407 --> 00:10:42,942 "IT'S THE LAST CALL FOR LOVIN'. 273 00:10:43,042 --> 00:10:47,246 "LAST CALL FOR, YOU KNOW, CALLIN' THAT GUY THAT YOU REALLY LIKE. 274 00:10:47,346 --> 00:10:49,048 "IT'S THE-IT'S THE LAST CALL. 275 00:10:49,148 --> 00:10:51,183 "I'M NOT GONNA WAIT FOR YOU, ANYMORE." 276 00:10:51,283 --> 00:10:52,351 I LOVE IT! 277 00:10:52,451 --> 00:10:53,653 I THINK IT'S GREAT. 278 00:10:53,753 --> 00:10:57,623 I THINK IT SHOWS HER RANGE AS AN ARTIST, AS A VOCALIST. 279 00:10:57,723 --> 00:11:01,927 I THINK, UH, THE OTHER GIRLS ARE GONNA BE PLEASANTLY SURPRISED. 280 00:11:02,028 --> 00:11:04,864 DID YOU PLAY IT FOR-- WHO-- YOU PLAYED IT FOR TOWANDA. 281 00:11:04,964 --> 00:11:06,432 WHO ELSE YOU PLAY IT FOR? - I PLAYED IT FOR TRINA. 282 00:11:06,532 --> 00:11:08,567 - YOU GOTTA PLAY IT FOR TAMAR. - AND I PLAYED IT FOR YOU. 283 00:11:08,668 --> 00:11:10,436 YOU GOTTA LET TAMAR HEAR IT. 284 00:11:10,536 --> 00:11:13,239 I THINK IT SOUND KINDA TAMARESQUE, THE SONG. 285 00:11:13,339 --> 00:11:15,941 - REALLY? - MM-HMM. 286 00:11:16,042 --> 00:11:18,210 I AGREE THAT I DO NEED TO PLAY THE SONG FOR TAMAR, 287 00:11:18,310 --> 00:11:22,314 ONCE SHE STOP BEIN', HA, BOOKED, HONEY. 288 00:11:22,415 --> 00:11:24,450 SO, YOU KNOW THAT MEANS YOU GOTTA WORK OUT, RIGHT? 289 00:11:24,550 --> 00:11:26,585 - OH, MY GOD-- YEAH. - YOU DON'T HAVE TO BE SKINTY. 290 00:11:26,686 --> 00:11:28,454 AIN'T NOTHIN' WRONG WITH BEIN' FULL-FIGURED. 291 00:11:28,554 --> 00:11:30,089 JUST WANNA LOOK HEALTHY AND SEXY. 292 00:11:30,189 --> 00:11:32,792 YOU GOTTA DRESS FOR THE POSITION YOU WANT, RIGHT? 293 00:11:32,892 --> 00:11:34,093 YOU HAVE THE TALENT. 294 00:11:34,193 --> 00:11:36,228 BUT, YOU KNOW, YOU'VE BEEN HIDIN' AROUND EVERYBODY ELSE 295 00:11:36,328 --> 00:11:39,065 'CAUSE OF YOUR FEARS-- NOW, YOU SEE AND BELIEVE. 296 00:11:39,165 --> 00:11:40,266 YOU KNOW THAT YOU CAN MAKE IT HAPPEN. 297 00:11:40,366 --> 00:11:41,834 IT'S HOT. - OKAY. 298 00:11:41,934 --> 00:11:44,270 IS THAT THE COPS-- DO I HAVE MY LICENSE? 299 00:11:44,370 --> 00:11:46,872 OH, SHOOT-- I DON'T HAVE MY LICENSE! 300 00:11:46,972 --> 00:11:49,208 - I'LL GIVE YOU MINE. - YEAH, RIGHT. 301 00:11:49,308 --> 00:11:53,145 OH, -- - STOP-STOP-STOP. 302 00:11:53,245 --> 00:11:55,614 COMING UP, ON "BRAXTON FAMILY VALUES"... 303 00:11:55,715 --> 00:11:58,918 WHAT THE DOCTOR TALKIN' ABOUT, BOO? 304 00:11:59,018 --> 00:12:00,886 I'M NERVOUS, AND I LOVE MY TEDDY RUXPIN, 305 00:12:00,986 --> 00:12:03,355 AND I WANT HIM TO BE FINE-- YOU MISS ME? 306 00:12:03,456 --> 00:12:04,824 VERY MUCH. 307 00:12:04,924 --> 00:12:05,891 WITH YOUR BOOK, YOU KNOW, 308 00:12:05,991 --> 00:12:07,259 YOU'RE SHARING A LOT OF THINGS WITH THIS. 309 00:12:07,359 --> 00:12:08,394 I'M STILL A LITTLE ON THE FENCE 310 00:12:08,494 --> 00:12:09,595 ON HOW MUCH I'M GONNA TELL MY SISTERS 311 00:12:09,695 --> 00:12:10,963 ABOUT THE THINGS IN THIS BOOK. 312 00:12:11,063 --> 00:12:12,832 IT'S NOT MY STORY TO TELL YOU GUYS' STORY. 313 00:12:12,932 --> 00:12:14,133 NOT MY STORY TO TELL. 314 00:12:18,037 --> 00:12:20,106 IS THAT THE COPS-- DO I HAVE MY LICENSE? 315 00:12:20,206 --> 00:12:21,841 OH, SHOOT-- I DON'T HAVE MY LICENSE! 316 00:12:21,941 --> 00:12:24,143 - I'LL GIVE YOU MINE. - I DON'T HAVE MY LICENSE! 317 00:12:24,243 --> 00:12:25,678 SHH-SHH-SHH. 318 00:12:25,778 --> 00:12:27,046 I'M GONNA GET A TICKET! 319 00:12:27,146 --> 00:12:28,447 I'M GETTIN' A TICKET! 320 00:12:28,547 --> 00:12:30,583 DAMN IT! 321 00:12:30,683 --> 00:12:31,917 LET'S SWITCH-- LET'S SWITCH. 322 00:12:32,017 --> 00:12:33,853 WHAT, WHAT-- SIR, EXCUSE ME. 323 00:12:33,953 --> 00:12:35,254 I CAN'T HEAR. 324 00:12:35,354 --> 00:12:37,256 UH, TIME TO SHOW OUR BOOBIES. 325 00:12:37,356 --> 00:12:40,226 IS IT A MALE COP? 326 00:12:40,326 --> 00:12:42,795 STOP-STOP-STOP-- HE'S GETTIN' READY TO DO THEM. 327 00:12:42,895 --> 00:12:45,931 HE DOIN' THEM-- HE DOIN' THEM. 328 00:12:46,031 --> 00:12:48,868 FOR SURE, I THOUGHT I WAS BEING PULLED OVER. 329 00:12:48,968 --> 00:12:51,203 THAT'S THE WORST FEELING-- YOU DON'T KNOW WHAT TO SAY. 330 00:12:51,303 --> 00:12:53,239 DO YOU MAKE UP AN EXCUSE? 331 00:12:53,339 --> 00:12:54,573 BUT, I WAS SO RELIEVED 332 00:12:54,673 --> 00:12:57,176 BECAUSE THE POLICE WERE PULLING OVER THE CAR IN FRONT OF ME. 333 00:12:57,276 --> 00:12:59,378 YEAH-- I'M JUST GLAD IT WASN'T ME. 334 00:12:59,478 --> 00:13:01,580 WHEW-- I'M KINDA STUCK. 335 00:13:01,680 --> 00:13:03,783 HOW DO I GET OUTTA HERE? - UH, BACK UP. 336 00:13:03,883 --> 00:13:06,619 - HEY, LOVE! - HELLO. 337 00:13:06,719 --> 00:13:08,087 HEY, SIR-- I'M GONNA BACK UP. 338 00:13:08,187 --> 00:13:09,855 - YES. - OKAY, I'M GONNA BACK UP. 339 00:13:09,955 --> 00:13:11,590 BECAUSE NO, THERE'S NO EXIT THIS WAY. 340 00:13:11,690 --> 00:13:13,125 I DIDN'T KNOW THAT-- THANK YOU. 341 00:13:13,225 --> 00:13:15,628 IT'S OKAY-- YOU'RE THE BOSS. 342 00:13:15,728 --> 00:13:18,097 - OKAY. - BUT SMALLER. 343 00:13:18,197 --> 00:13:19,765 I DON'T HAVE NO LICENSE. 344 00:13:32,344 --> 00:13:33,445 GET SOME REST. 345 00:13:33,546 --> 00:13:36,615 I FEEL LIKE A HOOKER WHO WORKED THE BLOCK ALL NIGHT. 346 00:13:36,715 --> 00:13:40,286 MAYBE IT'D MAKE PEOPLE HAPPY, I'M SURE. 347 00:13:40,386 --> 00:13:44,790 BUT, YOU MAKE PEOPLE ELATED-- SO, THERE IS NO COMPARISON. 348 00:13:44,890 --> 00:13:45,958 TAMAR IS TIRED. 349 00:13:46,058 --> 00:13:48,294 I DON'T WANNA RAISE HER BLOOD PRESSURE, HUH? 350 00:13:48,394 --> 00:13:49,762 BUT, YOURS, I DON'T CARE ABOUT. 351 00:13:49,862 --> 00:13:51,931 DO YOU UNDERSTAND? - LESHAWN, I DARE YOU. 352 00:13:52,031 --> 00:13:53,432 I WILL REPLACE YOU. - LISTEN. 353 00:13:53,532 --> 00:13:55,167 IF YOU DON'T TAKE THEM CONVERTIBLE BOOTS OFF, 354 00:13:55,267 --> 00:13:57,670 I'M GONNA TAKE 'EM OF FOR YOU, YOU UNDERSTAND, ME? 355 00:13:57,770 --> 00:14:00,606 BALENCIAGA-- BALENCIAGA, OKAY? 356 00:14:00,706 --> 00:14:03,175 THE PROBLEM IS, YOU THINK, JUST BECAUSE IT HAS A NAME, 357 00:14:03,275 --> 00:14:04,577 IT LOOKS GOOD. - NO, I DON'T. 358 00:14:04,677 --> 00:14:06,679 NO, I DON'T. - IT DOESN'T-- ALL RIGHT? 359 00:14:06,779 --> 00:14:10,516 SHE'S ON TOUR-- WE'RE TALKIN' A LOT OF DATES ALREADY, 360 00:14:10,616 --> 00:14:13,219 AND IT'S BEEN HELL OF FUN. 361 00:14:13,319 --> 00:14:15,187 YOU DIDN'T WANT A HOT WATER, BOO? 362 00:14:15,287 --> 00:14:16,922 HOT WATER, HONEY. 363 00:14:17,022 --> 00:14:22,394 WHAT'S NOT HOT, IS THAT HER THROAT IS BOTHERING HER, AGAIN. 364 00:14:22,494 --> 00:14:26,799 MY VOICE HAS GOT TO BE ON POINT TONIGHT, YOU KNOW? 365 00:14:26,899 --> 00:14:30,135 BUT, IT HAPPENS TO THE BEST OF US-- ME, MARIAH, CELINE, 366 00:14:30,236 --> 00:14:37,710 BEYONCE, BRANDI, MONICA-- US, YOU KNOW, THE GREATS. 367 00:14:37,810 --> 00:14:40,212 DON'T BE MAD 'CAUSE I DIDN'T MENTION YOU. 368 00:14:40,312 --> 00:14:42,014 I MEAN, MY OPINION-- HEY, BOO. 369 00:14:42,114 --> 00:14:46,051 HELLO? - HEY. 370 00:14:46,151 --> 00:14:48,220 I WAS JUST ASKIN', YOU KNOW, BECAUSE OF THE STATE 371 00:14:48,320 --> 00:14:50,689 OF MY CONDITION, LIKE, I'M AFRAID TO VOCALIZE 372 00:14:50,789 --> 00:14:54,126 BECAUSE, LIKE, IF I VOCALIZE, I FEEL LIKE I'M USIN' 373 00:14:54,226 --> 00:14:56,462 MY-MY VOICE FOR MY SHOW. 374 00:14:56,562 --> 00:14:58,764 YOU JUST CAN'T VOCALIZE TOO MUCH, 375 00:14:58,864 --> 00:15:03,435 AND YOU HAVE TO VOCALIZE MORE SO WITH BREATHING AND VIBRATION EXERCISES. 376 00:15:03,535 --> 00:15:06,705 AND WHEN YOU'RE WARMIN' UP YOUR VOICE, DON'T BELT 377 00:15:06,805 --> 00:15:09,441 IN YOUR HIGH RANGE TO WARM UP, BUT EITHER IN YOUR MIX 378 00:15:09,541 --> 00:15:11,310 OR IN YOUR HEAD VOICE TO WARM UP. 379 00:15:11,410 --> 00:15:13,812 JUST SLOWING WARM YOURSELF UP, JUST SO YOU'RE OPEN, 380 00:15:13,913 --> 00:15:16,148 BUT YOU DON'T WANNA BLAST YOUR VOICE OPEN. 381 00:15:16,248 --> 00:15:17,716 YOU KNOW WHAT I'M SAYING? - NO. 382 00:15:17,816 --> 00:15:19,852 SO, LIKE, INSTEAD OF DOING, LIKE, A THREE OR FOUR MINUTE WARM-UP, 383 00:15:19,952 --> 00:15:22,321 OR A FIVE MINUTE WARM-UP, YOU WANNA SPEND, LIKE, 20 MINUTES 384 00:15:22,421 --> 00:15:24,256 OF A VERY SLOW WARM-UP TO MAKE SURE 385 00:15:24,356 --> 00:15:26,592 YOU DON'T BLOW YOUR VOICE OUT. 386 00:15:26,692 --> 00:15:28,227 I-I DON'T KNOW WHAT THAT MEANS. 387 00:15:28,327 --> 00:15:30,663 SO, WITH ALL MY VOICE ISSUES, YOU KNOW, 388 00:15:30,763 --> 00:15:35,234 IT'S REALLY IMPORTANT THAT I UTILIZE A VOCAL COUCH, AT THIS POINT, 389 00:15:35,334 --> 00:15:37,670 BECAUSE, YOU KNOW, I HAVE TO FIGURE OUT 390 00:15:37,770 --> 00:15:40,105 HOW I'M GONNA GET THROUGH THE REST OF THIS TOUR. 391 00:15:40,205 --> 00:15:41,373 TAY, YOU NEED ANYTHING ELSE? 392 00:15:41,473 --> 00:15:43,809 UH-UH. 393 00:15:58,524 --> 00:16:00,592 AH! 394 00:16:00,693 --> 00:16:02,695 - HEY, TONI BRAXTON. - HEY. 395 00:16:02,795 --> 00:16:05,597 WHY ARE YOU LOOKIN' AT THAT OLD PHOTO ALBUM? 396 00:16:05,698 --> 00:16:08,233 BECAUSE I HAVE TO GET PICTURES FOR THE BOOK. 397 00:16:08,334 --> 00:16:09,902 THE PUBLISHER OF MY BIOGRAPHY 398 00:16:10,002 --> 00:16:11,670 ASKED ME TO SUBMIT SOME PHOTOS FOR THE BOOK, 399 00:16:11,770 --> 00:16:13,639 AND I'M REALLY OVERWHELMED WITH THIS PROCESS. 400 00:16:13,739 --> 00:16:16,275 I DON'T HAVE A LOT OF PHOTOS WHEN I WAS YOUNGER. 401 00:16:16,375 --> 00:16:18,711 SO, WHILE TOWANDA AND TRACI ARE IN TOWN, 402 00:16:18,811 --> 00:16:21,947 I'M-I'M ASKING THEM FOR THEIR HELP. 403 00:16:22,047 --> 00:16:23,849 - THIS LOOK LIKE BROOKE. - MY PROM PICTURE-- LOOK. 404 00:16:23,949 --> 00:16:25,818 IT'S NOT FOCUSED, THOUGH. - THANK GOD. 405 00:16:25,918 --> 00:16:28,187 BUT, YOUR DATE WAS NICE LOOKIN'. 406 00:16:28,287 --> 00:16:29,621 I KNOW-- LOOK HERE, AT THE RED CUMMERBUND. 407 00:16:29,722 --> 00:16:31,824 AND I GOT MY SHOES FROM THE WILD PAIR. 408 00:16:31,924 --> 00:16:34,493 THEY WERE $60-- THAT WAS A BIG DEAL. 409 00:16:34,593 --> 00:16:36,195 IT WAS, LIKE, EXPENSIVE SHOES IN THE '80s. 410 00:16:36,295 --> 00:16:37,663 - SPLURGE. - AH! 411 00:16:37,763 --> 00:16:39,465 WHAT PICTURES DO YOU NEED-- I HAVE ALL THE PICTURES. 412 00:16:39,565 --> 00:16:40,766 YOU KNOW I KEEP EVERYTHING. - LET ME SEE. 413 00:16:40,866 --> 00:16:41,934 OH, LET ME SEE YOURS-- LET ME SEE. 414 00:16:42,034 --> 00:16:45,237 COME, TRACI-- COME HERE-- KUMQUAT. 415 00:16:45,337 --> 00:16:47,673 BUT, TONI, WE-- ME AND TRACI WAS JUST TALKING TODAY, 416 00:16:47,773 --> 00:16:51,010 AND WE JUST WANTED TO TELL YOU THAT WE APPRECIATE YOU. 417 00:16:51,110 --> 00:16:53,979 WE THANK YOU FOR ALLOWING US TO BE A PART OF YOUR JOURNEY. 418 00:16:54,079 --> 00:16:56,348 YEAH, ESPECIALLY LOOKING AT THE PICTURES AND-- 419 00:16:56,448 --> 00:16:58,017 YEAH, BECAUSE EVERYTHING THAT YOU'VE ACQUIRED, 420 00:16:58,117 --> 00:16:59,618 YOU MADE SURE THAT WE WERE THERE WITH YOU. 421 00:16:59,718 --> 00:17:01,787 WITH YOUR BOOK, YOU KNOW, YOU'RE SHARING A LOT OF THINGS WITH US, 422 00:17:01,887 --> 00:17:03,255 AND WE-WE JUST ARE THANKFUL. 423 00:17:03,355 --> 00:17:04,790 IT'S NOT-NOT-- A LITTLE BIT, NOT A LOT. 424 00:17:04,890 --> 00:17:07,659 'CAUSE I-I DON'T WANT THIS BOOK TO BE THE "BRAXTON FAMILY VALUES," 425 00:17:07,760 --> 00:17:09,628 BUT I DID WANNA TALK ABOUT "BRAXTON FAMILY VALUES." 426 00:17:09,728 --> 00:17:10,996 BUT, IT'S YOU-- BUT, IT'S ABOUT YOU. 427 00:17:11,096 --> 00:17:12,097 BUT, YOU KNOW WHAT I MEAN? 428 00:17:12,197 --> 00:17:13,499 IT'S NOT MY STORY TO TELL YOU GUYS' STORY. 429 00:17:13,599 --> 00:17:14,666 THAT'S WHAT I WAS THINKING. 430 00:17:14,767 --> 00:17:16,468 IN THE BOOK, IT'S NOT MY STORY TO TELL. 431 00:17:16,568 --> 00:17:17,836 I'M STILL A LITTLE ON THE FENCE 432 00:17:17,936 --> 00:17:19,772 ON HOW MUCH I'M GONNA TELL MY SISTERS AND MY PARENTS 433 00:17:19,872 --> 00:17:21,907 ABOUT THE THINGS IN THIS BOOK, 434 00:17:22,007 --> 00:17:23,409 AND I GO BACK AND FORTH EVERY DAY, 435 00:17:23,509 --> 00:17:25,177 AND THAT'S PROBABLY ONE OF THE MOST STRESSFUL THINGS 436 00:17:25,277 --> 00:17:27,179 ABOUT WRITING THIS BOOK. 437 00:17:27,279 --> 00:17:30,249 THAT'S NOT GOOD 'CAUSE I-I WANNA BE FREE. 438 00:17:30,349 --> 00:17:32,851 THIS BOOK-- WRITING A BOOK IS SUPPOSED TO BE FREEING, 439 00:17:32,951 --> 00:17:36,221 AND I DON'T FEEL AS FREE AS I THOUGHT I WOULD FEEL, THOUGH. 440 00:17:36,321 --> 00:17:38,290 LOVE YOU GUYS. 441 00:17:38,390 --> 00:17:40,092 OKAY, DON'T GET SAPPY. 442 00:17:40,192 --> 00:17:41,293 YOU KNOW I DON'T LIKE ALL THAT SAPPY STUFF. 443 00:17:41,393 --> 00:17:42,528 I GET SAPPY SOMETIMES-- I CAN'T NOT BE SAPPY TODAY. 444 00:17:42,628 --> 00:17:43,629 - I DON'T LIKE THAT. - SO, OKAY. 445 00:17:43,729 --> 00:17:45,731 OKAY, LOOK-LOOK AT THIS-- LOOK AT THIS. 446 00:17:45,831 --> 00:17:48,567 LOOK AT THIS-- THAT'S WHEN I WAS A BABY. 447 00:17:48,667 --> 00:17:50,069 THAT'S CUTE-- YOU WERE A BEAUTIFUL BABY. 448 00:17:50,169 --> 00:17:53,138 WHEN I LOOK AT THE PHOTOS OF US AS KIDS, 449 00:17:53,238 --> 00:17:54,706 IT TAKES ME DOWN MEMORY LANE. 450 00:17:54,807 --> 00:17:57,910 I REMEMBER ALL THOSE MOMENTS AND HOW COOL IT WAS 451 00:17:58,010 --> 00:18:00,279 JUST HAVING ALL MY SISTERS AROUND 452 00:18:00,379 --> 00:18:02,047 AND THINGS YOU TOOK FOR GRANTED WHEN YOU'RE A KID. 453 00:18:02,147 --> 00:18:03,749 LIKE, OH, MY BABY SISTER IS GETTING ON MY NERVES. 454 00:18:03,849 --> 00:18:05,984 OR, YOU, LIKE, HA-HA, WOULDN'T HAVE-- 455 00:18:06,085 --> 00:18:07,219 WHAT WAS I THINKIN'? 456 00:18:07,319 --> 00:18:09,021 THESE ARE THE GREATEST MOMENTS, AND I'M JUST LUCKY ENOUGH 457 00:18:09,121 --> 00:18:10,622 TO HAVE HAD MY FAMILY THERE. 458 00:18:10,722 --> 00:18:11,757 THAT PART'S GREAT. 459 00:18:11,857 --> 00:18:13,459 HOW MANY PACKS OF WEAVE DID I HAVE IN MY HAIR? 460 00:18:13,559 --> 00:18:14,793 ABOUT FOUR OR FIVE. 461 00:18:14,893 --> 00:18:16,228 I ONLY HAD IT IN THE BACK, BUT THAT WAS ABOUT THREE PACKS, 462 00:18:16,328 --> 00:18:17,663 RIGHT THERE. - A BUSHEL. 463 00:18:17,763 --> 00:18:19,331 WE WERE REALLY WRONG, THOUGH. 464 00:18:19,431 --> 00:18:22,901 MY PARENTS COULDA SPENT A LITTLE MORE MONEY ON FASHION. 465 00:18:23,001 --> 00:18:24,303 BUT, I GET IT-- WE WERE-- I GET IT. 466 00:18:24,403 --> 00:18:25,737 WE DIDN'T WANT FOR ANYTHING. 467 00:18:25,838 --> 00:18:28,507 BUT, YEAH, THEY COULD'VE MAYBE WENT TO MACY'S, 468 00:18:28,607 --> 00:18:32,177 ONCE OR TWICE-- WERE THERE MACY'S THEN? 469 00:18:32,277 --> 00:18:34,046 MY HAIR'S COMIN' OUT. - IS IT? 470 00:18:34,146 --> 00:18:35,714 IS IT REAL EARTHA KITT LIKE THIS? 471 00:18:35,814 --> 00:18:38,684 - NO. - "I'M STILL HERE." 472 00:18:38,784 --> 00:18:40,119 MAYBE A LITTLE JOSEPHINE BAKERISH. 473 00:18:40,219 --> 00:18:41,186 COME ON-- LET'S GO EAT, TRACI. 474 00:18:41,286 --> 00:18:42,721 - YOU WANNA EAT? - YES. 475 00:18:42,821 --> 00:18:44,590 DANG, I CAN'T GO EAT-- I'M TRYIN' TO LOSE FIVE POUNDS. 476 00:18:44,690 --> 00:18:47,025 WE SHOULD ALL BE ON A "LET'S LOSE FIVE POUNDS" DIET. 477 00:18:47,126 --> 00:18:48,327 - LET'S GO! - SEE YA'LL. 478 00:18:48,427 --> 00:18:49,628 BYE, TONI BRAXTON-- HAVE FUN TONIGHT. 479 00:18:49,728 --> 00:18:51,029 ALL RIGHT-- I'M GONNA FINISH LOOKIN' THROUGH THIS BOOK 480 00:18:51,130 --> 00:18:53,265 AND FIND ME SOME PICTURES. - OKAY. 481 00:19:06,044 --> 00:19:07,379 YOU WANT ME TO READ YOU A STORY OR SOMETHING? 482 00:19:07,479 --> 00:19:09,248 WHERE ARE YOUR BOOKS? - HE DON'T READ BABY BOOKS. 483 00:19:09,348 --> 00:19:12,584 HE LIKES "BAD GIRLS CLUB--" HE LIKES "SCANDAL." 484 00:19:12,684 --> 00:19:13,652 HE LIKES "GREY'S ANATOMY." 485 00:19:13,752 --> 00:19:14,486 TAMAR, HE READ-- HE NEEDS TO READ BOOKS, TAMAR. 486 00:19:14,586 --> 00:19:16,388 HE NEEDS TO READ BOOKS. 487 00:19:16,488 --> 00:19:18,724 SO, WE'RE ON THE BUS, AND I'M BACK HERE WITH TRINA 488 00:19:18,824 --> 00:19:21,326 AND MY LOGAN, AND I LOVE THE FACT THAT 489 00:19:21,426 --> 00:19:25,497 HE HAS HIS BONDING TIME WITH HIS AUNTY TRINA. 490 00:19:25,597 --> 00:19:26,932 TURN ON "BAD GIRLS' CLUB. 491 00:19:27,032 --> 00:19:30,335 NO, THAT'S REALLY WHAT YOU WANT TO HAVE HIM DO 492 00:19:30,435 --> 00:19:32,004 INSTEAD READING, HIS BOOK ABOUT ABCs. 493 00:19:32,104 --> 00:19:33,338 HE DON'T LIKE THAT. 494 00:19:33,438 --> 00:19:34,907 YES, HE DOES-- HE JUST DOESN'T KNOW IT, YET. 495 00:19:35,007 --> 00:19:36,074 HE'S A BABY-- YOU TELL HIM WHAT HE LIKES. 496 00:19:36,175 --> 00:19:38,076 WATCH-- DO ABCs AND WATCH WHAT HAPPEN. 497 00:19:38,177 --> 00:19:41,513 A, B, C, D, E, F, G, 498 00:19:41,613 --> 00:19:45,017 H, I, J, K, L, M, N, O, PEW! 499 00:19:45,117 --> 00:19:51,523 Q, R, S, T, U, V, W, X, Y AND Z. 500 00:19:51,623 --> 00:19:57,529 NOW I KNOW YOUR ABCs, YOU DON'T HAVE TO WATCH TV. 501 00:19:57,629 --> 00:20:00,165 TRINA, TRINA, NOW SAY, "I SLAP A BITCH" 502 00:20:00,265 --> 00:20:01,266 AND WATCH WHAT HE DO WITH HIS FACE. 503 00:20:01,366 --> 00:20:02,301 NO, NO! 504 00:20:02,401 --> 00:20:03,202 WATCH WHAT HE DO WITH HIS FACE. 505 00:20:03,302 --> 00:20:04,236 I'M NOT-- NO. 506 00:20:04,336 --> 00:20:05,370 IF YOU SAY IT-- 507 00:20:05,470 --> 00:20:07,272 YOU AIN'T TELL HIM THAT, JUST SAY IT, AND WATCH-- 508 00:20:07,372 --> 00:20:09,141 WATCH WHAT HE DO WITH HIS FACE-- JUST SAY IT. 509 00:20:09,241 --> 00:20:10,309 I'LL SLAP A BITCH. 510 00:20:10,409 --> 00:20:12,411 NO, SAY IT LIKE THE "BAD GIRLS" WOULD. 511 00:20:12,511 --> 00:20:14,546 SEE-- HE'S INTERESTED. 512 00:20:14,646 --> 00:20:17,216 UH-UH-- HE LIKE', "THANK YOU, AUNTIE TRINA. 513 00:20:17,316 --> 00:20:18,684 HE WANTS TO HUG ME AND SAY, "THANK YOU." 514 00:20:18,784 --> 00:20:20,252 HE'S LIKE, "PLEASE." 515 00:20:20,352 --> 00:20:23,589 "I DON'T WANT TO WATCH SOMEONE SLAP A BITCH. 516 00:20:23,689 --> 00:20:26,959 - LIES. - SEE? 517 00:20:27,059 --> 00:20:28,961 TO ME, YOU KNOW, LOGAN IS A REAL ADVANCED CHILD, 518 00:20:29,061 --> 00:20:30,762 SO HE CAN'T GET NOTHIN' OUT OF NO "OLD MACDONALD." 519 00:20:30,862 --> 00:20:32,030 I CAN'T WORRY ABOUT HIM. 520 00:20:32,130 --> 00:20:34,399 SO, HE LIKES WHAT HE LIKED WHEN I WAS PREGNANT, 521 00:20:34,499 --> 00:20:37,035 WHICH IS RATCHET TELEVISION-- TEE-HEE-HEE. 522 00:20:37,135 --> 00:20:38,937 OKAY, LET ME TELL YOU A STORY. 523 00:20:39,037 --> 00:20:40,105 OKAY 524 00:20:47,246 --> 00:20:48,947 IT WAS A WOLF. 525 00:20:55,120 --> 00:20:56,655 TAMAR, YOU CAN'T-- - SO, WHAT HAD HAPPENED, WAS-- 526 00:20:56,755 --> 00:20:58,557 IT'S TRUE-- IT'S A TRUE STORY-- IT'S A TRUE STORY. 527 00:20:58,657 --> 00:21:00,525 HE DON'T WANNA HEAR ANYTHING ABOUT WEED. 528 00:21:07,633 --> 00:21:11,136 CALM DOWN, CALM DOWN-- WE AIN'T IN A RUSH. 529 00:21:11,236 --> 00:21:14,072 GOT ANOTHER 15 MILES, ROUGHLY 20 MINUTES. 530 00:21:14,172 --> 00:21:15,140 WE'LL GET IT UNDER CONTROL. 531 00:21:24,983 --> 00:21:26,551 TAMAR, YOU CAN'T-- - SO, WHAT HAD HAPPENED, WAS-- 532 00:21:26,652 --> 00:21:28,353 IT'S TRUE-- IT'S A TRUE STORY-- IT'S A TRUE STORY. 533 00:21:28,453 --> 00:21:30,322 HE DON'T WANNA HEAR ANYTHING ABOUT WEED. 534 00:21:30,422 --> 00:21:32,624 THERE ARE BETTER STORIES, YOU KNOW? 535 00:21:32,724 --> 00:21:34,593 YOUR MOTHER IS TRYING TO PUT YOU IN THE HOOD. 536 00:21:34,693 --> 00:21:36,128 YOUR LIES YOU TELL. 537 00:21:36,228 --> 00:21:37,996 FIRST AND FOREMOST, THIS IS NOT THE RATCHET VERSION 538 00:21:38,096 --> 00:21:39,298 OF "THREE LITTLE PIGS." 539 00:21:39,398 --> 00:21:41,833 THIS IS THE REAL LIFE VERSION OF "THREE LITTLE PIGS," OKAY? 540 00:21:41,933 --> 00:21:44,870 "THREE LITTLE PIGS" IS A FANTAS-I, OKAY? 541 00:21:44,970 --> 00:21:47,739 I'M NOT GONNA START TEACHIN' MY BABY ABOUT LIES 542 00:21:47,839 --> 00:21:50,008 AND TRICKERIZATION-- I'M NOT GONNA DO THAT. 543 00:21:50,108 --> 00:21:54,379 WHY CAN'T I TELL HIM, LIKE, YOU KNOW, A REAL HOOD VERSION? 544 00:21:54,479 --> 00:21:55,681 IT AIN'T RATCHET. 545 00:21:55,781 --> 00:21:57,249 JUST 'CAUSE YOU'RE IN THE HOOD, DON'T MEAN YOU'RE RATCHET. 546 00:21:57,349 --> 00:21:59,651 RATCHETNESS IS A CHOICE. 547 00:21:59,751 --> 00:22:01,353 SAY, "HI, DADDY." - LOOK AT DADDY. 548 00:22:01,453 --> 00:22:03,055 SAY, "HI, DADDY." - HEY, LOGIE-LOGE. 549 00:22:03,155 --> 00:22:06,158 LOOK AT YOUR BABY, VINCE-- LOOK HOW CUTE THAT IS, VINCE. 550 00:22:06,258 --> 00:22:08,260 - LOGIE-LOGE! - SAY, "HI, DAD." 551 00:22:08,360 --> 00:22:10,629 LOGE-- LOGAN? 552 00:22:14,800 --> 00:22:16,501 WHAT THE DOCTOR TALKIN' ABOUT, BOO? 553 00:22:18,503 --> 00:22:20,238 ON WHAT? 554 00:22:24,810 --> 00:22:26,778 OOH-OOH-OOH. 555 00:22:29,614 --> 00:22:32,951 THEY JUST WANNA MAKE SURE THAT THE-THE, UM, THE MEDICINE-- 556 00:22:33,051 --> 00:22:35,320 WHY IT'S MAKIN' MY BONES AND BODY SORE. 557 00:22:35,420 --> 00:22:37,289 SO, THEY'RE CHECKIN' EVERYTHING. 558 00:22:37,389 --> 00:22:38,957 OH. 559 00:22:39,057 --> 00:22:40,692 VINCE HAS BEEN IN THE HOSPITAL FOR ABOUT A WEEK 560 00:22:40,792 --> 00:22:44,396 AND, UM, BECAUSE OF WHAT HE HAD, LIKE, A YEAR AND A HALF AGO, 561 00:22:44,496 --> 00:22:46,164 HE HAS TO GO RUN TESTS TO MAKE SURE 562 00:22:46,264 --> 00:22:48,867 HE'S ON THE RIGHT MEDICATION AND THINGS LIKE THAT. 563 00:22:48,967 --> 00:22:51,436 SO, THEY ADMIT YOU WHEN THEY'RE KINDA CHANGIN' AROUND MEDICATIONS, 564 00:22:51,536 --> 00:22:53,372 JUST TO MAKE SURE YOU'RE GONNA BE GOOD. 565 00:22:53,472 --> 00:22:55,240 HOW YOU FEEL TODAY? 566 00:22:55,340 --> 00:22:58,510 WELL, I JUST FREAKED OUT IN THAT-IN THAT MRI 567 00:22:58,610 --> 00:23:00,245 'CAUSE, YOU KNOW, YOU GOTTA PUT YOUR WHOLE BODY IN THERE. 568 00:23:00,345 --> 00:23:01,747 IT MAKES ALL THAT NOISE. 569 00:23:01,847 --> 00:23:04,750 AND I WAS DOWNSTAIRS FOR ABOUT A HOUR DOIN' THAT. 570 00:23:04,850 --> 00:23:06,718 SO, THEY DIDN'T GIVE YOU NO MEDICINE? 571 00:23:06,818 --> 00:23:09,955 NO, I DIDN'T WANT IT. 572 00:23:10,055 --> 00:23:12,190 YOU KNOW, EVERY TIME MY TEDDY RUXPIN GO IN THE HOSPITAL 573 00:23:12,290 --> 00:23:15,560 I, YOU KNOW, BECOME, YOU KNOW, SOMEBODY ELSE, 574 00:23:15,660 --> 00:23:17,329 YOU KNOW, BECAUSE, YOU KNOW, I'M NERVOUS, 575 00:23:17,429 --> 00:23:19,998 AND I LOVE MY TEDDY RUXPIN, AND I WANT HIM TO BE FINE. 576 00:23:20,098 --> 00:23:23,368 SO, YOU KNOW, I'M JUST WORRIED, AND I'M IN MY FEELINGS 577 00:23:23,468 --> 00:23:25,103 BECAUSE I DON'T WANT THEM TO FIND NOTHIN' SERIOUS 578 00:23:25,203 --> 00:23:27,706 BECAUSE THEY ARE DOIN' A LOT OF EXTENSIVE TESTS. 579 00:23:27,806 --> 00:23:29,508 YOU MISS ME? 580 00:23:32,711 --> 00:23:34,513 MISS YOU, TOO. - LOVE YOU. 581 00:23:34,613 --> 00:23:36,148 I LOVE YOU MORE. 582 00:23:36,248 --> 00:23:37,816 "I LOVE YOU--" "I LOVE YOU MORE. 583 00:23:37,916 --> 00:23:40,786 "GOOD-BYE." - I REALLY DON'T WANNA GO. 584 00:23:40,886 --> 00:23:42,320 YOU KNOW, WE ARE VELCRO, SO THAT MEANS 585 00:23:42,421 --> 00:23:45,690 I GOT TO HAVE MY PIECE, OKAY-- ALL RIGHT. 586 00:23:45,791 --> 00:23:48,460 AND, YOU KNOW, I JUST MISS HIM, AND THAT'S MY BABY, 587 00:23:48,560 --> 00:23:52,330 AND THAT'S MY BABY'S FATHER, AND I LIKE TO BE AROUND HIM. 588 00:23:52,431 --> 00:23:54,466 I ACTUALLY LIKE MY MAN. 589 00:23:54,566 --> 00:23:56,268 ALL RIGHT, LOVE YOU, BABE-- BYE. 590 00:23:56,368 --> 00:23:58,270 LOVE YOU, TOO-- OKAY, BYE. 591 00:24:01,940 --> 00:24:03,141 OKAY, I'M GOIN' TO SLEEP. 592 00:24:03,241 --> 00:24:06,311 OKAY, WE'RE GONE-- LET MOMMY GET SOME REST. 593 00:24:06,411 --> 00:24:09,748 SHE HAS A SHOW TONIGHT-- ALL RIGHT, TAMAR. 594 00:24:24,296 --> 00:24:26,198 YA'LL LIKE THAT COLOR-- YA'LL LIKE THAT COLOR? 595 00:24:26,298 --> 00:24:28,834 LET ME SEE IT-- WITH THE BLACK DRESS? 596 00:24:28,934 --> 00:24:30,035 LET ME-- CAN I SEE THE MIRROR? 597 00:24:30,135 --> 00:24:31,603 I'VE BEEN INVITED TO SPEAK BY THE RECORDING ACADEMY, 598 00:24:31,703 --> 00:24:34,673 ABOUT OUR MUSIC CAREERS IN CELEBRATION OF THE UPCOMING GRAMMYS. 599 00:24:34,773 --> 00:24:36,942 OKAY. 600 00:24:37,042 --> 00:24:38,610 I MEAN, MY LASH IS COMING OFF. 601 00:24:38,710 --> 00:24:40,178 OKAY, OKAY. - YOU LOOK BEAUTIFUL. 602 00:24:40,278 --> 00:24:41,213 I'LL FIX IT-FIX IT IN THE CAR. 603 00:24:41,313 --> 00:24:42,514 WILL YOU BRING THE GLUE? - OKAY. 604 00:24:42,614 --> 00:24:44,049 UH, YEAH, WE HAVE, LIKE, TRAFFIC-- 605 00:24:44,149 --> 00:24:46,151 AN HOUR AND 20 MINUTES TO GET THERE. 606 00:24:46,251 --> 00:24:48,220 I DON'T WANNA GO SOMEWHERE, AND MY LASH FALLS OFF, THOUGH. 607 00:24:48,320 --> 00:24:49,821 THAT'S NOT HOT-- ALL RIGHT. 608 00:24:49,921 --> 00:24:51,857 LET ME GET DRESSED. 609 00:24:51,957 --> 00:24:53,091 OKAY, WHICH ONES-- WHICH ONES? 610 00:24:53,191 --> 00:24:55,927 UM... 611 00:24:56,027 --> 00:24:57,429 YOU GONNA DO STOCKINGS? 612 00:24:57,529 --> 00:24:58,530 OH, SHOOT-- STOCKINGS. 613 00:24:58,630 --> 00:24:59,865 YOU THINK I SHOULD DO STOCKINGS? 614 00:24:59,965 --> 00:25:01,733 NO, PROBABLY NOT, CAUSE YOU CAN'T SEE ANYTHING. 615 00:25:01,833 --> 00:25:03,235 - DO I NEED A PURSE? - YEP. 616 00:25:03,335 --> 00:25:05,003 GIVE ME THAT CUTE LITTLE ONE. 617 00:25:05,103 --> 00:25:06,605 IS THAT TOO MUCH PROMY? - REALLY, REALLY? 618 00:25:06,705 --> 00:25:08,240 - REALLY? - NO. 619 00:25:08,340 --> 00:25:09,641 - ALL RIGHT-- ALL RIGHT. - REALLY? 620 00:25:09,741 --> 00:25:11,576 BEHIND THE DOOR-- WHAT'S BEHIND THE DOOR? 621 00:25:11,676 --> 00:25:13,845 THAT'S CUTE-- LOOK AT THIS. 622 00:25:13,945 --> 00:25:15,113 WE'RE NOT GOING TO ANYTHING LIKE THAT. 623 00:25:15,213 --> 00:25:16,348 REALLY? - THIS IS CUTE. 624 00:25:16,448 --> 00:25:18,884 NO-NO-NO, IT'S-IT'S-IT'S A CONVERSATION AT THE GRAMMYS. 625 00:25:18,984 --> 00:25:20,819 IT'S NOT THE GRAMMYS. - ALL RIGHT. 626 00:25:20,919 --> 00:25:24,122 WELL, I'LL TAKE THE BLACK ONE, THEN. 627 00:25:24,222 --> 00:25:27,492 - LET'S GO. - BYE! 628 00:25:39,204 --> 00:25:41,673 OH, GOD. 629 00:25:41,773 --> 00:25:43,208 CAN WE GET SOME OF THIS CLUTTER OR SOMETHING? 630 00:25:43,308 --> 00:25:44,209 YES-YES-YES-- WAIT, WAIT. 631 00:25:44,309 --> 00:25:45,777 JUST REL-REL-- MOVE ON AND RELAX. 632 00:25:45,877 --> 00:25:47,846 JUST RELAX. - NOBODY CARES ABOUT IT. 633 00:25:47,946 --> 00:25:51,149 YES, WE DO CARE-- SO, RELAX AND HAVE A SEAT. 634 00:25:51,249 --> 00:25:54,386 THE BUS IS SO CLA-NASTY. 635 00:25:54,486 --> 00:25:57,889 AND, ON TOP OF THAT, WE'RE RUNNIN' LATE, WHICH I HATE. 636 00:25:57,989 --> 00:26:01,593 AND SO, NOW, YOU KNOW, I DON'T HAVE TIME FOR NO SOUND CHECK, 637 00:26:01,693 --> 00:26:03,695 AND I'M JUST GONNA HAVE TO RUSH. 638 00:26:03,795 --> 00:26:06,965 AND, RIGHT NOW, I JUST NEED TO STAY CALM. 639 00:26:07,065 --> 00:26:09,100 SO, ALL THAT NEEDS TO BE STEAMED IS YA'LL PANTS 640 00:26:09,200 --> 00:26:11,069 AND YA'LL SHIRT. - EXACTLY. 641 00:26:14,673 --> 00:26:16,308 YA'LL ARE SOME SPOILED-- LET ME TELL YA'LL SOMETHING. 642 00:26:16,408 --> 00:26:19,277 I MEAN, WE SH-- DIDN'T WE, TRINA? 643 00:26:19,377 --> 00:26:20,679 WE USED TO CARRY OUR OWN COSTUMES. 644 00:26:20,779 --> 00:26:22,380 YES, WE DID. 645 00:26:22,480 --> 00:26:23,381 YEAH, HOW-- YEAH, HOW ABOUT THAT? 646 00:26:23,481 --> 00:26:25,417 HOW ABOUT YA'LL STEAM YOUR OWN STUFF? 647 00:26:25,517 --> 00:26:26,651 YEAH, I SAID THAT, THOUGH-- I SAID THAT YESTERDAY. 648 00:26:26,751 --> 00:26:28,186 I MEAN, WHAT'S WRONG WITH YA'LL STEAMING YOUR OWN STUFF? 649 00:26:28,286 --> 00:26:29,654 YOU PUT IT IN YOUR GARMENT BAG AND HANG IT UP. 650 00:26:29,754 --> 00:26:30,855 NO, I-I MENTIONED THAT YESTERDAY. 651 00:26:30,956 --> 00:26:33,892 WE ALL SAID YOU GUYS-- THEY CAN STEAM THEIR OWN STUFF. 652 00:26:33,992 --> 00:26:35,026 - YEAH. - I'LL DO IT. 653 00:26:35,126 --> 00:26:36,461 I'LL DO IT FOR MY STUFF. - ARE YOU SURE? 654 00:26:36,561 --> 00:26:37,629 YEAH, YOUR STUFF. 655 00:26:37,729 --> 00:26:38,763 BUT, I'M NOT GONNA STEAM THE OUTFITS AND STUFF. 656 00:26:38,863 --> 00:26:40,165 WELL, NOW, ARE-ARE YOU SURE? 657 00:26:40,265 --> 00:26:41,433 I'M REALLY SURE. 658 00:26:41,533 --> 00:26:42,968 ARE YOU SURE YOU'RE GONNA-- YOU SURE YOU'RE VOLUNTEERING 659 00:26:43,068 --> 00:26:45,604 TO STEAM YOUR OWN CLOTHES THAT YOU'RE WEARING ON STAGE? 660 00:26:45,704 --> 00:26:46,538 YES. 661 00:26:46,638 --> 00:26:48,340 FOR YOUR-YOUR TWO LITTLE NUMBERS? 662 00:26:48,440 --> 00:26:49,741 OH-- YOU KNOW, IT JUST SEEMS LIKE, TO ME, 663 00:26:49,841 --> 00:26:52,377 BECAUSE VINCE IS NOT HERE, THAT EVERYBODY'S TRYING IT, 664 00:26:52,477 --> 00:26:54,179 RIGHT NOW-- LIKE, YOU KNOW, 665 00:26:54,279 --> 00:26:57,148 I AIN'T FITTIN' TO STEAM YOUR OUTFIT, OKAY? 666 00:26:57,248 --> 00:26:58,917 SHE'S NOT THE STEAMER. 667 00:26:59,017 --> 00:27:01,219 AND SHE'S NOT GONNA MAKE SURE EVERYBODY'S ON TIME TO THE STAGE. 668 00:27:01,319 --> 00:27:02,487 LIKE, SHE'S NOT THE STAGE MANAGER. 669 00:27:02,587 --> 00:27:04,556 SHE'S NOT NOBODY'S MANAGER-- SHE'S NOT EVEN HER MANAGER. 670 00:27:04,656 --> 00:27:06,091 ALL RIGHT? 671 00:27:06,191 --> 00:27:07,926 LIKE, IT'S TEAM TOO MUCH, RIGHT NOW. 672 00:27:10,328 --> 00:27:13,665 YA'LL, THIS IS ABOUT TO BE . 673 00:27:13,765 --> 00:27:16,267 LET ME SEE-- LET ME SEE. 674 00:27:16,368 --> 00:27:18,637 - THERE IT IS. - LOOK-- LOOK IT. 675 00:27:18,737 --> 00:27:20,872 FINALLY. 676 00:27:26,211 --> 00:27:30,815 GOT ANOTHER 15 MILES, SO THAT'S, LIKE, ROUGHLY 20 MINUTES. 677 00:27:30,915 --> 00:27:35,020 SO, WE'RE ALMOST AT THE VENUE, AND I'M TRYING TO GET SOME TIME 678 00:27:35,120 --> 00:27:38,823 ON MY NEBULIZER, WHICH REALLY HELPS OPEN MY LUNGS, 679 00:27:38,923 --> 00:27:41,259 BUT THIS DAMN THING KEEP CUTTIN' OFF. 680 00:27:41,359 --> 00:27:44,596 AND SERIOUSLY, I DON'T KNOW HOW I'M GONNA SOUND TONIGHT. 681 00:27:50,535 --> 00:27:53,138 WE'RE HERE-- WHERE-- MY DRESSING ROOM? 682 00:27:55,106 --> 00:27:57,142 CALM DOWN-- CALM DOWN. 683 00:27:57,242 --> 00:27:59,577 WE'RE IN A-WE'RE IN A RUSH. 684 00:27:59,678 --> 00:28:01,179 TRINA? 685 00:28:01,279 --> 00:28:02,647 WE'LL GET IT UNDER CONTROL. 686 00:28:02,747 --> 00:28:05,083 WE'LL-WE'LL GET IT UNDER CONTROL. 687 00:28:05,183 --> 00:28:07,686 COMING UP, ON "BRAXTON FAMILY VALUES"... 688 00:28:07,786 --> 00:28:10,288 LET'S GO, GUYS-- SHOWTIME-- TIME TO GO. 689 00:28:10,388 --> 00:28:11,656 I'M SORRY-- PRAY MY TRUTH TO THE LORD. 690 00:28:11,756 --> 00:28:13,158 MY NERVES IS BAD. 691 00:28:13,258 --> 00:28:15,760 WHAT'S UP, MY DETROIT TAMARTIAN FRIENDS? 692 00:28:17,762 --> 00:28:19,564 - I'M FREE-SPIRITED. - WHEN? 693 00:28:19,664 --> 00:28:22,467 - YOU ARE NOT FREE-SPIRITED. - I AM FREE-SPIRITED. 694 00:28:22,567 --> 00:28:23,334 EXPLAIN THAT. 695 00:28:25,236 --> 00:28:26,471 WE'RE GOING TO EAT. 696 00:28:26,571 --> 00:28:28,406 WHO WILL SHARE A BURGER WITH ME, IF I GET A BURGER? 697 00:28:28,506 --> 00:28:30,275 - I'LL SHARE IT WITH YOU. - WHAT THE FRIES LOOK LIKE? 698 00:28:30,375 --> 00:28:32,877 - CRINKLE. - I WANT FRIED WINGS. 699 00:28:32,977 --> 00:28:34,546 OOH, PUMPKIN CHEESECAKE CONCRETE MIXER. 700 00:28:34,646 --> 00:28:36,481 THAT SOUNDS LIKE MY LIFE. - OOH, JESUS! 701 00:28:36,581 --> 00:28:40,151 THE PEPPER GRINDER PUB BURGER-- OH, I'M ABOUT TO CATCH 702 00:28:40,251 --> 00:28:42,387 THE HOLY-I-I'M ABOUT TO CATCH THE BURGER GHOST. 703 00:28:42,487 --> 00:28:44,723 OH, ABOUT TO CATCH THE BURGER GHOST. 704 00:28:44,823 --> 00:28:46,991 AH, AH, GONNA DO IT. 705 00:28:47,092 --> 00:28:48,626 NO, YOU WON'T DO IT, 'CAUSE THAT'S NOT GOOD. 706 00:28:48,727 --> 00:28:50,128 WHAT'S THE FLAVOR OF THE DAY? 707 00:28:50,228 --> 00:28:52,030 PUMPKIN CHEESECAKE-- SEE THE PUMPKIN CHEESECAKE ONE? 708 00:28:52,130 --> 00:28:53,765 YA'LL WON'T ALLOW NUMBER TWO ON THIS BUS, 709 00:28:53,865 --> 00:28:56,201 SO I BETTER STAY AWAY FROM THAT CHEESE. 710 00:28:56,301 --> 00:28:58,403 OKAY, FINE-- YOU TALKED ME INTO IT. 711 00:28:58,503 --> 00:29:00,939 I WANT THE PUMPKIN PECAN. - I'LL HAVE ONE OF EACH. 712 00:29:02,474 --> 00:29:04,242 WHAT ARE YOU HAVING? 713 00:29:04,342 --> 00:29:07,612 YOU'RE HAVING-- OH, YOU'RE HAVING SPIT? 714 00:29:07,712 --> 00:29:10,648 AND THAT'S IT, 'CAUSE I'M ON A DIET, A STRICT DIET. 715 00:29:13,685 --> 00:29:16,121 WE'RE HERE-- OKAY. 716 00:29:16,221 --> 00:29:18,990 WHERE-- MY DRESSING ROOM? 717 00:29:19,090 --> 00:29:21,626 EXCUSE ME. 718 00:29:21,726 --> 00:29:22,727 YES, SIR. 719 00:29:22,827 --> 00:29:23,928 WE'LL GET IT IN UNDER CONTROL. 720 00:29:24,028 --> 00:29:28,032 WE'LL... WE'LL GET IN UNDER CONTROL. 721 00:29:28,133 --> 00:29:30,368 - I'M GONNA GET A BAG, OKAY? - OKAY. 722 00:29:30,468 --> 00:29:33,271 I MEAN, I CAN REALLY FEEL MY NERVES TAKING OVER, RIGHT NOW. 723 00:29:33,371 --> 00:29:36,674 AND REALLY, I SHOULD BE RESTIN' MY VOICE BEFORE THIS SHOW. 724 00:29:36,775 --> 00:29:39,511 STILL-- STAY STILL-- CALM DOWN-- IT'S COMIN'. 725 00:29:39,611 --> 00:29:42,781 I'M CALM. 726 00:29:42,881 --> 00:29:44,549 I GOTTA PEE. 727 00:29:44,649 --> 00:29:46,417 OOH, I'M SORRY. 728 00:29:46,518 --> 00:29:48,686 OH, I HAVE TO SHARE A BATHROOM? 729 00:29:48,787 --> 00:29:49,854 OKAY, GET OUT! 730 00:29:49,954 --> 00:29:51,089 I'M GONNA TAKE OFF MY SHOES, REAL QUICK. 731 00:29:51,189 --> 00:29:52,357 CLOSE THE DOOR. 732 00:29:58,630 --> 00:30:00,431 - WHAT TIME IS IT, NOW? - 6:00. 733 00:30:00,532 --> 00:30:02,200 YES, I'M SORRY-- PRAY MY TRUTH TO THE LORD. 734 00:30:02,300 --> 00:30:04,035 MY NERVES IS BAD. - HALLE-LOO. 735 00:30:04,135 --> 00:30:05,670 - ALL RIGHT. - CAN YOU TURN THE AIR ON? 736 00:30:09,741 --> 00:30:11,242 DID YA'LL PRAY ALREADY? 737 00:30:11,342 --> 00:30:12,277 - YEAH. - YEAH. 738 00:30:12,377 --> 00:30:13,511 I'LL PRAY, AGAIN. 739 00:30:13,611 --> 00:30:15,313 I CALLED YOU, BABY, SO YOU COULD SEE LOGAN. 740 00:30:15,413 --> 00:30:17,148 AND GUESS WHAT, VINCE-- HE'S BLOWIN' BUBBLES. 741 00:30:17,248 --> 00:30:18,817 HE SAT THERE FOR TEN MINUTES AND JUST BLEW BUBBLES 742 00:30:18,917 --> 00:30:20,485 FOR TEN MINUTES-- LIKE, HE JUST-- 743 00:30:20,585 --> 00:30:21,986 HE DON'T KNOW WHAT HE'S DOIN'-- HE JUST STARTED DOIN' IT. 744 00:30:22,086 --> 00:30:24,789 HE'S SO CUTE-- OKAY, BABY-- LOVE YOU. 745 00:30:24,889 --> 00:30:26,891 - THE ELEVATOR'S HERE. - WE READY? 746 00:30:31,396 --> 00:30:32,664 - YOU'RE HER, RIGHT? - YEAH, I'LL WALK WITH HER. 747 00:30:32,764 --> 00:30:34,699 - YEAH. - READY? 748 00:30:39,904 --> 00:30:43,074 YOU'RE RIGHT ON TIME. 749 00:30:43,174 --> 00:30:45,810 DETROIT IS ONE OF THE MAJOR CITIES ON THIS TOUR. 750 00:30:45,910 --> 00:30:47,712 LIKE, EVERYBODY'LL PERFORM HERE-- TONI BRAXTON, 751 00:30:47,812 --> 00:30:50,481 MARIAH CAREY, WHITNEY HOUSTON, OKAY? 752 00:30:50,582 --> 00:30:54,619 EVERYBODY-- SO, EVEN THOUGH HER THROAT IS NOT IN GREAT SHAPE, 753 00:30:54,719 --> 00:30:57,655 SHE HAS TO SING FOR THE GODS, AND IF SHE CRACKS, 754 00:30:57,755 --> 00:31:00,058 THAT WILL BE WHACK. 755 00:31:00,158 --> 00:31:01,593 THERE IS ONLY ONE. 756 00:31:14,439 --> 00:31:16,608 WHAT'S UP, MY DETROIT TAMARTIAN FRIENDS? 757 00:31:19,944 --> 00:31:23,414 SO, THE WHOLE CONCEPT, THE LOOK, AND THEME OF MY SHOW IS, 758 00:31:23,514 --> 00:31:26,484 LIKE, YOU KNOW, I'M KINDA TAKING YOU THROUGH 759 00:31:26,584 --> 00:31:30,288 MY LIFE STORY ABOUT, YOU KNOW, ME AND MY MAN AND ALL THE DIFFICULTIES 760 00:31:30,388 --> 00:31:32,290 AND THE UPS AND DOWNS OF A RELATIONSHIP. 761 00:31:32,390 --> 00:31:34,425 AND THEN, I'M THROWIN' A LITTLE BIT OF FIERCENESS, 762 00:31:34,525 --> 00:31:37,128 AND HOTNESS, AND THROAT, YOU KNOW, AND FIVE OCTAVES, 763 00:31:37,228 --> 00:31:39,330 JUST IN A LITTLE HALF HOUR-- THAT'S IT. 764 00:31:39,430 --> 00:31:42,400 YOU KNOW, JUST LIFE GIVIN'. 765 00:31:42,500 --> 00:31:45,503 YOU KNOW, THIS TOUR IS, LIKE, EVERYTHING TO ME. 766 00:31:45,603 --> 00:31:48,006 YOU KNOW, BECAUSE I'VE ALWAYS WANTED TO TOUR. 767 00:31:48,106 --> 00:31:50,541 I'VE ALWAYS WANTED TO ENJOY TOURING. 768 00:31:50,642 --> 00:31:52,543 AND IT'S EVERYTHING THAT I DREAMED, 769 00:31:52,644 --> 00:31:54,779 EVERYTHING THAT I WORKED HARD FOR, 770 00:31:54,879 --> 00:31:56,447 AND ALL THE DISAPPOINTMENTS. 771 00:31:56,547 --> 00:32:01,019 AND NOW, I JUST GET TO HAVE FUN IN MY SUCCESS. 772 00:32:03,054 --> 00:32:04,555 GREAT SHOW TONIGHT, GUYS. 773 00:32:04,656 --> 00:32:08,359 I'M GLAD I DECIDED TO JOIN TAMAR ON HER TOUR 774 00:32:08,459 --> 00:32:11,095 BECAUSE, FOR A WHILE, SHE WAS BY HERSELF. 775 00:32:11,195 --> 00:32:14,232 VINCE HAD TO GO TO THE HOSPITAL, AND I GOT TO SPEND MUCH MORE TIME 776 00:32:14,332 --> 00:32:17,302 WITH MY WONDERFUL NEPHEW. 777 00:32:17,402 --> 00:32:20,004 AND, YOU KNOW, WE JUST-- IT FELT LIKE OLD TIMES, 778 00:32:20,104 --> 00:32:21,806 LIKE WE WERE KIDS, AGAIN. 779 00:32:25,009 --> 00:32:26,844 SO, TONIGHT WAS ANOTHER GREAT SHOW, 780 00:32:26,945 --> 00:32:30,915 AND IT'S TIME FOR HER TO GET BACK ON THAT BUS. 781 00:32:31,015 --> 00:32:34,085 AND I'M A LITTLE SAD TONIGHT BECAUSE IT'S TIME FOR TRI-TRI TO GO, 782 00:32:34,185 --> 00:32:36,120 AND I'M GONNA MISS HER. 783 00:32:36,220 --> 00:32:43,628 BUT, I THANK GOD I STILL HAVE MY MAMA AND MY LOGIE-LOVE. 784 00:32:43,728 --> 00:32:46,164 COMING UP, ON "BRAXTON FAMILY VALUES"... 785 00:32:46,264 --> 00:32:48,466 WHAT IF I SAID TO TAMAR, "OOH, TAMAR, YOU SHOW WAS WHACK?" 786 00:32:48,566 --> 00:32:49,834 TAMAR, I HEARD YOUR SHOW WAS WHACK. 787 00:32:49,934 --> 00:32:51,235 YOU WAS HIT-- YOU WAS KILLIN' IT. 788 00:32:51,336 --> 00:32:57,308 WORD YOU SAID. - OOH, THAT'S SHHHHHADE. 789 00:33:09,887 --> 00:33:11,122 I CAN'T BELIEVE YOU CAUGHT THE BUG. 790 00:33:11,222 --> 00:33:12,290 AT LEAST I'LL LOSE A FEW POUNDS. 791 00:33:12,390 --> 00:33:13,491 WANNA HUG ME-- YOU WANT THE COLD? 792 00:33:13,591 --> 00:33:14,692 - YES! - NO, I'M GONNA CHARGE YOU. 793 00:33:14,792 --> 00:33:15,727 I HAVE TO CHARGE YOU. 794 00:33:15,827 --> 00:33:17,662 YOU HAVE TO MAKE ME SOME FRIED CHICKEN TONIGHT. 795 00:33:17,762 --> 00:33:18,930 HEY, GIRLS. 796 00:33:19,030 --> 00:33:19,797 WHAT ARE YA'LL TALKIN' ABOUT? 797 00:33:19,897 --> 00:33:20,798 - YOU LOOK CUTE. - THANKS. 798 00:33:20,898 --> 00:33:22,734 I THINK I GOT SOME OF THE WETNESS ON ME. 799 00:33:22,834 --> 00:33:24,135 OOH, YOU LOOK LIKE YOU DON'T FEEL WELL. 800 00:33:24,235 --> 00:33:25,636 - IT IS KICKIN' MY BUTT. - SHE HAS THE FLU. 801 00:33:25,737 --> 00:33:28,139 - DANG. - I REALLY GOT THE FLU-- LIKE THE FLU. 802 00:33:28,239 --> 00:33:29,173 I'M JEALOUS. 803 00:33:29,273 --> 00:33:31,142 YOU KNOW WHY I'M SITTIN' SO CLOSE TO HER? 804 00:33:31,242 --> 00:33:33,411 TRINA JUST FLEW IN TO L.A. FROM TAMAR'S TOUR, 805 00:33:33,511 --> 00:33:35,380 AND SHE AND TOWANDA ARE VISITING ME. 806 00:33:35,480 --> 00:33:37,415 I'VE BEEN A LITTLE SWAMPED WITH WORKING ON THE BOOK 807 00:33:37,515 --> 00:33:39,550 AND THE TOUR WITH BABYFACE, AND I CAME DOWN WITH THE FLU, 808 00:33:39,650 --> 00:33:41,352 WHICH IS TERRIBLE-- THE TIMING SUCKS 809 00:33:41,452 --> 00:33:43,321 BECAUSE I HAVE SO MUCH WORK TO DO. 810 00:33:43,421 --> 00:33:45,556 MEAN, IF I COULD JUST GET FOOD POISONING FOR THREE DAYS, 811 00:33:45,656 --> 00:33:48,493 I WOULD LOSE LIKE 15 POUNDS. 812 00:33:48,593 --> 00:33:50,428 I COULD BREATHE ON YOU. 813 00:33:52,030 --> 00:33:53,598 - SHE MIGHT HAVE FLU BREATH. - I DO. 814 00:33:53,698 --> 00:33:55,600 - EW! - HUH? 815 00:33:55,700 --> 00:33:57,335 FLU BREATH! 816 00:34:00,104 --> 00:34:02,607 BUT I WAS HOLDIN'-- UM-UM. 817 00:34:02,707 --> 00:34:04,575 BUT IF YOU HOLD YOUR BREATH, IT'S NOT GONNA WORK 818 00:34:04,675 --> 00:34:05,843 CAUSE YOU HAVE TO INGEST IT. 819 00:34:05,943 --> 00:34:08,046 YOU HAVE TO... TAKE IT IN. 820 00:34:09,347 --> 00:34:10,448 WHAT DOES FLU BREATH SMELL LIKE? 821 00:34:10,548 --> 00:34:11,549 SICKLY? 822 00:34:11,649 --> 00:34:12,850 IT SMELLS LIKE SICK-- IT JUST SMELLS LIKE SICK. 823 00:34:12,950 --> 00:34:15,119 - YEAH, IT PROBABLY DO. - JUST EAT AN APPLE. 824 00:34:15,219 --> 00:34:18,256 WHAT'S IT SMELL LIKE, CINNAMON? 825 00:34:18,356 --> 00:34:21,793 - NO. - NO! 826 00:34:21,893 --> 00:34:23,628 THAT WAS CINNAMON. 827 00:34:23,728 --> 00:34:25,296 HOW HAS THE TOUR BEEN WITH TAMEY? 828 00:34:25,396 --> 00:34:29,467 IT'S VERY GOOD, IT'S GOOD, BUT IT'S VERY INTERESTING. 829 00:34:29,567 --> 00:34:31,636 - WHAT MAKES IT INTERESTING? - WHAT MAKE-- YEAH. 830 00:34:31,736 --> 00:34:33,337 UM, THE DYNAMICS OF TAMAR'S TOUR 831 00:34:33,438 --> 00:34:35,606 IS COMPLETELY DIFFERENT THAN THE DYNAMICS OF A TONI BRAXTON TOUR. 832 00:34:35,706 --> 00:34:37,008 WELL, WE'RE DIFFERENT PEOPLE. 833 00:34:37,108 --> 00:34:39,811 IT'S JUST THAT, YOU KNOW, TAMAR IS MORE FREE-SPIRITED LIKE ME. 834 00:34:39,911 --> 00:34:43,247 - WHAT AM I? - WHAT ARE YOU? 835 00:34:43,347 --> 00:34:46,017 - I'M FREE-SPIRITED. - WHEN? 836 00:34:46,117 --> 00:34:48,352 - I MEAN, EXPLAIN THAT. - SHE SAID, "WHEN." 837 00:34:48,453 --> 00:34:49,587 TONI, YOU ARE NOT FREE-SPIRITED. 838 00:34:49,687 --> 00:34:51,789 I AM FREE-SPIRITED-- EXPLAIN THAT. 839 00:34:51,889 --> 00:34:53,224 OLDER, MORE SEASONED. 840 00:34:53,324 --> 00:34:56,160 YOU BEEN ON TOUR 579,000 TIMES. 841 00:34:56,260 --> 00:34:58,096 TAMEY'S IS NEW ARTIST. 842 00:34:58,196 --> 00:34:59,464 YEAH, THIS-- IT'S HER FIRST TOUR. 843 00:34:59,564 --> 00:35:00,331 YOU KNOW WHAT I MEAN? 844 00:35:00,431 --> 00:35:01,466 SO, IT WAS JUST LIKE SHE-SHE'S-- 845 00:35:01,566 --> 00:35:05,236 WANTS TO BE MORE "KUMBAYA" THAN YOU WHEN YOU-- 846 00:35:05,336 --> 00:35:06,337 YOU CAN'T BE FRIENDS. 847 00:35:06,437 --> 00:35:07,605 YOU GOTTA-- YOU'RE IN A WORKING RELATIONSHIP. 848 00:35:07,705 --> 00:35:10,341 YOU CAN BE-- HAVE FRIENDLY MOMENTS AND BE COOL. 849 00:35:10,441 --> 00:35:11,943 BUT, YOU GOTTA BE THE BOSS. 850 00:35:12,043 --> 00:35:13,511 YEAH-- BUT, THE SHOW'S GOOD. 851 00:35:13,611 --> 00:35:14,779 YEAH, I HEARD THE SHOW'S GOOD. 852 00:35:14,879 --> 00:35:16,047 I CAN'T BELIEVE I MISSED IT. 853 00:35:16,147 --> 00:35:17,415 I WAS OUT WORKING, BUT I WISH I COULDA SEEN ONE. 854 00:35:17,515 --> 00:35:18,783 BUT, I WAS WATCHING HER ON YOUTUBE. 855 00:35:18,883 --> 00:35:20,318 WATCHING HER EVERY NIGHT. 856 00:35:20,418 --> 00:35:21,886 I AM A LITTLE BIT UPSET WITH MYSELF 857 00:35:21,986 --> 00:35:23,688 BECAUSE MY BABY SISTER'S ON TOUR, 858 00:35:23,788 --> 00:35:26,891 AND I HAVEN'T SEEN ONE DATE-- THAT'S NOT GOOD. 859 00:35:26,991 --> 00:35:30,528 UM, BUT I'VE BEEN WATCHING HER VIA THE INTERNET. 860 00:35:30,628 --> 00:35:31,729 SO, I'VE SEEN HER ON EVERYTHING, 861 00:35:31,829 --> 00:35:33,097 AND I'VE GIVEN HER LITTLE POINTERS. 862 00:35:33,197 --> 00:35:35,032 BUT, AS HER SISTER, I SHOULD'VE BEEN THERE. 863 00:35:35,133 --> 00:35:36,901 YOU KNOW MY SCHEDULE, BUT STILL NO EXCUSE 864 00:35:37,001 --> 00:35:39,270 'CAUSE I'M HER SISTER. 865 00:35:39,370 --> 00:35:41,272 MAYBE HER NEXT TOUR, SHE CAN TAKE ALL YOU GUYS OUT. 866 00:35:41,372 --> 00:35:43,040 THEN, SHE CAN LOOK TO HER LEFT, TO HER RIGHT, 867 00:35:43,141 --> 00:35:45,510 AND HAVE HER SISTERS. 868 00:35:45,610 --> 00:35:46,577 IT'D BE SO-- - YOU BEIN' FACETIOUS? 869 00:35:46,677 --> 00:35:48,179 NO, IT'S SUPPORT-- NO, IT IS A COMFORT 870 00:35:48,279 --> 00:35:49,780 WHEN YOU LOOK TO YOUR LEFT AND YOUR RIGHT, 871 00:35:49,881 --> 00:35:51,282 AND YOU HAVE FAMILY BEHIND YOU. 872 00:35:51,382 --> 00:35:54,785 I SUGGESTED TO TOWANDA AND TRINA THAT THEY GO ON TOUR WITH TAMAR 873 00:35:54,886 --> 00:35:56,787 AS HER BACKUP SINGERS, AND TOWANDA GAVE ME, 874 00:35:56,888 --> 00:35:58,122 LIKE, THIS STINK EYE. 875 00:35:58,222 --> 00:36:00,525 LIKE, IT'S OBVIOUS THAT SHE AND TAMAR ARE STILL 876 00:36:00,625 --> 00:36:02,460 A LITTLE BIT AT ODDS, AND THEY NEED TO WORK IT OUT, 877 00:36:02,560 --> 00:36:04,295 AND I HATE THAT THEY'RE NOT THERE YET. 878 00:36:04,395 --> 00:36:05,997 SOMETIMES, EVEN WITH ME, 'CAUSE I LOOK TO MY LEFT, 879 00:36:06,097 --> 00:36:07,098 LOOK TO MY RIGHT, IF I DON'T SEE MY SISTERS, I'M LIKE-- 880 00:36:07,198 --> 00:36:09,467 DO YOU KNOW WHAT'S HAPPENING, TRINA? 881 00:36:09,567 --> 00:36:11,736 YOU'RE TALKING SO FAST. - FAST! 882 00:36:11,836 --> 00:36:14,372 DO I REALLY? 883 00:36:14,472 --> 00:36:15,706 AND TAMAR'S GONNA- TAMAR'S GONNA-- 884 00:36:15,806 --> 00:36:18,109 WHAT THE F-- WHAT THE HELL-- WHAT ARE YOU SAYING? 885 00:36:18,209 --> 00:36:21,045 I HADN'T DRANK COFFEE IN SUCH A LONG TIME, 886 00:36:21,145 --> 00:36:22,880 AND I HAD A BIG CUP OF COFFEE TODAY, 887 00:36:22,980 --> 00:36:24,649 RIGHT BEFORE I GOT HERE. - WHY? 888 00:36:24,749 --> 00:36:26,083 YOU DON'T NEED COFFEE. - DON'T DO IT, EVER. 889 00:36:26,184 --> 00:36:27,251 UH-UH-- UH-UH. 890 00:36:27,351 --> 00:36:28,085 - NEVER. - REALLY? 891 00:36:28,186 --> 00:36:30,555 - I'M NO SHADE AT ALL. - THAT'S TRUE. 892 00:36:30,655 --> 00:36:31,589 NOW, I'M TALKIN' LIKE TAMAR. 893 00:36:31,689 --> 00:36:32,657 WHY YOU GOT ME TALKIN' LIKE TAMAR? 894 00:36:32,757 --> 00:36:33,691 I DON'T GIVE SHADE. 895 00:36:33,791 --> 00:36:34,926 TAMAR DID NOT CREATE SHADE. 896 00:36:35,026 --> 00:36:36,260 NO, BUT THAT'S HER WORD WITH US. 897 00:36:36,360 --> 00:36:37,662 YES. 898 00:36:37,762 --> 00:36:38,696 TALKIN' ABOUT-- REMEMBER WHEN SHE SAID 899 00:36:38,796 --> 00:36:39,931 THAT SHE WAS IN SHADE ANONYMOUS? 900 00:36:40,031 --> 00:36:42,033 SHE'S SO NOT-- SHE NEEDS TO GO BACK. 901 00:36:42,133 --> 00:36:43,134 AND I-AND I TOLD HER THAT. 902 00:36:43,234 --> 00:36:44,502 - SHE NEEDS TO GO BACK. - I-I MISSED THAT. 903 00:36:44,602 --> 00:36:45,570 WHAT HAPPENED? 904 00:36:45,670 --> 00:36:48,906 TAMAR IS SO NOT IN SHADE ANONYMOUS. 905 00:36:49,006 --> 00:36:53,644 WHAT I LEARNED IN MY SHADE FREE ANONYMOUS, 906 00:36:53,744 --> 00:36:56,514 IS THAT I'M SUPPOSED TO LISTEN TO THE WHOLE STORY, 907 00:36:56,614 --> 00:36:59,217 BECAUSE I WAS GETTIN' READY TO ASK YOU WHY YOU AIN'T ASK HIM-- 908 00:36:59,317 --> 00:37:00,585 WAS HE A QUEEN? 909 00:37:00,685 --> 00:37:02,153 MY SON IS NOT A QUEEN! 910 00:37:02,253 --> 00:37:06,591 ACTUALLY, IF SHE PUT HERSELF IN SHADE ANONYMOUS, 911 00:37:06,691 --> 00:37:08,993 SHE WOULDN'T BE SHADEY ANYMORE. 912 00:37:09,093 --> 00:37:11,395 SHE PRE-EMPTS HER CONVERSATIONS BY SAYING, 913 00:37:11,495 --> 00:37:14,031 "AND I DON'T MEAN NO SHADE, BECAUSE I WENT TO SHADE ANONYMOUS." 914 00:37:14,131 --> 00:37:16,200 BUT, SHE SAID "WHACK" WAS A GOOD WORD. 915 00:37:16,300 --> 00:37:17,468 - SHE SURE DID. - DIDN'T SHE? 916 00:37:17,568 --> 00:37:18,936 MM-HMM. 917 00:37:19,036 --> 00:37:20,037 NO, I DON'T THINK SAYIN' "WHACK," 918 00:37:20,137 --> 00:37:21,572 SOMETHING'S "WHACK," IS NEGATIVE-- NO, I DON'T. 919 00:37:21,672 --> 00:37:23,307 I THINK, IF-IF YOU SAY SOMETHING IS WHACK, 920 00:37:23,407 --> 00:37:24,475 IT'S AN OPINION. 921 00:37:24,575 --> 00:37:26,177 SOMETHING IS-- SAY-SAYING SOMETHING IS WHACK 922 00:37:26,277 --> 00:37:28,246 IS NOT SAYING YOUR HAIR IS NAPPY. 923 00:37:28,346 --> 00:37:29,647 IT'S NEGATIVE-- THAT'S A WHACK WEAVE. 924 00:37:29,747 --> 00:37:31,215 THAT'S NEGATIVE. - IT'S ALL HOW YOU TAKE IT. 925 00:37:31,315 --> 00:37:32,984 OH, SO NOW, PEOPLE FIGHT OVER THE WORD "WHACK," 926 00:37:33,084 --> 00:37:34,685 HASHTAG "WHACK?" 927 00:37:34,785 --> 00:37:36,254 STOP. 928 00:37:36,354 --> 00:37:37,588 YOU'RE LOOKIN' FOR SOMETHIN'. 929 00:37:37,688 --> 00:37:39,257 SO, WAS THE SHOW WHACK? 930 00:37:39,357 --> 00:37:41,092 WELL, YEAH, IN-IN-IN A GOOD SENSE. 931 00:37:41,192 --> 00:37:42,426 OOH, TAMAR-- WHAT IF I SAID TO TAMAR, 932 00:37:42,526 --> 00:37:44,829 "OOH, TAMAR, YOU SHOW WAS WHACK?" 933 00:37:44,929 --> 00:37:46,764 IT WAS WHACK-- THAT'S A GOOD THING, TAMAR. 934 00:37:46,864 --> 00:37:48,399 YOUR SHOW WAS WHACK-- I HAVE TO TELL HER THAT. 935 00:37:48,499 --> 00:37:50,801 PER TAMAR'S DEFINITION. 936 00:37:50,901 --> 00:37:52,470 TAMAR, I HEARD YOUR SHOW WAS WHACK. 937 00:37:52,570 --> 00:37:53,671 YOU WAS HIT-- YOU WAS KILLIN' IT. 938 00:37:53,771 --> 00:37:55,840 - WHAT YOU MEAN-- WHAT? - WHAT YOU MEAN? 939 00:37:55,940 --> 00:38:01,779 OOH, THAT'S SHHHHHADE. 940 00:38:03,681 --> 00:38:06,984 TAMAR, NO SHADE, BUT IF YOU LOOKED UP 941 00:38:07,084 --> 00:38:09,787 THE DEFINITION OF "WHACK" IN THE URBAN DICTIONARY, 942 00:38:09,887 --> 00:38:14,025 IT CLEARLY STATES THAT WHACK IS WHACK, 943 00:38:14,125 --> 00:38:18,429 JUST LIKE CRACK-- YOU'RE LOOKING UBER THIN. 944 00:38:18,529 --> 00:38:19,864 - I DO LOOK THIN? - THAT'S WHAT I'M SAYIN'. 945 00:38:19,964 --> 00:38:21,599 YOU HAVE TO UNDERSTAND SOMETHIN', TRINA. 946 00:38:21,699 --> 00:38:23,801 WHEN YOU LOSE WEIGHT, IT'S NOT ALL ABOUT THE POUNDS. 947 00:38:23,901 --> 00:38:25,036 IT'S ABOUT THE INCHES. - INCHES. 948 00:38:25,136 --> 00:38:26,070 - I LOST WEIGHT? - YES. 949 00:38:26,170 --> 00:38:27,605 THAT'S WHY I WANT THIS TYPE OF FLU. 950 00:38:27,705 --> 00:38:29,173 YOU KNOW, WHEN I FEEL DIZZY, I HAVE A CUBE OF CHEESE, 951 00:38:29,273 --> 00:38:31,275 AND IT GOES AWAY. - REALLY? 952 00:38:31,375 --> 00:38:33,344 I NEED TO BE TH-THIN, SO I CAN FIT IN ALL THE OUTFITS 953 00:38:33,444 --> 00:38:35,813 ON THE SHOW, ON THE TOUR. - YES! 954 00:38:35,913 --> 00:38:37,915 ARE YOU SUPER EXCITED? - YOU HAVE TO BE EXCITED. 955 00:38:38,015 --> 00:38:40,084 YOU KNOW, ROBERT GOT ME SOME REALLY CUTE COUTURE 956 00:38:40,184 --> 00:38:42,486 SAMPLE CLOTHES TO WEAR. - SEE? 957 00:38:42,586 --> 00:38:45,956 EXCUSE ME, I WOULD LIKE TO SAY THAT YOUR STYLIST IS THE BOMB. 958 00:38:46,057 --> 00:38:47,325 - ROBERT IS KILLING IT. - DOPE. 959 00:38:47,425 --> 00:38:50,094 SO, HE'S BEEN TEACHING ME SOME OF THE RULES OF FASHION 960 00:38:50,194 --> 00:38:52,430 PERTAINING TO YOUR BODY WEIGHT, AND SIZE, 961 00:38:52,530 --> 00:38:53,798 AND HEIGHT, AND THINGS LIKE THAT. 962 00:38:53,898 --> 00:38:56,734 - CAN HE GIVE US A CLASS? - MAYBE. 963 00:38:56,834 --> 00:38:57,868 YOU KNOW I NEED ONE. 964 00:38:57,968 --> 00:38:59,337 LET'S PUT TRINA THROUGH HIS LITTLE CLASS, 965 00:38:59,437 --> 00:39:00,705 A LITTLE-LITTLE CRASH COURSE. 966 00:39:00,805 --> 00:39:01,906 TRINA, YOU COULD USE A MAKEOVER. 967 00:39:02,006 --> 00:39:03,240 ALTHOUGH, TODAY, YOU DO LOOK CUTE, IN A PATRIOTIC WAY. 968 00:39:03,341 --> 00:39:06,177 I LIKE THE "CALL OF DUTY" OUTFIT, TRINA. 969 00:39:06,277 --> 00:39:08,145 I REALLY THINK IT'S CUTE. 970 00:39:08,245 --> 00:39:09,313 - THIS IS NOT-- - NO, NO SHADE. 971 00:39:09,413 --> 00:39:13,084 NO, I THINK THAT'S REALLY CUTE ON TRINA. 972 00:39:13,184 --> 00:39:16,454 NOW, SEE-- THAT'S REALLY CUTE TO ME. 75605

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