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These are the user uploaded subtitles that are being translated: 1 00:00:03,303 --> 00:00:05,105 IF YOU HAD TO WEAR A CORSET, 2 00:00:05,205 --> 00:00:06,406 WOULD YOU BE OPPOSED TO DOING THAT? 3 00:00:06,506 --> 00:00:07,707 OH, THAT'S NO PROBLEM. 4 00:00:07,807 --> 00:00:08,842 WE SHOULD'VE BROUGHT SOME OF THE OUTFITS. 5 00:00:08,942 --> 00:00:10,744 - THIS IS ABOUT MY COMPANY. - "MY COMPANY?" 6 00:00:10,844 --> 00:00:13,480 - IS-IS IT OUR COMPANY? - YES, IT IS. 7 00:00:13,580 --> 00:00:14,881 - DID YOU BUY MY ALBUM? - YES, I DID. 8 00:00:14,981 --> 00:00:16,116 EVERYBODY BUY-- TOWANDA, DID YOU BUY MY ALBUM? 9 00:00:16,216 --> 00:00:17,017 MMM-HMM. 10 00:00:17,117 --> 00:00:18,385 I DON'T KNOW WHAT I DID TO ANYBODY 11 00:00:18,485 --> 00:00:20,987 TO NOT EVEN GET A TEXT. 12 00:00:21,087 --> 00:00:23,156 TAMAR WAS THERE FOR YOU ON YOUR 40th BIRTHDAY! 13 00:00:23,256 --> 00:00:25,258 TOWANDA DOESN'T HAVE A PROBLEM. 14 00:00:25,358 --> 00:00:28,461 YOU WASN'T THERE FOR ME DURING HER SUCCESS STORY. 15 00:00:28,561 --> 00:00:30,730 SHE IS ALONE-- SHE FEELS ALONE. 16 00:00:30,830 --> 00:00:33,366 NOBODY WANTS TO COME A-AND-AND SUPPORT ME AND BE-- 17 00:00:33,466 --> 00:00:35,635 HOW MANY SHOWS HAVE YOU-- OF MINE YOU BEEN TO? 18 00:00:35,735 --> 00:00:37,537 HOW MANY SHOWS HAVE YOU BEEN TO OF MINE? 19 00:00:37,637 --> 00:00:39,472 NONE. 20 00:00:39,572 --> 00:00:42,842 ♪ WE ARE THE BRAXTONS AND YOU'LL SEE ♪ 21 00:00:42,942 --> 00:00:46,980 ♪ THAT WE ARE NOT LIKE AN ORDINARY FAMILY ♪ 22 00:00:47,080 --> 00:00:50,183 ♪ TONI TRACI TOWANDA TRINA TAMAR AND MISS E ♪ 23 00:00:50,283 --> 00:00:53,019 ♪ WILL TEACH YOU A THING OR TWO ♪ 24 00:00:53,119 --> 00:00:56,923 ♪ ON BRAXTON FAMILY VALUES ♪ 25 00:01:07,133 --> 00:01:09,169 - TRY NOT TO BE SO BOSSY. - WHO'S BEING BOSSY? 26 00:01:09,269 --> 00:01:10,537 WHAT'D I SAY? - YOU ARE. 27 00:01:10,637 --> 00:01:12,072 YOU'RE NOT THE BOSS OF EVERYTHING. 28 00:01:12,172 --> 00:01:14,674 - WELL, YOU LOOK BEAUTIFUL. - THANK YOU KINDLY. 29 00:01:14,774 --> 00:01:16,342 TRYING TO GET IN MY GOOD GRACES? 30 00:01:16,443 --> 00:01:18,378 AS ALWAYS-- YOU LOOK NICE, THOUGH. 31 00:01:18,478 --> 00:01:20,013 THAT'S DEFINITELY A GOOD COLOR ON YOU. 32 00:01:20,113 --> 00:01:21,781 WELL, THANK-- WHAT'S UP WITH THE COMPLIMENTS TODAY? 33 00:01:21,881 --> 00:01:24,918 YOU'RE VERY COMPLIMENTARY TODAY-- WHY IS THAT? 34 00:01:25,018 --> 00:01:26,586 WHAT-WHAT'S THE EYEBROWS FOR? 35 00:01:26,686 --> 00:01:27,587 I'M JUST PLAYIN'. 36 00:01:27,687 --> 00:01:29,222 CHILD, BAH. 37 00:01:29,322 --> 00:01:30,857 I AM AT THE BASEMENT TO PUT THE FINISHING TOUCHES 38 00:01:30,957 --> 00:01:32,292 ON MY "BAR CHIX" LAUNCH PARTY, 39 00:01:32,392 --> 00:01:35,562 AND I'VE BEEN BUSTING MY BUTT TO GET READY. 40 00:01:35,662 --> 00:01:38,598 AND THEN, GABE CALLED TO TELL ME HE WANTS TO HELP OUT. 41 00:01:38,698 --> 00:01:40,200 SO, WHAT ARE YOU GONNA DO TO HELP NOW, 42 00:01:40,300 --> 00:01:41,868 AFTER EVERYTHING'S ALREADY BEEN DONE? 43 00:01:41,968 --> 00:01:43,837 I DON'T KNOW-- MANHANDLE SOME STUFF. 44 00:01:43,937 --> 00:01:45,839 PICK UP ITEMS, MOVE THE BARS. 45 00:01:45,939 --> 00:01:48,441 I'LL DRESS UP AS HOWEVER YOU WANT ME TO DRESS UP. 46 00:01:48,541 --> 00:01:49,642 A BAR BOY. - LIKE ONE OF THE BAR BOYS? 47 00:01:49,742 --> 00:01:50,944 NO, YOU CANNOT BE ONE OF THE BAR BOYS. 48 00:01:51,044 --> 00:01:51,978 WHY? 49 00:01:52,078 --> 00:01:53,079 YOU'RE TOO OLD TO BE A BAR BOY. 50 00:01:53,179 --> 00:01:55,115 YOU HAVE GRAY HAIR. - NO, I DON'T-- I GOT IT DYED. 51 00:01:55,215 --> 00:01:56,549 WELL, YOUR COLORIST SHOULD BE FIRED, 52 00:01:56,649 --> 00:01:58,084 BECAUSE YOU HAVE GRAY HAIR. 53 00:01:58,184 --> 00:01:59,953 I FEEL LIKE I HAVE SOMETHING EXTRA TO PROVE 54 00:02:00,053 --> 00:02:01,521 WITH THIS LAUNCH PARTY, 55 00:02:01,621 --> 00:02:03,790 SINCE "BAR CHIX" WASN'T ABLE TO SERVE AT TOWANDA'S BIRTHDAY, 56 00:02:03,890 --> 00:02:07,127 AND GABE INSERTING HIMSELF IN MY BUSINESS AFFAIRS, AGAIN, 57 00:02:07,227 --> 00:02:09,095 MAKES ME EVEN MORE NERVOUS. 58 00:02:09,195 --> 00:02:10,296 - AS FAR AS THE PARTY-- - MMM-HMM. 59 00:02:10,396 --> 00:02:12,165 HAVE YOU, LIKE, MADE OUT AN OUTLINE ON, 60 00:02:12,265 --> 00:02:14,067 "OKAY, THIS IS HOW I SEE THE PARTY HAPPENING 61 00:02:14,167 --> 00:02:16,136 "THROUGHOUT THE EVENING?" - YES, I HAVE AN OUTLINE-- YES. 62 00:02:16,236 --> 00:02:17,470 DO YOU ALREADY HAVE THE RED CARPET? 63 00:02:17,570 --> 00:02:18,605 YES, WE HAVE THE RED CARPET. 64 00:02:18,705 --> 00:02:19,906 OKAY, 'CAUSE IT'S A RED CARPET EVENT, 65 00:02:20,006 --> 00:02:22,475 AND THERE'S NO RED CARPET. - BUT YOU CAN'T MICROMANAGE ME. 66 00:02:22,575 --> 00:02:23,977 WELL, YOU KNOW, AS-- MYSELF, 67 00:02:24,077 --> 00:02:26,179 AS THE CREATIVE DIRECTOR OF "BAR CHIX," 68 00:02:26,279 --> 00:02:28,448 I THINK WE NEED TO HAVE A SIT-DOWN WITH THESE GIRLS. 69 00:02:28,548 --> 00:02:29,849 - NO, YOU ARE NOT CREATIVE-- - AND DECIDE, 70 00:02:29,949 --> 00:02:31,084 "HEY, YOU KNOW WHAT? 71 00:02:31,184 --> 00:02:32,719 "THIS IS WHAT WE EXPECT FROM YOU THE NIGHT OF THE PARTY." 72 00:02:32,819 --> 00:02:34,120 DID YOU GIVE YOURSELF A TITLE? 73 00:02:34,220 --> 00:02:35,889 - YES, I DID. - NO! 74 00:02:35,989 --> 00:02:37,824 WE REALLY SHOULD MANAGE THESE GIRLS. 75 00:02:37,924 --> 00:02:39,125 - WHA-- - WE. 76 00:02:39,225 --> 00:02:40,593 - AS IN, YOU AND I? - YEAH. 77 00:02:40,693 --> 00:02:41,761 WE GOTTA MAKE SURE, YOU KNOW, 78 00:02:41,861 --> 00:02:43,596 WHENEVER THEY'RE IN THEIR LITTLE BUNNY OUTFITS-- 79 00:02:43,696 --> 00:02:44,797 - THEY'RE NOT BUNNY OUTFITS. - OKAY. 80 00:02:44,898 --> 00:02:46,366 WHAT ARE THEY CALLED, THEN? - THEY'RE WEARING CORSETS. 81 00:02:46,466 --> 00:02:47,867 CORSET OUTFITS, WE NEED TO, YOU KNOW, 82 00:02:47,967 --> 00:02:50,603 PUT 'EM IN A LINE AND BE LIKE, "OKAY, HOW DO YOU LOOK? 83 00:02:50,703 --> 00:02:52,805 "OKAY, GOOD." - I'LL DO THAT PART. 84 00:02:52,906 --> 00:02:55,308 - "PASS-- MOVE ON." - I'LL DO THE LOOKING-- 85 00:02:55,408 --> 00:02:56,676 I'LL DO THAT PART. 86 00:02:56,776 --> 00:02:59,078 GABE IS NOT GONNA BE IN CHARGE OF THE OUTFITS. 87 00:02:59,179 --> 00:03:01,848 HE IS SUCH A CONTROL FREAK AND A PERV. 88 00:03:01,948 --> 00:03:04,083 YOU WANT ME TO HAVE SEX WITH YOU, 89 00:03:04,184 --> 00:03:05,685 TO BE MY FINANCIAL CONSULTANT? - THAT'S WHAT YOU'RE SAYIN'. 90 00:03:05,785 --> 00:03:07,353 WHAT'S THE POINT OF GIVING PEOPLE IDEAS, 91 00:03:07,453 --> 00:03:09,289 IF THEY'RE NOT GONNA GIVE ME-- - I HAVE MY OWN IDEAS. 92 00:03:09,389 --> 00:03:10,890 I JUST NEED YOU TO KEEP THE BOOKS. 93 00:03:10,990 --> 00:03:12,458 THAT'S ALL I NEED YOU TO DO. 94 00:03:12,559 --> 00:03:15,028 - SO, IT'S JUST LIKE OPEN BAR? - YEAH, IT'S ALL OPEN BAR. 95 00:03:15,128 --> 00:03:16,729 AND YOU'RE HAVING FOOD THERE ALSO? 96 00:03:16,829 --> 00:03:18,631 YES, IT'S-- THERE'S A CHEF. 97 00:03:18,731 --> 00:03:20,600 THERE'S A DJ. - OOH, LORD! 98 00:03:20,700 --> 00:03:23,036 THIS IS GONNA BE EXPENSIVE. - YEAH, YES. 99 00:03:23,136 --> 00:03:25,071 CAN I BORROW $5,000? 100 00:03:25,171 --> 00:03:27,006 - WHAT? - YOU DIDN'T HEAR ME? 101 00:03:27,106 --> 00:03:28,741 I SAID, "CAN I BORROW $5,000?" 102 00:03:28,841 --> 00:03:30,610 - NO. - ARE YOU SERIOUS? 103 00:03:30,710 --> 00:03:33,146 YEAH, I'M-I'M-I'M SERIOUS-- I'M SPENT. 104 00:03:33,246 --> 00:03:34,547 BUT DON'T GIVE YOURSELF A TITLE, THEN. 105 00:03:34,647 --> 00:03:35,748 WHY? 106 00:03:35,848 --> 00:03:37,383 BECAUSE WE DON'T HAVE THE SAME INVESTMENT, 107 00:03:37,483 --> 00:03:40,053 'CAUSE I'VE INVESTED MY TIME, MY EFFORT, AND MY MONEY. 108 00:03:40,153 --> 00:03:43,223 AS WE ALL KNOW, GABE IS A LITTLE BIRD. 109 00:03:43,323 --> 00:03:45,091 CHEAP-CHEAP-CHEAP-CHEAP. 110 00:03:45,191 --> 00:03:47,060 AND IT LOOKS LIKE I'M NOT GETTING ANY MONEY 111 00:03:47,160 --> 00:03:50,196 FROM HIM TODAY, BUT I HAVE MY WAYS. 112 00:03:50,296 --> 00:03:52,098 LET'S GO GET SOMETHIN' TO EAT. - ALL RIGHT. 113 00:03:52,198 --> 00:03:54,000 WHAT YOU GETTIN' ME? - WHAT ARE YOU GETTING? 114 00:03:54,100 --> 00:03:55,835 YOU'RE BUYING-- I'M BROKE, REMEMBER? 115 00:03:55,935 --> 00:03:57,670 I JUST SPENT MY MONEY ON MY COMPANY. 116 00:04:10,550 --> 00:04:12,318 HI, GUYS-- HOW ARE YOU? 117 00:04:12,418 --> 00:04:14,120 I'M PERFORMING THE NATIONAL ANTHEM 118 00:04:14,220 --> 00:04:16,756 AT THE 30th ANNUAL BREEDERS' CUP CHAMPIONSHIP TODAY. 119 00:04:16,856 --> 00:04:18,024 YOU LOOK AMAZING. 120 00:04:18,124 --> 00:04:19,525 I'VE NEVER BEEN TO THIS EVENT BEFORE, 121 00:04:19,626 --> 00:04:21,394 SO I'M REALLY EXCITED TO BE HERE AND TO BE A PART OF IT. 122 00:04:28,301 --> 00:04:29,502 PEOPLE HAVE ASKED ME, 123 00:04:29,602 --> 00:04:31,938 DO I FEEL INTIMIDATED THAT I SING THE NATIONAL ANTHEM, 124 00:04:32,038 --> 00:04:33,906 BECAUSE IT'S AN ICONIC SONG? 125 00:04:34,007 --> 00:04:36,042 DOESN'T DO THAT FOR ME-- I ACTUALLY FEEL PROUD. 126 00:04:36,142 --> 00:04:37,810 BUT IT'S SOMETIMES NERVE-WRACKING 127 00:04:37,910 --> 00:04:40,313 BECAUSE YOU CAN FORGET THE LYRICS. 128 00:04:40,413 --> 00:04:44,584 ♪ OH SAY CAN YOU... S-SEE ♪ 129 00:04:44,684 --> 00:04:46,119 THAT'S NOT A GOOD LOOK. 130 00:05:04,971 --> 00:05:07,040 LADIES AND GENTLEMEN, AT THIS TIME, 131 00:05:07,140 --> 00:05:09,876 WE ASK YOU TO PLEASE RISE FOR THE NATIONAL ANTHEM. 132 00:05:09,976 --> 00:05:12,578 PLEASE WELCOME SIX-TIME GRAMMY AWARD WINNER, 133 00:05:12,679 --> 00:05:14,347 TONI BRAXTON. 134 00:05:16,416 --> 00:05:18,017 AS IF SINGING THE NATIONAL ANTHEM 135 00:05:18,117 --> 00:05:20,687 IN FRONT OF THOUSANDS OF PEOPLE WASN'T NERVE-WRACKING ENOUGH, 136 00:05:20,787 --> 00:05:22,388 THIS IS GOING TO BE TELEVISED 137 00:05:22,488 --> 00:05:24,157 FOR MILLIONS OF PEOPLE TO SEE, 138 00:05:24,257 --> 00:05:26,459 AND I JUST HOPE I GET IT RIGHT. 139 00:05:27,994 --> 00:05:31,698 ♪ OH SAY CAN YOU SEE ♪ 140 00:05:31,798 --> 00:05:36,302 ♪ BY THE DAWN'S EARLY LIGHT ♪ 141 00:05:36,402 --> 00:05:40,006 ♪ WHAT SO PROUDLY WE HAILED ♪ 142 00:05:40,106 --> 00:05:44,143 ♪ AT THE TWILIGHT'S LAST GLEAMING ♪ 143 00:05:44,243 --> 00:05:47,580 ♪ AND THE ROCKETS RED GLARE ♪ 144 00:05:47,680 --> 00:05:50,917 ♪ THE BOMBS BURSTING IN AIR ♪ 145 00:05:51,017 --> 00:05:54,554 ♪ GAVE PROOF THROUGH THE NIGHT ♪ 146 00:05:54,654 --> 00:05:58,491 ♪ THAT OUR FLAG WAS STILL THERE ♪ 147 00:05:58,591 --> 00:06:05,331 ♪ OH SAY DOES THAT STAR-SPANGLED BANNER ♪ 148 00:06:05,431 --> 00:06:08,935 ♪ YET WAVE ♪ 149 00:06:09,035 --> 00:06:16,209 ♪ O'ER THE LAND OF THE FREE ♪ 150 00:06:16,309 --> 00:06:22,582 ♪ AND THE HOME OF THE BRAVE ♪ 151 00:06:30,890 --> 00:06:32,425 I DID IT-- I MADE IT THROUGH, 152 00:06:32,525 --> 00:06:34,227 I REMEMBERED ALL THE WORDS, 153 00:06:34,327 --> 00:06:35,895 AND IT'S ALWAYS A REALLY MOVING EXPERIENCE 154 00:06:35,995 --> 00:06:37,430 TO BE SINGING THE NATIONAL ANTHEM. 155 00:06:37,530 --> 00:06:38,931 BUT, NOW THAT IT'S OVER, 156 00:06:39,031 --> 00:06:40,600 I'M REALIZING IT'S REALLY HOT OUT HERE, 157 00:06:40,700 --> 00:06:42,502 AND I NEED TO GET OUT OF THE SUN. 158 00:06:42,602 --> 00:06:44,904 WE'LL GET YOU INTO A NICE, COOL CAR. 159 00:06:45,004 --> 00:06:46,973 - WHERE IS IT AT? - RIGHT HERE. 160 00:07:01,287 --> 00:07:02,855 - HEY, CLIFFY-CLIFF. - HEY! 161 00:07:02,955 --> 00:07:04,157 WHAT'S UP, BOO? - OH, NOTHING. 162 00:07:04,257 --> 00:07:06,058 TRYING TO STAY THE HELL OUT OF TROUBLE. 163 00:07:06,159 --> 00:07:07,226 IT'S NOT WORKIN'. 164 00:07:07,326 --> 00:07:08,428 MY MANAGER, CLIFF, 165 00:07:08,528 --> 00:07:11,464 CALLED ME IN FOR A MEETING ABOUT MY SOLO ALBUM. 166 00:07:11,564 --> 00:07:13,232 MY FANS, THE TRAY-BIRDS, 167 00:07:13,332 --> 00:07:15,101 HAVE BEEN DEMANDING THIS FROM ME. 168 00:07:15,201 --> 00:07:17,737 SO, WHY NOT DO IT? 169 00:07:17,837 --> 00:07:20,373 - SO, I'M EXCITED... - ME, TOO. 170 00:07:20,473 --> 00:07:23,676 THAT YOU HAVE DECIDED TO DO WHAT YOU'VE BEEN DOIN' 171 00:07:23,776 --> 00:07:26,179 FOR A LIFETIME. 172 00:07:26,279 --> 00:07:27,747 YOU CAN DEFINITELY GET IN THE STUDIO. 173 00:07:27,847 --> 00:07:29,382 I MEAN, JUST A FEW MONTHS AGO, 174 00:07:29,482 --> 00:07:30,817 YOU WERE JUST IN THERE PLAYIN' AROUND. 175 00:07:30,917 --> 00:07:32,452 THIS WAS FOR YOUR RADIO SHOW. - YEAH. 176 00:07:32,552 --> 00:07:34,153 AND I'M LIKE, "WAIT A MINUTE. 177 00:07:34,253 --> 00:07:35,721 "YOU SHOULD BE SINGIN', TRACI." 178 00:07:35,822 --> 00:07:37,623 YOU LIKE, AH-AH-AH-AH. - THANK YOU. 179 00:07:37,723 --> 00:07:39,225 THANK YOU. - I'M LIKE-- NO, SERIOUSLY. 180 00:07:39,325 --> 00:07:41,394 I MEAN, REALLY, YOU SHOULD BE-- 181 00:07:41,494 --> 00:07:43,896 YOU SHOULD HAVE A CAREER JUST LIKE EVERYBODY ELSE'S. 182 00:07:43,996 --> 00:07:46,732 ESPECIALLY WITH THE SUCCESS THAT TONI HAS HAD, 183 00:07:46,833 --> 00:07:48,901 AND TAMAR'S HAVING NOW, YOU KNOW, 184 00:07:49,001 --> 00:07:52,405 IT'S ONLY RIGHT FOR YOU TO COME AND FEED RIGHT OFF OF THAT. 185 00:07:52,505 --> 00:07:54,574 YOU ALL SOUND ALIKE, YOU KNOW, SO-- 186 00:07:54,674 --> 00:07:57,076 - WE SHARE THE SAME DNA. - YOU SHARE THE-- 187 00:07:57,176 --> 00:08:00,680 YOU SHARE THE SAME DNA-- YOU DO SHARE THE SAME DNA. 188 00:08:00,780 --> 00:08:02,181 I KNOW, 'CAUSE EVERYBODY'S LIKE, 189 00:08:02,281 --> 00:08:03,749 "WELL, CAN YOU SOUND LIKE TONI? 190 00:08:03,850 --> 00:08:06,152 "CAN YOU SING LIKE TONI-- CAN YOU SING LIKE TAMAR?" 191 00:08:06,252 --> 00:08:08,120 SO MANY TIMES-- - RIGHT, RIGHT. 192 00:08:08,221 --> 00:08:10,623 YOU KNOW, SO, I JUST WANNA BE A INDIVIDUAL. 193 00:08:10,723 --> 00:08:11,858 SO... - RIGHT. 194 00:08:11,958 --> 00:08:13,659 YOU KNOW, YOU DON'T HAVE TO BE LIKE YOUR SISTERS. 195 00:08:13,759 --> 00:08:16,128 YOU ALL HAVE THAT BRAXTON SOUND, 196 00:08:16,229 --> 00:08:17,697 WHICH IS GOOD, YOU KNOW WHAT I MEAN? 197 00:08:17,797 --> 00:08:19,565 WE JUST NEED TO IMPLEMENT IT FOR YOU. 198 00:08:21,767 --> 00:08:23,503 YOUR OWN IMAGE, YOU KNOW WHAT I'M SAYIN'? 199 00:08:23,603 --> 00:08:27,406 DON'T BE AFRAID O-OF WHAT YOU HAVE TO PRESENT. 200 00:08:27,507 --> 00:08:29,208 DON'T BE AFRAID. 201 00:08:29,308 --> 00:08:31,310 IT FEELS A LITTLE SCARY, ME BEING OUT ON MY OWN, 202 00:08:31,410 --> 00:08:33,346 BUT I'LL TELL YOU THIS-- 203 00:08:33,446 --> 00:08:37,617 TRACI IS GONNA BUST THE WORLD WIDE OPEN. 204 00:08:37,717 --> 00:08:39,452 WHAT DO YOU THINK MY IMAGE SHOULD BE? 205 00:08:39,552 --> 00:08:41,521 I DON'T WANNA BE TOO TEENY-BOPPISH 206 00:08:41,621 --> 00:08:43,589 AND TOO GROWN. - I THINK-I THINK 207 00:08:43,689 --> 00:08:46,626 THE IMAGE SHOULD BE EXACTLY WHAT YOU'RE PORTRAYIN' NOW. 208 00:08:46,726 --> 00:08:49,128 YOU KNOW, A BEAUTIFUL, BLACK WOMAN. 209 00:08:49,228 --> 00:08:51,397 WE WANNA HAVE SOME SEX APPEAL. - OKAY. 210 00:08:51,497 --> 00:08:53,199 WE DON'T WANNA LOOK LIKE NO CHURCH GIRL. 211 00:08:53,299 --> 00:08:54,901 - NO. - YOU KNOW, WE WANT-WE DO-- 212 00:08:55,001 --> 00:08:56,536 I AM NOT GONNA BE UP IN NOBODY'S CHOIR, 213 00:08:56,636 --> 00:08:58,938 SINGIN' AND EVERYTHING-- WE'RE NOT DOIN' THAT. 214 00:08:59,038 --> 00:09:01,173 ♪ HALLELUJAH ♪ 215 00:09:01,274 --> 00:09:02,875 ♪ OOH OOH OOH ♪ 216 00:09:02,975 --> 00:09:04,777 I AIN'T DOIN' THAT! 217 00:09:04,877 --> 00:09:06,479 WITH MY FINGER UP LIKE THIS. 218 00:09:06,579 --> 00:09:08,114 WE'RE NOT DOIN' THAT. - NO, NO, NO. 219 00:09:22,094 --> 00:09:24,063 I DON'T-I DON'T THINK I WANT ANYTHING TO EAT. 220 00:09:24,163 --> 00:09:27,800 WHO IN THE HELL GOT THE AFRICAN DRUMS DOWN THERE? 221 00:09:27,900 --> 00:09:29,569 IT'S PROBABLY YOUR TRAINER. 222 00:09:32,638 --> 00:09:34,740 HE'S COMIN' TO GET ME! 223 00:09:34,840 --> 00:09:36,909 TAMAR HAPPENS TO BE DRIVING THROUGH TOWN, 224 00:09:37,009 --> 00:09:38,511 ON HER WAY TO HER NEXT TOUR DATE, 225 00:09:38,611 --> 00:09:40,846 SO WE ALL DECIDED TO GET TOGETHER FOR SISTER DRINKS, 226 00:09:40,947 --> 00:09:42,481 EVEN TOWANDA. 227 00:09:42,582 --> 00:09:44,984 AND I HAVE SO MUCH GOING ON WITH MY "BAR CHIX" PARTY, 228 00:09:45,084 --> 00:09:47,453 BUT I CAN ALWAYS MAKE TIME FOR MY SISTERS. 229 00:09:47,553 --> 00:09:49,422 HOW-HOW LONG WOULD IT TAKE FOR YOU TO BRING ME 230 00:09:49,522 --> 00:09:51,223 THAT APPLE MARTINI? 231 00:09:51,324 --> 00:09:52,692 UH, I'LL GET IT RIGHT AWAY FOR YOU. 232 00:09:52,792 --> 00:09:54,093 I HAVEN'T HAD ALCOHOL IN A WHILE, 233 00:09:54,193 --> 00:09:55,361 BUT I'M-I'M GONNA HAVE A COCKTAIL. 234 00:09:55,461 --> 00:09:56,796 I'M GONNA HAVE A TOAST WITH MY SISTERS. 235 00:09:56,896 --> 00:09:57,997 I'M NOT SUPPOSED TO DRINK NO MORE. 236 00:09:58,097 --> 00:09:59,532 YEAH! 237 00:09:59,632 --> 00:10:01,067 TOWANDA, WHAT MADE YOU CUT YOUR HAIR? 238 00:10:01,167 --> 00:10:03,135 I AIN'T SEEN YOU IN A MONTH OF SUNDAYS. 239 00:10:03,235 --> 00:10:05,271 - YOU DON'T LIKE MY HAIR? - I DIDN'T SAY I DIDN'T LIKE IT. 240 00:10:05,371 --> 00:10:06,973 I SAID, "WHAT MADE YOU CUT IT?" 241 00:10:07,073 --> 00:10:09,875 WELL, I'M JUST TRYIN' TO CHANGE UP A LITTLE BIT. 242 00:10:09,976 --> 00:10:11,344 - DO YOU LIKE IT? - I DO. 243 00:10:11,444 --> 00:10:13,045 - IS IT EASY? - SORTA. 244 00:10:13,145 --> 00:10:15,281 THE RELATIONSHIP WITH MY SISTERS 245 00:10:15,381 --> 00:10:17,249 HAS GOTTEN A LITTLE BETTER. 246 00:10:17,350 --> 00:10:19,285 TONI AND I TALK ALL THE TIME. 247 00:10:19,385 --> 00:10:21,253 TRINA AND I TALK ALL THE TIME. 248 00:10:21,354 --> 00:10:22,989 AND, YOU KNOW, WE'RE STILL PRAYIN' AND BELIEVIN' 249 00:10:23,089 --> 00:10:24,523 ON TOWANDA AND TRACI, HONEY. 250 00:10:24,624 --> 00:10:25,958 PRAYER CHANGES THINGS. 251 00:10:26,058 --> 00:10:28,494 THAT'S ALL I GOT TO SAY ABOUT IT, YOU KNOW? 252 00:10:28,594 --> 00:10:30,930 I KNOW-I KNOW WE'RE HERE IN ATLANTA, RIGHT? 253 00:10:31,030 --> 00:10:33,566 BUT CAN I GET YOU GUYS TO-TO COME OUT ON THE ROAD 254 00:10:33,666 --> 00:10:35,768 FOR, LIKE, A DAY OR TWO? 255 00:10:38,437 --> 00:10:40,373 Y'ALL THAT BOOKED? 256 00:10:42,341 --> 00:10:44,677 COMING UP, ON "BRAXTON FAMILY VALUES"... 257 00:10:44,777 --> 00:10:46,245 - TRAY-TRAY-TRAY. - HUH? 258 00:10:46,345 --> 00:10:48,414 YOUR TIMIN' IS OFF AND YOU'RE A LITTLE FLAT, BABY. 259 00:10:49,915 --> 00:10:51,450 Y'ALL MAKE ME FEEL LIKE Y'ALL DON'T DAMN WANNA GO. 260 00:10:51,550 --> 00:10:52,818 THAT HURT MY FEELINGS. 261 00:10:54,954 --> 00:10:56,856 CAN I GET YOU GUYS TO-TO COME OUT ON THE ROAD 262 00:10:56,956 --> 00:10:59,191 FOR, LIKE, A DAY OR TWO? 263 00:11:01,727 --> 00:11:04,463 Y'ALL THAT BOOKED? 264 00:11:04,563 --> 00:11:06,465 I'LL COME. 265 00:11:06,565 --> 00:11:08,200 - WHEN? - I'M ON TOUR. 266 00:11:08,300 --> 00:11:10,636 I'M ON TOUR 'TIL, LIKE, YOU KNOW, FOR A COUPLE MONTHS. 267 00:11:10,736 --> 00:11:12,571 LIKE, CAN I GET YOU GUYS TO COME OUT FOR, LIKE, 268 00:11:12,672 --> 00:11:14,707 A DAY OR TWO, LIKE, TO, YOU KNOW, 269 00:11:14,807 --> 00:11:17,143 KICK IT FOR, LIKE, A DAY OR TWO? 270 00:11:17,243 --> 00:11:19,311 I'M REALLY TRYING TO BE COOL RIGHT NOW, 271 00:11:19,412 --> 00:11:22,481 BUT THIS IS TYPICAL TAMAR, OKAY? 272 00:11:22,581 --> 00:11:25,518 SHE EXPECTS EVERYBODY TO DROP WHAT THEY'RE DOING 273 00:11:25,618 --> 00:11:27,720 AND FOLLOW HER AROUND THE COUNTRY. 274 00:11:27,820 --> 00:11:29,555 I MEAN, WE HAVE LIVES, TOO. 275 00:11:29,655 --> 00:11:32,024 WE ARE ALL TRYING TO REPAIR THE SISTERHOOD THAT WE HAVE, 276 00:11:32,124 --> 00:11:33,793 THAT'S BEEN BROKEN, 277 00:11:33,893 --> 00:11:36,128 BUT I CAN SEE THAT TAMAR IS USING THIS 278 00:11:36,228 --> 00:11:40,700 AS ANOTHER EXAMPLE OF HOW WE'RE NOT THERE FOR HER. 279 00:11:40,800 --> 00:11:42,535 I'M INTERESTED, BUT I CAN'T. 280 00:11:42,635 --> 00:11:44,603 NOT RIGHT NOW. - I CAN GO. 281 00:11:44,704 --> 00:11:46,372 JUST, CAN YOU GIVE US YOUR-- CAN WE GET YOUR TOUR DATES? 282 00:11:46,472 --> 00:11:47,840 WE DON'T EVEN KNOW ANY OF YOUR TOUR DATES. 283 00:11:47,940 --> 00:11:49,341 WE DON'T KNOW ANYTHING. 284 00:11:49,442 --> 00:11:50,409 I DON'T EVEN KNOW WHAT DAY IT IS. 285 00:11:50,509 --> 00:11:52,078 EVERY DAY IS MONDAY, 286 00:11:52,178 --> 00:11:55,247 'CAUSE IT DOESN'T MATTER WHAT DAY OF THE WEEK IT IS. 287 00:11:55,347 --> 00:11:58,017 LOGAN BEING ON THE ROAD, VINCE BEING ON THE ROAD. 288 00:11:58,117 --> 00:11:59,285 BLESSED THAT I HAVE THEM, 289 00:11:59,385 --> 00:12:01,420 BUT YOU GOTTA HAVE AN OUTLET FROM BEING A MAMA, 290 00:12:01,520 --> 00:12:04,390 FROM BEING A PERFORMER, BEING A WIFE. 291 00:12:04,490 --> 00:12:07,126 YOU KINDA HAVE TO HAVE THAT GIRLFRIEND MOMENT. 292 00:12:07,226 --> 00:12:08,561 ALL YOU CAN DO, IS YOUR PART. 293 00:12:08,661 --> 00:12:09,762 YOU INVITE PEOPLE. 294 00:12:09,862 --> 00:12:12,131 IF THEY COME, THEY COME-- IF THEY DON'T, THEY DON'T. 295 00:12:12,231 --> 00:12:15,801 YOU CAN'T MAKE PEOPLE ISSUES YOURS. 296 00:12:15,901 --> 00:12:17,369 WELL, TRACI, YOU SHOULD HAVE TIME, 297 00:12:17,470 --> 00:12:19,872 'CAUSE YOUR RADIO SHOW IS UNDER CONSTRUCTION RIGHT NOW. 298 00:12:19,972 --> 00:12:23,909 NO, BUT TRACI IS WORKING ON HER ALBUM RIGHT NOW. 299 00:12:24,009 --> 00:12:25,945 OH, WHEN IS IT COMING OUT? 300 00:12:26,045 --> 00:12:27,947 OH, THAT'S GREAT. - NEXT YEAR. 301 00:12:28,047 --> 00:12:30,149 - DO YOU HAVE A RELEASE DATE? - NOT YET. 302 00:12:30,249 --> 00:12:32,585 WELL, THEN YOU CAN COME OUT FOR TWO DAYS, 303 00:12:32,685 --> 00:12:34,153 IF YOU AIN'T GOT NO RELEASE DATE! 304 00:12:34,253 --> 00:12:35,755 NO, I CAN'T-- NO, I CAN'T. 305 00:12:35,855 --> 00:12:38,157 - YES, YOU CAN. - NO, NO. 306 00:12:38,257 --> 00:12:40,493 WHAT'S GOIN' WIT' YOU, TRINA? 307 00:12:40,593 --> 00:12:42,128 WELL, I'M WORKING ON "BAR CHIX." 308 00:12:42,228 --> 00:12:44,163 I'M WORKING ON BEING A SUCCESSFUL MOTHER 309 00:12:44,263 --> 00:12:45,598 BECAUSE ERIC IS ACTIN' A FOOL. 310 00:12:45,698 --> 00:12:46,966 TOWANDA WAS THERE. 311 00:12:47,066 --> 00:12:48,067 WE WENT OUT TO DINNER THE OTHER NIGHT. 312 00:12:48,167 --> 00:12:49,335 HE HAD FOUNDATION ON HIS NOSE. 313 00:12:49,435 --> 00:12:51,337 - MMM-HMM. - OKAY, WAIT A MINUTE. 314 00:12:51,437 --> 00:12:53,305 HOLD ON-- STOP THE PRESS. 315 00:12:53,405 --> 00:12:54,874 HE HAD-- - LORD JESUS, THANK YOU. 316 00:12:54,974 --> 00:12:56,275 I ORDERED THIS. 317 00:12:56,375 --> 00:12:59,345 OH, THANK YOU, LORD, 'CAUSE YOU KNOW WHAT I NEED. 318 00:12:59,445 --> 00:13:01,547 I'M WORKIN' ON MY FILTER. - TOWANDA-- 319 00:13:01,647 --> 00:13:03,916 - PUT A CAP IN IT, LORD. - HE HAD WHAT ON HIS NOSE? 320 00:13:04,016 --> 00:13:07,353 - FOUNDATION AND-AND POWDER. - PUT A CAP IN IT. 321 00:13:07,453 --> 00:13:09,188 SOMEBODY GAVE THAT TO HIM AND TOLD HIM TO DO THAT? 322 00:13:09,288 --> 00:13:11,023 HE BOUGHT IT HIMSELF. 323 00:13:13,058 --> 00:13:15,127 - WHAT-- OOH-OOH! - NO, NO, NO, NO. 324 00:13:15,227 --> 00:13:16,462 WAIT A MINUTE-- FIRST OF ALL, 325 00:13:16,562 --> 00:13:18,230 I'M GLAD TAMAR IS HOLDING BACK. - HOLD UP, HOLD UP-- UH-UH. 326 00:13:18,330 --> 00:13:19,999 NO, NO, NO. - LOOK AT TAMAR. 327 00:13:20,099 --> 00:13:21,867 TAMAR SAYS NOTHING. - NO, NO, NO. 328 00:13:21,967 --> 00:13:24,670 HOW YOU GONNA HOLD BACK NOW? 329 00:13:28,607 --> 00:13:30,810 TAMAR, COME BACK! 330 00:13:30,910 --> 00:13:33,179 OH, MY GOD! 331 00:13:33,279 --> 00:13:36,749 TRINA, I CAN ONLY COME BACK IF-IF I'M ALLOWED TO-TO TALK. 332 00:13:36,849 --> 00:13:38,350 YEAH, COME ON-- YOU CAN SAY WHAT YOU WANNA SAY. 333 00:13:38,450 --> 00:13:40,452 COME ON. - PLEASE, . 334 00:13:40,553 --> 00:13:42,855 PLEASE, SAY SOMETHIN'. - SIT DOWN. 335 00:13:42,955 --> 00:13:44,990 PLEASE SAY IT. 336 00:13:45,090 --> 00:13:46,992 I'D RATHER BE FRIENDS. 337 00:13:49,261 --> 00:13:51,630 YOU CAN FEEL FREE TO SAY IT-- FEEL FREE. 338 00:13:51,730 --> 00:13:56,302 WHAT I LEARNED IN MY SHADE-FREE ANONYMOUS, 339 00:13:56,402 --> 00:13:59,104 IS THAT I'M SUPPOSED TO LISTEN TO THE WHOLE STORY. 340 00:13:59,205 --> 00:14:02,274 - THAT'S THE WHOLE STORY. - NO, IT'S NOT. 341 00:14:02,374 --> 00:14:05,444 I SAID, "WHY, PRAY TELL, 342 00:14:05,544 --> 00:14:08,681 "ARE YOU WEARING FOUNDATION, SON?" 343 00:14:08,781 --> 00:14:11,650 THAT'S ALL YOU SAID? 344 00:14:14,320 --> 00:14:16,222 OH, MY GOD! 345 00:14:16,322 --> 00:14:19,792 "SON, I HAVE THIS SCRUB FOR YOU TO USE, 346 00:14:19,892 --> 00:14:23,495 "FOR YOU TO WASH YOUR FACE IN, IN THE MORNINGS AND AT NIGHT, 347 00:14:23,596 --> 00:14:27,199 "AND IT WILL CLEAR UP YOUR BLEMISHES." 348 00:14:27,299 --> 00:14:28,968 OH, SO HE'S FEELING INSECURE ABOUT HIS SKIN? 349 00:14:29,068 --> 00:14:30,769 - YES. - OH, YOU KNOW WHAT? 350 00:14:30,870 --> 00:14:32,504 OH! - HE'S ON PROACTIVE. 351 00:14:32,605 --> 00:14:33,906 NOW, SEE-NOW THIS CONVERSATION 352 00:14:34,006 --> 00:14:35,407 COULD'VE WENT ANOTHER WAY. 353 00:14:35,507 --> 00:14:38,143 SEE, I'M GL-- AIN'T YOU GLAD I'M SHADE-FREE? 354 00:14:38,244 --> 00:14:40,813 AIN'T YOU GLAD I'M SHADE-FREE, GIRL? 355 00:14:40,913 --> 00:14:43,015 - I'M GLAD YOU'RE SHADE-FREE. - 'CAUSE MY SHADE-MY SHADE-- 356 00:14:43,115 --> 00:14:45,851 I'M TELLING YA, MY-MY SHADE WAS TRYIN' TO TAKE OVER MY BODY. 357 00:14:45,951 --> 00:14:47,953 I'M GLAD IT DIDN'T TAKE OVER YOUR BODY. 358 00:14:50,055 --> 00:14:51,624 BECAUSE I WAS GETTIN' READY TO ASK YOU, 359 00:14:51,724 --> 00:14:54,159 WHY YOU AIN'T ASK HIM, WAS HE A QUEEN? 360 00:14:54,260 --> 00:14:56,395 - MY SON IS NOT A QUEEN! - NO SHADE. 361 00:14:56,495 --> 00:14:57,796 TRINA, I'M TELLING YOU-- - THERE WAS NO SHADE. 362 00:14:57,897 --> 00:14:59,064 - TRINA, NO-- - THAT WAS NO SHADE THERE. 363 00:14:59,164 --> 00:15:00,733 THERE'S NONE RIGHT THERE. - I PROMISE YOU-I PROMISE YOU, 364 00:15:00,833 --> 00:15:03,435 I AM DONE WITH SHADE. 365 00:15:03,535 --> 00:15:07,539 WELL, LET'S TOAST FOR TAMAR HAVIN' NO SHADE, 366 00:15:07,640 --> 00:15:09,842 BECAUSE-- - AND WE SHOULD GO ON A TRIP, 367 00:15:09,942 --> 00:15:11,710 SO I CAN SHARE MY SHADE FREEDOM 368 00:15:11,810 --> 00:15:13,579 WITH MY SISTERS. - OKAY. 369 00:15:13,679 --> 00:15:15,381 Y'ALL MAKE ME FEEL LIKE Y'ALL DON'T DAMN WANNA GO. 370 00:15:15,481 --> 00:15:16,982 THAT HURT MY FEELINGS-- CLINK-CLINK-CLINK. 371 00:15:17,082 --> 00:15:18,751 TAMAR, STOP BEIN' IN YOUR FEELINGS RIGHT NOW, PLEASE? 372 00:15:18,851 --> 00:15:20,786 - NO-NO, I'M SERIOUS. - I'M SERIOUS, TOO. 373 00:15:20,886 --> 00:15:22,187 NO, DON'T BE IN YOUR FEELINGS. 374 00:15:22,288 --> 00:15:25,090 READY, CLANK-- COME ON, CLANK-CLANK, PLEASE. 375 00:15:25,190 --> 00:15:26,625 DON'T BE IN YOUR FEELINGS RIGHT NOW-- NOT RIGHT NOW. 376 00:15:26,725 --> 00:15:28,260 NOT RIGHT NOW, NOT RIGHT NOW, NOT RIGHT NOW, NOT RIGHT NOW. 377 00:15:28,360 --> 00:15:29,828 - CLANK-CLANK-CLANK. - TO, HOPEFULLY, 378 00:15:29,929 --> 00:15:31,697 A SISTER TRIP COMING SOON! 379 00:15:31,797 --> 00:15:34,466 CLANK-CLANK-CLANK-CLANK- CLANK-CLANK-CLANK-CLANK. 380 00:15:34,566 --> 00:15:35,601 ON TOUR WITH ME, 'CAUSE I CAN'T. 381 00:15:35,701 --> 00:15:37,603 I'M BOOKED. 382 00:15:54,820 --> 00:15:56,655 HEY, YOU CHECKIN' YOUR DAMN CLOCK? 383 00:15:56,755 --> 00:15:58,023 I'M EARLY! - OH, OKAY. 384 00:15:58,123 --> 00:15:59,591 I AM SO EXCITED. 385 00:15:59,692 --> 00:16:01,427 I'M LAYING DOWN MY VOCALS TODAY 386 00:16:01,527 --> 00:16:03,562 FOR THE FIRST TRACK ON MY ALBUM. 387 00:16:03,662 --> 00:16:06,198 I JUST FLEW IN FROM ATLANTA, SO I'M A LITTLE TIRED, 388 00:16:06,298 --> 00:16:08,934 BUT I'M READY AND WILLING, HONEY. 389 00:16:09,034 --> 00:16:11,236 - SO, WHAT'S GOIN' ON? - NOTHING. 390 00:16:11,337 --> 00:16:13,772 JUST READY TO BE UP IN THE STUDIO AND SING. 391 00:16:13,872 --> 00:16:15,641 - WE'RE GLAD YOU'RE HERE. - THANK YOU. 392 00:16:15,741 --> 00:16:17,409 WE HAVE A GREAT RECORD FOR YOU. 393 00:16:17,509 --> 00:16:19,011 IT'S A SONG CALLED "LAST CALL." 394 00:16:19,111 --> 00:16:20,779 HAVE YOU HAD A CHANCE TO LISTEN TO IT? 395 00:16:20,879 --> 00:16:23,382 I KNOW-- I THINK CLIFF SENT IT TO YOU. 396 00:16:23,482 --> 00:16:25,017 UH-OH. 397 00:16:25,117 --> 00:16:27,052 WELL, NOT REALLY. 398 00:16:27,152 --> 00:16:28,420 SO, LET'S GET YOU IN THE BOOTH, 399 00:16:28,520 --> 00:16:29,989 AND LET'S GET STARTED. - OKAY. 400 00:16:30,089 --> 00:16:31,657 I FEEL A LITTLE GUILTY 401 00:16:31,757 --> 00:16:33,792 BECAUSE I HAVEN'T DONE ANY OF MY HOMEWORK ON THIS TRACK. 402 00:16:33,892 --> 00:16:35,961 I WAS SO BUSY WITH MY RADIO SHOW, 403 00:16:36,061 --> 00:16:38,197 AND THEN TRYING TO MEND MY SISTERSHIP. 404 00:16:38,297 --> 00:16:42,034 AND NOW, THE PRODUCERS CAUGHT ME WITH MY PANTS 405 00:16:42,134 --> 00:16:45,404 ALL THE WAY DOWN, BUT I HAD MY OWN THONGS, Y'ALL. 406 00:16:45,504 --> 00:16:47,406 BUT, HERE WE GO. 407 00:16:47,506 --> 00:16:49,308 - SO, OKAY, YOU HEAR ME? - YES. 408 00:16:49,408 --> 00:16:51,343 START IT FROM FROM THE TOP. 409 00:16:59,518 --> 00:17:01,887 ♪ LAST CALL FOR LOVIN' ♪ 410 00:17:01,987 --> 00:17:06,692 ♪ I'M SO OVER PAIN SO LAST CALL ♪ 411 00:17:06,792 --> 00:17:08,761 ♪ LAST CALL ♪ 412 00:17:08,861 --> 00:17:10,195 I-I-I DON'T KNOW. - NO-NO-NO-NO. 413 00:17:10,295 --> 00:17:11,630 TRAY-TRAY-TRAY. - HUH? 414 00:17:11,730 --> 00:17:13,232 YOUR-YOUR TIMIN'-YOUR TIMIN' IS OFF, 415 00:17:13,332 --> 00:17:15,067 AND YOU'RE A LITTLE FLAT, BABY. 416 00:17:15,167 --> 00:17:16,802 OKAY. 417 00:17:16,902 --> 00:17:18,904 - LET'S TRY IT AGAIN. - M'KAY. 418 00:17:19,004 --> 00:17:22,708 AND FIVE, FOUR, THREE... 419 00:17:22,808 --> 00:17:25,310 ♪ IT'S THE LAST CALL FOR LOVIN' ♪ 420 00:17:25,411 --> 00:17:29,848 ♪ I'M SO OVER PAIN SO IT'S THE LAST CALL ♪ 421 00:17:29,948 --> 00:17:32,284 ♪ LAST ♪ - OH, COME ON, TRAY. 422 00:17:32,384 --> 00:17:34,787 LET'S TRY IT AGAIN. 423 00:17:37,823 --> 00:17:40,492 ♪ IT'S THE LAST CALL FOR LOVIN' ♪ 424 00:17:40,592 --> 00:17:42,494 ♪ I'M SO OVER THE PAIN ♪ 425 00:17:42,594 --> 00:17:45,264 ♪ SO IT'S THE LAST CALL ♪ 426 00:17:45,364 --> 00:17:47,399 NAH, THAT'S NOT IT. 427 00:17:47,499 --> 00:17:50,069 - IT'S NOT? - NO. 428 00:17:50,169 --> 00:17:52,271 WHAT'S UP, Y'ALL? 429 00:17:52,371 --> 00:17:54,506 - WHAT'S WRONG? - HEY, CLIFF. 430 00:17:54,606 --> 00:17:56,508 - HEY. - SHE'S STRUGGLIN', MAN. 431 00:17:56,608 --> 00:17:57,910 HUH? 432 00:17:58,010 --> 00:17:59,511 - IT'S A LITTLE ROUGH, MAN. - A LITTLE ROUGH. 433 00:17:59,611 --> 00:18:01,914 HEY, TRACI, TAKE-TAKE FIVE, BABY. 434 00:18:02,014 --> 00:18:03,849 YO-YO. 435 00:18:03,949 --> 00:18:06,852 LET ME SLIDE OVER HERE. 436 00:18:06,952 --> 00:18:09,254 WHAT HAPPENED? - I DON'T KNOW. 437 00:18:09,354 --> 00:18:11,356 I THINK MY ANXIETY IS GETTIN' TO ME. 438 00:18:11,457 --> 00:18:13,292 THAT'S THAT PARTYIN' LAST NIGHT. 439 00:18:13,392 --> 00:18:15,360 YOU GOTTA BE FOCUSED. 440 00:18:15,461 --> 00:18:17,162 YOU GOTTA REST YOUR VOICE. 441 00:18:17,262 --> 00:18:19,731 THIS IS IT-- THIS IS THE SERIOUS SITUATION. 442 00:18:19,832 --> 00:18:21,200 YOU GONNA FAKE IT OR MAKE IT. 443 00:18:21,300 --> 00:18:22,968 WHEN YOU COME IN HERE, 444 00:18:23,068 --> 00:18:24,770 THE PIE AIN'T GONNA DROP OUT THE SKY. 445 00:18:24,870 --> 00:18:26,572 YOU GOTTA GET FOCUSED AS AN ARTIST. 446 00:18:26,672 --> 00:18:28,674 YOU GOTTA GET FOCUSED, 447 00:18:28,774 --> 00:18:31,243 AND YOU GOTTA GET ON YOUR GROUND WHEN YOU GET BEHIND THIS MIC. 448 00:18:31,343 --> 00:18:33,545 EVERYTHING CLIFF IS SAYING IS TRUE. 449 00:18:33,645 --> 00:18:37,382 HE'S SAYIN' TO ME, "TRACI, GET OFF THE DAMN SEAT. 450 00:18:37,483 --> 00:18:39,551 "I DON'T WANT YOU TO HAVE NO SEVERAL SEATS. 451 00:18:39,651 --> 00:18:42,621 "GET THE HELL UP AND DO YOU, 452 00:18:42,721 --> 00:18:44,523 "AND DO WHAT YOU'RE SUPPOSED TO BE DOIN'." 453 00:18:44,623 --> 00:18:46,658 LET'S SHUT THE SESSION DOWN, SO YOU CAN GET SOME REST. 454 00:18:46,758 --> 00:18:48,594 I KNOW YOU'RE A LITTLE TIRED. 455 00:18:48,694 --> 00:18:50,395 THIS JUST HAPPENED TO BE A BAD DAY. 456 00:18:50,496 --> 00:18:52,131 - REAL BAD DAY. - IT-IT HAPPENS. 457 00:18:52,231 --> 00:18:53,365 - IT'S COOL-- IT'S COOL. - IT HAPPENS. 458 00:18:53,465 --> 00:18:54,633 IT HAPPENS. 459 00:18:54,733 --> 00:18:56,335 I'M SO USED TO BEIN' WITH THE OTHER SISTERS. 460 00:18:56,435 --> 00:18:58,837 IT'S JUST-- I KNOW THAT'S NOT AN EXCUSE. 461 00:18:58,937 --> 00:19:00,606 IT-IT'S ABOUT TRACI. 462 00:19:00,706 --> 00:19:02,141 IT'S ABOUT TRACI RIGHT NOW, SO-- 463 00:19:02,241 --> 00:19:05,144 I WANNA GO BACK IN AND NAIL IT, 464 00:19:05,244 --> 00:19:07,479 EVEN IF WE GOTTA-WE GOTTA SPEND TEN HOURS ON THIS SONG. 465 00:19:07,579 --> 00:19:08,914 - OKAY. - CAN YOU DO THAT? 466 00:19:09,014 --> 00:19:10,215 MMM-HMM. 467 00:19:10,315 --> 00:19:11,617 YOU AIN'T SAY-SAYIN' IT WITH ASSURANCE. 468 00:19:11,717 --> 00:19:13,152 CAN YOU DO IT? 469 00:19:13,252 --> 00:19:14,953 - YES! - ALL RIGHT, LET'S GO. 470 00:19:15,053 --> 00:19:16,588 LET'S DO IT. - OKAY. 471 00:19:16,688 --> 00:19:19,124 COMING UP, ON "BRAXTON FAMILY VALUES"... 472 00:19:19,224 --> 00:19:20,659 I WASN'T TOUCHIN' NOBODY! 473 00:19:20,759 --> 00:19:22,694 PLEASE DON'T FLIRT WITH MY GIRLS. 474 00:19:22,794 --> 00:19:24,029 AM I FLIRTIN' WITH 'EM? 475 00:19:24,129 --> 00:19:26,565 YOU KNOW YOU'RE BEIN' A LITTLE FLIRTATIOUS. 476 00:19:26,665 --> 00:19:28,634 I'M SO EXCITED TO WORK ON THIS BOOK WITH YOU. 477 00:19:28,734 --> 00:19:30,402 YOU KNOW, I THINK IT'S TIME TO TELL MY STORY. 478 00:19:30,502 --> 00:19:32,104 THERE WILL PROBABLY BE DARK MOMENTS. 479 00:19:32,204 --> 00:19:33,272 YES. 480 00:19:33,372 --> 00:19:36,108 THERE MAY EVEN BE SOME "50 SHADES OF GREYS" IN IT. 481 00:19:49,655 --> 00:19:51,056 SO, DOES EVERYONE HAVE THEIR JACKETS? 482 00:19:51,156 --> 00:19:52,357 YOU HAVE JACKETS FOR EVERYBODY? 483 00:19:52,457 --> 00:19:54,026 HEY, WHAT'S THIS PUFFY STUFF RIGHT HERE? 484 00:19:54,126 --> 00:19:55,394 IT'S A SKIRT. 485 00:19:55,494 --> 00:19:57,729 SO, THE GOOD NEWS IS THAT GABE FINALLY CAVED 486 00:19:57,829 --> 00:19:59,665 AND INVESTED SOME MONEY IN "BAR CHIX." 487 00:19:59,765 --> 00:20:01,466 OKAY, ALL RIGHT. 488 00:20:01,567 --> 00:20:03,235 THE BAD NEWS IS THAT I HAD TO PROMISE GABE 489 00:20:03,335 --> 00:20:05,137 HE'D HELP OUT WITH PLANNING THE PARTY, 490 00:20:05,237 --> 00:20:07,706 AND I'M NERVOUS ENOUGH ABOUT THE PARTY AS IT IS. 491 00:20:07,806 --> 00:20:09,374 THOSE ARE HOT. 492 00:20:09,474 --> 00:20:10,909 SO, GIRLS WEAR THEIR PANTIES UNDERNEATH THESE? 493 00:20:11,009 --> 00:20:12,377 YEAH-- WHY YOU WORRIED ABOUT THAT? 494 00:20:12,477 --> 00:20:14,012 - I'M JUST CURIOUS. - DON'T BE THAT CURIOUS. 495 00:20:14,112 --> 00:20:15,414 THAT-THAT'S NOT YOUR BUSINESS, 496 00:20:15,514 --> 00:20:16,949 WHETHER OR NOT THEY HAVE PANTIES ON UNDERNEATH, 497 00:20:17,049 --> 00:20:18,951 YOU NASTY, LITTLE WORM. - I'M JUST SAYIN', 498 00:20:19,051 --> 00:20:20,586 YOU WANNA MAKE SURE IT'S ALL SANITARY. 499 00:20:20,686 --> 00:20:21,987 IT IS SANITARY-- THEY'RE BRAND NEW. 500 00:20:22,087 --> 00:20:23,255 OKAY, ALL RIGHT. 501 00:20:23,355 --> 00:20:25,090 - ARE THE GIRLS HERE? - YEAH, THEY'RE HERE. 502 00:20:25,190 --> 00:20:27,826 CAN WE-CAN WE GET THEM? 503 00:20:27,926 --> 00:20:29,828 YOU NEED TO HAVE A SIT-DOWN WITH THE GIRLS 504 00:20:29,928 --> 00:20:31,763 AND LET 'EM KNOW WHAT THE GUIDELINES ARE, 505 00:20:31,863 --> 00:20:33,365 AS FAR AS THEIR OUTFITS 506 00:20:33,465 --> 00:20:35,300 AND WHAT THEY SHOULD WEAR UNDERNEATH IT. 507 00:20:35,400 --> 00:20:38,237 PEOPLE-SOME PEOPLE DON'T WEAR UNDERWEAR. 508 00:20:38,337 --> 00:20:40,739 GABE IS ASKING IF THE GIRLS ARE GOING TO WEAR PANTIES 509 00:20:40,839 --> 00:20:42,741 UNDER THEIR SHORTS. 510 00:20:42,841 --> 00:20:45,110 I'M STARTING TO REGRET LETTING HIM BE HERE ALREADY. 511 00:20:45,210 --> 00:20:48,146 THIS IS WHAT I GET FOR BORROWING MONEY. 512 00:20:49,748 --> 00:20:51,450 HELLO, MY CHIX. 513 00:20:51,550 --> 00:20:52,951 HELLO! 514 00:20:53,051 --> 00:20:54,953 I WANNA OFFICIALLY WELCOME YOU ALL TO "BAR CHIX." 515 00:20:56,922 --> 00:20:58,724 AND I WANT TO GIVE YOU GUYS 516 00:20:58,824 --> 00:21:00,425 YOUR OFFICIAL "BAR CHIX" JACKET. 517 00:21:00,525 --> 00:21:03,328 WAIT, ARE YOU GONNA INTRODUCE YOUR CREATIVE DIRECTOR FIRST? 518 00:21:03,428 --> 00:21:06,465 HE'S GIVEN HIMSELF A TITLE AS CREATIVE DIRECTOR... 519 00:21:06,565 --> 00:21:07,666 BUT I'M THE BOSS. 520 00:21:07,766 --> 00:21:09,501 THIS IS GABE. 521 00:21:09,601 --> 00:21:11,303 THESE ARE YOUR WONDERFUL OUTFITS, 522 00:21:11,403 --> 00:21:13,438 AND THEY ACTUALLY HANG LOWER THAN THEY LOOK. 523 00:21:13,538 --> 00:21:15,274 SO, DON'T BE TOO ALARMED. 524 00:21:15,374 --> 00:21:16,875 SKIRTS AND SHORTS AND SUCH, 525 00:21:16,975 --> 00:21:18,343 THAT GO WITH YOUR WONDERFUL CORSETS. 526 00:21:18,443 --> 00:21:20,012 IS ANYONE UNCOMFORTABLE? 527 00:21:20,112 --> 00:21:21,413 WHAT DO YOU MEAN, "COMFORTABLE?" 528 00:21:21,513 --> 00:21:23,115 I DID NOT SAY, "IS ANYONE COMFORTABLE?" 529 00:21:23,215 --> 00:21:24,650 I SAID, "IS ANYONE UNCOMFORTABLE?" 530 00:21:24,750 --> 00:21:26,652 OKAY, I'M SORRY. 531 00:21:26,752 --> 00:21:28,520 CAN YOU CREATIVELY DIRECT FROM RIGHT THERE? 532 00:21:28,620 --> 00:21:30,122 OKAY. 533 00:21:30,222 --> 00:21:31,757 GUYS, D-DON'T LET HIM INTIMIDATE YOU. 534 00:21:31,857 --> 00:21:33,792 YOU COME IN, THEY CAN SEE YOU'RE A DARK CLOUD 535 00:21:33,892 --> 00:21:35,193 WHEN YOU WALK IN THE ROOM. - WHY? 536 00:21:35,294 --> 00:21:36,328 'CAUSE YOU'RE A MICROMANAGER. 537 00:21:36,428 --> 00:21:37,596 THEY CAN FEEL YOUR ENERGY. 538 00:21:37,696 --> 00:21:39,197 I KNOW WHAT GABE'S DOING. 539 00:21:39,298 --> 00:21:41,166 HE'S JUST TRYING TO ACT LIKE THE MAN IN CHARGE 540 00:21:41,266 --> 00:21:44,002 TO IMPRESS ALL THESE GIRLS, AND THAT'S HIS WAY OF FLIRTING. 541 00:21:44,102 --> 00:21:46,338 I'M NOT STUPID. 542 00:21:46,438 --> 00:21:47,973 YEAH, SHOW 'EM WHERE TO CHANGE. 543 00:21:48,073 --> 00:21:49,408 PLEASE DON'T FLIRT WITH MY GIRLS. 544 00:21:49,508 --> 00:21:50,609 OKAY. 545 00:21:50,709 --> 00:21:51,910 YOU KNOW, YOU GOT THAT FLIRTING SPIRIT. 546 00:21:52,010 --> 00:21:53,412 THAT'S GONNA MAKE ME FEEL UNCOMFORTABLE, AND THEM. 547 00:21:53,512 --> 00:21:56,214 YOU KNOW WHAT-- I'M NOT GONNA HIT ON THE GIRLS. 548 00:21:56,315 --> 00:21:58,283 MAN, I HOPE THEY LOOK GOOD IN THESE OUTFITS, 549 00:21:58,383 --> 00:21:59,818 'CAUSE I WILL SCREAM IF THEY DON'T. 550 00:21:59,918 --> 00:22:02,187 I TOLD YOU THAT THIS-- I'M NOT GONNA SAY ANYTHING, 551 00:22:02,287 --> 00:22:03,555 'CAUSE I'M A DARK CLOUD. - WHAT-- SAY IT. 552 00:22:03,655 --> 00:22:04,456 JUST-JUST SAY IT. 553 00:22:04,556 --> 00:22:05,657 THIS STUFF NEEDS TO BE DONE BEFORE. 554 00:22:05,757 --> 00:22:06,992 LIKE, YOU'RE HAVIN' A LAUNCH PARTY. 555 00:22:07,092 --> 00:22:08,193 JUST DON'T JUMP IN THE LAUNCH PARTY. 556 00:22:08,293 --> 00:22:11,363 DO YOU ALWAYS HAVE TO BE THAT-THAT RAIN CLOUD? 557 00:22:11,463 --> 00:22:13,632 WHATEVER. 558 00:22:13,732 --> 00:22:16,435 - OOH! - OOH! 559 00:22:16,535 --> 00:22:18,203 SUPER CUTE. 560 00:22:18,303 --> 00:22:20,272 YAY! 561 00:22:20,372 --> 00:22:22,040 YEAH, I DID THAT. - THIS TOOK A LOT OF WORK. 562 00:22:22,140 --> 00:22:24,109 IT DID TAKE A-- 563 00:22:26,645 --> 00:22:28,980 THIS LAUNCH PARTY IS TOMORROW, 564 00:22:29,081 --> 00:22:32,818 AND GOD HELP ME THAT I DON'T MURDER GABE BEFORE THEN. 565 00:22:32,918 --> 00:22:35,020 HE DOESN'T WANNA ACTUALLY HELP. 566 00:22:35,120 --> 00:22:38,357 HE JUST WANTS TO BE AROUND ME, AND MAYBE MY "BAR CHIX." 567 00:22:38,457 --> 00:22:41,460 YAY! 568 00:22:41,560 --> 00:22:43,729 OH, MY BAR-- NOT YOU, HONEY. 569 00:22:43,829 --> 00:22:46,264 - I WASN'T TOUCHIN' NOBODY! - REALLY? 570 00:22:58,110 --> 00:23:00,045 - HI, HOW ARE YOU? - HI, HOW ARE YOU? 571 00:23:00,145 --> 00:23:01,213 - GOOD TO SEE YOU. - GOOD TO MEET YOU. 572 00:23:01,313 --> 00:23:02,881 - I'M A HUGGER. - ME, TOO. 573 00:23:02,981 --> 00:23:04,750 YOU DON'T KNOW ME, BUT I'M GONNA HUG YOU. 574 00:23:04,850 --> 00:23:06,685 NOW THAT I'M STARTING UP MY MUSIC CAREER AGAIN, 575 00:23:06,785 --> 00:23:08,387 AND INTERACTING MORE WITH FANS, 576 00:23:08,487 --> 00:23:11,757 IT FEELS LIKE A GOOD TIME FOR ME TO PUT OUT A BIOGRAPHY. 577 00:23:11,857 --> 00:23:13,825 SO, TODAY, I'M MEETING MICHELLE, 578 00:23:13,925 --> 00:23:15,727 WHO'S GONNA BE MY CO-WRITER ON THIS BOOK, 579 00:23:15,827 --> 00:23:17,929 AND I'M HOPING SHE CAN HELP ME PAINT THE PICTURE 580 00:23:18,029 --> 00:23:19,264 OF WHO I REALLY AM. 581 00:23:19,364 --> 00:23:20,766 THERE'S SO MANY VERSIONS OF ME OUT THERE, 582 00:23:20,866 --> 00:23:22,200 AND I WANT THIS TO BE MINE, 583 00:23:22,300 --> 00:23:24,035 AND I WANT YOU TO HEAR IT THE LOUDEST. 584 00:23:24,136 --> 00:23:25,871 HAVE A SEAT. 585 00:23:25,971 --> 00:23:28,306 - ARE YOU A TEA PERSON? - I AM-- CAN YOU TELL? 586 00:23:28,407 --> 00:23:30,008 I WAS LIKE, THIS IS KINDA THE DEAD GIVEAWAY. 587 00:23:30,108 --> 00:23:32,210 - THAT'S MY DOG, BENTLEY. - HE'S SO CUTE. 588 00:23:32,310 --> 00:23:33,545 HE LOOKS WELL-GROOMED. - DON'T PICK HIM UP... 589 00:23:33,645 --> 00:23:34,880 'CAUSE HE'LL NEVER LET YOU PUT HIM BACK DOWN. 590 00:23:34,980 --> 00:23:36,381 - HE'S FRIENDLY? - HE'S VERY FRIENDLY. 591 00:23:36,481 --> 00:23:39,117 HE'LL BE IN THE CHAIR WIT' YOU-- BENTLEY, GO. 592 00:23:39,217 --> 00:23:41,386 I'M GLAD YOU MADE IT. - THANK YOU VERY MUCH. 593 00:23:41,486 --> 00:23:42,821 IT'S SO GOOD TO BE HERE TODAY. 594 00:23:42,921 --> 00:23:44,589 I'M SO EXCITED TO WORK ON THIS BOOK WITH YOU. 595 00:23:44,689 --> 00:23:46,591 YOU KNOW, I THINK IT'S TIME TO TELL MY STORY. 596 00:23:46,691 --> 00:23:49,428 I REALLY FEEL LIKE READERS THINK THEY KNOW YOU ALREADY, 597 00:23:49,528 --> 00:23:51,630 AND I REALLY WANNA USE THIS MEMOIR 598 00:23:51,730 --> 00:23:53,732 AS A WAY TO HELP THEM SEE A TONI, 599 00:23:53,832 --> 00:23:55,801 TO HELP THEM UNDERSTAND A TONI THAT THEY DIDN'T KNOW 600 00:23:55,901 --> 00:23:57,702 THEY DIDN'T KNOW. - OKAY. 601 00:23:57,803 --> 00:23:59,638 SO, THAT MEANS I'M GONNA HAVE TO TALK ABOUT THE BANKRUPTCY. 602 00:23:59,738 --> 00:24:01,173 THAT MEANS YOU'RE GONNA HAVE TO TALK ABOUT THE BANKRUPTCY, 603 00:24:01,273 --> 00:24:02,441 TO THE EXTENT THAT YOU'D LIKE TO. 604 00:24:02,541 --> 00:24:04,576 DO YOU WANNA TALK ABOUT THE BANKRUPTCY? 605 00:24:04,676 --> 00:24:06,545 I DON'T WANNA-- I WANNA MAKE IT DISAPPEAR. 606 00:24:06,645 --> 00:24:08,213 WILL THIS HELP THIS DISAPPEAR? - YOU WANT IT TO DISAPPEAR? 607 00:24:08,313 --> 00:24:10,515 OH, IT WILL NOT MAKE IT DISAPPEAR. 608 00:24:10,615 --> 00:24:12,017 BUT, MY PERSONAL PHILOSOPHY IS THAT, 609 00:24:12,117 --> 00:24:13,518 YOU CAN TELL YOUR STORY, 610 00:24:13,618 --> 00:24:15,253 BUT YOU AIN'T GOTTA TELL EVERY PART OF YOUR STORY. 611 00:24:15,353 --> 00:24:17,756 THE PARTS THAT YOU TELL NEED TO BE RAW, AND REAL, 612 00:24:17,856 --> 00:24:18,790 AND REVEALING. 613 00:24:18,890 --> 00:24:20,225 IS THAT FAIR? - THAT'S FAIR. 614 00:24:20,325 --> 00:24:21,526 OKAY, GOOD. 615 00:24:21,626 --> 00:24:23,195 THERE ARE A LOT OF AREAS IN MY LIFE 616 00:24:23,295 --> 00:24:24,963 THAT I DON'T WANNA TALK ABOUT, 617 00:24:25,063 --> 00:24:26,331 AND THE BANKRUPTCY IS ONE OF 'EM. 618 00:24:26,431 --> 00:24:29,067 BUT I KNOW THAT, IF I WANT THIS BOOK TO BE SUCCESSFUL, 619 00:24:29,167 --> 00:24:31,670 I-I-I NEED TO DIG DEEP AND BE COMPLETELY HONEST. 620 00:24:31,770 --> 00:24:33,772 CAN'T BE ALL RAINBOWS AND BUTTERFLIES. 621 00:24:33,872 --> 00:24:37,642 I THINK I'M READY... MAYBE. 622 00:24:37,742 --> 00:24:39,811 SO, THIS IS GONNA, IN ESSENCE, BE LIKE A THERAPY SESSION, 623 00:24:39,911 --> 00:24:41,146 YOU'RE SAYING. - IT'S THERAPY. 624 00:24:41,246 --> 00:24:42,614 - OKAY, OKAY. - GET READY-- LAY DOWN. 625 00:24:42,714 --> 00:24:44,182 SEE THE COUCH, OKAY? 626 00:24:44,282 --> 00:24:46,151 IT'S THERAPY, OKAY? - ALL RIGHT, ALL RIGHT. 627 00:24:46,251 --> 00:24:47,919 SO, I SHOULD BRING CHAMPAGNE. - YOU SHOULD BRING CHAMPAGNE, 628 00:24:48,019 --> 00:24:49,654 AND YOU SHOULD ALSO START TO PRACTICE 629 00:24:49,754 --> 00:24:51,556 TO TELL ME YOUR STORIES, UH, 630 00:24:51,656 --> 00:24:53,825 WITH ALL THE KINDA DETAIL THAT YOU MAY NOT INCLUDE 631 00:24:53,925 --> 00:24:56,094 WHEN YOU'RE TELLING THEM TO FRIENDS OR FAMILY. 632 00:24:56,194 --> 00:24:58,964 EDGAR ALLAN POE, LIKE, "THE DARK NIGHT WAS CRISP, 633 00:24:59,064 --> 00:25:01,066 "AS THE WIND BLEW." - EXACTLY, EXACTLY. 634 00:25:01,166 --> 00:25:03,869 - "AND THE MOON GLAZED." - EXACTLY-- A LITTLE EDGAR. 635 00:25:03,969 --> 00:25:05,670 A LITTLE EDGAR NEVER HURT ANYBODY. 636 00:25:05,770 --> 00:25:07,005 OKAY? - GOT IT. 637 00:25:07,105 --> 00:25:08,473 IT'S A LITTLE DARK-- MAYBE I SHOULDN'T HAVE SAID THAT. 638 00:25:08,573 --> 00:25:09,741 IT'S A LITTLE DARK. 639 00:25:09,841 --> 00:25:10,876 THERE WILL PROBABLY BE DARK MOMENTS. 640 00:25:10,976 --> 00:25:12,143 YES. 641 00:25:12,244 --> 00:25:14,412 THERE MAY EVEN BE SOME "50 SHADES OF GREYS" IN IT. 642 00:25:14,513 --> 00:25:15,847 - EXACTLY-- MAYBE NOT. - MAYBE NOT. 643 00:25:15,947 --> 00:25:17,148 I DON'T KNOW IF I'M COMFORTABLE WITH THAT, 644 00:25:17,249 --> 00:25:18,149 BUT YOU NEVER KNOW. 645 00:25:18,250 --> 00:25:19,551 AS MUCH AS I'M READY TO PUT THIS BOOK OUT, 646 00:25:19,651 --> 00:25:22,053 I'M ALSO FEELING A BIT VULNERABLE. 647 00:25:22,153 --> 00:25:24,556 BUT, AFTER MEETING MICHELLE, I'M FEELING MORE AT EASE, 648 00:25:24,656 --> 00:25:27,292 AND I THINK SHE'LL BE ABLE TO REALLY HELP ME TELL MY STORY. 649 00:25:27,392 --> 00:25:29,728 WELL, CHAMPAGNE WILL DICTATE-- - EXACTLY. 650 00:25:29,828 --> 00:25:31,329 WHAT THE STORY'S GONNA BE. 651 00:25:31,429 --> 00:25:32,831 HOW MUCH I'VE HAD TO DRINK. - EXACTLY, EXACTLY. 652 00:25:32,931 --> 00:25:35,534 GIVE ME A GLASS. - OKAY, PERFECT. 653 00:25:35,634 --> 00:25:36,835 ALL RIGHT, THIS IS GREAT. - OKAY, GOOD. 654 00:25:36,935 --> 00:25:38,670 THIS IS GOOD. 655 00:25:52,150 --> 00:25:54,553 - I'M SO EXCITED. - YOU SHOULD BE. 656 00:25:54,653 --> 00:25:56,488 ALL RIGHT, BYE-- GO-GO-GO-GO. 657 00:26:02,160 --> 00:26:04,596 SO, THE "BAR CHIX" LAUNCH PARTY HAS FINALLY ARRIVED, 658 00:26:04,696 --> 00:26:07,566 AND MY NERVES ARE COMPLETELY SHOT TO PIECES. 659 00:26:07,666 --> 00:26:09,935 THERE ARE GONNA BE SO MANY DIFFERENT PEOPLE 660 00:26:10,035 --> 00:26:11,336 AT MY LAUNCH PARTY. 661 00:26:11,436 --> 00:26:12,771 THERE ARE GONNA BE POTENTIAL CLIENTS. 662 00:26:12,871 --> 00:26:14,172 THERE ARE GONNA BE CELEBRITIES. 663 00:26:14,272 --> 00:26:15,473 THERE IS GONNA BE PRESS. 664 00:26:15,574 --> 00:26:17,275 AND IF THIS NIGHT DOESN'T GO WELL, 665 00:26:17,375 --> 00:26:19,210 ALL MY HARD WORK IS FOR NAUGHT. 666 00:26:19,311 --> 00:26:21,613 THANK YOU. 667 00:26:21,713 --> 00:26:24,349 EVERYBODY, HERE ARE OUR "BAR CHIX." 668 00:26:24,449 --> 00:26:27,519 WE HAVE A.J... 669 00:26:27,619 --> 00:26:29,788 WE HAVE MARVEL... 670 00:26:29,888 --> 00:26:32,490 WE HAVE AUDREY... 671 00:26:32,591 --> 00:26:35,293 AND SANDRA. 672 00:26:35,393 --> 00:26:39,164 IT IS SO IMPORTANT FOR THIS PARTY TO BE PERFECT, 673 00:26:39,264 --> 00:26:41,099 AND HAVE NO ONE HAVE NOTHING NEGATIVE TO SAY 674 00:26:41,199 --> 00:26:42,867 ABOUT SOMETHING THAT I'M DOING. 675 00:26:42,968 --> 00:26:45,470 FRONT BAR, FRONT BAR, BACK BAR. 676 00:26:49,608 --> 00:26:51,176 ALL RIGHT. 677 00:26:51,276 --> 00:26:52,577 ENJOY YOURSELVES. 678 00:26:52,677 --> 00:26:54,346 DRINK AS MUCH AS YOU WANT-- IT'S OPEN BAR. 679 00:26:54,446 --> 00:26:55,880 I PAID FOR EVERYTHING, 680 00:26:55,981 --> 00:26:57,849 SO I GET TO DRINK AND EAT WHATEVER I WANT. 681 00:26:57,949 --> 00:26:59,517 I HAVE WEEKS OF PLANNING 682 00:26:59,618 --> 00:27:01,653 AND THOUSANDS OF DOLLARS INVESTED IN THIS. 683 00:27:01,753 --> 00:27:03,555 SO, THIS BETTER BE A MAJOR SUCCESS, 684 00:27:03,655 --> 00:27:06,391 OR I'LL BE DEVASTATED AND BROKE. 685 00:27:06,491 --> 00:27:08,693 SHAKER TOPS FOR THE GIRLS. 686 00:27:08,793 --> 00:27:10,295 THE FOOD'S NOT COMIN' OUT FAST ENOUGH. 687 00:27:10,395 --> 00:27:13,298 IS EVERYBODY LEAVIN'-- ARE PEOPLE LEAVING? 688 00:27:13,398 --> 00:27:16,201 COMING UP, ON "BRAXTON FAMILY VALUES"... 689 00:27:16,301 --> 00:27:17,902 WAIT, WAIT-- I WANT A PICTURE. 690 00:27:18,003 --> 00:27:19,070 I WANT A PICTURE. - OKAY, WAIT. 691 00:27:19,170 --> 00:27:21,740 LET GABE TAKE A PICTURE. - YEAH, TAKE A PICTURE, NOW. 692 00:27:21,840 --> 00:27:24,609 HE NEEDS TO BACK OFF-- THIS IS MY MOMENT. 693 00:27:24,709 --> 00:27:27,045 IF HE IS SLEEPIN' WITH YOU EVERY NIGHT, ON YOUR CHEST, 694 00:27:27,145 --> 00:27:28,847 HOW-HOW ARE YOU GUYS GETTIN' IT IN? 695 00:27:28,947 --> 00:27:30,582 I MEAN, HE CAN'T ON YOUR T-T, 696 00:27:30,682 --> 00:27:32,617 IF THE BABY IS LAYING ON YOUR T-T. 697 00:27:34,919 --> 00:27:37,422 YOU EVER FEEL LIKE IT'S STILL YESTERDAY? 698 00:27:37,522 --> 00:27:38,523 YOU KNOW WHAT I'M TALKIN' ABOUT? 699 00:27:38,623 --> 00:27:40,425 - LIKE GROUNDHOG'S DAY. - LIKE YOU HAVEN'T SLEPT. 700 00:27:40,525 --> 00:27:43,028 LIKE YESTERDAY-- HAVE I FELT LIKE YESTERDAY? 701 00:27:43,128 --> 00:27:44,996 SOMETIMES, I WEAR THE SAME CLOTHES TWO DAYS IN A ROW. 702 00:27:45,096 --> 00:27:46,431 - DON'T TELL NOBODY ELSE THAT. - EW! 703 00:27:46,531 --> 00:27:47,966 I DO-- SOMETIMES, I DON'T FEEL LIKE-- 704 00:27:48,066 --> 00:27:49,601 DO YOUR CLOTHES STAND UP IN THE CORNER BY ITSELF? 705 00:27:49,701 --> 00:27:51,202 I DIDN'T SAY A WEEK IN A ROW. 706 00:27:51,302 --> 00:27:53,071 - THAT'S DISGUSTING. - IT'S NOT DISGUSTING. 707 00:27:53,171 --> 00:27:54,406 - YES, IT IS. - NO, I DON'T. 708 00:27:54,506 --> 00:27:56,374 YOU DIDN'T PUT IT IN THE STEAMER THING, IN THE DRYER? 709 00:27:56,474 --> 00:27:57,575 NOPE-- NO, I DON'T. 710 00:27:57,676 --> 00:27:59,110 DON'T ACT LIKE Y'ALL NEVER HAD ON, LIKE, A SWEAT SUIT, 711 00:27:59,210 --> 00:28:00,412 AND THEN YOU HAD TO TAKE THE KIDS TO SCHOOL 712 00:28:00,512 --> 00:28:01,646 EARLY IN THE MORNING 'CAUSE THEY MISSED THE BUS, 713 00:28:01,746 --> 00:28:03,348 SOMETHIN' LIKE THAT, AND YOU JUST THROW YOUR CLOTHES ON. 714 00:28:03,448 --> 00:28:04,916 IT WASN'T THE SAME ONES. 715 00:28:05,016 --> 00:28:06,151 I DON'T-I DON'T WEAR DAY OLD CLOTHES. 716 00:28:06,251 --> 00:28:07,585 WELL, THAT HASN'T HAPPENED YET BECAUSE YOU ARE-- 717 00:28:07,686 --> 00:28:09,521 I DON'T WEAR DAY OLD CLOTHES ANYWAY-- IT'S DISGUSTING. 718 00:28:09,621 --> 00:28:11,189 - WAIT 'TIL LO-LO GETS OLDER. - THEY DON'T RIDE BUSES. 719 00:28:11,289 --> 00:28:12,724 Y'ALL, DON'T ACT LIKE Y'ALL NEVER JUST 720 00:28:12,824 --> 00:28:14,659 THREW ON THE SAME SWEAT SUIT WHEN YOU WERE A KID, 721 00:28:14,759 --> 00:28:16,394 OR A TEENAGER, OR WHATEVER-- YOU DONE IT BEFORE. 722 00:28:16,494 --> 00:28:17,729 WHEN YOU DON'T KNOW NO BETTER, IT DON'T COUNT. 723 00:28:17,829 --> 00:28:18,930 - THANK YOU. - IT DOES. 724 00:28:19,030 --> 00:28:21,399 IT-IT ALWAYS COUNTS-- EVERYONE HAS DONE IT BEFORE. 725 00:28:21,499 --> 00:28:23,368 WHAT ABOUT THE GERMS? 726 00:28:23,468 --> 00:28:24,669 THE GERMS ARE-ARE FROM YESTERDAY, AS WELL. 727 00:28:24,769 --> 00:28:26,004 UGH. 728 00:28:30,208 --> 00:28:31,710 IS EVERYBODY LEAVING-- ARE PEOPLE LEAVING? 729 00:28:31,810 --> 00:28:32,877 NO, IT'S VERY CLASSY. 730 00:28:32,977 --> 00:28:34,079 IT SEEMS LIKE PEOPLE ARE GOING INTO THE OTHER ROOM, 731 00:28:34,179 --> 00:28:35,547 THOUGH-- ARE THEY LEAVIN'? 732 00:28:35,647 --> 00:28:38,216 MY STRESS LEVELS ARE HIGH. 733 00:28:38,316 --> 00:28:40,819 I'M SUPER-DUPER NERVOUS ABOUT THIS "BAR CHIX" LAUNCH PARTY. 734 00:28:40,919 --> 00:28:42,587 I HAVE WEEKS OF PLANNING 735 00:28:42,687 --> 00:28:44,889 AND THOUSANDS OF DOLLARS INVESTED IN THIS. 736 00:28:44,989 --> 00:28:48,793 IT IS SO IMPORTANT FOR THIS PARTY TO BE PERFECT. 737 00:28:52,964 --> 00:28:54,733 WHAT'S YOUR NAME? - ANOTHER SHAKER. 738 00:28:54,833 --> 00:28:55,834 NEED A SHAKER? 739 00:28:55,934 --> 00:28:57,302 STAY RIGHT HERE-- DON'T LEAVE. 740 00:28:57,402 --> 00:28:58,770 HEY, CAN YOU TELL THE BACK BAR GUYS 741 00:28:58,870 --> 00:29:00,839 THAT I NEED SHAKER TOPS FOR THE GIRLS? 742 00:29:00,939 --> 00:29:02,640 - SHAKER TOPS? - SHAKER TOPS FOR THE GIRLS. 743 00:29:02,741 --> 00:29:03,775 HEY, GIRLS. 744 00:29:03,875 --> 00:29:05,009 BEFORE WE, UM, DO THE OTHER DRINKS, 745 00:29:05,110 --> 00:29:06,444 I JUST NEED SOME HELP CIRCLING THE FOOD. 746 00:29:06,544 --> 00:29:07,512 THE FOOD'S NOT COMIN' OUT FAST ENOUGH. 747 00:29:07,612 --> 00:29:08,880 OKAY. 748 00:29:08,980 --> 00:29:10,248 GOT THE LITTLE FORKS AND STUFF ON, TOO-- YES. 749 00:29:10,348 --> 00:29:11,683 YEAH, WE GOT YOU-- WE GOT IT. 750 00:29:11,783 --> 00:29:12,851 I'M SORRY, Y'ALL, I'M JUST-- 751 00:29:12,951 --> 00:29:14,185 Y'ALL KNOW I'M JUST-- I HAVE THAT TAKEOVER SPIRIT. 752 00:29:14,285 --> 00:29:15,854 AM I BEING BOSSY-- AM I BEING BOSSY? 753 00:29:15,954 --> 00:29:17,155 I AM NOT BEING BOSSY. 754 00:29:17,255 --> 00:29:18,957 I AM THE CEO, AND THIS IS WHAT WE DO. 755 00:29:19,057 --> 00:29:20,725 SHUT DOWN THE BAR FOR FIVE MINUTES 756 00:29:20,825 --> 00:29:22,861 AND GET THE OTHER GIRLS IN. 757 00:29:22,961 --> 00:29:24,429 GET IN TIGHT-- READY? 758 00:29:24,529 --> 00:29:26,564 I'M BUYIN' SO MANY GLASSES TONIGHT. 759 00:29:30,301 --> 00:29:31,870 ALL RIGHT, NOW BACK TO THE BAR FOR "BAR CHIX." 760 00:29:31,970 --> 00:29:33,104 OH, WAIT-WAIT-- I WANT A PICTURE. 761 00:29:33,204 --> 00:29:34,272 I WANT A PICTURE. - OKAY, WAIT. 762 00:29:34,372 --> 00:29:37,408 LET GABE TAKE A PICTURE. - YEAH, TAKE A PICTURE, NOW. 763 00:29:39,210 --> 00:29:41,479 I AM GLAD GABE INVESTED AND ALL, 764 00:29:41,579 --> 00:29:43,348 BUT HE NEEDS TO BACK OFF JUST A LITTLE. 765 00:29:43,448 --> 00:29:45,784 THIS IS MY MOMENT. 766 00:29:47,886 --> 00:29:49,220 - GOOD. - WHERE'S MY SISTER? 767 00:29:49,320 --> 00:29:50,588 YOU LOOK TOO GOOD. 768 00:29:50,688 --> 00:29:52,457 - THAT'S WHAT IT IS. 769 00:29:52,557 --> 00:29:54,192 - THANK YOU, RECO. - AND I'M THEIR GAY COUSIN. 770 00:29:54,292 --> 00:29:56,327 THAT'S RIGHT. 771 00:29:57,629 --> 00:29:59,697 CAN'T A GIRL GET SOME LOVE AT HER OWN PARTY? 772 00:29:59,798 --> 00:30:01,466 I CAN'T FIND TOWANDA, 773 00:30:01,566 --> 00:30:03,434 GABE IS MESSING WITH MY CONFIDENCE, 774 00:30:03,535 --> 00:30:06,437 AND I JUST WANT SOME ASSURANCE THAT THE PARTY IS GOING OKAY. 775 00:30:06,538 --> 00:30:08,473 HI, DIVA! 776 00:30:08,573 --> 00:30:10,708 THANK YOU FOR INVITING ME. - OH, THANK YOU FOR COMING. 777 00:30:10,809 --> 00:30:12,877 THANK YOU SO MUCH-- YOU LOOK BEAUTIFUL. 778 00:30:14,646 --> 00:30:16,714 I WAS SO NERVOUS. 779 00:30:23,621 --> 00:30:25,523 - WOW! - GOD BLESS YOU. 780 00:30:25,623 --> 00:30:28,760 OKAY, WE GOTTA GET A PICTURE. - YEAH, ABSOLUTELY. 781 00:30:30,662 --> 00:30:32,831 I'VE BEEN TRINA-TIZED. 782 00:30:32,931 --> 00:30:35,867 JASMINE GUY IS SAYING SUCH SWEET THINGS TO ME, 783 00:30:35,967 --> 00:30:39,103 AND IT MEANS SO MUCH TO HAVE SUCH AN ICON, LIKE JASMINE, 784 00:30:39,204 --> 00:30:41,105 HAVE WONDERFUL THINGS TO SAY, 785 00:30:41,206 --> 00:30:43,508 AND IT IS BOOSTING MY EGO IN SUCH A HUGE WAY. 786 00:30:43,608 --> 00:30:45,577 AND NOW I FEEL LIKE I CAN DEAL WITH ANYTHING. 787 00:30:45,677 --> 00:30:47,612 EVEN GABE. 788 00:30:51,549 --> 00:30:53,551 WELL, HOW DO YOU-HOW DO YOU THINK THE NIGHT IS GOING? 789 00:30:53,651 --> 00:30:55,220 YOU KNOW WHAT-- I HAVE TO APPLAUD YOU. 790 00:30:55,320 --> 00:30:57,188 I THINK IT WAS THE PERFECT LOCATION. 791 00:30:57,288 --> 00:30:59,591 THE DRINKS WERE PERFECT-- THE DRINKS WERE REAL GOOD. 792 00:30:59,691 --> 00:31:01,326 I JUST THINK IT WAS A SUCCESS. 793 00:31:01,426 --> 00:31:02,994 ARE-ARE YOU-ARE YOU GIVING ME ACCOLADES? 794 00:31:03,094 --> 00:31:04,596 - YES, I AM. - WHAT? 795 00:31:04,696 --> 00:31:06,097 IT WAS GOOD-- GIVE ME FIVE. 796 00:31:06,197 --> 00:31:08,766 GABE, WHAT-- I CAN'T BELIEVE IT! 797 00:31:08,867 --> 00:31:10,735 WHAMMY, WHAMMY! - HERE COMES TOWANDA 798 00:31:10,835 --> 00:31:12,570 TO MESS UP OUR CONVERSATION. 799 00:31:12,670 --> 00:31:14,372 COME ON, BODY, SIT DOWN. 800 00:31:14,472 --> 00:31:16,140 - THANK YOU. - ALL RIGHT. 801 00:31:16,241 --> 00:31:18,309 TRINA, YOU SHOULD BE SO PROUD OF YOU 802 00:31:18,409 --> 00:31:20,078 BECAUSE... 803 00:31:20,178 --> 00:31:21,446 I KNOW THIS IS GONNA SOUND CRAZY. 804 00:31:21,546 --> 00:31:22,680 I'M JUST GONNA SAY IT AND CLEAN IT UP LATER. 805 00:31:22,780 --> 00:31:24,115 OKAY. 806 00:31:24,215 --> 00:31:26,618 I'M GLAD THAT YOU WEREN'T A PART OF MY PARTY, 807 00:31:26,718 --> 00:31:28,219 SO THAT YOU CAN HAVE YOUR OWN, BY YOURSELF. 808 00:31:28,319 --> 00:31:29,354 YOUR OWN LAUNCH. - I THINK THAT IS-- 809 00:31:29,454 --> 00:31:31,289 I THINK THAT IS ABSOLUTELY SHADE-FREE. 810 00:31:31,389 --> 00:31:33,191 - THANK YOU. - YES, I GET IT. 811 00:31:33,291 --> 00:31:34,926 - YEAH, THANK YOU. - I GET IT. 812 00:31:35,026 --> 00:31:36,561 I'M REALLY EXCITED FOR TRINA 813 00:31:36,661 --> 00:31:38,396 AND HER "BAR CHIX" LAUNCH PARTY. 814 00:31:38,496 --> 00:31:40,531 IT WAS WONDERFUL, IT WAS A SUCCESS, 815 00:31:40,632 --> 00:31:42,100 AND I'M REALLY PROUD OF TRINA. 816 00:31:42,200 --> 00:31:44,369 I'M GLAD THAT SHE WAS ABLE TO DO THIS ON HER OWN. 817 00:31:44,469 --> 00:31:47,438 CONGRATULATIONS, TRINA-- CONGRATULATIONS, TRINA. 818 00:31:49,140 --> 00:31:50,441 SEND-SEND THAT TO ME. 819 00:31:50,541 --> 00:31:51,709 CAN-CAN YOU-CAN YOU MESSAGE THAT TO ME? 820 00:31:51,809 --> 00:31:53,044 NO! 821 00:31:53,144 --> 00:31:55,179 I WILL USE THAT FOR MY LONELY NIGHTS. 822 00:31:55,280 --> 00:31:56,447 - NO, YOU WON'T. - YES, I WILL. 823 00:31:56,547 --> 00:31:58,016 NO, YOU WON'T. 824 00:32:00,985 --> 00:32:03,288 - YES, THEY ARE. - THEY'RE LIKE A TEN. 825 00:32:11,863 --> 00:32:13,998 I'M BACK-- I GOT MY GAME FACE ON. 826 00:32:14,098 --> 00:32:16,334 I GOT THE SMOKEY EYE. - I KNOW. 827 00:32:16,434 --> 00:32:18,536 I MEAN, LET'S GO. - I'M READY. 828 00:32:18,636 --> 00:32:20,038 LET'S DO THIS THING. - YOU LIKE YOU'RE READY TO WORK. 829 00:32:21,739 --> 00:32:23,107 - YOU GET ENOUGH SLEEP? - WHAT YOU THINK? 830 00:32:23,207 --> 00:32:24,575 OH, OKAY. 831 00:32:24,676 --> 00:32:26,311 - YOU STUDIED THE SONG? - YES, I STUDIED THE SONG. 832 00:32:26,411 --> 00:32:28,146 OKAY, ALL RIGHT-- LET'S GO. 833 00:32:28,246 --> 00:32:29,847 I CAN'T BELIEVE I ALMOST BLEW MY FIRST SHOT 834 00:32:29,948 --> 00:32:31,449 OF BEING AN ARTIST. 835 00:32:31,549 --> 00:32:33,251 I'VE WANTED THIS FOR SO LONG. 836 00:32:33,351 --> 00:32:35,486 SO, I REALLY GOTTA STEP UP TODAY 837 00:32:35,586 --> 00:32:37,922 AND BE A TRUE PROFESSIONAL. 838 00:32:38,022 --> 00:32:40,692 ♪ SO DIFFERENT WHEN IT COMES TO ME ♪ 839 00:32:40,792 --> 00:32:44,462 ♪ HOW MANY MORE TIMES CAN I BELIEVE ♪ 840 00:32:44,562 --> 00:32:48,900 ♪ BEFORE I LET GO OF THE FANTASY ♪ 841 00:32:49,000 --> 00:32:51,669 ♪ THIS IS MY LAST CALL ♪ 842 00:32:55,673 --> 00:32:56,841 DOPE. 843 00:32:56,941 --> 00:32:58,209 I THINK I'M DOIN' OKAY. 844 00:32:58,309 --> 00:32:59,944 I'M NOT SURE, BUT I BEEN SINGIN' 845 00:33:00,044 --> 00:33:02,347 MY LITTLE OL' HEART OUT ALL DAY, Y'ALL. 846 00:33:02,447 --> 00:33:06,451 BE GENTLE-- THIS IS A WORK IN PROGRESS. 847 00:33:06,551 --> 00:33:10,154 ♪ WHEN YOU MAKE LOVE TO ME ♪ 848 00:33:10,254 --> 00:33:12,190 ♪ I'M SO TIRED OF THE HURT ♪ 849 00:33:12,290 --> 00:33:14,459 ♪ GOT THE HOUSE LIGHTS ON ♪ 850 00:33:14,559 --> 00:33:17,295 ♪ 'CAUSE IT'S MY LAST CALL ♪ 851 00:33:19,897 --> 00:33:21,199 THAT'S DOPE. 852 00:33:21,299 --> 00:33:22,967 I HAD TO REMEMBER WHAT I DID-- THANK YOU! 853 00:33:23,067 --> 00:33:24,502 - VERY GOOD, BABY. - YEAH, YEAH. 854 00:33:24,602 --> 00:33:25,803 - VERY GOOD. - YEAH. 855 00:33:25,903 --> 00:33:28,006 TAKE FIVE, TRACI. 856 00:33:28,106 --> 00:33:30,274 - THANK YOU. - GOOD JOB, BABY. 857 00:33:30,375 --> 00:33:32,043 - GOOD JOB, TRACI. - THANK YOU. 858 00:33:32,143 --> 00:33:34,746 - TRAY-DAY. - THANK YOU, TWIN-AY. 859 00:33:34,846 --> 00:33:36,814 I'M HAPPY-- I REALLY AM. 860 00:33:36,914 --> 00:33:38,983 - BETTER THAN THE OTHER DAY. - YEAH, IT WAS. 861 00:33:39,083 --> 00:33:40,718 YEAH, BUT-BUT LISTEN. 862 00:33:40,818 --> 00:33:42,887 YOU NEEDED TO GO HOME, YOU NEEDED TO REST. 863 00:33:42,987 --> 00:33:44,722 EVEN THOUGH I DID GO OFF-KEY A LITTLE BIT, 864 00:33:44,822 --> 00:33:46,758 AND IT WAS LIKE, "UH-UH-- NO, DO IT AGAIN." 865 00:33:46,858 --> 00:33:48,393 - THIS IS ONLY THE BEGINNING. - YEAH. 866 00:33:48,493 --> 00:33:49,761 THIS IS JUST THE BEGINNING. 867 00:33:49,861 --> 00:33:52,430 - I'M EXCITED. - I'M EXCITED FOR YOU. 868 00:33:52,530 --> 00:33:54,298 YOU'RE ABOUT TO MAKE ME CRY, MAN. 869 00:33:54,399 --> 00:33:56,034 - THANK YOU. - GOOD JOB, BABY. 870 00:33:56,134 --> 00:33:58,036 THANK YOU. 871 00:34:12,517 --> 00:34:14,852 - HERE HE IS. - STINKER'S AWAKE. 872 00:34:14,952 --> 00:34:16,587 LOGAN? - MOMMY-- THERE'S MOMMY. 873 00:34:16,687 --> 00:34:18,423 HI! 874 00:34:20,958 --> 00:34:23,361 WHY DO YOU HAVE TO BE SO CUTE? - GO TO YOUR MOMMY. 875 00:34:23,461 --> 00:34:25,229 HI, MOMMY. 876 00:34:25,329 --> 00:34:26,998 SO, I JUST FINISHED MY SHOW IN CHICAGO, 877 00:34:27,098 --> 00:34:28,966 AND I MISS MY TEDDY RUXPIN SO BAD 878 00:34:29,067 --> 00:34:30,935 BECAUSE HE'S IN THE HOSPITAL. 879 00:34:31,035 --> 00:34:32,336 BUT THERE'S NOTHIN' TO WORRY ABOUT. 880 00:34:32,437 --> 00:34:34,072 HE'S JUST GETTIN' SOME TESTS RAN. 881 00:34:34,172 --> 00:34:37,542 SO, LUCKY FOR ME, I HAVE MY LITTLE MINI TEDDY RUXPIN, 882 00:34:37,642 --> 00:34:40,511 LOGAN, TO KEEP ME COMPANY. 883 00:34:43,848 --> 00:34:45,450 OH, GIRL, I DON'T KNOW. 884 00:34:45,550 --> 00:34:47,585 - OH, HI. - HEY, YOU. 885 00:34:47,685 --> 00:34:49,420 HEY. - WHO IS THAT? 886 00:34:49,520 --> 00:34:51,422 LOOK AT MY LITTLE DUDE! 887 00:34:51,522 --> 00:34:53,257 AFTER YESTERDAY'S "BAR CHIX" LAUNCH PARTY, 888 00:34:53,357 --> 00:34:54,892 I'M REALLY EXCITED. 889 00:34:54,992 --> 00:34:57,728 THE LAUNCH PARTY WAS A SUCCESS! 890 00:34:57,829 --> 00:34:59,831 BUT, RIGHT NOW, I'M IN CHICAGO, 891 00:34:59,931 --> 00:35:02,700 SO I CAN VISIT TAMAR AND MOMMY WHILE TAMAR'S ON THE ROAD. 892 00:35:02,800 --> 00:35:04,969 - ISN'T HE THE CUTE-- - LOOK HOW BIG HE IS! 893 00:35:05,069 --> 00:35:07,105 AREN'T WE THE CUTEST COUPLE EVER? 894 00:35:07,205 --> 00:35:08,439 NO, HE AND I ARE THE CUTEST COUPLE. 895 00:35:08,539 --> 00:35:09,507 LIES. 896 00:35:09,607 --> 00:35:10,708 YOU HAVE SOMETHIN' TO SAY ABOUT THAT? 897 00:35:10,808 --> 00:35:12,210 DO YOU HAVE SOMETHING TO SAY ABOUT THAT? 898 00:35:12,310 --> 00:35:13,511 HE SAID, "I LOOK LIKE MY MOMMY." 899 00:35:13,611 --> 00:35:15,146 WHY IS IT SO HOT IN YOUR ROOM? 900 00:35:15,246 --> 00:35:16,581 'CAUSE IT'S COLD OUTSIDE. 901 00:35:16,681 --> 00:35:17,782 - I WAS TELLING HER IT'S HOT. - OH, MY GOSH! 902 00:35:17,882 --> 00:35:19,117 BECAUSE ME AND LOGAN LIKES THIS TEMPERATURE. 903 00:35:19,217 --> 00:35:21,018 RIGHT, LO? - IT'S LIKE THE GATES OF HELL. 904 00:35:21,119 --> 00:35:23,121 OH, MY GOD! - IT'S HOT. 905 00:35:23,221 --> 00:35:25,223 OH, WAIT-- LET ME PUT SOME HAND SANITIZER ON. 906 00:35:25,323 --> 00:35:27,592 HOW ABOUT HAND SANITIZER, MEANING SOAP AND WATER? 907 00:35:27,692 --> 00:35:29,093 - I DID SOAP AND WATER, TAMAR. - WHEN? 908 00:35:29,193 --> 00:35:31,395 - BEFORE I CAME IN HERE. - WHERE? 909 00:35:31,496 --> 00:35:33,297 - IN THE RESTROOM. - WHAT RESTROOM? 910 00:35:33,397 --> 00:35:35,066 TAMAR, HUSH. 911 00:35:35,166 --> 00:35:37,401 COMING UP, ON "BRAXTON FAMILY VALUES"... 912 00:35:37,502 --> 00:35:39,637 HI, LITTLE GUY-- SEE, HE'S EXCITED TO SEE ME. 913 00:35:39,737 --> 00:35:41,806 HE WANTS ME TO HOLD HIM. - HE DOESN'T. 914 00:35:41,906 --> 00:35:44,342 I DON'T LIKE TAMAR BEING A MOM-- SHE'S A HOGGER. 915 00:35:44,442 --> 00:35:45,610 DON'T Y'ALL REMEMBER WHEN YOU WAS LITTLE, 916 00:35:45,710 --> 00:35:46,811 YOU USED TO DRY HUMP. 917 00:35:46,911 --> 00:35:48,179 WHAT'S WRONG WITH THAT-- WHY CAN'T WE GO BACK TO THAT? 918 00:35:48,279 --> 00:35:49,714 THERE'S A LOT WRONG WITH THAT. 919 00:35:49,814 --> 00:35:52,016 HOW DID WE GET ON DRY HUMPIN'? 920 00:35:54,619 --> 00:35:57,455 AND MY BABY, STINKY MAN. 921 00:35:57,555 --> 00:35:59,123 YOU CAN'T HAVE HIM. 922 00:35:59,223 --> 00:36:00,591 WAIT. 923 00:36:00,691 --> 00:36:02,026 MOMMY, TAMAR BEING A BABY HOGGER. 924 00:36:02,126 --> 00:36:04,095 HEY, MOMMY. 925 00:36:04,195 --> 00:36:05,930 THAT'S YOUR BABY-HOGGIN' DAUGHTER. 926 00:36:06,030 --> 00:36:08,666 - I'M NOT A BABY HOGGER. - HI, STINK. 927 00:36:08,766 --> 00:36:11,002 HI, LITTLE GUY-- SEE, HE'S EXCITED TO SEE ME. 928 00:36:11,102 --> 00:36:13,304 HE WANTS ME TO HOLD HIM. - HE DOESN'T. 929 00:36:13,404 --> 00:36:15,940 - HOW'S THE SHOW BEEN OVERALL? - I'M NOT SCARED ANYMORE. 930 00:36:16,040 --> 00:36:17,575 WHY WERE YOU SCARED, AT FIRST? 931 00:36:17,675 --> 00:36:18,843 OKAY, YOU KNOW, TRINA, LIKE, STAGE FRIGHT, 932 00:36:18,943 --> 00:36:20,444 LIKE, WHEN YOU FIRST START, I-I WAS AFRAID. 933 00:36:20,545 --> 00:36:21,946 DO YOU GOTTA GO POTTY BEFORE YOU GET ON STAGE? 934 00:36:22,046 --> 00:36:23,614 - I ALWAYS GOTTA PEE, BUT-- - WHY DOES THAT HAPPEN? 935 00:36:23,714 --> 00:36:24,815 'CAUSE YOU JUST GOTTA PEE. 936 00:36:24,916 --> 00:36:26,284 I HAVE TO GO POTTY EVERY TIME WHEN I STEP ONSTAGE. 937 00:36:26,384 --> 00:36:28,319 WELL, 'CAUSE IT'S BECAUSE YOU DRINK SO MUCH TEA 938 00:36:28,419 --> 00:36:30,188 AND WATER. - WATER. 939 00:36:30,288 --> 00:36:32,156 I THINK A LOT OF IT HAVE TO DO WITH YOUR NERVES. 940 00:36:32,256 --> 00:36:33,658 - NERVES-- YES, MA'AM. - I DON'T HAVE NO NERVES. 941 00:36:33,758 --> 00:36:35,593 WE DON'T HAVE NO NERVES-- FOR WHAT? 942 00:36:35,693 --> 00:36:37,328 HI! 943 00:36:37,428 --> 00:36:39,864 MAMA'S BOY-- MAMA'S BOY. 944 00:36:39,964 --> 00:36:41,599 SAY, "WE DON'T GOT NO NERVES." 945 00:36:41,699 --> 00:36:44,235 I DON'T GOT NO NERVES-- HI, STINK. 946 00:36:44,335 --> 00:36:45,570 DOESN'T HE KINDA REMIND YOU OF LITTLE ERIC 947 00:36:45,670 --> 00:36:47,205 WHEN HE WAS LITTLE? 948 00:36:47,305 --> 00:36:49,040 A LITTLE BIT-- I SAW ERIC, TAMAR. 949 00:36:49,140 --> 00:36:50,608 I ALMOST CRIED. - WHY? 950 00:36:50,708 --> 00:36:52,777 'CAUSE HE LOOKS LIKE A GROWING YOUNG MAN. 951 00:36:52,877 --> 00:36:54,178 - WELL, HE IS. - WATCH-- I CANNOT WAIT. 952 00:36:54,278 --> 00:36:56,013 YOU'LL SEE. - NO, I GET IT NOW, 953 00:36:56,113 --> 00:36:59,383 'CAUSE IT'S HARD FOR ME TO LEAVE HIM NOW. 954 00:36:59,483 --> 00:37:01,452 LO, I GOTTA GO. 955 00:37:01,552 --> 00:37:03,721 DO YOU THINK THAT-THAT'S GONNA HAPPEN, LOGAN? 956 00:37:03,821 --> 00:37:05,456 LO-LO? 957 00:37:05,556 --> 00:37:07,758 LOGIE, MOMMY HAS TO GO. 958 00:37:07,858 --> 00:37:10,027 WILL YOU STAY UP FOR ME? 959 00:37:10,127 --> 00:37:11,829 YOU PROMISE? 960 00:37:11,929 --> 00:37:14,665 I'M SO GLAD MY ROAD DOG, TRINA BRAXTON, IS HERE WITH ME, 961 00:37:14,765 --> 00:37:16,467 BECAUSE WE'RE FITTIN' TO GO OUT 962 00:37:16,567 --> 00:37:19,637 AND HAVE SOME GROWN-UP TIME AND SOME COCKTAILS, OKAY? 963 00:37:19,737 --> 00:37:21,239 BUT, I CAN'T HELP IT. 964 00:37:21,339 --> 00:37:23,908 EVERY TIME I LEAVE LOGAN, ALL OF A SUDDEN, 965 00:37:24,008 --> 00:37:25,943 I FEEL SO BAD, LATELY. 966 00:37:27,845 --> 00:37:30,114 CAN I HAVE A HUG? 967 00:37:30,214 --> 00:37:31,749 THANK YOU. 968 00:37:31,849 --> 00:37:35,152 YES, YES, YES. 969 00:37:35,253 --> 00:37:37,788 SEE, I'M YOUR FAVORITE AUNTIE-- YES, I AM. 970 00:37:37,888 --> 00:37:39,957 WAS IT HARD FOR YOU TO LEAVE LITTLE ERIC THIS YOUNG? 971 00:37:40,057 --> 00:37:41,726 ERIC IS 18-- IT'S HARD FOR ME. 972 00:37:41,826 --> 00:37:44,128 IT DOESN'T GET ANY BETTER, THE OLDER THEY GET. 973 00:37:44,228 --> 00:37:45,997 WELL, AT LEAST I GET TO COME HOME TO HIM. 974 00:37:46,097 --> 00:37:47,865 EXACTLY. 975 00:37:47,965 --> 00:37:50,001 YOU READY TO GO NIGHT-NIGHT? 976 00:37:50,101 --> 00:37:51,435 NO, YOU SAID YOU WAS GONNA STAY UP. 977 00:37:51,535 --> 00:37:52,670 HE'S TIRED. 978 00:37:52,770 --> 00:37:53,804 OOH, HE SMELLS SO GOOD-- DON'T HE SMELL GOOD? 979 00:37:53,904 --> 00:37:55,439 I DON'T LIKE TAMAR BEING A MOMMY. 980 00:37:55,539 --> 00:37:57,008 - LIES. - SHE'S BOSSY, 981 00:37:57,108 --> 00:37:58,909 AND SHE'S A HOGGER. 982 00:37:59,010 --> 00:38:01,379 WE SHARED. - I LOVE YOU, STINKY, 'KAY? 983 00:38:01,479 --> 00:38:03,214 YOU LOVE ME? 984 00:38:03,314 --> 00:38:04,448 YOU'RE GOING WITH TAMAR OR NO? 985 00:38:04,548 --> 00:38:05,950 YOU'RE STAYIN' HERE? 986 00:38:06,050 --> 00:38:07,685 I'LL GO WITH MONSTER. 987 00:38:07,785 --> 00:38:09,320 OKAY. 988 00:38:09,420 --> 00:38:11,222 ALL RIGHT. 989 00:38:11,322 --> 00:38:12,757 I LOVE YOU-- STAY UP, OKAY? 990 00:38:12,857 --> 00:38:14,992 - OKAY, LOVE YOU. - BYE, MOMMY. 991 00:38:15,092 --> 00:38:17,361 SEE YOU WHEN YOU GET BACK. 992 00:38:33,644 --> 00:38:35,112 OOH, NO SALT. 993 00:38:35,212 --> 00:38:36,847 SO, NOW THAT TREE-TREE IS HERE, 994 00:38:36,947 --> 00:38:40,318 I'M SO EXCITED THAT MY TOUR FAMILY AND MY REAL FAMILY 995 00:38:40,418 --> 00:38:43,254 ARE TOGETHER FOR COCKTAIL HOUR-- IT'S THE BOMB. 996 00:38:43,354 --> 00:38:44,655 LET ME ASK YOU A QUESTION. 997 00:38:44,755 --> 00:38:46,557 LIKE, WHAT-WHAT DO YOU THINK VINCE WOULD SAY ABOUT THE SHOW, 998 00:38:46,657 --> 00:38:48,059 IF HE WAS HERE? 999 00:38:48,159 --> 00:38:49,660 ANNA MAE, YOU KILLED IT, GIRL. 1000 00:38:49,760 --> 00:38:51,829 HONESTLY, I THINK HE'LL BE MAD THAT HE WASN'T, 1001 00:38:51,929 --> 00:38:53,431 'CAUSE THIS PROBABLY WAS ONE OF YOUR BEST SHOWS. 1002 00:38:53,531 --> 00:38:54,598 REALLY, HONESTLY, 1003 00:38:54,699 --> 00:38:56,500 IT'S UNCOMFORTABLE FOR ME TO BE ONSTAGE AND PERFORM 1004 00:38:56,600 --> 00:38:58,669 WITHOUT VINCE THERE. - WHY? 1005 00:38:58,769 --> 00:39:00,738 BECAUSE HE'S IN THE HOSPITAL, SO I'M WORRYIN' ABOUT LOGAN, 1006 00:39:00,838 --> 00:39:02,173 AT THE SAME TIME. 1007 00:39:02,273 --> 00:39:03,641 I THOUGHT I DID A TERRIBLE JOB, 1008 00:39:03,741 --> 00:39:05,476 'CAUSE MY HEAD WAS ALL OVER THE PLACE TONIGHT. 1009 00:39:05,576 --> 00:39:07,311 - NO. - SOMETIMES, 1010 00:39:07,411 --> 00:39:09,380 WHEN YOUR MIND IS NOT ON YOUR PERFORMANCE, 1011 00:39:09,480 --> 00:39:11,882 THAT'S WHEN YOU HAVE THE BEST PERFORMANCES. 1012 00:39:11,982 --> 00:39:13,784 AND AT THE SAME TIME, VINCE IS NOT IN THE HOSPITAL 1013 00:39:13,884 --> 00:39:15,286 BECAUSE THE AMBULANCE HAD TO COME GET HIM 1014 00:39:15,386 --> 00:39:17,021 AND RUSH HIM TO THE HOSPITAL. 1015 00:39:17,121 --> 00:39:18,789 IT'S LIKE FOLLOW-UP-- IT'S DIFFERENT. 1016 00:39:18,889 --> 00:39:20,358 IT'S LIKE MAINTENANCE-- HIS CHECKUP AND ALL THAT, 1017 00:39:20,458 --> 00:39:22,526 AND YOUR MAMA GOT YOUR BABY. 1018 00:39:22,626 --> 00:39:24,362 DID YOU HAVE YOUR NEWBORN BABY OUT ON THE, LIKE-- 1019 00:39:24,462 --> 00:39:26,197 ERIC WAS WITH US INTERMITTENTLY, 1020 00:39:26,297 --> 00:39:28,933 WHEN I FIRST HAD ERIC. - WHAT'S THAT-WHAT'S THAT WORD? 1021 00:39:29,033 --> 00:39:30,368 I HAVE TO GET MY THESAURUS OUT. 1022 00:39:30,468 --> 00:39:32,770 "INTERMITTENTLY"-- EVERY SO OFTEN. 1023 00:39:32,870 --> 00:39:35,239 THAT MEANS "SOMETIMES?" 1024 00:39:35,339 --> 00:39:37,475 ANYWAY, THOUGH, TAMAR. 1025 00:39:37,575 --> 00:39:39,610 I KNOW YOU'RE, LIKE, TRYING TO MAKE LIGHT OF SITUATIONS. 1026 00:39:39,710 --> 00:39:42,079 AND I UNDERSTAND THAT YOU WANNA SPEND AS MUCH TIME 1027 00:39:42,179 --> 00:39:44,315 AS YOU CAN WITH LITTLE BABY LO-LO. 1028 00:39:44,415 --> 00:39:45,649 THAT'S MY LITTLE MAN, MY LITTLE BABY. 1029 00:39:45,750 --> 00:39:47,017 I LOVE HIM TO DEATH. 1030 00:39:47,118 --> 00:39:48,953 BUT, MY QUESTION IS, 1031 00:39:49,053 --> 00:39:51,155 IF HE IS SLEEPIN' WITH YOU EVERY NIGHT, ON YOUR CHEST, 1032 00:39:51,255 --> 00:39:52,790 HOW-HOW ARE YOU GUYS GETTIN' IT IN? 1033 00:39:52,890 --> 00:39:54,358 HOW ARE Y'ALL SPENDIN' HUSBAND AND WIFE TIME? 1034 00:39:54,458 --> 00:39:56,427 - OH, OH! - WHERE'S THE LOVE? 1035 00:39:56,527 --> 00:39:58,062 LET ME TELL YA SOMETHIN', THAT'S A PROBLEM. 1036 00:39:58,162 --> 00:39:59,363 THAT'S A PROBLEM. 1037 00:39:59,463 --> 00:40:00,798 WITH A MARRIED PERSON, THAT'S A PROBLEM. 1038 00:40:00,898 --> 00:40:02,066 SHE'S TALKIN' RIGHT. 1039 00:40:02,166 --> 00:40:03,934 I MEAN, HE CAN'T ON YOUR T-T 1040 00:40:04,034 --> 00:40:07,538 IF THE BABY IS LAYING ON YOUR T-T. 1041 00:40:07,638 --> 00:40:08,806 TRINA'S OUT OF ORDER FOR THE QUESTIONS 1042 00:40:08,906 --> 00:40:10,007 SHE BE ASKIN' SOMETIMES. 1043 00:40:10,107 --> 00:40:11,375 I DON'T EVEN KNOW WHAT SHE'S TALKIN' ABOUT. 1044 00:40:11,475 --> 00:40:13,177 MY BABY CAN LAY ANYWHERE ON ME. 1045 00:40:13,277 --> 00:40:15,346 WHAT IS SHE TALKIN' ABOUT-- TRINA'S CRAZY. 1046 00:40:15,446 --> 00:40:16,680 DON'T Y'ALL REMEMBER WHEN YOU WAS LITTLE, 1047 00:40:16,781 --> 00:40:18,048 YOU USED TO DRY HUMP. 1048 00:40:18,149 --> 00:40:19,517 WHAT'S WRONG WITH THAT-- WHY CAN'T WE GO BACK TO THAT? 1049 00:40:19,617 --> 00:40:21,018 THERE'S A LOT WRONG WITH THAT. 1050 00:40:21,118 --> 00:40:22,386 SOMETIMES-- NO. - WHAT'S WRONG WITH DRY HUMP? 1051 00:40:22,486 --> 00:40:24,688 YOU HUMP-HUMP-HUMP-HUMP- HUMP-HUMP-HUMP-- OOH. 1052 00:40:24,789 --> 00:40:26,657 EVERYBODY GOOD-- NOBODY'S PREGNANT. 1053 00:40:26,757 --> 00:40:27,958 I THOUGHT WE WAS TALKIN' ABOUT THE WELL-BEING OF THE CHILDREN. 1054 00:40:28,058 --> 00:40:29,727 HOW DID WE GET ON DRY HUMPIN'? 1055 00:40:29,827 --> 00:40:31,462 I GOTTA BE HONEST. 1056 00:40:31,562 --> 00:40:33,798 I-I'M AFRAID TO HAVE ANOTHER BABY. 1057 00:40:33,898 --> 00:40:35,433 - YOU'RE NOT-- OKAY - WAIT A MINUTE. 1058 00:40:35,533 --> 00:40:37,168 I'M ALREADY FEELING BAD 1059 00:40:37,268 --> 00:40:39,804 BECAUSE I DON'T KNOW HOW TO HANDLE THE LOGAN SITUATION. 1060 00:40:39,904 --> 00:40:42,373 I CAN'T BRING ANOTHER KID INTO IT. 1061 00:40:42,473 --> 00:40:44,275 I'M GONNA BE EVEN MORE CONFUSED. 1062 00:40:44,375 --> 00:40:45,409 YOU KNOW WHAT I'M SAYIN'? - DON'T FEEL BAD. 1063 00:40:45,509 --> 00:40:46,477 DON'T FEEL BAD. 1064 00:40:46,577 --> 00:40:47,611 WHAT IF-WHAT IF I TURN AND GET ME ANOTHER JOB? 1065 00:40:47,711 --> 00:40:48,712 THAT'S SIX JOBS. 1066 00:40:48,813 --> 00:40:49,847 I GOT SIX JOBS, AND I GOT TWO KIDS. 1067 00:40:49,947 --> 00:40:51,515 HOW AM I GONNA DO THAT-- WHERE WE GONNA GO? 1068 00:40:51,615 --> 00:40:53,784 EVERY NIGHT, WHERE'S LOGAN? 1069 00:40:53,884 --> 00:40:55,286 WITH HIS MOM. - RIGHT. 1070 00:40:55,386 --> 00:40:58,823 HIS MOM GETS ONSTAGE, SHE MAKES HER LIVING, 1071 00:40:58,923 --> 00:41:00,791 AND THEN-- - MMM-HMM, MMM-HMM. 1072 00:41:00,891 --> 00:41:02,760 TO MAKE A BETTER LIFE FOR HER CHILD. 1073 00:41:02,860 --> 00:41:04,895 WHEN SHE'S DONE, SHE TAKE HER CHILD, 1074 00:41:04,995 --> 00:41:05,963 AND SHE GOES TO SLEEP. 1075 00:41:06,063 --> 00:41:08,032 BUT, AM I TAKING HIS CHILDHOOD FROM HIM? 1076 00:41:08,132 --> 00:41:10,801 - TAMAR, HE'S FIVE MONTHS OLD. - NO, BUT YOU KNOW WHAT I MEAN. 1077 00:41:10,901 --> 00:41:12,803 LIKE-LIKE, HE'S NOT LIKE A REGULAR BABY. 1078 00:41:12,903 --> 00:41:15,539 HE-HE DOESN'T HAVE A WALKER, HE DOESN'T HAVE A SWING SET. 1079 00:41:15,639 --> 00:41:17,074 HE DOESN'T HAVE-- - HE HAS A TOUR BUS. 1080 00:41:17,174 --> 00:41:18,843 HE DOESN'T HAVE PLAYDATES WITH OTHER FIVE MONTH OLD KIDS. 1081 00:41:18,943 --> 00:41:19,944 BUT, TAMAR, HE'S NOT ACTIVE LIKE THAT RIGHT NOW. 1082 00:41:20,044 --> 00:41:21,612 YOU'RE BEATING YOURSELF UP FOR NOTHIN'. 1083 00:41:21,712 --> 00:41:24,748 I WAS ON THE ROAD WITH A BABY, SO I GET IT. 1084 00:41:24,849 --> 00:41:27,351 I WAS THERE YEARS AGO, 1085 00:41:27,451 --> 00:41:29,520 WHEN ERIC WAS A BABY. 1086 00:41:29,620 --> 00:41:32,089 THE THREE OF US HAD THE OPPORTUNITY TO GO ON THE ROAD 1087 00:41:32,189 --> 00:41:33,824 AS THE BRAXTONS. 1088 00:41:33,924 --> 00:41:35,593 YOU KNOW, IT'S REALLY DIFFICULT BEING A MOM 1089 00:41:35,693 --> 00:41:37,595 AND HAVING A CAREER. 1090 00:41:37,695 --> 00:41:39,597 BUT THE MOST IMPORTANT THING WAS THAT 1091 00:41:39,697 --> 00:41:42,566 I WAS ABLE TO STILL SHARE THOSE MOMENTS WITH MY BABY. 1092 00:41:42,666 --> 00:41:44,201 OKAY, HE DOESN'T HAVE A WALKER. 1093 00:41:44,301 --> 00:41:45,603 GUESS WHAT-- HE CAN'T WALK YET. 1094 00:41:45,703 --> 00:41:47,438 SO, WHAT IS HE MISSING? 1095 00:41:47,538 --> 00:41:49,740 HAVING TRINA HERE HAS REALLY HELPED ME SEE THAT 1096 00:41:49,840 --> 00:41:52,042 I'M DOING THE RIGHT THING AS A MAMA 1097 00:41:52,142 --> 00:41:55,312 AND AS A ARTIST. - YOU'RE A GOOD MOMMY, TAMAR. 1098 00:41:55,412 --> 00:41:56,914 I MEAN, I DON'T FEEL THAT BAD NO MORE, BUT I DID. 1099 00:41:57,014 --> 00:41:58,549 I CAN'T LIE. 1100 00:41:58,649 --> 00:42:00,718 I THINK YOU'RE DOING A GREAT JOB AS A MOM, 1101 00:42:00,818 --> 00:42:02,319 AND I'M REALLY PROUD OF YOU. 1102 00:42:02,419 --> 00:42:04,121 DON'T SECOND-GUESS YOURSELF, 1103 00:42:04,221 --> 00:42:06,524 ON THE ROAD, AND AS A MOM. 1104 00:42:06,624 --> 00:42:09,226 WELL, I JUST MISSED YOU GUYS. 1105 00:42:09,326 --> 00:42:12,096 I'M GLAD YOU'RE HERE, BUT I MISS MY SISSIES. 1106 00:42:12,196 --> 00:42:15,633 THE OTHER SISTERS. 1107 00:42:15,733 --> 00:42:18,903 NOT THIS ROUND OF SISTERS-- MY REAL SISTERS. 1108 00:42:19,003 --> 00:42:21,171 CHEERS TO TRINA BEING ON THE ROAD WITH US! 1109 00:42:23,607 --> 00:42:25,209 DRINK IS ON. 1110 00:42:25,309 --> 00:42:26,610 AND CHEERS TO VINCE GETTING BETTER, 1111 00:42:26,710 --> 00:42:28,012 AND WHILE VINCE IS GETTING BETTER, 1112 00:42:28,112 --> 00:42:29,880 WE'RE GONNA DO COMPLETE TOXIC SABOTAGE. 1113 00:42:29,980 --> 00:42:31,649 I'M GONNA HAVE PLENTY OF COCKTAILS WHILE HE'S NOT HERE, 1114 00:42:31,749 --> 00:42:34,218 AND I'M GONNA DRINK FOR THE GODS-- HALLELUJAH! 83783

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