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These are the user uploaded subtitles that are being translated: 1 00:00:01,301 --> 00:00:01,400 PREVIOUSLY, 2 00:00:01,401 --> 00:00:01,533 PREVIOUSLY, ON 3 00:00:01,534 --> 00:00:01,667 PREVIOUSLY, ON "BRAXTON 4 00:00:01,668 --> 00:00:02,501 PREVIOUSLY, ON "BRAXTON FAMILY 5 00:00:02,502 --> 00:00:03,036 PREVIOUSLY, ON "BRAXTON FAMILY VALUES"... 6 00:00:03,136 --> 00:00:03,870 DID YOU BUY MY ALBUM? 7 00:00:03,970 --> 00:00:05,038 I-- TRUST ME-- YES, I DID. 8 00:00:05,138 --> 00:00:05,805 DID YOU BUY MY ALBUM-- EVERYBODY BOUGHT MY ALBUM? 9 00:00:05,905 --> 00:00:06,806 YEAH. 10 00:00:06,906 --> 00:00:08,108 I DIDN'T GET A PHONE CALL FROM NOBODY 11 00:00:08,208 --> 00:00:09,976 WHEN IT WENT NUMBER ONE, AND IT CAME OUT. 12 00:00:10,076 --> 00:00:11,878 I'M NOT UNDERSTANDIN' TAMAR. 13 00:00:11,978 --> 00:00:14,314 SHE WANTS US TO TEXT HER TO SAY, "CONGRATULATIONS! 14 00:00:14,414 --> 00:00:16,016 "I JUST HAD A BIG . 15 00:00:16,116 --> 00:00:18,118 "CONGRATULATIONS, TA--" I MEAN, WHY WOULD-- 16 00:00:18,218 --> 00:00:19,219 WHY, TAMAR? 17 00:00:19,319 --> 00:00:20,787 YOU WANT US TO TEXT YOU OR CALL YOU EVERY TIME 18 00:00:20,887 --> 00:00:21,888 YOU DO SOMETHIN'. 19 00:00:21,988 --> 00:00:23,023 TAMAR DOESN'T REALLY GIVE A FLIP 20 00:00:23,123 --> 00:00:26,126 ABOUT ANYBODY ELSE'S FEELINGS. - REALLY? 21 00:00:26,226 --> 00:00:28,161 BUT, WHAT IT REFLECTS BACK TO, IS YOU-- FEELING. 22 00:00:28,261 --> 00:00:29,829 IT'S REALLY WHACK, HOW I FEEL. 23 00:00:29,929 --> 00:00:32,098 - PLEASE-- PLEASE? - HASHTAG, AIN'T NOBODY GOT TIME FOR THAT. 24 00:00:32,198 --> 00:00:34,768 HASHTAG, WHY WE GOTTA BE LIKE THAT? 25 00:00:34,868 --> 00:00:35,835 BECAUSE I DIDN'T. 26 00:00:35,935 --> 00:00:36,903 HASHTAG, YOU DON'T EVEN CALL ME. 27 00:00:37,003 --> 00:00:38,138 I COULD'VE. 28 00:00:38,238 --> 00:00:39,572 HASHTAG, I HAVEN'T EVEN HEARD FROM YOU IN TWO MONTHS. 29 00:00:39,672 --> 00:00:40,940 AND IT'S RECIPROCATED. 30 00:00:41,041 --> 00:00:42,275 HASHTAG, YOU'RE NOT VERY NICE TO ME. 31 00:00:42,375 --> 00:00:43,543 AND IT'S RECIPROCATED-- AND IT'S RECIPROCATED. 32 00:00:43,643 --> 00:00:44,878 HASHTAG, YOU'RE ALWAYS IN THE MIDDLE OF A MESS. 33 00:00:44,978 --> 00:00:46,279 YEP-- IT'S RECIPROCATED. 34 00:00:46,379 --> 00:00:47,514 HASHTAG, AND-AND IT'S ALWAYS THE BOTTOM LINE 35 00:00:47,614 --> 00:00:49,649 AND THE COMMON DENOMINATOR IS TOWANDA CHLOE BRAXTON. 36 00:00:49,749 --> 00:00:51,584 ARE YOU SERIOUS? 37 00:00:52,719 --> 00:00:55,522 ♪ WE ARE THE BRAXTONS AND YOU'LL SEE ♪ 38 00:00:55,622 --> 00:00:59,492 ♪ THAT WE ARE NOT LIKE AN ORDINARY FAMILY ♪ 39 00:00:59,592 --> 00:01:03,096 ♪ TONI TRACI TOWANDA TRINA TAMAR AND MISS E ♪ 40 00:01:03,196 --> 00:01:05,999 ♪ WILL TEACH YOU A THING OR TWO ♪ 41 00:01:06,099 --> 00:01:10,603 ♪ ON BRAXTON FAMILY VALUES ♪ 42 00:01:26,119 --> 00:01:27,554 I-I DON'T KNOW WHAT I DID TO ANYBODY 43 00:01:27,654 --> 00:01:33,059 TO NOT EVEN GET A TEXT TO SAY, "CONGRATULATIONS, 44 00:01:33,159 --> 00:01:35,662 "BITCH," AT THE END, IF THAT'S HOW YOU FEEL. 45 00:01:35,762 --> 00:01:37,163 - OKAY, BUT-- OKAY. - I'M JUST SAYIN'. 46 00:01:37,263 --> 00:01:42,368 TAMAR, TRINA, TRACI, AND I ARE HAVING DINNER TONIGHT. 47 00:01:42,469 --> 00:01:44,871 AND, UNFORTUNATELY, THINGS GOT HEATED 48 00:01:44,971 --> 00:01:48,074 BECAUSE EVERYBODY GOT IN THEIR FEELINGS. 49 00:01:48,174 --> 00:01:50,176 IT WAS ON TWITTER AND INSTAGRAM THAT I CONGRATULATED YOU. 50 00:01:50,276 --> 00:01:51,244 WELL, THAT'S WHAT I'M SAYIN'. 51 00:01:51,344 --> 00:01:52,779 I'M-I'M TALKIN' ABOUT I CAN'T SEE EVERYBODY 52 00:01:52,879 --> 00:01:54,948 WHO TWEETS OR INSTAGRAM ME. 53 00:01:55,048 --> 00:01:56,783 WELL, YOU CAN'T MAKE A BLANKET STATEMENT. 54 00:01:56,883 --> 00:01:58,384 LIKE, BUT I CAN-- I CAN DAMN SURE SEE WHO TEXTS ME. 55 00:01:58,485 --> 00:02:01,121 I DEFINITELY DID TWITTER, AND I CONGRATULATED YOU. 56 00:02:01,221 --> 00:02:02,622 YEAH, BUT WHY DIDN'T YOU TEXT ME? 57 00:02:02,722 --> 00:02:03,990 THIS IS SOMETHIN' THAT MY SISTERS 58 00:02:04,090 --> 00:02:09,028 KNEW THAT I'VE BEEN WORKING MY WHOLE LIFE FOR. 59 00:02:09,129 --> 00:02:11,965 TO NOT HEAR FROM THE PEOPLE THAT YOU LOVE 60 00:02:12,065 --> 00:02:16,436 AND RESPECT THE MOST IS, YOU KNOW, VERY HEARTBREAKING, 61 00:02:16,536 --> 00:02:21,741 AND SAD, AND HURTFUL. 62 00:02:21,841 --> 00:02:24,544 JUST LIKE IT TOOK TWO SECONDS TO TWEET ME 63 00:02:24,644 --> 00:02:26,479 TO SAY "CONGRATULATIONS," IT TAKES-- 64 00:02:26,579 --> 00:02:27,780 WELL, THAT'S JUST LIKE ON INSTAGRAM. 65 00:02:27,881 --> 00:02:29,015 IT'S-- HOLD ON-- LET ME-- LET ME GET IT OUT. 66 00:02:29,115 --> 00:02:30,116 INSTEAD OF-- INSTEAD OF YOU TALK-TALKIN' TO ME, 67 00:02:30,216 --> 00:02:31,217 YOU PUT IT ON INSTAGRAM-- THAT'S THE SAME THING. 68 00:02:31,317 --> 00:02:32,318 EXCUSE ME-- LET ME GET IT OUT. 69 00:02:32,418 --> 00:02:33,620 LET ME GET IT OUT-- LET ME GET IT OUT. 70 00:02:33,720 --> 00:02:35,288 IT WOULD-- IT WOULD'VE TAKE THE SAME AMOUNT OF TIME 71 00:02:35,388 --> 00:02:37,824 TO TEXT ME TO SAY "CONGRATULATIONS." 72 00:02:37,924 --> 00:02:39,392 THAT'S ALL I'M SAYING. 73 00:02:39,492 --> 00:02:40,460 THAT'S IT. 74 00:02:40,560 --> 00:02:43,363 AND AS FAR AS YOUR INSTAGRAM, OKAY, 75 00:02:43,463 --> 00:02:47,367 I HEARD ABOUT YOUR BIRTHDAY PARTY AND WHEN IT WAS. 76 00:02:47,467 --> 00:02:54,807 I CANCELED EVERYTHING TO COME TO YOUR BIRTHDAY PARTY. 77 00:02:54,908 --> 00:02:58,645 WE STILL HAVE NOT HAD A CONVERSATION SINCE THEN. 78 00:02:58,745 --> 00:03:03,383 SO, THEREFORE, WHEN I SAW THAT YOU AND TRINA WAS AT, 79 00:03:03,483 --> 00:03:05,652 UH, THE RESTAURANT, 80 00:03:05,752 --> 00:03:07,453 AND IT WAS HASHTAG, FAMILY, 81 00:03:07,554 --> 00:03:10,356 HASHTAG, FUN, I WAS IN MY FEELINGS, 82 00:03:10,456 --> 00:03:12,625 DEEP IN MY FEELINGS, BECAUSE WHY? 83 00:03:12,725 --> 00:03:14,527 YOU'RE OUT HERE IN L.A. 84 00:03:14,627 --> 00:03:16,329 YOU COULDN'T CALL ME? 85 00:03:18,731 --> 00:03:21,935 TRINA AND I HAD LUNCH TOGETHER, AND WE POSTED IT 86 00:03:22,035 --> 00:03:25,705 ON INSTAGRAM AND SAID, "FUN TIMES, FAMILY." 87 00:03:25,805 --> 00:03:27,740 YOU KNOW, ALL THE GOOD OLD JAZZ, 88 00:03:27,840 --> 00:03:31,010 AND TAMAR POSTED SOME RIDICULOUSNESS. 89 00:03:31,110 --> 00:03:32,946 SO, YOU KNOW, I'M IN MY FEELINGS. 90 00:03:33,046 --> 00:03:35,148 I'M LIKE, "HASHTAG, THAT'S WHACK. 91 00:03:35,248 --> 00:03:37,784 "HASHTAG, YOU'RE ALL IN THE SAME CITY AS ME. 92 00:03:37,884 --> 00:03:39,786 "HASHTAG, ALL YOU HAD TO DO WAS CALL ME. 93 00:03:39,886 --> 00:03:41,621 "HASHTAG, I WOULDA CAME. 94 00:03:41,721 --> 00:03:43,890 "HASHTAG, POINT BLANK AND THE PERIOD." 95 00:03:43,990 --> 00:03:45,992 I WAS DEEP IN MY FEELINGS. 96 00:03:46,092 --> 00:03:48,728 - AND IT MADE IT OKAY. - NO-- DIDN'T-- GUESS WHAT? 97 00:03:48,828 --> 00:03:50,730 DIDN'T EVER SAY IT WAS OKAY. 98 00:03:50,830 --> 00:03:54,867 BUT, YOU KNOW, MY SISTERS AND THE WAY 99 00:03:54,968 --> 00:04:00,473 THAT WE HAVE COMMUNICATED HAS BEEN IN FRONT OF... 100 00:04:00,573 --> 00:04:02,775 EVERYONE TO SEE. 101 00:04:04,711 --> 00:04:05,912 WELL, I WAS TRYIN' TO TALK TO TOWANDA DIRECTLY. 102 00:04:06,012 --> 00:04:08,848 SHE SAID, YOU KNOW, "WELL, I HIT YOU ON TWITTER 103 00:04:08,948 --> 00:04:11,451 "AND SAID CONGRATULATIONS." 104 00:04:11,551 --> 00:04:13,486 SO, THAT'S COOL FOR YOU TO TALK TO ME THROUGH SOCIAL MEDIA, 105 00:04:13,586 --> 00:04:15,688 AND I CAN'T TALK TO YOU THROUGH SOCIAL MEDIA? 106 00:04:15,788 --> 00:04:17,523 BECAUSE THAT SEEMS TO BE THE ONLY WAY 107 00:04:17,624 --> 00:04:19,259 YOU WANNA COMMUNICATE WITH ME, 'CAUSE I TEXT YOU. 108 00:04:19,359 --> 00:04:22,028 I CALLED YOUR PHONE. 109 00:04:22,128 --> 00:04:24,130 IN EVERY SITUATION, IN EVERY CONVERSATION, 110 00:04:24,230 --> 00:04:27,367 IT ALWAYS REVERTS BACK TO HOW EVERYBODY'S HURTING TAMAR. 111 00:04:27,467 --> 00:04:30,270 - REALLY-- THAT'S WHAT I DO? - YES-- SURE. 112 00:04:30,370 --> 00:04:34,807 EVERYBODY AT THIS TABLE HAS HAD AN ISSUE WITH TAMAR. 113 00:04:34,907 --> 00:04:36,209 THAT'S THE COMMON DENOMINATOR. 114 00:04:36,309 --> 00:04:37,510 AND I BELIEVE EVERYBODY AT THIS TABLE HAS HAD 115 00:04:37,610 --> 00:04:38,711 AN ISSUE WITH YOU, BUT YOU'RE SUCH A BULLY, 116 00:04:38,811 --> 00:04:39,912 P-PEOPLE ARE AFRAID TO TELL YOU THAT. 117 00:04:40,013 --> 00:04:41,080 I'M A BULLY? 118 00:04:41,180 --> 00:04:42,649 EVERYBODY CAN SAY I'M THE COMMON DENOMINATOR, 119 00:04:42,749 --> 00:04:45,218 IF YOU WANT TO... AM I THE REAL PROBLEM? 120 00:04:45,318 --> 00:04:46,919 NO, I'M NOT THE REAL PROBLEM. 121 00:04:47,020 --> 00:04:49,956 WHEN TOWANDA COMES AROUND, EVERYBODY ACTS LIKE 122 00:04:50,056 --> 00:04:52,592 IT'S NOT COOL TO BE COOL WITH ME, 123 00:04:52,692 --> 00:04:55,561 AND THAT'S WHAT A BULLY IS. 124 00:04:55,662 --> 00:04:57,030 TAMAR IS CALLING ME A BULLY 125 00:04:57,130 --> 00:04:58,931 BECAUSE IT TAKES ONE TO KNOW ONE. 126 00:04:59,032 --> 00:05:00,900 WHENEVER YOU DON'T SEE THINGS TAMAR'S WAY, 127 00:05:01,000 --> 00:05:02,168 YOU'RE A BULLY. 128 00:05:02,268 --> 00:05:05,571 WHENEVER YOU CONFRONT TAMAR, YOU'RE A BULLY. 129 00:05:05,672 --> 00:05:07,073 YOU'RE THE MEAN GIRL. - HOW AM I-- HOW AM I THE MEAN GIRL? 130 00:05:07,173 --> 00:05:09,108 - ARE YOU SERIOUS? - HOW AM I THE MEAN GIRL WHEN I'M OSTRACIZED? 131 00:05:09,208 --> 00:05:10,576 TAMAR, THAT'S JUST LIKE THE-- THAT-THAT-- 132 00:05:10,677 --> 00:05:11,811 HOW AM I THE MEAN GIRL WHEN I'M OSTRACIZED? 133 00:05:11,911 --> 00:05:13,146 EXCUSE ME-- I'M GONNA TELL YOU WHAT IT ABSOLUTELY IS. 134 00:05:13,246 --> 00:05:14,414 OKAY, WHAT IS IT? 135 00:05:14,514 --> 00:05:18,017 THE WAY THAT YOU ACTED AND REACTED ON INSTAGRAM 136 00:05:18,117 --> 00:05:20,019 THAT WAS TOTALLY OUT OF ORDER. 137 00:05:20,119 --> 00:05:21,554 BUT, YOU-YOU WERE USING INSTAGRAM-- 138 00:05:21,654 --> 00:05:23,022 THAT WAS TOTALLY OUT OF ORDER. 139 00:05:23,122 --> 00:05:25,024 YOU WERE USING INSTAGRAM TO GIVE YOURSELF A REASON 140 00:05:25,124 --> 00:05:26,559 FOR NOT-- FOR NOT DEALING WITH ME. 141 00:05:26,659 --> 00:05:27,860 S-- ARE YOU SERIOUS? 142 00:05:27,960 --> 00:05:28,861 ARE YOU SERIOUS-- ARE YOU SERIOUS? 143 00:05:28,961 --> 00:05:30,029 YES--OH, YES, BECAUSE GUESS WHY. 144 00:05:30,129 --> 00:05:30,930 - PLEASE, PLEASE, TAMAR, PLEASE. - THE REAL PROBLEM, 145 00:05:31,030 --> 00:05:32,065 IF YOU REALLY WANTED TO BE HONEST, 146 00:05:32,165 --> 00:05:33,433 AND IF YOU REALLY WANTED TO BE AN ADULT, 147 00:05:33,533 --> 00:05:35,601 AND IF YOU REALLY WANTED TO HASH THINGS OUT WITH ME-- 148 00:05:35,702 --> 00:05:36,803 IF I WANTED TO BE AN ADULT? 149 00:05:36,903 --> 00:05:38,071 YOU WOULD ADMIT TO YOURSELF THE FACT OF THE MATTER 150 00:05:38,171 --> 00:05:39,772 THAT YOU CAN'T HANDLE IT-- YOU CAN'T TAKE IT. 151 00:05:39,872 --> 00:05:41,407 IF I WANTED TO BE AN ADULT? 152 00:05:41,507 --> 00:05:42,342 YOU CAN'T CALL ME, YOU CAN'T SAY, "BITCH, 153 00:05:42,442 --> 00:05:43,376 "HOW YA DOIN, HO? 154 00:05:43,476 --> 00:05:44,944 "WHAT YOU DOIN'-- WHAT'S UP? 155 00:05:45,044 --> 00:05:46,145 "HOW YOU FEELIN'?" 156 00:05:46,245 --> 00:05:47,547 YOU CAN'T DO THAT. - AND MY PHONE RINGS, TOO. 157 00:05:47,647 --> 00:05:49,349 YOU WANNA KNOW WHY-- BECAUSE YOU'RE MEAN, AND YOU'RE HATEFUL, 158 00:05:49,449 --> 00:05:50,650 AND YOU DON'T HAVE TO BE. - I'M MEAN-- I'M MEAN? 159 00:05:50,750 --> 00:05:51,951 I'M HATEFUL? 160 00:05:52,051 --> 00:05:53,019 THAT'S HILARIOUS. - YOU REALLY DON'T HAVE TO BE. 161 00:05:53,119 --> 00:05:54,354 I'M MEAN, AND I'M HATEFUL-- THAT'S FUNNY. 162 00:05:54,454 --> 00:05:55,388 AND EVERY TIME, YOU KNOW, TOWANDA FEELS A CERTAIN WAY, 163 00:05:55,488 --> 00:05:57,390 EVERYBODY IN THE WORLD HAS TO FEEL THE WAY 164 00:05:57,490 --> 00:05:59,992 THAT TOWANDA DOES, AND IF THEY DON'T FEEL LIKE THAT, 165 00:06:00,093 --> 00:06:01,461 THEN, YOU KNOW, YOU'RE KICKED OUT OF THE CLUB. 166 00:06:01,561 --> 00:06:02,829 THAT'S HILARIOUS-- THAT'S HILARIOUS. 167 00:06:02,929 --> 00:06:04,630 BUT, I'M THE MEAN PERSON, AND I'M THE OSTRACIZED ONE. 168 00:06:04,731 --> 00:06:06,299 BUT LET ME TELL YA SOMETHIN', LET ME TELL YA SOMETHIN'. 169 00:06:06,399 --> 00:06:07,600 I-- TOWANDA DOESN'T HAVE A PROBLEM. 170 00:06:07,700 --> 00:06:10,236 BUT, TAMAR WAS THERE FOR YOU ON YOUR 40th BIRTHDAY. 171 00:06:10,336 --> 00:06:13,439 YOU WASN'T THERE FOR ME DURING HER SUCCESS STORY. 172 00:06:13,539 --> 00:06:15,408 - TOWANDA DOESN'T HAVE-- - BUT, I AM THE MEAN GIRL. 173 00:06:15,508 --> 00:06:16,843 OH, SO BEING 40 IS A SUCCESS STORY? 174 00:06:16,943 --> 00:06:18,411 THAT WAS-- THAT IS A SUCCESS STORY. 175 00:06:18,511 --> 00:06:20,346 GET-GET OUTTA HERE, TAMAR-- MAKE IT ABOUT YOU, LIKE YOU ALWAYS DO. 176 00:06:20,446 --> 00:06:21,381 HOW MANY PEOPLE HAVE NOT MADE IT TO 40? 177 00:06:21,481 --> 00:06:22,648 EXCUSE ME, GIRLS. 178 00:06:22,749 --> 00:06:24,016 - YOU ARE SUCCESSFUL AND 40. - HI, DARLING-- HOW ARE YOU? 179 00:06:24,117 --> 00:06:25,017 HEY-- CAN I GET ANOTHER ONE, PLEASE? 180 00:06:25,118 --> 00:06:26,185 - MAKE IT ABOUT YOU. - SURE. 181 00:06:26,285 --> 00:06:27,887 I NEED ANOTHER ROUND-- CAN YOU MAKE MINE A DOUBLE? 182 00:06:27,987 --> 00:06:29,522 I'M MEAN AND HATEFUL-- THAT'S HILARIOUS. 183 00:06:29,622 --> 00:06:31,190 MAKE MINE DOUBLE-- MAKE MINE REAL HARD AND STRONG. 184 00:06:31,290 --> 00:06:32,525 YEAH, ABSOLUTELY. 185 00:06:32,625 --> 00:06:33,993 I CAN SHOW YOU HATEFUL, THOUGH. 186 00:06:34,093 --> 00:06:35,128 I-I'VE SEEN IT. 187 00:06:35,228 --> 00:06:36,162 NO, MAKE IT FOUR-- TWO FOR HER AND TWO FOR ME. 188 00:06:36,262 --> 00:06:37,363 YEAH, KEEP SITTING BECAUSE IT'S COMING. 189 00:06:37,463 --> 00:06:39,298 UM, CAN I GET SOME CHICKEN SATAY, PLEASE? 190 00:06:39,399 --> 00:06:40,633 - TRUST ME. - I HAVE A QUESTION. 191 00:06:40,733 --> 00:06:41,734 SO-- I'M SORRY. - SURE. 192 00:06:41,834 --> 00:06:42,435 GUESS WHAT, TOWANDA-- NOTHING'S YOUR FAULT. 193 00:06:42,535 --> 00:06:43,403 IT'S ME. - YOU'RE RIGHT. 194 00:06:43,503 --> 00:06:45,104 I'M GLAD YOU'RE REALIZING THAT, FINALLY. 195 00:06:45,204 --> 00:06:47,373 I'M THE MEAN GIRL-- I'M-I'M THE HEIFER. 196 00:06:47,473 --> 00:06:48,941 I THANK YOU FOR REALIZING THAT. 197 00:06:49,041 --> 00:06:50,410 I'M-- I STAB EVERYBODY IN THE BACK. 198 00:06:50,510 --> 00:06:52,011 - YOU DO, ACTUALLY. - I'M WHACK. 199 00:06:52,111 --> 00:06:53,212 - YEAH. - OKAY, WAIT. 200 00:06:53,312 --> 00:06:54,580 CAN WE-- CAN-- NOT IN FRONT OF THE COMPANY, HONEYS. 201 00:06:54,680 --> 00:06:55,648 THANK YOU. - CAN I TAKE THAT? 202 00:06:55,748 --> 00:06:56,816 YOU ONLY LIVE ONCE. 203 00:06:56,916 --> 00:06:58,384 ALL THE OTHER STUFF IS DUMB. 204 00:06:58,484 --> 00:07:01,287 WE'RE FAMILY... GET OVER IT. 205 00:07:01,387 --> 00:07:02,755 IF YOU CAN FORGIVE YOUR HUSBANDS, 206 00:07:02,855 --> 00:07:06,626 YOU CAN FORGIVE YOUR SISTERS, WHATEVER IT IS-- BOOM. 207 00:07:06,726 --> 00:07:10,263 I DON'T KNOW WHY YOU DON'T TALK TO ME. 208 00:07:10,363 --> 00:07:15,101 BUT, IF I HAVE HURT YOU AND OFFENDED YOU, 209 00:07:15,201 --> 00:07:20,039 WHICH I AM SURE I HAVE, I'M HUMAN, I APOLOGIZE. 210 00:07:20,139 --> 00:07:22,241 TIMES WHEN I SHOULDN'T HAVE SAID THINGS 211 00:07:22,341 --> 00:07:25,111 AND I DID, I APOLOGIZE. 212 00:07:27,880 --> 00:07:31,050 AND I-I JUST WANT, IN RETURN, 213 00:07:31,150 --> 00:07:37,223 TO KNOW WHAT HAS GOTTEN YOU TO THIS POINT, 214 00:07:37,323 --> 00:07:40,126 BECAUSE IT'S ALMOST LIKE YOU HATE ME 215 00:07:40,226 --> 00:07:42,228 AND CAN'T STOMACH ME. 216 00:07:49,235 --> 00:07:53,105 I WOULD JUST LIKE TO HAVE MY-MY SISTERS BACK... 217 00:07:53,206 --> 00:07:55,708 AND FUN BACK. 218 00:07:55,808 --> 00:07:58,611 AND... 219 00:08:03,216 --> 00:08:06,652 IT'S-IT'S, LIKE, IT'S NOT WORTH IT. 220 00:08:06,752 --> 00:08:07,987 WHY ARE WE FIGHTING? 221 00:08:08,087 --> 00:08:09,388 WHY-WHY YOU NOT SPEAKING TO ME? 222 00:08:09,489 --> 00:08:10,890 WHY YOU NOT TEXTING ME BACK? 223 00:08:10,990 --> 00:08:13,392 LIKE, YOU KNOW, I JUST WANT EVERYTHING TO BE COOL. 224 00:08:13,493 --> 00:08:16,295 SO, YOU KNOW, ME TAKING THE BLAME 225 00:08:16,395 --> 00:08:19,832 AND ME SAYING I'M SORRY IS WORTH IT. 226 00:08:19,932 --> 00:08:21,300 OKAY, FORGET IT-- IT'S ME. 227 00:08:21,400 --> 00:08:23,102 I'M SORRY-- I DID IT. 228 00:08:23,202 --> 00:08:25,872 SO NOW, CAN WE BE COOL? 229 00:08:25,972 --> 00:08:27,974 NO. 230 00:08:54,000 --> 00:08:57,570 - FRESH AIR-- IT'S HOT. - UGH. 231 00:08:57,670 --> 00:08:59,338 - WALKIN' IN THE SUNLIGHT. - IT IS. 232 00:08:59,438 --> 00:09:01,707 IT'S HOTTER THAN A WATUSI'S BOOTY. 233 00:09:01,807 --> 00:09:05,011 TRACI, TRINA, AND I ARE GOING OUT FOR A HIKE, 234 00:09:05,111 --> 00:09:09,282 AND I THINK THAT WE ARE ALL JUST A LITTLE FRUSTRATED, 235 00:09:09,382 --> 00:09:11,751 AND I'M HOPIN' THAT, TODAY, WE CAN WORK OFF 236 00:09:11,851 --> 00:09:13,986 JUST A LITTLE BIT OF THE STRESS. 237 00:09:14,086 --> 00:09:15,288 - IT'S HOT. - I'M TIRED ALREADY. 238 00:09:15,388 --> 00:09:17,189 I MEAN, HOW LONG WE BEEN GOIN'? 239 00:09:17,290 --> 00:09:19,158 - FIVE MINUTES. - IS IT? 240 00:09:19,258 --> 00:09:20,993 - YEAH, THAT'S IT. - IT FEELS LONGER. 241 00:09:21,093 --> 00:09:22,395 - MMM. - IT'S NOT. 242 00:09:22,495 --> 00:09:24,597 - HOW FAR ARE WE GOING? - WE'RE JUST WALKING. 243 00:09:24,697 --> 00:09:26,666 YOU GOTTA-- THIS IS HOW YOU CLEAR YOUR MIND. 244 00:09:26,766 --> 00:09:28,000 UNTIL THE COWS COME HOME-- I THINK THEY ALREADY WENT HOME. 245 00:09:28,100 --> 00:09:29,335 - PHEW. - IT'S ALMOST LIKE MEDITATING. 246 00:09:29,435 --> 00:09:32,638 - OKAY. - BEING ONE WITH THE NATURE. 247 00:09:32,738 --> 00:09:35,007 I HAVE A QUESTION. - MMM-HMM. 248 00:09:35,107 --> 00:09:37,810 DO YOU GUYS EVER THINK THAT THE TIGHTNESS 249 00:09:37,910 --> 00:09:43,115 OF OUR SISTERHOOD WILL BE TIGHT, AGAIN? 250 00:09:43,215 --> 00:09:44,450 I THINK IT WOULD BE. 251 00:09:44,550 --> 00:09:46,252 I THINK WE'RE ALL GOIN' THROUGH DIFFERENT PHASES. 252 00:09:46,352 --> 00:09:47,653 IT WILL TAKE SOME TIME. 253 00:09:47,753 --> 00:09:50,156 YOU KNOW, I REALLY HONESTLY HOPE SO. 254 00:09:50,256 --> 00:09:52,058 WHAT DO YOU THINK CHANGED? 255 00:09:52,158 --> 00:09:55,328 WE DEFINITELY STOPPED COMMUNICATING PROPERLY. 256 00:09:55,428 --> 00:09:58,364 I THINK WE ALSO STOPPED RESPECTING ONE ANOTHER'S SPACE. 257 00:09:58,464 --> 00:10:01,033 - I AGREE WITH THAT. - I THINK, WHEN WE WERE, UM, 258 00:10:01,133 --> 00:10:02,401 WHEN WE WERE KIDS, 259 00:10:02,501 --> 00:10:05,371 WE ALWAYS KNEW EVERYTHING THAT WAS GOING ON 260 00:10:05,471 --> 00:10:07,573 IN EVERYBODY'S LIVES, 261 00:10:07,673 --> 00:10:10,076 AND IT'S NOT LIKE THAT ANYMORE. 262 00:10:11,377 --> 00:10:13,779 COMING UP, ON "BRAXTON FAMILY VALUES"... 263 00:10:13,879 --> 00:10:16,983 BABYFACE AND I RELEASED OUR FIRST SINGLE, "HURT YOU," 264 00:10:17,083 --> 00:10:18,117 AND WE NEED TO SHOOT A VIDEO. 265 00:10:22,421 --> 00:10:22,587 FR 266 00:10:22,588 --> 00:10:22,621 WHEN FR 267 00:10:22,622 --> 00:10:22,721 WHEN WE FR 268 00:10:22,722 --> 00:10:22,821 WHEN WE WERE FR 269 00:10:22,822 --> 00:10:22,887 WHEN WE WERE KIDS, FR 270 00:10:22,888 --> 00:10:22,988 WHEN WE WERE KIDS, WE FR 271 00:10:22,989 --> 00:10:23,088 WHEN WE WERE KIDS, WE ALWAYS FR 272 00:10:23,089 --> 00:10:24,589 WHEN WE WERE KIDS, WE ALWAYS KNEW FR 273 00:10:24,590 --> 00:10:25,424 WHEN WE WERE KIDS, WE ALWAYS KNEW EVERYTHING FR 274 00:10:25,524 --> 00:10:28,327 THAT WAS GOING ON IN EVERYBODY'S LIVES, 275 00:10:28,427 --> 00:10:30,396 AND IT'S NOT LIKE THAT ANYMORE. 276 00:10:30,496 --> 00:10:32,665 ME AND TAMAR'S RELATIONSHIP IS A MESS, 277 00:10:32,765 --> 00:10:36,302 AND I THINK THAT THE SOCIAL MEDIA SITUATION 278 00:10:36,402 --> 00:10:38,037 TOOK IT TO A HIGHER HEIGHT. 279 00:10:38,137 --> 00:10:43,576 THAT WHOLE INSTAGRAM SITUATION WAS A POOR EXCUSE 280 00:10:43,676 --> 00:10:46,812 OF THE REAL REASON, THAT SHE MISSES HER SISTERS. 281 00:10:46,912 --> 00:10:52,251 I JUST THINK THAT TAMAR'S APPROACH IS A BIT AGGRESSIVE, 282 00:10:52,351 --> 00:10:54,820 AND NO ONE CAN HEAR WHEN YOU'RE BEING LIKE THAT. 283 00:10:54,920 --> 00:10:56,622 NOW, LOOK AT HOW PRETTY THIS IS. 284 00:10:56,722 --> 00:10:57,990 - MMM-HMM. - YEAH, THAT'S NICE. 285 00:10:58,090 --> 00:10:59,659 SEE-- LOOK-LOOK... LOOK AT IT. 286 00:10:59,759 --> 00:11:02,128 - OH, WOW! - IT'S PRETTY. 287 00:11:02,228 --> 00:11:06,465 TAMAR MISSES US, NOW MORE SO THAN EVER, 288 00:11:06,565 --> 00:11:10,269 AND WHEN SHE SEES US HANGING OUT TOGETHER AND HAVIN' FUN, 289 00:11:10,369 --> 00:11:12,571 SHE FEELS LIKE SHE'S MISSING OUT, 290 00:11:12,672 --> 00:11:14,040 AND SHE WANTS TO BE A PART OF IT. 291 00:11:14,140 --> 00:11:17,043 AND IT HAS CHANGED DRASTICALLY IN THE PAST YEAR 292 00:11:17,143 --> 00:11:19,078 BECAUSE SHE HAS A NEW RECORD OUT. 293 00:11:19,178 --> 00:11:20,279 SHE'S GOING ON TOUR. 294 00:11:20,379 --> 00:11:22,715 SO, ABSOLUTELY, SHE'S-- SHE IS MISSING OUT 295 00:11:22,815 --> 00:11:26,352 A LITTLE BIT 'CAUSE SHE'S NOT ABLE TO BE WITH US. 296 00:11:26,452 --> 00:11:28,387 THERE WAS A TIME WHEN WE WOULD JUST BE ON THE PHONE 297 00:11:28,487 --> 00:11:32,692 FROM BEGINNING OF THE MORNING, AND WHEN THE KIDS 298 00:11:32,792 --> 00:11:34,660 CAME HOME FROM SCHOOL, WE WERE STILL ON THE PHONE, 299 00:11:34,760 --> 00:11:38,864 ALL FIVE OF US, NO MATTER WHAT WE WERE DOING. 300 00:11:38,964 --> 00:11:40,666 AND WE'RE SO CLOSE WITH EACH OTHER 301 00:11:40,766 --> 00:11:42,435 THAT THINGS JUST TEND TO HURT OUR FEELINGS 302 00:11:42,535 --> 00:11:45,371 SO MUCH MORE THAN OUTSIDERS, 303 00:11:45,471 --> 00:11:47,239 AND WE'RE MORE APT TO FORGIVE THEM SOONER 304 00:11:47,339 --> 00:11:49,508 THAN WE ARE TO THINGS THAT'S GOING ON 305 00:11:49,608 --> 00:11:53,446 WITH EACH OTHER. - I AGREE. 306 00:11:53,546 --> 00:11:55,281 THERE IS JUST CERTAIN THINGS 307 00:11:55,381 --> 00:11:57,316 THAT YOU SHOULDN'T SPILL OUT 308 00:11:57,416 --> 00:11:58,951 FOR THE WORLD TO SEE. - HUH. 309 00:11:59,051 --> 00:12:01,253 AND THAT'S JUST HOW I FEEL PERSONALLY. 310 00:12:01,353 --> 00:12:04,924 AND MY THING IS, IF IT'S-- IF IT'S NOT OKAY FOR ONE TO DO, 311 00:12:05,024 --> 00:12:08,794 THEN IT'S NOT OKAY FOR THE OTHER TO DO. 312 00:12:08,894 --> 00:12:11,697 I THINK TAMAR WAS ABSOLUTELY IN HER FEELINGS 313 00:12:11,797 --> 00:12:13,833 ABOUT WHAT SHE WROTE ON SOCIAL MEDIA. 314 00:12:13,933 --> 00:12:16,702 BUT, TOWANDA DOESN'T HAVE ROOM TO TALK ABOUT 315 00:12:16,802 --> 00:12:20,639 SOME OF THE SISTER SPILLING BUSINESS IN A PUBLIC FORUM, 316 00:12:20,740 --> 00:12:24,310 ESPECIALLY WHEN SHE TALKED ABOUT TRACI'S SITUATION 317 00:12:24,410 --> 00:12:27,480 WITHOUT TRACI'S KNOWLEDGE, OR WITHOUT TRACI BEING THERE. 318 00:12:27,580 --> 00:12:28,948 THAT WASN'T COOL. 319 00:12:29,048 --> 00:12:31,250 TRACI HAS SHARED WITH US, ON SEVERAL OCCASIONS, 320 00:12:31,350 --> 00:12:34,420 THAT HER HUSBAND HAS EXTRACURRICULAR ACTIVITIES. 321 00:12:34,520 --> 00:12:35,955 LIKE, HE GOT A COUPLE BITCHES. 322 00:12:36,055 --> 00:12:38,924 THERE MAY BE AN ILLEGITIMATE CHILD INVOLVED. 323 00:12:39,024 --> 00:12:41,527 BITCH, WHAT? 324 00:12:41,627 --> 00:12:43,462 I THINK THIS-- THIS CLIMB WAS LIKE-- 325 00:12:43,562 --> 00:12:45,264 IT'S LIKE A METAPHOR TO OUR SISTERHOOD. 326 00:12:45,364 --> 00:12:46,766 IT WAS ROUGH COMIN' UP THE HILL, 327 00:12:46,866 --> 00:12:49,602 BUT LOOK AT HOW BEAUTIFUL IT ENDS UP. 328 00:12:49,702 --> 00:12:51,137 REACHED NEW HEIGHTS. 329 00:12:51,237 --> 00:12:52,571 SEE? 330 00:12:52,671 --> 00:12:53,839 ISN'T THIS PRETTY, GUYS? 331 00:12:53,939 --> 00:12:57,209 I FEEL LIKE I'S IN "THE COLOR PURPLE." 332 00:12:57,309 --> 00:12:59,411 IT'S SO HOT, YA'LL-- I CAN'T TAKE THIS. 333 00:12:59,512 --> 00:13:00,913 I-I THINK I'M GOING THROUGH A CHANGE OF LIFE. 334 00:13:01,013 --> 00:13:02,448 YOU ARE NOT GO-- TRINA, YOU'RE ONLY A YEAR 335 00:13:02,548 --> 00:13:03,682 YOUNGER THAN ME-- THAT WOULD MEAN-- 336 00:13:03,783 --> 00:13:05,151 - 15 MONTHS. - EXACTLY. 337 00:13:05,251 --> 00:13:06,619 IF YOU'RE GOING THROUGH THE CHANGE, 338 00:13:06,719 --> 00:13:07,853 I WOULD HAVE TO BE GOING THROUGH THE CHANGE. 339 00:13:07,953 --> 00:13:08,988 NOT NECESSARILY-- EVERYBODY'S DIFFERENT. 340 00:13:09,088 --> 00:13:10,055 WELL, I'M DIFFERENT BECAUSE, HONEY, 341 00:13:10,156 --> 00:13:12,424 I AM NOT GOING THROUGH THE CHANGE. 342 00:13:23,068 --> 00:13:24,904 TONI, WHY DO YOU HAVE CHILDPROOF CABINETS 343 00:13:25,004 --> 00:13:26,839 AND YOUR KIDS ARE GROWN? 344 00:13:26,939 --> 00:13:28,474 FOR EARTHQUAKES, AND I DON'T WANT-- 345 00:13:28,574 --> 00:13:29,608 THEY'RE MY FAVORITE DISHES. 346 00:13:29,708 --> 00:13:30,943 - OH. - YEAH. 347 00:13:31,043 --> 00:13:32,244 SO, THAT'S WHY I DO 'EM-- HEY, TRAY. 348 00:13:32,344 --> 00:13:33,879 - HEY, HEY, HEY. - THAT MAKES SENSE-- HEY, TRACI. 349 00:13:33,979 --> 00:13:36,615 TRACI AND I ARE JOINING TONI THIS MORNING 350 00:13:36,715 --> 00:13:39,151 FOR SOME TEA, TONI'S FAVORITE, 351 00:13:39,251 --> 00:13:42,488 BEFORE SHE GOES OFF TO SHOOT THE MUSIC VIDEO FOR "HURT YOU." 352 00:13:42,588 --> 00:13:45,057 AND WE HAVE TO CATCH WHATEVER SISTER TIME 353 00:13:45,157 --> 00:13:47,960 THAT WE HAVE WITH TONI 'CAUSE SHE'S BEEN SO BUSY, LATELY. 354 00:13:48,060 --> 00:13:50,896 DON'T FORGET THE SAUCERS-- JUST SAYIN'. 355 00:13:52,331 --> 00:13:54,333 - THAT ONE DON'T GO. - OH, MY GOD. 356 00:13:54,433 --> 00:13:56,402 - THAT ONE DON'T GO. - THAT'S-- 357 00:13:56,502 --> 00:13:57,903 HOW'D YOU DO ON THE APTITUDE TEST? 358 00:13:58,003 --> 00:13:59,438 I DID GOOD. 359 00:13:59,538 --> 00:14:01,807 THESE ARE ALL-- THESE ARE ONLY ONES THAT ARE UP HERE. 360 00:14:01,907 --> 00:14:03,142 THAT'S ALL YOU HAVE UP HERE? 361 00:14:03,242 --> 00:14:04,276 I CAN'T HELP BECAUSE YOUR PEOPLE 362 00:14:04,376 --> 00:14:05,511 PUT THE STUFF AWAY WRONG. 363 00:14:05,611 --> 00:14:06,645 LOOK AT THIS-- SEE THIS SHAPE? 364 00:14:06,745 --> 00:14:08,013 SEE THIS SHAPE? 365 00:14:08,113 --> 00:14:11,417 BIG CIRCLE-- THERE YOU GO. 366 00:14:11,517 --> 00:14:13,352 IT'S JUST SIMPLE. 367 00:14:13,452 --> 00:14:15,621 SEE THE TEENY CIRCLE? 368 00:14:15,721 --> 00:14:17,756 PUT THE LITTLE TEACUP HERE. 369 00:14:17,857 --> 00:14:18,991 - TONI BRAXTON. - THERE YOU GO. 370 00:14:19,091 --> 00:14:20,593 I CAN'T HELP BECAUSE YOUR PEOPLE 371 00:14:20,693 --> 00:14:22,027 PUT THE STUFF IN WRONG. 372 00:14:22,127 --> 00:14:23,262 WELL, YOU'RE SUPPOSED TO KNOW SHAPES. 373 00:14:23,362 --> 00:14:24,697 MOVE-- SIT DOWN, PLEASE. 374 00:14:24,797 --> 00:14:26,065 - I'M DISAPPOINTED. - YOU SHOULDN'T BE. 375 00:14:26,165 --> 00:14:27,533 WE'VE BEEN OVER AFTERNOON TEA. 376 00:14:27,633 --> 00:14:28,801 YOU SHOULD BE DISAPPOINTED IN THE PEOPLE 377 00:14:28,901 --> 00:14:30,302 WHO PUT YOUR STUFF AWAY WRONG. 378 00:14:32,471 --> 00:14:34,740 - WHERE? - IN COMPTON. 379 00:14:34,840 --> 00:14:37,610 THE COMPTON SWAP MEET IS IN SOUTH L.A., 380 00:14:37,710 --> 00:14:39,845 AND THE SIGNIFICANCE OF THIS PLACE... 381 00:14:39,945 --> 00:14:42,147 IT'S WHERE IMPORTANT HIP HOP ARTISTS, 382 00:14:42,248 --> 00:14:44,717 LIKE WARREN G., DR. DRE, 383 00:14:44,817 --> 00:14:48,153 WERE DISCOVERED AND PROMOTED BACK IN THE '80s. 384 00:14:48,254 --> 00:14:49,788 NOW, IT'S TRACI'S TIME. 385 00:14:49,889 --> 00:14:51,624 OH, HAVE FUN! 386 00:14:51,724 --> 00:14:52,992 YA'LL ARE NOT GONNA COME WITH ME? 387 00:14:53,092 --> 00:14:54,293 WHAT IS THAT-- IS IT LIKE A CHARITY? 388 00:14:54,393 --> 00:14:57,563 NO, FOR, UM, PROMOTION. 389 00:14:57,663 --> 00:14:59,732 - FOR WHO? - ME. 390 00:14:59,832 --> 00:15:01,834 MY MANAGER WANTS ME TO DO MORE PROMOTIONS 391 00:15:01,934 --> 00:15:05,704 FOR MY RADIO SHOW AND MY UPCOMING SOLO ALBUM. 392 00:15:05,804 --> 00:15:08,941 I AM PLANNING TO RECORD SOON, YA'LL-- YES. 393 00:15:09,041 --> 00:15:10,342 I LOVE YOU, BUT I'M NOT COMING. 394 00:15:10,442 --> 00:15:11,443 I KNOW YOU GOT WORK TO DO. 395 00:15:11,543 --> 00:15:12,811 NO, I'M JUST NOT GONNA COME--I'M OFF. 396 00:15:12,912 --> 00:15:14,613 THIS IS TOMORROW? - I THINK IT IS. 397 00:15:14,713 --> 00:15:15,881 NO, I'M NOT COMIN'. 398 00:15:15,981 --> 00:15:17,449 TOWANDA CAN COME-- TOWANDA'S NOT OFF. 399 00:15:17,549 --> 00:15:19,184 OH, YEAH-- MAYBE YOU CAN PICK OUT AN OUTFIT FOR ME. 400 00:15:19,285 --> 00:15:20,519 WHAT AM I DOIN', TONI-- TELL ME WHAT I'M DOIN'. 401 00:15:20,619 --> 00:15:22,454 NOT THAT I WOULDN'T LOVE TO COME-- I'M JUST OFF. 402 00:15:22,554 --> 00:15:24,223 I NEVER GET OFF DAYS-- I HAVE AN OFF DAY. 403 00:15:24,323 --> 00:15:26,258 I'M NOT DOING ANYTHING FOR ANYBODY. 404 00:15:26,358 --> 00:15:28,560 I'M GONNA BE SHOOTING MY MUSIC VIDEO FOR "HURT YOU" 405 00:15:28,661 --> 00:15:31,497 IN A FEW HOURS, SO I KNOW IT'S GONNA BE A LONG DAY. 406 00:15:31,597 --> 00:15:33,465 TOMORROW IS MY FIRST DAY OFF IN A LONG TIME, 407 00:15:33,565 --> 00:15:35,267 AND I WANNA SUPPORT TRACI, 408 00:15:35,367 --> 00:15:37,937 BUT SUPPORTING DOESN'T ALWAYS MEAN GOING THERE. 409 00:15:38,037 --> 00:15:41,240 I JUST NEED SOME TIME TO MYSELF TO WATCH MY FAVORITE MOVIE, 410 00:15:41,340 --> 00:15:43,509 LIKE "GONE WITH THE WIND," AND EAT SOME SEE'S CANDY, 411 00:15:43,609 --> 00:15:46,045 AND DRINK A COUPLE GLASSES OF CHAMPAGNE. 412 00:15:46,145 --> 00:15:47,813 I NEED THAT REALLY BADLY. 413 00:15:47,913 --> 00:15:50,382 TOWANDA'S GONNA GO WITH YOU. - OH, THAT'S SO DELIGHTFUL. 414 00:15:50,482 --> 00:15:51,684 THANK YOU. - SHE'S THE MIDDLE CHILD. 415 00:15:51,784 --> 00:15:54,253 SHE HAS TO GO. - MIDDLE-- 416 00:15:56,121 --> 00:15:57,523 THESE ARE SOME TEAS. 417 00:15:57,623 --> 00:16:00,426 TRACI, I AM SO PROUD OF YOU AND YOUR ACCOMPLISHMENTS. 418 00:16:00,526 --> 00:16:01,860 - THANK YOU-- YAY! - BUT-- 419 00:16:01,961 --> 00:16:04,663 - ARE YOU GONNA SING? - NO, I'M NOT SINGING. 420 00:16:04,763 --> 00:16:06,665 SHE'S JUST MEETIN' PEOPLE, AND SAYIN' HI, 421 00:16:06,765 --> 00:16:08,033 AND SHAKIN' HANDS. - I'M JUST MEETING PEOPLE. 422 00:16:08,133 --> 00:16:10,235 HI, AUTOGRAPH, PICTURES, AND THAT'S IT. 423 00:16:10,336 --> 00:16:11,904 LOOK AT THAT-- THAT IS DELICIOUS. 424 00:16:12,004 --> 00:16:13,739 - UH-UH. - WHY YOU ACTIN' LIKE IT'S POO? 425 00:16:13,839 --> 00:16:15,574 IT'S TEA. 426 00:16:15,674 --> 00:16:17,309 WANT SOME SUGAR? - YES. 427 00:16:17,409 --> 00:16:18,544 I'LL GET THE SUGAR. 428 00:16:18,644 --> 00:16:20,179 OH, I GOT THESE MAPLE CRYSTAL SUGARS. 429 00:16:20,279 --> 00:16:21,914 OH, THEY'RE SO YUMMY-- LET ME GET IT. 430 00:16:23,649 --> 00:16:25,284 CAME OFF OF SOMEBODY'S BARK OF A TREE. 431 00:16:25,384 --> 00:16:27,319 I'M ALMOST DONE. 432 00:16:27,419 --> 00:16:29,788 WHERE'D TOWANDA GO? 433 00:16:47,806 --> 00:16:48,841 HEY. 434 00:16:48,941 --> 00:16:50,109 BABYFACE AND I RELEASED OUR SINGLE, "HURT YOU," 435 00:16:50,209 --> 00:16:52,344 ABOUT A WEEK AGO, AND IT'S DOING REALLY GREAT. 436 00:16:52,444 --> 00:16:53,879 I'M SO EXCITED. 437 00:16:53,979 --> 00:16:55,581 AND WE'RE SHOOTING A MUSIC VIDEO FOR IT NOW. 438 00:16:55,681 --> 00:16:57,282 WHICH WAY AM I GOING, GUYS? 439 00:16:59,852 --> 00:17:01,186 WE READY, GUYS-- OKAY, I'M READY. 440 00:17:01,286 --> 00:17:03,288 AND THE MUSIC VIDEO DIRECTOR IS RAY KAY, 441 00:17:03,389 --> 00:17:04,623 AND HE'S WORKED WITH SO MANY GREAT ARTISTS, 442 00:17:04,723 --> 00:17:07,526 WHOM I LOVE, LIKE CHER, AND BRITNEY, BEYONCE, 443 00:17:07,626 --> 00:17:09,161 JUSTIN, LADY GAGA. 444 00:17:09,261 --> 00:17:10,696 I MEAN, I'M JUST DROPPIN' A FEW NAMES, 445 00:17:10,796 --> 00:17:12,531 BUT WE'RE JUST REALLY EXCITED TO BE WORKING WITH HIM. 446 00:17:12,631 --> 00:17:14,900 KENNY AND I ARE LOOKING FORWARD TO IT. 447 00:17:18,037 --> 00:17:19,638 THE DIRECTOR HAS COME UP WITH THREE SETUPS. 448 00:17:19,738 --> 00:17:22,875 VERY SIMPLE, BUT POWERFUL-- ONE OF ME ON THE BED, 449 00:17:22,975 --> 00:17:24,443 THE SECOND, IN THE CHAIR, AND THEN THERE'S GONNA BE 450 00:17:24,543 --> 00:17:26,078 ONE OF ME AND KENNY TOGETHER. 451 00:17:26,178 --> 00:17:27,613 - PICTURES UP! - PICTURES UP, 452 00:17:27,713 --> 00:17:29,782 FROM THE TOP, PLEASE. 453 00:17:29,882 --> 00:17:31,884 THIS IS GONNA BE HARD TO HIT-- P-PUNCH THE WALL. 454 00:17:31,984 --> 00:17:33,185 WELL, WE ALSO HAVE THINGS THAT YOU CAN USE 455 00:17:33,285 --> 00:17:35,020 TO THROW AT IT, TOO, JUST IN CASE. 456 00:17:35,120 --> 00:17:37,423 - OKAY. - THE ICE BUCKET FIRST. 457 00:17:37,523 --> 00:17:39,958 OUR ORIGINAL CONCEPT BEHIND THE MUSIC VIDEO 458 00:17:40,059 --> 00:17:42,428 WAS "MR. AND MRS. SMITH." 459 00:17:42,528 --> 00:17:44,229 BUT, THAT WAS WAY TOO EXPENSIVE. 460 00:17:44,329 --> 00:17:46,098 SO, WE DECIDED TO MAKE IT A LITTLE SIMPLER 461 00:17:46,198 --> 00:17:49,802 AND LET BREAKING DOWN THE WALL BE THE FIGHTING 462 00:17:49,902 --> 00:17:52,237 THAT WE HAD WITHIN OURSELVES ABOUT EACH OTHER. 463 00:17:52,337 --> 00:17:54,339 YOU GUYS COME UP TO THE WALL, BOTH OF YOU GUYS, 464 00:17:54,440 --> 00:17:56,575 KINDA LIKE FEELING THAT THERE'S A WALL BETWEEN YOU GUYS. 465 00:17:56,675 --> 00:17:57,876 YOU KNOW, LIKE, WANTING TO BREAK THROUGH IT. 466 00:17:57,976 --> 00:17:59,511 JUST START, LIKE-LIKE, HITTING IT, 467 00:17:59,611 --> 00:18:01,580 AND IT'S A SUPER THIN WALL. - OKAY. 468 00:18:01,680 --> 00:18:02,614 SO, YOU KNOW, IT'LL BE POSSIBLE TO, LIKE, 469 00:18:02,714 --> 00:18:06,385 CRACK IT OPEN, YOU KNOW? - HERE WE GO! 470 00:18:06,485 --> 00:18:07,786 I WAS SORT OF THINKING THAT YOU WOULD 471 00:18:07,886 --> 00:18:09,421 GET THE FIRST ONE THROUGH WITH YOUR HAND, 472 00:18:09,521 --> 00:18:10,989 AND THEN YOU WOULD PICK SOMETHING UP. 473 00:18:11,090 --> 00:18:14,560 I REALLY HIT IT HARD, AND IT DIDN'T MOVE. 474 00:18:14,660 --> 00:18:16,295 YOU KNOW, THE DIRECTOR HAS BEEN TRYING TO SELL ME 475 00:18:16,395 --> 00:18:17,863 A DOLLAR AND A DREAM BECAUSE HE'S SAYING, 476 00:18:17,963 --> 00:18:20,299 "THE WALL IS REALLY THIN-- IT'S PAPER THIN. 477 00:18:20,399 --> 00:18:22,167 "YOU JUST HIT IT, AND IT'LL BREAK, AND IT'LL BURST." 478 00:18:22,267 --> 00:18:23,635 IT DID NOT HAPPEN. 479 00:18:23,735 --> 00:18:24,803 YOU NEED A DAMN SLEDGEHAMMER 480 00:18:24,903 --> 00:18:26,371 TO BREAK THIS WALL, ACTUALLY. 481 00:18:26,472 --> 00:18:27,840 LADIES AND GENTLEMEN, STEP BACK! 482 00:18:27,940 --> 00:18:29,007 WE'RE GOING WITH THIS. - WHY DON'T YOU TRY TO PALM IT? 483 00:18:29,108 --> 00:18:30,275 BRIAN, WE'RE GOING WITH THIS, OKAY? 484 00:18:30,375 --> 00:18:33,479 ALL RIGHT, LET'S ROLL PLAYBACK, PLEASE. 485 00:18:33,579 --> 00:18:36,615 GOD-- UGH! 486 00:18:36,715 --> 00:18:38,183 . 487 00:18:38,283 --> 00:18:40,486 COMING UP, ON "BRAXTON FAMILY VALUES"... 488 00:18:40,586 --> 00:18:42,087 YA'LL MOTHER WORKIN' ON MY DAMN NERVES. 489 00:18:42,187 --> 00:18:43,655 I GOTS TO PEE. 490 00:18:43,755 --> 00:18:45,357 I-I DIDN'T SAY-- I DIDN'T SAY-- 491 00:18:45,457 --> 00:18:47,459 THAT'S WHY WE CAN'T COMMUNICATE, 'CAUSE YOU JUST-- 492 00:18:47,559 --> 00:18:48,927 YOU GOTTA-- YOU GOTTA BE THE ONLY ONE TO TALK. 493 00:18:50,829 --> 00:18:52,898 - WHOO! - OH, YOUR NAILS. 494 00:18:52,998 --> 00:18:54,199 ALL THE WAY DOWN AT THE BOTTOM, BUT THAT'S OKAY. 495 00:18:54,299 --> 00:18:56,835 - NONE OF US HAVE NAILS. - DAMN IT. 496 00:18:56,935 --> 00:18:58,537 WE'RE SHOOTING OUR MUSIC VIDEO FOR "HURT YOU," 497 00:18:58,637 --> 00:19:00,305 AND I LITERALLY HURT MYSELF 498 00:19:00,405 --> 00:19:02,641 PUNCHING THROUGH THIS FAKE WALL. 499 00:19:02,741 --> 00:19:05,444 I PULLED 'EM OUT AND-- GOD-- UGH! 500 00:19:05,544 --> 00:19:07,246 AND I BREAK A NAIL-- I MEAN, I BREAK IT. 501 00:19:07,346 --> 00:19:09,281 YOU KNOW WHEN YOU BREAK IT ALL THE WAY DOWN HERE? 502 00:19:09,381 --> 00:19:10,616 I BROKE IT DOWN THERE. 503 00:19:10,716 --> 00:19:11,950 THIS IS NOT MY FAVORITE PART OF THE VIDEO. 504 00:19:12,050 --> 00:19:13,185 NO. 505 00:19:13,285 --> 00:19:14,353 I THINK GUYS THINK WOMEN ARE PRETENDING WHEN WE SAY, 506 00:19:14,453 --> 00:19:15,721 "OH, I BROKE A NAIL-- MY NAIL HURTS." 507 00:19:15,821 --> 00:19:17,422 NO, IT REALLY HURTS! 508 00:19:17,523 --> 00:19:20,292 YOU BREAK IT PAST THE NAIL POINT, AND IT BLEEDS. 509 00:19:20,392 --> 00:19:21,560 IT-IT REALLY HURTS, GUYS. 510 00:19:21,660 --> 00:19:23,762 IT'S NOT JUST A GIRLY THING. 511 00:19:23,862 --> 00:19:25,330 EVERY WOMAN OUT THERE, I KNOW THEY SYMPATHIZE 512 00:19:25,430 --> 00:19:26,832 WITH ME ON THAT. 513 00:19:26,932 --> 00:19:28,433 IT'S OKAY. 514 00:19:28,534 --> 00:19:29,768 IT'S OKAY. - THEY'RE REAL. 515 00:19:29,868 --> 00:19:32,070 YEAH, THEY'RE MY REAL NAILS. 516 00:19:32,171 --> 00:19:33,405 - OOH. - THEY'RE NOT FAKE. 517 00:19:33,505 --> 00:19:35,240 - THE, UH, DID IT BREAK? - DID WE GET IT, GUYS? 518 00:19:35,340 --> 00:19:36,275 ! 519 00:19:36,375 --> 00:19:37,309 I RUN TO THE BATHROOM. 520 00:19:37,409 --> 00:19:38,810 "OH, I BROKE A NAIL-- I HURT MY NAIL!" 521 00:19:38,911 --> 00:19:40,679 I AM A LITTLE EMBARRASSED ABOUT THAT, 522 00:19:40,779 --> 00:19:42,948 BUT I GET A BAND-AID, AND I RINSE OFF MY FINGER, 523 00:19:43,048 --> 00:19:44,783 AND I FEEL BETTER. 524 00:19:44,883 --> 00:19:46,718 IT WASN'T AS PROFESSIONAL AS I SHOULD'VE BEEN. 525 00:19:46,818 --> 00:19:48,687 IT WAS A DEFINITE GIRLY GIRL MOMENT. 526 00:19:48,787 --> 00:19:51,323 BUT, HEY, I AM A GIRL, SO I GOT THROUGH IT. 527 00:19:53,525 --> 00:19:55,160 HERE WE GO. 528 00:19:56,929 --> 00:19:58,597 POINT THE SMOKE THIS WAY, PLEASE. 529 00:19:58,697 --> 00:20:01,700 MORE WITH THE ICE BUCKET FIRST. 530 00:20:01,800 --> 00:20:03,402 FAKE LIKE I'M HITTING THIS. 531 00:20:03,502 --> 00:20:05,070 - YEAH. - NO, DON'T DO THAT. 532 00:20:05,170 --> 00:20:06,838 I DON'T WANT THE SUN SHINING THROUGH THE WALL. 533 00:20:06,939 --> 00:20:08,407 ALL RIGHT. 534 00:20:08,507 --> 00:20:09,975 ROLL PLAYBACK. 535 00:20:10,075 --> 00:20:11,843 YEAH, OKAY. 536 00:20:13,245 --> 00:20:15,180 OKAY, I'LL TELL YOU-- I'LL TELL YOU WHEN TO DO IT. 537 00:20:15,280 --> 00:20:17,282 SO, THE FIRST-FIR-- THE FIRST TWO TIMES, 538 00:20:17,382 --> 00:20:19,218 WITH THE BUCKET. 539 00:20:21,820 --> 00:20:23,689 HIT THE WALL, RIGHT HERE. 540 00:20:25,457 --> 00:20:26,625 HOLD ON, GUYS. 541 00:20:26,725 --> 00:20:27,926 WE GAVE HER-- SORRY ABOUT THAT, TONI. 542 00:20:28,026 --> 00:20:30,395 YOU GOT TWO DIFFERENT DIRECTIONS, SINCE IT CHANGED UP. 543 00:20:30,495 --> 00:20:33,365 YOU CAN HIT THE WALL WITH THIS TWICE. 544 00:20:33,465 --> 00:20:35,634 AND THEN, ONCE YOU STOP HITTING THE WALL WITH THAT, 545 00:20:35,734 --> 00:20:37,302 THEN CHEAT BACK TO WHERE WE TALKED ABOUT 546 00:20:37,402 --> 00:20:39,404 THE INVISIBLE WALL, OKAY? - OKAY-- GOT IT. 547 00:20:39,504 --> 00:20:40,872 ALL RIGHT-- SORRY ABOUT THAT, GUYS. 548 00:20:40,973 --> 00:20:43,108 OKAY, THANK YOU-- HERE WE GO. 549 00:20:43,208 --> 00:20:44,676 TWO HITS AND THEN IT'S OUT. 550 00:20:44,776 --> 00:20:45,777 ROLL SOUND! 551 00:20:45,877 --> 00:20:47,446 I FINALLY BROKE THROUGH THIS WALL, 552 00:20:47,546 --> 00:20:49,047 AND IT'S TIME FOR THE THIRD SETUP, 553 00:20:49,147 --> 00:20:50,816 WHERE I SING TO BABYFACE, 554 00:20:50,916 --> 00:20:53,452 AND THIS PART IS WONDERFUL. 555 00:21:04,096 --> 00:21:06,498 ALL RIGHT. 556 00:21:06,598 --> 00:21:10,068 AND, ROLL PLAYBACK! 557 00:21:10,168 --> 00:21:11,470 THANK YOU. 558 00:21:11,570 --> 00:21:13,739 ALL RIGHT-- NICE, NICE, NICE. 559 00:21:13,839 --> 00:21:16,341 THANK YOU VERY MUCH-- OKAY, GUYS. 560 00:21:28,353 --> 00:21:29,888 TRACI, I'M YOUR CHAUFFEUR TODAY. 561 00:21:29,988 --> 00:21:31,290 YAY-- THANK YOU. 562 00:21:31,390 --> 00:21:34,159 YEAH, THAT'S TRUE. - WE SUPPOSED TO TAKE, UH, 405? 563 00:21:34,259 --> 00:21:37,829 YEAH, GO ON THE 405-- YES, GO ON THE 405. 564 00:21:37,929 --> 00:21:40,565 I'M SO GLAD I'M RIDING WITH MY SISTER. 565 00:21:40,666 --> 00:21:42,501 - YOU EXCITED? - I AM. 566 00:21:42,601 --> 00:21:45,270 BUT, AT THE SAME TIME, DO I NEED TO WEAR SOME ARMOR? 567 00:21:45,370 --> 00:21:46,772 FOR WHAT? 568 00:21:46,872 --> 00:21:48,540 IT'S NOT THE BAD COMPTON, IS IT? 569 00:21:48,640 --> 00:21:50,175 WHAT ARE YOU TALKIN' ABOUT, THE BAD COMPTON? 570 00:21:50,275 --> 00:21:51,710 I WORE-- I WORE BURNT ORANGE, 571 00:21:51,810 --> 00:21:53,679 SO I WOULDN'T WEAR RED OR BLUE. 572 00:21:53,779 --> 00:21:55,480 SO, ARE YOU GONNA TALK TO-TO EVERYBODY? 573 00:21:55,580 --> 00:21:57,149 OR, IS IT JUST PEOPLE LINING UP, SHAKING YOUR HAND, 574 00:21:57,249 --> 00:21:59,151 AND SAYING HI? - NO, LINING UP, 575 00:21:59,251 --> 00:22:01,453 SIGNING AUTOGRAPHS, AND TAKING PICTURES. 576 00:22:01,553 --> 00:22:03,488 WANDA, I'M EXCITED, 577 00:22:03,588 --> 00:22:05,991 AND I'M EXCITED THAT YOU ARE HERE. 578 00:22:06,091 --> 00:22:08,093 I'M JUST DRIVING YOU-- I'M NOT GOIN' IN. 579 00:22:08,193 --> 00:22:10,429 YEAH. 580 00:22:10,529 --> 00:22:12,030 BUT, I'M JUST SAYIN'. 581 00:22:12,130 --> 00:22:14,599 I MEAN, YOU GET A CHANCE TO CALM ME DOWN. 582 00:22:14,700 --> 00:22:17,002 - TO CALM YOU DOWN? - YEAH, I DID HAVE SOME DRINKS. 583 00:22:17,102 --> 00:22:18,970 WHAT? 584 00:22:19,071 --> 00:22:20,906 YOU THINK THAT WAS A GOOD IDEA? - I REALLY DO. 585 00:22:21,006 --> 00:22:22,341 WELL, TAKE A NAP-- CLOSE YOUR EYES. 586 00:22:22,441 --> 00:22:23,542 IT TAKES 45 MINUTES TO GET THERE. 587 00:22:23,642 --> 00:22:25,510 - OKAY-- WELL, TAKE A NAP. - I DON'T KNOW WHAT TO DO. 588 00:22:25,610 --> 00:22:26,812 I'M TELLING YOU WHAT TO DO. 589 00:22:26,912 --> 00:22:29,147 I KNEW THAT SHE WAS REALLY, REALLY NERVOUS, 590 00:22:29,247 --> 00:22:31,983 AND THAT'S A PART OF THE REASON WHY I'M HERE, 591 00:22:32,084 --> 00:22:34,186 JUST TO CALM HER DOWN, BECAUSE WE ALL KNOW, 592 00:22:34,286 --> 00:22:36,888 SOMETIMES, TRACI, WHEN SHE GETS NERVOUS, 593 00:22:36,988 --> 00:22:39,558 SHE SAYS SOME CRAZY THINGS OUT OF HER LIPS. 594 00:22:39,658 --> 00:22:41,259 SO... 595 00:22:41,360 --> 00:22:43,729 ALTHOUGH I'M NOT ACTUALLY PHYSICALLY GOING IN 596 00:22:43,829 --> 00:22:46,465 TO THE MEET AND GREET, I HAVE JAMES. 597 00:22:46,565 --> 00:22:48,133 HE'S THERE-- THAT'S WHAT HE'S HERE FOR. 598 00:22:48,233 --> 00:22:49,468 I DON'T KNOW IF IT'S GONNA BE BIG. 599 00:22:49,568 --> 00:22:50,769 I DON'T KNOW IF IT'S GONNA BE TINY. 600 00:22:50,869 --> 00:22:52,838 I DON'T KNOW IF IT'S GONNA BE LITTLE. 601 00:22:52,938 --> 00:22:55,040 YOU THINK IT'S GONNA BE LITTLE? 602 00:22:55,140 --> 00:22:57,342 TRACI, YOU ARE ON 50. 603 00:22:59,344 --> 00:23:01,646 I HAVE TO TINKLE. 604 00:23:01,747 --> 00:23:04,249 MMM-HMM. 605 00:23:06,885 --> 00:23:08,320 WE'RE GOIN' TO THE SWAP MEET. 606 00:23:08,420 --> 00:23:10,255 SO, I'M GONNA GET ME A PONYTAIL WITH SOME GEL EDGES. 607 00:23:10,355 --> 00:23:11,623 YEAH-- YOU CAN GO SHOPPIN' THERE, RIGHT? 608 00:23:11,723 --> 00:23:13,725 YEAH. 609 00:23:13,825 --> 00:23:14,760 SO, WE CAN GET KNICK-KNACK, PADDY-WHACK, 610 00:23:14,860 --> 00:23:16,695 GIVE A DOG A BONE. - YOU WON'T BE SHOPPIN'. 611 00:23:16,795 --> 00:23:17,896 YOU'RE MEETIN' AND GREETIN'. 612 00:23:17,996 --> 00:23:19,464 I CAN GET SOME COSTUME JEWELRIES. 613 00:23:19,564 --> 00:23:21,032 YOU'RE NOT GONNA BE SHOPPIN'. 614 00:23:21,133 --> 00:23:22,768 YOU GOTTA WORK-- YOU'RE BOOKED. 615 00:23:22,868 --> 00:23:25,036 - YOU GOTTA CLOCK IN. - YOU'RE BOOKED. 616 00:23:34,379 --> 00:23:36,815 OH, TRACI, LOOK, YOUR PICTURES ARE EVERYWHERE! 617 00:23:36,915 --> 00:23:39,684 HEY, EVERYBODY, LOOK-- IT'S TRACI! 618 00:23:39,785 --> 00:23:42,053 - I GOTTA PEE. - TRACI, GOOD LUCK. 619 00:23:42,154 --> 00:23:44,856 I'M PROUD OF YOU-- YOU ENJOY YOURSELF. 620 00:23:44,956 --> 00:23:46,825 I GOTTA PEE-- OH, GOD-- I GOTTA PEE. 621 00:23:46,925 --> 00:23:48,593 - YOU-- BYE! - I GOTTA PEE SO BAD. 622 00:23:48,693 --> 00:23:50,362 WHY TOWANDA'S NOT GETTIN' OUT OF THE CAR? 623 00:23:50,462 --> 00:23:51,863 YOU AIN'T USED TO THE HOOD? 624 00:23:51,963 --> 00:23:53,265 DON'T ACT LIKE WE DIDN'T HAVE NO FAMILY MEMBERS 625 00:23:53,365 --> 00:23:55,000 UP IN THE HOOD, HONEY. 626 00:23:55,100 --> 00:23:57,502 THIS IS OUR PEOPLE, HONEY. 627 00:23:57,602 --> 00:24:00,305 I'M JUST ALLOWING TRACI TO HAVE HER MOMENT, RIGHT NOW. 628 00:24:00,405 --> 00:24:01,973 IT'S NOT ABOUT THE NEIGHBORHOOD. 629 00:24:02,073 --> 00:24:03,809 IT'S ABSOLUTELY NOT ABOUT THE NEIGHBORHOOD. 630 00:24:03,909 --> 00:24:05,410 I JUST THINK THAT IT'S TIME FOR TRACI 631 00:24:05,510 --> 00:24:07,846 TO HAVE HER TRACI MOMENT. 632 00:24:09,414 --> 00:24:10,649 I'VE BEEN HOLDIN' IT WAY TOO LONG. 633 00:24:10,749 --> 00:24:11,983 YA'LL MOTHER WORKIN' ON 634 00:24:12,083 --> 00:24:14,119 MY DAMN NERVES-- I GOTS TO PEE. 635 00:24:16,555 --> 00:24:19,090 - TRACI! - HI, HONEY. 636 00:24:19,191 --> 00:24:20,459 YOU MEAN, RIGHT OVER HERE? 637 00:24:20,559 --> 00:24:22,160 RIGHT OVER HERE. 638 00:24:22,260 --> 00:24:24,062 SHE'S RIGHT THERE. 639 00:24:29,835 --> 00:24:31,436 WHEW! 640 00:24:46,485 --> 00:24:49,654 - HEY, GIRL. - HEY, HONEY-- WOW! 641 00:24:49,754 --> 00:24:51,556 GET IT, GIRL! 642 00:24:51,656 --> 00:24:53,258 HOW YA'LL DOIN'-- HI, EVERYBODY. 643 00:24:53,358 --> 00:24:54,826 THANK YOU FOR COMING. - all: HI! 644 00:24:54,926 --> 00:24:57,195 I AM VERY EXCITED ABOUT MY MEET AND GREET. 645 00:24:57,295 --> 00:24:59,564 THIS BOOTH IS OWNED BY CYCADELIC RECORDS. 646 00:24:59,664 --> 00:25:03,969 IT IS THE EXACT BOOTH THAT INFAMOUS NWA WERE DISCOVERED. 647 00:25:04,069 --> 00:25:06,872 THEY WERE THE ONLY RECORD STORE THAT WOULD PLAY 648 00:25:06,972 --> 00:25:09,441 OR SELL THEIR ALBUMS. 649 00:25:14,246 --> 00:25:16,414 - LOOK, SAVANNAH. - HI, SAVANNAH. 650 00:25:17,849 --> 00:25:19,751 I CALL MY FANS TRAY-BIRDS, 651 00:25:19,851 --> 00:25:24,956 AND WE ALL HAVE WINGS, SO WE HAVE TO FLY AND SOAR. 652 00:25:25,056 --> 00:25:26,758 - THANK YOU, TRACI. - THANK YOU. 653 00:25:26,858 --> 00:25:27,959 - CAN WE GET A PHOTO? - WELL, COME ON. 654 00:25:28,059 --> 00:25:29,194 - THANK YOU. - COME ON. 655 00:25:29,294 --> 00:25:30,695 MAKE SURE I'M COVERIN' EVERYTHING. 656 00:25:30,795 --> 00:25:33,331 - OKAY. - READY, ONE-- THAT'S IT. 657 00:25:33,431 --> 00:25:35,100 - THANK YOU, TRACI. - THANK YOU. 658 00:25:35,200 --> 00:25:37,002 DON'T FORGET TO BUY ME SOME SOCKS. 659 00:25:40,805 --> 00:25:42,741 - THANK YOU. - YOU'RE WELCOME. 660 00:25:42,841 --> 00:25:44,576 OH, NO, DINO-- WE AIN'T DOIN' THAT. 661 00:25:44,676 --> 00:25:46,011 MMM-MMM. 662 00:25:46,111 --> 00:25:48,079 COMING UP, ON "BRAXTON FAMILY VALUES"... 663 00:25:48,179 --> 00:25:49,781 AND THEY TELL ME, "WELL, I INSTAGRAMMED YOU." 664 00:25:49,881 --> 00:25:51,149 - STAND UP AND TALK. - IT'S NOT THE SAME. 665 00:25:51,249 --> 00:25:52,551 AND-AND ALL I'M SAYING IS, 666 00:25:52,651 --> 00:25:54,286 SOMEBODY SAYIN' CONGRATULATIONS-- SOMEBODY SAYIN' IT'S WHACK. 667 00:25:54,386 --> 00:25:55,854 IT'S ALL THE SAME DAMN THING. 668 00:25:55,954 --> 00:25:56,454 NO, IT'S NOT. 669 00:25:58,857 --> 00:25:58,923 HASHTAG, 670 00:25:58,924 --> 00:25:58,989 HASHTAG, TRY 671 00:25:58,990 --> 00:25:59,156 HASHTAG, TRY IT. 672 00:25:59,157 --> 00:25:59,223 - HASHTAG, TRY IT. - NO-- 673 00:25:59,224 --> 00:26:00,658 - HASHTAG, TRY IT. - NO-- OH, 674 00:26:00,659 --> 00:26:01,126 - HASHTAG, TRY IT. - NO-- OH, TAMAR. 675 00:26:01,226 --> 00:26:02,661 HASHTAG, TRUST ME. 676 00:26:02,761 --> 00:26:03,929 HASHTAG, SHE CAN'T HANDLE IT. 677 00:26:04,029 --> 00:26:05,730 - HASHTAG, WAIT A MINUTE. - HASHTAG, LET'S GO. 678 00:26:05,830 --> 00:26:07,632 HASHTAG, PLEASE. - WE'RE NOT DOING THAT. 679 00:26:07,732 --> 00:26:11,336 HASHTAG, FAMILY... HASHTAG, FUN... HASHTAG, PIZZA. 680 00:26:11,436 --> 00:26:15,040 HASHTAG, WHY IS YOU MAD ALL THE TIME, GIRL? 681 00:26:15,140 --> 00:26:16,541 HASHTAG, COME HOME. 682 00:26:16,641 --> 00:26:19,644 HASHTAG, SHE'S BEAT WHILE THIS IS HAPPENING-- M'KAY? 683 00:26:19,744 --> 00:26:20,879 ACTUALLY, I DON'T LIKE YOUR MAKEUP TODAY. 684 00:26:20,979 --> 00:26:21,980 HASHTAG, PLEASE. 685 00:26:22,080 --> 00:26:23,648 HASHTAG, SHE IS BEAT FOR THE SUN GOD. 686 00:26:23,748 --> 00:26:25,216 HASHTAG, SHE IS BEAT FOR THE SHOE GOD. 687 00:26:25,317 --> 00:26:26,685 SHE'S BEAT FOR THE SHIRT GOD. 688 00:26:26,785 --> 00:26:27,752 HASHTAG, BITCH, YOU WON. 689 00:26:27,852 --> 00:26:29,588 HASHTAG, NOTHING-- HASHTAG, TOLD YOU SO. 690 00:26:29,688 --> 00:26:31,690 SO, HASHTAG, PLEASE TELL ME, 691 00:26:31,790 --> 00:26:33,825 SO, HASHTAG, WE CAN MOVE ALONG. 692 00:26:33,925 --> 00:26:35,160 CAN YOU STOP GRABBING AIR? 693 00:26:35,260 --> 00:26:38,730 HASHTAG, GET OVER IT ALREADY, LIKE... 694 00:26:47,672 --> 00:26:49,608 - THANK YOU. - YOU'RE WELCOME. 695 00:26:49,708 --> 00:26:51,076 OH, NO, DINO-- WE AIN'T DOIN' THAT. 696 00:26:51,176 --> 00:26:52,544 I CAN'T GET A KISS ON MY CHEEK? 697 00:26:52,644 --> 00:26:53,812 NO-- UH-UH. 698 00:26:53,912 --> 00:26:55,547 - WE CLOSE ENOUGH. - ALL RIGHT. 699 00:26:55,647 --> 00:26:56,648 THAT WOULD MESS HER LIP GLOSS UP. 700 00:26:56,748 --> 00:26:58,149 UH, EXCUSE ME. 701 00:26:58,249 --> 00:27:00,919 WHY YOU ASKIN' ME TO GIVE YOU A KISS ON YOUR DARN CHEEK, 702 00:27:01,019 --> 00:27:03,121 KNOWIN' YOUR GIRL IS AROUND THE CORNER? 703 00:27:03,221 --> 00:27:05,056 UH-UH-- YOU AIN'T SETTIN' ME UP. 704 00:27:05,156 --> 00:27:09,060 THIS IS NOT GONNA BE A COMPTON FIGHT MEET HERE. 705 00:27:10,195 --> 00:27:13,031 HI-- HOW ARE YOU? 706 00:27:13,131 --> 00:27:14,966 OH, GOOD TO SEE YOU. 707 00:27:15,066 --> 00:27:16,735 I MEAN, BABY, YOU GOT A WIFE AROUND HERE? 708 00:27:16,835 --> 00:27:18,169 - I-- HUH? - YOU GOT A WIFE AROUND HERE? 709 00:27:18,269 --> 00:27:19,471 GIRL AROUND HERE? - NO-NO. 710 00:27:19,571 --> 00:27:21,506 OH, 'CAUSE I'M GONNA SAY-- 711 00:27:21,606 --> 00:27:23,408 NO, WE'RE GOOD-- WE'RE GOOD. 712 00:27:29,247 --> 00:27:30,749 EVEN THOUGH I'M SITTING DOWN 713 00:27:30,849 --> 00:27:32,717 AND MY FOOT IS KILLING ME, 714 00:27:32,817 --> 00:27:35,420 THERE'S NOTHING THAT I WOULDN'T DO FOR MY FANS. 715 00:27:35,520 --> 00:27:37,055 WHAT IS YOUR NAME? - ANIYAH. 716 00:27:37,155 --> 00:27:39,257 - HOW OLD ARE YOU, ANIYAH? - NINE. 717 00:27:39,357 --> 00:27:41,259 DO YOU KNOW WHAT YOU'RE GONNA BECOME WHEN YOU GROW UP? 718 00:27:41,359 --> 00:27:43,028 - A DOCTOR. - I KNOW THAT. 719 00:27:43,128 --> 00:27:45,664 GIRL, I KNOW THAT'S RIGHT-- WHAT KINDA DOCTOR? 720 00:27:45,764 --> 00:27:47,666 FOR, LIKE, LITTLE BABIES. 721 00:27:47,766 --> 00:27:51,102 A PEDIATRICIAN-- YAY! 722 00:27:51,202 --> 00:27:53,772 YOU MAKE SURE THAT YOU BECOME A PEDIATRICIAN, OKAY? 723 00:27:53,872 --> 00:27:55,507 AND YOU FOLLOW YOUR DREAMS. 724 00:27:55,607 --> 00:27:57,142 NEVER STOP IT, OKAY, ANIYAH? 725 00:27:57,242 --> 00:28:00,011 - MMM-HMM. - OKAY, LET'S TAKE A PICTURE. 726 00:28:00,111 --> 00:28:02,981 - AW, HOW PRETTY IS THAT? - YAY! 727 00:28:03,081 --> 00:28:04,215 YOU DID THAT, ANIYAH. 728 00:28:04,315 --> 00:28:06,484 YOU WEREN'T EVEN THAT SCARED. 729 00:28:06,584 --> 00:28:07,919 LOOK AT THAT. - WANT YOUR PICTURE? 730 00:28:08,019 --> 00:28:09,320 YOU'RE ABOUT TO LEAVE MY PICTURE. 731 00:28:09,421 --> 00:28:10,588 AND NOW, YOU'RE ABOUT TO LEAVE MY PICTURE? 732 00:28:10,689 --> 00:28:13,091 REALLY-- THAT'S WHAT YOU DO? - THANK YOU. 733 00:28:15,260 --> 00:28:16,361 HI. 734 00:28:16,461 --> 00:28:17,762 I BROUGHT YOU SOME SOCKS 'CAUSE YOU WANTED SOME. 735 00:28:17,862 --> 00:28:19,330 OH, YOU GOT ME SOME SOCKS! 736 00:28:19,431 --> 00:28:23,201 OH, YOU'RE SO NICE AND SWEET-- OH. 737 00:28:23,301 --> 00:28:24,402 DID YOU SEE MY GIRL? 738 00:28:24,502 --> 00:28:25,503 SHE BROUGHT ME SOME SOCKS. 739 00:28:25,603 --> 00:28:27,105 SHE SAW ME TAKE MY SHOES OFF, 740 00:28:27,205 --> 00:28:29,040 AND I NEEDED SOME SOCKS, HONEY. 741 00:28:29,140 --> 00:28:31,710 I DO BELIEVE I HAVE THE MOST THOUGHTFUL FANS 742 00:28:31,810 --> 00:28:33,178 IN THE WORLD. 743 00:28:33,278 --> 00:28:35,280 YAY, TRAY-BIRDS. 744 00:28:36,881 --> 00:28:38,249 - WHAT'S UP? - WHAT'S UP? 745 00:28:38,349 --> 00:28:40,085 - NOTHIN' MUCH. - HOW YOU DOIN'? 746 00:28:40,185 --> 00:28:42,987 ALL RIGHT-- I NEED A SIGNATURE FOR RAQUEL BEASLEY. 747 00:28:43,088 --> 00:28:44,923 SO, YOU NEED A-A SIGNATURE FOR RAQUEL? 748 00:28:45,023 --> 00:28:46,458 RAQUEL BEASLEY. 749 00:28:47,959 --> 00:28:49,260 REALLY, "STAY BLACK?" 750 00:28:49,360 --> 00:28:51,730 REALLY? - "STAY BLACK." 751 00:28:51,830 --> 00:28:54,332 "AND BLACK." 752 00:28:54,432 --> 00:28:56,768 - THAT'S WHAT'S UP. - OKAY... I QUIT. 753 00:28:56,868 --> 00:29:00,004 SHE TOLD ME TO STAY BLACK. 754 00:29:00,105 --> 00:29:03,374 BYE-- THANK YA'LL! 755 00:29:03,475 --> 00:29:04,809 THAT WAS FUN. 756 00:29:04,909 --> 00:29:06,244 THAT WAS-- YOU LOOK GREAT. 757 00:29:06,344 --> 00:29:08,113 - THANK YOU. - HAD A GOOD TIME. 758 00:29:08,213 --> 00:29:10,415 HI-- YEAH. 759 00:29:11,916 --> 00:29:14,352 I WILL TRY TO TELL HER. 760 00:29:14,452 --> 00:29:16,454 SHE PROBABLY WILL. 761 00:29:19,524 --> 00:29:21,025 - THAT'S TOWANDA. - IS THAT TAMAR? 762 00:29:21,126 --> 00:29:22,527 NO, THAT'S TOWANDA. 763 00:29:22,627 --> 00:29:24,763 TOWANDA, YOU WANNA STAY IN THE CAR. 764 00:29:24,863 --> 00:29:27,298 THAT IS SO FUNNY. 765 00:29:27,398 --> 00:29:29,234 YOU FORGOT YOUR BULLETPROOF VEST. 766 00:29:35,073 --> 00:29:36,708 I LOVE COMPTON. 767 00:29:36,808 --> 00:29:38,743 YOU MISSED IT ALL! 768 00:29:50,688 --> 00:29:52,557 MY ALLERGIES ARE KICKIN' MY BUTT. 769 00:29:52,657 --> 00:29:54,559 HOW PUFFY ARE MY CHEEKS? 770 00:29:54,659 --> 00:29:56,895 YEAH, YOU LOOK LIKE YOU BEEN SNIFFIN' A CAT. 771 00:29:56,995 --> 00:29:59,130 I KNOW, RIGHT? 772 00:29:59,230 --> 00:30:01,266 - THAT'S YOUR HOT TODDY. - THAT'S MY HOT TODDY. 773 00:30:01,366 --> 00:30:02,400 THANK YOU, THANK YOU, THANK YOU. 774 00:30:02,500 --> 00:30:03,601 - HELLO, LADIES. - HELLO. 775 00:30:03,701 --> 00:30:04,903 - WE GOT A HOT TODDY. - WILL I BE ABLE TO TOUCH IT? 776 00:30:05,003 --> 00:30:06,838 IT'S HOT-- THANKS. 777 00:30:06,938 --> 00:30:08,406 - OOH, THAT SMELLS-- - YOU WANT ONE, TOO? 778 00:30:08,506 --> 00:30:11,342 NO, I'LL FIGURE OUT SOMETHING IN A SECOND. 779 00:30:11,442 --> 00:30:13,044 THANK YOU. - THANK YOU. 780 00:30:13,144 --> 00:30:14,879 IT'S NOT HOT. 781 00:30:14,979 --> 00:30:16,915 - IS IT WARM? - IT'S A WARM TODDY. 782 00:30:17,015 --> 00:30:19,150 LET ME SEE. 783 00:30:22,387 --> 00:30:23,822 WHAT? 784 00:30:23,922 --> 00:30:25,557 HAS A LOT OF ALCOHOL. 785 00:30:25,657 --> 00:30:27,892 WHOA! 786 00:30:27,992 --> 00:30:30,929 WHOO! - REALLY? 787 00:30:31,029 --> 00:30:31,996 - WOW. - GIVE IT TO TRINA. 788 00:30:32,096 --> 00:30:34,666 SHE'LL DRINK IT. - WOW. 789 00:30:34,766 --> 00:30:36,801 I THINK I'M DRUNK. 790 00:30:37,969 --> 00:30:41,072 HEY... HEY. - HEY, SISSY. 791 00:30:41,172 --> 00:30:42,841 TODAY, MY SISTERS AND I ARE MEETING FOR LUNCH 792 00:30:42,941 --> 00:30:44,609 BECAUSE WE REALLY NEED TO TALK. 793 00:30:44,709 --> 00:30:46,044 APPARENTLY, THEY HAD A BLOWOUT AT DINNER 794 00:30:46,144 --> 00:30:47,579 THE OTHER NIGHT, AND I WASN'T THERE. 795 00:30:47,679 --> 00:30:49,180 THANK GOD! 796 00:30:49,280 --> 00:30:51,015 BUT, I'M HERE TODAY TO HOPEFULLY HELP US 797 00:30:51,115 --> 00:30:52,383 ALL COME TOGETHER. 798 00:30:52,483 --> 00:30:54,385 DO YOU GUYS WANNA COME TO MY PERFORMANCE? 799 00:30:54,485 --> 00:30:55,720 YOU HAVE A PERFORMANCE TONIGHT? 800 00:30:55,820 --> 00:30:58,056 LIKE, IN 20 MINUTES, AT ARSENIO HALL. 801 00:30:58,156 --> 00:31:00,692 - HEY, GIRLS. - HEY-HEY-HEY. 802 00:31:00,792 --> 00:31:02,827 AND I'M ALWAYS CIVIL AND COMFORTABLE WITH TAMAR, 803 00:31:02,927 --> 00:31:04,495 ALWAYS. 804 00:31:04,596 --> 00:31:06,698 EVEN WHEN SHE'S NOT WITH ME, I AM WITH HER, 805 00:31:06,798 --> 00:31:10,068 BECAUSE I HAVE TO BE THE BIGGER SISTER. 806 00:31:10,168 --> 00:31:12,437 I JUST CAN'T WAIT UNTIL WE CAN ALL GET PAST THIS. 807 00:31:12,537 --> 00:31:13,838 SO, OKAY, NO SHADE. 808 00:31:13,938 --> 00:31:15,506 I WAS VERY DISAPPOINTED WHEN I HEARD ABOUT 809 00:31:15,607 --> 00:31:17,475 THE LITTLE THINGY EVERYBODY HAD AT THE RESTAURANT 810 00:31:17,575 --> 00:31:19,244 THE OTHER DAY. 811 00:31:19,344 --> 00:31:21,646 TODAY IS THE FIRST STEP. - WHAT YOU HEARD? 812 00:31:21,746 --> 00:31:23,214 - THAT IT WAS A LOT. - YEAH. 813 00:31:23,314 --> 00:31:25,216 - WAS IT A LOT? - IT WAS. 814 00:31:25,316 --> 00:31:26,718 THAT'S ALL YOU HEARD-- WHO YOU HEARD IT FROM? 815 00:31:26,818 --> 00:31:28,353 - A LOT OF PEOPLE. - . 816 00:31:28,453 --> 00:31:29,854 - EVERYBODY. - YOU DIDN'T HEAR IT FROM ME. 817 00:31:29,954 --> 00:31:31,723 I HEARD IT FROM EVERYBODY. 818 00:31:31,823 --> 00:31:33,091 I HEARD IT WAS A LOT. - YOU HEARD IT 819 00:31:33,191 --> 00:31:34,325 FROM ENOUGH PEOPLE TO KNOW THAT IT WAS A PROBLEM? 820 00:31:34,425 --> 00:31:35,426 YEAH, IT WAS A LOT. 821 00:31:35,526 --> 00:31:39,330 SO THAT MEANS EVERYBODY WAS IN THEIR FEELINGS. 822 00:31:39,430 --> 00:31:40,698 WAS EVERYBODY IN THEIR FEELINGS? 823 00:31:40,798 --> 00:31:41,933 WAS YOU IN YOUR FEELINGS, TRAY? - YEAH, I WAS IN MY FEELINGS. 824 00:31:42,033 --> 00:31:43,568 - WAS YOU IN YOUR FEELINGS, TRINA? - YES. 825 00:31:43,668 --> 00:31:44,969 WAS YOU IN YOUR FEELINGS, TOWANDA? - YES. 826 00:31:45,069 --> 00:31:46,070 WAS YOU IN YOUR FEELINGS, TAMAR? 827 00:31:46,170 --> 00:31:47,438 I WAS DEFINITELY IN MY FEELINGS. 828 00:31:47,538 --> 00:31:49,607 SEE-- WE AGREED! 829 00:31:49,707 --> 00:31:50,975 THAT'S A GOOD THING. 830 00:31:51,075 --> 00:31:52,343 DON'T EVEN PUT NO SHADES ON, 831 00:31:52,443 --> 00:31:53,478 'CAUSE THERE AIN'T NO SHADE UP ON HERE. 832 00:31:53,578 --> 00:31:54,512 TAKE 'EM OFF. - NO-NO-NO. 833 00:31:54,612 --> 00:31:56,014 EVERYBODY SHOULD BE-- HAVE A FEELING DAY, 834 00:31:56,114 --> 00:31:58,950 AND, THAT WAY, WE CAN AT LEAST START COMMUNICATING. 835 00:32:00,952 --> 00:32:02,754 YOU KNOW, I FELT LIKE THERE WAS A TIME I APOLOGIZED 836 00:32:02,854 --> 00:32:04,989 TO TOWANDA THE OTHER NIGHT, AND NOBODY SAID NOTHIN' BACK, 837 00:32:05,089 --> 00:32:06,291 AND THAT MADE ME FEEL LIKE, 838 00:32:06,391 --> 00:32:08,026 OH, WELL, BITCH, IT'S ALL YOU. 839 00:32:10,261 --> 00:32:11,496 HOW'D YOU APOLOGIZE? 840 00:32:11,596 --> 00:32:12,797 - VERY CALMLY AND VERY NICE. - WHAT'D YOU SAY? 841 00:32:12,897 --> 00:32:14,933 I SAID, "IF I DID ANYTHING, IF I HURT YOU, 842 00:32:15,033 --> 00:32:16,267 "IF I SAID ANYTHING, IF I TREATED YOU--" 843 00:32:16,367 --> 00:32:17,402 THAT'S NOT AN APOLOGY, THOUGH. 844 00:32:17,502 --> 00:32:19,871 - NO, THAT IS AN APOLOGY-- - "IF I--" AND "IF I" 845 00:32:19,971 --> 00:32:21,072 IS NOT AN APOLOGY. 846 00:32:21,172 --> 00:32:22,140 AND LET ME TELL YOU WHY I SAY, "IF I," 847 00:32:22,240 --> 00:32:23,207 BECAUSE I ASKED HER SPECIFICALLY WHAT I DID, 848 00:32:23,308 --> 00:32:25,076 AND SHE DIDN'T TELL ME-- THAT'S NOT MY FAULT. 849 00:32:25,176 --> 00:32:28,880 WHEN A PERSON APOLOGIZES, THEY DON'T SAY, 850 00:32:28,980 --> 00:32:33,084 " IF I'VE DONE ANYTHING TO HURT YOU." 851 00:32:33,184 --> 00:32:34,886 NO. 852 00:32:34,986 --> 00:32:39,457 IT'S, "I KNOW I HAVE DONE X, Y, AND Z TO HURT YOU." 853 00:32:39,557 --> 00:32:40,825 OR, JUST SAY, "YOU KNOW WHAT? 854 00:32:40,925 --> 00:32:41,926 "I'M SORRY." 855 00:32:42,026 --> 00:32:43,728 OR, "I APOLOGIZE FOR HURTING YOU." 856 00:32:43,828 --> 00:32:46,264 OR, "I APOLOGIZE FOR SAYING THESE THINGS TO YOU." 857 00:32:46,364 --> 00:32:48,967 "IF" SHOULD NEVER COME INTO PLAY. 858 00:32:49,067 --> 00:32:50,134 THAT MEANS YOU DON'T MEAN IT. 859 00:32:50,234 --> 00:32:51,569 YOU DON'T KNOW UNLESS SOMEBODY TELL YOU. 860 00:32:51,669 --> 00:32:53,371 - SOMETIMES, YOU KNOW. - NO, BUT, IN THIS CASE, 861 00:32:53,471 --> 00:32:55,840 I REALLY, HONEST TO GOD, DON'T KNOW. 862 00:32:57,108 --> 00:32:59,410 COMING UP, ON "BRAXTON FAMILY VALUES"... 863 00:32:59,510 --> 00:33:01,245 HOW MANY SHOWS HAVE YOU-- OF MINE YOU BEEN TO? 864 00:33:01,346 --> 00:33:02,647 I WAS SUPPOSED TO GO TO THAT SHOW. 865 00:33:02,747 --> 00:33:04,115 HOW MANY SHOWS-- NO-NO-NO-NO, NOT "SUPPOSE." 866 00:33:04,215 --> 00:33:05,483 NO-NO-NO-NO-NO-NO-NO, I WAS SUPPOSED-- 867 00:33:05,583 --> 00:33:06,951 MY-BUT MY SON HAD A FLARE UP. - HOLD ON. 868 00:33:07,051 --> 00:33:07,852 TRACI, CALM DOWN-- DON'T DO THAT! 869 00:33:12,857 --> 00:33:12,956 I 870 00:33:12,957 --> 00:33:13,023 I ASKED 871 00:33:13,024 --> 00:33:13,256 I ASKED HER 872 00:33:13,257 --> 00:33:13,457 I ASKED HER SPECIFICALLY 873 00:33:13,458 --> 00:33:13,490 I ASKED HER SPECIFICALLY DON'TWHAT 874 00:33:13,491 --> 00:33:13,590 I ASKED HER SPECIFICALLY DON'TWHAT I 875 00:33:13,591 --> 00:33:14,559 I ASKED HER SPECIFICALLY DON'TWHAT I DID, 876 00:33:14,659 --> 00:33:16,027 AND SHE DIDN'T TELL ME, AND THAT'S NOT MY FAULT. 877 00:33:16,127 --> 00:33:17,562 YOU DON'T KNOW UNLESS SOMEBODY TELL YOU. 878 00:33:17,662 --> 00:33:19,397 - SOMETIMES, YOU KNOW. - NO, BUT, IN THIS CASE, 879 00:33:19,497 --> 00:33:21,399 I REALLY, HONEST TO GOD, DON'T KNOW. 880 00:33:21,499 --> 00:33:24,836 ONCE AGAIN, SHE DOESN'T KNOW WHAT SHE DID, 881 00:33:24,936 --> 00:33:28,840 HASHTAG, THIS TIME, WHICH IS IMPORTANT. 882 00:33:28,940 --> 00:33:31,109 I FITTIN' TO MAKE ME A SHIRT, WITH HASHTAG, "THISTIME." 883 00:33:31,209 --> 00:33:32,510 LIKE, WHAT'D SHE DO? 884 00:33:32,610 --> 00:33:34,212 I MEAN, DO YOU THINK ANYBODY KNOW WHAT THE PROBLEM IS 885 00:33:34,312 --> 00:33:35,546 BETWEEN ME AND TOWANDA? 886 00:33:35,646 --> 00:33:38,583 I MEAN, YOU KNOW, I... - I TOLD YOU. 887 00:33:38,683 --> 00:33:40,418 THE THINGS THAT YOU PUT ON INSTAGRAM-- 888 00:33:40,518 --> 00:33:43,688 I CAN'T BELIEVE THAT YOU PUT THAT ON SOCIAL MEDIA. 889 00:33:43,788 --> 00:33:45,056 WHY DID IT HURT YOUR FEELINGS? 890 00:33:45,156 --> 00:33:46,591 INSTEAD OF TEXTING ME PERSONALLY, 891 00:33:46,691 --> 00:33:49,827 YOU PUT THAT NEGATIVE THING ON INSTAGRAM 892 00:33:49,927 --> 00:33:51,062 FOR THE WORLD TO-- - IT WASN'T NEGATIVE. 893 00:33:51,162 --> 00:33:52,230 YOU DON'T THINK THAT WAS NEGATIVE? 894 00:33:52,330 --> 00:33:53,231 I DON'T THINK IT WAS NEGATIVE, 895 00:33:53,331 --> 00:33:54,799 SAYING THAT I HAVEN'T TALKED TO YOU. 896 00:33:54,899 --> 00:33:56,034 YOU DON'T ACCEPT MY PHONE CALLS. 897 00:33:56,134 --> 00:33:57,168 I DON'T CARE IF YOU SAY YOU DON'T, BUT IT'S THE TRUTH. 898 00:33:57,268 --> 00:33:58,770 - NO-- NO-NO-NO-NO. - IT WASN'T AN ATTACK. 899 00:33:58,870 --> 00:34:00,138 THAT WAS JUST THE SAME THING. - BUT-BUT, YOU-YOU-- 900 00:34:00,238 --> 00:34:01,406 OKAY, BUT YOU HAVE TO LET SOMEBODY TALK A LITTLE BIT. 901 00:34:01,506 --> 00:34:02,673 I-I DIDN'T SAY-- I DIDN'T SAY YOU WAS A EVIL, 902 00:34:02,774 --> 00:34:04,242 HATEFUL, HURTFUL BITCH ON-ON-ON INSTAGRAM. 903 00:34:04,342 --> 00:34:05,810 SEE, THAT'S WHY WE-- THAT'S WHY WE CAN'T COMMUNICATE, 904 00:34:05,910 --> 00:34:07,111 'CAUSE YOU JUST-- YOU-YOU GOTTA-- 905 00:34:07,211 --> 00:34:08,446 YOU GOTTA BE THE ONLY ONE TO TALK. 906 00:34:08,546 --> 00:34:09,781 I HAVE 30 SECONDS, THEN I GOTTA GO. 907 00:34:09,881 --> 00:34:11,349 THAT'S WHY I'M TRYING TO HURRY-HURRY UP AND GET IT ALL IN. 908 00:34:11,449 --> 00:34:12,950 WHAT I-- WHAT I WAS TRYING TO SAY IS-- 909 00:34:13,051 --> 00:34:15,353 I LOVE MY BABY SISTER, TAMAR, BUT I HAVE TO BE HONEST. 910 00:34:15,453 --> 00:34:17,088 SHE WANTS TO OVER-TALK YOU, 911 00:34:17,188 --> 00:34:19,157 WHERE SHE DOESN'T LET YOU HAVE YOUR SAY, 912 00:34:19,257 --> 00:34:20,792 AND SHE GETS LOUD, 913 00:34:20,892 --> 00:34:23,294 AND SHE GETS OFFENDED BY EVERYTHING YOU SAY, 914 00:34:23,394 --> 00:34:24,862 AND IT'S GETTING WORSE. 915 00:34:24,962 --> 00:34:28,299 I'M HOPING THAT MAYBE SOME OF THE CONJUNCTIONS ARE HEARD. 916 00:34:28,399 --> 00:34:29,767 THE "DO," THE "AND," AND THE "BUT." 917 00:34:29,867 --> 00:34:31,335 JUST SOMETHING, 918 00:34:31,436 --> 00:34:34,038 SO WE CAN AT LEAST GET PAST THIS POINT, AGAIN. 919 00:34:34,138 --> 00:34:38,209 YOU FOUND IT NECESSARY TO ADDRESS ME ON INSTAGRAM, 920 00:34:38,309 --> 00:34:39,877 AS WELL. 921 00:34:42,780 --> 00:34:45,750 SO, IS "WHACK" A POSITIVE WORD, THOUGH? 922 00:34:45,850 --> 00:34:47,251 NO, I DON'T THINK SAYING "WHACK," 923 00:34:47,351 --> 00:34:48,686 SOME-SOMETHING'S "WHACK," IS NEGATIVE-- NO, I DON'T. 924 00:34:48,786 --> 00:34:50,254 I THINK, IF-IF YOU SAY SOMETHING IS WHACK, 925 00:34:50,354 --> 00:34:51,522 IT'S AN OPINION. 926 00:34:51,622 --> 00:34:53,624 SOMETHING IS-- SOME-- SAYING SOMETHING IS WHACK 927 00:34:53,724 --> 00:34:55,493 IS NOT SAYING YOUR HAIR IS NAPPY. 928 00:34:55,593 --> 00:34:56,894 IT'S NEGATIVE-- THAT'S A WHACK WEAVE. 929 00:34:56,994 --> 00:34:58,196 IT'S ALL HOW YOU TAKE IT. 930 00:34:58,296 --> 00:35:00,698 OH, SO NOW PEOPLE FIGHT OVER THE WORD "WHACK." 931 00:35:00,798 --> 00:35:02,633 HASHTAG, WHACK? 932 00:35:02,733 --> 00:35:04,502 STOP-- YOU'RE LOOKIN' FOR SOMETHIN'. 933 00:35:04,602 --> 00:35:06,304 LET SOMEBODY SAY, 934 00:35:06,404 --> 00:35:08,372 "TAMAR, THAT DRESS YOU HAVE ON IS WHACK." 935 00:35:08,473 --> 00:35:10,007 OH, MY GOD! 936 00:35:10,108 --> 00:35:13,244 THE MOUNTAINS WILL CRUMBLE, THE SEAS WILL ROAR. 937 00:35:13,344 --> 00:35:16,047 NEGATIVE, NEGATIVE, NEGATIVE-- WHACK. 938 00:35:16,147 --> 00:35:18,249 IT'S NEGATIVE. 939 00:35:18,349 --> 00:35:20,785 WHAT'S WHACK, IS THIS. 940 00:35:20,885 --> 00:35:22,320 YOU SAID, "WELL, I GOT 30 SECONDS. 941 00:35:22,420 --> 00:35:24,255 "I GOTTA SAY WHAT I GOTTA SAY, WHAT I FEEL, REAL QUICK." 942 00:35:24,355 --> 00:35:27,525 THAT'S THE PROBLEM. 943 00:35:27,625 --> 00:35:28,926 NOW, YOU GOT TO GO-- I'M SORRY. 944 00:35:29,026 --> 00:35:30,094 I HAVE TO PULL TRUMP. - OH, I KNOW THAT. 945 00:35:30,194 --> 00:35:32,163 YOU CAN'T PERFORM ON NO SHOW AND HAVE THIS ENERGY. 946 00:35:32,263 --> 00:35:33,464 WELL, YOU KNOW, GUESS WHAT, TONI? 947 00:35:33,564 --> 00:35:34,832 GUESS WHAT-- GUESS WHAT? 948 00:35:34,932 --> 00:35:36,100 LET ME JUST EXPLAIN SOMETHING TO YOU. 949 00:35:36,200 --> 00:35:37,869 GUESS HOW MY ENERGY HAS BEEN THESE-- 950 00:35:37,969 --> 00:35:39,337 I'M NOT EVEN GONNA CRY, 951 00:35:39,437 --> 00:35:41,005 BUT LET ME TELL YA HOW MY ENERGY-- 952 00:35:41,105 --> 00:35:43,541 BUT LET ME TELL YOU HOW MY ENERGY HAS BEEN 953 00:35:43,641 --> 00:35:47,712 FOR THE PAST COUPLE MONTHS, OKAY? 954 00:35:47,812 --> 00:35:49,247 ALONE. 955 00:35:49,347 --> 00:35:51,482 SHE'S ALONE-- SHE FEELS ALONE. 956 00:35:51,582 --> 00:35:54,519 I CAN'T CALL MY SISTERS, AND, YOU KNOW, BE LIKE, 957 00:35:54,619 --> 00:35:56,320 "WELL, CAN YOU COME, AND CAN YOU COME?" 958 00:35:56,420 --> 00:35:58,823 NOBODY WANTS TO COME AND-AND-AND SUPPORT ME AND BE-- 959 00:35:58,923 --> 00:36:01,125 HOW MANY SHOWS HAVE YOU-- OF MINE YOU BEEN TO? 960 00:36:01,225 --> 00:36:02,426 I WAS SUPPOSED TO GO TO THAT SHOW. 961 00:36:02,527 --> 00:36:03,995 HOW MANY SHOWS-- NO-NO-NO-NO, NOT "SUPPOSE." 962 00:36:04,095 --> 00:36:06,264 - BUT, MY SON HAD A FLARE UP. - TRACI, CALM DOWN! 963 00:36:06,364 --> 00:36:07,832 DON'T DO THAT-- DON'T DO THAT TODAY. 964 00:36:07,932 --> 00:36:09,033 I'M JUST SAYIN', MY SON HAD A FLARE UP. 965 00:36:09,133 --> 00:36:10,067 BUT, YOU WERE ABOUT TO GO THERE. 966 00:36:10,168 --> 00:36:11,702 HOW MANY SHOWS HAVE YOU BEEN TO OF MINE? 967 00:36:11,802 --> 00:36:13,271 - NONE. - OKAY, I HEAR YOU-- I'M GONNA NEED YOU GO TO. 968 00:36:13,371 --> 00:36:15,673 HOWEVER, WHEN MY ALBUM WENT NUMBER ONE, 969 00:36:15,773 --> 00:36:17,875 I WAS EXPECTING TO HAVE A TEXT, 970 00:36:17,975 --> 00:36:20,545 OR AT LEAST A CALL, ANYTHING FROM MY SIBLINGS. 971 00:36:20,645 --> 00:36:21,946 - GET UP. - AND-AND THEY TELL ME, 972 00:36:22,046 --> 00:36:23,514 "WELL, I INSTAGRAMMED YOU." - STAND UP AND TALK. 973 00:36:23,614 --> 00:36:24,916 - IT'S NOT THE SAME. - AND-AND ALL I'M SAYING IS, 974 00:36:25,016 --> 00:36:26,951 SOMEBODY SAYIN' CONGRATULATIONS-- SOMEBODY SAYIN' IT'S WHACK. 975 00:36:27,051 --> 00:36:28,452 IT'S ALL THE SAME DAMN THING. 976 00:36:28,553 --> 00:36:29,520 - NO, IT'S NOT. - ALL RIGHT. 977 00:36:29,620 --> 00:36:30,888 LET ME GO SING THIS FAITH SONG. 978 00:36:30,988 --> 00:36:33,524 - GO HAVE A GOOD SHOW. - HAVE A GOOD SHOW-- BYE! 979 00:36:33,624 --> 00:36:35,259 HAVE A GOOD SHOW-- KILL IT! 980 00:36:35,359 --> 00:36:38,329 ONCE AGAIN, NOTHING GOT RESOLVED. 981 00:36:38,429 --> 00:36:42,667 EXCEPT FOR... HASHTAG, IT'S HER FAULT, 982 00:36:42,767 --> 00:36:47,138 WHICH IS ALWAYS THE END RESULT AT THE END OF THE DAY. 983 00:36:47,238 --> 00:36:50,575 TELL ARSENIO WE SAID HI! 984 00:36:50,675 --> 00:36:52,710 WOOF-WOOF-WOOF-WOOF-WOOF! 985 00:36:52,810 --> 00:36:54,178 NOTHING? 986 00:36:54,278 --> 00:36:55,880 UH-UH, 'CAUSE I JUST DON'T AGREE WITH THAT BEING THE SAME THING. 987 00:36:55,980 --> 00:36:57,915 - I DON'T WHAT SHE MEANS. - SHE-SHE SAYS-- OKAY. 988 00:36:58,015 --> 00:36:59,984 WHAT HAPPENED WAS, SHE ASKED-- - WHAT'S SHE MEAN, TRAY? 989 00:37:00,084 --> 00:37:02,987 THAT THAT'S NOT OKAY FOR US TO PUT ON INSTAGRAM 990 00:37:03,087 --> 00:37:04,455 TO CONGRATULATE HER. - CONGRATULATE HER. 991 00:37:04,555 --> 00:37:07,992 TO LET THE WORLD KNOW THAT WE'RE EXCITED ABOUT HER. 992 00:37:08,092 --> 00:37:10,928 SHE'S NOT TAKING THAT INTO CONSIDERATION 993 00:37:11,028 --> 00:37:13,464 THAT I AM PROUD OF YOU, TO LET THE WORLD KNOW. 994 00:37:13,564 --> 00:37:15,533 IT ALMOST FEELS LIKE THAT WASN'T ENOUGH. 995 00:37:15,633 --> 00:37:18,069 - TAMAR'S SPOILED. - ROTTEN! 996 00:37:18,169 --> 00:37:21,405 THIS IS ABOUT TAMAR BEIN' ROTTEN. 997 00:37:21,505 --> 00:37:23,040 IT'S THAT WAY BECAUSE OF US. 998 00:37:23,140 --> 00:37:25,243 WE'VE CREATED THIS MONSTER. 999 00:37:25,343 --> 00:37:27,211 YOU KNOW, EVEN WHEN WE WERE YOUNGER, YOU KNOW, 1000 00:37:27,311 --> 00:37:29,614 WE'VE ALWAYS HAD TO SAY, 1001 00:37:29,714 --> 00:37:33,017 "OH, TAMAR, TAMAR, TAMAR, TAMAR, TAMAR, TAMAR, TAMAR, 1002 00:37:33,117 --> 00:37:35,853 "TAMAR, TAMAR, TAMAR, TAMAR, TAMAR, TAMAR." 1003 00:37:35,953 --> 00:37:37,154 YOU KNOW? 1004 00:37:37,255 --> 00:37:39,123 AND IT'S JUST-- IT'S THE WAY THAT WE ARE NOW. 1005 00:37:39,223 --> 00:37:40,458 I DON'T GET IT. 1006 00:37:40,558 --> 00:37:43,628 LIKE, CAN WE ALL GROW UP A LITTLE BIT, PLEASE? 1007 00:37:43,728 --> 00:37:45,062 THIS WAS A GOOD TALK. 1008 00:37:45,162 --> 00:37:46,897 SO, THIS IS GOOD. 1009 00:37:46,998 --> 00:37:48,499 YEAH, IT'S LIKE ROOM TO GROW. 1010 00:37:48,599 --> 00:37:50,501 IT'S LIKE STEPPING STONES. - WE GOT A LONG WAY. 1011 00:37:50,601 --> 00:37:52,503 WE MIGHT TAKE A STEP-- HALF A STEP BACKWARDS 1012 00:37:52,603 --> 00:37:54,138 BEFORE WE GO TO THE SECOND STEP. 1013 00:37:54,238 --> 00:37:55,706 WE CLEARLY NEED TO WORK THIS OUT, 1014 00:37:55,806 --> 00:37:57,308 BUT I THINK THAT TOWANDA AND TAMAR 1015 00:37:57,408 --> 00:37:58,643 ARE WAY TOO EMOTIONAL, RIGHT NOW. 1016 00:37:58,743 --> 00:38:00,044 THEY NEED TIME TO COOL OFF 1017 00:38:00,144 --> 00:38:02,546 BEFORE WE ADDRESS ANYTHING ELSE. 1018 00:38:02,647 --> 00:38:05,049 I THINK WE NEED A REAL SISTER TRIP. 1019 00:38:05,149 --> 00:38:06,417 SOMEWHERE FUN, THOUGH. 1020 00:38:06,517 --> 00:38:07,952 AND HAVE A COUPLE OF NIGHTS AT A HOTEL, 1021 00:38:08,052 --> 00:38:09,220 AND JUST CHILL OUT-- - I CAN'T DO THAT. 1022 00:38:09,320 --> 00:38:10,488 I GAIN FIVE POUNDS. 1023 00:38:10,588 --> 00:38:12,089 I CAN'T JUST CHILL OUT IN A HOTEL FOR A COUPLE DAYS. 1024 00:38:12,189 --> 00:38:13,958 I GOTTA HAVE ACTIVITIES WITH MY SISTER DAY. 1025 00:38:14,058 --> 00:38:16,260 - WELL, WE CAN DO ACTIVITIES-- - TRINA CAN BE IN CHARGE OF-- 1026 00:38:16,360 --> 00:38:18,229 TRINA CANNOT BE IN CHARGE-- NO, SORRY. 1027 00:38:18,329 --> 00:38:20,131 I DO FUN STUFF! 1028 00:38:20,231 --> 00:38:22,300 NAME THREE THINGS THAT ARE FUN. 1029 00:38:22,400 --> 00:38:25,202 I THINK SKYDIVING MIGHT BE FUN. 1030 00:38:25,303 --> 00:38:27,805 I THINK PARASAILING MIGHT BE FUN. 1031 00:38:27,905 --> 00:38:30,341 JET SKIING MIGHT BE FUN. 1032 00:38:30,441 --> 00:38:32,243 YOGA MIGHT BE FUN. - YEAH. 1033 00:38:32,343 --> 00:38:35,279 BALLROOM DANCING EXERCISES WOULD BE FUN. 1034 00:38:35,379 --> 00:38:37,081 WE CAN'T JUST DO FUN TONI THINGS. 1035 00:38:37,181 --> 00:38:38,649 YOU WANNA BE IN CHARGE OF THE TRIP? 1036 00:38:38,749 --> 00:38:40,184 - I CAN DO IT. - IF YOU MESS IT UP THIS TIME, 1037 00:38:40,284 --> 00:38:42,853 WE AIN'T NEVER DOING-- - OKAY, SO CAN WE DO A WEEKEND? 1038 00:38:42,953 --> 00:38:44,288 - A WHAT? - A WHAT? 1039 00:38:44,388 --> 00:38:46,290 - FRIDAY, SATURDAY, SUNDAY. - WHAT IS IT CALLED? 1040 00:38:46,390 --> 00:38:48,793 A "WE CAN?" - NO, I DID NOT SAY "WE CAN." 1041 00:38:48,893 --> 00:38:50,361 - YOU DID. - SHE DID. 1042 00:38:50,461 --> 00:38:51,829 - WEEK-END. - WEEK-END. 1043 00:38:51,929 --> 00:38:53,531 - WEEK-END. - WE CAN-- CAN YOU? 1044 00:38:53,631 --> 00:38:55,299 WE CAN-- WE CAN. 78462

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