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These are the user uploaded subtitles that are being translated: 1 00:00:03,336 --> 00:00:05,005 THIS SUPPOSED TO BE LIKE THIS. 2 00:00:05,105 --> 00:00:06,606 TOWANDA, YOU'RE A BIRTHDAY-ZILLA. 3 00:00:06,706 --> 00:00:08,408 AIN'T NOBODY GOT TIME FOR THAT. 4 00:00:08,508 --> 00:00:11,077 WE DIDN'T GET CONFIRMATION FROM "BAR CHIX." 5 00:00:11,177 --> 00:00:13,313 IF THAT'S THEN THE CASE, WHY EVEN USE THEM? 6 00:00:13,413 --> 00:00:15,382 WHEN IT CAME DOWN TO THE ALCOHOL PART OF IT, 7 00:00:15,482 --> 00:00:17,350 NOBODY HAD ANY ANSWERS. - NOBODY, LIKE WHO? 8 00:00:17,450 --> 00:00:18,918 YOUR TEAM-- NOT YOU. 9 00:00:19,019 --> 00:00:20,620 I THOUGHT YOUR TEAM HAD IT TOGETHER. 10 00:00:20,720 --> 00:00:21,888 YOU'RE LATE. 11 00:00:21,988 --> 00:00:23,323 THIS IS TOWANDA'S REHEARSAL-- TOWANDA. 12 00:00:23,423 --> 00:00:25,025 I'M GONNA READ YOU WHEN IT'S RIGHT, GIRL. 13 00:00:25,125 --> 00:00:26,960 WELL, AND I'M LETTIN' YOU KNOW, BABY. 14 00:00:27,060 --> 00:00:28,561 WHEN WAS THE LAST TIME YOU TALKED TO ME? 15 00:00:28,661 --> 00:00:29,729 BE HONEST. - I DON'T KNOW-- I DON'T KNOW. 16 00:00:29,829 --> 00:00:30,830 WELL, THAT'S WHAT I'M SITTING HERE TRYING TO SAY. 17 00:00:30,930 --> 00:00:32,032 IF YOU HAVEN'T TALKED TO ME, 18 00:00:32,132 --> 00:00:33,833 HOW HAVE WE HAD THIS CONVERSATION? 19 00:00:33,933 --> 00:00:37,170 ♪ WE ARE THE BRAXTONS AND YOU'LL SEE ♪ 20 00:00:37,270 --> 00:00:40,974 ♪ THAT WE ARE NOT LIKE AN ORDINARY FAMILY ♪ 21 00:00:41,074 --> 00:00:44,277 ♪ TONI TRACI TOWANDA TRINA TAMAR AND MISS E ♪ 22 00:00:44,377 --> 00:00:47,180 ♪ WILL TEACH YOU A THING OR TWO ♪ 23 00:00:47,280 --> 00:00:51,317 ♪ ON BRAXTON FAMILY VALUES ♪ 24 00:01:11,471 --> 00:01:12,605 THIS IS THE COMPOUND. 25 00:01:12,705 --> 00:01:15,608 I KNOW IT DOESN'T LOOK LIKE MUCH OF ANYTHING RIGHT NOW, 26 00:01:15,708 --> 00:01:18,445 BUT ASHLEY IS THE BOMB. 27 00:01:18,545 --> 00:01:21,314 SO, ALL OF THIS IS JUST GONNA BE BLOCKED OUT. 28 00:01:21,414 --> 00:01:24,084 WHEN PEOPLE COME IN, THEY'RE GONNA WALK AROUND. 29 00:01:24,184 --> 00:01:27,120 TRACI AND I ARE MEETING ASHLEY, 30 00:01:27,220 --> 00:01:28,655 THE PARTY PLANNER, 31 00:01:28,755 --> 00:01:31,024 FOR THE FINAL MEETING BEFORE MY PARTY. 32 00:01:31,124 --> 00:01:33,493 AND TRINA AND TAMAR, OF COURSE, 33 00:01:33,593 --> 00:01:35,595 WERE SUPPOSED TO SHOW UP-- I DON'T KNOW WHERE THEY ARE. 34 00:01:35,695 --> 00:01:37,897 BUT, HEY, LIFE GOES ON. 35 00:01:37,997 --> 00:01:39,732 BUT YOU'RE GONNA BE WALKIN' AROUND THAT WAY. 36 00:01:39,833 --> 00:01:41,534 WE'RE GONNA HAVE A DEAN'S LOUNGE. 37 00:01:41,634 --> 00:01:42,936 IT'S JUST GONNA BE SO-- - REALLY? 38 00:01:43,036 --> 00:01:44,537 YES, TRACI, IT'S GONNA BE PRETTY DOPE. 39 00:01:44,637 --> 00:01:46,840 IT'S GONNA BE NICE-- I CAN PICTURE IT. 40 00:01:46,940 --> 00:01:48,808 - YEAH, THE 40th. - OKAY, WHO'S ON YOUR DEAN? 41 00:01:48,908 --> 00:01:51,511 I'M KINDA OVERWHELMED RIGHT NOW, BUT I'LL BE OKAY. 42 00:01:51,611 --> 00:01:54,013 RIGHT NOW, I'M REALLY TRYIN' TO FOCUS ON MY PARTY 43 00:01:54,114 --> 00:01:55,982 AND GETTIN' THINGS DONE. 44 00:01:56,082 --> 00:01:58,351 CROSSIN' THE T's AND DOTTIN' THE I's. 45 00:01:58,451 --> 00:02:01,221 - NOW, I DO HAVE A CONCERN. - OH, LORD! 46 00:02:01,321 --> 00:02:04,524 YOU KNOW I GET CONCERNED WHEN YOU HAVE A CONCERN. 47 00:02:08,895 --> 00:02:11,364 ARE YOU SERIOUS? 48 00:02:11,464 --> 00:02:13,666 WE HAVE DECIDED TO USE HIGH SCHOOL STUDENTS 49 00:02:13,766 --> 00:02:15,969 TO HELP ME WITH EVERYTHING WITH THE PARTY. 50 00:02:16,069 --> 00:02:17,637 WITH THE MARCHING BAND, 51 00:02:17,737 --> 00:02:19,639 WITH THE LITTLE SKITS THAT I'M HAVING. 52 00:02:19,739 --> 00:02:21,341 BUT, RIGHT NOW, THE CITY OF ATLANTA 53 00:02:21,441 --> 00:02:24,043 IS SAYING THAT MY WONDERFUL BAND 54 00:02:24,144 --> 00:02:26,546 IS NOT GONNA BE ALLOWED TO MARCH UP AND DOWN THE STREET. 55 00:02:26,646 --> 00:02:28,181 WHO WE GOTTA TALK TO? 56 00:02:28,281 --> 00:02:30,049 THE MAYOR OF ATLANTA. 57 00:02:30,150 --> 00:02:31,684 - OH, KASIM? - KASIM. 58 00:02:31,784 --> 00:02:33,319 - GIRL, CALL THE MAYOR. - CALL KASIM, PLEASE, 59 00:02:33,419 --> 00:02:35,722 'CAUSE MY PHONE DON'T HAVE KASIM'S NUMBER. 60 00:02:35,822 --> 00:02:37,323 'CAUSE IT TAKES, UH, TWO MONTHS 61 00:02:37,423 --> 00:02:39,492 TO GET A SPECIAL PERMIT. 62 00:02:41,394 --> 00:02:43,429 HEY, BRO. 63 00:02:44,631 --> 00:02:46,032 I NEED A FAVOR. 64 00:02:46,132 --> 00:02:49,802 I KNOW THE MAYOR-- MAYOR KASIM REED. 65 00:02:49,903 --> 00:02:52,805 SO, I HAVE TO CALL HIM FOR SPECIAL PERMISSION, 66 00:02:52,906 --> 00:02:56,476 SO THAT THE BAND CAN MARCH UP AND DOWN THE STREET. 67 00:02:56,576 --> 00:02:59,679 HOPEFULLY, HE'LL SAY "YES," FOR A FAVOR. 68 00:02:59,779 --> 00:03:01,848 THANK YOU. 69 00:03:01,948 --> 00:03:03,283 SHE'S GONNA BE OUR BAR CHICK. 70 00:03:03,383 --> 00:03:05,185 - HE'S CALLIN' 'EM RIGHT NOW. - OKAY, GOOD. 71 00:03:05,285 --> 00:03:06,686 I'M NOT A BAR CHICK-- I'M GONNA BE A CHICK. 72 00:03:06,786 --> 00:03:08,087 SO, LET'S JUST MAKE IT CLEAR. 73 00:03:08,188 --> 00:03:09,522 HE HAS TO CALL HIM 74 00:03:09,622 --> 00:03:10,757 TO MAKE SURE THAT THE NOISE ORDINANCE THING 75 00:03:10,857 --> 00:03:13,860 GOES THROUGH FOR THIS AREA, FOR RIGHT HERE, RIGHT? 76 00:03:13,960 --> 00:03:16,429 AN HOUR AND A HALF IS ALL WE POSSIBLY NEED, OR TWO? 77 00:03:16,529 --> 00:03:18,264 JUST DO TWO HOURS TO BE SAFE, BUT-- 78 00:03:18,364 --> 00:03:19,365 - YEAH. - OKAY. 79 00:03:19,465 --> 00:03:20,767 I'D BE HAPPY WITH JUST AN HOUR. 80 00:03:20,867 --> 00:03:21,935 JUST BEIN' HAPPY. - OKAY. 81 00:03:22,035 --> 00:03:23,636 I'D BE HAPPY WITH TEN MINUTES. 82 00:03:23,736 --> 00:03:26,039 YOU DID? 83 00:03:39,252 --> 00:03:40,853 - HEY, GUYS. - HEY, TO. 84 00:03:40,954 --> 00:03:42,622 HEY, KEN-- SORRY I'M LATE. 85 00:03:42,722 --> 00:03:44,390 - NO PROBLEM-- YOU READY? - ALL RIGHT. 86 00:03:44,490 --> 00:03:46,492 YEAH, I'M READY-- WHAT ARE WE WORKIN' ON? 87 00:03:46,593 --> 00:03:48,628 IT'S DARK IN HERE-- IS IT SUPPOSED TO BE? 88 00:03:48,728 --> 00:03:50,563 - YOU GOT SUNGLASSES ON. - OH, MAYBE THAT-- 89 00:03:53,233 --> 00:03:55,235 BABYFACE AND I ARE GOING ON TOUR TOGETHER, 90 00:03:55,335 --> 00:03:57,437 AND WE HAVE OUR FIRST REHEARSAL TODAY, 91 00:03:57,537 --> 00:03:58,905 AND WE'RE GONNA SING "HURT YOU" 92 00:03:59,005 --> 00:04:00,673 AND GO OVER THE BLOCKING WITH OUR CHOREOGRAPHER. 93 00:04:00,773 --> 00:04:01,941 KENNY AND I ARE USED TO WORKING TOGETHER, 94 00:04:02,041 --> 00:04:04,043 SO THIS SHOULD BE A BREEZE FOR US. 95 00:04:04,143 --> 00:04:06,946 SHE'S LIKE, "OKAY, STAGING!" - YEAH, JUST A LITTLE BIT. 96 00:04:07,046 --> 00:04:08,648 I THINK, ON THE SECOND VERSE, 97 00:04:08,748 --> 00:04:10,516 I THINK YOU SHOULD GET UP AND WALK. 98 00:04:10,617 --> 00:04:13,686 YOU-YOU MAKE YOUR WAY DOWN THAT WAY. 99 00:04:13,786 --> 00:04:15,421 I DON'T THINK PEOPLE UNDERSTAND 100 00:04:15,521 --> 00:04:16,956 HOW IMPORTANT BLOCKING IS. 101 00:04:17,056 --> 00:04:18,958 EVEN IF YOU DON'T HAVE SOMETHING 102 00:04:19,058 --> 00:04:21,294 THAT'S CHOREOGRAPHED WITH SINGING. 103 00:04:21,394 --> 00:04:24,264 BLOCKING ONSTAGE ALLOWS YOU TO KNOW WHEN TO COME FORWARD, 104 00:04:24,364 --> 00:04:25,832 WHEN TO GO LEFT, WHEN TO GO RIGHT, 105 00:04:25,932 --> 00:04:28,234 WHEN TO PUT THE MIC DOWN, WHEN TO HAVE IT UP. 106 00:04:28,334 --> 00:04:30,470 LITTLE THINGS LIKE THAT IS WHAT MAKES ARTISTS 107 00:04:30,570 --> 00:04:32,872 A PROFESSIONAL PERFORMER. 108 00:04:32,972 --> 00:04:35,041 - LET'S TRY THIS. - . 109 00:04:36,509 --> 00:04:39,412 ♪ HERE WE GO ♪ 110 00:04:39,512 --> 00:04:45,251 ♪ LOVING YOU HAS CAUSED ME SO MUCH PAIN ♪ 111 00:04:45,351 --> 00:04:47,787 ♪ BUT YOU DON'T SEE IT ♪ 112 00:04:47,887 --> 00:04:51,891 ♪ YOU NEVER SEE IT NO ♪ 113 00:04:51,991 --> 00:04:55,795 ♪ SO WHY ♪ 114 00:04:55,895 --> 00:05:01,668 ♪ APOLOGIZE ♪ 115 00:05:01,768 --> 00:05:07,573 ♪ I WAS JUST DOING WHAT I HAD TO DO BABY ♪ 116 00:05:07,674 --> 00:05:10,677 ♪ AN EYE FOR AN EYE ♪ 117 00:05:10,777 --> 00:05:15,882 ♪ GOD KNOWS I NEVER MEANT TO HURT YOU YEAH ♪ 118 00:05:15,982 --> 00:05:19,352 ♪ I NEVER MEANT TO BREAK YOUR HEART ♪ 119 00:05:19,452 --> 00:05:21,187 ♪ YOUR HEART BABY ♪ 120 00:05:21,287 --> 00:05:24,424 ♪ GOD KNOWS I NEVER MEANT TO TURN YOU ON ♪ 121 00:05:24,524 --> 00:05:26,659 ♪ TURN YOU OUT ♪ 122 00:05:26,759 --> 00:05:29,862 ♪ NEVER MEANT TO TAKE IT THAT FAR ♪ 123 00:05:29,962 --> 00:05:32,098 ♪ THAT FAR BABY ♪ 124 00:05:32,198 --> 00:05:34,901 ♪ GOD KNOWS I NEVER MEANT TO HURT YOU ♪ 125 00:05:35,001 --> 00:05:36,235 ♪ HURT YOU HURT YOU ♪ 126 00:05:36,336 --> 00:05:37,837 ♪ HURT YOU HURT YOU ♪ 127 00:05:37,937 --> 00:05:40,807 ♪ HURT YOU BABY BABY YEAH ♪ 128 00:05:40,907 --> 00:05:43,343 BABYFACE AND I HAVE A LITTLE BIT OF ROMANTIC MOMENTS 129 00:05:43,443 --> 00:05:46,112 IN OUR PERFORMANCE, BUT IT'S JUST ACTING. 130 00:05:46,212 --> 00:05:48,481 HE'S LIKE MY BIG BROTHER, IN A SENSE. 131 00:05:48,581 --> 00:05:50,950 WE HAVE DEFINITE CHEMISTRY, 132 00:05:51,050 --> 00:05:53,986 AND YOU SEE THAT WHEN WE WORK ONSTAGE TOGETHER. 133 00:05:54,087 --> 00:05:55,888 I'VE KNOWN HIM SINCE THE BEGINNING OF MY CAREER. 134 00:05:55,988 --> 00:05:57,990 HE'S THE REASON THAT I DO WHAT I DO. 135 00:05:58,091 --> 00:05:59,192 ♪ HURT YOU HURT YOU ♪ 136 00:05:59,292 --> 00:06:03,329 ♪ HURT YOU HURT YOU ♪ 137 00:06:05,898 --> 00:06:07,367 THAT FELT GOOD, 138 00:06:07,467 --> 00:06:09,369 THE WAY YOU GUYS TURNED TO EACH OTHER THERE. 139 00:06:09,469 --> 00:06:12,705 THE ONE THING THAT I THOUGHT COULD BE NICE, LIKE, 140 00:06:12,805 --> 00:06:14,507 IF WHEN KENNY SAYS, "HURT YOU," 141 00:06:14,607 --> 00:06:15,641 AND THEN YOU COME IN WITH THE SAME. 142 00:06:15,742 --> 00:06:16,843 ♪ HURT YOU HURT YOU ♪ 143 00:06:16,943 --> 00:06:18,478 ♪ HURT YOU HURT YOU ♪ 144 00:06:18,578 --> 00:06:20,012 ♪ OH ♪ 145 00:06:20,113 --> 00:06:21,180 EXACTLY, RIGHT AT THAT END. 146 00:06:21,280 --> 00:06:22,415 AND THEN, THE "WHOA-WHOA." 147 00:06:22,515 --> 00:06:23,783 IS THAT BEFORE THE BRIDGE? - AT THE END, WHEN WE END IT. 148 00:06:23,883 --> 00:06:25,818 - OH, OKAY. - YEAH. 149 00:06:25,918 --> 00:06:28,321 LET'S KILL IT-- THIS FEELS TOO DANCY. 150 00:06:28,421 --> 00:06:30,957 WE'LL SAVE IT FOR TOUR-- WE'LL SAVE IT FOR TOUR. 151 00:06:31,057 --> 00:06:33,359 OKAY, HERE WE GO. 152 00:06:46,072 --> 00:06:48,307 - ASH-BE-GASH! - HI, LADIES. 153 00:06:48,408 --> 00:06:51,244 - WHAT'S GOING ON? - WELCOME TO THE PARTY SPOT. 154 00:06:51,344 --> 00:06:53,513 OKAY, TRINA WANTS TO GO OVER THE BAR STUFF 155 00:06:53,613 --> 00:06:55,081 OR SOMETHING. - YES. 156 00:06:55,181 --> 00:06:56,582 CAN WE SIT DOWN SOMEWHERE AND TALK ABOUT THIS? 157 00:06:56,682 --> 00:06:58,217 'CAUSE I'M A LITTLE CONCERNED ABOUT A FEW THINGS. 158 00:06:58,317 --> 00:06:59,752 - OKAY. - WHICH WAY? 159 00:06:59,852 --> 00:07:00,920 WHERE WE GONNA SIT DOWN? 160 00:07:01,020 --> 00:07:02,522 WE'RE GONNA JUST TALK UNDER THE-THE SHADE. 161 00:07:02,622 --> 00:07:05,525 I KNOW Y'ALL NEED SOME SHADE. - LITTLE BIT OF SHADE-- 162 00:07:05,625 --> 00:07:08,428 DRINK SOME LEMONADE. - DRINK SOME LEMONADE. 163 00:07:08,528 --> 00:07:10,530 IT'S BEEN A WEEK SINCE I'VE SPOKEN TO ASHLEY, 164 00:07:10,630 --> 00:07:13,065 BECAUSE I THOUGHT THAT EVERYTHING WAS IRONED OUT 165 00:07:13,166 --> 00:07:15,635 FOR "BAR CHIX," AT TOWANDA'S BIRTHDAY PARTY. 166 00:07:15,735 --> 00:07:19,272 BUT MY STAFF INFORMED ME THAT THINGS WERE NOT GOING SMOOTHLY. 167 00:07:19,372 --> 00:07:20,873 AND SO, NOW I'M HERE TO MEET WITH HER 168 00:07:20,973 --> 00:07:24,444 ABOUT WHAT IS EXACTLY GOING ON. 169 00:07:24,544 --> 00:07:27,280 - OKAY, SO, "BAR CHIX?" - YES. 170 00:07:27,380 --> 00:07:30,183 I HAVE QUITE A FEW CONCERNS, OKAY? 171 00:07:30,283 --> 00:07:33,252 - OH, YES, OKAY. - NUMBER ONE... 172 00:07:33,352 --> 00:07:36,589 I AM WONDERING, IS THERE GOING TO BE A PROBLEM 173 00:07:36,689 --> 00:07:39,725 WITH THE SPONSORS THAT WERE PROCURED FOR THE EVENING? 174 00:07:39,826 --> 00:07:41,894 EVERYTHING HAD TO COME THROUGH DISTRIBUTION, 175 00:07:41,994 --> 00:07:43,763 TO THE CLUB. 176 00:07:43,863 --> 00:07:46,899 SO, AN ORDER HAD TO BE PLACED THROUGH THE CLUB 177 00:07:46,999 --> 00:07:49,268 FOR LIQUOR TO BE ABLE TO COME IN. 178 00:07:49,368 --> 00:07:52,338 BUT, SEE, TRINA, I THINK THE PROBLEM IS, 179 00:07:52,438 --> 00:07:55,608 IS THAT TOWANDA DIDN'T PUT YOU WITH HER. 180 00:07:55,708 --> 00:07:56,976 AND WHAT-WHAT-- 181 00:07:57,076 --> 00:07:58,177 DO YOU UNDERSTAND WHAT I'M SAYIN'? 182 00:07:58,277 --> 00:07:59,745 AND THAT'S-THAT'S, HONEST TO GOD, THE BREAKDOWN. 183 00:07:59,846 --> 00:08:01,380 - YES. - NO SHADE AGAINST NOBODY. 184 00:08:01,481 --> 00:08:02,915 I THINK THAT, TRINA, 185 00:08:03,015 --> 00:08:06,118 YOU WERE HAVING THE CONVERSATION WITH THE WRONG PERSON. 186 00:08:06,219 --> 00:08:07,887 FROM WHAT I UNDERSTAND, 187 00:08:07,987 --> 00:08:11,657 TOWANDA WAS EXPECTIN' TRINA TO TALK TO ASHLEY, 188 00:08:11,757 --> 00:08:14,527 BUT TRINA MUST'VE BEEN TALKIN' TO TOWANDA'S ASSISTANTS, 189 00:08:14,627 --> 00:08:17,029 AND NOT TO ASHLEY. 190 00:08:17,129 --> 00:08:21,200 AND THAT IS WHY THIS WHOLE THING IS FALLIN' APART, 191 00:08:21,300 --> 00:08:23,503 AND THAT'S WHY SHE DON'T WANT NOTHIN' TO DO WITH IT. 192 00:08:23,603 --> 00:08:26,239 I'M GLAD MY NAME IS BENNETT, AND I AIN'T IN IT. 193 00:08:26,339 --> 00:08:28,374 - HI, CAN YOU JOIN THIS CALL? - HEY-- SURE. 194 00:08:28,474 --> 00:08:30,776 BECAUSE HERE WE ARE WITH LIQUOR AGAIN. 195 00:08:30,877 --> 00:08:32,278 I AM JUST MAKING IT CLEAR THAT THERE WAS DEFINITELY 196 00:08:32,378 --> 00:08:34,180 A BREAKDOWN IN COMMUNICATION, 197 00:08:34,280 --> 00:08:35,915 AND THIS IS NOT THE KIND OF BUSINESS 198 00:08:36,015 --> 00:08:37,750 THAT I AM TRYING TO RUN. - OKAY. 199 00:08:37,850 --> 00:08:39,519 SO, I WANNA MAKE SURE THAT EVERYTHING IS CONCISE 200 00:08:39,619 --> 00:08:40,920 AND EVERYTHING IS CLEAR. 201 00:08:41,020 --> 00:08:43,422 AT THE END OF THE DAY, MY COMPANY-- 202 00:08:43,523 --> 00:08:46,225 I CANNOT SELL ALCOHOL, 203 00:08:46,325 --> 00:08:49,862 AND I CANNOT SELL, UH, LIQUOR THAT HAS BEEN DONATED, 204 00:08:49,962 --> 00:08:52,098 IN ANY WAY, SHAPE, OR FORM-- I CANNOT. 205 00:08:52,198 --> 00:08:54,667 I DO NOT HAVE THAT LICENSE TO DO SO. 206 00:08:54,767 --> 00:08:57,336 SO, I HAVE TO BE CLEAR, 'CAUSE I HAVE TO PROTECT MYSELF, 207 00:08:57,436 --> 00:08:59,672 AND I HAVE TO PROTECT MY BRAND AND MY COMPANY. 208 00:08:59,772 --> 00:09:01,774 THE MORE I TALK TO THIS PARTY PLANNER, 209 00:09:01,874 --> 00:09:05,011 THE MORE IT LOOKS LIKE THIS IS ACTUALLY GONNA FALL THROUGH, 210 00:09:05,111 --> 00:09:09,215 AND I CANNOT HAVE MY COMPANY TO BE EXPOSED LIKE THIS. 211 00:09:09,315 --> 00:09:12,919 THIS IS NOT THE WAY I WANT MY COMPANY TO BE LAUNCHED. 212 00:09:13,019 --> 00:09:14,754 I DON'T WANT YOU IN YOUR FEELINGS. 213 00:09:14,854 --> 00:09:16,389 OH, I'M NOT IN MY FEELINGS-- I'M NOT FRAZZLED AT ALL. 214 00:09:16,489 --> 00:09:21,494 I... AM NOT SURE 215 00:09:21,594 --> 00:09:28,034 IF THIS IS THE RIGHT MOMENT FOR THE "BAR CHIX" TO COME. 216 00:09:28,134 --> 00:09:29,402 - WHY? - BECAUSE NOW-- 217 00:09:29,502 --> 00:09:30,903 EVEN THOUGH NOW I HAVE AN UNDERSTANDING 218 00:09:31,003 --> 00:09:34,206 OF WHAT IS GOING ON FOR THE EVENING, 219 00:09:34,307 --> 00:09:36,576 I DON'T LIKE NOT BEING PREPARED FOR SOMETHING. 220 00:09:36,676 --> 00:09:37,810 SO, TOWANDA AND I ARE REALLY GONNA 221 00:09:37,910 --> 00:09:39,579 HAVE TO HAVE A SIT DOWN CONVERSATION 222 00:09:39,679 --> 00:09:41,914 ABOUT WHAT'S WHAT AND WHAT'S NOT. 223 00:09:42,014 --> 00:09:43,783 I'M PRETTY SURE I'M MAKING THE RIGHT DECISION 224 00:09:43,883 --> 00:09:45,117 FOR MY BUSINESS, 225 00:09:45,217 --> 00:09:46,719 BUT I'M JUST NERVOUS ABOUT TELLING TOWANDA 226 00:09:46,819 --> 00:09:48,821 BECAUSE I'M NOT SURE HOW SHE'S GONNA TAKE IT. 227 00:09:48,921 --> 00:09:50,423 AFTER ALL, IT'S HER BIRTHDAY, 228 00:09:50,523 --> 00:09:52,224 AND PEOPLE GET EXTREMELY SENSITIVE 229 00:09:52,325 --> 00:09:54,193 ABOUT THINGS LIKE THAT. 230 00:09:54,293 --> 00:09:55,561 AT THE END OF THE DAY, 231 00:09:55,661 --> 00:09:58,364 NOBODY'S PUTTING THEIR BUSINESS OR THEIR ASS ON THE LINE 232 00:09:58,464 --> 00:10:00,232 TO LOOK CRAZY. - I KNOW I'M NOT. 233 00:10:00,333 --> 00:10:02,168 I KNOW I'M NOT. - I'M NOT DOIN'-- 234 00:10:02,268 --> 00:10:03,569 AND THAT'S WHY I SAYIN' ABOUT, 235 00:10:03,669 --> 00:10:05,137 "OH, HOLD UP, HOLD UP, HOLD UP, HOLD UP." 236 00:10:05,237 --> 00:10:07,239 WE GOTTA HAVE PROPER REHEARSAL BECAUSE THAT'S MY BUSINESS. 237 00:10:07,340 --> 00:10:08,608 - YES. - I GET UP ONSTAGE, 238 00:10:08,708 --> 00:10:09,842 AND WE CAN'T BE FREESTYLIN', 239 00:10:09,942 --> 00:10:11,177 AND EVERYBODY DOIN' DIFFERENT THINGS. 240 00:10:11,277 --> 00:10:13,346 THAT AFFECTS-THAT AFFECTS MY LINE OF WORK, TOO. 241 00:10:13,446 --> 00:10:14,714 THAT AFFECTS TONI'S LINE OF WORK, TOO. 242 00:10:14,814 --> 00:10:15,915 - AND MINE, YEAH. - YOU UNDERSTAND WHAT-- 243 00:10:16,015 --> 00:10:17,283 DO YOU UNDERSTAND WHAT I'M SAYING? 244 00:10:17,383 --> 00:10:18,718 SHADE FREE, GIRL, I'M HERE FOR YOU. 245 00:10:18,818 --> 00:10:19,885 I'M GONNA COME-- LET'S PARTY. 246 00:10:19,986 --> 00:10:21,053 - YES. - LET'S POP OUR BOOTIES. 247 00:10:21,153 --> 00:10:22,121 LET'S DROP LIKE IT'S HOT. - HAVE A GREAT TIME. 248 00:10:22,221 --> 00:10:24,256 GREAT TIME. - ANYTIME I'M ON STAGE, 249 00:10:24,357 --> 00:10:27,193 THAT I AM PREPARED. 250 00:10:27,293 --> 00:10:28,694 YES. 251 00:10:28,794 --> 00:10:29,962 YOU GOTTA HAVE THIS CONVERSATION, 252 00:10:30,062 --> 00:10:31,230 AND EARLY. - I DO. 253 00:10:31,330 --> 00:10:33,733 'CAUSE THE LATER YOU WAIT, THE SHADIER IT LOOKS. 254 00:10:33,833 --> 00:10:35,301 - YES, I AGREE. - AND AIN'T NOBODY GOT TIME 255 00:10:35,401 --> 00:10:36,702 FOR THE SHADE, 256 00:10:36,802 --> 00:10:38,137 ESPECIALLY WHEN YOU ALREADY GOT A TAN. 257 00:10:38,237 --> 00:10:40,272 - HELLO. - ALL RIGHT, LET'S GO. 258 00:10:41,474 --> 00:10:43,676 COMING UP, ON "BRAXTON FAMILY VALUES"... 259 00:10:43,776 --> 00:10:45,411 OKAY, SO, TELL ME WHY YOU'RE SO STRESSED OUT. 260 00:10:45,511 --> 00:10:46,979 THE "BAR CHIX" CAN'T-CAN'T COME. 261 00:10:47,079 --> 00:10:48,814 MMM-HMM. 262 00:10:48,914 --> 00:10:50,349 ARE WE DOIN' THE NUDE SHOT NEXT? 263 00:10:50,449 --> 00:10:52,184 WHAT YOU MEAN, A NUDE SHOT? 264 00:10:54,186 --> 00:10:55,554 IS IT OKAY IF YOU STAY FOR A LITTLE LONGER, 265 00:10:55,655 --> 00:10:57,056 SO I CAN-- - I CAN'T. 266 00:10:57,156 --> 00:10:59,058 I STAYED AS LONG AS I COULD. 267 00:10:59,158 --> 00:11:01,060 I'M SORRY. 268 00:11:14,173 --> 00:11:16,208 - PULL. - OH. 269 00:11:16,308 --> 00:11:19,211 THANK YOU. 270 00:11:19,311 --> 00:11:22,081 - YOU'RE HERE. - HI! 271 00:11:22,181 --> 00:11:25,484 AH-AH-AH-AH-AH-AH-AH-AH. 272 00:11:25,584 --> 00:11:29,889 THAT'S THE HAPPY DANCE. - OH, OKAY. 273 00:11:29,989 --> 00:11:33,359 I'M DOIN' A PHOTO-SHOOT FOR MY PERSONAL COLLECTION. 274 00:11:33,459 --> 00:11:37,129 SO, WHEN I TURN 80, WHEN I'M STILL FABULOUS, 275 00:11:37,229 --> 00:11:39,365 I CAN LOOK AND SAY, "I'M STILL FABULOUS," 276 00:11:39,465 --> 00:11:41,500 YOU KNOW? 277 00:11:41,600 --> 00:11:43,302 IT GIVES ME, "I'M YOUR BABY TONIGHT." 278 00:11:43,402 --> 00:11:44,704 OH, GOT YA. 279 00:11:44,804 --> 00:11:45,971 SHE IS EVERYBODY'S BABY TONIGHT. 280 00:11:46,072 --> 00:11:47,173 I KNOW SHE IS. 281 00:11:47,273 --> 00:11:48,274 UM, I'LL BE IN THE STUDIO. 282 00:11:48,374 --> 00:11:50,910 SO, IF YOU GUYS NEED ANYTHING, JUST GIVE ME A CALL. 283 00:11:51,010 --> 00:11:52,178 - THANKS, DEREK. - THANKS, DEREK. 284 00:11:52,278 --> 00:11:54,313 JUST SHOUT ME OUT, WHATEVER-- ALL RIGHT. 285 00:12:00,586 --> 00:12:02,922 I'M READY! 286 00:12:03,022 --> 00:12:04,690 JUST DANCE AND DO NOT STOP. 287 00:12:04,790 --> 00:12:06,625 - DO NOT STOP? - DO NOT STOP. 288 00:12:06,726 --> 00:12:09,395 DON'T EVEN WORRY ABOUT ME. - ABOUT TO GO CRAZY. 289 00:12:09,495 --> 00:12:12,465 - READY? - THERE IT IS, YES! 290 00:12:23,943 --> 00:12:27,880 I REALLY ENJOY HAVING AND DOING PHOTO-SHOOTS. 291 00:12:27,980 --> 00:12:32,384 AND, ACTUALLY, WHEN I'M FEELING MY BEST, 292 00:12:32,485 --> 00:12:34,420 I LIKE TO THINK THAT I'M WHITNEY HOUSTON 293 00:12:34,520 --> 00:12:35,888 OR MICHAEL JACKSON, 294 00:12:35,988 --> 00:12:38,257 DANCING AROUND TO THEIR MUSIC. 295 00:12:38,357 --> 00:12:40,392 IT'S FUN. 296 00:12:40,493 --> 00:12:42,328 ARE WE DOIN' THE NUDE SHOT NEXT? 297 00:12:42,428 --> 00:12:44,396 - IS THIS '80s, OR WHAT? - NUDE SHOT? 298 00:12:44,497 --> 00:12:45,998 WHAT YOU MEAN, A NUDE SHOT? 299 00:12:46,098 --> 00:12:47,767 YOU TOLD ALL OF US YOU WAS GONNA DO A NUDE SHOT. 300 00:12:47,867 --> 00:12:48,934 I WAS JUST TALKIN'. 301 00:12:49,034 --> 00:12:50,703 I DIDN'T THINK Y'ALL WERE GONNA TAKE ME SERIOUS. 302 00:12:50,803 --> 00:12:52,705 - NO, WE TALKED ABOUT THIS. - GIRL! 303 00:12:52,805 --> 00:12:54,473 WHERE'S THE PASTIES-- WHERE ARE THE PASTIES? 304 00:12:54,573 --> 00:12:56,609 COME ON, TOWANDA-- YOU LOOK AMAZING. 305 00:12:56,709 --> 00:12:58,577 IT'S ALL NATURAL, LIKE YOU ALWAYS SAYIN'. 306 00:12:58,677 --> 00:13:00,913 IT'S ALL NATURAL-- YOU WORKED HARD FOR THIS. 307 00:13:01,013 --> 00:13:04,083 I WAS JOKING WHEN I SAID THAT, "HEY, GUYS! 308 00:13:04,183 --> 00:13:06,952 "I MIGHT WANNA DO A NUDE PHOTO-SHOOT." 309 00:13:07,052 --> 00:13:08,320 EVERYBODY SAYS IT, 310 00:13:08,420 --> 00:13:10,456 BUT NO ONE THINKS IT'S REALLY GONNA HAPPEN. 311 00:13:10,556 --> 00:13:11,690 I'M NOT SERIOUS. 312 00:13:11,791 --> 00:13:14,560 I DON'T WANT A NUDE PHOTO-SHOOT. 313 00:13:14,660 --> 00:13:16,195 MMM-MMM. 314 00:13:16,295 --> 00:13:18,063 WHERE'S THAT STRAPPY THING THAT YOU WANTED ME TO WEAR? 315 00:13:18,164 --> 00:13:20,566 - NO, BUT THAT'S CLOTHING. - BUT LET ME SEE IT REAL FAST. 316 00:13:20,666 --> 00:13:22,168 WE JUST NEED TO MAKE SURE THAT WE'RE SHOWIN' OFF-- 317 00:13:22,268 --> 00:13:23,636 LET ME SEE THE STRAPPY THING. 318 00:13:23,736 --> 00:13:25,504 WE NEED TO MAKE SURE THAT WE ARE SHOWING OFF 319 00:13:25,604 --> 00:13:28,207 THE ASSETS THAT WE KNOW ARE GONNA GET THE ATTENTION. 320 00:13:28,307 --> 00:13:29,642 - THIS IS WHAT WE'RE GONNA DO. - OKAY. 321 00:13:29,742 --> 00:13:30,943 WE'RE GONNA DO THAT STRAPPY THING. 322 00:13:31,043 --> 00:13:33,045 - MMM-HMM. - AND THEN, IN THE END-- 323 00:13:33,145 --> 00:13:34,313 IN THE END, OKAY. 324 00:13:34,413 --> 00:13:37,383 IF I'M FEELIN' SPECIAL, THEN I'LL GO NUDE. 325 00:13:37,483 --> 00:13:42,555 OKAY, I CAN HANDLE THE LITTLE STRAPPY, DOMINATRIX OUTFIT 326 00:13:42,655 --> 00:13:44,156 THAT I HAD GOIN' ON. 327 00:13:44,256 --> 00:13:45,524 I COULD DO THAT. 328 00:13:45,624 --> 00:13:47,760 BUT NUDE, TAKIN' STUFF OFF, 329 00:13:47,860 --> 00:13:51,063 SHOWIN' MY UH-UH, MY POCKETBOOK, AND THIS-- 330 00:13:51,163 --> 00:13:53,766 I CAN'T-I DON'T KNOW IF I'M ABLE TO DO ALL THAT JUST YET. 331 00:13:56,468 --> 00:13:59,772 - WHOO, LET'S WORK! - NICE. 332 00:13:59,872 --> 00:14:01,373 WHOO-HOO-- THAT IS HOT. 333 00:14:01,473 --> 00:14:05,044 WHOA, WHOA! 334 00:14:05,144 --> 00:14:08,180 YEAH, GIVE ME THAT POWER STANCE-- YEAH. 335 00:14:08,280 --> 00:14:10,115 NICE. 336 00:14:10,216 --> 00:14:12,084 WE'RE SO GOOD UP IN HERE-- AH-AH-AH. 337 00:14:12,184 --> 00:14:14,920 - DAMN. 338 00:14:17,089 --> 00:14:20,526 FINALLY, AFTER MY FABULOUS GLAM SQUAD 339 00:14:20,626 --> 00:14:24,230 TALKED ME INTO GOING NUDE, I DECIDED, "WHY NOT?" 340 00:14:24,330 --> 00:14:27,132 MY BODY IS HOT AND FABULOUS, 341 00:14:27,233 --> 00:14:30,569 AND THAT'S THE THEME OF MY PARTY-- 40 AND FABULOUS. 342 00:14:38,143 --> 00:14:41,080 - OH! - OH, MY GOD! 343 00:14:58,330 --> 00:14:59,965 I FEEL SO NAKED. 344 00:15:00,065 --> 00:15:02,001 I FEEL LIKE EVERYBODY IS LOOKING AT ME. 345 00:15:02,101 --> 00:15:03,535 LIKE, LOOKING AT EVERYTHING. 346 00:15:03,636 --> 00:15:06,438 LOOKIN' AT HOW MY BOOBS ARE JUST SITTIN' AND ALL THAT. 347 00:15:06,538 --> 00:15:08,641 I'M-- YEAH, I'M FEELIN' SOME SORTA WAY, 348 00:15:08,741 --> 00:15:10,609 JUST A LITTLE BIT. 349 00:15:10,709 --> 00:15:12,678 YES. 350 00:15:14,413 --> 00:15:17,816 NICE. 351 00:15:17,917 --> 00:15:18,984 GIVE ME A PROFILE, 352 00:15:19,084 --> 00:15:20,185 LIKE WHERE YOU'RE DOIN' SOMETHIN' LIKE THIS. 353 00:15:20,286 --> 00:15:21,487 WHERE YOU'RE FRAMIN' YOUR FACE. 354 00:15:21,587 --> 00:15:23,789 YEAH. 355 00:15:23,889 --> 00:15:25,124 THAT'S NICE. 356 00:15:25,224 --> 00:15:26,892 YEAH, IT DOES. 357 00:15:26,992 --> 00:15:29,028 I DON'T HAVE ANY REGRETS. 358 00:15:29,128 --> 00:15:32,998 SO, I WOULD HAVE TO SAY THAT I AM ACTUALLY HAPPY 359 00:15:33,098 --> 00:15:39,204 THAT I WENT OUT ON A LEDGE AND HAD A NUDE PHOTO SHOOT. 360 00:15:39,305 --> 00:15:41,240 WOW! 361 00:16:03,395 --> 00:16:04,930 - HI, KEN. - HEY, THERE. 362 00:16:05,030 --> 00:16:06,398 READY? - YEP. 363 00:16:06,498 --> 00:16:07,700 I COULDN'T MAKE IT TO ATLANTA 364 00:16:07,800 --> 00:16:09,768 TO HELP TOWANDA SET UP HER BIRTHDAY PARTY 365 00:16:09,868 --> 00:16:13,839 BECAUSE KENNY AND I ARE STILL IN REHEARSALS FOR OUR TOUR. 366 00:16:13,939 --> 00:16:18,610 ♪ GOD KNOWS I NEVER MEANT TO HURT YOU YEAH ♪ 367 00:16:18,711 --> 00:16:21,447 I THINK THIS IS GONNA BE A SPECIAL TOUR, 368 00:16:21,547 --> 00:16:23,515 AND PEOPLE ARE GONNA BE SURPRISED, 369 00:16:23,615 --> 00:16:24,883 BUT HAPPY, AND THINK THAT, 370 00:16:24,984 --> 00:16:27,553 "WHY DIDN'T THEY DO THIS 10-20 YEARS AGO?" 371 00:16:27,653 --> 00:16:30,322 IT WASN'T-WASN'T THE RIGHT TIME. 372 00:16:30,422 --> 00:16:33,325 ♪ OH I NEVER MEANT TO HURT YOU BABY ♪ 373 00:16:33,425 --> 00:16:36,128 ♪ NEVER MEANT TO BREAK YOUR HEART ♪ 374 00:16:36,228 --> 00:16:39,231 ♪ GOD KNOWS I NEVER MEANT TO TURN YOU ON ♪ 375 00:16:39,331 --> 00:16:41,567 ♪ TURN YOU OUT BABY ♪ 376 00:16:41,667 --> 00:16:44,036 ♪ NEVER MEANT TO TAKE IT THAT FAR ♪ 377 00:16:44,136 --> 00:16:45,871 THE MORE BABYFACE AND I REHEARSE, 378 00:16:45,971 --> 00:16:47,606 THE MORE EXCITED I'M BECOMING. 379 00:16:47,706 --> 00:16:48,807 AND THERE ARE SOME THINGS KENNY AND I 380 00:16:48,907 --> 00:16:50,175 HAVEN'T FULLY FIGURED OUT YET, 381 00:16:50,275 --> 00:16:55,047 AND ONE OF THEM BEING WHO WILL DO BACKGROUND VOCALS. 382 00:16:55,147 --> 00:16:57,549 UM, KEN, BACKGROUND VOCALS. 383 00:16:57,649 --> 00:16:59,485 WHO-WHO-WHO USUALLY DOES YOUR BACKGROUND VOCALS? 384 00:16:59,585 --> 00:17:00,953 THERE'S THIS DUDE IN A BOX 385 00:17:01,053 --> 00:17:02,421 THAT USUALLY GOES OUT WITH ME. 386 00:17:02,521 --> 00:17:04,423 - DUDE IN A-- - YEAH, I KNOW. 387 00:17:04,523 --> 00:17:06,325 YOU'RE SO SILLY. 388 00:17:06,425 --> 00:17:09,094 THIS IS A LITTLE SECRET-- SHH. 389 00:17:09,194 --> 00:17:10,562 "DUDE IN A BOX" IS, 390 00:17:10,662 --> 00:17:12,598 WE'RE GONNA SAMPLE THE BACKGROUND VOCALS, 391 00:17:12,698 --> 00:17:14,366 SO YOU HAVE THE BACKGROUNDS ALREADY THERE. 392 00:17:14,466 --> 00:17:16,402 YOU PUSH A LITTLE BUTTON, 393 00:17:16,502 --> 00:17:17,970 AND 20 PEOPLE SING ONSTAGE WITH YOU. 394 00:17:18,070 --> 00:17:20,606 THE BACKGROUNDS, JUST THE BACKGROUNDS. 395 00:17:20,706 --> 00:17:23,142 AND HE'S PRETTY ON IT, AS LONG AS THERE'S ELECTRICITY. 396 00:17:25,377 --> 00:17:26,512 I'M JUST SAYIN'. 397 00:17:26,612 --> 00:17:29,381 WE CAN ALSO GET, UM, THE CHICK IN THE BOX, TOO. 398 00:17:29,481 --> 00:17:31,183 WE CAN GET THE GIRL IN A BOX. 399 00:17:31,283 --> 00:17:33,585 I LIKE THE GIRL IN A BOX. - THE GIRL IN THE BOX, OKAY. 400 00:17:33,685 --> 00:17:35,320 YOU KNOW, WE BOTH HAVE DIFFERENT SHOWS. 401 00:17:35,421 --> 00:17:37,423 SO, I DON'T USUALLY HAVE MUCH OUT WITH ME. 402 00:17:37,523 --> 00:17:39,558 IT'S JUST, YOU KNOW, THE GUYS AND ME. 403 00:17:39,658 --> 00:17:42,261 AND THEN, SO, I'M LOOKING FOR EXPANDING, 404 00:17:42,361 --> 00:17:44,129 IF WE'RE GONNA DO THAT, BUT-- - YOU NEVER WENT-- 405 00:17:44,229 --> 00:17:46,098 HAVE YOU EVER GONE OUT WIT' YOUR BROTHERS? 406 00:17:46,198 --> 00:17:47,966 NO. 407 00:17:48,067 --> 00:17:49,735 UH, KEVON HAS COME OUT AND SUNG, BUT-- 408 00:17:49,835 --> 00:17:51,403 OKAY. 409 00:17:51,503 --> 00:17:53,105 YOU KNOW, I ALWAYS GO OUT WITH MY SISTERS. 410 00:17:53,205 --> 00:17:55,107 TAMAR-- WELL, NOT TAMAR-- TRINA, TRACI, AND TOWANDA. 411 00:17:55,207 --> 00:17:56,308 RIGHT, YEAH, YEAH-- NO, THAT'S-THAT'S GREAT. 412 00:17:56,408 --> 00:17:57,443 BUT I DON'T THINK I SHOULD DO THAT. 413 00:17:57,543 --> 00:17:58,477 I'VE BEEN THINKIN' ABOUT IT FROM THE LAST TIME. 414 00:17:58,577 --> 00:17:59,678 I DON'T WANNA DO THAT. 415 00:17:59,778 --> 00:18:01,246 WHAT DO THEY THINK ABOUT THAT? 416 00:18:01,346 --> 00:18:03,048 I HAVEN'T TALKED ABOUT THAT TO THEM YET. 417 00:18:03,148 --> 00:18:04,249 OH, YES, I SEE. 418 00:18:04,349 --> 00:18:07,386 BUT I THINK THIS SHOULD BE A SOLO PROJECT THIS TIME. 419 00:18:07,486 --> 00:18:08,921 YOU WANNA-- YEAH, YOU WANNA JUST DO IT DIFFERENT. 420 00:18:09,021 --> 00:18:10,856 JUST EXPAND A LITTLE BIT, I THINK. 421 00:18:10,956 --> 00:18:12,257 OKAY. 422 00:18:12,357 --> 00:18:14,726 IT'S NOT THAT I DON'T THINK WE SHOULD USE MY SISTERS. 423 00:18:14,827 --> 00:18:16,728 I THINK KENNY WOULD DIE. 424 00:18:16,829 --> 00:18:17,996 IT'D BE TOO MUCH. 425 00:18:18,097 --> 00:18:19,998 MY SISTERS MIGHT HAVE A LITTLE BIT TOO MUCH, 426 00:18:20,099 --> 00:18:22,334 UH, TWERKIN' GOIN' ON FOR HIM. 427 00:18:22,434 --> 00:18:24,203 COULD YOU HANDLE ALL THE BRAXTONS? 428 00:18:24,303 --> 00:18:25,704 WE WOULD TAKE OVER THIS TOUR. 429 00:18:25,804 --> 00:18:27,973 THE TOUR WOULD BE-- 430 00:18:28,073 --> 00:18:31,810 THEY'D BE UP THERE PLAYIN' INSTRUMENTS AND... 431 00:18:31,910 --> 00:18:33,278 COME FROM THE CEILING. - I UNDERSTAND, I UNDERSTAND. 432 00:18:33,378 --> 00:18:35,247 NO, WE CAN LOOK AT-- - WE ARE BIG PERSONALITIES. 433 00:18:35,347 --> 00:18:36,682 YEAH, WE'LL FIGURE IT OUT. 434 00:18:36,782 --> 00:18:40,352 I JUST KNOW YOU DON'T WANT ALL THIS ON THE TOUR. 435 00:18:40,452 --> 00:18:43,689 - UH, YEAH, IT'S LIKE THAT. - AND THAT'S THE WAY IT IS. 436 00:18:58,904 --> 00:19:00,973 I'M GLAD YOU'RE GOIN' DOWN STAIRS PROPERLY. 437 00:19:01,073 --> 00:19:02,107 I DON'T HAVE A CHOICE. 438 00:19:02,207 --> 00:19:03,976 YOU GUYS TEASE ME SO DARN BAD. 439 00:19:04,076 --> 00:19:06,778 - THAT WAS TONI. - UH, WHOOPIE. 440 00:19:06,879 --> 00:19:08,614 WELL, YOU DON'T NOW. 441 00:19:08,714 --> 00:19:11,683 I HAVE DECIDED TO PUT MY BIG GIRL PANTIES ON 442 00:19:11,783 --> 00:19:13,919 AND HAVE A DISCUSSION WITH TRINA 443 00:19:14,019 --> 00:19:15,954 TO LET HER KNOW THAT "BAR CHIX" 444 00:19:16,054 --> 00:19:19,358 CAN ABSOLUTELY NOT BE A PART OF MY PARTY. 445 00:19:19,458 --> 00:19:21,460 WE HAVE TO LEARN TO COMMUNICATE WITH EACH OTHER, 446 00:19:21,560 --> 00:19:23,862 AND I'M STARTING TODAY. 447 00:19:26,298 --> 00:19:27,733 OH, WE HAVE THE SAME BAG. 448 00:19:27,833 --> 00:19:29,401 OH, MINE'S PINK. 449 00:19:29,501 --> 00:19:32,271 YEAH, MINE'S NOT. 450 00:19:33,872 --> 00:19:35,774 SO, YOU'RE EXCITED ABOUT YOUR BIRTHDAY-- I KNOW. 451 00:19:35,874 --> 00:19:38,310 UH, I'M-I'M EXCITED, BUT STRESSED AT THE SAME TIME. 452 00:19:38,410 --> 00:19:41,547 - YES, YES, YES. - YOU KNOW? 453 00:19:41,647 --> 00:19:43,315 I'VE NOTICED THAT. 454 00:19:43,415 --> 00:19:44,983 AND I'M NOT USED TO BEING STRESSED. 455 00:19:45,083 --> 00:19:47,052 OKAY, SO, TELL ME WHY YOU'RE SO STRESSED OUT. 456 00:19:47,152 --> 00:19:50,289 AND I WANT YOU TO BE VERY CANDID WITH ME. 457 00:19:50,389 --> 00:19:52,624 YOU WANT ME TO LIE-- I'M NOT GONNA LIE. 458 00:19:52,724 --> 00:19:53,892 NO, I DEFINITELY DON'T WANT YOU TO LIE. 459 00:19:53,992 --> 00:19:54,993 THAT'S WHAT I'M SAYIN'-- I'M NOT GONNA LIE. 460 00:19:55,093 --> 00:19:56,428 - OKAY. - IT'S A LOT. 461 00:19:56,528 --> 00:19:58,463 UM... - MMM-HMM. 462 00:19:58,564 --> 00:20:02,501 SO, THE BAR, UH-- 463 00:20:04,736 --> 00:20:08,807 SO, YOU KNOW... 464 00:20:08,907 --> 00:20:11,243 THE "BAR CHIX" CAN'T-CAN'T COME. 465 00:20:14,246 --> 00:20:16,215 COMING UP, ON "BRAXTON FAMILY VALUES"... 466 00:20:16,315 --> 00:20:18,217 I FEEL LIKE THIS IS SOME TRICKERIZATION. 467 00:20:18,317 --> 00:20:19,785 Y'ALL KNOW WHERE TOWANDA IS, 'CAUSE YOU AIN'T-- 468 00:20:19,885 --> 00:20:21,386 Y'ALL SHOULD BE CONCERNED. 469 00:20:21,486 --> 00:20:23,055 TOWANDA? 470 00:20:23,155 --> 00:20:24,189 WHERE YOU AT? 471 00:20:24,289 --> 00:20:26,458 DO YOU WANNA JUST GO OVER WHAT WE ALREADY KNOW? 472 00:20:26,558 --> 00:20:28,627 I FEEL LIKE IT'S POINTLESS. 473 00:20:32,464 --> 00:20:36,335 SO, YOU KNOW... 474 00:20:36,435 --> 00:20:38,870 THE "BAR CHIX" CAN'T-CAN'T COME. 475 00:20:42,307 --> 00:20:43,675 I'M SO GLAD YOU SAID THAT. 476 00:20:43,775 --> 00:20:45,010 I PROMISE-- I PROMISE. 477 00:20:45,110 --> 00:20:47,145 OH, GOD, I'M SO GLAD YOU SAID THAT. 478 00:20:49,081 --> 00:20:50,482 THAT'S CRAZY. 479 00:20:50,582 --> 00:20:52,451 I WISH SHE WOULD'VE TOLD ME BEFORE I TOLD HER. 480 00:20:52,551 --> 00:20:53,752 THAT WAY, YOU KNOW, 481 00:20:53,852 --> 00:20:55,487 I WOULDN'T HAVE TO COME TO HER AND TELL HER. 482 00:20:55,587 --> 00:20:57,856 SHE SHOULD'VE COMMUNICATED THAT WITH ME. 483 00:20:57,956 --> 00:21:00,659 WHEN WE WENT ON THE ROAD, YOUR TEAM FELL APART. 484 00:21:00,759 --> 00:21:02,461 NOBODY WAS RESPONDING. 485 00:21:02,561 --> 00:21:04,863 NOBODY WAS CALLING. 486 00:21:04,963 --> 00:21:06,832 THEN, NOBODY KNEW THE ANSWERS TO THE QUESTIONS 487 00:21:06,932 --> 00:21:08,800 THAT WE WERE ASKING. - NOT THE KIND OF BUSINESS 488 00:21:08,900 --> 00:21:11,136 THAT I'M TRYING TO RUN. 489 00:21:11,236 --> 00:21:14,273 BUT, PLEASE KNOW THAT, BEFORE I EVEN LEFT TO GO ON TOUR, 490 00:21:14,373 --> 00:21:16,742 EVERYTHING WAS LINED UP, OKAY? 491 00:21:16,842 --> 00:21:18,543 HAD A GRAND EVENING PLANNED OUT, 492 00:21:18,644 --> 00:21:21,380 THROUGHOUT THE CONTINUATION OF YOUR EVENING. 493 00:21:21,480 --> 00:21:23,415 I MEAN, LUGES, AND GIRLS, 494 00:21:23,515 --> 00:21:28,086 AND FREE ALCOHOL CIRCULATING ALL DAY AND ALL NIGHT LONG. 495 00:21:28,186 --> 00:21:30,522 HOWEVER, WHEN IT WAS PRESENTED, 496 00:21:30,622 --> 00:21:33,592 NO ONE SAID, "HEY, THIS PARTICULAR VENUE 497 00:21:33,692 --> 00:21:37,329 "ONLY USES THIS PARTICULAR DISTRIBUTOR." 498 00:21:37,429 --> 00:21:38,664 BUT, THAT WASN'T THE CASE. 499 00:21:38,764 --> 00:21:42,067 IT WASN'T JUST ONE DISTRIBUTION DEAL THAT THE COMPOUND HAD. 500 00:21:42,167 --> 00:21:44,236 NO, THERE'S-THERE'S A CERTAIN INDIVIDUAL 501 00:21:44,336 --> 00:21:46,104 THAT WAS SUPPOSED TO BE CONTACTED. 502 00:21:46,204 --> 00:21:47,472 MMM-HMM. 503 00:21:47,572 --> 00:21:49,374 AND THAT PERSON WASN'T CONTACTED AT THE COMPOUND. 504 00:21:49,474 --> 00:21:51,510 AND WOULD YOU LIKE TO KNOW WHY? 505 00:21:52,744 --> 00:21:56,481 WHEN I ASKED ASHLEY, "WHO IS THE BAR MANAGER?" 506 00:21:56,581 --> 00:21:58,650 SHE SAID TO ME, "WELL, I DON'T WANT ANYBODY 507 00:21:58,750 --> 00:22:00,152 "TO HAVE HER EMAIL ADDRESS, 508 00:22:00,252 --> 00:22:01,353 "'CAUSE I DON'T WANT HER INUNDATED 509 00:22:01,453 --> 00:22:02,988 "WITH A BUNCH OF DIFFERENT QUESTIONS. 510 00:22:03,088 --> 00:22:05,557 "SO, YOU JUST TELL ME WHAT YOU NEED." 511 00:22:05,657 --> 00:22:07,526 TRUE STORY. 512 00:22:07,626 --> 00:22:09,294 - WITH THE BAR MANAGER? - YEP. 513 00:22:09,394 --> 00:22:12,030 SHE WOULD NOT GIVE ME THE INFORMATION OF THE BAR MANAGER. 514 00:22:12,130 --> 00:22:13,298 BUT, AT THE END OF THE DAY, 515 00:22:13,398 --> 00:22:14,633 I'M NOT EVEN GONNA ARGUE ABOUT ANYTHING 516 00:22:14,733 --> 00:22:16,468 'CAUSE I KNOW I DIDN'T DROP ANY KINDA BALL, 517 00:22:16,568 --> 00:22:18,437 AND I'M SORRY ABOUT HOW YOU FEEL ABOUT SOME OF THE TEAM 518 00:22:18,537 --> 00:22:20,439 DURING THOSE WEEKS. - THEY DID NOT RESPOND. 519 00:22:20,539 --> 00:22:23,208 AND I THINK THAT'S HORRIBLE, TERRIBLE, AND BAD, 520 00:22:23,308 --> 00:22:25,444 AND I APOLOGIZE ON BEHALF OF MY TEAM 521 00:22:25,544 --> 00:22:26,845 BECAUSE, AT THE END OF THE DAY, PEOPLE DON'T LOOK AT MY TEAM. 522 00:22:26,945 --> 00:22:28,113 THEY LOOK AT ME. 523 00:22:28,213 --> 00:22:31,350 HOWEVER, I'M JUST KINDA GLAD THAT 524 00:22:31,450 --> 00:22:33,852 WE'RE BOTH ON THE SAME PAGE ABOUT IT NOT HAPPENING 525 00:22:33,952 --> 00:22:35,854 FOR THE EVENING, 'CAUSE IT-IT'S JUST-- 526 00:22:35,954 --> 00:22:40,892 IT'S-IT'S NOT EVEN THE RIGHT TIME, APPARENTLY. 527 00:22:40,992 --> 00:22:43,729 - YOUR FEELINGS HURT? - YES. 528 00:22:43,829 --> 00:22:45,764 WHY-WHY ARE YOU IN YOUR FEELINGS A LITTLE BIT? 529 00:22:45,864 --> 00:22:46,798 WELL-- 530 00:22:46,898 --> 00:22:47,999 I CAN TELL BY THE LOOK ON YOUR FACE. 531 00:22:48,100 --> 00:22:49,801 I'M IN MY FEELINGS FOR SEVERAL DIFFERENT REASONS. 532 00:22:49,901 --> 00:22:51,403 - GO AHEAD, TRINA. - WELL, NUMBER ONE-- 533 00:22:51,503 --> 00:22:52,871 I WANTED IT TO COME OFF WITHOUT A HITCH. 534 00:22:52,971 --> 00:22:54,406 BUT NOW, I'M NOT GONNA GET THAT OPPORTUNITY 535 00:22:54,506 --> 00:22:56,208 TO-TO SEE AND TO TEST. 536 00:22:56,308 --> 00:22:58,744 AND IT'S LIKE... 537 00:22:58,844 --> 00:23:03,548 ALL THIS TIME, EFFORT, AND MONEY IS FOR NAUGHT. 538 00:23:03,648 --> 00:23:06,818 I-I-- MMM. 539 00:23:06,918 --> 00:23:11,123 THERE IS ABSOLUTELY NOTHIN' THAT I COULD'VE DONE ON MY END 540 00:23:11,223 --> 00:23:13,058 THAT COULD'VE BEEN DIFFERENT. 541 00:23:13,158 --> 00:23:14,860 HER TEAM ABSOLUTELY COULD'VE DONE 542 00:23:14,960 --> 00:23:16,495 A LOT OF THINGS DIFFERENTLY. 543 00:23:16,595 --> 00:23:18,997 I HAVE A WHOLE LIST OF THINGS, BUT I'M NOT GONNA MENTION IT. 544 00:23:19,097 --> 00:23:20,732 I THOUGHT IT WOULD BE A WONDERFUL OPPORTUNITY 545 00:23:20,832 --> 00:23:22,300 FOR EVERYBODY. - IT-I THOUGHT IT WAS, TOO. 546 00:23:22,401 --> 00:23:24,069 BUT, IT JUST-- THINGS JUST GOT COMPLICATED, 547 00:23:24,169 --> 00:23:25,670 AND I DON'T LIKE COMPLICATIONS. 548 00:23:25,771 --> 00:23:27,839 - NEITHER DO I. - TIMING IS EVERYTHING. 549 00:23:27,939 --> 00:23:29,674 YEAH... I AGREE. 550 00:23:29,775 --> 00:23:32,177 SO, I JUST THINK THAT Y-YOU NEED YOUR OWN LAUNCH. 551 00:23:32,277 --> 00:23:34,379 - YEAH. - NOT MY BIRTHDAY LAUNCH. 552 00:23:34,479 --> 00:23:36,815 OKAY. 553 00:23:36,915 --> 00:23:39,017 SO, CAN WE GO AHEAD AND GET OUR LONG ISLANDS NOW? 554 00:23:39,117 --> 00:23:40,519 YOU, FOR REAL, WANT A LONG ISLAND? 555 00:23:40,619 --> 00:23:43,054 GIRL, IT'S AFTER 12. 556 00:23:43,155 --> 00:23:46,224 WOW, TRINA! 557 00:23:46,324 --> 00:23:48,760 WOW! 558 00:23:48,860 --> 00:23:50,262 WOW! - GIRL, THAT-THAT TALK 559 00:23:50,362 --> 00:23:51,696 WAS STRESSFUL. - WAS IT? 560 00:23:51,797 --> 00:23:55,801 MY STOMACH WAS DOIN' JUMPIN' JACKS AND HURDLES. 561 00:23:57,536 --> 00:23:59,471 I'M JUST GLAD WE HAD THE TALK. 562 00:23:59,571 --> 00:24:01,273 I'M GONNA-- WELL, YOU KNOW I GET EMOTIONAL. 563 00:24:01,373 --> 00:24:03,275 TRINA, STOP-- GET OFF OF ME. 564 00:24:03,375 --> 00:24:05,477 I CAN GET EMOTIONAL. 565 00:24:15,253 --> 00:24:17,622 STEP, STEP, PUNCH, SO YOU'RE NOT-- 566 00:24:17,722 --> 00:24:19,224 DON'T PUT WEIGHT ON THAT FOOT. 567 00:24:19,324 --> 00:24:21,126 HERE, AND THEN YOU'RE GONNA TRANSFER. 568 00:24:21,226 --> 00:24:22,294 THAT'S YOUR GOOD LEG. 569 00:24:22,394 --> 00:24:23,595 - HEY, GUYS. - HELLO, HELLO. 570 00:24:23,695 --> 00:24:25,330 - HEY, TRA-RAY. - HEY, TRI. 571 00:24:25,430 --> 00:24:28,266 YOU GOT ON DAS BOOT. 572 00:24:28,366 --> 00:24:30,135 WHAT HAPPENED TO YOUR FOOT? 573 00:24:33,572 --> 00:24:35,407 WHY IT LOOK LIKE YOU BROKE YOUR FOOT? 574 00:24:36,441 --> 00:24:37,843 HOW YOU GONNA DANCE? 575 00:24:39,411 --> 00:24:40,712 I HAVE A BAD FOOT RIGHT NOW, 576 00:24:40,812 --> 00:24:43,782 BECAUSE MY HEEL SPUR HAS BEEN ACTING UP. 577 00:24:45,917 --> 00:24:47,652 I HATE IT RIGHT NOW. 578 00:24:47,752 --> 00:24:50,088 BUT, I'M READY TO REHEARSE FOR THE PERFORMANCE, 579 00:24:50,188 --> 00:24:52,924 WHAT WE'RE DOING FOR TOWANDA'S PARTY. 580 00:24:53,024 --> 00:24:54,960 WHERE-WHERE'S TOWANDA AND TONI? 581 00:24:55,060 --> 00:24:56,394 SHE'S ON HER WAY. 582 00:24:56,495 --> 00:24:58,296 SHE WILL BE HERE, I PROMISE. - WHAT TIME SHE'LL BE HERE? 583 00:25:00,832 --> 00:25:02,968 SO, CHILD, HERE WE ARE, FOR THE SECOND TIME, 584 00:25:03,068 --> 00:25:05,337 AND TOWANDA, FOR THE SECOND TIME, 585 00:25:05,437 --> 00:25:07,005 IS STILL LATE FOR REHEARSAL. 586 00:25:07,105 --> 00:25:08,373 AND I GET THAT IT'S YOUR BIRTHDAY, 587 00:25:08,473 --> 00:25:10,375 BUT THIS IS YOUR EVENT, 588 00:25:10,475 --> 00:25:12,777 SO YOU SHOULD BE HERE ON TIME, 589 00:25:12,878 --> 00:25:16,481 SO EVERYBODY CAN KNOW WHAT THE HELL THEY'RE DOIN'. 590 00:25:17,516 --> 00:25:18,583 I'M JUST TIRED OF EVERYTHING 591 00:25:18,683 --> 00:25:20,252 ALWAYS LOOKIN' LIKE TAMAR DIVA MOMENT. 592 00:25:20,352 --> 00:25:23,588 BUT LET'S GO IN FIVE, SIX, SEVEN, GET YOUR LIFE. 593 00:25:23,688 --> 00:25:25,690 AND GO ONE, TWO, THREE, FOUR, 594 00:25:25,790 --> 00:25:27,726 FIVE, SIX, SEVEN, EIGHT. 595 00:25:27,826 --> 00:25:31,596 SHE GOES, TWO, THREE, FOUR, FIVE, SIX, SEVEN, EIGHT. 596 00:25:31,696 --> 00:25:33,798 AND RIGHT, FORWARD PUSH. 597 00:25:33,899 --> 00:25:35,600 LET'S PAUSE-- YOU WALK. 598 00:25:35,700 --> 00:25:37,335 GO-GO FOLLOW TRACI. 599 00:25:37,435 --> 00:25:39,538 SO, TV, AND-- 600 00:25:39,638 --> 00:25:41,239 YOU KNOW, I'M JUST SUPER STRESSED 601 00:25:41,339 --> 00:25:44,075 BECAUSE I WANT THE PERFORMANCE TO LOOK GREAT 602 00:25:44,175 --> 00:25:46,111 AND BE PERFECT FOR TOWANDA'S PARTY, 603 00:25:46,211 --> 00:25:48,213 BECAUSE ANYTHING ELSE IS A READ 604 00:25:48,313 --> 00:25:50,348 ON ALL THE BRAXTON GIRLS. 605 00:25:50,448 --> 00:25:53,952 I DON'T WANNA LOOK CRAZY. 606 00:25:54,052 --> 00:25:56,321 WAIT A MINUTE-- ONE SECOND, SWEETHEART, BECAUSE IT-- 607 00:25:56,421 --> 00:25:58,256 I'M NOT GETTIN' READY TO DO ANOTHER REHEARSAL 608 00:25:58,356 --> 00:26:01,293 WITHOUT ALL THE ATTENDEES BEING ATTENDED. 609 00:26:01,393 --> 00:26:03,128 I FEEL LIKE THIS IS SOME TRICKERIZATION. 610 00:26:03,228 --> 00:26:04,496 Y'ALL KNOW WHERE TOWANDA IS, 'CAUSE YOU AIN'T-- 611 00:26:04,596 --> 00:26:06,398 Y'ALL SHOULD BE CONCERNED-- LIKE, "WHERE TOWANDA AT?" 612 00:26:06,498 --> 00:26:08,733 I-I PROMISE YOU, I DON'T KNOW, LOVE. 613 00:26:09,834 --> 00:26:11,570 TOWANDA? 614 00:26:11,670 --> 00:26:13,572 WHERE YOU AT? 615 00:26:17,676 --> 00:26:18,944 WHAT-WHAT TIME? 616 00:26:19,044 --> 00:26:21,346 'CAUSE, YOU KNOW, MY FLIGHT LEAVES AT 6:00. 617 00:26:25,450 --> 00:26:28,153 I HAVE TO GO TO ALABAMA TO PERFORM FOR A RADIO STATION, 618 00:26:28,253 --> 00:26:31,156 AND I'VE ALREADY COMMITTED MYSELF, 619 00:26:31,256 --> 00:26:32,824 AND I CAN'T GET OUT OF IT. 620 00:26:32,924 --> 00:26:34,593 AND THAT'S NOT FAIR THAT, LIKE, YOU KNOW, 621 00:26:34,693 --> 00:26:36,328 "DO-DO-DO-DO-DO-- THEY AIN'T GOT TO DO. 622 00:26:36,428 --> 00:26:38,463 "IT'S MY BIRTHDAY, WHATEVER-- I DON'T CARE IF YOU BOOKED. 623 00:26:38,563 --> 00:26:39,631 "IT'S MY BIRTHDAY." 624 00:26:39,731 --> 00:26:40,865 LIKE, COME ON NOW-- LIKE, THAT'S NOT COOL. 625 00:26:40,966 --> 00:26:44,169 THAT'S SELFISH, BUT SHE'S THE SELFISH ONE. 626 00:26:44,269 --> 00:26:46,171 WE HAVEN'T HAD A FULL REHEARSAL WITH EVERYBODY. 627 00:26:46,271 --> 00:26:48,406 LIKE, WHEN IS THAT GONNA HAPPEN? 628 00:26:50,709 --> 00:26:53,511 REMEMBER OUR-THE CONVERSATION THAT WE HAD BEFORE? 629 00:26:53,612 --> 00:26:57,816 I WAS BANKING ON TODAY BEING THE REHEARSAL DAY. 630 00:27:01,620 --> 00:27:04,022 A-ALL RIGHT, TOWANDA, I JUST-I-I DON'T-- 631 00:27:04,122 --> 00:27:06,591 I'M FEELIN' A LITTLE FUNNY ABOUT EVERYTHING. 632 00:27:13,198 --> 00:27:14,733 YOU KNOW, I JUST-I JUST THINK THE WHOLE THING 633 00:27:14,833 --> 00:27:16,401 IS-IS DAMN CRAZY. 634 00:27:16,501 --> 00:27:18,136 YOU KNOW, HOW YOU GONNA HAVE A PARTY, 635 00:27:18,236 --> 00:27:20,305 AND YOU WANT ME TO PARTICIPATE IN IT, 636 00:27:20,405 --> 00:27:21,673 AND I DON'T KNOW ANY DETAILS? 637 00:27:21,773 --> 00:27:23,174 AND EVERY TIME I ASK, SOMETHIN' IS WRONG WITH ME. 638 00:27:23,274 --> 00:27:24,242 YOU KNOW WHAT? 639 00:27:24,342 --> 00:27:25,844 CAN I TALK TO MY SISTERS FOR A SECOND, PLEASE? 640 00:27:25,944 --> 00:27:27,879 CAN YOU GUYS EXCUSE THE ROOM? - SURE. 641 00:27:32,150 --> 00:27:34,419 WELL, WHAT'S GOING ON-- WHAT HAPPENED WHEN YOU WERE ON THE PHONE? 642 00:27:34,519 --> 00:27:36,187 I WAS HOPING THAT, TODAY, 643 00:27:36,287 --> 00:27:38,490 THAT WE CAN HAVE A CLEAR UNDERSTANDING 644 00:27:38,590 --> 00:27:40,592 OF WHAT'S HAPPENING TOMORROW. 645 00:27:40,692 --> 00:27:43,728 I DON'T EVEN KNOW WHAT TIME TO SHOW UP. 646 00:27:43,828 --> 00:27:46,631 I'M JUST TRYIN' TO JUST BUST MY BUTT 647 00:27:46,731 --> 00:27:48,266 TO TRY TO MAKE THIS HAPPEN. 648 00:27:48,366 --> 00:27:49,734 NO, I'M TRYIN' TO BUST MY BUTT 649 00:27:49,834 --> 00:27:51,002 TO MAKE THIS HAPPEN FOR HER, TOO. 650 00:27:51,102 --> 00:27:54,839 THAT'S WHY I CHANGED MY WHOLE SCHEDULE AROUND ALL WEEK. 651 00:27:54,939 --> 00:27:56,941 I HAD NO IDEA ABOUT ANY OF THIS. 652 00:27:57,042 --> 00:27:58,743 AND-AND EVERYBODY LOOKIN' AT ME LIKE, 653 00:27:58,843 --> 00:28:00,278 SHE'S TRIPPIN'. - WHO'S EVERYBODY? 654 00:28:00,378 --> 00:28:01,846 EVERYBODY LOOKIN' AT ME LIKE... 655 00:28:01,946 --> 00:28:03,181 - WHO IS? - I DON'T KNOW. 656 00:28:06,351 --> 00:28:09,854 I JUST WANTED TO HAVE A REHEARSAL, 657 00:28:09,954 --> 00:28:13,925 WHERE EVERYBODY KNEW EXACTLY WHAT WE WERE DOING. 658 00:28:14,025 --> 00:28:15,493 YOU DON'T FEEL THE SAME WAY? 659 00:28:15,593 --> 00:28:18,096 YOU DON'T FEEL THE SAME WAY? - ACTUALLY, I REALLY DON'T. 660 00:28:18,196 --> 00:28:21,533 I FEEL AS THOUGH, YEAH, SHE'S TRYING TO DO THINGS, 661 00:28:21,633 --> 00:28:25,070 AND-AND TRYING TO CROSS HER T's AND DOT HER I's, 662 00:28:25,170 --> 00:28:27,072 BECAUSE THIS IS HER EVENT. 663 00:28:27,172 --> 00:28:29,307 THIS IS HER BIRTHDAY, AND SHE'S EXCITED. 664 00:28:29,407 --> 00:28:32,911 THAT'S NORMAL THAT SHE'S EXCITED, 665 00:28:33,011 --> 00:28:34,946 AND SHE WANNA MAKE SURE EVERYTHING IS-IS GREAT. 666 00:28:35,046 --> 00:28:37,215 DEFINITELY UNDERSTOOD. 667 00:28:37,315 --> 00:28:40,285 BUT, YES, SHE NEED TO BE HERE. 668 00:28:40,385 --> 00:28:42,287 BUT, RIGHT NOW, SHE-SHE JUST CAN'T. 669 00:28:42,387 --> 00:28:43,888 I-I UNDERSTAND THAT SHE'S TRYING TO-- 670 00:28:43,988 --> 00:28:45,457 AND I UNDERSTAND SHE GOT PEOPLE, 671 00:28:45,557 --> 00:28:47,225 AND SHE'S PAYIN' PEOPLE, AND SHE'S DOIN' ALL THIS STUFF, 672 00:28:47,325 --> 00:28:48,860 AND SHE'S DEPENDIN' ON OTHER PEOPLE, 673 00:28:48,960 --> 00:28:50,595 AND PEOPLE'S NOT COMIN' THROUGH, 674 00:28:50,695 --> 00:28:53,732 AND SO THAT MEANS SHE HAS TO DO IT. 675 00:28:53,832 --> 00:28:56,601 I'M-I'M PLAYIN' DEVIL'S ADVOCATE RIGHT NOW. 676 00:28:56,701 --> 00:28:58,169 WHY SHE NEED TO BE THERE? 677 00:28:58,269 --> 00:28:59,304 SHE ALREADY KNOW HER PART. 678 00:28:59,404 --> 00:29:00,705 SHE ALREADY KNOW WHAT SHE WANTS US TO DO, 679 00:29:00,805 --> 00:29:02,273 AND JUST LET'S DO IT. 680 00:29:02,373 --> 00:29:07,345 THERE SHOULD NOT BE ANY HOOP-HOBLA AND CRAZINESS. 681 00:29:07,445 --> 00:29:09,581 "WELL, WHY SHE AIN'T HERE-- WHY I GOTTA DO THIS?" 682 00:29:09,681 --> 00:29:11,750 JUST DO THE DAMN STEPS. 683 00:29:11,850 --> 00:29:14,686 WHO GIVES TWO SHAKES OF A MONKEY'S TAIL? 684 00:29:14,786 --> 00:29:16,521 WELL, DO-DO YOU WANNA, UM, 685 00:29:16,621 --> 00:29:19,390 JUST GO OVER WHAT WE ALREADY KNOW? 686 00:29:19,491 --> 00:29:22,127 I MEAN, I FEEL LIKE IT'S POINTLESS. 687 00:29:24,662 --> 00:29:26,831 NOW, I DONE MADE MYSELF CRYSTAL CLEAR TO TOWANDA THAT, 688 00:29:26,931 --> 00:29:30,135 IF WE ARE NOT PREPARED FOR THIS PERFORMANCE, 689 00:29:30,235 --> 00:29:31,836 SHE AIN'T DOIN' IT. 690 00:29:31,936 --> 00:29:33,304 TONI NOT EVEN HERE, 691 00:29:33,404 --> 00:29:35,240 AND THE BIRTHDAY PARTY'S TOMORROW, 692 00:29:35,340 --> 00:29:37,142 AND I CAN'T BELIEVE I EVEN WASTED MY TIME 693 00:29:37,242 --> 00:29:39,210 COMIN' TO THIS REHEARSAL TODAY. 694 00:29:39,310 --> 00:29:41,646 LIKE, I HAVE BEEN TRIED, ONCE AGAIN. 695 00:29:41,746 --> 00:29:43,515 I CAN'T STAY-- I HAVE TO GO. 696 00:29:43,615 --> 00:29:45,383 MY FLIGHT. 697 00:29:47,719 --> 00:29:49,387 IS IT OKAY IF YOU STAY FOR A LITTLE LONGER, 698 00:29:49,487 --> 00:29:50,755 SO I CAN GET-- - I CAN'T, BABY. 699 00:29:50,855 --> 00:29:53,124 MY FLIGHT IS IN AN HOUR. - OKAY. 700 00:29:53,224 --> 00:29:55,126 I STAYED AS LONG AS I COULD. 701 00:29:55,226 --> 00:29:56,694 I'M SORRY. 702 00:30:07,705 --> 00:30:10,241 COMING UP, ON "BRAXTON FAMILY VALUES"... 703 00:30:10,341 --> 00:30:11,576 LOOK AT YOUR BABIES' FATHER, LOOK AT YOUR BABIES' FATHER. 704 00:30:11,676 --> 00:30:13,611 THAT'S YOUR BABY DADDY, THAT'S YOUR BABY DADDY. 705 00:30:15,113 --> 00:30:16,915 YOU'RE MEAN, AND YOU'RE HATEFUL. 706 00:30:17,015 --> 00:30:18,950 I CAN SHOW YOU HATEFUL. 707 00:30:20,785 --> 00:30:22,854 - HEY. - HEY, GABE! 708 00:30:22,954 --> 00:30:24,556 - WHAT YOU DOIN' HERE? - COME AND SIT BY 709 00:30:24,656 --> 00:30:26,157 YOUR SISTER-IN-LAW. 710 00:30:26,257 --> 00:30:28,259 HEY, DON'T FORGET YOUR EX-WIFE OVER HERE. 711 00:30:28,359 --> 00:30:30,028 - THAT'S MY "WASBAND." - MY EX-WIFE. 712 00:30:30,128 --> 00:30:31,329 YOUR "WASBAND." 713 00:30:31,429 --> 00:30:32,997 DON'T FORGET YOUR, UM, YOUR EX-WIFE. 714 00:30:33,097 --> 00:30:35,033 - YOU CAN DO BETTER THAN THAT. - NO, THANKS. 715 00:30:35,133 --> 00:30:36,167 - HOW ARE YOU? - YOU GOTTA HUG YOUR "WASBAND." 716 00:30:36,267 --> 00:30:37,669 - STEPHAN. - GABE. 717 00:30:37,769 --> 00:30:39,270 YOU LOOK LIKE JOHN TRAVOLTA, FROM "GREASE." 718 00:30:39,370 --> 00:30:41,139 - OH, YOU DO. - I COULD BE JOHN TRAVOLTA. 719 00:30:41,239 --> 00:30:42,807 THERE YOU GO. 720 00:30:44,242 --> 00:30:45,577 I WAS GONNA WEAR LITTLE TIGHT SHORTS, 721 00:30:45,677 --> 00:30:48,279 BUT I WAS LIKE-- - REALLY, TIGHT SHORTS? 722 00:30:48,379 --> 00:30:50,582 YOU TRYIN' TO SEXUALLY ASSAULT SOMEBODY? 723 00:30:50,682 --> 00:30:53,718 TRINA. 724 00:30:53,818 --> 00:30:55,653 YOU'RE TRYIN' TO GET YOUR WIFE BACK. 725 00:30:55,753 --> 00:30:57,488 I DON'T SAY, "EX," 726 00:30:57,589 --> 00:30:59,490 UNTIL IT'S ACTUALLY OFFICIAL IN THE BOOKS. 727 00:30:59,591 --> 00:31:01,593 OH. 728 00:31:01,693 --> 00:31:03,928 WELL, SHE'S LOOKIN' LIKE IT'S EX. 729 00:31:04,028 --> 00:31:05,296 YOU CAN'T SAY THAT-- YOU CAN'T SAY THAT. 730 00:31:05,396 --> 00:31:06,397 OKAY, I CAN'T SAY THAT-- ALL RIGHT. 731 00:31:06,497 --> 00:31:08,299 I GOTTA KEEP PUTTIN' YOU IN YOUR PLACE. 732 00:31:08,399 --> 00:31:10,501 - OKAY, ALL RIGHT, ALL RIGHT. - YOU CAN'T DO THAT. 733 00:31:29,087 --> 00:31:31,389 TONIGHT IS TOWANDA'S 40th BIRTHDAY PARTY, 734 00:31:31,489 --> 00:31:33,691 AND ALL MY SISTERS AND MOMMY ARE ARRIVING, 735 00:31:33,791 --> 00:31:35,360 AND WE'RE TOLD TO MEET OUT ON THE STREET, 736 00:31:35,460 --> 00:31:36,895 INSTEAD OF GOING STRAIGHT INTO THE VENUE. 737 00:31:36,995 --> 00:31:39,030 AND I'M NOT SURE WHAT TOWANDA HAS PLANNED, 738 00:31:39,130 --> 00:31:41,065 BUT I KNOW I'M GONNA NEED A GOOD SPOT IN FRONT 739 00:31:41,165 --> 00:31:43,735 JUST TO WATCH WHAT'S GOING ON, JUST TO SEE. 740 00:32:10,461 --> 00:32:12,630 THE PARTY LOOKS ABSOLUTELY AMAZING. 741 00:32:12,730 --> 00:32:14,098 IT'S GREAT. 742 00:32:14,198 --> 00:32:16,334 IT'S OVER THE TOP, BUT IT'S GREAT. 743 00:32:27,712 --> 00:32:30,248 THIS IS A LOT OF FUN, BUT WHERE'S TOWANDA? 744 00:32:30,348 --> 00:32:32,617 IS SHE LATE TO HER OWN PARTY? 745 00:32:41,693 --> 00:32:43,561 I THOUGHT THAT WAS UNIQUE, 746 00:32:43,661 --> 00:32:48,166 THAT TOWANDA POPPED OUT THE DRUM LIKE A POP-TART. 747 00:32:48,266 --> 00:32:50,501 - TOWANDA! - HI! 748 00:32:52,870 --> 00:32:54,372 YOU KNOW, THAT WAS THE FUNNEST TIME IN MY LIFE, 749 00:32:54,472 --> 00:32:56,207 WHEN I WAS IN HIGH SCHOOL AND IN COLLEGE, 750 00:32:56,307 --> 00:32:58,810 SO I WANTED TO INCORPORATE THAT IN THE PARTY. 751 00:33:00,945 --> 00:33:02,847 ALL OF US ARE DRESSED UP IN OUR RETRO OUTFITS 752 00:33:02,947 --> 00:33:04,515 FROM OUR FAVORITE ERA. 753 00:33:04,615 --> 00:33:06,050 TONI IS WEARING HER CLASSIC LOOK 754 00:33:06,150 --> 00:33:08,386 FROM "ANOTHER SAD LOVE SONG" MUSIC VIDEO, 755 00:33:08,486 --> 00:33:11,189 AND SHE LOOKS JUST AS STUNNING AS SHE DID BACK THEN, 756 00:33:11,289 --> 00:33:12,256 IN THE '90s. 757 00:33:12,357 --> 00:33:14,092 I HAVE THE BESTEST OUTFIT ON 758 00:33:14,192 --> 00:33:17,228 BECAUSE I'M DRESSED LIKE A SEXY '80s DANCER GIRL, 759 00:33:17,328 --> 00:33:19,731 AND I REALLY WANTED WATER POURED ALL OVER ME, 760 00:33:19,831 --> 00:33:22,300 AND THEN MY HAIR HAVING WET TRESSES. 761 00:33:22,400 --> 00:33:25,436 TRACI CAME AS A CROSS BETWEEN 762 00:33:25,536 --> 00:33:27,905 JODY WATLEY AND MADONNA. 763 00:33:28,006 --> 00:33:30,708 MOMMY, I GUESS, WAS DRESSED LIKE TINA TURNER. 764 00:33:30,808 --> 00:33:33,845 I DIDN'T SEE NO "TURNER" IN THAT. 765 00:33:33,945 --> 00:33:35,980 TINA TURNER WAS TURNED OFF. 766 00:33:36,080 --> 00:33:38,750 TAMAR CAME IN AS... 767 00:33:40,752 --> 00:33:42,920 LOGAN'S MOM. 768 00:33:43,021 --> 00:33:46,157 TOWANDA WAS WEARING HER FAVORITE COLOR, PURPLE... 769 00:33:54,265 --> 00:33:56,768 ONE, TWO, THREE! 770 00:33:56,868 --> 00:33:58,836 I THINK THE PARTY IS BEAUTIFUL. 771 00:33:58,936 --> 00:34:01,439 I THINK IT'S EXACTLY WHAT TOWANDA WANTS. 772 00:34:01,539 --> 00:34:03,374 HER FAVORITE MOVIE IS "SCHOOL DAZE," 773 00:34:03,474 --> 00:34:06,177 AND SHE WANTED HER PARTY TO LOOK LIKE "SCHOOL DAZE," 774 00:34:06,277 --> 00:34:08,246 AND IT DID. 775 00:34:08,346 --> 00:34:10,415 EVERYTHING ABOUT IT, VERY "SCHOOL DAZE." 776 00:34:29,367 --> 00:34:31,536 I COULDN'T STAND THE SMOKE. 777 00:34:31,636 --> 00:34:33,071 I HAD TO LEAVE. - THAT'S WHY I HAD TO LEAVE. 778 00:34:33,171 --> 00:34:34,272 - I CAN'T. - I HAD TO LEAVE, TOO. 779 00:34:34,372 --> 00:34:38,076 I'M ON TOO MANY STEROIDS TO JEOPARDIZE MY VOCAL CORDS. 780 00:34:38,176 --> 00:34:39,544 LOOK AT YOUR BABIES' FATHER, LOOK AT YOUR BABIES' FATHER. 781 00:34:39,644 --> 00:34:41,412 THAT'S YOUR BABY DADDY, THAT'S YOUR BABY DADDY. 782 00:34:41,512 --> 00:34:43,981 HEY-HEY-HEY. 783 00:34:44,082 --> 00:34:45,683 DADDY, YOU CAN'T PUT THAT SMOKE AROUND ME. 784 00:34:45,783 --> 00:34:47,418 IS IT LIT? 785 00:34:49,053 --> 00:34:51,889 YOU KNOW, MY FATHER WILL TAKE ANY EVENT 786 00:34:51,989 --> 00:34:53,691 JUST TO DRESS LIKE A PIMP. 787 00:34:53,791 --> 00:34:56,561 NOW, WHY DID YOU COME DRESSED LIKE A PIMP? 788 00:34:56,661 --> 00:34:59,197 THAT AIN'T GOT NOTHIN' TO DO WITH "SCHOOL DAZE." 789 00:34:59,297 --> 00:35:02,233 I DON'T-I DON'T UNDERSTAND HIS FIXATION WITH HIM 790 00:35:02,333 --> 00:35:04,769 AND HIS PIMP-ZATION-- WHY? 791 00:35:04,869 --> 00:35:07,872 WHO ARE YOU? - MY NAME IS LEROY BROWN. 792 00:35:07,972 --> 00:35:11,008 I WAS THOUGHT YOU WAS COUNT DRACULA. 793 00:35:11,109 --> 00:35:13,144 I DIDN'T KNOW. - NO, NO, NO. 794 00:35:13,244 --> 00:35:16,814 WHY DOES MY FATHER STILL THINK THAT HE A PIMP? 795 00:35:16,914 --> 00:35:21,119 HE-HE'S NOT EVEN A HANDSOME PIMP. 796 00:35:21,219 --> 00:35:23,721 THAT-THAT'S WHAT YOU DO-- YOU LOOK LIKE A BROKE DOWN PIMP? 797 00:35:23,821 --> 00:35:25,823 PIMPS DON'T LOOK LIKE THAT NO MORE. 798 00:35:25,923 --> 00:35:27,859 YOU COULD'VE AT LEAST HAD A SUIT ON. 799 00:35:27,959 --> 00:35:29,894 JUST LOOK-JUST SPIFFY. 800 00:35:29,994 --> 00:35:31,329 TAMAR, SAY, "HAPPY BIRTHDAY" TO TOWANDA. 801 00:35:31,429 --> 00:35:32,830 HAPPY BIRTHDAY, TOWANDA-- LOVE YOU. 802 00:35:32,930 --> 00:35:34,465 WANNA SAY, "HAPPY BIRTHDAY?" 803 00:35:34,565 --> 00:35:37,268 HAPPY BIRTHDAY, MY WONDERFUL DAUGHTER. 804 00:35:42,173 --> 00:35:44,475 I'M LEAVING THE PARTY EARLY BECAUSE OF HEALTH ISSUES. 805 00:35:44,575 --> 00:35:47,845 THE LUPUS THING, AND SOMETIMES, I GET TIRED FOR NO REASON. 806 00:35:47,945 --> 00:35:49,780 AND, I KNOW MY SISTERS, 807 00:35:49,881 --> 00:35:51,315 THEY'RE NOT TOO HAPPY ABOUT THIS, 808 00:35:51,415 --> 00:35:53,151 BECAUSE THEY ALWAYS TALK ABOUT ME AND SAY 809 00:35:53,251 --> 00:35:57,522 I'M A PARTY POOPER AND I'M A DIVA. 810 00:35:57,622 --> 00:36:00,191 THAT'S ALL RIGHT-- THEY DON'T GET IT. 811 00:36:00,291 --> 00:36:02,426 BUT, YOU KNOW WHAT-- MY HEALTH COMES FIRST. 812 00:36:02,527 --> 00:36:05,563 I JUST-JUST WANNA GET SOME SLEEP. 813 00:36:05,663 --> 00:36:07,365 I LEFT, BUT I DID HAVE A GOOD TIME, 814 00:36:07,465 --> 00:36:10,067 AND I COULD TELL EVERYONE ELSE WAS HAVING FUN, TOO. 815 00:36:14,572 --> 00:36:18,075 EVERYBODY KNOW TONI DON'T STAY LONG AT NO DAMN PARTY. 816 00:36:18,176 --> 00:36:21,145 SHE GOIN' TO LEAVE. 817 00:36:21,245 --> 00:36:24,315 TONI STAYED FOR THE MINIMUM OF A HOUR. 818 00:36:24,415 --> 00:36:27,251 SHE'S NOT A PARTY, PARTY, PARTY PERSON. 819 00:36:27,351 --> 00:36:29,353 SHE'S A PARTY POOPER. 820 00:36:29,453 --> 00:36:32,223 OKAY, BYE. 821 00:36:32,323 --> 00:36:34,659 HAVE FUN-- I MEAN... 822 00:36:34,759 --> 00:36:36,227 YOU GOT A BABY TO TAKE CARE OF NOW. 823 00:36:36,327 --> 00:36:38,029 - I DO. - FIFTEEN MINUTES LATER, 824 00:36:38,129 --> 00:36:40,731 TAMAR IS WALKING OUT OF THE PARTY, TOO. 825 00:36:40,831 --> 00:36:43,000 WE'RE NOT PERFORMIN'-- REALLY? 826 00:36:43,100 --> 00:36:47,705 AFTER ALL THAT TIME REHEARSING, YOU GONNA BAIL OUT NOW? 827 00:36:47,805 --> 00:36:49,740 WHAT? 828 00:36:49,840 --> 00:36:52,343 - THANK YOU. - THANK YOU. 829 00:36:52,443 --> 00:36:54,011 NO, SHE WILL NOT BE PARTICIPATING 830 00:36:54,111 --> 00:36:55,913 IN THAT PERFORMANCE THIS EVENING. 831 00:36:56,013 --> 00:36:57,815 YOU KNOW, SHE'S GONNA TAKE A, YOU KNOW, LEAVE OF ABSENCE, 832 00:36:57,915 --> 00:36:59,283 BECAUSE WE'RE NOT PREPARED, 833 00:36:59,383 --> 00:37:02,787 AND SHE'S NOT GETTING ON NO STAGE ILL-PREPARED. 834 00:37:02,887 --> 00:37:03,988 SHE'S A PERFORMER. 835 00:37:04,088 --> 00:37:05,790 SHE'S GONNA GET ONSTAGE, 836 00:37:05,890 --> 00:37:07,625 AND SHE-SHE'S GONNA DANCE AND SING FOR THE GODS, 837 00:37:07,725 --> 00:37:09,727 OR SHE'S NOT GONNA DO IT AT ALL. 838 00:37:09,827 --> 00:37:11,562 - HEY! - . 839 00:37:13,564 --> 00:37:14,999 I HAVE TO ADMIT, 840 00:37:15,099 --> 00:37:17,134 I'M NOT EVEN THINKIN' ABOUT THE PERFORMANCE RIGHT NOW. 841 00:37:17,235 --> 00:37:20,238 AND IF IT DOESN'T HAPPEN, THEN IT JUST DOESN'T HAPPEN. 842 00:37:20,338 --> 00:37:22,607 I'M JUST THINKIN' ABOUT HAVIN' FUN. 843 00:37:32,583 --> 00:37:34,919 COMING UP, ON "BRAXTON FAMILY VALUES"... 844 00:37:35,019 --> 00:37:36,821 TAMAR WAS THERE FOR YOU ON YOUR 40th BIRTHDAY! 845 00:37:36,921 --> 00:37:38,389 TOWANDA DOESN'T HAVE A PROBLEM. 846 00:37:38,489 --> 00:37:41,626 YOU WASN'T THERE FOR ME DURING HER SUCCESS STORY! 847 00:37:55,640 --> 00:37:57,308 SO, I'M WAITING AROUND, 848 00:37:57,408 --> 00:37:59,110 WONDERING WHEN I'M GONNA DO THIS PERFORMANCE 849 00:37:59,210 --> 00:38:01,245 I'VE BEEN REHEARSING FOR, NIGHT AND DAY, DAY AND NIGHT. 850 00:38:01,345 --> 00:38:04,081 AND BY THE WAY, I KNOW EVERY STEP, MOVE, COUNT, 851 00:38:04,181 --> 00:38:08,486 AND WHATEVER ELSE, HONEY... AND WE'RE NOT DOING IT. 852 00:38:08,586 --> 00:38:12,156 MIKEY, COME ON, BROTHER. 853 00:38:12,256 --> 00:38:14,225 IT'S CANCELED. 854 00:38:14,325 --> 00:38:16,494 SO, BASICALLY, . 855 00:38:16,594 --> 00:38:18,262 OKAY. 856 00:38:38,716 --> 00:38:41,052 ♪ IT'S YOUR BIRTHDAY IT'S YOUR BIRTHDAY ♪ 857 00:38:41,152 --> 00:38:44,021 ♪ IT'S YOUR BIRTHDAY IT'S YOUR BIRTHDAY ♪ 858 00:38:44,121 --> 00:38:45,890 OH, WOW! ♪ IT'S YOUR BIRTHDAY ♪ 859 00:38:45,990 --> 00:38:47,925 ♪ IT'S YOUR BIRTHDAY ♪ 860 00:38:51,395 --> 00:38:53,831 I JUST WANT TO DEDICATE THIS EVENING, 861 00:38:53,931 --> 00:38:57,835 TOWANDA BRAXTON, TO THE BEST-LOOKING 40-YEAR-OLD 862 00:38:57,935 --> 00:39:00,438 I'VE EVER MET IN MY LIFE. 863 00:39:00,538 --> 00:39:03,808 HEAR, HEAR, HEAR. 864 00:39:03,908 --> 00:39:07,778 MY FAVORITE MOMENT OF MY PARTY TONIGHT 865 00:39:07,878 --> 00:39:09,980 WOULD BE "E," ALL OF THE ABOVE. 866 00:39:10,081 --> 00:39:13,050 I HAD FUN-- EVERYTHING ABOUT IT WAS FUN! 867 00:39:13,150 --> 00:39:15,453 I JUST WANTED TO THANK EVERYBODY FOR COMIN' OUT 868 00:39:15,553 --> 00:39:17,888 TO CELEBRATE THIS WONDERFUL CELEBRATION 869 00:39:17,988 --> 00:39:21,959 WITH ME AND MY FAMILY. - WE LOVE YOU! 870 00:39:22,059 --> 00:39:24,628 OF COURSE, TOWANDA'S HAVING A BLAST TONIGHT. 871 00:39:24,729 --> 00:39:26,430 BUT, AT THE SAME TIME, 872 00:39:26,530 --> 00:39:28,799 I KNOW IT BOTHERS HER THAT TONI AND TAMAR LEFT EARLY, 873 00:39:28,899 --> 00:39:30,835 AND WE DIDN'T GET TO DO OUR SISTER PERFORMANCE. 874 00:39:30,935 --> 00:39:33,137 WITH TENSIONS HIGH BETWEEN TAMAR AND TOWANDA, 875 00:39:33,237 --> 00:39:35,439 THIS DOES NOT BODE WELL. 876 00:39:35,539 --> 00:39:37,508 HAPPY 40th, TOWANDA! 877 00:40:03,667 --> 00:40:04,902 DID YOU TAKE A SIP? 878 00:40:05,002 --> 00:40:06,170 TAKE ANOTHER SIP. - WHAT'S WRONG? 879 00:40:06,270 --> 00:40:09,140 IT'S MY SECOND GLASS-- NOTHIN'. 880 00:40:09,240 --> 00:40:12,309 YOU'RE JUST, LIKE, SO NOT TALKERIZED. 881 00:40:12,410 --> 00:40:15,079 - WHAT DO YOU WANT ME TO SAY? - ANYTHING. 882 00:40:16,847 --> 00:40:19,016 ANYTHING? 883 00:40:19,116 --> 00:40:20,885 THE SISTERS AND I ARE GETTING TOGETHER 884 00:40:20,985 --> 00:40:22,787 TO HAVE A MUCH NEEDED DINNER, 885 00:40:22,887 --> 00:40:24,855 AND IT'S BEEN A FEW WEEKS SINCE TOWANDA'S PARTY, 886 00:40:24,955 --> 00:40:26,857 AND THERE'S STILL ALL THIS TENSION 887 00:40:26,957 --> 00:40:28,659 BETWEEN TOWANDA AND TAMAR. 888 00:40:28,759 --> 00:40:31,829 SO, WE HAVE A WHOLE LOT TO TALK ABOUT. 889 00:40:31,929 --> 00:40:33,898 SHE'S GETTING READY TO GO-- I'M SO NERV-EXCITED. 890 00:40:33,998 --> 00:40:35,433 I DON'T KNOW WHAT TO DO WITH MYSELF. 891 00:40:35,533 --> 00:40:36,934 - YOU READY TO GO ON TOUR? - YEAH. 892 00:40:37,034 --> 00:40:38,269 DID YOU BUY MY ALBUM? - YES, I DID. 893 00:40:38,369 --> 00:40:39,570 - DID YOU BUY MY ALBUM? - YES, I DID. 894 00:40:39,670 --> 00:40:40,805 DID EVERYBODY BUY MY-- TOWANDA, YOU BUY MY ALBUM? 895 00:40:40,905 --> 00:40:42,506 MMM-HMM. 896 00:40:42,606 --> 00:40:43,874 - EVERYBODY BOUGHT MY ALBUM? - YEAH. 897 00:40:43,974 --> 00:40:45,409 OKAY, I'M JUST MAKING SURE. 898 00:40:45,509 --> 00:40:47,044 WHAT YOU MEAN, DID WE BOUGHT YOUR ALBUM? 899 00:40:47,144 --> 00:40:48,646 YOU DIDN'T SEE IT UP ON TWITTER OR NOTHIN' LIKE THAT? 900 00:40:48,746 --> 00:40:50,347 I DIDN'T. 901 00:40:50,448 --> 00:40:52,583 - WHAT YOU MEAN, YOU DIDN'T? - I DIDN'T. 902 00:40:52,683 --> 00:40:55,719 YOU AIN'T SEEN IT ON TWITTER, WHEN I SAID, 903 00:40:55,820 --> 00:40:58,122 "BUY MY SISTER'S ALBUM." - NO. 904 00:40:58,222 --> 00:41:01,559 AS A MATTER OF FACT, I DIDN'T GET A PHONE CALL WHEN NO-- 905 00:41:01,659 --> 00:41:03,427 WHEN IT WENT NUMBER ONE, AND IT CAME OUT, 906 00:41:03,527 --> 00:41:04,895 AND NOBODY SAID-- - YOU'S A LIAR. 907 00:41:04,995 --> 00:41:06,831 - NO, YOU-YOU-YOU CALLED ME. - YES, I DID. 908 00:41:06,931 --> 00:41:09,433 BUT NOBODY ELSE CALLED ME. 909 00:41:09,533 --> 00:41:11,435 I'M NOT UNDERSTANDIN' TAMAR. 910 00:41:11,535 --> 00:41:13,571 SHE WANTS US TO TEXT HER TO SAY, "CONGRATULATIONS! 911 00:41:13,671 --> 00:41:15,439 "I JUST HAD A BIG . 912 00:41:15,539 --> 00:41:18,409 "CONGRATULATIONS"-- I MEAN, WHY WOULD-WHY, TAMAR? 913 00:41:18,509 --> 00:41:20,211 YOU WANT US TO TEXT YOU OR CALL YOU 914 00:41:20,311 --> 00:41:21,679 EVERY TIME YOU DO SOMETHIN'? 915 00:41:21,779 --> 00:41:23,914 I MEAN, WHAT ELSE DO YOU WANT US TO DO? 916 00:41:24,014 --> 00:41:26,684 CALL YOU WHEN YOU FART-- WHAT DO YOU WANT US TO DO? 917 00:41:26,784 --> 00:41:29,019 I DON'T KNOW WHY YOU DON'T TALK TO ME. 918 00:41:29,119 --> 00:41:31,121 I DON'T KNOW WHY, WHENEVER I'M AROUND, 919 00:41:31,222 --> 00:41:34,592 IT'S SUCH A NEGATIVE, C-CUT IT WITH A KNIFE ENERGY. 920 00:41:34,692 --> 00:41:37,361 IT ALWAYS REFLECTS BACK TO TAMAR 921 00:41:37,461 --> 00:41:38,796 AND TAMAR'S FEELINGS. - RIGHT. 922 00:41:38,896 --> 00:41:40,231 TAMAR DOESN'T REALLY GIVE A FLIP 923 00:41:40,331 --> 00:41:42,132 ABOUT ANYBODY ELSE'S FEELINGS. - REALLY? 924 00:41:42,233 --> 00:41:44,201 BUT WHAT IT REFLECTS BACK TO, IS YOU. 925 00:41:44,301 --> 00:41:47,004 TAMAR WAS THERE FOR YOU ON YOUR 40th BIRTHDAY! 926 00:41:47,104 --> 00:41:48,539 TOWANDA DOESN'T HAVE A PROBLEM. 927 00:41:48,639 --> 00:41:52,076 YOU WASN'T THERE FOR ME DURING HER SUCCESS STORY! 928 00:41:52,176 --> 00:41:54,545 I DON'T KNOW WHAT I HAVE DONE TO YOU. 929 00:41:54,645 --> 00:41:57,047 I'M TELLING YOU, IN YOUR FACE, 930 00:41:57,147 --> 00:41:58,582 IN YOUR FACE, HOW I'M FEELING. 931 00:41:58,682 --> 00:42:00,184 OKAY, SO LET ME TELL YOU, IN YOUR FACE. 932 00:42:00,284 --> 00:42:01,819 IT'S REALLY WHACK, HOW I FEEL. 933 00:42:01,919 --> 00:42:04,221 HASHTAG-- AIN'T NOBODY GOT TIME FOR THAT. 934 00:42:04,321 --> 00:42:06,790 HASHTAG-- WHY WE GOTTA BE LIKE THAT? 935 00:42:06,891 --> 00:42:08,826 HASHTAG-- YOU DON'T EVEN CALL ME. 936 00:42:08,926 --> 00:42:11,362 HASHTAG-- I HAVEN'T EVEN HEARD FROM YOU IN TWO MONTHS. 937 00:42:11,462 --> 00:42:12,830 - AND IT'S RECIPROCATED. - HASHTAG-- 938 00:42:12,930 --> 00:42:14,365 YOU'RE NOT VERY NICE TO ME. - AND IT'S RECIPROCATED. 939 00:42:14,465 --> 00:42:15,766 AND IT'S RECIPROCATED. - HASHTAG-- 940 00:42:15,866 --> 00:42:17,067 YOU'RE ALWAYS IN THE MIDDLE OF A MESS. 941 00:42:17,167 --> 00:42:18,335 - YEP, IT'S RECIPROCATED. - HASHTAG-- 942 00:42:18,435 --> 00:42:19,503 AND-AND IT'S ALWAYS THE BOTTOM LINE 943 00:42:19,603 --> 00:42:21,639 AND THE COMMON DENOMINATOR IS TOWANDA CHLOE BRAXTON. 944 00:42:21,739 --> 00:42:23,574 PERIOD. - ARE YOU SERIOUS? 945 00:42:23,674 --> 00:42:25,342 YOU WANNA KNOW WHY-- BECAUSE YOU'RE MEAN. 946 00:42:25,442 --> 00:42:26,844 - I'M MEAN? - AND YOU'RE HATEFUL, 947 00:42:26,944 --> 00:42:28,379 AND YOU DON'T HAVE TO BE. - I'M MEAN-- I'M HATEFUL? 948 00:42:28,479 --> 00:42:30,080 - YOU REALLY DON'T HAVE TO BE. - THAT'S HILARIOUS. 949 00:42:30,180 --> 00:42:32,650 - YOU DON'T HAVE TO BE. - I CAN SHOW YOU HATEFUL. 71484

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