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These are the user uploaded subtitles that are being translated: 1 00:00:03,870 --> 00:00:03,936 TRINA 2 00:00:03,937 --> 00:00:04,003 TRINA WAS 3 00:00:04,004 --> 00:00:04,069 TRINA WAS OUT 4 00:00:04,070 --> 00:00:04,236 TRINA WAS OUT OF 5 00:00:04,237 --> 00:00:04,370 TRINA WAS OUT OF BREATH-- 6 00:00:04,371 --> 00:00:04,436 TRINA WAS OUT OF BREATH-- WASN'T 7 00:00:04,437 --> 00:00:04,503 TRINA WAS OUT OF BREATH-- WASN'T SHE 8 00:00:04,504 --> 00:00:04,536 TRINA WAS OUT OF BREATH-- WASN'T SHE OUT 9 00:00:04,537 --> 00:00:04,703 TRINA WAS OUT OF BREATH-- WASN'T SHE OUT OF 10 00:00:04,704 --> 00:00:05,638 TRINA WAS OUT OF BREATH-- WASN'T SHE OUT OF BREATH? 11 00:00:05,739 --> 00:00:06,639 WELL, YOU KNOW, I GOT A LITTLE BIT CHUNKY. 12 00:00:06,740 --> 00:00:08,008 I'M GETTING READY TO GO ON TOUR, 13 00:00:08,108 --> 00:00:09,943 AND I'M STARTING TO FREAK OUT A LITTLE BIT. 14 00:00:10,043 --> 00:00:11,878 EXCUSE ME, BUT BOSS LADY IS CALLIN'. 15 00:00:11,978 --> 00:00:13,680 HEY, TONE. 16 00:00:15,815 --> 00:00:19,519 - OKAY, NO POM-POMS, TONI. - UGH... SHE'S SO BOSSY. 17 00:00:19,619 --> 00:00:22,522 - WHERE TOWANDA TODAY? - I DON'T KNOW. 18 00:00:22,622 --> 00:00:24,257 SO, SHE WASN'T TRYIN' TO COME TO MY REHEARSAL? 19 00:00:24,357 --> 00:00:25,492 I DON'T KNOW-- I DIDN'T ASK. 20 00:00:25,592 --> 00:00:26,960 I'M YOUR SISTER. 21 00:00:27,060 --> 00:00:29,295 TEXT ME AND SAY YOU'RE NOT COMIN' TO MY REHEARSAL. 22 00:00:29,396 --> 00:00:33,566 I CAN'T MAKE EVERYBODY'S ISSUES MINE. 23 00:00:33,666 --> 00:00:35,435 YOU DONE PREACHED WITH THAT ONE. 24 00:00:35,535 --> 00:00:36,970 THAT, RIGHT THERE, IS THE WORD. 25 00:00:37,070 --> 00:00:40,540 ♪ WE ARE THE BRAXTONS AND YOU'LL SEE ♪ 26 00:00:40,640 --> 00:00:44,177 ♪ THAT WE ARE NOT LIKE AN ORDINARY FAMILY ♪ 27 00:00:44,277 --> 00:00:47,714 ♪ TONI TRACI TOWANDA TRINA TAMAR AND MISS E ♪ 28 00:00:47,814 --> 00:00:50,450 ♪ WILL TEACH YOU A THING OR TWO ♪ 29 00:00:50,550 --> 00:00:54,754 ♪ ON BRAXTON FAMILY VALUES ♪ 30 00:01:03,596 --> 00:01:04,564 WHERE THE GIRLS? 31 00:01:04,664 --> 00:01:06,132 WHERE THE GIRLS AT? 32 00:01:06,232 --> 00:01:08,168 TRINA, TOWANDA? 33 00:01:08,268 --> 00:01:11,271 TODAY IS THE FINAL REHEARSAL BEFORE MY TOUR, 34 00:01:11,371 --> 00:01:14,474 AND BECAUSE I HAVEN'T GONE ON TOUR IN, LIKE, FIVE YEARS, 35 00:01:14,574 --> 00:01:15,942 I AM SUPER ANXIOUS. 36 00:01:16,042 --> 00:01:17,610 THEY HAVE FIVE MINUTES. 37 00:01:17,710 --> 00:01:19,112 OKAY, I'M GONNA SIT AND WAIT. 38 00:01:19,212 --> 00:01:21,214 MY EX-HUSBAND, KERI, WILL BE COMING ON THE TOUR WITH ME, 39 00:01:21,314 --> 00:01:23,950 AND HE IS, LIKE, THE PRODUCER OF THE TOUR. 40 00:01:24,050 --> 00:01:26,419 AND THAT PART'S GREAT BECAUSE WE GET ALONG WONDERFULLY, 41 00:01:26,519 --> 00:01:28,455 AND WE DON'T HATE EACH OTHER BECAUSE WE'RE DIVORCED. 42 00:01:28,555 --> 00:01:30,623 SO, THAT'S GOOD. 43 00:01:30,723 --> 00:01:34,794 OKAY, GUYS, THE TOUR IS A COUPLE DAYS AHEAD. 44 00:01:34,894 --> 00:01:36,629 - BUT, DON'T GET NERVOUS. - WELL, I'M ALWAYS STRESSED 45 00:01:36,729 --> 00:01:37,931 BEFORE A SHOW-- NO, I'M JUST THINKIN'. 46 00:01:38,031 --> 00:01:39,299 WE'RE GONNA HAVE FUN, THOUGH. 47 00:01:39,399 --> 00:01:40,600 - IT'LL BE FUN. - IT IS. 48 00:01:40,700 --> 00:01:41,868 TONI, STOP STRESSING OUT, 49 00:01:41,968 --> 00:01:44,237 BECAUSE IT'S GONNA TAKE A TOLL ON YOU IF YOU'RE STRESSED OUT. 50 00:01:44,337 --> 00:01:46,906 AND YOU GOT US ON THAT LITTLE-LITTLE DIET THING 51 00:01:47,006 --> 00:01:48,842 THAT I DON'T WANNA BE ONE. - YES. 52 00:01:48,942 --> 00:01:51,544 WE ALL NEED TO BE LOSIN' A LITTLE WEIGHT. 53 00:01:51,644 --> 00:01:53,413 I HAVE TO BE TEN POUNDS THINNER. 54 00:01:53,513 --> 00:01:54,948 TONI CALLED ME "PROFESSOR KLUMP" THE OTHER DAY. 55 00:01:55,048 --> 00:01:56,416 YOU CALLED HER PROFESSOR KLUMP? 56 00:01:56,516 --> 00:01:58,351 JUST HER FINGERS WERE PROFESSOR KLUMPISH. 57 00:02:00,053 --> 00:02:01,988 SHE SAID THAT MY HEAD DOESN'T MATCH THE REST OF MY BODY. 58 00:02:02,088 --> 00:02:03,790 I HAVE A LITTLE HEAD, AND IT DOESN'T MATCH MY BODY. 59 00:02:03,890 --> 00:02:05,058 BECAUSE YOUR BODY'S GAINED A LITTLE WEIGHT. 60 00:02:05,158 --> 00:02:06,659 I LIKE MY BOOTY-- IT TOOK ME 40 YEARS TO LOOK LIKE THIS. 61 00:02:06,759 --> 00:02:08,294 YOU NEED TO BE A LITTLE SMALLER. 62 00:02:08,394 --> 00:02:10,997 YOU'RE RIGHT-- I MEAN, IT'S NOT LIKE YOU'RE WRONG. 63 00:02:11,097 --> 00:02:12,432 I LIKE MY WEIGHT. 64 00:02:12,532 --> 00:02:14,968 JUST HOLD IN YOUR STOMACH WHEN YOU DO THAT CHOREOGRAPHY. 65 00:02:15,068 --> 00:02:16,636 DURING CHOREOGRAPHY, YOU WANNA TELL ME 66 00:02:16,736 --> 00:02:18,104 TO HOLD IN MY STOMACH? 67 00:02:18,204 --> 00:02:19,939 YOU COULDN'T WAIT 'TIL WE GOT BACK HOME 68 00:02:20,039 --> 00:02:21,574 TO TELL ME SOMETHING LIKE THAT? 69 00:02:21,674 --> 00:02:23,143 NO, YOU HAD TO SAY IT IN FRONT OF EVERYBODY. 70 00:02:23,243 --> 00:02:24,844 STAY WITH IT. 71 00:02:24,944 --> 00:02:26,579 TRINA, YOUR BUTT'S STARTIN' TO LOOK LIKE MINE. 72 00:02:26,679 --> 00:02:28,681 - YOUR BUTT LOOKS FAKE. - I HAVE A BEAUTIFUL BUTT. 73 00:02:28,781 --> 00:02:31,184 YOUR BUTT LOOKS FAKE. 74 00:02:31,284 --> 00:02:32,919 OH, MY GOD-- I CAN'T TAKE IT. 75 00:02:33,019 --> 00:02:34,220 I'M GONE. - MY BUTT IS BEAUTIFUL, 76 00:02:34,320 --> 00:02:36,356 AND IT'S ALL MINE. - IT LOOKS FAKE. 77 00:02:36,456 --> 00:02:38,958 IT LOOKS SO FAKE BECAUSE IT'S SO BEAUTIFUL, AND ROUND, 78 00:02:39,058 --> 00:02:40,660 AND NATURAL, AND WONDERFUL. 79 00:02:40,760 --> 00:02:42,061 POP, POP, POP. 80 00:02:42,162 --> 00:02:43,530 TONI JUST MAD 'CAUSE SHE WISHES 81 00:02:43,630 --> 00:02:45,698 SHE HAD A BIG, OL' BOOTY LIKE MINE. 82 00:02:45,798 --> 00:02:47,834 ALL RIGHT, TRINA, LET'S PRACTICE. 83 00:02:47,934 --> 00:02:50,069 READY-- FIVE, SIX, SEVEN, EIGHT. 84 00:02:50,170 --> 00:02:53,373 AND KITTY, TWO, THREE, FOUR, FIVE, SIX. 85 00:02:53,473 --> 00:02:54,807 IT DON'T LOOK LIKE YOU'RE DANCING. 86 00:02:54,908 --> 00:02:57,243 LOOKS LIKE YOUR NAILS ARE WET. - AND THEN IT COMES BAM-- 87 00:02:57,343 --> 00:02:59,112 TWO, THREE, FOUR, FIVE, SIX, SEVEN, EIGHT. 88 00:02:59,212 --> 00:03:00,880 BUT, I NEED THEIR ARMS TO GO UP AT THE SAME TIME. 89 00:03:00,980 --> 00:03:01,848 YOU UNDERSTAND ME? - SAME TIME. 90 00:03:01,948 --> 00:03:03,216 TONI, THIS IS YOUR SHOW. 91 00:03:03,316 --> 00:03:05,385 THE MARQUEE SAYS, "TONI BRAXTON," 92 00:03:05,485 --> 00:03:08,121 BUT I WISH YOU WOULD NOT NITPICK SO MUCH 93 00:03:08,221 --> 00:03:10,523 AND JUST LEAVE THE CHOREOGRAPHY THE WAY IT IS, 94 00:03:10,623 --> 00:03:13,626 SO NONE OF US HAVE TO STRESS, RIGHT BEFORE THE TOUR. 95 00:03:13,726 --> 00:03:16,229 ONE, TWO, THREE, FOUR, FIVE, SIX, SEVEN, EIGHT, 96 00:03:16,329 --> 00:03:18,565 AROUND TO BEHIND THE BOX. - LET ME ASK YOU A QUESTION. 97 00:03:18,665 --> 00:03:21,367 THEY'RE GONNA BE ABLE TO DO ALL OF THAT IN THE BOXES? 98 00:03:21,467 --> 00:03:23,603 CAN I GET HIM TO PULL A BOX UP? 99 00:03:23,703 --> 00:03:27,307 - DA-DA DA-DA DA-DA. - TOWANDA, DO IT INSIDE. 100 00:03:29,842 --> 00:03:31,444 LET ME SEE IT. 101 00:03:31,544 --> 00:03:33,413 LET'S TRY IT. 102 00:03:33,513 --> 00:03:34,447 LOOK AT HER. 103 00:03:34,547 --> 00:03:35,582 REMEMBER, I WAS TELLING YOU GUYS 104 00:03:35,682 --> 00:03:37,283 THAT THE CHOREOGRAPHY HAS TO MATCH THE BOX. 105 00:03:37,383 --> 00:03:39,419 SO, THE ARMS MAY BE TOO BIG. 106 00:03:39,519 --> 00:03:41,788 KEEP IN MIND, IT'S HOT LIGHT BULBS. 107 00:03:41,888 --> 00:03:44,157 IT'S HOT LIGHT BULBS, SO THEY CAN'T TOUCH IT. 108 00:03:44,257 --> 00:03:45,525 OKAY. 109 00:03:45,625 --> 00:03:47,160 I'M REALLY WORRIED THAT THESE LIGHTS 110 00:03:47,260 --> 00:03:48,528 ARE NOT GONNA WORK. 111 00:03:48,628 --> 00:03:50,797 I HAD THIS GREAT IDEA TO PUT THESE LIGHT BOXES UP, 112 00:03:50,897 --> 00:03:52,532 AND IT'S NOT RIGHT. 113 00:03:52,632 --> 00:03:53,733 IT'S NOT WORKING-- UGH! 114 00:03:53,833 --> 00:03:56,202 WHAT DID I DO-- WHAT DID I DO? 115 00:03:56,302 --> 00:03:58,371 I WANT YOU TO CLEAN IT UP-- I NEED 'EM CLEANED UP. 116 00:03:58,471 --> 00:04:00,573 TOWANDA'S HANDS, THIS WAY-- TRINA HANDS ARE THIS WAY. 117 00:04:00,673 --> 00:04:03,109 HER RIGHT HAND DOWN MORE-- LOOK LIKE YOUR NAILS ARE WET. 118 00:04:03,209 --> 00:04:05,411 IT'S DRIVING ME CRAZY, GUYS. 119 00:04:17,457 --> 00:04:18,758 HEY. 120 00:04:18,858 --> 00:04:20,093 HI. - WHAT'S GOIN' ON? 121 00:04:20,193 --> 00:04:21,361 HOW YOU DOIN'? 122 00:04:21,461 --> 00:04:23,863 SO, TODAY, I'M DOIN' A FITTING FOR MY VIDEO, 123 00:04:23,963 --> 00:04:25,665 FOR MY SONG "ALL THE HOME," 124 00:04:25,765 --> 00:04:28,434 WHICH WE'RE GONNA BE SHOOTIN' IN THIS BEAUTIFUL, 125 00:04:28,534 --> 00:04:31,304 BIG ASS HOUSE IN ATLANTA, IN A FEW DAYS. 126 00:04:31,404 --> 00:04:34,040 AND I THINK IT'S GONNA BE HOT AND GORGEOUS, 127 00:04:34,140 --> 00:04:35,908 AND SHE'S SUPER EXCITED. 128 00:04:36,009 --> 00:04:37,310 THIS IS MY FAVORITE THING. 129 00:04:37,410 --> 00:04:38,978 IT'S DRAMATIC. 130 00:04:39,078 --> 00:04:40,613 - IT'S PETITE. - IT'S NOT. 131 00:04:40,713 --> 00:04:42,248 - YES, IT IS. - IT STRETCHES. 132 00:04:42,348 --> 00:04:44,484 - NO, IT DON'T. - WE SHOULD TRY IT, 133 00:04:44,584 --> 00:04:45,985 'CAUSE IT IS GORGEOUS. - IT'S VERY VEGAS. 134 00:04:46,085 --> 00:04:47,520 - LOVE IT. - OKAY. 135 00:04:47,620 --> 00:04:49,822 THE IDEA IS-IS HAVING FABRIC 136 00:04:49,922 --> 00:04:51,557 COMING OUT THE BACK OF THAT CONVERTIBLE. 137 00:04:51,658 --> 00:04:53,693 IT LOOKS VERY ADULT CONTEMPORARY. 138 00:04:53,793 --> 00:04:54,961 YOU THINK? 139 00:04:55,061 --> 00:04:57,163 YOU GOTTA SEE IT ON, THOUGH. - YES, VERY MRS. INCREDIBLE. 140 00:04:57,263 --> 00:04:59,065 BUT GO AHEAD-- I'M LISTENIN'. 141 00:04:59,165 --> 00:05:02,902 - THE WHITE? - NO, IT'S NOT. 142 00:05:03,002 --> 00:05:04,504 YOU KNOW, SOMETIMES, LIKE, WHEN YOU WEAR STUFF, 143 00:05:04,604 --> 00:05:06,339 YOU CAN LOOK OLD. 144 00:05:06,439 --> 00:05:07,707 SHE AIN'T OLD YET. 145 00:05:07,807 --> 00:05:10,443 SHE'S STILL YOUNG, AND SHE'S A SPRING CHICKEN. 146 00:05:10,543 --> 00:05:13,346 WELL, A SUMMERTIME CHICKEN. 147 00:05:13,446 --> 00:05:15,181 A LOT OF PRESSURE. 148 00:05:15,281 --> 00:05:17,583 OKAY, YEAH. - SO, NOW, DOES THIS WORK? 149 00:05:17,684 --> 00:05:19,218 SHOULD WE TRY IT? - WE GOTTA TRY IT. 150 00:05:19,319 --> 00:05:21,721 EVERYBODY GATHER AROUND. - I DON'T SEE WHY NOT. 151 00:05:21,821 --> 00:05:23,356 PLEASE LET THIS OUTFIT FIT. 152 00:05:23,456 --> 00:05:24,724 PLEASE LET ALL MY OUTFITS FIT. 153 00:05:24,824 --> 00:05:26,626 LET ME SUCK IN AND HAVE THE PERMANENT SUCKAGE 154 00:05:26,726 --> 00:05:28,661 IN MY STOMACH, AND IN MY THIGHS AND BACK. 155 00:05:28,761 --> 00:05:30,930 AMEN-- NO BACK FAT. - AMEN. 156 00:05:31,030 --> 00:05:34,334 - OKAY. - LET ME TRY IT. 157 00:05:34,434 --> 00:05:36,536 THIS IS, LIKE, THE BIGGEST DRESS ON THE RACK, 158 00:05:36,636 --> 00:05:38,538 AND I'M GONNA TRY TO GET, YOU KNOW, 159 00:05:38,638 --> 00:05:42,008 MY THICK'UMS ASS INTO IT, AND IF IT DOES NOT FIT, 160 00:05:42,108 --> 00:05:43,876 I'M GONNA BE REAL EMBARRASSED. 161 00:05:43,976 --> 00:05:45,912 LOOK AT HOW PRAYER CHANGES THINGS. 162 00:05:46,012 --> 00:05:47,947 - HALLELUJAH! - HALLE-LOO! 163 00:05:53,219 --> 00:05:55,588 I HAVEN'T EVEN SEEN IT, AND IT FEELS LIKE THAT. 164 00:05:55,688 --> 00:05:57,223 - RIGHT. - DO YOUR BOUQUET. 165 00:05:57,323 --> 00:05:58,424 DO YOUR BOUQUET, DO YOUR BOUQUET. 166 00:05:58,524 --> 00:05:59,792 TURN AROUND, TURN AROUND-- THROW IT. 167 00:05:59,892 --> 00:06:01,627 COME ON. 168 00:06:03,629 --> 00:06:05,198 GET ME OUTTA THIS THING. 169 00:06:05,298 --> 00:06:07,967 ASHLEY AND TERRELL HAVE THIS FABULOUS IDEA 170 00:06:08,067 --> 00:06:10,670 THAT I NEED TO BE WEARIN' SOME LONG TRAIN OF FABRIC 171 00:06:10,770 --> 00:06:13,506 BEHIND MY DRESS, AND IT'S GONNA BLOW IN THE WIND, 172 00:06:13,606 --> 00:06:15,475 AND BE DRAMATIC AND FABULOUS, 173 00:06:15,575 --> 00:06:17,176 AND I-I DON'T KNOW ABOUT THAT. 174 00:06:17,276 --> 00:06:19,645 OH, YOU GUYS KNOW HOW I'M TALKIN' ABOUT SOMETHING 175 00:06:19,746 --> 00:06:22,181 THAT'S, LIKE, GIVING THAT DRAMATIC EFFECT. 176 00:06:22,281 --> 00:06:24,283 WHAT IF IT'S HAIR? 177 00:06:24,384 --> 00:06:26,686 LIKE, ALMOST MARILYN-ESQUE. - LIKE WAVY? 178 00:06:26,786 --> 00:06:28,321 ARE YOU GONNA BE OKAY WITH THAT? 179 00:06:28,421 --> 00:06:30,857 TUSSLED '40s IS SICK. 180 00:06:30,957 --> 00:06:33,626 SO, YOU KNOW, I THOUGHT ABOUT HAVING SOME, LIKE, 181 00:06:33,726 --> 00:06:36,195 MARILYN MONROE-ESQUE HAIR. 182 00:06:36,295 --> 00:06:39,599 COULD KINDA GO ALONG WITH MY THICK-UMS BODY. 183 00:06:39,699 --> 00:06:41,534 WINNING, SHE WON-- TEE-HEE-HEE-HEE. 184 00:06:41,634 --> 00:06:42,835 MARILYN DID IT. 185 00:06:42,935 --> 00:06:44,303 SEE YA LATER. 186 00:06:44,404 --> 00:06:46,038 COME ON, TERRELL-- WE HAVE TO DO HAIR. 187 00:06:46,139 --> 00:06:48,241 - BYE, SWEETIE. - BYE, BABY. 188 00:06:48,341 --> 00:06:50,810 - SEE YA TOMORROW. - SEVEN A.M. 189 00:07:07,627 --> 00:07:10,696 TRACI, TOWANDA, AND I HAVE JUST ARRIVED IN ATLANTIC CITY 190 00:07:10,797 --> 00:07:13,099 FOR OUR BIGGEST SHOW OF THE TOUR YET. 191 00:07:13,199 --> 00:07:16,569 I AM SO HAPPY THAT TRACI WAS ABLE TO GO ON TOUR WITH US 192 00:07:16,669 --> 00:07:18,604 AND IS GONNA BE MY BACKUP SINGER. 193 00:07:18,704 --> 00:07:21,073 THANK YOU, TRACI. 194 00:07:21,174 --> 00:07:22,875 TRINA, DO YOU KNOW WHERE YOU'RE GOIN'? 195 00:07:22,975 --> 00:07:24,777 I DON'T-- I THINK I'M JUST GONNA WALK AROUND 196 00:07:24,877 --> 00:07:27,079 UNTIL I FIGURE IT OUT. - OH, THERE ARE THE TABLES. 197 00:07:27,180 --> 00:07:29,048 IS THAT DADDY? - THAT'S DADDY! 198 00:07:29,148 --> 00:07:31,184 TONIGHT'S SHOW IS EXTRA SPECIAL 199 00:07:31,284 --> 00:07:32,885 BECAUSE DADDY'S HERE. 200 00:07:32,985 --> 00:07:34,821 THIS SHOW IS ONLY A FEW HOURS AWAY, 201 00:07:34,921 --> 00:07:37,623 BUT WE HAD TO GET SOME TIME IN WITH OUR DADDY. 202 00:07:37,723 --> 00:07:39,025 YES, GOD. 203 00:07:39,125 --> 00:07:41,093 - DADDY, YOU GAMBLIN'? - WHAT ARE YOU DOIN'? 204 00:07:41,194 --> 00:07:43,062 - HUH? - ARE YOU WINNING? 205 00:07:43,162 --> 00:07:46,599 YOU WINNIN'? - WELL, I'M HAVIN' FUN. 206 00:07:46,699 --> 00:07:48,100 ARE YOU SPENDING MONEY? 207 00:07:48,201 --> 00:07:49,435 YOU'RE ACTUALLY SPENDING MONEY? 208 00:07:49,535 --> 00:07:51,270 I'M HAVING FUN. 209 00:07:52,939 --> 00:07:54,140 - CAN YOU TALK TO 'EM? - OKAY. 210 00:07:54,240 --> 00:07:55,875 DADDY NEEDS A NEW GOLD TOOTH. 211 00:07:58,344 --> 00:07:59,912 TALK TO IT-- TALK TO IT. 212 00:08:00,012 --> 00:08:02,348 UH, GIVE ME MY DADDY'S MONEY BACK. 213 00:08:05,251 --> 00:08:07,286 - OH, YOU CRAPPED OUT! - OH, CRAPPED OUT! 214 00:08:07,386 --> 00:08:09,755 THAT'S 'CAUSE TRINA BLEW ON IT. 215 00:08:09,856 --> 00:08:11,924 OKAY, DADDY, ARE YOU TRYING TO SAY 216 00:08:12,024 --> 00:08:13,693 THAT MY BREATH WAS TARNISHED? 217 00:08:13,793 --> 00:08:15,394 SO, YOU CRAPPED OUT BECAUSE I BLEW ON THE DICE? 218 00:08:15,495 --> 00:08:16,796 JUST GIVE ME SOME GUM AND KEEP MOVIN'. 219 00:08:16,896 --> 00:08:18,231 WHAT DO YOU MEAN? 220 00:08:18,331 --> 00:08:19,899 LET'S TRY MY LUCK FIRST. 221 00:08:19,999 --> 00:08:21,434 OKAY, I'M GONNA PUT ONE THERE. 222 00:08:21,534 --> 00:08:22,869 OH, MY GOD, WHAT WE GOT-- WHAT WE GOT? 223 00:08:22,969 --> 00:08:24,537 WHAT WE GOT-- WHAT WE GOT? 224 00:08:30,510 --> 00:08:34,113 - WE WON. - NO, I-I WON. 225 00:08:34,213 --> 00:08:36,015 I AM LUCKY, OKAY? 226 00:08:36,115 --> 00:08:37,850 AND I LOVE THE FACT THAT I WIN. 227 00:08:37,950 --> 00:08:40,453 I'M A WINNER, WINNING-- YAY, TOWANDA! 228 00:08:42,121 --> 00:08:45,358 - THAT'S YOU, WANDA. - THIS IS ME, AND THAT'S ME. 229 00:08:47,393 --> 00:08:49,595 I THINK I'M GONNA BET ON RED, NOW. 230 00:08:51,597 --> 00:08:55,101 SO LUCKY! 231 00:08:55,201 --> 00:08:57,570 OH, I AM SO LU-- I'M TELLING YOU. 232 00:08:57,670 --> 00:08:59,472 I AM LUCKY! 233 00:08:59,572 --> 00:09:02,608 TOWANDA IS CHEERING AND NOT BEING CONSIDERATE ON PURPOSE 234 00:09:02,708 --> 00:09:04,810 BECAUSE SHE WANTS EVERYONE TO KNOW THAT SHE'S WINNING 235 00:09:04,911 --> 00:09:06,712 AND EVERYONE ELSE IS LOSING. 236 00:09:06,812 --> 00:09:08,414 I'M GONNA HAVE TO JUMP ON HER. 237 00:09:08,514 --> 00:09:10,783 - I AM AWESOME! - WHATEVER, TOWANDA! 238 00:09:10,883 --> 00:09:12,285 I'M FEELING REALLY GOOD. 239 00:09:12,385 --> 00:09:14,520 I CAN'T HELP THAT TRACI AND TRINA ARE LOSING. 240 00:09:14,620 --> 00:09:16,222 YEAH, I'M NOT WINNING ANYTHING. 241 00:09:16,322 --> 00:09:17,623 - OH, MY GOD! - ME, EITHER. 242 00:09:17,723 --> 00:09:20,326 I GAVE THE MONEY BACK THAT I WON. 243 00:09:20,426 --> 00:09:22,495 I'M SO LUCKY! 244 00:09:22,595 --> 00:09:24,730 WHY DOES TOWANDA KEEP WINNIN' AT ROULETTE? 245 00:09:24,830 --> 00:09:26,899 CHEERING, "OOH! 246 00:09:26,999 --> 00:09:29,802 "I'M SO LUCKY! I WON AGAIN!" 247 00:09:29,902 --> 00:09:32,972 - OH-OH-OH! - THAT IS SO DAMN ANNOYING. 248 00:09:33,072 --> 00:09:34,640 LET'S GIVE THE BIG WINNER A HAND. 249 00:09:34,740 --> 00:09:36,375 THAT WOULD BE ME. 250 00:09:36,475 --> 00:09:39,145 NO... NO. 251 00:09:39,245 --> 00:09:41,581 SHE'S MEAN ALL THE TIME. 252 00:09:53,626 --> 00:09:55,494 I WAS HAVING TERRIBLE LUCK AT THE CASINO, 253 00:09:55,595 --> 00:09:57,263 SO I WAS HAPPY TO LEAVE 254 00:09:57,363 --> 00:09:58,864 AND MAKE OUR WAY OVER TO SOUNDCHECK. 255 00:09:58,965 --> 00:10:00,466 HOPEFULLY, I'LL HAVE BETTER LUCK 256 00:10:00,566 --> 00:10:02,602 WHEN I DO MY SOLO PERFORMANCE TONIGHT. 257 00:10:02,702 --> 00:10:04,737 - HEY, GUYS. - HEY, GUYS. 258 00:10:06,205 --> 00:10:07,473 LOOK AT KERI! 259 00:10:07,573 --> 00:10:09,008 KERI, WHAT ARE YOU DOIN' ON THE KEYBOARDS? 260 00:10:09,108 --> 00:10:10,576 - HEY! - SHUT IT DOWN. 261 00:10:10,676 --> 00:10:12,478 YOU SEE HOW YOU HOLD SECRETS FROM ME? 262 00:10:12,578 --> 00:10:14,180 YOU'RE HOLDIN' SECRETS! 263 00:10:14,280 --> 00:10:16,716 KERI, TONI'S EX-HUSBAND, 264 00:10:16,816 --> 00:10:18,851 IS SITTING IN THE KEYBOARD'S CHAIR. 265 00:10:18,951 --> 00:10:20,686 LIKE, WHAT ARE YOU DOIN'? 266 00:10:20,786 --> 00:10:22,922 HOW COME YOU DIDN'T TELL ME? 267 00:10:24,590 --> 00:10:25,591 THAT HURT MY FEELINGS, 268 00:10:25,691 --> 00:10:27,059 'CAUSE YOU USED TO TELL ME EVERYTHING. 269 00:10:27,159 --> 00:10:28,327 LOOK AT YOU-- YOU'RE GONNA BE UP HERE 270 00:10:28,427 --> 00:10:29,929 CRACKIN' UP WITH US. 271 00:10:30,029 --> 00:10:32,198 TONI'S HUSBAND IS UP THERE. 272 00:10:32,298 --> 00:10:34,667 OOH, THIS IS SOME JUICY STUFF! 273 00:10:34,767 --> 00:10:36,102 I CAN'T WAIT. 274 00:10:36,202 --> 00:10:37,870 WAIT FOR IT, WAIT FOR IT, 275 00:10:37,970 --> 00:10:40,406 'CAUSE I KNOW TONI'S GONNA SAY SOMETHIN'. 276 00:10:40,506 --> 00:10:43,242 PRACTICE TRINA'S SONG. 277 00:10:44,243 --> 00:10:47,480 ♪ OH OH THEN YOU BETTER GO HOME ♪ 278 00:10:47,580 --> 00:10:51,217 ♪ IF YOU DIDN'T COME TO PARTY THEN YOU BETTER GO HOME ♪ 279 00:10:51,317 --> 00:10:53,352 ♪ OH OH ♪ 280 00:10:53,452 --> 00:10:55,187 ♪ THEN YOU BETTER GO HOME ♪ 281 00:10:55,287 --> 00:10:59,392 ♪ IF YOU DIDN'T COME TO PARTY THEN YOU BETTER GO HOME ♪ 282 00:11:06,832 --> 00:11:08,467 - TRINA? - WHAT? 283 00:11:08,567 --> 00:11:10,369 WHY WERE YOU WALKIN' LIKE MARIAH? 284 00:11:10,469 --> 00:11:12,071 WASN'T SHE WALKIN' LIKE MARIAH CAREY? 285 00:11:12,171 --> 00:11:16,175 - SHE'S SKIPPING LIKE THIS. - WHAT'S SHE DOIN'-- WHAT? 286 00:11:16,275 --> 00:11:18,277 TRINA IS CHANNELING MARIAH CAREY. 287 00:11:18,377 --> 00:11:20,112 SHE'S KINDA TIPPIN' THROUGH, LIKE, TO THE BEAT. 288 00:11:20,212 --> 00:11:23,883 DA DA-DA DA-DA DA-DA. 289 00:11:23,983 --> 00:11:26,619 - LIKE, EH-AH-OOH. - I CAN'T HEAR YOU. 290 00:11:26,719 --> 00:11:29,021 TRINA, CAN YOU JUST WALK LIKE TRINA? 291 00:11:29,121 --> 00:11:30,823 THAT'LL BE GREAT. 292 00:11:32,224 --> 00:11:34,160 OH-OH, YES. 293 00:11:36,462 --> 00:11:38,698 HEY, TONE. - HEY, GUYS. 294 00:11:38,798 --> 00:11:40,099 I WAS THINKIN', WHEN I FIRST COME OUT, 295 00:11:40,199 --> 00:11:41,367 INSTEAD OF THE PINK LIGHTS BEING ON, 296 00:11:41,467 --> 00:11:42,902 CAN IT BE NO LIGHTS? 297 00:11:44,637 --> 00:11:45,871 YEAH. 298 00:11:45,971 --> 00:11:47,907 YOU WANT ME TO BE PRE-SET, WHERE PEOPLE SEE ME? 299 00:11:48,007 --> 00:11:49,241 NO. 300 00:11:49,341 --> 00:11:51,410 THEN YOU HAVE TOWANDA AND THEM. 301 00:11:55,414 --> 00:11:57,283 WAIT A MINUTE, WAIT A MINUTE, WAIT A MINUTE. 302 00:12:00,853 --> 00:12:03,089 COMING UP, ON "BRAXTON FAMILY VALUES"... 303 00:12:03,189 --> 00:12:05,257 KERI, YOU'RE IN THE BAND TODAY? 304 00:12:05,357 --> 00:12:07,259 - YES. - I'M-I'M SORRY. 305 00:12:07,359 --> 00:12:09,795 NOBODY TOLD ME YOU WAS IN THE BAND. 306 00:12:09,895 --> 00:12:11,230 OKAY. 307 00:12:11,330 --> 00:12:13,399 TRINA, YOU NEED TO GO-- YOU GOT FIVE MINUTES. 308 00:12:13,499 --> 00:12:15,267 - YEAH, I'M COMIN' RIGHT NOW. - STAGE IS READY FOR YOU. 309 00:12:15,367 --> 00:12:18,471 I'M COMING. 310 00:12:18,571 --> 00:12:19,839 COMING. 311 00:12:22,742 --> 00:12:25,678 [collective 312 00:12:27,279 --> 00:12:27,680 WAIT A MINUTE, WAIT A MINUTE, WAIT A MINUTE. 313 00:12:32,785 --> 00:12:34,820 YES. 314 00:12:38,057 --> 00:12:40,826 KERI, MY EX-HUSBAND, IS SITTING AT THE KEYBOARDS. 315 00:12:40,926 --> 00:12:42,928 WHY IS HE AT THE KEYBOARDS? 316 00:12:43,028 --> 00:12:44,864 KERI, YOU'RE IN THE BAND TODAY? 317 00:12:44,964 --> 00:12:48,968 - YES. - YOU JUST REALIZED THAT? 318 00:12:49,068 --> 00:12:50,269 I'M-I'M SORRY. 319 00:12:50,369 --> 00:12:52,138 NOBODY TOLD ME YOU WAS IN THE BAND. 320 00:12:52,238 --> 00:12:54,406 I MEAN, IT WAS A PLEASANT SURPRISE TO ME, TOO, 321 00:12:54,507 --> 00:12:56,509 PLEASANT. 322 00:12:56,609 --> 00:12:59,178 OKAY. 323 00:12:59,278 --> 00:13:01,881 I FOUND OUT THAT KERI, MY BABY DADDY, 324 00:13:01,981 --> 00:13:03,916 WAS BEHIND THE KEYBOARD 325 00:13:04,016 --> 00:13:05,885 BECAUSE MY REGULAR KEYBOARD PLAYER WAS OUT ON THE ROAD 326 00:13:05,985 --> 00:13:07,686 WITH KEYSHIA COLE, AND I LOVE KEYSHIA. 327 00:13:07,787 --> 00:13:09,588 HE'S ACTUALLY HER MUSICAL DIRECTOR, SO I GET IT. 328 00:13:09,688 --> 00:13:12,925 BUT, IT'S TONI BRAXTON-- "TONI BRAXTON" ON THE MARQUEE. 329 00:13:13,025 --> 00:13:15,494 THEY SHOULD'VE AT LEAST ASKED ME-- CAN WE FOCUS? 330 00:13:15,594 --> 00:13:17,396 I'M-I'M SORRY-- I'M TRYING TO CONCENTRATE. 331 00:13:17,496 --> 00:13:19,165 I JUST FOUND OUT KERI'S IN THE BAND TONIGHT. 332 00:13:19,265 --> 00:13:21,233 I-I'M STILL THERE. 333 00:13:26,872 --> 00:13:27,840 OKAY. 334 00:13:27,940 --> 00:13:30,376 I DON'T THINK I CAN HANDLE ANYMORE SURPRISES. 335 00:13:30,476 --> 00:13:32,945 MY BABY DADDY'S UP ON STAGE WITH ME-- OKAY. 336 00:13:33,045 --> 00:13:35,548 THERE GOES MY SINGLE LIFE. 337 00:13:35,648 --> 00:13:38,450 SEEMS SO WEIRD TO GO BACK INTO THE PINK LIGHTS. 338 00:13:38,551 --> 00:13:41,587 AND WHO AM I-- I'M JUST THE ARTIST. 339 00:13:41,687 --> 00:13:44,290 WILL IT LOOK WEIRD IF YOU HAVE THE LIGHTS OFF FOR HARMONY, 340 00:13:44,390 --> 00:13:46,559 WHEN I FIRST START SINGING? 341 00:13:46,659 --> 00:13:48,894 CAN I SEE IT WITH THE LIGHTS OFF, PLEASE? 342 00:13:48,994 --> 00:13:52,731 OKAY, NOW IT LOOK LIKE POPSICLES ON THE STAGE. 343 00:13:52,832 --> 00:13:55,668 DOES IT LOOK LIKE VANILLA ICE CREAM WITH PINK SK-- 344 00:13:55,768 --> 00:13:57,837 UM, SPRINKLES? 345 00:14:02,107 --> 00:14:04,877 SO, I PROBABLY SHOULD JUST LEAVE IT ALONE FOR TONIGHT. 346 00:14:04,977 --> 00:14:06,946 ALL RIGHT, I'LL HAVE TO MAKE IT WORK. 347 00:14:13,452 --> 00:14:14,887 ALL OF YOU TAKE TEN. 348 00:14:14,987 --> 00:14:16,722 HOW MANY MINUTES 'TIL SHOWTIME? 349 00:14:16,822 --> 00:14:18,924 YOU SEE MY EYELASHES? 350 00:14:19,024 --> 00:14:20,259 I HOPE WE ALL GET THROUGH THE NIGHT 351 00:14:20,359 --> 00:14:21,727 WITHOUT GETTING IN TROUBLE AGAIN. 352 00:14:21,827 --> 00:14:23,495 GIRL, YOU BETTER SHAKE YOUR FANNY TAIL. 353 00:14:23,596 --> 00:14:25,030 TONIGHT IS A BIG NIGHT FOR ME, 354 00:14:25,130 --> 00:14:27,533 AND QUITE HONESTLY, THE LAST THING I NEED 355 00:14:27,633 --> 00:14:29,368 IS TRACI MESSING WITH MY CONFIDENCE. 356 00:14:29,468 --> 00:14:31,070 I JUST NEED TO BLOCK THEM OUT. 357 00:14:31,170 --> 00:14:34,807 WHY ARE YOU TRYING TO BE ALL-- 358 00:14:36,909 --> 00:14:38,677 LET ME GET SOME LIPS. 359 00:14:38,777 --> 00:14:41,013 TONIGHT IS ONE OF THE BIGGEST SHOWS. 360 00:14:41,113 --> 00:14:42,815 IT'S A VERY SPECIAL NIGHT TO ME, ALSO, 361 00:14:42,915 --> 00:14:44,550 BECAUSE MY DAD IS GONNA BE HERE, 362 00:14:44,650 --> 00:14:45,851 AND I HAVEN'T SEEN HIM IN A WHILE. 363 00:14:45,951 --> 00:14:47,386 - SO I CAN'T DO THE SPLIT. - NO SPLITS, DAD. 364 00:14:47,486 --> 00:14:48,621 I CAN'T DO THE MICHAEL JACKSON. 365 00:14:48,721 --> 00:14:50,589 I CAN'T MOONWALK. 366 00:14:50,689 --> 00:14:52,558 WELL, LET'S GET A CURRENT DANCE. 367 00:14:52,658 --> 00:14:54,326 I DON'T KNOW ANY CURRENT DANCES. 368 00:14:54,426 --> 00:14:55,861 MY DADDY'S SUCH A HAM. 369 00:14:55,961 --> 00:14:59,398 I JUST WONDER WHICH DANCE HE'S GONNA DO. 370 00:14:59,498 --> 00:15:01,533 HMM, THAT-THAT COULD BE EMBARRASSING. 371 00:15:01,634 --> 00:15:03,535 HOPEFULLY, HE'LL STICK TO THE ONE-TWO PARENT DANCE 372 00:15:03,636 --> 00:15:05,804 THAT EVERY PARENT SHOULD DO-- OKAY. 373 00:15:05,905 --> 00:15:07,773 I'LL DO THE BEST I CAN. 374 00:15:07,873 --> 00:15:09,208 I'LL DO THE BEST I CAN. - YOU GOT RHYTHM. 375 00:15:09,308 --> 00:15:11,110 I-I KNOW I GOT RHYTHM-- I TAUGHT Y'ALL HOW TO DANCE. 376 00:15:11,210 --> 00:15:12,978 HA-HA-HA-HA-- HA-HA-HA. 377 00:15:13,078 --> 00:15:16,015 - LOVE YA. - LOVE YA-- SEE YA OUT THERE. 378 00:15:16,115 --> 00:15:17,816 THE TWIST, THE MADISON... 379 00:15:17,917 --> 00:15:21,053 NO, IF THEY HAVE A NAME TO IT, DON'T DO IT. 380 00:15:21,153 --> 00:15:23,022 I WANT HIM TO BE PROUD OF ME. 381 00:15:23,122 --> 00:15:24,723 WHEN I WAS RETIRING FROM MUSIC, 382 00:15:24,823 --> 00:15:26,125 I THINK MY DAD WAS VERY DISAPPOINTED, 383 00:15:26,225 --> 00:15:27,660 AND HE DIDN'T GIVE UP ON ME, 384 00:15:27,760 --> 00:15:29,461 AND I'M NOT GONNA GIVE UP ON MYSELF, 385 00:15:29,561 --> 00:15:30,930 AND I'M NOT A QUITTER. 386 00:15:31,030 --> 00:15:35,067 SO, I WANT MY DAD TO SEE THAT HE WAS RIGHT TO BELIEVE IN ME. 387 00:15:37,202 --> 00:15:38,704 TRINA, YOU NEED TO GO-- YOU GOT FIVE MINUTES. 388 00:15:38,804 --> 00:15:39,939 YEAH, I'M COMIN' RIGHT NOW. 389 00:15:40,039 --> 00:15:41,507 I NEED SOME PERFUME REAL FAST-- DAMN! 390 00:15:41,607 --> 00:15:43,275 PERFUME, PERFUME? 391 00:15:43,375 --> 00:15:44,743 YOU SURE DID. 392 00:15:44,843 --> 00:15:45,978 TOWANDA, I'M GOING, 'CAUSE I'M ON STAGE RIGHT. 393 00:15:46,078 --> 00:15:47,780 OKAY, I'M COMIN'. 394 00:15:47,880 --> 00:15:49,481 CAN YOU HOLD MY PHONE FOR ME? 395 00:15:49,581 --> 00:15:51,517 YEAH, SHOULD I FOLLOW YOU IN HERE? 396 00:15:56,155 --> 00:15:58,524 OKAY, I'M READY. 397 00:15:58,624 --> 00:16:00,826 THANKS, CHUCK. 398 00:16:00,926 --> 00:16:02,861 BYE, DADDY. 399 00:16:04,663 --> 00:16:07,032 - STAGE IS READY FOR YOU. - I'M COMING. 400 00:16:07,132 --> 00:16:09,435 COMING. 401 00:16:13,839 --> 00:16:15,307 PEOPLE ALWAYS TALK ABOUT A COMEBACK. 402 00:16:15,407 --> 00:16:17,142 YOU KNOW, EVERY ARTIST WANTS A COMEBACK. 403 00:16:17,242 --> 00:16:20,012 I MEAN, ALWAYS WANNA REMAIN RELEVANT, 404 00:16:20,112 --> 00:16:22,047 AND THAT'S TOUGH TO DO. 405 00:16:23,682 --> 00:16:26,752 BUT, I AM TRYING NOT TO LOOK AT IT AS A COMEBACK. 406 00:16:26,852 --> 00:16:28,520 I'M GONNA LOOK AT IT AS A FUN-BACK, 407 00:16:28,620 --> 00:16:31,090 'CAUSE BABYFACE TOLD ME I HAVE TO HAVE FUN. 408 00:16:31,190 --> 00:16:33,359 SO, I'M GONNA HAVE FUN, 409 00:16:33,459 --> 00:16:35,728 IN THE MIDST OF ALL THE STRESS. 410 00:16:37,196 --> 00:16:39,698 I DON'T KNOW IF THE CHOREOGRAPHY WAS PERFECT, 411 00:16:39,798 --> 00:16:41,500 BUT THE AUDIENCE TOTALLY LOVED IT. 412 00:16:41,600 --> 00:16:44,436 THE LIGHT BOX WAS A BRILLIANT IDEA. 413 00:16:44,536 --> 00:16:46,271 I WASN'T ACTUALLY WORRIED ABOUT IT AT ALL. 414 00:16:46,372 --> 00:16:49,508 IT WAS GONNA BE FINE-- IT WAS GONNA BE PERFECT. 415 00:16:49,608 --> 00:16:52,378 I DON'T KNOW WHAT I WAS THINKING ABOUT RETIRING, HUH? 416 00:16:52,478 --> 00:16:54,813 WHAT WAS THAT ABOUT? 417 00:16:54,913 --> 00:16:57,616 I'M SO RUDE-- GUYS, THESE ARE MY SISTERS. 418 00:16:57,716 --> 00:17:01,620 I'M RUDE-- MY SISTER, TRINA. 419 00:17:01,720 --> 00:17:05,224 ANOTHER SISTER, OVER HERE, TOWANDA. 420 00:17:05,324 --> 00:17:08,260 MY DAD'S HERE-- WHERE'S MY DAD AND HIS LOVELY, MISS WANDA? 421 00:17:08,360 --> 00:17:09,528 WHERE'S MY DADDY? 422 00:17:09,628 --> 00:17:11,497 THERE'S MY DAD. 423 00:17:12,798 --> 00:17:16,835 ♪ WE ARE THE BRAXTONS AND YOU'LL SEE THAT ♪ 424 00:17:16,935 --> 00:17:20,506 ♪ WE ARE LIKE NO ORDINARY FAMILY ♪ 425 00:17:20,606 --> 00:17:22,808 DO WE HAVE ANY-- TRINA, CAN YOU SING TONIGHT? 426 00:17:22,908 --> 00:17:25,310 IF TRACI SINGS WITH ME, YES. 427 00:17:25,411 --> 00:17:26,678 - CAN YOU SING? - YES. 428 00:17:26,779 --> 00:17:29,415 YOU'RE GONNA SING-- OKAY, I'M GONNA GO AND CHANGE. 429 00:17:32,618 --> 00:17:35,220 MY SISTERS DID NOT HELP MY CONFIDENCE IN SOUNDCHECK 430 00:17:35,320 --> 00:17:36,989 ALL THAT MUCH. 431 00:17:37,089 --> 00:17:38,757 I JUST REALLY WANNA DELIVER A GREAT SHOW, 432 00:17:38,857 --> 00:17:41,126 BUT I AM SUPER-DUPER NERVOUS. 433 00:17:43,829 --> 00:17:47,966 TRI-TRINA, WHERE YOU AT, BABY? 434 00:17:48,067 --> 00:17:51,503 ♪ TONIGHT THIS AIN'T FOR THE BOUGHIE AT ALL ♪ 435 00:17:51,603 --> 00:17:55,207 ♪ THE TYPE THAT LIKES TO HIT THE CLUB AND HOLD UP THE WALL ♪ 436 00:17:55,307 --> 00:17:58,644 ♪ TONIGHT I WANNA SEE YOU WITH YOUR HANDS IN THE AIR ♪ 437 00:17:58,744 --> 00:18:00,512 ♪ WHEN THE BEAT DROPS ♪ 438 00:18:00,612 --> 00:18:02,815 ♪ WANNA SEE YOU SHAKE YOUR DERRIERE ♪ 439 00:18:02,915 --> 00:18:05,551 ♪ TONIGHT IT'S GONNA BE OUT OF CONTROL ♪ 440 00:18:05,651 --> 00:18:08,821 ♪ AIN'T TRIPPIN' ON DRESS CODE PARTY ROCK ON OVERLOAD ♪ 441 00:18:08,921 --> 00:18:10,589 Y'ALL MUST BE READY TO GO HOME. 442 00:18:10,689 --> 00:18:12,458 YOU'RE NOT PARTYIN', Y'ALL. 443 00:18:12,558 --> 00:18:15,094 ♪ THEN YOU BETTER GO HOME ♪ 444 00:18:15,194 --> 00:18:19,798 ♪ IF YOU DIDN'T COME TO PARTY THEN YOU BETTER GO HOME ♪ 445 00:18:19,898 --> 00:18:22,501 COMING UP, ON "BRAXTON FAMILY VALUES"... 446 00:18:27,639 --> 00:18:31,176 WELL, I DIDN'T WANT TO-- NOBODY ELSE WOULD. 447 00:18:31,276 --> 00:18:33,245 YOU DON'T THINK, IF MY BUTT'S HANGING OUT, 448 00:18:33,345 --> 00:18:35,614 YOU SHOULD MAYBE FIX IT? 449 00:18:40,385 --> 00:18:40,451 ♪ TONIGHT 450 00:18:40,452 --> 00:18:40,585 ♪ TONIGHT IT'S 451 00:18:40,586 --> 00:18:40,685 ♪ TONIGHT IT'S GONNA 452 00:18:40,686 --> 00:18:40,751 ♪ TONIGHT IT'S GONNA BE 453 00:18:40,752 --> 00:18:40,785 ♪ TONIGHT IT'S GONNA BE OUT 454 00:18:40,786 --> 00:18:40,918 ♪ TONIGHT IT'S GONNA BE OUT OF 455 00:18:40,919 --> 00:18:41,486 ♪ TONIGHT IT'S GONNA BE OUT OF CONTROL 456 00:18:41,487 --> 00:18:42,621 ♪ TONIGHT IT'S GONNA BE OUT OF CONTROL ♪ 457 00:18:42,721 --> 00:18:45,891 ♪ AIN'T TRIPPIN' ON DRESS CODE PARTY ROCK ON OVERLOAD ♪ 458 00:18:45,991 --> 00:18:47,559 Y'ALL MUST BE READY TO GO HOME. 459 00:18:47,659 --> 00:18:49,628 YOU'RE NOT PARTYIN', Y'ALL. 460 00:18:49,728 --> 00:18:51,730 ♪ THEN YOU BETTER GO HOME ♪ 461 00:18:51,830 --> 00:18:55,434 ♪ IF YOU DIDN'T COME TO PARTY THEN YOU BETTER GO HOME ♪ 462 00:18:55,534 --> 00:18:58,270 I'M JUST REALLY HAVING A HARD TIME 463 00:18:58,370 --> 00:19:01,640 GETTING INTO MY ZONE-- NERVES ARE TAKING OVER. 464 00:19:01,740 --> 00:19:04,943 ♪ AND NOBODY CARES ABOUT THE TIME ♪ 465 00:19:05,043 --> 00:19:08,947 ♪ WE'RE GONNA PARTY ALL NIGHT YEAH ♪ 466 00:19:11,517 --> 00:19:13,452 I'M FEELING LIKE THAT MAYBE 467 00:19:13,552 --> 00:19:16,822 THIS IS JUST NOT MY BEST NIGHT FOR A PERFORMANCE. 468 00:19:18,624 --> 00:19:21,293 THANK YOU. 469 00:19:27,132 --> 00:19:28,634 CHILD, IT WAS JUST SO DRY, LIKE TOAST. 470 00:19:28,734 --> 00:19:29,801 IT WAS. 471 00:19:29,902 --> 00:19:31,603 I MEAN, IT WAS LIKE CRICKETS. 472 00:19:31,703 --> 00:19:32,905 OH, MY GOSH! 473 00:19:33,005 --> 00:19:34,239 IT WAS A DIFFERENT CROWD THAN ANYBODY ELSE WE'VE EVER HAD. 474 00:19:34,339 --> 00:19:38,610 NO, THEY WERE JUST SO IN AWE OF LOOKING UP THERE AT Y'ALL. 475 00:19:38,710 --> 00:19:40,546 - OH, OKAY. - AND THEY SAID, "OH, GOD. 476 00:19:40,646 --> 00:19:43,248 "THOSE GIRLS ARE BEAUTIFUL." 477 00:19:43,348 --> 00:19:45,284 I'M DISAPPOINTED I DIDN'T DO BETTER TONIGHT. 478 00:19:45,384 --> 00:19:47,653 THE PITCH FAIRY WAS SITTING RIGHT THERE ON MY SHOULDER, 479 00:19:47,753 --> 00:19:49,388 TAUNTING ME, 480 00:19:49,488 --> 00:19:51,990 AND THE CROWD WAS JUST NOT CONNECTING WITH ME AT ALL, 481 00:19:52,090 --> 00:19:53,926 AND I FEEL LIKE I LET TONI DOWN. 482 00:19:54,026 --> 00:19:55,994 I FEEL LIKE I LET MYSELF DOWN, 483 00:19:56,094 --> 00:19:58,163 AND I'M JUST A BABY BIT DEVASTATED. 484 00:19:58,263 --> 00:19:59,331 CARS ARE WAITING OUTSIDE, 485 00:19:59,431 --> 00:20:01,300 IF Y'ALL WANNA LEAVE WHEN WE LEAVE. 486 00:20:01,400 --> 00:20:02,568 - THANK YOU. - OKAY, THANK YOU. 487 00:20:02,668 --> 00:20:04,102 DO YOU HAVE ONLY ONE CAR? 488 00:20:04,203 --> 00:20:05,437 YEAH, AS SOON AS I CHANGE MY CLOTHES. 489 00:20:05,537 --> 00:20:06,738 SO, YOU GOTTA GET OUT. - OKAY. 490 00:20:06,838 --> 00:20:08,840 I USED TO CHANGE YOUR DIAPER, MISS. 491 00:20:08,941 --> 00:20:11,677 WELL, I PROMISE, IT AIN'T THE SAME. 492 00:20:14,246 --> 00:20:15,581 OH, MY GOD! 493 00:20:15,681 --> 00:20:17,449 I FEEL LIKE SANTA CLAUS. 494 00:20:21,253 --> 00:20:24,056 - YOU PROMISE? - DECIDE TO GO. 495 00:20:24,156 --> 00:20:25,791 AND THERE-- CAN'T GET ANYMORE TRUE THAN THAT, DAD. 496 00:20:25,891 --> 00:20:27,893 I GOT TO GO-- I GOT TO GO. 497 00:20:27,993 --> 00:20:29,861 I GOT TO GO. 498 00:20:29,962 --> 00:20:32,397 OKAY, HALLE-LOO-- HALLE-LA! 499 00:20:32,497 --> 00:20:33,999 AND NOW CLOSE THE DOOR, SO WE CAN CHANGE! 500 00:20:34,099 --> 00:20:36,535 - PLEASE. - HALLELUJER! 501 00:20:49,948 --> 00:20:52,150 MY UVULA HURTS-- IT'S BRUISED. 502 00:20:52,251 --> 00:20:54,052 I'M HUNGRY. 503 00:20:54,152 --> 00:20:55,988 OH, I'M SO SLEEPY, BUT I'M HUNGRY. 504 00:20:56,088 --> 00:21:00,692 WHY WAS YOU SO KIM KARDASHIAN AND PARIS HILTON LAST NIGHT? 505 00:21:03,395 --> 00:21:04,896 - HUH? - YOU DID-- YOU SAID... 506 00:21:04,997 --> 00:21:09,001 ♪ AND NOBODY CARES ABOUT THE TIME ♪ 507 00:21:09,101 --> 00:21:12,437 ♪ WE'RE GONNA PARTY ALL NIGHT YEAH ♪ 508 00:21:12,537 --> 00:21:15,173 NO, THIS IS YOUR MICROPHONE, WANDA. 509 00:21:15,274 --> 00:21:16,375 TOWANDA, I DID-- FIRST OF ALL, 510 00:21:16,475 --> 00:21:18,310 I DID NOT GET DOWN LIKE THAT. 511 00:21:18,410 --> 00:21:22,447 YOU WENT FROM, LIKE, KARDASHIAN, PARIS HILTON, 512 00:21:22,547 --> 00:21:24,916 SO HOT. 513 00:21:25,017 --> 00:21:26,685 TO... PUT YOUR HANDS UP! 514 00:21:26,785 --> 00:21:28,687 PUT YOUR HANDS UP! 515 00:21:28,787 --> 00:21:30,722 I LOVE POKING FUN AT MY SISTERS, 516 00:21:30,822 --> 00:21:32,057 AND THE REASON I DO THAT, 517 00:21:32,157 --> 00:21:33,558 BECAUSE I'M TRYING TO MAKE IT LIGHT. 518 00:21:33,659 --> 00:21:36,528 BUT TRINA'S PERFORMANCE IS STRESSING ME OUT. 519 00:21:36,628 --> 00:21:38,297 IF TRINA'S PART'S NOT RIGHT, 520 00:21:38,397 --> 00:21:39,698 I'M GONNA HAVE TO TAKE IT OUT OF THE SHOW, 521 00:21:39,798 --> 00:21:40,932 BECAUSE YOU CAN'T HALF-ASS IT. 522 00:21:41,033 --> 00:21:42,734 YOU CAN'T WING THIS. 523 00:21:44,202 --> 00:21:45,504 YOU THINK YOU DON'T EVER DO ANYTHING WRONG, 524 00:21:45,604 --> 00:21:47,205 BUT YOU DO, OKAY? 525 00:21:47,306 --> 00:21:48,740 FIRST OF ALL, YOU DON'T PUT YOUR MIC UP 526 00:21:48,840 --> 00:21:50,108 WHEN YOU'RE SUPPOSED TO. 527 00:21:50,208 --> 00:21:51,543 NO, DON'T-- UH-UH, WAIT-WAIT. 528 00:21:51,643 --> 00:21:53,345 NO, WAIT, I'M TALKIN' ABOUT YOU NOW, TOWANDA. 529 00:21:53,445 --> 00:21:55,514 EXCUSE ME-- YEAH, WE GET TO TALK ABOUT YOU, TOO. 530 00:21:55,614 --> 00:21:57,015 YOU KNOW WHAT, GIRLS? 531 00:21:57,115 --> 00:21:59,184 I UNDERSTAND THAT WE WANNA MAKE EVERYTHING A LITTLE LIGHT, 532 00:21:59,284 --> 00:22:00,786 AND YOU GUYS WANNA TALK ABOUT ME WALKING, 533 00:22:00,886 --> 00:22:02,321 AND MAKE JOKES AND STUFF, 534 00:22:02,421 --> 00:22:04,589 BUT THIS IS JUST MESSING WITH MY CONFIDENCE AND MY NERVES, 535 00:22:04,690 --> 00:22:06,958 RIGHT BEFORE A REALLY IMPORTANT SHOW, 536 00:22:07,059 --> 00:22:09,761 AND IT MAKES ME WANT TO TELL THEM TO SHUT UP. 537 00:22:09,861 --> 00:22:13,732 GOOD NIGHT-- I'LL SEE Y'ALL IN ABOUT EIGHT HOURS. 538 00:22:17,436 --> 00:22:19,371 HELLO? 539 00:22:19,471 --> 00:22:22,007 HEY, SON-- WHAT'S UPPERS? 540 00:22:22,107 --> 00:22:24,376 HOW YA DOIN'? 541 00:22:24,476 --> 00:22:25,544 HEY, WAIT-WAIT. 542 00:22:25,644 --> 00:22:27,779 WHO IS THIS GIRL THAT'S BEEN FLAT IRONING YOUR HAIR? 543 00:22:31,316 --> 00:22:33,051 MUFFY? 544 00:22:34,219 --> 00:22:37,255 WHAT DO YOU MEAN SHE'S OLDER-- HOW OLD IS OLDER? 545 00:22:37,356 --> 00:22:39,958 TWENTY-SEVEN? 546 00:22:40,058 --> 00:22:43,462 MMM-MMM, MMM-MMM, MMM-MMM, MMM-MMM, MMM-MMM, MMM-MMM. 547 00:22:43,562 --> 00:22:46,965 MMM-MMM, MMM-MMM, MMM-MMM, NO. 548 00:22:47,065 --> 00:22:49,334 MMM-MMM, MMM-MMM, NO. 549 00:22:49,434 --> 00:22:51,136 - WELL, HE'S 18. - I DON'T GIVE A-- 550 00:22:51,236 --> 00:22:52,704 HE'S 18. 551 00:22:52,804 --> 00:22:54,239 BABY, I-I JUST THINK SHE'S A LITTLE TOO OLD 552 00:22:54,339 --> 00:22:55,874 FOR YOU TO HANG OUT WITH. - I DON'T THINK SO. 553 00:22:55,974 --> 00:22:58,276 SHE WANT HIM TO ON HER . 554 00:22:58,377 --> 00:23:01,012 GIRL, THAT IS NOT FUNNY. 555 00:23:01,113 --> 00:23:02,914 I AM GETTIN' A LITTLE BIT TIRED 556 00:23:03,014 --> 00:23:04,616 OF BEIN' ON THIS DAGGONE BUS. 557 00:23:04,716 --> 00:23:06,518 I'M HAVIN' BUS FEVER. 558 00:23:06,618 --> 00:23:08,220 LIKE YOU HAVE CABIN FEVER. 559 00:23:08,320 --> 00:23:10,722 I'M HAVIN' BUS-- TOUR BUS FEVER. 560 00:23:10,822 --> 00:23:12,457 I WANNA DO A CARTWHEEL RIGHT NOW, 561 00:23:12,557 --> 00:23:14,059 BUT I KNOW I CAN'T-- - GO AND DO A CARTWHEEL, TRACI. 562 00:23:14,159 --> 00:23:15,327 GO AHEAD AND DO A CARTWHEEL. 563 00:23:15,427 --> 00:23:16,862 - NO, I'M DOIN' IT IN MY HEAD. - TRACI, I'LL GIVE YOU $100, 564 00:23:16,962 --> 00:23:18,029 IF YOU DO A CARTWHEEL. - REALLY? 565 00:23:18,130 --> 00:23:19,564 - YES. - JUST-JUST THE $100? 566 00:23:19,664 --> 00:23:22,100 - YES. - TRACI. 567 00:23:25,604 --> 00:23:27,973 THAT'S NOT GONNA ENTICE ME. 568 00:23:28,073 --> 00:23:30,075 - ! - NOTHING! 569 00:23:30,175 --> 00:23:32,177 TWENTY, FORTY, SIXTY, EIGHTY-- 570 00:23:32,277 --> 00:23:34,446 TWENTY, FORTY, SIXTY, EIGHTY, A HUNDRED-- TWO HUNDRED. 571 00:23:34,546 --> 00:23:36,581 I'M NOT GONNA DO THIS DAMN CARTWHEEL. 572 00:23:36,681 --> 00:23:38,316 TRACI, CARTWHEEL. 573 00:23:38,417 --> 00:23:40,218 GO DO THAT CARTWHEEL, TRACI. - YOU GO DO A CARTWHEEL, TRINA. 574 00:23:40,318 --> 00:23:41,686 GO DO THAT CARTWHEEL, TRACI. 575 00:23:41,787 --> 00:23:42,888 GO DO THAT CARTWHEEL, TRACI. - YOU DO YOUR CARTWHEEL, 576 00:23:42,988 --> 00:23:45,457 AND I'LL DO MY CARTWHEEL. - THEN GIVE ME $400. 577 00:23:45,557 --> 00:23:47,659 OKAY. - I AM SO DAMN SCARED. 578 00:23:47,759 --> 00:23:51,696 Y'ALL, I'M-I'M GONNA HURT MY DAMN SELF. 579 00:23:51,797 --> 00:23:54,266 TRACI, NOT ON THE TOUR BUS. 580 00:23:54,366 --> 00:23:56,034 WHY WOULD YOU TAKE THAT BET? 581 00:23:56,134 --> 00:23:57,402 SUCH A WUSS-- IT WAS COMPLETELY STOPPED. 582 00:23:57,502 --> 00:23:59,271 I AM. 583 00:24:03,175 --> 00:24:06,044 TRACI'S TRYIN' TO DO A CARTWHEEL ON THE BUS. 584 00:24:09,915 --> 00:24:12,818 I WAS IN THE MIDDLE OF IT. 585 00:24:12,918 --> 00:24:14,920 I WAS IN THE MIDDLE OF IT! 586 00:24:29,801 --> 00:24:32,370 TODAY, I'M SHOOTING MY VIDEO FOR MY NEW SINGLE, 587 00:24:32,471 --> 00:24:33,738 "ALL THE WAY HOME." 588 00:24:33,839 --> 00:24:35,373 HOLD IT RIGHT HERE-- LET'S PULL IT FROM RIGHT HERE! 589 00:24:35,474 --> 00:24:36,475 HURRY UP-- WE GOT FIVE MINUTES IN. 590 00:24:36,575 --> 00:24:38,009 LET'S GO! 591 00:24:38,109 --> 00:24:40,245 THE CONCEPT IS JUST, YOU KNOW, YOU GET IN A FIGHT, 592 00:24:40,345 --> 00:24:43,281 AND SOMEBODY ALWAYS LEAVE, WHICH I ABSOLUTELY HATE, 593 00:24:43,381 --> 00:24:45,650 WHICH IS VINCENT HERBERT-- HE DOES THAT. 594 00:24:45,750 --> 00:24:47,786 AND SO, THAT'S WHY HE'S IN THE VIDEO, 595 00:24:47,886 --> 00:24:49,588 BECAUSE HE'S THE PERFECT PERSON. 596 00:24:49,688 --> 00:24:52,724 I GOTTA GET ON THAT SIDE. - Y'ALL READY-- Y'ALL READY? 597 00:24:52,824 --> 00:24:54,626 LET'S GO! 598 00:24:58,129 --> 00:25:01,666 AND... ACTION! 599 00:25:01,766 --> 00:25:03,602 SHE'S GONNA GET IT. 600 00:25:07,772 --> 00:25:09,274 SHE DO. - SHE DRIVES ME CRAZY, 601 00:25:09,374 --> 00:25:11,176 BUT SHE WORKS HARD. - MOVIN' ON, MOVIN' ON. 602 00:25:11,276 --> 00:25:14,079 FOLKS, WITH THAT SET, THAT CAR CAN PULL UP RIGHT HERE. 603 00:25:14,179 --> 00:25:16,715 WE'RE GONNA LOSE LIGHT, GUYS! 604 00:25:16,815 --> 00:25:18,350 I'M COMIN', IKE-- I'S COMIN'. 605 00:25:18,450 --> 00:25:20,685 I'S A-COMIN', IKE-- I'S COMIN'. 606 00:25:24,723 --> 00:25:26,057 I CAN'T TURN AROUND IN THE CAR, 607 00:25:26,157 --> 00:25:27,325 'CAUSE YOU WON'T BUY IT, 608 00:25:27,425 --> 00:25:29,027 AND IF YOU BOUGHT IT FOUR MONTHS AGO 609 00:25:29,127 --> 00:25:30,695 WHEN I HAD MY BABY, AS MY PUSH GIFT, 610 00:25:30,795 --> 00:25:33,465 I WOULD ALREADY KNOW HOW TO OPERATE THE VEHICLE. 611 00:25:33,565 --> 00:25:35,233 SO, SINCE YOU DIDN'T DO YOUR PART, 612 00:25:35,333 --> 00:25:37,335 I CAN'T DO MY PART IN MY VIDEO. 613 00:25:42,340 --> 00:25:44,910 WELL, I DIDN'T WANT TO-- NOBODY ELSE WOULD. 614 00:25:45,010 --> 00:25:47,145 SO, I WAS DOING YOU A FAVOR. - I AIN'T. 615 00:25:47,245 --> 00:25:48,980 I AIN'T. 616 00:25:49,080 --> 00:25:51,449 I AIN'T. - I WAS DOING YOU A FAVOR. 617 00:25:51,550 --> 00:25:53,785 IT TOOK A LOT TO GET VINCENT TO DO THIS VIDEO 618 00:25:53,885 --> 00:25:55,220 BECAUSE HE'S SO INSUBORDINATE. 619 00:25:55,320 --> 00:25:56,922 SO, YOU KNOW, 620 00:25:57,022 --> 00:25:59,925 ERIC AND I ARE JUST A LITTLE CONCERNED ON HOW, YOU KNOW, 621 00:26:00,025 --> 00:26:01,993 VINCENT THE HERBERT, DIVO EXTRAORDINAIRE, 622 00:26:02,093 --> 00:26:03,628 IS GONNA ACT TODAY. 623 00:26:03,728 --> 00:26:05,764 NOBODY ELSE WANTED TO, SO I DID A FAVOR. 624 00:26:05,864 --> 00:26:08,033 ALL THE LIES YOU TELL. 625 00:26:10,468 --> 00:26:12,737 COMING UP, ON "BRAXTON FAMILY VALUES"... 626 00:26:12,837 --> 00:26:14,573 - CUT! - YO... 627 00:26:21,646 --> 00:26:23,348 GIVE IT UP FOR MY SISTER, TRINA! 628 00:26:23,448 --> 00:26:25,517 I AM SO NERVOUS. 629 00:26:25,617 --> 00:26:28,019 TRINA BRAXTON! 630 00:26:30,455 --> 00:26:30,521 WHAT 631 00:26:30,522 --> 00:26:30,588 WHAT WERE 632 00:26:30,589 --> 00:26:30,788 WHAT WERE YOU 633 00:26:30,789 --> 00:26:30,921 WHAT WERE YOU THINKIN', 634 00:26:30,922 --> 00:26:30,988 WHAT WERE YOU THINKIN', WITH 635 00:26:30,989 --> 00:26:31,055 WHAT WERE YOU THINKIN', WITH THE 636 00:26:31,056 --> 00:26:31,855 WHAT WERE YOU THINKIN', WITH THE RED 637 00:26:31,856 --> 00:26:32,490 WHAT WERE YOU THINKIN', WITH THE RED BOOT? 638 00:26:32,591 --> 00:26:34,659 - I COULDN'T LEAVE IT. - WHAT? 639 00:26:34,759 --> 00:26:36,561 YOU SHOULD'VE. - I COULDN'T LEAVE THIS. 640 00:26:36,661 --> 00:26:37,562 ARE YOU KIDDING ME? 641 00:26:37,662 --> 00:26:38,997 I DON'T KNOW IF I'M WYNONNA JUDD, 642 00:26:39,097 --> 00:26:41,366 IF I'M APOLLONIA-- WHO'S THAT? 643 00:26:41,466 --> 00:26:43,168 - TRISHA YEARWOOD. - YES, HONEY. 644 00:26:43,268 --> 00:26:45,303 WHAT I WAS THINKING OF IS YOU STEPPING ON-ON THE PEDAL. 645 00:26:45,403 --> 00:26:46,738 OOH, NO. 646 00:26:46,838 --> 00:26:48,940 YOU'RE NOT STEPPING ON NO PEDALS WITH THEM. 647 00:26:49,040 --> 00:26:50,909 THESE ARE OPTIONS FOR OTHER THINGS. 648 00:26:51,009 --> 00:26:52,177 IT'S NOT LIKE, OH, YEAH. 649 00:26:52,277 --> 00:26:53,878 I WANT THIS WITH THIS RED BOOT ALL DAY LONG. 650 00:26:53,979 --> 00:26:55,280 WHAT WAS YOU THINKIN' WITH THE RED BOOT? 651 00:26:55,380 --> 00:26:57,382 SHOW ME. - WITH THIS... 652 00:26:57,482 --> 00:26:59,317 - NO. - ALL DAY LONG. 653 00:26:59,417 --> 00:27:01,353 NO, THAT'S DETROIT! 654 00:27:01,453 --> 00:27:03,088 COUNTRY DETROIT MUSIC FESTIVAL. 655 00:27:03,188 --> 00:27:04,889 THAT-- ALL RIGHT, WE GONNA SEE THAT BOOT. 656 00:27:04,990 --> 00:27:07,292 WATCH. - YEAH, ON CARRIE UNDERWOOD. 657 00:27:07,392 --> 00:27:09,694 BULL. 658 00:27:09,794 --> 00:27:12,530 SHADE, BUT NO SHADE, YOU KNOW? 659 00:27:21,673 --> 00:27:21,705 WELL, 660 00:27:21,706 --> 00:27:21,839 WELL, I 661 00:27:21,840 --> 00:27:21,905 WELL, I DIDN'T 662 00:27:21,906 --> 00:27:22,006 WELL, I DIDN'T WANT 663 00:27:22,007 --> 00:27:22,172 WELL, I DIDN'T WANT TO-- 664 00:27:22,173 --> 00:27:22,239 WELL, I DIDN'T WANT TO-- NOBODY 665 00:27:22,240 --> 00:27:23,073 WELL, I DIDN'T WANT TO-- NOBODY ELSE 666 00:27:23,074 --> 00:27:23,742 WELL, I DIDN'T WANT TO-- NOBODY ELSE WOULD. 667 00:27:23,842 --> 00:27:25,977 SO, I WAS DOING YOU A FAVOR. 668 00:27:27,312 --> 00:27:29,914 EVERY TAMARTIAN CAN RELATE TO THE THEME OF THIS VIDEO. 669 00:27:30,015 --> 00:27:32,150 I-I MEAN, EVERYBODY FIGHTS WITH THEIR MAN OR THEIR WOMAN, 670 00:27:32,250 --> 00:27:34,152 AND OVERREACT, 671 00:27:34,252 --> 00:27:36,287 AND THAT'S EXACTLY WHAT ME AND VINCE IS DOIN'. 672 00:27:38,156 --> 00:27:39,324 SO, WHAT'S-WHAT'S-- T., WHAT'S NEXT? 673 00:27:39,424 --> 00:27:41,359 CHOP-CHOP. - UH, BALCONY IN TEN MINUTES. 674 00:27:41,459 --> 00:27:43,595 LET'S GO-- WE GOTTA GO NOW. 675 00:27:43,695 --> 00:27:45,530 WE GOTTA GO NOW. - CHOP-CHOP! 676 00:27:45,630 --> 00:27:48,466 THE DIRECTOR, ERIC, MADE IT VERY, VERY EASY, 677 00:27:48,566 --> 00:27:50,201 AND THERE WAS A LOT OF BEAUTY SHOTS. 678 00:27:50,301 --> 00:27:52,003 SO, I MEAN, HOW COULD THAT BE HARD? 679 00:27:52,103 --> 00:27:53,772 ALL SHE HAD TO DO, WAS JUST, LIKE, LOOK IN THE LENS 680 00:27:53,872 --> 00:27:55,707 AND JUST SING-- YOU KNOW, NOTHING REALLY. 681 00:27:55,807 --> 00:27:58,576 CUT, CUT, CUT, CUT! 682 00:28:01,046 --> 00:28:02,714 MOVING ON INTO THE BEDROOM. 683 00:28:05,050 --> 00:28:07,519 VINCENT DEFINITELY PULLS OFF BEING THE LEADING ROLE. 684 00:28:07,619 --> 00:28:10,488 YOU KNOW, HE'S ON SET TODAY, WITH A LITTLE ATTITUDE, 685 00:28:10,588 --> 00:28:12,524 JUST LIKE THE GUY IN THE VIDEO NEEDS TO BE. 686 00:28:12,624 --> 00:28:14,025 HE SHOULD BE AN ACTOR. 687 00:28:14,125 --> 00:28:15,527 HE JUST-HE'S DOING AN AMAZING JOB-- AMAZING. 688 00:28:15,627 --> 00:28:16,895 HEY, VINCE, YOU'RE GOOD. 689 00:28:16,995 --> 00:28:18,329 JUST KEEP THAT SAME ACTION, VINCE. 690 00:28:18,430 --> 00:28:21,499 YOU'RE PERFECT. - THAT'S WHAT HE DO. 691 00:28:21,599 --> 00:28:22,967 PLAYBACK. 692 00:28:30,675 --> 00:28:32,577 CUT! 693 00:28:32,677 --> 00:28:34,679 NICE! 694 00:28:34,779 --> 00:28:37,082 - IN THE ZONE. - ALL RIGHT, WE GOT THAT? 695 00:28:47,759 --> 00:28:49,527 - I LOVE COMING TO MIAMI. - DON'T YOU JUST? 696 00:28:49,627 --> 00:28:51,196 - HEY, GIRLS. - HEY. 697 00:28:51,296 --> 00:28:52,464 - HEY, TONE. - HELLO. 698 00:28:52,564 --> 00:28:53,665 - YOU LOOK CUTE. - MMM-HMM. 699 00:28:53,765 --> 00:28:55,433 THANK YOU. 700 00:28:55,533 --> 00:28:57,769 GOT A SHOW TONIGHT. - I'M EXCITED. 701 00:28:57,869 --> 00:28:59,304 ME, TOO. 702 00:28:59,404 --> 00:29:00,905 THANK YOU FOR ALLOWING US TO COME WITH YOU. 703 00:29:01,005 --> 00:29:02,540 OH, THANKS, GUYS, FOR DOIN' IT. 704 00:29:02,640 --> 00:29:04,109 I JUST FEEL LIKE I NEED TO DO SOMETHIN' FOR YOU, 705 00:29:04,209 --> 00:29:05,710 'CAUSE YOU'RE ALWAYS DOING SOMETHING FOR-- 706 00:29:05,810 --> 00:29:06,911 YOU ARE-- YOU'RE DOING A SHOW. 707 00:29:07,011 --> 00:29:08,146 YOU COULD'VE HELPED ME WITH MY DRESS MALFUNCTION, 708 00:29:08,246 --> 00:29:10,415 BUT THE POINT IS-- 709 00:29:14,152 --> 00:29:15,587 Y'ALL HAVE TO REMEMBER, 710 00:29:15,687 --> 00:29:17,522 IF ANYTHING ELSE HAPPENS ONSTAGE, 711 00:29:17,622 --> 00:29:19,991 PLEASE FIX IT. - WHAT? 712 00:29:21,760 --> 00:29:24,796 YOU KNOW, FIVE YEARS AGO, THE WORLD WASN'T AS VIRAL, 713 00:29:24,896 --> 00:29:26,831 SO I DIDN'T HAVE TO WORRY ABOUT THIS BEING ON THE INTERNET 714 00:29:26,931 --> 00:29:28,633 AND-AND GROWING SO FAST. 715 00:29:28,733 --> 00:29:30,268 SO, I GO ON THE INTERNET, 716 00:29:30,368 --> 00:29:32,303 AND I'M WATCHING MYSELF COME APART, 717 00:29:32,403 --> 00:29:34,806 AND TOWANDA AND TRINA ARE JUST STANDING THERE, 718 00:29:34,906 --> 00:29:36,608 STILL DOING THEIR CHOREOGRAPHY. 719 00:29:36,708 --> 00:29:39,844 ONE, TWO, ONE-- REALLY? 720 00:29:39,944 --> 00:29:41,846 I KNEW SOMETHING WAS HAPPENING, 721 00:29:41,946 --> 00:29:43,348 BUT I WASN'T SURE WHAT IT WAS. 722 00:29:43,448 --> 00:29:44,682 BUT ONCE THE GUY, THE GENTLEMAN, 723 00:29:44,783 --> 00:29:47,051 PUT THE JACKET ON ME, I REALIZED THAT, UH, 724 00:29:47,152 --> 00:29:49,120 IT WAS A BURLESQUE SHOW. 725 00:29:50,622 --> 00:29:54,492 TONI, BUT IN OUR DEFENSE, YOU TOLD US, 726 00:29:54,592 --> 00:29:58,329 "DO NOT GET UP, UNDER ANY CIRCUMSTANCES." 727 00:29:58,429 --> 00:30:00,298 YOU DON'T THINK, IF MY BUTT'S HANGING OUT, 728 00:30:00,398 --> 00:30:01,332 YOU SHOULD MAYBE COME AND HELP? 729 00:30:01,432 --> 00:30:02,767 WELL, I WAS TRYING TO TELL YOUR STYLIST-- 730 00:30:02,867 --> 00:30:04,135 YOU DIDN'T FEEL ME TRY TO HELP? 731 00:30:04,235 --> 00:30:05,637 IT WAS A CHAIN-- IT WAS A CHAIN. 732 00:30:05,737 --> 00:30:07,705 NO, ONLY FELT AIR AND WIND. 733 00:30:07,806 --> 00:30:09,374 Y'ALL COULD'VE STOOD IN FRONT OF ME. 734 00:30:09,474 --> 00:30:10,775 IN FRONT OF YOU? 735 00:30:10,875 --> 00:30:12,143 WHILE YOU WERE STILL PERFORMING, 736 00:30:12,243 --> 00:30:13,878 AND THEN GET YELLED AT LATER? - . 737 00:30:13,978 --> 00:30:16,414 I THINK, IF I'M NAKED-- - YOU WEREN'T NAKED, THOUGH. 738 00:30:16,514 --> 00:30:18,283 - YOU HAD A BODYSUIT ON. - AND YOUR BODY LOOKED GREAT, 739 00:30:18,383 --> 00:30:20,285 I LOOKED NAKED-- I CAN'T BELIEVE THAT HAPPENED. 740 00:30:20,385 --> 00:30:22,320 BUT EVERYBODY WAS TALKING ABOUT IT, IN A GOOD WAY. 741 00:30:22,420 --> 00:30:24,222 I THINK TONI I ABOUSSECRETLY HAPPY, 742 00:30:24,322 --> 00:30:26,357 BECAUSE SHE'S BEEN WORKIN' HARD, 743 00:30:26,457 --> 00:30:30,228 AND FOR EVERYONE TO SEE HOW SHE LOOKS NOW, WHOA. 744 00:30:30,328 --> 00:30:32,330 NO ONE ELSE IS LOOKIN' AT IT LIKE IT'S BAD. 745 00:30:32,430 --> 00:30:36,134 BUT I PREFER TO BE CLOTHED ONSTAGE. 746 00:30:36,234 --> 00:30:37,602 - WELL, YOU LOOKED CUTE. - THE GOOD THING IS, 747 00:30:37,702 --> 00:30:39,204 YOU LOOKED GREAT. - YOU LOOKED GREAT. 748 00:30:39,304 --> 00:30:40,471 - GREAT! - THANKS. 749 00:30:40,572 --> 00:30:43,541 THE HEADLINE SHOULD BE, "TONI BRAXTON IS FINE." 750 00:30:45,043 --> 00:30:46,411 - THAT'S WHAT IT SHOULD BE. - SILLY. 751 00:30:46,511 --> 00:30:49,214 TONI BRAXTON WARDROBE MALFUNCTION-- CHEERS! 752 00:30:49,314 --> 00:30:51,149 BRAXTON - AND TO HER SISTERS, WHO DIDN'T HELP HER. 753 00:30:51,249 --> 00:30:53,051 'CAUSE SHE HAS A NICE 20-YEAR-OLD BOOTY. 754 00:30:53,151 --> 00:30:55,019 YAY! 755 00:31:08,867 --> 00:31:11,736 TONIGHT IS OUR SHOW IN MIAMI, 756 00:31:11,836 --> 00:31:14,072 AND AFTER THINGS DIDN'T GO SO WELL IN ATLANTIC CITY, 757 00:31:14,172 --> 00:31:16,374 I WANNA REDEEM MYSELF AND DELIVER THE PERFORMANCE 758 00:31:16,474 --> 00:31:19,244 MYSELF THAT I KNOW I HAVE INSIDE OF MY BODY. 759 00:31:34,225 --> 00:31:36,294 I LOVE YOU, MIAMI! 760 00:31:44,102 --> 00:31:45,637 I'M GONNA LET YOU GUYS PICK THE NEXT SONG. 761 00:31:45,737 --> 00:31:46,838 YOU GUYS TELL ME WHAT I SHOULD SING NEXT. 762 00:31:46,938 --> 00:31:48,172 CAN YOU TURN THE LIGHTS ON? 763 00:31:48,273 --> 00:31:49,774 LET ME-- TURN THE LIGHTS ON-- LET ME SEE. 764 00:31:49,874 --> 00:31:51,142 LET ME TELL YA, I'VE BEEN WORKIN' OUT, 765 00:31:51,242 --> 00:31:52,443 AND I GOT ANOTHER OUTFIT, 766 00:31:52,543 --> 00:31:55,413 'CAUSE Y'ALL NEED TO SEE ALL OF THIS. 767 00:31:55,513 --> 00:31:56,915 I FEEL LIKE, TONIGHT, 768 00:31:57,015 --> 00:31:59,217 I REALLY HAVE SOMETHING TO PROVE TO MYSELF, AND TO TONI. 769 00:31:59,317 --> 00:32:02,120 I AM SO NERVOUS. 770 00:32:02,220 --> 00:32:04,989 GIVE IT UP FOR MY SISTER, TRINA! 771 00:32:05,089 --> 00:32:07,959 TRINA BRAXTON! 772 00:32:09,527 --> 00:32:12,430 ♪ TONIGHT THIS AIN'T FOR THE BOUGHIE AT ALL ♪ 773 00:32:12,530 --> 00:32:15,900 ♪ THE TYPE THAT LIKES TO HIT THE CLUB AND HOLD UP THE WALL ♪ 774 00:32:16,000 --> 00:32:19,404 ♪ TONIGHT I WANNA SEE YOU WITH YOUR HANDS IN THE AIR ♪ 775 00:32:19,504 --> 00:32:21,205 ♪ WHEN THE BEAT DROPS ♪ 776 00:32:21,306 --> 00:32:23,942 ♪ WANNA SEE YOU SHAKE YOUR DERRIERE ♪ 777 00:32:24,042 --> 00:32:27,045 TONIGHT, I FEEL LIKE THE AUDIENCE 778 00:32:27,145 --> 00:32:29,614 IS CONNECTING A LOT MORE WITH ME. 779 00:32:29,714 --> 00:32:31,883 IT JUST GIVES YOU A FEELING OF ELATION 780 00:32:31,983 --> 00:32:34,519 THAT NO ONE CAN EVER EXPLAIN. 781 00:32:34,619 --> 00:32:36,387 ♪ FOUR O'CLOCK ROCK ♪ 782 00:32:36,487 --> 00:32:40,391 ♪ DJ PLAYIN' ALL THE JAMS SO THE PARTY DON'T STOP ♪ 783 00:32:40,491 --> 00:32:41,926 I'M SO PROUD OF TRINA. 784 00:32:42,026 --> 00:32:43,361 I'M SO PROUD OF MY LITTLE SISTER. 785 00:32:43,461 --> 00:32:45,063 TODAY, SHE'S GAINING HER CONFIDENCE, 786 00:32:45,163 --> 00:32:46,364 AND SHE'S GOING OUT AND BEING THAT PERFORMER 787 00:32:46,464 --> 00:32:48,800 I ALWAYS KNEW SHE COULD AND SHOULD BE. 788 00:32:48,900 --> 00:32:51,102 ♪ THEN YOU BETTER GO HOME ♪ 789 00:32:51,202 --> 00:32:55,373 ♪ IF YOU DIDN'T COME TO PARTY THEN YOU BETTER GO HOME ♪ 790 00:32:56,841 --> 00:32:58,843 I DID THE SHOW TONIGHT, AND I KILLED IT. 791 00:32:58,943 --> 00:33:00,812 I-I KILLED IT-- IT'S SLAIN. 792 00:33:00,912 --> 00:33:03,014 IT'S DEAD, ON THE GROUND. 793 00:33:03,114 --> 00:33:05,316 VULTURES ARE EATING IT. 794 00:33:05,416 --> 00:33:07,385 YES. 795 00:33:07,485 --> 00:33:10,188 THANK YOU SO MUCH, MIAMI! 796 00:33:20,698 --> 00:33:22,133 - THANK YOU SO MUCH. - THANK YOU SO MUCH. 797 00:33:22,233 --> 00:33:23,434 THANK YOU. 798 00:33:23,534 --> 00:33:24,569 IS THERE A PREFERENCE IN WATER THIS EVENING? 799 00:33:24,669 --> 00:33:26,204 SPARKLING, FLAT, MAYBE ICE WATER FOR THE TABLE? 800 00:33:26,304 --> 00:33:27,972 - JUST A LYCHEE MARTINI. - LYCHEE MARTINI. 801 00:33:28,072 --> 00:33:29,874 - YES, PLEASE. - ALL THE WAY AROUND. 802 00:33:29,974 --> 00:33:31,876 THANK YOU SO MUCH. 803 00:33:31,976 --> 00:33:33,111 WHILE WE'RE ON TOUR, 804 00:33:33,211 --> 00:33:35,246 THE GIRLS AND I DON'T REALLY GET MUCH TIME FOR DINNER, 805 00:33:35,346 --> 00:33:36,514 AND MOST OF THE TIME, 806 00:33:36,614 --> 00:33:37,882 WE'RE EITHER ORDERING ROOM SERVICE, 807 00:33:37,982 --> 00:33:39,650 OR EATING SOMETHING WE'VE ORDERED TO HAVE ON THE BUS. 808 00:33:39,751 --> 00:33:41,719 BUT, TONIGHT, WE HAVE SOME EXTRA TIME TO SIT DOWN 809 00:33:41,819 --> 00:33:43,688 AND JUST HAVE A NICE, CIVILIZED FAMILY DINNER. 810 00:33:43,788 --> 00:33:45,056 WELL DESERVED. 811 00:33:45,156 --> 00:33:46,257 - HI. - YOU JUST DID IT ALL IN, 812 00:33:46,357 --> 00:33:48,760 OOH! DID YOU? 813 00:33:48,860 --> 00:33:50,895 ALL RIGHT, ALL RIGHT! 814 00:33:50,995 --> 00:33:53,131 YOU STEPPIN' INTO THE BAD SIDE. 815 00:33:53,231 --> 00:33:55,466 ♪ OOH OOH OOH OOH ♪ 816 00:33:55,566 --> 00:33:57,969 I'M SINGLE NOW-- I CAN DRESS LIKE A SINGLE GIRL. 817 00:33:58,069 --> 00:34:00,004 I GOTTA WEAR "DO ME, BABY" BOOTY DRESSES. 818 00:34:00,104 --> 00:34:01,906 - YES, AND YOU ARE DOING IT. - YOU'RE WEARING IT, TOO. 819 00:34:02,006 --> 00:34:03,908 I'M KINDA GETTIN' EXCITED ABOUT, YOU KNOW, 820 00:34:04,008 --> 00:34:05,476 GETTIN' BACK OUT THERE A LITTLE BIT. 821 00:34:05,576 --> 00:34:08,312 IT'S LIKE STARTIN' GYMNASTICS ALL OVER AGAIN. 822 00:34:10,181 --> 00:34:12,250 COMING UP, ON "BRAXTON FAMILY VALUES"... 823 00:34:12,350 --> 00:34:14,285 WHERE IS TAY-MONSTER? 824 00:34:14,385 --> 00:34:16,788 I HAVEN'T TALKED TO HER. - IT JUST HURTS MY FEELINGS, 825 00:34:16,888 --> 00:34:19,557 'CAUSE SHE CALLS WHEN SHE WANTS SOMETHING. 826 00:34:19,657 --> 00:34:22,593 SHE DOESN'T CALL JUST TO SAY, "HEY, HOW YA DOIN'?" 827 00:34:26,964 --> 00:34:27,064 I'M 828 00:34:27,065 --> 00:34:27,197 I'M KINDA 829 00:34:27,198 --> 00:34:27,364 I'M KINDA GETTIN' 830 00:34:27,365 --> 00:34:27,497 I'M KINDA GETTIN' EXCITED 831 00:34:27,498 --> 00:34:27,564 I'M KINDA GETTIN' EXCITED ABOUT, 832 00:34:27,565 --> 00:34:27,864 I'M KINDA GETTIN' EXCITED ABOUT, YOU 833 00:34:27,865 --> 00:34:28,633 I'M KINDA GETTIN' EXCITED ABOUT, YOU KNOW, 834 00:34:28,733 --> 00:34:30,334 GETTIN' BACK OUT THERE A LITTLE BIT. 835 00:34:30,435 --> 00:34:33,271 IT'S LIKE STARTIN' GYMNASTICS ALL OVER AGAIN. 836 00:34:34,739 --> 00:34:36,607 WHY IS IT LIKE TAKING GYMNASTICS AGAIN? 837 00:34:36,707 --> 00:34:38,576 - DON'T ASK. - DON'T HAVE HER EXPLAIN IT. 838 00:34:38,676 --> 00:34:41,412 YOUR TRICKS IS THE SAME, 839 00:34:41,512 --> 00:34:44,982 BUT YOU HAVEN'T DONE GYMNASTICS IN-- 840 00:34:47,618 --> 00:34:50,354 - , TRACI. - PUT YOUR DRINK RIGHT HERE 841 00:34:50,455 --> 00:34:52,690 BECAUSE I DON'T KNOW WHAT YOU'RE TALKIN' ABOUT NOW. 842 00:34:52,790 --> 00:34:54,192 HOW MANY HAVE YOU HAD? 843 00:34:54,292 --> 00:34:56,294 DATING IS SO DIFFICULT FOR ME. 844 00:34:56,394 --> 00:34:58,162 I AM NOT GOOD AT DATING. 845 00:34:58,262 --> 00:35:00,031 I DON'T KNOW IF I WANNA BE GOOD AT DATING YET. 846 00:35:00,131 --> 00:35:02,867 YOU KNOW, IT'S HARD GETTING BACK ON THE HORSE 847 00:35:02,967 --> 00:35:04,635 AND MEETING A GUY. 848 00:35:04,735 --> 00:35:06,204 AND THEN I HAVE TO THINK OF HIM KISSING ME 849 00:35:06,304 --> 00:35:07,605 AND TOUCHING ME-- AM I READY TO BE PHYSICAL? 850 00:35:07,705 --> 00:35:09,807 I DON'T KNOW-- I NEED THERAPY? 851 00:35:09,907 --> 00:35:11,409 PROBABLY. 852 00:35:11,509 --> 00:35:13,111 WHERE IS TAY-MONSTER? 853 00:35:13,211 --> 00:35:15,279 I HAVEN'T TALKED TO HER. 854 00:35:15,379 --> 00:35:17,014 I HAVEN'T SPOKEN TO HER EITHER. 855 00:35:17,115 --> 00:35:18,683 - I SPOKE TO HER TODAY. - YOU TALKED TO HER TODAY? 856 00:35:18,783 --> 00:35:20,051 WHAT'D SHE SAY? - I SPOKE TO HER TODAY. 857 00:35:20,151 --> 00:35:21,486 BECAUSE HER ALBUM JUST CAME OUT, 858 00:35:21,586 --> 00:35:23,254 SO SHE'S DOING THE WHOLE SHOWCASE FOR THAT. 859 00:35:23,354 --> 00:35:26,290 SHE'S JUST DOING A PERFORMANCE TO-TO PREMIERE HER ALBUM. 860 00:35:26,390 --> 00:35:28,726 SHE'S STILL A NEW ARTIST. 861 00:35:28,826 --> 00:35:30,695 THAT'S SOMETHIN' I'VE ALWAYS BEEN REALLY UNCLEAR ON. 862 00:35:30,795 --> 00:35:33,564 SO, TAMAR'S ALREADY HAD A SOLO ALBUM BEFORE. 863 00:35:33,664 --> 00:35:34,966 MMM-HMM. 864 00:35:35,066 --> 00:35:36,701 SO, IS SHE STILL CONSIDERED A NEW ARTIST? 865 00:35:36,801 --> 00:35:39,003 NO, SHE WILL NOT BE UP FOR A "NEW ARTIST" GRAMMY. 866 00:35:39,103 --> 00:35:40,771 OKAY. 867 00:35:40,872 --> 00:35:44,142 BUT SHE CAN BE "R&B PERFORMANCE." 868 00:35:44,242 --> 00:35:46,444 A LOT OF DIFFERENT ONES, BUT NOT "NEW ARTIST," NO. 869 00:35:46,544 --> 00:35:48,212 SO, I'M REALLY ROOTING FOR TAMAR. 870 00:35:48,312 --> 00:35:49,780 I WANT HER TO WIN SO BAD. 871 00:35:49,881 --> 00:35:51,182 YES, PLEASE, PLEASE, PLEASE, PLEASE. 872 00:35:51,282 --> 00:35:53,151 NOT IN MY CATEGORY. 873 00:35:53,251 --> 00:35:55,686 BUT, I DO WANT HER TO WIN. 874 00:35:55,786 --> 00:35:58,389 BEING A NEW ARTIST IS TOUGH-- IT'S LONELY. 875 00:35:58,489 --> 00:36:01,893 A LOT OF WORK, SO... 876 00:36:01,993 --> 00:36:04,862 SHE HAS TO AT LEAST CALL US. - IT JUST HURTS MY FEELINGS, 877 00:36:04,962 --> 00:36:06,864 'CAUSE SHE-SHE DOESN'T CALL JUST TO SAY, 878 00:36:06,964 --> 00:36:08,699 "HEY, HOW YA DOIN'?" 879 00:36:08,799 --> 00:36:11,068 SHE CALLS WHEN SHE WANTS SOMETHING. 880 00:36:14,071 --> 00:36:16,107 TAMAR CALLS ME TO SAY, "HEY, WANDA. 881 00:36:16,207 --> 00:36:18,209 "UM, CAN YOU LOOK THIS UP FOR ME?" 882 00:36:18,309 --> 00:36:20,411 OR, "WANDA, I'M LOOKIN' FOR A NANNY. 883 00:36:20,511 --> 00:36:23,414 "YOU KNOW SOMEBODY THAT'S GOOD FOR A NANNY?" 884 00:36:23,514 --> 00:36:25,683 YOU KNOW, WHY CAN'T WE JUST SHOOT THE CRAP? 885 00:36:25,783 --> 00:36:27,585 LIKE, "HEY, WANDA, HOW YA DOIN'? 886 00:36:27,685 --> 00:36:29,854 "HOW ARE MY NIECE AND NEPHEW DOIN'? 887 00:36:29,954 --> 00:36:32,356 "HOW ARE"-- I DON'T GET ANY OF THAT. 888 00:36:32,456 --> 00:36:34,692 BUT SHE DOESN'T KNOW YET, WHEN SHE GETS OUT-- 889 00:36:34,792 --> 00:36:36,527 YOU KNOW, SHE'S WORKIN', AND SHE HAS A BABY. 890 00:36:36,627 --> 00:36:38,095 SHE'LL SEE. - NO, I CAN'T SAY, 891 00:36:38,196 --> 00:36:39,530 "YOU DON'T KNOW UNTIL YOU KNOW," 892 00:36:39,630 --> 00:36:41,365 BECAUSE PEOPLE WHO DID NOT KNOW, 893 00:36:41,465 --> 00:36:43,301 THEY STILL HAD SOME TYPE OF COMPASSION. 894 00:36:43,401 --> 00:36:45,069 BEFORE SHE BECAME A MOM, 895 00:36:45,169 --> 00:36:48,005 TAMAR WASN'T NICE TO ME. 896 00:36:48,105 --> 00:36:52,343 SHE DIDN'T UNDERSTAND WHEN I WAS TRYING TO JUGGLE 897 00:36:52,443 --> 00:36:54,745 BEIN' A CAREER MOM, 898 00:36:54,845 --> 00:36:56,714 AND STILL WANTING TO BE WITH MY KIDS. 899 00:36:56,814 --> 00:36:58,883 MY CHOICE ARE MY CHILDREN. 900 00:36:58,983 --> 00:37:00,885 IF YOU HAD CHILDREN, YOU WOULD UNDERSTAND! 901 00:37:00,985 --> 00:37:02,687 I DON'T NEED TO HAVE KIDS TO UNDERSTAND. 902 00:37:02,787 --> 00:37:04,188 - YES, YOU DO-- SURE, YOU DO. - I DON'T NEED TO HAVE KIDS 903 00:37:04,288 --> 00:37:05,723 TO UNDERSTAND-- LIKE, WHAT ARE YOU TALKIN' ABOUT? 904 00:37:05,823 --> 00:37:07,058 SURE, YOU DO-- SURE, YOU DO. 905 00:37:07,158 --> 00:37:08,426 I UNDERSTAND BEING A PROFESSIONAL! 906 00:37:08,526 --> 00:37:09,493 NO, YOU DON'T, TAMAR-- LISTEN. 907 00:37:09,594 --> 00:37:11,696 IT'S ABOUT BEIN' A MOTHER. 908 00:37:11,796 --> 00:37:14,498 YEAH, TOWANDA WAS PISSED OFF. 909 00:37:14,599 --> 00:37:16,434 SHE WAS VERY MEAN-- SHE WAS NOT NICE. 910 00:37:16,534 --> 00:37:18,236 BECAUSE SHE DIDN'T KNOW. 911 00:37:18,336 --> 00:37:20,137 TONI, I CAN'T KEEP USING THAT 912 00:37:20,238 --> 00:37:21,806 AS AN EXCUSE OF NOT KNOWIN'. - I AGREE-- I'M JUST SAYIN'. 913 00:37:21,906 --> 00:37:24,008 TRINA'S CHILD IS 18 YEARS OLD. 914 00:37:24,108 --> 00:37:26,777 MY OLDEST IS SEVEN. 915 00:37:26,877 --> 00:37:28,913 SO, FOR NINE YEARS, I DIDN'T KNOW, 916 00:37:29,013 --> 00:37:30,648 BUT I DIDN'T TREAT TRINA ANY DIFFERENTLY. 917 00:37:30,748 --> 00:37:31,916 I'M JUST SAYIN', SHE DIDN'T KNOW. 918 00:37:32,016 --> 00:37:33,017 SHE'S THE YOUNGEST, 919 00:37:33,117 --> 00:37:34,552 AND SHE WAS ALLOWED TO BE THE YOUNGEST, 920 00:37:34,652 --> 00:37:36,721 AND BE SPOILED, AND BE HER FIRST. 921 00:37:36,821 --> 00:37:41,659 "I MEAN, IT'S A LITTLE DIFFERENT FOR ME BECAUSE"-- 922 00:37:41,759 --> 00:37:43,394 I DON'T FEEL LIKE HEARIN' IT. 923 00:37:43,494 --> 00:37:44,662 SHE'S GONNA SAY, "NO, YOU'RE RIGHT, YOU'RE RIGHT. 924 00:37:44,762 --> 00:37:46,697 "JUST THAT I DIDN'T KNOW"-- THAT'S WHAT SHE'S GONNA SAY. 925 00:37:46,797 --> 00:37:48,132 "DON'T THEY HAVE A DADDY? 926 00:37:48,232 --> 00:37:50,001 "HOW COME THEIR DADDY CAN'T TAKE CARE OF THEIR BABIES?" 927 00:37:50,101 --> 00:37:52,570 WELL, SHE ABOUT TO SEE. 928 00:37:52,670 --> 00:37:54,839 THE RELATIONSHIP BETWEEN TOWANDA AND TAMAR 929 00:37:54,939 --> 00:37:56,173 HAS NOT BEEN GOOD. 930 00:37:56,274 --> 00:37:57,842 IT'S STARTING TO AFFECT EVERYONE NOW, 931 00:37:57,942 --> 00:37:59,677 BECAUSE THERE-- NOW, THERE ARE SIDES. 932 00:37:59,777 --> 00:38:01,345 WHOSE TEAM ARE YOU ON? 933 00:38:01,445 --> 00:38:03,180 TEAM TAMAR, TEAM TOWANDA-- WHO DO YOU LIKE MORE? 934 00:38:03,281 --> 00:38:05,549 I SEE THAT STARTING TO BECOME A-A BIGGER ISSUE. 935 00:38:05,650 --> 00:38:07,551 SHE'LL SEE-- SHE'S SEEIN' RIGHT NOW. 936 00:38:07,652 --> 00:38:09,954 AND I'M GONNA BE THE FIRST TO SAY, 937 00:38:10,054 --> 00:38:11,989 "I TOLD YOU SO." - TOLD YOU SO. 938 00:38:12,089 --> 00:38:13,357 I'M NOT GONNA SAY IT OUT LOUD. 939 00:38:13,457 --> 00:38:14,692 I'M JUST GONNA SAY IT IN MY BRAIN 940 00:38:14,792 --> 00:38:16,661 AND GIVE HER THE LOOK. - ALL RIGHT, WHAT'S THE LOOK? 941 00:38:16,761 --> 00:38:18,729 WE ALL IN UNISON, WHAT ARE WE GONNA DO WHEN SHE SAYS SOMETHIN'? 942 00:38:18,829 --> 00:38:22,533 WHAT ARE WE GONNA DO? - "I MEAN, I JUST DIDN'T KNOW." 943 00:38:27,271 --> 00:38:28,739 OKAY, WE GOT IT-- IT'S DONE. 944 00:38:28,839 --> 00:38:30,341 THAT-THAT-- WE'RE JUST GONNA GIVE HER THE LOOK. 945 00:38:30,441 --> 00:38:31,976 THAT'S IT. - THAT'S IT. 946 00:38:32,076 --> 00:38:34,011 SHE NEED A LOOK. - MMM-HMM. 947 00:38:34,111 --> 00:38:35,813 TOWANDA IS MAD. 948 00:38:35,913 --> 00:38:39,350 YOU GET SO MAD ABOUT IT. 949 00:38:39,450 --> 00:38:41,185 SO, MY SISTERS, Y'ALL CAN'T HELP ME 950 00:38:41,285 --> 00:38:43,187 ON BEING-BEING SINGLE? - I CAN OFFER YOU SUPPORT, 951 00:38:43,287 --> 00:38:45,289 BUT I CAN'T HELP YOU LIKE THAT. 952 00:38:45,389 --> 00:38:47,425 I HAVE TO BE HONEST, I KNOW I CAN'T HELP YOU. 953 00:38:47,525 --> 00:38:49,593 I THINK TOM CRUISE IS CUTE. 954 00:38:49,694 --> 00:38:51,562 IS HE SINGLE? 955 00:38:51,662 --> 00:38:52,863 - YEAH. - YEAH. 956 00:38:52,963 --> 00:38:54,332 HE'S DIVORCED. - HE IS? 957 00:38:54,432 --> 00:38:55,800 YOU DON'T THINK TOM CRUISE IS CUTE? 958 00:38:55,900 --> 00:38:58,536 - I'M NOT BIG ON TOM CRUISE. - BUT HE'S WHITE. 959 00:39:00,771 --> 00:39:03,240 JUST BECAUSE I LIKE, YOU KNOW, OTHER, 960 00:39:03,341 --> 00:39:05,009 DOESN'T MEAN I LIKE EVERY OTHER. 961 00:39:05,109 --> 00:39:06,444 YOU DON'T THINK TOM CRUISE IS CUTE? 962 00:39:06,544 --> 00:39:07,645 THAT'S LIKE ME SAYING, "TRACI, YOU WANNA DATE 963 00:39:07,745 --> 00:39:09,847 'THE PREDATOR?'" - NO. 964 00:39:09,947 --> 00:39:11,349 'CAUSE HE GOT LOCKS AND EVERYTHING? 965 00:39:11,449 --> 00:39:12,950 THAT'S WHAT I'M SAYIN'. 966 00:39:15,519 --> 00:39:17,988 WAIT-- YOU CALLIN' TRACI'S HUSBAND "THE PREDATOR?" 967 00:39:18,089 --> 00:39:20,925 'CAUSE HE GOT DREADLOCKS? - YES. 968 00:39:21,025 --> 00:39:22,593 "PREDATOR VERSUS ALIEN." 969 00:39:22,693 --> 00:39:23,961 CAN YOU HAND ME THAT, UH, THING, PLEASE? 970 00:39:24,061 --> 00:39:25,930 YES. 971 00:39:26,030 --> 00:39:27,865 I WAS JUST SAYIN'. - I'M JUST SAYIN'. 972 00:39:27,965 --> 00:39:30,434 I MEAN, THAT'S LIKE-- YOU CAN'T JUST CATEGORIZE. 973 00:39:30,534 --> 00:39:32,636 OH, MY STOMACH HURTS. 71960

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