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These are the user uploaded subtitles that are being translated: 1 00:00:00,667 --> 00:00:02,736 "BRAXTON FAMILY VALUES"... 2 00:00:02,836 --> 00:00:04,771 IF IT WERE TRUE, HOW DO YOU THINK YOU WOULD FEEL? 3 00:00:04,871 --> 00:00:07,140 BETRAYED, HURT, AND GONE. 4 00:00:07,240 --> 00:00:10,377 IT HURTS MY FEELINGS BECAUSE I THOUGHT WE COULD TALK. 5 00:00:10,477 --> 00:00:11,811 I'M GETTING READY TO GO ON TOUR. 6 00:00:11,911 --> 00:00:13,246 WE GO OUT IN THREE WEEKS, 7 00:00:13,346 --> 00:00:15,415 AND I'M STARTING TO FREAK OUT A LITTLE BIT. 8 00:00:15,515 --> 00:00:16,416 IT'S YOUR TIME, NOW. 9 00:00:16,516 --> 00:00:17,951 SO, YOU GOTTA DO IT. 10 00:00:19,953 --> 00:00:20,987 YES. 11 00:00:21,087 --> 00:00:22,956 JUST GOTTA START RUNNIN'-- I'M TIRED AS HELL. 12 00:00:23,056 --> 00:00:25,158 THIS IS JUST TO GET US PREPARED FOR THE TOUR! 13 00:00:25,258 --> 00:00:26,626 SHE'S PREPARED ! 14 00:00:26,726 --> 00:00:29,729 ♪ WE ARE THE BRAXTONS AND YOU'LL SEE ♪ 15 00:00:29,829 --> 00:00:33,800 ♪ THAT WE ARE NOT LIKE AN ORDINARY FAMILY ♪ 16 00:00:33,900 --> 00:00:37,404 ♪ TONI TRACI TOWANDA TRINA TAMAR AND MISS E ♪ 17 00:00:37,504 --> 00:00:44,010 ♪ WILL TEACH YOU A THING OR TWO ON BRAXTON FAMILY VALUES ♪ 18 00:00:54,020 --> 00:00:54,821 I'M JUST GONNA PACK ONE BAG. 19 00:00:54,921 --> 00:00:55,822 HOW MANY BAGS YOU GOT? 20 00:00:55,922 --> 00:00:57,357 ONE-- ONE BIG ONE. 21 00:00:57,457 --> 00:00:59,159 BIGGER THAN THAT? 22 00:00:59,259 --> 00:01:02,796 IT'S MAYBE A LITTLE BIT BIGGER THAN THIS ONE. 23 00:01:02,896 --> 00:01:04,831 - YSL OR GUCCI? - EXCUSE ME. 24 00:01:04,931 --> 00:01:06,399 - THAT'S A TOUGH CHOICE. - THIS ONE. 25 00:01:06,499 --> 00:01:07,734 - I WOULD GO FOR YSL. - THIS ONE. 26 00:01:07,834 --> 00:01:09,669 TRINA AND I ARE GOING TO L.A. 27 00:01:09,769 --> 00:01:11,438 FOR REHEARSALS FOR TONI'S TOUR, 28 00:01:11,538 --> 00:01:14,908 AND WE'RE ACTUALLY GOING ON THE ROAD RIGHT AFTER REHEARSAL. 29 00:01:15,008 --> 00:01:17,277 SO, WE HAVE TO BE PACKED AND READY TO GO. 30 00:01:17,377 --> 00:01:19,245 AND I HAVE TO SAY-- BEING ON TOUR WITH MY SISTERS 31 00:01:19,345 --> 00:01:21,448 IS GONNA BE A LOT OF FUN. 32 00:01:21,548 --> 00:01:22,515 WELL, YOU KNOW WHAT? 33 00:01:22,615 --> 00:01:25,018 I NEVER GET EXCITED UNTIL I GET ON THE PLANE. 34 00:01:25,118 --> 00:01:26,352 WE'RE TAKING THE TOUR BUS. 35 00:01:26,453 --> 00:01:28,154 - HUH? - WE'RE ON THE TOUR BUS. 36 00:01:30,523 --> 00:01:33,126 - WHO IS IT? - SPEAK OF THE DEVIL! 37 00:01:33,226 --> 00:01:35,495 OH, LORD, GOD, AND ALL THAT IS HOLY. 38 00:01:35,595 --> 00:01:37,797 - HEY, TONE! - HEY, TONE! 39 00:01:37,897 --> 00:01:39,599 - WHO IS THIS? - ME AND TRINI. 40 00:01:39,699 --> 00:01:42,302 WE WERE TALKIN' ABOUT HOW EXCITED WE ARE ABOUT THE TOUR. 41 00:01:42,402 --> 00:01:46,673 - YAY-- YOU KNOW, TONE? - WHAT? 42 00:01:46,773 --> 00:01:48,575 YOU KNOW HOW YOU ALWAYS HAVE MUSIC PLAYING 43 00:01:48,675 --> 00:01:50,944 BEFORE YOU GO ON STAGE IN THE HOUSE? 44 00:01:51,044 --> 00:01:53,012 YEAH. 45 00:01:53,113 --> 00:01:55,248 I WAS THINKING THAT MAYBE, EVERY SO OFTEN, 46 00:01:55,348 --> 00:01:57,484 YOU COULD POSSIBLY PLAY "GAME TIME" 47 00:01:57,584 --> 00:01:59,586 AND/OR "PARTY OR GO HOME." 48 00:02:01,387 --> 00:02:03,723 OH. 49 00:02:03,823 --> 00:02:05,191 WHAT-- WHAT? 50 00:02:07,427 --> 00:02:10,563 ABS-ABSO-SMURFLY, YES. 51 00:02:10,663 --> 00:02:12,999 LAST TIME I PERFORMED IN THE MIDDLE OF TONI'S SHOW, 52 00:02:13,099 --> 00:02:15,969 NOT EVERYTHING WENT ACCORDING TO PLAN. 53 00:02:16,069 --> 00:02:19,572 ♪ IF YOU DIDN'T COME TO PARTY THEN YOU BETTER GO HOME ♪ 54 00:02:19,672 --> 00:02:24,944 I THINK TRINA'S PERFORMANCE WAS SATISFACTORY. 55 00:02:25,044 --> 00:02:27,280 I GIVE HER A C-PLUS. 56 00:02:27,380 --> 00:02:29,349 AND NOW, TONI'S GIVING ME ANOTHER CHANCE, 57 00:02:29,449 --> 00:02:31,217 AND THIS IS MY OPPORTUNITY TO PROVE TO TONI 58 00:02:31,317 --> 00:02:35,455 AND THE WORLD THAT I AM, YES, AN A-PLUS PERFORMER. 59 00:02:35,555 --> 00:02:38,391 - I'LL CALL YOU LATER. - OKAY, LOVE YOU-- BYE. - ALL RIGHT, BYE-- LOVE YOU. 60 00:02:38,491 --> 00:02:39,359 - OKAY, BYE. - BYE. 61 00:02:39,459 --> 00:02:40,927 YAY! 62 00:02:41,027 --> 00:02:44,264 YIPPEE-OH-YEAH. 63 00:02:44,364 --> 00:02:45,498 I THINK SHE MIGHT CHANGE HER MIND. 64 00:02:45,598 --> 00:02:46,866 I DON'T THINK SO. 65 00:02:46,966 --> 00:02:48,635 IT JUST SEEMS LIKE WHEN IT COMES TO, LIKE, 66 00:02:48,735 --> 00:02:50,703 TAMAR'S PROJECT, TONI'S LIKE, "OH, MY GOD! 67 00:02:50,803 --> 00:02:52,105 "OH, TAMAR! 68 00:02:52,205 --> 00:02:53,273 "WE'RE IN THE OLYMPICS. 69 00:02:53,373 --> 00:02:55,041 "I'M PASSING THE TORCH ON OVER TO YOU." 70 00:02:55,141 --> 00:02:59,279 BUT, WHEN IT COMES TO ME, "YOUR JUDIES ARE WRONG. 71 00:02:59,379 --> 00:03:01,314 "I DON'T LIKE YOUR POM-POMS." 72 00:03:01,414 --> 00:03:02,682 WHY ARE THERE POM-POMS? 73 00:03:02,782 --> 00:03:04,250 NO POM-POMS. - YEAH. 74 00:03:04,350 --> 00:03:05,552 YEAH, THEM POM-POMS ARE SO WRONG. 75 00:03:05,652 --> 00:03:06,786 I WANNA KICK THEM IN THE THROAT. 76 00:03:06,886 --> 00:03:07,921 I CAN'T BELIEVE YA'LL DON'T LIKE THE POM-POMS! 77 00:03:08,021 --> 00:03:12,325 THEM WRONG, GIRL. 78 00:03:12,425 --> 00:03:13,993 DON'T ACT LIKE YOU DISAGREE, 79 00:03:14,093 --> 00:03:19,165 'CAUSE IT'S THE T-R-U-T-H. 80 00:03:19,265 --> 00:03:22,068 I SAY NOTHING. 81 00:03:22,168 --> 00:03:24,070 I'M TRYING TO STAY OUT OF STUFF NOWADAYS, 82 00:03:24,170 --> 00:03:25,939 EVEN THOUGH PEOPLE ARE TELLIN' ME STUFF. 83 00:03:26,039 --> 00:03:29,142 YOU KNOW, I JUST FEEL LIKE NO ONE PLACING THE BLAME ON ME, 84 00:03:29,242 --> 00:03:30,443 SAYING THAT I SAID STUFF. 85 00:03:30,543 --> 00:03:33,346 SO, I'M JUST KEEPIN' MY MOUTH SHUT. 86 00:03:33,446 --> 00:03:35,181 OH, IT'S SO SUPER EXCITING. 87 00:03:35,281 --> 00:03:36,616 WE'RE GOING ON TOUR! 88 00:03:36,716 --> 00:03:39,219 AH-AH-AH-AH-AH- AH-AH-AH-AH-AH-AH! 89 00:03:39,319 --> 00:03:40,420 NOT THE HAND. 90 00:03:40,520 --> 00:03:43,156 MY HAND IS IMPORTANT TO ME-- IT'S A FREE ACCESSORY. 91 00:03:43,256 --> 00:03:44,424 READY-- LET'S START OVER. 92 00:03:44,524 --> 00:03:46,593 THE TOUR-- AH-AH-AH-AH-AH-AH! 93 00:03:47,994 --> 00:03:50,063 - SO SUCH A-- - I'M EXCITABLE. 94 00:04:01,841 --> 00:04:04,544 - I LIKE THEM SHOES, GIRL. - BOOM! 95 00:04:04,644 --> 00:04:07,614 - I NEED THEM IN MY LIFE. - WHAT SIZE YOU WEAR? 96 00:04:07,714 --> 00:04:09,215 - UH, EIGHT AND A HALF. - OH, NO. 97 00:04:09,315 --> 00:04:10,316 YOU LOOK NICE TODAY. 98 00:04:10,416 --> 00:04:12,819 NO, YOU LOOK NICE TODAY, HONEY-- YES. 99 00:04:12,919 --> 00:04:14,020 I LOVE THAT PURPLE. 100 00:04:14,120 --> 00:04:15,021 SO, YA'LL READY? 101 00:04:15,121 --> 00:04:16,556 - READY, READY. - YES, I'M READY. 102 00:04:16,656 --> 00:04:18,391 A COUPLE WEEKS AGO, I WENT TO BLIS. 103 00:04:18,491 --> 00:04:21,494 I WAS DOING A INTERVIEW WITH RAHEEM DEVAUGHN, 104 00:04:21,594 --> 00:04:24,464 AND AFTER MY INTERVIEW, EVERYBODY WAS LAUGHING AT ME 105 00:04:24,564 --> 00:04:26,032 ACTING LIKE TRACI. 106 00:04:26,132 --> 00:04:28,368 THEY WAS LIKE, "WELL, TRACI, WHAT MORE CAN WE DO FOR YOU?" 107 00:04:28,468 --> 00:04:30,670 I SAID, "UH, GIVE ME A SHOW." 108 00:04:30,770 --> 00:04:34,574 AND I GOT IT. 109 00:04:34,674 --> 00:04:35,808 I THINK IT'S GONNA BE FUN. 110 00:04:35,908 --> 00:04:38,645 AND IN THE RESPONSE ON INSTAGRAM AND TWITTER, 111 00:04:38,745 --> 00:04:40,647 PEOPLE ARE SO EXCITED. 112 00:04:40,747 --> 00:04:42,849 I ALWAYS WANTED TO BE A HOST, BUT I NEVER THOUGHT 113 00:04:42,949 --> 00:04:45,485 I WOULD HAVE MY OWN RADIO SHOW. 114 00:04:45,585 --> 00:04:49,555 I HAVE THE, UM, THE CLOCK FOR US HERE TO GO OVER. 115 00:04:49,656 --> 00:04:51,758 WE HAVE A LOT OF INTERVIEWS LINED UP, 116 00:04:51,858 --> 00:04:54,727 AND WE'LL DEFINITELY DO THE INSPIRATIONAL THOUGHT OF THE WEEK, 117 00:04:54,827 --> 00:04:56,029 AND THEN, THE TOP THREE THINGS, 118 00:04:56,129 --> 00:04:57,697 TRACI'S VIDEO PICK OF THE WEEK, 119 00:04:57,797 --> 00:04:59,832 AND THEN, WHO ROCKED IT BEST. 120 00:04:59,932 --> 00:05:02,468 - OKAY. - AND, TRACI, I HAVE 121 00:05:02,568 --> 00:05:03,836 OKAY. 122 00:05:03,936 --> 00:05:04,937 THIS IS SO THAT, YOU KNOW, 123 00:05:05,038 --> 00:05:07,407 WHEN WE TRANSITION IN AND OUT OF SONGS, 124 00:05:07,507 --> 00:05:09,609 YOU WIIN AND OLL BE ABLE O REMIND THE LISTENER 125 00:05:09,709 --> 00:05:10,943 WHOEVER THE ARTIST WAS. 126 00:05:11,044 --> 00:05:12,111 "THAT WAS FANTASIA. 127 00:05:12,211 --> 00:05:13,513 "YOU'RE LOGGED ONTO BLIS.FM. 128 00:05:13,613 --> 00:05:14,647 "CALL US." 129 00:05:14,747 --> 00:05:16,549 I'M STARTING TO FEEL NERVOUS BECAUSE-- 130 00:05:16,649 --> 00:05:17,850 AM I GONNA DO THIS RIGHT? 131 00:05:17,950 --> 00:05:20,019 AM I GONNA ASK THE RIGHT QUESTIONS? 132 00:05:20,119 --> 00:05:25,091 UM, WILL I BABBLE ON AND ON OF THE SHOW? 133 00:05:25,191 --> 00:05:26,926 NOBODY DON'T WANT A BABBLER. 134 00:05:27,026 --> 00:05:29,929 AND I THINK THE-THE FANS AND THE VIEWERS, 135 00:05:30,029 --> 00:05:32,532 THEY ARE, LIKE, SO EXCITED ABOUT IT. 136 00:05:32,632 --> 00:05:33,499 YOU KNOW WHAT I MEAN? 137 00:05:33,599 --> 00:05:35,068 YOU HAVE ISSUES. 138 00:05:35,168 --> 00:05:37,170 YOU-YOU KNOW, YOU HAVE IMAGE STUFF YOU WORK-- 139 00:05:37,270 --> 00:05:38,404 YOU KNOW, LIKE, JUST, LIKE ME. - YEAH. 140 00:05:38,504 --> 00:05:40,873 AND I THINK A LOT OF WOMAN CAN APPRECIATE THAT 'CAUSE-- 141 00:05:40,973 --> 00:05:42,275 BECAUSE IT'S RELATABLE. 142 00:05:42,375 --> 00:05:43,376 - YEAH. - YEAH. - YOU KNOW? 143 00:05:43,476 --> 00:05:45,345 SO, I-I THINK YOU'RE GONNA DO SO GOOD. 144 00:05:45,445 --> 00:05:46,946 LIKE, I THINK YOU'RE GONNA DO SO WELL. 145 00:05:47,046 --> 00:05:48,715 - THANK YOU, SUGE. - DON'T START CRYIN'-- NOW, STOP IT. 146 00:05:48,815 --> 00:05:49,949 I'M NOT. 147 00:05:50,049 --> 00:05:51,584 DON'T YOU START CRYIN', 'CAUSE YOU'RE THE ONE CRYIN'. 148 00:05:51,684 --> 00:05:52,618 YOU'RE THE ONE! - I KNOW, I KNOW. 149 00:05:52,719 --> 00:05:55,555 I KNOW, 'CAUSE TRACI, I'M SO HAPPY FOR YOU. 150 00:05:55,655 --> 00:05:58,124 I DID SHED A TEAR TODAY BECAUSE IT'S LIKE A REALITY THING. 151 00:05:58,224 --> 00:06:00,560 - AW... - BECAUSE I SAW THE BULLETIN 152 00:06:00,660 --> 00:06:01,928 OF MY NAME AND THINGS LIKE THAT. 153 00:06:02,028 --> 00:06:03,963 - YEAH. - I WAS LIKE, "OH, MY GOD! 154 00:06:04,063 --> 00:06:05,665 "THIS IS REALLY HAPPENING." - YEAH. 155 00:06:05,765 --> 00:06:06,799 AND IT GOT ME NERVOUS ALL OVER AGAIN, 156 00:06:06,899 --> 00:06:08,334 AT FIRST, I WAS LIKE, "OKAY, I'M READY. 157 00:06:08,434 --> 00:06:09,602 "I'M READY TO CONQUER THIS." 158 00:06:09,702 --> 00:06:12,338 - MMM-HMM. - THEN, I WAS LIKE, "OH, SHIZNITS. 159 00:06:12,438 --> 00:06:14,140 "THIS IS ABOUT TO HAPPEN." - YEP. 160 00:06:14,240 --> 00:06:17,009 I'M NERVOUS, BUT I'M SO EXCITED. 161 00:06:17,110 --> 00:06:18,511 GUESS WHAT, LADIES AND GENTLEMEN. 162 00:06:18,611 --> 00:06:21,247 THERE'S NO RULES WITH THIS RADIO SHOW. 163 00:06:21,347 --> 00:06:24,484 I CAN SAY WHATEVER THE I WANNA SAY. 164 00:06:24,584 --> 00:06:25,551 BOOM! 165 00:06:25,651 --> 00:06:26,819 HOW ABOUT THAT? 166 00:06:26,919 --> 00:06:29,522 I'M A SLASH JOURNALIST NOW, YA'LL. 167 00:06:29,622 --> 00:06:31,023 - YOU AIN'T A JOURNALIST. - BOOM! 168 00:06:33,526 --> 00:06:34,794 YOU GOTTA GET PROFESSIONAL. 169 00:06:34,894 --> 00:06:36,295 I DO-- OKAY, OKAY. 170 00:06:36,396 --> 00:06:37,764 YOU GOTTA KEEP DOING YOUR PAPERS LIKE THIS. 171 00:06:37,864 --> 00:06:40,366 YOU KNOW, UH, WE'LL BE RIGHT BACK AFTER THESE MESSAGES. 172 00:06:49,609 --> 00:06:53,012 - COME ON, TRINA! - I'M COMING, TOWANDA. 173 00:06:53,112 --> 00:06:54,447 NO, I DON'T NEED YOUR HELP. 174 00:06:54,547 --> 00:06:56,649 GOOD, 'CAUSE I-I WASN'T OFFERING ANY. 175 00:06:56,749 --> 00:06:57,717 I DIDN'T NEED ANY HELP, EITHER. 176 00:06:57,817 --> 00:06:59,285 WELL, YOU CAN AT LEAST GET THE DOOR. 177 00:06:59,385 --> 00:07:00,686 OH, I'LL GET THE DOOR. 178 00:07:00,787 --> 00:07:03,222 TOWANDA AND I DECIDE TO HAVE A LITTLE PRE-REHEARSAL 179 00:07:03,322 --> 00:07:05,992 IN ATLANTA BEFORE WE GO AND HAVE THE TRUE TOUR REHEARSAL 180 00:07:06,092 --> 00:07:08,127 WITH TONI-- SHE IS A PERFECTIONIST. 181 00:07:08,227 --> 00:07:10,763 SHE'S GONNA MAKE SURE WE HAVE ALL OF OUR STEPS IN LINE, 182 00:07:10,863 --> 00:07:14,734 AND BEING HER SISTERS, WE REALLY DON'T HAVE LEEWAY. 183 00:07:14,834 --> 00:07:16,035 - TRINA? - HMM? 184 00:07:16,135 --> 00:07:17,370 WHAT ARE YOU DOING-- YOU'RE ON THAT SIDE. 185 00:07:17,470 --> 00:07:18,471 I'M ON THIS SIDE. 186 00:07:20,173 --> 00:07:22,442 IF THAT'S THE AUDIENCE, YOU'RE RIGHT THERE. 187 00:07:22,542 --> 00:07:25,077 IF THAT'S THE AUD-- OH. 188 00:07:25,178 --> 00:07:27,647 GOING ON TOUR IS A LOT OF HARD WORK. 189 00:07:27,747 --> 00:07:29,982 SO, I'M WELCOMING THIS SMALL DISTRACTION, 190 00:07:30,082 --> 00:07:31,551 SO I DON'T HAVE TO CONCENTRATE SO MUCH, 191 00:07:31,651 --> 00:07:32,819 NOT ONLY ON ERIC, 192 00:07:32,919 --> 00:07:35,021 BUT ON MY MARITAL PROBLEMS WITH GABE, AS WELL. 193 00:07:40,693 --> 00:07:42,428 WE SHOULD TURN. 194 00:07:42,528 --> 00:07:43,996 I DON'T WANNA TURN. 195 00:07:44,096 --> 00:07:45,865 STOP BEING-- STOP ACTING LIKE TAMAR, BEING IN YOUR FEELINGS. 196 00:07:45,965 --> 00:07:47,200 IT'S NERVE-WRACKING. - I'M NOT IN MY FEELINGS. 197 00:07:47,300 --> 00:07:48,935 EXCUSE ME, BUT BOSS LADY IS CALLIN'. 198 00:07:49,035 --> 00:07:49,936 HEY, TONE. 199 00:07:50,036 --> 00:07:51,237 HEY, TONE. 200 00:07:53,239 --> 00:07:56,476 WE'RE REHEARSING YOUR STUFF FOR YOUR WONDERFUL TOUR. 201 00:07:56,576 --> 00:07:58,411 I TOLD YOU. 202 00:07:58,511 --> 00:08:00,246 I'M NOT DOING ANY POM-POMS, TONI! 203 00:08:00,346 --> 00:08:02,548 I TOLD YOU. 204 00:08:02,648 --> 00:08:04,951 NOBODY GOT TIME FOR THAT. 205 00:08:24,270 --> 00:08:25,571 OKAY, NO POM-POMS, TONI. 206 00:08:25,671 --> 00:08:27,406 WE HAVE TO GO-- WE HAVE TO HAVE REHEARSAL. 207 00:08:28,574 --> 00:08:29,675 LOVE YOU-- BYE. 208 00:08:29,775 --> 00:08:31,477 LOVE YOU-- BYE. 209 00:08:31,577 --> 00:08:33,112 - GOOD GRIEF! - GAH! 210 00:08:33,212 --> 00:08:34,847 SHE'S SO BOSSY! 211 00:08:34,947 --> 00:08:36,849 I'M GONNA TELL HER YOU SAID THAT, TOO. 212 00:08:39,552 --> 00:08:40,620 THAT LOOKS DUMB. 213 00:08:40,720 --> 00:08:43,189 I'M NOT GOING-- DOING ALL THAT HARD STUFF. 214 00:08:46,359 --> 00:08:47,860 NO, NO, NO, NO! 215 00:08:47,960 --> 00:08:51,264 YOU'RE WRONG. - YOU'RE WRONG. 216 00:08:51,364 --> 00:08:52,899 YOU'RE WRONG. 217 00:08:52,999 --> 00:08:54,634 TOWANDA! 218 00:08:54,734 --> 00:08:55,935 WE DIDN'T DO THAT-- 219 00:08:56,035 --> 00:08:57,336 BUT, LOOK, TAMAR AND I DID IT DIFFERENTLY THAN YOU-- 220 00:08:57,436 --> 00:08:58,738 THAT'S NOT HOW ME AND SPARKLE DID IT. 221 00:08:58,838 --> 00:09:00,506 NO, UH, NO, BUT, TAMAR AND I-- 222 00:09:00,606 --> 00:09:01,541 OKAY, SHOW ME YOUR TRINA. 223 00:09:01,641 --> 00:09:02,808 OKAY, BUT-BUT IT WAS CHANGED-- 224 00:09:02,909 --> 00:09:04,944 - WAIT. - TO MAKE-- TO MAKE IT BETTER. 225 00:09:07,914 --> 00:09:10,182 IT'S TAKE THIS RING. 226 00:09:10,283 --> 00:09:12,084 TAKE THIS RING-- - THAT IS SO WRONG. 227 00:09:12,184 --> 00:09:14,320 THAT IS SO STUPID. 228 00:09:14,420 --> 00:09:16,455 I LIKE THE WAY THAT ME AND SPARKLE DID IT. 229 00:09:16,556 --> 00:09:17,857 TOWANDA AND I ARE ARGUING 230 00:09:17,957 --> 00:09:19,892 ABOUT WHICH ROUTINE IS CORRECT. 231 00:09:19,992 --> 00:09:21,527 HER WAY OR MY WAY? 232 00:09:21,627 --> 00:09:23,829 BUT, THE TRUTH OF IT IS, MY WAY IS RIGHT 233 00:09:23,930 --> 00:09:26,232 BECAUSE I HAVE BEEN WITH HER THE LONGEST. 234 00:09:26,332 --> 00:09:29,168 WHEN TOWANDA AND SPARKLE WERE TONI'S BACKGROUND SINGERS, 235 00:09:29,268 --> 00:09:31,604 THEY DECIDED TO MODIFY THE DANCE MOVES. 236 00:09:31,704 --> 00:09:33,339 THAT IS NOT MY FAULT. 237 00:09:33,439 --> 00:09:34,907 I'M DOING IT THE RIGHT WAY. 238 00:09:35,007 --> 00:09:37,777 - UNH-- UNH. - LOOKS LIKE IT HURTS BAD. 239 00:09:37,877 --> 00:09:39,011 OH, MY GOSH! 240 00:09:39,111 --> 00:09:42,248 TOWANDA, YOU ARE GONNA THROW YOUR BACK OUT. 241 00:09:42,348 --> 00:09:44,584 OH, MY GOSH-- OH, MY GOSH! 242 00:09:44,684 --> 00:09:46,852 LOOKS LIKE IT HURTS SO BAD. 243 00:09:46,953 --> 00:09:50,323 MINE IS MUCH BETTER THAN TRINA'S. 244 00:09:50,423 --> 00:09:52,592 TRINA'S LOOKED WHACK TO ME. 245 00:09:52,692 --> 00:09:54,927 IT'S LIKE-- IT'S NO SPUNK. 246 00:09:55,027 --> 00:09:56,462 WHO YOU LOOKIN' AT? 247 00:09:56,562 --> 00:09:58,664 TELL THE TRUTH-- TELL THE TRUTH! 248 00:09:58,764 --> 00:10:00,166 UH, SHE LOOK LIKE SHE HURTIN' REAL BAD, 249 00:10:00,266 --> 00:10:01,434 LIKE SHE HURT HERSELF. 250 00:10:01,534 --> 00:10:02,969 LET'S GET THE GUYS-- LET'S GET-- RONNIE! 251 00:10:03,069 --> 00:10:05,237 CAN YOU GET RONNIE AND PEANUT? 252 00:10:06,806 --> 00:10:08,574 TOWANDA CALLED IN RONNIE AND PEANUT, 253 00:10:08,674 --> 00:10:10,643 WHO WERE IN THE RECORDING STUDIO ACROSS THE HALL. 254 00:10:10,743 --> 00:10:13,446 TOWANDA ALWAYS HAS TO PROVE THAT SHE'S RIGHT, 255 00:10:13,546 --> 00:10:15,181 AND SHE CAN CALL IN WHOEVER SHE WANTS TO, 256 00:10:15,281 --> 00:10:17,149 BUT SHE IS WRONG THIS TIME. 257 00:10:17,249 --> 00:10:18,751 - HEY! - WHAT'S UP-- WHAT'S UP? 258 00:10:18,851 --> 00:10:20,052 SO, WHAT'S GOING ON? - HEY. 259 00:10:20,152 --> 00:10:20,987 OKAY, WE HAVE A QUICK QUESTION. 260 00:10:21,087 --> 00:10:22,388 OKAY-- WHAT'S THE QUESTION? 261 00:10:22,488 --> 00:10:24,357 WE'RE GONNA DO THIS SONG, 262 00:10:24,457 --> 00:10:26,692 AND YOU TELL ME WHICH CHOREOGRAPHY 263 00:10:26,792 --> 00:10:29,061 YOU THINK LOOKS THE BEST FOR US TO DO. 264 00:10:29,161 --> 00:10:30,563 DON'T LOOK AT THE FACT THAT TOWANDA LOOKS LIKE 265 00:10:30,663 --> 00:10:34,266 SHE'S ABOUT TO MAKE $20 ON THE POLE, 266 00:10:34,367 --> 00:10:36,168 'CAUSE SHE'S DOING IT, LIKE, REALLY-REALLY HARD. 267 00:10:37,903 --> 00:10:39,739 JUST PUSH THE PLAY! 268 00:10:53,219 --> 00:10:54,987 HUH? 269 00:10:57,523 --> 00:10:59,925 COMING UP, ON "BRAXTON FAMILY VALUES"... 270 00:11:00,026 --> 00:11:01,160 WHERE'S TRACI? 271 00:11:01,260 --> 00:11:02,328 SHE CAN'T COME. 272 00:11:02,428 --> 00:11:03,963 - TRACI'S NOT COMING? - TRACI'S NOT COMING. 273 00:11:04,063 --> 00:11:05,965 WHERE'S THE CHOREOGRAPHER? 274 00:11:07,833 --> 00:11:09,835 WHY NOBODY ASK ME? 275 00:11:24,250 --> 00:11:26,185 ONE IS A CHILLED OUT APPROACH. 276 00:11:26,285 --> 00:11:27,753 ONE IS WHAT? 277 00:11:27,853 --> 00:11:29,155 AND ONE IS JUST STRAIGHT GOING IN. 278 00:11:29,255 --> 00:11:30,222 - AND ONE IS GOING ON. - NO. 279 00:11:30,322 --> 00:11:31,390 OKAY, BUT I'M GONNA TELL YA THE DIFFERENCE. 280 00:11:31,490 --> 00:11:33,626 - OKAY. - SING IT! 281 00:11:33,726 --> 00:11:35,194 BUT, WHAT KINDA MICS YA'LL GONNA HAVE, THOUGH? 282 00:11:35,294 --> 00:11:36,529 STAND UP-- STANDING UP. 283 00:11:36,629 --> 00:11:38,197 THEY'RE NOT LAVALIERS. 284 00:11:38,297 --> 00:11:40,366 - NO, THEY'RE NOT. - BUT, YOU ARE STATIONARY. 285 00:11:40,466 --> 00:11:42,601 IF SHE ACT LIKE SHE AT THE STRIP CLUB, 286 00:11:42,702 --> 00:11:45,471 YOU KNOW, AND SHE ALL-- - YOU WANT THIS. 287 00:11:45,571 --> 00:11:47,239 BUT, CAN YOU SING, DOING THAT? 288 00:11:47,339 --> 00:11:49,041 NOT PROPERLY. 289 00:11:49,141 --> 00:11:50,743 - WELL, THEN-- - LINDA IS NOT BIASED. 290 00:11:50,843 --> 00:11:52,411 ARE WE TALKIN' ABOUT THE LOOK OF IT OR THE SOUND OF IT? 291 00:11:52,511 --> 00:11:54,547 WE'RE TALKING ABOUT THE LOOK, BABY, BECAUSE I ALWAYS GIVE 100%. 292 00:11:54,647 --> 00:11:55,781 WE'RE TALKING ABOUT BOTH, RIGHT? 293 00:11:55,881 --> 00:11:56,949 NO-- NO-NO. 294 00:11:57,049 --> 00:11:58,184 THIS IS NOT "SO, YOU THINK YOU CAN DANCE." 295 00:11:58,284 --> 00:11:59,185 THIS IS "SO, YOU THINK YOU CAN SING." 296 00:11:59,285 --> 00:12:00,720 THERE'S A DIFFERENCE. 297 00:12:04,557 --> 00:12:06,025 IF ANYTHING HAS TO LACK, 298 00:12:06,125 --> 00:12:07,993 IT HAS TO BE THE CHOREOGRAPHY. 299 00:12:08,094 --> 00:12:09,228 I HAVE TO GO WIT' YOU ON THAT. 300 00:12:09,328 --> 00:12:10,830 THE SOUND IS GONNA BE RIGHT. 301 00:12:10,930 --> 00:12:13,365 RONNIE AND PEANUT REALIZED YOU CAN'T SING AND DANCE 302 00:12:13,466 --> 00:12:16,936 THAT HARD AT THE SAME TIME, NOT LIVE, ANYWAY. 303 00:12:17,036 --> 00:12:19,238 YOU GOTTA COMPROMISE AND MAKE IT LOOK LIKE 304 00:12:19,338 --> 00:12:20,873 YOU'RE BOTH ON THE SAME PAGE. 305 00:12:20,973 --> 00:12:22,641 SO, YOU GUYS GET IT TOGETHER. 306 00:12:22,742 --> 00:12:24,477 WORK IT OUT-- WE LOVE YOU AND-- 307 00:12:24,577 --> 00:12:25,945 - OH, THAT'S SO WRONG. - THAT'S IT. 308 00:12:26,045 --> 00:12:27,012 AND WE'RE OUT-- YA'LL GO IT. 309 00:12:27,113 --> 00:12:28,581 WHEN I REALIZED THAT THEY WEREN'T REALLY GONNA 310 00:12:28,681 --> 00:12:31,083 SAY ANYTHING AGAINST TRINA'S CHOREOGRAPHY, 311 00:12:31,183 --> 00:12:32,451 I KNEW THAT I WON. 312 00:12:32,551 --> 00:12:33,753 I KNEW THAT THEY LIKED MINE THE MOST. 313 00:12:33,853 --> 00:12:35,654 THEY JUST DIDN'T WANNA HURT TRINA'S FEELINGS. 314 00:12:37,223 --> 00:12:39,191 LET'S GET ON THE SAME PAGE, TOWANDA. 315 00:12:39,291 --> 00:12:40,993 I-I MEAN, I'M GONNA LEARN WHAT YOU GOT, 316 00:12:41,093 --> 00:12:43,963 AND YOU LEARN WHAT I GOT, AND THEN WE GO FROM THERE. 317 00:13:01,814 --> 00:13:03,716 - READY? - YEP. 318 00:13:03,816 --> 00:13:06,051 THIS IS THE FIRST REHEARSAL FOR TONI'S TOUR, 319 00:13:06,152 --> 00:13:09,321 AND WE ONLY HAVE THREE DAYS BEFORE THE TOUR STARTS. 320 00:13:09,421 --> 00:13:11,357 HEY, EVERYBODY. - HEY, TRINA. 321 00:13:11,457 --> 00:13:14,226 TONI IS ALREADY ON EDGE, SO THERE'S A LOT OF PRESSURE 322 00:13:14,326 --> 00:13:16,629 ON ME FOR MY PART IN THE SHOW TO BE PERFECT. 323 00:13:16,729 --> 00:13:18,831 I WAS THINKING WE COULD, YOU KNOW, WHEN WE LAND 324 00:13:18,931 --> 00:13:24,670 AND REVEAL, WE COULD LAND AND REVEAL, RIGHT HERE. 325 00:13:24,770 --> 00:13:26,605 - OKAY. - RIGHT HERE. 326 00:13:26,705 --> 00:13:28,841 OKAY-- RIGHT HERE. 327 00:13:28,941 --> 00:13:30,142 OKAY. 328 00:13:37,049 --> 00:13:38,818 - HEY, GIRLS. - HEY, TONE. 329 00:13:38,918 --> 00:13:40,419 HELLO. 330 00:13:40,519 --> 00:13:41,554 - YOU LOOK PRETTY. - THANKS. 331 00:13:41,654 --> 00:13:42,922 BOYS, YOU WANNA RUN THROUGH SOME STUFF? 332 00:13:43,022 --> 00:13:44,423 OR, YOU GUYS NEED SOME MORE TIME? 333 00:13:44,523 --> 00:13:46,392 OH, NO, WE WERE JUST WORKING ON THE INTRO AND-- 334 00:13:46,492 --> 00:13:47,760 - YEAH, LET ME SEE THEM. - OKAY. 335 00:13:47,860 --> 00:13:49,261 CAN WE RUN IT, GUYS, SO I CAN SEE THE GIRLS? 336 00:13:49,361 --> 00:13:50,930 YEAH, LET'S TRY IT. 337 00:13:51,030 --> 00:13:53,532 I AM GETTING READY TO GO ON TOUR, AND I HAVE TRINA, 338 00:13:53,632 --> 00:13:55,801 AND TOWANDA, AND THE WHOLE BAND TODAY. 339 00:13:55,901 --> 00:13:58,270 IT'S BEEN A WHILE SINCE OUR LAST TOUR. 340 00:13:58,370 --> 00:13:59,471 IT'S BEEN ABOUT FIVE YEARS. 341 00:13:59,572 --> 00:14:02,675 AND THIS TOUR, TO ME, MEANS ALMOST EVERYTHING. 342 00:14:02,775 --> 00:14:04,910 BECAUSE I HAVE LUPUS, THE QUESTIONS, 343 00:14:05,010 --> 00:14:06,512 THE WHISPERS, "WELL, CAN SHE TOUR? 344 00:14:06,612 --> 00:14:07,613 "CAN SHE DO IT? 345 00:14:07,713 --> 00:14:08,647 "WHERE IS SHE IN LUPUS? 346 00:14:08,747 --> 00:14:09,782 "I DON'T KNOW IF SHE CAN GO ON. 347 00:14:09,882 --> 00:14:11,283 "CAN SHE SUSTAIN THAT LONG?" 348 00:14:11,383 --> 00:14:12,885 THIS TOUR IS GONNA ELIMINATE ALL THOSE QUESTIONS, 349 00:14:12,985 --> 00:14:14,553 BECAUSE IT'S A LITTLE OVER A MONTH, 350 00:14:14,653 --> 00:14:16,255 AND IT'S FOUR TO FIVE SHOWS A WEEK, 351 00:14:16,355 --> 00:14:19,091 AND THIS IS GONNA SET UP, "HEY, I HAVE LUPUS. 352 00:14:19,191 --> 00:14:21,760 "IT DOESN'T HAVE ME." 353 00:14:21,861 --> 00:14:22,928 TOWANDA? 354 00:14:23,028 --> 00:14:24,230 I WAS-- I WAS GOING TO-- 355 00:14:24,330 --> 00:14:26,265 I NEED A LITTLE LESS WALKING LIKE THIS. 356 00:14:26,365 --> 00:14:28,834 - I WALK LIKE WHAT? - GIRL, YOU WALK-- COME ACROSS. 357 00:14:28,934 --> 00:14:30,135 I MEAN, A LITTLE LESS WIGGLE. 358 00:14:30,236 --> 00:14:32,104 - I DO NOT WALK LIKE-- - TOWANDA, WALK. 359 00:14:32,204 --> 00:14:33,272 JUST-- JUST DO IT. 360 00:14:33,372 --> 00:14:35,241 I PROMISE YOU-- I SWEAR. 361 00:14:35,341 --> 00:14:36,809 - I DO NOT WALK LIKE THAT. - STARTIN' TO LOOK LIKE TRINA. 362 00:14:36,909 --> 00:14:37,910 GO DO IT, AGAIN-- DO IT, AGAIN. 363 00:14:38,010 --> 00:14:39,778 - I NOT WALK LIKE-- - JUST WALK REGULAR. 364 00:14:39,879 --> 00:14:42,348 HEEL, TOE, HEEL, TOE, HEEL, TOE. 365 00:14:42,448 --> 00:14:43,482 I DON'T WALK LIKE THAT. 366 00:14:43,582 --> 00:14:44,783 BUT, TRINA WAS OUT OF BREATH. 367 00:14:44,884 --> 00:14:45,918 WASN'T SHE OUT OF BREATH? 368 00:14:46,018 --> 00:14:47,152 WELL, YOU KNOW I GOT A LITTLE BIT CHUNKY. 369 00:14:47,253 --> 00:14:48,587 YOU WAS LIKE-- 370 00:14:50,890 --> 00:14:52,524 - WASN'T QUITE THAT BAD. - YES, IT WAS. 371 00:14:52,625 --> 00:14:55,194 DO YOU WANNA GO THROUGH EACH SONG WITHOUT MUSIC? 372 00:14:55,294 --> 00:14:57,897 I WANNA SEE TRINA. 373 00:14:57,997 --> 00:15:00,299 IT IS VERY NERVOUSING FOR ME 374 00:15:00,399 --> 00:15:03,068 TO DO MY SONG IN THE MIDDLE OF HER SET. 375 00:15:03,168 --> 00:15:06,005 PEOPLE ARE GONNA EXPECT ME TO PERFORM AT THE SAME LEVEL 376 00:15:06,105 --> 00:15:09,308 AS TONI BRAXTON, AND THAT IS GONNA BE VERY DIFFICULT FOR ME 377 00:15:09,408 --> 00:15:12,645 EVERY NIGHT TO TRY TO APPEASE THE TONI BRAXTON AUDIENCE, 378 00:15:12,745 --> 00:15:16,115 ESPECIALLY SINCE WE HAVE TWO COMPLETELY DIFFERENT SOUNDS. 379 00:15:16,215 --> 00:15:17,383 WHERE'S TRACI? 380 00:15:17,483 --> 00:15:19,585 AIN'T TRACI DOIN' YOUR DANCE PARTY? 381 00:15:19,685 --> 00:15:22,821 TRACI SAYS SHE'S-- SHE CAN'T COME. 382 00:15:22,922 --> 00:15:25,357 - TRACI'S NOT COMING? - TRACI'S NOT COMING. 383 00:15:28,394 --> 00:15:29,895 WHY DID NOBODY TELL ME? 384 00:15:29,995 --> 00:15:31,497 WHEN I WAS GONNA FIND OUT-- WHEN WE'RE ON THE ROAD? 385 00:15:31,597 --> 00:15:32,698 WELL, NO, WE WERE JUST-- 386 00:15:32,798 --> 00:15:33,933 I JUST FOUND-- THINK ABOUT IT. 387 00:15:34,033 --> 00:15:35,501 I'M MISSIN' A BACKGROUND, UH, DO-WOP-POP-POP GIRL. 388 00:15:35,601 --> 00:15:37,703 SO, HOW YOU GONNA DO YOUR DANCE-- YOUR-YOUR PART? 389 00:15:37,803 --> 00:15:39,204 JUST YOU AND TOWANDA-- THAT AIN'T HOT. 390 00:15:39,305 --> 00:15:41,507 I EITHER DO IT BY MYSELF OR I MIGHT HAVE TO BORROW 391 00:15:41,607 --> 00:15:43,175 RECO AND JAMES. 392 00:15:45,144 --> 00:15:46,979 MY ASSISTANT AND THE STYLIST? 393 00:15:47,079 --> 00:15:48,814 - STYLIST-- MM-HMM. - YES. 394 00:15:48,914 --> 00:15:49,915 YOU DON'T THINK THAT'S A GOOD IDEA? 395 00:15:50,015 --> 00:15:51,250 WHO GONNA BE ASSISTIN' ME BACKSTAGE? 396 00:15:51,350 --> 00:15:53,218 I'LL HELP YOU. 397 00:15:53,319 --> 00:15:57,189 JUST BECAUSE YOU ARE JUDIES DON'T MEAN THAT YOU ARE JUDIES. 398 00:15:57,289 --> 00:15:59,525 IT DOESN'T-- I'M A LITTLE BIT CONCERNED. 399 00:15:59,625 --> 00:16:01,160 - FOR TONIGHT. - TRACI'S REALLY NOT COMIN'? 400 00:16:01,260 --> 00:16:03,362 - TRACI'S NOT COMING. - WELL, WE'RE WORKING ON THAT. 401 00:16:03,462 --> 00:16:04,697 TRACI'S NOT COMING. 402 00:16:04,797 --> 00:16:06,932 WE NEED TO JUST PULL TWO DANCERS FOR HER. 403 00:16:07,032 --> 00:16:08,400 - THAT AIN'T IN THE BUDGET. - THAT'S NOT IN THE BUDGET. 404 00:16:08,500 --> 00:16:10,102 - IT'S NOT IN THE BUDGET. - THAT'S NOT IN MY BUDGET. 405 00:16:10,202 --> 00:16:12,571 AIN'T NOBODY GONNA BE PARTYIN' WIT' YOU. 406 00:16:12,671 --> 00:16:13,572 IT'S OKAY. 407 00:16:13,672 --> 00:16:14,907 I KNOW HOW TO PARTY BY MYSELF. 408 00:16:15,007 --> 00:16:17,676 I JUST FOUND OUT A FEW DAYS AGO THAT I AM PERFORMING, 409 00:16:17,776 --> 00:16:20,045 AND I HAVEN'T GOTTEN A SOLID ANSWER FROM TRACI 410 00:16:20,145 --> 00:16:22,715 IF SHE CAN DROP EVERYTHING TO JOIN THE TOUR. 411 00:16:22,815 --> 00:16:24,817 I THINK I CAN DO MY SONG BY MYSELF, 412 00:16:24,917 --> 00:16:27,086 BUT NO ONE ELSE SEEMS TO HAVE FAITH IN ME. 413 00:16:27,186 --> 00:16:28,320 FOR HER. 414 00:16:28,420 --> 00:16:29,621 I DEFINITELY DON'T THINK YOU SHOULD BE ONSTAGE BY YOURSELF. 415 00:16:29,722 --> 00:16:30,856 SEE-- THAT'S WHAT I WAS TRYING TO SAY. 416 00:16:30,956 --> 00:16:31,790 IT'S A-- IT'S A PARTY SONG. 417 00:16:31,890 --> 00:16:32,992 RIGHT. 418 00:16:33,092 --> 00:16:33,826 AND IT'S SO CUTE WHEN YOU GUYS ARE BOTH BEHIND HER, 419 00:16:33,926 --> 00:16:34,927 HAVIN' FUN. - MMM-HMM. 420 00:16:35,027 --> 00:16:36,261 I MIGHT HAVE TO GO UP THERE AND DO IT WIT' YOU. 421 00:16:36,362 --> 00:16:38,430 WELL, TONI'S NOT GONNA BE MY DO-WOP-POP-POP GIRL. 422 00:16:38,530 --> 00:16:39,999 I'M JUST TELLING YOU THAT, RIGHT NOW. - YOU'RE NOT GONNA DO THAT. 423 00:16:40,099 --> 00:16:41,467 WELL, 'CAUSE YOU NEED A BREAK-- YOU HAVE TO CHANGE, RIGHT? 424 00:16:41,567 --> 00:16:42,634 YEAH, YOU-YOU NEED A BREAK, AND YOU HAVE TO CHANGE YOUR CLOTHES. 425 00:16:42,735 --> 00:16:45,604 I THINK I COULD BE TRINA'S BACKGROUND GIRL. 426 00:16:45,704 --> 00:16:48,073 I WOULD WEAR A WIG OR 427 00:16:48,173 --> 00:16:49,274 I WOULD PUT ON HIGHER SHOES, SOMETHING. 428 00:16:49,375 --> 00:16:50,509 I DON'T THINK PEOPLE WOULD KNOW. 429 00:16:50,609 --> 00:16:52,011 BUT, IN THE END, I DON'T CARE IF THEY DID KNOW 430 00:16:52,111 --> 00:16:54,913 BECAUSE WE'RE SISTERS, AND SOMETIMES, FAMILY HELP FAMILY. 431 00:16:55,014 --> 00:16:56,215 IT'S WHAT WE DO. 432 00:16:56,315 --> 00:16:58,951 - OHHH. - CAN I GET MY MIC? - THIS IS HILARIOUS. 433 00:16:59,051 --> 00:17:00,386 I'M GONNA HAVE TO-- I'M GONNA HAVE TO WEAR HEELS. 434 00:17:00,486 --> 00:17:01,587 TONI? 435 00:17:01,687 --> 00:17:02,688 TONE, YOU WON'T EVEN KNOW THE-THE MOVES. 436 00:17:02,788 --> 00:17:03,789 I-I MIGHT HAVE TO DO IT. 437 00:17:03,889 --> 00:17:05,057 I MIGHT HAVE TO BE OUT THERE. 438 00:17:05,157 --> 00:17:06,191 IT'S GONNA BE ANOTHER SITUATION WHEN TRACI 439 00:17:06,291 --> 00:17:07,426 DIDN'T-DIDN'T KNOW THE MOVES. 440 00:17:07,526 --> 00:17:08,727 OKAY, WHERE DO WE START? 441 00:17:08,827 --> 00:17:11,830 I WANTED TO TELL HER, "SIT YOUR HAPPY BUTT DOWN. 442 00:17:11,930 --> 00:17:14,333 "YOU ARE NOT DOING THIS." 443 00:17:14,433 --> 00:17:16,769 ♪ SHE'S A POP STAR ♪ 444 00:17:16,869 --> 00:17:19,605 PRETEND YOU'RE HAVING FUN! 445 00:17:20,873 --> 00:17:22,508 - THAT'S ME. - TONI. 446 00:17:22,608 --> 00:17:24,343 ♪ WHERE YOU AT BABY ♪ 447 00:17:24,443 --> 00:17:26,545 ♪ TONIGHT ♪ 448 00:17:31,550 --> 00:17:34,019 ♪ TONIGHT IT'S GONNA BE OUT OF CONTROL ♪ 449 00:17:34,119 --> 00:17:35,988 ♪ AIN'T TRIPPIN' ON DRESS CODE ♪ 450 00:17:36,088 --> 00:17:39,825 ♪ PARTY ROCK ON OVERLOAD ♪ 451 00:17:40,893 --> 00:17:42,127 KEEP GOIN'-- KEEP GOIN'. 452 00:17:42,227 --> 00:17:43,395 ♪ DANCING LIKE WE DON'T CARE ♪ 453 00:17:43,495 --> 00:17:44,930 HIP RIGHT HERE-- RIGHT HERE. 454 00:17:45,030 --> 00:17:46,598 ♪ PUT YOUR HANDS IN THE AIR ♪ 455 00:17:46,698 --> 00:17:49,068 ♪ IT'S GONNA BE 1 2 3 O'CLOCK 4 O'CLOCK ROCK ♪ 456 00:17:49,168 --> 00:17:50,436 FOLLOW ME. 457 00:17:50,536 --> 00:17:53,072 ♪ DJ PLAYING ALL THE JAMS SO THE PARTY DON'T STOP ♪ 458 00:17:53,172 --> 00:17:54,907 KEEP GOIN'. 459 00:17:57,943 --> 00:17:59,278 ♪ THEN YOU BETTER GO HOME IF YOU DIDN'T COME TO PARTY ♪ 460 00:17:59,378 --> 00:18:00,946 ♪ THEN YOU BETTER GO HOME ♪ 461 00:18:01,046 --> 00:18:03,315 KICK YOUR LEG UP. 462 00:18:03,415 --> 00:18:05,551 TONI'S HORRIBLE, OKAY? 463 00:18:05,651 --> 00:18:06,919 TONI, YOU'RE HORRIBLE. 464 00:18:07,019 --> 00:18:10,823 YOU CANNOT PICK UP THESE MOVES LIKE THAT. 465 00:18:10,923 --> 00:18:12,157 NO... 466 00:18:12,257 --> 00:18:13,459 NO... 467 00:18:13,559 --> 00:18:14,626 NO, TONI. 468 00:18:14,726 --> 00:18:16,061 IT'S NOT GOOD. 469 00:18:16,161 --> 00:18:19,364 ♪ GOT SOME DRINK IN MY CUP TAKING ME TO MY ZONE ♪ 470 00:18:19,465 --> 00:18:23,001 ♪ IF YOU DIDN'T COME TO PARTY THEN YOU BETTER GO HOME ♪ 471 00:18:23,102 --> 00:18:24,903 NO, YOU'RE NOT THE LEADER-- YOU'RE NOT THE LEADER. 472 00:18:25,003 --> 00:18:26,805 ♪ THEN YOU BETTER GO HOME ♪ 473 00:18:26,905 --> 00:18:30,342 ♪ IF YOU DIDN'T COME TO PARTY THEN YOU BETTER GO HOME ♪ 474 00:18:30,442 --> 00:18:32,911 ♪ OH OH OH OH ♪ 475 00:18:33,011 --> 00:18:34,379 ♪ THEN YOU BETTER GO HOME ♪ 476 00:18:34,480 --> 00:18:38,083 ♪ IF YOU DIDN'T COME TO PARTY THEN YOU BETTER GO HOME ♪ 477 00:18:44,156 --> 00:18:46,125 - TONI BRAXTON, NO WAY. - NOPE. 478 00:18:46,225 --> 00:18:47,626 YOU LOOKED LIKE YOU WERE DOING THE MARCHING BAND. 479 00:18:47,726 --> 00:18:49,528 IMAGINE IF I KNEW IT. 480 00:18:51,497 --> 00:18:52,798 - NO. - YES YOU DID. 481 00:18:52,898 --> 00:18:55,067 I WOULD BE A GOOD DO-WOP-POP-POP CHICK, 482 00:18:55,167 --> 00:18:57,069 IF I KNEW THE CHOREOGRAPHY. 483 00:18:57,169 --> 00:18:58,537 I MEAN, I HAVE RHYTHM. 484 00:18:58,637 --> 00:19:00,205 BUT, IT'S THE LAST MINUTE. 485 00:19:00,305 --> 00:19:03,408 I DIDN'T KNOW IT AS WELL AS I THOUGHT I KNEW IT, SO-- 486 00:19:03,509 --> 00:19:05,110 I LIKE THIS PART. 487 00:19:05,210 --> 00:19:07,346 ONE, TWO, THREE O'CLOCK, FOUR... 488 00:19:07,446 --> 00:19:08,881 EVEN THOUGH THAT'S NOT THE MOVE. 489 00:19:08,981 --> 00:19:10,616 TONI, YOU ARE A SUPERSTAR. 490 00:19:10,716 --> 00:19:11,617 YOU ARE MY SISTER. 491 00:19:11,717 --> 00:19:14,419 I LOVE YOU... BUT, NO, THANK YOU. 492 00:19:14,520 --> 00:19:16,889 I CAN'T HAVE YOU AS MY BACKGROUND DANCER. 493 00:19:16,989 --> 00:19:18,624 I AM PRAYING THAT TRACI WILL PULL THROUGH 494 00:19:18,724 --> 00:19:19,992 ON THE LAST MINUTE. 495 00:19:20,092 --> 00:19:21,326 TRACI, I NEED YOU. 496 00:19:21,426 --> 00:19:23,462 PLEASE COME-- PLEASE? 497 00:19:23,562 --> 00:19:24,496 IT'S A GOOD SONG. 498 00:19:24,596 --> 00:19:25,764 GETS PEOPLE EXCITED. 499 00:19:25,864 --> 00:19:28,901 I FEEL, IF I KNEW THE CHOREOGRAPHY, JUST IN CASE-- 500 00:19:29,001 --> 00:19:30,969 HMM... 501 00:19:31,069 --> 00:19:32,804 YEAH, I'M GONNA SAY, "NO." 502 00:19:47,019 --> 00:19:48,687 THIS IS MY GLAM BAG. 503 00:19:48,787 --> 00:19:50,422 OKAY. 504 00:19:50,522 --> 00:19:53,425 YOU DON'T NEED MUCH GLAM, 'CAUSE YOU'RE ALREADY THERE. 505 00:19:53,525 --> 00:19:55,527 IT'S FINALLY HERE, MY DEBUT 506 00:19:55,627 --> 00:19:59,898 INTERNET RADIO SHOW ON BLIS.FM, HONEY. 507 00:19:59,998 --> 00:20:01,099 YES! 508 00:20:01,200 --> 00:20:03,635 I'M GETTING MY MAKEUP DONE BECAUSE THE SHOW 509 00:20:03,735 --> 00:20:06,705 IS STREAMING LIVE, 510 00:20:06,805 --> 00:20:10,776 AND WE ALL KNOW TRACI'S GOTTA LOOK GOOD. 511 00:20:17,082 --> 00:20:19,051 AND THIS GENTLEMAN, RIGHT HERE. 512 00:20:19,151 --> 00:20:21,720 MICHAEL'S HERE AND-AND DR. BRAXTON'S HERE. 513 00:20:21,820 --> 00:20:23,689 THANK YOU-- THANK YOU. 514 00:20:23,789 --> 00:20:25,424 - HI, THERE, BABY GIRL. - HI, MIKEY. 515 00:20:25,524 --> 00:20:26,625 THIS IS MY BROTHER, EVERYONE. 516 00:20:26,725 --> 00:20:28,360 I HAVE A BROTHER! 517 00:20:28,460 --> 00:20:31,129 I WAS SO GLAD TO SEE MY HUSBAND, KEVIN, 518 00:20:31,230 --> 00:20:34,433 AND MY BROTHER, MIKEY, TO BE HERE AND SUPPORT ME. 519 00:20:34,533 --> 00:20:37,803 BUT, I AM STILL LOOKING FOR TRINA, TOWANDA, AND MOM. 520 00:20:37,903 --> 00:20:39,805 YOU GUYS ARE NOWHERE TO BE FOUND. 521 00:20:39,905 --> 00:20:42,841 WHERE ARE YOU? 522 00:20:42,941 --> 00:20:45,110 I THANK YA'LL FOR SO MUCH, FOR SUPPORTING ME. 523 00:20:45,210 --> 00:20:47,879 IT'S TIME FOR ME TO GROW UP AND SAY, YOU KNOW, 524 00:20:47,980 --> 00:20:49,881 YOU HAVE TO STAND ON YOUR TWO FEET 525 00:20:49,982 --> 00:20:52,818 AND I APPRECIATE EVERYBODY BEING BEHIND ME 526 00:20:52,918 --> 00:20:54,286 AND SUPPORTING ME. 527 00:20:54,386 --> 00:20:56,021 AND-AND I KNOW YA'LL DON'T HAVE TO DO IT, 528 00:20:56,121 --> 00:20:57,656 BUT I KNOW YA'LL DO IT OUT OF LOVE. 529 00:20:57,756 --> 00:21:00,726 I THANK YA'LL SO MUCH-- I CANNOT SAY ENOUGH. 530 00:21:00,826 --> 00:21:02,995 THANK YOU-- THANK YOU SO MUCH. 531 00:21:03,095 --> 00:21:06,431 IT WAS, LIKE, SO MANY FEELINGS JUST OVERWHELMING 532 00:21:06,531 --> 00:21:09,701 AND ALL AT ONCE, 533 00:21:09,801 --> 00:21:12,604 AND I CRIED LIKE A BITCH. 534 00:21:12,704 --> 00:21:15,073 I DID. 535 00:21:15,741 --> 00:21:17,743 - WHEW. - YOU WERE BORN TO DO THIS. 536 00:21:17,843 --> 00:21:20,178 OKAY... WAIT A MINUTE. 537 00:21:20,279 --> 00:21:22,014 - WHAT? - WAIT A MINUTE. 538 00:21:22,114 --> 00:21:24,850 WAIT A MINUTE, YA'LL. 539 00:21:24,950 --> 00:21:27,653 OH, HOLY CRAP! 540 00:21:27,753 --> 00:21:30,656 THIS ACTUALLY IS HAPPENING. 541 00:21:30,756 --> 00:21:32,224 OH, MY GOD! 542 00:21:32,324 --> 00:21:34,126 OKAY... WHEW. 543 00:21:34,226 --> 00:21:36,628 COMING UP, ON "BRAXTON FAMILY VALUES"... 544 00:21:36,728 --> 00:21:38,563 GIVE US A CALL, WHEN YOU'D LIKE TO TALK TO US, 545 00:21:38,664 --> 00:21:40,499 AT 206-629. 546 00:21:40,599 --> 00:21:42,134 - 2026-- - OH, 202. 547 00:21:42,234 --> 00:21:43,602 WHY AM I SAYIN', "206?" 548 00:21:43,702 --> 00:21:45,470 NEW ARTISTS DON'T GET STUFF LIKE THAT. 549 00:21:45,570 --> 00:21:47,773 WHEN YOU'RE SCREWIN' YOUR BOSS, 550 00:21:47,873 --> 00:21:49,741 YOU GET EVERYTHING YOU NEED. 551 00:21:49,841 --> 00:21:51,510 - YOU REALLY TRIED IT. - I'M JUST SAYIN'. 552 00:21:55,514 --> 00:21:56,715 WAIT A MINUTE. 553 00:21:56,815 --> 00:21:59,284 WHEW... OKAY. 554 00:22:01,219 --> 00:22:02,654 - A FEW DEEP BREATHS. - I DON'T WANNA CRY. 555 00:22:02,754 --> 00:22:03,789 LOOK AT WHO YOU'RE GOING IN HERE WITH. 556 00:22:03,889 --> 00:22:04,956 IT'S JUST US. 557 00:22:05,057 --> 00:22:09,328 AH... OH, MY GOD-- I'M WALKIN' IN-- WHEW! 558 00:22:09,428 --> 00:22:10,696 WHAT IS WRONG WITH HER, MAN? 559 00:22:10,796 --> 00:22:13,498 SHE IS TRIPPIN'. 560 00:22:13,598 --> 00:22:17,102 OH. 561 00:22:17,202 --> 00:22:18,203 WHEW. 562 00:22:18,303 --> 00:22:19,438 WHERE'S TRINA? 563 00:22:19,538 --> 00:22:22,074 'CAUSE I'M QUITE SURE SHE GOT SOME JESUS JUICE. 564 00:22:22,174 --> 00:22:25,210 I CAN'T BELIEVE THIS DEBUT IS FINALLY HERE. 565 00:22:25,310 --> 00:22:27,079 THIS IS SO CRAZY! 566 00:22:27,179 --> 00:22:29,214 OH, TOUCH MYSELF. 567 00:22:29,314 --> 00:22:32,117 IT'S GONNA-- - GIVE ME A HUG. 568 00:22:37,889 --> 00:22:39,257 DADDY, I KNOW YOU'RE GIVING ME 569 00:22:39,358 --> 00:22:40,859 SOME POSITIVE THINGS, RIGHT NOW. 570 00:22:40,959 --> 00:22:47,799 HOWEVER, I STILL NEED MY MOM AND MY SISTERS TO BE HERE. 571 00:22:47,899 --> 00:22:49,835 THIS IS MY FIRST SHOW. 572 00:22:49,935 --> 00:22:51,870 OH, WHERE THE HELL ARE THEY? 573 00:22:51,970 --> 00:22:53,538 ♪ IT'S ME IT'S ME ♪ 574 00:22:53,638 --> 00:22:54,673 ♪ IT'S TRACI IT'S TRACI ♪ 575 00:22:54,773 --> 00:22:56,908 ♪ I'M FINDING MY OWN THING ♪ 576 00:22:57,008 --> 00:22:58,610 ♪ IT'S ME IT'S ME IT'S TRACI IT'S TRACI ♪ 577 00:22:58,710 --> 00:22:59,978 YES. 578 00:23:00,078 --> 00:23:01,446 WELCOME TO "THE TRACI BRAXTON SHOW." 579 00:23:01,546 --> 00:23:02,647 WELCOME. 580 00:23:02,748 --> 00:23:05,150 YES, IT IS ME, EVERYBODY-- IT'S OUR FIRST DAY! 581 00:23:05,250 --> 00:23:06,418 WE'RE LIVE. 582 00:23:06,518 --> 00:23:07,753 - CONGRATULATIONS. - YAY! 583 00:23:07,853 --> 00:23:08,954 I WAS SHAKIN' IN MY BOOTS. 584 00:23:09,054 --> 00:23:10,188 - AW. - I REALLY WAS. 585 00:23:10,288 --> 00:23:11,356 I WAS ABOUT TO CRY. 586 00:23:11,456 --> 00:23:12,657 I WAS LIKE, "WOW." 587 00:23:12,758 --> 00:23:15,594 IT'S LIKE WALKING RIGHT-- GETTIN' RIGHT FOR JESUS. 588 00:23:15,694 --> 00:23:17,863 WE ARE HERE. 589 00:23:17,963 --> 00:23:19,898 WE ARE BORN TODAY. 590 00:23:19,998 --> 00:23:21,333 HAPPY BIRTHDAY! 591 00:23:21,433 --> 00:23:22,701 I KNOW, THEY JUST-- THEY JUST CUT THE CORD. 592 00:23:22,801 --> 00:23:24,102 OH, "WAA!" 593 00:23:25,804 --> 00:23:27,439 GIVE US A CALL, WHEN YOU'D LIKE TO TALK TO US, 594 00:23:27,539 --> 00:23:29,841 AT 206-629. - 2026. 595 00:23:29,941 --> 00:23:32,611 OH, 202-- WHY AM I SAYIN', "206?" 596 00:23:32,711 --> 00:23:34,279 I CAN'T BELIEVE I DID THAT. 597 00:23:34,379 --> 00:23:35,814 I CAN'T-- OH, MY GOD! 598 00:23:35,914 --> 00:23:37,182 SHE HAD A NUMBER. 599 00:23:37,282 --> 00:23:40,519 THE CALLING NUMBER IS RIGHT THERE ON THE DAMN PAPER 600 00:23:40,619 --> 00:23:42,721 IN FRONT OF ME. 601 00:23:42,821 --> 00:23:44,656 I-- WHY I GOTTA BE SO NERVOUS? 602 00:23:44,756 --> 00:23:46,291 WE DO HAVE A CALL, EVERYBODY. 603 00:23:46,391 --> 00:23:47,926 WE HAVE A VERY SPECIAL CALLER ON THE LINE. 604 00:23:48,026 --> 00:23:49,127 - YES. - CALLER? 605 00:23:49,227 --> 00:23:50,429 CALLER, YOU'RE ON THE AIR. 606 00:23:50,529 --> 00:23:53,498 - HI, TRACI BRAXTON! - HI! 607 00:23:53,598 --> 00:23:57,135 I'M SO EXCITED TO BE CALLING INTO YOUR VERY OWN SHOW. 608 00:23:57,235 --> 00:23:59,037 YES-- THANK YOU SO MUCH. 609 00:23:59,137 --> 00:24:01,440 THANK YOU-- HOW ARE YOU DOING TODAY? 610 00:24:01,540 --> 00:24:02,774 I'M DOING EXCELLENT. 611 00:24:02,874 --> 00:24:05,510 I JUST REALLY WANNA ASK YOU A VERY SERIOUS QUESTION. 612 00:24:05,610 --> 00:24:06,812 OKAY-- WHAT'S THE QUESTION? 613 00:24:06,912 --> 00:24:08,447 DO YOU KNOW WHO THIS IS? 614 00:24:10,415 --> 00:24:11,850 GIRL, NO-- THIS IS TAMAR. 615 00:24:11,950 --> 00:24:13,084 YOU BETTER GET YOUR LIFE. 616 00:24:13,185 --> 00:24:15,887 AH, TAMAR! 617 00:24:15,987 --> 00:24:17,789 HI, TAMAR! - HEY, TAMAR. 618 00:24:17,889 --> 00:24:20,058 SHE'S TALKIN' LIKE SHE WAS WHITE OR SOMETHING. 619 00:24:20,158 --> 00:24:22,561 LIKE, "HI, TRACI." 620 00:24:22,661 --> 00:24:24,095 AND THEN, I DIDN'T UNDERSTAND WHO SHE WAS. 621 00:24:24,196 --> 00:24:25,197 SHE WENT, "UH-UH, GIRL. 622 00:24:25,297 --> 00:24:26,598 "YOU BETTER KNOW WHO THIS IS." 623 00:24:26,698 --> 00:24:28,200 THEN, I KNEW EXACTLY WHO IT WAS. 624 00:24:28,300 --> 00:24:31,970 AND JUST TO SHOW YOU HOW MUCH OF A MOTHER I AM-- 625 00:24:36,007 --> 00:24:37,843 - AW. - THAT IS TOO FUNNY. 626 00:24:37,943 --> 00:24:38,977 THANK YOU FOR CALLING, TAMAR. 627 00:24:39,077 --> 00:24:40,412 - THANK YOU. - THANK YOU, TAMAR. 628 00:24:40,512 --> 00:24:41,847 WE ALSO HAVE ANOTHER CALLER ON THE LINE, 629 00:24:41,947 --> 00:24:43,281 CALLING FROM CALIFORNIA. 630 00:24:43,381 --> 00:24:45,450 CALLER, YOU'RE ON THE AIR. 631 00:24:45,550 --> 00:24:49,488 - WHAT YA DOIN'? - TONI, OH, MY GOD! 632 00:24:51,957 --> 00:24:53,425 WE GOT TONI BRAXTON ON THE LINE. 633 00:24:53,525 --> 00:24:55,160 HEY, TONI BRAXTON! 634 00:24:55,260 --> 00:24:56,461 HEY, SUGE-- HEY, ROD. 635 00:24:56,561 --> 00:24:58,230 - HEY, TONI. - HEY, TONI. 636 00:24:58,330 --> 00:24:59,798 WHEN YOU ASKED ME WHAT I'M DOIN', I'M HERE, 637 00:24:59,898 --> 00:25:02,033 ON MY OWN SHOW, "THE TRACI BRAXTON SHOW." 638 00:25:04,436 --> 00:25:07,105 AND IT'S, YOU KNOW, IT IS SO OVERWHELMING, 639 00:25:07,205 --> 00:25:08,340 RIGHT NOW. 640 00:25:08,440 --> 00:25:10,275 WHEN I CAME UP TO THE RAMP, BEFORE I CAME INTO THE STUDIO, 641 00:25:10,375 --> 00:25:12,944 TONI, I WAS ABOUT TO CRY BECAUSE IT WAS LIKE 642 00:25:13,044 --> 00:25:15,213 IT FINALLY HIT ME. 643 00:25:15,313 --> 00:25:16,615 IT WAS ALMOST LIKE-- DON'T YOU KNOW WHEN YOU SAID 644 00:25:16,715 --> 00:25:18,316 WHEN YOU FIRST GOT YOUR GRAMMY, 645 00:25:18,416 --> 00:25:21,586 AND YOU WALKED ACROSS THE STAGE TO GET YOUR-YOUR AWARD 646 00:25:21,686 --> 00:25:23,421 AND EVERYTHING LIKE THAT? 647 00:25:23,522 --> 00:25:24,489 - MMM-HMM. - AND YOU WAS-- 648 00:25:24,589 --> 00:25:26,958 EVERYTHING JUST CAME TO YOU? 649 00:25:27,058 --> 00:25:28,560 I HAD THAT FEELING-- OH, MY GOD! 650 00:25:28,660 --> 00:25:30,161 YEAH, IT WAS KINDA SURREAL-- BUT, I'M SO EXCITED FOR YOU. 651 00:25:30,262 --> 00:25:31,263 WHO'S THERE? 652 00:25:31,363 --> 00:25:32,464 I HEAR TOWANDA. 653 00:25:32,564 --> 00:25:33,865 DID I HEAR TRINA AND MOMMY? 654 00:25:33,965 --> 00:25:36,902 NO, I DIDN'T HEAR FROM THEM YET, BUT I HEARD FROM TAMAR. 655 00:25:37,002 --> 00:25:38,670 OH, THEY'RE NOT THERE. 656 00:25:38,770 --> 00:25:39,938 OKAY. 657 00:25:40,038 --> 00:25:41,640 I JUST WANTED TO CALL, TRACI-- I LOVE YOU. 658 00:25:41,740 --> 00:25:43,642 AND DO YOUR THING AND CALL ME LATER TONIGHT. 659 00:25:43,742 --> 00:25:44,743 THANK YOU. 660 00:25:44,843 --> 00:25:47,913 THANK YOU SO MUCH FOR TU-- UH, TUNING IN TO 661 00:25:48,013 --> 00:25:50,282 "THE TRACI BRAXTON SHOW" AND SUPPORTING ME. 662 00:25:50,382 --> 00:25:51,750 - THANK YOU. - THANK YOU SO MUCH. 663 00:25:51,850 --> 00:25:53,184 - YOU'RE WELCOME. - TELL A FRIEND. 664 00:25:53,285 --> 00:25:54,553 A WHOLE LOT OF FRIENDS, EVERYBODY-- 665 00:25:54,653 --> 00:25:56,054 MAKE SURE YA'LL TWEET ABOUT IT. 666 00:25:58,590 --> 00:26:00,992 I MADE IT THROUGH THE LIVE SHOW, BUT NOW, 667 00:26:01,092 --> 00:26:05,297 THERE'S A PODCAST TAPING IN FRONT OF A LIVE AUDIENCE. 668 00:26:05,397 --> 00:26:07,432 THANKFULLY, IT'S RIGHT DOWN THE HALL. 669 00:26:07,532 --> 00:26:11,269 SO, I JUST HAVE TO GO AND CHANGE AND TAKE A BREATH. 670 00:26:11,369 --> 00:26:12,804 WHEW. 671 00:26:16,841 --> 00:26:18,143 I'VE BEEN TOLD MY SISTERS AND MOMMY 672 00:26:18,243 --> 00:26:22,213 ARE ARRIVING, RIGHT NOW, NOT ONE BUT TWO HOURS LATE. 673 00:26:22,314 --> 00:26:25,116 THEY TOTALLY MISSED THE WHOLE SHOW. 674 00:26:25,216 --> 00:26:27,319 I AM A LITTLE BIT DISAPPOINTED IN THAT. 675 00:26:27,419 --> 00:26:31,189 AT LEAST, THEY ARRIVE IN TIME FOR OUR PODCAST TAPING, 676 00:26:31,289 --> 00:26:34,159 AND THEY CAN BE MY VERY FIRST INTERVIEW. 677 00:26:34,259 --> 00:26:35,727 HEY, BABY! 678 00:26:37,596 --> 00:26:39,564 HEY, TRINA. 679 00:26:39,664 --> 00:26:41,900 HI, TOWANDA. 680 00:26:42,000 --> 00:26:45,270 WE ARE A LITTLE LATE FOR TRACI'S RADIO SHOW 681 00:26:45,370 --> 00:26:49,674 BECAUSE WE HAD REHEARSAL FOR TONI'S TOUR. 682 00:26:49,774 --> 00:26:51,209 HI, MOMMY-- HEY, MOMMY. 683 00:26:51,309 --> 00:26:53,011 BUT, WE HOPPED ON A PLANE AND FLEW TO D.C., 684 00:26:53,111 --> 00:26:54,412 SO THAT WE CAN BE THERE FOR TRACI. 685 00:26:54,512 --> 00:26:55,714 WE'RE A LITTLE LATE, BUT WE'RE THERE. 686 00:26:55,814 --> 00:26:57,282 THAT'S ALL THAT MATTERS. 687 00:26:57,382 --> 00:27:00,752 LADIES AND GENTLEMEN, MY FAMILY-- HERE'S MY MOMMY, 688 00:27:00,852 --> 00:27:03,788 TOWANDA, AND TRINA. 689 00:27:03,888 --> 00:27:06,825 AND I'M SO, SO, SO PROUD OF TRACI. 690 00:27:06,925 --> 00:27:09,194 I SAW THE GLEAM THAT WAS IN HER FACE. 691 00:27:09,294 --> 00:27:12,263 MY GOD, THAT WAS THE HAPPIEST DAY FOR ME, 692 00:27:12,364 --> 00:27:14,666 JUST LOOKING AT TRACI AND SEEING THE JOY, 693 00:27:14,766 --> 00:27:18,103 AND HER SPIRIT WAS SO WONDERFUL, 694 00:27:18,203 --> 00:27:20,972 AND I AM SO PROUD OF HER-- YOU GO, GIRL. 695 00:27:21,072 --> 00:27:22,173 YA'LL MISSED IT EARLIER. 696 00:27:22,273 --> 00:27:23,642 I'M NOT CRYING ANYMORE. 697 00:27:23,742 --> 00:27:24,876 YOU CRIED? 698 00:27:24,976 --> 00:27:27,145 AND THEN, ALL OF A SUDDEN, I GOT HOT, A I FELT FAINT. 699 00:27:27,245 --> 00:27:28,513 MY UNDERARMS WAS SWEATIN'. 700 00:27:28,613 --> 00:27:29,848 EVERYTHING WAS SWEATIN'. 701 00:27:29,948 --> 00:27:30,982 I WAS DOIN' THIS. - YOU DON'T STINK. 702 00:27:31,082 --> 00:27:32,417 - IF I HAD A FAN, I-- - WELL, WHAT'S UP WITH THAT? 703 00:27:32,517 --> 00:27:33,618 TRACI, DO YOU HAVE TO SIT LIKE THAT? 704 00:27:33,718 --> 00:27:34,919 OH, MY GOD! 705 00:27:35,020 --> 00:27:37,355 - IF I HAD A FAN-- - TRACI, CLOSE YOUR LEGS! 706 00:27:37,455 --> 00:27:38,823 BUT, IF I HAD A FAN, I WOULD'VE HAD THE FAN 707 00:27:38,923 --> 00:27:39,924 LIKE THIS AND JUST-- - TRACI! 708 00:27:40,025 --> 00:27:44,162 I EVEN HAD SWEAT MARKS ON MY BOOTY. 709 00:27:44,262 --> 00:27:47,165 I WAS-- I WAS SWEATING THAT MUCH. 710 00:27:47,265 --> 00:27:49,668 IT-IT WAS CRAZY-- PROFUSELY. 711 00:27:49,768 --> 00:27:52,837 IT JUST-- I HAD MOUNTAIN DEW ALL OVER THE PLACE. 712 00:27:52,937 --> 00:27:55,006 BOTH OF OUR SISTERS CALLED, BOTH TAMAR-- 713 00:27:55,106 --> 00:27:55,940 TAMAR, OF COURSE, 714 00:27:56,041 --> 00:27:56,841 TAMAR SAID SHE CAN'T MAKE IT 715 00:27:56,941 --> 00:27:58,076 'CAUSE SHE CAN'T GET A BABYSITTER. 716 00:27:58,176 --> 00:27:59,277 GIRL! - DO YOU KNOW WHAT? 717 00:27:59,377 --> 00:28:00,578 UH-UH-- UH-UH! - I'M HERE. 718 00:28:00,679 --> 00:28:02,247 - NO, TAMAR BRAXTON-- - GIRL! 719 00:28:02,347 --> 00:28:03,581 - NO, SHE DIDN'T! - HEY, TOWANDA. 720 00:28:03,682 --> 00:28:04,683 CAN I PUT MY HAND UP ON THAT? 721 00:28:04,783 --> 00:28:05,850 - NO, SHE DIDN'T SAY THAT! - RIGHT. 722 00:28:05,950 --> 00:28:07,752 WHERE'S THE BABY DADDY AT? - THAT'S WHAT SHE TOLD ME. 723 00:28:07,852 --> 00:28:09,421 WHY THE BABY DADDY AIN'T WATCHING THE BABY? 724 00:28:09,521 --> 00:28:11,756 THAT'S WHAT SHE TOLD ME-- WHERE HIS DADDY? 725 00:28:11,856 --> 00:28:13,692 HIS DADDY CAN'T WATCH THE BABY? 726 00:28:13,792 --> 00:28:14,793 - HEARD THAT. - OOH. 727 00:28:14,893 --> 00:28:16,661 WHY COULDN'T VINCE WATCH THE BABY-- HUH? 728 00:28:16,761 --> 00:28:18,129 WHY COME? 729 00:28:18,229 --> 00:28:20,231 DIDN'T-- THAT-THAT'S HOW YOU TOLD US, RIGHT? 730 00:28:20,331 --> 00:28:21,833 NOW, YOU KNOW HOW WE FEEL. 731 00:28:21,933 --> 00:28:23,034 ISN'T THAT SOMETHIN', TAMAR? 732 00:28:23,134 --> 00:28:25,070 YOU-- WHAT A HYPOCRITE-- 733 00:28:25,170 --> 00:28:26,471 ♪ HYPOCRITE ♪ 734 00:28:26,571 --> 00:28:27,906 MMM-HMM-- MMM-HMM. 735 00:28:28,006 --> 00:28:29,708 YEAH. 736 00:28:29,808 --> 00:28:31,276 - WE ARE SO PROUD OF YOU. - YES, WE ARE. - THANK YOU. 737 00:28:31,376 --> 00:28:33,545 - VERY PROUD OF YOU. - AND WE'RE SO EXCITED. - YEAH, TRACI! 738 00:28:33,645 --> 00:28:34,646 WHOO! 739 00:28:34,746 --> 00:28:35,914 WHOO-WHOO! 740 00:28:36,014 --> 00:28:37,382 THANK YOU-- THANK YOU. 741 00:28:37,482 --> 00:28:40,785 I HAVE A SPECIAL GUEST BESIDES US. 742 00:28:40,885 --> 00:28:41,953 WHO? 743 00:28:42,053 --> 00:28:45,890 SHE'S KNOWN THE FAMILY SUCH A LONG TIME AND-- 744 00:28:45,990 --> 00:28:47,459 MRS. SHANICE. 745 00:28:49,694 --> 00:28:52,897 HEY! 746 00:28:52,997 --> 00:28:56,367 MY FAMILY KNOWN SHANICE SINCE WE WERE TEENAGERS 747 00:28:56,468 --> 00:28:58,002 AND WHEN SHE WAS A TEENAGER, 748 00:28:58,103 --> 00:29:00,538 AND SHE'S LIKE ANOTHER SISTER TO US. 749 00:29:00,638 --> 00:29:03,675 WE GREW UP IN THE INDUSTRY, YOU KNOW, FOR YEARS. 750 00:29:03,775 --> 00:29:06,144 - CALL ME LATER. - NICE TO SEE MY SISTERS. 751 00:29:06,244 --> 00:29:07,345 TRACI, WE'RE SO PROUD OF YOU. 752 00:29:07,445 --> 00:29:09,481 THANK YOU-- THANK YOU-- THANK YOU. 753 00:29:09,581 --> 00:29:11,116 - TRA-RAY, I'M SO PROUD OF YOU. - THANK YOU, TRINA. 754 00:29:11,216 --> 00:29:13,418 MY CO-HOST-- 755 00:29:13,518 --> 00:29:15,153 HI-- HOW ARE YOU? 756 00:29:15,253 --> 00:29:17,288 HOW YA DOIN', BABY GIRL? 757 00:29:17,388 --> 00:29:19,357 - I'M GOOD. - YES. 758 00:29:19,457 --> 00:29:20,859 JUST, YOU KNOW, KEEPIN' MYSELF BUSY. 759 00:29:20,959 --> 00:29:22,360 GOT TWO KIDS, NOW, AND A HUSBAND. 760 00:29:22,460 --> 00:29:23,762 - MMM-HMM-- YES. - OKAY. 761 00:29:23,862 --> 00:29:26,097 STILL DOING MUSIC, RECORDING, DOIN' SHOWS, 762 00:29:26,197 --> 00:29:27,465 LIVE SHOWS, HERE AND THERE. 763 00:29:27,565 --> 00:29:30,001 SO, WHEN WE GONNA START LISTENING TO NEW MUSIC? 764 00:29:30,101 --> 00:29:31,970 I'M ACTUALLY IN THE STUDIO RECORDING NOW, SO-- 765 00:29:32,070 --> 00:29:33,838 YAY! 766 00:29:33,938 --> 00:29:35,774 YAY, YAY, YAY! 767 00:29:35,874 --> 00:29:37,408 I AM SO PROUD OF MYSELF 768 00:29:37,509 --> 00:29:39,244 THAT I FINISHED THE FIRST SHOW. 769 00:29:39,344 --> 00:29:40,912 I FEEL AS THOUGH I HAVE PROVEN 770 00:29:41,012 --> 00:29:43,782 THAT I CAN DO IT WITHOUT MY SISTERS. 771 00:29:43,882 --> 00:29:46,651 BUT, KEEP THEIR SUPPORT. 772 00:29:46,751 --> 00:29:48,787 BUT, I CAN DO SOMETHING WITHOUT MY SISTERS. 773 00:29:50,355 --> 00:29:51,723 THANK YA'LL SO MUCH FOR COMING. 774 00:29:56,895 --> 00:29:58,897 AWE. 775 00:30:08,973 --> 00:30:10,942 TODAY, I'M REHEARSING WITH MY BAND. 776 00:30:11,042 --> 00:30:14,345 BUT FIRST, MY TOUR MANAGER, FROGGIE, 777 00:30:14,445 --> 00:30:16,648 WANTED US ALL TO SEE THE FINAL BACKDROP 778 00:30:16,748 --> 00:30:21,686 FOR MY SHOW-- I HOPE I LOVE IT. 779 00:30:21,786 --> 00:30:23,855 OOH! 780 00:30:25,657 --> 00:30:27,192 WE'RE GONNA PUT A VIDEO SCREEN BEHIND IT. 781 00:30:27,292 --> 00:30:28,827 - YEAH. - THEN, TEAR IT AWAY AND BOOM! 782 00:30:28,927 --> 00:30:30,762 OOOOO! 783 00:30:30,862 --> 00:30:32,297 WOW! 784 00:30:32,397 --> 00:30:33,565 THIS IS GONNA LOOK REALLY NICE ONSTAGE, 785 00:30:33,665 --> 00:30:35,400 WITH ALL THE RED STANDS, THE RED MICROPHONE. 786 00:30:35,500 --> 00:30:37,101 OH, IT LOOKS AMAZING. 787 00:30:37,202 --> 00:30:40,672 I CANNOT BELIEVE WHAT'S IN FRONT OF ME, RIGHT NOW. 788 00:30:40,772 --> 00:30:43,408 I MEAN, THIS BANNER IS SO BIG. 789 00:30:43,508 --> 00:30:46,377 I MEAN, IT'S JUST LIKE I'M REALIZING, LIKE, 790 00:30:46,477 --> 00:30:50,281 THIS MOMENT IS HERE, LIKE, FOR REAL- FOR REAL. 791 00:30:50,381 --> 00:30:51,883 IT'S HITTING ME FOR THE FIRST TIME. 792 00:30:51,983 --> 00:30:54,419 I'M SO AMAZED AND OVERWHELMED. 793 00:30:54,519 --> 00:30:56,988 BUT, I'M JUST PROUD OF MYSELF, AT THE END OF THE DAY, 794 00:30:57,088 --> 00:31:01,526 BECAUSE I SET A GOAL, AND SHE DID THAT, OKAY? 795 00:31:01,626 --> 00:31:03,995 OH, IT JUST GOT REAL-REAL, JUST NOW. 796 00:31:06,731 --> 00:31:08,833 COMING UP, ON "BRAXTON FAMILY VALUES"... 797 00:31:08,933 --> 00:31:10,368 I'M GONNA GO LEAVE AND CALL ME WHEN YOU NEED ME. 798 00:31:10,468 --> 00:31:11,502 NO, YOU STILL NEED TO BE HERE. 799 00:31:11,603 --> 00:31:12,670 NO, NO, NO, NO-- NO, YOU GOT IT. 800 00:31:12,770 --> 00:31:13,905 - YOU'RE MY MANAGER. - YOU GOT IT-- NAH! 801 00:31:14,005 --> 00:31:15,106 YOU CAN'T TELL HIM-- YOU CAN'T TELL 802 00:31:15,206 --> 00:31:16,307 THE CHOREOGRAPHER NOT TO BE HERE. 803 00:31:16,407 --> 00:31:17,442 - BECAUSE THAT'S NOT WHAT-- - HE'S SHOWING THE MOVES. 804 00:31:17,542 --> 00:31:18,509 - THAT WAS NOT THE MOVES. - AND YOU BE LIKE, 805 00:31:18,610 --> 00:31:19,577 "OH, NO, SHE DON'T NEED TO KNOW THE SNAPS." 806 00:31:19,677 --> 00:31:21,512 AW, POOR THING. 807 00:31:21,613 --> 00:31:22,614 - TRINA! - OKAY, SO, TRINA 808 00:31:22,714 --> 00:31:24,315 AND TRACI ARE EXILED FROM MY HOUSE. 809 00:31:26,885 --> 00:31:28,186 I PROMISE, TONI. 810 00:31:28,286 --> 00:31:29,554 THE WAY THAT I DO IT LOOKED BETTER. 811 00:31:29,654 --> 00:31:31,322 - NO, IT DOESN'T. - IT REALLY DOES. 812 00:31:31,422 --> 00:31:33,124 TOWANDA LOOKED LIKE SHE WAS ABOUT TO HURT HER BACK. 813 00:31:33,224 --> 00:31:34,325 I PROMISE. 814 00:31:34,425 --> 00:31:35,426 TONI, TELL THE TRUTH-- 815 00:31:35,526 --> 00:31:36,895 DON'T PEOPLE TELL YOU THAT THEY BE LOOKIN' AT ME 816 00:31:36,995 --> 00:31:39,063 WHEN I BE PERFORMING BEHIND YOU? 817 00:31:42,233 --> 00:31:43,301 I TOLD YOU! 818 00:31:43,401 --> 00:31:44,435 BUT, NO-NO-NO-- NO-NO-NO. 819 00:31:44,535 --> 00:31:45,637 THAT'S NOT A POSITIVE THING. 820 00:31:45,737 --> 00:31:46,938 - THAT IS A POSITIVE THING. - THAT'S-THAT'S JUST-- 821 00:31:47,038 --> 00:31:48,106 JUST 'CAUSE YOU DANCIN' REAL HARD, DOESN'T MEAN RIGHT. 822 00:31:48,206 --> 00:31:49,140 NO, NO, NO-- TONI-- TONI. 823 00:31:49,240 --> 00:31:50,541 TOWANDA, HARD DOESN'T MEAN RIGHT, 824 00:31:50,642 --> 00:31:51,943 LIKE LOUD DOESN'T MEAN RIGHT. 825 00:31:52,043 --> 00:31:53,511 - SHH... SHH. - SISTER. 826 00:31:53,611 --> 00:31:56,180 BUT, DIDN'T BILLY SAY THAT WHEN HE SAW ME DANCIN', 827 00:31:56,281 --> 00:31:58,316 IT MADE HIM WANNA BE A BACKGROUND SINGER? 828 00:31:58,416 --> 00:31:59,717 - YEAH. - BROWN NOSE. 829 00:31:59,817 --> 00:32:01,920 JUST BECAUSE YOU'RE LOUD DOESN'T MAKE YOU RIGHT. 830 00:32:02,020 --> 00:32:03,488 LET'S GO. - I'M NOT LOUD-- I'M JUST RIGHT. 831 00:32:03,588 --> 00:32:04,956 LET'S REHEARSE. 832 00:32:09,794 --> 00:32:11,729 OH, IT LOOKS AMAZING. 833 00:32:11,829 --> 00:32:14,899 OH, IT JUST GOT REAL-REAL, JUST NOW. 834 00:32:14,999 --> 00:32:16,467 I HAVE TO INSTAGRAM THAT. 835 00:32:16,567 --> 00:32:17,769 THAT'S CRAZY. 836 00:32:17,869 --> 00:32:19,837 YOU GOTTA LAY DOWN ON IT, THOUGH. 837 00:32:19,938 --> 00:32:21,172 LAY DOWN ON IT? 838 00:32:21,272 --> 00:32:22,507 - YES. - YEAH. 839 00:32:22,607 --> 00:32:24,242 I AIN'T LAYIN' DOWN ON THAT. 840 00:32:24,342 --> 00:32:25,310 YEAH. 841 00:32:25,410 --> 00:32:27,312 I'M CAREFUL ABOUT WHERE I LAY, HONEY. 842 00:32:27,412 --> 00:32:28,613 I CAN'T BELIEVE IT. 843 00:32:28,713 --> 00:32:30,048 GIVE IT HERE-- GIVE IT HERE. 844 00:32:30,148 --> 00:32:31,382 THIS IS AMAZING, RIGHT? 845 00:32:31,482 --> 00:32:33,384 ISN'T IT-- IT'S SO CRAZY, LIKE... 846 00:32:33,484 --> 00:32:36,220 OH, MY GOD! 847 00:32:36,321 --> 00:32:38,423 SO, EVERY NIGHT, THIS WILL BE UP. 848 00:32:38,523 --> 00:32:40,858 YOU'LL COME OUT ON-- YOU KNOW? 849 00:32:40,959 --> 00:32:42,794 IT-IT'S-- IT IS HILARIOUS, RIGHT? 850 00:32:42,894 --> 00:32:44,128 THAT'S CRAZY! 851 00:32:44,228 --> 00:32:46,698 IT'S-IT'S LIKE, NEW ARTISTS DON'T GET STUFF LIKE THAT. 852 00:32:46,798 --> 00:32:47,932 THEY GET A BLACK CURTAIN. 853 00:32:48,032 --> 00:32:49,133 LISTEN, WHEN YOU'RE MARRIED TO-- 854 00:32:49,233 --> 00:32:50,401 LET ME TELL YOU SOMETHIN'-- ONE THING IS FOR SURE. 855 00:32:50,501 --> 00:32:52,236 WHEN YOU'RE SCREWIN' YOUR BOSS, 856 00:32:52,337 --> 00:32:53,871 YOU GET EVERYTHING YOU NEED. 857 00:32:53,972 --> 00:32:55,440 - YOU REALLY TRIED IT. - REALLY, SHAWN? - I'M JUST SAYIN'. 858 00:32:55,540 --> 00:32:56,841 THAT'S WHAT WORKS. - YOU... REALLY... 859 00:32:56,941 --> 00:32:58,209 - SHAWN, YOU KNOW WHAT? - GIRL, I'M GONNA TELL YOU SOMETHIN'. 860 00:32:58,309 --> 00:32:59,844 YOU DONE GAVE HIM A BABY AND EVERYTHING. 861 00:32:59,944 --> 00:33:03,614 HE RIGHT, 'CAUSE IF I WASN'T SCREWIN' MY BOSS, 862 00:33:03,715 --> 00:33:05,350 I PROBABLY WOULDN'T HAVE HAD THAT BANNER, 863 00:33:05,450 --> 00:33:07,785 AND THESE ARE THE PERKS OF THE OINK-OINK. 864 00:33:07,885 --> 00:33:09,587 HEE-HEE-HEE. 865 00:33:09,687 --> 00:33:10,922 GET YOUR POSE. 866 00:33:11,022 --> 00:33:12,056 - YOU READY? - YES. 867 00:33:12,156 --> 00:33:16,160 ARE YOU SURE? 868 00:33:16,260 --> 00:33:17,829 MAYBE YOU SHOULDA WORE YOUR HEELS TODAY, TERRELL, 869 00:33:17,929 --> 00:33:19,030 SO YOU CAN GET HIGH UP. 870 00:33:19,130 --> 00:33:20,198 YOU GOT YOUR HEELS? 871 00:33:20,298 --> 00:33:21,299 IS YOUR HEELS IN THE CAR? 872 00:33:21,399 --> 00:33:24,402 ALL RIGHT, GUYS. 873 00:33:24,502 --> 00:33:26,971 YOU MAKE ENOUGH FOR THEM? 874 00:33:27,071 --> 00:33:28,306 YA'LL REALLY DO LIKE EACH OTHER. 875 00:33:28,406 --> 00:33:30,174 YA'LL WILL PROBABLY BE THE BEST OF FRIENDS. 876 00:33:30,274 --> 00:33:31,642 YA'LL NEED TO GO AHEAD ON AND STOP FIGHTIN'. 877 00:33:31,743 --> 00:33:32,910 I DON'T LIKE TERRELL. 878 00:33:33,011 --> 00:33:34,512 LISTEN, I-I CAN NEVER BE FRIENDS WITH SIN. 879 00:33:35,880 --> 00:33:37,949 TERRELL IS WALKIN' SIN, 880 00:33:38,049 --> 00:33:39,550 AND-AND I CAN NEVER BE FRIENDS. 881 00:33:43,321 --> 00:33:48,192 ♪ Tamar Braxton, "Hot Sugar" playing ♪ 882 00:33:56,801 --> 00:33:58,770 MARTY, YOU SICK FOR REAL? 883 00:33:58,870 --> 00:34:01,439 I CAN'T EVEN BRING MY BABY WITH ME UNTIL, LIKE, TUESDAY. 884 00:34:01,539 --> 00:34:03,274 - WHAT IS IT? - YOU PROBABLY GOT A BUG. 885 00:34:03,374 --> 00:34:04,409 IT'S A BUG. 886 00:34:04,509 --> 00:34:05,877 YOU KNOW, I AIN'T REALLY BEEN FEELING GOOD. 887 00:34:05,977 --> 00:34:08,546 SO, I WENT TO THE DOCTOR'S, AND ON TOP OF EVERYTHING 888 00:34:08,646 --> 00:34:13,151 GOING ON WITH MY VOCAL CORDS, I'M SICK AS HELL, TOO. 889 00:34:13,251 --> 00:34:14,919 IT'S JUST NO TIME TO BE SICK. 890 00:34:16,087 --> 00:34:17,488 SO, WE'RE GONNA START WITH "WHERE IT HURTS." 891 00:34:17,588 --> 00:34:19,090 AIN'T NOBODY GOT TIME TO BE LAYING UP IN NO BED 892 00:34:19,190 --> 00:34:22,427 WHEN THERE'S A TOUR AND A COINT TO BE MADE, OKAY? 893 00:34:22,527 --> 00:34:23,828 NO. 894 00:34:23,928 --> 00:34:25,763 WELL, LET ME ASK A QUESTION. 895 00:34:25,863 --> 00:34:28,299 WHERE'S THE CHOREOGRAPHER? 896 00:34:28,399 --> 00:34:30,935 VINCE SAID HE DIDN'T HAVE TO COME. 897 00:34:31,035 --> 00:34:32,470 VINCE SAID-- I ASKED VINCE LAST NIGHT. 898 00:34:32,570 --> 00:34:34,405 FLY-- 'CAUSE HE FLIES, WHAT TIME TO BE HERE, 899 00:34:34,505 --> 00:34:37,375 AND VINCE SAID, "NO, WE'RE GOOD." 900 00:34:37,475 --> 00:34:41,012 VINCE PUT TOGETHER RECORDS... 901 00:34:41,112 --> 00:34:44,382 AND BOOK DATES. 902 00:34:44,482 --> 00:34:46,284 HE DON'T DO THIS PART. 903 00:34:46,384 --> 00:34:48,853 WHY NOBODY ASK ME? 904 00:34:48,953 --> 00:34:50,488 YA'LL FEEL LIKE YA'LL GOT YOUR TWO STEPS? 905 00:34:50,588 --> 00:34:51,989 'CAUSE I KNOW I AIN'T GOT MINE. 906 00:34:52,090 --> 00:34:54,592 BABY, WHY YOU CANCEL THE CHOREOGRAPHER TODAY? 907 00:34:57,895 --> 00:34:59,764 WE AIN'T GOT NO CHOREOGRA... 908 00:35:08,506 --> 00:35:09,740 YOU CAN SNAP, IF YOU WANNA SNAP. 909 00:35:09,841 --> 00:35:10,908 YOU JUST GOTTA DO IT YOURSELF. 910 00:35:11,008 --> 00:35:12,310 JUST FEEL GOOD ABOUT YOURSELF. 911 00:35:12,410 --> 00:35:14,812 VINCE, YOU CANNOT BE THE MANAGER, THE BABY DADDY-- 912 00:35:14,912 --> 00:35:16,280 HE DEFINITELY IS, ALL-ALL AT THE SAME TIME. 913 00:35:16,380 --> 00:35:17,715 THE A&R, THE BOOKER, THE AGENT-- 914 00:35:17,815 --> 00:35:19,851 - THAT'S WHAT HE DOES. - THE CHOREOGRAPHER. 915 00:35:19,951 --> 00:35:21,219 - ALL OF 'EM. - YOU CANNOT DO ALL OF THAT. 916 00:35:21,319 --> 00:35:22,420 THE CATERER-- HE'S THE CATERER. 917 00:35:22,520 --> 00:35:23,554 - I CAN'T? - NO, YOU CANNOT. 918 00:35:23,654 --> 00:35:25,123 - OKAY, ALL RIGHT. - THE CATERER, RIGHT. 919 00:35:25,223 --> 00:35:26,757 YOU'LL GET IT-- YOU'LL GET IT ONE DAY. 920 00:35:26,858 --> 00:35:28,426 HE CAN DO IT-- HE'LL DO IT. 921 00:35:28,526 --> 00:35:29,794 YOU CANNOT BE-- YOU CAN'T. 922 00:35:29,894 --> 00:35:30,862 OKAY-- SO, I'M GONNA GO LEAVE AND CALL ME WHEN YOU NEED ME. 923 00:35:30,962 --> 00:35:31,762 - NO-NO. - NO, YOU STILL NEED TO BE HERE. 924 00:35:31,863 --> 00:35:33,331 NO-NO-NO-NO-- NO, YOU GOT IT. 925 00:35:33,431 --> 00:35:34,565 - YOU'RE STILL MY MANAGER. - YOU GOT IT-- NAH! 926 00:35:34,665 --> 00:35:35,900 YOU CAN'T TELL HIM-- 927 00:35:36,000 --> 00:35:37,168 YOU CAN'T TELL THE CHOREOGRAPHER NOT TO BE HERE-- 928 00:35:37,268 --> 00:35:38,603 HE'S SHOWING ME THE MOVES. - THAT WAS NOT THE MOVES. 929 00:35:38,703 --> 00:35:39,904 AND YOU WERE LIKE, "OH, NO, SHE DON'T NEED TO KNOW THE SNAPS." 930 00:35:40,004 --> 00:35:41,072 THAT WASN'T A MOVE THE OTHER DAY. 931 00:35:41,172 --> 00:35:42,440 THAT WAS THE MOVE, VINCE? 932 00:35:42,540 --> 00:35:43,808 OKAY, COOL-- ALL RIGHT-- I'M SITTIN' HERE WATCHIN'. 933 00:35:43,908 --> 00:35:45,710 TAKE IT, NISSAN! 934 00:35:45,810 --> 00:35:47,912 ♪ Tamar Braxton singing "Where It Hurts" ♪ 935 00:35:52,917 --> 00:35:55,520 YOU UNDERSTAND? 936 00:35:55,620 --> 00:35:56,187 GUESS WHAT. 937 00:36:06,297 --> 00:36:08,733 ♪ NONE OF THOSE CIRCUMSTANCES ♪ 938 00:36:08,833 --> 00:36:11,302 ♪ I'D NEVER BE THE ONE TO HURT YOU ♪ 939 00:36:11,402 --> 00:36:14,071 ♪ DON'T MISS OUT ON THIS CHANCE ♪ 940 00:36:14,172 --> 00:36:19,644 ♪ JUST LET YOURSELF GO ♪ 941 00:36:19,744 --> 00:36:24,415 ♪ 'CAUSE I'M STILL HERE ♪ 942 00:36:24,515 --> 00:36:27,718 ♪ IF YOU JUST SHOW ME WHERE IT HURTS ♪ 943 00:36:27,818 --> 00:36:33,057 ♪ I'LL MAKE IT ALL RIGHT IF YOU WANT ME TO ♪ 944 00:36:33,157 --> 00:36:37,061 ♪ ALL YOU GOTTA DO IS SHOW ME WHERE IT HURTS ♪ 945 00:36:42,466 --> 00:36:44,468 I REALLY ONLY MESSED UP ON TWO PARTS, HUH? 946 00:36:44,569 --> 00:36:46,404 - UH-OH. - YOU LIKE THAT? 947 00:36:46,504 --> 00:36:48,806 LORD HAVE MERCY-- JESUS. 948 00:36:48,906 --> 00:36:49,707 SHE KNOWS SO MUCH. 949 00:36:49,807 --> 00:36:51,075 TODAY, SHE KNOWS SO MUCH, TERRELL. 950 00:36:51,175 --> 00:36:52,443 I'M GLAD YOU DECIDED TO SIT. 951 00:36:52,543 --> 00:36:55,846 SHE KNOWS SO MUCH, TERRELL-- OH, YOU'RE ALWAYS SITTIN'. 952 00:36:55,947 --> 00:36:57,481 I JUST NEVER HEARD OF THE CHOREOGRAPHER 953 00:36:57,582 --> 00:36:59,917 NOT BEIN' PRESENT WHEN IT'S TIME TO GO ON TOUR. 954 00:37:00,017 --> 00:37:01,085 TAMAR, YOU DON'T HAVE THAT IN YOUR BUDGET 955 00:37:01,185 --> 00:37:02,520 FOR THE CHOREOGRAPHER TODAY. 956 00:37:02,620 --> 00:37:04,622 YOU JUST GOT A NICE BIG, UH, DROP BEHIND YOUR SHOW. 957 00:37:07,992 --> 00:37:10,294 LET'S TAKE IT FROM THE TOP, NISSAN! 958 00:37:10,394 --> 00:37:12,363 NO, WE'RE GONNA TAKE IT FROM THE SAME SPOT. 959 00:37:12,463 --> 00:37:14,432 - HERE WE GO. - THE TOP OF THAT SONG. 960 00:37:18,836 --> 00:37:21,505 COMING UP, ON "BRAXTON FAMILY VALUES"... 961 00:37:21,606 --> 00:37:22,807 WHERE'S TOWANDA TODAY? 962 00:37:22,907 --> 00:37:24,075 SHE WASN'T TRYIN' TO COME TO MY REHEARSAL? 963 00:37:24,175 --> 00:37:25,509 I DON'T KNOW-- I DIDN'T ASK. 964 00:37:25,610 --> 00:37:26,777 I DIDN'T GET INTO IT. 965 00:37:26,877 --> 00:37:28,512 NO-- SHE JUST DECIDED NOT TO COME. 966 00:37:28,613 --> 00:37:29,614 WE DON'T KNOW. 967 00:37:29,714 --> 00:37:31,749 YOU HAVE TO ASK WANDA-- I DON'T KNOW. 968 00:37:43,094 --> 00:37:46,297 TRINA, I'M JUST SO MAD THAT YOU HAVE YOUR BOOK BAG ON. 969 00:37:46,397 --> 00:37:47,798 WELL, I DON'T USUALLY DRESS LIKE THIS. 970 00:37:47,898 --> 00:37:49,133 I KNOW YOU HAVE A LOT OF WORK TO DO. 971 00:37:49,233 --> 00:37:50,968 I-I'M-I'M IN WORK MODE-- I-I CAN'T. 972 00:37:51,068 --> 00:37:52,637 I KNOW THAT'S RIGHT. 973 00:37:52,737 --> 00:37:53,804 SO, I FLEW TO L.A. 974 00:37:53,904 --> 00:37:55,773 FOR A QUICK VISIT BEFORE TOWANDA AND TRINA 975 00:37:55,873 --> 00:37:57,375 GO ON TOUR WITH TONI. 976 00:37:57,475 --> 00:37:59,477 THEY'VE BEEN PRESSURING ME TO GO WITH THEM, 977 00:37:59,577 --> 00:38:01,145 BUT I DON'T THINK I CAN TAKE A BREAK 978 00:38:01,245 --> 00:38:03,948 FROM MY RADIO SHOW. 979 00:38:04,048 --> 00:38:06,817 - KNOCKY-KNOCKY. - HELLO. - HI. 980 00:38:06,917 --> 00:38:08,185 - HEY-- SHE'S HERE. - HI. 981 00:38:08,286 --> 00:38:09,553 BACK-BACK-BACK- BACK-BACK-BACK. 982 00:38:09,654 --> 00:38:10,788 DON'T TOUCH ME. 983 00:38:10,888 --> 00:38:12,089 WHY CAN'T I TOUCH YOU? 984 00:38:12,189 --> 00:38:14,191 'CAUSE THE DOCTOR TOLD ME DON'T-DON'T KISS OR HUG 985 00:38:14,292 --> 00:38:15,826 ANYBODY I LOVE AND TRUST. 986 00:38:15,926 --> 00:38:17,094 WHAT? 987 00:38:17,194 --> 00:38:19,697 I HAVE SOME TYPE OF BACTERIA. 988 00:38:19,797 --> 00:38:21,332 OH, GIVE IT TO ME-- I'LL LOSE TEN POUNDS. 989 00:38:21,432 --> 00:38:22,733 - TRINA. - I WANNA LOSE 15. 990 00:38:22,833 --> 00:38:25,036 THE DOCTOR SAID, "DON'T KISS OR HUG ANYBODY YOU LOVE." 991 00:38:25,136 --> 00:38:26,804 WELL, RIGHT NOW, I DON'T LOVE YOU, RIGHT NOW. 992 00:38:26,904 --> 00:38:28,105 THEN, BABY, IF YOU'RE ALL OVER ME, 993 00:38:28,205 --> 00:38:29,740 YOU CAN'T BE AROUND MY CHILD. 994 00:38:29,840 --> 00:38:31,108 - WHOO! - OKAY-- NOW, YOU CAN'T BE AROUND LOGAN. 995 00:38:31,208 --> 00:38:34,378 GETTING SICK IS THE BEST WAY TO LOSE WEIGHT. 996 00:38:34,478 --> 00:38:36,514 THE POUNDS JUST MELT AWAY. 997 00:38:36,614 --> 00:38:38,316 AND TAMAR SHOULD JUST HELP ME OUT JUST A LITTLE BIT 998 00:38:38,416 --> 00:38:40,418 AND COUGH ON ME, JUST FOR A SECOND. 999 00:38:40,518 --> 00:38:42,019 I AIN'T COUGHIN' ON NOBODY. 1000 00:38:42,119 --> 00:38:43,254 IT'S GROSS. 1001 00:38:43,354 --> 00:38:44,422 AND PLUS, I AIN'T LOSIN' NO WEIGHT. 1002 00:38:44,522 --> 00:38:45,623 SO, I'M GONNA TELL YOU, RIGHT NOW. 1003 00:38:45,723 --> 00:38:46,957 IF I COUGH ON YOU, THAT'S NOT THE ONE 1004 00:38:47,058 --> 00:38:48,793 TO MAKE YOU SKINNY, OKAY? 1005 00:38:48,893 --> 00:38:51,929 - WHERE'S TOWANDA? - I DON'T KNOW. 1006 00:38:52,029 --> 00:38:55,933 BUT, I'M CONCERNED ABOUT YOUR BRONCHITIS. 1007 00:38:56,033 --> 00:38:57,668 OH, COME ON, TAMAR. 1008 00:38:57,768 --> 00:38:59,003 TRACI, YOU'RE TRYING TO GET SICK. 1009 00:38:59,103 --> 00:39:00,938 COME HERE, MY BABY SISTER. 1010 00:39:01,038 --> 00:39:02,807 AW, COME HERE. 1011 00:39:02,907 --> 00:39:04,408 I HOPE YOU FEEL BETTER. 1012 00:39:04,508 --> 00:39:05,643 AW, MY BABY SISTER. 1013 00:39:05,743 --> 00:39:07,545 AW. 1014 00:39:07,645 --> 00:39:09,113 - AW, POOR BABY. - TRINA! 1015 00:39:09,213 --> 00:39:11,115 OKAY-- SO, TRINA AND TRACI ARE EXILED FROM MY HOUSE, 1016 00:39:11,215 --> 00:39:12,750 'CAUSE YOU'RE NOT GONNA GET MY BABY SICK. 1017 00:39:12,850 --> 00:39:14,018 HE'S NOT GONNA GET SICK. 1018 00:39:14,118 --> 00:39:15,553 I'M NOT SICK. 1019 00:39:15,653 --> 00:39:16,620 ME, EITHER. 1020 00:39:16,721 --> 00:39:18,122 BUT, YOU'RE ALL IN MY ZHOOSH. 1021 00:39:18,222 --> 00:39:20,324 - UH-UH. - YA'LL GOTTA STOP. 1022 00:39:20,424 --> 00:39:22,827 MY CRAZY ASS SISTERS JUST ACTIN' LIKE A FOOL. 1023 00:39:22,927 --> 00:39:23,928 I'M SICK AS HELL. 1024 00:39:24,028 --> 00:39:25,629 DON'T FEEL LIKE BEIN' HERE. 1025 00:39:25,730 --> 00:39:26,664 BUT, THAT'S ALL RIGHT. 1026 00:39:26,764 --> 00:39:31,335 SHE'S A PRO-- WATCH THIS. 1027 00:39:31,435 --> 00:39:32,737 ♪ HEY YEAH BABY ♪ 1028 00:39:32,837 --> 00:39:34,138 YEAH! 1029 00:39:34,238 --> 00:39:35,740 ♪ POP IT POP IT POP IT ♪ 1030 00:39:35,840 --> 00:39:37,141 POP IT! 1031 00:39:37,241 --> 00:39:38,776 ♪ POP IT POP IT POP IT ♪ 1032 00:39:38,876 --> 00:39:43,314 ♪ POP IT POP IT POP IT ♪ 1033 00:39:43,414 --> 00:39:45,383 ♪ SO YOU KNOW DON'T LEAVE THE HOUSE ♪ 1034 00:39:45,483 --> 00:39:48,319 ♪ WITH A LITTLE KISS WHEN YOU MAN MAN'S GOT A BIG EGO ♪ 1035 00:39:48,419 --> 00:39:52,423 ♪ FRONTING ON THE CAT DON'T PLAY LIKE I-I-I GOTS TO GO ♪ 1036 00:39:52,523 --> 00:39:54,458 WHEN TAMAR PERFORMIN' "HOT SUGAR," 1037 00:39:54,558 --> 00:39:55,993 I CANNOT STAY ON THE SEAT. 1038 00:39:56,093 --> 00:39:59,029 I HAVE TO KEEP ON DANCIN', HONEY, AND MOVE MY DERRIERE. 1039 00:39:59,130 --> 00:40:02,266 MMM... THAT'S A SEXY SONG. 1040 00:40:02,366 --> 00:40:05,803 ♪ HE AIN'T GOTTA ASK 'CAUSE I DO IT FOR MY MAN ♪ 1041 00:40:05,903 --> 00:40:09,206 ♪ HEY WIND IT UP SLOW PUT HIM ON THE FRONT ROW ♪ 1042 00:40:09,306 --> 00:40:11,308 ♪ TELL HIM WELCOME TO THE SHOW ♪ 1043 00:40:11,409 --> 00:40:13,244 ♪ YEAH I DO THAT FOR MY MAN ♪ 1044 00:40:13,344 --> 00:40:15,012 ♪ HE WANT THAT HOT SUGAR SUGAR ♪ 1045 00:40:15,112 --> 00:40:18,048 ♪ HE WANT A PIECE OF SOMETHIN' SWEET ALL NIGHT ♪ 1046 00:40:18,149 --> 00:40:21,719 ♪ HE WANT THAT GOOD TO THE LAST DROP LIKE MINE ♪ 1047 00:40:21,819 --> 00:40:25,556 ♪ HE WANT THAT SUGAR HE WANT THAT SUGAR ♪ 1048 00:40:25,656 --> 00:40:27,425 ♪ HE WANT THAT SUGAR SUGAR ♪ 1049 00:40:30,361 --> 00:40:32,696 - WHOO! - YEAH, BABY! 1050 00:40:32,797 --> 00:40:34,265 YES! 1051 00:40:34,365 --> 00:40:35,866 YOU GOTTA LIKE THAT SUGAR! 1052 00:40:35,966 --> 00:40:39,236 I FEEL GREAT TO SEE MY LITTLE SISTER DOING WELL. 1053 00:40:39,336 --> 00:40:42,606 SHE'S ALWAYS WANTED TO HAVE HER DREAM TO SING SOLO 1054 00:40:42,706 --> 00:40:46,710 AND, YOU KNOW, JUST DO HER OWN THING, AND SHE'S DOIN' IT. 1055 00:40:47,978 --> 00:40:49,947 WHERE TOWANDA TODAY? 1056 00:40:50,047 --> 00:40:51,449 I DON'T KNOW. 1057 00:40:51,549 --> 00:40:52,950 YA AIN'T TALKED TO HER TODAY? 1058 00:40:53,050 --> 00:40:54,185 - YEAH, I TALKED TO HER TODAY. - I SEEN HER. 1059 00:40:54,285 --> 00:40:55,586 SO, SHE WASN'T TRYIN' TO COME TO MY REHEARSAL? 1060 00:40:55,686 --> 00:40:57,087 I DON'T KNOW-- I DIDN'T ASK. 1061 00:40:57,188 --> 00:40:58,255 I DIDN'T GET INTO IT. - NO. 1062 00:40:58,355 --> 00:41:00,357 I WAS BUSY COMING TO SEE YOU. 1063 00:41:02,359 --> 00:41:03,961 - I HAD NO-- - SO, SHE DIDN'T SAY NOTHIN'. 1064 00:41:04,061 --> 00:41:05,129 DIDN'T NOBODY ASK, "ARE YOU- 1065 00:41:05,229 --> 00:41:06,297 ARE YOU COMING TO TAMAR'S REHEARSAL?" 1066 00:41:06,397 --> 00:41:07,698 I DIDN'T KNOW ANYTHING. 1067 00:41:07,798 --> 00:41:08,632 ONLY THING I SAW HER, 'CAUSE SHE-- - THAT'S WHAT I'M SAYIN'. 1068 00:41:08,732 --> 00:41:09,934 NOBODY ASKED HER-- WAS SHE COMIN' OR NOT? 1069 00:41:10,034 --> 00:41:11,869 - SHE WAS COMIN'. - SHE SAID SHE WAS-- RELAX. 1070 00:41:11,969 --> 00:41:13,170 SHE WAS GETTING HERSELF TOGETHER. 1071 00:41:13,270 --> 00:41:16,273 SO, SHE JUST DECIDED NOT TO COME. 1072 00:41:16,373 --> 00:41:17,208 - I DON'T KNOW. - WE DON'T KNOW. 1073 00:41:17,308 --> 00:41:19,443 YOU HAVE TO ASK WANDA-- I DON'T KNOW. 1074 00:41:19,543 --> 00:41:20,978 WELL, WE DROVE-- WE DROVE SEPARATE CARS. 1075 00:41:21,078 --> 00:41:22,213 - NO. - SHE GOT IN THE CAR. 1076 00:41:22,313 --> 00:41:24,248 - IN WHOSE CAR? - HER CAR. 1077 00:41:24,348 --> 00:41:26,083 IN HER CAR, AND WE GOT INTO OUR CAR. 1078 00:41:26,183 --> 00:41:27,485 WE LEFT. 1079 00:41:27,585 --> 00:41:28,686 SO, YA'LL THOUGHT SHE WAS COMING HERE? 1080 00:41:28,786 --> 00:41:30,921 - YEAH. - YEAH. 1081 00:41:32,056 --> 00:41:33,791 WELL, AIN'T YA'LL WORRIED, THEN? 1082 00:41:33,891 --> 00:41:34,992 ESPECIALLY IF SHE GOT IN HER CAR, 1083 00:41:35,092 --> 00:41:37,428 AND YA'LL GOT IN YOUR CAR, AND SHE DIDN'T MAKE IT HERE. 1084 00:41:37,528 --> 00:41:38,863 WOULDN'T THAT WORRY YOU? 1085 00:41:38,963 --> 00:41:42,233 NO-- IT WOULDN'T WORRY ME. 1086 00:41:42,333 --> 00:41:44,935 CLEARLY, THE ELEPHANT IN THE ROOM IS THE TENSION 1087 00:41:45,035 --> 00:41:46,704 BETWEEN TOWANDA AND TAMAR. 1088 00:41:46,804 --> 00:41:48,839 WE'RE NOT SURE WHY, BUT NONE OF US 1089 00:41:48,939 --> 00:41:51,775 WANNA GET IN THE MIDDLE OF THAT-- NO, SIR. 1090 00:41:51,876 --> 00:41:54,712 TEXT ME AND SAY YOU'RE NOT COMIN' TO MY REHEARSAL. 1091 00:41:54,812 --> 00:41:56,213 TONI TOLD ME YESTERDAY SHE COULDN'T COME. 1092 00:41:56,313 --> 00:41:57,548 "TAMAR, I WOULD COME TO YOUR REHEARSAL, 1093 00:41:57,648 --> 00:41:58,849 "IF I DIDN'T HAVE A SESSION." 1094 00:41:58,949 --> 00:42:02,219 THAT'S WHAT I'M SAYING-- TEXT ME. 1095 00:42:02,319 --> 00:42:08,459 I HEAR YOU, BUT I CAN'T MAKE EVERYBODY'S ISSUES MINE. 1096 00:42:08,559 --> 00:42:10,461 I KNOW I CAN'T MAKE EVERYBODY'S ISSUE MINE. 1097 00:42:12,029 --> 00:42:13,931 I'M NOT MAD THAT TOWANDA DIDN'T LET ME KNOW. 1098 00:42:14,031 --> 00:42:19,503 I'M JUST SAD THAT TOWANDA JUST DON'T... 1099 00:42:19,603 --> 00:42:22,706 SHOW UP TO MY STUFF. 1100 00:42:25,142 --> 00:42:26,877 YOU READY, VINCE? 1101 00:42:26,977 --> 00:42:28,646 MY THROAT IS SO DRY. 80329

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