All language subtitles for Braxton.Family.Values.S03E07.A.Divas.Dilemma.1080p.ROKU.WEB-DL.AAC2.0.H.264-FFG_track3_[eng]

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek Download
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,835 --> 00:00:01,934 YOU 2 00:00:01,935 --> 00:00:02,001 YOU KNOW 3 00:00:02,002 --> 00:00:02,267 YOU KNOW MY 4 00:00:02,268 --> 00:00:02,401 YOU KNOW MY ANNIVERSARY'S 5 00:00:02,402 --> 00:00:04,304 YOU KNOW MY ANNIVERSARY'S COMIN' 6 00:00:04,504 --> 00:00:04,636 HEY! 7 00:00:04,637 --> 00:00:04,703 - HEY! - ARE 8 00:00:04,704 --> 00:00:04,803 - HEY! - ARE YOU 9 00:00:04,804 --> 00:00:04,903 - HEY! - ARE YOU GUYS 10 00:00:04,904 --> 00:00:05,437 - HEY! - ARE YOU GUYS HAVING 11 00:00:05,438 --> 00:00:05,939 - HEY! - ARE YOU GUYS HAVING SEX? 12 00:00:06,039 --> 00:00:07,974 - YES!! - ARE- YES, THEY ARE! SEX? 13 00:00:08,074 --> 00:00:09,409 LOOK AT HER! 14 00:00:09,509 --> 00:00:11,411 WHOO! 15 00:00:11,511 --> 00:00:12,445 I'M OPENING UP A STORE IN ATLANTA, 16 00:00:12,545 --> 00:00:14,647 AND I WOULD LOVE IT IF IT COULD BE A "WE" 17 00:00:14,748 --> 00:00:16,016 OPENING UP THE STORE. 18 00:00:16,116 --> 00:00:17,884 LIKE, IF WE'RE GONNA DO SOMETHING, 19 00:00:17,984 --> 00:00:18,952 THEN WE SHOULD DO IT. 20 00:00:19,052 --> 00:00:20,487 IT SHOULDN'T TAKE 13-14 MONTHS 21 00:00:20,587 --> 00:00:21,688 TO HAVE A MEETING. - I AGREE WITH THAT. 22 00:00:21,788 --> 00:00:24,190 WHEN IT'S TIME TO GET DOWN TO THE BUSINESS PART, 23 00:00:24,290 --> 00:00:25,458 MY SISTERS ARE ALWAYS MIA. 24 00:00:25,558 --> 00:00:28,328 I JUST DON'T BELIEVE IN MIXIN' FAMILY AND BUSINESS. 25 00:00:28,428 --> 00:00:30,230 I'VE BEEN DOIN' BUSINESS WITH MY FAMILY MY WHOLE LIFE. 26 00:00:31,531 --> 00:00:33,233 OH. 27 00:00:35,368 --> 00:00:37,003 I HAD A TALK WITH MY SISTERS AND I WAS TELLING THEM 28 00:00:37,103 --> 00:00:39,305 THAT I DIDN'T WANT TO DO MUSIC ANYMORE. 29 00:00:39,406 --> 00:00:41,975 WHEN YOU FIND SOME TIME, MAYBE COME BY THE STUDIO. 30 00:00:42,075 --> 00:00:43,610 I DON'T KNOW, KEN. 31 00:00:43,710 --> 00:00:45,678 I'M NOT GONNA GIVE UP ON YOU. 32 00:00:46,679 --> 00:00:49,549 ♪ WE ARE THE BRAXTON'S AND YOU'LL SEE ♪ 33 00:00:49,649 --> 00:00:53,753 ♪ THAT WE ARE NOT LIKE AN ORDINARY FAMILY ♪ 34 00:00:53,853 --> 00:00:56,122 ♪ TONI TRACI TOWANDA TRINA TAMAR AND MISS E ♪ 35 00:00:56,222 --> 00:00:59,893 ♪ WILL TEACH YOU A THING OR TWO ♪ 36 00:00:59,993 --> 00:01:04,431 ♪ ON BRAXTON FAMILY VALUES ♪ 37 00:01:12,405 --> 00:01:13,973 - MAMA. - YES. 38 00:01:14,074 --> 00:01:15,308 WHAT YOU COOKIN' IN HERE? 39 00:01:15,408 --> 00:01:17,110 I'M TRYIN' TO COOK THIS KALE. 40 00:01:17,210 --> 00:01:17,911 LET ME SHOW YOU HOW TO DO IT. 41 00:01:18,011 --> 00:01:20,246 I AIN'T KNOW KALE WAS PURPLE. 42 00:01:20,346 --> 00:01:21,748 WHO MADE YOU EAT PURPLE KALE? 43 00:01:21,848 --> 00:01:23,750 WELL, YOU CAN EAT GREEN, YOU CAN EAT PURPLE. 44 00:01:23,850 --> 00:01:26,619 YOU SEE THAT SAND-- KALE HOLDS A LOT OF SAND. 45 00:01:26,719 --> 00:01:28,688 OH, SAND-- SO IT COME FROM THE GROUND? 46 00:01:28,788 --> 00:01:30,056 - YEAH-- TAMAR. - GIRL, I AIN'T KNOW THAT. 47 00:01:30,156 --> 00:01:32,592 THIS STUFF-- HOW DO YOU THINK THEY-- 48 00:01:32,692 --> 00:01:34,494 I THOUGHT IT WAS A KALE TREE. 49 00:01:34,594 --> 00:01:36,429 OH, HELP ME, HOLY GHOST. 50 00:01:36,529 --> 00:01:37,297 NOW, WE'VE BEEN WORRIED ABOUT MY MAMA 51 00:01:37,397 --> 00:01:39,365 SINCE SHE GOT OUT OF THE HOSPITAL. 52 00:01:39,466 --> 00:01:42,735 SO, TONI AND I INVITED HER OUT TO L.A. 53 00:01:42,836 --> 00:01:45,205 JUST TO MAKE SURE SHE'S ON THE HEALTHY TRACK AGAIN. 54 00:01:45,305 --> 00:01:48,341 AND, PLUS, I THINK SHE NEEDS TO BE IN MY KITCHEN 55 00:01:48,441 --> 00:01:50,376 COOKING FOR ME. 56 00:01:50,477 --> 00:01:52,612 SEE WHAT IT LOOKS LIKE? 57 00:01:52,712 --> 00:01:55,014 ANYBODY HOME-- SEE IT? - I'M LOOKIN'. 58 00:01:55,115 --> 00:01:55,849 OH, IT AIN'T PURPLE NO MORE. 59 00:01:55,949 --> 00:01:58,718 WE JUST LET THAT COOK. 60 00:01:58,818 --> 00:02:01,488 MAMA, YOU SEE HOW IMPORTANT IT IS THAT YOU MOVE HERE, 61 00:02:01,588 --> 00:02:04,057 AND IF YOU MOVE HERE, YOU CAN COOK FOR ME. 62 00:02:04,157 --> 00:02:06,793 TAMAR, I'M NOT GONNA BE DOING THAT. 63 00:02:06,893 --> 00:02:09,362 IT'S ABOUT ME, TOO, NOW. 64 00:02:09,462 --> 00:02:11,698 AIN'T NOTHIN' WRONG WITH SPOILING YOUR BABY GIRL. 65 00:02:11,798 --> 00:02:14,501 I REALLY DO WORRY ABOUT MY MAMA IN ATLANTA, ALL BY HERSELF, 66 00:02:14,601 --> 00:02:16,102 IN THAT BIG OLD HOUSE. 67 00:02:16,202 --> 00:02:17,904 SHE DOES NEED COMPANIONSHIP. 68 00:02:18,004 --> 00:02:19,539 - WHO YOU DATIN', MAMA? - I'M NOT DATING ANYONE. 69 00:02:19,639 --> 00:02:22,208 WHO YOUR MAN, EVELYN? 70 00:02:22,308 --> 00:02:25,411 WHO YOUR MAN? - I DON'T HAVE A MAN YET. 71 00:02:25,512 --> 00:02:27,514 DO I GET ANY ENCOURAGEMENT? 72 00:02:27,614 --> 00:02:29,382 THE MAN MAY BE WAITIN' AROUND THE CORNER-- 73 00:02:29,482 --> 00:02:32,318 YEAH, SO, I'M SAYING, IF YOU MOVE OUT HERE, 74 00:02:32,418 --> 00:02:33,620 HE COULD BE AROUND THE CORNER. 75 00:02:33,720 --> 00:02:36,322 WE KNOW HE AIN'T IN ATLANTA-- YOU BEEN THERE LONG ENOUGH. 76 00:02:36,422 --> 00:02:37,590 IF HE WAS AROUND THE CORNER, 77 00:02:37,690 --> 00:02:40,059 HE'D B-BEEN IN YOUR HOUSE BY NOW. 78 00:02:40,160 --> 00:02:42,896 LIVING IN ATLANTA IS GREAT FOR ME. 79 00:02:42,996 --> 00:02:44,731 I HAVE FRIENDS THERE. 80 00:02:44,831 --> 00:02:48,168 I HAVE PEOPLE I CAN GO OUT WITH EVERY NOW AND THEN. 81 00:02:48,268 --> 00:02:49,936 BUT, YOU KNOW, 82 00:02:50,036 --> 00:02:53,573 THE GIRLS ARE LOOKING FOR A CERTAIN TYPE OF MAN FOR ME, 83 00:02:53,673 --> 00:02:55,308 YOU KNOW. 84 00:02:55,408 --> 00:02:58,478 WHATEVER I FEEL OR THINK, THAT'S IRRELEVANT. 85 00:02:58,578 --> 00:03:01,714 IT'S WHAT THEY THINK I SHOULD HAVE. 86 00:03:01,814 --> 00:03:03,550 I DON'T KNOW WHERE MISTER RIGHT IS. 87 00:03:03,650 --> 00:03:05,318 I'M JUST WAITING PATIENTLY ON THE LORD, 88 00:03:05,418 --> 00:03:07,187 AND BEING A GOOD COURIER. 89 00:03:09,289 --> 00:03:10,723 THAT'S ALL I KNOW TO DO. 90 00:03:10,823 --> 00:03:12,592 AND WHILE YOU WAITIN' ON THAT COURAGE, 91 00:03:12,692 --> 00:03:14,861 I WANT YOU TO DROP IT LIKE IT'S HOT. 92 00:03:14,961 --> 00:03:16,796 ♪ GO ON AND DO IT ♪ 93 00:03:16,896 --> 00:03:18,598 DROP IT LIKE IT'S HOT AT ANY AGE, GIRL. 94 00:03:18,698 --> 00:03:20,667 YES! - AIN'T NOBODY WANNA DO THAT. 95 00:03:20,767 --> 00:03:22,468 MAMA, COME ON-- LET ME SEE YOU DROP IT. 96 00:03:22,569 --> 00:03:23,903 - I DON'T WANNA-- - YOU STILL YOUNG. 97 00:03:24,003 --> 00:03:25,538 GO AHEAD-- LET ME SEE. - UH-UH, I DON'T WANNA DROP IT. 98 00:03:25,638 --> 00:03:27,440 DROP IT, DROP IT, DROP IT-- COME ON. 99 00:03:27,540 --> 00:03:29,809 TAMAR, I DON'T WANT THE MAN TO MISUNDERSTAND. 100 00:03:29,909 --> 00:03:31,511 NO, HE AIN'T GONNA MISUNDERSTAND THAT. 101 00:03:31,611 --> 00:03:33,646 - ABSOLUTELY NOT-- UH-UH. - HE GON' UNDERSTAND COMPLETELY. 102 00:03:33,746 --> 00:03:35,915 I JUST LIKE TO KEEP MY MAMA NEW, CURRENT, 103 00:03:36,015 --> 00:03:37,350 AND RIGHT NOW. 104 00:03:37,450 --> 00:03:39,953 AND, PLUS, ON HER QUEST TO FINDING A GOOD MAN, 105 00:03:40,053 --> 00:03:42,555 SHE GOT TO KNOW SOME GOOD, YOUNG GIRL MOVES, 106 00:03:42,655 --> 00:03:44,224 SO SHE CAN CATCH HIM. 107 00:03:44,324 --> 00:03:46,092 DIP IT REAL QUICK. - I DON'T WANNA DIP IT! 108 00:03:46,192 --> 00:03:47,360 ♪ DROP IT DROP IT ♪ 109 00:03:47,460 --> 00:03:49,295 COME ON, MAMA, DO IT! - I DON'T WANNA DIP IT. 110 00:03:49,395 --> 00:03:52,465 I'M TIRED-- I JUST GOT OFF THE PLANE. 111 00:03:52,565 --> 00:03:54,234 - OKAY, WELL, MAMA-- - MY LEG HURTS. 112 00:03:54,334 --> 00:03:55,101 THIS IS GOOD EXERCISE FOR YOUR LEG. 113 00:03:55,201 --> 00:03:57,437 - GO AHEAD. - COME ON, DROP IT. 114 00:03:57,537 --> 00:03:58,705 - UH-UH. - OKAY, WELL, 115 00:03:58,805 --> 00:04:01,574 JUST TOUCH YOUR KNEE-- TOUCH YOUR KNEE. 116 00:04:03,543 --> 00:04:05,345 OKAY, NOW ARCH YOUR BACK THAT WAY-- RIGHT. 117 00:04:05,445 --> 00:04:07,146 NOW, WALK WITH IT, TOUCH IT. 118 00:04:07,247 --> 00:04:09,182 WALK-NOW WALK WITH IT. 119 00:04:09,282 --> 00:04:10,984 I DON'T WANNA WALK WITH IT. 120 00:04:11,084 --> 00:04:11,951 COME ON-- MAMA, COME ON! 121 00:04:12,051 --> 00:04:14,821 I DON'T-I DON'T LIKE THAT. 122 00:04:14,921 --> 00:04:16,556 UH-UH-- NO, NO. 123 00:04:16,656 --> 00:04:18,224 OOH, GIRL! - YEAH, BABY, I WON. 124 00:04:18,324 --> 00:04:19,659 COME ON! 125 00:04:19,759 --> 00:04:21,628 TAMAR'S TRYIN' TO SHOW ME ALL THESE DANCE MOVES, 126 00:04:21,728 --> 00:04:25,164 'CAUSE SHE THINK THAT WILL DRAW, UH, A MAN TO ME. 127 00:04:25,265 --> 00:04:29,302 IF THAT'S HOW I HAVE TO GET A MAN, 128 00:04:29,402 --> 00:04:32,205 I DON'T WANT HIM-- STAY THERE. 129 00:04:32,305 --> 00:04:33,473 SEE, WE A GOOD PAIR. 130 00:04:33,573 --> 00:04:35,074 YOU TEACH ME HOW TO COOK THAT KALE, 131 00:04:35,174 --> 00:04:37,377 I TEACH YOU HOW TO DROP THAT THING LIKE IT'S HOT, BABY. 132 00:04:37,477 --> 00:04:39,112 I DON'T WANT-- UH-UH-- NO THANK YOU. 133 00:04:39,212 --> 00:04:40,513 FIVE MINUTES. 134 00:04:40,613 --> 00:04:42,515 OKAY, CALL ME WHEN IT'S READY. 135 00:04:57,497 --> 00:04:59,532 - THANK YOU. - HEY, LADIES. 136 00:04:59,632 --> 00:05:00,566 HI. 137 00:05:00,667 --> 00:05:02,902 - JACK BROWN. - TOWANDA-- HOW ARE YOU? 138 00:05:03,002 --> 00:05:04,404 - HI. - TRINA. 139 00:05:04,504 --> 00:05:06,272 - NICE TO MEET YOU. - NICE TO MEET YOU. 140 00:05:06,372 --> 00:05:07,707 - THIS IS OUR SPACE. - OKAY. 141 00:05:07,807 --> 00:05:11,544 SO, MY REAL ESTATE AGENT SAID SHE FOUND THE PERFECT PLACE 142 00:05:11,644 --> 00:05:13,613 FOR THE CLOTHING STORE I WANNA OPEN WITH MY SISTERS. 143 00:05:13,713 --> 00:05:14,547 SO, I DECIDED TO BRING TOWANDA, 144 00:05:14,647 --> 00:05:16,582 AND I WANT TO GET THE GIRLS INVOLVED 145 00:05:16,683 --> 00:05:18,885 IN THE PLANNING WITH THE STORE, ASAP. 146 00:05:18,985 --> 00:05:20,720 IT'S BEEN AN ART GALLERY, IT'S BEEN AN ANTIQUE SHOP. 147 00:05:20,820 --> 00:05:24,424 IT'S 1,326 SQUARE FEET. 148 00:05:24,524 --> 00:05:26,693 I THINK IT'LL MAKE A GREAT BOUTIQUE. 149 00:05:26,793 --> 00:05:28,361 I THINK SO-- I LIKE IT. 150 00:05:28,461 --> 00:05:29,896 WHAT DO YOU THINK? - IT'S CUTE. 151 00:05:29,996 --> 00:05:30,897 THIS IS EXACTLY WHAT GABE AND I WERE LOOKING-- 152 00:05:30,997 --> 00:05:33,132 WHAT YOU MEAN? 153 00:05:33,232 --> 00:05:34,267 WELL, BECAUSE WE'VE LOOKED AT SO MANY DIFFERENT PLACES. 154 00:05:34,367 --> 00:05:35,668 WAIT A MINUTE-- WHAT YOU MEAN, 155 00:05:35,768 --> 00:05:37,670 "GABE AND I HAVE LOOKED AT?" 156 00:05:37,770 --> 00:05:39,138 WELL, TOWANDA, YOU KNOW, GABE AND I, 157 00:05:40,373 --> 00:05:42,909 GABE AND I, WE'VE BEEN-WE'VE GOTTEN A REAL ESTATE AGENT. 158 00:05:43,009 --> 00:05:44,010 THE COMMERCIAL REAL ESTATE AGENT. 159 00:05:44,110 --> 00:05:46,179 WE-WE'VE DONE A LOT OF LEGWORK FOR THE STORE. 160 00:05:46,279 --> 00:05:47,714 BUT, WHY? 161 00:05:47,814 --> 00:05:50,216 IF THIS WAS SUPPOSED TO BE FOR THE GIRL-FOR-- 162 00:05:50,316 --> 00:05:51,818 YOU KNOW, US GIRLS? 163 00:05:51,918 --> 00:05:54,053 IT WAS ALREADY A VISION BEFORE I CAME TO YOU GIRLS. 164 00:05:54,153 --> 00:05:56,723 THAT IS MY GOAL, 165 00:05:56,823 --> 00:05:59,392 FOR EVERYBODY TO BE TOGETHER AND OPEN UP THE STORE. 166 00:05:59,492 --> 00:06:00,493 REMEMBER WHEN WE TALKED ABOUT IT BEFORE? 167 00:06:00,593 --> 00:06:02,729 YEAH, WE TALKED-WE DEFINITELY TALKED ABOUT-- 168 00:06:02,829 --> 00:06:04,330 YOU WEREN'T-YOU WEREN'T THERE WHEN WE WERE IN ITALY. 169 00:06:04,430 --> 00:06:05,998 - NO, BUT BEFORE THAT, RIGHT? - AND WE TALKED ABOUT-- YEAH. 170 00:06:06,099 --> 00:06:07,433 DIDN'T WE HAVE A CONVERSATION ABOUT THIS? 171 00:06:07,533 --> 00:06:08,634 WE SURE DID-- WE SURE DID. 172 00:06:08,735 --> 00:06:10,603 SO, TRINA, IT'S JUST GONNA BE ALL FIVE GIRLS? 173 00:06:10,703 --> 00:06:12,538 THIS IS SOMETHING THAT I WANTED FOR JUST US GIRLS. 174 00:06:12,638 --> 00:06:16,075 SO, OKAY, I JUST WANNA MAKE SURE I'M CLEAR. 175 00:06:16,175 --> 00:06:17,543 OKAY. 176 00:06:17,643 --> 00:06:20,613 IS GABE'S VISION TO BE A PART OF THE STORE? 177 00:06:20,713 --> 00:06:22,315 I THINK SO. 178 00:06:22,415 --> 00:06:26,152 GABE IS JUST DOING THE BORING WORK. 179 00:06:26,252 --> 00:06:27,487 GETTING BANK LOANS, FIGURING OUT A BUSINESS PLAN. 180 00:06:27,587 --> 00:06:31,891 I MEAN, IF TOWANDA WANTS TO DO THAT, BE MY GUEST. 181 00:06:31,991 --> 00:06:34,026 AM I THE FIRST PERSON THAT YOU'RE MENTIONING THIS TO? 182 00:06:34,127 --> 00:06:35,361 DID YOU MENTION IT TO ANY OF YOUR OTHER SISTERS? 183 00:06:35,461 --> 00:06:36,963 NO, WE HADN'T REALLY BEEN LOOKING AT STORES 184 00:06:37,063 --> 00:06:39,432 WITH ANY OF THE OTHER SISTERS. 185 00:06:39,532 --> 00:06:41,033 TRINA, I LIVE HERE WITH YOU. 186 00:06:41,134 --> 00:06:42,869 I'M TALKING ABOUT-I'M-- OUTSIDE OF YOU, I MEAN. 187 00:06:42,969 --> 00:06:44,771 BUT YOU NEVER CALLED ME AND SAID-- 188 00:06:44,871 --> 00:06:47,173 I'M NOT GONNA DO THIS IN FRONT OF COMPANY. 189 00:06:47,273 --> 00:06:48,608 - THANK YOU. - YOU'RE WELCOME. 190 00:06:48,708 --> 00:06:49,709 HOW DO YOU LIKE YOUR SPACE? 191 00:06:49,809 --> 00:06:50,977 - YEAH, IT'S GOOD. - IT'S A WONDERFUL SPACE. 192 00:06:51,077 --> 00:06:52,812 IT'S A DELIGHTFUL SPACE. - IT'S VERY NICE. 193 00:06:52,912 --> 00:06:54,747 THIS IS THE CALM BEFORE THE STORM, 194 00:06:54,847 --> 00:06:55,915 BECAUSE AS SOON AS SHE TELLS TONI... 195 00:06:58,551 --> 00:07:00,420 TAMAR... WHOO-HOO! 196 00:07:00,520 --> 00:07:02,688 AND TRACI... AH-HA-HA! 197 00:07:02,789 --> 00:07:05,591 IT'S GONNA BE SOMETHIN'. 198 00:07:05,691 --> 00:07:07,160 YOU'RE WELCOME TO COME BACK AND TAKE A LOOK AT IT 199 00:07:07,260 --> 00:07:08,661 AS MUCH AS YOU WANT. 200 00:07:08,761 --> 00:07:10,630 - THANK YOU SO MUCH. - THANK YOU-- THANK YOU. 201 00:07:10,730 --> 00:07:11,931 - YOU'RE WELCOME. - WE APPRECIATE IT. 202 00:07:12,031 --> 00:07:13,266 AND I'M SORRY FOR HAVING A FAMILY DISCUSSION 203 00:07:14,233 --> 00:07:15,601 IN FRONT OF YOU. HAVE THE CONVERSATION, YOO 204 00:07:15,701 --> 00:07:16,903 IN FRONT OF THE COMPANY, HONEY. 205 00:07:17,003 --> 00:07:18,838 YOU KINDA SPRING IT ON ME-- WAS LIKE, "WHAT'S GOIN' ON? 206 00:07:18,938 --> 00:07:20,039 "HEY!" 207 00:07:20,139 --> 00:07:21,240 NOT IN FRONT OF THE COMPANY, HONEY. 208 00:07:21,340 --> 00:07:23,443 - JUST SAYIN', TRINA. - I HAVE FOUR DAUGHTERS. 209 00:07:23,543 --> 00:07:25,044 - SO YOU UNDERSTAND? - YES, YOU GET IT. 210 00:07:25,144 --> 00:07:26,579 YEAH, I GET IT. 211 00:07:26,679 --> 00:07:27,580 IT WAS A PLEASURE MEETING YOU. 212 00:07:27,680 --> 00:07:29,649 - NICE MEETING YOU. - THANK YOU SO MUCH. 213 00:07:29,749 --> 00:07:30,983 - THANK YOU SO MUCH. - YOU'RE WELCOME. 214 00:07:31,083 --> 00:07:33,986 WE WILL DEFINITELY BE IN TOUCH. 215 00:07:34,086 --> 00:07:36,522 TRINA, I JUST CANNOT BELIEVE YOU! 216 00:07:36,622 --> 00:07:37,723 OOH! 217 00:08:01,314 --> 00:08:03,716 HELLO, EVERYBODY! 218 00:08:03,816 --> 00:08:05,751 TONIGHT, I AM BEING HONORED FOR MY WORK 219 00:08:05,852 --> 00:08:07,420 WITH THE "LUPUS L.A." ORGANIZATION, 220 00:08:07,520 --> 00:08:09,755 AND THIS EVENT IS OBVIOUSLY VERY, VERY PERSONAL FOR ME, 221 00:08:09,856 --> 00:08:12,258 AND I'M SO PROUD TO BE HERE AMONG ALL THE OTHER HONOREES 222 00:08:12,358 --> 00:08:14,293 WHO ARE WORKING VERY HARD TO FIGHT THIS DISEASE, 223 00:08:14,393 --> 00:08:16,996 AND IT'S A GREAT TURN-OUT. 224 00:08:17,096 --> 00:08:19,866 - HEY, BABY. - -- RIGHT? 225 00:08:19,966 --> 00:08:21,801 OH, SHE LOOKS GREAT-- LOOK AT TON', LOOK AT TON'! 226 00:08:30,109 --> 00:08:32,378 MOMMY, TRINA AND TRACI ARE HERE WITH ME TONIGHT. 227 00:08:32,478 --> 00:08:34,413 BUT, UNFORTUNATELY, TOWANDA AND TAMAR COULDN'T MAKE IT, 228 00:08:34,514 --> 00:08:35,915 BUT IT'S OKAY. 229 00:08:36,015 --> 00:08:36,749 I KNOW THEY WOULD BE HERE IF THEY COULD, 230 00:08:36,849 --> 00:08:39,151 AND THEY'RE WITH ME IN SPIRIT. 231 00:08:41,888 --> 00:08:43,489 I AM SO EXCITED, 232 00:08:43,589 --> 00:08:45,925 BECAUSE THERE IS A DESIGNER PURSE AUCTION GOING ON TONIGHT 233 00:08:46,025 --> 00:08:47,627 TO RAISE MONEY FOR LUPUS, 234 00:08:47,727 --> 00:08:48,594 AND I HAVE MY EYES ON ONE, 235 00:08:48,694 --> 00:08:52,164 AND I AM ABSOLUTELY OBSESSED WITH IT. 236 00:08:52,265 --> 00:08:53,633 I MADE A BID ON IT, 237 00:08:53,733 --> 00:08:55,501 AND NOW I'M WATCHING IT FOR MY COMPETITION. 238 00:08:55,601 --> 00:08:57,203 THAT'S A LITTLE TOO MUCH FOR ME. 239 00:08:57,303 --> 00:08:59,171 - DID YOU MEET MARLA GIBBS? - YEAH. 240 00:08:59,272 --> 00:09:00,640 ISN'T SHE FABULOUS? 241 00:09:00,740 --> 00:09:02,008 I WOULDN'T MISS HER FOR THE WORLD! 242 00:09:02,108 --> 00:09:04,043 I LOVE HER! - I KNOW, I KNOW. 243 00:09:06,212 --> 00:09:08,748 OH, THANK YOU SO MUCH-- THANK YOU. 244 00:09:08,848 --> 00:09:11,617 TRAY-RAY, LET'S FIND MOMMY, 'CAUSE SHE'S SOCIALIZIN'. 245 00:09:11,717 --> 00:09:13,553 I BOUGHT SOMETHING KINDA UNIQUE. 246 00:09:13,653 --> 00:09:14,287 YEAH, THAT'S WHAT I SAY. 247 00:09:14,387 --> 00:09:16,122 YOU BID ON A BAG, RIGHT? 248 00:09:19,892 --> 00:09:21,827 - DID YOU BID ON A BAG, MOM? - UH-UH, NOT YET. 249 00:09:21,928 --> 00:09:22,929 I HAVEN'T SEEN ONE. 250 00:09:23,029 --> 00:09:26,532 SOMEBODY TRYIN' TO OUTBID ME ON THIS PURSE. 251 00:09:26,632 --> 00:09:28,634 NO, YOU DON'T LIKE THE BURGUNDY ONE! 252 00:09:28,734 --> 00:09:29,535 YOU DON'T LIKE THE BURGUNDY ONE. 253 00:09:29,635 --> 00:09:32,038 I'M STALKING IT-- I'M STALKING IT. 254 00:09:33,105 --> 00:09:35,174 UH-OH. 255 00:09:35,274 --> 00:09:36,509 NO, YOU DON'T LIKE IT-- YOU DON'T LIKE IT! 256 00:09:36,609 --> 00:09:40,713 AIN'T SHE AWFUL? 257 00:09:40,813 --> 00:09:43,249 NO, YOU DON'T LIKE IT! 258 00:09:49,355 --> 00:09:50,756 OH, THAT'S YOU? 259 00:09:53,793 --> 00:09:56,062 THEY STALKIN' ONE ANOTHER WITH THE PURSE. 260 00:09:56,162 --> 00:09:58,331 SO THE TWO OF YOU JUST GONNA-- 261 00:09:59,799 --> 00:10:00,900 OKAY. 262 00:10:01,000 --> 00:10:03,169 OKAY, I'M GONNA WAIT UNTIL IT SAYS 30 SECONDS. 263 00:10:05,871 --> 00:10:07,106 FROM THE OUTSIDE LOOKING IN, 264 00:10:07,206 --> 00:10:08,674 THIS IS A HIGH SOCIETY CHARITY AUCTION. 265 00:10:08,774 --> 00:10:11,110 BUT, CHILD, THERE IS WARFARE GOING ON IN HERE. 266 00:10:11,210 --> 00:10:13,045 THIS LADY THINKS SHE CAN DISTRACT ME 267 00:10:13,145 --> 00:10:15,014 WITH HER FRIENDLY SMILE AND HER BOUNCY HAIR, 268 00:10:15,114 --> 00:10:16,716 BUT SHE IS NOT FOOLING ME. 269 00:10:16,816 --> 00:10:18,851 I'M OUT FOR BLOOD TONIGHT, HONEY, JUST LIKE HER. 270 00:10:21,687 --> 00:10:23,189 NOW, IF SHE TAPS THE BAG, SHE CAN HAVE IT. 271 00:10:23,289 --> 00:10:24,624 HOW DID YOU FIRST GET INVOLVED WITH "LUPUS L.A.?" 272 00:10:24,724 --> 00:10:27,059 "LUPUS L.A.," TO ME, IS PERSONAL. 273 00:10:27,159 --> 00:10:29,261 I FOUND OUT FOUR AND A HALF YEARS AGO THAT I HAVE LUPUS. 274 00:10:29,362 --> 00:10:31,397 I REMEMBER FEELING DEVASTATED ONCE I LEARNED, 275 00:10:31,497 --> 00:10:34,133 BUT ONCE I EDUCATED MYSELF, 276 00:10:34,233 --> 00:10:36,168 AND MET WITH GREAT PEOPLE LIKE DR. WALLACE 277 00:10:36,268 --> 00:10:38,671 AND THE LUPUS AWARENESS , 278 00:10:38,771 --> 00:10:40,206 I GOT EDUCATED AND LEARNED THAT, 279 00:10:40,306 --> 00:10:41,807 OKAY, THIS IS SOMETHING YOU HAVE-- 280 00:10:41,907 --> 00:10:43,009 IT DOESN'T HAVE YOU. 281 00:10:43,109 --> 00:10:45,878 UH, AND WHAT A GREAT EVENT TO NOT ONLY TALK ABOUT 282 00:10:45,978 --> 00:10:48,247 SUCH A GREAT CAUSE, BUT HANDBAGS! 283 00:10:48,347 --> 00:10:51,217 HANDBAGS, OKAY. 284 00:10:51,317 --> 00:10:54,654 SEVEN, SIX, 285 00:10:54,754 --> 00:10:57,590 FIVE, FOUR, 286 00:10:57,690 --> 00:10:59,625 THREE, TWO-- - NO-NO-NO-NO-NO! 287 00:10:59,725 --> 00:11:01,861 SHE GOT MY BAG-- SHE GOT MY BAG! 288 00:11:01,961 --> 00:11:04,063 COMING UP, ON "BRAXTON FAMILY VALUES." 289 00:11:04,163 --> 00:11:06,032 , COME HERE. 290 00:11:06,132 --> 00:11:07,800 TRINA, WHY YOU ACTING LIKE THAT? 291 00:11:07,900 --> 00:11:09,902 I'M SO EMBARRASSED. 292 00:11:10,002 --> 00:11:11,904 I TOLD GABE THAT WE ALL HAVE THE SAME VISION. 293 00:11:12,004 --> 00:11:13,639 YEAH, BUT Y'ALL BEGUN DOIN' STUFF ON YOUR OWN. 294 00:11:13,739 --> 00:11:16,175 NOBODY NEVER CAME TO NOBODY. 295 00:11:17,510 --> 00:11:17,609 SOMEBODY 296 00:11:17,610 --> 00:11:17,676 SOMEBODY TRYIN' 297 00:11:17,677 --> 00:11:17,842 SOMEBODY TRYIN' TO 298 00:11:17,843 --> 00:11:17,876 SOMEBODY TRYIN' TO OUTBID 299 00:11:17,877 --> 00:11:17,942 SOMEBODY TRYIN' TO OUTBID ME 300 00:11:17,943 --> 00:11:18,009 SOMEBODY TRYIN' TO OUTBID ME ON 301 00:11:18,010 --> 00:11:20,011 SOMEBODY TRYIN' TO OUTBID ME ON THIS 302 00:11:20,012 --> 00:11:20,446 SOMEBODY TRYIN' TO OUTBID ME ON THIS PURSE. 303 00:11:20,546 --> 00:11:22,515 - ...SILENT AUCTION. - SOMEBODY TRYIN' TO OUTBID ME ON THIS PURSE. 304 00:11:22,615 --> 00:11:27,820 EIGHT, SEVEN, SIX, 305 00:11:27,920 --> 00:11:32,258 FIVE, FOUR, THREE-- - NO-NO-NO-NO-NO! 306 00:11:32,358 --> 00:11:34,527 SHE GOT MY BAG-- SHE GOT MY BAG! 307 00:11:34,627 --> 00:11:36,896 YOU BETTER HURRY UP-- HURRY UP. 308 00:11:36,996 --> 00:11:40,232 LADIES, THE SILENT AUCTION IS NOW OFFICIALLY CLOSED. 309 00:11:40,332 --> 00:11:42,301 OH, NO! 310 00:11:42,401 --> 00:11:45,504 SHE JUST GOT IT. 311 00:11:45,604 --> 00:11:47,907 I CAN'T BELIEVE SHE SNUCK IN AND SNATCHED MY PURSE 312 00:11:48,007 --> 00:11:49,375 AT THE LAST SECOND. 313 00:11:49,475 --> 00:11:50,643 I AM SO DEVASTATED, 314 00:11:50,743 --> 00:11:52,978 BUT I NEED TO GET IT TOGETHER 315 00:11:53,079 --> 00:11:54,480 BEFORE I LOOK LIKE A TOTAL BRAT, 316 00:11:54,580 --> 00:11:57,083 'CAUSE THIS NIGHT IS ALL ABOUT HONORING TONI. 317 00:11:57,183 --> 00:11:59,118 I'M SO UPSET ABOUT THE BAG. 318 00:11:59,218 --> 00:12:00,720 - WHAT'S UP, MOMMY? - . 319 00:12:00,820 --> 00:12:02,321 YOU KNOW I CAN'T SEE FOR PICKLES. 320 00:12:02,421 --> 00:12:03,856 LET YOUR MOM DO IT. 321 00:12:06,859 --> 00:12:08,461 TRINA, WILL YOU TAKE THE PICTURE? 322 00:12:08,561 --> 00:12:10,529 YOU SEE HOW THEY TALK ABOUT ME, RIGHT? 323 00:12:10,629 --> 00:12:12,064 I AIN'T SAYIN' NOTHIN', 'CAUSE I LIKE Y'ALL SHOW. 324 00:12:12,164 --> 00:12:14,333 I SEE HOW Y'ALL DO. 325 00:12:14,433 --> 00:12:17,369 ONE, TWO, THREE. 326 00:12:17,470 --> 00:12:19,271 IT'S NOT WORKIN'. 327 00:12:19,371 --> 00:12:21,907 - IT MAY NOT WORK, BUT-- - I PROMISE, I'M TOUCHIN' IT. 328 00:12:22,007 --> 00:12:24,143 OH, IS IT A TOUCH PHONE? - NO. 329 00:12:24,243 --> 00:12:25,578 OH! 330 00:12:29,181 --> 00:12:31,083 I'M EMBARRASSED-- I'M EMBARRASSED. 331 00:12:31,183 --> 00:12:33,385 READY, ONE-- SHH. 332 00:12:33,486 --> 00:12:35,454 ONE, TWO, THREE. 333 00:12:35,554 --> 00:12:37,456 YES. 334 00:12:39,959 --> 00:12:40,860 I'M EMBARRASSED-- I'M SORRY. 335 00:12:40,960 --> 00:12:43,729 IT'S MY SISTER, TRINA-- I'M EMBARRASSED. 336 00:12:43,829 --> 00:12:45,698 - MOMMY IS, TOO. - THIS IS HOW Y'ALL ARE. 337 00:12:45,798 --> 00:12:48,134 THIS IS HOW WE ARE. 338 00:12:49,268 --> 00:12:51,704 TRINA! 339 00:12:51,804 --> 00:12:53,205 YOU HAD SOMETHING IN YOUR HAIR. 340 00:12:53,305 --> 00:12:54,707 - WHAT WAS THAT? - A FEATHER. 341 00:12:54,807 --> 00:12:55,908 WHY YOU CALLING HER OUT LIKE THAT? 342 00:12:56,008 --> 00:12:57,943 I'M SO EMBARRASSED. - I HAD TO. 343 00:12:58,043 --> 00:13:00,412 SHE MIGHT TAKE A PICTURE-- SHE MIGHT TAKE A PICTURE. 344 00:13:04,283 --> 00:13:05,117 DON'T GET ME WRONG-- YOU CAN TELL YOUR GIRLFRIEND, 345 00:13:05,217 --> 00:13:06,752 "GIRL, THERE'S SOMETHING IN YOUR HAIR. 346 00:13:06,852 --> 00:13:08,220 "YOU NEED TO GET THAT REALLY QUICKLY." 347 00:13:08,320 --> 00:13:08,921 TRINA DOESN'T KNOW JACKEE. 348 00:13:09,021 --> 00:13:10,856 WHY WOULD YOU TELL HER, 349 00:13:10,956 --> 00:13:12,958 "HI, THERE'S SOMETHING IN YOUR HAIR." 350 00:13:13,058 --> 00:13:14,527 SHE'S PROBABLY LIKE, "BITCH!" 351 00:13:14,627 --> 00:13:17,930 I WOULD'VE SAID THAT. 352 00:13:20,833 --> 00:13:22,334 I'M GLAD THE OTHER TWO AIN'T HERE. 353 00:13:24,904 --> 00:13:26,705 THAT IS NOT EMBARRASSING. 354 00:13:30,976 --> 00:13:33,212 MADE EVERYBODY LOOK. 355 00:13:33,312 --> 00:13:35,214 JACKEE, I'M SORRY-- TRINA DIDN'T KNOW. 356 00:13:35,314 --> 00:13:37,883 IT'S NOT A CHARACTER FLAW-- IT'S JUST, SHE DIDN'T KNOW. 357 00:13:37,983 --> 00:13:39,919 SHE FELT LIKE YOU WERE FAMILY. 358 00:13:40,019 --> 00:13:41,654 I'M SORRY. 359 00:13:41,754 --> 00:13:44,023 LADIES AND GENTLEMEN, PLEASE WELCOME TO THE STAGE 360 00:13:44,123 --> 00:13:47,226 ALL "LUPUS L.A." WOMEN OF THIS EVENING. 361 00:13:47,326 --> 00:13:49,862 CONGRATULATIONS, LADIES. 362 00:13:49,962 --> 00:13:51,330 AND NOW, JOIN ME IN CELEBRATING TONI BRAXTON, 363 00:13:51,430 --> 00:13:53,999 OUR 2010 HONOREE. 364 00:13:58,771 --> 00:14:00,072 TONIGHT WAS REALLY SPECIAL, 365 00:14:00,172 --> 00:14:03,776 AND I'VE WON ALL SORT OF OTHER AWARDS FOR MY MUSIC, 366 00:14:03,876 --> 00:14:07,012 AND THOSE ARE SOME OF THE GREATEST MOMENTS IN MY LIFE. 367 00:14:07,112 --> 00:14:09,114 BUT, GETTING AN AWARD FOR MY WORK WITH LUPUS 368 00:14:09,215 --> 00:14:10,282 IS COMPLETELY DIFFERENT. 369 00:14:10,382 --> 00:14:11,584 IT'S A WONDERFUL EXPERIENCE, 370 00:14:11,684 --> 00:14:13,819 AND I'M REALLY GRATEFUL AND THANKFUL FOR IT. 371 00:14:30,236 --> 00:14:32,004 WHERE ARE YOU TAKING ME? 372 00:14:32,104 --> 00:14:33,505 - I'M TAKING YOU TO-- - WHAT IS THIS? 373 00:14:33,606 --> 00:14:35,140 A SURPRISE, SURPRISE, SURPRISE, SURPRISE. 374 00:14:35,241 --> 00:14:36,041 HELLO-- TOWANDA-- HOW ARE YOU? 375 00:14:36,141 --> 00:14:37,376 HI, TOWANDA-- WONDERFUL TO MEET YOU. 376 00:14:37,476 --> 00:14:39,712 I'M ILYA. 377 00:14:41,714 --> 00:14:43,916 WHAT? 378 00:14:44,016 --> 00:14:45,351 - LEARN HOW TO TANGO. - WHAT? 379 00:14:45,451 --> 00:14:46,952 ROMANTIC-- I'M SUPPOSED TO BE ROMANTIC. 380 00:14:47,052 --> 00:14:48,754 - DID YOU DO THIS? - YES, I DID. 381 00:14:48,854 --> 00:14:52,892 I AM PLEASANTLY SURPRISED THAT ANDRE IS BEING PROACTIVE 382 00:14:52,992 --> 00:14:56,662 AND SURPRISING ME WITH TANGO LESSONS. 383 00:14:56,762 --> 00:14:57,997 I THINK THAT'S AN AWESOME IDEA. 384 00:14:58,097 --> 00:15:01,300 I COULD SEE MYSELF IN "DANCING WITH THE STARS." 385 00:15:01,400 --> 00:15:02,401 YEAH. 386 00:15:02,501 --> 00:15:04,503 HE HAS TWO LEFT FEET-- HE CALLED YOU AND SET THIS UP? 387 00:15:04,603 --> 00:15:06,038 WELL, TWO LEFT FEET IS PERFECT. 388 00:15:06,138 --> 00:15:07,573 IT'S MY SPECIALTY. - OKAY. 389 00:15:07,673 --> 00:15:09,408 I LOVE PEOPLE WITH TWO LEFT FEET. 390 00:15:09,508 --> 00:15:11,110 SO, LET'S GET STARTED-- HOW ABOUT IT? 391 00:15:11,210 --> 00:15:13,412 - YOU ARE EXCITED. - YEAH, I'M EXCITED. 392 00:15:13,512 --> 00:15:15,147 TOWANDA AND I HAVE BEEN GOING THROUGH 393 00:15:15,247 --> 00:15:16,215 SOME ROUGH PATCHES IN OUR RELATIONSHIP. 394 00:15:16,315 --> 00:15:19,351 BUT, RECENTLY, EVERYTHING'S BEEN PRETTY GOOD. 395 00:15:19,451 --> 00:15:22,221 CAN WE HAVE A TOAST TO REJUVENATING THIS MARRIAGE? 396 00:15:22,321 --> 00:15:24,290 ARE YOU GONNA TOAST? 397 00:15:24,390 --> 00:15:26,992 THIS IS FOR OUR NICE, SUPPLE BATH 398 00:15:27,092 --> 00:15:28,727 I WOULD LIKE TO GIVE YOU. 399 00:15:28,827 --> 00:15:30,496 I'M NOT SAYIN' THAT YOU HAVE TO BE TOTALLY NUDE. 400 00:15:30,596 --> 00:15:33,699 THIS IS A TIARA. 401 00:15:33,799 --> 00:15:36,435 I WANNA BE RMINDED ABOUT THE QUEEN THAT YOU ALWAYS ARE. 402 00:15:36,535 --> 00:15:39,004 I'MA WEAR THIS EVERY SINGLE DAY. 403 00:15:39,104 --> 00:15:40,339 TING! 404 00:15:40,439 --> 00:15:42,174 ARE YOU DOIN' ALL THIS 'CAUSE YOU WANNA GET LAID? 405 00:15:42,274 --> 00:15:43,676 THAT WOULD BE HARD TO DO WITH YOU. 406 00:15:43,776 --> 00:15:45,144 YEAH, PRETTY MUCH. 407 00:15:45,244 --> 00:15:47,546 SO, TO KEEP THE ROMANCE GOING, I THOUGHT, 408 00:15:47,646 --> 00:15:50,616 "HEY, THE DANCE OF LOVE-- TANGO LESSONS WOULD BE GREAT." 409 00:15:50,716 --> 00:15:55,421 ONE PERSON WALKS FORWARD, ANOTHER PERSON WALKS BACK. 410 00:15:55,521 --> 00:15:57,289 WHO IS GOING TO BE DOING WHICH PART? 411 00:15:57,389 --> 00:16:00,392 I WILL WALK FORWARD. 412 00:16:00,492 --> 00:16:02,761 GOOD CHOICE. 413 00:16:02,861 --> 00:16:04,296 OF COURSE, BECAUSE ANDRE PICKED WALKING FORWARD, 414 00:16:04,396 --> 00:16:05,397 YOU'LL BE WALKING BACK. - RIGHT. 415 00:16:05,497 --> 00:16:07,466 WHICH MEANS, YOU DECIDED TO FOLLOW. 416 00:16:07,566 --> 00:16:10,469 IT'S GONNA BE VERY DIFFICULT BECAUSE I'M SUCH A LEADER. 417 00:16:10,569 --> 00:16:13,572 I HAVE TO FOLLOW AND ANDRE HAS TO LEAD, 418 00:16:13,672 --> 00:16:15,641 AND I'M NOT TOO COMFORTABLE WITH THAT 419 00:16:15,741 --> 00:16:18,010 BECAUSE THAT'S NOT WHAT I'M USED TO LATELY, 420 00:16:18,110 --> 00:16:20,379 IN MY LIFE. 421 00:16:20,479 --> 00:16:22,881 I WOULD SUGGEST THIS. 422 00:16:22,982 --> 00:16:25,884 ANDRE'S ELBOW TO OFFER YOU SUPPORT, 423 00:16:25,985 --> 00:16:28,487 AND YOU WANT TO BE CONNECTED 424 00:16:28,587 --> 00:16:30,222 AND WAIT FOR HIM AT ALL TIMES. 425 00:16:30,322 --> 00:16:31,924 SHE SHOULD ALWAYS WAIT FOR ME TO COME. 426 00:16:32,024 --> 00:16:33,592 - ON THE DANCE FLOOR. - YEAH. 427 00:16:33,692 --> 00:16:35,060 - SO, OKAY. - ON THE DANCE FLOOR. 428 00:16:35,160 --> 00:16:36,362 YEAH, ALWAYS WAIT FOR ME TO COME. 429 00:16:36,462 --> 00:16:39,198 - O-ONLY ON THE DANCE FLOOR. - OKAY, ALL RIGHT. 430 00:16:39,298 --> 00:16:43,435 FEEL FREE, ANDRE, TO DOUBLE TIMING. 431 00:16:43,535 --> 00:16:45,871 QUICK AND QUICKLY. - EXPLORE. 432 00:16:45,971 --> 00:16:48,574 AND, YES, GOOD. 433 00:16:48,674 --> 00:16:50,175 THIS IS SO SEXY. 434 00:16:50,275 --> 00:16:53,345 TAKING THE LEAD IN MY RELATIONSHIP WITH TOWANDA 435 00:16:53,445 --> 00:16:54,680 ACTUALLY FEELS GREAT. 436 00:16:54,780 --> 00:16:57,449 IT USED TO BE-I USED TO BE THE MAN THAT TOOK CONTROL, 437 00:16:57,549 --> 00:16:58,984 THAT TOOK CARE OF EVERYTHING. 438 00:16:59,084 --> 00:17:00,919 RECENTLY, TOWANDA KINDA BRANCHED OUT 439 00:17:01,687 --> 00:17:04,223 ABUT, RIGHT NOW,' IT FEELS GREAT 440 00:17:04,323 --> 00:17:06,859 THAT TOWANDA HAS LET ME HAVE THAT ROLE BACK. 441 00:17:06,959 --> 00:17:09,795 - YOU LOOK SO AWKWARD. - I DO? 442 00:17:09,895 --> 00:17:11,463 - YES. - GOOD. 443 00:17:11,563 --> 00:17:12,431 THAT WAS GOOD RIGHT THERE. 444 00:17:12,531 --> 00:17:15,234 THE ONLY SUGGESTION I WOULD OFFER IS, 445 00:17:15,334 --> 00:17:18,070 TOWANDA, BE MORE PRESENT WAITING FOR HIM, 446 00:17:18,170 --> 00:17:19,638 WHILE HE IS MOVING. - MMM-HMM. 447 00:17:19,738 --> 00:17:21,240 SHE'S ALWAYS TRYING TO THINK AHEAD OF ME. 448 00:17:21,340 --> 00:17:22,107 AND I'M USUALLY LATE. 449 00:17:22,207 --> 00:17:24,209 YOU WANT TO BE A LITTLE BIT, 450 00:17:24,309 --> 00:17:27,146 MAYBE A FRACTION OF A SECOND LATE. 451 00:17:27,246 --> 00:17:30,015 CLEARLY, THE LESSON OF TODAY IS, 452 00:17:30,115 --> 00:17:33,552 I NEED TO LET ANDRE TAKE THE LEAD. 453 00:17:33,652 --> 00:17:36,622 IT'S AGAINST MY INSTINCTS, BUT I-I PROMISE I WILL TRY IT, 454 00:17:36,722 --> 00:17:39,124 JUST FOR TANGO. 455 00:17:39,224 --> 00:17:40,592 I MEAN, EVERYONE KNOWS, 456 00:17:40,692 --> 00:17:43,062 I DON'T LIKE TO FAIL AT ABSOLUTELY ANYTHING. 457 00:17:43,162 --> 00:17:46,565 SO, I WILL ACCEPT THIS CHALLENGE. 458 00:17:46,665 --> 00:17:48,901 - I'LL LEAD LATER ON TONIGHT. - OH, LORD-- BYE. 459 00:17:49,001 --> 00:17:51,036 - SO, I'LL SEE YOU. - OKAY. 460 00:17:51,136 --> 00:17:52,905 - THANK YOU VERY MUCH. - THANK YOU. 461 00:17:53,005 --> 00:17:54,473 HIS MOUTH-- YOUR MOUTH! 462 00:18:06,919 --> 00:18:10,389 YOU KNOW, I THINK SOMEBODY STOLE MY BARBECUE PIG FEET, 463 00:18:10,489 --> 00:18:11,290 THAT YOU MADE, IN THE FREEZER. 464 00:18:11,390 --> 00:18:13,158 TAMAR , YOU PLAYIN'! 465 00:18:13,258 --> 00:18:14,326 ONE OF THEM THINGS IS GONE. 466 00:18:14,426 --> 00:18:16,228 I THOUGHT I WAS DEFROSTIN' SOME FOR CHRISTMAS. 467 00:18:16,328 --> 00:18:17,796 YOU KNOW THAT-- WITH SOME JERK CHICKEN. 468 00:18:17,896 --> 00:18:19,398 I WAS SO MAD. 469 00:18:19,498 --> 00:18:21,333 NEXT TIME, I'M GONNA-- - WHAT Y'ALL TALKIN' ABOUT? 470 00:18:21,433 --> 00:18:22,601 - HEY, YOU! - WHAT Y'ALL TALKIN' ABOUT? 471 00:18:22,701 --> 00:18:23,869 HEY, MOM. 472 00:18:23,969 --> 00:18:26,438 TAMAR TALKIN' ABOUT PEOPLE STEALIN' HER PIGS FEET. 473 00:18:26,538 --> 00:18:28,574 EW-- LET 'EM HAVE IT. 474 00:18:28,674 --> 00:18:29,975 HAVIN' MY MAMA HERE IN L.A. IS EVERYTHING, 475 00:18:30,075 --> 00:18:32,044 BECAUSE SHE GETS TO COOK 476 00:18:32,144 --> 00:18:34,880 AND I GET TO HAVE FRIED CHICKEN ON DECK, 477 00:18:34,980 --> 00:18:36,882 AND GREENS ON DECK, 478 00:18:36,982 --> 00:18:38,484 AND I GET TO WATCH OUT FOR HER 479 00:18:38,584 --> 00:18:40,452 AND MAKE SURE SHE DOIN' GOOD. 480 00:18:40,552 --> 00:18:42,488 I DON'T KNOW IF I'M GONNA MAKE THOSE CHITLINS TODAY. 481 00:18:42,588 --> 00:18:44,656 OH, GOD, NOT CHITLINS-- I CAN'T. 482 00:18:44,756 --> 00:18:47,059 - WHY ARE YOU SO DRAMATIC? - I HATED-- 483 00:18:47,159 --> 00:18:49,128 LIKE YOU AIN'T RAISED IN A HOUSEHOLD OF CHITLINS. 484 00:18:49,228 --> 00:18:50,195 AND I HATED IT AS A CHILD-- SORRY, MOM. 485 00:18:50,295 --> 00:18:54,066 YOUR DADDY LOVED THE CHITLINS-- NOT ME. 486 00:18:54,166 --> 00:18:55,701 I HATE THE SMELL OF CHITLINS. 487 00:18:55,801 --> 00:18:56,535 - I LOVE CHITLINS. - YOU GONNA COOK 'EM OUTSIDE? 488 00:18:56,635 --> 00:18:58,403 WHAT? 489 00:18:58,504 --> 00:19:00,038 MOM, PLEASE DON'T COOK 'EM IN THE HOUSE. 490 00:19:00,139 --> 00:19:01,707 YOUR FURNITURE'S GONNA SMELL. - MY HOUSE, THOUGH. 491 00:19:01,807 --> 00:19:03,075 YOUR FURNITURE AND YOUR DRAPERY'S 492 00:19:03,175 --> 00:19:05,110 ARE GONNA SMELL LIKE CHITLINS. 493 00:19:05,210 --> 00:19:07,212 - WELL, NOW, THAT'S TRUE. - YOU SO BOUGIE! 494 00:19:07,312 --> 00:19:09,281 TONI HAS GOTTEN REAL BOUGIE ABOUT FOOD. 495 00:19:09,381 --> 00:19:12,584 LIKE, I REMEMBER WHEN TONI USED TO EAT CHITLINS. 496 00:19:12,684 --> 00:19:14,353 I REMEMBER TONI USED TO EAT PORK AND BEEF, 497 00:19:14,453 --> 00:19:16,054 BUT THAT'S THE FIRST THING TO GO 498 00:19:16,155 --> 00:19:18,190 WITH AFRICAN AMERICANS AND SUCCESS. 499 00:19:18,290 --> 00:19:19,725 THE FOOD CHANGES. 500 00:19:19,825 --> 00:19:20,959 I'M TOO BOUGIE. 501 00:19:21,059 --> 00:19:23,162 I'M TOO RICH TO EAT THAT-- I ONLY EAT CHICKEN. 502 00:19:23,262 --> 00:19:24,730 TONI BRAXTON, LET ME JUST TELL YA SOMETHIN' 503 00:19:24,830 --> 00:19:27,232 WITH YOUR BOUGIE, BETTE DAVIS-- - NO, I'M BAREFOOT CONTESSA. 504 00:19:27,332 --> 00:19:31,236 I'M BAREFOOT CONTESSA. - YOU CANNOT COOK. 505 00:19:31,336 --> 00:19:32,838 TAMAR LIKES HIGH CHOLESTEROL FOOD. 506 00:19:32,938 --> 00:19:35,274 SHE LIKE GOUT FOOD. 507 00:19:35,374 --> 00:19:37,176 GOUT IS A RICH PERSON'S DISEASE, OKAY? 508 00:19:37,276 --> 00:19:38,944 WHAT ARE YOU TALKIN' ABOUT? 509 00:19:39,044 --> 00:19:42,347 CAN YOU GET GOUT FROM EATIN' RICH PEOPLE FOOD? 510 00:19:42,447 --> 00:19:44,383 IF YOU WANNA DO A CARB-FEST, 511 00:19:44,483 --> 00:19:48,220 UH, IF YOU WOULD LOVE TO TAKE LIPITOR, 512 00:19:48,320 --> 00:19:50,622 IF YOU LIKE TO GAIN TEN POUNDS, 513 00:19:50,722 --> 00:19:53,225 TAMAR'S A GREAT COOK FOR YOU. 514 00:19:53,325 --> 00:19:55,761 YOU AND I HAVE TO GO TO THE GROCERY STORE, 515 00:19:55,861 --> 00:19:57,629 'CAUSE, IF NOT, TONI GONNA GET ALL GOURMET STUFF 516 00:19:57,729 --> 00:19:59,264 AND IT AIN'T GONNA TASTE THE SAME. 517 00:19:59,364 --> 00:20:00,632 I MAKE A GOURMET. 518 00:20:00,732 --> 00:20:01,900 I LET-I MARINATE IT FOR A COUPLE OF DAYS. 519 00:20:02,000 --> 00:20:04,369 I DO MY OWN SAUCES AND-- - MOMMY HAVE SIX KIDS. 520 00:20:04,469 --> 00:20:05,837 AIN'T NOBODY GOT TIME FOR THAT. 521 00:20:05,938 --> 00:20:08,006 WHEN Y'ALL WAS BABIES, YEAH, I COULD DO IT, 522 00:20:08,106 --> 00:20:10,209 'CAUSE I WAS HOME ALL THE TIME, BUT I DON'T HAVE TIME NOW. 523 00:20:10,309 --> 00:20:11,643 WHAT? 524 00:20:11,743 --> 00:20:14,279 I'M GOIN' OUT ON DATES, AND BLAH-BLAH-BLAH. 525 00:20:14,379 --> 00:20:16,415 - YOU GOIN' OUT ON DATES? - YEAH, MAN. 526 00:20:16,515 --> 00:20:18,217 - YOU DATIN' SOME BOYS? - I'M SORRY. 527 00:20:18,317 --> 00:20:19,818 I JUST NEED TO FOCUS ON WHO YOU'RE GOIN' ON A DATE WITH. 528 00:20:19,918 --> 00:20:20,686 THAT'S ALL RIGHT. 529 00:20:20,786 --> 00:20:21,587 WHO ARE YOU GOING ON A DATE WITH? 530 00:20:21,687 --> 00:20:23,188 I'M NOT TELLIN' Y'ALL ANYTHING. 531 00:20:23,288 --> 00:20:27,593 THE LESS I TELL YA, THE MORE FIN I HAVE. 532 00:20:29,861 --> 00:20:31,396 - TELL US HIS NAME. - DON'T NEED TO KNOW. 533 00:20:31,496 --> 00:20:33,498 - WHAT TAX BRACKET IS HE IN? - DON'T WORRY ABOUT IT. 534 00:20:33,599 --> 00:20:34,766 WAS THAT THAT DATE YOU WAS TALKIN' ABOUT 535 00:20:34,866 --> 00:20:35,968 TO YOUR GIRLFRIEND-- I HEARD YOU ON THE PHONE. 536 00:20:36,068 --> 00:20:37,202 YOU SAID HE HAD THE HEATED SEATS ON, AND HE-- 537 00:20:37,302 --> 00:20:39,538 OH, YOU TALKIN' ABOUT THAT OTHER GUY 538 00:20:39,638 --> 00:20:41,306 THAT HAD THE SEAT ON AND YOU COULD-- 539 00:20:41,406 --> 00:20:42,808 HE FORGOT TO SHOWER. 540 00:20:42,908 --> 00:20:44,543 YOU COULD SMELL HIM 'CAUSE THE HEATED SEATS WAS ON? 541 00:20:44,643 --> 00:20:47,179 TAMAR, I HEARD MOMMY TALKIN' TO ONE OF HER GIRLFRIENDS, 542 00:20:47,746 --> 00:20:49,815 AND SHE SAID, "GIRL, I WENT OUT. "GOT I, 543 00:20:49,915 --> 00:20:50,916 "AND HE HAD THE HEATED SEATS ON, 544 00:20:51,016 --> 00:20:52,417 "AND HE SMELLED LIKE PACKED DOWN BEHIND. 545 00:20:54,953 --> 00:20:56,722 I'M LIKE, GEEZ! 546 00:20:56,822 --> 00:20:58,724 WARM, PACKED DOWN BEHIND! 547 00:20:58,824 --> 00:21:00,559 I HAD TO PUT THE WINDOW DOWN, 548 00:21:00,659 --> 00:21:03,262 AND WE RODE THE REST OF THE WAY TO MY HOUSE. 549 00:21:03,362 --> 00:21:04,963 HE SAID, "ARE YOU WARM YET?" 550 00:21:05,063 --> 00:21:05,430 I SAID, "OH, LORD KNOWS IT." 551 00:21:08,433 --> 00:21:10,636 WHEN SOMEBODY SMELLS LIKE PACKED DOWN BEHIND, 552 00:21:10,736 --> 00:21:13,672 IT'S TERRIBLE TO KNOW WHAT THAT SMELLS LIKE. 553 00:21:13,772 --> 00:21:15,741 YOU KNOW? 554 00:21:15,841 --> 00:21:16,742 I DON'T THINK I'VE EVER SMELLED IT, 555 00:21:16,842 --> 00:21:19,444 BUT I CAN IMAGINE WHAT THAT SMELLS LIKE. 556 00:21:19,544 --> 00:21:21,713 I MEAN, IT'S LIKE SOME OLD ASS. 557 00:21:21,813 --> 00:21:24,850 NOTHIN' WORSE THAN THAT-- MAYBE TONI'S FOOD. 558 00:21:24,950 --> 00:21:26,285 ALL RIGHT, MAMA, SO, LET'S GO TO THE GROCERY STORE, 559 00:21:26,385 --> 00:21:28,820 ME AND YOU, 'CAUSE TONI CANNOT GO. 560 00:21:28,920 --> 00:21:30,922 WELL, BRING BACK-- CAN YOU DO ME A FAVOR? 561 00:21:31,023 --> 00:21:32,557 - DO I HAVE TO CHANGE CLOTHES? - NO, YOU'RE FINE. 562 00:21:32,658 --> 00:21:35,327 JUST BRING BACK SOME FLAT-THE FLAT PARSLEY. 563 00:21:35,427 --> 00:21:37,496 - OH. - WE'RE NOT GETTIN' THAT! 564 00:21:37,596 --> 00:21:42,234 NOT THE DRY STUFF-- THE FLAT STUFF. 565 00:21:42,334 --> 00:21:44,536 I AIN'T THINKIN' ABOUT TONI BRAXTON! 566 00:21:44,636 --> 00:21:47,105 COMING UP, ON "BRAXTON FAMILY VALUES"... 567 00:21:47,205 --> 00:21:50,475 I DID HAVE ONE MORE THING I WANTED TO PRESENT TO YOU. 568 00:21:50,575 --> 00:21:52,377 ARE YOU SERIOUS? 569 00:21:52,477 --> 00:21:53,979 THE STORE WAS ALREADY IN THE WORKS 570 00:21:54,079 --> 00:21:55,280 BEFORE I EVEN SAT DOWN AND HAD A CONVERSATION WITH EVERYBODY. 571 00:21:55,380 --> 00:21:58,517 THE CONVERSATION CAME FROM US. 572 00:21:58,617 --> 00:22:00,319 THAT'S THE SNEAKY . 573 00:22:00,419 --> 00:22:01,153 BOOM-- SHE SAID IT. 574 00:22:19,871 --> 00:22:21,340 WHOO! 575 00:22:21,440 --> 00:22:25,143 SEE THOSE BOOBIES JUMP. - EW, GABE. 576 00:22:25,243 --> 00:22:27,079 SO, THIS IS THE OUTSIDE. 577 00:22:27,179 --> 00:22:28,280 NOW, BEFORE WE GO IN, LISTEN. 578 00:22:28,380 --> 00:22:32,751 YOU HAVE TO USE YOUR IMAGINATION, OKAY? 579 00:22:32,851 --> 00:22:35,053 - ALL RIGHT. - USE YOUR CREATIVITY THERE. 580 00:22:35,153 --> 00:22:37,489 I DON'T HAVE MUCH OF AN IMAGINATION, BUT OKAY. 581 00:22:37,589 --> 00:22:39,758 SEE HOW NICE AND BIG THE SPACE IS? 582 00:22:39,858 --> 00:22:42,361 TODAY, I'M BRINGING GABE TO LOOK AT THE STORE SPACE. 583 00:22:42,461 --> 00:22:43,995 THE LAST FEW PLACES GABE AND I LOOKED AT 584 00:22:44,096 --> 00:22:45,630 WERE TOTAL BOMBS. 585 00:22:45,731 --> 00:22:47,232 THIS IS THE SPACE. 586 00:22:47,332 --> 00:22:48,767 IT'S A TATTOO SHOP, 587 00:22:48,867 --> 00:22:50,402 WITH A DOMINICAN HAIR SALON NEXT DOOR, AS WELL. 588 00:22:50,502 --> 00:22:53,472 THIS IS THE OTHER SPACE, TRINA. 589 00:22:53,572 --> 00:22:55,640 I KNOW IT'S NOT WHAT YOU ENVISIONED. 590 00:22:55,741 --> 00:22:56,975 OH, MY GOD, NO. 591 00:22:57,075 --> 00:22:58,677 I FEEL LIKE I'M IN "JURASSIC PARK." 592 00:22:58,777 --> 00:23:01,580 I FEEL LIKE A DINOSAUR EGG HIDING SOMEWHERE IN THE FERNS. 593 00:23:01,680 --> 00:23:03,515 HELLO. - HEY, TRINA. 594 00:23:03,615 --> 00:23:04,616 HOW ARE YA? - HOW ARE YOU? 595 00:23:04,716 --> 00:23:05,817 GOOD TO SEE YOU AGAIN-- THIS IS JACK. 596 00:23:05,917 --> 00:23:07,119 - HEY, GABE. - MY HUSBAND, GABE. 597 00:23:07,219 --> 00:23:08,286 HEY, NICE TO MEET YOU. 598 00:23:08,387 --> 00:23:09,855 I'M CURIOUS TO KNOW WHAT GABE THINKS ABOUT THE SPACE. 599 00:23:09,955 --> 00:23:12,357 GABE DEFINITELY HAS A GOOD EYE FOR BUSINESS. 600 00:23:12,457 --> 00:23:14,993 SO, WHAT IT USED TO BE, OR WHAT IS IT? 601 00:23:15,093 --> 00:23:17,529 CURRENTLY, IT'S AN ARTIST'S STUDIO. 602 00:23:17,629 --> 00:23:20,198 - THE UPSTAIRS HAS BEEN RENTED? - YEAH. 603 00:23:20,298 --> 00:23:22,033 HOW'S THE NOISE FROM UPSTAIRS? 604 00:23:22,834 --> 00:23:24,269 - NONE. - OKAY. AND THE RESTROOM'S RIGHT THERE? 605 00:23:24,369 --> 00:23:25,404 TWO-TWO RESTROOMS. 606 00:23:25,504 --> 00:23:26,772 WHAT'S THAT DOOR RIGHT THERE, THEN? 607 00:23:26,872 --> 00:23:28,039 THAT'S THE ELEVATOR ROOM. 608 00:23:28,140 --> 00:23:29,374 BUT THE CHANDELIER'S AND STUFF STAY THERE? 609 00:23:29,474 --> 00:23:32,677 WOULD EVERYTHING STAY HERE, OR-- 610 00:23:32,778 --> 00:23:34,579 I AM SO NOT SURPRISED ABOUT ALL THE QUESTIONS 611 00:23:34,679 --> 00:23:35,814 THAT GABE IS ASKING ABOUT THE STORE. 612 00:23:35,914 --> 00:23:40,786 HE ALWAYS WANTS TO HAVE EVERY INTRICATE DETAIL MARKED. 613 00:23:40,886 --> 00:23:43,188 HE WANTS HIS I's DOTTED, HE WANTS HIS T's CROSSED. 614 00:23:43,288 --> 00:23:45,323 WHO CAN BE MAD ABOUT THAT? 615 00:23:45,424 --> 00:23:47,025 SO, I LIKE IT-- DO YOU LIKE IT? 616 00:23:47,125 --> 00:23:49,528 UH, I DON'T KNOW. 617 00:23:49,628 --> 00:23:51,563 I'M 50/50 RIGHT NOW, TO BE HONEST WITH YOU. 618 00:23:51,663 --> 00:23:52,431 WELL, TOWANDA AND I HAVE ALREADY SEEN IT. 619 00:23:52,531 --> 00:23:56,835 SHE LIKES IT... AND I LIKE IT. 620 00:23:56,935 --> 00:23:58,970 I DON'T THINK IT REALLY MATTERS IF TOWANDA LIKES IT 621 00:23:59,070 --> 00:24:01,706 OR NOT. 622 00:24:01,807 --> 00:24:03,375 WHAT DO YOU MEAN? 623 00:24:03,475 --> 00:24:04,242 UH, BECAUSE I ALREADY FIGURED THAT IT'S JUST YOU AND I 624 00:24:04,342 --> 00:24:06,845 DOING THE-DOING THE STORE. 625 00:24:06,945 --> 00:24:10,682 I MEAN, I DON'T SEE THE GIRLS BEING A PART OF THE STORE. 626 00:24:12,284 --> 00:24:13,418 THIS IS RIDICULOUS. 627 00:24:13,518 --> 00:24:14,953 TOWANDA DOESN'T WANNA WORK WITH GABE, 628 00:24:15,053 --> 00:24:16,254 GABE DOESN'T WANNA WORK WITH MY SISTERS, 629 00:24:16,354 --> 00:24:18,857 AND I'M THE SUCKER IN THE MIDDLE. 630 00:24:18,957 --> 00:24:20,158 HELLO? 631 00:24:20,258 --> 00:24:22,527 HAVEN'T THESE PEOPLE EVER HEARD OF COMPROMISE? 632 00:24:22,627 --> 00:24:24,763 OH, WAIT, THAT'S RIGHT-- THEY HAVEN'T. 633 00:24:24,863 --> 00:24:27,732 GREAT PLACE FOR A NEW BEGINNING, FOR A NEW STORE. 634 00:24:27,833 --> 00:24:29,534 IT'S OKAY-- IT'S A LITTLE... IT'S OKAY. 635 00:24:29,634 --> 00:24:32,571 I DON'T LIKE THE WHOLE POWER LINE THINGS 636 00:24:32,671 --> 00:24:33,939 AND STUFF LIKE THAT, BUT-- - WELL, I DON'T THINK 637 00:24:34,039 --> 00:24:35,974 ANYBODY CARES ABOUT THAT, AESTHETICALLY. 638 00:24:36,074 --> 00:24:37,909 IT'S JUST-- THEY CARE ABOUT THAT, NOT THAT. 639 00:24:38,009 --> 00:24:41,112 YEAH. 640 00:24:41,213 --> 00:24:44,416 I DID HAVE ONE MORE THING I WANTED TO PRESENT TO YOU. 641 00:24:44,516 --> 00:24:47,352 I FEEL LIKE IT'S BEEN, UH, LONG OVERDUE, 642 00:24:47,452 --> 00:24:53,291 AND I FINALLY... 643 00:24:53,391 --> 00:24:55,894 GOT THE RING TO REPLACE THE RING FROM ST. LUCIA. 644 00:24:55,994 --> 00:24:58,096 AND, I HOPE YOU LIKE IT. 645 00:24:58,196 --> 00:25:00,499 BUT, HERE IT IS, AND-- 646 00:25:00,599 --> 00:25:02,801 IN THE RAIN. 647 00:25:02,901 --> 00:25:04,436 IN THE RAIN, ON ONE KNEE. 648 00:25:04,536 --> 00:25:07,839 WILL YOU REMARRY ME ALL OVER AGAIN? 649 00:25:07,939 --> 00:25:09,941 - FOR THE THIRD TIME? - FOR THE THIRD TIME. 650 00:25:10,041 --> 00:25:10,976 WELL, I DON'T KNOW ABOUT THE WEDDING THING, 651 00:25:11,076 --> 00:25:12,878 BUT I'LL TAKE THE RING. - OKAY, COOL. 652 00:25:12,978 --> 00:25:14,279 WHAT-WHAT DO YOU THINK-- DID I DO A GOOD JOB? 653 00:25:14,379 --> 00:25:15,313 IT'S BEAUTIFUL-- YOU GOTTA PUT IT ON ME. 654 00:25:15,413 --> 00:25:18,383 GLAD I GOT MY NAILS DONE. 655 00:25:18,483 --> 00:25:20,952 REALLY? - WHOO! 656 00:25:21,052 --> 00:25:22,420 GABE REALLY CAUGHT ME OFF GUARD. 657 00:25:22,521 --> 00:25:24,990 THIS IS THE LAST PLACE IN THE WORLD 658 00:25:25,090 --> 00:25:26,958 I WOULD EVER EXPECT TO GET A PROPOSAL. 659 00:25:27,058 --> 00:25:29,261 GABE APPARENTLY THINKS POWER LINES ARE TOO GHETTO 660 00:25:29,361 --> 00:25:30,829 FOR A CLOTHING STORE, 661 00:25:30,929 --> 00:25:32,330 BUT NOT TO GIVE ME A DIAMOND RING. 662 00:25:32,430 --> 00:25:33,031 OH, WELL-- I DON'T CARE. 663 00:25:33,131 --> 00:25:35,967 I LOVE IT! 664 00:25:38,904 --> 00:25:41,306 IS THIS ONE REAL? - YEAH, OF COURSE! 665 00:25:41,406 --> 00:25:44,442 THE LAST TIME YOU HAD ME BAMBOOZLED, YOU KNOW. 666 00:25:44,543 --> 00:25:46,678 OKAY, MAYBE THIS WASN'T THE MOST ROMANTIC SETTING, 667 00:25:46,778 --> 00:25:49,180 BUT I'VE BEEN WAITING TO GIVE HER THIS RING. 668 00:25:49,281 --> 00:25:50,715 AND, SOMETIME, THERE'S NO BETTER TIME THAN THE PRESENT. 669 00:25:50,815 --> 00:25:54,753 I WANT HER TO KNOW THAT I'M COMMITTED TO HER, 670 00:25:54,853 --> 00:25:56,855 OUR RELATIONSHIP, THE KIDS, EVEN THE STORE, 671 00:25:56,955 --> 00:25:58,957 AND I'M SO RELIEVED THAT SHE LOVES THIS RING. 672 00:25:59,057 --> 00:26:01,660 - BABY, IT'S SO SWEET! - OH, YOU'RE WELCOME. 673 00:26:01,760 --> 00:26:03,094 I LOVE YOU. - YOU'RE TRYING TO GET SOME. 674 00:26:03,194 --> 00:26:05,363 THAT'S WHAT THAT IS. - AND I'M GONNA GET SOME. 675 00:26:16,608 --> 00:26:17,776 READY-- HERE WE GO. 676 00:26:17,876 --> 00:26:20,345 SLIDE LEFT, FELLAS-- SLIDE RIGHT, LADIES. 677 00:26:20,445 --> 00:26:22,013 DO A LITTLE BRUSH ACTION HERE, 678 00:26:22,113 --> 00:26:23,748 AND THEN CONTINUE FORWARD AND BACK. 679 00:26:23,848 --> 00:26:26,785 ANDRE AND I ACTUALLY JOINED A GROUP TANGO LESSON 680 00:26:26,885 --> 00:26:29,688 AND I'VE BEEN WORKIN' ON MY FOLLOWING SKILLS, 681 00:26:29,788 --> 00:26:32,223 AND IT HASN'T BEEN EASY, I MUST ADMIT. 682 00:26:32,324 --> 00:26:33,825 FELLAS IN BACK-- THAT'S IT, TOWANDA. 683 00:26:33,925 --> 00:26:35,493 WAIT FOR HIM-- HE LEADS. 684 00:26:35,594 --> 00:26:36,828 YOU KNOW WHAT, THAT'S MY PROBLEM. 685 00:26:36,928 --> 00:26:38,697 I KNOW IT IS. 686 00:26:38,797 --> 00:26:40,031 OKAY. - SHE'S USED TO TAKING OVER. 687 00:26:40,131 --> 00:26:41,199 - I AM. - THAT'S ALWAYS A PROBLEM. 688 00:26:41,299 --> 00:26:43,368 - IT REALLY IS. - LET ME TRY WITH TOWANDA, 689 00:26:43,468 --> 00:26:44,669 AND YOU DO IT BEHIND ME. 690 00:26:44,769 --> 00:26:46,037 OKAY? - OKAY, OKAY. 691 00:26:46,137 --> 00:26:47,072 DO IT BEHIND YOU? - BEHIND, BEHIND. 692 00:26:47,172 --> 00:26:49,741 SO YOU CAN WATCH. - I GOT YOU-- I GOT YA. 693 00:26:49,841 --> 00:26:51,610 NOT QUITE. 694 00:26:51,710 --> 00:26:53,111 OKAY, HERE WE GO-- FIVE, SIX, SEVEN, EIGHT. 695 00:26:53,211 --> 00:26:56,815 SLOW, SLOW, SLOW. 696 00:26:56,915 --> 00:26:59,684 CROSS, STEP, SIDE, TOGETHER. 697 00:26:59,784 --> 00:27:02,687 EXCELLENT-- YOU'RE GOOD. - THANK YOU. 698 00:27:02,787 --> 00:27:05,056 - YOU ARE REALLY GONNA BE GOOD. - THANK YOU. 699 00:27:05,156 --> 00:27:06,424 WE GOTTA GET YOU UP TO SPEED, 700 00:27:06,524 --> 00:27:08,193 'CAUSE SHE'S GOOD. 701 00:27:08,293 --> 00:27:10,395 SHE FOLLOWS REALLY WELL, ANDRE. 702 00:27:10,495 --> 00:27:12,964 YEAH, WHEN SHE WANTS TO. 703 00:27:13,064 --> 00:27:15,567 DO IT AGAIN, FROM THE TOP. 704 00:27:15,667 --> 00:27:18,803 NO, GO OUTSIDE WITH YOUR RIGHT FOOT. 705 00:27:18,903 --> 00:27:20,739 I DON'T WANT YOU TO STEP IN HERE, ANDRE, YOU SEE? 706 00:27:20,839 --> 00:27:22,540 - OH, OKAY-OKAY. - LET'S DO IT AGAIN. 707 00:27:22,641 --> 00:27:24,409 TWO-- OKAY, OUTSIDE, ANDRE. 708 00:27:24,509 --> 00:27:26,811 FROM THE TOP, AGAIN. 709 00:27:26,911 --> 00:27:28,546 NO-NO, OUTSIDE, OUTSIDE. 710 00:27:28,647 --> 00:27:30,015 DO IT AGAIN-- TRY IT AGAIN. 711 00:27:30,115 --> 00:27:31,349 ONE MORE TIME-- WE'LL DO IT FROM THE TOP. 712 00:27:31,449 --> 00:27:32,884 MAYBE WE SHOULD WRITE IT ON A CHALKBOARD. 713 00:27:32,984 --> 00:27:34,619 MAYBE WE SHOULD WRITE IT ON YOUR BOOTY. 714 00:27:34,719 --> 00:27:36,988 - READY? - YOU KNOW WHAT... 715 00:27:37,088 --> 00:27:40,959 ONE, SIDE AGAIN, CROSS, OCHO. 716 00:27:41,059 --> 00:27:41,926 ONE, TWO-- - HOLD ME. 717 00:27:42,027 --> 00:27:44,929 THREE, FOUR... 718 00:27:47,432 --> 00:27:49,000 DON'T LET HER GO DOWN. 719 00:27:49,100 --> 00:27:50,635 HOLD HER UP. - I LIKE HER GOING DOWN. 720 00:27:50,735 --> 00:27:52,404 THAT'S YOUR JOB. 721 00:27:52,504 --> 00:27:54,472 THAT'S A WHOLE OTHER STORY. - THAT IS SO NOT FUNNY. 722 00:27:54,572 --> 00:27:55,840 WE WON'T GET INTO THAT NOW. 723 00:27:55,940 --> 00:27:57,308 YOUR JOKES ARE NOT FUNNY, ANDRE. 724 00:27:57,409 --> 00:27:59,044 - BE A LITTLE MORE AGGRESSIVE. - BE AGGRESSIVE. 725 00:27:59,144 --> 00:28:01,546 PLEASE-- AGGRESSIVE IS GOOD. 726 00:28:01,646 --> 00:28:03,415 FIVE, SIX, SEVEN, EIGHT! 727 00:28:06,685 --> 00:28:10,689 TWO, THREE, FOUR-- GOOD-- GOOD JOB. 728 00:28:10,789 --> 00:28:12,624 ALMOST, HONEY-- ALMOST. 729 00:28:12,724 --> 00:28:13,558 TOWANDA AND ANDRE, 730 00:28:13,658 --> 00:28:15,593 YOU'RE GONNA DO THE WHOLE ROUTINE 731 00:28:15,694 --> 00:28:16,828 AND WE'RE GONNA WATCH. - WHAT? 732 00:28:16,928 --> 00:28:18,063 - OKAY. - HELL NO! 733 00:28:18,163 --> 00:28:19,164 WE'RE GONNA BE YOUR AUDIENCE. 734 00:28:19,264 --> 00:28:20,331 WE'RE GONNA STAND RIGHT HERE. 735 00:28:20,432 --> 00:28:20,965 "DANCING WITH THE STARS," GIVE ME A CALL. 736 00:28:21,066 --> 00:28:22,467 THEY'RE NOT CALLING YOU. 737 00:28:22,567 --> 00:28:23,435 THEY'LL CALL YOU TO GET IN TOUCH WITH ME. 738 00:28:23,535 --> 00:28:24,703 NO, THEY GONNA CALL ME. 739 00:28:24,803 --> 00:28:26,137 YEAH, THEY WON'T BE CALLIN' YOU. 740 00:28:26,237 --> 00:28:27,972 - HERE WE GO. - HERE WE GO-- FROM THE TOP. 741 00:28:28,073 --> 00:28:30,608 THIS IS CRAZY. 742 00:28:30,709 --> 00:28:34,045 ANDRE BETTER GET IT TOGETHER, 743 00:28:34,145 --> 00:28:37,148 BECAUSE I AM NOT IN THE MOOD 744 00:28:37,248 --> 00:28:39,484 TO LOOK LIKE A COMPLETE IDIOT 745 00:28:39,584 --> 00:28:41,553 IN FRONT OF EVERYBODY ELSE. 746 00:28:41,653 --> 00:28:44,522 ANDRE, IF YOU'RE GOING TO WOO ME ON THE DANCE FLOOR, 747 00:28:44,622 --> 00:28:47,258 IT'S NOW OR NEVER. 748 00:29:11,916 --> 00:29:14,018 I JUST KEEP TELLIN' MYSELF, "I'M THE LEADER, 749 00:29:14,119 --> 00:29:15,954 "AND I NEED TO MAN UP RIGHT NOW." 750 00:29:16,054 --> 00:29:17,021 I'M NOT GONNA GIVE UP. 751 00:29:29,868 --> 00:29:32,570 ALL RIGHT, LET'S HEAR IT! 752 00:29:32,670 --> 00:29:35,039 WHOO-- VERY GOOD! - YAY! 753 00:29:35,140 --> 00:29:36,841 YOU DID SO WELL. 754 00:29:36,941 --> 00:29:38,710 I'M SO PROUD OF YOU! - THANK YOU-- THANKS! 755 00:29:38,810 --> 00:29:39,778 AND I'M PROUD OF YOU, TOO, BRO. 756 00:29:39,878 --> 00:29:42,914 I'M ACTUALLY IMPRESSED WITH HIM. 757 00:29:43,014 --> 00:29:43,848 GOOD JOB, ANDRE. 758 00:29:43,948 --> 00:29:47,051 MY PLAN HAS WORKED TO PERFECTION. 759 00:29:47,152 --> 00:29:48,787 YOU GUYS PICKED UP A LOT-- I'M REALLY PROUD OF YOU. 760 00:29:48,887 --> 00:29:52,423 GOOD JOB-- GIVE YOURSELVES A HAND. 761 00:29:52,524 --> 00:29:55,260 THIS IS GETTIN' ME JUST A LITTLE HOT AND BOTHERED. 762 00:29:55,360 --> 00:29:57,061 JUST A LITTLE BIT, I HAVE TO ADMIT. 763 00:29:57,162 --> 00:29:59,631 I COULDN'T BE MORE HAPPIER THAN WHAT I AM NOW. 764 00:29:59,731 --> 00:30:02,801 GO, ANDRE! 765 00:30:02,901 --> 00:30:04,769 YAY! 766 00:30:04,869 --> 00:30:06,204 THANKS, GUYS. 767 00:30:07,505 --> 00:30:09,941 COMING UP, ON "BRAXTON FAMILY VALUES"... 768 00:30:10,041 --> 00:30:11,342 I JUST FEEL EMPTY. 769 00:30:11,442 --> 00:30:14,679 - YOU'RE KINDA SHUTTING DOWN. - I DON'T HAVE THE CONFIDENCE. 770 00:30:14,779 --> 00:30:17,715 WELL, THEN, YOU'RE GONNA BE STUCK. 771 00:30:19,017 --> 00:30:21,753 GABE WANTS TO BE INVOLVED IN WHAT I'M DOING. 772 00:30:21,853 --> 00:30:23,188 NO! 773 00:30:23,288 --> 00:30:26,558 - DON'T WANNA DO THAT. - I DON'T WANT GABE IN MY LIFE. 774 00:30:26,791 --> 00:30:26,857 HEY-- 775 00:30:26,858 --> 00:30:26,924 HEY-- HOW 776 00:30:26,925 --> 00:30:27,024 HEY-- HOW YOU 777 00:30:27,025 --> 00:30:27,157 HEY-- HOW YOU GUYS 778 00:30:27,158 --> 00:30:27,991 HEY-- HOW YOU GUYS DOIN'? 779 00:30:27,992 --> 00:30:28,459 - HEY-- HOW YOU GUYS DOIN'? - HI. 780 00:30:29,260 --> 00:30:30,461 - HEY-- HOW YOU GUYS DOIN'? - AT SOME BIKES? MAN?- SO' 781 00:30:30,562 --> 00:30:31,563 - YES. - ABSOLUTELY. 782 00:30:31,663 --> 00:30:34,699 TODAY IS A BIG MOMENT IN TRACI BRAXTON HISTORY, 783 00:30:34,799 --> 00:30:38,336 BECAUSE I AM SHOPPING FOR MY VERY FIRST MOTORCYCLE, HONEY. 784 00:30:38,436 --> 00:30:39,404 THIS IS WHAT WE TALKIN' ABOUT, RIGHT HERE. 785 00:30:39,504 --> 00:30:41,940 NO, THIS IS LIKE A ONE-SPEED VIBRATOR. 786 00:30:42,040 --> 00:30:43,408 JUST BECAUSE I'M A FEMALE, 787 00:30:43,508 --> 00:30:47,278 DON'T MEAN I DON'T KNOW HOW TO HANDLE ANY HARD THRUSTS. 788 00:30:47,378 --> 00:30:49,614 IF YOU REALLY WANNA TRY OUT SOME RADICAL STUFF. 789 00:30:49,714 --> 00:30:51,416 HERE'S A COUPLE BIKES. 790 00:30:51,516 --> 00:30:53,818 HEY, THAT'S WHAT I'M TALKIN' ABOUT. 791 00:30:53,918 --> 00:30:55,019 I NEED ONE OF THEM LOUD ASS HOGS, 792 00:30:55,119 --> 00:30:59,123 SO I CAN SCARE THE CRAP OUT OF MY SISTERS AND MOMMY. 793 00:30:59,224 --> 00:31:00,158 WHEN I SEE IT, I'MA KNOW. 794 00:31:00,258 --> 00:31:02,660 OH, YEAH. 795 00:31:02,760 --> 00:31:04,195 WATCH THE REST OF THIS STORY 796 00:31:04,295 --> 00:31:06,598 AND SEE MORE OF ME AT wetv.com. 797 00:31:25,750 --> 00:31:27,919 HEY, FLOWER PATCH. HEY, JUICY. 798 00:31:28,019 --> 00:31:29,387 EVERYBODY WANT THIS LOLLIPOP RIGHT NOW. 799 00:31:31,489 --> 00:31:33,625 THAT'S NASTY-- EW! 800 00:31:33,725 --> 00:31:36,661 THIS REALLY HELP YOU PUCKER. 801 00:31:36,761 --> 00:31:38,830 - YOU CAN DO THAT WITHOUT IT. - I DON'T NEED TO DO THAT. 802 00:31:38,930 --> 00:31:40,431 WHO GOT THE LOUDEST PUCKER? 803 00:31:40,531 --> 00:31:42,667 - NOT ME. - WHO GOT THE LOUDEST SMACK? 804 00:31:42,767 --> 00:31:44,969 YOU DON'T-- TRINA, YOU? 805 00:31:45,069 --> 00:31:46,371 WHO WANTS TO COMPETE IN THAT? 806 00:31:46,471 --> 00:31:47,872 EVERYBODY WANT THAT-- THAT'S A SKILL, GIRL. 807 00:31:47,972 --> 00:31:49,173 YEAH! 808 00:31:49,274 --> 00:31:51,342 ESPECIALLY EATING SOME SALT AND VINEGAR POTATO CHIPS. 809 00:31:51,442 --> 00:31:52,944 I THOUGHT SHE WAS GONNA SAY SOMETHIN' ELSE. 810 00:31:53,044 --> 00:31:54,879 GIRL, ME TOO-- I WAS GONNA LET THAT GO. 811 00:31:54,979 --> 00:31:57,148 I DIDN'T KNOW WHERE IT WAS GOING. 812 00:31:57,248 --> 00:31:58,216 I'MA WIN. 813 00:31:58,316 --> 00:31:59,717 - JUST TRY IT. - GO AHEAD. 814 00:31:59,817 --> 00:32:02,153 NO! 815 00:32:02,253 --> 00:32:04,055 THAT WAS HORRIBLE. 816 00:32:04,155 --> 00:32:06,024 TONI, I HATE TO BE THE BEARER OF BAD NEWS, 817 00:32:06,124 --> 00:32:08,559 BUT YOU CAN'T DO EVERYTHING. 818 00:32:08,660 --> 00:32:10,561 ALL OF US GIRLS ARE IN L.A. FOR SOME SISTER TIME, 819 00:32:10,662 --> 00:32:12,931 AND I'M A LITTLE NERVOUS 820 00:32:13,031 --> 00:32:14,666 BECAUSE TOWANDA WENT AND HAM SANDWICHED ON ME 821 00:32:14,766 --> 00:32:16,167 WHEN SHE FOUND OUT THAT GABE WAS WORKIN' WITH ME 822 00:32:16,267 --> 00:32:17,969 ON THE CLOTHING STORE. 823 00:32:18,069 --> 00:32:18,836 AND I KNOW SHE CAN'T WAIT TO BRING THIS UP 824 00:32:18,937 --> 00:32:21,673 WITH THE REST OF THE SISTERS. 825 00:32:21,773 --> 00:32:24,142 TRINA TOOK ME TO A LOCATION. 826 00:32:24,242 --> 00:32:25,677 - FOR WHAT? - FOR OUR STORE. 827 00:32:25,777 --> 00:32:26,744 OH, THE STORE! 828 00:32:26,844 --> 00:32:29,247 - WE STILL DOIN' THE STORE? - YES. 829 00:32:29,347 --> 00:32:30,548 WELL, I AIN'T PUT MY MONEY IN YET, THOUGH 830 00:32:30,648 --> 00:32:32,016 WHERE I SEND IT TO? - WAIT A MINUTE, WAIT A MINUTE. 831 00:32:32,116 --> 00:32:33,885 I THINK IT'S VERY IMPORTANT 832 00:32:33,985 --> 00:32:36,020 FOR US TO TALK ABOUT THIS LOCATION? 833 00:32:36,120 --> 00:32:38,089 TRINA FOUND THIS LOCATION WITH GABE. 834 00:32:42,560 --> 00:32:43,928 I DON'T CARE WHO SHE FOUND IT WITH. 835 00:32:44,028 --> 00:32:45,563 NO, NO, THERE'S MORE-- THERE'S MORE. 836 00:32:45,663 --> 00:32:47,665 I ASKED TRINA, "DOES GABE WANNA BE A PART OF THE STORE?" 837 00:32:47,765 --> 00:32:50,001 AND SHE SAID THAT-- GO AHEAD. 838 00:32:50,101 --> 00:32:52,270 I DON'T KNOW WHAT SHE'S ABOUT TO SAY! 839 00:32:52,370 --> 00:32:53,471 ABOUT GABE-- YOU WERE TALKIN' ABOUT GABE, 840 00:32:53,571 --> 00:32:57,575 AND HOW HE ACTUALLY HELPED YOU WITH THE FINANCING OF IT. 841 00:32:57,675 --> 00:32:59,978 HE DIDN'T HAVE TO HELP YOU WITH THE FINANCE PART, THOUGH. 842 00:33:00,078 --> 00:33:02,347 I ASKED TRINA IF HE WAS AN INVESTOR, 843 00:33:02,447 --> 00:33:04,949 OR IF HE WAS A PARTNER. - WE DON'T NEED NO INVESTORS. 844 00:33:05,049 --> 00:33:06,851 WELL, HE IS REALLY EXCITED ABOUT THE STORE. 845 00:33:06,951 --> 00:33:08,319 - WHY? - WHY? 846 00:33:08,419 --> 00:33:09,520 - WHY? - WILL IT SELL GUYS STUFF? 847 00:33:09,620 --> 00:33:11,689 NO! 848 00:33:11,789 --> 00:33:13,758 IT'S AMAZING THAT YOU ASKED-- 849 00:33:13,858 --> 00:33:14,759 TOWANDA ASKED THE SAME QUESTION. 850 00:33:14,859 --> 00:33:17,128 LET'S JUST LET HER GET IT OUT. 851 00:33:17,228 --> 00:33:19,097 I'M LEARNING THAT ABOUT GETTING MY FILTER TOGETHER. 852 00:33:19,197 --> 00:33:20,698 - OKAY, GO AHEAD. - LET HER GET IT OUT. 853 00:33:20,798 --> 00:33:23,267 WELL, BECAUSE BEFORE I EVEN TALKED TO YOU GIRLS ABOUT IT, 854 00:33:23,368 --> 00:33:25,203 IT WAS SOMETHING THAT WE WERE ALREADY GOING TO DO. 855 00:33:25,303 --> 00:33:27,505 SO, WE WOULD-WE HAD ALREADY GOTTEN A LOT OF THINGS 856 00:33:27,605 --> 00:33:30,441 ALREADY LINED UP FOR THE STORE TO HAPPEN. 857 00:33:30,541 --> 00:33:32,243 WE'D ALREADY GOTTEN THE BUSINESS PLAN AND STUFF TOGETHER. 858 00:33:32,343 --> 00:33:33,845 WE'D ALREADY LOOKED FOR LOCATIONS. 859 00:33:33,945 --> 00:33:35,046 WE'D ALREADY TALKED TO THE BANK. 860 00:33:35,146 --> 00:33:36,214 WE'D ALREADY TALKED TO, YOU KNOW, 861 00:33:36,314 --> 00:33:38,783 THE PERSON WHO WAS GONNA HELP BUILD OUT EVERYTHING. 862 00:33:38,883 --> 00:33:40,018 SO, WE HAD ALL THOSE TALKS AND IT WAS ALREADY IN THE WORKS, 863 00:33:40,118 --> 00:33:43,021 BEFORE I EVEN SAT DOWN AND HAD A CONVERSATION 864 00:33:43,121 --> 00:33:45,590 WITH EVERYBODY. 865 00:33:45,690 --> 00:33:47,825 TAMAR, AND TONI. 866 00:33:47,925 --> 00:33:49,193 BUT THE CONVERSATION CAME FROM US. 867 00:33:49,293 --> 00:33:52,363 THE WHOLE IDEA CAME FROM-- - YES, YES, THAT'S TRUE. 868 00:33:52,463 --> 00:33:55,133 "WE-WE NEED TO DO A-A-A BRAXTON STORE." 869 00:33:55,233 --> 00:33:56,534 THIS WAS ALMOST THREE YEARS. 870 00:33:56,634 --> 00:33:57,735 THAT'S WHERE THE CONVERSATION STARTED. 871 00:33:57,835 --> 00:33:58,736 WELL, IF SOMETHING WAS GONNA HAPPEN THREE YEARS AGO, 872 00:33:58,836 --> 00:34:00,004 AND IT STILL DIDN'T HAPPEN, 873 00:34:00,104 --> 00:34:02,173 AND SOMEONE DECIDES TO GO AHEAD ON WITH IT, 874 00:34:02,273 --> 00:34:04,742 WHAT ARE YOU SUPPOSED-- - BUT, WHAT I'M SAYING IS-- 875 00:34:04,842 --> 00:34:07,145 NO ONE ELSE WAS PUTTING ON CONVERSATIONS AND MEETINGS, 876 00:34:07,245 --> 00:34:10,481 BUT WE'RE ALL STILL A PART OF IT. 877 00:34:10,581 --> 00:34:12,450 THAT'S A DAMN LIE FROM THE PIT OF THE DEVIL'S STOMACH. 878 00:34:12,550 --> 00:34:14,018 I DON'T KNOW WHAT THE HELL TRINA'S TALKING ABOUT, 879 00:34:14,118 --> 00:34:16,354 BECAUSE TRINA NEVER TOLD ME AT ALL 880 00:34:16,454 --> 00:34:19,424 THAT SHE WAS MOVIN' FORWARD WITH DOING THIS STORE THING. 881 00:34:19,524 --> 00:34:21,325 BECAUSE, HELLO, I AM THE ONE WHO SAID, 882 00:34:21,426 --> 00:34:22,927 "OKAY, TRINA, LOOK, WE'RE GONNA DO THIS STORE. 883 00:34:23,027 --> 00:34:24,228 "I REALLY WANNA DO THIS STORE. 884 00:34:24,328 --> 00:34:25,563 "MY GIRLFRIEND, PEACHES, 885 00:34:25,663 --> 00:34:27,131 "WHO SET UP MY OTHER GIRLFRIEND'S STORES, 886 00:34:27,231 --> 00:34:28,733 "SHE'S THE BEST AT IT. 887 00:34:28,833 --> 00:34:29,934 "YOU KNOW, SHE KNOWS EXACTLY WHAT SHE'S TALKIN' ABOUT. 888 00:34:30,034 --> 00:34:32,103 "WE'RE GONNA GET DOWN WITH HER." 889 00:34:32,203 --> 00:34:33,471 TRINA SAID, "OKAY, WELL, I'M GONNA GET HER NUMBER 890 00:34:33,571 --> 00:34:34,672 "AND SET UP A MEETING, SO WE CAN ALL COME." 891 00:34:34,772 --> 00:34:37,842 I GAVE TRINA THE NUMBER-- TRINA AIN'T NEVER CALLED ME. 892 00:34:37,942 --> 00:34:39,210 OKAY? 893 00:34:39,310 --> 00:34:40,745 THAT'S THE SNEAKY . 894 00:34:40,845 --> 00:34:41,579 BOOM-- SHE SAID IT. 895 00:34:41,679 --> 00:34:44,215 YEP, SHE SURE DID. 896 00:34:44,315 --> 00:34:45,917 IN THE VERY BEGINNING, TRINA, 897 00:34:46,017 --> 00:34:49,520 YOU SAID THAT GABE WANTS TO DO A STORE. 898 00:34:49,620 --> 00:34:51,589 SHE NEVER HAD THAT OTHER PART OF THE CONVERSATION WITH ME. 899 00:34:51,689 --> 00:34:53,257 WHAT-WHAT-WHAT TO-TOWANDA'S TELLIN' YOU GUYS 900 00:34:53,357 --> 00:34:54,926 IS BASED ON A CONVERSATION THAT TOWANDA AND I HAD 901 00:34:55,026 --> 00:34:56,727 AT THE STORE. - TING! 902 00:34:56,828 --> 00:34:58,262 IS HE A PARTNER? 903 00:34:58,362 --> 00:34:59,730 WHAT IS HE-- IS HE THE FINANCER? 904 00:34:59,831 --> 00:35:01,399 HE'S AN INVESTOR? 905 00:35:01,499 --> 00:35:03,468 TRINA, YOU TELL US, W-W-WHAT'S THE DEAL? 906 00:35:03,568 --> 00:35:05,203 WHAT'S GABE'S ROLE IN THIS? 907 00:35:08,940 --> 00:35:11,309 I TOLD GABE THAT WE ALL HAVE THE SAME VISION. 908 00:35:11,409 --> 00:35:12,510 SO, IT MAKES THE MOST SENSE 909 00:35:12,610 --> 00:35:16,114 FOR US ALL TO HAVE THE STORE TOGETHER WITH GABE. 910 00:35:16,214 --> 00:35:20,785 I CAN TELL YOU RIGHT NOW, I AM 100% SURE 911 00:35:20,885 --> 00:35:24,322 THAT I WILL NOT PARTNER IN ANY VENTURE WITH GABE. 912 00:35:24,422 --> 00:35:25,923 ESPECIALLY THE STORE. 913 00:35:26,023 --> 00:35:27,825 I DON'T WANT-- OKAY, I DON'T WANT GABE IN MY LIFE, 914 00:35:27,925 --> 00:35:29,460 OTHER THAN MY BROTHER-IN-LAW. 915 00:35:29,560 --> 00:35:30,561 OTHER THAN BILL, MY BROTHER-IN-LAW. 916 00:35:30,661 --> 00:35:33,264 THAT'S IT-- I DON'T WANNA WORK WITH HIM. 917 00:35:33,364 --> 00:35:36,434 PROBABLY TOO MUCH, BUT IT'S HONEST. 918 00:35:36,534 --> 00:35:37,602 I DON'T KNOW WHY GABE WANNA DO A STORE WITH YOUR SISTERS. 919 00:35:37,702 --> 00:35:39,437 THAT'S ODD. 920 00:35:39,537 --> 00:35:42,773 I DIDN'T SAY GABE WANTS TO DO A-A STORE WITH MY SISTERS. 921 00:35:42,874 --> 00:35:44,842 GABE WANTS TO BE INVOLVED IN WHAT I'M DOING, 922 00:35:44,942 --> 00:35:47,345 LIKE ANYBODY ELSE'S HUSBANDS. 923 00:35:47,445 --> 00:35:49,947 MY HUSBAND DON'T WANNA BE INVOLVED WITH NO STORE. 924 00:35:50,047 --> 00:35:53,151 NOT A STORE. 925 00:35:53,251 --> 00:35:54,886 WE'VE BEGUN DOING EVERYTHING. 926 00:35:54,986 --> 00:35:56,654 OKAY, BUT Y'ALL BEGUN DOIN' STUFF ON YOUR OWN. 927 00:35:56,754 --> 00:35:59,023 NOBODY NEVER CAME TO NOBODY. - OKAY, I-I-- 928 00:35:59,123 --> 00:36:00,758 YOU AND GABE TOOK IT UPON YOURSELF 929 00:36:00,858 --> 00:36:01,392 AND DID EVERYTHING ELSE, BECAUSE I WOULD'VE TOLD YA, 930 00:36:01,492 --> 00:36:03,494 "DON'T GO TO NO BANKS. 931 00:36:03,594 --> 00:36:04,662 "WE DON'T NEED TO GO TO NO BANKS. 932 00:36:04,762 --> 00:36:06,297 "THERE'S FIVE OF US, WE PUT A LOT OF MONEY IN, 933 00:36:06,397 --> 00:36:09,333 "AND WE DON'T NEED NO FINANCING." 934 00:36:09,433 --> 00:36:10,768 I'M VERY FRUSTRATED. 935 00:36:10,868 --> 00:36:12,103 I'M NOT INTERESTED IN BEING A PARTNER WITH GABE 936 00:36:12,203 --> 00:36:13,471 ON THE STORE. 937 00:36:13,571 --> 00:36:15,072 NOW, I DON'T NECESSARILY NEED A PARTNER TO HAVE A STORE, 938 00:36:15,173 --> 00:36:16,140 AND IF I'M GOING TO HAVE A PARTNER, 939 00:36:16,240 --> 00:36:19,777 I WOULD LIKE FOR IT TO BE MY SISTERS. 940 00:36:19,877 --> 00:36:21,812 HE CAN'T BE IN THE STORE WITH ALL THOSE WOMEN 941 00:36:21,913 --> 00:36:23,247 COMIN' IN AND OUT THE DOOR. 942 00:36:23,347 --> 00:36:26,083 THAT'S JUST NOT HEALTHY FOR HIM. 943 00:36:26,184 --> 00:36:27,652 IF YOU WANNA SHARE YOUR PART WITH HIM-- 944 00:36:27,752 --> 00:36:29,620 - THAT'S FINE. - THEN YOU CAN. 945 00:36:29,720 --> 00:36:30,888 THAT'S WHAT I SAID, GIVE HIM YOUR CHECK. 946 00:36:30,988 --> 00:36:33,024 BUT I DON'T WANNA SHARE-- IT'S NOT GONNA BE SIX. 947 00:36:33,124 --> 00:36:34,725 TONI, TRACI, TOWANDA, TRINA AND GABE. 948 00:36:34,825 --> 00:36:37,595 I AIN'T ROLLIN' LIKE THAT. - DON'T WANNA DO THAT. 949 00:36:37,695 --> 00:36:40,898 I JUST WANNA SEPARATE HUSBANDS FROM SISTERS, 950 00:36:40,998 --> 00:36:43,234 WITH SISTER THINGS. - FOR OUR ENDEAVORS, YEAH. 951 00:36:43,334 --> 00:36:45,469 IT BRINGS A WHOLE LOT OF CONFUSION, 952 00:36:45,570 --> 00:36:47,905 AND A WHOLE LOT OF BICKERING AND TENSION, 953 00:36:48,005 --> 00:36:50,408 AND I PERSONALLY DON'T LIKE IT. 954 00:36:50,508 --> 00:36:52,777 I AIN'T GETTIN' ANY YOUNGER. 955 00:36:52,877 --> 00:36:54,579 THIS IS STARTING TO FEEL LIKE EVERY GROUP PROJECT 956 00:36:54,679 --> 00:36:56,180 WE'VE EVER TRIED TO DO IN THE PAST-- 957 00:36:56,280 --> 00:36:57,715 NOTHIN' BUT DRAMA! 958 00:36:57,815 --> 00:36:58,983 IF THIS ISN'T GONNA BE A POSITIVE EXPERIENCE, 959 00:36:59,083 --> 00:37:02,286 I'M NOT SURE WE SHOULD DO IT AT ALL. 960 00:37:02,386 --> 00:37:04,455 I-IT'S A TENSE SITUATION NOW. 961 00:37:10,761 --> 00:37:13,531 COMING UP, ON "BRAXTON FAMILY VALUES"... 962 00:37:13,631 --> 00:37:16,534 YOU EVER FEEL LIKE YOU HAVE NOTHING ELSE TO GIVE? 963 00:37:16,634 --> 00:37:18,269 - YOU'RE JUST AFRAID RIGHT NOW. - I AM. 964 00:37:18,369 --> 00:37:20,471 I'M NOT GONNA DENY IT. 965 00:37:20,571 --> 00:37:21,939 YOU JUST NEED SOMEBODY TO HELP HOLD YOUR HAND 966 00:37:22,039 --> 00:37:23,007 THROUGH THE SCARY PARTS. 967 00:37:39,090 --> 00:37:41,459 ♪ - HI-- THIS IS TONI, FOR KENNY. 968 00:37:41,559 --> 00:37:43,494 - OKAY-- COME ON IN. - THANKS. 969 00:37:48,566 --> 00:37:50,201 - HI. - HI, HOW ARE YOU? 970 00:37:50,301 --> 00:37:50,635 - I'M GOOD-- HOW ARE YOU? - GOOD TO SEE YOU. 971 00:37:50,735 --> 00:37:52,670 YOU, TOO. 972 00:37:52,770 --> 00:37:54,238 AFTER KENNY AND I TALKED AT THE HOUSE, 973 00:37:54,338 --> 00:37:56,173 I DECIDED THAT I'M GONNA TAKE HIS ADVICE 974 00:37:56,274 --> 00:37:58,075 AND I'M GONNA STOP PAST THE STUDIO. 975 00:37:58,175 --> 00:37:59,410 JUST TO SEE, TO SEE WHAT HAPPENS. 976 00:37:59,510 --> 00:38:00,678 FEEL IT OUT A LITTLE BIT. 977 00:38:00,778 --> 00:38:04,515 AND I'M HOPING THAT, PERHAPS, IT'LL MOTIVATE ME A BIT. 978 00:38:05,783 --> 00:38:06,984 - KENNY, TONI'S HERE. - OH, OKAY. 979 00:38:07,084 --> 00:38:08,986 HEY, TON'. - HEY, KEN. 980 00:38:09,086 --> 00:38:10,454 HOW ARE YOU? - HOW ARE YOU? 981 00:38:10,554 --> 00:38:12,256 - I KNOW YOU'RE CRAZY BUSY. - HOW ARE YOU DOIN'? 982 00:38:12,356 --> 00:38:13,758 GOOD. - I'M GOOD. 983 00:38:13,858 --> 00:38:15,026 HAVE A SEAT. 984 00:38:15,126 --> 00:38:18,496 ODDLY ENOUGH, I FEEL NOTHING WHEN I GO INTO THE STUDIO. 985 00:38:18,596 --> 00:38:20,464 ALTHOUGH, REMINISCING AND WALKING DOWN THE AISLE 986 00:38:20,564 --> 00:38:23,968 AND SEEING ALL THE RECORDS AND THE PLAQUES, 987 00:38:24,068 --> 00:38:25,503 THAT MADE ME SMILE A BIT. 988 00:38:25,603 --> 00:38:28,205 I REMEMBER WHEN I USED TO FIRST COME TO THE STUDIOS, 989 00:38:28,306 --> 00:38:30,574 I USED TO FEEL SO HAPPY. 990 00:38:30,675 --> 00:38:32,343 IT REMINDED ME OF OLD TIMES, 991 00:38:32,443 --> 00:38:36,847 AND IT REMINDED ME OF WHEN I USED TO LOVE MUSIC, 992 00:38:36,947 --> 00:38:39,350 AND HOW I HAD TO HAVE IT IN MY LIFE. 993 00:38:39,450 --> 00:38:40,885 AND IT ALSO SADDENED ME, 994 00:38:40,985 --> 00:38:43,587 BECAUSE NOW I DON'T FEEL THAT WAY ANYMORE. 995 00:38:43,688 --> 00:38:44,455 I FEEL LIKE THIS IS A TRICK. 996 00:38:44,555 --> 00:38:46,624 I FEEL A LITTLE BIT OF TRICKERY. 997 00:38:46,724 --> 00:38:48,826 LET'S PUT HER IN THE STUDIO WITH THE BIG SPEAKERS 998 00:38:48,926 --> 00:38:51,295 AND THE WHOLE BOARD, GET HER MOTIVATED. 999 00:38:51,395 --> 00:38:53,464 I JUST DID IT 'CAUSE I DIDN'T FEEL LIKE 1000 00:38:53,564 --> 00:38:55,666 DRIVING TO YOUR HOUSE. - OH, GOOD ANSWER. 1001 00:38:55,766 --> 00:38:59,503 IF THAT WORKED, THEN THAT'S GOOD. 1002 00:38:59,603 --> 00:39:02,173 THINK MUCH ABOUT OUR LAST CONVERSATION? 1003 00:39:02,273 --> 00:39:04,108 I DID, A LITTLE. 1004 00:39:04,208 --> 00:39:05,176 A LITTLE? 1005 00:39:05,276 --> 00:39:07,545 NO, I'M SORRY. 1006 00:39:07,645 --> 00:39:09,980 I'M STILL IN LIMBO-- I'M STILL TORN. 1007 00:39:10,081 --> 00:39:12,950 WHAT'S THE TEARING PART? 1008 00:39:13,050 --> 00:39:14,819 I DON'T KNOW. 1009 00:39:14,919 --> 00:39:18,356 I DON'T KNOW-- I JUST FEEL EMPTY. 1010 00:39:18,456 --> 00:39:22,426 YOU EVER FEEL LIKE YOU HAVE NOTHING ELSE TO GIVE? 1011 00:39:22,526 --> 00:39:24,929 I DON'T THINK THAT YOU CAN BE A REAL ARTIST, 1012 00:39:25,029 --> 00:39:26,297 AND A REAL MUSICIAN, 1013 00:39:26,397 --> 00:39:28,432 AND YOU REALLY JUST KINDA WALK AWAY. 1014 00:39:28,532 --> 00:39:30,334 I DON'T THINK THAT EVER HAPPENS WITH ANYONE. 1015 00:39:30,434 --> 00:39:33,938 I THINK THAT PEOPLE, UM, LOSE THEIR WAY, 1016 00:39:34,038 --> 00:39:35,239 AND THEY-THEY THINK THEY WANNA BE DONE, 1017 00:39:35,339 --> 00:39:40,244 BUT... THEY'RE JUST-THEY'RE JUST AFRAID. 1018 00:39:40,344 --> 00:39:41,879 YOU'RE JUST AFRAID RIGHT NOW. - I AM. 1019 00:39:41,979 --> 00:39:43,714 I'M NOT GONNA DENY IT. 1020 00:39:43,814 --> 00:39:45,649 AND, UH, SO, 1021 00:39:45,750 --> 00:39:46,550 YOU JUST NEED SOMEBODY TO HELP HOLD YOUR HAND 1022 00:39:46,650 --> 00:39:49,754 THROUGH THE-THROUGH THE SCARY PARTS. 1023 00:39:49,854 --> 00:39:52,790 I AM DEFINITELY AFRAID OF FAILURE. 1024 00:39:52,890 --> 00:39:55,626 ODDLY ENOUGH, WHEN I FIRST GOT INTO THE MUSIC BUSINESS, 1025 00:39:55,726 --> 00:39:57,962 COMMERCIAL SUCCESS MEANT NOTHING TO ME. 1026 00:39:58,062 --> 00:39:59,563 I JUST WANTED TO SING. 1027 00:39:59,663 --> 00:40:01,132 I JUST WANTED TO PERFORM, BUT I THINK, 1028 00:40:01,232 --> 00:40:04,368 ONCE YOU GET IN ANY CAREER, 1029 00:40:04,468 --> 00:40:06,570 YOU UNDERSTAND THE BUSINESS OF IT. 1030 00:40:06,670 --> 00:40:08,939 AND I UNDERSTAND THAT THAT BOTTOM LINE 1031 00:40:09,039 --> 00:40:10,408 IS VERY IMPORTANT TO RECORD COMPANIES. 1032 00:40:10,508 --> 00:40:12,676 IF YOU'RE NOT SUCCESSFUL, THEY'LL KNOCK YOU OUT. 1033 00:40:12,777 --> 00:40:14,412 YOU'RE OVER, YOUR CAREER'S OVER, 1034 00:40:14,512 --> 00:40:17,715 AND I DON'T LIKE THAT PART OF IT. 1035 00:40:17,815 --> 00:40:18,916 UM, THE THOUGHT TODAY IS NOT TO FIGURE OUT 1036 00:40:19,016 --> 00:40:21,051 HOW TO GET OUT OF IT. 1037 00:40:21,152 --> 00:40:24,722 IT'S MORE ABOUT HOW TO GET BACK INTO IT. 1038 00:40:24,822 --> 00:40:27,425 IT'S KINDA LIKE YOU JUST NEED TO GET-GET A KICKSTART AGAIN. 1039 00:40:27,525 --> 00:40:30,094 WE SHOULD-WE SHOULD CONSIDER MAYBE JUST, LIKE, 1040 00:40:30,194 --> 00:40:32,229 YA KNOW, GETTING TOGETHER AND WRITING SOME-- 1041 00:40:32,329 --> 00:40:34,832 AND TRYING TO WRITE SOME THINGS. 1042 00:40:34,932 --> 00:40:36,867 BABYFACE MENTIONED HE AND I WRITING TOGETHER, 1043 00:40:36,967 --> 00:40:39,603 AND ON MY FIRST TWO ALBUMS, WE WROTE SOME SONGS TOGETHER. 1044 00:40:39,703 --> 00:40:41,839 ONE OF THE MOST POPULAR SONGS WE WROTE TOGETHER IS 1045 00:40:41,939 --> 00:40:43,908 "HOW COULD AN ANGEL BREAK MY HEART?" 1046 00:40:44,008 --> 00:40:45,643 AND I REMEMBER HOW IT FELT WHEN WE WROTE THAT SONG. 1047 00:40:45,743 --> 00:40:47,111 I CAME TO HIM WITH THIS IDEA, 1048 00:40:47,211 --> 00:40:48,946 AND HE PERFECTED IT AND MADE IT WHAT IT WAS, 1049 00:40:49,046 --> 00:40:51,282 AND IT JUST CAME TO US INSTANTLY. 1050 00:40:51,382 --> 00:40:54,418 AND THAT FEELING OF WRITING AND COLLABORATING TOGETHER, 1051 00:40:54,518 --> 00:40:57,688 I DID REMINISCE ABOUT THAT AND THOUGHT, "HMM? 1052 00:40:57,788 --> 00:41:00,391 "MAYBE I DO MISS THAT PART OF IT." 1053 00:41:00,491 --> 00:41:02,426 I HONESTLY THINK YOU'RE KINDA SHUTTING DOWN 1054 00:41:02,526 --> 00:41:05,229 FROM NOT REALLY FACING WHAT'S HAPPENING 1055 00:41:05,329 --> 00:41:06,430 IN YOUR PERSONAL LIFE. 1056 00:41:06,530 --> 00:41:09,533 THE DIVORCE AND EVERYTHING THAT'S GOING ON. 1057 00:41:09,633 --> 00:41:13,637 I JUST WASN'T PREPARED FOR ALL THESE EMOTIONS 1058 00:41:13,737 --> 00:41:16,307 THAT I'VE BEEN FEELING, GOING THROUGH THE DIVORCE. 1059 00:41:16,407 --> 00:41:18,709 WE'RE GONNA BE ABLE TO EASE THAT. 1060 00:41:18,809 --> 00:41:21,312 I MEAN, IT-IT'S PERFECT FOR ME, 1061 00:41:21,412 --> 00:41:24,882 TO LIVE OFF YOUR PAIN. 1062 00:41:24,982 --> 00:41:27,451 AND, ULTIMATELY, YOUR JOY. 1063 00:41:27,551 --> 00:41:28,452 WHEN YOU'RE READY TO LET THE PAIN GO, 1064 00:41:28,552 --> 00:41:31,489 THEN THE NEXT THING THAT COMES, IS JOY. 1065 00:41:31,589 --> 00:41:33,891 YOU HAVE TO STILL GET UP THE CONFIDENCE 1066 00:41:33,991 --> 00:41:36,627 TO BE BRAVE ENOUGH TO GIVE-GIVE 'EM YOUR HEART. 1067 00:41:36,727 --> 00:41:38,329 THAT'S IT-- I DON'T HAVE THE CONFIDENCE. 1068 00:41:38,429 --> 00:41:39,797 WELL, YOU GOTTA WRITE ABOUT IT. 1069 00:41:39,897 --> 00:41:41,565 UNLESS YOU CAN KINDA GET THAT OUT, 1070 00:41:41,665 --> 00:41:43,000 THEN YOU'RE GONNA BE STUCK. 1071 00:41:43,100 --> 00:41:44,368 I DON'T KNOW HOW TO GET IT OUT, KEN. 1072 00:41:44,468 --> 00:41:46,804 WELL, THEN, LET ME TRY TO HELP YOU. 1073 00:41:46,904 --> 00:41:50,441 WHETHER IT'S A HIT OR NOT, IT'S INITIALLY WHAT WE GOTTA DO. 1074 00:41:50,541 --> 00:41:52,977 DOING A PROJECT WITH KENNY, 1075 00:41:53,077 --> 00:41:55,679 NOT SURE IF IT'S REFUELING ME TO KEEP MAKING MUSIC, 1076 00:41:55,779 --> 00:42:01,952 BUT IT'S DEFINITELY MAKING ME THINK TWICE ABOUT IT MAYBE. 1077 00:42:02,052 --> 00:42:05,923 WE'LL SEE-- THE VERDICT'S STILL OUT. 1078 00:42:06,023 --> 00:42:06,757 I'M GONNA-I'M THINKING ABOUT IT. 1079 00:42:06,857 --> 00:42:09,660 I'M MARINATING, KEN. 1080 00:42:09,760 --> 00:42:10,794 I'M GONNA GO. 1081 00:42:10,895 --> 00:42:12,863 AND YOU'LL CALL ME WHEN YOU'RE READY. 1082 00:42:12,963 --> 00:42:13,964 I FEEL LIKE YOU'RE BEATIN' ME UP. 1083 00:42:14,064 --> 00:42:15,032 HUH? 1084 00:42:15,132 --> 00:42:16,100 I FEEL LIKE YOU'RE SHAKIN' ME. 1085 00:42:16,200 --> 00:42:17,768 - I'M NOT BEATIN' YOU UP. - SNAP OUT OF IT! 1086 00:42:17,868 --> 00:42:19,003 LIKE, RIGHT HERE. 1087 00:42:19,103 --> 00:42:21,005 MINE IS, UH-- I DON'T APPROACH IT THAT WAY. 1088 00:42:21,105 --> 00:42:23,107 BUT... - OKAY. 1089 00:42:23,207 --> 00:42:24,808 WE CAN, UH, WE CAN FIGURE IT OUT. 1090 00:42:24,909 --> 00:42:26,810 - GONNA GO GET MY KIDS. - ALL RIGHT, SWEETIE. 1091 00:42:26,911 --> 00:42:28,579 TALK TO YOU SOON. - THANKS, KEN. 1092 00:42:28,679 --> 00:42:30,814 - MMM-HMM. - ALL RIGHT. 81631

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.