subtitlecat.com

All language subtitles for Braxton.Family.Values.S03E03.The.Tamar-vention.1080p.ROKU.WEB-DL.AAC2.0.H.264-FFG_track3_[eng]

Afrikaans

Akan

Albanian

Amharic

Arabic

Armenian

Azerbaijani

Basque

Belarusian

Bemba

Bengali

Bihari

Bosnian

Breton

Bulgarian

Cambodian

Catalan

Cebuano

Cherokee

Chichewa

Chinese (Simplified)

Chinese (Traditional)

Corsican

Croatian

Czech

Danish

Dutch

English

Esperanto

Estonian

Ewe

Faroese

Filipino

Finnish

French

Frisian

Galician

Georgian

German

Greek Download

Guarani

Gujarati

Haitian Creole

Hausa

Hawaiian

Hebrew

Hindi

Hmong

Hungarian

Icelandic

Igbo

Indonesian

Interlingua

Irish

Italian

Japanese

Javanese

Kannada

Kazakh

Kinyarwanda

Kirundi

Kongo

Korean

Krio (Sierra Leone)

Kurdish

Kurdish (Soranî)

Kyrgyz

Laothian

Latin

Latvian

Lingala

Lithuanian

Lozi

Luganda

Luo

Luxembourgish

Macedonian

Malagasy

Malay

Malayalam

Maltese

Maori

Marathi

Mauritian Creole

Moldavian

Mongolian

Myanmar (Burmese)

Montenegrin

Nepali

Nigerian Pidgin

Northern Sotho

Norwegian

Norwegian (Nynorsk)

Occitan

Oriya

Oromo

Pashto

Persian

Polish

Portuguese (Brazil)

Portuguese (Portugal)

Punjabi

Quechua

Romanian

Romansh

Runyakitara

Russian

Samoan

Scots Gaelic

Serbian

Serbo-Croatian

Sesotho

Setswana

Seychellois Creole

Shona

Sindhi

Sinhalese

Slovak

Slovenian

Somali

Spanish

Spanish (Latin American)

Sundanese

Swahili

Swedish

Tajik

Tamil

Tatar

Telugu

Thai

Tigrinya

Tonga

Tshiluba

Tumbuka

Turkish

Turkmen

Twi

Uighur

Ukrainian

Urdu

Uzbek

Vietnamese

Welsh

Wolof

Xhosa

Yiddish

Yoruba

Zulu

Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,967 --> 00:00:03,703 PREVIOUSLY, ON "BRAXTON FAMILY VALUES"... 2 00:00:03,803 --> 00:00:07,207 IT'S BEEN A MINUTE SINCE THE WHOLE FAMILY HAVE BEEN TOGETHER. 3 00:00:07,307 --> 00:00:09,843 UH-UH-UH-- OH! 4 00:00:09,943 --> 00:00:12,612 EVERYONE'S GETTING ALONG, SO FAR. 5 00:00:12,712 --> 00:00:16,549 THIS IS NOT MY IDEA OF SISTER AFTERNOON FUN-- THIS IS WHACK. 6 00:00:16,649 --> 00:00:18,418 I CAN'T BELIEVE TAMAR DIDN'T COME. 7 00:00:18,518 --> 00:00:19,886 SHE HAD A TANTRUM TODAY. 8 00:00:19,986 --> 00:00:21,554 I FEEL LIKE THERE'S MORE TO THE STORY. 9 00:00:21,654 --> 00:00:24,157 - WHERE'S TAMAR? - SHE DIDN'T WANNA COME. 10 00:00:24,257 --> 00:00:25,759 THAT'S MADNESS. 11 00:00:25,859 --> 00:00:29,262 YOU'RE ACTING LIKE FOOLS, IF I MUST SAY MYSELF. 12 00:00:29,362 --> 00:00:30,830 NOBODY WANTS TO HANG OUT WITH ME. 13 00:00:30,930 --> 00:00:33,366 NOBODY WANTS TO CALL-- NOBODY WANTS TO COME OVER. 14 00:00:33,466 --> 00:00:36,236 YOU HAVE BEEN VERY, VERY SNEAKY. 15 00:00:36,336 --> 00:00:39,039 BECAUSE OF THE WAY YOU GUYS HAVE BEEN TREATING ME! 16 00:00:39,139 --> 00:00:40,473 THAT WASN'T THE REALITY! 17 00:00:40,573 --> 00:00:43,176 I JUST TOLD YOU WHAT THE 100% TRUTH IS. 18 00:00:43,276 --> 00:00:44,844 - OH, MY GOD! - AND YOU DON'T CARE ABOUT IT! 19 00:00:44,944 --> 00:00:45,945 YOU'RE MISSING IT-- YOU'RE MISSING IT. 20 00:00:46,046 --> 00:00:47,213 I LOVE YOU, BOO-- I CAN'T DO THIS. 21 00:00:47,313 --> 00:00:48,848 OF COURSE, YOU CAN'T. 22 00:00:48,948 --> 00:00:52,185 WE ARE THE BRAXTONS AND YOU'LL SEE 23 00:00:52,285 --> 00:00:56,156 THAT WE ARE NOT LIKE AN ORDINARY FAMILY 24 00:00:56,256 --> 00:01:00,093 TONI TRACI TOWANDA TRINA TAMAR AND MISS E 25 00:01:00,193 --> 00:01:05,899 WILL TEACH YOU A THING OR TWO ON BRAXTON FAMILY VALUES 26 00:01:20,380 --> 00:01:23,383 - DON'T FALL. - HI. - TAMAR, HI. 27 00:01:23,483 --> 00:01:27,387 NICE TO SEE YOU, AGAIN. 28 00:01:27,487 --> 00:01:28,988 SO, I'M BACK ON MY PRESS TOUR TO PROMOTE MY SINGLE, 29 00:01:29,089 --> 00:01:30,623 "LOVE AND WAR." 30 00:01:30,723 --> 00:01:33,726 AND TODAY, I'M CO-HOSTING "ANDERSON COOPER LIVE." 31 00:01:33,827 --> 00:01:35,628 I'VE DONE ANDERSON'S SHOW BEFORE, 32 00:01:35,728 --> 00:01:39,432 AND I ABSOLUTELY LOVE IT BECAUSE ANDERSON 33 00:01:39,532 --> 00:01:42,836 IS THE MALE VERSION OF TAMAR, REALLY. 34 00:01:42,936 --> 00:01:44,070 I WAS HOPIN' I WOULD BE BACK IN L.A. 35 00:01:44,170 --> 00:01:47,740 IN TIME TO GO SEE TONI'S SHOW. 36 00:01:47,841 --> 00:01:49,142 YOU WON'T BE? 37 00:01:49,242 --> 00:01:50,410 WE WON'T BE. 38 00:01:52,245 --> 00:01:55,081 NUMBER ONE, WE'RE HERE, AND THERE'S A LOT OF THINGS 39 00:01:55,181 --> 00:01:57,517 THAT'S BEEN ADDED TO THE SCHEDULE. 40 00:01:57,617 --> 00:02:01,054 TONI'S PERFORMING FOR A BIG CHARITY EVENT HONORING BARRY MANILOW. 41 00:02:01,154 --> 00:02:05,525 AND, ONCE AGAIN, I'M SO SORRY, BUT SHE CAN'T MAKE IT, 42 00:02:05,625 --> 00:02:09,229 AND SINCE THE CANADA TRIP DIDN'T EXACTLY END WELL, 43 00:02:09,329 --> 00:02:10,897 I REALLY WANTED TO BE THERE FOR TONI, 44 00:02:10,997 --> 00:02:14,134 SO SHE KNOW I WASN'T TRYING TO THROW HER NO SHADE. 45 00:02:14,234 --> 00:02:15,502 HAVE YOU TALKED TO TONI? 46 00:02:15,602 --> 00:02:16,736 TELL HER YOU WASN'T GONNA MAKE IT? 47 00:02:16,836 --> 00:02:18,071 UM, YEAH. 48 00:02:18,171 --> 00:02:19,706 I JUST, UM, SHOT HER A TEXT. 49 00:02:19,806 --> 00:02:22,041 I KINDA FEEL BAD A LITTLE BIT. 50 00:02:22,142 --> 00:02:24,577 BUT, WHAT CAN I DO, YOU KNOW? 51 00:02:24,677 --> 00:02:26,379 I GUESS YOU CAN'T GO TO EVERYTHING, HUH? 52 00:02:26,479 --> 00:02:29,382 THIS IS TRUE. 53 00:02:29,482 --> 00:02:31,251 YOU ARE TRYING TO BE ON TOP. 54 00:02:31,351 --> 00:02:32,919 EVERYBODY WANT ME TO GROW UP, HUH? 55 00:02:33,019 --> 00:02:34,120 THIS IS GROWIN' UP. 56 00:02:34,220 --> 00:02:35,555 TAKE YOUR PICK. 57 00:02:35,655 --> 00:02:37,157 OKAY, WHICH ONE YOU WANT? 58 00:02:37,257 --> 00:02:39,692 NOW, THIS IS A TIME WHEN I'D LIKE TO SEE 59 00:02:39,792 --> 00:02:42,262 ALL OF MY SISTERS HERE, CHEERING ME ON. 60 00:02:42,362 --> 00:02:44,764 TOO BAD I AIN'T GOT THAT BECAUSE THEY DON'T HANG OUT 61 00:02:44,864 --> 00:02:47,967 WITH ME NO MORE. 62 00:02:48,067 --> 00:02:50,236 ...AND IS BACK WITH, UH, TAMAR BRAXTON, MY CO-HOST. 63 00:02:50,336 --> 00:02:52,272 THAT WAS, UH, THAT WAS PART OF YOUR NEW SINGLE. 64 00:02:52,372 --> 00:02:54,073 YEAH, THAT'S MY SINGLE CALLED "LOVE AND WAR." 65 00:02:54,174 --> 00:02:55,341 - "LOVE AND WAR." - YEAH. 66 00:02:55,441 --> 00:02:57,443 AND-AND THIS SINGLE DEBUTED NUMBER ONE ON ITUNES. 67 00:02:57,544 --> 00:02:58,878 IT DID-- IT WAS JUST SO CRAZY. 68 00:02:58,978 --> 00:03:01,181 I WENT TO BED, AND I WOKE UP, AND IT WAS NUMBER ONE. 69 00:03:01,281 --> 00:03:02,815 - THAT'S CRAZY. - I'M LIKE, "OH, MY GOSH!" 70 00:03:02,916 --> 00:03:04,417 - HAS THAT-- - YEAH, IT WAS CRAZY. 71 00:03:04,517 --> 00:03:05,685 I DON'T- I DON'T- I DON'T KNOW THAT I'VE HEARD THAT HAPPENING BEFORE. 72 00:03:05,785 --> 00:03:06,886 I DON'T THINK THAT'S EVER HAPPENED BEFORE BECAUSE, 73 00:03:06,986 --> 00:03:08,922 YOU KNOW, IT'S A R&B RECORD, AND IT DEBUTED NUMBER ONE 74 00:03:09,022 --> 00:03:10,390 ON R&B AND NUMBER ONE ON POP. 75 00:03:10,490 --> 00:03:11,958 SO, IT WAS SO CRAZY. - YOU'VE GOT A LOT OF FANS. 76 00:03:12,058 --> 00:03:15,061 WELL, YOU KNOW, I HAVE L-LITTLE TAMARTIANS THAT LOVE ME, I GUESS. 77 00:03:15,161 --> 00:03:16,329 THAT'S VERY NICE. 78 00:03:16,429 --> 00:03:17,931 I SAW, ACTUALLY, A TWEET FROM LADY GAGA, 79 00:03:18,031 --> 00:03:19,866 UH, WHO TWEETED, UH, TWEETED ABOUT IT. 80 00:03:19,966 --> 00:03:22,235 SHE SAYS, "I NEVER PROMOTE ARTISTS, BUT IF YOU WANT YOUR MIND BLOWN, 81 00:03:22,335 --> 00:03:24,504 "CHECK TAMAR BRAXTON, HER 'LOVE AND WAR.' 82 00:03:24,604 --> 00:03:26,839 "SHE'S TONI BRAXTON'S SISTER, AND HER VOICE IS BEYOND." 83 00:03:26,940 --> 00:03:27,907 THAT'S GREAT. 84 00:03:28,007 --> 00:03:29,008 - SHE'S SO SWEET. - THAT'S NICE. 85 00:03:29,108 --> 00:03:30,143 SHE'S AMAZING. 86 00:03:30,243 --> 00:03:32,178 WELL, SHE WAS FABULOUS, OF COURSE. 87 00:03:32,278 --> 00:03:34,347 ANDERSON AND I HAVE WONDERFUL CHEMISTRY. 88 00:03:34,447 --> 00:03:36,916 AND NOW, I'M OFF TO MY NEXT APPEARANCE. 89 00:03:37,016 --> 00:03:38,785 SUPER FUN. 90 00:03:38,885 --> 00:03:41,020 - YEAH. - THANK YOU. 91 00:03:52,799 --> 00:03:55,001 TRINA, I'M SO GLAD YOU CAME TO SEE ME. 92 00:03:55,101 --> 00:03:56,502 WHY? 93 00:03:56,603 --> 00:04:00,173 BECAUSE I HAVEN'T SEEN YOU IN A FEW DAYS. 94 00:04:00,273 --> 00:04:01,975 I HAVEN'T REALLY SPOKEN TO TRINA, 95 00:04:02,075 --> 00:04:03,977 AND WE REALLY NEED TO CATCH UP, 96 00:04:04,077 --> 00:04:06,846 AFTER MY BIG FIGHT WITH TAMAR. 97 00:04:06,946 --> 00:04:09,015 AND TRINA'S USUALLY THE ONE THAT'S ON THE FENCE, 98 00:04:09,115 --> 00:04:11,150 THAT'S TRYING TO MAKE NICE WITH EVERYBODY, 99 00:04:11,251 --> 00:04:13,519 SO MAYBE SHE KNOWS WHAT WE SHOULD DO 100 00:04:13,620 --> 00:04:18,691 BECAUSE I HAVE ALMOST LOST ALL OF MY PATIENCE WITH TAMAR. 101 00:04:18,791 --> 00:04:20,360 I'VE BEEN A LITTLE BUMMED BECAUSE OF ME 102 00:04:20,460 --> 00:04:21,894 AND TAMAR'S CONVERSATION. 103 00:04:21,995 --> 00:04:23,296 OKAY, YOU HAVE TO TELL ME WHAT HAPPENED 104 00:04:23,396 --> 00:04:25,932 BECAUSE NO ONE IS SPILLIN' THE TEA. 105 00:04:26,032 --> 00:04:29,836 I TOLD HER THE REASON THAT, YOU KNOW, THERE HAVE BEEN, 106 00:04:29,936 --> 00:04:32,672 YOU KNOW, SOME TENSION BETWEEN SHE AND I-- 107 00:04:32,772 --> 00:04:34,007 I DIDN'T SPEAK FOR ANYONE ELSE. 108 00:04:34,107 --> 00:04:35,174 RIGHT-- THAT'S A GOOD THING. 109 00:04:35,275 --> 00:04:36,376 I WAS JUST REALLY JUST SPEAKING FOR ME. 110 00:04:36,476 --> 00:04:38,411 SHE WASN'T TRANSPARENT WITH THE WAY SHE WENT ABOUT 111 00:04:38,511 --> 00:04:41,814 THE SPIN-OFF SHOW. 112 00:04:41,914 --> 00:04:44,317 SO, AND INSTEAD OF HER SAYIN'-- "YOU KNOW WHAT, TOWANDA? 113 00:04:44,417 --> 00:04:45,418 "YOU'RE RIGHT. 114 00:04:45,518 --> 00:04:47,387 "I DID GO ABOUT IT THE WRONG WAY, AND I APOLOGIZE." 115 00:04:47,487 --> 00:04:50,490 SHE DENIED IT. 116 00:04:50,590 --> 00:04:52,558 WE ARE ALL FOR TAMAR'S RECENT SUCCESS, 117 00:04:52,659 --> 00:04:54,527 BUT THE FACT THAT SHE'S BEEN SO ALOOF 118 00:04:54,627 --> 00:04:57,697 WHEN IT COMES TO HER AND WHAT SHE'S DOING IN HER LIFE 119 00:04:57,797 --> 00:04:59,599 MAKES US FEEL LIKE SHE CARES MORE ABOUT HER CAREER 120 00:04:59,699 --> 00:05:01,034 THAN HER FAMILY. 121 00:05:01,134 --> 00:05:02,468 WE-WE'VE BEEN A CLOSE-KNIT FAMILY. 122 00:05:02,568 --> 00:05:04,804 WE'VE BEEN A CLOSE SISTERSHIP ALL OUR LIVES. 123 00:05:04,904 --> 00:05:07,907 AND THEN, WHY, SUDDENLY, WHY-WHY IS THERE SO MANY SECRETS, 124 00:05:08,007 --> 00:05:13,746 AND WHY IS IT SO, UM, BLATANTLY LIARIZED? 125 00:05:13,846 --> 00:05:15,081 EXACTLY. 126 00:05:15,181 --> 00:05:17,317 AND LIKE IT TOLD HER, THIS IS JUST THE TIP OF THE ICEBERG. 127 00:05:17,417 --> 00:05:19,752 THIS ISN'T JUST THE ONLY ISSUE THAT WE'RE HAVING. 128 00:05:19,852 --> 00:05:21,454 ONE OF THE THINGS THAT IS HURTIN' OUR RELATIONSHIP 129 00:05:21,554 --> 00:05:24,190 WITH TAMAR IS THAT SHE FEELS FREE TO CRITICIZE 130 00:05:24,290 --> 00:05:28,661 EVERYBODY'S MARRIAGES, BUT WHEN YOU TRY TO TALK ABOUT HER VELCRO 131 00:05:28,761 --> 00:05:31,998 WITH VINCENT HERBERT ISSUE, SHE GOES COMPLETELY DEAF. 132 00:05:32,098 --> 00:05:35,134 I THINK, INSTEAD OF HAVING ALL THESE TINY, 133 00:05:35,234 --> 00:05:36,602 INDIVIDUAL CONVERSATIONS, 134 00:05:36,703 --> 00:05:38,237 WHERE THINGS ARE LOST IN TRANSLATION, 135 00:05:38,338 --> 00:05:40,239 I THINK THAT IT JUST NEEDS TO BE ALL OF US. 136 00:05:40,340 --> 00:05:42,575 MAYBE DR. SHERRY OR SOMEBODY NEEDS TO COME AND- 137 00:05:42,675 --> 00:05:45,311 AND MEDIATE THE SITUATION. 138 00:05:45,411 --> 00:05:46,846 - MMM-HMM. - 'CAUSE THIS IS THE LONGEST-- 139 00:05:46,946 --> 00:05:48,047 YES. 140 00:05:48,147 --> 00:05:50,616 THAT WE'VE EVER BEEN UPSET OR-- YOU KNOW WHAT I MEAN? 141 00:05:50,717 --> 00:05:54,020 KINDA DISTANT FROM EACH OTHER-- THIS IS THE LONGEST. 142 00:06:17,110 --> 00:06:18,511 AND, LADIES, FREEZE FOR A COUPLE? 143 00:06:18,611 --> 00:06:20,513 THANKS. 144 00:06:21,681 --> 00:06:23,850 YA'LL LIKE THIS LIPSTICK, REALLY? 145 00:06:23,950 --> 00:06:25,485 I THINK IT'S DEWY. 146 00:06:25,585 --> 00:06:27,420 - I DON'T WANNA BE DEWY. - YOU DON'T WANNA BE DEWY? 147 00:06:27,520 --> 00:06:29,188 I WANNA BE MATTE AND-- 148 00:06:31,023 --> 00:06:33,526 I AM A HUGE BARRY MANILOW FAN. 149 00:06:33,626 --> 00:06:35,128 I DON'T KNOW IF YOU KNOW THAT ABOUT ME. 150 00:06:35,228 --> 00:06:38,030 AND HE WAS BEING HONORED, AND HE'S A HUGE TONI BRAXTON FAN. 151 00:06:38,131 --> 00:06:40,600 SO, HE REQUESTED ME TO SING. 152 00:06:40,700 --> 00:06:41,701 SO, I WAS EXCITED. 153 00:06:41,801 --> 00:06:44,203 I LOVE HIM, ALL HIS SONGS, "MANDY," ALTHOUGH, 154 00:06:44,303 --> 00:06:45,671 I THOUGHT HE SHOULD'VE SAID, "TONI." 155 00:06:45,772 --> 00:06:49,609 OH TONI YOU CAME AND YOU GAVE WITHOUT TAKIN' 156 00:06:49,709 --> 00:06:51,077 HE WAS TALKING ABOUT ME. 157 00:06:51,177 --> 00:06:53,146 SHOULD'VE BEEN, ANYWAY. 158 00:06:53,246 --> 00:06:54,414 - TRINA? - UH-HUH. 159 00:06:54,514 --> 00:06:56,616 I WOULD LIKE TO SAY THESE WOMEN ARE LOOKIN' AT YOU 160 00:06:56,716 --> 00:06:59,419 LIKE YOU'RE A DAMN CALL GIRL OR SOMETHIN', 161 00:06:59,519 --> 00:07:01,254 WIT' YOUR LITTLE DRESS ON. 162 00:07:01,354 --> 00:07:02,488 AND MY HAIR. 163 00:07:02,588 --> 00:07:05,358 I AM SO EXCITED TONI INVITED US ALL TO SEE HER TRIBUTE 164 00:07:05,458 --> 00:07:06,793 PERFORMANCE TO BARRY MANILOW. 165 00:07:06,893 --> 00:07:08,694 TOWANDA HAS A RECITAL FOR HER DAUGHTER, BROOKE. 166 00:07:08,795 --> 00:07:10,196 AND TAMAR IS, OF COURSE, DOING PRESS. 167 00:07:10,296 --> 00:07:12,398 BUT, I DEFINITELY COULDN'T MISS THIS. 168 00:07:12,498 --> 00:07:14,200 I GREW UP LISTENING TO TONI SINGIN' MANILOW SONGS, 169 00:07:14,300 --> 00:07:16,602 AND I KNOW SHE'S THRILLED. 170 00:07:16,702 --> 00:07:19,539 THEY LOOKIN' AT TRINA LIKE SHE'S ONE OF THE CALL GIRLS. 171 00:07:19,639 --> 00:07:22,141 I'M SORRY, WHAT? 172 00:07:22,241 --> 00:07:24,444 YOU-YOU DON'T THINK IT'S TOO MUCH RED, WITH THE RED DRESS? 173 00:07:24,544 --> 00:07:25,912 I SHOULD MAYBE DO A NUDE LIP. 174 00:07:26,012 --> 00:07:29,148 - I'M SO SHORT, TONI. - YEAH, I'LL COME DOWN. 175 00:07:29,248 --> 00:07:30,483 I HAVE ON SUPER HIGH HEELS. 176 00:07:32,585 --> 00:07:33,953 SORRY, HER SHORT-- 177 00:07:34,053 --> 00:07:36,689 MY BA-- MY BREASTS LOOK LIKE I'M LACTATING. 178 00:07:36,789 --> 00:07:39,125 - DON'T YOU-- - DON'T THEY? 179 00:07:45,097 --> 00:07:46,699 THANK YOU. 180 00:07:54,540 --> 00:07:56,242 OF COURSE, IT'S ALWAYS CRAZY BACKSTAGE 181 00:07:56,342 --> 00:07:57,643 AND I'M JUST FINISHING UP GETTING READY, 182 00:07:57,743 --> 00:08:01,347 AND THE STAGE MANAGER IS CALLING ME TO THE STAGE, ALL AT ONCE. 183 00:08:01,447 --> 00:08:03,749 THERE'S NEVER A DULL MOMENT BEFORE SHOWTIME. 184 00:08:03,850 --> 00:08:06,219 THE SPECTACULAR TONI BRAXTON! 185 00:08:14,494 --> 00:08:16,028 OH, MY GOD, THIS IS IT-- 186 00:08:16,128 --> 00:08:18,431 IT'S TIME TO PERFORM. 187 00:08:18,531 --> 00:08:20,967 I AM SINGING FOR THE BARRY MANILOW. 188 00:08:21,067 --> 00:08:22,802 I AM A FANILOW. 189 00:08:22,902 --> 00:08:25,638 I'M A LITTLE NERVOUS 'CAUSE, YOU KNOW, I LOOK UP TO HIM. 190 00:08:25,738 --> 00:08:29,375 HI, GUYS-- HOW ARE YOU? 191 00:08:29,475 --> 00:08:31,511 THANK YOU VERY MUCH. 192 00:08:31,611 --> 00:08:32,645 ALL RIGHT. 193 00:08:32,745 --> 00:08:33,880 YOU KNOW, GUYS, WE'RE HERE FOR A GREAT OCCASION. 194 00:08:33,980 --> 00:08:35,882 WHERE IS MR. BARRY AT? 195 00:08:35,982 --> 00:08:37,617 WHERE IS HE? 196 00:08:37,717 --> 00:08:39,685 OH, MY GOD-- GIVE HIM A HAND, GUYS. 197 00:08:39,785 --> 00:08:40,853 I LOVE HIM. 198 00:08:40,953 --> 00:08:43,523 HA-HA. 199 00:08:43,623 --> 00:08:45,825 WHERE ARE YOU? 200 00:08:45,925 --> 00:08:49,128 I LOVE YOU 201 00:08:49,228 --> 00:08:52,098 I LOVE YOU 202 00:08:52,198 --> 00:08:55,001 DRIVE ME CRAZY 203 00:08:55,101 --> 00:08:58,704 THINKING ABOUT YOU BABY YEAH 204 00:08:58,804 --> 00:09:01,140 I LOVE YOU 205 00:09:01,240 --> 00:09:02,675 IS THAT YOUR GIRLFRIEND? 206 00:09:02,775 --> 00:09:05,678 BUT YOU LOVE HER 207 00:09:05,778 --> 00:09:07,947 DRIVES ME CRAZY 208 00:09:08,047 --> 00:09:12,451 WHAT AM I GONNA DO 209 00:09:12,552 --> 00:09:15,421 WHEN TONI PERFORMED, I WAS LIKE "WOW!" 210 00:09:15,521 --> 00:09:16,589 "SHE'S STILL GOT IT! 211 00:09:16,689 --> 00:09:17,890 "SHE IS SEXY!" 212 00:09:17,990 --> 00:09:21,527 I MEAN, IF I WAS INTO WOMEN, I WOULD KISS HER IN THE MOUTH. 213 00:09:23,396 --> 00:09:25,231 GUYS, A LITTLE TONI TRIBUTE. 214 00:09:25,331 --> 00:09:27,700 I DON'T KNOW IF YOU KNOW THIS, BUT WHEN I WAS YOUNGER, 215 00:09:27,800 --> 00:09:29,201 I WON'T SAY MY AGE. 216 00:09:29,302 --> 00:09:30,436 UM, I JUST CELEBRATED A BIRTHDAY. 217 00:09:30,536 --> 00:09:31,904 I FORGOT ABUT THAT. 218 00:09:32,004 --> 00:09:34,874 I JUST TURNED A YEAR OLDER, YEAH. 219 00:09:34,974 --> 00:09:37,710 UM, 20. 220 00:09:37,810 --> 00:09:38,711 YOU KNOW? 221 00:09:38,811 --> 00:09:40,379 WELL PARTS OF ME TURNED 20, 222 00:09:40,479 --> 00:09:44,850 BUT WE'RE CELEBRATING THAT, TOO. 223 00:09:44,951 --> 00:09:46,919 SO WHEN I WAS YOUNGER, I WAS A YOUNGER KID, 224 00:09:47,019 --> 00:09:50,690 I USED TO LOVE THIS MAN, RIGHT HERE, MR. BARRY MANILOW. 225 00:09:50,790 --> 00:09:51,958 I LOVED HIM. 226 00:09:52,058 --> 00:09:55,227 YEAH. 227 00:09:55,328 --> 00:09:57,229 ONE OF THE REASONS I'M ON THIS STAGE IS BECAUSE OF HIM. 228 00:09:57,330 --> 00:09:58,764 I HAD JUST STARTED TAKING PIANO LESSONS, 229 00:09:58,864 --> 00:10:01,434 AND I HEARD THIS SONG, AND I'M LIKE, "OH, MY GOD! 230 00:10:01,534 --> 00:10:02,602 "WHAT IS THIS SONG?" 231 00:10:02,702 --> 00:10:03,736 AND I JUST-- 232 00:10:03,836 --> 00:10:09,742 ♪ OH MANDY YOU CAME AND YOU GAVE WITHOUT TAKING ♪ 233 00:10:12,244 --> 00:10:16,515 ♪ AND I SENT YOU AWAY OH MANDY ♪ 234 00:10:16,616 --> 00:10:22,488 ♪ AND YOU KISSED ME AND SAVED ME FROM SHAKING ♪ 235 00:10:22,588 --> 00:10:25,658 ♪ AND I NEED YOU TODAY OH ♪ 236 00:10:27,560 --> 00:10:30,262 THIS IS REALLY A HUGE HONOR FOR ME. 237 00:10:30,363 --> 00:10:31,697 I CAN TELL THEY HAD A WONDERFUL TIME 238 00:10:31,797 --> 00:10:33,399 BECAUSE I HAD A GREAT TIME. 239 00:10:33,499 --> 00:10:35,534 AND, FOR ME, PERFORMING AND DOING SOMETHING 240 00:10:35,635 --> 00:10:37,269 FOR BARRY MANILOW, WHO I LOVE, 241 00:10:37,370 --> 00:10:40,039 I WAS VERY FLATTERED THAT HE-HE PICKED ME. 242 00:10:41,307 --> 00:10:42,708 THANK YOU GUYS VERY MUCH-- HAVE A SAFE EVENING 243 00:10:42,808 --> 00:10:44,443 AND ENJOY YOURSELVES. 244 00:10:47,780 --> 00:10:50,216 COMING UP, ON "BRAXTON FAMILY VALUES"... 245 00:10:50,316 --> 00:10:51,651 WHAT HAPPENED TO YOUR RING? 246 00:10:51,751 --> 00:10:53,452 I THINK IT WAS FAKE. 247 00:10:53,552 --> 00:10:56,155 IT WAS GLASS? 248 00:10:56,255 --> 00:10:58,591 DO YOU THINK THAT BEING TONI BRAXTON'S SISTER 249 00:10:58,691 --> 00:11:01,961 HAS ANY BEARING ON HOW YOUR SINGLE IS DOING? 250 00:11:08,234 --> 00:11:09,035 THANKS, BOSS. 251 00:11:09,135 --> 00:11:10,002 - ALL RIGHT. - ALL RIGHT. 252 00:11:10,102 --> 00:11:12,138 - OH, HI-- HELLO. - HI. 253 00:11:12,238 --> 00:11:15,574 SO, IT'S ANOTHER LONG DAY OF BACK-TO-BACK INTERVIEWS. 254 00:11:15,675 --> 00:11:16,776 OH! 255 00:11:16,876 --> 00:11:19,078 AND I GOTTA TELL YOU-- PROMOTIN' THIS SINGLE IS LIKE 256 00:11:19,178 --> 00:11:23,683 RUNNIN' A MARATHON, EXCEPT FOR SHE'S RUNNING IN LOUBOUTINS. 257 00:11:23,783 --> 00:11:26,485 YOU'RE WATCHING "ABIOLA'S PASSION PARTY." 258 00:11:26,585 --> 00:11:29,622 AND TODAY, WE ARE PASSIONATE ABOUT TAMAR BRAXTON. 259 00:11:29,722 --> 00:11:30,623 HI. 260 00:11:30,723 --> 00:11:31,724 - "LOVE AND WAR--" - YES. 261 00:11:31,824 --> 00:11:32,958 IS NUMBER ONE ON ITUNES. 262 00:11:33,059 --> 00:11:34,427 ISN'T THAT AMAZING-- IT'S SO CRAZY. 263 00:11:34,527 --> 00:11:35,928 YOU KNOW, A LOT OF PEOPLE THOUGHT THAT MAYBE 264 00:11:36,028 --> 00:11:38,097 I HAD MISSED MY TIME, OR MISSED MY MARK, WHATEVER, 265 00:11:38,197 --> 00:11:39,632 AND I DIDN'T GIVE UP ON ME, AND CERTAINLY, 266 00:11:39,732 --> 00:11:40,933 GOD DIDN'T GIVE UP ON ME. 267 00:11:41,033 --> 00:11:42,802 SO, YOU KNOW, I-- AS LONG AS I HAVE THOSE TWO PEOPLE, 268 00:11:42,902 --> 00:11:44,804 MYSELF AND GOD, I KNEW THAT I HAD A CHANCE. - YES. 269 00:11:44,904 --> 00:11:46,172 IN THE BEGINNING OF THAT SONG, 270 00:11:46,272 --> 00:11:47,840 YOU SOUND A LOT LIKE YOUR BIG SISTER. 271 00:11:47,940 --> 00:11:49,308 WELL, THAT'S OKAY-- WE HAVE THE SAME DNA. 272 00:11:51,477 --> 00:11:53,846 DO YOU THINK THAT BEING TONI BRAXTON'S SISTER 273 00:11:53,946 --> 00:11:56,549 HAS ANY BEARING ON HOW YOUR SINGLE IS DOING? 274 00:11:56,649 --> 00:11:57,717 NO, I DON'T. 275 00:11:57,817 --> 00:12:00,386 YOU KNOW, I DO THINK THAT I WORKED REALLY HARD 276 00:12:00,486 --> 00:12:03,956 ON, UM, THIS ALBUM AND ALL OF MY MATERIAL. 277 00:12:04,056 --> 00:12:05,825 I DON'T THINK PEOPLE ARE EVEN THINKING ABOUT THE FACT 278 00:12:05,925 --> 00:12:07,059 THAT I'M TONI'S SISTER. 279 00:12:07,159 --> 00:12:09,328 I JUST THINK THEY THINK ABOUT THAT I'M TAMAR. 280 00:12:09,428 --> 00:12:11,464 IT DOESN'T BOTHER ME AT ALL WHEN PEOPLE ASK ABOUT TONI, 281 00:12:11,564 --> 00:12:13,132 BECAUSE SHE'S MY SISTER. 282 00:12:13,232 --> 00:12:17,036 I'M PROUD OF HER, AND WE SIMPLY HAVE NOTHING TO HIDE. 283 00:12:17,136 --> 00:12:18,137 - HOW YA DOIN'? - TAMAR-- NICE MEETING YOU. 284 00:12:18,237 --> 00:12:19,138 NICE TO MEET YOU. 285 00:12:19,238 --> 00:12:20,272 WHAT'S THAT ON YOUR EYE-- THAT HURT? 286 00:12:20,372 --> 00:12:21,574 OH, YEAH, IT DID WHEN IT HAPPENED. 287 00:12:21,674 --> 00:12:22,908 OOH, LORD JESUS! 288 00:12:23,008 --> 00:12:24,276 WHAT HAPPENED WAS-- 289 00:12:24,376 --> 00:12:26,245 I WAS IN THE CAR WITH 50 WHEN HE GOT SHOT, YOU KNOW, MAN. 290 00:12:26,345 --> 00:12:28,013 BEIN' NOSEY, LOOKED UP, LIKE, "OH!" 291 00:12:28,114 --> 00:12:29,482 "OH, -- POW!" 292 00:12:29,582 --> 00:12:30,783 - YEAH. - OH, MAN! 293 00:12:30,883 --> 00:12:34,587 JACK THRILLER, HE WAS TELLIN' ME ABOUT HOW HE LOST HIS EYE. 294 00:12:34,687 --> 00:12:37,656 NOW, I DO HAVE TO SAY THAT WAS THE ELEPHANT IN THE ROOM. 295 00:12:37,757 --> 00:12:39,959 I JUST COULDN'T BELIEVE-- IT LOOKED LIKE A LITTLE-- 296 00:12:40,059 --> 00:12:42,128 WHAT DID IT LOOK LIKE? 297 00:12:42,228 --> 00:12:44,296 LIKE A EIGHT BALL IN HIS EYE-- YEAH. 298 00:12:44,396 --> 00:12:46,098 - I LOVE "LOVE AND WAR." - THANK YOU. 299 00:12:46,198 --> 00:12:47,700 I MEAN, FIRST TIME I HEARD IT, I STARTED CRYIN', 300 00:12:47,800 --> 00:12:48,901 AND I DON'T CRY. 301 00:12:49,001 --> 00:12:50,269 WHO DO YOU FIGHT WITH THE MOST, OUT OF ALL YOUR SISTERS? 302 00:12:50,369 --> 00:12:51,470 ALL OF THEM. 303 00:12:51,570 --> 00:12:52,938 THAT JUST-- REALLY, A BATTLE ROYAL? 304 00:12:53,038 --> 00:12:54,540 I FIGHT WITH ALL OF THEM AT DIFFERENT TIMES. 305 00:12:54,640 --> 00:12:55,508 MMM. 306 00:12:55,608 --> 00:12:56,642 WHO-WHO OPEN? 307 00:12:56,742 --> 00:12:57,810 - WHO? - 'CAUSE I'LL GO WIT' YA'LL MAMA. 308 00:12:57,910 --> 00:12:59,145 - EVERYBODY-- - WHO-WHO-WHO IS LEFT? 309 00:12:59,245 --> 00:13:00,846 EVERYBODY IS NOT SINGLE ANYMORE. 310 00:13:00,946 --> 00:13:02,014 - NOBODY IS SINGLE? - NO. 311 00:13:02,114 --> 00:13:03,115 EVEN YOUR MAMA AIN'T SINGLE? 312 00:13:03,215 --> 00:13:04,617 I DON'T THINK MY MAMA IS YOUR TYPE OF CHICK. 313 00:13:04,717 --> 00:13:06,519 - YES, SHE IS. - SHE DON'T PLAY AT ALL. 314 00:13:06,619 --> 00:13:09,755 - YOU LOOK LIKE YOU PLAY A LOT OF GAMES. - I WILL FOLLOW HER RULES. 315 00:13:09,855 --> 00:13:11,190 I WILL DO WHAT SHE TELLS ME TO DO. 316 00:13:11,290 --> 00:13:14,994 CHILD, JACK THRILLER WAS THE MOST RATCHET INTERVIEW 317 00:13:15,094 --> 00:13:16,562 I'VE EVER HAD IN MY LIFE. 318 00:13:16,662 --> 00:13:18,764 IT WAS FUN, BUT RATCHET. 319 00:13:18,864 --> 00:13:19,899 - - THISIS50. - COM. 320 00:13:19,999 --> 00:13:22,334 REMEMBER, DON'T KISS THEM HOES IN THE MOUTH. 321 00:13:22,434 --> 00:13:23,369 WE'RE OVER, AND WE'RE OUTTA HERE. 322 00:13:23,469 --> 00:13:24,870 DO I HAVE SOMETHIN' IN MY EYE? 323 00:13:24,970 --> 00:13:25,905 PROBABLY! 324 00:13:26,005 --> 00:13:27,039 YOU SAID THAT, FOR REAL? 325 00:13:27,139 --> 00:13:28,908 - WHAT HAPPENED? - OH, MY GOD! 326 00:13:29,008 --> 00:13:30,709 "DON'T KISS THE HOES IN THE MOUTH." 327 00:13:30,810 --> 00:13:32,812 WHAT-- WHAT? 328 00:13:42,655 --> 00:13:43,789 CAN I SAY THIS? 329 00:13:43,889 --> 00:13:45,891 WHY DO WE ALWAYS GOT TO EAT WHEN WE'RE DEPRESSED OR HAPPY? 330 00:13:48,394 --> 00:13:50,229 THIS IS NOT A GOOD WORKOUT METHOD. 331 00:13:50,329 --> 00:13:51,564 IT IS FOR ME. 332 00:13:51,664 --> 00:13:53,666 I JUST FLEW INTO L.A. TODAY TO JOIN EVERYBODY 333 00:13:53,766 --> 00:13:57,469 BECAUSE WE'VE SCHEDULED A FAMILY THERAPY SESSION WITH DR. SHERRY. 334 00:13:57,570 --> 00:14:00,239 I KNOW THAT THIS IS SOMETHIN' THAT WE ABSOLUTELY NEED, 335 00:14:00,339 --> 00:14:05,211 AND I'M JUST FINDING OUT THAT TAMAR HAS A VIDEO SHOOT 336 00:14:05,311 --> 00:14:09,982 THAT WAS SCHEDULED, BUT I AM THINKIN' POSITIVELY. 337 00:14:10,082 --> 00:14:13,185 REGARDLESS ON IF TAMAR SHOWS UP OR NOT, I DON'T CARE. 338 00:14:13,285 --> 00:14:15,988 I JUST THINK THAT WE SHOULD GET TO THE ROOT OF THE ENTIRE SITUATION, 339 00:14:16,088 --> 00:14:18,324 WITH OR WITHOUT HER, WITH DR. SHERRY. 340 00:14:18,424 --> 00:14:21,360 AND, YOU KNOW, WHATEVER HAPPENS AFTER THAT, 341 00:14:21,460 --> 00:14:23,195 THEN SO BE IT. 342 00:14:23,295 --> 00:14:25,264 I JUST THINK THAT WE NEED TO GET TO THE ROOT OF IT. 343 00:14:25,364 --> 00:14:27,633 IF, AT THE END OF THE DAY, 344 00:14:27,733 --> 00:14:29,802 TAMAR FEELS LIKE SHE'S OVER HERE, 345 00:14:29,902 --> 00:14:33,973 AND AS FIVE SISTERS, THE FOUR OF US ARE OVER HERE, 346 00:14:34,073 --> 00:14:36,775 YOU DON'T THINK THAT TAMAR SEES THAT THERE'S MAYBE A PROBLEM 347 00:14:36,876 --> 00:14:38,010 WITH HER OVER HERE? 348 00:14:38,110 --> 00:14:39,178 SHE DOESN'T SEE THAT THERE'S A PROBLEM WITH HER. 349 00:14:39,278 --> 00:14:40,846 - NO, SHE DON'T SEE THAT. - SHE DOESN'T SEE THAT. 350 00:14:40,946 --> 00:14:42,381 - AND THE RATIO OF IT? - NO, SHE DOESN'T. - SHE DON'T SEE THAT. 351 00:14:42,481 --> 00:14:44,917 OUR BABY SISTER IS REALLY GETTIN' OUTTA HAND. 352 00:14:45,017 --> 00:14:48,020 AND SINCE WE'RE TRYING TO STOP HER FROM BEING SPOILED 353 00:14:48,120 --> 00:14:50,456 AND SETTING BOUNDARIES FOR HER, 354 00:14:50,556 --> 00:14:55,094 IT'S REALLY GOING REALLY HAYWIRE. 355 00:14:55,194 --> 00:14:57,263 TRINA, LET ME SEE YOUR HANDS. 356 00:14:57,363 --> 00:15:01,133 I TOOK MY NAILS OFF. 357 00:15:01,233 --> 00:15:02,401 OKAY-- AND THE RING. 358 00:15:02,501 --> 00:15:04,737 DID YOU ALSO TAKE THE RING OFF WHEN YOU TOOK THE NAILS OFF? 359 00:15:04,837 --> 00:15:06,372 WHAT HAPPENED TO YOUR WEDDING RING? 360 00:15:06,472 --> 00:15:07,973 WHAT HAPPENED TO YOUR RING? 361 00:15:08,073 --> 00:15:11,744 WELL, GABE AND I ARE LOOKING AT NEW RINGS. 362 00:15:11,844 --> 00:15:13,579 MM-HMM. 363 00:15:13,679 --> 00:15:18,784 SO, THE OLD RING NO LONGER HOLDS THE SAME VALUE. 364 00:15:18,884 --> 00:15:20,119 WELL, I WOULD'VE PAWNED THAT. 365 00:15:20,219 --> 00:15:21,353 WELL, WHAT HAPPENED TO THE RING THAT HE GAVE YOU 366 00:15:21,453 --> 00:15:24,490 IN SAINT LUCIA? 367 00:15:24,590 --> 00:15:26,191 IT WASN'T A GOOD RING. 368 00:15:26,292 --> 00:15:28,193 WHAT DO YOU MEAN, "IT WASN'T A GOOD RING?" 369 00:15:30,296 --> 00:15:31,363 WHAT YOU MEAN? 370 00:15:31,463 --> 00:15:35,901 IT JUST, UM, IT DIDN'T SUIT MY PERSONALITY. 371 00:15:36,001 --> 00:15:37,202 I DON'T KNOW WHERE IT CAME FROM. 372 00:15:37,303 --> 00:15:40,472 I'M-- I THINK IT WAS FAKE. 373 00:15:40,572 --> 00:15:44,610 IT WAS GLASS? 374 00:15:44,710 --> 00:15:46,779 SINCE MY WEDDING RENEWAL TO GABE, 375 00:15:46,879 --> 00:15:48,714 I HAVEN'T BEEN WEARING MY RING 376 00:15:48,814 --> 00:15:50,983 BECAUSE GABE LIED TO ME ON THE BEACH 377 00:15:51,083 --> 00:15:53,619 WHEN HE SAID IT WASN'T A CUBIC ZIRCONIA. 378 00:15:53,719 --> 00:15:58,190 - IS IT A CUBIC ZIRCONIA? - NO. 379 00:15:58,290 --> 00:15:59,325 IT'S A CUBIC REAL. 380 00:16:01,660 --> 00:16:04,563 I HAVE BEEN HORRIBLY EMBARRASSED EVER SINCE. 381 00:16:04,663 --> 00:16:07,900 MEANWHILE, I AM STILL WAITING ON MY REAL RING. 382 00:16:08,000 --> 00:16:09,401 NOW, LET-LET'S BE HONEST. 383 00:16:09,501 --> 00:16:12,438 WE ALL KNOW THAT EVEN THOUGH GABE MAKES A LOT OF MONEY-- 384 00:16:12,538 --> 00:16:13,605 - HE'S CHEAP. - HE'S A LITTLE CHEAP. 385 00:16:13,706 --> 00:16:15,975 CHEAP-CHEAP-CHEAP! - HE'S A BIRD. 386 00:16:19,244 --> 00:16:20,245 TRACI, CAN WE FOCUS? 387 00:16:20,346 --> 00:16:21,513 OH, SORRY. 388 00:16:21,613 --> 00:16:23,449 I WISHED OR THOUGHT TRINA TOLD ME THAT THERE WAS 389 00:16:23,549 --> 00:16:26,685 SOME CUBIC ZIRCONIA RING THAT SHE'S WEARIN' 390 00:16:26,785 --> 00:16:29,221 ON HER DAMN FINGER THAT GABE GAVE HER. 391 00:16:29,321 --> 00:16:32,791 WHY WOULD YOU ACCEPT A RING LIKE THAT ANYWAY? 392 00:16:32,891 --> 00:16:40,032 CUBIC ZIRCONIA REPRESENTS FAKE, FRAUD, BITCH-ASS. 393 00:16:40,132 --> 00:16:41,633 YOU KNOW, MY ANNIVERSARY IS COMING UP. 394 00:16:41,734 --> 00:16:42,868 RIGHT! 395 00:16:42,968 --> 00:16:45,804 - ARE YOU GUYS HAVING SEX? - YES-- YES! 396 00:16:45,904 --> 00:16:47,272 YES, THEY ARE! 397 00:16:49,208 --> 00:16:51,543 TOWANDA-- TOWANDA! 398 00:16:51,643 --> 00:16:53,245 OH, THANK YOU. 399 00:16:53,345 --> 00:16:54,847 WAIT-- YOU HAVE TO MOVE-- YOU HAVE TO MOVE! 400 00:16:54,947 --> 00:16:56,148 - WITH MY FOOD. - MOVE-MOVE-MOVE! 401 00:16:56,248 --> 00:16:58,517 - TOWANDA! - DON'T GIVE IT TO HER YET! 402 00:16:58,617 --> 00:17:00,119 WAIT! 403 00:17:00,219 --> 00:17:01,653 WE DON'T WANT HER TO EAT ANY OF HER FOOD! 404 00:17:01,754 --> 00:17:03,956 - WHOO! - TOWANDA! 405 00:17:04,056 --> 00:17:05,691 YOU GOT YOUR-- 406 00:17:05,791 --> 00:17:07,326 - OH, MAN-- PRAISE THE LORD! - YOU GOT YOUR HO HEELS ON. 407 00:17:07,426 --> 00:17:08,794 CAN I GET SOME SALT AND PEPPER? 408 00:17:08,894 --> 00:17:10,129 - BENDIN' IT DOWN. - WAIT, TRACI. 409 00:17:10,229 --> 00:17:11,430 - SALT AND PEPPER, PLEASE! - STIRRIN' IT LIKE COFFEE. 410 00:17:11,530 --> 00:17:12,564 TRACI-TRACI-TRACI, WAIT. 411 00:17:12,664 --> 00:17:13,866 TRACI, WAIT. 412 00:17:13,966 --> 00:17:15,067 SHE'S STIRRIN' IT LIKE COFFEE! 413 00:17:15,167 --> 00:17:17,169 LOOK AT HER-- OH! 414 00:17:23,108 --> 00:17:24,977 YOU ATE THAT WHOLE BIG-ASS BAG OF NUTS? 415 00:17:25,077 --> 00:17:26,745 THESE ARE BREAKFAST NUTS. 416 00:17:30,182 --> 00:17:32,484 YOU GOT CHEESE WHIZ IN YOUR PURSE! 417 00:17:32,584 --> 00:17:34,520 THAT'S A FASHION NO-NO. 418 00:17:34,620 --> 00:17:35,888 I HOPE JOAN RIVERS SEE THIS. 419 00:17:35,988 --> 00:17:37,689 SO, TODAY IS THE LAST DAY OF MY VIDEO SHOOT 420 00:17:37,790 --> 00:17:38,957 FOR "LOVE AND WAR," 421 00:17:39,058 --> 00:17:43,028 AND WE ALREADY SHOT THIS BEAUTIFUL SCENE AT THE BEACH. 422 00:17:43,128 --> 00:17:46,065 AND TODAY, WE'RE GONNA SHOOT ME CHILLIN' AT THIS HOUSE. 423 00:17:46,165 --> 00:17:48,901 MY SISTERS HAVE SCHEDULED THIS FAMILY MEETIN'. 424 00:17:49,001 --> 00:17:54,006 AND, OF COURSE, IT'S HAPPENING ON THE SAME DAY OF MY VIDEO SHOOT, 425 00:17:54,106 --> 00:17:55,574 BUT I'M NOT TRYING TO MISS IT 426 00:17:55,674 --> 00:17:57,843 BECAUSE THAT'S NOT WHAT SHE DOES. 427 00:17:57,943 --> 00:18:00,179 SHE'S GONNA GO, AND SHE'S GONNA SEE 428 00:18:00,279 --> 00:18:01,947 WHAT THIS FAMILY MEETING IS ALL ABOUT. 429 00:18:02,047 --> 00:18:03,348 OKAY, I'M READY. - WE READY? 430 00:18:03,449 --> 00:18:05,317 AHEM. 431 00:18:10,289 --> 00:18:12,624 - OKAY, HOLD ON, GUYS. - UH-- GOOD LORD! 432 00:18:18,330 --> 00:18:19,932 SHE'S NOT TIRED, IS SHE? 433 00:18:20,032 --> 00:18:22,267 IT'S THE FIRST SHOT UP. 434 00:18:22,367 --> 00:18:25,571 TAMAR, CAN YOU, UH, SCOOT OVER TO YOUR LEFT, PLEASE? 435 00:18:25,671 --> 00:18:27,539 GOOD, JUST-JUST KEEP PLAYING WITH YOUR NAILS. 436 00:18:27,639 --> 00:18:28,774 THAT'S PERFECT. 437 00:18:28,874 --> 00:18:30,042 LOOK OUT THE WINDOW, AGAIN-- I'M SORRY. 438 00:18:30,142 --> 00:18:31,510 AND LOOK AT THE CAMERA, NOT ME. 439 00:18:31,610 --> 00:18:32,644 BEAUTIFUL. 440 00:18:32,744 --> 00:18:33,946 THERE'S A LOT OF DIRECTION WHILE I'M DOING THIS. 441 00:18:34,046 --> 00:18:36,949 IT'S VERY DISTRACTING, ACTUALLY. 442 00:18:37,049 --> 00:18:38,450 LET'S DO THAT, AGAIN. 443 00:18:38,550 --> 00:18:43,589 TRUTH BE TOLD I'M WAVIN' MY FLAG 444 00:18:43,689 --> 00:18:46,091 BEFORE IT GOES BAD 445 00:18:46,191 --> 00:18:50,262 YEAH 'CAUSE WE MADE IT THIS FAR ON FOR BETTER OR WORSE 446 00:18:50,362 --> 00:18:54,133 I WANNA FEEL IT EVEN IF IT HURTS 447 00:18:54,233 --> 00:18:58,337 IF I GOTTA CRY TO GET TO THE OTHER SIDE 448 00:18:58,437 --> 00:19:00,072 LET'S GO 'CAUSE-- 449 00:19:00,172 --> 00:19:02,141 KEEP GOIN'-- KEEP GOIN'! 450 00:19:02,241 --> 00:19:05,611 OH WE STAY ON-- 451 00:19:05,711 --> 00:19:07,012 I MEAN, A LOT OF PEOPLE DON'T KNOW, 452 00:19:07,112 --> 00:19:09,915 BUT SHOOTING A MUSIC VIDEO IS HARD WORK. 453 00:19:10,015 --> 00:19:10,983 IT REALLY IS. 454 00:19:11,083 --> 00:19:12,618 YOU HAVE TO BE EXTREMELY PRECISE, 455 00:19:12,718 --> 00:19:14,586 WITH A MILLION DIFFERENT SETUPS. 456 00:19:14,686 --> 00:19:17,422 BUT, I AM SO FORTUNATE AND HAPPY TO BE WORKING 457 00:19:17,523 --> 00:19:19,424 WITH A BUNCH OF PERFECTIONISTS, 458 00:19:19,525 --> 00:19:20,659 LIKE HERSELF, 459 00:19:20,759 --> 00:19:23,295 BECAUSE WE ALL WANT IT TO COME OUT GREAT. 460 00:19:23,395 --> 00:19:25,764 UM, WHAT ARE-- WHAT-WHAT-- - WE'RE DOING THE BATHTUB NEXT. 461 00:19:25,864 --> 00:19:26,932 YOU'RE NOT REALLY SINGING. 462 00:19:27,032 --> 00:19:28,200 I DIDN'T HEAR ABOUT A BATHTUB SCENE. 463 00:19:28,300 --> 00:19:30,035 IT'S BEAUTIFUL. 464 00:19:30,135 --> 00:19:31,370 THAT'S-THAT'S-- IT-- 465 00:19:31,470 --> 00:19:32,504 - IS THERE WATER IN THERE? - NOPE. 466 00:19:32,604 --> 00:19:33,872 IT'S JUST A BEAUTIFUL STAIN GLASS WINDOW, 467 00:19:33,972 --> 00:19:35,140 AS HER FRIEND'S LAUGHING. 468 00:19:35,240 --> 00:19:36,708 BUT, UM, THAT'S FIVE MINUTES. 469 00:19:36,808 --> 00:19:38,177 VINCE, WHY THEY TELL ME ABOUT A BATHTUB, ON PURPOSE? 470 00:19:38,277 --> 00:19:39,478 IT'S SO BEAUTIFUL-- NO-NO-NO. 471 00:19:39,578 --> 00:19:40,846 IT'S JUST-- WE ADDED IT LAST MINUTE. 472 00:19:40,946 --> 00:19:42,347 IT'S BEAUTIFUL. 473 00:19:42,447 --> 00:19:44,183 IT'S JUST A WINDOW, A STAINED GLASS WINDOW-- YOU KNEW ABOUT THAT. 474 00:19:46,185 --> 00:19:47,486 - YOU KNOW WHAT? - OH! 475 00:19:47,586 --> 00:19:50,422 YOU CAN'T IN OTHER PEOPLE'S TUB. 476 00:19:52,257 --> 00:19:53,625 - OH, I'M SITTING ON THE TUB? - YEAH. 477 00:19:53,725 --> 00:19:54,927 ON THE TUB, ON THE LIP OF THE TUB. 478 00:19:55,027 --> 00:19:56,461 OH, I THOUGHT I WAS GETTIN' IN SOMEBODY'S TUB. 479 00:19:56,562 --> 00:19:58,931 NO. 480 00:19:59,031 --> 00:20:00,599 YOU'RE TEAM TOO MUCH. 481 00:20:00,699 --> 00:20:04,670 SHE DON'T GET IN NO BATHTUB BECAUSE I CAN'T THINK ABOUT ME 482 00:20:04,770 --> 00:20:06,738 SITTING IN MY OWN DIRT. 483 00:20:06,838 --> 00:20:09,441 SO, SHE'S DEFINITELY NOT GONNA BE SITTING IN SOMEBODY ELSE'S DIRT. 484 00:20:09,541 --> 00:20:10,642 THAT'S DISGUSTING. 485 00:20:10,742 --> 00:20:12,311 I DON'T KNOW IF YOU SHOULD DO A TOWEL OR JUST, LIKE, 486 00:20:12,411 --> 00:20:13,912 A LOOSE SORTA-- - A TOWEL FROM WHERE? 487 00:20:14,012 --> 00:20:16,048 HA-HA-HA! 488 00:20:16,148 --> 00:20:18,550 AIN'T NO-- BUT, CHILD, AIN'T NOBODY GOT TIME FOR THAT. 489 00:20:18,650 --> 00:20:19,918 - HERE'S, TAMAR-- - AIN'T NOBODY-- 490 00:20:20,018 --> 00:20:21,653 - TAMAR, THIS TOWEL, RIGHT HERE. - HELL NO. 491 00:20:26,858 --> 00:20:27,993 WHOO! 492 00:20:28,093 --> 00:20:29,695 CAN YOU SEE THE INSIDE OF THE TUB? 493 00:20:29,795 --> 00:20:31,630 IT'S JUST A FOOTPRINT. 494 00:20:31,730 --> 00:20:33,432 BLAH! 495 00:20:33,532 --> 00:20:35,834 UH-UH-UH. 496 00:20:35,934 --> 00:20:37,002 EW! 497 00:20:37,102 --> 00:20:40,872 MMM-MMM-MMM. 498 00:20:40,973 --> 00:20:42,574 GOOD GOD ALMIGHTY! 499 00:20:42,674 --> 00:20:46,245 FIRST OF ALL, BATHTUBS, LIKE, SYMBOLIZE SEXY, AND CUTE, 500 00:20:46,345 --> 00:20:49,748 AND FUNNERS, AND STUFF, BUT I GETS IN THIS TUB, 501 00:20:49,848 --> 00:20:53,785 AND I LOOK DOWN, AND IT'S, LIKE, BATHTUB FROM DIRT-MART. 502 00:20:53,885 --> 00:20:55,153 LIKE, IT'S DISGUSTING. 503 00:20:55,254 --> 00:20:56,822 HOW MANY MORE SHOTS AFTER THIS? 504 00:20:56,922 --> 00:20:57,990 OH, A LOT. 505 00:20:58,090 --> 00:20:59,424 SO, AFTER THE BATHROOM, THEN WHAT? 506 00:20:59,524 --> 00:21:01,994 I'M GONNA PUT YOU UP IN A LITTLE BIT OF A PALM TREE. 507 00:21:02,094 --> 00:21:03,028 GET YOUR LIFE. 508 00:21:03,128 --> 00:21:04,096 I DON'T WANNA GET IN NO PALM TREE. 509 00:21:04,196 --> 00:21:05,264 - I'M NOT-- - NO-NO-NO. 510 00:21:05,364 --> 00:21:06,398 - ARE YOU SERIOUS? - IT'S A CLEAN TREE. 511 00:21:06,498 --> 00:21:07,532 YOU GOT ON THE MANTLE. 512 00:21:07,633 --> 00:21:08,834 I'M NOT GETTIN' ON NOBODY'S PALM TREE! 513 00:21:08,934 --> 00:21:10,068 THAT WAS A ONE SHOT DEAL. 514 00:21:10,168 --> 00:21:11,303 I'M NOT GETTIN' ON NO-- WE DIDN'T TALK ABOUT NO TREES 515 00:21:11,403 --> 00:21:13,872 AND TAMAR CLIMBING UP JACOB'S LADDER. 516 00:21:22,047 --> 00:21:23,548 - WELL HELLO! - HI! 517 00:21:23,649 --> 00:21:25,017 COME ON IN. 518 00:21:25,117 --> 00:21:26,885 WHY DON'T YOU COME ON OVER HERE. 519 00:21:28,287 --> 00:21:29,821 YOU KNOW, IT'S OKAY-- I WON'T BITE. 520 00:21:29,921 --> 00:21:31,356 OH, OKAY-- I'LL SIT RIGHT HERE. 521 00:21:31,456 --> 00:21:33,191 - ARE WE ALL COMFORTABLE? - MM-HMM. - YEAH. 522 00:21:33,292 --> 00:21:35,694 MY UNDERSTANDING, TAMAR MAY BE HERE. 523 00:21:35,794 --> 00:21:37,129 SHE'S WORKING-- I DO KNOW SHE'S WORKING. 524 00:21:37,229 --> 00:21:38,897 SHE'S WORKING AND SHE'S RUNNING LATE. 525 00:21:38,997 --> 00:21:40,399 - WE ALL COULD BE WORKING. - I UNDERSTAND. 526 00:21:40,499 --> 00:21:42,067 WE'RE ALL WORKING ON DIFFERENT THINGS. 527 00:21:42,167 --> 00:21:45,203 I UNDERSTAND THAT, BUT IT NEEDS TO BE HEARD. 528 00:21:48,573 --> 00:21:51,176 COMING UP, ON "BRAXTON FAMILY VALUES"... 529 00:21:51,276 --> 00:21:52,944 BUT, MOMMY, YES IS YES, AND NO IS NO. 530 00:21:53,045 --> 00:21:55,013 TRINA, I DON'T NEED YOU TO TELL ME THAT. 531 00:21:55,113 --> 00:21:56,315 I'M-I'M NOT ASKING YOU WHAT YOU NEED, MOMMY. 532 00:21:56,415 --> 00:21:58,583 I'M TRYING TO TELL YOU WHAT I'M FEELING! 533 00:21:58,684 --> 00:22:00,252 I'M NOT- I'M NOT ASKING YOU WHAT YOU NEED. 534 00:22:10,162 --> 00:22:11,163 WE'RE MISSING ONE PERSON. 535 00:22:11,263 --> 00:22:12,998 SHE'S WORKING-- I DO KNOW SHE'S WORKING. 536 00:22:13,098 --> 00:22:14,166 SHE'S WORKING AND SHE'S RUNNING LATE. 537 00:22:14,266 --> 00:22:15,634 - WE ALL COULD BE WORKING. - I UNDERSTAND. 538 00:22:15,734 --> 00:22:16,735 WE'RE ALL WORKING ON DIFFERENT THINGS. 539 00:22:16,835 --> 00:22:19,304 I UNDERSTAND THAT, BUT HOPEFULLY SHE'LL ARRIVE. 540 00:22:19,404 --> 00:22:21,973 IN THE MEANTIME, WE'LL GO AHEAD AND START WITHOUT HER. 541 00:22:22,074 --> 00:22:22,974 IS THAT OKAY? 542 00:22:23,075 --> 00:22:24,343 - MMM-HMM. - YEAH. 543 00:22:24,443 --> 00:22:27,412 THESE GIRLS HAVE BEEN FIGHTING SINCE THEY'VE BEEN IN DIAPERS! 544 00:22:27,512 --> 00:22:29,047 DO THEY LOVE ONE ANOTHER? 545 00:22:29,147 --> 00:22:30,449 ABSOLUTELY! 546 00:22:30,549 --> 00:22:32,050 ARE THEY STUBBORN? 547 00:22:32,150 --> 00:22:33,185 OF COURSE! 548 00:22:33,285 --> 00:22:36,221 AND, THEY'RE VERY OUTSPOKEN. 549 00:22:36,321 --> 00:22:39,291 THEY'VE ALL HAD THEIR DISAGREEMENTS HERE AND THERE. 550 00:22:39,391 --> 00:22:42,627 BUT THIS PARTICULAR FIGHT HAS GONE ON LONG ENOUGH 551 00:22:42,728 --> 00:22:47,833 AND THEY NEED TO GET OVER IT RIGHT NOW. 552 00:22:47,933 --> 00:22:48,900 IT'S BEEN A WHILE. 553 00:22:49,000 --> 00:22:51,303 - TOO LONG. - TOO LONG. 554 00:22:51,403 --> 00:22:53,972 SOMEONE CATCH ME UP. 555 00:22:58,510 --> 00:23:00,946 OKAY, I-I-- ME AND MOMMY REALLY WANTED THE GIRLS 556 00:23:01,046 --> 00:23:03,882 AND TAMAR-MAR TO TALK BECAUSE IT SEEMS LIKE THERE'S A LOT 557 00:23:03,982 --> 00:23:06,852 OF FRICTION, OR ANIMOSITY, OR SOMETHING GOING ON. 558 00:23:06,952 --> 00:23:09,621 IT'S NOT QUITE RIGHT, AND TAMAR THINKS IT'S THEM, 559 00:23:09,721 --> 00:23:11,690 AND NO ONE'S TALKING ABOUT THEIR ISSUES 560 00:23:11,790 --> 00:23:13,225 OF WHAT THEY'RE REALLY FEELING. 561 00:23:13,325 --> 00:23:14,693 WE'RE NOT COMMUNICATING ANYMORE. 562 00:23:14,793 --> 00:23:15,727 OKAY. 563 00:23:15,827 --> 00:23:16,661 I KNOW YOU TOLD US WE NEED TO DO THAT. 564 00:23:16,762 --> 00:23:17,662 - YEAH. - WE'VE REGRESSED. 565 00:23:17,763 --> 00:23:18,797 WHAT HAPPENED? 566 00:23:18,897 --> 00:23:20,298 THERE'S A LOT OF GRAY ELEPHANTS THAT CAME FORWARD. 567 00:23:20,399 --> 00:23:22,000 THE BIG, WHITE ELEPHANT THAT USED TO COME? 568 00:23:22,100 --> 00:23:23,135 NO, IT'S NOT EVEN WHITE NO MORE. 569 00:23:23,235 --> 00:23:24,269 - OH. - THE THING IS GRAY. 570 00:23:24,369 --> 00:23:25,537 - IT'S AGED? - YEAH. 571 00:23:25,637 --> 00:23:26,872 OH, OKAY. 572 00:23:26,972 --> 00:23:29,908 SO, DO YOU THINK ALL THE ISSUES ARE CENTERED ON TAMAR? 573 00:23:30,008 --> 00:23:33,645 WHAT-- I MEAN, IS THAT THE MAIN FOCUS? 574 00:23:33,745 --> 00:23:37,215 I THINK THAT THERE'S A-A-A BRIDGE THAT'S-- 575 00:23:37,315 --> 00:23:38,784 - OH. - THAT NEEDS TO BE MENDED. 576 00:23:38,884 --> 00:23:40,485 I THINK EVERYONE WANTS TO HAVE A BETTER RELATIONSHIP 577 00:23:40,585 --> 00:23:42,354 WITH ALL OF US SISTERS COLLECTIVELY, 578 00:23:42,454 --> 00:23:44,823 BUT I THINK, IN PARTICULAR, THE RELATIONSHIP WITH TAMAR 579 00:23:44,923 --> 00:23:48,493 AND THE OTHER GIRLS HAS BEEN STRESSED. 580 00:23:48,593 --> 00:23:51,696 NOT SURE HOW DO WE KNOCK THAT WALL DOWN, BUT I'M HOPING, 581 00:23:51,797 --> 00:23:54,433 WITH DR. SHERRY'S HELP, THAT WE CAN DO IT. 582 00:23:54,533 --> 00:23:55,967 YES. 583 00:23:56,067 --> 00:23:58,236 UM, I HAD A ONE ON ONE WITH TAMAR, AND SHE LEFT 584 00:23:58,336 --> 00:24:02,040 BECAUSE SHE DIDN'T WANNA HEAR MY TRUTH OF HOW I WAS FEELING. 585 00:24:02,140 --> 00:24:03,308 MMM-HMM. 586 00:24:03,408 --> 00:24:05,243 AND BY ME HAVING THAT ONE ON ONE CONVERSATION WITH TAMAR-- 587 00:24:05,343 --> 00:24:06,278 MMM-HMM. 588 00:24:06,378 --> 00:24:08,079 AND BY ME SWALLOWING MY PRIDE-- 589 00:24:08,180 --> 00:24:10,248 BECAUSE EVERYBODY IN MY FAMILY KNOWS HOW I AM. 590 00:24:10,348 --> 00:24:13,185 IT'S HARD FOR ME TO SWALLOW MY PRIDE AND TO HOP ON THE PLANE 591 00:24:13,285 --> 00:24:16,221 TO HAND HER THAT OLIVE BRANCH, AND THEN SHE CRAPS ON IT. 592 00:24:16,321 --> 00:24:17,456 THAT'S HOW I FELT. 593 00:24:17,556 --> 00:24:19,090 TAMAR WAS-WAS ANGRY, TOO, AND DISAPPOINTED, 594 00:24:19,191 --> 00:24:22,561 BUT TAMAR SEEMS TO THINK THAT NONE OF HER SISTERS LIKE HER. 595 00:24:22,661 --> 00:24:23,662 SHE SAID, "MY SISTERS HATE ME, 596 00:24:23,762 --> 00:24:24,963 "AND I DON'T KNOW WHAT I DID TO THEM." 597 00:24:25,063 --> 00:24:26,898 - SO, IT'S SERIOUS. - IT'S REALLY SERIOUS. 598 00:24:26,998 --> 00:24:27,966 IT IS VERY SERIOUS. 599 00:24:28,066 --> 00:24:30,502 IT'S DETRIMENTAL TO OUR FAMILY, AT THIS POINT. 600 00:24:31,837 --> 00:24:34,606 ARE WE STILL DEALING WITH BAGGAGE FROM THE PAST? 601 00:24:34,706 --> 00:24:35,974 I DON'T KNOW. 602 00:24:36,074 --> 00:24:37,809 - I THINK IT'S A LITTLE. - OR, IS THIS SOMETHING NEW? 603 00:24:37,909 --> 00:24:39,511 I WILL SAY, FOR ME, 604 00:24:39,611 --> 00:24:41,079 FROM DOING THE "BRAXTON FAMILY VALUES" 605 00:24:41,179 --> 00:24:44,049 FROM SEASON ONE WHEN WE CAME INTO THIS WHOLE SITUATION, 606 00:24:44,149 --> 00:24:46,485 IT WAS AS A SISTERSHIP AND AS A SISTERHOOD, 607 00:24:46,585 --> 00:24:50,088 AND WHEN WE TALKED ABOUT IT FROM THE VERY FRUITION OF IT, 608 00:24:50,188 --> 00:24:53,959 IT WAS SUPPOSED TO BE A FAMILY UNIT. 609 00:24:54,059 --> 00:24:55,760 IT WAS SUPPOSED TO BE A FAMILY PROJECT. 610 00:24:55,861 --> 00:24:58,096 WERE YOU ALL ASKED TO BE A PART OF THE OTHER SHOW? 611 00:24:58,196 --> 00:24:59,731 - NO, WE WASN'T. - TO AT LEAST MAKE APPEARANCES? 612 00:24:59,831 --> 00:25:00,966 SHE NEVER ASKED. 613 00:25:01,066 --> 00:25:03,969 WHAT SHE SAID WAS, "I MEAN, THIS IS A OPPORTUNITY. 614 00:25:04,069 --> 00:25:06,738 "IF YA'LL WANNA DO IT, FINE-- IF NOT, FINE." 615 00:25:06,838 --> 00:25:08,840 AND THAT'S-- THAT MUST BE VERY AGGRAVATING? 616 00:25:08,940 --> 00:25:10,675 IT MUST BE VERY FRUSTRATING. 617 00:25:10,775 --> 00:25:12,043 IT'S ALSO VERY REAL. 618 00:25:12,143 --> 00:25:15,146 IT IS VERY REAL, FROM YOUR PERSPECTIVE. 619 00:25:15,247 --> 00:25:16,615 - NO, IN REALIZATION. - I DON'T KNOW. 620 00:25:16,715 --> 00:25:18,049 I HAVE TO-- I HAVE TO-- BECAUSE I DON'T KNOW. 621 00:25:18,149 --> 00:25:19,651 IT'S NOT PERSPECTIVE-- IT'S VERY REAL, DR. SHERRY. 622 00:25:19,751 --> 00:25:20,785 - OKAY. - IT'S NOT PERSPECTIVE. 623 00:25:20,886 --> 00:25:21,987 AND I'LL-- AND I'LL ACCEPT THAT. 624 00:25:22,087 --> 00:25:22,888 IT'S VERY REAL. 625 00:25:22,988 --> 00:25:23,855 WAIT-- LET'S SAY. 626 00:25:23,955 --> 00:25:24,990 IS IT REAL, OR IS IT NOT? - IT IS REAL. 627 00:25:25,090 --> 00:25:26,491 - IT IS REAL. - IS IT REAL? 628 00:25:26,591 --> 00:25:27,692 - YOU KNOW WHAT? - YES OR NO, MOMMY. 629 00:25:27,792 --> 00:25:29,327 BUT-BUT, I, UH, I NEED TO SAY THIS. 630 00:25:29,427 --> 00:25:30,428 - OKAY. - BUT, MOMMY'S A MOM. 631 00:25:30,529 --> 00:25:31,730 - I NEED TO SAY THIS. - SHE'S NOT A SISTER. 632 00:25:31,830 --> 00:25:33,565 I UNDERSTAND THAT SHE'S NOT A SISTER, BUT-BUT-- 633 00:25:33,665 --> 00:25:34,833 YA'LL CAN GET UPSET ALL YOU WANT. 634 00:25:34,933 --> 00:25:36,268 - MOMMY, IT'S NOT-- - I NEED TO SAY THIS. 635 00:25:36,368 --> 00:25:37,602 WHETHER OR NOT, YOU KNOW, IT'S A YES OR NO SITUATION. 636 00:25:37,702 --> 00:25:39,437 I-I NEED TO SAY THIS... IF TAMAR-- 637 00:25:39,538 --> 00:25:41,172 BUT, MOMMY, YES IS YES, AND NO IS NO. 638 00:25:41,273 --> 00:25:42,374 MAYBE TO YOU. 639 00:25:42,474 --> 00:25:43,642 - NO-- PERIOD! - MAYBE TO YOU. 640 00:25:43,742 --> 00:25:45,110 - WELL, LET'S TALK ABOUT-- - NO, DR. SHERRY. 641 00:25:45,210 --> 00:25:46,745 TRINA, I DON'T NEED YOU TO TELL ME THAT. 642 00:25:46,845 --> 00:25:48,046 I'M NOT ASKING YOU WHAT YOU NEED, MOMMY. 643 00:25:48,146 --> 00:25:49,948 I'M TRYING TO TELL YOU WHAT I'M FEELING! 644 00:25:50,048 --> 00:25:51,983 - I'M NOT ASKING-- - NO, DR. SHERRY. 645 00:25:52,083 --> 00:25:53,084 I'M NOT ASKING YOU WHAT YOU NEED. 646 00:25:53,184 --> 00:25:54,119 I'M ASKING YOU HOW YOU FEEL. 647 00:25:54,219 --> 00:25:55,387 BUT, YES IS YES, AND NO IS NO. 648 00:25:55,487 --> 00:25:57,188 I GOTTA TELL YOU-- I'M A LITTLE DISAPPOINTED IN TRINA. 649 00:25:57,289 --> 00:26:00,325 SHE WENT BLOW TO BLOW WITH MY MOM. 650 00:26:00,425 --> 00:26:04,396 OBVIOUSLY, SHE HAS SOME ISSUES, SOME UNRESOLVED ISSUES. 651 00:26:04,496 --> 00:26:09,601 IT'S VERY HARD FOR ME TO SAY YES OR NO. 652 00:26:09,701 --> 00:26:13,405 I AM A MOTHER, AND I HAVE TWO CHILDREN, AS WELL, 653 00:26:13,505 --> 00:26:16,641 AND I KNOW HOW IT IS TO NOT WANNA TAKE SIDES. 654 00:26:16,741 --> 00:26:18,910 HOWEVER, AS A PARENT, YOU STILL HAVE TO ACKNOWLEDGE 655 00:26:19,010 --> 00:26:20,779 WHAT'S TRUE AND WHAT'S NOT. 656 00:26:20,879 --> 00:26:23,048 SO, SOMETIMES, IT GETS REALLY, REALLY FRUSTRATING 657 00:26:23,148 --> 00:26:25,517 BECAUSE SHE CHOOSES TO REMAIN NEUTRAL. 658 00:26:25,617 --> 00:26:26,551 WAIT A MINUTE. 659 00:26:26,651 --> 00:26:27,953 WHY ARE YOU STARING AT ME LIKE THAT, TRINA? 660 00:26:28,053 --> 00:26:29,154 WHAT'S WRONG? 661 00:26:29,254 --> 00:26:31,756 I THINK I HAVE A RIGHT TO LOOK AT WHOMEVER I CHOOSE. 662 00:26:31,856 --> 00:26:33,992 I'M JUST LOOKING. 663 00:26:35,460 --> 00:26:37,562 JUST LOOKING. 664 00:26:37,662 --> 00:26:38,730 OKAY. 665 00:26:38,830 --> 00:26:42,233 AND, YOU SEE, TRINA GETS VERY UPSET WITH ME 666 00:26:42,334 --> 00:26:49,207 BECAUSE SHE FEELS THAT, UM, I'M ALWAYS STICKING UP FOR TAMAR. 667 00:26:49,307 --> 00:26:52,577 YOU DO, BUT THAT'S NOT- THAT'S NOT THAT SITUATION AT HAND. 668 00:26:54,012 --> 00:26:55,947 SEE HOW HOSTILE SOMETIME THEY CAN BE? 669 00:26:56,047 --> 00:26:57,382 BUT, THAT'S LET'S GO BACK WITH THE BAGGAGE BECAUSE-- 670 00:26:57,482 --> 00:26:58,883 WAS I- WAS I- WAS I HOSTILE, JUST NOW? 671 00:26:58,984 --> 00:27:01,653 - THE HOSTILITY-- - IT-- WE-WE CAN'T REALLY TALK. 672 00:27:01,753 --> 00:27:04,956 YOU KNOW, WHEN TRINA GOT A LITTLE SPICY, I CALL IT, 673 00:27:05,056 --> 00:27:08,093 WITH ME, I FELT SHE WAS VERY DISRESPECTING. 674 00:27:08,193 --> 00:27:11,863 I DON'T THINK I'M ANY MORE PROTECTIVE OVER TAMAR 675 00:27:11,963 --> 00:27:13,732 THAN THE OTHERS. 676 00:27:13,832 --> 00:27:15,533 I'M GOING TO BE THERE FOR ALL OF THEM. 677 00:27:15,634 --> 00:27:17,502 THAT'S JUST WHAT I DO. 678 00:27:17,602 --> 00:27:19,738 I THINK THAT THERE IS JUST A LOT OF THINGS THAT WE NEED 679 00:27:19,838 --> 00:27:23,241 TO DISCUSS AS SISTERS-- PERIOD. 680 00:27:23,341 --> 00:27:24,809 WOULD YOU ALL LIKE MOM TO LEAVE? 681 00:27:24,909 --> 00:27:26,077 YES, I WILL. 682 00:27:26,177 --> 00:27:27,212 MOM SAYS-- 683 00:27:27,312 --> 00:27:28,680 EVEN IF THEY DON'T EVEN LIKE IT, I HAVE TO. 684 00:27:28,780 --> 00:27:29,814 OKAY. 685 00:27:29,914 --> 00:27:31,650 'CAUSE I-I THINK THAT THEY NEED TO TALK, YOU KNOW, 686 00:27:31,750 --> 00:27:33,151 AND BE MORE OPEN. 687 00:27:33,251 --> 00:27:34,285 OKAY. 688 00:27:34,386 --> 00:27:36,154 AND NOT WORRY ABOUT WHAT I'M FEELING. 689 00:27:36,254 --> 00:27:39,357 I THINK THAT IT WAS THE BIGGEST MISTAKE FOR MOMMY 690 00:27:39,457 --> 00:27:41,493 TO BE IN THE SESSION TODAY. 691 00:27:41,593 --> 00:27:44,262 WE CAN'T REALLY AIR OUT THE THINGS THAT WE REALLY NEED 692 00:27:44,362 --> 00:27:46,998 TO COMFORTABLY AIR OUT, IF MOMMY'S SITTING HERE. 693 00:27:47,098 --> 00:27:49,567 YOU KNOW, BECAUSE SOMETIMES YOU HAVE TO SAY, "EFF YOU, 694 00:27:49,668 --> 00:27:51,836 "YOU MAKE ME SICK, I CAN'T STAND YOU," 695 00:27:51,936 --> 00:27:53,438 IN ORDER TO GET OVER STUFF, 696 00:27:53,538 --> 00:27:55,440 AND WE COULDN'T DO THAT WITH MOMMY SITTING THERE. 697 00:27:55,540 --> 00:27:57,275 I'M SORRY-- WE COULDN'T. 698 00:27:57,375 --> 00:27:58,576 I DID WANNA SAY JUST ONE THING. 699 00:27:58,677 --> 00:28:00,712 I REMEMBER HOW TRINA FELT WHEN WE DID AN INTERVENTION. 700 00:28:00,812 --> 00:28:01,846 REMEMBER THAT, DR. SHERRY? 701 00:28:01,946 --> 00:28:02,981 - MMM-HMM. - AND SHE FELT ATTACKED. 702 00:28:03,081 --> 00:28:04,082 RIGHT, AND I WAS ABOUT TO SAY-- 703 00:28:04,182 --> 00:28:04,949 AND IT WON'T BE COMMUNICATING. 704 00:28:05,050 --> 00:28:06,151 NO COMMUNICATION WILL HAPPEN. 705 00:28:06,251 --> 00:28:08,486 I-I DON'T WANT HER TO FEEL ATTACKED, 'CAUSE I WANT US-- 706 00:28:08,586 --> 00:28:11,122 - TO BE ABLE TO TALK. - TO HAVE AN ENDING. 707 00:28:11,222 --> 00:28:12,223 SO, HOW DO WE DO THAT? 708 00:28:12,323 --> 00:28:13,892 RIGHT, THAT'S WHAT I WAS ABOUT TO SAY. 709 00:28:13,992 --> 00:28:15,293 TELL US HOW TO TALK WHEN SHE COMES IN? 710 00:28:15,393 --> 00:28:16,895 IT'S FUNNY YOU MENTION THAT BECAUSE THAT WAS MY EXACT WORDS. 711 00:28:16,995 --> 00:28:21,099 EVERYBODY'S HOLDING A LOT OF STUFF, RIGHT NOW, 712 00:28:21,199 --> 00:28:23,268 AND IT NEEDS TO BE HEARD. 713 00:28:23,368 --> 00:28:24,502 OKAY. 714 00:28:24,602 --> 00:28:26,938 BUT THEN, ALSO WANT HER TO SHARE WITH US HER FEELINGS, 715 00:28:27,038 --> 00:28:28,773 AND YOU GOT TO BE WILLING TO LISTEN. 716 00:28:28,873 --> 00:28:31,342 AND THEN, WE'LL RESPOND. 717 00:28:31,443 --> 00:28:32,343 RIGHT. 718 00:28:32,444 --> 00:28:33,745 - BECAUSE OTHERWISE-- - I AGREE WITH THAT. 719 00:28:33,845 --> 00:28:37,382 IF YOU JUST DUMP IT, SHE'S NOT GONNA HEAR IT. 720 00:28:37,482 --> 00:28:39,651 AND IT'S GONNA BE, YOU KNOW, AGAIN, 721 00:28:39,751 --> 00:28:42,520 WE'VE HAD SOME TIME TOGETHER BEFORE SHE COMES IN. 722 00:28:42,620 --> 00:28:44,456 SO, YOU KNOW, SHE'S GONNA BE ON GUARD. 723 00:28:44,556 --> 00:28:45,623 EXACTLY. 724 00:28:45,724 --> 00:28:46,958 YOU KNOW, SHE'S GONNA BE ON GUARD. 725 00:28:47,058 --> 00:28:48,159 SHE'S GONNA COME IN VERY GUARDED. 726 00:28:48,259 --> 00:28:49,627 SHE'S GONNA BE ON GUARD-- SO EXPECT THAT. 727 00:28:49,728 --> 00:28:51,296 PEOPLE OFTEN THINK THAT MY SISTER, TAMAR, 728 00:28:51,396 --> 00:28:54,032 IS A HARD PERSON TO COMMUNICATE WITH. 729 00:28:54,132 --> 00:28:55,366 THERE ARE TRUTHS ABOUT THAT. 730 00:28:55,467 --> 00:28:57,736 BUT, IN ESSENCE, SHE'S JUST VERY SENSITIVE. 731 00:28:57,836 --> 00:29:01,272 AND I FIND THAT PEOPLE WHO BARK A LOT ARE THOSE PEOPLE 732 00:29:01,372 --> 00:29:05,210 WHO DO THAT TO PROTECT THEMSELVES. 733 00:29:06,177 --> 00:29:08,012 - HOLA, CHICAS. - WELL, HELLO-HELLO! 734 00:29:08,113 --> 00:29:09,814 HI. 735 00:29:09,914 --> 00:29:10,949 EVERYBODY LOOKS CUTE. 736 00:29:11,049 --> 00:29:12,617 YES, EVERYBODY. 737 00:29:12,717 --> 00:29:16,054 YES, THE SPECIAL GUEST OF THE DAY HAS ARRIVED. 738 00:29:16,154 --> 00:29:18,356 AND HONESTLY, WHO KNOWS WHAT THEY'VE BEEN SAYING, 739 00:29:18,456 --> 00:29:20,492 WHILE THEY'VE ALL BEEN WAITING ON ME? 740 00:29:20,592 --> 00:29:24,195 ALL I KNOW IS, IT'S ALWAYS THEM AGAINST TAMAR, 741 00:29:24,295 --> 00:29:30,101 AND I AM CONSISTENTLY ATTACKED WITH THAT MEAN GIRL THEORY. 742 00:29:30,201 --> 00:29:31,936 TAMAR, YOU HAVE GOTTEN REALLY MEAN. 743 00:29:32,036 --> 00:29:34,372 TAMAR, SWEETIE, YOU'RE BECOMING A MEAN GIRL. 744 00:29:34,472 --> 00:29:35,707 BUT, THAT'S TRUE. 745 00:29:35,807 --> 00:29:36,841 IT IS YOUR MOUTH BECAUSE IT'S TRUE-- IT IS YOUR MOUTH. 746 00:29:36,941 --> 00:29:37,942 EVERYBODY TELLS YOU THAT. 747 00:29:38,042 --> 00:29:39,511 TAMAR, EVERY GROUP YOU'VE BEEN IN FAILED 748 00:29:39,611 --> 00:29:41,312 BECAUSE OF THAT ATTITUDE OF YOURS! 749 00:29:41,412 --> 00:29:43,014 LET'S JUST KEEP IT REAL! 750 00:29:43,114 --> 00:29:46,518 EVERYBODY'S TRYING TO GET BACK AT TAMAR FOR WHAT TAMAR SAID LAST SEASON! 751 00:29:46,618 --> 00:29:48,186 THIS IS NOT WHAT THIS IS ABOUT! 752 00:29:48,286 --> 00:29:50,655 IT IS A KNOWN FACT THAT I LOVE AND CARE ABOUT MY SISTERS 753 00:29:50,755 --> 00:29:52,223 MORE THAN ANYTHING. 754 00:29:52,323 --> 00:29:55,994 AND, YOU KNOW, I-I DON'T WRITE DOWN ALL THE HURTFUL THINGS THEY SAY TO ME, 755 00:29:56,094 --> 00:29:59,030 BUT I BELIEVE THAT'S WHAT THEY'RE DOING. 756 00:29:59,130 --> 00:30:00,632 I'M GLAD YOU COULD JOIN US. 757 00:30:00,732 --> 00:30:01,866 I KNOW YOU'VE BEEN WORKING. 758 00:30:01,966 --> 00:30:02,967 YES. 759 00:30:03,067 --> 00:30:05,170 ONE OF THE THINGS THAT I WAS ASKED TO DO 760 00:30:05,270 --> 00:30:08,039 IS TO COME AND TO TALK TO EVERYBODY, TALK TO SISTERS. 761 00:30:08,139 --> 00:30:09,240 ABOUT WHAT? 762 00:30:09,340 --> 00:30:10,441 WELL, I'M GONNA LET YOU DECIDE. 763 00:30:10,542 --> 00:30:12,177 I'M GONNA LET EVERYBODY DECIDE. 764 00:30:12,277 --> 00:30:14,746 I'M A LISTENIN' EAR TONIGHT. 765 00:30:18,950 --> 00:30:21,352 COMING UP, ON "BRAXTON FAMILY VALUES"... 766 00:30:21,452 --> 00:30:22,787 I NEVER SAID THAT TO YOU, TAMAR? 767 00:30:22,887 --> 00:30:24,155 I DON'T- I DON'T GIVE A FIERY ! 768 00:30:24,255 --> 00:30:25,490 I CARE NOT! 769 00:30:25,590 --> 00:30:26,658 - SO, WE'RE NEVER GONNA GET PAST IT. - I GUESS WE AIN'T. 770 00:30:26,758 --> 00:30:29,661 IT-- I SHOULD'VE NEVER COME HERE. 771 00:30:32,664 --> 00:30:33,631 - TRINA? - MMM-HMM. 772 00:30:33,731 --> 00:30:35,667 I HAVE SOMETHIN' VERY IMPORTANT TO SHOW YOU. 773 00:30:35,767 --> 00:30:37,735 - IS IT A SONOGRAM? - FOR WHAT? 774 00:30:37,836 --> 00:30:39,404 ULTRASOUND-- I DON'T KNOW-- WHAT? 775 00:30:39,504 --> 00:30:41,239 YOU TRIED IT-- LET'S GO. 776 00:30:41,339 --> 00:30:42,874 - OKAY. - LET ME SHOW YOU. 777 00:30:42,974 --> 00:30:45,210 - WHAT YOU GOTTA SHOW ME? - TRINA, LOOK! 778 00:30:45,310 --> 00:30:47,879 OH, MY GOSH-- TOWANDA, LOOK! 779 00:30:47,979 --> 00:30:49,280 MY BABY! 780 00:30:49,380 --> 00:30:50,548 TOWANDA, SHE LOOKS LIKE A LITTLE PRINCESS. 781 00:30:50,648 --> 00:30:52,050 - DOESN'T SHE? - YEAH, SHE'S A BRAXTON. 782 00:30:52,150 --> 00:30:53,251 ISN'T SHE? 783 00:30:53,351 --> 00:30:55,119 I'M REALLY PROUD OF HER-- SHE LOVES BALLET. 784 00:30:55,220 --> 00:30:56,221 GREAT! 785 00:30:56,321 --> 00:30:57,722 WELL, SHE'S TALL ENOUGH FOR IT. 786 00:30:57,822 --> 00:30:59,490 SHE'S GONNA BE 5'2" TOMORROW. 787 00:30:59,591 --> 00:31:00,725 THAT'S TALLER THAN TONI. 788 00:31:00,825 --> 00:31:02,827 EXACTLY-- SO, WHAT'D YOU REALLY HAVE TO SHOW ME? 789 00:31:02,927 --> 00:31:03,995 'CAUSE YOU DIDN'T ANSWER THE QUESTION 790 00:31:04,095 --> 00:31:05,163 WHEN I ASKED YOU TO SHOW ME THE SONOGRAM. 791 00:31:05,263 --> 00:31:06,164 THE PICTURE. 792 00:31:06,264 --> 00:31:07,165 NO ULTRASOUND-- NO SONOGRAM? 793 00:31:07,265 --> 00:31:08,266 NO! 794 00:31:08,366 --> 00:31:09,300 HOW COME YOU DIDN'T WANNA ANSWER ME? 795 00:31:09,400 --> 00:31:10,301 GO AHEAD, SAY IT. 796 00:31:10,401 --> 00:31:11,302 SAY-SAY, "I'M NOT HAVING A BABY." 797 00:31:11,402 --> 00:31:12,470 I AM NOT HAVIN' A BABY. 798 00:31:12,570 --> 00:31:14,405 ARE YOU DOING THE DUNA-DUNA WIT' YOUR HUSBAND? 799 00:31:14,505 --> 00:31:15,607 OUT THE DOOR, LET'S GO-- BYE. 800 00:31:15,707 --> 00:31:16,574 WHY? 801 00:31:16,674 --> 00:31:17,675 HOW COME YOU WON'T ANSWER ME? 802 00:31:17,775 --> 00:31:18,810 - COME ON, TRINA. - I DON'T HAVE MY SHOES ON! 803 00:31:18,910 --> 00:31:19,777 - I'LL THROW YOU YOUR SHOES. - YOU CAN'T PUT ME OUT! 804 00:31:19,878 --> 00:31:21,579 I'M GONNA GET YOUR SHOES! 805 00:31:26,417 --> 00:31:28,019 GOODBYE! - YOU CAN'T PUT ME OUT! 806 00:31:28,119 --> 00:31:30,889 LOVE YOU-- BYE. 807 00:31:40,698 --> 00:31:42,033 I'M GLAD YOU COULD JOIN US. 808 00:31:42,133 --> 00:31:43,234 I KNOW YOU'VE BEEN WORKING. 809 00:31:43,334 --> 00:31:44,402 YES. 810 00:31:44,502 --> 00:31:47,572 ONE OF THE THINGS THAT I WAS ASKED TO DO IS TO COME 811 00:31:47,672 --> 00:31:49,540 AND TO TALK TO EVERYBODY, TALK TO SISTERS. 812 00:31:49,641 --> 00:31:50,541 ABOUT WHAT? 813 00:31:50,642 --> 00:31:51,976 WELL, I'M GONNA LET YOU DECIDE. 814 00:31:52,076 --> 00:31:53,311 I'M GONNA LET EVERYBODY DECIDE. 815 00:31:53,411 --> 00:31:55,780 I'M A LISTENIN' EAR TONIGHT. 816 00:31:58,449 --> 00:32:01,119 AS SOON AS TAMAR WALKS THROUGH THE ROOM, 817 00:32:01,219 --> 00:32:02,787 EVERYBODY WAS ON EDGE 818 00:32:02,887 --> 00:32:05,990 BECAUSE I DON'T THINK THAT ANYONE KNEW HOW-- 819 00:32:06,090 --> 00:32:07,458 WHAT TAMAR THEY WERE GONNA GET. 820 00:32:07,558 --> 00:32:08,593 THEY DIDN'T KNOW IF THEY WERE GONNA GET 821 00:32:08,693 --> 00:32:10,228 RAH-RAH-RAH-RAH TAMAR, 822 00:32:10,328 --> 00:32:13,364 OR THE SWEET TAMAR. 823 00:32:13,464 --> 00:32:16,668 WHAT'S GOING ON WITH YA'LL AS SIBLINGS? 824 00:32:19,203 --> 00:32:20,104 I-I DON'T KNOW. 825 00:32:20,204 --> 00:32:20,972 I REACH OUT-- I CALL. 826 00:32:21,072 --> 00:32:22,273 I TEXT. 827 00:32:22,373 --> 00:32:24,208 I DON'T KNOW WHAT ELSE TO DO. 828 00:32:24,309 --> 00:32:27,045 DO YOU WANNA START, IN TERMS OF WHAT YOU THINK HAS HAPPENED 829 00:32:27,145 --> 00:32:32,750 THAT HAS CREATED THE DISTANCE THAT YOU-YOU MAY HAVE, NOW? 830 00:32:32,850 --> 00:32:36,321 I DON'T-- BECAUSE I HAVE ABSOLUTELY NO IDEA. 831 00:32:36,421 --> 00:32:38,990 EVERYBODY ELSE KNOW EXCEPT FOR ME. 832 00:32:39,090 --> 00:32:41,092 SINCE NO ONE'S SHARED THEIR FEELINGS, YOU KNOW, 833 00:32:41,192 --> 00:32:43,828 OR YOU DON'T KNOW, IF YOU CAN HEAR-- 834 00:32:43,928 --> 00:32:45,029 I WOULD LOVE TO. 835 00:32:45,129 --> 00:32:46,064 YOU HAVE TO BE ABLE TO LISTEN. 836 00:32:46,164 --> 00:32:47,265 OKAY, BECAUSE IN THE PAST, 837 00:32:47,365 --> 00:32:50,301 THE COMMUNICATION REALLY GETS MESSED UP AROUND HERE. 838 00:32:50,401 --> 00:32:51,903 SO, TOWANDA, YOU WANNA START? 839 00:32:52,003 --> 00:32:55,173 SURE. 840 00:32:55,273 --> 00:32:59,177 AS I, UH, STATED TO YOU BEFORE, IT WAS KINDA DIFFICULT 841 00:32:59,277 --> 00:33:04,649 FOR ME TO BE EXCITED THE WAY THAT EVERYTHING WAS PRESENTED 842 00:33:04,749 --> 00:33:06,451 FOR THE "TAMAR AND VINCE" SHOW. 843 00:33:06,551 --> 00:33:07,785 IT'S SO STUPID BECAUSE THIS IS THE CAUSE 844 00:33:07,885 --> 00:33:09,487 OF EVERYBODY HAVING AN ATTITUDE. 845 00:33:09,587 --> 00:33:10,822 THE SHOW? 846 00:33:10,922 --> 00:33:12,557 - YES, IT IS, BECAUSE-- - OKAY, LET-LET-LET ME ASK. 847 00:33:12,657 --> 00:33:13,758 - THIS IS THE CAUSE. - LET ME-- 848 00:33:13,858 --> 00:33:14,993 THIS IS THE CAUSE OF NOBODY WANTING TO CALL ME BACK, 849 00:33:15,093 --> 00:33:16,461 NOBODY WANTING TO GET THE PHONE, NOBODY WANTING TO COME-- 850 00:33:16,561 --> 00:33:19,197 TAMAR, GODDAGGIT! 851 00:33:19,297 --> 00:33:22,500 I JUST-- SOMETIMES, I FEEL LIKE SHAKIN' HER, 852 00:33:22,600 --> 00:33:24,435 JUST SO SHE CAN WAKE UP. 853 00:33:24,535 --> 00:33:27,772 I DON'T GIVE A FLYIN' FREAK ABOUT TAMAR'S SPIN-OFF SHOW. 854 00:33:27,872 --> 00:33:28,873 I'M HAPPY FOR HER. 855 00:33:28,973 --> 00:33:30,208 I DON'T CARE. 856 00:33:30,308 --> 00:33:31,609 IT'S THE WAY SHE WENT ABOUT IT, 857 00:33:31,709 --> 00:33:35,580 AND THAT'S NOT OUR ONLY ISSUE, OBVIOUSLY. 858 00:33:35,680 --> 00:33:38,249 AND THEN, ANOTHER-- MY O-OTHER PROBLEM, 859 00:33:38,349 --> 00:33:42,086 ALSO, TAMAR, IS, IT'S LIKE YOU-YOU TURN A DEAF EAR 860 00:33:42,186 --> 00:33:45,623 WHEN IT COMES TO YOUR HUSBAND, WHEN HE DOES CERTAIN THINGS. 861 00:33:45,723 --> 00:33:47,058 WHAT THAT GOT TO DO WITH ME? 862 00:33:47,158 --> 00:33:48,726 TAMAR, WHAT DOES TALKING LOUD DO? 863 00:33:48,826 --> 00:33:50,028 - WHAT HAS THAT GOT TO DO WITH ME? - YOU LOOK RIDICULOUS. 864 00:33:50,128 --> 00:33:51,829 - I DON'T TALK ABOUT YOUR HUSBAND! - YOU LOOK RIDICULOUS. 865 00:33:51,929 --> 00:33:52,897 YOU DO. 866 00:33:52,997 --> 00:33:54,032 I DIDN'T SAY THAT. 867 00:33:54,132 --> 00:33:55,133 AND-AND-AND YOU'VE DONE IT. 868 00:33:55,233 --> 00:33:56,200 NO, SHE'S TALKING ABOUT SAYING THAT-- 869 00:33:56,300 --> 00:33:57,268 AND YOU'VE DONE IT, TIME AND TIME, AGAIN. 870 00:33:57,368 --> 00:33:58,369 - YOU TALK ABOUT THEIR HUSBANDS-- - RIGHT. 871 00:33:58,469 --> 00:34:00,004 THEIR HUSBANDS, AND THEIR HUSBANDS, 872 00:34:00,104 --> 00:34:01,839 AND EVERYBODY ELSE'S HUSBANDS, BUT WHEN SOMETHIN' HAPPENS WITH YOUR HUSBAND, 873 00:34:01,939 --> 00:34:03,674 YOU TURN A BLIND EYE-- THAT'S WHAT SHE'S SAYING. 874 00:34:03,775 --> 00:34:05,209 - OKAY. - WHY CAN'T YOU JUST LISTEN? 875 00:34:05,309 --> 00:34:06,544 WHY DO YOU HAVE TO OVER-TALK PEOPLE? 876 00:34:06,644 --> 00:34:07,812 - I HEARD IT. - WE'RE COMMUNICATING. 877 00:34:07,912 --> 00:34:08,846 YOU HEARD IT. 878 00:34:08,946 --> 00:34:09,947 WE AIN'T COMMUNICATIN'. 879 00:34:10,048 --> 00:34:11,215 WE AIN'T COMMUNICATIN' NOTHIN'. 880 00:34:11,315 --> 00:34:12,517 NO, WE'RE NOT COMMUNICATING BECAUSE YOU'RE TALKING LOUDER. 881 00:34:12,617 --> 00:34:13,851 THIS IS A DAMN TAMAR INTERVENTION. 882 00:34:13,951 --> 00:34:15,086 I DONE WALKED INTO THE DAMN LION'S DEN, 883 00:34:15,186 --> 00:34:16,487 WITH MY ASS ON A PLATTER. - AND LOUDER, AND LOUDER-- 884 00:34:16,587 --> 00:34:17,755 AIN'T NOBODY GOT TIME FOR THAT . 885 00:34:17,855 --> 00:34:19,924 THAT WAS NOT THE INTENT. 886 00:34:22,527 --> 00:34:25,863 YOU KNOW, TAMAR SAID SHE DOES GIVE A "EFF" 887 00:34:25,963 --> 00:34:27,498 ABOUT "BRAXTON FAMILY VALUES." 888 00:34:27,598 --> 00:34:29,901 SHE HAS HER OWN SHOW, AND THAT'S ALL SHE CARES ABOUT, 889 00:34:30,001 --> 00:34:31,836 AND THAT'S ALL SHE'S CONCENTRATING ON. 890 00:34:31,936 --> 00:34:33,538 TRINA DIDN'T TELL THE WHOLE CONVERSATION! 891 00:34:33,638 --> 00:34:35,373 THAT CONVERSATION CAME ABOUT WHEN BRA-- 892 00:34:35,473 --> 00:34:37,041 WHEN BRAXTON FAMILY, AND EVERYBODY SAT AROUND THE TABLE, 893 00:34:37,141 --> 00:34:38,109 TALKING ABOUT HOW MUCH I CHANGED, 894 00:34:38,209 --> 00:34:39,243 AND I'M A MEAN GIRL AND ALL THAT STUFF. 895 00:34:39,343 --> 00:34:40,445 THAT HURT MY FEELINGS. 896 00:34:40,545 --> 00:34:42,046 WAIT A MINUTE-- WAIT A MINUTE. 897 00:34:42,146 --> 00:34:43,915 THE-THE FIRST- THE FIRST THING WE NEED TO ESTABLISH 898 00:34:44,015 --> 00:34:45,917 IS WHETHER THAT CONVERSATION HAPPENED. 899 00:34:46,017 --> 00:34:48,219 NO, THIS CONVERSATION HAPPENED FIRST "BRAXTON FAMILY VALUES." 900 00:34:48,319 --> 00:34:49,353 OH, MY GOD! 901 00:34:49,454 --> 00:34:51,989 TAMAR SAID, "I'LL BE GLAD WHEN I DO MY OWN SHOW. 902 00:34:52,090 --> 00:34:53,257 "I HATE WORKIN' WIT' YA'LL. 903 00:34:53,357 --> 00:34:54,559 "YA'LL ARE SO EFFIN' LAZY." 904 00:34:54,659 --> 00:34:55,593 THAT HAPPENED. 905 00:34:55,693 --> 00:34:56,961 AND I TOLD YOU THE GIRLS-- - IT'S DUMB. 906 00:34:57,061 --> 00:34:58,796 YOU HURT THEIR FEELINGS WHEN YOU SAID THAT BACK THEN. 907 00:34:58,896 --> 00:34:59,964 TAMAR, DON'T EVEN TRY THIS WITH ME 908 00:35:00,064 --> 00:35:01,232 BECAUSE ME AND YOU HAD THIS CONVERSATION. 909 00:35:01,332 --> 00:35:02,467 I DON'T REMEMBER THAT CONVERSATION. 910 00:35:02,567 --> 00:35:03,801 OH, YOU SAID, "WELL, TONI, NOBODY TALKS TO ME." 911 00:35:03,901 --> 00:35:05,136 I SAID, "I CAN TELL YOU THIS. 912 00:35:05,236 --> 00:35:07,205 "THAT HURT THEIR FEELINGS." 913 00:35:07,305 --> 00:35:08,639 SO NOW, YOU GOT A BIG MESS. 914 00:35:08,739 --> 00:35:09,841 THAT'S WHY YOU NEED TO TALK TO THEM, 915 00:35:09,941 --> 00:35:11,275 - HA-HA-HA-HA! - AND THEY NEED TO TALK TO YOU. 916 00:35:11,375 --> 00:35:12,577 - I NEVER SAID THAT TO YOU? - I AIN'T GOT NO BIG MESS-- 917 00:35:12,677 --> 00:35:13,778 LET ME TELL YOU WHAT I THINK. 918 00:35:13,878 --> 00:35:14,912 I NEVER SAID THAT TO YOU, TAMAR? 919 00:35:15,012 --> 00:35:16,080 I DON'T GIVE A FIERY ! 920 00:35:16,180 --> 00:35:17,215 I CARE NOT! 921 00:35:17,315 --> 00:35:18,449 LIKE, I AIN'T GOT NO TIME FOR THIS . 922 00:35:18,549 --> 00:35:20,985 THIS IS BULL ! 923 00:35:21,085 --> 00:35:24,055 MY SISTERS ARE KNOWN FOR BACKING OUT OF REHEARSAL, 924 00:35:24,155 --> 00:35:26,891 BEING LATE, OR NOT SHOWING UP AT ALL. 925 00:35:26,991 --> 00:35:31,863 SO, IN FRUSTRATION, IN AN ARGUMENT WITH ONE OF MY SISTERS, 926 00:35:31,963 --> 00:35:34,398 SOMETHIN' LIKE THAT COULD'VE BEEN SAID. 927 00:35:34,499 --> 00:35:35,566 I HAVE TO GO HOME. 928 00:35:35,666 --> 00:35:37,168 WHAT YOU TALKIN' ABOUT, WILLIS? 929 00:35:37,268 --> 00:35:38,536 - WHAT YOU-- - YOU'RE LEAVING TONIGHT? 930 00:35:38,636 --> 00:35:39,704 WHAT YOU TALKING ABOUT? 931 00:35:39,804 --> 00:35:41,005 LIKE, WE DON'T HAVE TOMORROW TO PRACTICE-- NO. 932 00:35:41,105 --> 00:35:42,874 TONI'S NOT COMIN'? 933 00:35:42,974 --> 00:35:44,775 I MEAN, I JUST DON'T FEEL THE NEED OF HAVING REHEARSAL 934 00:35:44,876 --> 00:35:47,245 WHEN THE PERSON WHO NEEDS TO BE REHEARSING IS NOT HERE. 935 00:35:47,345 --> 00:35:49,413 TOWANDA, ARE YOU EVER GONNA GIVE YOURSELF A CHANCE 936 00:35:49,514 --> 00:35:51,682 TO DO SOMETHING OTHER THAN BE ON THE PHONE? 937 00:35:51,782 --> 00:35:53,918 ALWAYS HAS TO BE AN ISSUE-- JESUS! 938 00:35:54,018 --> 00:35:55,887 YOU HAVE THE ISSUE-- WE WERE GETTING ALONG FINE! 939 00:35:55,987 --> 00:35:57,188 JESUS! 940 00:35:57,288 --> 00:35:59,123 AT THE END OF THE DAY, IF IT'S WHACK, 941 00:35:59,223 --> 00:36:01,993 YOU'RE GONNA ALWAYS BE REMEMBERED FOR BEIN' WHACK, 942 00:36:02,093 --> 00:36:04,695 AND I AIN'T TRYING TO BE WITH THE WHACK JUICE. 943 00:36:04,795 --> 00:36:06,697 I DON'T WANT NO WHACK JUICE ON ME. 944 00:36:06,797 --> 00:36:10,468 IS IT A BAD THING THAT I WANNA WORK, AND THEY DON'T? 945 00:36:10,568 --> 00:36:12,303 IS IT A BAD THING THAT I'M LIKE, "OKAY, FINE, 946 00:36:12,403 --> 00:36:13,604 "I'M NOT GONNA WASTE YOUR TIME, 947 00:36:13,704 --> 00:36:15,006 "AND YOU'RE NOT FITTIN' TO WASTE MY TIME?" 948 00:36:15,106 --> 00:36:16,307 I DON'T THINK SO. 949 00:36:16,407 --> 00:36:17,508 SO, WE'RE NEVER GONNA GET PAST IT. 950 00:36:17,608 --> 00:36:18,809 I GUESS WE AIN'T-- IT. 951 00:36:18,910 --> 00:36:20,044 THAT'S HOW I FEEL ABOUT IT. 952 00:36:20,144 --> 00:36:22,847 I SWEAR TO GOD, WITH EVERY INCH OF MY BEING, I CARE NOT. 953 00:36:22,947 --> 00:36:26,083 WHATEVER-- I DON'T CARE! 954 00:36:26,184 --> 00:36:27,585 I SHOULD'VE NEVER COME HERE. 955 00:36:27,685 --> 00:36:29,086 I SHOULD'VE LISTENED TO MY GUT. 956 00:36:29,187 --> 00:36:31,088 WELL, IF YOU DON'T WANNA BE HERE, TAMAR, I UNDERSTAND IT. 957 00:36:31,189 --> 00:36:32,523 YOU SHOULD LEAVE-- I GET IT. 958 00:36:32,623 --> 00:36:33,791 I JUST THOUGHT WE WAS GONNA TALK. 959 00:36:33,891 --> 00:36:35,293 YOU GET IT-- YOU DON'T GET IT. 960 00:36:35,393 --> 00:36:37,328 IF YOU WANNA LEAVE, YOU SHOULD LEAVE. 961 00:36:38,930 --> 00:36:41,699 COMING UP, ON "BRAXTON FAMILY VALUES"... 962 00:36:41,799 --> 00:36:43,034 - DON'T TEST-- - YOU ALL RIGHT? 963 00:36:43,134 --> 00:36:44,135 - DON'T TEST ME. - TRACI? 964 00:36:44,235 --> 00:36:45,636 'CAUSE YOU GOT THE-- DON'T TEST ME-- DON'T TEST ME. 965 00:36:45,736 --> 00:36:47,838 - THAT'S WHAT I'M TALKIN' ABOUT. - I'M DONE. 966 00:36:47,939 --> 00:36:49,640 I'M OUTTA HERE, FOR REAL-- NO-NO-NO! 967 00:36:49,740 --> 00:36:51,242 I'M OUT-- NO, TO THE FRICKIN' WAY. 968 00:36:51,342 --> 00:36:52,610 - TONI BRAXTON! - NO. 969 00:37:01,519 --> 00:37:02,687 I SHOULD HAVE NEVER COME HERE. 970 00:37:02,787 --> 00:37:04,355 I SHOULD'VE LISTENED TO MY GUT. 971 00:37:04,455 --> 00:37:06,324 WELL, IF YOU DON'T WANNA BE HERE, TAMAR, I UNDERSTAND IT. 972 00:37:06,424 --> 00:37:07,825 YOU SHOULD LEAVE-- I GET IT. 973 00:37:07,925 --> 00:37:09,060 I JUST THOUGHT WE WAS GONNA TALK. 974 00:37:09,160 --> 00:37:10,394 YOU GET IT-- YOU DON'T GET IT. 975 00:37:10,494 --> 00:37:12,430 IF YOU WANNA LEAVE, YOU SHOULD LEAVE. 976 00:37:15,032 --> 00:37:18,135 "EFF-YOU" TO EVERYTHING IS NOT HOW YOU TALK TO PEOPLE. 977 00:37:18,236 --> 00:37:20,238 TAMAR TENDS TO DO THAT WHEN SHE GETS UPSET-- 978 00:37:20,338 --> 00:37:22,006 "EFF" THE SITUATION. 979 00:37:22,106 --> 00:37:23,341 AND I KEEP TELLING HER, "USE YOUR WORDS, 980 00:37:23,441 --> 00:37:25,309 "LIMITED VOCABULARY-- LEARN TO COMMUNICATE. 981 00:37:25,409 --> 00:37:27,211 "SAY HOW YOU FEEL." 982 00:37:27,311 --> 00:37:28,746 AND THAT'S JUST HER THROW AWAY WORD, 983 00:37:28,846 --> 00:37:31,949 AND SHE'S-- SHE WAS WRONG. 984 00:37:32,049 --> 00:37:33,684 I CAN'T FAKE IT-- I HAVE NOTHING TO SAY ABOUT THAT. 985 00:37:33,784 --> 00:37:35,753 SHE WAS WRONG-- SHE CAN'T SAY THAT TO PEOPLE. 986 00:37:35,853 --> 00:37:38,522 BEFORE YOU LEAVE-- BEFORE YOU CHOOSE TO-- 987 00:37:38,623 --> 00:37:41,158 THIS WAS NOT THE INTENT. 988 00:37:41,259 --> 00:37:42,193 IT'S NOT? 989 00:37:42,293 --> 00:37:44,295 N-NO, BUT IT'S COMING OFF LIKE THAT. 990 00:37:44,395 --> 00:37:45,963 YOU KNOW, I SAID, IF I WAS GONNA COME HERE TODAY, 991 00:37:46,063 --> 00:37:48,165 I JUST WANNA WORK THINGS OUT. 992 00:37:48,266 --> 00:37:52,570 BUT, THAT'S CLEARLY NOT WHAT'S ON THE AGENDA. 993 00:37:52,670 --> 00:37:55,606 EVERYBODY HAS ALREADY MADE UP THEIR MINDS ABOUT ME, 994 00:37:55,706 --> 00:38:00,478 AND THERE'S ONLY SO MUCH BASHING ONE PERSON CAN TAKE. 995 00:38:00,578 --> 00:38:01,879 YOU ALL ARE SISTERS. 996 00:38:01,979 --> 00:38:04,982 TURNING IN SISTERHOOD, A BOND-- 997 00:38:05,082 --> 00:38:06,584 I'M NOT THE DEVIL, TRACI. 998 00:38:06,684 --> 00:38:08,085 I BEG YOUR PARDON. 999 00:38:08,185 --> 00:38:09,320 I DIDN'T SAY YOU WERE THE DEVIL. 1000 00:38:09,420 --> 00:38:10,588 WHO'S THE DEVIL? 1001 00:38:10,688 --> 00:38:12,123 SHE-SHE JUST MADE A STATEMENT, AND I MADE A STATEMENT BACK. 1002 00:38:12,223 --> 00:38:13,291 SO, WHO ARE YOU REFERRING TO AS THE DEVIL? 1003 00:38:13,391 --> 00:38:14,458 WHY ARE YOU SO MAD? 1004 00:38:14,558 --> 00:38:15,626 - WHAT YOU THINK? - BUT, WHY ARE YOU MAD? 1005 00:38:15,726 --> 00:38:16,694 WHY ARE YOU MAD? 1006 00:38:16,794 --> 00:38:17,762 WHY YOU GOTTA LIE? 1007 00:38:17,862 --> 00:38:19,096 WHY YOU GOTTA TURN ON EVERYBODY ELSE? 1008 00:38:19,196 --> 00:38:20,531 TURN ON EVERYBODY ELSE? 1009 00:38:20,631 --> 00:38:22,300 WHY YOU GOTTA STEP ON PEOPLE'S PLATFORM TO GET WHERE YOU'RE AT? 1010 00:38:22,400 --> 00:38:23,501 WHOSE PLATFORM DID I STEP ON? 1011 00:38:23,601 --> 00:38:24,702 - WHAT? - I STEPPED ON MY OWN PLATFORM. 1012 00:38:24,802 --> 00:38:26,137 HONEY, NO, YOU DIDN'T STEP ON PLATFORM. 1013 00:38:26,237 --> 00:38:27,238 - WHO PLATFORM DID I STEP ON? - YOU AIN'T STEP ON YOUR PLATFORM. 1014 00:38:27,338 --> 00:38:28,472 WHO PLATFORM DID I STEP ON? 1015 00:38:28,572 --> 00:38:30,074 - YOU AIN'T STEP-- - GET YOUR LIFE! 1016 00:38:30,174 --> 00:38:31,676 I'M SO GLAD YOU'RE SITTING DOWN. 1017 00:38:31,776 --> 00:38:33,277 - NO, YOU NEED TO GET YOUR LIFE. - THAT DID NOT HAPPEN! 1018 00:38:33,377 --> 00:38:35,913 - YOU, UH, NO, YOU NEED TO DO DOUBLE-DUTCH-- - GIRL, GOODBYE. 1019 00:38:36,013 --> 00:38:38,149 - AND DO A TUMBLE SAULT AND EVERYTHING ELSE. - GOODBYE! 1020 00:38:40,551 --> 00:38:44,822 I HAD ENOUGH, SITTING HERE NEXT TO THAT SCREAMING DIVA. 1021 00:38:44,922 --> 00:38:46,624 SO, SHE THINKS SHE CAN POP OFF AT THE MOUTH? 1022 00:38:46,724 --> 00:38:48,592 SAY WHATEVER SHE WANTS? 1023 00:38:48,693 --> 00:38:50,227 YOU BETTER GET YOUR LIFE. 1024 00:38:50,328 --> 00:38:54,231 WHY ALL THE SCREAMING? 1025 00:38:54,332 --> 00:38:55,733 I FEEL LIKE TRACI TURNED AROUND AND GOT BUCKED, 1026 00:38:55,833 --> 00:38:59,537 AND THAT'S WHEN IT GOT- THAT'S WHEN IT GOT AMPED TO THE- TO THE MAX. 1027 00:38:59,637 --> 00:39:02,707 REGARDLESS, LET ME JUST PUT IT LIKE THIS... SAY-- 1028 00:39:02,807 --> 00:39:05,476 - WHAT'S UP? - DON'T-DON'T TEST ME. 1029 00:39:05,576 --> 00:39:06,744 - YOU ALL RIGHT? - DON'T TEST ME. 1030 00:39:06,844 --> 00:39:07,812 WAIT A MINUTE... WAIT A MINUTE, TRACI. 1031 00:39:07,912 --> 00:39:08,946 - DON'T TEST ME. - YOU ALL RIGHT? - TRACI? 1032 00:39:09,046 --> 00:39:10,247 - 'CAUSE YOU GOT THE -- DON'T TEST ME. 1033 00:39:10,348 --> 00:39:11,615 - UNNECESSARY-- UNNECESSARY. - DON'T TEST ME. 1034 00:39:11,716 --> 00:39:12,783 THAT'S WHAT I'M TALKIN' ABOUT. 1035 00:39:12,883 --> 00:39:14,251 - DON'T TEST ME. - TRACI, COME ON. 1036 00:39:14,352 --> 00:39:15,453 - I'M NOT THE ONE. - NEITHER AM I. 1037 00:39:15,553 --> 00:39:16,821 - I AM NOT THE ONE. - AND NEITHER AM I. 1038 00:39:16,921 --> 00:39:18,356 DON'T ACT BIG, BAD WOLF TODAY. 1039 00:39:18,456 --> 00:39:21,058 - TAMAR-- TRACI? - DON'T DO IT. 1040 00:39:21,158 --> 00:39:25,196 TAMAR AND TRACI ARE ALWAYS HOSTILE WITH EACH OTHER. 1041 00:39:25,296 --> 00:39:26,897 - YOU'RE NOT TEACHING RIGHT. - YOU MADE AT ME, 1042 00:39:26,997 --> 00:39:28,933 'CAUSE YOU DON'T KNOW WHAT THE YOU'RE DOIN'! 1043 00:39:29,033 --> 00:39:30,968 THAT'S NOT MY FAULT! 1044 00:39:31,068 --> 00:39:32,770 MISS BIG MOUTH ALMIGHTY? 1045 00:39:32,870 --> 00:39:34,538 - EXCUSE ME-- CAN WE JUST-- - MISS WONDERFUL ALL THOU? 1046 00:39:34,638 --> 00:39:36,207 I KNOW IT'S FOR TONI, BUT THAT ONE, RIGHT THERE, 1047 00:39:36,307 --> 00:39:37,608 HER MOUTH, JESUS! 1048 00:39:37,708 --> 00:39:39,143 AND IF YOU BE REAL WIT' YOURSELF, YOU'D BE LIKE, 1049 00:39:39,243 --> 00:39:40,711 "YOU KNOW WHAT?" - I'M ALWAYS REAL TO MYSELF. 1050 00:39:40,811 --> 00:39:41,946 "I WAS ACTING LIKE A ASS TO YOU 1051 00:39:42,046 --> 00:39:43,347 "FOR ABSOLUTELY NO REASON." 1052 00:39:43,447 --> 00:39:44,482 AND-AND, YEAH, I WAS. 1053 00:39:44,582 --> 00:39:45,950 "AND I ALWAYS LIKE AN ASS." 1054 00:39:46,050 --> 00:39:47,485 AND, YES, I WAS, JUST LIKE YOU WAS, TOO-- JUST LIKE YOU WAS, TOO! 1055 00:39:47,585 --> 00:39:48,886 NO, WAIT-- ALL-ALL THE HANDS-- 1056 00:39:48,986 --> 00:39:50,354 - JUST LIKE YOU WAS, TOO! - NO, STOP-- THAT'S NOT NECESSARY. 1057 00:39:50,454 --> 00:39:51,589 - JUST LIKE YOU WAS, TOO. - DON'T PUT YOUR HANDS IN PEOPLE'S FACE. 1058 00:39:51,689 --> 00:39:53,224 AND I THINK THAT NOW TRACI'S GETTIN' TO THE POINT WHERE, 1059 00:39:53,324 --> 00:39:56,827 "TAMAR, YOU'RE NOT GONNA SAY WHATEVER YOU WANT TO SAY TO ME ANYMORE. 1060 00:39:56,927 --> 00:39:57,995 "YOU'RE NOT GETTIN' AWAY WITH IT." 1061 00:39:58,095 --> 00:40:01,232 I THINK THAT NOW IS SHOCKING FOR TAMAR 1062 00:40:01,332 --> 00:40:03,401 THAT WE ARE CREATING BOUNDARIES. 1063 00:40:03,501 --> 00:40:04,502 AND YOU KNOW WHAT? 1064 00:40:04,602 --> 00:40:06,537 IT TAKES A MINUTE TO GET USED TO THAT. 1065 00:40:06,637 --> 00:40:07,972 - IT'S SO CHILDISH. - YES, YOU ARE. 1066 00:40:08,072 --> 00:40:09,240 I'M SITTING HERE TRYING TO SAY, LIKE, THE WHOLE-- 1067 00:40:09,340 --> 00:40:10,574 IF YOU WANNA PLAY DOUBLE DUTCH, YOU CAN. 1068 00:40:10,674 --> 00:40:14,145 - THE WHOLE BUCKING -- - IF HER BUCKING IS CHILDISH, 1069 00:40:14,245 --> 00:40:16,847 WHAT IS YOUR SCREAMING? 1070 00:40:18,949 --> 00:40:21,719 UM, I'M NEVER GONNA SIT HERE AND LET NOBODY, 1071 00:40:21,819 --> 00:40:26,157 UM, MAKE ME OUT TO BE SOMEBODY THAT I'M DEFINITELY NOT. 1072 00:40:26,257 --> 00:40:27,992 I'M NOT GONNA LET THAT HAPPEN AGAIN. 1073 00:40:28,092 --> 00:40:32,430 SO, MY HOSTILITY AND FRUSTRATION COMES FROM THAT. 1074 00:40:32,530 --> 00:40:35,666 IF I WAS THE PERSON THAT EVERYBODY WANTS ME TO BE, 1075 00:40:35,766 --> 00:40:38,202 YOU KNOW, I WOULDN'T EVEN BE HERE, 1076 00:40:38,302 --> 00:40:39,703 AND THAT'S JUST THE BOTTOM LINE. 1077 00:40:39,804 --> 00:40:41,972 I'M NOT THAT GIRL. 1078 00:40:43,607 --> 00:40:46,710 IF IT'S UNTRUE, TELL US WHAT YOU FEEL 1079 00:40:46,811 --> 00:40:48,412 THAT IS UNTRUE THAT IS COMING OUT OF OUR MOUTHS. 1080 00:40:48,512 --> 00:40:49,513 WELL, OKAY. 1081 00:40:49,613 --> 00:40:50,815 LET'S START WITH-WITH-WITH TRINA, WHERE, YOU KNOW, 1082 00:40:50,915 --> 00:40:54,151 SHE TRIED TO SAY THAT, "WELL, YOU SAID YOU DON'T CARE 1083 00:40:54,251 --> 00:40:55,653 "ABOUT THE BRAXTONS." 1084 00:40:55,753 --> 00:41:00,424 I SAID I DON'T CARE ABOUT IT BECAUSE OF THE WAY I WAS BEING TREATED. 1085 00:41:02,092 --> 00:41:03,127 I'M SORRY. 1086 00:41:03,227 --> 00:41:04,795 HAVE YOU WATCHED THE SHOW, LADIES AND GENTLEMEN? 1087 00:41:04,895 --> 00:41:08,132 HOW WAS TAMAR BRAXTON BEING TREATED ON THE SHOW FOR "BRAXTON FAMILY VALUES?" 1088 00:41:08,232 --> 00:41:10,301 I'M SORRY-- TAMAR ATTACKED EVERYBODY! 1089 00:41:10,401 --> 00:41:13,070 SHE ATTACKED EVERYBODY'S PERSONAL LIFE, THEIR MARRIAGE. 1090 00:41:13,170 --> 00:41:14,405 I MEAN, SHE ATTACKED EVERYTHING. 1091 00:41:14,505 --> 00:41:16,640 BUT, NO ONE SAID ANYTHING IGNORANT OR DEROGATORY 1092 00:41:16,740 --> 00:41:19,210 ABOUT TAMAR AND HER MARRIAGE OR HER SITUATIONS. 1093 00:41:19,310 --> 00:41:20,678 DON'T THROW STONES 1094 00:41:20,778 --> 00:41:22,680 WHEN YOU'RE LIVIN' IN THE BIGGEST GLASS HOUSE 1095 00:41:22,780 --> 00:41:24,748 ON THE HILL. 1096 00:41:24,849 --> 00:41:26,617 HMM... 1097 00:41:26,717 --> 00:41:29,286 AT THE END OF THE DAY, WHETHER YOU CARE OR NOT, 1098 00:41:29,386 --> 00:41:34,091 YOUR ACTIONS HAVE SHOWED ABSOLUTELY VERBATIM WHAT YOU SAID. 1099 00:41:34,191 --> 00:41:35,226 SO, WHETHER YOU ACT LIKE YOU-- 1100 00:41:35,326 --> 00:41:36,260 OH, MY ACTIONS, 1101 00:41:36,360 --> 00:41:37,328 BY ME GETTING A SPIN-OFF SHOW? 1102 00:41:37,428 --> 00:41:38,462 I'M-I'M SORRY. 1103 00:41:38,562 --> 00:41:39,597 I THINK IT'S A GOOD THING YOU GOT A SHOW. 1104 00:41:39,697 --> 00:41:40,898 ARE WE SURE-- ARE WE SURE? 1105 00:41:40,998 --> 00:41:42,032 YOU'RE SAYING THAT TO ME? 1106 00:41:42,132 --> 00:41:42,967 I'M SORRY. 1107 00:41:43,067 --> 00:41:44,134 TAMAR, YOU'RE SAYING THAT TO ME? 1108 00:41:44,235 --> 00:41:45,469 - LET'S MAKE SURE. - ARE YOU SAYING THAT TO ME? 1109 00:41:45,569 --> 00:41:46,604 I'M JUST MAKING SURE EVERYBODY FEEL LIKE THAT. 1110 00:41:46,704 --> 00:41:47,671 I'M DONE-- I'M OUTTA HERE, FOR REAL. 1111 00:41:47,771 --> 00:41:48,772 NO-NO-NO! 1112 00:41:48,873 --> 00:41:49,773 I'M OUT-- NO, TO THE FRICKIN' WAY. 1113 00:41:49,874 --> 00:41:51,308 - TONI BRAXTON! - NO WAY. 1114 00:41:51,408 --> 00:41:52,776 - TONI BRAXTON, COME BACK! - LET'S MAKE SURE EVERYBODY FEEL THAT WAY. 1115 00:41:52,877 --> 00:41:53,944 I'M OUT-- WHERE'S MY BAG? 1116 00:41:54,044 --> 00:41:55,846 I WAS REALLY UPSET WITH MYSELF FOR LEAVING THE SESSION 1117 00:41:55,946 --> 00:41:58,449 BECAUSE THE SAME THINGS I WAS TELLING THE GIRLS NOT TO DO, 1118 00:41:58,549 --> 00:42:00,718 I ENDED UP DOING. 1119 00:42:00,818 --> 00:42:02,019 I CAN'T BELIEVE SHE THINKS THAT. 1120 00:42:02,119 --> 00:42:03,554 SHE THINKS HER WHOLE FAMILY IS JEALOUS OF HER. 1121 00:42:03,654 --> 00:42:04,722 WE'RE HER SISTERS. 1122 00:42:04,822 --> 00:42:06,724 WHY WOULD WE NOT WANT HER TO WIN? 1123 00:42:06,824 --> 00:42:08,125 WHY ARE WE STILL HERE? 1124 00:42:08,225 --> 00:42:09,527 WE'RE HERE BECAUSE WE'RE TRYING TO COMMUNICATE. 1125 00:42:09,627 --> 00:42:10,561 NO, REALLY, WHY AM I STILL HERE? 1126 00:42:10,661 --> 00:42:12,429 LIKE, SERIOUSLY, LIKE, WHAT AM I DOING? 1127 00:42:12,530 --> 00:42:14,398 - WELL LET ME BACK UP. - NO. 1128 00:42:20,070 --> 00:42:21,906 HANG ON FOR A MINUTE. 1129 00:42:22,006 --> 00:42:24,475 THIS WHOLE MEETING WAS A COMPLETE WASTE OF MY TIME. 1130 00:42:24,575 --> 00:42:26,977 HOW THEY FEEL-- HOW THEY WANNA FEEL ABOUT ME, 1131 00:42:27,077 --> 00:42:29,413 I CANNOT RESOLVE. 85627