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These are the user uploaded subtitles that are being translated: 1 00:00:00,700 --> 00:00:03,136 "BRAXTON FAMILY VALUES..." 2 00:00:03,236 --> 00:00:05,238 CIAO-- CIAO BELLA. 3 00:00:05,338 --> 00:00:06,973 LOOK AT THE COLISEUM. 4 00:00:07,073 --> 00:00:09,476 YOU THINK THIS IS BETTER THAN GOING TO ITALY WITH THE GIRLS? 5 00:00:09,576 --> 00:00:11,344 DO YOU THINK IT'S BETTER THAN HAVING A NUMBER ONE RECORD? 6 00:00:11,444 --> 00:00:12,712 WELL, YOU KNOW, THAT'S ALWAYS NICE. 7 00:00:12,812 --> 00:00:13,947 OKAY. 8 00:00:14,047 --> 00:00:15,281 GUYS, YOU KNOW, I HAVE TO GO TO CANADA TO DO THIS MOVIE. 9 00:00:15,382 --> 00:00:17,283 YOU GOTTA PROMISE TO COME. - I'M COMIN'. 10 00:00:17,384 --> 00:00:18,718 YOU GONNA BRING TAMAR? 11 00:00:18,818 --> 00:00:20,954 TAMAR AND VINCE ARE VELCRO. 12 00:00:21,054 --> 00:00:22,555 I DON'T THINK SHE CAN PEE 13 00:00:22,655 --> 00:00:24,657 WITHOUT VINCE HANDING HER THE TOILET PAPER. 14 00:00:24,758 --> 00:00:26,659 THIS THING IS GETTING TOO BIG. 15 00:00:26,760 --> 00:00:29,529 ONE PERSON CANNOT BE THE-THE BRINK 16 00:00:29,629 --> 00:00:31,631 OF EVERYBODY'S PROBLEM! 17 00:00:31,731 --> 00:00:35,135 STOP, STOP, FOR GOD SAKES! 18 00:00:35,235 --> 00:00:38,671 WE ARE THE BRAXTONS AND YOU'LL SEE THAT 19 00:00:38,772 --> 00:00:42,509 WE ARE NOT LIKE AN ORDINARY FAMILY 20 00:00:42,609 --> 00:00:45,812 TONI TRACI TOWANDA TRINA TAMAR AND MISS E 21 00:00:45,912 --> 00:00:48,515 WILL TEACH YOU A THING OR TWO 22 00:00:48,615 --> 00:00:53,253 ON BRAXTON FAMILY VALUES 23 00:01:05,899 --> 00:01:07,233 I'M JUST GONNA BRING TWO PAIRS. 24 00:01:07,333 --> 00:01:08,835 TWO PAIRS OF WHAT? 25 00:01:08,935 --> 00:01:11,071 OF MY-MY SPARKLY BOOTS. 26 00:01:11,171 --> 00:01:13,573 AFTER MY BIG, CONTROVERSIAL VOW RENEWAL WITH GABE-- 27 00:01:13,673 --> 00:01:15,675 YOU MAY KISS YOUR BRIDE. 28 00:01:17,911 --> 00:01:20,480 TO THE BRIDE AND GROOM! 29 00:01:20,580 --> 00:01:21,514 HEAR-HEAR. 30 00:01:21,614 --> 00:01:23,583 MAY Y'ALL FOREVER GET YOUR LIFE. 31 00:01:23,683 --> 00:01:26,653 I LET MY NEW AND IMPROVED HUBBY MOVE BACK IN. 32 00:01:26,753 --> 00:01:29,622 I JUST DON'T KNOW IF I SHOULD PACK WINTRY STUFF, 33 00:01:29,722 --> 00:01:32,425 OR IF I SHOULD PACK SUMMERTIME STUFF. 34 00:01:32,525 --> 00:01:33,359 IT IS CANADA. 35 00:01:33,460 --> 00:01:35,228 I'D PROBABLY PACK WINTER STUFF. 36 00:01:35,328 --> 00:01:36,996 TONI IS WORKING ON A MOVIE IN CANADA, 37 00:01:37,097 --> 00:01:39,399 AND ALL OF US GIRLS AND MOMMY ARE GOING TO VISIT HER. 38 00:01:39,499 --> 00:01:41,134 SO, ARE YOU GONNA BE ABLE TO HANDLE ALL THE BUSINESS STUFF, 39 00:01:41,234 --> 00:01:42,235 WHILE I'M CANADA? 40 00:01:42,335 --> 00:01:43,636 'CAUSE YOU KNOW YOU LIKE ME TO TURN MY PHONE OFF, 41 00:01:43,736 --> 00:01:45,071 'CAUSE YOU DON'T WANNA PAY THE LARGE BILL. 42 00:01:45,171 --> 00:01:46,573 UH, YEAH, I'LL BE ABLE TO HANDLE IT. 43 00:01:46,673 --> 00:01:48,975 YOU HAVE TO DEAL WITH THE BOYS, TOO, AND SCHOOL, 44 00:01:49,075 --> 00:01:50,677 AND THEIR HOMEWORK, ESPECIALLY CALEB. 45 00:01:50,777 --> 00:01:52,645 WE'LL BE ALL RIGHT-- WE'VE DONE THIS MANY TIMES. 46 00:01:52,745 --> 00:01:54,514 ALTHOUGH, IN MY OPINION, 47 00:01:54,614 --> 00:01:56,182 THEY NEED TO TAKE MORE RESPONSIBILITIES. 48 00:01:56,282 --> 00:01:57,650 OH, MY GOSH! 49 00:01:57,750 --> 00:01:59,319 IT'S LIKE THEY DON'T WASH THEIR OWN CLOTHES. 50 00:01:59,419 --> 00:02:00,820 THEY DON'T PUT THE DISHES IN THE DISHWASHER. 51 00:02:00,920 --> 00:02:02,288 ERIC DOESN'T EVEN DRIVE, 52 00:02:02,388 --> 00:02:03,957 AND HE'S SUPPOSED TO GO TO COLLEGE NEXT YEAR, 53 00:02:04,057 --> 00:02:05,558 AND I DON'T-- WHAT ARE WE GONNA DO? 54 00:02:05,658 --> 00:02:06,860 IT'S NOT A BIG THING-- IT'S JUST-- 55 00:02:06,960 --> 00:02:08,528 IT IS A BIG THING-- HE'S A MALE. 56 00:02:08,628 --> 00:02:10,196 I WOULDN'T DATE HIM-- WHAT ARE YOU GONNA DO? 57 00:02:10,296 --> 00:02:11,698 "OH, MY MOM'S GONNA PICK YOU UP AT 7." 58 00:02:11,798 --> 00:02:13,600 THAT AIN'T HOT. 59 00:02:13,700 --> 00:02:15,835 YEAH, I KNOW-- THAT AIN'T HOT AT ALL. 60 00:02:15,935 --> 00:02:18,104 SO, HOW ARE THE-- ALL YOUR-ALL YOUR SISTERS GETTIN' ALONG? 61 00:02:18,204 --> 00:02:21,407 WELL, SOME OF US ARE GETTING ALONG BETTER THAN OTHERS, 62 00:02:21,508 --> 00:02:22,642 RIGHT NOW. 63 00:02:22,742 --> 00:02:25,111 THIS TRIP IS THE FIRST TIME WE'RE GONNA ALL BE TOGETHER 64 00:02:25,211 --> 00:02:27,147 WITH TAMAR SINCE THE ESSENCE FESTIVAL. 65 00:02:27,247 --> 00:02:29,816 I'M REALLY HOPING WE'LL HAVE SOME NICE BONDING TIME, 66 00:02:29,916 --> 00:02:32,652 AND MAYBE WE'LL BE ABLE TO HASH OUT SOME OF OUR SISTER ISSUES, 67 00:02:32,752 --> 00:02:35,255 'CAUSE LORD KNOWS OUR SISTER DRAMA 68 00:02:35,355 --> 00:02:37,023 CAN GET WAY OUT OF HAND. 69 00:02:37,123 --> 00:02:39,092 WE NEED TO NIP THIS IN THE BOOTY-PATOOTY. 70 00:02:39,192 --> 00:02:40,693 TAKE CARE OF YOUR BROTHER. - I WILL TRY. 71 00:02:40,793 --> 00:02:42,695 - AND LISTEN TO POPS. - OKAY. 72 00:02:42,795 --> 00:02:44,731 - YEAH. - I'M OUT. 73 00:02:44,831 --> 00:02:46,099 ALL RIGHT, BABE. 74 00:02:46,199 --> 00:02:48,334 - YEAH! - WHOO! 75 00:02:48,434 --> 00:02:50,069 - ALL RIGHT-- MAKE GOOD CHOICES. - MAKE GOOD CHOICES. 76 00:02:50,170 --> 00:02:52,172 ALL RIGHT-- BRING ME BACK A GLASS OF MILK. 77 00:02:54,974 --> 00:02:56,042 - WHAT? - GOODBYE. 78 00:02:56,142 --> 00:02:57,143 LOVE YOU, GUYS. 79 00:02:57,243 --> 00:02:58,344 - LOVE YOU, TOO. - Y'ALL HAVE A GOOD DAY. 80 00:02:58,444 --> 00:02:59,612 - BE GONE. - BYE. 81 00:02:59,712 --> 00:03:01,514 - LOVE YOU, GUYS. - BYE. 82 00:03:24,204 --> 00:03:26,406 PHEW-- IT STINKS. 83 00:03:26,506 --> 00:03:29,475 I'M SO HAPPY VINCE AND I WERE ABLE TO MAKE IT HERE 84 00:03:29,576 --> 00:03:31,844 TO SUPPORT TONI ON HER MOVIE. 85 00:03:31,945 --> 00:03:35,548 VINCE HAD A LOT OF WORK TO DO, SO I LEFT HIM AT THE HOTEL, 86 00:03:35,648 --> 00:03:37,617 AND I WENT TO GO MEET UP WITH THE GIRLS. 87 00:03:37,717 --> 00:03:40,486 AND EVEN THOUGH I'M GLAD WE'RE FINALLY HANGING OUT, 88 00:03:40,587 --> 00:03:44,490 SHE AIN'T COME HERE FOR NO DAMN DRAMA OR ISSUES. 89 00:03:44,591 --> 00:03:47,560 I'M JUST HERE FOR SOME SISTER TIME AND MOMMY TIME. 90 00:03:47,660 --> 00:03:49,529 THAT'S IT. 91 00:03:49,629 --> 00:03:51,164 THIS IS A REAL TRAILER-TRAILER, THOUGH. 92 00:03:51,264 --> 00:03:52,732 YOU MADE IT! 93 00:03:52,832 --> 00:03:54,601 LIKE, IT'S THE TRAILER, LIKE TRAILER PARK. 94 00:03:54,701 --> 00:03:56,202 - WAIT-WAIT-WAIT. - NO, YOU GO FIRST. 95 00:03:56,302 --> 00:03:57,470 - YOU SURE? - TONI-TONI. 96 00:03:57,570 --> 00:03:59,005 - MUAH. - YOU MADE IT! 97 00:03:59,105 --> 00:04:01,841 I AM SO HAPPY TO BE ON THE SET WITH TONI AND HER NEW MOVIE. 98 00:04:01,941 --> 00:04:04,777 I CAN ALREADY TELL THAT SHE'S IN HER OWN ELEMENT. 99 00:04:04,877 --> 00:04:07,480 SHE HAS BEEN A CAPTIVATING ENTERTAINER, 100 00:04:07,580 --> 00:04:10,216 AND THIS COULD BE THE START OF A NEW CAREER FOR HER. 101 00:04:10,316 --> 00:04:11,384 SO, I'M EXCITED. 102 00:04:11,484 --> 00:04:12,819 HEY, TAY, GIRL! 103 00:04:12,919 --> 00:04:14,554 IT SMELLS LIKE A STRAIGHT AUTOPSY OUTSIDE. 104 00:04:14,654 --> 00:04:15,588 YOU KNOW WHAT? 105 00:04:15,688 --> 00:04:17,490 BECAUSE IT'S ON LOCA-- WE'RE ON LOCATION, 106 00:04:17,590 --> 00:04:20,893 AND YOU HAVE ALL THE FIELDS OF BLUEBERRIES 107 00:04:20,994 --> 00:04:22,629 AND ALL THAT KIND OF STUFF. - THAT'S NOT BLUEBERRIES, BABY. 108 00:04:22,729 --> 00:04:23,630 THAT DOESN'T SMELL LIKE BLUEBERRIES. 109 00:04:23,730 --> 00:04:24,864 - NO, THEY-- - THAT'S POOP BERRIES. 110 00:04:24,964 --> 00:04:26,833 THEY PUT A LITTLE POO ON IT TO FERTILIZE IT. 111 00:04:26,933 --> 00:04:28,835 - BABY, THAT'S NOT A LITTLE BIT. - OH, THAT'S WHAT THAT IS? 112 00:04:28,935 --> 00:04:30,069 OH, MY GOD! 113 00:04:30,169 --> 00:04:31,304 THAT'S NOT A LITTLE BIT OF POOP-- THAT'S A LOT OF POOP. 114 00:04:31,404 --> 00:04:32,305 THAT'S A LOT! 115 00:04:32,405 --> 00:04:35,475 THE SET WAS VERY COLORFUL SMELLING. 116 00:04:35,575 --> 00:04:39,112 IT SMELLED LIKE BOOTY CRACK. 117 00:04:39,212 --> 00:04:44,550 IT WAS LIKE A PIG MARKET OR SOMETHING. 118 00:04:44,651 --> 00:04:46,786 SMELLED LIKE . 119 00:04:46,886 --> 00:04:48,888 BUT, THEY HAVE THE BEST BLUEBERRIES IN THE WORLD. 120 00:04:48,988 --> 00:04:49,989 WE SHOULD GO BLUEBERRY PICKING. 121 00:04:50,089 --> 00:04:51,224 YOU WANT US TO GO POOP BERRY PICKING. 122 00:04:51,324 --> 00:04:52,692 - PRETTY MUCH. - NO, THANKS. 123 00:04:52,792 --> 00:04:54,060 THEY JUST GOT THE FRESHEST, BEST STRAW-- 124 00:04:54,160 --> 00:04:55,928 I MEAN, BLUEBERRIES EVER-- I'M TELLING YOU. 125 00:04:56,029 --> 00:04:57,196 THEY'RE, LIKE, PLUMP AND JUICY, AND THEY'RE NOT STEROIDS, 126 00:04:57,297 --> 00:04:59,098 AND THEY'RE JUST-- - THAT IS BEAUTIFUL. 127 00:04:59,198 --> 00:05:00,266 WHAT IS IT-- VELVET? 128 00:05:00,366 --> 00:05:02,168 - WE SHOULD GO. - FIFTY CENTS A POUND. 129 00:05:02,268 --> 00:05:03,603 - NO, THANKS. - WHAT? 130 00:05:03,703 --> 00:05:05,004 AND IT IS-- NO, YOU DON'T HAVE TO PICK. 131 00:05:05,104 --> 00:05:07,273 IT'S NOT LIKE PICKING COTTON. YOU JUST KINDA-- - OH, NOW, SEE? 132 00:05:07,373 --> 00:05:08,675 - PICKING COTTON? - REALLY, COTTON? 133 00:05:08,775 --> 00:05:09,676 I'VE NEVER PICKED COTTON BEFORE. 134 00:05:09,776 --> 00:05:10,743 COTTON-- PICKING BERRIES. 135 00:05:10,843 --> 00:05:12,278 PICKING COTTON-- WHEN HAS TONI 136 00:05:12,378 --> 00:05:15,848 OR ANY OTHER BRAXTON SISTERS EVER PICKED COTTON? 137 00:05:15,948 --> 00:05:17,116 - I'M JUST SAYIN'. - WOW! 138 00:05:17,216 --> 00:05:18,151 THEY'RE DELICIOUS, AND THEY'RE FRESH. 139 00:05:18,251 --> 00:05:19,886 NO, TONE, THAT'S STINKERIZATION. 140 00:05:19,986 --> 00:05:21,054 THINK ABOUT IT-- THINK ABOUT IT. 141 00:05:21,154 --> 00:05:22,121 THAT'S OKAY. 142 00:05:22,221 --> 00:05:23,056 YEAH, WE THINKIN' ABOUT IT, AND WE SMELT IT. 143 00:05:23,156 --> 00:05:24,424 NO, THANK YOU. 144 00:05:24,524 --> 00:05:25,892 WHAT DO YOU THINK WE EAT AT HOME? 145 00:05:25,992 --> 00:05:27,593 YOU DON'T-- WHAT DO YOU THINK THEY FERTILIZE IT WITH? 146 00:05:27,694 --> 00:05:30,129 OKAY, CAN WE STOP TALKING ABOUT COW PLOP? 147 00:05:30,229 --> 00:05:32,899 - LISTEN. - WHAT-- WHAT, WANDA? 148 00:05:32,999 --> 00:05:35,001 - I'D LIKE TO SAY, GUYS. - WHAT? 149 00:05:35,101 --> 00:05:37,937 TRINA'S PANTS MAKE ME-- IT LOOKS LIKE THIS. 150 00:05:38,037 --> 00:05:40,273 UNH-UNH-UNH-UNH-UNH-UNH. 151 00:05:40,373 --> 00:05:41,441 THERE'S NOTHING WRONG WITH MY PANTS! 152 00:05:41,541 --> 00:05:42,675 IT'S REAL "NIGHT AT THE ROXBURY." 153 00:05:42,775 --> 00:05:45,011 - I LOVE THEM! - IT'S A LITTLE BIT-- 154 00:05:45,111 --> 00:05:47,413 - IT'S NOT-- I LOVE THEM. - NO-- NO. 155 00:05:47,513 --> 00:05:49,015 IT'S LIKE-IT'S LIKE THIS-- CHH-CHH-CHH-CHH WHEN SHE WALKS. 156 00:05:49,115 --> 00:05:50,016 DOES IT MAKE NOISE WHEN YOU WALK? 157 00:05:50,116 --> 00:05:51,517 CHH-CHH-CHH-- SEE? 158 00:05:51,617 --> 00:05:54,954 NO, THE PANTS, THEY ARE KINDA AEROSMITH-ESQUE. 159 00:05:55,054 --> 00:05:57,924 - REALLY? - NO, NOT THAT FABULOUS. 160 00:05:58,024 --> 00:06:00,727 THEY'RE CUTE-- IT'S JUST THAT THEY'RE-IT'S-- 161 00:06:00,827 --> 00:06:04,197 WE'RE HERE IN FARMLAND. 162 00:06:04,297 --> 00:06:05,465 AND IT'S NOT THE TIME, NO PLACE. 163 00:06:05,565 --> 00:06:06,733 IT IS. 164 00:06:06,833 --> 00:06:08,434 IT'S FARMLAND, AND TRINA'S ROCK STARRING IT. 165 00:06:08,534 --> 00:06:09,669 YEAH. 166 00:06:09,769 --> 00:06:11,838 - BUT, I FEEL YOU-- DO IT, BABY. - BUT, I'M A ROCK STAR. 167 00:06:11,938 --> 00:06:13,339 WAIT-- OKAY, WAIT TILL YOU SEE THE CREW AND EVERYBODY ELSE. 168 00:06:13,439 --> 00:06:15,274 YOU'LL UNDERSTAND WHY I SAID THAT. 169 00:06:15,375 --> 00:06:17,143 THEY'RE PRETTY MUCH DOWN ON THE FARM. 170 00:06:17,243 --> 00:06:18,578 OH. 171 00:06:18,678 --> 00:06:19,912 LET'S GO-- I WANNA SEE. 172 00:06:20,012 --> 00:06:21,514 THEY'RE THE BEST AND THE SWEETEST PEOPLE. 173 00:06:21,614 --> 00:06:23,516 I'M NOT REALLY EXCITED ABOUT GOING OUTSIDE. 174 00:06:23,616 --> 00:06:26,652 I DON'T WANT MY WEAVE TO SMELL LIKE POO. 175 00:06:26,753 --> 00:06:28,855 JUST GOT HER DONE. 176 00:06:28,955 --> 00:06:30,656 YOU KNOW, IT'S BEEN A MINUTE 177 00:06:30,757 --> 00:06:34,293 SINCE THE WHOLE FAMILY HAS BEEN THERE, TOGETHER, 178 00:06:34,394 --> 00:06:37,563 AND SO I-I JUST FELT SO GOOD. 179 00:06:37,663 --> 00:06:38,965 I ALMOST CRIED. 180 00:06:39,065 --> 00:06:41,901 SO, I, YOU KNOW, I HAD TO REFRAIN FROM DOING THAT 181 00:06:42,001 --> 00:06:44,203 BECAUSE THEY SAY I'M SUCH A CRYBABY. 182 00:06:44,303 --> 00:06:45,972 BUT, THEY DON'T UNDERSTAND. 183 00:06:46,072 --> 00:06:49,876 WHEN YOU SEE YOUR FAMILY, AND THEY'RE ALL ON ONE ACCORD, 184 00:06:49,976 --> 00:06:52,545 THAT'S THE GREATEST THING IN THE WORLD. 185 00:06:52,645 --> 00:06:54,614 OKAY. 186 00:06:54,714 --> 00:06:57,016 BE CAREFUL-- DON'T TRIP, GUYS. 187 00:06:57,116 --> 00:06:58,851 OKAY, GUYS-- WE'RE INSIDE THE CHURCH. 188 00:06:58,951 --> 00:07:00,052 THIS IS-- WE'RE DOING THE STUNTS. 189 00:07:00,153 --> 00:07:01,254 OH, MY GOSH! 190 00:07:01,354 --> 00:07:02,488 GIRL, IT LOOK LIKE EITHER SOMEBODY GOT THE SPIRIT 191 00:07:02,588 --> 00:07:04,791 AND TORE THE CHURCH UP-- SOMEBODY GOT A BLESSING IN HERE. 192 00:07:04,891 --> 00:07:06,559 OH, WHAT ARE WE DOIN'? - NO-NO-NO, IT'S IN THE MOVIE. 193 00:07:06,659 --> 00:07:08,461 SOMEONE ROBS-- TRIES TO ROB THE CHURCH. 194 00:07:08,561 --> 00:07:09,595 I CAN'T TELL YOU ANYTHING ELSE, BUT-- 195 00:07:09,695 --> 00:07:10,730 - OH. - OH. 196 00:07:10,830 --> 00:07:11,831 YEAH, THAT'S-- YOU CAN'T TOUCH ANYTHING. 197 00:07:11,931 --> 00:07:13,633 - I WON'T. - CONTINUITY IS VERY IMPORTANT. 198 00:07:13,733 --> 00:07:14,901 IMPORTANT. 199 00:07:15,001 --> 00:07:17,970 IT REALLY TAKES MY MIND BACK TO YOUR DAD'S FIRST CHURCH. 200 00:07:18,070 --> 00:07:21,941 THE CHURCH SET IS REMINDING US OF DADDY'S FIRST CHURCH 201 00:07:22,041 --> 00:07:23,709 WHEN HE WAS A MINISTER. 202 00:07:23,810 --> 00:07:24,811 IT WAS SMALL. 203 00:07:24,911 --> 00:07:26,012 IT WAS QUAINT. 204 00:07:26,112 --> 00:07:28,281 I MEAN, IT-- I FELT LIKE I WAS SEVEN YEARS OLD, AGAIN. 205 00:07:28,381 --> 00:07:30,583 AND THIS IS THE PULPIT. 206 00:07:30,683 --> 00:07:32,285 THIS IS WHERE THE VANDALISM HAPPENED, RIGHT NOW. 207 00:07:32,385 --> 00:07:33,986 - WOW! - OH! 208 00:07:34,086 --> 00:07:35,855 I FALL-- I DO A STUNT-- I FALL. 209 00:07:35,955 --> 00:07:36,923 YOU DO-- WHAT WAS YOUR STUNT? 210 00:07:37,023 --> 00:07:38,324 - AH! - YOU DID IT LIKE THAT? 211 00:07:38,424 --> 00:07:39,892 WELL, NOT REALLY-- I KINDA FELL. 212 00:07:39,992 --> 00:07:41,727 - HOW DO YOU DO IT, BABY? - SHOW ME, TONI. 213 00:07:41,828 --> 00:07:43,296 WE HAD TO DO ONE SCENE OVER, 'CAUSE WHEN I FELL, I FELL-- 214 00:07:43,396 --> 00:07:45,698 MY HAND LIKE THIS, AND THEY SAID, "NO, DON'T DO THAT." 215 00:07:45,798 --> 00:07:46,732 YOU CAN FALL-- 216 00:07:46,833 --> 00:07:47,733 NO, YOU'RE NOT BETTE DAVIS, NOT YET. 217 00:07:47,834 --> 00:07:48,968 - YOU CAN FALL CUTE. - LIKE, I FELL. 218 00:07:49,068 --> 00:07:50,403 - OKAY. - AH! 219 00:07:50,503 --> 00:07:51,904 - UH-UH. - OH! 220 00:07:52,004 --> 00:07:54,607 - UH-UH! - UH-UH! 221 00:07:54,707 --> 00:07:56,108 HEY, TONI, WHO AM I? 222 00:07:56,209 --> 00:07:57,210 SHE FELL CUTE. 223 00:07:57,310 --> 00:07:58,144 THEY SAID IT WAS WRONG-- DON'T DO THAT, AGAIN. 224 00:07:58,244 --> 00:07:59,579 - WHO AM I? - TRINA-- TRINA, WATCH IT. 225 00:07:59,679 --> 00:08:00,947 TRINA, WATCH IT-- DON'T STEP ON IT. 226 00:08:01,047 --> 00:08:02,048 OH, THAT LADY IN CHURCH USED TO DO THAT. 227 00:08:02,148 --> 00:08:04,417 - OH, YES! - UH-UH-UH-UH-UH. 228 00:08:04,517 --> 00:08:06,385 - SHE WAS THERE. - YES, SHE DID. 229 00:08:06,486 --> 00:08:08,087 - I WANNA DO IT IN OUR PEWS. - DO YOU REMEMBER THAT? 230 00:08:08,187 --> 00:08:09,589 - COME IN ON THIS PEW-PEW. 231 00:08:09,689 --> 00:08:11,557 WHICH ONE WE GONNA GET IN-- READY? 232 00:08:11,657 --> 00:08:12,925 PEW AT THE CHURCH. 233 00:08:15,161 --> 00:08:17,597 GET IT ON GET IT UP 234 00:08:17,697 --> 00:08:18,831 WHY ARE YOU DOING LIKE MARY? 235 00:08:18,931 --> 00:08:21,567 THERE WAS A GIRL WHO USED TO BE IN DADDY'S CHURCH 236 00:08:21,667 --> 00:08:25,004 ON THE SECOND PEW USED TO DO THE, UH, JACKSON SLIDE. 237 00:08:25,104 --> 00:08:26,405 UM, SLIDE. 238 00:08:26,506 --> 00:08:27,707 AND YOU GOTTA SCREAM WHEN YOU DO IT. 239 00:08:27,807 --> 00:08:28,808 HEY! 240 00:08:28,908 --> 00:08:30,443 HEY-- HEY! 241 00:08:30,543 --> 00:08:31,477 OH! 242 00:08:42,588 --> 00:08:44,557 - UH-UH. - OH! 243 00:08:44,657 --> 00:08:45,558 AH! 244 00:08:45,658 --> 00:08:47,193 - OOH! - OOH! 245 00:08:47,293 --> 00:08:48,594 I FEEL LIKE I'M STANDING. 246 00:08:48,694 --> 00:08:50,196 IT'S SO GREAT TO SEE MY FAMILY, 247 00:08:50,296 --> 00:08:51,597 BUT I HAVE TO GET BACK TO WORK. 248 00:08:51,697 --> 00:08:55,001 I AM GLAD THAT EVERYONE'S GETTING ALONG, SO FAR. 249 00:08:55,101 --> 00:08:57,803 IT'S LIKE A CANADIAN MIRACLE. 250 00:08:57,904 --> 00:08:59,739 OH, I ALMOST GOT KNOCKED OUT! 251 00:08:59,839 --> 00:09:01,340 OH, MY GOSH! 252 00:09:01,440 --> 00:09:02,441 TRINA GOT KNOCKED OUT IN THE SPIRIT . 253 00:09:02,542 --> 00:09:03,576 I GOT KNOCKED OUT BY THE SMELL. 254 00:09:03,676 --> 00:09:05,711 IT'S SO PUNGENT-- IT HAS A COLOR. 255 00:09:05,811 --> 00:09:07,146 IT'S PURPLE. 256 00:09:07,246 --> 00:09:09,215 IT'S JUST HORSE FARM OR SOMETHIN', RIGHT? 257 00:09:09,315 --> 00:09:10,516 OH! 258 00:09:10,616 --> 00:09:11,784 - UH-UH. - MY GOSH! 259 00:09:11,884 --> 00:09:13,352 - SMELLS LIKE A COW FARM. - UH-UH. 260 00:09:13,452 --> 00:09:15,655 IT SMELT LIKE ON SHINGLES. 261 00:09:15,755 --> 00:09:18,324 LITERALLY, ON SHINGLES. 262 00:09:21,093 --> 00:09:23,963 HORSE MANURE ON SHINGLES. 263 00:09:24,063 --> 00:09:25,765 IT'S A BEAUTIFUL AREA, THOUGH. 264 00:09:25,865 --> 00:09:28,034 LOOK AT IT-- IT'S OLD, BUT IT'S NICE. 265 00:09:28,134 --> 00:09:30,036 HOW CAN YOU SEE THROUGH THE SMELL? 266 00:09:44,550 --> 00:09:46,185 WELCOME-- I'M STACY. 267 00:09:46,285 --> 00:09:48,421 - HI, STACY. - NICE TO MEET YOU. 268 00:09:48,521 --> 00:09:49,488 - HELLO. - HI-- TRINA. 269 00:09:49,589 --> 00:09:50,723 - NICE TO MEET YOU. - TRACI. 270 00:09:50,823 --> 00:09:52,124 WELCOME TO CAPILANO SUSPENSION BRIDGE. 271 00:09:52,224 --> 00:09:53,526 - THANK YOU. - THANK YOU. 272 00:09:53,626 --> 00:09:55,795 TODAY, WHILE TONI IS BUSY WORKING ON HER MOVIE, 273 00:09:55,895 --> 00:09:58,798 THE REST OF US SISTERS ARE GOING TO CHECK OUT THE CANADIAN SITES 274 00:09:58,898 --> 00:10:00,466 AND DO WHAT THE CANADIANS DO. 275 00:10:00,566 --> 00:10:03,736 AND APPARENTLY, THAT INVOLVES A LOT OF BONDING WITH NATURE. 276 00:10:03,836 --> 00:10:06,105 - TAMAR'S NOT HERE YET. - NO. 277 00:10:06,205 --> 00:10:07,206 I GUESS WE'RE WAITING FOR ONE MORE PERSON. 278 00:10:07,306 --> 00:10:08,574 - WAITING FOR ONE MORE? - OKAY, EXCELLENT. 279 00:10:08,674 --> 00:10:10,242 - SHE'S ALWAYS LATE. - OH, IS SHE? 280 00:10:10,343 --> 00:10:12,078 SHE HAS TO MAKE HER DIVA MOMENT, HER ENTRANCE. 281 00:10:12,178 --> 00:10:14,213 HERE'S SHE-ME-HER. 282 00:10:14,313 --> 00:10:15,314 HI! 283 00:10:15,414 --> 00:10:16,849 HELLO-- HI. 284 00:10:16,949 --> 00:10:18,150 HI-- HI. 285 00:10:18,250 --> 00:10:19,285 - HI. - HEY. 286 00:10:19,385 --> 00:10:20,286 WELCOME TO CAPILANO SUSPENSION BRIDGE. 287 00:10:20,386 --> 00:10:21,454 - THANK YOU. - I'M STACY. 288 00:10:21,554 --> 00:10:22,922 YOU BROUGHT YOUR PURSE-- WE DIDN'T BRING OUR PURSE. 289 00:10:23,022 --> 00:10:24,123 - THAT IS TERRIBLE. - WE ALL HERE? 290 00:10:24,223 --> 00:10:25,124 - YES. - YEAH. 291 00:10:25,224 --> 00:10:26,192 - READY TO GO? - I HOPE YOU DON'T DROP IT. 292 00:10:26,292 --> 00:10:27,460 - READY TO GO. - NO ONE'S SCARED OF HEIGHTS? 293 00:10:27,560 --> 00:10:28,961 WE'RE GONNA BE OKAY? - I'M SCARED OF HEIGHTS. 294 00:10:29,061 --> 00:10:29,996 A LITTLE FRIGHTENED, BUT NOT SCARED. 295 00:10:30,096 --> 00:10:31,497 - ALL RIGHT. - THAT'S WHY I GOT MY PURSE, 296 00:10:31,597 --> 00:10:32,898 'CAUSE I GOTTA HOLD MY FEELINGS IN IT. 297 00:10:32,999 --> 00:10:34,533 THIS IS OUR SECOND DAY IN CANADA, 298 00:10:34,634 --> 00:10:36,869 AND I'M ALL ABOUT KICKIN' IT WITH THE GIRLS. 299 00:10:36,969 --> 00:10:39,271 I DON'T USUALLY GO TO NATURE PARKS, 300 00:10:39,372 --> 00:10:41,474 BUT I AM TRYING TO BE A GOOD SPORT. 301 00:10:41,574 --> 00:10:43,242 - OH! - ARE WE READY TO DO THE BRIDGE? 302 00:10:43,342 --> 00:10:44,610 - YES. - OKAY. 303 00:10:44,710 --> 00:10:47,046 - I'M READY TO DO THE BRIDGE. - SO, IT'S 450 FEET ACROSS. 304 00:10:47,146 --> 00:10:49,048 - OH, THAT'S A LOT OF WALKING. - OH, BOY. 305 00:10:49,148 --> 00:10:51,784 AND IT'S 230 FEET ABOVE THE CAPILANO RIVER BELOW. 306 00:10:51,884 --> 00:10:53,753 - OH. - VERY, VERY STABLE. 307 00:10:53,853 --> 00:10:55,421 IT COULD HOLD THE WEIGHT OF 96 ELEPHANTS. 308 00:10:55,521 --> 00:10:56,422 ARE YOU SERIOUS? 309 00:10:56,522 --> 00:10:58,791 YEAH, OR THE WEIGHT OF TWO 747 JET PLANES, 310 00:10:58,891 --> 00:11:00,426 SO WE ARE GONNA BE VERY SAFE. 311 00:11:00,526 --> 00:11:01,861 DON'T YOU WORRY. - OKAY. 312 00:11:01,961 --> 00:11:03,029 - ALL RIGHT? - HERE WE GO. 313 00:11:03,129 --> 00:11:04,363 - ALL RIGHT. - OKAY, LET'S GO. 314 00:11:04,463 --> 00:11:06,298 FOR TAMAR TO EVEN COME TO THE BRIDGE, 315 00:11:06,399 --> 00:11:08,000 I HAVE TO TELL YOU THAT I'M SHOCKED. 316 00:11:08,100 --> 00:11:10,169 MAYBE SHE'S TRYING TO PARTICIPATE 317 00:11:10,269 --> 00:11:11,671 IN HAVING SISTER TIME, 318 00:11:11,771 --> 00:11:12,938 JUST A LITTLE BIT, 319 00:11:13,039 --> 00:11:16,375 BUT TAMAR'S DIVA LEVEL IS ABOUT A SIX. 320 00:11:16,475 --> 00:11:17,977 IT'S USUALLY AT A TEN. 321 00:11:18,077 --> 00:11:19,945 - YEAH, NO SHAKING. - OH, MY JESUS-- JESUS! 322 00:11:20,046 --> 00:11:21,113 AND NO SHAKING? 323 00:11:21,213 --> 00:11:22,081 YOU'RE GONNA NOTICE IT'S GONNA WOBBLE QUITE A BIT. 324 00:11:22,181 --> 00:11:23,382 YES-YES, NO RUNNING OR BOUNCING! 325 00:11:23,482 --> 00:11:24,383 YES. 326 00:11:24,483 --> 00:11:25,384 EVEN THOUGH IT'S VERY BOUNCY-ABLE. 327 00:11:25,484 --> 00:11:27,687 WHAT-WHAT-WHAT'S UNDERNEATH US? 328 00:11:27,787 --> 00:11:29,021 WATER AND ROCKS. 329 00:11:29,121 --> 00:11:30,423 - NOTHIN'. - ROCKS. 330 00:11:30,523 --> 00:11:31,824 WAIT A MINUTE-- HOLD UP, HOLD UP, HOLD UP, HOLD UP, HOLD UP. 331 00:11:31,924 --> 00:11:32,825 AND TREES, AND BRANCHES, OH, MY! 332 00:11:32,925 --> 00:11:33,826 HOW ABOUT YOU-- LET'S HOLD HANDS. 333 00:11:33,926 --> 00:11:34,894 COME ON. 334 00:11:34,994 --> 00:11:35,961 NO, I DON'T WANNA HOLD HANDS, 'CAUSE THAT MA-- 335 00:11:36,062 --> 00:11:37,963 I CAN'T TURN BACK WHEN I WANT. - COME ON. 336 00:11:38,064 --> 00:11:39,598 HOLD UP, HOLD UP, HOLD UP, HOLD UP. 337 00:11:39,699 --> 00:11:41,033 - TAMAR, COME ON. - WAIT A MINUTE. 338 00:11:41,133 --> 00:11:42,468 - WAIT-WAIT A MINUTE. - HOLD ON. 339 00:11:42,568 --> 00:11:43,803 - WAIT A MINUTE. - TOWANDA, WAIT, FOR REAL. 340 00:11:43,903 --> 00:11:44,804 DON'T PULL ME. - LOOK, THERE'S TOO MANY- 341 00:11:44,904 --> 00:11:46,338 THERE'S TOO MANY PEOPLE BEHIND YOU. 342 00:11:46,439 --> 00:11:49,141 THIS BRIDGE THAT I'M ON, FOR REAL, 343 00:11:49,241 --> 00:11:50,976 IS SWINGIN' BACK AND FORTH, 344 00:11:51,077 --> 00:11:53,446 AND WE'RE NOT EVEN HALFWAY ACROSS THE THING. 345 00:11:53,546 --> 00:11:55,114 MY SISTERS KEEP SAYING, "COME ON, TAMAR. 346 00:11:55,214 --> 00:11:56,115 "COME ON, TAMAR." 347 00:11:56,215 --> 00:11:57,950 BUT, EVERYBODY KNOW THAT'S NOT MY JOOZ. 348 00:11:58,050 --> 00:12:00,453 SHE DON'T DO THAT. 349 00:12:00,553 --> 00:12:01,687 I THINK I'M SEASICK. 350 00:12:01,787 --> 00:12:03,089 IT'S JUST A BRIDGE. 351 00:12:03,189 --> 00:12:05,858 JUST BREATHE IN AND OUT-- YOU CAN DO IT. 352 00:12:05,958 --> 00:12:07,760 HOLD ON-- HOLD ON! 353 00:12:07,860 --> 00:12:09,929 WE-WE-WE GOTTA BACK THE SAME WAY? 354 00:12:10,029 --> 00:12:12,098 - YES. - YEAH. 355 00:12:12,198 --> 00:12:13,766 UH-UH-- UH-UH! 356 00:12:13,866 --> 00:12:15,434 UH-UH-- UH-UH! 357 00:12:15,534 --> 00:12:17,937 STAY WITH IT-- STAY WITH IT! 358 00:12:19,772 --> 00:12:21,607 COMING UP, ON "BRAXTON FAMILY VALUES"... 359 00:12:21,707 --> 00:12:23,175 I CAN'T BELIEVE TAMAR DIDN'T COME. 360 00:12:23,275 --> 00:12:26,045 - SHE HAD A TANTRUM TODAY. - WHERE ARE THEY? 361 00:12:26,145 --> 00:12:27,847 - LEAVIN'. - WHAT? 362 00:12:27,947 --> 00:12:29,148 WHAT DO YOU MEAN, THEY'RE LEAVING? 363 00:12:29,248 --> 00:12:31,150 - YOU HEARD WHAT I SAID. - WHY'D THEY LEAVE? 364 00:12:31,250 --> 00:12:33,152 THAT'S SO STUPID! 365 00:12:34,487 --> 00:12:37,623 WAIT A MINUTE, HOLD ON-- WE-WE GOTTA BACK THE SAME WAY? 366 00:12:37,723 --> 00:12:39,024 - YES. - YEAH. 367 00:12:39,125 --> 00:12:40,593 UH-UH-- UH-UH-- UH-UH! 368 00:12:40,693 --> 00:12:43,896 UH-UH-- STAY WITH IT-- STAY WITH IT! 369 00:12:46,365 --> 00:12:48,067 UH-UH! 370 00:12:48,167 --> 00:12:50,236 UH, NO. - COME ON, GIRL. 371 00:12:50,336 --> 00:12:51,804 - NO, BABY-- SHE DON'T DO THAT. - YOU CAN DO IT. 372 00:12:51,904 --> 00:12:53,506 AIN'T WHERE I GOTTA GO. 373 00:12:53,606 --> 00:12:55,841 UH-UH. 374 00:12:55,941 --> 00:12:57,243 OH, WOW-- TAMAR WENT BACK. 375 00:12:57,343 --> 00:12:58,544 - TAMAR WENT BACK. - TAMAR WENT BACK? 376 00:12:58,644 --> 00:13:01,113 TAMAR WENT BACK-- WE LOST TAMAR. 377 00:13:01,213 --> 00:13:03,315 - TAMAR! - WE LOST TAMAR. 378 00:13:03,415 --> 00:13:06,218 TAMAR CHICKENS OUT, OF COURSE. 379 00:13:06,318 --> 00:13:08,053 TAMAR IS A LITTLE SCAREDY-CAT-- 380 00:13:08,154 --> 00:13:11,557 SCAREDY-SCAREDY CAT-- SCAREDY CAT. 381 00:13:11,657 --> 00:13:13,793 UH-UH. 382 00:13:13,893 --> 00:13:16,428 IT IS A KNOWN FACT THAT SHE IS AFRAID OF HEIGHTS, 383 00:13:16,529 --> 00:13:19,732 AND SHE DOES NOT HAVE TIME TO BE LOSING HER LIFE 384 00:13:19,832 --> 00:13:22,301 OR CRACKING THIS FACE 385 00:13:22,401 --> 00:13:26,338 BECAUSE THE GIRLS WANNA WALK ACROSS SOME DAMN BRIDGE. 386 00:13:26,438 --> 00:13:28,541 THAT DOESN'T EVEN SOUND LIKE FUN TO ME. 387 00:13:28,641 --> 00:13:29,775 SO, UH-UH. 388 00:13:29,875 --> 00:13:32,578 SHE WON'T BE PARTICIPATING IN THAT. 389 00:13:32,678 --> 00:13:34,513 WE ARE IN A WEST COAST RAINFOREST, 390 00:13:34,613 --> 00:13:36,549 'CAUSE IT DOES RAIN A LOT. - REALLY? 391 00:13:36,649 --> 00:13:37,683 - SO, THAT'S IT, OVER HERE? - YEAH, DEFINITELY DOES. 392 00:13:37,783 --> 00:13:38,684 SO, THAT'S THE DIFFERENCE 393 00:13:38,784 --> 00:13:39,919 BETWEEN OVER HERE AND OVER THERE. 394 00:13:40,019 --> 00:13:42,087 THAT'S ALSO A RAINFOREST, BUT THIS SIDE IS MORE TREED. 395 00:13:42,188 --> 00:13:43,422 OH. 396 00:13:43,522 --> 00:13:44,757 MORE TREES? 397 00:13:44,857 --> 00:13:46,826 I CAN'T BELIEVE WE ALMOST KILLED OURSELVES 398 00:13:46,926 --> 00:13:49,061 JUST TO SEE A BUNCH OF TREES THAT I ALREADY SAW 399 00:13:49,161 --> 00:13:51,130 BEFORE WE GOT ON THIS STUPID BRIDGE. 400 00:13:51,230 --> 00:13:52,965 I MEAN, I'M GLAD I DIDN'T CHICKEN OUT. 401 00:13:53,065 --> 00:13:54,466 BUT, WHERE'S MY REWARD? 402 00:13:54,567 --> 00:13:56,435 WHERE'S MY GLASS OF WINE? 403 00:13:56,535 --> 00:13:58,971 THERE'S, LIKE, NO RAINFOREST BAR AROUND HERE OR SOMETHING? 404 00:13:59,071 --> 00:14:00,706 I'M READY TO GO BACK ACROSS. 405 00:14:00,806 --> 00:14:02,174 - DO YOU WANNA GO ACROSS? - YEAH. 406 00:14:02,274 --> 00:14:03,242 OKAY, WE CAN GO ACROSS. 407 00:14:03,342 --> 00:14:06,245 THEN, YOU'RE GONNA HAVE TO DO CLIFF WALK. 408 00:14:06,345 --> 00:14:07,680 DO WHAT? 409 00:14:07,780 --> 00:14:08,914 YEAH, YOU GET TO DO CLIFF WALK. 410 00:14:09,014 --> 00:14:10,850 THAT'S OUR NEXT JOURNEY. - THE CLIFF WALK? 411 00:14:10,950 --> 00:14:11,851 HOLD UP. 412 00:14:11,951 --> 00:14:13,352 WAIT A MINUTE. 413 00:14:13,452 --> 00:14:15,321 HOW YOU GONNA TELL US WE'RE GONNA DO A CLIFF WALK? 414 00:14:15,421 --> 00:14:16,622 WHAT THE HELL IS THAT? 415 00:14:16,722 --> 00:14:19,625 WE JUST DID A DEATH-DEFYING WALK UP ON THE DAMN BRIDGE, 416 00:14:19,725 --> 00:14:21,427 WHERE EVERYBODY'S WALKIN' ON THIS BRIDGE, 417 00:14:21,527 --> 00:14:23,896 AND IT'S SWAYIN' TO AND FRO-- REALLY? 418 00:14:23,996 --> 00:14:26,398 HAVE YOU LOST YOUR EVERLASTING, CRAZY MIND? 419 00:14:26,498 --> 00:14:27,933 ME? 420 00:14:28,033 --> 00:14:29,735 HUH? - OKAY-- WELL, LET'S CONTINUE. 421 00:14:29,835 --> 00:14:31,036 - YES. - THERE'S MORE? 422 00:14:31,136 --> 00:14:32,338 - THERE'S MORE. - YES. 423 00:14:32,438 --> 00:14:33,339 I'M NOT DOIN' DO NO BRIDGES! 424 00:14:33,439 --> 00:14:34,373 WE'RE NOT GETTIN' ON ANOTHER BRIDGE. 425 00:14:34,473 --> 00:14:36,075 - WELL, WHAT'S-WHAT IS IT? - IT'S A WALK. 426 00:14:36,175 --> 00:14:37,776 IT'S A LITTLE WALK. - HOW HIGH IS IT? 427 00:14:37,877 --> 00:14:39,445 - IT'S NOT-- IT'S LIKE THIS. - OKAY, PERFECT. 428 00:14:39,545 --> 00:14:40,746 - HOW HIGH IS IT? - IT'S LIKE THIS. 429 00:14:40,846 --> 00:14:42,414 - IT'S THIS HIGH. - WE'RE GONNA GO DO CLIFF WALK. 430 00:14:42,514 --> 00:14:43,949 - IT DOESN'T WOBBLE LIKE THIS. - IT'S LIKE HERE. 431 00:14:44,049 --> 00:14:44,984 LIKE THIS. 432 00:14:45,084 --> 00:14:46,418 FEELS LIKE YOU'RE WALKING ON SOLID GROUND. 433 00:14:46,518 --> 00:14:47,720 - IT'S LIKE THIS. - TAMAR, COME ON. 434 00:14:47,820 --> 00:14:48,854 IT DON'T SHAKE LIKE THAT, RIGHT? 435 00:14:48,954 --> 00:14:50,656 NO, NO-- IT DOESN'T SHAKE-- SOLID. 436 00:14:50,756 --> 00:14:52,124 - HOW HIGH IN THE AIR? - IT'S LIKE THIS. 437 00:14:52,224 --> 00:14:53,859 IT'S THIS-- IT'S RIGHT HERE-- THIS HIGH. 438 00:14:53,959 --> 00:14:54,860 THREE HUNDRED FEET IS THE HIGHEST. 439 00:14:54,960 --> 00:14:55,995 - THREE HUNDRED FEET? - IT'S LIKE THIS. 440 00:14:56,095 --> 00:14:57,062 THE HIGHEST POINT. 441 00:14:57,162 --> 00:14:58,998 TAMAR, YOU'RE ALREADY 300 FEET, RIGHT NOW. 442 00:14:59,098 --> 00:15:01,600 - COME ON, TAMAR. - COME-COME, LITTLE KUMQUAT. 443 00:15:01,700 --> 00:15:04,770 ALL RIGHT, THIS IS NOT MY IDEA OF SISTER AFTERNOON FUN. 444 00:15:04,870 --> 00:15:06,238 THIS IS WHACK. 445 00:15:06,338 --> 00:15:07,740 I MEAN, LIKE, REALLY, LET'S GO SHOPPING. 446 00:15:07,840 --> 00:15:10,175 LET'S GO TO LUNCH-- LET'S HAVE SOME DRINKS. 447 00:15:10,276 --> 00:15:12,444 LIKE, THIS IS NOT FUNNERS. 448 00:15:12,544 --> 00:15:14,680 WHAT ABOUT MOSQUITOES, AND STUFF, AND BITES? 449 00:15:14,780 --> 00:15:17,249 I MEAN, I THINK THE NEXT TIME, 450 00:15:17,349 --> 00:15:19,251 I'LL BE THE ONE PLANNING THE SISTERS AFTERNOON 451 00:15:19,351 --> 00:15:21,787 BECAUSE I HAVE TO HAVE FUN IN MY LIFE. 452 00:15:21,887 --> 00:15:23,055 I FEEL LIKE I WAS TRICKED. 453 00:15:23,155 --> 00:15:24,723 IT FEELS LIKE THIS IS STURDY, RIGHT? 454 00:15:24,823 --> 00:15:27,192 SO, THIS HERE IS A TYPE OF SUSPENSION BRIDGE. 455 00:15:27,293 --> 00:15:29,328 WE'RE HELD ALL BY THIS ANCHOR POINT, HERE. 456 00:15:29,428 --> 00:15:31,230 SO, IF I WERE TO JUMP UP AND DOWN, RIGHT NOW... 457 00:15:31,330 --> 00:15:32,932 DOES THIS LOOK LIKE JURASSIC PARK? 458 00:15:33,032 --> 00:15:34,566 ...IT WOULD WOBBLE A LITTLE. 459 00:15:34,667 --> 00:15:35,935 - WHO PLANNED THIS? - OH. 460 00:15:36,035 --> 00:15:36,969 THIS IS NOT THE BOMB! 461 00:15:37,069 --> 00:15:38,103 LIKE, I DIDN'T KNOW THIS WAS GONNA TURN INTO 462 00:15:38,203 --> 00:15:40,105 "THE INDIANA JONES AND THE LAST CRUSADE" EVENT. 463 00:15:40,205 --> 00:15:42,608 LIKE, THE CLIFF WALK WAS SCARY AS HELL, 464 00:15:42,708 --> 00:15:45,811 BUT NOT AS SCARY AS THAT DAMN BRIDGE. 465 00:15:45,911 --> 00:15:48,280 SO, I DECIDED I WAS GONNA DO IT FOR THE GIRLS, 466 00:15:48,380 --> 00:15:50,783 AND I HOPE THEIR ASS IS HAPPY, NOW. 467 00:15:50,883 --> 00:15:53,252 YOU'LL SEE A LOT OF DEAD TREES THAT ARE LEFT STILL 468 00:15:53,352 --> 00:15:55,521 IN THE FOREST, 'CAUSE THEY CAN BECOME NURSE LOGS. 469 00:15:55,621 --> 00:15:57,957 SO, OTHER TREES, LIKE, IF YOU LOOK AT THIS ONE HERE, 470 00:15:58,057 --> 00:16:00,292 THIS TREES A NURSE LOG, SO OTHER TREES USE IT, 471 00:16:00,392 --> 00:16:02,795 AND THEY GROW OUT OF IT. - WHAT'S A NURSE LOG? 472 00:16:02,895 --> 00:16:04,530 BASICALLY, IT'S A DEAD TREE THAT THEN HAS, 473 00:16:04,630 --> 00:16:07,166 ONCE IT STARTS TO BREAK DOWN, IT'S VERY FERTILE. 474 00:16:07,266 --> 00:16:08,334 OH. 475 00:16:08,434 --> 00:16:09,435 AND SO, IT'S GREAT FOR OTHER TREES TO GROW OUT OF IT. 476 00:16:09,535 --> 00:16:10,436 OH. 477 00:16:10,536 --> 00:16:11,437 SO, IT STILL STAYS IN THE FOREST. 478 00:16:11,537 --> 00:16:12,504 - OH. - YEAH. 479 00:16:12,604 --> 00:16:13,839 TAMAR, YOU SHOULD HAVE A PIECE OF THAT. 480 00:16:13,939 --> 00:16:15,307 - TOUCH ON THE FERTILE TREE. - I-I GOT FOUR KIDS-- I'M FINE. 481 00:16:15,407 --> 00:16:16,475 - THAT'S THE FERTILE TREE. - I'M FINE. 482 00:16:16,575 --> 00:16:17,910 - THEY'RE ALL FROZEN. - TAMAR, TOUCH THE FERTILE TREE! 483 00:16:18,010 --> 00:16:19,678 TOUCH THE FERTILE TREE-- TOUCH-TOUCH THE FERTILE TREE 484 00:16:19,778 --> 00:16:21,313 TOUCH THE FERTILE TREE 485 00:16:21,413 --> 00:16:23,248 TOUCH-TOUCH THE FERTILE TREE 486 00:16:23,349 --> 00:16:25,050 - SHE DON'T NEED IT. - TOUCH THE FERTILE TREE 487 00:16:25,150 --> 00:16:26,385 TOUCH-TOUCH THE FERTILE TREE 488 00:16:26,485 --> 00:16:28,454 - SHE DON'T NEED IT - SAID TOUCH THE FERTILE TREE 489 00:16:28,554 --> 00:16:31,056 TOUCH-TOUCH THE FERTILE TREE - SHE GOT FOUR KIDS 490 00:16:31,156 --> 00:16:32,758 TOUCH THE FERTILE TREE-- TOUCH-TOUCH THE FERTILE TREE 491 00:16:32,858 --> 00:16:34,827 AND THAT'S ENOUGH-- SHE DON'T WANT NO MORE KIDS 492 00:16:34,927 --> 00:16:36,628 TOUCH THE FERTILE TREE-- TOUCH-TOUCH THE FERTILE TREE 493 00:16:36,729 --> 00:16:38,297 AND THAT'S JUST TOUGH-- MMM-HMM. 494 00:16:38,397 --> 00:16:40,332 TOUCH THE FERTILE TREE-- TOUCH-TOUCH THE FERTILE TREE 495 00:16:40,432 --> 00:16:41,767 SHE DON'T NEED IT-- SHE DON'T NEED IT 496 00:16:41,867 --> 00:16:43,602 TOUCH THE FERTILE TREE-- TOUCH-TOUCH THE FERTILE TREE 497 00:16:43,702 --> 00:16:45,337 SHE DON'T NEED IT-- SHE DON'T NEED IT 498 00:16:45,437 --> 00:16:46,672 TOUCH THE FERTILE TREE-- TOUCH-TOUCH THE FERTILE TREE 499 00:16:46,772 --> 00:16:48,907 - SHE DON'T NEED IT - TOUCH THE FERTILE TREE 500 00:16:49,008 --> 00:16:50,009 TOUCH-TOUCH THE FERTILE TREE 501 00:16:50,109 --> 00:16:51,677 SHE DON'T NEED IT-NEED IT- NEED IT-NEED IT 502 00:16:51,777 --> 00:16:53,712 NEED-NEED-NEED-NEED-NEED-NEED-NE ED-NEED IT 503 00:17:03,789 --> 00:17:06,191 NO GIRLS. 504 00:17:06,291 --> 00:17:08,060 OF COURSE, THIS TRIP WOULD NOT BE COMPLETE 505 00:17:08,160 --> 00:17:10,396 WITHOUT SOME SORT OF BEEF WITH TAMAR. 506 00:17:10,496 --> 00:17:12,364 AFTER THE CLIFF WALK, 507 00:17:12,464 --> 00:17:15,267 I INVITED THE GIRLS TO MEET ME FOR A COCKTAIL AT A RESTAURANT 508 00:17:15,367 --> 00:17:17,002 NEAR MY HOTEL. 509 00:17:17,102 --> 00:17:19,505 VINCE AND MY GLAM SQUAD WERE ALREADY THERE, 510 00:17:19,605 --> 00:17:23,375 AND THE GIRLS SHOW UP, AND THEY LITERALLY GOT MAD. 511 00:17:23,475 --> 00:17:26,445 THEY LEFT BECAUSE MY HUSBAND WAS THERE. 512 00:17:26,545 --> 00:17:28,881 HE WASN'T EVEN AT THE TABLE NO MORE. 513 00:17:28,981 --> 00:17:31,450 HE WENT TO THE BAR WITH THE HAIR AND MAKEUP TEAM. 514 00:17:31,550 --> 00:17:33,585 LIKE, SO, WHAT WAS THE PROBLEM THEN? 515 00:17:35,988 --> 00:17:37,489 CAN I GET YOU ANYTHING? 516 00:17:37,589 --> 00:17:38,757 NO. 517 00:17:38,857 --> 00:17:40,993 I'LL JUST TAKE THE CHECK-- I DON'T THINK THEY'RE COMING BACK. 518 00:17:41,093 --> 00:17:42,461 RIGHT. 519 00:17:42,561 --> 00:17:43,829 I DIDN'T KNOW THIS WAS, LIKE, A SISTER MOMENT. 520 00:17:43,929 --> 00:17:45,931 IF THAT WAS THE CASE, HE WOULDN'T HAVE COME. 521 00:17:46,031 --> 00:17:47,733 DUH. 522 00:18:01,380 --> 00:18:03,082 AFTER I FINISHED WORK THIS AFTERNOON, 523 00:18:03,182 --> 00:18:04,483 THE GIRLS PICKED ME UP AND SAID, 524 00:18:04,583 --> 00:18:06,051 "LET'S GO BLUEBERRY PICKING." 525 00:18:06,151 --> 00:18:07,586 AND TAMAR WAS SUPPOSED TO JOIN US, 526 00:18:07,686 --> 00:18:10,122 BUT THEN SHE SENT THIS WEIRD TEXT SAYING SHE'S NOT COMING. 527 00:18:10,222 --> 00:18:12,157 I-I DON'T KNOW WHAT'S GOING ON, 528 00:18:12,257 --> 00:18:14,093 BUT I'M SURE I'M GONNA FIND OUT EVENTUALLY. 529 00:18:14,193 --> 00:18:15,794 HI. 530 00:18:15,894 --> 00:18:17,529 HI, THERE-- WELCOME TO DRIEDIGER FARMS. 531 00:18:17,629 --> 00:18:18,597 THANK YOU. 532 00:18:18,697 --> 00:18:20,132 HOW MANY BLUEBERRY BUCKETS DO YOU NEED TODAY? 533 00:18:20,232 --> 00:18:21,934 - FOUR. - JUST THE FOUR OF YOU? 534 00:18:22,034 --> 00:18:24,336 PERFECT-- YOU ARE GONNA GO DOWN THE DIRT ROAD. 535 00:18:24,436 --> 00:18:26,271 WHEN YOU SAY, "DIRT ROAD," WHAT DO YOU MEAN? 536 00:18:26,371 --> 00:18:28,540 UH, THERE'S A DIRT ROAD THAT YOU'RE GONNA WALK-- 537 00:18:28,640 --> 00:18:30,075 THE ROCKS THERE TO THE OPENING OF THE FARM THERE. 538 00:18:30,175 --> 00:18:31,310 LIKE, DIRT-- DIRT? 539 00:18:31,410 --> 00:18:33,278 - IT'S A DIRT ROAD, TONI. - OKAY. 540 00:18:33,378 --> 00:18:35,013 - A ROAD MADE OF DIRT. - THANK YOU. 541 00:18:35,114 --> 00:18:36,248 - YOU'RE WELCOME. - OKAY. 542 00:18:36,348 --> 00:18:37,249 - THANK YOU. - THANK YOU. 543 00:18:37,349 --> 00:18:38,484 - HAVE A GREAT TIME. - WE WILL. 544 00:18:38,584 --> 00:18:40,819 THANK YOU. 545 00:18:40,919 --> 00:18:42,421 GUYS, DON'T YOU LOVE CANADA? 546 00:18:42,521 --> 00:18:43,922 I DO, ACTUALLY. 547 00:18:44,022 --> 00:18:45,424 SHE TALKS LIKE A CANADIAN. 548 00:18:45,524 --> 00:18:46,725 I'M GONNA NEED YOU TO AND HAVE A SEAT. 549 00:18:46,825 --> 00:18:48,327 HAVE A SEAT. 550 00:18:48,427 --> 00:18:49,528 I'M GONNA NEED YOU TO STAY WITH IT. 551 00:18:49,628 --> 00:18:51,630 - EH? - I MEAN, YOU KNOW, IT'S ABOUT-- 552 00:18:51,730 --> 00:18:53,132 - WHAT? - BLOUSE. 553 00:18:53,232 --> 00:18:54,700 WHAT, TRINA-- WHAT? 554 00:18:54,800 --> 00:18:56,602 IF YOU GUYS HAVEN'T FIGURED IT OUT BY NOW-- 555 00:18:56,702 --> 00:18:58,670 HAVEN'T FIGURED IT OUT BY NOW, I'M IGNORING YOU. 556 00:18:58,770 --> 00:19:01,106 I'M IGNORING YOU. - TRINA'S REALLY CANADIAN. 557 00:19:01,206 --> 00:19:03,475 I DON'T KNOW WHERE MY MAMA AND DADDY GOT HER FROM. 558 00:19:03,575 --> 00:19:05,611 THERE, I SAID IT. 559 00:19:05,711 --> 00:19:08,614 - THAT ONE SAYS, "OPEN." - WE'LL GO HERE. 560 00:19:10,549 --> 00:19:12,851 HERE WE GO. 561 00:19:12,951 --> 00:19:14,520 WELL, HOW DO WE KNOW WHICH ONES ARE GOOD ONES? 562 00:19:14,620 --> 00:19:16,188 THESE ALL LOOK HEARTY. 563 00:19:16,288 --> 00:19:18,490 NO, THESE ARE FINE-- LET ME TASTE 'EM. 564 00:19:18,590 --> 00:19:19,525 - EW. - EW! 565 00:19:19,625 --> 00:19:20,526 YOU HAVE TO WASH THEM OFF FIRST. 566 00:19:20,626 --> 00:19:23,061 I WIPED IT OFF REAL GOOD. 567 00:19:23,162 --> 00:19:24,163 OH, THEY'RE GOOD. 568 00:19:24,263 --> 00:19:25,964 - WHAT? - WHAT IT TASTE LIKE? 569 00:19:26,064 --> 00:19:28,066 BLUEBERRIES. 570 00:19:29,768 --> 00:19:30,836 SMART MOUTH. 571 00:19:30,936 --> 00:19:31,937 "MOUTH." 572 00:19:32,037 --> 00:19:34,072 ISN'T IT FUN, DOING IT TOGETHER? 573 00:19:34,173 --> 00:19:35,274 I FOUND A GOOD BUSH. 574 00:19:35,374 --> 00:19:37,075 I CAN'T BELIEVE TAMAR DIDN'T COME. 575 00:19:37,176 --> 00:19:38,410 SHE HAD A TANTRUM TODAY. 576 00:19:38,510 --> 00:19:40,779 OH, WHAT'S WRONG WITH HER, NOW? 577 00:19:40,879 --> 00:19:43,982 WE WERE TRYING TO GO OUT FOR DRINKS 578 00:19:44,082 --> 00:19:47,986 AND HANG OUT WITH OUR SISTER, AND HER VELCRO WAS THERE, 579 00:19:48,086 --> 00:19:49,421 AND WE WERE LIKE-LIKE, REALLY? 580 00:19:49,521 --> 00:19:51,223 WHAT-WHAT DO YOU MEAN? 581 00:19:51,323 --> 00:19:52,691 BEFORE WE WENT TO BLUEBERRY PICKING, 582 00:19:52,791 --> 00:19:54,960 WE THOUGHT WE WERE GOING TO HAVE A SISTER DRINK, 583 00:19:55,060 --> 00:19:57,262 AND WE WENT THERE, 584 00:19:57,362 --> 00:20:00,265 AND WE WENT TO SIT DOWN, AND VINCE IS THERE. 585 00:20:00,365 --> 00:20:02,234 I KNOW Y'ALL ARE MARRIED-- YOU'RE MARRIED FOR WHAT? 586 00:20:02,334 --> 00:20:04,002 GOING ON THREE YEARS OR SOMETHING? 587 00:20:04,102 --> 00:20:07,472 YOU DON'T HAVE TO BE VELCRO ALL THE TIME. 588 00:20:07,573 --> 00:20:10,609 SHE MAD BECAUSE WE WANTED TO SPEND TIME WITH HER. 589 00:20:10,709 --> 00:20:11,777 AND? 590 00:20:11,877 --> 00:20:13,145 - BY HERSELF. - BY HERSELF. 591 00:20:13,245 --> 00:20:14,479 YOU KNOW, TO HAVE A SISTER MOMENT. 592 00:20:14,580 --> 00:20:16,648 BUT, YOU KNOW, VINCENT IS THE SIXTH SISTER. 593 00:20:16,748 --> 00:20:19,284 SISTER TIME MEANS NO HUSBANDS ARE INVOLVED, 594 00:20:19,384 --> 00:20:22,821 BUT TAMAR GETS A PASS TO BRING HERS. 595 00:20:22,921 --> 00:20:24,256 THAT'S NOT COOL. 596 00:20:24,356 --> 00:20:26,758 I-I-I FEEL AS IF WE PROBABLY HURT TAMAR'S FEELINGS THAT, 597 00:20:26,858 --> 00:20:28,460 YOU KNOW, WE DIDN'T WANT VINCE AROUND, 598 00:20:28,560 --> 00:20:30,362 BUT WE JUST WANT OUR SISTER TIME. 599 00:20:30,462 --> 00:20:33,198 WE HAVEN'T HAD A SISTER TIME IN A LONG TIME. 600 00:20:33,298 --> 00:20:34,299 SHE BE ALL RIGHT. 601 00:20:34,399 --> 00:20:36,568 WHERE THEY AT-- WHERE ARE THEY? - LEAVIN'. 602 00:20:36,668 --> 00:20:38,937 WHAT-- WHAT DO YOU MEAN, THEY'RE LEAVING? 603 00:20:39,037 --> 00:20:40,973 - YOU HEARD WHAT I SAID. - WHY'D THEY LEAVE? 604 00:20:41,073 --> 00:20:42,874 THAT'S SO STUPID! 605 00:20:42,975 --> 00:20:45,143 COMING UP, ON "BRAXTON FAMILY VALUES..." 606 00:20:45,244 --> 00:20:48,313 WE CAN'T SAY WHAT WE FEEL, 'CAUSE IT'S ALWAYS, "UH-UH-UH!" 607 00:20:48,413 --> 00:20:50,082 WELL, WHO WANTS TO DO THAT WHEN YOU'RE GROWN? 608 00:20:50,182 --> 00:20:52,050 WHY WOULD YOU DO THAT? 609 00:20:52,150 --> 00:20:53,652 WE'RE IN ANOTHER COUNTRY! 610 00:20:53,752 --> 00:20:55,320 IT'S ILLEGAL IN THE STATES. 611 00:20:55,420 --> 00:20:57,422 OMG. 612 00:21:00,692 --> 00:21:02,027 WHERE THEY AT-- WHERE ARE THEY? 613 00:21:02,127 --> 00:21:04,162 - LEAVIN'. - WHAT? 614 00:21:04,263 --> 00:21:05,264 WHAT DO YOU MEAN, THEY'RE LEAVING? 615 00:21:05,364 --> 00:21:07,165 - YOU HEARD WHAT I SAID. - WHY'D THEY LEAVE? 616 00:21:07,266 --> 00:21:09,134 THAT'S SO STUPID! - BECAUSE TAMAR HAS TANTRUMS. 617 00:21:09,234 --> 00:21:11,069 I MEAN, YOU KNOW SHE HAS TANTRUMS, TONI. 618 00:21:11,169 --> 00:21:12,871 SHE DIDN'T EVEN COME BY THE HOUSE. 619 00:21:12,971 --> 00:21:15,107 WHAT IS SHE REALLY SENSITIVE ABOUT, LIKE, HONESTLY? 620 00:21:15,207 --> 00:21:16,208 I'M BEING HONEST. 621 00:21:16,308 --> 00:21:17,809 YOU THINK I'M-YOU THINK I'M MAKING THAT UP? 622 00:21:17,909 --> 00:21:20,479 NO, BUT I FEEL LIKE THERE'S MORE TO THE STORY. 623 00:21:20,579 --> 00:21:22,414 WHAT DID SHE SAY? 624 00:21:22,514 --> 00:21:25,784 SHE JUST GOT DEFENSIVE-- "OH, IT'S MY FAULT. 625 00:21:25,884 --> 00:21:28,820 "OH, I DID SOMETHIN' WRONG." - THAT'S WHAT SHE SAID? 626 00:21:28,920 --> 00:21:30,856 I SAID, "IF WE'RE NOT GONNA HAVE SISTER TIME, 627 00:21:30,956 --> 00:21:32,057 "THEN I'M LEAVIN'." 628 00:21:32,157 --> 00:21:33,392 I'M LEAVIN', YEAH. 629 00:21:33,492 --> 00:21:34,326 - SO, WHY-- - AND I LEFT. 630 00:21:34,426 --> 00:21:35,394 WHY WEREN'T YOU HAVING SISTER TIME? 631 00:21:35,494 --> 00:21:37,629 BECAUSE I TOLD YOU HER VELCRO WAS THERE. 632 00:21:37,729 --> 00:21:40,599 I'M THE OLDEST SISTER AND IN BEING THE OLDEST SISTER, 633 00:21:40,699 --> 00:21:42,668 THERE'S PLENTY OF TIMES THAT I'VE HAD TO STEP UP 634 00:21:42,768 --> 00:21:45,070 AND SOLVE THE PROBLEMS BETWEEN THE GIRLS AND WHOMEVER. 635 00:21:45,170 --> 00:21:47,906 BUT, I THINK THIS IS THE WORST I'VE EVER SEEN. 636 00:21:48,006 --> 00:21:50,075 I DON'T KNOW WHAT'S GOING ON WITH THIS FAMILY, 637 00:21:50,175 --> 00:21:51,510 BUT WE NEED TO FIGURE IT OUT. 638 00:21:51,610 --> 00:21:53,712 I'M GONNA CALL HER ON THE BAT LINE. 639 00:21:55,647 --> 00:21:58,317 HEY, WHY ARE YOU LEAVING-- YOU-- 640 00:22:00,552 --> 00:22:02,954 WHY CAN'T YOU JUST COME TO THE HOUSE? 641 00:22:05,924 --> 00:22:06,892 UH-UH. 642 00:22:06,992 --> 00:22:09,127 SHE DON'T WANT TO HAVE SISTER TIME WITH US. 643 00:22:09,227 --> 00:22:10,495 SO SILLY. 644 00:22:13,865 --> 00:22:15,701 COME ON, TAMAR-- WE NEED TO TALK AND HASH IT OUT, 645 00:22:15,801 --> 00:22:17,402 WHAT-WHATEVER WE'RE GOING THROUGH-- COME ON. 646 00:22:20,138 --> 00:22:22,107 UGH! 647 00:22:26,578 --> 00:22:29,247 WELL, THINK ABOUT IT-- I'LL CALL YOU BACK. 648 00:22:30,849 --> 00:22:32,984 OKAY-- LOVE YOU-- OKAY, BYE. 649 00:22:33,085 --> 00:22:34,820 WHAT IS SHE TALKING ABOUT? 650 00:22:34,920 --> 00:22:36,588 - SHE DON'T KNOW. - TAMAR, I WANT YOU TO COME! 651 00:22:36,688 --> 00:22:38,090 IT'S SO SILLY! 652 00:22:38,190 --> 00:22:39,558 BLUEBERRY PICKING'S SUPPOSED TO BE FUN. 653 00:22:39,658 --> 00:22:40,625 YES, IT'S SUPPOSED TO BE FUN. 654 00:22:40,726 --> 00:22:42,160 THAT'S WHY I DON'T EVEN KNOW WHY YOU CALLED. 655 00:22:42,260 --> 00:22:43,595 HMM. 656 00:22:43,695 --> 00:22:44,896 SO, TONI, WE'RE GROWN. 657 00:22:44,996 --> 00:22:47,032 YOU KNOW HOW, IF WE HAVE AN ISSUE WITH EACH OTHER, 658 00:22:47,132 --> 00:22:49,201 WE TALK TO EACH OTHER ABOUT IT, 659 00:22:49,301 --> 00:22:51,970 REGARDLESS ON IF WE AGREE WITH IT OR NOT. 660 00:22:52,070 --> 00:22:54,873 BUT, WHEN IT COMES TO TAMAR, WE CAN'T SAY WHAT WE FEEL, 661 00:22:54,973 --> 00:22:56,842 'CAUSE IT'S ALWAYS, "UH-UH-UH!" 662 00:22:56,942 --> 00:22:58,610 WELL, WHO WANTS TO DO THAT WHEN YOU'RE GROWN? 663 00:22:58,710 --> 00:23:00,579 I CAN'T, TONI-- I CAN'T KEEP DOING THAT. 664 00:23:00,679 --> 00:23:01,580 THAT'S NOT FAIR. 665 00:23:01,680 --> 00:23:03,782 IT'S NOT FAIR TO ME-- - THAT'S TRUE. 666 00:23:03,882 --> 00:23:05,517 AS A WOMAN, WHO WANTS TO EXPRESS HERSELF TO HER SISTER 667 00:23:05,617 --> 00:23:07,018 ABOUT HOW SHE'S FEELING ABOUT CERTAIN THINGS. 668 00:23:07,119 --> 00:23:09,054 THAT'S TRUE. 669 00:23:09,154 --> 00:23:10,389 WELL, IF I CAN GET HER TO COME BACK, 670 00:23:10,489 --> 00:23:12,624 WE CAN ALL TALK ABOUT IT. - MMM-HMM. 671 00:23:12,724 --> 00:23:13,959 LIKE, REALLY HASH AND TALK ABOUT IT. 672 00:23:14,059 --> 00:23:16,061 - WOULDN'T THAT BE GREAT? - THAT WOULD BE NICE. 673 00:23:16,161 --> 00:23:18,530 WE'RE KINDA OVERDUE-- THAT'S TOO MUCH TENSION AND-- 674 00:23:18,630 --> 00:23:20,432 TOWANDA'S AT HER BOILING POINT. 675 00:23:20,532 --> 00:23:22,334 TAMAR'S AT HER BOILING POINT. 676 00:23:22,434 --> 00:23:25,137 ALL I CAN DO, RIGHT NOW, IS TRY TO REACH OUT TO TAMAR, AGAIN, 677 00:23:25,237 --> 00:23:27,038 AND GET HER TO COME AND JOIN US FOR DINNER 678 00:23:27,139 --> 00:23:28,039 WITH MOMMY TONIGHT. 679 00:23:28,140 --> 00:23:29,408 THIS IS CRAZY. 680 00:23:29,508 --> 00:23:31,042 OKAY, GUYS, I HAVE TO BE HONEST ABOUT SOMETHING. 681 00:23:31,143 --> 00:23:32,511 WHAT? 682 00:23:32,611 --> 00:23:34,312 I WOULD PROBABLY HAVE MORE BLUEBERRIES IN MY BUCKET, 683 00:23:34,413 --> 00:23:36,348 BUT I'VE BEEN EATING THEM. 684 00:23:36,448 --> 00:23:38,784 TRINA, WHAT? 685 00:23:53,331 --> 00:23:54,933 - COME ON, BETTE DAVIS. - SO, SHE'S BEING BETTE DAVIS. 686 00:23:55,033 --> 00:23:56,034 REALLY? 687 00:23:56,134 --> 00:23:58,003 IS THAT YOUR ALL-IS THAT YOUR HOSTING OUTFIT? 688 00:23:58,103 --> 00:23:59,571 - IT IS. - YES-- I'M THE HOST. 689 00:23:59,671 --> 00:24:00,672 - I CAN'T TAKE IT. - IT'S CUTE, THOUGH. 690 00:24:00,772 --> 00:24:02,641 ISN'T IT CUTE-- WE'RE HAVING DINNER IN VANCOUVER, 691 00:24:02,741 --> 00:24:04,776 IN THIS BEAUTIFUL HOUSE-- IT WAS A MOVIE RENTAL. 692 00:24:04,876 --> 00:24:05,944 IT'S BEAUTIFUL. 693 00:24:06,044 --> 00:24:07,446 - HEY, GUYS! - HEY, MOMMY! 694 00:24:07,546 --> 00:24:09,414 AND STILL, I COULDN'T CONVINCE TAMAR TO JOIN US, 695 00:24:09,514 --> 00:24:11,016 AND I'M REALLY DISAPPOINTED. 696 00:24:11,116 --> 00:24:12,784 I'M MORE DISAPPOINTED BECAUSE I THINK THIS 697 00:24:12,884 --> 00:24:14,820 WOULD'VE BEEN A GREAT TIME TO CLEAR THE AIR, 698 00:24:14,920 --> 00:24:16,788 AND I REALLY DON'T KNOW WHEN WE'RE GONNA HAVE ANOTHER TIME 699 00:24:16,888 --> 00:24:18,457 TO GET EVERYONE TOGETHER. 700 00:24:18,557 --> 00:24:20,025 I HAD TO MOVE THE BLUEBERRIES FIRST. 701 00:24:20,125 --> 00:24:21,359 HAVE YOU BEEN EATING BLUEBERRIES? 702 00:24:21,460 --> 00:24:24,262 DIDN'T YOU GUYS GO TO PICK THE BLUEBERRIES? 703 00:24:24,362 --> 00:24:26,465 WELL, I HAD TO EAT THE BLUEBERRIES. 704 00:24:26,565 --> 00:24:28,166 DID YOU MAKE SOME BLUEBERRY DUMPLINGS? 705 00:24:28,266 --> 00:24:29,734 UH-UH-- UH-UH. 706 00:24:29,835 --> 00:24:32,370 BUT, MY TEETH ARE TURNING BLUE. - TAMAR DON'T LIKE DUMPLINGS. 707 00:24:32,471 --> 00:24:34,339 SPEAKING OF TAMAR, WHERE'S TAMAR? 708 00:24:39,344 --> 00:24:40,779 SHE MAD. 709 00:24:40,879 --> 00:24:43,048 I TRIED TO CALL HER. 710 00:24:43,148 --> 00:24:47,118 MOMMY ABSOLUTELY DOES NOT LIKE TO SEE US ARGUE. 711 00:24:47,219 --> 00:24:50,922 SHE DOES NOT LIKE SEEING HER GIRLS AT ODDS. 712 00:24:51,022 --> 00:24:53,859 SO, OF COURSE, MOMMY'S NOT HAPPY 713 00:24:53,959 --> 00:24:55,527 WITH THE SITUATION AT ALL. 714 00:24:55,627 --> 00:24:56,628 WHAT HAPPENED? 715 00:24:56,728 --> 00:24:59,531 WELL, SHE INVITED US TO HAVE A DRINK. 716 00:24:59,631 --> 00:25:02,234 AND, HONESTLY, I THOUGHT WE WERE HAVING A SISTER DRINK. 717 00:25:02,334 --> 00:25:03,502 BUT, WHEN WE GOT THERE, 718 00:25:03,602 --> 00:25:05,203 VINCENT WAS SITTING AT THE TABLE. 719 00:25:05,303 --> 00:25:07,439 SO, IT'S LIKE-LIKE, REALLY? 720 00:25:07,539 --> 00:25:09,608 THIS ISN'T SISTER TIME. 721 00:25:09,708 --> 00:25:11,510 I MEAN, THERE'S NOTHING WRONG WITH HAVING YOUR HUSBAND THERE. 722 00:25:11,610 --> 00:25:13,945 BUT, IF TOWANDA'S HUSBAND WAS THERE, IT'D BE A PROBLEM. 723 00:25:14,045 --> 00:25:15,714 IF TRACI'S HUSBAND, TRINA'S, SHE'D HAVE A PROBLEM. 724 00:25:15,814 --> 00:25:18,683 "WHY IS YOUR HUSBAND--" WHY YOUR HUSBAND ALWAYS HERE? 725 00:25:18,783 --> 00:25:22,587 SO, SHE-- WELL, DID YOU-- YOU GUYS COMMENTED ABOUT IT? 726 00:25:22,687 --> 00:25:24,256 ABOUT HER HUSBAND BEING THERE? 727 00:25:24,356 --> 00:25:25,790 I-I DON'T UNDERSTAND. - YES, I DID. 728 00:25:25,891 --> 00:25:27,659 - TOWANDA DID-- YEAH. - SHE GOT AN ATTITUDE. 729 00:25:27,759 --> 00:25:28,860 "I MEAN, YOU KNOW, TOWANDA, YOU JUST DO WHATEVER 730 00:25:28,960 --> 00:25:30,562 "YOU THINK IS BEST, THEN." 731 00:25:30,662 --> 00:25:33,798 SHE WAS UPSET BECAUSE THEY-- ALL THREE OF THEM LEFT TOGETHER. 732 00:25:33,899 --> 00:25:35,066 SO, I WAS HOPING SHE WOULD COME HERE. 733 00:25:35,166 --> 00:25:39,070 I CALLED HER A COUPLE TIMES-- BUT, SHE DIDN'T WANNA COME. 734 00:25:39,170 --> 00:25:42,107 THERE'S NOTHING WRONG WITH LOVING YOUR HUSBAND. 735 00:25:42,207 --> 00:25:44,342 THERE'S NOTHING WRONG WITH BEING LOYAL TO YOUR HUSBAND. 736 00:25:44,442 --> 00:25:46,244 I THINK IT'S A WONDERFUL THING. 737 00:25:46,344 --> 00:25:49,014 BUT, WHAT IS WRONG WITH SISTER TIME? 738 00:25:49,114 --> 00:25:51,550 NOTHING WRONG WITH THAT. 739 00:25:51,650 --> 00:25:55,353 IT'S OKAY TO DISAGREE, YOU KNOW, 740 00:25:55,453 --> 00:25:58,890 'CAUSE NO ONE AGREES ON THE SAME THING, ALL THE TIME. 741 00:25:58,990 --> 00:26:01,660 BUT, WHEN YOU ARE AT ODDS WITH EACH OTHER, 742 00:26:01,760 --> 00:26:04,663 AND YOU CAN'T EVEN HAVE DINNER TOGETHER, 743 00:26:04,763 --> 00:26:07,933 SOMETHING IS WRONG WITH THAT PICTURE, AND I'M NOT HAVING IT. 744 00:26:08,033 --> 00:26:09,501 I DON'T KNOW WHAT'S GOING ON, 745 00:26:09,601 --> 00:26:11,469 AND I NEED TO FIND OUT WHAT-WHAT'S GOING ON. 746 00:26:11,570 --> 00:26:13,672 I REALLY DO. 747 00:26:13,772 --> 00:26:14,940 BUT, THAT'S MADNESS. 748 00:26:15,040 --> 00:26:16,508 THE THING IS, IF IT'S RECIPROCATED 749 00:26:16,608 --> 00:26:20,111 BY ANYBODY ELSE'S SPOUSES, IT'S AN ORDEAL. 750 00:26:20,211 --> 00:26:22,914 IF ANDRE WAS HERE, HANGING OUT WITH US LIKE THIS, 751 00:26:23,014 --> 00:26:24,249 SHE'D HAVE A FIT. 752 00:26:24,349 --> 00:26:25,750 YEP. 753 00:26:25,850 --> 00:26:27,786 SHE CALLED HIM A-- SHE CALLED ANDRE A B-I-T-C-H, 754 00:26:27,886 --> 00:26:29,621 WHICH WAS EXTREMELY RUDE. 755 00:26:29,721 --> 00:26:32,524 I MEAN, BUT SHE WOULD BE MAD, IF I SAID SOMETHIN' ABOUT HERS. 756 00:26:32,624 --> 00:26:34,693 WHY ARE THERE DOUBLE STANDARDS? 757 00:26:34,793 --> 00:26:36,494 WHY IS IT THAT YOU CAN BRING YOUR HUSBAND, 758 00:26:36,595 --> 00:26:39,331 BUT IF ANYONE ELSE BRINGS THEIR HUSBAND, IT'S AN ISSUE? 759 00:26:39,431 --> 00:26:40,899 THAT'S NOT RIGHT. 760 00:26:40,999 --> 00:26:43,068 I USED TO TEASE AND CALL 'EM VELCRO. 761 00:26:43,168 --> 00:26:44,135 MMM-HMM. 762 00:26:44,235 --> 00:26:46,137 NOW, IT SEEMS A BIT STRANGE TO ME. 763 00:26:49,674 --> 00:26:51,610 YOU KNOW, YOU HAVE REALLY SMALL EYES. 764 00:26:51,710 --> 00:26:52,611 REALLY, TRINA? 765 00:26:54,913 --> 00:26:56,548 I HAVE SMALL EYES? 766 00:26:56,648 --> 00:26:57,816 YEAH, YOU HAVE LITTLE BABY ONES. 767 00:26:57,916 --> 00:26:58,917 HA-HA! 768 00:26:59,017 --> 00:27:00,018 YOU DON'T THINK IT'S SLEEP DEPRIVATION? 769 00:27:00,118 --> 00:27:01,519 - REALLY, WANDA? - SHE'S TIRED. 770 00:27:01,620 --> 00:27:02,988 YOU KNOW, AND YOUR EARS ARE ABOUT SMALL AS THESE LITTLE-- 771 00:27:03,088 --> 00:27:04,756 POTATO CHIP EARS. 772 00:27:04,856 --> 00:27:06,625 YOU HAVE SOME LITTLE BABY EARS. 773 00:27:06,725 --> 00:27:07,959 THAT'S WHAT I CALL THEM, POTATO CHIPS. 774 00:27:08,059 --> 00:27:11,229 - LIKE MY DAD. - THIS WILL NOT BE . 775 00:27:13,798 --> 00:27:15,033 YOU JUST HAPPENED TO BE SITTING BESIDE ME, 776 00:27:15,133 --> 00:27:16,701 SO IT'S LIKE I GET- I GET TO, YOU KNOW, 777 00:27:16,801 --> 00:27:18,703 OBSERVE SOME THINGS. 778 00:27:18,803 --> 00:27:20,372 WAIT A MINUTE-- WAIT A MINUTE. 779 00:27:20,472 --> 00:27:22,340 HOLD UP-- MY PHONE. 780 00:27:22,440 --> 00:27:23,775 I'M SORRY, MOM-- I KNOW YOU SAID NO PHONES AT THE TABLE. 781 00:27:23,875 --> 00:27:26,344 - GO AHEAD. - OOH, IT'S CRAIG. 782 00:27:26,444 --> 00:27:27,512 SORRY, GUYS. - HEY, CRAIG. 783 00:27:27,612 --> 00:27:28,980 HEY, CRAIGY. 784 00:27:29,080 --> 00:27:31,216 HEY, TONI, I JUST GOT A TEXT FROM ALEX. 785 00:27:31,316 --> 00:27:33,184 OKAY. 786 00:27:33,284 --> 00:27:34,853 THE POLICE HAVE ARRESTED HIM. 787 00:27:37,522 --> 00:27:39,157 ALEX IS MY ASSISTANT, WHO CAME UP HERE 788 00:27:39,257 --> 00:27:40,692 TO HELP ME WHILE I WAS WORKING ON THE MOVIE, 789 00:27:40,792 --> 00:27:41,993 AND HE DROVE THE GIRLS AROUND TODAY 790 00:27:42,093 --> 00:27:43,361 BEFORE THE BLUEBERRY PICKING. 791 00:27:43,461 --> 00:27:47,298 AND NOW, MY MANAGER, CRAIG, IS CALLING TO SAY HE GOT ARRESTED. 792 00:27:47,399 --> 00:27:50,502 HE WAS-HE WAS TALKIN' ON THE TELEPHONE, EVIDENTLY, 793 00:27:50,602 --> 00:27:52,237 AND HE WAS DRIVIN'. 794 00:27:52,337 --> 00:27:56,541 AND, EVIDENTLY, THEY, UH, THEY-THEY SAW SOME GLASSES 795 00:27:56,641 --> 00:27:59,244 IN THE BACK OF THE SEAT CAR, YOU KNOW, 796 00:27:59,344 --> 00:28:01,079 THAT SOMEBODY WAS DRINKING EARLIER, 797 00:28:01,179 --> 00:28:03,281 AND THERE WAS ALCOHOL IN 'EM, AND HE'S IN BIG TROUBLE. 798 00:28:03,381 --> 00:28:05,450 SO, I JUST WANTED TO LET YOU KNOW. 799 00:28:05,550 --> 00:28:08,853 I-I THINK ALEX IS ON HIS WAY TO FIND OUT JUST WHAT THE INSIDE 800 00:28:08,953 --> 00:28:10,522 OF A CANADIAN JAIL LOOKS LIKE. 801 00:28:10,622 --> 00:28:11,523 OH, GOD! 802 00:28:11,623 --> 00:28:13,458 OMG. 803 00:28:13,558 --> 00:28:14,859 DO WE KNOW WHAT WAS OPEN IN THE BACK OF THE CAR? 804 00:28:14,959 --> 00:28:17,996 NO-- EVIDENTLY, THERE WERE SOME GLASSES EARLIER IN THE DAY 805 00:28:18,096 --> 00:28:19,197 OR SOMETHIN'. 806 00:28:19,297 --> 00:28:20,465 I DON'T THINK HE HAD BEEN DRINKING. 807 00:28:20,565 --> 00:28:23,468 SO, THEY SHOULD RELEASE HIM AND JUST FINE HIM, 808 00:28:23,568 --> 00:28:25,170 BUT WE'RE TRYING TO FIND OUT, RIGHT NOW. 809 00:28:25,270 --> 00:28:26,871 AND I'LL KEEP YOU POSTED. 810 00:28:26,971 --> 00:28:28,206 OKAY, CRAIGY, THANK YOU. 811 00:28:28,306 --> 00:28:30,742 KEEP ME POSTED. - ALL RIGHT, T. 812 00:28:30,842 --> 00:28:32,811 - OKAY, BYE. - BYE. 813 00:28:32,911 --> 00:28:34,345 I THINK I HAVE SOMETHING TO SAY. 814 00:28:34,446 --> 00:28:36,715 WHAT? 815 00:28:36,815 --> 00:28:40,852 I HAD A GLASS OF WINE IN THE CAR. 816 00:28:40,952 --> 00:28:42,287 WHY WOULD YOU DO THAT? 817 00:28:42,387 --> 00:28:44,556 WE'RE IN ANOTHER COUNTRY! 818 00:28:44,656 --> 00:28:45,724 IT WAS IN A CUP. 819 00:28:45,824 --> 00:28:48,293 IT'S ILLEGAL IN THE STATES, HAVING AN OPEN BOTTLE 820 00:28:48,393 --> 00:28:51,029 OR CONTAINER OF ANY ALCOHOLIC BEVERAGE. 821 00:28:51,129 --> 00:28:52,731 WHY WOULD YOU DO THAT? 822 00:28:52,831 --> 00:28:55,900 I'M SORRY. 823 00:28:56,000 --> 00:28:57,902 THAT'S A CAR FROM THE PRODUCTION COMPANY OF THE MOVIE, 824 00:28:58,002 --> 00:28:59,904 SO NOW THE MOVIE PEOPLE ARE GONNA KNOW. 825 00:29:00,004 --> 00:29:01,940 BY THE TIME IT'S OVER, IT WON'T BE TONI BRAXTON'S ASSISTANT. 826 00:29:02,040 --> 00:29:05,009 IT'LL BE "TONI BRAXTON GOT ARRESTED." 827 00:29:05,110 --> 00:29:07,512 NO, I'M NOT SURPRISED THAT MY FAMILY TURNED 828 00:29:07,612 --> 00:29:11,683 A SIMPLE FAMILY VACATION INTO CONFUSION, DRAMA, AND CRIME. 829 00:29:11,783 --> 00:29:13,251 WE ARE THE BRAXTONS. 830 00:29:13,351 --> 00:29:16,921 WE ARE THE BRAXTONS AND YOU'LL SEE THAT 831 00:29:17,021 --> 00:29:19,557 FULL OF CONFUSION DRAMA AND CRIME 832 00:29:19,657 --> 00:29:22,594 - THAT'S US. - ANYWAY-- IT'S THE WEEKEND. 833 00:29:22,694 --> 00:29:24,062 YES. 834 00:29:24,162 --> 00:29:25,163 IT'S FRIDAY. 835 00:29:25,263 --> 00:29:26,564 - IT IS. - AFTER 5. 836 00:29:26,664 --> 00:29:27,565 OH. 837 00:29:27,665 --> 00:29:30,568 WE'RE NOT GONNA TALK TO HIM TILL MONDAY. 838 00:29:30,668 --> 00:29:32,403 TONI, HE'LL BE FINE. 839 00:29:32,504 --> 00:29:34,606 WHY ARE YOU UPSET? 840 00:29:34,706 --> 00:29:35,874 I JUST AM. 841 00:29:35,974 --> 00:29:37,642 BECAUSE SHE FEELS THAT SHE COULD'VE JUST TAKEN HER CUP 842 00:29:37,742 --> 00:29:38,877 OUT OF THE CAR, IS WHAT'S GOING ON. 843 00:29:38,977 --> 00:29:39,878 YES. 844 00:29:39,978 --> 00:29:40,879 BUT, SHE CAN'T BE UPSET, RIGHT NOW. 845 00:29:40,979 --> 00:29:41,946 - I WAS JUST-- - I-I'M UPSET, RIGHT NOW. 846 00:29:42,046 --> 00:29:44,082 SHE CAN BE UPSET WHEN I LEAVE THE TABLE. 847 00:29:44,182 --> 00:29:46,751 - OH. - I GET TO BE UPSET, RIGHT NOW. 848 00:29:46,851 --> 00:29:50,522 I DON'T WANNA SHARE MY UPSETMENT. 849 00:29:50,622 --> 00:29:52,524 I DON'T WANNA SHARE IT, RIGHT NOW. 850 00:29:52,624 --> 00:29:55,894 - SHE SAID, "UPSETMENT." - YES. 851 00:29:55,994 --> 00:29:57,495 YOU ARE REALLY UPSET. 852 00:29:57,595 --> 00:30:00,899 YOU SAID, "UPSETMENT." 853 00:30:00,999 --> 00:30:02,200 WHO DOES THAT? 854 00:30:02,300 --> 00:30:04,869 WHO-- MY MANAGER, CRAIG, ACTUALLY SENDS ME A TEXT 855 00:30:04,969 --> 00:30:07,172 WHILE WE'RE STILL AT THE TABLE SAYING THAT THE POLICE 856 00:30:07,272 --> 00:30:09,073 DROPPED ALL THE CHARGES AGAINST ALEX, 857 00:30:09,174 --> 00:30:10,441 WITH A WARNING, AND RELEASED HIM. 858 00:30:10,542 --> 00:30:13,311 THANK GOD-- BUT, I'M NOT GONNA TELL TRINA. 859 00:30:13,411 --> 00:30:14,679 I'M NOT TELLING HER YET. 860 00:30:14,779 --> 00:30:16,681 SHE DESERVES TO FEEL HORRIBLE AND GUILTY 861 00:30:16,781 --> 00:30:18,483 FOR THE REST OF THE TRIP. 862 00:30:18,583 --> 00:30:20,485 HE MIGHT GO TO JAIL. - TO JAIL FOR A WHILE. 863 00:30:20,585 --> 00:30:22,854 - I DON'T KNOW WHAT TO DO. - OR, THEY MIGHT DEPORT HIM. 864 00:30:22,954 --> 00:30:25,857 - I GOTTA B-BAIL HIM OUT. - OR, THEY MIGHT DEPORT HIM. 865 00:30:25,957 --> 00:30:27,458 - OR, DEPART-- - DEPORT HIM. 866 00:30:27,559 --> 00:30:31,095 OH, MY GOSH. 867 00:30:31,196 --> 00:30:33,565 WELCOME TO CANADA. 868 00:30:33,665 --> 00:30:34,699 DRINK TO THAT ONE. 869 00:30:34,799 --> 00:30:37,068 DON'T REALLY TOAST-- WELCOME TO CANADA. 870 00:30:55,286 --> 00:30:57,856 - THANKS. - THANK YOU. 871 00:30:57,956 --> 00:30:59,390 AFTER WE GOT BACK FROM CANADA, 872 00:30:59,490 --> 00:31:01,326 MOMMY CAME TO VISIT ME IN L.A. 873 00:31:01,426 --> 00:31:03,161 SHE ASKED ME TO GO OUT TO LUNCH WITH HER, ALONE, 874 00:31:03,261 --> 00:31:05,396 AND I WENT BECAUSE SHE SOUNDED LIKE SHE REALLY WANTED 875 00:31:05,496 --> 00:31:07,498 TO TALK TO ME. 876 00:31:07,599 --> 00:31:10,235 I JUST HOPE THIS IS NOT ANOTHER BLAME TAMAR 877 00:31:10,335 --> 00:31:12,370 FOR EVERYTHING IN EVERYBODY'S LIFE CONVERSATION. 878 00:31:12,470 --> 00:31:15,006 AIN'T NOBODY GOT TIME FOR THAT. 879 00:31:15,106 --> 00:31:17,242 I'M HERE BECAUSE OF A LOT OF REASONS. 880 00:31:17,342 --> 00:31:18,543 AND, UH-- - UH-OH. 881 00:31:18,643 --> 00:31:21,880 THERE'S A LOT OF THINGS THAT I'M SOMEWHAT UPSET ABOUT, 882 00:31:21,980 --> 00:31:23,948 MAYBE JUST A BIT. 883 00:31:24,048 --> 00:31:25,617 ABOUT WHAT? 884 00:31:25,717 --> 00:31:29,587 YOU'RE ACTING LIKE FOOLS, IF I MUST SAY MYSELF. 885 00:31:31,856 --> 00:31:33,858 COMING UP, ON "BRAXTON FAMILY VALUES"... 886 00:31:33,958 --> 00:31:34,993 I'M GOING CRAZY HERE. 887 00:31:35,093 --> 00:31:36,861 THERE'S-- SO, EVERYBODY DOESN'T HAVE AN ISSUE WITH ME? 888 00:31:36,961 --> 00:31:38,396 NO ONE IS CALLING YOU A VICTIM. 889 00:31:38,496 --> 00:31:39,530 I DIDN'T SAY I'M A VICTIM. 890 00:31:39,631 --> 00:31:40,565 - NO ONE IS SAYING-- - I SAID, AM I GOING CRAZY HERE? 891 00:31:40,665 --> 00:31:41,833 DOES ANYBODY-- 892 00:31:41,933 --> 00:31:42,834 NO, BUT NO ONE-NO ONE'S SAYING THAT YOU'RE GOING CRAZY. 893 00:31:42,934 --> 00:31:43,868 OKAY-- WELL, LET ME ASK YOU A QUESTION. 894 00:31:43,968 --> 00:31:47,372 WHAT IS YOUR OWN, INDIVIDUAL ISSUE WITH ME? 895 00:31:50,408 --> 00:31:52,911 OH, LOOK AT THAT BIG OL' BEAR! 896 00:31:53,011 --> 00:31:54,579 TAKE A PICTURE OF ME AND THIS BEAR. 897 00:31:59,751 --> 00:32:01,686 NOW, TAKE ONE OF ME WITH TOWANDA'S CAMERA. 898 00:32:01,786 --> 00:32:03,988 GO. 899 00:32:04,088 --> 00:32:06,291 WHY YOU TRYING TO BE SEXY WITH THE DOGGONE BEAR? 900 00:32:06,391 --> 00:32:07,892 I PUT THE BEAR'S PAW ON MY BUTT. 901 00:32:07,992 --> 00:32:09,327 EW! 902 00:32:09,427 --> 00:32:11,095 YOU KNOW HOW MANY BUTTS THAT PAW HAS BEEN TOUCHING? 903 00:32:11,195 --> 00:32:12,263 YES. 904 00:32:12,363 --> 00:32:14,299 LET'S GO. 905 00:32:23,041 --> 00:32:24,842 I'M HERE BECAUSE OF A LOT OF REASONS. 906 00:32:24,943 --> 00:32:26,044 AND, UH-- - UH-OH. 907 00:32:26,144 --> 00:32:29,614 THERE'S A LOT OF THINGS THAT I'M SOMEWHAT UPSET ABOUT, 908 00:32:29,714 --> 00:32:31,649 MAYBE JUST A BIT. 909 00:32:31,749 --> 00:32:33,418 ABOUT WHAT? 910 00:32:33,518 --> 00:32:37,021 YOU'RE ACTING LIKE FOOLS, IF I MUST SAY MYSELF. 911 00:32:37,121 --> 00:32:41,326 I-I DON'T-I DON'T UNDERSTAND WHAT'S GOING ON. 912 00:32:41,426 --> 00:32:44,228 I DON'T KNOW WHAT'S GOING ON, EITHER, MOMMY, HONESTLY. 913 00:32:44,329 --> 00:32:46,264 WHEN WE WERE IN VANCOUVER, 914 00:32:46,364 --> 00:32:51,903 I WAS A LITTLE, I GUESS, UM, DISAPPOINTED 915 00:32:52,003 --> 00:32:53,671 YOU DIDN'T SHOW UP FOR DINNER. 916 00:32:53,771 --> 00:32:56,107 AND SO, YOU KNOW, I'M ASKING THE GIRLS. 917 00:32:56,207 --> 00:32:57,642 THEY HAVE THEIR THEORY. 918 00:32:57,742 --> 00:32:59,477 I WANTED TO HEAR YOUR THEORY. 919 00:32:59,577 --> 00:33:01,346 NO, I DIDN'T SHOW UP BECAUSE OF WHAT HAPPENED AT LUNCH. 920 00:33:01,446 --> 00:33:03,514 I MEAN, LET ME ENLIGHTEN YOU ON WHAT HAPPENED AT LUNCH. 921 00:33:03,614 --> 00:33:05,650 WHEN WE ALL CAME TO THE RESTAURANT, 922 00:33:05,750 --> 00:33:07,719 TOWANDA AND TRINA WENT TO THE BATHROOM. 923 00:33:07,819 --> 00:33:09,454 AND THEN, VINCE WENT TO THE BATHROOM. 924 00:33:09,554 --> 00:33:11,789 AND THEN, TOWANDA AND TRINA CAME BACK FROM THE BATHROOM, 925 00:33:11,889 --> 00:33:13,524 AND TOWANDA STOOD AT THE TABLE, AND SHE WAS LIKE, 926 00:33:13,624 --> 00:33:15,793 "WELL, YOU KNOW, I'M GONNA GO BECAUSE, YOU KNOW, 927 00:33:15,893 --> 00:33:17,528 "I THOUGHT WE WAS JUST GONNA HAVE A SISTERS' LUNCH." 928 00:33:17,628 --> 00:33:19,731 AND I WAS LIKE, "ALL YOU HAD TO DO, WAS SAY SOMETHING." 929 00:33:19,831 --> 00:33:21,599 AND THEN, SHE STORMED OUT. 930 00:33:21,699 --> 00:33:24,669 THEN, TRINA WAS LIKE, "WELL, TAMAR, THAT'S NOT REALLY FAIR 931 00:33:24,769 --> 00:33:27,605 "BECAUSE, YOU KNOW, THERE'S-- THERE ARE A LOT OF ISSUES." 932 00:33:27,705 --> 00:33:29,507 AND I'M LIKE, "TRINA, WHAT ISSUES?" 933 00:33:29,607 --> 00:33:30,975 AND SHE WAS LIKE, "WELL, YOU KNOW, 934 00:33:31,075 --> 00:33:32,744 "WE JUST WANTED TO HAVE LUNCH WITH-WITH YOU." 935 00:33:32,844 --> 00:33:34,312 I SAID, "WELL, WHY DIDN'T YOU JUST DIDN'T SAY NOTHIN'? 936 00:33:34,412 --> 00:33:36,214 "I CAN SEND VINCE TO THE BAR-- IT'S NOT A BIG DEAL." 937 00:33:36,314 --> 00:33:37,548 SO, I TEXT HIM. 938 00:33:37,648 --> 00:33:39,517 I SHOWED THE GIRLS THE TEXT-- I WAS LIKE, "SEE? 939 00:33:39,617 --> 00:33:41,319 "IT'S NOT REALLY A-- IT'S NO PROBLEM AT ALL." 940 00:33:41,419 --> 00:33:43,955 AND TRINA SAID, "OKAY-- "WELL, I'LL BE BACK. 941 00:33:44,055 --> 00:33:46,457 "I'M GONNA GO GET HER--" AND SHE LEFT OUT. 942 00:33:46,557 --> 00:33:47,992 AND THEN, LIKE, FIVE MINUTES LATER, TRACI WAS LIKE, 943 00:33:48,092 --> 00:33:49,527 "WELL, I'LL BE BACK--" AND SHE LEFT. 944 00:33:49,627 --> 00:33:52,397 AND THAT WAS IT. 945 00:33:52,497 --> 00:33:55,099 YOU KNOW, I JUST FELT LIKE, IF THAT'S HOW TOWANDA FELT, 946 00:33:55,199 --> 00:33:56,534 THEN THAT'S HOW TOWANDA FELT. 947 00:33:56,634 --> 00:33:58,136 WHY DID TRINA AND TOWA-- 948 00:33:58,236 --> 00:33:59,737 TRACI HAVE TO FOLLOW IN HER FOOTSTEPS? 949 00:33:59,837 --> 00:34:00,972 SO, I CALLED TOWANDA. 950 00:34:01,072 --> 00:34:02,440 AND I'M LIKE, "YOU LEFT?" 951 00:34:02,540 --> 00:34:03,875 SHE WAS LIKE, "YEAH, BECAUSE, YOU KNOW, 952 00:34:03,975 --> 00:34:05,777 "WE NEED TO TALK, AND THIS IS NOT THE FORUM 953 00:34:05,877 --> 00:34:07,545 "BECAUSE VINCE IS AT THE TABLE." 954 00:34:07,645 --> 00:34:09,380 I'M LIKE, "WELL, VINCE LEFT THE TABLE. 955 00:34:09,480 --> 00:34:10,915 "LIKE, TRINA WENT OUTSIDE TO GET YOU. 956 00:34:11,015 --> 00:34:12,850 "LIKE, NOBODY EVEN TOLD ME Y'ALL WANTED TO SIT DOWN 957 00:34:12,950 --> 00:34:15,119 "AND HAVE A SISTERS CONVERSATION WITH ME." 958 00:34:15,219 --> 00:34:17,555 AND SHE WAS JUST LIKE-- I DON'T KNOW. 959 00:34:17,655 --> 00:34:19,791 SOMEHOW, IT WAS MY FAULT-- AND I TOOK A PICTURE. 960 00:34:19,891 --> 00:34:21,959 I CAN SHOW IT TO YOU. - MMM-HMM. 961 00:34:22,060 --> 00:34:23,694 I TOOK A PICTURE OF THE TABLE, 962 00:34:23,795 --> 00:34:26,397 AND IT WAS ME AND FOUR DRINKS. 963 00:34:26,497 --> 00:34:29,033 AND I SAID, "WHAT'S WRONG WITH THIS PICTURE? 964 00:34:29,133 --> 00:34:31,169 "'CAUSE I'M SITTIN' AT THE TABLE BY MYSELF. 965 00:34:31,269 --> 00:34:33,404 "IF Y'ALL WANNA COME HOLLER AT ME, COME AND TALK TO ME." 966 00:34:33,504 --> 00:34:35,673 NOBODY EVEN CAME BACK TO THE TABLE. 967 00:34:35,773 --> 00:34:37,542 - THE POINT IS-- - I KNOW YOU DIDN'T SEE THIS. 968 00:34:37,642 --> 00:34:39,544 - MMM-HMM. - RIGHT. 969 00:34:39,644 --> 00:34:43,081 I WAS JUST SO MAD THAT THEY ALL DECIDED 970 00:34:43,181 --> 00:34:45,783 THAT THEY WAS GONNA LEAVE, ONE BY ONE, 971 00:34:45,883 --> 00:34:47,752 'CAUSE NOW EVERYBODY HAS A ISSUE 972 00:34:47,852 --> 00:34:49,387 WITH VINCE AND I BEING AT A RESTAURANT. 973 00:34:49,487 --> 00:34:52,423 THIS IS THE FIRST TIME THAT THEY'VE COMPLAINED 974 00:34:52,523 --> 00:34:55,393 ABOUT VINCE AND I TRAVELING TOGETHER. 975 00:34:55,493 --> 00:34:57,395 THIS IS WHAT WE'VE BEEN DOING FOR TEN YEARS. 976 00:34:57,495 --> 00:34:59,997 IT'S NOT LIKE EVERY TIME I GO OUT, HE GOT TO BE THERE. 977 00:35:00,098 --> 00:35:01,532 LIKE, I GET THAT. 978 00:35:01,632 --> 00:35:06,604 AND PLUS, I MIGHT ADD, I LIKE MY HUSBAND. 979 00:35:06,704 --> 00:35:09,140 THAT'S THE PICTURE OF ME, AND THIS IS THE TEXT. 980 00:35:09,240 --> 00:35:11,242 I'M LIKE, "I REALLY WANT NOTHING MORE THAN 981 00:35:11,342 --> 00:35:12,844 "TO HAVE MY SISTERS BACK. 982 00:35:12,944 --> 00:35:15,012 "THIS IS ALL A SHAME." 983 00:35:15,113 --> 00:35:16,681 TOWANDA SAID, "I AGREE. 984 00:35:16,781 --> 00:35:17,748 "SAD." 985 00:35:17,849 --> 00:35:19,484 I SAID, "WHAT HAPPENED?" 986 00:35:19,584 --> 00:35:21,419 AND THEN-THEN, TOWANDA WENT ON A RAGE, AND SHE WAS LIKE, 987 00:35:21,519 --> 00:35:23,688 "IT'S NOT-IT'S NOT NO FAULT IN HER, ME, OR YOU. 988 00:35:23,788 --> 00:35:25,890 "I'M APPALLED THAT NO ONE SEES THE BIGGER PICTURE ISSUE." 989 00:35:25,990 --> 00:35:27,258 I'M LIKE, WHAT ARE YOU-- WHAT? 990 00:35:27,358 --> 00:35:29,293 WELL, FIRST OF ALL, YOU GUYS ARE SISTERS. 991 00:35:29,393 --> 00:35:30,828 YOU'VE ALWAYS BEEN CLOSE. 992 00:35:30,928 --> 00:35:33,764 NOW, ALL OF A SUDDEN, YOU'RE ALL GONNA ACT CRAZY? 993 00:35:33,865 --> 00:35:35,466 NO! 994 00:35:35,566 --> 00:35:36,934 - CAN I SAY SOMETHIN'? - YES, YOU MAY. 995 00:35:37,034 --> 00:35:39,737 I REALLY DO MISS MY SISTERS, AND IT'S A LOT. 996 00:35:39,837 --> 00:35:41,139 AND THEY MISS YOU. 997 00:35:41,239 --> 00:35:44,942 IT'S A WHOLE LOT, LIKE, NOT KNOWING. 998 00:35:45,042 --> 00:35:46,444 YOU KNOW, IT'S ONE THING WHEN YOU KNOW 999 00:35:46,544 --> 00:35:48,045 THAT YOU'VE DONE SOMETHING. 1000 00:35:48,146 --> 00:35:50,915 BUT, WHEN YOU DON'T KNOW, IT'S MORE HURTFUL. 1001 00:35:51,015 --> 00:35:52,783 WELL, WHEN YOU SIT DOWN AND TALK, 1002 00:35:52,884 --> 00:35:56,120 YOU WILL FIND OUT WHAT THEY FEEL OR FELT THAT YOU'VE DONE. 1003 00:35:56,220 --> 00:35:58,055 BUT, NOBODY WANTS TO HANG OUT WITH ME. 1004 00:35:58,156 --> 00:35:59,357 NOBODY WANTS TO CALL. - TAMAR? 1005 00:35:59,457 --> 00:36:00,992 - NOBODY WANTS TO COME OVER. - TAMAR? 1006 00:36:01,092 --> 00:36:03,594 NOBODY WANTS TO KICK IT, AND I DON'T EVEN KNOW WHAT I DID! 1007 00:36:03,694 --> 00:36:07,298 SO, ALL Y'ALL NEED TO DO, IS GET TOGETHER, TALK, 1008 00:36:07,398 --> 00:36:11,502 IRON THIS MESS OUT, OR ELSE I WILL BE LIKE CURLY AND MOE. 1009 00:36:11,602 --> 00:36:12,970 YOU KNOW WHO CURLY AND MOE, RIGHT? 1010 00:36:13,070 --> 00:36:14,272 - NO-- WHO THAT? - PUT ALL FIVE OF Y'ALL TOGETHER 1011 00:36:14,372 --> 00:36:15,873 AND JUST SLAP THE PISS OUT OF YOU. 1012 00:36:15,973 --> 00:36:17,341 - OH! - YOU-YOU KNOW CURLY AND MOE. 1013 00:36:17,441 --> 00:36:18,643 BIP-BIP-BIP-BIP-BIP. 1014 00:36:18,743 --> 00:36:21,245 I WILL NOT HAVE IT-- I'M NOT PLAYING WITH YOU. 1015 00:36:21,345 --> 00:36:23,514 FIX IT! 1016 00:36:33,591 --> 00:36:34,825 - HI, LADIES. - HI-- HOW ARE YOU? 1017 00:36:34,926 --> 00:36:36,427 - HOW ARE YOU DOIN'? - THESE-THESE ARE OUR MENUS. 1018 00:36:36,527 --> 00:36:38,563 - I JUST WANT A DRINK. - YEAH, ME, TOO. 1019 00:36:38,663 --> 00:36:41,332 TONI CONVINCED ME TO COME TO L.A. TO TALK TO TAMAR, 1020 00:36:41,432 --> 00:36:43,901 AND I'VE ACTUALLY WANTED TO CLEAR THINGS UP WITH HER 1021 00:36:44,001 --> 00:36:47,205 ABOUT CERTAIN THINGS FOR A VERY LONG TIME. 1022 00:36:47,305 --> 00:36:49,607 BUT, TAMAR LEFT CANADA BEFORE I HAD A CHANCE 1023 00:36:49,707 --> 00:36:51,776 TO DISCUSS ANYTHING WITH HER. 1024 00:36:51,876 --> 00:36:54,745 SO, I'M BRINGING MYSELF TO TAMAR, OF COURSE. 1025 00:36:54,845 --> 00:36:57,548 AS ALWAYS, I AM THE BIGGER PERSON. 1026 00:36:57,648 --> 00:36:58,783 WHAT'S UP? 1027 00:36:58,883 --> 00:37:02,987 TONI SAID THAT SHE WANTED US TO SIT AND TALK. 1028 00:37:03,087 --> 00:37:04,655 ABOUT WHAT? 1029 00:37:04,755 --> 00:37:06,991 THE ESTRANGEDNESS. 1030 00:37:08,793 --> 00:37:10,828 COMING UP, ON "BRAXTON FAMILY VALUES"... 1031 00:37:10,928 --> 00:37:13,464 YOU SAID, AND I QUOTE, "I DON'T EVEN WANNA WORK 1032 00:37:13,564 --> 00:37:14,899 "WITH Y'ALL ANYMORE." 1033 00:37:14,999 --> 00:37:16,467 BECAUSE OF THE WAY YOU GUYS HAVE BEEN TREATING ME! 1034 00:37:16,567 --> 00:37:17,935 WAIT-- WHOA, WHOA, WHOA, WHOA, WHOA-- LET ME FINISH. 1035 00:37:18,035 --> 00:37:19,303 WHO WANTS TO GO INTO WORK AND-- 1036 00:37:19,403 --> 00:37:21,239 LET ME FINISH-- "I DON'T EVEN WANNA WORK WIT' Y'ALL ANYMORE. 1037 00:37:21,339 --> 00:37:24,141 " THE 'BRAXTON FAMILY VALUES.'" 1038 00:37:29,113 --> 00:37:33,317 TONI SAID THAT SHE WANTED US TO SIT AND TALK. 1039 00:37:33,417 --> 00:37:34,986 ABOUT WHAT? 1040 00:37:35,086 --> 00:37:37,855 THE ESTRANGEDNESS. 1041 00:37:37,955 --> 00:37:39,257 I-I ACTUALLY, HONEST TO GOD, 1042 00:37:39,357 --> 00:37:42,159 DON'T KNOW WHERE ANY OF IT HAS COME FROM. 1043 00:37:42,260 --> 00:37:43,761 SO, YOU THINK 1044 00:37:43,861 --> 00:37:46,631 THAT-THAT THE ESTRANGEDNESS IS JUST COMING FROM-- 1045 00:37:46,731 --> 00:37:48,699 JUST OUT OF THIN AIR? 1046 00:37:48,799 --> 00:37:50,835 NO. 1047 00:37:50,935 --> 00:37:52,770 - OKAY, WHAT-- - THAT'S INACCURATE. 1048 00:37:52,870 --> 00:37:54,105 OKAY, WHAT-WHAT-WHAT'S ACCURATE FOR YOU? 1049 00:37:54,205 --> 00:37:55,740 THERE'S BEEN A CLIQUE THAT'S BEEN FORMED, 1050 00:37:55,840 --> 00:37:57,475 AND I'M NOT INVOLVED IN IT. 1051 00:37:57,575 --> 00:37:59,310 SO, YOU KNOW-- NO, I'M JUST BEING HONEST. 1052 00:37:59,410 --> 00:38:00,911 - A CLIQUE? - I'M GOING CRAZY HERE. 1053 00:38:01,012 --> 00:38:02,580 THERE'S-- SO, EVERYBODY DOESN'T HAVE AN ISSUE WITH ME? 1054 00:38:02,680 --> 00:38:04,148 NO ONE IS CALLING YOU A VICTIM. 1055 00:38:04,248 --> 00:38:05,483 - I DIDN'T SAY I'M A VICTIM. - NO ONE IS SAYING-- 1056 00:38:05,583 --> 00:38:06,717 I SAID, AM I GOING CRAZY HERE? 1057 00:38:06,817 --> 00:38:08,319 NO, BUT NO ONE-NO ONE'S SAYING THAT YOU'RE GOING CRAZY. 1058 00:38:08,419 --> 00:38:09,720 OKAY-- WELL, LET ME ASK YOU A QUESTION. 1059 00:38:09,820 --> 00:38:12,790 WHAT IS YOUR OWN, INDIVIDUAL ISSUE WITH ME? 1060 00:38:12,890 --> 00:38:16,694 MY ISSUE IS THAT YOU HADN'T BEEN TRANSPARENT... 1061 00:38:16,794 --> 00:38:17,795 WHAT? 1062 00:38:17,895 --> 00:38:18,696 ...WITH THE THINGS THAT HAS BEEN GOING ON. 1063 00:38:18,796 --> 00:38:19,830 AS FAR AS WHAT-- WHAT? 1064 00:38:19,930 --> 00:38:23,100 YOU HAVE BEEN VERY, VERY SNEAKY WITH THE THINGS 1065 00:38:23,200 --> 00:38:26,103 THAT HAVE BEEN TRANSPIRING. - LIKE WHAT? 1066 00:38:28,572 --> 00:38:30,207 INSTEAD OF YOU COMING AND SAYING, 1067 00:38:30,308 --> 00:38:32,510 "HEY, I'M BEING OFFERED THIS SPIN-OFF SHOW," 1068 00:38:32,610 --> 00:38:37,515 YOU PRETENDED THAT IT WASN'T HAPPENING. 1069 00:38:37,615 --> 00:38:38,616 THAT'S NOT COOL. 1070 00:38:38,716 --> 00:38:39,950 LET ME TELL YOU-- THE BOTTOM LINE IS, 1071 00:38:40,051 --> 00:38:43,154 AND THIS IS THE 100% CORE FACT. 1072 00:38:43,254 --> 00:38:46,090 I DID NOT GO AND PURSUE MY OWN SPIN-OFF SHOW. 1073 00:38:46,190 --> 00:38:47,425 - UGH. - IT WAS OFFERED TO-- 1074 00:38:47,525 --> 00:38:48,559 YOU'RE MISSING THE POINT, BUT IT'S OKAY. 1075 00:38:48,659 --> 00:38:49,860 EXCUSE ME-- IT WAS-- HE DIDN'T WANNA DO IT. 1076 00:38:49,960 --> 00:38:52,330 I DIDN'T WANNA DO IT FOR THIS VERY REASON, RIGHT HERE. 1077 00:38:52,430 --> 00:38:53,698 I WISH I HADN'T DONE IT. 1078 00:38:53,798 --> 00:38:54,765 TAMAR, YOU'RE-YOU'RE SO MISSING THE POINT. 1079 00:38:54,865 --> 00:38:56,200 YOU'RE MAKING IT ABOUT THE FACT 1080 00:38:56,300 --> 00:38:57,468 THAT YOU'VE GOTTEN A SPIN-OFF SHOW. 1081 00:38:57,568 --> 00:38:58,836 WE DON'T GIVE A DAMN ABOUT THAT 1082 00:38:58,936 --> 00:39:01,272 BECAUSE WE'VE ALWAYS BEEN THE ONES TO SUPPORT 1083 00:39:01,372 --> 00:39:02,673 EACH AND EVERY ONE OF US. 1084 00:39:02,773 --> 00:39:03,574 - WELL, I-- - PERIOD! 1085 00:39:03,674 --> 00:39:04,542 - WELL, YOU KNOW-- - GIVE SUPPORT. 1086 00:39:04,642 --> 00:39:05,509 YOU'RE NOT BEING SUPPORTIVE, RIGHT NOW. 1087 00:39:05,609 --> 00:39:06,477 IT'S NOT ABOUT THE SUPPORT. 1088 00:39:06,577 --> 00:39:07,244 BECAUSE LET ME TELL YOU WHAT HAPPENED. 1089 00:39:07,345 --> 00:39:08,179 IT'S NOT ABOUT THE SUPPORT. 1090 00:39:08,279 --> 00:39:09,180 I JUST TOLD YOU WHAT THE 100% TRUTH IS. 1091 00:39:09,280 --> 00:39:10,281 OH, MY GOD-- THAT'S-- OH, MY GOD! 1092 00:39:10,381 --> 00:39:11,282 - AND YOU DON'T CARE! - YOU'RE MISSING IT. 1093 00:39:11,382 --> 00:39:12,983 THAT WASN'T THE REALITY! 1094 00:39:13,084 --> 00:39:14,618 TOWANDA CLAIMS THAT I'M MISSING HER POINT 1095 00:39:14,719 --> 00:39:16,921 THAT IT'S NOT ABOUT THE SHOW. 1096 00:39:17,021 --> 00:39:19,056 WELL, IF IT'S NOT ABOUT THE SHOW, 1097 00:39:19,156 --> 00:39:21,225 WHAT THE HELL IS IT ABOUT? 1098 00:39:21,325 --> 00:39:23,694 TOWANDA, LOOK, IF YOU FEEL LIKE I WAS BEING SNEAKY 1099 00:39:23,794 --> 00:39:26,864 AND THAT OFFENDED YOU, I-I'M SORRY. 1100 00:39:26,964 --> 00:39:29,233 BUT, VINCE AND I HADN'T REALLY EVEN TALKED ABOUT IT. 1101 00:39:29,333 --> 00:39:31,001 AND ONCE WE DECIDED TO DO IT, 1102 00:39:31,102 --> 00:39:34,004 I OFFERED TO YOU GUYS TO COME AND DO IT, AND Y'ALL TOLD ME NO. 1103 00:39:34,105 --> 00:39:35,306 SO, I WAS LIKE-- - YOU WANNA KNOW WHY? 1104 00:39:35,406 --> 00:39:36,374 OH. 1105 00:39:36,474 --> 00:39:37,675 BECAUSE WE HAD SEVERAL CONVERSATIONS, 1106 00:39:37,775 --> 00:39:40,845 AND EVERY TIME THERE WAS A BLOW UP, YOU SAID, AND I QUOTE, 1107 00:39:40,945 --> 00:39:43,247 "I DON'T EVEN WANNA WORK WITH Y'ALL ANYMORE." 1108 00:39:43,347 --> 00:39:44,849 BECAUSE OF THE WAY YOU GUYS HAVE BEEN TREATING ME! 1109 00:39:44,949 --> 00:39:46,617 WAIT-- WHOA, WHOA, WHOA, WHOA, WHOA-- LET ME FINISH. 1110 00:39:46,717 --> 00:39:48,018 - WHO WANTS TO GO INTO WORK-- - LET ME FINISH. 1111 00:39:48,119 --> 00:39:49,553 AND IT'S THE TENSION, CRAZY ENVIRONMENT. 1112 00:39:49,653 --> 00:39:51,589 - LET ME FINISH-- LET ME FINISH. - WHO WANTS TO DO THIS? 1113 00:39:51,689 --> 00:39:52,857 - LET ME-- OH, OKAY-- I'LL WAIT. - AND WHY AM I ON CAMERA 1114 00:39:52,957 --> 00:39:55,226 DEFENDING MY C-CHARACTER, AGAIN? 1115 00:39:55,326 --> 00:39:58,562 WHY AM I DOING THAT-- THIS IS RIDICULOUS! 1116 00:39:58,662 --> 00:40:00,564 I'LL WAIT. 1117 00:40:00,664 --> 00:40:03,100 TAMAR, IN THE BEGINNING, SHE WAS NOT FORTHRIGHT. 1118 00:40:03,200 --> 00:40:04,468 THEN, SHE TELLS US, 1119 00:40:04,568 --> 00:40:06,971 "I DON'T EVEN WANNA WORK WIT' Y'ALL ANYMORE. 1120 00:40:07,071 --> 00:40:09,573 " THE 'BRAXTON FAMILY VALUES.'" 1121 00:40:09,673 --> 00:40:13,444 AND THEN, SHE'S GONNA COME AND ASK US TO BE A PART OF HER SHOW? 1122 00:40:14,512 --> 00:40:15,679 NO! 1123 00:40:15,780 --> 00:40:18,082 WHY WOULD WE DO THAT-- WHY WOULD WE BE A PART OF THE SHOW 1124 00:40:18,182 --> 00:40:19,717 WHEN YOU TOLD US US? 1125 00:40:19,817 --> 00:40:21,452 BASICALLY, YOU SAID US. 1126 00:40:21,552 --> 00:40:22,787 LET'S MOVE TO THE OTHER POINT, 1127 00:40:22,887 --> 00:40:26,357 AND THAT WAS, "I DON'T WANT TO WORK WITH Y'ALL. 1128 00:40:26,457 --> 00:40:27,425 " IT. 1129 00:40:27,525 --> 00:40:28,959 "I DON'T NEED Y'ALL." 1130 00:40:29,059 --> 00:40:30,060 - TOWANDA-- - THAT'S WHAT-- 1131 00:40:30,161 --> 00:40:31,328 YOU DON'T EVER SAY THINGS LIKE THAT? 1132 00:40:31,429 --> 00:40:32,563 I DON'T EVEN KNOW WHAT YOU'RE REFERRING TO. 1133 00:40:32,663 --> 00:40:33,697 BUT, YOU NEVER SAY THINGS LIKE THAT? 1134 00:40:33,798 --> 00:40:34,665 OKAY, TOWANDA, FINE. 1135 00:40:34,765 --> 00:40:37,935 IT JUST REMINDS ME OF YOUR PAST PATTERNS. 1136 00:40:38,035 --> 00:40:40,571 WHEN TAMAR CAME OUT AND TOLD US, 1137 00:40:40,671 --> 00:40:42,907 "I DON'T EVEN WANNA WORK WIT Y'ALL ANYMORE," 1138 00:40:43,007 --> 00:40:45,242 IT JUST REMINDED ME, AND IT MADE ME REFLECT BACK 1139 00:40:45,342 --> 00:40:48,112 TO WHAT HAPPENED WHEN WE WERE IN THE GROUP TOGETHER. 1140 00:40:48,212 --> 00:40:50,548 YOU KNOW HOW HORRIBLE THE EXPERIENCE 1141 00:40:50,648 --> 00:40:52,450 BEING IN THE BRAXTONS WAS FOR ME? 1142 00:40:52,550 --> 00:40:54,018 THAT'S WHAT I'M FEELING, RIGHT NOW. 1143 00:40:54,118 --> 00:40:55,586 AND HOW HORRIBLE IT WAS-- OR HOW HORRIBLE IT WAS FOR US, TOO? 1144 00:40:55,686 --> 00:40:57,288 AND I DON'T-I DON'T HAVE ANY INTEREST-- EXCUSE ME, TRINA. 1145 00:40:57,388 --> 00:40:58,722 I AM TALKING TO YOU-- EXCUSE ME, TRINA. 1146 00:40:58,823 --> 00:40:59,790 EXCUSE ME-- I'M TALKING TO YOU, TOO. 1147 00:40:59,890 --> 00:41:01,125 HOW HORRIBLE IT WAS FOR US, TOO? 1148 00:41:01,225 --> 00:41:02,460 DON'T JUST TRY TO PINPOINT IT 1149 00:41:02,560 --> 00:41:04,094 AND SAY IT WAS JUST YOU BEING HORRIBLE IN THE GROUP, TAMAR. 1150 00:41:04,195 --> 00:41:06,163 EVERY GROUP YOU'VE BEEN IN FAILED! 1151 00:41:07,832 --> 00:41:09,667 YOU KNOW, I'M LIKE, OH, GOD, HERE WE GO, AGAIN, TAMAR. 1152 00:41:09,767 --> 00:41:10,968 LIKE, REALLY? 1153 00:41:11,068 --> 00:41:12,870 ALL RIGHT-- ARE WE DONE? 1154 00:41:12,970 --> 00:41:14,071 - I'M JUST SAYING. - I-I CAN'T. 1155 00:41:14,171 --> 00:41:15,506 LIKE I SAID, IT'S NOT GONNA BE RESOLVED... 1156 00:41:15,606 --> 00:41:16,707 I'M SO TIRED. 1157 00:41:16,807 --> 00:41:18,876 ...IN ONE SETTING, BECAUSE IT'S A LOT OF UNDERLYING-- 1158 00:41:18,976 --> 00:41:19,977 UNDERLYING SITUATIONS. 1159 00:41:20,077 --> 00:41:21,345 - WAIT. - THAT'S JUST THE FIRST ONE. 1160 00:41:21,445 --> 00:41:23,347 - WHAT'S THE SECOND ONE? - UH-UH-- I-I'LL WAIT. 1161 00:41:23,447 --> 00:41:25,316 I'LL WAIT FOR YOU TO TALK TO THE REST OF YOUR SISTERS. 1162 00:41:25,416 --> 00:41:26,917 SO, YOU GUYS HAVE HAD SEPARATE MEETINGS, 1163 00:41:27,017 --> 00:41:28,519 WHERE YOU SAT AROUND AND TALKED ABOUT ME? 1164 00:41:28,619 --> 00:41:29,954 SO, YOU KNOW-- SO, YOU GUYS-- 1165 00:41:30,054 --> 00:41:31,288 SO, YOU KNOW WHAT THEIR ISSUE IS, 1166 00:41:31,388 --> 00:41:33,557 BUT YOU WON'T SHARE WITH ME WHAT THE ISSUE IS. 1167 00:41:33,657 --> 00:41:35,259 WOW-- THAT'S REALLY JACKED UP, Y'ALL. 1168 00:41:35,359 --> 00:41:37,828 YOU KNOW, WITH TAMAR, YOU HAVE TO DO ONE STEP AT A TIME. 1169 00:41:37,928 --> 00:41:40,531 YOU CAN'T JUST PILE EVERYTHING ON HER, AT ONE TIME, 1170 00:41:40,631 --> 00:41:42,099 BECAUSE, OF COURSE, TAMAR'S THE BABY, 1171 00:41:42,199 --> 00:41:43,534 AND SHE'S GONNA FEEL ATTACKED. 1172 00:41:43,634 --> 00:41:46,237 I HOPE TO GOD THAT WE-WE REPAIR WHATEVER THE HELL 1173 00:41:46,337 --> 00:41:47,538 Y'ALL FEEL TOWARDS ME. 1174 00:41:47,638 --> 00:41:48,906 I THINK IT'S VERY, VERY-- IT IS EXTREMELY IMPORTANT 1175 00:41:49,006 --> 00:41:50,174 FOR THEM TO TELL YOU THEMSELVES. - BUT, I CAN'T-- I CAN'T. 1176 00:41:50,274 --> 00:41:51,542 - I CAN'T SPEAK FOR EVERYBODY. - BUT, I CAN'T. 1177 00:41:51,642 --> 00:41:52,877 I CAN'T DO IT. 1178 00:41:52,977 --> 00:41:56,614 WE REALLY NEED TO WORK THINGS OUT, BUT EVERY CHANCE I GET, 1179 00:41:56,714 --> 00:41:58,115 YOU KNOW, I-I TRY TO BE NICE. 1180 00:41:58,215 --> 00:41:59,617 I TRY TO EXTEND MYSELF. 1181 00:41:59,717 --> 00:42:02,086 I'M ALWAYS EXTENDING THE OLIVE BRANCH. 1182 00:42:02,186 --> 00:42:04,688 AND I JUST FEEL LIKE, MOST OF THE TIME, 1183 00:42:04,788 --> 00:42:09,193 IT GOES UNNOTICED, AND IT'S JUST FIGHTING FOR NOTHING. 1184 00:42:09,293 --> 00:42:12,062 AND I AIN'T FITTIN' TO KEEP ARGUING. 1185 00:42:12,162 --> 00:42:13,163 I LOVE YOU, BOO. 1186 00:42:13,264 --> 00:42:14,331 EVERYBODY HAVE TO SPEAK FOR THEMSELVES. 1187 00:42:14,431 --> 00:42:15,332 I LOVE YOU, BOO-- I CAN'T DO THIS. 1188 00:42:15,432 --> 00:42:17,801 OF COURSE, YOU CAN'T. 1189 00:42:17,902 --> 00:42:21,572 OF COURSE, TAMAR, SHE'S DOING WHAT SHE DOES BEST. 1190 00:42:21,672 --> 00:42:24,608 SHE'S GETTING UP, AND SHE'S WALKING OUT 1191 00:42:24,708 --> 00:42:26,977 BECAUSE SHE DOESN'T WANNA HEAR THE TRUTH. 1192 00:42:27,077 --> 00:42:29,280 WHENEVER YOU PULL THE TRUTH OUT OF TAMAR'S BAG, 1193 00:42:29,380 --> 00:42:31,248 SHE KEEPS IT MOVIN'. 1194 00:42:31,348 --> 00:42:33,417 AH. 89734