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These are the user uploaded subtitles that are being translated: 1 00:00:02,702 --> 00:00:03,770 HEY, EVERYBODY. 2 00:00:03,870 --> 00:00:05,405 YOUR FAVORITE BRAXTON DIVAS ARE BACK, 3 00:00:05,505 --> 00:00:08,508 AND WE'RE AS CLASSY, SASSY, AND BRASSY AS EVER. 4 00:00:11,644 --> 00:00:13,246 LAST TIME YOU WERE WITH ALL OF US, 5 00:00:13,346 --> 00:00:15,749 WE WERE IN THE MIDDLE OF A SERIOUS, FAMILY CONFLICT. 6 00:00:15,849 --> 00:00:17,250 BOO! 7 00:00:17,350 --> 00:00:19,486 AND THINGS HAVEN'T CHANGED MUCH. 8 00:00:19,586 --> 00:00:21,755 AFTER THE LAST SEASON OF "BRAXTON FAMILY VALUES," 9 00:00:21,855 --> 00:00:24,024 OUR BABY SISTER, TAMAR, GOT HER OWN SPIN-OFF SHOW. 10 00:00:24,124 --> 00:00:25,925 HEY, EVERYBODY! 11 00:00:26,026 --> 00:00:27,327 AND I COULD BE WRONG, 12 00:00:27,427 --> 00:00:29,295 BUT THAT'S WHERE THE LATEST DRAMA STARTED. 13 00:00:29,396 --> 00:00:32,032 LET'S GIVE IUP FOR THE BRAXTONS! 14 00:00:34,034 --> 00:00:35,602 GO, GIRL! 15 00:00:35,702 --> 00:00:37,270 LOOK AT HOW BEAUTIFUL! 16 00:00:37,370 --> 00:00:38,972 I HONESTLY DON'T KNOW WHAT'S GOING ON WITH MY SISTERS. 17 00:00:39,072 --> 00:00:41,307 LIKE, THINGS HAVE BEEN STRAINED FOR A WHILE, 18 00:00:41,408 --> 00:00:43,143 AND AS FAR AS I KNOW, 19 00:00:43,243 --> 00:00:45,745 THINGS GOT REALLY BAD AT THE ESSENCE FESTIVAL. 20 00:00:45,845 --> 00:00:47,580 COME ON, TAMAR-- LET'S GIVE IT UP. 21 00:00:47,680 --> 00:00:49,616 LET EVERYBODY KNOW WHAT'S GOOD WIT' YOU. 22 00:00:49,716 --> 00:00:53,586 UH, WELL, TODAY, I'M PREMIERING MY NEW SHIRTS. 23 00:00:53,686 --> 00:00:56,456 "GET YOUR LIFE"-- YOU CAN SEE. 24 00:00:56,556 --> 00:00:58,958 AND "DOT COM," AND, UH, 25 00:00:59,059 --> 00:01:00,860 THE "TAMAR AND VINCE" SHOW IS GOING GREAT, 26 00:01:00,960 --> 00:01:03,363 AND MY ALBUM IS COMING OUT. 27 00:01:03,463 --> 00:01:05,598 AND I KNOW YOU'RE ALL VERY EXCITED FOR YOUR SISTER 28 00:01:05,698 --> 00:01:08,435 TO HAVE, UH, THIS VENTURE WITH SHE AND VINCE. 29 00:01:08,535 --> 00:01:10,970 TOWANDA, WILL YOU BE ON THE SHOW? 30 00:01:11,071 --> 00:01:12,839 WELL, YOU KNOW, I THINK IT'S IMPORTANT 31 00:01:12,939 --> 00:01:15,108 FOR TAMAR TO HAVE HER MOMENT. - WHAT? 32 00:01:15,208 --> 00:01:17,844 BECAUSE YOU SEE TAMAR AS THE BABY SISTER 33 00:01:17,944 --> 00:01:20,780 AND/OR THE BRAT OF OUR FAMILY, AND THEN, 34 00:01:20,880 --> 00:01:22,782 WHEN SHE'S WITH VINCENT-- - SHE TRIED IT. 35 00:01:22,882 --> 00:01:24,117 SHE BECOMES A DIFFERENT PERSON. 36 00:01:24,217 --> 00:01:25,618 SO, I THINK IT'S EXTREMELY IMPORTANT 37 00:01:25,718 --> 00:01:28,188 FOR EVERYBODY TO SEE TAMAR BY HERSELF, 38 00:01:28,288 --> 00:01:29,923 WITH HER HUSBAND-- DON'T Y'ALL THINK? 39 00:01:30,023 --> 00:01:31,357 IT'S CALLED THE "TAMAR AND VINCENT" SHOW. 40 00:01:31,458 --> 00:01:32,859 - THAT'S NOT TRUE. - THAT'S WHAT MAKES US EXCITED. 41 00:01:32,959 --> 00:01:34,694 BUT-BUT, THE WHOLE POINT OF THE MATTER IS, 42 00:01:34,794 --> 00:01:38,264 IS THAT MY SISTERS ARE A PART OF MY LIFE. 43 00:01:38,364 --> 00:01:40,266 BUT, SO, TOWANDA, WE-WE HAVE YOUR-YOUR WORD? 44 00:01:40,366 --> 00:01:41,768 YOU'LL BE ON "TAMAR AND VINCE?" 45 00:01:41,868 --> 00:01:42,836 YOU KNOW, I-I AIN'T GIVIN' NO WORD. 46 00:01:42,936 --> 00:01:44,104 I WILL WATCH THE SHOW. 47 00:01:44,204 --> 00:01:45,605 I'M A FAN OF "TAMAR AND VINCE." 48 00:01:45,705 --> 00:01:47,307 ABSOLUTELY-- I CAN'T WAIT TO SEE IT. 49 00:01:47,407 --> 00:01:48,908 - AIN'T THAT SHADY? - THAT'S NOT SHADY. 50 00:01:49,008 --> 00:01:51,144 - SHHHHADY! - THAT'S HONESTY. 51 00:01:51,244 --> 00:01:53,246 LADIES AND GENTLEMEN, THAT'S HONESTY. 52 00:01:53,346 --> 00:01:54,581 SINCE THAT TIME, 53 00:01:54,681 --> 00:01:55,882 WE HAVEN'T TALKED A WHOLE LOT. 54 00:01:55,982 --> 00:01:57,817 WHERE'S TAMAR-- WHAT HAPPENED? 55 00:01:57,917 --> 00:02:00,386 AND EVEN THOUGH WE'RE REALLY HAPPY FOR TAMAR'S SUCCESS, 56 00:02:00,487 --> 00:02:02,455 THINGS REALLY HAVEN'T BEEN THE SAME BETWEEN US. 57 00:02:02,555 --> 00:02:04,424 THERE'S BEEN A CLIQUE THAT'S BEEN FORMED, 58 00:02:04,524 --> 00:02:06,092 AND I'M NOT INVOLVED IN IT. 59 00:02:06,192 --> 00:02:08,695 YOU SAID, "I DON'T EVEN WANNA WORK WITH Y'ALL ANYMORE." 60 00:02:08,795 --> 00:02:11,431 BECAUSE OF THE WAY YOU GUYS HAVE BEEN TREATING ME! 61 00:02:11,531 --> 00:02:13,032 FIX IT. 62 00:02:13,133 --> 00:02:15,535 I'M NOT PLAYING WITH YOU-- FIX IT! 63 00:02:15,635 --> 00:02:19,305 WE ARE THE BRAXTONS AND YOU'LL SEE THAT 64 00:02:19,405 --> 00:02:23,109 WE ARE NOT LIKE AN ORDINARY FAMILY 65 00:02:23,209 --> 00:02:26,412 TONI TRACI TOWANDA TRINA TAMAR AND MISS E 66 00:02:26,513 --> 00:02:29,182 WILL TEACH YOU A THING OR TWO 67 00:02:29,282 --> 00:02:33,553 ON BRAXTON FAMILY VALUES 68 00:02:45,899 --> 00:02:48,001 - WHAT DOES LATE MEAN? - PLAYED OUT. 69 00:02:48,101 --> 00:02:49,869 LIKE, YOU LATE TO THE PARTY, MISSED THE BUS. 70 00:02:49,969 --> 00:02:51,137 UH, YOU'RE LATE. 71 00:02:51,237 --> 00:02:53,373 LIKE YOU JUST STARTIN' TO WEAR POLKA DOTS AND HI-TOP FADES NOW, 72 00:02:53,473 --> 00:02:55,675 AND WE DONE DID THAT 20 YEARS AGO-- THAT. 73 00:02:55,775 --> 00:02:57,243 I ASKED TAMAR TO COME OVER TODAY 74 00:02:57,343 --> 00:02:59,312 BECAUSE I'M PLANNING A SISTERS' TRIP. 75 00:02:59,412 --> 00:03:00,513 IT'S KIND OF AT THE LAST MINUTE, I KNOW, 76 00:03:00,613 --> 00:03:03,016 BUT WE HAVEN'T BEEN TOGETHER IN A REALLY LONG TIME, 77 00:03:03,116 --> 00:03:05,718 AND EVERYONE'S BEEN REALLY BUSY, ESPECIALLY TAMAR. 78 00:03:05,818 --> 00:03:07,453 SO, I THINK THIS SHOULD BE REALLY FUN. 79 00:03:07,554 --> 00:03:08,655 I WANNA TAKE THE GIRLS TO ITALY. 80 00:03:08,755 --> 00:03:09,923 I THINK WE SHOULD ALL GO TO ITALY. 81 00:03:10,023 --> 00:03:12,025 - WHEN IS THAT? - SOON-- COULD BE HOT. 82 00:03:12,125 --> 00:03:14,494 WE HAVEN'T DONE ANY SISTERS'-- LIKE A REAL SISTERS' TRIP, 83 00:03:14,594 --> 00:03:16,095 IN A LONG TIME. 84 00:03:16,196 --> 00:03:17,430 I CAN'T LEAVE THE COUNTRY RIGHT NOW. 85 00:03:17,530 --> 00:03:18,665 WHY? 86 00:03:18,765 --> 00:03:20,400 'CAUSE I GOT THREE AND A HALF WEEKS OF PRESS 87 00:03:20,500 --> 00:03:22,869 IN NEW YORK CITY, ALONE, TO DO. 88 00:03:22,969 --> 00:03:24,470 FOR THE NEXT FEW WEEKS, 89 00:03:24,571 --> 00:03:27,307 I HAVE A TON OF PRESS TO DO FOR MY NEW SINGLE, 90 00:03:27,407 --> 00:03:29,375 "LOVE AND WAR," WHICH WAS A SMASH 91 00:03:29,475 --> 00:03:31,611 AS SOON AS IT CAME OUT. 92 00:03:31,711 --> 00:03:33,112 AND, OBVIOUSLY, 93 00:03:33,213 --> 00:03:34,914 THE WORLD WAS JUST WAITING 94 00:03:35,014 --> 00:03:37,417 FOR VINCE TO FINALLY RELEASE MY MUSIC. 95 00:03:37,517 --> 00:03:39,085 SHE WAS RIGHT AGAIN. 96 00:03:39,185 --> 00:03:40,587 I MEAN, YOU CAN'T JUST SPRING UPON SOMEBODY, 97 00:03:40,687 --> 00:03:42,322 "LET'S GO TO ITALY NEXT WEEK!" 98 00:03:42,422 --> 00:03:43,790 I'M TRYING TO BE SPONTANEOUS. 99 00:03:43,890 --> 00:03:45,291 I AGREE WITH THAT, 100 00:03:45,391 --> 00:03:48,861 BUT IF I WASN'T BOOKED ON ALL THESE THINGS-- 101 00:03:48,962 --> 00:03:50,196 - I GET THAT. - AND HAVE THESE OBLIGATIONS-- 102 00:03:50,296 --> 00:03:51,864 - NO, I GET THAT. - I WOULD BE THERE. 103 00:03:51,965 --> 00:03:53,166 - I GET IT. - BUT DON'T TALK ABOUT ME 104 00:03:53,266 --> 00:03:54,334 LIKE A DOG 'CAUSE I CAN'T GO. 105 00:03:54,434 --> 00:03:55,702 I ONLY WILL A LITTLE BIT. 106 00:03:55,802 --> 00:03:57,003 NO, 'CAUSE IT'S OUT OF MY CONTROL. 107 00:03:57,103 --> 00:03:58,638 WE'RE ONLY GONNA TALK ABOUT YOU A LITTLE BIT-- NOT A LOT. 108 00:03:58,738 --> 00:04:01,241 I REALLY HATE MISSING OUT ON ITALY WITH MY SISTERS. 109 00:04:01,341 --> 00:04:04,143 I REALLY WISH IT WAS A PLANNED TRIP, YOU KNOW, 110 00:04:04,244 --> 00:04:06,045 SO I COULD ACTUALLY GO. 111 00:04:06,145 --> 00:04:07,547 BUT, SERIOUSLY, 112 00:04:07,647 --> 00:04:09,616 I DON'T EVEN KNOW IF MY SISTERS WANT ME TO GO, 113 00:04:09,716 --> 00:04:11,484 BECAUSE THEY DON'T WANNA HANG OUT WITH ME NO MORE. 114 00:04:11,584 --> 00:04:12,952 THEY DON'T CALL ME, 115 00:04:13,052 --> 00:04:15,588 AND I REALLY DON'T UNDERSTAND WHAT THE ISSUE IS. 116 00:04:15,688 --> 00:04:17,924 WELL, HAVE FUN WITHOUT ME. - WE WILL. 117 00:04:18,024 --> 00:04:20,226 TRY, Y'ALL, 'CAUSE I KNOW IT'S A TASK. 118 00:04:20,326 --> 00:04:21,794 WE'RE GONNA HAVE FUN. 119 00:04:21,894 --> 00:04:23,630 LIKE I SAID, "ONLY A LITTLE BIT WE'LL TALK ABOUT YOU." 120 00:04:23,730 --> 00:04:25,031 BUT, WE'LL HAVE FUN. 121 00:04:25,131 --> 00:04:27,033 GIRL, YOU TRIED IT. 122 00:04:50,757 --> 00:04:54,027 I AM SO EXCITED TO BE IN ITALY WITH MY SISTERS. 123 00:04:54,127 --> 00:04:55,895 WE'VE NEVER BEEN HERE. 124 00:04:55,995 --> 00:04:57,730 IT'S SUPER GORGEOUS, AND ON TOP OF THAT, 125 00:04:57,830 --> 00:04:59,966 IT'S TOWANDA'S BIRTHDAY. - MUAH! 126 00:05:00,066 --> 00:05:02,168 WHICH WE ALMOST FORGOT. 127 00:05:02,268 --> 00:05:04,937 SO, TONI SAID SHE'S STAYING BEHIND AT THE HOTEL TO REST. 128 00:05:05,038 --> 00:05:08,274 BUT, REALLY, SHE'S BUYING TOWANDA'S BIRTHDAY CAKE. 129 00:05:08,374 --> 00:05:10,910 THE ARCHITECTURE IS JUST AMAZING. 130 00:05:11,010 --> 00:05:12,979 EVERYTHING LOOKS LIKE A PENIS TO ME. 131 00:05:13,079 --> 00:05:14,781 LIKE, EVEN THAT BIG TREE LOOKS LIKE A PENIS. 132 00:05:14,881 --> 00:05:16,549 YOU KNOW WHY-- 'CAUSE YOU NEED TO GIVE ANDRE SOME. 133 00:05:16,649 --> 00:05:19,385 THAT LOOK LIKE A LONG, UNCIRCUMCISED PENIS. 134 00:05:19,485 --> 00:05:22,255 WE ALL KNOW THAT TOWANDA'S OBSESSED WITH PENISES, 135 00:05:22,355 --> 00:05:24,557 BUT UNCIRCUMCISED PENISES? 136 00:05:24,657 --> 00:05:27,727 WE NEED TO FIND THIS OUT-- I GOTTA TALK TO ANDRE. 137 00:05:27,827 --> 00:05:29,395 I'M TELLING YOU-- THIS IS DEFINITELY 138 00:05:29,495 --> 00:05:31,230 THE "RODEO DRIVE" OF ITALY. 139 00:05:31,331 --> 00:05:32,899 SO, YOU CAN GO TO EVERY COUNTRY 140 00:05:32,999 --> 00:05:34,534 AND FIND SOME OF THE SAME THINGS. 141 00:05:34,634 --> 00:05:36,135 THIS FEEL LIKE I'M IN HEAVEN. 142 00:05:36,235 --> 00:05:38,037 - TONI WOULD BE IN HEAVEN. - YEAH. 143 00:05:38,137 --> 00:05:40,139 ONE OF HER FAVORITE STORES, "CARTIER." 144 00:05:40,239 --> 00:05:41,941 AND TAMAR, WE AIN'T EVEN GONNA TALK ABOUT 145 00:05:42,041 --> 00:05:44,844 HOW SHE LIKES SHOPPING. - SHE CALLED ME LAST NIGHT, 146 00:05:44,944 --> 00:05:47,413 AND SHE WAS SAYING THAT HOW SHE'S MISSING US 147 00:05:47,513 --> 00:05:49,816 AND EVERYTHING LIKE THAT, AND SHE'S IN THE STUDIO. 148 00:05:49,916 --> 00:05:51,451 YEAH, BUT SHE COULD'VE TAKEN A BREAK. 149 00:05:51,551 --> 00:05:53,086 I TOOK A BREAK FROM BEING IN THE STUDIO, 150 00:05:53,186 --> 00:05:55,054 TO COME AND HAVE SISTER RETREAT TIME. 151 00:05:55,154 --> 00:05:56,656 I'M JUST SAYING, YOU KNOW, 152 00:05:56,756 --> 00:05:58,391 YOU DO WHAT YOU WANNA DO SOMETIMES. 153 00:05:58,491 --> 00:06:01,661 TAMAR, YOU COULD'VE ABSOLUTELY MADE TIME 154 00:06:01,761 --> 00:06:03,830 TO BE WITH US FOR A SISTER TRIP. 155 00:06:03,930 --> 00:06:06,799 I MEAN, YOU'RE THE ONE WHO'S ALWAYS FLAPPIN' YOUR MOUTH 156 00:06:06,899 --> 00:06:09,469 ABOUT HOW WE NEED SI-- "WE NEED SISTER TIME. 157 00:06:09,569 --> 00:06:11,304 "WHERE MY SISTERS AT? 158 00:06:11,404 --> 00:06:13,673 "MY SISTER, SISTER, SISTER." 159 00:06:13,773 --> 00:06:15,375 BUT, WHEN WE HAVE SISTER TIME, 160 00:06:15,475 --> 00:06:16,909 YOU'RE NOWHERE TO BE FOUND, TAMAR. 161 00:06:17,009 --> 00:06:19,212 A LITTLE HYPOCRITICAL-- JUST A LITTLE BIT. 162 00:06:19,312 --> 00:06:21,447 IS SHE WITH VELCRO? 163 00:06:21,547 --> 00:06:23,082 YOU KNOW SHE'S THERE WITH VELCRO. 164 00:06:23,182 --> 00:06:24,650 SHE'S NOT GOING ANYWHERE ELSE. 165 00:06:24,751 --> 00:06:26,686 I'M GONNA GET HER A SHIRT THAT SAYS "VELCRO." 166 00:06:26,786 --> 00:06:29,155 TAMAR AND VINCE ARE VELCRO. 167 00:06:29,255 --> 00:06:32,024 TAMAR CAN'T DO ANYTHING WITHOUT VINCENT NOT BEING AROUND. 168 00:06:32,125 --> 00:06:34,026 SHE CAN'T-I DON'T THINK SHE CAN PEE 169 00:06:34,127 --> 00:06:36,729 WITHOUT VINCE HANDING HER THE TOILET PAPER. 170 00:06:36,829 --> 00:06:38,264 - STRAIGHT AHEAD, GUYS. - I KNOW. 171 00:06:38,364 --> 00:06:39,665 I WANNA TAKE A PICTURE OF THAT REALLY BAD. 172 00:06:39,766 --> 00:06:41,200 WOW! 173 00:06:41,300 --> 00:06:44,604 THAT IS SO BEAUTIFUL! - LOOK AT THESE BUILDINGS. 174 00:06:44,704 --> 00:06:46,939 DID-DID THE HORSE PASS GAS? 175 00:06:47,039 --> 00:06:48,875 THAT STINKS-- PEW! 176 00:06:57,016 --> 00:06:58,851 OKAY, MY SISTERS, THEY'RE ALL OUT SIGHTSEEING, 177 00:06:58,951 --> 00:07:00,787 AND I HAVE TO GET TOWANDA'S BIRTHDAY CAKE, 178 00:07:00,887 --> 00:07:02,789 AND I'M REALLY GLAD I HAVE THIS TASK 179 00:07:02,889 --> 00:07:04,590 BECAUSE I NEED TO WORK ON MY ITALIAN. 180 00:07:04,690 --> 00:07:07,660 BUT, I DON'T THINK IT SHOULD BE TOO HARD BECAUSE... 181 00:07:07,760 --> 00:07:10,530 ITALIAN, SPANISH, IT'S KINDA THE SAME, RIGHT? 182 00:07:10,630 --> 00:07:13,099 I AM TRYING TO FIND A CAKE. 183 00:07:13,199 --> 00:07:14,767 - CAKE. - FOR MY SISTER, YES. 184 00:07:14,867 --> 00:07:16,068 - DO YOU WANNA SHOW YOU? - CAN YOU UNDERSTAND ME? 185 00:07:16,169 --> 00:07:17,570 CO-COMPRENDE? - YES. 186 00:07:17,670 --> 00:07:19,739 - OKAY, OKAY. - YES. 187 00:07:19,839 --> 00:07:22,308 MY ENGLISH-- NO ONE UNDERSTANDS ME. 188 00:07:22,408 --> 00:07:24,177 OKAY, HERE WE GO-- WHAT DO YOU HAVE? 189 00:07:24,277 --> 00:07:26,212 I HAVE, UH, IF YOU WANT, THIS IS VERY NICE. 190 00:07:26,312 --> 00:07:28,214 THIS IS A SICILY CASSATA SICILIANA. 191 00:07:28,314 --> 00:07:29,849 - OKAY. - OR CHOCOLATE CAKE. 192 00:07:29,949 --> 00:07:31,350 HOW ABOUT A CHOCOLATE CAKE? 193 00:07:31,451 --> 00:07:32,819 - CHOCOLATE CAKE? - YEAH. 194 00:07:32,919 --> 00:07:37,490 YO QUIERO CAKE PARA HERMANA. 195 00:07:37,590 --> 00:07:39,692 - ROMANO? - MY SISTER? 196 00:07:39,792 --> 00:07:41,861 COMO SE DICE "SISTER"? - SORELLA. 197 00:07:41,961 --> 00:07:43,496 - IN SP-IN ITALIAN? - MIA SORELLA. 198 00:07:43,596 --> 00:07:45,465 OKAY, SI, SI. 199 00:07:45,565 --> 00:07:48,000 CLEARLY, SPANISH IS NOT AS CLOSE TO ITALIAN 200 00:07:48,100 --> 00:07:50,102 AS I THOUGHT IT WAS. 201 00:07:50,203 --> 00:07:51,771 OKAY, I GOTTA GET AN APP, OR ROSETTA STONE, 202 00:07:51,871 --> 00:07:53,506 OR SOMETHIN'. 203 00:07:53,606 --> 00:07:55,107 SI-- SI IS THE SAME. 204 00:07:55,208 --> 00:07:56,476 SI. 205 00:07:56,576 --> 00:07:58,511 - YEAH. - UM, CHOCOLATE. 206 00:07:58,611 --> 00:08:00,379 - CIOCCOLATO. - CIOCCOLATO. 207 00:08:00,480 --> 00:08:01,747 - CIOCCOLATO. - SI. 208 00:08:01,848 --> 00:08:03,082 SI, YEAH, YEAH-- OKAY, PERFECT, PERFECT. 209 00:08:03,182 --> 00:08:05,351 THANK YOU, THANK YOU-- OKAY. - OKAY. 210 00:08:26,339 --> 00:08:29,642 SO, TODAY, SHE'S IN NEW YORK CITY, 211 00:08:29,742 --> 00:08:31,511 PROMOTING HER NEW SINGLE, 212 00:08:31,611 --> 00:08:33,513 THAT HAS PRETTY MUCH TAKEN OVER THE NATION RIGHT NOW, 213 00:08:33,613 --> 00:08:34,914 YOU KNOW? 214 00:08:35,014 --> 00:08:37,917 I HATE THAT I'M MISSING THE ITALY TRIP WITH THE GIRLS, 215 00:08:38,017 --> 00:08:41,521 BUT SHE COULD NEVER TURN DOWN WENDY. 216 00:08:43,456 --> 00:08:45,424 - YOU LOOK REALLY BEAUTIFUL. - WELL, WHY, THANKS. 217 00:08:45,525 --> 00:08:47,193 YOU KNOW, SOMEBODY PICKED MY OUTFIT. 218 00:08:47,293 --> 00:08:48,861 HE'S STANDING IN FRONT OF ME. 219 00:08:48,961 --> 00:08:50,062 YEAH, IT LOOKS REALLY GREAON YOU. 220 00:08:50,162 --> 00:08:51,697 WHY, THANKS. 221 00:08:51,797 --> 00:08:53,666 UM, NO, I DON'T HAVE A BOYFRIEND. 222 00:08:53,766 --> 00:08:55,835 OH, OKAY-- SHE AVAILABLE, THOUGH. 223 00:08:57,870 --> 00:08:59,539 THAT'S MY DATING AGENT BEHIND ME. 224 00:08:59,639 --> 00:09:01,340 I'LL GET YOU MY NUMBER BEFORE YOU LEAVE. 225 00:09:01,440 --> 00:09:02,675 DO YOU GOT A GIRLFRIEND? 226 00:09:02,775 --> 00:09:04,377 THAT'S THE IMPORTANT QUESTION. 227 00:09:04,477 --> 00:09:05,778 NO, I AIN'T GOT NO GIRLFRIEND. 228 00:09:05,878 --> 00:09:07,880 'CAUSE, YOU KNOW, I DON'T COME SECOND TO NO HEIFER. 229 00:09:07,980 --> 00:09:09,549 NO, I AIN'T GOT NO GIRLFRIEND. 230 00:09:09,649 --> 00:09:11,050 YOU LOOK REALLY, REALLY NICE. 231 00:09:11,150 --> 00:09:12,151 YOU WANNA TAKE ME OUT ON A DATE? 232 00:09:12,251 --> 00:09:14,320 I LOOK THAT CUTE? - I'LL TAKE YOU TO LUNCH. 233 00:09:14,420 --> 00:09:17,089 YOU'LL TAKE ME TO SAKS? 234 00:09:17,189 --> 00:09:19,158 I'LL TAKE YOU TO SAKS. 235 00:09:19,258 --> 00:09:20,626 VINCE IS ALL FLIRTY, 236 00:09:20,726 --> 00:09:22,395 LIKE A LITTLE HOT AND BOTHERED TEENAGE LITTLE BOY. 237 00:09:22,495 --> 00:09:24,063 AND, APPARENTLY, 238 00:09:24,163 --> 00:09:27,633 HAVING A NUMBER ONE SINGLE IS A REAL TURN-ON 239 00:09:27,733 --> 00:09:29,802 TO A MUSIC MOGUL LIKE VINCENT HERBERT, HONEY, 240 00:09:29,902 --> 00:09:33,306 AND I GOTTA WORK THIS FOR ALL IT'S WORTH. 241 00:09:33,406 --> 00:09:35,608 YOU THINK THIS IS BETTER THAN GOING TO ITALY WITH THE GIRLS? 242 00:09:35,708 --> 00:09:37,877 NO, I JUST THINK IT'S JUST YOUR MOMENT TO WORK, 243 00:09:37,977 --> 00:09:39,512 AND YOU GOTTA WORK. 244 00:09:39,612 --> 00:09:41,480 IT WOULD'VE BEEN NICE FOR ME TO GO RIGHT OUT OF THE STATION, 245 00:09:41,581 --> 00:09:44,150 GET RIGHT ON THE PLANE, AND GO RIGHT TO ITALY. 246 00:09:44,250 --> 00:09:45,751 OH, MY GOD! 247 00:09:45,851 --> 00:09:48,154 THEY'RE PROBABLY LIVING THE LAP OF LUXURY RIGHT NOW. 248 00:09:48,254 --> 00:09:49,855 - EATIN' CHEESE AND GOOD WINE. - TERRELL? 249 00:09:49,956 --> 00:09:52,091 YOU THINK IT'S BETTER THAN HAVING A NUMBER ONE RECORD? 250 00:09:52,191 --> 00:09:53,593 WELL, YOU KNOW, THAT'S ALWAYS NICE. 251 00:09:53,693 --> 00:09:56,462 OKAY, OKAY-- JUST TALK ABOUT IT. 252 00:09:56,562 --> 00:09:59,031 WE WON-- WE ALL WON, I THINK. 253 00:09:59,131 --> 00:10:01,334 VINCE IS 100% RIGHT. 254 00:10:01,434 --> 00:10:04,036 I DO NEED TO FOCUS ON MY WORK RIGHT NOW, 255 00:10:04,136 --> 00:10:06,305 AND I CAN'T THINK ABOUT MISSIN' MY SISTERS, 256 00:10:06,405 --> 00:10:09,008 BECAUSE SHE'S ABOUT TO PERFORM ON LIVE TELEVISION, 257 00:10:09,108 --> 00:10:13,079 AND THE WORLD IS WATCHIN', AND SHE HAS TO SLAY. 258 00:10:15,414 --> 00:10:18,084 CAN WE PUT THE TRANSMITTER-- CAN WE HOOK IT TO YOUR BRA? 259 00:10:18,184 --> 00:10:20,519 OH, DAMN, GINA! 260 00:10:20,620 --> 00:10:22,622 I CAN'T HANDLE FOOLISHNESS 261 00:10:22,722 --> 00:10:24,123 FIVE MINUTES BEFORE IT'S TIME TO GO ON. 262 00:10:24,223 --> 00:10:26,492 WHY IT GOT TO BE DUMBNESS BEFORE-RIGHT BEFORE? 263 00:10:26,592 --> 00:10:28,527 LIKE, WHY COULDN'T WE DO THIS 20 MINUTES AGO? 264 00:10:29,595 --> 00:10:31,230 OH, DAMN! 265 00:10:31,330 --> 00:10:33,633 COMING UP, ON "BRAXTON FAMILY VALUES"... 266 00:10:33,733 --> 00:10:35,267 I NEEDED TO GROW UP. 267 00:10:35,368 --> 00:10:36,736 DID YOU THINK I'D EVER? - NO. 268 00:10:36,836 --> 00:10:38,004 OH, YOU TRIED IT? 269 00:10:38,104 --> 00:10:40,473 YEAH, DON'T GET IT TWISTED-- SHE'S STILL THE SAME OLD 'T'. 270 00:10:43,709 --> 00:10:45,011 OH, YES, HONEY! 271 00:10:45,111 --> 00:10:46,512 OH, YOU GOT PINCHED-- I'M SO JEALOUS! 272 00:10:46,612 --> 00:10:48,114 OH, HE PINCHED-A MY ASS! 273 00:10:48,214 --> 00:10:49,382 I DIDN'T GET PINCHED! 274 00:10:59,692 --> 00:11:02,128 CAN WE PUT THE TRANSMITTER-- CAN WE HOOK IT TO YOUR BRA? 275 00:11:02,228 --> 00:11:04,196 I CAN'T HANDLE FOOLISHNESS 276 00:11:04,296 --> 00:11:05,598 FIVE MINUTES BEFORE IT'S TIMTO GO ON. 277 00:11:05,698 --> 00:11:07,667 WHY COULDN'T WE DO THIS 20 MINUTES AGO? 278 00:11:07,767 --> 00:11:09,368 OH, DAMN! 279 00:11:09,468 --> 00:11:10,703 IT'S 10:00 IN THE MORNING, 280 00:11:10,803 --> 00:11:12,972 AND I'M ABOUT TO HIT THE STAGE ON "WENDY WILLIAMS," 281 00:11:13,072 --> 00:11:15,708 AND THEY ARE JUST NOW ADJUSTING MY MIC PACK, 282 00:11:15,808 --> 00:11:17,843 AT THE VERY LAST SECOND. 283 00:11:17,943 --> 00:11:21,113 LIKE, THIS IS THE FIRST TIME I'M GONNA BE SINGIN' 284 00:11:21,213 --> 00:11:22,915 MY NEW SINGLE, "LOVE AND WAR," 285 00:11:23,015 --> 00:11:25,084 ON LIVE NATIONAL TELEVISION. 286 00:11:25,184 --> 00:11:26,686 LIKE, I DON'T NEED THAT KIND OF PRESSURE. 287 00:11:26,786 --> 00:11:28,154 IN JUST 24 HOURS, 288 00:11:28,254 --> 00:11:31,157 OUR NEXT GUEST'S NEW HIT SONG SOARED TO THE NUMBER ONE SPOT. 289 00:11:31,257 --> 00:11:33,626 PLEASE CLAP IT UP FOR TAMAR BRAXTON. 290 00:11:43,202 --> 00:11:50,476 SOMEBODY SAID EVERY DAY WAS GONNA BE SUNNY SKIES 291 00:11:50,576 --> 00:11:54,447 ONLY MARVIN GAYE AND LINGERIE 292 00:11:54,547 --> 00:11:57,283 I GUESS SOMEBODY LIED 293 00:11:57,383 --> 00:11:58,784 OH, MY GOD-- I'M SHAKIN' IN MY LOUBOUTINS 294 00:11:58,884 --> 00:12:00,052 RIGHT NOW. 295 00:12:00,152 --> 00:12:01,420 I AM SO SCARED. 296 00:12:01,520 --> 00:12:02,521 YOU KNOW, THE SONG JUST CAME OUT, 297 00:12:02,621 --> 00:12:03,689 EVERYBODY LOVEIT, 298 00:12:03,789 --> 00:12:05,691 AND I'M JUST SO NERVOUS ABOUT SOUNDING 299 00:12:05,791 --> 00:12:08,794 EXACTLY LIKE THE RECORD. 300 00:12:08,894 --> 00:12:14,233 BABY WHEN THE SMOKE CLEARS WE DRY OUR TEARS 301 00:12:14,333 --> 00:12:18,270 ONLY IN LOVE AND WAR 302 00:12:25,644 --> 00:12:27,847 YOU HIT THE NOTE, AND I STARTED CRYING. 303 00:12:27,947 --> 00:12:29,181 OH, MY GOSH! 304 00:12:29,281 --> 00:12:31,751 YOU HIT THE NOTE, AND I START CRYING. 305 00:12:31,851 --> 00:12:34,754 ARE YOU SHOCKED BY THE SUCCESS OF THIS SONG? 306 00:12:34,854 --> 00:12:36,689 I WAS-- I WAS. 307 00:12:36,789 --> 00:12:38,190 - CONGRATULATIONS. - YOU, TOO, WENDY. 308 00:12:38,290 --> 00:12:39,992 THIS IS TAMAR BRAXTON, EVERYBODY. 309 00:12:40,092 --> 00:12:41,460 - YOU NEEDED THAT! - I DID. 310 00:12:41,560 --> 00:12:43,596 WHERE'S TERRELL AT? - YOU NEEDED THAT! 311 00:12:46,599 --> 00:12:47,800 HOW IS EVERYBODY QUIET RIGHT NOW? 312 00:12:47,900 --> 00:12:49,635 YOU GOTTA CLAP. 313 00:12:57,376 --> 00:12:59,145 WOW-- THAT WAS GREAT! 314 00:12:59,245 --> 00:13:00,513 I CAN DO THAT IN A LOUBOUTIN. 315 00:13:00,613 --> 00:13:01,747 SHE DID THAT. 316 00:13:12,658 --> 00:13:15,594 - COME ON, GUYS. - I'M COMING. 317 00:13:15,694 --> 00:13:17,196 MY BUTT'S SHOWING. 318 00:13:17,296 --> 00:13:18,597 NO, I DON'T NEED ANY HELP. 319 00:13:18,697 --> 00:13:21,133 ROME IS A SHOPAHOLIC'S PARADISE, 320 00:13:21,233 --> 00:13:22,835 AND AFTER A MORNING OF SIGHTSEEING, 321 00:13:22,935 --> 00:13:24,270 WE ARE HEADING TO MEET UP WITH TONI, 322 00:13:24,370 --> 00:13:25,738 FOR TOWANDA'S SURPRISE, 323 00:13:25,838 --> 00:13:28,140 AKA, LAST MINUTE BIRTHDAY LUNCH. 324 00:13:28,240 --> 00:13:29,542 I HOPE WE'RE GOING TO THE RIGHT CAFE. 325 00:13:29,642 --> 00:13:31,143 THERE ARE SO MANY DIFFERENT CAFES, 326 00:13:31,243 --> 00:13:32,645 RIGHT HERE BY THE COLISEUM. 327 00:13:32,745 --> 00:13:34,580 CAN YOU BELIEVE TONI ON TIME, FOR ONCE? 328 00:13:34,680 --> 00:13:35,815 NO, SHE PROBABLY WON'T EVEN BE THERE. 329 00:13:35,915 --> 00:13:38,450 SHE'S PROBABLY AT THE WRONG CAFE. 330 00:13:38,551 --> 00:13:40,286 WELL, SHE CALLED ME 50-11 TIMES. 331 00:13:40,386 --> 00:13:41,420 DID SHE SAY WHICH ONE SHE WAS AT? 332 00:13:41,520 --> 00:13:42,688 DID SHE GIVE YOU A NAME? 333 00:13:44,890 --> 00:13:45,891 OH, YES, HONEY! 334 00:13:45,991 --> 00:13:47,526 OH, YOU GOT PINCHED-- I'M SO JEALOUS! 335 00:13:47,626 --> 00:13:49,261 OH, HE PINCHED-A MY ASS! 336 00:13:49,361 --> 00:13:51,797 - I DIDN'T GET PINCHED! - OH, MY GOSH! 337 00:13:51,897 --> 00:13:53,766 - TRACI, YOU GOT PINCHED! - HE PINCHED-A MY ASS. 338 00:13:53,866 --> 00:13:57,303 OH, MY GOD-- I FEEL-A SPECIAL! 339 00:13:57,403 --> 00:13:59,205 HIT THAT BIG OL' BUTT. 340 00:13:59,305 --> 00:14:00,739 - OOH! - MAN! 341 00:14:00,840 --> 00:14:02,308 WHAT IS HIS NAME? 342 00:14:02,408 --> 00:14:04,243 THAT'S ALL I WANNA KNOW. - I AM SO JEALOUS! 343 00:14:04,343 --> 00:14:05,845 I WAS EXPECTING TO GET PINCHED BY NOW. 344 00:14:05,945 --> 00:14:07,213 WELL, WHAT IS HIS NAME? 345 00:14:07,313 --> 00:14:08,781 HE PINCHED MY ASS. - I DON'T KNOW. 346 00:14:08,881 --> 00:14:12,618 I'M FEELING SOMEBODY TOOK A HUNK OF MY ASS. 347 00:14:12,718 --> 00:14:14,854 THAT JUST MADE ME FEEL SO SPECIAL, 348 00:14:14,954 --> 00:14:18,424 BECAUSE I WAS LIKE, "OKAY, I AM STILL ATTRACTIVE. 349 00:14:18,524 --> 00:14:21,427 "ALL RIGHT, I STILL GOT A BEAUTIFUL HINEY. 350 00:14:21,527 --> 00:14:23,562 "A GLUTEUS MAXIMUS." 351 00:14:23,662 --> 00:14:25,264 - HEY, TONE. - HEY, GUYS. 352 00:14:25,364 --> 00:14:27,199 - I THOUGHT I WAS DREAMING. - TRACI GOT PINCHED. 353 00:14:27,299 --> 00:14:28,734 - DID YOU SEE-- I GOT PINCHED. - SHE GOT PINCHED IN THE BUTT! 354 00:14:28,834 --> 00:14:30,936 HE GRABBED A GOOD HUNK OF MY ASS. 355 00:14:31,036 --> 00:14:32,938 WHAT DO YOU MEAN, YOU GOT PINCHED? 356 00:14:33,038 --> 00:14:34,340 - SHE GOT PINCHED. - I'M SO JEALOUS! 357 00:14:34,440 --> 00:14:35,875 - HE PINCHED ME, AND HE-- - LIKE MEN WOULD PINCH US. 358 00:14:35,975 --> 00:14:38,277 YES, AND HE SAID SOMETHIN' WHEN HE DID THAT. 359 00:14:39,945 --> 00:14:41,046 I MEAN, SHE DIDN'T JUST GET PINCHED. 360 00:14:41,146 --> 00:14:41,947 HE GRABBED HER BUTT! - HE GRABBED! 361 00:14:42,047 --> 00:14:43,682 - WAS HE CUTE? - YES. 362 00:14:43,782 --> 00:14:45,851 WHO WOULD'VE THOUGHT? 363 00:14:45,951 --> 00:14:47,620 I AM DEVASTATED. 364 00:14:47,720 --> 00:14:49,154 WHAT IS THE WORLD COMING TO? 365 00:14:49,255 --> 00:14:50,756 I'M LOOKING SUPER CUTE. 366 00:14:50,856 --> 00:14:52,691 MY JEANS ARE, BASICALLY, PAINTED ON. 367 00:14:52,791 --> 00:14:54,059 I MEAN, WHAT DO I HAVE TO DO 368 00:14:54,159 --> 00:14:55,628 TO GET SOME PINCHERIZATION? 369 00:14:55,728 --> 00:14:57,563 WHAT IS TRACI'S SECRET? 370 00:14:57,663 --> 00:14:59,131 - WELL, I'M ON TIME TODAY. - YES! 371 00:14:59,231 --> 00:15:00,532 YES, YOU ARE-- WE'RE VERY PROUD OF YOU. 372 00:15:00,633 --> 00:15:02,468 - THANK YOU VERY MUCH. - SPIRIT FINGERS! 373 00:15:02,568 --> 00:15:03,903 SPIRIT FINGERS! 374 00:15:04,003 --> 00:15:06,071 OH, YOU HAVE TO SING "TONI'S NEVER LATE" SONG. 375 00:15:06,171 --> 00:15:08,641 I'M WAITING TO HEAR IT, ABOUT NOW. 376 00:15:08,741 --> 00:15:11,210 - TONI'S NEVER LATE. - TONI'S FINALLY 377 00:15:11,310 --> 00:15:12,411 ON TIME - ON TIME 378 00:15:12,511 --> 00:15:14,413 DO-DO-DO DO-DO-DO-DO-DO - THAT'S THE SONG. 379 00:15:14,513 --> 00:15:18,684 - TONI'S FINALLY ON TIME - OKAY, OKAY. 380 00:15:18,784 --> 00:15:20,653 THAT'S-THAT'S NOT THE SONG I WANNA HEAR. 381 00:15:20,753 --> 00:15:23,489 TONI'S FINALLY ON TIME 382 00:15:23,589 --> 00:15:25,324 OKAY, OKAY, OKAY, OKAY, OKAY. 383 00:15:25,424 --> 00:15:27,559 CAN WE FOCUS? - YOU SAID YOU WANTED A SONG. 384 00:15:27,660 --> 00:15:29,161 THAT'S THE SONG YOU GONNA GET, BOO. 385 00:15:29,261 --> 00:15:30,796 WE GAVE IT TO YOU. - I WANNA HEAR "TONI'S"-- 386 00:15:30,896 --> 00:15:32,031 - NOT ALWAYS. - NO, NO. 387 00:15:32,131 --> 00:15:34,600 - "NEVER LATE." - "ON TIME." 388 00:15:34,700 --> 00:15:36,502 MY SISTERS ARE NOW MAKING A SONG, 389 00:15:36,602 --> 00:15:39,538 LIKE IT'S THE FIRST TIME I'VE EVER ARRIVED ON TIME. 390 00:15:39,638 --> 00:15:41,307 I'M ALWAYS ON TIME. 391 00:15:41,407 --> 00:15:43,375 IF I HAVE A SHOW, AND IT STARTS AT 8:00, 392 00:15:43,475 --> 00:15:45,244 MY SHOW STARTS AT 8:03. 393 00:15:45,344 --> 00:15:48,147 I'M ALWAYS ON TIME-- I'M NEVER LATE. 394 00:15:48,247 --> 00:15:50,849 - I JUST WANNA GO TO SLEEP. - YOU WANNA SLEEP? 395 00:15:50,950 --> 00:15:53,319 BECAUSE YOU GUYS WENT SIGHTSEEING WITHOUT ME. 396 00:15:53,419 --> 00:15:54,720 - NO, IT'S NOT JUST THAT. - YOU SNUCK OUT. 397 00:15:54,820 --> 00:15:55,988 WHY WOULD YOU DO THAT? 398 00:15:56,088 --> 00:15:57,423 BECAUSE EVERYBODY'S MAKING ME SICK TODAY. 399 00:15:57,523 --> 00:15:59,358 EVERYBODY'S GETTIN' ON MY NERVES TODAY. 400 00:15:59,458 --> 00:16:00,960 MAYBE YOU'RE A LITTLE-- FEELING THE WAY YOU ARE, 401 00:16:01,060 --> 00:16:03,095 BECAUSE WE DIDN'T CELEBRATE YOUR BIRTHDAY YET. 402 00:16:03,195 --> 00:16:04,530 I THINK THAT'S WHAT IT IS-- YOU FEEL IT. 403 00:16:04,630 --> 00:16:07,967 "LIKE, MY SISTERS DIDN'T EVEN DO A BIRTHDAY TOAST, 404 00:16:08,067 --> 00:16:10,269 "OR A CAKE, OR A COOKIE." 405 00:16:10,369 --> 00:16:12,137 HAVE AN OLIVE, HAVE AN OLIVE. 406 00:16:12,237 --> 00:16:13,973 I'D RATHER HAVE A PICKLE. 407 00:16:14,073 --> 00:16:15,274 - RATHER HAVE A PICKLE? - SEE? 408 00:16:15,374 --> 00:16:17,076 ALL THIS INNUENDO THAT'S GOING ON WITH HER. 409 00:16:17,176 --> 00:16:18,911 TONI, I PROMISE, ALL DAY LONG. 410 00:16:19,011 --> 00:16:20,212 OKAY, WELL, YOU KNOW, WE DON'T CARE ABOUT THAT. 411 00:16:20,312 --> 00:16:22,014 WE'RE JUST GONNA CELEBRATE... 412 00:16:22,114 --> 00:16:24,416 TOWANDA'S BIRTHDAY. 413 00:16:24,516 --> 00:16:26,318 IT'S YOUR BIRTHDAY. - IT'S YOUR BIRTHDAY. 414 00:16:26,418 --> 00:16:28,187 - IT'S YOUR BIRTHDAY. - IT'S YOUR BIRTHDAY. 415 00:16:28,287 --> 00:16:30,656 TOWANDA-- IT'S TOWANDA. 416 00:16:30,756 --> 00:16:33,759 - TOWANDA-DA-DA-DA-- - WANDA. 417 00:16:33,859 --> 00:16:35,961 OKAY, I HAVE TO GET A PICTURE OF THIS. 418 00:16:36,061 --> 00:16:38,297 WHAT IS GOING ON WITH YOU, TONI BRAXTON? 419 00:16:38,397 --> 00:16:40,966 SHE GETS ME A CAKE THAT BELONGED TO SOME SPANISH CHICK, 420 00:16:41,066 --> 00:16:42,634 THAT I CAN'T EVEN PRONOUNCE. 421 00:16:42,735 --> 00:16:45,437 I MEAN, YOU COULDN'T TELL THE MAN HOW TO SPELL MY NAME? 422 00:16:45,537 --> 00:16:47,072 - WHAT-WHAT DOES IT SAY? - IT'S IN ITALIAN! 423 00:16:47,172 --> 00:16:48,907 - "CANNONATA." - WHAT DOES THAT MEAN? 424 00:16:49,008 --> 00:16:51,276 - TOWANDA. - UH, CANNONATA. 425 00:16:51,377 --> 00:16:52,678 THAT'S CANNANDA. 426 00:16:52,778 --> 00:16:54,279 THEY SPEAKIN' IN TONGUES ON HERE, HONEY. 427 00:16:54,380 --> 00:16:55,748 THAT'S NOT EVEN A "D," THAT'S A "T." 428 00:16:55,848 --> 00:16:56,815 CANNANAHANDA. 429 00:16:56,915 --> 00:16:58,417 - I'M SORRY. - CUNNILINGUS RICE. 430 00:16:58,517 --> 00:17:02,588 - WHAT'D YOU SAY? - CUNNILINGUS RICE. 431 00:17:02,688 --> 00:17:05,057 I'M SORRY-- I TRIED. 432 00:17:05,157 --> 00:17:06,458 BUT DON'T LOOK AT THE CAKE-- LOOK BEHIND YOU. 433 00:17:06,558 --> 00:17:07,726 LOOK BEHIND YOU-- LOOK AT THAT. 434 00:17:07,826 --> 00:17:08,927 DO YOU SEE THAT? 435 00:17:09,028 --> 00:17:09,995 TURN AROUND-- JUST LOOK. 436 00:17:10,095 --> 00:17:11,497 JUST LET CANNANANDA CUT THE CAKE. 437 00:17:13,732 --> 00:17:16,135 HAPPY BIRTHDAY, CANNANANDA. 438 00:17:16,235 --> 00:17:17,603 I'M SORRY. 439 00:17:19,038 --> 00:17:20,139 I THINK EVERYBODY SHOULD GRAB THE KNIFE WITH ME 440 00:17:20,239 --> 00:17:21,440 AND CUT IT. 441 00:17:21,540 --> 00:17:23,642 TRACI, GRAB IT FROM CANNANANDA. 442 00:17:23,742 --> 00:17:25,477 YOU WANNA CUT-- DON'T CUT THE NAME. 443 00:17:25,577 --> 00:17:27,146 WELL, IT'S NOT MY NAME ANYWAY. 444 00:17:27,246 --> 00:17:29,181 MAYBE WE SHOULD TURN IT AROUND AND LET THE NAME-- 445 00:17:29,281 --> 00:17:30,349 TURN IT AROUND. 446 00:17:30,449 --> 00:17:31,750 LET'S KEEP THIS SIDE AS LONG AS WE CAN. 447 00:17:31,850 --> 00:17:34,086 - ALL RIGHT, CANDONANDA. - CANDONANDA. 448 00:17:34,186 --> 00:17:36,922 ONE, TWO, THERE, CANANAN-- 449 00:17:37,022 --> 00:17:40,759 IT WON'T CUT-- THE CAKE WON'T CUT. 450 00:17:40,859 --> 00:17:42,194 WAIT A MINUTE-- HOLD UP. - WHAT IN THE WORLD? 451 00:17:42,294 --> 00:17:43,695 - WAIT A MINUTE. - WHAT-WHAT? 452 00:17:43,796 --> 00:17:45,597 - TONI DID THIS. - THE CAKE WON'T CUT. 453 00:17:45,697 --> 00:17:47,566 TONI, AND IT SLIDES. 454 00:17:47,666 --> 00:17:49,101 NO, THE CAKE REALLY WON'T CUT. 455 00:17:49,201 --> 00:17:50,436 IS IT FROZEN? 456 00:17:50,536 --> 00:17:51,703 MAYBE WE SHOULDN'T EAT THE CAKE. 457 00:17:51,804 --> 00:17:52,671 THIS IS EMBARRASSING. 458 00:17:52,771 --> 00:17:53,806 I MEAN, APPARENTLY, 459 00:17:53,906 --> 00:17:55,007 THEY DON'T-THEY DON'T MIND FROZEN CAKES HERE. 460 00:17:55,107 --> 00:17:56,909 MAYBE IT WAS-- APPARENTLY, SOMETHING ABOUT MY SPANISH. 461 00:17:57,009 --> 00:17:58,310 I MEAN, ITALIAN. 462 00:17:58,410 --> 00:18:00,145 OKAY, TOWANDA, I'M SORRY-- CAN YOU FORGIVE ME? 463 00:18:00,245 --> 00:18:02,181 I KNOW IT'S GONNA TAKE A WHILE, BUT I-I'M REALLY SORRY. 464 00:18:02,281 --> 00:18:04,049 I DIDN'T KNOW. 465 00:18:04,149 --> 00:18:05,584 I'M SORRY. 466 00:18:05,684 --> 00:18:06,852 I'M SORRY! 467 00:18:06,952 --> 00:18:08,220 WILL YOU FORGIVE ME? - I GOTTA-- 468 00:18:08,320 --> 00:18:10,656 WELL, YOU GONNA LET ME MAKE IT UP TO YOU, PLEASE? 469 00:18:19,531 --> 00:18:21,100 YOU DID A GOOD JOB TODAY. 470 00:18:21,200 --> 00:18:22,601 - THANKS, PUMPKIN. - I'M HAPPY FOR YOU. 471 00:18:22,701 --> 00:18:24,269 I KNOW YOU'RE HAPPY-- I CAN SEE IT IN YOUR EYES. 472 00:18:24,369 --> 00:18:25,771 NOT ONLY ARE YOU EXCITED ABOUT THIS RECORD, 473 00:18:25,871 --> 00:18:29,141 BUT YOU'RE TRYING TO JUMP MY BONES. 474 00:18:29,241 --> 00:18:30,776 - YOU KNOW WHAT-- - AND I'MA ACT LIKE 475 00:18:30,876 --> 00:18:31,944 I AIN'T GONNA LET YOU, TOO. 476 00:18:32,044 --> 00:18:33,245 THAT'S GONNA BE REAL FUN. - IT'S GONNA BE FUN? 477 00:18:33,345 --> 00:18:35,147 YEAH. 478 00:18:35,247 --> 00:18:38,717 VINCE CANNOT DENY HOW HOT SHE IS RIGHT NOW. 479 00:18:38,817 --> 00:18:41,353 LIKE, I TOTALLY KILLED IT ON STAGE, 480 00:18:41,453 --> 00:18:45,057 AND HE IS STARING AT ME WITH THEM DISNEYLAND EYES, 481 00:18:45,157 --> 00:18:48,660 AND SHE CAN HARDLY CONTAIN HERSELF AT LUNCH. 482 00:18:48,760 --> 00:18:50,696 YOU'RE SO SWEET AND ROMANTIC. 483 00:18:50,796 --> 00:18:52,264 DID YOU GUYS SEE THE SHOW TODAY? 484 00:18:52,364 --> 00:18:54,099 I DIDN'T HAVE A CHANCE TO SEE IT, BUT I-I TIVO'ed IT. 485 00:18:54,199 --> 00:18:55,267 OKAY, GREAT. 486 00:18:55,367 --> 00:18:56,702 YEAH, SHE DID A REALLY GOOD JOB. 487 00:18:56,802 --> 00:18:59,071 DON'T YOU LOVE HOW THAT POPPIN' SOUNDS? 488 00:18:59,171 --> 00:19:01,140 JUST POP IT, POP IT. 489 00:19:01,240 --> 00:19:02,808 YEAH, GET YOU ALL READY FOR LATER. 490 00:19:02,908 --> 00:19:05,377 OH, YEAH, THAT'S ENOUGH. 491 00:19:05,477 --> 00:19:06,512 - THERE YOU GO, SIR. - HEY, VINCE, 492 00:19:06,612 --> 00:19:08,013 THIS IS TO YOU. 493 00:19:08,113 --> 00:19:10,182 - THIS IS TO THE GRACE OF GOD. - WON'T HE DO IT? 494 00:19:10,282 --> 00:19:12,384 - AMEN. - AMEN. 495 00:19:12,484 --> 00:19:14,319 THE SUCCESS OF MY MUSIC IS WHAT I'VE BEEN 496 00:19:14,419 --> 00:19:18,223 WORKING FOR AND WISHING FOR SINCE, LIKE, FOREVER. 497 00:19:18,323 --> 00:19:20,893 SO, THIS IS THE TIME TO GET OUT THERE 498 00:19:20,993 --> 00:19:23,428 AND CONNECT WITH ALL MY TAMARTIAN FRIENDS, 499 00:19:23,529 --> 00:19:27,466 BUT I ALSO FEEL BAD THAT I KEEP HAVING TO SACRIFICE 500 00:19:27,566 --> 00:19:30,969 ALL THIS GREAT SISTER TIME I'M MISSING OUT ON. 501 00:19:31,069 --> 00:19:33,872 I GUESS THIS IS HOW TONI FEELS AND THE GIRLS FEEL, 502 00:19:33,972 --> 00:19:36,942 LIKE, WHEN IT'S-- WHEN I BE KINDA 503 00:19:37,042 --> 00:19:38,610 PRESSURING EVERYBODY TO GET TOGETHER, 504 00:19:38,710 --> 00:19:40,646 'CAUSE THEY'RE TRYING TO JUGGLE THEIR CAREERS, 505 00:19:40,746 --> 00:19:43,182 AND BEING A SISTER, AND THEN BEING A MOM. 506 00:19:43,282 --> 00:19:45,184 - A WIFE. - AND A WIFE. 507 00:19:45,284 --> 00:19:46,752 IT'S A LOT. - IT'S A LOT. 508 00:19:46,852 --> 00:19:48,387 YOU KNOW, IT'S HARD TO JUST 509 00:19:48,487 --> 00:19:50,055 NOT LOOK AT YOUR SISTERS AS SISTERS, 510 00:19:50,155 --> 00:19:52,491 BUT ALL THE OTHER HATS THAT EVERYBODY WEARS, 511 00:19:52,591 --> 00:19:54,726 UNTIL YOU PUT THE HAT ON YOURSELF. 512 00:19:54,826 --> 00:19:56,428 YEP, BUT NOW YOU UNDERSTAND. 513 00:19:56,528 --> 00:19:59,464 NOW, I DEFINITELY UNDERSTAND. 514 00:19:59,565 --> 00:20:01,800 I'M STILL THE SAME OLD TAY-TAY I'VE ALWAYS BEEN. 515 00:20:01,900 --> 00:20:03,535 IT'S JUST, RIGHT NOW, 516 00:20:03,635 --> 00:20:05,604 IT'S THE TIME FOR ME TO FOCUS ON MY CAREER 517 00:20:05,704 --> 00:20:07,940 AND ALL THE OPPORTUNITIES THAT'S AHEAD OF ME. 518 00:20:08,040 --> 00:20:11,143 AND IT'S NOT EASY FOR ME TO GIVE UP MY FAMILY TIME, 519 00:20:11,243 --> 00:20:13,145 BUT I SHOULD GET A LITTLE CREDIT 520 00:20:13,245 --> 00:20:15,581 FOR ME BEING ABOUT MY BUSINESS. 521 00:20:15,681 --> 00:20:18,317 I THINK ALL YOU GUYS KNOW THAT YOU LOVE EACH OTHER. 522 00:20:18,417 --> 00:20:19,918 YOU KNOW, I JUST THINK THAT THEY HAVE TO UNDERSTAND 523 00:20:20,018 --> 00:20:23,255 THAT I-I NEEDED TO GROW UP, TOO. 524 00:20:23,355 --> 00:20:25,390 AFTER ALL THIS TIME, DID YOU THINK I'D EVER? 525 00:20:25,490 --> 00:20:27,259 - NO. - OH, YOU TRIED IT. 526 00:20:27,359 --> 00:20:28,594 YEAH, DON'T GET IT TWISTED. 527 00:20:28,694 --> 00:20:30,529 SHE'S STILL THE SAME OLD 'T', OKAY? 528 00:20:30,629 --> 00:20:32,231 I'M GLAD YOU'RE ACTING RIGHT, THOUGH. 529 00:20:32,331 --> 00:20:34,900 I'M GLAD YOU ARE, TOO-- KUDOS TO YOU. 530 00:20:35,000 --> 00:20:36,168 YOU GOT THAT "ACT RIGHT" JUICE. 531 00:20:36,268 --> 00:20:37,402 HERE, RIGHT. 532 00:20:37,502 --> 00:20:40,005 CLINK-CLINK TO "ACT RIGHT" JUICE. 533 00:20:40,105 --> 00:20:41,873 TO YOU AND I, PUMPKIN. 534 00:20:41,974 --> 00:20:43,842 - YOU AND I - YOU DID THAT. 535 00:20:48,580 --> 00:20:50,916 COMING UP, ON "BRAXTON FAMILY VALUES"... 536 00:20:51,016 --> 00:20:53,819 - YOU BETTER GET YOUR LIFE. - OH, SHE DID THAT. 537 00:21:22,714 --> 00:21:25,517 THIS RESTAURANT IS SO GOOD-- IT USED TO BE A MONASTERY. 538 00:21:25,617 --> 00:21:27,452 WHEN YOU FIRST COME IN, YOU RING THIS BELL. 539 00:21:31,890 --> 00:21:33,692 - THEN, WHAT HAPPENS? - I FEEL LIKE PRAYING ALREADY. 540 00:21:33,792 --> 00:21:35,193 - BONGIORNO. - BONGIORNO. 541 00:21:35,294 --> 00:21:38,563 WELCOME TO "SANTA ROSA MONASTERO." 542 00:21:38,664 --> 00:21:40,999 WE JUST ARRIVED IN RAVELLO, WHICH IS A BEAUTIFUL, 543 00:21:41,099 --> 00:21:43,201 PICTURESQUE TOWN IN SOUTHERN ITALY, 544 00:21:43,302 --> 00:21:45,904 AND I WAS TOLD THIS IS ONE OF THE BEST RESTAURANTS IN TOWN, 545 00:21:46,004 --> 00:21:47,572 AND IT HAS AN AMAZING VIEW. 546 00:21:47,673 --> 00:21:50,275 - WELCOME TO THE MONASTERY. - YOU'RE DOING A GOOD JOB 547 00:21:50,375 --> 00:21:52,244 WITH GETTIN' EVERYTHING TOGETHER, LATELY. 548 00:21:52,344 --> 00:21:54,813 WELL, YOU KNOW WHAT-- I-I CANNOT TAKE CREDIT. 549 00:21:54,913 --> 00:21:57,916 I HIRED SOMEONE. - OH, OH, OH! 550 00:21:58,016 --> 00:22:00,052 LANDED ON YOUR NOSE AND ON YOUR FACE! 551 00:22:00,152 --> 00:22:01,119 IT WAS A FLY. 552 00:22:01,219 --> 00:22:02,921 OH, I DIDN'T KNOW WHAT IT WAS. 553 00:22:03,021 --> 00:22:04,890 - BUT, THAT WAS A BIT DRAMATIC. - IT WAS NOT. 554 00:22:04,990 --> 00:22:08,694 THE BEST DRAMA IN A GROOVY ROOFTOP RESTAURANT 555 00:22:08,794 --> 00:22:10,062 GOES TO TRINA. 556 00:22:10,162 --> 00:22:11,797 WHAT'S-- I-I STILL DON'T GET THIS. 557 00:22:11,897 --> 00:22:13,699 - DO-DO-DO. - THANK YOU. 558 00:22:13,799 --> 00:22:17,336 - REALLY, TONI, THE HAIR? - THAT WAS A BEE. 559 00:22:17,436 --> 00:22:19,237 - BUT-BUT-- WAIT A MINUTE. - WAIT A MINUTE. 560 00:22:19,338 --> 00:22:22,007 REALLY, WITH THE HAIR? - DO-DO-DO. 561 00:22:22,107 --> 00:22:24,343 - AND THE AWARD GOES TO-- - THANK YOU SO MUCH. 562 00:22:24,443 --> 00:22:26,445 THIS IS SO UNEXPECTED. 563 00:22:26,545 --> 00:22:29,114 I AM LEGITIMATELY ALLERGIC TO BEES, 564 00:22:29,214 --> 00:22:32,651 AND THE LAST THING I NEED IS TO BE LAID UP IN SOME ITALIAN HOSPITAL, 565 00:22:32,751 --> 00:22:34,086 WITH A BALLOON FACE. 566 00:22:34,186 --> 00:22:35,754 SO, I'M NOT-I'M NOT BEING DRAMATIC, 567 00:22:35,854 --> 00:22:39,157 BUT TRINA DEFINITELY IS. 568 00:22:39,257 --> 00:22:40,892 YOU KNOW MY FAVORITE EPISODE OF "I LOVE LUCY," 569 00:22:40,992 --> 00:22:43,061 IS WHEN SHE STOMPS ON THE GRAPES. 570 00:22:43,161 --> 00:22:45,197 - MM-HMM. - IT'S HERE. 571 00:22:45,297 --> 00:22:46,965 WE'RE GONNA ACTUALLY SQUASH GRAPES WITH OUR FEET? 572 00:22:47,065 --> 00:22:49,067 - MM-HMM, WITH YOUR FEET. - NO! 573 00:22:49,167 --> 00:22:51,036 SO, I SHOULD CHANGE MY CLOTHES, THEN. 574 00:22:51,136 --> 00:22:52,671 YOU SHOULD CHANGE YOUR CLOTHES. 575 00:22:52,771 --> 00:22:54,272 - AH! - OKAY, GUYS, 576 00:22:54,373 --> 00:22:55,807 WE HAVE TO MOVE THE BEE, LIKE REALLY. 577 00:22:55,907 --> 00:22:56,842 I'M ALLERGIC-- I'M ALLERGIC. 578 00:22:56,942 --> 00:22:58,310 I'M ALLERGIC-- I'M ALLERGIC-- I'M ALLERGIC. 579 00:22:58,410 --> 00:22:59,978 - WHERE'D IT GO? - IT'S GONE. 580 00:23:00,078 --> 00:23:01,246 - I JUST BURST INTO-- - NO, IT'S NOT. 581 00:23:01,346 --> 00:23:02,481 I SEE IT RIGHT BY TRINA FEET. 582 00:23:02,581 --> 00:23:04,082 - REALLY? - I'M NOT HELPING, HUH? 583 00:23:04,182 --> 00:23:06,718 - DAMN IT! - JUST RIVERDANCE, TRINA. 584 00:23:06,818 --> 00:23:09,821 IT'LL GO AWAY, IF YOU RIVERDANCE. 585 00:23:09,921 --> 00:23:11,089 ALL RIGHT. 586 00:23:11,189 --> 00:23:13,492 IF YOU DO RIVERDANCE AROUND BEES AND DOGS, 587 00:23:13,592 --> 00:23:14,926 IT WILL NOT ATTACK. - IT CAME CLOSER! 588 00:23:15,026 --> 00:23:16,461 DO THE RIVERDANCE! 589 00:23:16,561 --> 00:23:18,663 COME ON, BLACK PEOPLE, RIVERDANCE! 590 00:23:18,764 --> 00:23:20,799 COME ON, BLACK PEOPLE, RIVERDANCE! 591 00:23:20,899 --> 00:23:23,502 HERE WE GO-- OH, AH! 592 00:23:23,602 --> 00:23:25,237 YOU GOTTA RIVERDANCE. 593 00:23:30,108 --> 00:23:31,143 DID IT GO? 594 00:23:31,243 --> 00:23:32,644 LET'S TALK ABOUT HOW SHE WAS REALLY INTO IT. 595 00:23:32,744 --> 00:23:34,212 DID YOU REALLY POSE AFTERWARDS? 596 00:23:34,312 --> 00:23:37,349 YEAH, IT'S GONE, NOW. - SEE, I'M TELLING YOU. 597 00:23:46,124 --> 00:23:48,260 TAMAR IS BACKSTAGE. 598 00:23:49,961 --> 00:23:50,929 OKAY, I'M CONFUSED. 599 00:23:51,029 --> 00:23:53,632 SO, WAS THIS THE CAMERA, OR WAS THIS THE CAMERA? 600 00:23:53,732 --> 00:23:56,668 SO, I FINISHED UP A BUNCH OF PRESS EVENTS IN NEW YORK. 601 00:23:56,768 --> 00:23:59,805 AND NOW, WE'RE RUSHING OFF TO VEGAS, SO I CAN HOST 602 00:23:59,905 --> 00:24:02,374 THE RED CARPET FOR THE SOUL TRAIN AWARDS. 603 00:24:02,474 --> 00:24:05,510 SOME OF THE BIGGEST NAMES IN SOUL ARE STYLIN' AND PROFILIN'. 604 00:24:05,610 --> 00:24:07,312 LET'S TAKE A LOOK. 605 00:24:07,412 --> 00:24:10,081 I LOVE HOSTING THE RED CARPET BECAUSE IT'S ALL ABOUT FASHION, 606 00:24:10,182 --> 00:24:12,784 AND MUSIC, AND STRAIGHT FUNNERS, 607 00:24:12,884 --> 00:24:16,188 AND ISN'T THAT WHAT SHE'S ALL ABOUT? 608 00:24:16,288 --> 00:24:18,089 HI, BILL. 609 00:24:18,190 --> 00:24:21,159 YOU CRAZY ASS, WHAT'S UP-- WHAT IS UP? 610 00:24:21,259 --> 00:24:23,228 I'M WATCHING HER ALL NIGHT-- DON'T WORRY. 611 00:24:23,328 --> 00:24:25,764 NO, I HAVE HIM WATCHING TAMAR AND VINCE 612 00:24:25,864 --> 00:24:28,400 AT THE HERBERT EVERY THURSDAY. 613 00:24:28,500 --> 00:24:29,601 HEY, I'M WATCHING SHOW. 614 00:24:29,701 --> 00:24:31,503 WELL, THANK YOU FOR THE PLUG. 615 00:24:31,603 --> 00:24:34,906 I FEEL SOME SHOPPIN' GOING ON. 616 00:24:35,006 --> 00:24:35,907 SHE'S FABULOUS. 617 00:24:36,007 --> 00:24:37,576 YOU BETTER KEEP THIS ONE, RIGHT HERE. 618 00:24:37,676 --> 00:24:39,544 I MEAN, I JUST THINK IT'S SO CRAZY THAT SOME STARS 619 00:24:39,644 --> 00:24:42,848 COME UP TO ME AND QUOTE LINES, LIKE "GET YOUR LIFE" 620 00:24:42,948 --> 00:24:44,983 AND, "UH, YOU TRIED IT." 621 00:24:45,083 --> 00:24:48,553 I MEAN, IT'S JUST LIKE TAMARTIANS ARE TAKING OVER THE WORLD. 622 00:24:48,653 --> 00:24:50,956 THEY'RE EVERYWHERE, EVEN IN HOLLYWOOD. 623 00:24:51,056 --> 00:24:54,659 - YOU BETTER GET YOUR LIFE. - OH, SHE DID THAT. 624 00:24:54,759 --> 00:24:56,595 YOU'VE BEEN USIN' THAT. - REALLY, I'M STEAL IT. 625 00:24:56,695 --> 00:24:58,997 WHAT UP, J.-- WHAT'S GOIN' ON WIT YOU? 626 00:24:59,097 --> 00:25:01,099 - IT'S GOOD TO SEE YOU. - YOU, TOO, MAN. 627 00:25:01,199 --> 00:25:02,567 HOW'S EVERYTHING GOIN'? - VERY GOOD-- VERY GOOD. 628 00:25:02,667 --> 00:25:04,202 - THAT'S GOOD. - LOOK WHO'S BEHIND ME. 629 00:25:04,302 --> 00:25:06,671 MUAH. - WHAT'S UP, GIRL? 630 00:25:06,771 --> 00:25:08,273 - HANG ON. - HOW YA DOIN'? 631 00:25:08,373 --> 00:25:09,441 TANKS, MUAH! 632 00:25:09,541 --> 00:25:10,976 HOW'S TV STARDOM DOIN'? 633 00:25:11,076 --> 00:25:13,111 OH, YOU KNOW, THERE'S THINGS YOU DO FOR YOUR WIFE. 634 00:25:13,211 --> 00:25:14,412 YEAH, MAN-- I UNDERSTAND. 635 00:25:14,513 --> 00:25:15,514 TRUST ME. 636 00:25:17,482 --> 00:25:18,550 TRUST ME. 637 00:25:18,650 --> 00:25:21,186 IKE TURNER, I MEAN, VINCE, HAS ME SO BUSY 638 00:25:21,286 --> 00:25:23,288 WITH ALL THESE APPEARANCES. 639 00:25:23,388 --> 00:25:26,658 I BARELY HAD TIME TO EAT, SLEEP, OR EVEN BREATHE, 640 00:25:26,758 --> 00:25:28,093 AT THIS POINT. 641 00:25:28,193 --> 00:25:32,531 BUT, THE WORLD JUST CAN'T GET ENOUGH OF OL' TAY-TAY, SO-- 642 00:25:32,631 --> 00:25:35,934 CHILD, WHEN YOU GET HITS LIKE THIS, "SUPERWOMAN." 643 00:25:36,034 --> 00:25:37,536 YOU KNOW, I USED TO SING THE HELL OUT OF THAT SONG. 644 00:25:37,636 --> 00:25:39,571 IT USED TO DRIVE MY SISTERS INSANE. 645 00:25:39,671 --> 00:25:41,373 WELL, I KNOW, IF YOU SANG IT, IT WAS ON POINT-- 646 00:25:41,473 --> 00:25:44,376 BECAUSE YOU ARE A PERFECTIONIST. 647 00:25:59,257 --> 00:26:00,525 - NICE, HUH, GIRLS? - YES. 648 00:26:00,625 --> 00:26:02,561 LOVELY. 649 00:26:02,661 --> 00:26:04,863 TODAY, WE'RE VISITING TENUTA, SAN FRANCISCO VINEYARD 650 00:26:04,963 --> 00:26:08,133 JUST OUTSIDE OF RAVELLO, AND TONI IS OBSESSED 651 00:26:08,233 --> 00:26:10,502 WITH THIS IDEA OF STOMPING GRAPES. 652 00:26:10,602 --> 00:26:13,238 THIS IS ALL SHE'S BEEN TALKING ABOUT SINCE WE GOT HERE. 653 00:26:13,338 --> 00:26:16,374 - HELLO. - HELLO. 654 00:26:16,474 --> 00:26:18,109 - HI, HOW ARE YOU? - WELCOME. 655 00:26:18,209 --> 00:26:20,111 - THANK YOU. - NICE TO MEET YOU. 656 00:26:20,211 --> 00:26:21,446 I'M ANTONIO. - NICE TO MEET YOU. 657 00:26:21,546 --> 00:26:24,583 - TOWANDA. - ANTONIO. 658 00:26:24,683 --> 00:26:26,484 NICE TO MEET YOU. - ANTONIO, TRACI. 659 00:26:26,585 --> 00:26:27,786 HI, TONY-- I'M TONI. 660 00:26:27,886 --> 00:26:29,120 - NICE TO MEET YOU-- ANTONIO. - NICE TO MEET YOU, TOO-- HI. 661 00:26:29,220 --> 00:26:31,823 ANTONIO AND HIS FAMILY ARE VERY WELCOMING. 662 00:26:31,923 --> 00:26:34,960 IT'S LIKE 28 MINUTES FOR ALL OF US TO SHAKE HANDS. 663 00:26:35,060 --> 00:26:37,295 - NICE TO MEET YOU. - NICE TO MEET YOU, TOO. 664 00:26:37,395 --> 00:26:38,630 - HI, TRINA. - ANTONIO. 665 00:26:38,730 --> 00:26:41,566 AND THEN, THEY STARTED HANDING US GRAPES AND LEAVES, 666 00:26:41,666 --> 00:26:43,234 WHICH IS ALL VERY NICE AND SWEET. 667 00:26:43,335 --> 00:26:46,972 BUT, WHERE'S THE WINE? - LOOK. 668 00:26:47,072 --> 00:26:48,173 OH, GET DOWN. 669 00:26:50,041 --> 00:26:51,076 LOOK. 670 00:26:51,176 --> 00:26:52,978 NOW, YOU CAN SEE THE HISTORY OF THE WINE. 671 00:26:53,078 --> 00:26:56,081 I THINK THAT THIS TREE PRODUCE GRAPES 672 00:26:56,181 --> 00:26:58,917 BEFORE THAT COLUMBUS ARRIVED IN USA. 673 00:26:59,017 --> 00:27:01,486 WOW! 674 00:27:02,954 --> 00:27:04,689 THAT'S BEAUTIFUL. - IT IS. 675 00:27:04,789 --> 00:27:06,424 - NICE-- CONGRATS. - YES. 676 00:27:06,524 --> 00:27:08,660 BRAVO. 677 00:27:08,760 --> 00:27:09,694 THANK YOU. 678 00:27:09,794 --> 00:27:11,229 - SPIRIT FINGERS. - THANK YOU-- VERY NICE. 679 00:27:11,329 --> 00:27:13,264 OKAY. 680 00:27:15,467 --> 00:27:17,168 NOW, TONI, WE GO IN THE OLD VINEYARD 681 00:27:17,268 --> 00:27:21,373 FOR PRESS THE GRAPE AND PRODUCE THE-THE NICE JUICE, 682 00:27:21,473 --> 00:27:22,841 RED-RED-- NICE, RED JUICE. 683 00:27:22,941 --> 00:27:24,943 - LIKE "I LOVE LUCY?" - YES. 684 00:27:25,043 --> 00:27:28,480 - YES! - I DON'T UNDERSTAND, SORRY. 685 00:27:28,580 --> 00:27:30,615 MY FAVORITE EPISODE OF "I LOVE LUCY," 686 00:27:30,715 --> 00:27:32,117 SHE STOMPS GRAPES, HER FACE IS PURPLE. 687 00:27:32,217 --> 00:27:35,020 AND I'VE ALWAYS WANTED TO KNOW WHAT IT WOULD FEEL LIKE. 688 00:27:35,120 --> 00:27:37,656 BUT, I DON'T THINK MY SISTERS ARE AS EXCITED ABOUT IT AS I AM. 689 00:27:37,756 --> 00:27:41,026 BUT, I THINK THIS IS A MEMORY THAT WE'RE GONNA ALWAYS HAVE, 690 00:27:41,126 --> 00:27:43,595 AND I KNOW THEY'RE GONNA THANK ME FOR IT LATER. 691 00:27:59,277 --> 00:28:03,248 TONI-- OH, MY GOD! 692 00:28:04,249 --> 00:28:06,618 YOU ARE REALLY LUCILLE BALL. 693 00:28:06,718 --> 00:28:08,219 I'M THINKING IT'S A SMALL TUB. 694 00:28:08,319 --> 00:28:09,354 NO ONE'S GONNA FALL. 695 00:28:09,454 --> 00:28:11,289 I'M NOT-- I'M CERTAINLY NOT GONNA FALL. 696 00:28:11,389 --> 00:28:13,158 AND I SLIPPED, JUST LIKE "I LOVE LUCY." 697 00:28:13,258 --> 00:28:14,726 I COULDN'T BELIEVE IT HAPPENED TO ME. 698 00:28:14,826 --> 00:28:16,227 I COULDN'T BELIEVE IT. 699 00:28:16,327 --> 00:28:17,796 UGH-UCK-UCK. 700 00:28:17,896 --> 00:28:20,732 AH, IT'S SLIPPERY-- OKAY. 701 00:28:20,832 --> 00:28:22,033 I DIDN'T EXPECT IT TO BE LIKE THIS. 702 00:28:22,133 --> 00:28:24,536 I HAVE TO BE HONEST. 703 00:28:32,811 --> 00:28:34,979 - THE SMALL MOTHER -- - I'LL BEAT YA-- I'LL BEAT YA. 704 00:28:35,080 --> 00:28:37,415 I'LL BEAT YA TILL YOUR BUTT TURN RED. 705 00:28:37,515 --> 00:28:39,050 I'LL BEAT YA-- I'LL BEAT YA. 706 00:28:39,150 --> 00:28:41,953 STOMPING ON THE GRAPES MADE ME FEEL SO GOOD. 707 00:28:42,053 --> 00:28:44,422 I GOT ALL THE AGGRESSION OUT. 708 00:28:44,522 --> 00:28:47,759 I HAD EVERYTHING I WANTED TO SAY, AND THAT'S-THAT'S 709 00:28:47,859 --> 00:28:51,362 A GOOD STRESS RELEASE-- IT'S JUST A WOO-SAH. 710 00:28:51,463 --> 00:28:53,164 I LOVE IT-- THANK YOU, DAD. 711 00:28:53,264 --> 00:28:54,999 - NO, POP-- DON'T DO IT! - I TASTE. 712 00:28:55,100 --> 00:28:58,403 NO! 713 00:29:08,646 --> 00:29:11,182 - I DARE YOU TO GO TOPLESS. - I DARE YOU, TRINA. 714 00:29:11,282 --> 00:29:13,118 - I'M TAKING IT OFF. - ARE YOU SERIOUS? 715 00:29:13,218 --> 00:29:14,285 READY AND-- 716 00:29:16,087 --> 00:29:17,989 WHEN YOU'RE IN EUROPE, THESE-- ALL THESE EUROPEAN COUNTRIES, 717 00:29:18,089 --> 00:29:20,925 YOU KNOW, THEY DON'T PUT SO MANY INHIBITIONS ON NUDITY, 718 00:29:21,025 --> 00:29:22,894 LIKE WE DO, IN THE UNITED STATES. 719 00:29:22,994 --> 00:29:25,997 TRINA, YOU DON'T HAVE ANY, EVEN IN THE UNITED STATES. 720 00:29:26,097 --> 00:29:28,767 WELL, IN A PAST LIFE, I WAS A EUROPEAN QUEEN. 721 00:29:28,867 --> 00:29:31,870 I FEEL LIKE, IN A PAST LIFE, I WAS A 16th CENTURY 722 00:29:31,970 --> 00:29:34,739 PHYSICIAN'S ASSISTANT-- THE PERSON DOWN THE STREET 723 00:29:34,839 --> 00:29:36,341 THEY WOULD TAKE THE BABIES TO AND THE PEOPLE TO 724 00:29:36,441 --> 00:29:37,642 AND FIGURE OUT WHAT'S GOING ON. 725 00:29:37,742 --> 00:29:40,545 I'M JUST SAYING-- YOU DID NOT HAVE TO DO THAT. 726 00:29:40,645 --> 00:29:43,014 IF THIS WAS A DIFFERENT TIME, YES. 727 00:29:43,114 --> 00:29:44,816 I THINK I WAS SOME KIND OF QUEEN. 728 00:29:44,916 --> 00:29:49,254 - OF WHAT? - QUEEN OF WHORES. 729 00:29:49,354 --> 00:29:53,324 TRACI SAID IT FIRST-- I ONLY REPEATED IT. 730 00:29:53,424 --> 00:29:54,859 I JUST ECHOED IT. 731 00:29:54,959 --> 00:29:57,929 I THINK I WAS A DRIFTER AND MAYBE A FOOL. 732 00:30:01,866 --> 00:30:05,103 I WAS A RICH WHITE WOMAN. 733 00:30:16,514 --> 00:30:18,917 TOAST TO SISTERS 734 00:30:19,017 --> 00:30:21,986 AND TO TONI FOR BEING SUCH A FABULOUS BIG SISTER. 735 00:30:22,086 --> 00:30:23,555 - YEAH, TO GREAT SISTERS. - CLINK-CLINK-CLINK. 736 00:30:23,655 --> 00:30:25,657 ME AND THE GIRLS DECIDED TO CHARTER THIS CUTE, 737 00:30:25,757 --> 00:30:27,692 LITTLE BOAT TO THE ISLAND OF CAPRI. 738 00:30:27,792 --> 00:30:29,761 AND EVER SINCE I KINDA, YOU KNOW, BOTCHED UP 739 00:30:29,861 --> 00:30:32,730 TOWANDA'S BIRTHDAY LUNCH, I'VE BEEN TRYING TO REDEEM MYSELF, 740 00:30:32,831 --> 00:30:35,567 AND I THINK THIS TRIP TO CAPRI IS MY GRAND FINALE. 741 00:30:35,667 --> 00:30:37,735 ONE, TWO, THREE! 742 00:30:37,836 --> 00:30:38,970 OW! 743 00:30:39,070 --> 00:30:40,471 I FEEL LIKE A LITTLE KID-- OH, TONI! 744 00:30:40,572 --> 00:30:43,842 WE'RE GOING IN-- WE'RE GOING IN! 745 00:30:43,942 --> 00:30:48,046 HEY, HEY, HEY-- I DON'T THINK IT ECHOED. 746 00:30:48,146 --> 00:30:49,881 - TONI BRAXTON, GOOD GRIEF! - ECHO, ECHO! 747 00:30:49,981 --> 00:30:51,583 THIS IS SO PRETTY. 748 00:30:51,683 --> 00:30:53,251 THIS IS SO NEAT. 749 00:30:55,019 --> 00:30:57,622 - SHALL I GO TOPLESS? - EW, DO NOT GO TOPLESS. 750 00:30:57,722 --> 00:31:00,458 - I DOUBLE DARE YOU. - I DARE YOU. 751 00:31:00,558 --> 00:31:03,862 I DARE YOU TO GO TOPLESS. - I DARE YOU, TRINA. 752 00:31:03,962 --> 00:31:07,165 - I DOUBLE DOG DARE YOU! - EW, TRINA. 753 00:31:07,265 --> 00:31:09,634 GO, TRINA-- GO, GO! 754 00:31:09,734 --> 00:31:11,336 WE'RE IN ITALY-- WHEN IN ROME-- 755 00:31:11,436 --> 00:31:13,171 - BLACK GIRLS DON'T DO THAT. - WELL, DO WHAT THEY DO, THEN. 756 00:31:13,271 --> 00:31:14,239 TAKE IT OFF. 757 00:31:14,339 --> 00:31:15,907 TAKE IT OFF. 758 00:31:16,007 --> 00:31:18,276 TAKE IT OFF. - TOWANDA'S EGGING YOU ON. 759 00:31:18,376 --> 00:31:20,845 - I'M NOT GONNA DO IT. - TAKE-- TRINA, YOU SCARED. 760 00:31:20,945 --> 00:31:22,547 YOU CAN TAKE IT OFF AND LAY ON YOUR BACK. 761 00:31:22,647 --> 00:31:26,684 OKAY, I'M TAKING OFF MY SHIRT. 762 00:31:26,784 --> 00:31:28,887 I'M TAKIN' OFF . 763 00:31:28,987 --> 00:31:31,256 LET'S DO IT-- YEAH, TRINA! 764 00:31:31,356 --> 00:31:34,392 I WANNA BE LIKE TRINA WHEN I GROW UP. 765 00:31:34,492 --> 00:31:36,227 YOU'RE SUCH A MARILYN MONROE-"ISH". 766 00:31:36,327 --> 00:31:37,528 I'M TAKING THE WHOLE THING- I'M TAKING THE WHOLE THING-- 767 00:31:37,629 --> 00:31:38,630 I'M TAKING IT OFF! - ARE YOU SERIOUS? 768 00:31:38,730 --> 00:31:42,367 READY AND-- 769 00:31:44,168 --> 00:31:48,306 OH, MY GOD-- OH, MY GOD! 770 00:31:48,406 --> 00:31:53,278 OH, SHE GOT BLACK NIPPLES, Y'ALL. 771 00:31:53,378 --> 00:31:54,679 YES, BOOM-BOOMS. 772 00:31:54,779 --> 00:31:57,715 I'M A LIBERATED WOMAN, AND I PAID GOOD MONEY FOR THESE, 773 00:31:57,815 --> 00:32:00,952 AND I NEED TO SET THEM FREE SOMETIMES. 774 00:32:08,226 --> 00:32:10,595 HELLO, LOVE. 775 00:32:10,695 --> 00:32:12,630 SADLY, OUR ITALY TRIP IS ALMOST OVER, 776 00:32:12,730 --> 00:32:16,534 BUT I HAVE ONE MORE SPECTACULAR PLACE TO BRING MY SISTERS. 777 00:32:16,634 --> 00:32:18,603 AND WHILE WE'RE DRIVING UP THE COAST, 778 00:32:18,703 --> 00:32:20,371 IN THIS INCREDIBLE CONVERTIBLE, I FEEL LIKE 779 00:32:20,471 --> 00:32:24,075 WE'RE ON THE MOVIE SET OF, LIKE, A GRACE KELLY MOVIE. 780 00:32:24,175 --> 00:32:26,144 - OH, MY GOSH! - OH, MY GOODNESS! 781 00:32:26,244 --> 00:32:27,645 - REALLY, TONI? - TOO MUCH? 782 00:32:27,745 --> 00:32:30,315 TONI, JUST PUT THE SCARF ON AND STOP PLAYIN' AROUND. 783 00:32:30,415 --> 00:32:31,983 JUST PUT THE SCARF ON. 784 00:32:32,083 --> 00:32:33,818 REALLY-- YOU HAVE TO DO ALL THAT? 785 00:32:33,918 --> 00:32:35,386 ALL THAT IS INCLUDED? - YES, I DO. 786 00:32:35,486 --> 00:32:39,357 I'M IN ITALY-- WHOO, GOTTA RAISE YOUR HANDS. 787 00:32:39,457 --> 00:32:41,426 WHOO! 788 00:32:41,526 --> 00:32:43,895 I DO FEEL LIKE I'M IN AN AMUSEMENT PARK. 789 00:32:43,995 --> 00:32:45,396 I WANT A YUMMY GLASS OF WINE. 790 00:32:45,496 --> 00:32:47,732 - ME, TOO. - MM-HMM. 791 00:32:47,832 --> 00:32:49,267 - IT'S NICE BEING A TOURIST. - IT IS, RIGHT? 792 00:32:49,367 --> 00:32:50,969 WELL, YOU' DOING AN EXCELLENT JOB, THUS FAR. 793 00:32:51,069 --> 00:32:52,603 THANK YOU VERY MUCH. 794 00:32:53,905 --> 00:32:57,875 - YES, THANK YOU. - THANKS. 795 00:32:57,976 --> 00:32:59,210 - WE'RE IN HERE, TONE? - YES. 796 00:32:59,310 --> 00:33:03,381 I HAVE TO SAY THAT THIS HAS BEEN A GREAT TRIP FOR ALL OF US, 797 00:33:03,481 --> 00:33:06,184 AND I'M GLAD THAT WE'RE HERE FOR MY BIRTHDAY. 798 00:33:06,284 --> 00:33:09,988 BUT, YOU KNOW, IT'S REALLY SAD THAT TAMAR WASN'T ABLE TO MAKE IT, 799 00:33:10,088 --> 00:33:11,889 EVEN THOUGH WE DO HAVE SOME ISSUES 800 00:33:11,990 --> 00:33:14,726 THAT WE REALLY NEED TO RESOLVE. 801 00:33:14,826 --> 00:33:16,127 I SURE WISH TAMAR WOULD BE HERE. 802 00:33:16,227 --> 00:33:19,197 I WISH SHE WASN'T SO VELCROISH, 'CAUSE WE WOULD HAVE FUN. 803 00:33:19,297 --> 00:33:21,099 BUT, SHE'S WORKIN' ON HER ALBUM, TOO, ISN'T SHE? 804 00:33:21,199 --> 00:33:24,102 WHO KNOWS, TONI, WHAT TAMAR IS DOING? 805 00:33:24,202 --> 00:33:26,304 ALL I KNOW, IS-- - THEY SHOULD'VE-- 806 00:33:26,404 --> 00:33:27,605 SHE SHOULD'VE COME. - YES. 807 00:33:27,705 --> 00:33:30,141 YOU SAID, "THEY," AT FIRST, JUST SO-- 808 00:33:30,241 --> 00:33:31,476 YOU'RE USED TO THEM BEING VELCRO. 809 00:33:31,576 --> 00:33:33,811 YEAH, HE COULD'VE STAYED AT THE HOTEL. 810 00:33:33,911 --> 00:33:36,114 NO-- OKAY, NO. 811 00:33:36,214 --> 00:33:38,983 YOU KNOW, I CAN UNDERSTAND THAT TAMAR'S BUSY, 812 00:33:39,083 --> 00:33:41,953 YOU KNOW, DOING HER OWN THING, AND THAT'S GREAT. 813 00:33:42,053 --> 00:33:44,722 HOWEVER, COMMA, ONE OR TWO DAYS WASN'T GONNA HURT YOU, 814 00:33:44,822 --> 00:33:45,990 TAMAR BRAXTON. 815 00:33:46,090 --> 00:33:48,159 IF YOU CAN PULL YOURSELF AWAY FROM THE VELCRO, 816 00:33:48,259 --> 00:33:51,362 THEN MAYBE YOU CAN COME AND HAVE FUN WITH YOUR SISTE 817 00:33:51,462 --> 00:33:53,898 TRINA, WHAT ARE YOU WORKING ON? 818 00:33:53,998 --> 00:33:56,267 UM, THE ONE WITHOUT THE CHEESE. 819 00:33:56,367 --> 00:33:58,169 WOW! 820 00:33:58,269 --> 00:34:00,338 I CAN'T TAKE THE BUTTERFLY MOMENTS, I SWEAR. 821 00:34:00,438 --> 00:34:01,739 WOW, TRINA. 822 00:34:01,839 --> 00:34:03,608 WHAT ARE YOU WORKING ON, YOUR SONG? 823 00:34:03,708 --> 00:34:05,543 WHAT YOU DOIN'? - OH! 824 00:34:05,643 --> 00:34:08,479 TO MAKE A LONG STORY SHORT, I AM LOOKING TO OPEN UP 825 00:34:08,579 --> 00:34:11,182 A RETAIL STORE, AND I WAS JUST WONDERING IF YOU GUYS 826 00:34:11,282 --> 00:34:13,284 WOULD LIKE TO BE PARTNERS IN IT. 827 00:34:13,384 --> 00:34:14,719 - YEAH! - THAT'D BE FUN. 828 00:34:14,819 --> 00:34:15,920 - REALLY, YEAH? - YES. 829 00:34:16,020 --> 00:34:17,789 I CAN HAVE A SHORT GIRL LINE. 830 00:34:17,889 --> 00:34:19,657 YES, AND I WAS THINKING EVERYONE COULD HAVE THEIR OWN SECTIONS. 831 00:34:19,757 --> 00:34:22,126 SHORT, BUT NOT STUMPY, JUST SHORT, NOT T-REX, 832 00:34:22,226 --> 00:34:23,528 YOU KNOW WHAT I MEAN? 833 00:34:23,628 --> 00:34:25,096 SO, WHAT DO YOU THINK TAMAR'S GONNA WANNA PUT 834 00:34:25,196 --> 00:34:26,230 IN THE STORE, HER LINE? - "ANYTHING, I MEAN, 835 00:34:26,330 --> 00:34:27,732 "EVERYTHING SHE PUT IN THERE IS GONNA BE HOT, 836 00:34:27,832 --> 00:34:30,334 "SO IT DON'T EVEN MATTER." 837 00:34:31,402 --> 00:34:33,471 NOT ONLY HAVE I ALWAYS HAD THIS DREAM OF OPENING 838 00:34:33,571 --> 00:34:35,907 A FASHION BOUTIQUE, I'VE ALWAYS WANTED TO OPEN IT 839 00:34:36,007 --> 00:34:37,141 WITH MY SISTERS. 840 00:34:37,241 --> 00:34:41,879 BUT, OF COURSE, WE'RE NOT GONNA HAVE ANY DISAGREEMENTS. 841 00:34:41,979 --> 00:34:43,848 GUYS, YOU KNOW, I HAVE TO GO TO CANADA TO DO THIS MOVIE. 842 00:34:43,948 --> 00:34:45,316 - YES. - YOU DO? 843 00:34:45,416 --> 00:34:46,851 I'M EXCITED-- A LITTLE NERVOUS, 844 00:34:46,951 --> 00:34:48,386 BUT I'M EXCITED. 845 00:34:48,486 --> 00:34:51,255 I HAVE BEEN ASKED TO PLAY THE LEAD IN A MADE FOR TV MOVIE, 846 00:34:51,355 --> 00:34:53,691 AND IT'S MY FIRST LEAD ROLE, AND I'M A LITTLE NERVOUS. 847 00:34:53,791 --> 00:34:55,827 GONNA BE HONEST-- A LITTLE NERVOUS, 848 00:34:55,927 --> 00:34:57,662 BUT THIS IS AN OPPORTUNITY FOR ME TO DEVELOP 849 00:34:57,762 --> 00:34:59,030 MY ACTING CAREER. 850 00:34:59,130 --> 00:35:01,232 I MET THE LEAD GUY, JUST BEFORE WE CAME HERE. 851 00:35:01,332 --> 00:35:03,601 - HOW'S HE LOOK? - HE'S THE GUY FROM "WEEDS." 852 00:35:03,701 --> 00:35:05,103 - DO YOU HAVE TO KISS HIM? - MM-HMM. 853 00:35:05,203 --> 00:35:07,405 - ON THE MOUTH? - YEAH, IT'S A LOVE STORY. 854 00:35:07,505 --> 00:35:12,443 - HOW DO YOU FEEL ABOUT THAT? - IT'S JUST ACTING. 855 00:35:12,543 --> 00:35:14,112 IT'S JUST ACTING. 856 00:35:14,212 --> 00:35:16,714 SO, YOU GUYS HAVE TO COME. 857 00:35:16,814 --> 00:35:19,684 I WAS WAITING FOR THE INVITATION. 858 00:35:19,784 --> 00:35:21,219 YOU GOTTA COME-- CHECK IT OUT. 859 00:35:21,319 --> 00:35:26,257 WHAT TOOK SO LONG? 860 00:35:26,357 --> 00:35:27,391 I HAD TO MAKE SURE YOU REALLY WANTED IT. 861 00:35:27,492 --> 00:35:29,460 YOU KNEW I REALLY WANTED IT. 862 00:35:29,560 --> 00:35:30,995 ARE YOU SEEING THAT IN MY FACE? 863 00:35:31,095 --> 00:35:33,264 THANK YOU FOR INVITING ME. 864 00:35:33,364 --> 00:35:34,398 BUT, YOU GOTTA PROMISE TO COME, 865 00:35:34,499 --> 00:35:35,466 'CAUSE I'LL SAY, "CAN YOU COME?" 866 00:35:35,566 --> 00:35:36,634 BE LIKE, "I KNOW WE DIDN'T COME." 867 00:35:36,734 --> 00:35:39,937 I'M NOT GONNA SAY THAT-- I'M COMIN'. 868 00:35:40,037 --> 00:35:42,140 - YOU KNOW TOWANDA'S GOIN'. - YOU GONNA BRING TAMAR? 869 00:35:42,240 --> 00:35:43,541 - MAKE HER COME? - SHE'LL COME. 870 00:35:43,641 --> 00:35:45,810 SHE'LL BE EXCITED. - SHE'LL BE WITH VELCRO, 871 00:35:45,910 --> 00:35:47,478 BUT, YEAH, SHE'S GONNA BE THERE. 872 00:35:47,578 --> 00:35:48,980 SHE'LL COME. 873 00:35:49,080 --> 00:35:51,082 - SHE'S GONNA COME WITH VINCE? - YES. 874 00:35:51,182 --> 00:35:52,984 MAYBE 'CAUSE THEY'RE NEWLY MARRIED. 875 00:35:53,084 --> 00:35:56,454 MAYBE SHE'S WORRIED ABOUT VINCE, 'CAUSE HE'S ILL, 876 00:35:56,554 --> 00:35:58,055 OR HE HAD BEEN ILL. 877 00:35:58,156 --> 00:35:59,390 NO, NOTHING? 878 00:35:59,490 --> 00:36:00,858 IF THAT'S THE CASE, THEN HE SHOULDN'T BE FLYING. 879 00:36:00,958 --> 00:36:02,727 YEAH, THAT'S TRUE-- THAT'S-- YEAH. 880 00:36:02,827 --> 00:36:06,330 THAT'S TRUE. - THEY'RE JUST VELCRO, OKAY? 881 00:36:06,430 --> 00:36:08,733 AND THIS IS THE-- IT'S NOT THE LOOSE VELCRO THAT YOU STICK, 882 00:36:08,833 --> 00:36:11,068 AND YOU CAN PULL TOGETHER, PULL APART, FAST. 883 00:36:11,169 --> 00:36:15,006 IT'S ONE THAT YOU HAVE TO KINDA PRY APART. 884 00:36:15,106 --> 00:36:16,674 SHE'LL BE LIKE, "I DON'T KNOW. 885 00:36:16,774 --> 00:36:21,879 "Y'ALL, I-I GOTTA THINK ABOUT IT, MMM." 886 00:36:21,979 --> 00:36:24,015 I HAVE BEEN AVOIDING THE TAMAR ISSUE WHILE WE'RE HERE 887 00:36:24,115 --> 00:36:27,451 BECAUSE I WANTED THIS TRIP TO BE A DRAMA-FREE THING 888 00:36:27,552 --> 00:36:28,719 AND TOTALLY FUN. 889 00:36:28,819 --> 00:36:32,089 BUT, CLEARLY, THESE ISSUES ARE NOT GONNA RESOLVE THEMSELVES, 890 00:36:32,190 --> 00:36:35,693 AND TOWANDA SEEMS ESPECIALLY UPSET WITH TAMAR, AND UGH. 891 00:36:35,793 --> 00:36:39,230 MAYBE THIS IS SOMETHING THAT WE CAN ADDRESS ALL TOGETHER, 892 00:36:39,330 --> 00:36:40,565 WHILE WE'RE IN CANADA, 893 00:36:40,665 --> 00:36:42,833 BUT I THINK I SHOULD TALK TO TAMAR, FIRST. 894 00:36:42,934 --> 00:36:46,137 TO TONI BRAXTON, IN HER FIRST LEADING ROLE, 895 00:36:46,237 --> 00:36:48,439 IN HER FIRST MOVIE. - YEAH! 896 00:36:48,539 --> 00:36:50,274 CLINK-CLINK-CLINK-CLINK-CLINK-CL INK-CLINK-CLINK. 897 00:36:50,374 --> 00:36:52,009 - SALUD. - WE'RE IN ITALY. 898 00:36:52,109 --> 00:36:53,311 WE CAN'T SAY, "CLINK-CLINK," WE HAVE TO SAY-- 899 00:36:53,411 --> 00:36:56,180 SALUD! 900 00:37:01,986 --> 00:37:04,555 TONI'S TRYING TO FIGURE OUT A WAY FOR IT TO BE MY FAULT. 901 00:37:04,655 --> 00:37:05,590 OKAY, FINE. 902 00:37:05,690 --> 00:37:07,058 IT'S MY FAULT THAT TOWANDA CAN'T BE HAPPY. 903 00:37:07,158 --> 00:37:07,992 TAMAR'S TRYING TO FIGURE OUT A WAY FOR IT TO BE HER FAULT HERSELF. 904 00:37:08,092 --> 00:37:09,260 I DON'T HAVE TO TRY TO FIGURE IT OUT. 905 00:37:09,360 --> 00:37:11,262 SHE'S GONNA PLAY-- SHE'S GONNA BE LIKE, "EVERYBODY BLAME ME." 906 00:37:11,362 --> 00:37:12,530 SO, IT DOESN'T MATTER. 907 00:37:12,630 --> 00:37:14,332 TAMAR CAN'T HEAR ME, BECAUSE-- - TONI, I'M DONE TALKING TO YOU! 908 00:37:14,432 --> 00:37:15,933 OKAY, STOP-- STOP-- EVERYBODY, STOP! 909 00:37:35,086 --> 00:37:36,020 TONI, COME LOOK AT THESE CHAIRS 910 00:37:36,120 --> 00:37:37,188 AND TELL ME WHAT I SHOULD WITH 'EM. 911 00:37:37,288 --> 00:37:38,889 I'M THINKIN' ABOUT PUTTIN' 'EM ON EBAY OR SOMETHIN'. 912 00:37:38,990 --> 00:37:40,358 NO, I'LL TELL YOU WHAT. 913 00:37:40,458 --> 00:37:42,994 I'LL TRADE YOU THE CHAIRS FOR MY DINING ROOM TABLE. 914 00:37:43,094 --> 00:37:44,228 I DON'T WANT YOUR DINING ROOM TABLE. 915 00:37:44,328 --> 00:37:45,930 WH-WHAT'S-WHAT'S WRONG WITH MY DINING ROOM TABLE? 916 00:37:46,030 --> 00:37:47,832 NOTHING WRONG WITH IT-- I JUST, YOU KNOW-- 917 00:37:47,932 --> 00:37:50,368 I'LL TRADE YOU SOMETHIN'-- I JUST GOT BACK FROM ITALY, 918 00:37:50,468 --> 00:37:51,736 AND I CAME OVER TO TAMAR HOUSE, 919 00:37:51,836 --> 00:37:54,205 'CAUSE MOMMY'S VISITING WITH TAMAR AND VINCE. 920 00:37:54,305 --> 00:37:56,707 PLUS, I THINK IT'S IMPORTANT TO ADDRESS THE SISTER ISSUE 921 00:37:56,807 --> 00:37:57,942 WITH TAMAR. 922 00:37:58,042 --> 00:37:59,510 I MEAN, AT LEAST ONE MORE TIME BEFORE WE ALL 923 00:37:59,610 --> 00:38:01,712 GET TOGETHER AGAIN IN CANADA. 924 00:38:01,812 --> 00:38:03,381 WE NEED TO TALK ABOUT YOU AND TOWANDA. 925 00:38:03,481 --> 00:38:05,182 Y'ALL NEED TO TALK-- ARE YA'LL GONNA TALK? 926 00:38:05,283 --> 00:38:07,752 YEAH. 927 00:38:07,852 --> 00:38:09,887 I CALL ALL OF MY SIBLINGS. 928 00:38:09,987 --> 00:38:12,823 I DAMN NEAR BEGGED THEM TO COME HANG OUT WITH ME, 929 00:38:12,923 --> 00:38:16,327 AND THE ANSWER IS ALWAYS, "NO," OR THERE IS NO ANSWER. 930 00:38:16,427 --> 00:38:18,396 YA'LL NEED TO TALK-- IT'S RIDICULOUS! 931 00:38:18,496 --> 00:38:20,698 YA'LL ARE, LIKE, MAD AT EACH OTHER AND NOT SPEAKING TO EACH OTHER. 932 00:38:20,798 --> 00:38:23,334 I'M NOT MAD AT ANYBODY, I PROMISE YOU. 933 00:38:23,434 --> 00:38:25,303 I'M NOT MAD AT ANYBODY-- IF I WAS MAD AT ANYBODY, 934 00:38:25,403 --> 00:38:28,806 I WOULDN'T BE REACHING OUT TO EVERYBODY, 935 00:38:28,906 --> 00:38:30,608 IF I WAS MAD AT EVERYBODY. 936 00:38:30,708 --> 00:38:31,909 I'LL GET ON EVERYBODY ELSE LATER. 937 00:38:32,009 --> 00:38:33,311 I'M TALKING ABOUT YOU AND TOWANDA. 938 00:38:33,411 --> 00:38:36,013 I DIDN'T EVEN KNOW THAT THERE WAS BEEF BETWEEN ME AND TOWANDA 939 00:38:36,113 --> 00:38:37,148 OR ME AND THE GIRLS! - YOU KNEW-- 940 00:38:37,248 --> 00:38:38,482 - YES-- HUH. - WHAT? 941 00:38:38,582 --> 00:38:39,884 NO, I DIDN'T KNOW THAT, 'CAUSE I-I DON'T HAVE 942 00:38:39,984 --> 00:38:41,085 A PROBLEM WITH NOBODY. 943 00:38:41,185 --> 00:38:42,353 I DIDN'T KNOW THAT EVERYBODY HAD A PROBLEM WITH ME. 944 00:38:42,453 --> 00:38:43,988 WHAT DID I DO? - WHERE'S MOMMY? 945 00:38:44,088 --> 00:38:45,523 MA! - YEAH 946 00:38:45,623 --> 00:38:46,991 WHERE-- CAN YOU-- WHERE YOU AT? 947 00:38:47,091 --> 00:38:50,761 CAN YOU COME IN HERE? - I'M COMING-- WHAT'S UP? 948 00:38:50,861 --> 00:38:54,598 I DON'T HAVE NO ANSWER FOR HER ABOUT WHY THEY MAD AT ME. 949 00:38:54,699 --> 00:38:57,034 AND NOW, TONI'S TRYING TO DRAG MOMMY INTO THIS, 950 00:38:57,134 --> 00:38:58,402 LIKE IT'S REALLY GONNA MAKE A DIFFERENCE. 951 00:38:58,502 --> 00:39:00,871 LIKE, SHE NEED TO ASK THEM. 952 00:39:00,971 --> 00:39:03,207 TONI'S TRYING TO FIND, YOU KNOW, A REASON 953 00:39:03,307 --> 00:39:05,976 THAT I STOPPED TOWANDA FROM TALKING TO ME. 954 00:39:06,077 --> 00:39:08,312 I'M JUST TRYING TO HELP IT OUT. 955 00:39:08,412 --> 00:39:10,881 - YOU AIN'T HELPING ME. - STOP! 956 00:39:10,981 --> 00:39:13,384 BUT, TONI'S TRYING TO FIGURE OUT A WAY FOR IT TO BE MY FAULT. 957 00:39:13,484 --> 00:39:15,353 IT'S MY FAULT THAT TOWANDA CAN'T BE HAPPY. 958 00:39:15,453 --> 00:39:16,520 TAMAR'S TRYING TO FIGURE OUT A WAY FOR IT TO BE 959 00:39:16,620 --> 00:39:17,555 HER FAULT HERSELF. 960 00:39:17,655 --> 00:39:18,622 I DON'T HAVE TO TRY TO FIGURE IT OUT. 961 00:39:18,723 --> 00:39:20,157 SHE'S GONNA DO IT HERSELF-- SHE'S GONNA PLAY-- 962 00:39:20,257 --> 00:39:21,692 SHE'S GONNA BE LIKE, "EVERYBODY BLAME ME." 963 00:39:21,792 --> 00:39:22,893 SO, IT DOESN'T MATTER. 964 00:39:22,993 --> 00:39:24,128 SHE CAN'T HEAR ME, 'CAUSE SHE'S TALKING OVER ME. 965 00:39:24,228 --> 00:39:25,196 - TAMAR CAN'T HEAR ME, BECAUSE-- - TONI, I'M DONE TALKING. 966 00:39:25,296 --> 00:39:26,831 OKAY, STOP-- STOP-- EVERYBODY, STOP! 967 00:39:26,931 --> 00:39:28,132 EVERYBODY, STOP! 968 00:39:28,232 --> 00:39:29,433 SEE, THEN SHE'S GONNA WALK OUT. 969 00:39:29,533 --> 00:39:30,634 THAT'S 'CAUSE YOU'RE RESPECTFUL. 970 00:39:30,735 --> 00:39:32,503 SEE WHAT I'M SAYIN'-- NOW, SHE'S MY GRANDMAMA. 971 00:39:32,603 --> 00:39:34,705 I'M DISRESPECTFUL TO HER. - GIRL, HAVE SEVERAL. 972 00:39:34,805 --> 00:39:36,507 GOOD THING YOU'RE SITTIN'. - SEE WHAT I'M SAYIN'? 973 00:39:36,607 --> 00:39:37,942 I HAVEN'T EVEN SEEN NOBODY. 974 00:39:38,042 --> 00:39:39,377 I CAN'T GET NOBODY ON THE PHONE 975 00:39:39,477 --> 00:39:40,945 TO BE HAVIN' NO ISSUE WIT' NOBODY. 976 00:39:41,045 --> 00:39:44,281 SO, I HEAR WHAT TONI IS TRYING TO DO, 977 00:39:44,382 --> 00:39:46,584 BUT I REALLY DON'T GIVE A HOT DAMN 978 00:39:46,684 --> 00:39:49,687 BECAUSE I DON'T KNOW WHAT THE HELL I DID. 979 00:39:49,787 --> 00:39:52,123 WHAT IS GOING ON BETWEEN TOWANDA AND TAMAR? 980 00:39:52,223 --> 00:39:53,924 THAT'S WHAT I WANT THEM TO TALK ABOUT, 981 00:39:54,024 --> 00:39:55,226 'CAUSE IT'S PRETTY SERIOUS. 982 00:39:55,326 --> 00:39:57,094 TAMAR HAS ISSUES, AND THEN TOWANDA HAVE ISSUES. 983 00:39:57,194 --> 00:39:58,629 TONI, IT'S ALL GOOD, 'CAUSE YOU'RE RIGHT. 984 00:39:58,729 --> 00:40:00,097 I'M JUST TRYING TO BRING THE TWO OF THEM TOGETHER, 985 00:40:00,197 --> 00:40:01,132 SO THEY CAN TALK. 986 00:40:01,232 --> 00:40:06,070 I'M COMING UP ON THE WRONG SIDE 987 00:40:06,170 --> 00:40:08,839 OF TONI'S OPINION. 988 00:40:08,939 --> 00:40:12,510 WELL, LET ME SAY THIS-- LET-LET-LET ME SAY THIS. 989 00:40:12,610 --> 00:40:14,812 YOU AND WANDA, YA'LL HAVE ISSUES ABOUT SOMETHING. 990 00:40:14,912 --> 00:40:16,647 WAIT A MINUTE-- WAIT A MINUTE, 991 00:40:16,747 --> 00:40:18,215 'CAUSE YOU BE A LITTLE PISSED OFF, TOO, NOW. 992 00:40:18,315 --> 00:40:20,351 I'M NOT PISSED OFF-- I DON'T-- I DIDN'T KNOW 993 00:40:20,451 --> 00:40:22,686 THERE WAS A PROBLEM UNTIL TONI TOLD ME THERE WAS A PROBLEM! 994 00:40:22,787 --> 00:40:25,122 - BUT, HERE'S-HERE'S THE-- - THAT IS NOT TRUE. 995 00:40:25,222 --> 00:40:26,857 OKAY, 'CAUSE I DON'T HAVE A ISSUE WITH ANYBODY. 996 00:40:26,957 --> 00:40:28,726 I DON'T HAVE A REASON TO HAVE AN ISSUE WITH ANYONE. 997 00:40:28,826 --> 00:40:29,994 "THEY DON'T CALL ME-- THEY DON'T TEXT ME." 998 00:40:30,094 --> 00:40:31,729 - THEY DON'T! - WELL, THEN THAT'S AN ISSUE. 999 00:40:31,829 --> 00:40:33,097 WELL, NO, THAT'S NOT AN ISSUE. 1000 00:40:33,197 --> 00:40:34,465 AND THAT'S SOMETHING THAT NEEDS TO BE RESOLVED. 1001 00:40:34,565 --> 00:40:36,400 I DON'T HAVE THE ISSUE, AND THAT'S ALL I'M TRYING TO SAY. 1002 00:40:36,500 --> 00:40:38,702 I KNOW YOU WOULD LIKE IT FOR BE-- TO HAVE BEEN BOTH OF US, 1003 00:40:38,803 --> 00:40:40,137 BUT IT'S NOT BOTH OF US. 1004 00:40:40,237 --> 00:40:41,806 ONE OF US HAS AN ISSUE WITH EACH OTHER, 1005 00:40:41,906 --> 00:40:43,507 AND IT AIN'T COMING FROM ME. 1006 00:40:43,607 --> 00:40:48,546 WHAT I SUGGEST, IS THAT ALL FIVE OF YOU SIT DOWN, 1007 00:40:48,646 --> 00:40:51,415 AND TALK, AND AIR OUT THE PROBLEM, 1008 00:40:51,515 --> 00:40:53,050 WHATEVER IT MAY BE. 1009 00:40:53,150 --> 00:40:55,052 NOW, YOU MAY DO THOSE LITTLE EYES ALL YOU WANT TO. 1010 00:40:55,152 --> 00:40:56,520 YOU KNOW, I CAN DO 'EM, TOO. 1011 00:40:56,620 --> 00:40:58,722 LIFE IS TOO SHORT FOR THIS FOOLISHNESS. 1012 00:40:58,823 --> 00:40:59,924 I AGREE. 1013 00:41:00,024 --> 00:41:02,359 BUT, THIS THING IS GETTING TOO BIG, 1014 00:41:02,460 --> 00:41:06,997 AND IF YOU'RE NOT CAREFUL, IT WILL GET BIGGER THAN WHAT YOU THINK. 1015 00:41:07,097 --> 00:41:08,165 I AGREE WITH YOU. 1016 00:41:08,265 --> 00:41:09,967 THAT'S WHY I'M CONSTANTLY REACHING OUT TO EVERYONE. 1017 00:41:10,067 --> 00:41:13,070 I'M REACHING OUT-- NOBODY ELSE IS REACHING OUT. 1018 00:41:13,170 --> 00:41:14,872 SO, THEREFORE, I AM NOT THE PROBLEM. 1019 00:41:14,972 --> 00:41:17,074 I DON'T HAVE A PROBLEM WITH NOBODY, LIKE I SAID. 1020 00:41:17,174 --> 00:41:19,844 THEN, DON'T YOU THINK, SINCE YOU DON'T HAVE THE PROBLEM, 1021 00:41:19,944 --> 00:41:23,080 AND IF THEY HAVE THE PROBLEM, THEN YA'LL NEED 1022 00:41:23,180 --> 00:41:25,216 TO SIT DOWN AND TALK, SO-- - YEAH, BUT-- 1023 00:41:25,316 --> 00:41:29,386 SO YOU CAN FIND OUT WHAT THE PROBLEM IS, SWEETIE? 1024 00:41:29,487 --> 00:41:30,788 YEAH, BUT WHAT I'M NOT INTERESTED IN, 1025 00:41:30,888 --> 00:41:34,458 IS-IS A-A SISTERS BASHING SITUATION. 1026 00:41:34,558 --> 00:41:35,860 I FEEL LIKE I'VE BEEN THERE, DONE THAT. 1027 00:41:35,960 --> 00:41:37,161 GOT A TEE SHIRT. 1028 00:41:37,261 --> 00:41:41,832 YOU KNOW, AND, UH, ONE PERSON CANNOT BE THE-THE BRINK 1029 00:41:41,932 --> 00:41:44,001 OF EVERYBODY'S PROBLEM! 1030 00:41:44,101 --> 00:41:45,569 DOES THAT MEAN SHE'S NOT DONE NOTH-NOTHIN'? 1031 00:41:45,669 --> 00:41:47,037 I ASKED YOU, WHAT DO YOU MEAN-- 1032 00:41:47,137 --> 00:41:49,974 YOU DISRESPECTED YOUR MOTHER, MAKING GOOGLY-EYES FACE. 1033 00:41:50,074 --> 00:41:51,141 THAT'S DISRESPECTFUL. 1034 00:41:51,242 --> 00:41:52,443 THAT'S NOT WHAT YOU DO, CHEERLEADER TONI? 1035 00:41:52,543 --> 00:41:54,578 - THAT'S WHAT YOU WAS DOIN'. - GET YOUR POM-POMS, GIRL. 1036 00:41:54,678 --> 00:41:56,013 I WILL-I WILL CHEERLEADER FOR MY MOM ALL DAY LONG, TAMAR, 1037 00:41:56,113 --> 00:41:58,415 BECAUSE THAT WAS DISRESPECTFUL, MAKING THOSE FACES AT MOMMY. 1038 00:41:58,516 --> 00:42:00,017 I'M SORRY. - THAT'S WHAT I DID? 1039 00:42:00,117 --> 00:42:01,552 YOU DIDN'T DO THAT TO YOUR MOTHER? 1040 00:42:01,652 --> 00:42:02,987 OKAY, OKAY, OKAY, OKAY. 1041 00:42:03,087 --> 00:42:07,591 STOP, STOP, STOP, FOR GOD SAKES! 1042 00:42:10,995 --> 00:42:13,063 IF WE DON'T FIX THIS SOON, THERE AREN'T GONNA BE 1043 00:42:13,163 --> 00:42:15,266 ANY MORE RELATIONSHIPS TO FIX ANYMORE. 1044 00:42:15,366 --> 00:42:17,835 BUT, I WILL TELL YOU ONE THING. 1045 00:42:17,935 --> 00:42:20,137 THERE BETTER NOT BE ANY BIG DRAMA IN CANADA, 1046 00:42:20,237 --> 00:42:22,907 BECAUSE I HAVE TO WORK, AND I'M A LITTLE NERVOUS ALREADY, 1047 00:42:23,007 --> 00:42:26,176 AND I DON'T NEED TO BE WORRYING ABOUT THEM ALL THE TIME. 1048 00:42:26,277 --> 00:42:28,112 LET IT GO-- COME ON, EVERYBODY. 1049 00:42:28,212 --> 00:42:29,213 TRAITORS! 1050 00:42:29,313 --> 00:42:30,447 WE'RE JUST GOING TO THE MOVIES. 1051 00:42:30,548 --> 00:42:33,284 LET'S GET MY GRANDKIDS, AND LET'S GO. 1052 00:42:33,384 --> 00:42:34,685 YA'LL WEAR ME OUT. 79803

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