All language subtitles for Braxton.Family.Values.S02E24.Making.the.Cut.1080p.ROKU.WEB-DL.AAC2.0.H.264-FFG_track3_[eng]

I'M

I'M FINALLY

I'M FINALLY GOING

I'M FINALLY GOING
TO

I'M FINALLY GOING
TO SHOW

I'M FINALLY GOING
TO SHOW MY

I'M FINALLY GOING
TO SHOW MY VIDEO

TO TAMAR AND TONI.

IT LOOK LIKE, UM,
KESHA TOOK A SHOWER.

THIS BAG IS $4,000.

EVERYTHING
HAS A PRICE TAG!

YEAH, WHERE'S
TRACI'S CIGAR?

TRACI WAS BEHIND YOU.

THAT IS SOME
BULL .

DO YOUR THING,
ALL RIGHT?

YOU READY
TO SAY GOOD-BYE?

WHAT THE
DID YOU DO TO YOUR HAIR?

THIS IS BULL ,
TO BE HONEST ABOUT IT.

MUST YOU ALWAYS
BE SO OPINIONATED?

CAN YOU EVER BE
A LISTENING EAR

INSTEAD OF
AN OPEN MOUTH?

♪ WE ARE THE BRAXTONS
AND YOU'LL SEE ♪

♪ THAT WE ARE NOT LIKE
AN ORDINARY FAMILY ♪

♪ TONI TRACI TOWANDA
TRINA TAMAR AND MISS E ♪

♪ WILL TEACH YOU A THING OR TWO
ON BRAXTON FAMILY VALUES ♪

WHERE'S MY CHANEL BAG--
IT BETTER NOT BE ON THE FLOOR.

IT'S ON THE FLOOR.

YOU BETTER PUT
IT IN A CHAIR.

THIS BAG IS $4,000.

DID WE CARE HOW MUCH
IT IS-- LIKE REALLY?

DO WE CARE?
- I CAN'T TAKE IT.

THESE SHOES COST ME
A HUNDRED DOLLARS.

THESE SHOES COST ME
TWO HUNDRED DOLLARS.

THESE WAS FREE--
I GOT THEM FOR MY BIRTHDAY.

WHAT'S THE NAME
OF THEM THEN?

THESE ARE
"NEMEN-MARTIN."

THESE ARE
"VALENTINO," OKAY?

IT VALE-NEGRO.

MY SISTERS ARE ALL HERE IN
LOS ANGELES FOR THE WEEKEND

SO WE CAN SPEND
SOME TIME TOGETHER,

SISTER QUALITY TIME,

AND I'M REALLY GLAD
THEY'RE HERE

BECAUSE I HAVE TO ASK THEM
SOMETHING REALLY IMPORTANT.

I MAY HAVE TO ASK MY SISTERS
TO JUMP IN AT THE LAST MINUTE

AND DO THE BACKGROUND
SINGING FOR ME

BECAUSE THESE NEW GIRLS
ARE NOT WORKING OUT.

THEY'RE TERRIBLE.

SHAKE-A--
SHAKE-A-- SHAKE-A--

SHAKE-A--
SHAKE-A-- STEP.

YA'LL WAS ALL
OVER THE PLACE.

I REALLY NEED TOWANDA
AND TRINA BACK

BECAUSE I'M
PERFORMING NEXT WEEK

AT THE BIG JAZZ FESTIVAL
IN SAINT LUCIA

AND I NEED
TO BE PERFECT.

I'M JUST GONNA HAVE TO
EAT CROW AND BOW DOWN

AND ASK THEM
TO HELP ME.

TONI, HOW WAS THE
BACKGROUND SINGIN' COMIN'?

WELL, THE BACKGROUND
SINGERS--

YOU NEED ME TO
SING IT TO 'EM?

I DON'T THINK THEY CAN--
SINGING'S NOT GONNA WORK.

- I TOLD YOU.
- THEY-THEY'RE JUST NOT

GONNA WORK, AND
I JUST WAS ON A TIME--

- CRUNCH.
- CRUNCH

AND I HAD TO GET SOMEBODY,
BUT THEY'RE NOT IT--

SO I NEED TRINA AND TOWANDA
TO COME WITH ME TO SING.

WELL, YOU KNOW TOWANDA IS,
SHE ASKED TRINA.

WHAT YOU MEAN?

NO, TOWANDA COULDN'T DO
THINGS IN THE PAST BEFORE--

SHE COULDN'T GO
TO NEW YORK.

- YEAH.
- YOU-YOU SAID, "NO," TO TONI?

OKAY, THAT'S IT.

TRINA, CAN YOU COME
TO SAINT LUCIA?

IT'S COMIN' UP.

TONI JUST FIRED US
A FEW SHORT WEEKS AGO

AND NOW SHE WANTS US TO COME
BACK AT A MOMENT'S NOTICE?

YOU DON'T GOT
NOTHIN' ELSE TO DO.

JUST SAY, "YES."

YES.

I WASN'T GOING TO MAKE HER
SWEAT THAT LONG ABOUT IT.

I MEAN, IT'S A FREE
TRIP TO SAINT LUCIA.

YOU DON'T HAVE
A SHOW WITH THE BAND?

- NO.
- HA-HA-- LAUGH-LAUGH.

- THAT'S NOT A--
- THAT'S TRUE,

YA'LL MAKE YOUR MONEY
DURING THE HOLIDAYS.

NO, AS A MATTER OF FACT,
I'M NOT WITH THE BAND ANYMORE.

WHAT?

- O.M.G., REALLY?
- REALLY.

- I MEAN, OH.
- SO, WHAT H-HAPPENED?

WELL, BECAUSE I'M JUST
SO BUSY DOIN' STUFF--

YOU KNOW, FOR MYSELF,
I DON'T HAVE TIME--

WAIT A MINUTE--
HOLD UP.

NOW BLESS THE PROBLEM.

IS THE BAND YOUR BAND?

- NO.
- OH.

REALLY?

I KNOW I SHOULD BE NICE
AND NOT TALK ABOUT IT,

BUT I'M SO HAPPY THAT
TRINA LEFT THE BAND.

YOU CAN'T BE THE QUARTERBACK
HANDING OUT THE GATORADE,

AND WHEN SHE'S
WITH THE BAND,

IT'S LIKE
"GATORADE, GATORADE?"

SO I'M GLAD SHE LEFT--
OKAY, I SAID IT.

SORRY.

BUT I NEED YOU
TO DO THE SHOW.

YOU AND TOWANDA.

OH, I DO SOME BOOTY SLAP,
AND BOOTY SLAP.

YOU WANNA COME, TOO?

YEAH-- I'M DOWN.

I'M GONNA DO MY CHOREOGRAPHY
RIGHT ON THE SIDE.

I DON'T NEED YOU
FOR THE SHOW PART, BUT--

I SAID, "I'LL DO
IT ON THE SIDE."

NO, I DON'T MEAN-- TAMAR,
I DON'T MEAN IT THAT WAY,

I'M JUST SAYING NOW I DON'T
HAVE TO DO THE CHOREOGRAPHY

BECAUSE I NEED TO BE AT
CHOREOGRAPHY PRACTICE

AND I DON'T
HAVE THE TIME.

I WAS A LITTLE BUMMED OUT,
BUT SHE HAS HER REASONS WHY.

THE LAST TIME I WALKED OFF
THE STAGE BECAUSE I WAS, LIKE,

"OKAY, UM, I'M JUST LOOKING
WRETCHED AND RIDICULOUS."

THERE WAS ONE SONG THAT
TRACI ABSOLUTELY KNEW

NOTHING ABOUT WITH
THE CHOREOGRAPHY.

SHE DIDN'T EVEN
KNOW THE SONG.

SHE DIDN'T EVEN KNOW
THE WORDS TO THE SONG.

WHERE'S TRACI--
DID SHE LEAVE THE STAGE?

TRACI LEFT THE STAGE!

SO, THEREFORE, I
UNDERSTAND W-WHY SHE ASKED

TOWANDA AND TRINA.

I MEAN, MAYBE WE COULD STAY
A COUPLE OF EXTRA DAYS

AFTER THE SHOW
AND HANG OUT.

HELL, YES I'M GOING
TO SAINT LUCIA.

I'M GONNA GO HAVE
SOME COCKTAILS,

I'M GONNA HANG OUT
WITH MY MAN.

AND, THEN I'M GOING TO WATCH
TOWANDA, TRINA, AND TONI

PERFORM, AND THAT'S JUST
WHAT I'VE ALWAYS WANTED TO DO.

WHO WANTS TO SING
TO "DO-WOP-POP-POP"

IN A CITY LIKE THAT--
SHE DOESN'T.

OKAY, PHONE HER, OKAY,
I'LL MAKE THOSE ARRANGEMENTS.

TRINA, YOU
JUST DID A VIDEO.

- I WANNA SEE IT.
- ME TOO, TONE.

YOU KNOW WHAT?

IT'S GOING TO BE GREAT--
I'M REALLY EXCITED.

WHAT'S THE THEME--
WHAT'S THE VIDEO ABOUT?

PARTYIN' AND GOIN' HOME.

IT'S ABOUT DRINKIN'
AND FUN--

TRINA HAD A-- SHE HAD A HUMAN
RUSSIAN ROULETTE TABLE.

A ROU-ROULETTE TABLE.

- WHAT'S A HUMAN--
- LIKE A BOY?

LIKE, LIKE, YOU
COULD ACTUALLY--

LIKE A HUMAN PERSON
COULD ACTUALLY BE ON IT.

- LIKE, A--
- YOU KNOW, LIKE,

WHEN-- IN VEGAS, AND THERE'S
LIKE THE ROULETTE TABLE?

MM-HMM.

IT'S A ROULETTE TABLE
AND I'M THE BALL.

- I CAN'T WAIT TO SEE IT.
- IT'S REALLY FUN.

CAN YOU SING THE HOOK
SO I CAN REMEMBER IT?

GOT SOME DRINK IN MY CUP

TAKIN' ME TO MY ZONE.

IF YOU DIDN'T COME THE PARTY
THEN YOU BETTER GO HOME

OH OH BABE YOU
BETTER GO HOME

IF YOU DIDN'T COME TO PARTY
THEN YOU BETTER GO HOME

YEAH.
- OKAY, THAT SOUNDS HOT.

- IT'S ACTUALLY--
- SO, I JUST WANT

YOU TO KNOW THAT YOUR
BIG OL' BEEHIVE BUTT--

IT'S ALL OVER MY
MODELESQUE LIFE.

ALL OVER MY VIEW.

WHY DO YOU CALL-- WHY DO
SAY SHE HAS A BEEHIVE BUTT?

TOWANDA WALKS LIKE A BEE.

WHY DOES SHE SAY-- WHY
DO YOU WALK LIKE A BEE?

HOW DOES A BEE WALK--
SHOW ME HOW A BEE WALKS.

BEES-- THEY WALK AND THEIR
BUTT SWAYS LIKE THIS.

BECAUSE THOSE OF US THAT
ARE MODELS, DON'T GET THAT.

I CAN'T TAKE IT-- I-I-I
GOTTA MAKE THE ARRANGEMENTS

SO WE CAN GO TO SAINT LUCIA
BEFORE WE LOSE THE FLIGHTS.

YOU AIN'T MAKIN'
NO PHONE CALLS.

WELL, I WANT TO
ASSIST THE ASSISTANT.

YOU AIN'T
ASSISTIN' NOBODY.

HEY, BOO.

- HEY, HOW ARE YOU?
- GOOD, HOW ARE YOU?

GOOD-- YOU, TOO.

SO, WHAT'S UP?

I WAS A BIT SURPRISED WHEN
GABE CALLED MY OFFICE

TO SET UP AN
APPOINTMENT TO SEE ME.

I DON'T KNOW EXACTLY
WHAT IT'S ALL ABOUT,

BUT I'M WILLING
TO SEE HIM

AND I'M WILLIN' TO TALK.

WELL, I JUST WANTED TO, UH,
COME AND TALK TO YOU

AND SEE WHAT
YOU THOUGHT,

UM... I'VE JUST BEEN
TRYIN' TO STAY FOCUSED,

DO WHAT I NEED TO DO, AS
FAR AS WITH ME AND TRINA.

I'M SEEKIN' ADVICE FROM MOM
ABOUT MY MARRIAGE

BECAUSE I THINK
SHE KNOWS TRINA,

AND, UH, I THINK
SHE CAN POINT ME

IN THE RIGHT DIRECTION

ON HOW TO MAKE MY
MARRIAGE A SUCCESS.

I WANTED TO SEE IF YOU HAD
ANY ADVICE AS FAR AS

HOW I SHOULD TRY TO FIX
OR REPAIR OUR MARRIAGE.

POOR GABE HAS NOT
GIVEN UP ON TRINA,

AND WHATEVER GABE AND TRINA
NEED, I'M WILLIN' TO HELP.

TO ME, IT'S KINDA LIKE,
"OKAY, WHERE DO I GO NOW?"

I KNOW ONE THING THOUGH,

I KNOW I WANT MY
MARRIAGE TO WORK, SO--

I'M GLAD-- I'M GLAD.

I'M FIGHTING FOR THE LIFE
OF MY MARRIAGE RIGHT NOW,

AND TO TRINA, IT FEELS
LIKE, THE MARRIAGE IS OVER.

I JUST WISH SHE WOULD GIVE
ME ANOTHER CHANCE

TO SHOW HER THAT
I'VE CHANGED

AND THAT I'M MAKIN'
POSITIVE MOVES

TO MAKE OUR
MARRIAGE WORK.

YOU KNOW, UM,
GABE, I LIKE YOU.

THANKS.

YOU KNOW, SOMETIMES
I GET UPSET WITH YOU,

I MEAN,
I'M JUST SAYIN'.

BUT I LIKE YOU, AND SOMETIME
WE GO THROUGH THESE THINGS

SO WE CAN LEARN,
SO WE CAN GROW.

YOU WANNA
CHANGE YOUR LIFE.

IT'S ABOUT FEELING
GOOD ABOUT ONESELF.

YOU KNOW, FIRST OF ALL,
YOU HAVE TO CHANGE

YOUR WAY OF THINKING.
- OKAY.

SOMETIME YOU HAVE TO MAKE
A CHANGE PHYSICALLY ALSO,

AS WELL AS INWARDLY.

I'M REALLY ANXIOUS IN
SEEING HOW COMMITTED HE IS

'CAUSE IF HE'S
NOT COMMITTED,

IT'S JUST NOT GOING
TO WORK, AT ALL.

YOU KNOW, IF WE WANT TO
START OUR LIFE OVER

AND START SOMETHING ELSE
AND DO SOMETHING ELSE

A LITTLE DIFFERENTLY, WE
HAVE TO CHANGE OURSELF

ON THE OUTSIDE ALSO.

YOU KNOW, WHEN ANYONE SAYS,
"OH, THAT'S JUST GABE,"

NO, NO.

THIS IS THE NEW
GABE-- THE NEW YOU.

YEAH, YOU'RE RIGHT.

YOU KNOW, A HAIRCUT,
SHAVIN', WHOO!

SHE MAY JUST LIKE THAT.
- YEAH.

I'M ALREADY MAKING
TRANSFORMATIONS INSIDE.

MENTALLY, EMOTIONALLY,
I'M ALREADY DOING THE THINGS

THAT I NEED TO DO,

SO, UM, I'LL DEFINITELY
TAKE HER ADVICE

ON CHANGIN' MY
PHYSICAL APPEARANCE.

THIS'LL BE A GOOD OPPORTUNITY
FOR ME TO TRY SOMETHING ELSE

AND HOPEFULLY IT OPENS
THE DOOR FOR THINGS.

I THINK YOU
SHOULD GO FOR IT.

OKAY.

DO WHAT YOU NEED TO DO,
AND MAKE A BRAND NEW YOU.

- SOUNDS GREAT.
- ALL RIGHTY?

- ALL RIGHT.
- OKAY, BOO.

ALL RIGHT.

YOU READY TO CLAP IT?

OH, MY GOD, AM I EVER.

TAMAR, YOU READY TO,
UH, CLAP, CLAP, CLAP,

WHOO, WHOO, WHAT,
WHAT, POP, POP?

WE'RE BACK IN ATLANTA,
AND TAMAR, TONI, AND TRACI

DECIDES TO COME INTO TOWN TO
VISIT MOMMY FOR A FEW DAYS.

SINCE WE'RE GOING
TO SAINT LUCIA,

I FIGURED THAT ALL OF
THE GIRLS NEEDED TO GET TOGETHER

TO GO TO A
BOOTY CLAPPIN' CLASS

TO GET OUR
BOOTIES IN SHAPE.

I MEAN, TRINA IS STUCK
IN THE EDITING ROOM,

SO SHE CAN'T ATTEND,
BUT THIS IS, LIKE,

ONE OF THE TIMES THAT
I THINK THAT WE LOVE

TO GET TOGETHER
AND DO CRAZY THINGS.

I'MA CLAP IT, TOO.

I KNOW I KNOW HOW
TO DO MOST OF THEM.

I NEED TO BRUSH
UP ON MY SKILLS.

NO MATTER HOW BIG OR SMALL
YOUR BOOTY IS,

YOU CAN ACTUALLY
MAKE IT CLAP,

AND IT SOUNDS
LIKE THIS.

ALL RIGHT,
SO WELCOME EVERYBODY.

YOU'RE HERE FOR A
BOOTY CLAP LESSON.

MY NAME IS FIRESTARTER.

I'M YOUR INSTRUCTOR
FOR TODAY.

ALL RIGHT, NOW, GRAB
A HOLD OF YOUR POLE.

SO, EVERYBODY STAND WITH
A FEET HIP DISTANT APART.

HERE-- OKAY?

SALT SHAKIN' MEANS YOU'RE
SHAKIN' DOWN, OKAY?

SO DON'T GIVE ME
UP DOWN-- UP DOWN.

GIVE ME JUST
DOWN, DOWN, DOWN.

DOWN, DOWN,
DOWN, DOWN, DOWN.

DOWN DOWN.

YOU GOT IT?

THERE YOU GO!

NOW, WE'RE READY TO GET
DIRTY AND FILTHY, YES?

- I WANNA GET FILTHY!
- FILTHY, ALL RIGHT!

WHEN I GOT THERE,
I WAS A LITTLE HESITANT,

BECAUSE I TOOK A CLASS
WHEN I HAD TO DO THE VIDEO

"HANDS TIED,"

AND IT WAS VERY "PLAYBOY
PLAYMATE OF THE MONTH,"

BUT THIS CLASS WAS LOOKIN'
A LITTLE "HUSTLER,"

SO I WAS
LIKE, "EH."

OH, LOOK,
SHE'S A BIT O.C.D.

SO, WE HAVE
ONE LAST MOVE.

ARE YOU READY, FRED?

COMING UP ON
"BRAXTON FAMILY VALUES..."

THAT DON'T LOOK GOOD--
THAT'S NOT A GOOD LOOK.

YEAH, WHERE'S
TRACI'S CIGAR?

BASICALLY, TRACI
WAS BEHIND YOU.

OH!

THAT IS SOME
BULL .

HELL,

HELL, NAH.

TONI IS IN A BOOTY
CLAPPIN' CLASS.

SHE IS SANITIZING
THE POLE.

I'M GONNA MAKE SOME
BUSINESS CARDS THAT SAYS

"TONI BRAXTON,
THE BOOTY CLAPPER."

YES, MY DEAR?

UM, WHAT DO YOU DO IF YOU
DON'T HAVE ENOUGH BOOTY?

YOU KNOW WHAT?

AS LONG AS YOU GOT A CRACK,
YOU CAN WORK IT OUT, OKAY?

THAT DON'T LOOK GOOD--
THAT'S NOT A GOOD LOOK.

YANG-YANG-YANG-YANG
YANG-YANG-YANG-YANG.

AND WINKY,
FIVE-SIX-SEVEN-EIGHT.

ALL RIGHT.

TONI IS NOT THE
BEST BOOTY CLAPPER.

I PUT HER TO SHAME.

NO, MA'AM, BABY,
THAT AIN'T YOU.

YES AND YES-- POW.

GOOD-GOOD-GOOD--
YES-YES-YES.

BOW, BAM, BAM.

YES, IT'S GOIN'
HOUND BACK THERE.

OH, IT'S GOIN'
BANANAS-- UH-OH.

I FEEL LIKE
A 'HO ALL READY.

THROW IT ON YOUR BACK--
HEY, THROW IT ON YOUR BACK.

HEY, THROW IT
ON YOUR BACK.

TRACI WAS GOOD.

TRACI IS REALLY GOOD
AT BOOTY CLAPPIN'.

SHE GOT A BIG
OL' BOOTY.

BOUNCE-BIGGITY-BOUNCE-BOUNCE
BOUNCE-BIGGITY

BOUNCE-BOUNCE, RIGHT?

SHE READY-- SHE
KNOW WHAT TO DO

WHEN IT'S TIME TO GET
FILTHY AND DIRTY.

I DID IT!

I AM SO DISGUSTED.

IF I HAD TO CHOOSE WHO
WAS THE BEST BOOTY CLAPPIN'

OUT OF ALL MY SISTERS.

UH-OH, YEAH!

ALL RIGHT, YA'LL MAKE
SOME NOISE YOURSELVES.

I WOULD HAVE TO RAISE MY
HAND, BECAUSE THAT WAS ME.

YES, IT WAS ME--
IT WAS ME.

SEE THAT?

OH, YA'LL MAKE
SOME NOISE FOR HER.

SHE WORKIN' IT OUT.

YES, I WALKED THE DOG.

MMM-HMM-- I DID.

OH!

I CANNOT BELIEVE TOWANDA
HAD THAT UNDERCOVER 'HO

THING GOIN' ON, LIKE, WHAT SHE
DOIN' SHAKIN' IT LIKE THAT.

WHERE SHE LEARN THAT?

GOTTA GET MY--

JUST WALK FASTER.

I AM.

- TRINA.
- HI!

KNOCKA-KNOCKA KNOCK.

MY MUSIC VIDEO IS
STILL BEING EDITED,

BUT TRACI AND I ARE GOING
TO DEREK'S STUDIO, TODAY,

TO TAKE A SNEAK PEAK OF
SOME OF THE FOOTAGE.

I NEED TO KNOW THAT
I DIDN'T JUST FLUSH

A WHOLE LOT OF MONEY
DOWN THE TOILET

ON A VIDEO THAT'S
UNWATCHABLE.

ALL RIGHT, SO,
ERIK, LET'S GO--

LET'S GO THROUGH THE FIRST--
- OH, LOOK AT ME.

YEAH, THE ROULETTE
LOOK REAL GOOD.

SEE, WASN'T THAT
A GOOD IDEA?

IT WAS A GREAT IDEA.

IT'D LOOK BETTER IF
WE HAD SOME DICE.

AND THERE'S WHERE
IT ALL BEGINS.

SO, THIS'LL BE YOUR
OPENIN' SCENE, RIGHT HERE.

YOU LOOK LIKE YOU'RE GETTING
READY TO SPANK SOMEBODY.

- YES.
- SHE HAD THE WHIP.

MMM-HMM.

LIKE, COME OVER HERE
AND KISS MY TOES.

ALL RIGHT, ISRA-ISRAEL
TURNED OUT TO BE

A NICE LOOKIN' EDITION.

YOU'D BE OKAY WITH LIKE,
AN ON SCREEN KISS

OR SOMETHING LIKE THAT?

- YEAH, THAT'S PAR.
- LET ME SEE.

HE IS A Y-E-S.

IS THAT DRY HUMPIN'?

NO, WE WERE
NOT DRY HUMPING.

FIRST OF ALL, GABE--
REMEMBER, GABE WAS LIKE,

"YOU GOTTA BE
MORE AGGRESSIVE.

"YOU GOTTA GRAB-A,
HOLD-A, SQUEEZE-A."

- THAT'S WHAT HE SAID?
- GIRL-- YES.

GABE WAS LIKE TRYING TO
GIVE HIM INSTRUCTIONS

ON HOW TO HOLD ME
AND HOW TO GRAB ME.

GIRL, WELL
HE WOULD KNOW.

STAY WITH IT.

THAT'S UNFLATTERING.

DO YOU SEE THAT,
THE-THE BELLY?

NO, IT'S NOT.

- YEAH, YOU SEE--
- 'CAUSE I SEE MINE.

- TRACI, CAN WE FOCUS ON--
- OKAY-- OKAY!

DO YOU SEE THE--
SEE THE BUMP?

- RIGHT HERE?
- NO.

SHE DIDN'T-- SHE'S NOT TALKIN'
ABOUT THE CAMEL HOOF.

SHE TALKIN' ABOUT--

OH, MY BAD.

TRINA, YOUR BOOBIES
LOOK GOOD, THOUGH.

DON'T THEY-- THAT WAS
A GREAT INVESTMENT.

MA-MA.

DIDN'T I HAVE A CIGAR
SOMEWHERE IN THIS SCENE?

YEAH, WHERE'S
TRACI'S CIGAR?

BASICALLY, TRACI
WAS BEHIND YOU.

OH!

SO YOU CAN SEE HER,
BUT YOU HAVE TO LOOK.

OH, I GOT A QUICKIE?

YOU GAVE ME A
QUICKIE, REALLY?

NAH, IT'S NOT
LIKE THAT AT ALL.

I GOT YOU.

I GOT YOU.

MY CIGAR IS NOT
IN THE DAMN VIDEO.

THAT IS SOME
BULL .

HOW AM I NOT GOIN' TO HAVE
MY CIGAR UP IN THE VIDEO?

THAT'S THE HOTTEST THING--
COME ON, NOW.

WATCH.

YOU'RE GONNA GIVE EYE CONTACT--
THERE YOU GO, TRACI.

TRACI, THERE'S
YOUR CAMEO MOMENT.

LOOK AT YOU-- THEY SAVED
THE BEST FOR LAST.

THAT'S WHAT HAPPENED.

THANK YOU FOR THAT
CHEESEBURGER.

I APPRECIATE IT.

LOOKIN' GOOD.

THAT CIGAR WAS HOT.

YEAH, I THINK
IT'S A GOOD START.

YEAH.

I AM SO EXCITED.

THE WARDROBE WAS HOT,
THE SET WAS HOT,

THE DANCERS WERE HOT.

HOWEVER, WE STILL HAVE
A LITTLE BIT MORE

EDITING TO DO, AND
I HAVE TO GO THROUGH

THE BIG TEST OF SHOWING
TAMAR AND TONI,

WHO ARE MY BIGGEST
CRITICS EVER.

I THINK I'M MORE NERVOUS
ABOUT SHOWING THEM

THAN I WAS FOR
THE ACTUAL VIDEO SHOOT.

ALL RIGHT, GUYS,
THANK YOU-- THANK YOU.

ALL RIGHT, I'M EXCITED.

I AM TOO.

NICE TO MAKE
A HIT VIDEO.

HEY, YOU.

- HOW'RE YOU DOIN'?
- GOOD- GOOD.

HOW ARE YOU?
- DOIN' PRETTY GOOD.

IF GABE IS SERIOUS ABOUT
GETTING TRINA BACK,

THEN I WILL HELP HIM
TO GET THIS MAKEOVER

FROM THE OUTSIDE
SO THAT IT CAN REFLECT

THE INSIDE
THAT HE HAS.

AND FOR GOD SAKES, WE'RE
GONNA GET RID OF THIS THING

THAT'S HANGING
DOWN FROM HIS HEAD.

SO, WE'RE GONNA TAKE
A LITTLE OFF THE TOP?

WELL, NO.

WE GONNA DO THAT A
LITTLE MORE THAN THAT.

DO YOU THING.

I HOPE TRINA LIKES IT.

SHE ALWAYS SAYS I HAVE
TOO BIG OF A FACE FOR--

TO HAVE SHORT HAIR,
WHICH I DON'T UNDERSTAND

BECAUSE I ALWAYS
WEAR IT IN A PONYTAIL.

YEAH, I DON'T-- I DON'T
KNOW ABOUT ALL THAT.

DON'T WORRY,
SHE'LL LIKE IT.

HOW LONG HAVE YOU BEEN
WEARING YOUR HAIR

IN A PONYTAIL?

PROBABLY FIVE YEARS.

AND HOW OPPOSED
ARE YOU TO

HAVING IT PRETTY
SHORT, TODAY?

COME ON--
COME ON-- JUST TRY.

IT'S WHATEVER YOU
THINK LOOKS BEST,

AND WHATEVER MOM
THINKS LOOKS BEST.

YEAH, AND NOT ONLY THAT, BUT
HE'S GONNA NEED A RINSE,

'CAUSE I WANT
THAT GRAY OUT.

WHAT GRAY?

- YOU GOT A LITTLE GRAY.
- I DON'T SEE NO GRAY.

YOU GOT A LITTLE GRAY
GOIN' ON OVER THERE.

- DONE AND DONE.
- GOOD-- THANK YOU.

ALL RIGHT, LET'S SEE HOW
WE'RE GONNA WORK THIS.

YOU KEEP THIS AND YOU'RE
REALLY NOT GONNA NEED

THAT AFTER TODAY.

AND, WHEN YOU CUT IT,
I NEED THAT FOR MY WEAVE.

YOU LOOK KINDA CUTE.

MEXICAN NINJA?

LET ME SEE-- OH,
YEAH, YA'LL WOULD HAVE

A CUTE LITTLE GIRL.

OH, YEAH.

AND THEN WE GET RID
OF THAT FACIAL HAIR.

OH, MY GOD--
YOU KNOW WHAT?

WHAT?

YOU GONNA LOOK
10 YEARS YOUNGER.

THAT SOUNDS GOOD.

ALL RIGHT, YOU READY
TO SAY GOODBYE.

- YEP-- LET'S SAY GOODBYE.
- I'M READY.

WOW, I CAN SEE A
DIFFERENCE ALREADY.

WHOO!

- ALL RIGHT.
- WOW.

- THE BIG STUFF'S GONE.
- WHOO!

- LOOK--
- CAN'T TAKE IT BACK, HUH?

NOPE, THERE'S
NO GOIN' BACK.

'CAUSE WHEN YOU
TRYIN' TO MAKE A CHANGE,

YOU GOTTA MAKE A CHANGE
MIND, HEART, SPIRIT,

AND PHYSICAL-- IT'S
GONNA WORK, YOU'LL SEE.

AND TRINA'S GONNA LOVE IT.

I DON'T KNOW IF
TRINA'S GONNA LOVE IT.

I'M TELLING YOU, TRINA'S
GONNA LOVE IT BECAUSE,

YOU KNOW WHAT?

YOU'RE GONNA COME
IN A NEW MAN.

SO, MAYBE I CAN STOP HEARIN'
THE OLD STUFF FROM HER.

YEAH-- SEE, YOU GOTTA
START SOMEWHERE.

YOU CAN AT LEAST
CUT AND GIVE ME,

LIKE, A RUGGED
LOOK, HUH?

JUST GIVE YOU THAT, LIKE,
FIVE O'CLOCK SHADOW?

I LIKE--
- NO, NO.

NO, YOU CAN'T HAVE THE
FIVE O'CLOCK SHADOW.

YOU GOTTA DO
IT RIGHT, NOW.

COME ON.
- ALL RIGHT.

WOW, GABE, YOU'RE GONNA
BE A FINE MOTOR SCOOTER.

YOU LOOK GREAT.

I DIDN'T KNOW YOU
WERE THAT ATTRACTIVE.

YOU LOOK SO GOOD.

GABE LOOKED FABULOUS.

HOWEVER, WE HAVE
ONE MORE STOP,

BECAUSE I THINK
CLOTHES MAKES A MAN.

OH, THAT'S KINDA CUTE.

OH, LET'S GO BACK HERE.

WELL, COME ON
DOWN, COME ON DOWN.

I CAN'T SEE.

THAT'S NICE.

I LIKE-- DEFINITELY
LIKE THE COLOR.

WHOA-- WHOO!

OH, YEAH,
I LIKE THIS ONE.

I MEAN, YOU'RE GONNA
BLOW TRINA MIND.

I STILL CAN'T GET
PAST MY PONYTAIL

AND MY GOATEE,
ACTUALLY.

- THAT'S A CRAZY--
- YEAH.

I CAN'T EVEN
SEE THE SUIT.

I CAN ONLY SEE SOMEBODY
ELSE I DON'T RECOGNIZE

IN THE MIRROR.

YOU GOTTA-- YOU GOTTA
THROW THE PONYTAIL AWAY.

THAT'S IT--
THAT'S GONE-- THAT'S GONE.

WE GOTTA LOOK
FROM NECK DOWN.

YOU KNOW, I THINK WE'VE GOT
THE MAN ON THE OUTSIDE

TO REFLECT THE MAN
ON THE INSIDE.

NOW, THE REST OF
IT IS UP TO GABE.

NOW, AFTER I SAY THIS,
I'M OUTTA HERE, OKAY?

I CAN'T SAY
NOTHIN' BACK?

NO, YOU CAN'T
SAY A THING BACK.

OH, LORD, OKAY.

IT'S NOT THE SUIT THAT'S
GOIN' TO CHANGE HER MIND.

BECAUSE SHE HAD TO BA--
HAD TO GAIN CONFIDENCE

IN YOU AND RESPECT AGAIN.

I'M JUST SAYIN'.
- I AGREE.

SO, YOU'RE GONNA
HAVE TO WORK ON THAT.

SO, IT MAY TAKE A
MINUTE FOR HER TO GAIN

THAT CONFIDENCE
IN YOU AND TRUST.

SO DON'T PUSH TOO HARD.
- YEAH, OKAY.

LET HER DO IT
IN HER OWN TIME.

ALL RIGHT.

YOU DO YOUR PART, AND
THINGS WILL FALL IN PLACE.

I APPRECIATE YOU
SUPPORTING ME.

OH, YOU'RE MORE
THAN WELCOME.

- NOW, GIVE ME A HUG.
- YEAH, GIVE ME A HUG.

COMING UP ON
"BRAXTON FAMILY VALUES..."

WHO IS THIS--
WHAT THE HELL?

NO, WHY?

CAN YOU LEND ME
A LISTENING EAR

INSTEAD OF AN OPEN MOUTH?
- TAMAR.

CAN

CAN I

CAN I OFFER

CAN I OFFER YOU

CAN I OFFER YOU
SOMETHING

CAN I OFFER YOU
SOMETHING TO

CAN I OFFER YOU
SOMETHING TO DRINK?

OH, I SHOULDN'T, BUT OKAY,
I WILL HAVE A GLASS OF MERLOT.

ALL RIGHT.

BE RIGHT BACK.

GABE CALLED AND
ASKED ME TO DINNER

AT A REALLY FANCY
RESTAURANT.

BUT USUALLY HIS IDEA OF
SPLURGING IS SUPER SIZING,

SO FOR HIM TO BUY ME
A MEAL OUT,

THIS MUST BE A SPECIAL
OCCASION OF SOME SORT.

THAT'S GOOD.

I'VE BEEN WAITING HERE
FOR LIKE 20 MINUTES

AND IT'S NOT LIKE GABE
TO BE LATE FOR ANYTHING.

AND FOR THE RECORD, GABE,
THIS IS NOT HELPING YOUR CASE

TO MAKE ME SIT HER
AND WAIT ALL ALONE.

- HEY.
- WHAT'S THIS?

WHAT THE HELL?

YOU'RE NOT SUPPOSED
TO LAUGH.

WHAT THE
YOU DO TO YOUR HAIR?

- YOU DON'T LIKE IT?
- NO!

WHEN I SEE GABE
WALK THROUGH THE DOOR,

MY FIRST INSTINCT IS,
"HA-HA-HA--

"HE LOOKS LIKE
A GAME SHOW HOST."

WHY YOU LOOK LIKE THIS?

ARE YOU SERIOUS?

IT DOESN'T EVEN
LOOK LIKE YOU.

WHY DID YOU DO THIS?

- YOU DON'T LIKE THE SUIT?
- I DON'T!

YOU DON'T LIKE THE SUIT
AT ALL?

YOU LOOK LIKE PAT SAJAK.

YOU KNOW, YOUR MOM
HELPED ME PICK IT OUT.

- OKAY.
- OKAY.

OH, GOD...

SO WHAT, WHAT PROMPTED
THIS CHANGE?

GOT TIRED OF SEEING
MY NAKED BODY

ALL OVER THE INTERNET.

ME TOO.

SO ANYWAY, I'VE BEEN TRYIN'
TO CHANGE WHO I AM.

YOU KNOW THAT.

- MM-HMM.
- UM, THE INSIDE OF ME.

AND I THOUGHT I WOULD CHANGE
MY PHYSICAL APPEARANCE.

I WANTED TO LET YOU KNOW
THAT I'M GONNA BE FAITHFUL

AND THAT I'LL BE
A GOOD HUSBAND

AND I'M GONNA JUST CONTINUE
WORKIN' ON OUR MARRIAGE.

HOW'D YOU END UP
WITH MOMMY?

SHE GAVE ME THE IDEA.

SHE WAS LIKE, "WHY DON'T YOU
CHANGE YOUR APPEARANCE?"

SHE VOLUNTEERED HER TIME
AND WE WENT OUT TOGETHER

AND WE TALKED
AND WE BONDED.

WHAT'D SHE SAY?

SHE THINKS WE SHOULD GET
BACK TOGETHER AND WORK ON--

- MY MOTHER SAID THAT?
- SHE DID.

MY-- EVELYN BRAXTON
SAID THAT.

YES, SHE SAID, FORGET ABOUT
WHAT EVERYBODY ELSE THINKS

AND Y'ALL SHOULD
WORK ON EACH OTHER.

SINCE MOMMY HELPED OUT
WITH GABE,

IT MAKES ME FEELS LIKE
SHE ACCEPTED HIS APOLOGY.

I'VE MADE MANY BAD CHOICES
IN OUR MARRIAGE, YOU KNOW,

BEING PHYSICALLY UNFAITHFUL,
SEXTING, CYBER TEXTING

OR CYBER CHEATING,
YOU KNOW.

I KNOW IT'S ALSO HURT
THE FAMILY AS WELL.

AND I DO THANK YOU, YOU KNOW,
FOR HUMBLING YOURSELF

LIKE THAT TO APOLOGIZE
TO THIS FAMILY.

- YEAH.
- THANK YOU.

AND THAT FELT REALLY GREAT.

I MEAN, I'M READY TO MOVE ON
WITH OUR MARRIAGE.

I'M READY FOR US TO FORGIVE
EACH OTHER AND START OVER.

SO-SO, NOW WHAT,
YOU EXPECT TO JUST WALK IN

WITH THIS NEW SUIT
AND THIS NEW LOOK

AND EXPECT ME
TO FAWN ALL OVER YOU?

THE NEW ME, YES.

I DO.

YOU CAN'T- YOU CAN'T EXPECT
ONE MOMENT IN TIME

TO CHANGE EVERYTHING.

IT JUST, IT DOESN'T--
THAT'S NOT THE WAY LIFE WORKS.

AND IT'S GONNA TAKE MORE
THAN A CUTE PAISLEY TIE.

- OKAY.
- AND A HAIRCUT

THAT MAKES YOU
LOOK LIKE JOHN SECADA.

IT'S A DIFFICULT QUESTION

WHEN YOU TAKE ABOUT
SECOND CHANCES.

IT'S ABOUT FORGIVENESS
AND SEEING IF YOU CAN

ACTUALLY WORK THINGS OUT
OR NOT WORK THINGS OUT.

I WANT TO WIPE THE SLATE
CLEAN AND START NEW.

WHY NOW-- WHY?

BECAUSE WE'RE AT THE
THRESHOLD OF DIVORCE.

LIKE, WE'RE DAMN NEAR
IN FRONT OF THE JUDGE.

BECAUSE I DON'T
WANNA LOOSE YOU.

DID YOU-- DID YOU WANNA
LOOSE ME BEFORE?

I WASN'T THINKIN'
ABOUT THAT.

I WAS THINKIN' ABOUT MY OWN
SELFISH NEEDS AT THE TIME.

I TOOK FOR GRANTED
WHAT I HAD

AND I SHOULDN'T HAD BEEN
TAKING IT FOR GRANTED.

"FOOL ME ONCE, YOU KNOW,
SHAME ON YOU.

"YOU FOOL ME TWICE,
SHAME ON ME,"

AND THEN, YOU DON'T
GET A THIRD TIME.

YOU DON'T GET
A THIRD TIME.

IT'S JUST LIKE, THAT MAKES
ME LOOK VULNERABLE

AND WEAK AND DUMB...

- I UNDERSTAND.
- WHEN PEOPLE LOOK AT ME.

"OH, SHE'S DUMB."

"OH, HE'S DONE THIS,
THAT AND THE OTHER.

"AND NOW SHE'S STILL A STUPID,
LITTLE CHICK, LITTLE BROAD

"THAT'S GONNA ACCEPT
ANYTHING HE GIVES HER."

I'VE FACED A LOT OF
RIDICULE.

YOU NEED TO GIVE ME TIME
TO KIND OF WORK THROUGH

ALL THE STUFF I NEED
TO WORK THROUGH.

OKAY, ALL RIGHT.

LET'S SAY, "OKAY, GABE,
I LIKE YOUR SUIT.

"AND I FORGIVE YOU."

SO THEN, WHAT?

I WOULD ASK YOU TO
REALLY CONSIDER GIVIN'
US ANOTHER CHANCE.

IT'S JUST A LOT
TO THINK ABOUT.

I CAN'T JUST MAKE
A DECISION TONIGHT.

OKAY.

IF YOU WOULD'VE
ASKED ME A MONTH AGO,

"WOULD I CONSIDER
GETTING BACK WITH GABE,"

YOU WOULD'VE GOTTEN
A RESOUNDING, "HELL NO!"

BUT WITH ALL THE WORK
THAT HE'S PUTTING IN

AND TRYING TO BECOME
A BETTER MAN LIKE,

GOIN' TO THERAPY AND EVEN
HIS ALEX TREBEK MAKE-OVER,

IT'S HELPIN' ME
TO REMEMBER

WHY I FELL IN LOVE WITH HIM
IN THE FIRST PLACE.

BUT WITH ALL THE HURT
THAT I STILL FEEL BIG TIME,

THERE'S STILL A LOT
TO THINK ABOUT.

LET'S JUST ENJOY
THE NIGHT.

MAYBE BY THE END OF THE NIGHT,
WE'LL BE KISSIN'--

THAT'S A BIG NEGATIVE,
SOLDIER.

AND HUGGIN'
AND RUBBIN' AND--

NUH-UH... WE WON'T
BE DOIN' THAT TONIGHT.

THAT'S WISHFUL THINKING
THOUGH BUT YOU KNOW WHAT,

THE GOOD THING IS,
YOU ARE THINKING POSITIVE.

- YOU'RE RIGHT-- I AM.
- BUT NOT TONIGHT, BOO.

TAMAR, I DID NOT JUST HOLD
THE DOOR FOR YOU.

YOU DID.

MY SISTER'S ARE
ALL STILL IN ATLANTA,

SO WE ALL GOT
TOGETHER FOR LUNCH.

AND I FIGURED I WOULD TALK
TO THEM ABOUT GABE

AND I'M SURE TAMAR HAS A FEW
NICE AND SUPPORTIVE THINGS

TO SAY ABOUT IT.

I THINK I'M GONNA GET
YOU KNOW,

FOR ST. LUCIA,

BECAUSE SHE'S GONNA
BE ON THE BEACH

WITH HER SILHOUETTE
IN THE SUNSET.

YOU GONNA WEAR A TWO-PIECE
OR A ONE-PIECE?

SHE CAN NOT WEAR
A TWO-PIECE.

SHE'S NOT GONNA JUMP OUT
IN THE OCEAN LIKE THAT.

SHE'S GONNA WEAR REALLY,
REALLY, REALLY TIGHT ONE-PIECE.

YEAH, THAT'S WHAT
SHE'S DOIN'.

WHAT ARE YOU WEARIN'
A TWO-PIECE OR ONE-PIECE?

THREE-PIECE.

SPANX.

YOU CAN'T WEAR SPANX
IN THE WATER.

- YES, YOU CAN.
- REALLY?

- YEAH.
- I DIDN'T KNOW.

AS MUCH FUN AS IT IS, I DID
NOT BRING MY SISTER'S HERE

TO TALK ABOUT SWIMSUITS.

WE'RE HERE TO
TALK ABOUT GABE.

WELL GUYS, I WANNA TALK TO
YOU ABOUT SOMETHING SERIOUS

WHILE WE'RE HERE.

- OH, LORD, WHAT?
- WHAT?

GABE DOESN'T WANNA
GO THROUGH THE DIVORCE.

NO, WHY?

MUST YOU ALWAYS
BE SO OPINIONATED.

CAN YOU EVER BE A LISTENING EAR
INSTEAD OF AN OPEN MOUTH?

TAMAR.

COMING UP, ON
"BRAXTON FAMILY VALUES..."

TRINA, DON'T BE STUPID.

DON'T COME TO ME
WITH THAT NO MORE.

I DON'T WANNA HEAR THE
"WOES, THE WHOO-WHOO-WHOO'S."

YOU SEEM LIKE YOU'RE
UNDER A LOT OF STRESS.

IT GOES WAY DEEPER
THAN THAT, TAMAR.

I HAVE TO CHANGE MY LIFE
FOR THE COMFORTABILITY

OF MY CHILDREN.

THEY'RE

THEY'RE HERE!

HEY YOU GUYS!

HOW ARE YOU?

TODAY, ME AND THE GIRLS
ARE GETTING FITTED

FOR OUR CUSTOM,
SPECIAL EAR PIECES,

WHICH IS GREAT WHEN
YOU'RE PERFORMING ON-STAGE.

IT'S GONNA HELP US SO MUCH
IN THE ST. LUCIA PERFORMANCE.

TAMAR'S NOT
PERFORMING WITH US,

BUT I THINK IT'S
A GOOD IDEA FOR HER

TO GET HER OWN EAR
FOR HER SOLO WORK.

SO WHAT WE WANNA DO
IS GET NEW IMPRESSIONS

OF THE INSIDE OF YOUR EAR.

- I'M AFRAID.
- DON'T BE AFRAID.

IT JUST ITCHES.

BUT I DON'T KNOW
IF I CAN BE QUIET

FOR FIVE TO SEVEN MINUTES--
THAT'S A LONG TIME.

THAT IS--
- OKAY, TRY NOT TO TALK, OKAY.

TAMAR CAN'T TALK.

TRACI, WE CAN SAY
WHATEVER WE WANNA SAY

AND SHE CAN'T SAY
NOTHIN' BACK!

NAH-NAH-NAH-NAH!

TAMAR-TAMAR-TAMAR-TAMAR!

OKAY, TAKE IT
OUTTA YOUR MOUTH.

- OH.
- OH, MAN.

- DANG.
- Y'ALL TRIED.

'CAUSE YOU KNEW I WAS DOWN,
BUT SHE'S BACK-- OOO!

WELL,

WELL, GUYS,

WELL, GUYS,
I

WELL, GUYS,
I WANNA

WELL, GUYS,
I WANNA TALK

WELL, GUYS,
I WANNA TALK TO

WELL, GUYS,
I WANNA TALK TO YOU

WELL, GUYS,
I WANNA TALK TO YOU GUYS

ABOUT SOMETHIN' SERIOUS
WHILE WE'RE HERE.

- OH, LORD, WHAT?
- GABE DOESN'T WANNA

GO THROUGH THE DIVORCE.
- NO, WHY?

MUST YOU ALWAYS BE
SO OPINIONATED?

CAN YOU EVER BE
A LISTENING EAR?

INSTEAD OF AN OPEN MOUTH?
- TAMAR.

I CAN'T-I CAN'T DO THEM--
I CAN'T...

DO TRINA AND GABE.

TRINA NEEDS PSYCHOLOGICAL
HELP AT THIS POINT,

IF SHE'S GOING BACK TO HIM--
FOOLERY AT ITS FINEST.

HE'S LIKE HE WANTS
TO MAKE A BETTER LIFE,

HE WANTS TO MAKE LIFE BETTER
FOR US AND FOR THE CHILDREN

AND HE KNOWS HE CAN BE A
BETTER HUSBAND AND HE KNOWS

HOW HE'S REALLY MESSED UP BEFORE
AND WANTS TO MAKE IT BETTER.

- DON'T BE NO FOOL.
- WELL, I CARE WHAT YOU SAY.

'CAUSE-'CAUSE--
LET ME JUST TELL YOU WHY.

- I'LL LISTEN.
- BECAUSE, YOU KNOW,

JUST LIKE THE LAST
TIME YOU WAS LIKE,

"WE COULD START OVER FRESH AND
THINGS CAN GO BACK TO NORMAL,"

AND HE KICKED YOU
IN THE THROAT AGAIN.

DON'T GO BACK INTO A SITUATION
WHERE YOU FIND YOURSELF

DEEPER IN THE HOLE.

YOU MAKE SURE THINGS
ARE ON YOUR TERMS.

- YES, I HEARD THAT.
- YOU MAKE SURE

THAT YOU DON'T GO BACK
OR DON'T TO ANYTHING

BECAUSE SOMEBODY
ASKS YOU TO.

BECAUSE SOMEBODY
BUYIN' YOU STUFF.

- HE AIN'T BUYIN' ANYTHING.
- NO, BUT YOU UNDERSTAND

WHAT I'M TRYIN' TO SAY--
NO, BECAUSE SOMETIMES-

BECAUSE SOMETIMES WHEN PEOPLE
KNOW THEY'RE LOSIN' SOMETHIN'

THAT'S REALLY VALUABLE
AND REALLY PRECIOUS

AND KNOW THAT THEY'RE
LOSIN' SOMETHIN',

SOMETHIN' THEY PROBABLY SHOULDA
NEVER HAD IN THE BEGININ',

THEY TRY TO PULL
OUT ALL THE STOPS

AND IT'S BULL
TO BE HONEST ABOUT IT.

DON'T GO BACK WITHOUT KNOWIN'
THAT THIS IS SOMETHIN'

THAT YOU CAN'T
LIVE WITHOUT.

IF I DON'T LIKE THE
DECISION,

AND SHE KEEP DOIN' IT
OR EVERYTHING,

WELL TRINA, YOU KNOW WHAT,
THAT'S WHAT YOU SAID LAST TIME.

DON'T EVEN COME TO ME
WITH THAT NO MORE.

I DON'T WANNA HEAR THE WOE'S,
THE WHOO-WHOO-WHOO'S.

IF TRINA AND GABE GET BACK
TOGETHER, THAT'S ON THEM.

MY SHOULDER GONNA
GET WRINKLED

WHEN SHE KEEP CRYIN'
ON MY SHOULDER.

I WANT MY SHOULDER.

AT THE END OF THE DAY,
I APPRECIATE EVERYTHING

THAT YOU GUYS SAY BUT IT
HAS TO BE MY DECISION.

IT DOES-- BUT DON'T TELL ME
BECAUSE I'M-I'M GONNA HAVE

TO KEEP HONEST WITH YOU
'CAUSE I WOULD WANT SOMEBODY

TO BE HONEST WITH ME AND I
THINK MAYBE YOU SAYIN'

THAT I'M NOT BECAUSE YOU WANT
SOMEBODY TO BE LIKE

"TRINA, DON'T BE STUPID."
- TRINA, WHAT DO YOU WANNA DO?

- I DON'T KNOW.
- SCREAM?

I'M NOT SURE.

BUT I'M GONNA GIVE MYSELF
TIME TO MAKE MY DECISIONS

FOR MYSELF.
- BUT, YOU KNOW, I'M GONNA

LET YOU DO THAT BUT YOU KNOW
WHAT I WANT YOU TO DO--

- THANK YOU.
- I WANT YOU

TO BLESS THE
PROPHET BEFORE.

- BLESS THE WHAT?
- ME, THE PROPHET.

ME-- 'CAUSE I DON'T SAID.
- GIRL, THAT'S BLASPHEMY.

- NO, THAT'S NOT BLASPHEMY.
- YOU'RE WORSE THAN ME.

A PROPHET IS WHEN SOMEBODY
SPEAKS UP AND TELLS YOU

HOW THE THING GONNA TURN
OUT AND IF YOU DO THIS--

BLESS THE PROPHET AND THEN YOU
CAN COME CRY ON MY SHOULDER.

I'M TELLING-- I'M JUST-I'M
JUST GONNA PUT THAT OUT THERE.

- BLESS THE PROPHET.
- YOU'RE NOT THE PROPHET.

AS A PROPHET, THIS PREDICTION
ISN'T EVEN THAT HARD.

GABE IS GABE.

IT AIN'T HARD TO SEE HOW
THIS IS GONNA END UP.

WE GOT TO DO WHAT'S RIGHT
FOR YOU BUT BLESS THE PROPHET.

AND BLESS THE
PROPHET'S OF OLD.

I'M GONNA NEED THE
HOSTESS TO DO HER JOB.

TING-TING.
- HI, HOW YOU DOIN'?

OH!

WOULD YOU LIKE
TO HAVE A SEAT?

- SURE.
- OKAY.

EXCELLENT--
WELCOME TO "BELLA VINO."

THANK YOU--
I WAS EXPECTING A FEMALE.

I FLEW OUT TO LOS ANGELES TO
GET IN A FEW MORE REHEARSALS

BEFORE TONI'S SHOW
IN ST. LUCIA.

TAMAR AND I, WE DECIDE TO
SIT DOWN AND HAVE A DRINK

BECAUSE I'M A LITTLE STRESSED
BECAUSE I'M STILL TRYIN'

TO FIGURE OUT
THINGS WITH GABE.

YOU SEEM LIKE YOU'RE
UNDER A LOT OF STRESS.

I'M GONNA TELL YOU ALL THE
STUFF THAT I HAVE TO JUGGLE.

AND I THANK GOD FOR
DON'T MISUNDERSTAND ME.

BUT I HAVE TO BE A MOTHER
AND, UH, WAS-WIFE.

YOU SAID A "WAS-WIFE--"
WHAT IS THAT?

I DON'T KNOW YET--
THAT'S WHAT I'M SAYIN',

I DON'T KNOW--
AND, YOU KNOW--

- SOMEBODY WHO WAS A WIFE?
- SEE, THAT'S IT,

I DON'T KNOW.
- REALLY?

WHY ARE WE STILL
TALKIN' ABOUT GABE?

WHAT ELSE DO YOU SAY ABOUT--
IT'S JUST WRETCHED.

IT'S JUST A LOT AND IT'S
JUST LIKE MY KIDS ARE SLIPPING.

- WELL, WHAT'S GOIN' ON?
- YOU KNOW, CALEB'S ACTIN'

A FOOL IN SCHOOL--
IN-IN A WAY,

I FEEL LIKE IT'S MY FAULT
BECAUSE I'M NOT THERE.

DO YOU THINK, UM, CALEB
IS KINDA ACTIN' OUT

FROM LIKE YOU AND GABE?
- YEAH.

I JUST REMEMBER WHEN MOM AND
DAD WERE HAVING PROBLEMS,

YOU KNOW, THEIR PROBLEMS
KIND OF EFFECTED ME

AND MAYBE THAT'S WHAT'S KINDA
GOIN' ON WITH YOUR KIDS.

IT GOES WAY DEEPER THAN THAT,
TAMAR BECAUSE DO YOU REMEMBER

HOW I FELT WHEN DADDY
DIDN'T COME TO MY WEDDING?

- MM-HMM.
- AND I HAD THAT UTTER

FEELING OF REJECTION--
I REALLY DON'T WANNA

PUT CALEB AND ERIC THROUGH
THAT A SECOND TIME.

YEAH, BUT YOU DON'T-YOU DON'T
WANT TO SUBJECT THEM

TO THE WRONG SITUATION.
- BUT IT'S NOT NECESSARILY

THE WRONG SITUATION,
TAMAR BRAXTON.

HE'S NOT EVEN THE FOOL
FROM OUTER SPACE ANYMORE.

SHE'S THE FOOL
FROM OUTER SPACE.

IF, REALLY, IF MY MAN IS
THAT MUCH OF A FOOLERY.

NO, HONESTLY,
I SWEAR, PLEASE...

PULL ME ASIDE AND BE
LIKE, "BOO, LEAVE... NOW...

"GET OUTTA HERE--
HE'S WRETCHED."

I JUST WANT YOU TO BE IN A
PLACE WHERE YOU ARE HAPPY.

- ME TOO.
- AND IF THAT MEANS

YOU HAVE TO, YOU KNOW,
CUT THINGS OUT OF YOUR LIFE

THAT DOESN'T MAKE YOU HAPPY,
YOU SHOULD DO THAT.

AND THAT'S WHERE
I'M AT WITH IT.

AND THAT'S WHERE
I'M AT WITH IT.

LIKE, I HAVE TO CHANGE MY
LIFE FOR THE COMFORTABILITY

OF MY CHILDREN--
AND THAT'S WHAT IT IS.

KUDOS FOR YOU, TRINA.

YOU ADULT BITCH
WITH YOUR CUTE SELF.

I WOULDN'T CRY BECAUSE
WHAT ABOUT YOUR MAKEUP.

MY MAKEUP IS A MESS AND MY
EYELASHES ARE ACTUALLY

ON THE TABLE.

THIS GONNA GET YOU THE GUYS--
WHEN THE SEE YOU LOOK HOT.

- I DO LOOK REALLY HOT THOUGH.
- I'M JUST SAYIN'.

- OKAY.
- ALL RIGHT, LET'S SEE.

I'M GONNA SIT OVER HERE.

MY MUSIC VIDEO IS FINALLY
FINISHED AND I'M SCREENING IT

FOR THE FIRST TIME WITH
TONI AND TAMAR

AND I'M EXTREMELY NERVOUS
BECAUSE THEY ARE MY

HARSHEST CRITICS
ABOUT EVERYTHING.

AND BESIDES, TONI JUST PUT OUT
A VIDEO FOR HER NEW SINGLE

AND IT'S AMAZING.

HERE WE GO--
WHITE HALLWAY, TAKE ONE.

ROLL PLAYBACK.
- DARLIN' IF YOU LOOK AT ME

YOU COULD SEE
HOW GOOD COULD BE

I CAN'T DENY IT
DAMN I KNOW IT'S STRONG

THAT YOU TURN ME ON
IT'S JUST OH-OH-OH

WHAT AM I GONNA DO
I LOVE YOU I LOVE YOU

DRIVE ME CRAZY
THINKIN' 'BOUT YOU BABY

I LOVE YOU
BUT YOU LOVE HER

DRIVE ME CRAZY
WHAT AM I GONNA DO

SO, I JUST HOPE
TONI LIKES IT.

ARE WE READY?
- I'M READY.

AND...

TAKE HER OUT.

SHE SHOULD NOT BE
IN YOUR VIDEO.

POINT, BLANK AND A PERIOD.

NO, SHE CAN'T BE
IN YOUR VIDEO.

IF YOU DIDN'T COME TO PARTY
THEN YOU BETTER GO HOME

THAT'S TOWANDA?
- YES.

YEAH GET IT RIGHT
SHE'S A POP STAR

LET'S GO

TRINA WHERE YOU AT BABY

- THAT WAS GOOD, TRINA.
- THAT WAS GOOD.

YOU KNOW WHAT IT LOOK LIKE?

IT LOOK LIKE, UM,
KESHA TOOK A SHOWER.

IT WAS GOOD.

THAT WAS WRONG ON SO
MANY DIFFERENT LEVELS.

- IT WAS GOOD.
- NO.

- IT WAS GOOD.
- KESHA'S DOPE.

SHE JUST LOOK DIRTY.
- THE ONLY THING

I COULD THINK ABOUT WAS,
"WELL WHERE'S YOUR

"LATEST VIDEO, TAMAR?

"HUH, WHAT--
WHAT WAS THAT?

"OH, YOU DON'T HAVE ONE--
OH, I SEE.

"THANK YOU."

TRINA, ONE...
TAMAR, ZERO.

YOU KNOW WHAT THOUGH, I
REALLY, REALLY LIKED THE VIDEO.

I LIKED THE SEGMENTS
THAT THEY HAD.

THEY NEED TO JUST EDIT IT
A LITTLE DIFFERENTLY.

'CAUSE THE SCENE WITH YOU IN
THE CHAIR, THE KING'S CHAIR,

IT'S TOO MUCH--
THAT SHOULD BE WHAT

THEY FLASH TO--
THAT SHOULDN'T BE THE FRAME.

THE FRAME SHOULD
BE THE CLUB.

I AM SO PROUD THAT TRINA
IS FINDING HER PLACE

IN THE SPOTLIGHT--
I WANT ALL MY SISTERS

TO BE SUCCESSFUL AND
FIND THEIR NICHE

AND FIND THEIR MOMENTS
IN THEIR CAREER.

THEY SHOULD CROP YOU DANCING
WITH THE GIRLS DIFFERENTLY

BECAUSE THERE'S SOME
BOO-BOOs ON YOUR STEPS.

I'M JUST SAYIN'.

JUST THE LITTLE THINGS
THAT'S GONNA MAKE IT

LOOK MORE PROFESSIONAL--
THAT COSTS JUST TIME,

GOIN' INTO THE STUDIO
AND HAVIN' 'EM EDIT IT.

I'M CONCERNED ABOUT GETTING
MONEY TO DO EXTRA EDITING

FOR THE VIDEO--
I'VE ALREADY DRAINED

MY BANK ACCOUNT AND GABE'S,
SO WHERE DO THEY THINK

ALL THIS MONEY IS
GONNA COME FROM?

- I THINK IT'S A GREAT VIDEO.
- I THINK IT'S CUTE.

IT'S REALLY, REALLY,
REALLY CUTE.

EDIT IT DIFFERENTLY,
THEN IT'S GONNA LOOK LIKE

A WHOLE BRAND NEW THING.

AND TAKE THAT CHICK
OUT THE VIDEO.

WAS THAT THE GIRL FROM
"AMERICA'S NEXT TOP MODEL?"

- YES.
- TAKE HER OUT.

- YES.
- WELL, SHE'S MY DJ.

NO.

SHE SHOULD NOT BE
YOUR DJ IN YOUR VIDEO.

POINT, BLANK AND
THE PERIOD.

NO, SHE CAN'T BE
IN YOUR VIDEO.

IT'S YOUR MOMENT.
- DOES SHE TAKE FROM ME?

SHE TAKE FROM ANYBODY--
SHE'S A MODEL.

SHE CAN'T MAKE IT.

YOU CAN'T HAVE A HOT GIRL
THAT'S HOTTER THAN YOU.

THAT TOOK 3.4 SECONDS TO PAN
UP HER BODY BEFORE THEY EVEN

GOT TO HER FACE,
SO YOU WANNA SAY,

"WHO THE HELL BODY IS THAT?

"OH, --
THAT'S NOT EVEN TRINA."

DO YOU THINK THE LATE, GREAT,
WHITNEY HOUSTON GOT PICTURES

OF SOME OTHER BITCHES
UP ON HER WALL?

NO-- THAT'S HOW YOU
HAVE TO LOOK AT.

- BOOM!
- BOOM.

YOU KNOW, TRINA'S A REALLY
CUTE AS CARAMEL PRETZEL

TYPE CHICK.

THERE WILL BE NO
LIGHT-SKINNED CHICKS

IN HER VIDEO IF I WAS
HER, YOU KNOW?

I'M JUST NOT HAVING ANY CARAMEL
CUTE CHICKS IN MY VIDEO.

EVERYBODY'S HIGH YELLOW.

TONI, MY SISTER, AND SHE
AIN'T EVEN ON MY WALL.

I HAVE TO SAY WITH TRINA,
SHE HAVE INSPIRED ME

TO WRITE MY OWN SONG
ABOUT HER MAN.

HE HAS

A DING-A-LING
OF STEAL

HE MUST

BECAUSE THERE AIN'T NOWHERE

ON GODS GREEN EARTH

I WOULD EVER

TAKE YOUR MAN

HE MUST HAVE

A DING-A-LING OF GOLD

OF GOLD

OF GOLD OF GOLD
OF GOLD

'CAUSE HE MUST

HAVE A DING-A-LING OF GOLD

DING-A-LING OF GOLD

GIRL, I BETTER PUT ME
A DRESS ON AND SING THAT.