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1
00:00:03,470 --> 00:00:03,569
YOU
2
00:00:03,570 --> 00:00:03,635
YOU KNOW
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00:00:03,636 --> 00:00:03,702
YOU KNOW HOW
4
00:00:03,703 --> 00:00:03,802
YOU KNOW HOW YOU
5
00:00:03,803 --> 00:00:03,869
YOU KNOW HOW YOU
SET
6
00:00:03,870 --> 00:00:03,902
YOU KNOW HOW YOU
SET ME
7
00:00:03,903 --> 00:00:04,003
YOU KNOW HOW YOU
SET ME UP
8
00:00:04,004 --> 00:00:04,036
YOU KNOW HOW YOU
SET ME UP WITH
9
00:00:04,037 --> 00:00:04,269
YOU KNOW HOW YOU
SET ME UP WITH A
10
00:00:04,270 --> 00:00:04,571
YOU KNOW HOW YOU
SET ME UP WITH A DATE?
11
00:00:04,671 --> 00:00:05,538
MMM-MMM.
12
00:00:05,638 --> 00:00:07,307
I WANT TO SET YOU UP
WITH ONE.
13
00:00:07,407 --> 00:00:08,775
YOU CAN LET
YOUR GUARD DOWN
14
00:00:08,875 --> 00:00:11,011
JUST A LITTLE BIT SOMETIMES
WHEN IT FRICKIN'--
15
00:00:11,111 --> 00:00:12,545
- SHUT THE--
- YOU'RE A STONE HEART.
16
00:00:12,645 --> 00:00:14,714
- NO, I'M NOT A STONE!
- GOSH!
17
00:00:14,814 --> 00:00:15,949
I JUST CAME IN
TO CHECK ON YOU.
18
00:00:16,049 --> 00:00:17,484
I'M FINE, TONI.
19
00:00:17,584 --> 00:00:19,886
THIS EGG RETRIEVAL
PROCEDURE IS NERVE WRACKING,
20
00:00:19,986 --> 00:00:23,223
BECAUSE I'M DOING THIS
TO HELP US HAVE A BABY.
21
00:00:23,323 --> 00:00:25,091
I HAVE MY HUSBAND
TO PROTECT.
22
00:00:25,191 --> 00:00:26,226
PROTECT?
23
00:00:26,326 --> 00:00:28,461
THERE'S MANY A CHICKS
WHO WOULD LIKE TO TRY ME.
24
00:00:28,561 --> 00:00:29,996
- OH, MY GOD.
- OKAY.
25
00:00:30,096 --> 00:00:31,431
DON'T LOOK AT US,
DON'T SMILE AT US,
26
00:00:31,531 --> 00:00:32,999
DON'T TRY TO GIVE
US THE SEXY EYES.
27
00:00:33,099 --> 00:00:34,834
DANCE--
LET'S SEE YOU DANCE.
28
00:00:34,934 --> 00:00:37,537
I AM SUPER EXCITED
TO AUDITION
29
00:00:37,637 --> 00:00:39,439
THE BACKGROUND DANCERS
FOR MY MUSIC VIDEO.
30
00:00:39,539 --> 00:00:41,975
OF COURSE,
GABE WALKS IN
31
00:00:42,075 --> 00:00:45,979
WHEN I'M INTERVIEWING
A POTENTIAL MALE LEAD.
32
00:00:46,079 --> 00:00:49,049
WE ARE THE BRAXTONS
AND YOU'LL SEE
33
00:00:49,149 --> 00:00:53,486
THAT WE AREN'T LIKE
AN ORDINARY FAMILY
34
00:00:53,586 --> 00:00:55,588
TONI TRACI TOWANDA
TRINA TAMAR
35
00:00:55,688 --> 00:00:56,756
AND MISS E
36
00:00:56,856 --> 00:00:59,492
WE'LL TEACH
YOU A THING OR TWO
37
00:00:59,592 --> 00:01:03,296
ON BRAXTON FAMILY VALUES
38
00:01:11,571 --> 00:01:12,539
YOU WANNA
SIT RIGHT HERE?
39
00:01:12,639 --> 00:01:13,473
YEAH, THAT
LOOKS GOOD TO ME.
40
00:01:13,573 --> 00:01:15,809
OH, IT HAS A
PIANO AND EVERYTHING!
41
00:01:15,909 --> 00:01:17,210
- IT'S LIKE A CHURCH PIANO.
- WOW!
42
00:01:17,310 --> 00:01:19,079
I BET YOU
IT'S OFF KEY.
43
00:01:19,179 --> 00:01:21,014
I'M SETTING TOWANDA
UP ON A DATE,
44
00:01:21,114 --> 00:01:25,752
BECAUSE I THINK
TOWANDA NEEDS TO GO OUT.
45
00:01:25,852 --> 00:01:27,720
YOU KNOW HOW YOU
SET ME UP WITH A DATE?
46
00:01:27,821 --> 00:01:29,222
BUT MINE DIDN'T WORK OUT.
47
00:01:29,322 --> 00:01:30,323
- NONE OF THEM WORKED OUT.
- UH-UH.
48
00:01:30,423 --> 00:01:32,092
BUT I WANT TO SET
YOU UP WITH ONE.
49
00:01:32,192 --> 00:01:34,994
I'M NOT WILLING TO DEAL
WITH ANYONE ELSE'S CRAP
50
00:01:35,095 --> 00:01:36,463
OTHER THAN MINE,
RIGHT NOW.
51
00:01:36,563 --> 00:01:38,198
THIS GUY YOU'LL LIKE.
52
00:01:38,298 --> 00:01:39,833
- WILL I, MOMMY?
- YEAH.
53
00:01:39,933 --> 00:01:40,867
OR WILL I BUST
OUT LAUGHING
54
00:01:40,967 --> 00:01:42,869
AND WALK OUT THE DOOR
LIKE YOU DID?
55
00:01:42,969 --> 00:01:44,137
WELL, I HAD TO!
56
00:01:44,237 --> 00:01:46,106
THAT LITTLE BOY
WAS 12-YEARS-OLD.
57
00:01:46,206 --> 00:01:47,073
HE WAS NOT 12.
58
00:01:47,173 --> 00:01:48,274
THAT LITTLE BOY
WAS 27, TOWANDA.
59
00:01:48,374 --> 00:01:50,710
- HE WAS NOT 12, MOMMY.
- I HAD TO-- THAT'S A CHILD!
60
00:01:50,810 --> 00:01:54,080
BEFORE I GO ANY FURTHER,
HOW OLD ARE YOU?
61
00:01:54,180 --> 00:01:57,617
- TWENTY-SEVEN.
- ALL RIGHTY, THEN.
62
00:01:57,717 --> 00:01:59,352
I REALLY FEEL
LIKE DOING THIS.
63
00:01:59,452 --> 00:02:00,587
WHAT-- IS THERE
MILK BACK THERE?
64
00:02:00,687 --> 00:02:02,088
IT'S A MILK--
YEAH, LET ME GET THIS ONE.
65
00:02:02,188 --> 00:02:03,990
GEEZ, 'CAUSE,
THAT'S A LOT.
66
00:02:04,090 --> 00:02:06,126
THE BOY HAD
HIS UMBILICAL CORD--
67
00:02:06,226 --> 00:02:07,393
HE'S A GROWN MAN.
68
00:02:07,494 --> 00:02:08,728
...WRAPPED AROUND HIS NECK
AND ALL THAT KIND OF STUFF.
69
00:02:08,828 --> 00:02:09,896
HE DID NOT HAVE
THE UMBILICAL CORD
70
00:02:09,996 --> 00:02:11,030
WRAPPED AROUND HIS NECK.
71
00:02:11,131 --> 00:02:12,232
- YES, HE DID, TOWANDA.
- HE WAS NOT CHOKING.
72
00:02:12,332 --> 00:02:13,500
THAT'S HOW--
THAT'S WHAT I SAW.
73
00:02:13,600 --> 00:02:15,602
YOU ARE REALLY,
REALLY UPSET ABOUT IT.
74
00:02:15,702 --> 00:02:17,470
WHAT ABOUT THE FIRST GUY--
HE WAS FUN!
75
00:02:21,708 --> 00:02:22,876
WHOO.
76
00:02:22,976 --> 00:02:25,078
- HONEY, HE WAS A DRUNK!
- BUT HE WAS FUN.
77
00:02:25,178 --> 00:02:26,679
NO, HE WASN'T
A LOT OF FUN.
78
00:02:26,779 --> 00:02:28,781
I COULDN'T WAIT TO LEAVE.
- YOU SAID YOU HAD FUN!
79
00:02:28,882 --> 00:02:30,917
WELL, I WANTED TO
SPARE YOUR FEELINGS!
80
00:02:31,017 --> 00:02:32,519
YOU DON'T GOTTA
SPARE MY FEELINGS.
81
00:02:32,619 --> 00:02:34,888
NO, I'M JUST SCARED
FOR YOU TO SET ME UP
82
00:02:34,988 --> 00:02:36,990
WITH ANYBODY ELSE--
ABSOLUTELY NOT.
83
00:02:37,090 --> 00:02:39,058
DON'T WORRY ABOUT IT--
I DON'T NEED ANYBODY.
84
00:02:39,159 --> 00:02:41,494
SHE HAS SET ME UP
WITH, YOU KNOW,
85
00:02:41,594 --> 00:02:43,796
SOME DATES THAT
WASN'T GOOD,
86
00:02:43,897 --> 00:02:45,765
BUT I WOULD NEVER DO
HER THAT WAY.
87
00:02:45,865 --> 00:02:48,067
LET ME MAKE MYSELF
PERFECTLY CLEAR.
88
00:02:48,168 --> 00:02:50,737
BUT YOU'RE YOUNG,
YOU'RE BEAUTIFUL.
89
00:02:50,837 --> 00:02:52,639
YOU GOT IT GOIN' ON.
90
00:02:52,739 --> 00:02:56,342
GO OUT...
JUST GET OUT THERE.
91
00:02:56,442 --> 00:02:59,012
SO, THAT'S WHY I'M
SETTING YOU UP.
92
00:02:59,112 --> 00:03:01,481
COME ON.
93
00:03:01,581 --> 00:03:03,650
I KNOW MOMMY IS REALLY
TRYING TO PAY ME BACK
94
00:03:03,750 --> 00:03:05,818
FOR SETTING HER UP
WITH A DRUNK
95
00:03:05,919 --> 00:03:08,788
AND A LITTLE BABY
BOY BUT, BUT I MEAN,
96
00:03:08,888 --> 00:03:09,989
I JUST THINK THAT MOMMY'S
GONNA SET ME UP
97
00:03:10,089 --> 00:03:13,860
WITH SOMEBODY WHO HAS
A KICK-STAND AND WOODEN TEETH.
98
00:03:13,960 --> 00:03:15,128
I DON'T WANNA DO THAT!
99
00:03:15,228 --> 00:03:16,763
TELL ME, EVERYTHING
YOU'RE LOOKING FOR.
100
00:03:16,863 --> 00:03:18,264
- HE'S HAVE TO BE FUN.
- OKAY.
101
00:03:18,364 --> 00:03:19,899
THEY'RE ALL LIARS,
SO, I CAN'T SAY THAT
102
00:03:19,999 --> 00:03:21,668
I DON'T-- I WANT
A MAN WHO CAN'T LIE,
103
00:03:21,768 --> 00:03:22,902
BECAUSE THEY ALL LIE.
104
00:03:23,002 --> 00:03:25,838
WANDA, WE ALL LIE
FROM TIME TO TIME.
105
00:03:25,939 --> 00:03:28,541
THERE'S NO PERFECT
PERSON, NOW.
106
00:03:28,641 --> 00:03:31,077
I GUESS I KIND
OF OWE MOMMY
107
00:03:31,177 --> 00:03:32,779
TO GO OUT
ON THIS BLIND DATE,
108
00:03:32,879 --> 00:03:33,746
BUT, YOU KNOW WHAT?
109
00:03:33,846 --> 00:03:35,548
HE BETTER HAVE
A PLATINUM CARD,
110
00:03:35,648 --> 00:03:37,083
AND HE BETTER
WINE AND DINE ME,
111
00:03:37,183 --> 00:03:38,618
BECAUSE I AM
GOING TO, LIKE,
112
00:03:38,718 --> 00:03:41,187
PUT SKID MARKS
ON HIS CREDIT CARD,
113
00:03:41,287 --> 00:03:43,957
AND AT LEAST,
I'LL HAVE A NICE MEAL.
114
00:03:44,057 --> 00:03:48,728
HERE'S TO YOU GOING
OUT ON A BLIND DATE.
115
00:03:48,828 --> 00:03:51,231
I'M SO HAPPY YOU ACCEPTED--
CLINK-CLINK-CLINK-CLINK!
116
00:03:51,331 --> 00:03:52,865
I'M SO HAPPY.
117
00:03:52,966 --> 00:03:54,500
- MMM-HMM.
- MMM-HMM.
118
00:04:02,742 --> 00:04:03,810
- WHAT'S YOUR NAME?
- EDGAR.
119
00:04:03,910 --> 00:04:04,978
IS THE FOOD GOOD, EDGAR?
120
00:04:05,078 --> 00:04:06,946
THE FOOD IS EXCELLENT,
BETTER THAN GOOD.
121
00:04:07,046 --> 00:04:07,981
- IS IT EXCELLENT?
- IT'S EXCELLENT.
122
00:04:08,081 --> 00:04:09,349
WHAT ARE YOU--
OH, OKAY!
123
00:04:11,951 --> 00:04:13,620
SO, I'VE BEEN HAVING
THE FERTILITY TREATMENTS
124
00:04:13,720 --> 00:04:15,622
FOR A FEW WEEKS
NOW, YOU KNOW,
125
00:04:15,722 --> 00:04:17,857
BECAUSE I CAN'T GET PREGNANT
THE OLD, NATURAL WAY.
126
00:04:17,957 --> 00:04:19,259
AND, YOU KNOW, ACTUALLY,
127
00:04:19,359 --> 00:04:23,062
THE DOCTOR HAS
THE GREATEST, GREATEST
INVENTION OF ALL TIMES.
128
00:04:23,162 --> 00:04:25,198
PUT THE BABIES
IN THE FREEZER,
129
00:04:25,298 --> 00:04:27,634
THIS BIG, BEAUTIFUL,
COMFORTABLE FREEZER--
130
00:04:27,734 --> 00:04:31,371
EVERYBODY'S HAPPY--
I STILL LOOK FABULOUS.
131
00:04:31,471 --> 00:04:32,972
SHE CAN STILL DROP
IT LIKE IT'S HOT
132
00:04:33,072 --> 00:04:35,275
AND PICK IT BACK UP WITHOUT
HAVING TO PEE HERSELF.
133
00:04:35,375 --> 00:04:37,543
AND, YOU KNOW,
LIFE IS GREAT.
134
00:04:37,644 --> 00:04:39,045
ARE YOU TAKING
THOSE SHOTS YET?
135
00:04:39,145 --> 00:04:41,147
WHY ARE YOU
TRYING ME TODAY?
136
00:04:41,247 --> 00:04:42,282
THAT'S NOT TRYING.
137
00:04:42,382 --> 00:04:43,283
I'M GONNA LOOK--
I'M GONNA--
138
00:04:43,383 --> 00:04:44,984
YOU HAVE A WOMAN
OF MANY TALENTS,
139
00:04:45,084 --> 00:04:47,720
OKAY?
- OKAY.
140
00:04:47,820 --> 00:04:51,190
PLEASE LEAVE
MY THING ALONE.
141
00:04:51,291 --> 00:04:54,694
OKAY, VINCE, YES, I HAVE BEEN
TAKING MY FERTILITY SHOTS,
142
00:04:54,794 --> 00:04:56,963
SO STOP ASKING ME
LIKE I AM A CHILD--
143
00:04:57,063 --> 00:05:00,400
I MEAN, I DON'T LIKE IT,
BECAUSE I HATE NEEDLES,
144
00:05:00,500 --> 00:05:02,335
BUT I'M STILL DOING IT.
145
00:05:02,435 --> 00:05:03,569
YOU THINK YOU CAN
HELP ME WITH THE SHOTS?
146
00:05:03,670 --> 00:05:05,638
I'M NOT PUTTING
NO SHOT IN YOUR BUTT!
147
00:05:05,738 --> 00:05:06,472
WHY COME?
148
00:05:06,572 --> 00:05:07,607
I DON'T WANNA
MESS UP, EITHER.
149
00:05:07,707 --> 00:05:09,709
WHY DON'T WE SEE ABOUT
GETTING YOU A NURSE?
150
00:05:09,809 --> 00:05:11,811
- WHAT SHE LOOK LIKE?
- I REALLY COULD CARE LESS.
151
00:05:11,911 --> 00:05:13,212
I'M JUST TRYING
TO HELP YOU.
152
00:05:13,313 --> 00:05:14,714
WELL, AS LONG AS
SHE OLD AND, YOU KNOW.
153
00:05:14,814 --> 00:05:16,482
SHE NOT FROM
THE UGLY TRIBE.
154
00:05:16,582 --> 00:05:17,850
WELL, THEN SHE CAN'T
COME TO MY HOUSE,
155
00:05:17,950 --> 00:05:20,286
CAUSE I HAVE
MY HUSBAND TO PROTECT.
156
00:05:20,386 --> 00:05:21,421
PROTECT?
157
00:05:21,521 --> 00:05:23,623
THERE IS MANY OF CHICKS
WHO WOULD LIKE TO TRY ME.
158
00:05:23,723 --> 00:05:25,258
- OH, MY GOD.
- OKAY.
159
00:05:25,358 --> 00:05:26,459
I'M GOING TO
TELL YOU RIGHT NOW--
160
00:05:26,559 --> 00:05:29,495
AIN'T NO CUTE, BIG OLD BOOB,
BIG OLD INJECTION SHOT,
161
00:05:29,595 --> 00:05:31,764
UM, LITTLE CHICK GOING
TO COME THROUGH MY DOORS
162
00:05:31,864 --> 00:05:34,934
TO MY, "UM, I'M HERE
TO GIVE YOU A SHOT."
163
00:05:35,034 --> 00:05:36,202
EVERYONE DOESN'T
TALK LIKE THAT.
164
00:05:36,302 --> 00:05:38,571
OR, "OKAY, VINCE,
UM, WHERE'S TAMAR?"
165
00:05:46,879 --> 00:05:48,047
I'VE NEVER BEEN
TO A NURSE LIKE THAT.
166
00:05:48,147 --> 00:05:49,716
VINCE, I'M TELLING YOU--
IT WAS A COUPLE OF NURSES
167
00:05:49,816 --> 00:05:51,184
THAT WAS COMIN' TO SEE YOU,
WHEN YOU WAS OUT OF IT--
168
00:05:51,284 --> 00:05:53,886
TAMAR, PLEASE.
169
00:05:53,986 --> 00:05:56,122
NOW, WHAT DID I DO?
- WHAT DID I DO?
170
00:05:56,222 --> 00:05:57,724
NOTHING.
171
00:05:57,824 --> 00:05:59,592
I SAW THOSE NURSES
MAKING THE PLAY.
172
00:05:59,692 --> 00:06:01,394
VINCE WAS WAY TOO
OUT OF IT TO NOTICE,
173
00:06:01,494 --> 00:06:02,995
BUT, LADIES, LET ME
TELL YOU SOMETHING.
174
00:06:03,096 --> 00:06:06,265
YOU BETTER BE ON YOUR GUARD
BECAUSE THEY WILL TRY IT,
175
00:06:06,366 --> 00:06:09,569
ESPECIALLY THE ONES IN
THOSE NURSES UNIFORMS.
176
00:06:09,669 --> 00:06:12,338
BUT IF THEY TRY TO PLAY "DOCTOR"
WITH MY HUSBAND,
177
00:06:12,438 --> 00:06:14,374
THEY'LL BE THE ONES
NEEDING MEDICAL ATTENTION--
178
00:06:14,474 --> 00:06:15,775
I TELL YOU THAT.
179
00:06:15,875 --> 00:06:18,945
AND MY NAME IS TAMAR--
SHE'S ALWAYS ON IT.
180
00:06:19,045 --> 00:06:20,380
- WHAT?
- BRAXTON HERBERT.
181
00:06:20,480 --> 00:06:21,547
BUT WHY
ARE YOU SO LOUD?
182
00:06:21,647 --> 00:06:22,548
'CAUSE YOU'RE
TRYING IT TODAY.
183
00:06:22,648 --> 00:06:23,649
I'M NOT TRYING IT.
184
00:06:23,750 --> 00:06:24,951
YOU'RE TRYING IT TODAY,
AND THE MORE YOU TRY IT,
185
00:06:25,051 --> 00:06:27,520
THE MORE I'M GOING
TO GIVE IT BACK TO YOU.
186
00:06:27,620 --> 00:06:28,688
I'M NOT TRYING IT.
187
00:06:28,788 --> 00:06:30,423
FIRST OF ALL, I WANT YOU
TO STOP SAYING "TRYING IT."
188
00:06:30,523 --> 00:06:32,325
WHY DON'T YOU BE THAT
NICE, LITTLE GIRL I MET.
189
00:06:32,425 --> 00:06:34,327
YOU USED TO GO TO, LIKE,
LOVE TO GO TO DISNEYLAND.
190
00:06:34,427 --> 00:06:35,962
YOU DON'T TAKE ME
THERE NO MORE.
191
00:06:36,062 --> 00:06:37,063
YOU'VE OUT-GROWN
YOUR BRITCHES.
192
00:06:37,163 --> 00:06:40,633
NO-- YOU HAVE
FINISHED TRICKIN'--
193
00:06:40,733 --> 00:06:41,434
YOU KNOW WHAT
I'M SAYING?
194
00:06:41,534 --> 00:06:42,335
- TRICKIN'?
- YEAH.
195
00:06:42,435 --> 00:06:43,436
I'VE NEVER TRICKED
WITH YOU.
196
00:06:43,536 --> 00:06:44,604
WHAT-- TAKING ME
TO DISNEYLAND,
197
00:06:44,704 --> 00:06:46,773
LOOKING AT ME WITH THE
DISNEYLAND STARE-- STARIN'.
198
00:06:46,873 --> 00:06:47,907
THAT WAS ONLY
40 SOME DOLLARS.
199
00:06:48,007 --> 00:06:49,208
THAT WASN'T TRICKIN'--
THAT'S REALLY TRICKIN'?
200
00:06:49,308 --> 00:06:50,543
STARIN' AT ME.
201
00:06:50,643 --> 00:06:52,678
BUY ME THE BIG
OLE' STUFFED ANIMALS.
202
00:06:52,779 --> 00:06:54,447
I DIDN'T BUY NOTHIN'--
I ACTUALLY WON THAT IN A GAME.
203
00:06:54,547 --> 00:06:56,282
OH-- OH, GOD!
204
00:06:56,382 --> 00:06:57,617
I DIDN'T BUY NOTHING
FOR YOU, OKAY?
205
00:06:57,717 --> 00:06:59,719
GETTING ON THE RIDES,
ACTING LIKE YOU ENJOYED IT.
206
00:06:59,819 --> 00:07:01,187
I DON'T GET NONE OF THAT
NO MORE.
207
00:07:01,287 --> 00:07:04,157
BECAUSE YOU'RE RUNNING YOUR
MOUTH TOO MUCH LATELY.
208
00:07:12,498 --> 00:07:13,866
SO, TRINA, ARE YOU EXCITED?
209
00:07:13,966 --> 00:07:14,567
LITTLE BABY BIT.
210
00:07:14,667 --> 00:07:15,568
- REALLY?
- MMM-HMM.
211
00:07:15,668 --> 00:07:17,236
- I'M EXCITED FOR YOU.
- I'M NERVOUS.
212
00:07:17,336 --> 00:07:19,372
THIS MUSIC VIDEO,
"PARTY OR GO HOME,"
213
00:07:19,472 --> 00:07:22,675
IS MY VERY FIRST
MUSIC VIDEO EVER,
214
00:07:22,775 --> 00:07:25,711
AND I AM PRODUCING IT
AND FINANCING IT ON MY OWN.
215
00:07:25,812 --> 00:07:28,614
SO, THERE'S A LOT ON THE LINE,
AND THIS IS MY OPPORTUNITY
216
00:07:28,714 --> 00:07:30,650
TO SHOW THE WORLD
THAT I'M NOT JUST A SINGER
217
00:07:30,750 --> 00:07:34,120
WITH A GORGEOUS FACE,
BUT I'M A POP STAR, HONEY!
218
00:07:34,220 --> 00:07:36,456
AND IT'S REALLY, REALLY
EXPENSIVE, TOO,
219
00:07:36,556 --> 00:07:39,592
SO THIS REALLY
HAS TO WORK.
220
00:07:39,692 --> 00:07:42,428
SO, FIRST OFF, I'M EXTREMELY
EXCITED ABOUT THE PROJECT.
221
00:07:42,528 --> 00:07:44,230
YEAH, ME, TOO.
222
00:07:44,330 --> 00:07:45,364
WE JUST WANT TO MAKE SURE,
FIRST OFF,
223
00:07:45,465 --> 00:07:48,301
THAT YOU'RE PLEASED
WITH THE VISION.
224
00:07:48,401 --> 00:07:51,103
TOWANDA AND I ARE MEETING
WITH THE NEW VIDEOGRAPHER
225
00:07:51,204 --> 00:07:52,472
FOR MY VIDEO.
226
00:07:52,572 --> 00:07:55,508
HIS NAME IS DEREK BLANKS, HE IS
A VERY WELL KNOWN PHOTOGRAPHER
227
00:07:55,608 --> 00:07:58,744
AND HE IS DELVING INTO THE
WHOLE MUSIC VIDEO WORLD NOW.
228
00:07:58,845 --> 00:08:01,848
HE'S PHOTOGRAPHED THE BRAXTONS
BEFORE AND WE CAME OUT VERY,
229
00:08:01,948 --> 00:08:04,383
VERY BEAUTIFUL, SO I AM HOPING
THAT HE WILL BE ABLE
230
00:08:04,484 --> 00:08:07,053
TO DO THE SAME FOR ME,
PERSONALLY, FOR MY VIDEO.
231
00:08:07,153 --> 00:08:10,256
FOR MY DANCE SEQUENCE, I WOULD
REALLY LIKE FOR MY GENTLEMEN
232
00:08:10,356 --> 00:08:12,358
BEHIND ME TO BE GAY.
233
00:08:12,458 --> 00:08:14,160
I WANT--
- AND YOU WANT TO BE FLAMING.
234
00:08:14,260 --> 00:08:15,294
YES.
235
00:08:15,394 --> 00:08:16,662
I JUST WANT THEM TO MOVE--
- LIKE HOT CAKES.
236
00:08:16,762 --> 00:08:18,130
NO, 'CAUSE I WANT THEM
TO MOVE A CERTAIN WAY.
237
00:08:18,231 --> 00:08:19,398
OKAY.
238
00:08:19,499 --> 00:08:21,534
I MEAN, LIKE, I WANT--
239
00:08:21,634 --> 00:08:23,970
I LOVE THE IDEA OF
BEING SURROUNDED BY
240
00:08:24,070 --> 00:08:28,508
A TEAM OF BUFF DANCERS,
BUT WITH A LITTLE GAY FLARE.
241
00:08:28,608 --> 00:08:31,711
I THINK IT'S DIFFERENT AND IT
MAKES ME POP OUT MORE AS A DIVA.
242
00:08:31,811 --> 00:08:34,447
SO, YOU WANT THEM ONLY TO BE
GAY GUYS BEHIND YOU DANCING?
243
00:08:34,547 --> 00:08:36,115
WELL, I MEAN, IF YOU CAN
FIND A FEW STRAIGHT ONES
244
00:08:36,215 --> 00:08:38,184
THAT-THAT DON'T MIND
MOVING LIKE THAT,
245
00:08:38,284 --> 00:08:39,986
I DON'T HAVE
A PROBLEM.
246
00:08:40,086 --> 00:08:42,522
SO, YOU DON'T WANT ANY WOMEN
DANCING WITH YOU?
247
00:08:42,622 --> 00:08:44,991
- NO, JUST ME.
- JUST HER.
248
00:08:45,091 --> 00:08:46,259
WELL, I MEAN, NO-NO-NO-NO.
249
00:08:46,359 --> 00:08:47,827
THE-THE CLUB IS GONNA HAVE AN
ARRAY OF DIFFERENT PEOPLE.
250
00:08:47,927 --> 00:08:48,895
IT'S GOING TO BE
VERY, VERY DIVERSE.
251
00:08:48,995 --> 00:08:49,795
I'M JUST TALKING ABOUT
FOR MY DANCE SEQUENCE.
252
00:08:49,896 --> 00:08:51,230
OKAY.
253
00:08:51,330 --> 00:08:53,199
WHO DO YOU THINK SHOULD BE
DANCING BEHIND HER?
254
00:08:53,299 --> 00:08:55,401
I WAS THINKING MORE OF,
LIKE, THE CLUB ATMOSPHERE,
255
00:08:55,501 --> 00:08:59,972
LIKE A VERY MIXED CROWD, LIKE
BLACK, WHITE, MALE AND FEMALE.
256
00:09:00,072 --> 00:09:01,908
STRESSING MALE AND FEMALE--
I DON'T THINK YOU SHOULD
257
00:09:02,008 --> 00:09:05,411
JUST GO SPE-SPECIFICALLY
WITH MEN DANCERS.
258
00:09:05,511 --> 00:09:06,979
ME, PERSONALLY,
I THINK IT WOULD BE DIFFERENT,
259
00:09:07,079 --> 00:09:08,080
FROM A VIDEO STANDPOINT,
260
00:09:08,180 --> 00:09:11,617
BECAUSE IT'S REALLY NEVER
BEEN DONE, LIKE,
261
00:09:11,717 --> 00:09:13,553
AS FAR AS BEING REALLY
DRESSED UP ANDROGYNOUS.
262
00:09:13,653 --> 00:09:16,188
DRESSED UP ANDROGYNOUS?
263
00:09:16,289 --> 00:09:19,592
DRESSED UP IN AN ANDROGYNISTIC
WAY, LIKE TIGHTS
264
00:09:19,692 --> 00:09:22,995
AND, YOU KNOW, GLOVES,
A HAT, AND ETCETERA,
ETCETERA, ETCETERA.
265
00:09:23,095 --> 00:09:25,164
I THINK IT--
IT HAS NEVER BEEN DONE.
266
00:09:25,264 --> 00:09:28,968
RECO IS THE STYLIST AND
ALSO THE CREATIVE DIRECTOR
267
00:09:29,068 --> 00:09:30,670
FOR MY MUSIC VIDEO.
268
00:09:30,770 --> 00:09:34,907
HE ALWAYS HAS AN OPINION, AND
IT'S USUALLY A VERY CATTY ONE.
269
00:09:35,007 --> 00:09:37,777
YOU JUST NEED TO STICK
TO COSTUMES, RECO.
270
00:09:37,877 --> 00:09:40,179
I DID REWRITE THE TREATMENT
I INITIALLY GAVE YOU
271
00:09:40,279 --> 00:09:41,213
AND TOOK
YOUR TREATMENT
272
00:09:41,314 --> 00:09:43,215
AND KIND OF DID
A WHOLE MODGE PODGE.
273
00:09:43,316 --> 00:09:45,918
I DON'T WANT TO STEP
ON NOBODY'S TOES, BUT--
274
00:09:46,018 --> 00:09:48,654
DIRECTOR, UH,
RECO CHAPPLE.
275
00:09:48,754 --> 00:09:52,124
AH, NO, IT'S CREATIVE
DIRECTOR, IT'S NOT DIRECTOR.
276
00:09:52,224 --> 00:09:53,392
UM, WHEN YOU
LOOK AT THIS,
277
00:09:53,492 --> 00:09:56,596
ALL I SEE IS TRINA
WITH THREE NAKED GUYS--
278
00:09:56,696 --> 00:09:57,830
OR BACKGROUND DANCERS.
279
00:09:57,930 --> 00:09:59,165
WHAT-- SEE, BUT
YOU HAVE TO READ,
280
00:09:59,265 --> 00:10:00,700
AND YOU HAVE TO
LOOK INTO IT AND--
281
00:10:00,800 --> 00:10:02,468
ALL YOUR FANTASTIC
IDEAS, RECO.
282
00:10:02,568 --> 00:10:05,838
I THINK YOU CAN TAKE
ABOUT FIVE PERCENT OF IT,
283
00:10:05,938 --> 00:10:07,506
MAYBE THAT'LL WORK.
284
00:10:13,112 --> 00:10:15,047
I WAS JUST WONDERING IF
YOU WOULD KIND OF STEP IN
285
00:10:15,147 --> 00:10:16,115
AND HELP ME
WITH BUDGET,
286
00:10:16,215 --> 00:10:17,516
GET IT UNDERWAY.
- I WOULD LOVE TO DO THAT.
287
00:10:17,617 --> 00:10:19,752
YOU KNOW, IT WOULD BE
A CHANCE FOR US TO BE TOGETHER.
288
00:10:23,923 --> 00:10:24,022
I
289
00:10:24,023 --> 00:10:24,122
I DON'T
290
00:10:24,123 --> 00:10:24,222
I DON'T WANNA
291
00:10:24,223 --> 00:10:24,289
I DON'T WANNA STEP
292
00:10:24,290 --> 00:10:24,422
I DON'T WANNA STEP
ON
293
00:10:24,423 --> 00:10:24,556
I DON'T WANNA STEP
ON NOBODY'S
294
00:10:24,557 --> 00:10:25,625
I DON'T WANNA STEP
ON NOBODY'S TOES,
295
00:10:25,725 --> 00:10:28,628
BUT LET'S PASS THIS OUT.
- DIRECTOR, AH, RECO SHAPELL.
296
00:10:28,728 --> 00:10:32,131
AH, NO, IT'S CREATIVE
DIRECTORS, NOT DIRECTOR.
297
00:10:32,231 --> 00:10:34,834
ALL YOUR FANTASTIC
IDEAS, RECO...
298
00:10:34,934 --> 00:10:38,170
I THINK YOU CAN TAKE
ABOUT FIVE PERCENT OF IT,
299
00:10:38,270 --> 00:10:40,773
MAYBE THAT WILL WORK.
- I'M NOT DOING Y'ALL TODAY.
300
00:10:40,873 --> 00:10:44,043
NO, I'M JUST SAYIN'
IT'S NOT ABOUT ME,
301
00:10:44,143 --> 00:10:45,411
IT'S NOT ABOUT YOU, DEREK.
302
00:10:45,511 --> 00:10:47,513
I THINK WE JUST KIND OF NEED TO
PUT OUR NUTS BACK IN OUR PANTS
303
00:10:47,613 --> 00:10:49,315
AND STOP TRYING TO FIGURE
OUT WHO GO THE BIGGEST NUTS;
304
00:10:49,415 --> 00:10:52,084
BECAUSE, IT SEEMS LIKE
YOU'RE NOT REALLY LISTENING
305
00:10:52,184 --> 00:10:53,085
TO WHAT SHE'S SAYING.
306
00:10:53,185 --> 00:10:54,587
SHE'S TELLING YOU
EVERYTHING THAT SHE WANTS
307
00:10:54,687 --> 00:10:56,389
AND YOU--
- BUT I AM LISTENING TO HER.
308
00:10:56,489 --> 00:10:59,392
LIKE, TRINA IS TELLING ME
EXACTLY WHAT SHE WANTS.
309
00:10:59,492 --> 00:11:01,927
IS THIS A HOUSE OF CHAPPLE
VIDEO OR IS THIS AH--
310
00:11:02,028 --> 00:11:04,397
NO, IT'S-- IT'S
TRINA BRAXTON'S VIDEO BUT--
311
00:11:04,497 --> 00:11:05,931
I MEAN, NO
OFFENSE, RECO...
312
00:11:06,032 --> 00:11:07,099
OKAY--
313
00:11:07,199 --> 00:11:10,436
BUT, UM, DIRECTED
BY DEREK BLANKS.
314
00:11:10,536 --> 00:11:12,004
WELL, ON THAT NOTE, YOU DON'T
HAVE TO SAY NOTHING ELSE.
315
00:11:12,104 --> 00:11:13,572
I'LL JUST BE QUIET.
316
00:11:13,673 --> 00:11:14,907
I DON'T WANT MY VIDEO
317
00:11:15,007 --> 00:11:17,843
TO BECOME A CAT FIGHT
BETWEEN RECO AND DEREK.
318
00:11:17,943 --> 00:11:21,113
NOW RECO JUST NEEDS TO
DO THE WHOLE FASHION THING,
319
00:11:21,213 --> 00:11:23,883
AND THEN COME DOWN WITH
"KEEP-YOUR-MOUTH-SHUT-ITIS"
320
00:11:23,983 --> 00:11:27,186
AND THEN LET DEREK DO
HIS JOB AS A DIRECTOR.
321
00:11:27,286 --> 00:11:28,354
I JUST WANT
TO MAKE SURE
322
00:11:28,454 --> 00:11:31,290
THAT WE ALL ACCOMPLISH
WHAT TRINA HAS SET OUT FOR,
323
00:11:31,390 --> 00:11:34,860
AND THAT SHE LEAVES HAPPY,
BECAUSE AT THE END OF THE DAY
324
00:11:34,960 --> 00:11:37,863
IT'S NOT GONNA BE LIKE
"DIRECTED BY RECO CHAPPLE."
325
00:11:37,963 --> 00:11:40,032
THEY'RE GONNA SAY,
"DIRECTED BY DEREK BLANKS."
326
00:11:40,132 --> 00:11:41,867
YOU-- YOU BROUGHT
IT UP SEVERAL TIMES.
327
00:11:41,967 --> 00:11:42,835
WE'RE READY.
328
00:11:42,935 --> 00:11:45,004
RECO, HERE'S
YOUR TREATMENT BACK.
329
00:11:45,104 --> 00:11:46,072
OH, DEREK!
330
00:11:46,172 --> 00:11:47,673
THAT'S FINE.
331
00:11:57,049 --> 00:11:58,851
- HOW YOU BEEN?
- GOOD-- HOW ARE YOU?
332
00:11:58,951 --> 00:12:00,252
OKAY.
333
00:12:00,352 --> 00:12:01,954
HOW'S YOUR MUSIC
COMING ALONG?
334
00:12:02,054 --> 00:12:03,923
IT'S COMING,
SLOWLY BUT SURELY.
335
00:12:04,023 --> 00:12:07,293
UM, DEREK BLANKS IS
GOING TO DIRECT THE VIDEO,
336
00:12:07,393 --> 00:12:09,795
BUT YOU KNOW, YOU BEING
A GREAT FINANCIAL GUY,
337
00:12:09,895 --> 00:12:12,565
I WAS JUST WONDERING IF
YOU WOULD KIND OF STEP IN
338
00:12:12,665 --> 00:12:15,768
AND HELP ME WITH BUDGET
AND MAYBE KIND OF ADD TO IT.
339
00:12:18,437 --> 00:12:19,939
EVEN THOUGH I
FILED FOR A DIVORCE,
340
00:12:20,039 --> 00:12:22,641
GABE AND I ARE
ON FRIENDLIER TERMS,
341
00:12:22,742 --> 00:12:24,176
ESPECIALLY FOR THE KIDS.
342
00:12:24,276 --> 00:12:27,113
NOW, I COULD BE A LOT
MORE FRIENDLIER WITH GABE
343
00:12:27,213 --> 00:12:28,748
IF HE WOULD JUST
COUGH UP SOME MORE CASH
344
00:12:28,848 --> 00:12:30,483
TO HELP ME PAY
FOR MY VIDEO.
345
00:12:30,583 --> 00:12:34,253
I NEED A LITTLE BIT MORE,
YOU KNOW, FINANCES
346
00:12:34,353 --> 00:12:36,455
TO HELP ME TO, YOU KNOW,
GET IT UNDER WAY.
347
00:12:36,555 --> 00:12:37,289
I WOULD LOVE TO DO THAT.
348
00:12:37,389 --> 00:12:38,257
- YEAH?
- YEAH.
349
00:12:38,357 --> 00:12:39,425
- WHY?
- I THINK IT'S A GREAT CHANCE
350
00:12:39,525 --> 00:12:41,260
FOR YOU AND I
TO GET TOGETHER
351
00:12:41,360 --> 00:12:46,899
AND WORK ON SOMETHING
AND POSSIBLY REKINDLING...
352
00:12:46,999 --> 00:12:48,601
I'M LISTENING.
353
00:12:48,701 --> 00:12:50,569
YOU KNOW, IT'D BE A CHANCE
FOR US TO BE TOGETHER.
354
00:12:50,669 --> 00:12:53,172
HOPEFULLY LET ME GET A--
GET INVOLVED
355
00:12:53,272 --> 00:12:55,207
AND SHOW MY CREATIVE
ABILITY, TOO.
356
00:12:55,307 --> 00:12:57,910
- WHAT-- WHAT-- WHAT-- WAIT.
- WHAT?
357
00:12:58,010 --> 00:12:59,845
YOUR CREA-- WHAT DO YOU
MEAN YOUR CREATIVE ABILITY?
358
00:12:59,945 --> 00:13:00,980
LIKE, WHAT DO YOU MEAN?
359
00:13:01,080 --> 00:13:02,782
LIKE, HOW MUCH DO YOU
PLAN ON PARTICIPATING?
360
00:13:02,882 --> 00:13:06,619
NO, JUST LET ME, YOU
KNOW, PROVIDE MY INPUT.
361
00:13:06,719 --> 00:13:08,854
I MIGHT TEACH THE GUY SOME
THINGS, THE VIDEO DIRECTOR.
362
00:13:08,954 --> 00:13:10,923
I MEAN-- I MEAN I HAVE
THIS ARTISTIC ABILITY--
363
00:13:11,023 --> 00:13:12,124
I UNDERSTAND THAT,
BUT WAIT, WAIT!
364
00:13:12,224 --> 00:13:15,528
YOU CAN'T GO IN THERE TRYING
TO TELL HIM WHAT TO DO.
365
00:13:15,628 --> 00:13:16,962
I WON'T.
366
00:13:17,062 --> 00:13:18,931
I'M ALL FOR IT--
LET'S DO THIS.
367
00:13:19,031 --> 00:13:20,399
OKAY.
368
00:13:31,677 --> 00:13:33,045
SO TODAY IS THE BIG DAY,
369
00:13:33,145 --> 00:13:36,182
AND I HAVE TO GO IN AND GET
SOME EGGS TAKEN OUT OF ME
370
00:13:36,282 --> 00:13:38,784
AND VINCE HAS TO
DONATE SOME SPERM,
371
00:13:38,884 --> 00:13:42,121
SO TONI IS HERE AND MY MOMMA
FLEW IN FROM ATLANTA.
372
00:13:42,221 --> 00:13:44,456
LIKE THEY'RE ACTUALLY
GOING INSIDE OF MY BODY
373
00:13:44,557 --> 00:13:47,526
TO TAKE SOMETHING OUT--
IT'S A LITTLE SCARY.
374
00:13:47,626 --> 00:13:49,028
I DON'T UNDERSTAND WHY
YOU CAN'T HAVE WATER
375
00:13:49,128 --> 00:13:50,596
AFTER 12 O'CLOCK-- WHAT
THAT HAVE TO DO WITH IT?
376
00:13:50,696 --> 00:13:51,764
BECAUSE THERE SHOULD BE
NOTHING IN YOUR STOMACH
377
00:13:51,864 --> 00:13:54,366
TO REGURGITATE WHEN
THEY DO THIS STUFF.
378
00:13:54,466 --> 00:13:56,068
I DON'T NEED TO
HAVE TUBE, THOUGH.
379
00:13:56,168 --> 00:13:57,303
I KNOW [indistinct ].
380
00:13:57,403 --> 00:13:58,771
THEY HAVE THE
BREATHING MACHINE--
381
00:13:58,871 --> 00:14:00,639
THERE'S A BREATHING MACHINE--
- TONI.
382
00:14:00,739 --> 00:14:03,209
YOU ARE NOT
DR. TONI, OKAY?
383
00:14:03,309 --> 00:14:06,078
I'M JUST LETTING YOU KNOW.
- I AM NOT-NOT DR. TONI.
384
00:14:06,178 --> 00:14:07,546
OF COURSE
I CAME HERE TODAY
385
00:14:07,646 --> 00:14:09,515
BECAUSE I KNOW
TAMAR NEEDS MY SUPPORT.
386
00:14:09,615 --> 00:14:11,817
I'M THE OLDER SISTER,
EVERYONE KNOWS THAT TONI,
387
00:14:11,917 --> 00:14:14,220
DR. TONI KNOWS BEST.
388
00:14:14,320 --> 00:14:16,121
GIVE ME YOUR PURSE--
YOU DON'T NEED YOUR PURSE.
389
00:14:16,222 --> 00:14:19,258
- CHAPSTICK--
- GIVE ME YOUR EARRINGS.
390
00:14:19,358 --> 00:14:20,459
YOU CAN'T HAVE
EARRINGS IN SURGERY.
391
00:14:20,559 --> 00:14:21,594
- I CAN.
- NO, YOU CANNOT.
392
00:14:21,694 --> 00:14:23,062
TAMAR.
393
00:14:23,162 --> 00:14:24,163
GIVE ME YOUR EARRINGS.
394
00:14:24,263 --> 00:14:25,731
SHE'S TRYING TO GO INTO
SURGERY WITH EARRINGS.
395
00:14:25,831 --> 00:14:27,833
- NO-- NO, RIGHT--
- NO.
396
00:14:30,002 --> 00:14:31,003
ALL RIGHT, LET'S GO.
397
00:14:31,103 --> 00:14:32,171
WHAT'S TAKIN' YOU SO LONG?
398
00:14:32,271 --> 00:14:33,405
EVERYBODY WANT THEM?
399
00:14:33,505 --> 00:14:36,041
NO, GIVE THEM
TO YOUR HUSBAND.
400
00:14:36,141 --> 00:14:36,909
LEAVE YOUR JACKET.
401
00:14:37,009 --> 00:14:38,010
I'M JUST GOING
TO FOLD IT, TONI.
402
00:14:38,110 --> 00:14:39,445
I JUST DON'T,
YOU KNOW--
403
00:14:39,545 --> 00:14:40,512
YOU'RE JUST
A LITTLE NERVOUS,
404
00:14:40,613 --> 00:14:41,347
- YOU'LL BE ALL RIGHT.
- YOU MAKE ME NERVOUS.
405
00:14:41,447 --> 00:14:42,715
PLEASE GIVE HER
THE COCKTAIL.
406
00:14:45,317 --> 00:14:47,019
HI, I'M READY.
407
00:14:47,119 --> 00:14:48,520
OKAY, I CANNOT BELIEVE
I'M FIXIN' TO SAY THIS,
408
00:14:48,621 --> 00:14:51,690
BUT I CANNOT WAIT
TO GET INTO SURGERY
409
00:14:51,790 --> 00:14:54,860
SO I CAN GET AWAY FROM
DR. TONI'S ASS RIGHT NOW.
410
00:14:54,960 --> 00:14:57,196
I NEED TO BE
CALM AND RELAXED
411
00:14:57,296 --> 00:15:00,132
AND SHE'S WORRYING THE HELL
OUT OF ME ABOUT EVERYTHING.
412
00:15:02,801 --> 00:15:03,636
DID SHE GO BACK YET?
413
00:15:03,736 --> 00:15:05,337
NO, SHE'S IN
THE BATHROOM.
414
00:15:05,437 --> 00:15:06,605
DOES SHE HAVE
TO GO POO?
415
00:15:06,705 --> 00:15:08,207
NO, SHE HAD TO
CHANGE HER GOWN.
416
00:15:08,307 --> 00:15:10,142
OH, 'CAUSE SHE
GETS NERVOUS.
417
00:15:10,242 --> 00:15:12,578
HEY, CHASE.
418
00:15:12,678 --> 00:15:14,647
WHAT ARE YOU
DOING BACK HERE?
419
00:15:14,747 --> 00:15:16,582
GOOD GOSH!
420
00:15:16,682 --> 00:15:17,750
I JUST CAME
TO CHECK ON YOU.
421
00:15:17,850 --> 00:15:19,451
I'M FINE, TONI!
422
00:15:19,551 --> 00:15:21,253
SHE CAME TO GIVE
YOU A BIG HUG.
423
00:15:21,353 --> 00:15:22,521
I DON'T HAVE A TUBE
DOWN MY THROAT, RIGHT?
424
00:15:22,621 --> 00:15:23,522
YOU DO NOT.
425
00:15:23,622 --> 00:15:24,890
BINGO-- TOLD YOU.
426
00:15:24,990 --> 00:15:26,025
SHE'LL BE AWAKE
AND TALKING TO ME
427
00:15:26,125 --> 00:15:27,993
WITHIN FIVE MINUTES
AFTER THE PROCEDURE.
428
00:15:28,093 --> 00:15:29,895
- OH, OKAY.
- GREAT.
429
00:15:29,995 --> 00:15:33,265
I GUESS DR. TONI ISN'T
ALWAYS RIGHT, IS SHE?
430
00:15:33,365 --> 00:15:35,067
TAMAR, YOU KNOW I HATE
THAT STUFF ON YOUR FACE.
431
00:15:39,605 --> 00:15:43,309
- HEY, DAD.
- HEY.
432
00:15:43,409 --> 00:15:47,179
- DAD, HOW ARE YOU?
- I'M GOOD.
433
00:15:47,279 --> 00:15:48,514
- HEY, YOU.
- HOW YOU DOING?
434
00:15:48,614 --> 00:15:50,549
GREAT, GREAT, GREAT.
435
00:15:50,649 --> 00:15:53,552
MY EX HUSBAND
FLEW IN INFORM MARYLAND.
436
00:15:53,652 --> 00:15:55,487
HE WANTED TO
SURPRISE TAMAR,
437
00:15:55,587 --> 00:15:59,625
SO I'M QUITE SURE THAT TAMAR
WILL BE HAPPY ABOUT IT,
438
00:15:59,725 --> 00:16:03,362
HOWEVER, HE'S NOT MY FAVORITE
PERSON-- LET'S KEEP IT REAL.
439
00:16:03,462 --> 00:16:06,765
MY ONLY CONCERN WITH
TAMAR WITH THE BABY IS,
440
00:16:06,865 --> 00:16:08,767
TAMAR FORGET THINGS.
441
00:16:08,867 --> 00:16:10,235
- NO, SHE--
- SHE'LL LEAVE THE BABY
442
00:16:10,336 --> 00:16:12,004
IN THE-IN THE
BACK-SEAT OF THE CAR.
443
00:16:12,104 --> 00:16:15,074
- NO.
- LEAVE IT AT THE AIRPORT--
444
00:16:15,174 --> 00:16:16,675
- WELL, MOTHERHOOD--
- HE SAID THE SAME THING
445
00:16:16,775 --> 00:16:19,912
ABOUT YOU, REMEMBER?
- BUT I DIDN'T LOSE MY BABIES.
446
00:16:20,012 --> 00:16:21,780
YOU DID LOSE
YOUR TELEPHONE.
447
00:16:21,880 --> 00:16:23,782
WHERE YOU TELEPHONE--
WHERE YOU TELEPHONE?
448
00:16:23,882 --> 00:16:25,217
- I DON'T KNOW.
- SEE?
449
00:16:25,317 --> 00:16:26,452
I ALWAYS LOSE MY PHONE.
450
00:16:35,127 --> 00:16:38,664
I AM SUPER EXCITED TO AUDITION
THE BACKGROUND DANCERS
451
00:16:38,764 --> 00:16:40,966
FOR MY MUSIC VIDEO,
"PARTY OR GO HOME",
452
00:16:41,066 --> 00:16:42,868
IT'S DIRECTED BY
DEREK BLANKS
453
00:16:42,968 --> 00:16:44,937
AND CHOREOGRAPHED
BY VICTOR JACKSON
454
00:16:45,037 --> 00:16:46,805
WHO'S ALSO WORKED
WITH LIL' WAYNE,
455
00:16:46,905 --> 00:16:49,441
AND DOMINIQUE AND
NOW TRINA BRAXTON.
456
00:16:49,541 --> 00:16:50,676
THANK YOU.
457
00:16:50,776 --> 00:16:51,677
CAN THEY BE NAKED?
458
00:16:51,777 --> 00:16:53,345
LIKE HALF NAKED
WITH NO SHIRT ON?
459
00:16:53,445 --> 00:16:55,414
- THAT'S COOL.
- I THINK THAT'S FUN.
460
00:16:55,514 --> 00:16:56,715
- YEAH.
- YES!
461
00:16:56,815 --> 00:16:58,117
I THINK IT SHOULD
BE JUST A PARTY.
462
00:16:58,217 --> 00:16:59,818
BASICALLY, LIGHTS ALL OVER.
- I WANT THEM TO HAVE NO SHIRTS.
463
00:16:59,918 --> 00:17:02,087
NO SHIRTS.
- OKAY.
464
00:17:02,187 --> 00:17:03,722
SO DON'T LOOK AT US,
DON'T SMILE AT US,
465
00:17:03,822 --> 00:17:05,391
DON'T TRY TO GIVE
US THE SEXY EYES.
466
00:17:05,491 --> 00:17:08,093
DANCE--
LET'S SEE YOU DANCE.
467
00:17:15,901 --> 00:17:18,737
OKAY, WE'VE CERTAINLY
GOT SOME CHARACTERS,
468
00:17:18,837 --> 00:17:20,506
AND THEY THINK
THEY'RE WORKING IT.
469
00:17:20,606 --> 00:17:24,410
THEY'RE WORKING IT ALL RIGHT
OKAY-- DON'T BE SHY NOW.
470
00:17:42,761 --> 00:17:45,097
THANK YOU, ALL, SO MUCH.
471
00:17:45,197 --> 00:17:46,532
NOW I THINK--
I MEAN, WOULD YOU SAY LIKE
472
00:17:46,632 --> 00:17:47,833
FIFTY PEOPLE
WOULD BE ENOUGH?
473
00:17:47,933 --> 00:17:49,902
- SO, 50 IS IDEAL?
- FIFTY IS IDEAL.
474
00:17:50,002 --> 00:17:51,637
SO, HOW MANY DO WE
HAVE RIGHT NOW?
475
00:17:51,737 --> 00:17:55,307
- I GOT 32 "YES."
- 18-- I HAVE 24.
476
00:17:55,407 --> 00:17:56,675
YOU HAVE A HECK
OF A LOT OF YES'S.
477
00:17:56,775 --> 00:17:58,710
I MEAN, WE ON THE
SAME PAGE IT SEEMS LIKE--
478
00:17:58,811 --> 00:18:00,479
- YEAH.
- I'M JUST THINKING VISUALLY.
479
00:18:00,579 --> 00:18:03,115
I'M THINKING ABOUT
JUST FILLING THE SPACE,
480
00:18:03,215 --> 00:18:04,183
BECAUSE THEY'RE NOT--
481
00:18:04,283 --> 00:18:06,118
EVERYBODY'S NOT
GONNA BE IN THE SHOT.
482
00:18:06,218 --> 00:18:07,386
ALL SPACE IS
NOT GOOD SPACE.
483
00:18:07,486 --> 00:18:10,289
- WELL, I HAVE TO RUN.
- OKAY.
484
00:18:10,389 --> 00:18:13,392
- LET'S STICK WITH MY 25--
- AND I FEEL LIKE YOU--
485
00:18:13,492 --> 00:18:14,993
MY 25 ARE
NON-NEGOTIABLE.
486
00:18:15,094 --> 00:18:17,129
VICTOR ACTUALLY HAD
TO LEAVE REHEARSAL EARLY
487
00:18:17,229 --> 00:18:19,898
SO HE COULD GO AND WORK WITH
THE PROFESSIONAL DANCERS,
488
00:18:19,998 --> 00:18:23,268
AND THE LOVELY RECO
HAS FILLED IN
489
00:18:23,368 --> 00:18:25,137
TO GO AHEAD AND GIVE
US THE FINAL PICKS.
490
00:18:25,237 --> 00:18:28,140
AND WE ALL KNOW THAT RECO
IS JUST SUPER EAGER
491
00:18:28,240 --> 00:18:30,375
TO GIVE HIS TWO-CENTS WORTH.
492
00:18:32,711 --> 00:18:35,881
GO, GO, GO!
493
00:18:38,016 --> 00:18:40,119
BESIDES LOOKING FOR
SOME FUN BACKGROUND DANCERS,
494
00:18:40,219 --> 00:18:43,455
I'M ALSO LOOKING FOR A YUMMY
LITTLE PIECE OF MAN CANDY
495
00:18:43,555 --> 00:18:46,358
THAT I CAN BUMP AND GRIND
WITH AS MY LEADING MAN.
496
00:18:46,458 --> 00:18:49,261
MAYBE NOT TOO MUCH GRIND,
NOT TOO MUCH BUMP,
497
00:18:49,361 --> 00:18:51,296
MAYBE JUST A LITTLE
BIT OF TONGUE ACTION,
498
00:18:51,396 --> 00:18:53,165
BUT IT'S JUST
FOR THE VIDEO.
499
00:18:53,265 --> 00:18:55,467
UM, NUMBER 46, IF YOU COULD
STAY FOR JUST A SECOND.
500
00:18:55,567 --> 00:18:58,203
THANK YOU, VERY MUCH.
501
00:18:58,303 --> 00:19:00,672
OKAY, I AM ALSO LOOKING
FOR A LEADING MALE...
502
00:19:02,374 --> 00:19:04,877
I KNEW GABE WAS GONNA
COME IN AND CHECK ON ME.
503
00:19:04,977 --> 00:19:07,012
SO I DECIDED I'M GOING TO
MESS WITH HIM A LITTLE BIT,
504
00:19:07,112 --> 00:19:09,748
BUT NOT TOO MUCH, BECAUSE I
STILL NEED TO MAKE A WITHDRAWAL
505
00:19:09,848 --> 00:19:12,151
FROM THE GABE FEDERAL
SAVINGS AND LOAN
506
00:19:12,251 --> 00:19:13,752
TO HELP FINANCE MY VIDEO.
507
00:19:13,852 --> 00:19:17,756
OKAY, HOW WOULD YOU FEEL
ABOUT, UM, TOUCHING,
508
00:19:17,856 --> 00:19:19,558
NOT IN A VULGAR WAY,
509
00:19:19,658 --> 00:19:24,496
MAYBE A SIMPLE, VERY,
VERY PLATONIC KISS.
510
00:19:24,596 --> 00:19:25,597
HOW WOULD YOU
FEEL ABOUT THAT?
511
00:19:25,697 --> 00:19:26,632
THAT'S FINE.
512
00:19:26,732 --> 00:19:28,500
YOU'D BE OKAY WITH
LIKE AN ONSCREEN KISS,
513
00:19:28,600 --> 00:19:30,602
OR SOMETHING LIKE THAT.
- YES, THAT'S FINE.
514
00:19:30,702 --> 00:19:32,004
OKAY-- LET ME SEE.
515
00:19:38,076 --> 00:19:39,077
THIS IS CUTE.
516
00:19:39,178 --> 00:19:40,579
I TOLD ANDRE I WAS
GOING OUT ON A BLIND DATE.
517
00:19:40,679 --> 00:19:43,182
AH-- NO YOU DIDN'T--
WHAT'D HE SAY?
518
00:19:43,282 --> 00:19:45,684
- WELL, GOOD FOR YOU.
- NO, HE DIDN'T.
519
00:19:45,784 --> 00:19:47,486
WHEN YOU GONNA
PUT THE BABIES IN?
520
00:19:47,586 --> 00:19:49,521
I THINK WE HAVE TO TAKE SOME
OF THE PRESSURE OFF, SO.
521
00:19:49,621 --> 00:19:50,822
OKAY.
522
00:20:01,166 --> 00:20:01,232
LET
523
00:20:01,233 --> 00:20:02,267
LET ME
524
00:20:05,804 --> 00:20:06,405
AND SOFT LIPS!
525
00:20:06,505 --> 00:20:07,539
SOUNDS GREAT TO ME.
526
00:20:07,639 --> 00:20:09,141
OKAY.
527
00:20:09,241 --> 00:20:12,211
- THAT WAS SERIOUS.
- I'M JUST CURIOUS JUST...
528
00:20:12,311 --> 00:20:13,145
THANK YOU VERY MUCH
FOR COMING OUT.
529
00:20:13,245 --> 00:20:16,014
WE'LL CALL YOU.
530
00:20:16,114 --> 00:20:19,785
HE IS A Y-E-S.
531
00:20:19,885 --> 00:20:21,620
DO I GET TO KISS
WHATEVER WOMAN I GET
TO FEEL LIKE KISSIN'?
532
00:20:21,720 --> 00:20:24,122
OH, !
533
00:20:24,223 --> 00:20:26,491
SURPRISE, SURPRISE,
IT'S GABE.
534
00:20:26,592 --> 00:20:28,227
I KNEW HE WAS GONNA POP IN
TO CHECK ON ME.
535
00:20:28,327 --> 00:20:30,195
SO I'M GONNA TAKE THIS
OPPORTUNITY TO MESS WITH HIM
536
00:20:30,295 --> 00:20:31,563
JUST A LITTLE BIT.
537
00:20:31,663 --> 00:20:32,764
CAN Y'ALL BRING IN LIKE
A LINE OF WOMEN,
538
00:20:32,864 --> 00:20:34,166
SO I CAN KISS
ON THEM, TOO.
539
00:20:34,266 --> 00:20:35,867
I BEG YOUR PARDON,
WHAT ARE YOU DOING HERE?
540
00:20:35,968 --> 00:20:36,802
ARE YOU AUDITIONING?
541
00:20:36,902 --> 00:20:37,836
NO, I'M NOT AUDITIONING.
542
00:20:37,936 --> 00:20:39,137
WHAT DO YOU MEAN
YOU'RE NOT AUDITIONING?
543
00:20:39,238 --> 00:20:40,205
I NEED A LEAD MAN.
544
00:20:40,305 --> 00:20:41,740
MY RETAINER'S IN MY MOUTH
AND EVERYTHING.
545
00:20:41,840 --> 00:20:43,675
THEN WHY ARE YOU HERE?
546
00:20:43,775 --> 00:20:46,845
TO BRING YOU SOME MONEY.
547
00:20:46,945 --> 00:20:50,015
IT WAS EXTREMELY NICE FOR
GABE TO BECOME AN INVESTOR
548
00:20:50,115 --> 00:20:52,551
FOR MY MUSIC VIDEO,
AND I APPRECIATE IT, I DO.
549
00:20:52,651 --> 00:20:55,087
BUT I ALSO KNOW THAT GABE
IS HOPING FOR US
550
00:20:55,187 --> 00:20:58,724
TO GET CLOSER TOGETHER
AND HE'S VERY JEALOUS.
551
00:20:58,824 --> 00:21:01,627
BUT I CANNOT BE WORRIED
ABOUT THAT RIGHT NOW, GABE,
552
00:21:01,727 --> 00:21:04,563
I HAVE TO FOCUS
ON THIS MUSIC VIDEO.
553
00:21:04,663 --> 00:21:06,465
THE LEADING GUY, WE JUST
NEED TO DO A SCENE WITH HIM,
554
00:21:06,565 --> 00:21:07,799
MAYBE THE DAY BEFORE.
555
00:21:07,899 --> 00:21:09,534
I NEED TO-- I NEED TO SEE
HIM BECAUSE WE CANNOT--
556
00:21:09,635 --> 00:21:11,169
WE CAN'T JUST SAY, "OKAY,
THIS IS THE LEADING GUY,"
557
00:21:11,270 --> 00:21:13,105
AND I DIDN'T SEE HIM, I HAVE
NO CHEMISTRY AND I DIDN'T--
558
00:21:13,205 --> 00:21:15,707
YOU KNOW-- AND HE WASN'T--
YOU KNOW, RIGHT, YOU KNOW?
559
00:21:15,807 --> 00:21:18,176
YEAH, GREAT MAKE OUT SCENE.
560
00:21:18,277 --> 00:21:20,646
- OKAY, COOL.
- THERE'S A MAKE OUT SCENE?
561
00:21:20,746 --> 00:21:22,381
- MAKE-OUT SCENE?
- YEAH.
562
00:21:22,481 --> 00:21:23,649
BUT WHY ARE YOU WORRIED
ABOUT WHETHER OR NOT
563
00:21:23,749 --> 00:21:24,616
THERE'S A MAKE OUT SCENE.
564
00:21:24,716 --> 00:21:25,717
HEY, WAIT, IS THERE
A MAKE OUT SCENE?
565
00:21:25,817 --> 00:21:26,618
- YEAH.
- YES.
566
00:21:26,718 --> 00:21:27,819
- THERE IS?
- YES.
567
00:21:27,919 --> 00:21:30,589
DID YOU KISS THAT GUY
WHEN HE CAME UP TO YOU?
568
00:21:30,689 --> 00:21:33,859
I AIN'T KISSING YOU
ON YOUR LIPS NO MORE.
569
00:21:33,959 --> 00:21:35,427
TALK ABOUT MY PENIS.
570
00:21:35,527 --> 00:21:37,863
I'M GONNA NEED YOU TO KEEP IT
CUTE AND PUT IT ON MUTE.
571
00:21:37,963 --> 00:21:40,265
EVERYBODY ALREADY
SEEN HIS PENIS.
572
00:21:40,365 --> 00:21:43,235
OH!
573
00:21:43,335 --> 00:21:46,371
GABE, I APOLOGIZE FOR
LAUGHING AT YOUR EXPENSE,
574
00:21:46,471 --> 00:21:50,442
WELL, ACTUALLY, NO I'M NOT--
BECAUSE THAT WAS REALLY FUNNY.
575
00:21:50,542 --> 00:21:51,376
ALL RIGHT, I'M GOING.
576
00:21:51,476 --> 00:21:52,144
ALL RIGHT,
THANKS FOR COMING THOUGH.
577
00:21:52,244 --> 00:21:53,078
THANKS FOR YOUR INPUT.
578
00:21:53,178 --> 00:21:55,180
I THANK YOU FOR
BEING, UH, UNBIASED.
579
00:21:55,280 --> 00:21:56,915
LEAVE A LITTLE SPOT RIGHT
THERE FOR ME TO KISS.
580
00:21:57,015 --> 00:21:58,717
HA-HA-HA-- YOU ACT LIKE
I'VE BEEN KISSING ON MEN
581
00:21:58,817 --> 00:22:01,186
ALL DAY LONG.
582
00:22:01,286 --> 00:22:02,421
THANKS FOR BEING UNBIASED,
OKAY.
583
00:22:02,521 --> 00:22:03,488
YOU TALKIN' ABOUT ME SHOWIN'
MY ON CAMERA,
584
00:22:03,588 --> 00:22:04,790
AND YOU KISSIN' PEOPLE.
585
00:22:04,890 --> 00:22:06,925
OH, MY GOSH!
586
00:22:07,025 --> 00:22:08,660
THE WORLD HAS SEEN IT,
SO WHO CARES?
587
00:22:20,305 --> 00:22:21,440
WE CAN COME IN.
588
00:22:21,540 --> 00:22:23,842
OKAY, TAMAR'S PROCURE'S FINALLY
DONE AND SHE'S WAKING UP
589
00:22:23,942 --> 00:22:26,244
AND I KNOW
SHE'S VERY BUZZED.
590
00:22:26,345 --> 00:22:28,547
I KIND OF WANNA MAKE SURE
SHE KNOWS THAT WE'RE THERE.
591
00:22:32,584 --> 00:22:34,419
- THEY HAVE SIX EGGS!
- SIX EGGS!
592
00:22:34,519 --> 00:22:36,188
IT'S AMAZING.
593
00:22:36,288 --> 00:22:40,859
WHEN YOU GOING TO
PUT THE BABIES IN?
594
00:22:40,959 --> 00:22:41,993
I DON'T KNOW.
595
00:22:42,094 --> 00:22:43,161
I THINK YOU HAVE TIME.
596
00:22:43,261 --> 00:22:44,663
WHY DON'T YOU WANNA
PUT THEM IN NOW?
597
00:22:44,763 --> 00:22:47,032
LIKE NEXT MONTH?
598
00:22:47,132 --> 00:22:48,133
LET'S TAKE SOME OF
THE PRESSURE OFF.
599
00:22:48,233 --> 00:22:50,302
HE'S LIKE, "NOT NOW,
FOCUS, TONI-- NOT NOW."
600
00:22:50,402 --> 00:22:52,070
OKAY, ALL RIGHT.
601
00:22:52,170 --> 00:22:54,706
I THINK GOING THROUGH
FERTILITY TREATMENTS
602
00:22:54,806 --> 00:22:56,308
VERY HIGH STRESS LEVEL.
603
00:22:56,408 --> 00:22:58,243
IT'S THE SAME STRESS AS GOING
THROUGH CANCER TREATMENT.
604
00:22:58,343 --> 00:22:59,277
OKAY.
605
00:22:59,378 --> 00:23:00,612
AND UNFORTUNATELY,
MOST OF THE BURDEN FALLS
606
00:23:00,712 --> 00:23:02,948
ON THE WOMAN,
SO I THINK WE HAVE TO TAKE
607
00:23:03,048 --> 00:23:04,015
SOME OF THE PRESSURE OFF.
608
00:23:04,116 --> 00:23:05,751
OKAY.
609
00:23:05,851 --> 00:23:10,255
FINALLY, A REAL DOCTOR PUT
DR. TONI IN HER PLACE, OKAY?
610
00:23:10,355 --> 00:23:12,724
WHENEVER YOU'RE READY,
THAT'S RIGHT.
611
00:23:12,824 --> 00:23:13,759
YOU'LL KNOW WHEN
THE TIME'S RIGHT.
612
00:23:13,859 --> 00:23:15,293
YOU'LL KNOW.
613
00:23:15,394 --> 00:23:17,796
HOW ARE VINCENT'S
SCUBA DIVERS?
614
00:23:17,896 --> 00:23:19,798
WE'LL FIND OUT
IN A FEW HOURS.
615
00:23:19,898 --> 00:23:21,833
TOMORROW, MY EGGS ARE
SUPPOSED TO BE FERTILIZED
616
00:23:21,933 --> 00:23:25,270
WITH MY BABY DADDY'S SPERM
AND THE GOAL IS TO GET
617
00:23:25,370 --> 00:23:28,774
AS MANY BABY EMBRYOS AS POSSIBLE
TO PUT IN THE FREEZER
618
00:23:28,874 --> 00:23:29,941
UNTIL I'M READY.
619
00:23:30,041 --> 00:23:32,544
I MEAN, WHICH COULD BE LIKE
15, 20 YEARS FROM NOW,
620
00:23:32,644 --> 00:23:36,148
SO THAT MEANS I CAN HAVE
MY BABIES IN YEAR 2045
621
00:23:36,248 --> 00:23:37,983
IF I WANT TO.
622
00:23:38,083 --> 00:23:39,284
TONI, WATCH MY
MAMMA'S FOOT!
623
00:23:39,384 --> 00:23:40,519
I CAN SEE THAT!
624
00:23:40,619 --> 00:23:42,154
MOMMY, DID IT
HIT YOUR FOOT?
625
00:23:42,254 --> 00:23:43,922
- ALMOST.
- DON'T BE THE PILOT.
626
00:23:44,022 --> 00:23:45,157
I'M OKAY-- TRUST ME.
627
00:23:45,257 --> 00:23:47,659
YOU WANNA PUT THIS ON?
628
00:23:47,759 --> 00:23:48,894
OKAY.
629
00:23:48,994 --> 00:23:51,263
I THINK I CAN WALK
FROM HERE.
630
00:23:51,363 --> 00:23:54,633
- THE NURSE SAID, "NO".
- SHE SAID "NO," SWEETIE.
631
00:23:54,733 --> 00:23:57,002
- ALL THE WAY OUT.
- JUST STI-- JUST, OKAY.
632
00:23:57,102 --> 00:23:59,538
JUST FOLLOW INSTRUCTIONS,
IT'LL BE ALL RIGHT.
633
00:23:59,638 --> 00:24:01,339
YOU'LL BE DROPPING IT LIKE
IT'S HOT IN NO DAYS.
634
00:24:01,440 --> 00:24:02,607
YEAH.
635
00:24:02,707 --> 00:24:04,609
JUST LET MISS DAISY
PUSH YOU.
636
00:24:09,114 --> 00:24:11,283
IT AIN'T LIKE
SHE GOT MUCH IN HERE.
637
00:24:11,383 --> 00:24:12,384
I BEG YOUR PARDON!
638
00:24:12,484 --> 00:24:14,686
WHO SAID "IT'S NOT LIKE
SHE HAS MUCH IN HERE?"
639
00:24:14,786 --> 00:24:15,821
I DID NOT SAY THAT
OUT LOUD.
640
00:24:15,921 --> 00:24:16,822
THAT'S WHAT YOU SAY?
641
00:24:16,922 --> 00:24:18,323
I THOUGHT I SAID IT
IN MY HEAD.
642
00:24:18,423 --> 00:24:21,460
WELL, YOU KNOW, EVERYBODY
KNOWS IF I WANNA LOOK DIRTY
643
00:24:21,560 --> 00:24:24,429
AND SEXY I NEED TO GO INTO
TRINA'S CLOSET BECAUSE
644
00:24:24,529 --> 00:24:27,466
DIRTY AND SEXY IS
TRINA'S MIDDLE NAME.
645
00:24:27,566 --> 00:24:30,735
BUT I HAVE TO WEAR A BRA
BECAUSE MY, UM, BOOBS
646
00:24:30,836 --> 00:24:32,571
AREN'T THAT LARGE.
647
00:24:32,671 --> 00:24:35,540
I HAVE, UM, THE-THE
STICKY PASTIES.
648
00:24:35,640 --> 00:24:37,442
IT'S GONNA MAKE MY BOOBS
LOOK BIG?
649
00:24:37,542 --> 00:24:38,443
NO, TOWANDA.
650
00:24:38,543 --> 00:24:40,378
I WANT MY BOOBS
TO LOOK BIG.
651
00:24:40,479 --> 00:24:42,581
I'M NOT NO MAGICIAN.
652
00:24:42,681 --> 00:24:43,715
WHAT ARE YOU TRYING TO SAY?
653
00:24:43,815 --> 00:24:44,883
I'M SAYING YOU GOT
LITTLE BOOBIES.
654
00:24:44,983 --> 00:24:46,618
SEE, TRINA, THAT WAS--
NOW THAT WAS A LOW BLOW.
655
00:24:46,718 --> 00:24:48,753
TOWANDA, I HAD LITTLE BOOBS,
I HAD TO GO BUY MINE!
656
00:24:48,854 --> 00:24:50,188
I DON'T WANNA BUY ANY.
657
00:24:50,288 --> 00:24:52,290
I DON'T THINK TRINA REALLY
REMEMBERS WHEN SHE HAD
658
00:24:52,390 --> 00:24:56,161
ITTY-BITTY BOOBIES, YOU KNOW,
SHE WAS A PART OF THAT CLUB.
659
00:24:56,261 --> 00:24:57,395
YOU KNOW WHAT I MEAN?
660
00:24:57,496 --> 00:24:59,564
I'M STILL A PART
OF THAT CLUB.
661
00:24:59,664 --> 00:25:03,068
SHE NEEDS TO, YOU KNOW,
SYMPATHIZE WITH ME A LITTLE BIT.
662
00:25:03,168 --> 00:25:04,135
THIS IS CUTE.
663
00:25:04,236 --> 00:25:05,270
I TOLD ANDRE I WAS GOING OUT
ON A BLIND DATE.
664
00:25:05,370 --> 00:25:07,205
NO, YOU DIDN'T!
665
00:25:07,305 --> 00:25:08,540
WHAT'D HE SAY?
666
00:25:08,640 --> 00:25:09,808
"WELL GOOD FOR YOU."
667
00:25:09,908 --> 00:25:12,177
NO, HE DIDN'T, YOU'S A LYIN',
THE TRUTH AIN'T IN YOU.
668
00:25:12,277 --> 00:25:15,046
- I REALLY DIDN'T TELL HIM.
- SO WHY YOU LIE?
669
00:25:15,146 --> 00:25:16,314
"I DON'T KNOW WHY
I TOLD THAT LIE".
670
00:25:16,414 --> 00:25:17,616
"I DON'T KNOW WHY
I TOLD THAT LIE."
671
00:25:17,716 --> 00:25:19,451
I WANTED TO SEE YOUR
REACTION!
672
00:25:19,551 --> 00:25:21,353
YOU WANTED TO LIE.
673
00:25:21,453 --> 00:25:22,454
I WANTED TO SEE
YOUR REACTION.
674
00:25:22,554 --> 00:25:23,788
WELL, ARE YOU
GONNA TELL HIM?
675
00:25:23,889 --> 00:25:25,991
FOR WHAT?
676
00:25:26,091 --> 00:25:27,526
YOU DON'T THINK HE KIND OF
HAS A RIGHT TO KNOW?
677
00:25:27,626 --> 00:25:28,693
WHY DOES HE HAVE
A RIGHT TO KNOW?
678
00:25:28,793 --> 00:25:30,896
Y'ALL SHOULDN'T HAVE THAT
TALK, "OH, BY THE WAY,
679
00:25:30,996 --> 00:25:32,030
"I'M DATING OTHER PEOPLE."
680
00:25:32,130 --> 00:25:33,465
YOU KNOW MOMMY KNOWS
A LOT OF PEOPLE,
681
00:25:33,565 --> 00:25:35,634
WHAT IF SHE GOT IN CONTACT
WITH HILL HARPER, TOWANDA?
682
00:25:35,734 --> 00:25:38,637
I'D PROBABLY WALK IN
AND WALK OUT.
683
00:25:38,737 --> 00:25:39,638
YOU WOULD STAND HIM UP?
684
00:25:39,738 --> 00:25:41,640
I MEAN, NOT-NOT
LITERALLY STAND HIM UP
685
00:25:41,740 --> 00:25:43,475
BUT I WOULD
STAND MYSELF UP.
686
00:25:43,575 --> 00:25:44,609
WHAT?
687
00:25:44,709 --> 00:25:46,711
EVEN IF I GO OUT ON A DATE
WITH HILL HARPER,
688
00:25:46,811 --> 00:25:49,948
I'M NOT MARRYING HIM TOMORROW,
I HAVE TO GET TO KNOW HIM,
689
00:25:50,048 --> 00:25:52,050
AND I'M DEFINITELY NOT GOING
TO DO THE DO-NOT DO-NOT,
690
00:25:52,150 --> 00:25:53,351
YOU KNOW WHAT I MEAN?
691
00:25:53,451 --> 00:25:55,687
IT'S GONNA TAKE A LONG TIME
FOR ME TO GET THAT COMFORTABLE
692
00:25:55,787 --> 00:25:57,322
WITH SOMEBODY,
AGAIN.
693
00:25:57,422 --> 00:25:59,324
WHAT IF YOU GUYS HAVE LIKE
A REAL CONNECTION?
694
00:25:59,424 --> 00:26:02,027
ACT LIKE I'M HILL HARPER,
"YOU KNOW WHAT, TOWANDA,
695
00:26:02,127 --> 00:26:05,230
"I REALLY HAD A NICE TIME
AND I WAS WATCHING
696
00:26:05,330 --> 00:26:06,431
"THE WENDY WILLIAMS SHOW
AND I HEARD
697
00:26:06,531 --> 00:26:07,632
"THAT YOU HAD
A CRUSH ON ME
698
00:26:07,732 --> 00:26:09,501
"AND YOU KNOW YOUR SISTER
SAID THE SAME THING,
699
00:26:09,601 --> 00:26:12,137
"BUT THIS IS REALLY ABOUT THE
CONNECTION THAT YOU AND I
700
00:26:12,237 --> 00:26:14,439
"HAD TONIGHT
AND I'M JUST WONDERING
701
00:26:14,539 --> 00:26:15,640
"IF WE CAN DO THIS AGAIN?
702
00:26:15,740 --> 00:26:16,775
"DO YOU THINK MAYBE
WE CAN DO THIS AGAIN?"
703
00:26:16,875 --> 00:26:18,476
YEAH, ABSOLUTELY WE CAN GO
OUT ON ANOTHER DATE.
704
00:26:18,577 --> 00:26:20,345
UH-HUH.
705
00:26:24,282 --> 00:26:25,350
- THAT WHAT YOU WOULD DO?
- YES!
706
00:26:25,450 --> 00:26:27,218
I DON'T KISS ON THE
FIRST DATE, I DON'T--
707
00:26:27,319 --> 00:26:29,354
WELL JUST ACT LIKE HE WAS
GONNA KISS YOU ON YOUR CHEEK.
708
00:26:29,454 --> 00:26:30,288
NO.
709
00:26:30,388 --> 00:26:31,523
TOWANDA, I HAD
A REALLY GREAT NIGHT,
710
00:26:31,623 --> 00:26:33,358
I THINK YOU'RE
GREAT AND WONDERFUL.
711
00:26:33,458 --> 00:26:34,826
HE AIN'T GONNA BE RUBBING UP
ON--
712
00:26:34,926 --> 00:26:35,961
OH-HO--
THAT'S WHAT HE WOULD DO!
713
00:26:36,061 --> 00:26:37,662
BUT WHAT IF IT'S NOT
HILL HARPER,
714
00:26:37,762 --> 00:26:38,964
WHAT IF IT'S ANOTHER MAN?
715
00:26:39,064 --> 00:26:40,765
FIRST OF ALL-- FIRST OF ALL,
TRINA, LET ME JUST TELL YOU
716
00:26:40,865 --> 00:26:42,801
SOMETHIN', I DON'T LIKE--
DON'T BE TOUCHIN' ON ME
717
00:26:42,901 --> 00:26:44,002
LIKE THAT--
I DON'T KNOW YOU!
718
00:26:44,102 --> 00:26:46,037
I DON'T KNOW WHERE
YOUR HANDS HAVE BEEN!
719
00:26:46,137 --> 00:26:48,440
I DON'T KNOW WHERE
YOUR MOUTH HAS BEEN-- NO!
720
00:26:48,540 --> 00:26:49,975
I DON'T DO ALL THAT!
721
00:26:50,075 --> 00:26:53,845
OH!
722
00:26:53,945 --> 00:26:55,580
YOUR HANDS ARE DIRTY!
723
00:26:55,680 --> 00:26:57,349
NOW TOWANDA, THAT'S NASTY!
724
00:27:09,461 --> 00:27:12,897
I AM REALLY GETTING STRESSED
OUT ABOUT THIS BLIND DATE THING,
725
00:27:12,998 --> 00:27:16,101
AND TRINA'S GOT ME
REALLY WORKED UP
726
00:27:16,201 --> 00:27:18,703
AND I USUALLY DON'T
GET WORKED UP ABOUT STUFF.
727
00:27:18,803 --> 00:27:20,105
I JUST THINK THAT MOMMY'S
TRYING TO SET ME UP
728
00:27:20,205 --> 00:27:21,806
WITH THE ELEPHANT MAN
OR SOMETHING.
729
00:27:21,906 --> 00:27:23,575
- HERE WE ARE.
- THAT'S IT!
730
00:27:23,675 --> 00:27:24,643
THANK YOU.
731
00:27:24,743 --> 00:27:25,710
SOMETHING PEACH FOR YOU--
YOU'RE WELCOME.
732
00:27:25,810 --> 00:27:27,212
THANK YOU SO MUCH.
733
00:27:27,312 --> 00:27:28,446
IS THERE ANYTHING THAT
I CAN BRING FOR YOU
734
00:27:28,546 --> 00:27:29,547
AT THE MOMENT
WHILE YOU WAIT?
735
00:27:29,648 --> 00:27:31,316
NOPE, I GUESS I SHOULD
BE PROPER AND WAIT
736
00:27:31,416 --> 00:27:32,984
FOR MY BLIND DATE.
737
00:27:33,084 --> 00:27:34,319
YOU LET ME KNOW IF
THERE'S ANYTHING YOU NEED.
738
00:27:34,419 --> 00:27:36,521
- THANK YOU.
- YOU'RE WELCOME.
739
00:27:47,098 --> 00:27:50,735
COMING UP, ON
"BRAXTON FAMILY VALUES"...
740
00:27:50,835 --> 00:27:53,872
I REALLY DON'T WANT ANYONE
TO SEE ME DOING MY CHOREOGRAPHY
741
00:27:53,972 --> 00:27:55,607
UNTIL I HAVE IT
DONE PAT.
742
00:27:55,707 --> 00:27:57,909
IT ACTUALLY MAKES ME
MORE NERVOUS.
743
00:27:58,009 --> 00:27:59,444
TRINA, PUT SOME FUNK
IN IT.
744
00:27:59,544 --> 00:28:00,745
WELL, TOWANDA,
I HAVE TO LEARN IT.
745
00:28:05,850 --> 00:28:05,949
STATE
746
00:28:05,950 --> 00:28:06,050
STATE YOUR
747
00:28:06,051 --> 00:28:06,116
STATE YOUR NAME
748
00:28:06,117 --> 00:28:06,216
STATE YOUR NAME
AND
749
00:28:06,217 --> 00:28:06,283
STATE YOUR NAME
AND WHAT
750
00:28:06,284 --> 00:28:06,350
STATE YOUR NAME
AND WHAT YOU
751
00:28:06,351 --> 00:28:07,085
STATE YOUR NAME
AND WHAT YOU DO.
752
00:28:07,185 --> 00:28:08,687
MY NAME IS RECO
AND I'M A DANCER.
753
00:28:08,787 --> 00:28:10,088
LET'S SEE WHAT YOU DO.
754
00:28:31,176 --> 00:28:33,078
I'M AVAILABLE
FOR BAR MITZVAHS.
755
00:28:33,178 --> 00:28:35,313
I'M SO GLAD YOU WERE HIRED
FOR WARDROBE!
756
00:28:54,966 --> 00:28:56,901
WHAT'S SO FUNNY?
757
00:29:00,171 --> 00:29:01,339
HI.
758
00:29:01,439 --> 00:29:02,207
YOU'RE MY BLIND DATE?
759
00:29:02,307 --> 00:29:03,141
ARE YOU SERIOUS?
760
00:29:03,241 --> 00:29:04,576
YES, I AM YOUR BLIND DATE.
761
00:29:04,676 --> 00:29:05,477
DID I BLIND YOU?
762
00:29:05,577 --> 00:29:06,444
OH, MY GOD!
763
00:29:06,544 --> 00:29:08,012
I'M GONNA CALL MOMMY.
764
00:29:08,113 --> 00:29:10,782
I'M CALLING MOMMY.
765
00:29:10,882 --> 00:29:12,183
YOU SET ME UP
WITH ANDRE, MOMMY?
766
00:29:12,283 --> 00:29:14,853
I STUFFED MY BRA
FOR ANDRE?
767
00:29:14,953 --> 00:29:17,122
I COULD'VE BEEN HOME ALL
NIGHT WITH MY LITTLE BULLET
768
00:29:17,222 --> 00:29:19,257
AND SOME DOUBLE A BATTERIES!
769
00:29:19,357 --> 00:29:24,195
FIRST OF ALL, I WANNA THANK
YOUR MOM FOR SETTING US UP
770
00:29:24,295 --> 00:29:25,497
AND SUGGESTING THIS.
771
00:29:25,597 --> 00:29:28,032
IT WAS REALLY A NICE GESTURE
FROM HER BECAUSE SHE REALIZES
772
00:29:28,133 --> 00:29:29,501
HOW MUCH I LOVE YOU.
773
00:29:29,601 --> 00:29:31,770
SHE REALIZES HOW MUCH
I CARE FOR YOU
774
00:29:31,870 --> 00:29:35,273
AND SHE REALIZES HOW MUCH
YOU LOVE ME, ALSO.
775
00:29:35,373 --> 00:29:38,309
I MEAN YOU-YOU--
YOU'RE A GOOD WOMAN, TOWANDA,
776
00:29:38,409 --> 00:29:40,879
YOU'RE SPECIAL,
JUST A SPECIAL PERSON.
777
00:29:40,979 --> 00:29:42,380
I MEAN, EVERYBODY
REALIZES THAT,
778
00:29:42,480 --> 00:29:44,616
AND I'M BEGINNING TO
REALIZE IT MORE AND MORE
779
00:29:44,716 --> 00:29:46,384
EVERY TIME THAT
I'M WITH YOU,
780
00:29:46,484 --> 00:29:47,986
YOU JUST SI--
I APPRECIATE YOU
781
00:29:48,086 --> 00:29:49,154
AND I JUST WANNA
SHOW YOU SOME--
782
00:29:49,254 --> 00:29:53,691
SOME TYPE OF APPRECIATION
BY TAKING YOU OUT.
783
00:29:53,792 --> 00:29:57,962
ANDRE IS-- HE'S LAYING
IT ON PRETTY THICK
784
00:29:58,062 --> 00:30:00,632
HAVING DINNER WITH ME,
I TELL YOU.
785
00:30:00,732 --> 00:30:05,370
HE-- HE MUST REALLY BE
LISTENING TO A LOT OF TEDDY P,
786
00:30:05,470 --> 00:30:09,140
AND HUMPING ON
A FOAM MATTRESS.
787
00:30:09,240 --> 00:30:11,209
I'M A LITTLE CONCERNED
ABOUT HIM NOW.
788
00:30:11,309 --> 00:30:13,645
YOUR MOTHER TOLD ME THAT
IT'S ALL ABOUT ROMANCE TONIGHT,
789
00:30:13,745 --> 00:30:15,480
SO LET'S MAKE THIS
ALL ABOUT ROMANCE.
790
00:30:15,580 --> 00:30:17,749
SO I WANT YOU TO START
OPENING YOUR GIFTS.
791
00:30:17,849 --> 00:30:19,083
I JUST OPENED
THIS ONE UP.
792
00:30:19,184 --> 00:30:20,018
YOU JUST GAVE
THIS ONE TO ME.
793
00:30:20,118 --> 00:30:21,352
THIS WAS JUST OPENED.
794
00:30:21,452 --> 00:30:24,889
NO-NO-- LET'S OPEN
THE OTHER GIFTS.
795
00:30:24,989 --> 00:30:26,457
OH, THAT'S ADORABLE.
796
00:30:26,558 --> 00:30:32,197
THIS IS FOR OUR NICE SUPPLE
BATH I WOULD LIKE TO GIVE YOU.
797
00:30:32,297 --> 00:30:34,199
ALL RIGHT, I LIKE
TO RUB YOUR FEET.
798
00:30:34,299 --> 00:30:36,301
I'M NOT SAYING THAT YOU
HAVE TO BE TOTALLY NUDE.
799
00:30:36,401 --> 00:30:39,337
I WOULD JUST WANNA
RUB YOUR FEET.
800
00:30:39,437 --> 00:30:40,438
HERE, YOU CAN
RUB 'EM NOW.
801
00:30:40,538 --> 00:30:41,372
YOU WANNA RUB 'EM NOW?
802
00:30:41,472 --> 00:30:42,307
YEAH, YOU WANT ME
TO RUB 'EM NOW?
803
00:30:42,407 --> 00:30:43,341
- NO, WE'RE IN A RESTAURANT.
- OKAY.
804
00:30:43,441 --> 00:30:47,245
THIS, IS YOUR FAVORITE
CHOCOLATES...
805
00:30:47,345 --> 00:30:49,714
BECAUSE YOU'RE AS SWEET
AS THEY ARE.
806
00:30:49,814 --> 00:30:51,649
OH, THOSE ARE NICE.
807
00:30:51,749 --> 00:30:57,222
AND, THIS IS A TIARA BECAUSE
I WANT YOU TO WEAR THIS
808
00:30:57,322 --> 00:30:59,490
BECAUSE I WANT YOU TO--
I WANNA BE REMINDED
809
00:30:59,591 --> 00:31:01,826
ABOUT THE QUEEN
THAT YOU ALWAYS ARE.
810
00:31:01,926 --> 00:31:03,061
I'M GONNA WEAR THIS
EVERY SINGLE DAY.
811
00:31:03,161 --> 00:31:04,062
THAT'S RIGHT.
812
00:31:04,162 --> 00:31:05,330
BECAUSE YOU ARE
A QUEEN TO ME,
813
00:31:05,430 --> 00:31:07,966
AND YOU WILL ALWAYS
BE MY QUEEN.
814
00:31:08,066 --> 00:31:11,269
- TING!
- YOU LOOK GREAT.
815
00:31:11,369 --> 00:31:13,037
- THANK YOU FOR MY GIFTS.
- YOU'RE WELCOME.
816
00:31:13,137 --> 00:31:16,841
I HAVE TO ADMIT, I AM REALLY
ENJOYING BEING WINED AND DINED
817
00:31:16,941 --> 00:31:20,111
BECAUSE THIS HASN'T HAPPENED
IN A VERY LONG TIME FOR ME.
818
00:31:20,211 --> 00:31:23,281
BUT, I KNOW THAT ANDRE
HAS A LITTLE BIT
819
00:31:23,381 --> 00:31:25,717
OF A HIDDEN AGENDA
GOING ON.
820
00:31:25,817 --> 00:31:27,018
HE PROBABLY...
821
00:31:27,118 --> 00:31:28,086
NEEDS SOME...
822
00:31:28,186 --> 00:31:29,354
SO HE'S...
823
00:31:29,454 --> 00:31:31,089
REALLY POURING IT ON.
824
00:31:31,189 --> 00:31:33,157
ARE YOU DOING ALL OF THIS
'CAUSE YOU WANNA GET LAID?
825
00:31:33,258 --> 00:31:35,560
NO, OF COURSE NOT.
826
00:31:35,660 --> 00:31:36,928
THAT WOULD BE HARD TO DO
WITH YOU.
827
00:31:37,028 --> 00:31:37,929
YEAH, PRETTY MUCH.
828
00:31:38,029 --> 00:31:39,864
I MEAN, AIN'T NO
PRETTY MUCH, IT JUST IS,
829
00:31:39,964 --> 00:31:41,232
AND I APPRECIATE THAT.
830
00:31:41,332 --> 00:31:42,333
WHY?
831
00:31:42,433 --> 00:31:44,168
BECAUSE I KNOW AIN'T
NOBODY ELSE GETTING IT.
832
00:31:44,269 --> 00:31:46,137
CAN WE HAVE A TOAST
TO THE HEALING PROCESS?
833
00:31:46,237 --> 00:31:47,939
TO REJUVENATING
THIS MARRIAGE?
834
00:31:48,039 --> 00:31:50,408
ARE YOU GONNA TOAST?
835
00:31:50,508 --> 00:31:55,079
YOU'RE NOT GONNA TOAST?
836
00:31:55,179 --> 00:31:57,682
TO THE HEALING PROCESS?
837
00:31:57,782 --> 00:32:00,618
ANDRE IS SAYING ALL THE
THINGS THAT HE THINKS
838
00:32:00,718 --> 00:32:05,189
THAT I WANNA HEAR, BUT
IT'S NOT JUST ABOUT THE WORDS,
839
00:32:05,290 --> 00:32:08,893
IT'S ABOUT THE ACTIONS
AND I HAVE TO ACTUALLY SEE HIM
840
00:32:08,993 --> 00:32:13,097
PUT IT INTO ACTION
AND UNTIL THAT HAPPENS
841
00:32:13,197 --> 00:32:15,566
HE IS NOT GOING TO BE ABLE
TO RUB MY TOES
842
00:32:15,667 --> 00:32:17,268
OR ANYTHING ELSE.
843
00:32:29,047 --> 00:32:30,081
ONE!
844
00:32:30,181 --> 00:32:31,049
TWO!
845
00:32:31,149 --> 00:32:31,983
THREE!
846
00:32:32,083 --> 00:32:33,217
- 'BOUT TIME.
- 'BOUT TIME, YOU.
847
00:32:33,318 --> 00:32:36,054
TODAY, I AM MEETING VICTOR
TO GO OVER THE CHOREOGRAPHY
848
00:32:36,154 --> 00:32:38,756
AND I'M TERRIFIED.
849
00:32:38,856 --> 00:32:43,027
I AM CHOREOGRAPHICALLY
CHALLENGED BUT I CANNOT HAVE
850
00:32:43,127 --> 00:32:46,164
THESE DANCERS LOOKING BETTER
THAN ME, NO, SIR.
851
00:32:46,264 --> 00:32:48,299
HERE WE GO, FROM
THE BEGINNING, PLEASE.
852
00:32:48,399 --> 00:32:49,367
HERE WE GO.
853
00:32:49,467 --> 00:32:50,335
TWO-THREE--
854
00:32:50,435 --> 00:32:52,337
- WAIT--
- KEEP YOUR FEET TOGETHER.
855
00:32:52,437 --> 00:32:53,838
THERE YOU GO, FEET TOGETHER,
FROM THE TOP.
856
00:32:53,938 --> 00:32:58,176
FIVE, SIX, SEVEN, DOWN YOUR
BODY, TWO, THREE, FOUR,
857
00:32:58,276 --> 00:32:59,844
FIVE-- UH-HUH
- FOUR.
858
00:32:59,944 --> 00:33:02,347
- FIVE, SIX, SEVEN, EIGHT--
- OH, .
859
00:33:04,415 --> 00:33:05,350
NOPE.
860
00:33:05,450 --> 00:33:07,652
- FIVE, SIX, SEVEN, EIGHT--
- OH, .
861
00:33:07,752 --> 00:33:11,122
I DON'T KNOW WHY
I WANNA STEP UP.
862
00:33:11,222 --> 00:33:13,224
RIGHT THERE.
863
00:33:13,324 --> 00:33:14,659
I CAN DO IT NOW
WHEN WE'RE GOING SLOW.
864
00:33:14,759 --> 00:33:16,127
SLOW, OKAY.
865
00:33:16,227 --> 00:33:18,096
I JUST HAVE TO
GET IT IN MY BODY.
866
00:33:18,196 --> 00:33:20,098
UH, MY LEG IS STILL WRONG.
867
00:33:20,198 --> 00:33:23,167
OKAY, I KNOW THAT I'M
NORMALLY JUST A LITTLE SLOW
868
00:33:23,267 --> 00:33:24,869
WHEN IT COMES TO
CHOREOGRAPHY
869
00:33:24,969 --> 00:33:27,905
BUT THIS IS RIDICULOUS,
IT'S NOT EVEN THAT HARD,
870
00:33:28,006 --> 00:33:30,341
I THINK I MIGHT
JUST BE A LITTLE TIRED.
871
00:33:30,441 --> 00:33:32,410
NOW LET'S KEEP
YOUR CHIN DOWN, TOO.
872
00:33:32,510 --> 00:33:33,578
CHIN DOWN.
873
00:33:33,678 --> 00:33:36,981
- HEY!
- LOOK WHO DECIDED TO SHOW UP.
874
00:33:37,081 --> 00:33:41,853
- YOU LOOK LIKE FOXY CLEOPATRA!
- I'M A WHOLE LOT OF WOMAN.
875
00:33:41,953 --> 00:33:43,421
YEAH!
876
00:33:43,521 --> 00:33:44,889
HI, GUYS!
877
00:33:44,989 --> 00:33:48,726
OKAY, IT WAS REALLY NICE
THAT TOWANDA AND DEREK
878
00:33:48,826 --> 00:33:50,995
CAME TO SEE MY REHEARSAL,
BUT I REALLY DON'T WANT
879
00:33:51,095 --> 00:33:53,631
ANYONE TO SEE ME
DOING MY CHOREOGRAPHY
880
00:33:53,731 --> 00:33:55,333
UNTIL I HAVE IT DOWN PAT.
881
00:33:55,433 --> 00:33:57,468
IT ACTUALLY MAKES ME
MORE NERVOUS.
882
00:33:57,568 --> 00:33:59,704
STEP TWO, STEP TURN.
883
00:33:59,804 --> 00:34:01,339
SHAKE IT UP, SHAKE IT UP,
SHAKE IT UP.
884
00:34:01,439 --> 00:34:03,274
STEP-STEP-STEP.
885
00:34:07,478 --> 00:34:09,180
I DON'T KNOW IF YOU'RE JUST
REHEARSING NOW OR NOT
886
00:34:09,280 --> 00:34:11,783
BUT BE MINDFUL
OF YOUR FACE.
887
00:34:11,883 --> 00:34:13,618
I DON'T KNOW
THE MOVES YET.
888
00:34:13,718 --> 00:34:14,819
BUT WHEN YOU KNOW IT,
YOU'RE GONNA BE--
889
00:34:14,919 --> 00:34:18,089
I'M GONNA BE SMILING.
890
00:34:18,189 --> 00:34:19,690
IF WE COULD GO THROUGH IT
LIKE SLOW MOTION
891
00:34:19,791 --> 00:34:20,625
WITHOUT ANY MUSIC.
892
00:34:20,725 --> 00:34:22,193
- OKAY.
- LET'S ROCK IT.
893
00:34:22,293 --> 00:34:23,661
- I'M GONNA LET Y'ALL GO.
- HUH?
894
00:34:23,761 --> 00:34:25,530
- I'M ABOUT TO HIT THE ROAD.
- THANKS, D-MAN.
895
00:34:25,630 --> 00:34:27,031
ALL RIGHT, THANK YOU.
896
00:34:27,131 --> 00:34:28,199
YOU'LL DO GREAT.
897
00:34:28,299 --> 00:34:29,934
- I HAVE TO-- HAVE NO CHOICE.
- ALL RIGHT, VICTOR.
898
00:34:30,034 --> 00:34:31,636
- ALL RIGHT, DEREK.
- KILL IT!
899
00:34:31,736 --> 00:34:33,471
- TRY TO.
- YOU'LL BE GREAT.
900
00:34:33,571 --> 00:34:35,573
HERE WE GO.
901
00:34:35,673 --> 00:34:40,311
FIVE, SIX, SEVEN--
SLOW AND OPEN, AND CLOSE,
902
00:34:40,411 --> 00:34:42,880
AND OPEN AND--
- TRINA, PUT SOME FUNKY IN IT.
903
00:34:42,980 --> 00:34:44,515
WELL, TOWANDA,
I HAVE TO LEARN IT.
904
00:34:49,654 --> 00:34:50,888
THE STAND OFF.
905
00:34:50,988 --> 00:34:52,790
RIGHT, I MEAN,
I DON'T KNOW IT YET.
906
00:34:52,890 --> 00:34:53,891
WELL CAN YOU NOT
SEE THE WHOLE THING?
907
00:34:53,991 --> 00:34:55,426
CAN YOU PUT
SOME SLINK IN IT?
908
00:34:55,526 --> 00:34:57,562
OKAY, I MEAN, AH...
909
00:34:57,662 --> 00:34:59,964
YOU KNOW, EVERYBODY KNOWS
THAT TRINA'S NOT THE DANCER
910
00:35:00,064 --> 00:35:01,833
OF THE FAMILY.
911
00:35:01,933 --> 00:35:03,734
'CAUSE SHE IS STIFF
AS A BOARD.
912
00:35:03,835 --> 00:35:05,403
YOU GOTTA PUT
SOME STINK ON IT.
913
00:35:05,503 --> 00:35:07,105
YOU GOT TO WORK IT IN.
914
00:35:07,205 --> 00:35:08,306
YOU GOT TO MAKE--
YOU KNOW WHAT I MEAN?
915
00:35:08,406 --> 00:35:09,807
YOU GOTTA PUSH IT OUT.
916
00:35:09,907 --> 00:35:11,742
CAN I SEE YOU PUT SOME
STANK ON IT, PLEASE?
917
00:35:11,843 --> 00:35:13,678
WELL, YES, I DON'T HAVE
STANK-ARIZATION YET,
918
00:35:13,778 --> 00:35:14,812
BUT OKAY.
919
00:35:14,912 --> 00:35:16,147
WELL PRETEND.
920
00:35:16,247 --> 00:35:19,383
WELL JUST PRETEND YOU'RE
PUTTIN' STINK ON IT.
921
00:35:19,484 --> 00:35:22,120
ALL RIGHT, HIT ME AGAIN IKE
AND PUT SOME STANK ON IT!
922
00:35:22,220 --> 00:35:25,389
EIGHT,
STEP-STEP-STEP-STEP-TURN--
923
00:35:25,490 --> 00:35:27,892
WHAPPA-DE-WHAPPA.--
- AND A SNAP.
924
00:35:33,064 --> 00:35:34,499
WAS THAT WRONG?
925
00:35:34,599 --> 00:35:37,235
RIGHT ABOUT NOW, I'M REALLY
STARTING TO WORRY,
926
00:35:37,335 --> 00:35:40,171
FIRST OF ALL,
I AM NOT A FAST LEARNER
927
00:35:40,271 --> 00:35:42,840
AND I NEED MORE TIME
TO LEARN THESE MOVES
928
00:35:42,940 --> 00:35:44,709
AND I DON'T HAVE
ANYMORE TIME.
929
00:35:44,809 --> 00:35:47,245
MY VIDEO IS NEXT WEEK,
930
00:35:47,345 --> 00:35:49,814
SO LORD PLEASE MAKE ME
A BETTER DANCER
931
00:35:49,914 --> 00:35:51,549
AND PUT A LITTLE BIT
MORE STANK ON IT!
932
00:35:51,649 --> 00:35:52,717
YES.
933
00:35:52,817 --> 00:35:54,552
I'M GONNA LET YOU GUYS
CONCENTRATE ON THE MOVES
934
00:35:54,652 --> 00:35:56,187
SO TRINA CAN FEEL IT
IN HER SKIN.
935
00:35:56,287 --> 00:35:57,622
OKAY.
936
00:35:57,722 --> 00:35:59,190
YEAH, SO GIVE ME HUGS
AND KISSES.
937
00:35:59,290 --> 00:36:01,092
- I'M A LITTLE SWEATY.
- THAT'S OKAY.
938
00:36:01,192 --> 00:36:03,361
- CAN I BORROW THAT OUTFIT?
- SURE.
939
00:36:03,461 --> 00:36:05,897
"WE BE KIN NOW".
940
00:36:05,997 --> 00:36:07,131
- LOVE YOU.
- LOVE YOU-- I'M PROUD OF YOU.
941
00:36:07,231 --> 00:36:08,966
THANK YOU--
THANK YOU FOR COMIN' BY.
942
00:36:09,066 --> 00:36:12,603
- SURE.
- ONE, TWO, THREE, FOUR.
943
00:36:12,703 --> 00:36:15,473
COMING UP, ON
"BRAXTON FAMILY VALUES."
944
00:36:15,573 --> 00:36:17,942
YOU CAN LET YOUR GUARD DOWN
JUST A LITTLE BIT SOMETIMES,
945
00:36:18,042 --> 00:36:18,809
TOWANDA.
946
00:36:18,910 --> 00:36:20,645
YOU'RE A STONE--
YOU'RE A STONE.
947
00:36:20,745 --> 00:36:22,113
I'M NOT A STONE.
948
00:36:22,213 --> 00:36:23,714
- HARD.
- NO, I'M NOT A STONE.
949
00:36:23,814 --> 00:36:25,049
IF YOU DIDN'T
STILL LOVE HIM,
950
00:36:25,149 --> 00:36:26,751
WHY HAVEN'T
YOU DATED ANYBODY?
951
00:36:34,892 --> 00:36:35,058
TOWANDA'S
952
00:36:35,059 --> 00:36:35,125
TOWANDA'S
HANGIN'
953
00:36:35,126 --> 00:36:35,225
TOWANDA'S
HANGIN' OUT
954
00:36:35,226 --> 00:36:35,292
TOWANDA'S
HANGIN' OUT WITH
955
00:36:35,293 --> 00:36:36,027
TOWANDA'S
HANGIN' OUT WITH ME
956
00:36:36,127 --> 00:36:37,028
WHILE WE WAIT FOR
MOMMY TO GET HERE
957
00:36:37,128 --> 00:36:39,363
TO WATCH THE KIDS
SO I CAN GO TO REHEARSAL.
958
00:36:39,463 --> 00:36:41,065
WELL, ARE YOU HAPPY
WITH THE WAY THAT THINGS
959
00:36:41,165 --> 00:36:42,733
ARE GOIN' SO FAR?
960
00:36:42,833 --> 00:36:46,370
TOWANDA, IT'S NOT THAT
IT'S NOT GOIN' GREAT,
961
00:36:46,470 --> 00:36:52,176
IT'S JUST THAT MY IDEAS ARE
MUCH LARGER THAN MY FINANCES.
962
00:36:52,276 --> 00:36:55,780
EVEN THOUGH GABE HAS AGREED
TO BE AN INVESTOR IN THE VIDEO,
963
00:36:55,880 --> 00:36:59,183
I'M STILL PAYING FOR
A MAJORITY OF IT MYSELF
964
00:36:59,283 --> 00:37:01,819
AND THE BILLS JUST KEEP
WRACKING UP.
965
00:37:01,919 --> 00:37:03,988
IT'S JUST A LOT OF MONEY,
AND I WOULD LOVE FOR TRACI
966
00:37:04,088 --> 00:37:05,389
TO BE IN IT-- I JUST--
- WHY DON'T YOU CALL HER
967
00:37:05,489 --> 00:37:06,657
AND ASK HER--
- I WOULD CALL HER AND ASK HER
968
00:37:06,757 --> 00:37:09,160
BUT I CAN'T AFFORD
THE PLANE TICKET.
969
00:37:09,260 --> 00:37:10,494
YOU CAN'T COME AND ASK
SOMEBODY TO BE IN YOUR VIDEO--
970
00:37:10,595 --> 00:37:12,363
WELL HOW ABOUT
I'LL FLY TRACI DOWN.
971
00:37:12,463 --> 00:37:14,465
- WOULD YOU REALLY?
- I'LL PUT-- YES, I PROMISE.
972
00:37:14,565 --> 00:37:17,001
I KNOW THAT TRINA IS
EXTREMELY STRESSED
973
00:37:17,101 --> 00:37:20,871
FOR HER VIDEO, SO I FIGURE
THAT I SHOULD VOLUNTEER
974
00:37:20,972 --> 00:37:22,907
TO FLY TRACI DOWN,
YOU KNOW,
975
00:37:23,007 --> 00:37:25,376
JUST BECAUSE SHE NEEDS
A LOT OF SUPPORT RIGHT NOW,
976
00:37:25,476 --> 00:37:27,011
SO THAT'S
THE LEAST I CAN DO.
977
00:37:27,111 --> 00:37:28,980
- HEY YOU.
- HEY, MOMMY.
978
00:37:29,080 --> 00:37:32,817
MOMMY JUST GOT BACK FROM
TAMAR'S PROCEDURE IN LA,
979
00:37:32,917 --> 00:37:35,720
AND I FEEL REALLY BAD
THAT I COULDN'T BE THERE.
980
00:37:35,820 --> 00:37:38,856
BUT, VINCE IS FLYING A BUNCH
OF US OUT THIS WEEKEND
981
00:37:38,956 --> 00:37:40,258
AND I'LL GET
TO SEE HER THEN.
982
00:37:40,358 --> 00:37:42,293
- Y'ALL, I HAVE TO GO.
- WHERE YOU GOIN'?
983
00:37:42,393 --> 00:37:43,527
I HAVE TO GO TO
CHOREOGRAPHY, MOM,
984
00:37:43,628 --> 00:37:44,996
THAT'S WHY YOU'RE HERE!
985
00:37:45,096 --> 00:37:46,897
- I KNOW BUT-- GO AHEAD--
- WHOA-WHOA--
986
00:37:46,998 --> 00:37:49,834
BEFORE TRINA LEAVES,
WE HAVE TO TALK ABOUT MY DATE.
987
00:37:49,934 --> 00:37:51,035
MY BLIND DATE.
988
00:37:51,135 --> 00:37:52,069
AH... YES!
989
00:37:52,169 --> 00:37:53,237
AND MOMMY WAS
GOING TO SET YOU UP--
990
00:37:53,337 --> 00:37:55,206
YOU HAD A BLIND DATE,
TOWANDA--
991
00:37:55,306 --> 00:37:56,274
YOU KNOW SHE HAD
A BLIND DATE,
992
00:37:56,374 --> 00:37:57,541
'CAUSE I HEARD YOU'RE
THE ONE WHO SET IT UP.
993
00:37:57,642 --> 00:37:58,509
IS THAT TRUE?
994
00:37:58,609 --> 00:38:00,077
YES.
995
00:38:00,177 --> 00:38:01,245
WHAT, WHAT, WHAT HAPPENED?
996
00:38:01,345 --> 00:38:03,514
WELL, IT WAS ANDRE,
OF COURSE YOU ALREADY KNOW.
997
00:38:03,614 --> 00:38:07,852
ANDRE WHO?
998
00:38:07,952 --> 00:38:09,587
JUST TOOK HIS HEART
OUT HIS CHEST
999
00:38:09,687 --> 00:38:11,589
AND SQUEEZE ALL THE BLOOD
IN A GLASS
1000
00:38:11,689 --> 00:38:12,957
AND JUST POURED
IT ALL OUT.
1001
00:38:13,057 --> 00:38:14,091
HE POURED OUT
HIS HEART.
1002
00:38:14,191 --> 00:38:15,559
YOU DO KNOW
THAT'S SUPER SWEET.
1003
00:38:15,660 --> 00:38:16,661
ANDRE LOVES YOU.
1004
00:38:16,761 --> 00:38:18,896
I DIDN'T SAY THAT HE DIDN'T,
I MEAN, I KNOW.
1005
00:38:18,996 --> 00:38:20,698
UH-OH!
1006
00:38:20,798 --> 00:38:22,433
WHY YOU SO HARD-NOSED
ALL THE TIME?
1007
00:38:22,533 --> 00:38:23,701
I CAN'T HELP IT.
1008
00:38:23,801 --> 00:38:25,903
YOU CAN-- YOU CAN LET YOUR
GUARD DOWN JUST A LITTLE BIT
1009
00:38:26,003 --> 00:38:27,605
SOMETIMES, TOWANDA,
EVERYTHING DOESN'T ALWAYS
1010
00:38:27,705 --> 00:38:30,274
HAVE TO BE SO CALCULATED
AND JUST SO FRICKIN'--
1011
00:38:30,374 --> 00:38:32,209
- SURE IT DOES--
- YOU'RE A STONE!
1012
00:38:32,310 --> 00:38:34,779
- I'M NOT A STONE!
- YOU'RE HARD!
1013
00:38:34,879 --> 00:38:35,980
NO, I'M NOT A STONE.
1014
00:38:36,080 --> 00:38:37,548
IF YOU DIDN'T
STILL LOVE HIM,
1015
00:38:37,648 --> 00:38:39,717
WHY HAVEN'T YOU
DATED ANYBODY?
1016
00:38:39,817 --> 00:38:40,885
BECAUSE OF THE CHILDREN.
1017
00:38:40,985 --> 00:38:42,753
NO, THE CHILDREN
DON'T HAVE TO SEE.
1018
00:38:42,853 --> 00:38:45,056
YOU CAN GET A SITTER AND GO OUT
AND DATE PEOPLE, TOWANDA.
1019
00:38:45,156 --> 00:38:46,457
THE PROBLEM IS THIS...
1020
00:38:46,557 --> 00:38:49,126
TOWANDA,
IS WEARING A SHIELD.
1021
00:38:49,226 --> 00:38:51,796
AND I'M GONNA TELL YOU WHY
SHE'S WEARING THAT SHIELD,
1022
00:38:51,896 --> 00:38:56,100
BECAUSE YOU KNOW TEETH
AND TONGUE FALLS OUT.
1023
00:38:56,200 --> 00:38:57,468
MOMMY, WE GOING
TO HAVE TO WORK ON
1024
00:38:57,568 --> 00:38:59,170
YOUR LITTLE
COLLOQUIALISMS.
1025
00:38:59,270 --> 00:39:01,906
NO-NO-- I'M GONNA
BREAK IT DOWN TO YOU.
1026
00:39:02,006 --> 00:39:03,974
'CAUSE YOU ALL KNOW IT
TAKES ME A SECOND TO GET IT.
1027
00:39:04,075 --> 00:39:05,042
GO AHEAD, BREAK IT DOWN.
1028
00:39:05,142 --> 00:39:07,978
SOMETIMES THE TEETH
WILL BITE THE TONGUE
1029
00:39:08,079 --> 00:39:09,780
AND SO THEREFORE,
1030
00:39:09,880 --> 00:39:13,050
THE TONGUE IS VERY
MINDFUL OF THE TEETH--
1031
00:39:13,150 --> 00:39:14,885
I MEAN, DO YOU ALWAYS
HAVE TO SPEAK IN PARABOLS?
1032
00:39:14,985 --> 00:39:16,187
JESUS.
1033
00:39:16,287 --> 00:39:17,488
WELL THAT'S WHAT I GREW UP
WITH, I DON'T KNOW ANY OTHER--
1034
00:39:19,890 --> 00:39:21,092
THAT'S ALL I KNOW.
1035
00:39:21,192 --> 00:39:23,994
MY THING IS YOU CAN'T JUST
TAKE ME OUT ON ONE BLIND DATE
1036
00:39:24,095 --> 00:39:26,564
AND THINK THAT EVERY
THING'S GONNA CHANGE.
1037
00:39:26,664 --> 00:39:27,932
- YEAH.
- THAT'S TRUE.
1038
00:39:28,032 --> 00:39:29,266
THAT'S NOT GOING--
THAT'S NOT GONNA WORK FOR ME.
1039
00:39:29,367 --> 00:39:30,534
THAT'S TRUE--
I FEEL THAT.
1040
00:39:30,634 --> 00:39:31,702
HE HAS TO CONSTANTLY
WOO YOU.
1041
00:39:31,802 --> 00:39:33,270
- YES!
- THANK YOU!
1042
00:39:33,371 --> 00:39:34,338
WOO ME!
1043
00:39:34,438 --> 00:39:35,639
- YES.
- OKAY.
1044
00:39:35,740 --> 00:39:37,274
DATE ME AGAIN--
TRY TO DATE ME AGAIN.
1045
00:39:37,375 --> 00:39:38,376
YES!
1046
00:39:38,476 --> 00:39:41,011
I'M GLAD THAT MY FAMILY
WANTS ME TO GIVE ANDRE
1047
00:39:41,112 --> 00:39:43,314
A SECOND CHANCE,
I MEAN THAT'S GREAT.
1048
00:39:43,414 --> 00:39:47,918
HOWEVER, COMMA, I NEED
FOR ANDRE TO JUST SHOW ME,
1049
00:39:48,018 --> 00:39:50,554
DON'T JUST SAY IT, JUST
SHOW ME YOUR ACTIONS PLEASE.
1050
00:39:50,654 --> 00:39:51,622
- I HAVE TO GO.
- RIGHT.
1051
00:39:51,722 --> 00:39:52,523
MEET YOU AT CHOREOGRAPHY.
1052
00:39:52,623 --> 00:39:53,557
YEAH, Y'ALL HAVE TO GO.
1053
00:39:53,657 --> 00:39:54,558
MOM, WHAT ARE YOU
GONNA COOK FOR THE BOYS?
1054
00:39:54,658 --> 00:39:55,993
I DON'T KNOW,
I'M GONNA TAKE 'EM OUT.
1055
00:39:56,093 --> 00:39:57,094
- OH.
- OKAY.
1056
00:39:57,194 --> 00:39:59,497
- YEAH, I'M TAKIN' THEM OUT.
- SEE YA, TEETH.
1057
00:39:59,597 --> 00:40:00,965
- LOVE YOU GUYS!
- SEE YA LATER.
1058
00:40:01,065 --> 00:40:02,566
- TAKE CARE.
- THANK YOU AGAIN!
1059
00:40:10,408 --> 00:40:11,842
I'M EXCITED!
1060
00:40:11,942 --> 00:40:14,078
I LOVE BOATS!
1061
00:40:14,178 --> 00:40:15,980
THAT'S A LOVELY BOAT!
1062
00:40:16,080 --> 00:40:18,082
IT'S BEEN A COUPLE OF DAYS
SINCE THE INVASION
1063
00:40:18,182 --> 00:40:21,786
OF THE EGG SNATCHERS,
SO I INVITED MY MOM,
1064
00:40:21,886 --> 00:40:25,689
AND MY DAD, TONI,
TOWANDA, TRACI AND TRINA--
1065
00:40:25,790 --> 00:40:28,192
WELL, TOWANDA COULDN'T
COME BECAUSE HER DAUGHTER
1066
00:40:28,292 --> 00:40:30,694
GOT SICK,
SO EVERYBODY ELSE CAME OUT
1067
00:40:30,795 --> 00:40:33,130
AND VINCENT AND I
CHARTERED A YACHT
1068
00:40:33,230 --> 00:40:37,034
TO HAVE A NICE QUIET
FAMILY DINNER TO CELEBRATE.
1069
00:40:37,134 --> 00:40:39,370
DADDY, HOW YOU FEELING ABOUT
BEING AROUND YOUR GIRLS?
1070
00:40:39,470 --> 00:40:43,007
I'M JUST GLAD I GOT THE
BEAUTIFUL GIRLS IN THE WORLD.
1071
00:40:43,107 --> 00:40:44,708
I DON'T BLAME YOU,
BECAUSE IF I HAD A DAUGHTER
1072
00:40:44,809 --> 00:40:46,444
WHO LOOKED LIKE ME...
1073
00:40:46,544 --> 00:40:48,679
WHAT WOULD YOU DO IF YOU HAD
A DAUGHTER LIKE YOU?
1074
00:40:48,779 --> 00:40:52,883
I GOT FIVE KIDS IN THE
FREEZER, I AM JUST FINE.
1075
00:40:52,983 --> 00:40:54,752
OH, THEY GOT FIVE EGGS,
THAT'S RIGHT, FIVE.
1076
00:40:54,852 --> 00:40:57,121
HEALTHY, HEALTHY.
1077
00:40:57,221 --> 00:40:58,589
I DIDN'T KNOW HOW MANY.
1078
00:40:58,689 --> 00:41:00,991
CHILLING IN THE FREEZER,
SO THEREFORE, I'M GONNA NEED
1079
00:41:01,091 --> 00:41:04,728
FIVE MOTHER'S DAY CARDS
AND FIVE GIFTS FROM MY HUSBAND
1080
00:41:04,829 --> 00:41:06,964
BECAUSE WE HAVE
FIVE KIDS TOGETHER.
1081
00:41:07,064 --> 00:41:08,566
YOU DON'T GET THAT
UNTIL YOU GIVE BIRTH.
1082
00:41:08,666 --> 00:41:10,835
YOU DON'T HAVE
THE BABIES YET.
1083
00:41:10,935 --> 00:41:12,736
YOU'RE NOT A MOTHER YET.
1084
00:41:12,837 --> 00:41:13,904
MY KIDS ARE IN THE FREEZER!
1085
00:41:14,004 --> 00:41:15,372
THEY ARE WELL AND INTACT!
1086
00:41:15,473 --> 00:41:17,575
TAMAR SOUNDS RIDICULOUS,
1087
00:41:17,675 --> 00:41:20,411
SHE DESERVES
A MOTHER'S DAY PRESENT,
1088
00:41:20,511 --> 00:41:22,446
YOU DON'T HAVE
ANY KIDS.
1089
00:41:22,546 --> 00:41:24,381
I MEAN, SHE'S A MOTHER,
ALL RIGHT, AT TIMES,
1090
00:41:24,482 --> 00:41:27,551
BUT, SHE SOUNDS
RIDICULOUS.
1091
00:41:27,651 --> 00:41:29,353
VINCE, WHEN YOU THINK
Y'ALL BE READY?
1092
00:41:29,453 --> 00:41:31,021
I DON'T KNOW.
1093
00:41:31,121 --> 00:41:33,257
I'M READY FOR SOME NEW
NEPHEWS AND NIECES.
1094
00:41:33,357 --> 00:41:34,892
I JUST THOUGHT I AGREED
TO HAVE A BABY,
1095
00:41:34,992 --> 00:41:38,229
NOT THAT I NEED TO
HAVE A BABY RIGHT NOW,
1096
00:41:38,329 --> 00:41:39,497
BUT I'M FINE WITH
THE SITUATION.
1097
00:41:39,597 --> 00:41:40,798
YOU KNOW?
1098
00:41:40,898 --> 00:41:43,000
MY BABIES ARE
COMFORTABLY SITTING
1099
00:41:43,100 --> 00:41:47,905
IN A NICE LARGE FREEZER...
WAITING.
1100
00:41:48,005 --> 00:41:49,240
WHEN YOU GOING TO TAKE 'EM
OUT OF THE FREEZER
1101
00:41:49,340 --> 00:41:50,608
AND PUT 'EM IN THE OVEN?
1102
00:41:50,708 --> 00:41:53,043
WHENEVER THE LORD LEAVES.
1103
00:41:53,143 --> 00:41:54,778
THE LORD IS LEAVING
RIGHT NOW.
1104
00:41:54,879 --> 00:41:57,515
I JUST CAN'T WAIT UNTIL THEM
BABIES WHOOP HER ASS.
1105
00:41:57,615 --> 00:41:58,916
SHE'S GONNA BE LIKE,
"OH MY GOD,
1106
00:41:59,016 --> 00:42:00,584
"THEY DIDN'T TELL ME
ABOUT THIS-- AH!"
1107
00:42:00,684 --> 00:42:01,485
WHY-- WHAT?
1108
00:42:01,585 --> 00:42:02,753
YOU GOTTA CHANGE
THE DIAPER AGAIN?
1109
00:42:02,853 --> 00:42:04,221
HONEY, AH!
1110
00:42:04,321 --> 00:42:05,689
YOU CAN'T PEE IN THIS
...
1111
00:42:08,792 --> 00:42:11,228
I CAN'T WAIT FOR THAT DAY
THAT SHE CALL ME
1112
00:42:11,328 --> 00:42:14,498
AND ASK ME
TO WATCH HER KIDS
1113
00:42:14,598 --> 00:42:15,866
'CAUSE I'M
GONNA SAY TO HER,
1114
00:42:15,966 --> 00:42:17,401
"OKAY, TAMAR,
I'LL WATCH 'EM,"
1115
00:42:17,501 --> 00:42:20,271
AND I'LL NEVER SHOW UP.
1116
00:42:20,371 --> 00:42:22,006
YOU GONNA PUT ALL FIVE OF
THEM IN AT THE SAME TIME?
1117
00:42:22,106 --> 00:42:23,674
I'M GONNA LEAVE ONE JUST IN
CASE, YOU KNOW, GOD FORBID,
1118
00:42:23,774 --> 00:42:25,943
TIMES GET TOUGH,
I CAN SELL IT.
1119
00:42:26,043 --> 00:42:27,111
WHAT?
1120
00:42:27,211 --> 00:42:28,178
WE GET A LOT
OF MONEY FOR THAT.
1121
00:42:28,279 --> 00:42:29,446
ME AND VINCE BABY.
1122
00:42:29,547 --> 00:42:31,615
WHAT YOU TALKIN' ABOUT,
THAT'S LIKE PRINCE AND MADONNA.
1123
00:42:31,715 --> 00:42:32,550
- PRINCE AND MADONNA?
- YEAH, GIRL!
1124
00:42:32,650 --> 00:42:34,084
GIRL, YOU BETTER
GET YOUR LIFE.
83339
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