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These are the user uploaded subtitles that are being translated: 1 00:00:03,470 --> 00:00:03,569 YOU 2 00:00:03,570 --> 00:00:03,635 YOU KNOW 3 00:00:03,636 --> 00:00:03,702 YOU KNOW HOW 4 00:00:03,703 --> 00:00:03,802 YOU KNOW HOW YOU 5 00:00:03,803 --> 00:00:03,869 YOU KNOW HOW YOU SET 6 00:00:03,870 --> 00:00:03,902 YOU KNOW HOW YOU SET ME 7 00:00:03,903 --> 00:00:04,003 YOU KNOW HOW YOU SET ME UP 8 00:00:04,004 --> 00:00:04,036 YOU KNOW HOW YOU SET ME UP WITH 9 00:00:04,037 --> 00:00:04,269 YOU KNOW HOW YOU SET ME UP WITH A 10 00:00:04,270 --> 00:00:04,571 YOU KNOW HOW YOU SET ME UP WITH A DATE? 11 00:00:04,671 --> 00:00:05,538 MMM-MMM. 12 00:00:05,638 --> 00:00:07,307 I WANT TO SET YOU UP WITH ONE. 13 00:00:07,407 --> 00:00:08,775 YOU CAN LET YOUR GUARD DOWN 14 00:00:08,875 --> 00:00:11,011 JUST A LITTLE BIT SOMETIMES WHEN IT FRICKIN'-- 15 00:00:11,111 --> 00:00:12,545 - SHUT THE-- - YOU'RE A STONE HEART. 16 00:00:12,645 --> 00:00:14,714 - NO, I'M NOT A STONE! - GOSH! 17 00:00:14,814 --> 00:00:15,949 I JUST CAME IN TO CHECK ON YOU. 18 00:00:16,049 --> 00:00:17,484 I'M FINE, TONI. 19 00:00:17,584 --> 00:00:19,886 THIS EGG RETRIEVAL PROCEDURE IS NERVE WRACKING, 20 00:00:19,986 --> 00:00:23,223 BECAUSE I'M DOING THIS TO HELP US HAVE A BABY. 21 00:00:23,323 --> 00:00:25,091 I HAVE MY HUSBAND TO PROTECT. 22 00:00:25,191 --> 00:00:26,226 PROTECT? 23 00:00:26,326 --> 00:00:28,461 THERE'S MANY A CHICKS WHO WOULD LIKE TO TRY ME. 24 00:00:28,561 --> 00:00:29,996 - OH, MY GOD. - OKAY. 25 00:00:30,096 --> 00:00:31,431 DON'T LOOK AT US, DON'T SMILE AT US, 26 00:00:31,531 --> 00:00:32,999 DON'T TRY TO GIVE US THE SEXY EYES. 27 00:00:33,099 --> 00:00:34,834 DANCE-- LET'S SEE YOU DANCE. 28 00:00:34,934 --> 00:00:37,537 I AM SUPER EXCITED TO AUDITION 29 00:00:37,637 --> 00:00:39,439 THE BACKGROUND DANCERS FOR MY MUSIC VIDEO. 30 00:00:39,539 --> 00:00:41,975 OF COURSE, GABE WALKS IN 31 00:00:42,075 --> 00:00:45,979 WHEN I'M INTERVIEWING A POTENTIAL MALE LEAD. 32 00:00:46,079 --> 00:00:49,049 WE ARE THE BRAXTONS AND YOU'LL SEE 33 00:00:49,149 --> 00:00:53,486 THAT WE AREN'T LIKE AN ORDINARY FAMILY 34 00:00:53,586 --> 00:00:55,588 TONI TRACI TOWANDA TRINA TAMAR 35 00:00:55,688 --> 00:00:56,756 AND MISS E 36 00:00:56,856 --> 00:00:59,492 WE'LL TEACH YOU A THING OR TWO 37 00:00:59,592 --> 00:01:03,296 ON BRAXTON FAMILY VALUES 38 00:01:11,571 --> 00:01:12,539 YOU WANNA SIT RIGHT HERE? 39 00:01:12,639 --> 00:01:13,473 YEAH, THAT LOOKS GOOD TO ME. 40 00:01:13,573 --> 00:01:15,809 OH, IT HAS A PIANO AND EVERYTHING! 41 00:01:15,909 --> 00:01:17,210 - IT'S LIKE A CHURCH PIANO. - WOW! 42 00:01:17,310 --> 00:01:19,079 I BET YOU IT'S OFF KEY. 43 00:01:19,179 --> 00:01:21,014 I'M SETTING TOWANDA UP ON A DATE, 44 00:01:21,114 --> 00:01:25,752 BECAUSE I THINK TOWANDA NEEDS TO GO OUT. 45 00:01:25,852 --> 00:01:27,720 YOU KNOW HOW YOU SET ME UP WITH A DATE? 46 00:01:27,821 --> 00:01:29,222 BUT MINE DIDN'T WORK OUT. 47 00:01:29,322 --> 00:01:30,323 - NONE OF THEM WORKED OUT. - UH-UH. 48 00:01:30,423 --> 00:01:32,092 BUT I WANT TO SET YOU UP WITH ONE. 49 00:01:32,192 --> 00:01:34,994 I'M NOT WILLING TO DEAL WITH ANYONE ELSE'S CRAP 50 00:01:35,095 --> 00:01:36,463 OTHER THAN MINE, RIGHT NOW. 51 00:01:36,563 --> 00:01:38,198 THIS GUY YOU'LL LIKE. 52 00:01:38,298 --> 00:01:39,833 - WILL I, MOMMY? - YEAH. 53 00:01:39,933 --> 00:01:40,867 OR WILL I BUST OUT LAUGHING 54 00:01:40,967 --> 00:01:42,869 AND WALK OUT THE DOOR LIKE YOU DID? 55 00:01:42,969 --> 00:01:44,137 WELL, I HAD TO! 56 00:01:44,237 --> 00:01:46,106 THAT LITTLE BOY WAS 12-YEARS-OLD. 57 00:01:46,206 --> 00:01:47,073 HE WAS NOT 12. 58 00:01:47,173 --> 00:01:48,274 THAT LITTLE BOY WAS 27, TOWANDA. 59 00:01:48,374 --> 00:01:50,710 - HE WAS NOT 12, MOMMY. - I HAD TO-- THAT'S A CHILD! 60 00:01:50,810 --> 00:01:54,080 BEFORE I GO ANY FURTHER, HOW OLD ARE YOU? 61 00:01:54,180 --> 00:01:57,617 - TWENTY-SEVEN. - ALL RIGHTY, THEN. 62 00:01:57,717 --> 00:01:59,352 I REALLY FEEL LIKE DOING THIS. 63 00:01:59,452 --> 00:02:00,587 WHAT-- IS THERE MILK BACK THERE? 64 00:02:00,687 --> 00:02:02,088 IT'S A MILK-- YEAH, LET ME GET THIS ONE. 65 00:02:02,188 --> 00:02:03,990 GEEZ, 'CAUSE, THAT'S A LOT. 66 00:02:04,090 --> 00:02:06,126 THE BOY HAD HIS UMBILICAL CORD-- 67 00:02:06,226 --> 00:02:07,393 HE'S A GROWN MAN. 68 00:02:07,494 --> 00:02:08,728 ...WRAPPED AROUND HIS NECK AND ALL THAT KIND OF STUFF. 69 00:02:08,828 --> 00:02:09,896 HE DID NOT HAVE THE UMBILICAL CORD 70 00:02:09,996 --> 00:02:11,030 WRAPPED AROUND HIS NECK. 71 00:02:11,131 --> 00:02:12,232 - YES, HE DID, TOWANDA. - HE WAS NOT CHOKING. 72 00:02:12,332 --> 00:02:13,500 THAT'S HOW-- THAT'S WHAT I SAW. 73 00:02:13,600 --> 00:02:15,602 YOU ARE REALLY, REALLY UPSET ABOUT IT. 74 00:02:15,702 --> 00:02:17,470 WHAT ABOUT THE FIRST GUY-- HE WAS FUN! 75 00:02:21,708 --> 00:02:22,876 WHOO. 76 00:02:22,976 --> 00:02:25,078 - HONEY, HE WAS A DRUNK! - BUT HE WAS FUN. 77 00:02:25,178 --> 00:02:26,679 NO, HE WASN'T A LOT OF FUN. 78 00:02:26,779 --> 00:02:28,781 I COULDN'T WAIT TO LEAVE. - YOU SAID YOU HAD FUN! 79 00:02:28,882 --> 00:02:30,917 WELL, I WANTED TO SPARE YOUR FEELINGS! 80 00:02:31,017 --> 00:02:32,519 YOU DON'T GOTTA SPARE MY FEELINGS. 81 00:02:32,619 --> 00:02:34,888 NO, I'M JUST SCARED FOR YOU TO SET ME UP 82 00:02:34,988 --> 00:02:36,990 WITH ANYBODY ELSE-- ABSOLUTELY NOT. 83 00:02:37,090 --> 00:02:39,058 DON'T WORRY ABOUT IT-- I DON'T NEED ANYBODY. 84 00:02:39,159 --> 00:02:41,494 SHE HAS SET ME UP WITH, YOU KNOW, 85 00:02:41,594 --> 00:02:43,796 SOME DATES THAT WASN'T GOOD, 86 00:02:43,897 --> 00:02:45,765 BUT I WOULD NEVER DO HER THAT WAY. 87 00:02:45,865 --> 00:02:48,067 LET ME MAKE MYSELF PERFECTLY CLEAR. 88 00:02:48,168 --> 00:02:50,737 BUT YOU'RE YOUNG, YOU'RE BEAUTIFUL. 89 00:02:50,837 --> 00:02:52,639 YOU GOT IT GOIN' ON. 90 00:02:52,739 --> 00:02:56,342 GO OUT... JUST GET OUT THERE. 91 00:02:56,442 --> 00:02:59,012 SO, THAT'S WHY I'M SETTING YOU UP. 92 00:02:59,112 --> 00:03:01,481 COME ON. 93 00:03:01,581 --> 00:03:03,650 I KNOW MOMMY IS REALLY TRYING TO PAY ME BACK 94 00:03:03,750 --> 00:03:05,818 FOR SETTING HER UP WITH A DRUNK 95 00:03:05,919 --> 00:03:08,788 AND A LITTLE BABY BOY BUT, BUT I MEAN, 96 00:03:08,888 --> 00:03:09,989 I JUST THINK THAT MOMMY'S GONNA SET ME UP 97 00:03:10,089 --> 00:03:13,860 WITH SOMEBODY WHO HAS A KICK-STAND AND WOODEN TEETH. 98 00:03:13,960 --> 00:03:15,128 I DON'T WANNA DO THAT! 99 00:03:15,228 --> 00:03:16,763 TELL ME, EVERYTHING YOU'RE LOOKING FOR. 100 00:03:16,863 --> 00:03:18,264 - HE'S HAVE TO BE FUN. - OKAY. 101 00:03:18,364 --> 00:03:19,899 THEY'RE ALL LIARS, SO, I CAN'T SAY THAT 102 00:03:19,999 --> 00:03:21,668 I DON'T-- I WANT A MAN WHO CAN'T LIE, 103 00:03:21,768 --> 00:03:22,902 BECAUSE THEY ALL LIE. 104 00:03:23,002 --> 00:03:25,838 WANDA, WE ALL LIE FROM TIME TO TIME. 105 00:03:25,939 --> 00:03:28,541 THERE'S NO PERFECT PERSON, NOW. 106 00:03:28,641 --> 00:03:31,077 I GUESS I KIND OF OWE MOMMY 107 00:03:31,177 --> 00:03:32,779 TO GO OUT ON THIS BLIND DATE, 108 00:03:32,879 --> 00:03:33,746 BUT, YOU KNOW WHAT? 109 00:03:33,846 --> 00:03:35,548 HE BETTER HAVE A PLATINUM CARD, 110 00:03:35,648 --> 00:03:37,083 AND HE BETTER WINE AND DINE ME, 111 00:03:37,183 --> 00:03:38,618 BECAUSE I AM GOING TO, LIKE, 112 00:03:38,718 --> 00:03:41,187 PUT SKID MARKS ON HIS CREDIT CARD, 113 00:03:41,287 --> 00:03:43,957 AND AT LEAST, I'LL HAVE A NICE MEAL. 114 00:03:44,057 --> 00:03:48,728 HERE'S TO YOU GOING OUT ON A BLIND DATE. 115 00:03:48,828 --> 00:03:51,231 I'M SO HAPPY YOU ACCEPTED-- CLINK-CLINK-CLINK-CLINK! 116 00:03:51,331 --> 00:03:52,865 I'M SO HAPPY. 117 00:03:52,966 --> 00:03:54,500 - MMM-HMM. - MMM-HMM. 118 00:04:02,742 --> 00:04:03,810 - WHAT'S YOUR NAME? - EDGAR. 119 00:04:03,910 --> 00:04:04,978 IS THE FOOD GOOD, EDGAR? 120 00:04:05,078 --> 00:04:06,946 THE FOOD IS EXCELLENT, BETTER THAN GOOD. 121 00:04:07,046 --> 00:04:07,981 - IS IT EXCELLENT? - IT'S EXCELLENT. 122 00:04:08,081 --> 00:04:09,349 WHAT ARE YOU-- OH, OKAY! 123 00:04:11,951 --> 00:04:13,620 SO, I'VE BEEN HAVING THE FERTILITY TREATMENTS 124 00:04:13,720 --> 00:04:15,622 FOR A FEW WEEKS NOW, YOU KNOW, 125 00:04:15,722 --> 00:04:17,857 BECAUSE I CAN'T GET PREGNANT THE OLD, NATURAL WAY. 126 00:04:17,957 --> 00:04:19,259 AND, YOU KNOW, ACTUALLY, 127 00:04:19,359 --> 00:04:23,062 THE DOCTOR HAS THE GREATEST, GREATEST INVENTION OF ALL TIMES. 128 00:04:23,162 --> 00:04:25,198 PUT THE BABIES IN THE FREEZER, 129 00:04:25,298 --> 00:04:27,634 THIS BIG, BEAUTIFUL, COMFORTABLE FREEZER-- 130 00:04:27,734 --> 00:04:31,371 EVERYBODY'S HAPPY-- I STILL LOOK FABULOUS. 131 00:04:31,471 --> 00:04:32,972 SHE CAN STILL DROP IT LIKE IT'S HOT 132 00:04:33,072 --> 00:04:35,275 AND PICK IT BACK UP WITHOUT HAVING TO PEE HERSELF. 133 00:04:35,375 --> 00:04:37,543 AND, YOU KNOW, LIFE IS GREAT. 134 00:04:37,644 --> 00:04:39,045 ARE YOU TAKING THOSE SHOTS YET? 135 00:04:39,145 --> 00:04:41,147 WHY ARE YOU TRYING ME TODAY? 136 00:04:41,247 --> 00:04:42,282 THAT'S NOT TRYING. 137 00:04:42,382 --> 00:04:43,283 I'M GONNA LOOK-- I'M GONNA-- 138 00:04:43,383 --> 00:04:44,984 YOU HAVE A WOMAN OF MANY TALENTS, 139 00:04:45,084 --> 00:04:47,720 OKAY? - OKAY. 140 00:04:47,820 --> 00:04:51,190 PLEASE LEAVE MY THING ALONE. 141 00:04:51,291 --> 00:04:54,694 OKAY, VINCE, YES, I HAVE BEEN TAKING MY FERTILITY SHOTS, 142 00:04:54,794 --> 00:04:56,963 SO STOP ASKING ME LIKE I AM A CHILD-- 143 00:04:57,063 --> 00:05:00,400 I MEAN, I DON'T LIKE IT, BECAUSE I HATE NEEDLES, 144 00:05:00,500 --> 00:05:02,335 BUT I'M STILL DOING IT. 145 00:05:02,435 --> 00:05:03,569 YOU THINK YOU CAN HELP ME WITH THE SHOTS? 146 00:05:03,670 --> 00:05:05,638 I'M NOT PUTTING NO SHOT IN YOUR BUTT! 147 00:05:05,738 --> 00:05:06,472 WHY COME? 148 00:05:06,572 --> 00:05:07,607 I DON'T WANNA MESS UP, EITHER. 149 00:05:07,707 --> 00:05:09,709 WHY DON'T WE SEE ABOUT GETTING YOU A NURSE? 150 00:05:09,809 --> 00:05:11,811 - WHAT SHE LOOK LIKE? - I REALLY COULD CARE LESS. 151 00:05:11,911 --> 00:05:13,212 I'M JUST TRYING TO HELP YOU. 152 00:05:13,313 --> 00:05:14,714 WELL, AS LONG AS SHE OLD AND, YOU KNOW. 153 00:05:14,814 --> 00:05:16,482 SHE NOT FROM THE UGLY TRIBE. 154 00:05:16,582 --> 00:05:17,850 WELL, THEN SHE CAN'T COME TO MY HOUSE, 155 00:05:17,950 --> 00:05:20,286 CAUSE I HAVE MY HUSBAND TO PROTECT. 156 00:05:20,386 --> 00:05:21,421 PROTECT? 157 00:05:21,521 --> 00:05:23,623 THERE IS MANY OF CHICKS WHO WOULD LIKE TO TRY ME. 158 00:05:23,723 --> 00:05:25,258 - OH, MY GOD. - OKAY. 159 00:05:25,358 --> 00:05:26,459 I'M GOING TO TELL YOU RIGHT NOW-- 160 00:05:26,559 --> 00:05:29,495 AIN'T NO CUTE, BIG OLD BOOB, BIG OLD INJECTION SHOT, 161 00:05:29,595 --> 00:05:31,764 UM, LITTLE CHICK GOING TO COME THROUGH MY DOORS 162 00:05:31,864 --> 00:05:34,934 TO MY, "UM, I'M HERE TO GIVE YOU A SHOT." 163 00:05:35,034 --> 00:05:36,202 EVERYONE DOESN'T TALK LIKE THAT. 164 00:05:36,302 --> 00:05:38,571 OR, "OKAY, VINCE, UM, WHERE'S TAMAR?" 165 00:05:46,879 --> 00:05:48,047 I'VE NEVER BEEN TO A NURSE LIKE THAT. 166 00:05:48,147 --> 00:05:49,716 VINCE, I'M TELLING YOU-- IT WAS A COUPLE OF NURSES 167 00:05:49,816 --> 00:05:51,184 THAT WAS COMIN' TO SEE YOU, WHEN YOU WAS OUT OF IT-- 168 00:05:51,284 --> 00:05:53,886 TAMAR, PLEASE. 169 00:05:53,986 --> 00:05:56,122 NOW, WHAT DID I DO? - WHAT DID I DO? 170 00:05:56,222 --> 00:05:57,724 NOTHING. 171 00:05:57,824 --> 00:05:59,592 I SAW THOSE NURSES MAKING THE PLAY. 172 00:05:59,692 --> 00:06:01,394 VINCE WAS WAY TOO OUT OF IT TO NOTICE, 173 00:06:01,494 --> 00:06:02,995 BUT, LADIES, LET ME TELL YOU SOMETHING. 174 00:06:03,096 --> 00:06:06,265 YOU BETTER BE ON YOUR GUARD BECAUSE THEY WILL TRY IT, 175 00:06:06,366 --> 00:06:09,569 ESPECIALLY THE ONES IN THOSE NURSES UNIFORMS. 176 00:06:09,669 --> 00:06:12,338 BUT IF THEY TRY TO PLAY "DOCTOR" WITH MY HUSBAND, 177 00:06:12,438 --> 00:06:14,374 THEY'LL BE THE ONES NEEDING MEDICAL ATTENTION-- 178 00:06:14,474 --> 00:06:15,775 I TELL YOU THAT. 179 00:06:15,875 --> 00:06:18,945 AND MY NAME IS TAMAR-- SHE'S ALWAYS ON IT. 180 00:06:19,045 --> 00:06:20,380 - WHAT? - BRAXTON HERBERT. 181 00:06:20,480 --> 00:06:21,547 BUT WHY ARE YOU SO LOUD? 182 00:06:21,647 --> 00:06:22,548 'CAUSE YOU'RE TRYING IT TODAY. 183 00:06:22,648 --> 00:06:23,649 I'M NOT TRYING IT. 184 00:06:23,750 --> 00:06:24,951 YOU'RE TRYING IT TODAY, AND THE MORE YOU TRY IT, 185 00:06:25,051 --> 00:06:27,520 THE MORE I'M GOING TO GIVE IT BACK TO YOU. 186 00:06:27,620 --> 00:06:28,688 I'M NOT TRYING IT. 187 00:06:28,788 --> 00:06:30,423 FIRST OF ALL, I WANT YOU TO STOP SAYING "TRYING IT." 188 00:06:30,523 --> 00:06:32,325 WHY DON'T YOU BE THAT NICE, LITTLE GIRL I MET. 189 00:06:32,425 --> 00:06:34,327 YOU USED TO GO TO, LIKE, LOVE TO GO TO DISNEYLAND. 190 00:06:34,427 --> 00:06:35,962 YOU DON'T TAKE ME THERE NO MORE. 191 00:06:36,062 --> 00:06:37,063 YOU'VE OUT-GROWN YOUR BRITCHES. 192 00:06:37,163 --> 00:06:40,633 NO-- YOU HAVE FINISHED TRICKIN'-- 193 00:06:40,733 --> 00:06:41,434 YOU KNOW WHAT I'M SAYING? 194 00:06:41,534 --> 00:06:42,335 - TRICKIN'? - YEAH. 195 00:06:42,435 --> 00:06:43,436 I'VE NEVER TRICKED WITH YOU. 196 00:06:43,536 --> 00:06:44,604 WHAT-- TAKING ME TO DISNEYLAND, 197 00:06:44,704 --> 00:06:46,773 LOOKING AT ME WITH THE DISNEYLAND STARE-- STARIN'. 198 00:06:46,873 --> 00:06:47,907 THAT WAS ONLY 40 SOME DOLLARS. 199 00:06:48,007 --> 00:06:49,208 THAT WASN'T TRICKIN'-- THAT'S REALLY TRICKIN'? 200 00:06:49,308 --> 00:06:50,543 STARIN' AT ME. 201 00:06:50,643 --> 00:06:52,678 BUY ME THE BIG OLE' STUFFED ANIMALS. 202 00:06:52,779 --> 00:06:54,447 I DIDN'T BUY NOTHIN'-- I ACTUALLY WON THAT IN A GAME. 203 00:06:54,547 --> 00:06:56,282 OH-- OH, GOD! 204 00:06:56,382 --> 00:06:57,617 I DIDN'T BUY NOTHING FOR YOU, OKAY? 205 00:06:57,717 --> 00:06:59,719 GETTING ON THE RIDES, ACTING LIKE YOU ENJOYED IT. 206 00:06:59,819 --> 00:07:01,187 I DON'T GET NONE OF THAT NO MORE. 207 00:07:01,287 --> 00:07:04,157 BECAUSE YOU'RE RUNNING YOUR MOUTH TOO MUCH LATELY. 208 00:07:12,498 --> 00:07:13,866 SO, TRINA, ARE YOU EXCITED? 209 00:07:13,966 --> 00:07:14,567 LITTLE BABY BIT. 210 00:07:14,667 --> 00:07:15,568 - REALLY? - MMM-HMM. 211 00:07:15,668 --> 00:07:17,236 - I'M EXCITED FOR YOU. - I'M NERVOUS. 212 00:07:17,336 --> 00:07:19,372 THIS MUSIC VIDEO, "PARTY OR GO HOME," 213 00:07:19,472 --> 00:07:22,675 IS MY VERY FIRST MUSIC VIDEO EVER, 214 00:07:22,775 --> 00:07:25,711 AND I AM PRODUCING IT AND FINANCING IT ON MY OWN. 215 00:07:25,812 --> 00:07:28,614 SO, THERE'S A LOT ON THE LINE, AND THIS IS MY OPPORTUNITY 216 00:07:28,714 --> 00:07:30,650 TO SHOW THE WORLD THAT I'M NOT JUST A SINGER 217 00:07:30,750 --> 00:07:34,120 WITH A GORGEOUS FACE, BUT I'M A POP STAR, HONEY! 218 00:07:34,220 --> 00:07:36,456 AND IT'S REALLY, REALLY EXPENSIVE, TOO, 219 00:07:36,556 --> 00:07:39,592 SO THIS REALLY HAS TO WORK. 220 00:07:39,692 --> 00:07:42,428 SO, FIRST OFF, I'M EXTREMELY EXCITED ABOUT THE PROJECT. 221 00:07:42,528 --> 00:07:44,230 YEAH, ME, TOO. 222 00:07:44,330 --> 00:07:45,364 WE JUST WANT TO MAKE SURE, FIRST OFF, 223 00:07:45,465 --> 00:07:48,301 THAT YOU'RE PLEASED WITH THE VISION. 224 00:07:48,401 --> 00:07:51,103 TOWANDA AND I ARE MEETING WITH THE NEW VIDEOGRAPHER 225 00:07:51,204 --> 00:07:52,472 FOR MY VIDEO. 226 00:07:52,572 --> 00:07:55,508 HIS NAME IS DEREK BLANKS, HE IS A VERY WELL KNOWN PHOTOGRAPHER 227 00:07:55,608 --> 00:07:58,744 AND HE IS DELVING INTO THE WHOLE MUSIC VIDEO WORLD NOW. 228 00:07:58,845 --> 00:08:01,848 HE'S PHOTOGRAPHED THE BRAXTONS BEFORE AND WE CAME OUT VERY, 229 00:08:01,948 --> 00:08:04,383 VERY BEAUTIFUL, SO I AM HOPING THAT HE WILL BE ABLE 230 00:08:04,484 --> 00:08:07,053 TO DO THE SAME FOR ME, PERSONALLY, FOR MY VIDEO. 231 00:08:07,153 --> 00:08:10,256 FOR MY DANCE SEQUENCE, I WOULD REALLY LIKE FOR MY GENTLEMEN 232 00:08:10,356 --> 00:08:12,358 BEHIND ME TO BE GAY. 233 00:08:12,458 --> 00:08:14,160 I WANT-- - AND YOU WANT TO BE FLAMING. 234 00:08:14,260 --> 00:08:15,294 YES. 235 00:08:15,394 --> 00:08:16,662 I JUST WANT THEM TO MOVE-- - LIKE HOT CAKES. 236 00:08:16,762 --> 00:08:18,130 NO, 'CAUSE I WANT THEM TO MOVE A CERTAIN WAY. 237 00:08:18,231 --> 00:08:19,398 OKAY. 238 00:08:19,499 --> 00:08:21,534 I MEAN, LIKE, I WANT-- 239 00:08:21,634 --> 00:08:23,970 I LOVE THE IDEA OF BEING SURROUNDED BY 240 00:08:24,070 --> 00:08:28,508 A TEAM OF BUFF DANCERS, BUT WITH A LITTLE GAY FLARE. 241 00:08:28,608 --> 00:08:31,711 I THINK IT'S DIFFERENT AND IT MAKES ME POP OUT MORE AS A DIVA. 242 00:08:31,811 --> 00:08:34,447 SO, YOU WANT THEM ONLY TO BE GAY GUYS BEHIND YOU DANCING? 243 00:08:34,547 --> 00:08:36,115 WELL, I MEAN, IF YOU CAN FIND A FEW STRAIGHT ONES 244 00:08:36,215 --> 00:08:38,184 THAT-THAT DON'T MIND MOVING LIKE THAT, 245 00:08:38,284 --> 00:08:39,986 I DON'T HAVE A PROBLEM. 246 00:08:40,086 --> 00:08:42,522 SO, YOU DON'T WANT ANY WOMEN DANCING WITH YOU? 247 00:08:42,622 --> 00:08:44,991 - NO, JUST ME. - JUST HER. 248 00:08:45,091 --> 00:08:46,259 WELL, I MEAN, NO-NO-NO-NO. 249 00:08:46,359 --> 00:08:47,827 THE-THE CLUB IS GONNA HAVE AN ARRAY OF DIFFERENT PEOPLE. 250 00:08:47,927 --> 00:08:48,895 IT'S GOING TO BE VERY, VERY DIVERSE. 251 00:08:48,995 --> 00:08:49,795 I'M JUST TALKING ABOUT FOR MY DANCE SEQUENCE. 252 00:08:49,896 --> 00:08:51,230 OKAY. 253 00:08:51,330 --> 00:08:53,199 WHO DO YOU THINK SHOULD BE DANCING BEHIND HER? 254 00:08:53,299 --> 00:08:55,401 I WAS THINKING MORE OF, LIKE, THE CLUB ATMOSPHERE, 255 00:08:55,501 --> 00:08:59,972 LIKE A VERY MIXED CROWD, LIKE BLACK, WHITE, MALE AND FEMALE. 256 00:09:00,072 --> 00:09:01,908 STRESSING MALE AND FEMALE-- I DON'T THINK YOU SHOULD 257 00:09:02,008 --> 00:09:05,411 JUST GO SPE-SPECIFICALLY WITH MEN DANCERS. 258 00:09:05,511 --> 00:09:06,979 ME, PERSONALLY, I THINK IT WOULD BE DIFFERENT, 259 00:09:07,079 --> 00:09:08,080 FROM A VIDEO STANDPOINT, 260 00:09:08,180 --> 00:09:11,617 BECAUSE IT'S REALLY NEVER BEEN DONE, LIKE, 261 00:09:11,717 --> 00:09:13,553 AS FAR AS BEING REALLY DRESSED UP ANDROGYNOUS. 262 00:09:13,653 --> 00:09:16,188 DRESSED UP ANDROGYNOUS? 263 00:09:16,289 --> 00:09:19,592 DRESSED UP IN AN ANDROGYNISTIC WAY, LIKE TIGHTS 264 00:09:19,692 --> 00:09:22,995 AND, YOU KNOW, GLOVES, A HAT, AND ETCETERA, ETCETERA, ETCETERA. 265 00:09:23,095 --> 00:09:25,164 I THINK IT-- IT HAS NEVER BEEN DONE. 266 00:09:25,264 --> 00:09:28,968 RECO IS THE STYLIST AND ALSO THE CREATIVE DIRECTOR 267 00:09:29,068 --> 00:09:30,670 FOR MY MUSIC VIDEO. 268 00:09:30,770 --> 00:09:34,907 HE ALWAYS HAS AN OPINION, AND IT'S USUALLY A VERY CATTY ONE. 269 00:09:35,007 --> 00:09:37,777 YOU JUST NEED TO STICK TO COSTUMES, RECO. 270 00:09:37,877 --> 00:09:40,179 I DID REWRITE THE TREATMENT I INITIALLY GAVE YOU 271 00:09:40,279 --> 00:09:41,213 AND TOOK YOUR TREATMENT 272 00:09:41,314 --> 00:09:43,215 AND KIND OF DID A WHOLE MODGE PODGE. 273 00:09:43,316 --> 00:09:45,918 I DON'T WANT TO STEP ON NOBODY'S TOES, BUT-- 274 00:09:46,018 --> 00:09:48,654 DIRECTOR, UH, RECO CHAPPLE. 275 00:09:48,754 --> 00:09:52,124 AH, NO, IT'S CREATIVE DIRECTOR, IT'S NOT DIRECTOR. 276 00:09:52,224 --> 00:09:53,392 UM, WHEN YOU LOOK AT THIS, 277 00:09:53,492 --> 00:09:56,596 ALL I SEE IS TRINA WITH THREE NAKED GUYS-- 278 00:09:56,696 --> 00:09:57,830 OR BACKGROUND DANCERS. 279 00:09:57,930 --> 00:09:59,165 WHAT-- SEE, BUT YOU HAVE TO READ, 280 00:09:59,265 --> 00:10:00,700 AND YOU HAVE TO LOOK INTO IT AND-- 281 00:10:00,800 --> 00:10:02,468 ALL YOUR FANTASTIC IDEAS, RECO. 282 00:10:02,568 --> 00:10:05,838 I THINK YOU CAN TAKE ABOUT FIVE PERCENT OF IT, 283 00:10:05,938 --> 00:10:07,506 MAYBE THAT'LL WORK. 284 00:10:13,112 --> 00:10:15,047 I WAS JUST WONDERING IF YOU WOULD KIND OF STEP IN 285 00:10:15,147 --> 00:10:16,115 AND HELP ME WITH BUDGET, 286 00:10:16,215 --> 00:10:17,516 GET IT UNDERWAY. - I WOULD LOVE TO DO THAT. 287 00:10:17,617 --> 00:10:19,752 YOU KNOW, IT WOULD BE A CHANCE FOR US TO BE TOGETHER. 288 00:10:23,923 --> 00:10:24,022 I 289 00:10:24,023 --> 00:10:24,122 I DON'T 290 00:10:24,123 --> 00:10:24,222 I DON'T WANNA 291 00:10:24,223 --> 00:10:24,289 I DON'T WANNA STEP 292 00:10:24,290 --> 00:10:24,422 I DON'T WANNA STEP ON 293 00:10:24,423 --> 00:10:24,556 I DON'T WANNA STEP ON NOBODY'S 294 00:10:24,557 --> 00:10:25,625 I DON'T WANNA STEP ON NOBODY'S TOES, 295 00:10:25,725 --> 00:10:28,628 BUT LET'S PASS THIS OUT. - DIRECTOR, AH, RECO SHAPELL. 296 00:10:28,728 --> 00:10:32,131 AH, NO, IT'S CREATIVE DIRECTORS, NOT DIRECTOR. 297 00:10:32,231 --> 00:10:34,834 ALL YOUR FANTASTIC IDEAS, RECO... 298 00:10:34,934 --> 00:10:38,170 I THINK YOU CAN TAKE ABOUT FIVE PERCENT OF IT, 299 00:10:38,270 --> 00:10:40,773 MAYBE THAT WILL WORK. - I'M NOT DOING Y'ALL TODAY. 300 00:10:40,873 --> 00:10:44,043 NO, I'M JUST SAYIN' IT'S NOT ABOUT ME, 301 00:10:44,143 --> 00:10:45,411 IT'S NOT ABOUT YOU, DEREK. 302 00:10:45,511 --> 00:10:47,513 I THINK WE JUST KIND OF NEED TO PUT OUR NUTS BACK IN OUR PANTS 303 00:10:47,613 --> 00:10:49,315 AND STOP TRYING TO FIGURE OUT WHO GO THE BIGGEST NUTS; 304 00:10:49,415 --> 00:10:52,084 BECAUSE, IT SEEMS LIKE YOU'RE NOT REALLY LISTENING 305 00:10:52,184 --> 00:10:53,085 TO WHAT SHE'S SAYING. 306 00:10:53,185 --> 00:10:54,587 SHE'S TELLING YOU EVERYTHING THAT SHE WANTS 307 00:10:54,687 --> 00:10:56,389 AND YOU-- - BUT I AM LISTENING TO HER. 308 00:10:56,489 --> 00:10:59,392 LIKE, TRINA IS TELLING ME EXACTLY WHAT SHE WANTS. 309 00:10:59,492 --> 00:11:01,927 IS THIS A HOUSE OF CHAPPLE VIDEO OR IS THIS AH-- 310 00:11:02,028 --> 00:11:04,397 NO, IT'S-- IT'S TRINA BRAXTON'S VIDEO BUT-- 311 00:11:04,497 --> 00:11:05,931 I MEAN, NO OFFENSE, RECO... 312 00:11:06,032 --> 00:11:07,099 OKAY-- 313 00:11:07,199 --> 00:11:10,436 BUT, UM, DIRECTED BY DEREK BLANKS. 314 00:11:10,536 --> 00:11:12,004 WELL, ON THAT NOTE, YOU DON'T HAVE TO SAY NOTHING ELSE. 315 00:11:12,104 --> 00:11:13,572 I'LL JUST BE QUIET. 316 00:11:13,673 --> 00:11:14,907 I DON'T WANT MY VIDEO 317 00:11:15,007 --> 00:11:17,843 TO BECOME A CAT FIGHT BETWEEN RECO AND DEREK. 318 00:11:17,943 --> 00:11:21,113 NOW RECO JUST NEEDS TO DO THE WHOLE FASHION THING, 319 00:11:21,213 --> 00:11:23,883 AND THEN COME DOWN WITH "KEEP-YOUR-MOUTH-SHUT-ITIS" 320 00:11:23,983 --> 00:11:27,186 AND THEN LET DEREK DO HIS JOB AS A DIRECTOR. 321 00:11:27,286 --> 00:11:28,354 I JUST WANT TO MAKE SURE 322 00:11:28,454 --> 00:11:31,290 THAT WE ALL ACCOMPLISH WHAT TRINA HAS SET OUT FOR, 323 00:11:31,390 --> 00:11:34,860 AND THAT SHE LEAVES HAPPY, BECAUSE AT THE END OF THE DAY 324 00:11:34,960 --> 00:11:37,863 IT'S NOT GONNA BE LIKE "DIRECTED BY RECO CHAPPLE." 325 00:11:37,963 --> 00:11:40,032 THEY'RE GONNA SAY, "DIRECTED BY DEREK BLANKS." 326 00:11:40,132 --> 00:11:41,867 YOU-- YOU BROUGHT IT UP SEVERAL TIMES. 327 00:11:41,967 --> 00:11:42,835 WE'RE READY. 328 00:11:42,935 --> 00:11:45,004 RECO, HERE'S YOUR TREATMENT BACK. 329 00:11:45,104 --> 00:11:46,072 OH, DEREK! 330 00:11:46,172 --> 00:11:47,673 THAT'S FINE. 331 00:11:57,049 --> 00:11:58,851 - HOW YOU BEEN? - GOOD-- HOW ARE YOU? 332 00:11:58,951 --> 00:12:00,252 OKAY. 333 00:12:00,352 --> 00:12:01,954 HOW'S YOUR MUSIC COMING ALONG? 334 00:12:02,054 --> 00:12:03,923 IT'S COMING, SLOWLY BUT SURELY. 335 00:12:04,023 --> 00:12:07,293 UM, DEREK BLANKS IS GOING TO DIRECT THE VIDEO, 336 00:12:07,393 --> 00:12:09,795 BUT YOU KNOW, YOU BEING A GREAT FINANCIAL GUY, 337 00:12:09,895 --> 00:12:12,565 I WAS JUST WONDERING IF YOU WOULD KIND OF STEP IN 338 00:12:12,665 --> 00:12:15,768 AND HELP ME WITH BUDGET AND MAYBE KIND OF ADD TO IT. 339 00:12:18,437 --> 00:12:19,939 EVEN THOUGH I FILED FOR A DIVORCE, 340 00:12:20,039 --> 00:12:22,641 GABE AND I ARE ON FRIENDLIER TERMS, 341 00:12:22,742 --> 00:12:24,176 ESPECIALLY FOR THE KIDS. 342 00:12:24,276 --> 00:12:27,113 NOW, I COULD BE A LOT MORE FRIENDLIER WITH GABE 343 00:12:27,213 --> 00:12:28,748 IF HE WOULD JUST COUGH UP SOME MORE CASH 344 00:12:28,848 --> 00:12:30,483 TO HELP ME PAY FOR MY VIDEO. 345 00:12:30,583 --> 00:12:34,253 I NEED A LITTLE BIT MORE, YOU KNOW, FINANCES 346 00:12:34,353 --> 00:12:36,455 TO HELP ME TO, YOU KNOW, GET IT UNDER WAY. 347 00:12:36,555 --> 00:12:37,289 I WOULD LOVE TO DO THAT. 348 00:12:37,389 --> 00:12:38,257 - YEAH? - YEAH. 349 00:12:38,357 --> 00:12:39,425 - WHY? - I THINK IT'S A GREAT CHANCE 350 00:12:39,525 --> 00:12:41,260 FOR YOU AND I TO GET TOGETHER 351 00:12:41,360 --> 00:12:46,899 AND WORK ON SOMETHING AND POSSIBLY REKINDLING... 352 00:12:46,999 --> 00:12:48,601 I'M LISTENING. 353 00:12:48,701 --> 00:12:50,569 YOU KNOW, IT'D BE A CHANCE FOR US TO BE TOGETHER. 354 00:12:50,669 --> 00:12:53,172 HOPEFULLY LET ME GET A-- GET INVOLVED 355 00:12:53,272 --> 00:12:55,207 AND SHOW MY CREATIVE ABILITY, TOO. 356 00:12:55,307 --> 00:12:57,910 - WHAT-- WHAT-- WHAT-- WAIT. - WHAT? 357 00:12:58,010 --> 00:12:59,845 YOUR CREA-- WHAT DO YOU MEAN YOUR CREATIVE ABILITY? 358 00:12:59,945 --> 00:13:00,980 LIKE, WHAT DO YOU MEAN? 359 00:13:01,080 --> 00:13:02,782 LIKE, HOW MUCH DO YOU PLAN ON PARTICIPATING? 360 00:13:02,882 --> 00:13:06,619 NO, JUST LET ME, YOU KNOW, PROVIDE MY INPUT. 361 00:13:06,719 --> 00:13:08,854 I MIGHT TEACH THE GUY SOME THINGS, THE VIDEO DIRECTOR. 362 00:13:08,954 --> 00:13:10,923 I MEAN-- I MEAN I HAVE THIS ARTISTIC ABILITY-- 363 00:13:11,023 --> 00:13:12,124 I UNDERSTAND THAT, BUT WAIT, WAIT! 364 00:13:12,224 --> 00:13:15,528 YOU CAN'T GO IN THERE TRYING TO TELL HIM WHAT TO DO. 365 00:13:15,628 --> 00:13:16,962 I WON'T. 366 00:13:17,062 --> 00:13:18,931 I'M ALL FOR IT-- LET'S DO THIS. 367 00:13:19,031 --> 00:13:20,399 OKAY. 368 00:13:31,677 --> 00:13:33,045 SO TODAY IS THE BIG DAY, 369 00:13:33,145 --> 00:13:36,182 AND I HAVE TO GO IN AND GET SOME EGGS TAKEN OUT OF ME 370 00:13:36,282 --> 00:13:38,784 AND VINCE HAS TO DONATE SOME SPERM, 371 00:13:38,884 --> 00:13:42,121 SO TONI IS HERE AND MY MOMMA FLEW IN FROM ATLANTA. 372 00:13:42,221 --> 00:13:44,456 LIKE THEY'RE ACTUALLY GOING INSIDE OF MY BODY 373 00:13:44,557 --> 00:13:47,526 TO TAKE SOMETHING OUT-- IT'S A LITTLE SCARY. 374 00:13:47,626 --> 00:13:49,028 I DON'T UNDERSTAND WHY YOU CAN'T HAVE WATER 375 00:13:49,128 --> 00:13:50,596 AFTER 12 O'CLOCK-- WHAT THAT HAVE TO DO WITH IT? 376 00:13:50,696 --> 00:13:51,764 BECAUSE THERE SHOULD BE NOTHING IN YOUR STOMACH 377 00:13:51,864 --> 00:13:54,366 TO REGURGITATE WHEN THEY DO THIS STUFF. 378 00:13:54,466 --> 00:13:56,068 I DON'T NEED TO HAVE TUBE, THOUGH. 379 00:13:56,168 --> 00:13:57,303 I KNOW [indistinct ]. 380 00:13:57,403 --> 00:13:58,771 THEY HAVE THE BREATHING MACHINE-- 381 00:13:58,871 --> 00:14:00,639 THERE'S A BREATHING MACHINE-- - TONI. 382 00:14:00,739 --> 00:14:03,209 YOU ARE NOT DR. TONI, OKAY? 383 00:14:03,309 --> 00:14:06,078 I'M JUST LETTING YOU KNOW. - I AM NOT-NOT DR. TONI. 384 00:14:06,178 --> 00:14:07,546 OF COURSE I CAME HERE TODAY 385 00:14:07,646 --> 00:14:09,515 BECAUSE I KNOW TAMAR NEEDS MY SUPPORT. 386 00:14:09,615 --> 00:14:11,817 I'M THE OLDER SISTER, EVERYONE KNOWS THAT TONI, 387 00:14:11,917 --> 00:14:14,220 DR. TONI KNOWS BEST. 388 00:14:14,320 --> 00:14:16,121 GIVE ME YOUR PURSE-- YOU DON'T NEED YOUR PURSE. 389 00:14:16,222 --> 00:14:19,258 - CHAPSTICK-- - GIVE ME YOUR EARRINGS. 390 00:14:19,358 --> 00:14:20,459 YOU CAN'T HAVE EARRINGS IN SURGERY. 391 00:14:20,559 --> 00:14:21,594 - I CAN. - NO, YOU CANNOT. 392 00:14:21,694 --> 00:14:23,062 TAMAR. 393 00:14:23,162 --> 00:14:24,163 GIVE ME YOUR EARRINGS. 394 00:14:24,263 --> 00:14:25,731 SHE'S TRYING TO GO INTO SURGERY WITH EARRINGS. 395 00:14:25,831 --> 00:14:27,833 - NO-- NO, RIGHT-- - NO. 396 00:14:30,002 --> 00:14:31,003 ALL RIGHT, LET'S GO. 397 00:14:31,103 --> 00:14:32,171 WHAT'S TAKIN' YOU SO LONG? 398 00:14:32,271 --> 00:14:33,405 EVERYBODY WANT THEM? 399 00:14:33,505 --> 00:14:36,041 NO, GIVE THEM TO YOUR HUSBAND. 400 00:14:36,141 --> 00:14:36,909 LEAVE YOUR JACKET. 401 00:14:37,009 --> 00:14:38,010 I'M JUST GOING TO FOLD IT, TONI. 402 00:14:38,110 --> 00:14:39,445 I JUST DON'T, YOU KNOW-- 403 00:14:39,545 --> 00:14:40,512 YOU'RE JUST A LITTLE NERVOUS, 404 00:14:40,613 --> 00:14:41,347 - YOU'LL BE ALL RIGHT. - YOU MAKE ME NERVOUS. 405 00:14:41,447 --> 00:14:42,715 PLEASE GIVE HER THE COCKTAIL. 406 00:14:45,317 --> 00:14:47,019 HI, I'M READY. 407 00:14:47,119 --> 00:14:48,520 OKAY, I CANNOT BELIEVE I'M FIXIN' TO SAY THIS, 408 00:14:48,621 --> 00:14:51,690 BUT I CANNOT WAIT TO GET INTO SURGERY 409 00:14:51,790 --> 00:14:54,860 SO I CAN GET AWAY FROM DR. TONI'S ASS RIGHT NOW. 410 00:14:54,960 --> 00:14:57,196 I NEED TO BE CALM AND RELAXED 411 00:14:57,296 --> 00:15:00,132 AND SHE'S WORRYING THE HELL OUT OF ME ABOUT EVERYTHING. 412 00:15:02,801 --> 00:15:03,636 DID SHE GO BACK YET? 413 00:15:03,736 --> 00:15:05,337 NO, SHE'S IN THE BATHROOM. 414 00:15:05,437 --> 00:15:06,605 DOES SHE HAVE TO GO POO? 415 00:15:06,705 --> 00:15:08,207 NO, SHE HAD TO CHANGE HER GOWN. 416 00:15:08,307 --> 00:15:10,142 OH, 'CAUSE SHE GETS NERVOUS. 417 00:15:10,242 --> 00:15:12,578 HEY, CHASE. 418 00:15:12,678 --> 00:15:14,647 WHAT ARE YOU DOING BACK HERE? 419 00:15:14,747 --> 00:15:16,582 GOOD GOSH! 420 00:15:16,682 --> 00:15:17,750 I JUST CAME TO CHECK ON YOU. 421 00:15:17,850 --> 00:15:19,451 I'M FINE, TONI! 422 00:15:19,551 --> 00:15:21,253 SHE CAME TO GIVE YOU A BIG HUG. 423 00:15:21,353 --> 00:15:22,521 I DON'T HAVE A TUBE DOWN MY THROAT, RIGHT? 424 00:15:22,621 --> 00:15:23,522 YOU DO NOT. 425 00:15:23,622 --> 00:15:24,890 BINGO-- TOLD YOU. 426 00:15:24,990 --> 00:15:26,025 SHE'LL BE AWAKE AND TALKING TO ME 427 00:15:26,125 --> 00:15:27,993 WITHIN FIVE MINUTES AFTER THE PROCEDURE. 428 00:15:28,093 --> 00:15:29,895 - OH, OKAY. - GREAT. 429 00:15:29,995 --> 00:15:33,265 I GUESS DR. TONI ISN'T ALWAYS RIGHT, IS SHE? 430 00:15:33,365 --> 00:15:35,067 TAMAR, YOU KNOW I HATE THAT STUFF ON YOUR FACE. 431 00:15:39,605 --> 00:15:43,309 - HEY, DAD. - HEY. 432 00:15:43,409 --> 00:15:47,179 - DAD, HOW ARE YOU? - I'M GOOD. 433 00:15:47,279 --> 00:15:48,514 - HEY, YOU. - HOW YOU DOING? 434 00:15:48,614 --> 00:15:50,549 GREAT, GREAT, GREAT. 435 00:15:50,649 --> 00:15:53,552 MY EX HUSBAND FLEW IN INFORM MARYLAND. 436 00:15:53,652 --> 00:15:55,487 HE WANTED TO SURPRISE TAMAR, 437 00:15:55,587 --> 00:15:59,625 SO I'M QUITE SURE THAT TAMAR WILL BE HAPPY ABOUT IT, 438 00:15:59,725 --> 00:16:03,362 HOWEVER, HE'S NOT MY FAVORITE PERSON-- LET'S KEEP IT REAL. 439 00:16:03,462 --> 00:16:06,765 MY ONLY CONCERN WITH TAMAR WITH THE BABY IS, 440 00:16:06,865 --> 00:16:08,767 TAMAR FORGET THINGS. 441 00:16:08,867 --> 00:16:10,235 - NO, SHE-- - SHE'LL LEAVE THE BABY 442 00:16:10,336 --> 00:16:12,004 IN THE-IN THE BACK-SEAT OF THE CAR. 443 00:16:12,104 --> 00:16:15,074 - NO. - LEAVE IT AT THE AIRPORT-- 444 00:16:15,174 --> 00:16:16,675 - WELL, MOTHERHOOD-- - HE SAID THE SAME THING 445 00:16:16,775 --> 00:16:19,912 ABOUT YOU, REMEMBER? - BUT I DIDN'T LOSE MY BABIES. 446 00:16:20,012 --> 00:16:21,780 YOU DID LOSE YOUR TELEPHONE. 447 00:16:21,880 --> 00:16:23,782 WHERE YOU TELEPHONE-- WHERE YOU TELEPHONE? 448 00:16:23,882 --> 00:16:25,217 - I DON'T KNOW. - SEE? 449 00:16:25,317 --> 00:16:26,452 I ALWAYS LOSE MY PHONE. 450 00:16:35,127 --> 00:16:38,664 I AM SUPER EXCITED TO AUDITION THE BACKGROUND DANCERS 451 00:16:38,764 --> 00:16:40,966 FOR MY MUSIC VIDEO, "PARTY OR GO HOME", 452 00:16:41,066 --> 00:16:42,868 IT'S DIRECTED BY DEREK BLANKS 453 00:16:42,968 --> 00:16:44,937 AND CHOREOGRAPHED BY VICTOR JACKSON 454 00:16:45,037 --> 00:16:46,805 WHO'S ALSO WORKED WITH LIL' WAYNE, 455 00:16:46,905 --> 00:16:49,441 AND DOMINIQUE AND NOW TRINA BRAXTON. 456 00:16:49,541 --> 00:16:50,676 THANK YOU. 457 00:16:50,776 --> 00:16:51,677 CAN THEY BE NAKED? 458 00:16:51,777 --> 00:16:53,345 LIKE HALF NAKED WITH NO SHIRT ON? 459 00:16:53,445 --> 00:16:55,414 - THAT'S COOL. - I THINK THAT'S FUN. 460 00:16:55,514 --> 00:16:56,715 - YEAH. - YES! 461 00:16:56,815 --> 00:16:58,117 I THINK IT SHOULD BE JUST A PARTY. 462 00:16:58,217 --> 00:16:59,818 BASICALLY, LIGHTS ALL OVER. - I WANT THEM TO HAVE NO SHIRTS. 463 00:16:59,918 --> 00:17:02,087 NO SHIRTS. - OKAY. 464 00:17:02,187 --> 00:17:03,722 SO DON'T LOOK AT US, DON'T SMILE AT US, 465 00:17:03,822 --> 00:17:05,391 DON'T TRY TO GIVE US THE SEXY EYES. 466 00:17:05,491 --> 00:17:08,093 DANCE-- LET'S SEE YOU DANCE. 467 00:17:15,901 --> 00:17:18,737 OKAY, WE'VE CERTAINLY GOT SOME CHARACTERS, 468 00:17:18,837 --> 00:17:20,506 AND THEY THINK THEY'RE WORKING IT. 469 00:17:20,606 --> 00:17:24,410 THEY'RE WORKING IT ALL RIGHT OKAY-- DON'T BE SHY NOW. 470 00:17:42,761 --> 00:17:45,097 THANK YOU, ALL, SO MUCH. 471 00:17:45,197 --> 00:17:46,532 NOW I THINK-- I MEAN, WOULD YOU SAY LIKE 472 00:17:46,632 --> 00:17:47,833 FIFTY PEOPLE WOULD BE ENOUGH? 473 00:17:47,933 --> 00:17:49,902 - SO, 50 IS IDEAL? - FIFTY IS IDEAL. 474 00:17:50,002 --> 00:17:51,637 SO, HOW MANY DO WE HAVE RIGHT NOW? 475 00:17:51,737 --> 00:17:55,307 - I GOT 32 "YES." - 18-- I HAVE 24. 476 00:17:55,407 --> 00:17:56,675 YOU HAVE A HECK OF A LOT OF YES'S. 477 00:17:56,775 --> 00:17:58,710 I MEAN, WE ON THE SAME PAGE IT SEEMS LIKE-- 478 00:17:58,811 --> 00:18:00,479 - YEAH. - I'M JUST THINKING VISUALLY. 479 00:18:00,579 --> 00:18:03,115 I'M THINKING ABOUT JUST FILLING THE SPACE, 480 00:18:03,215 --> 00:18:04,183 BECAUSE THEY'RE NOT-- 481 00:18:04,283 --> 00:18:06,118 EVERYBODY'S NOT GONNA BE IN THE SHOT. 482 00:18:06,218 --> 00:18:07,386 ALL SPACE IS NOT GOOD SPACE. 483 00:18:07,486 --> 00:18:10,289 - WELL, I HAVE TO RUN. - OKAY. 484 00:18:10,389 --> 00:18:13,392 - LET'S STICK WITH MY 25-- - AND I FEEL LIKE YOU-- 485 00:18:13,492 --> 00:18:14,993 MY 25 ARE NON-NEGOTIABLE. 486 00:18:15,094 --> 00:18:17,129 VICTOR ACTUALLY HAD TO LEAVE REHEARSAL EARLY 487 00:18:17,229 --> 00:18:19,898 SO HE COULD GO AND WORK WITH THE PROFESSIONAL DANCERS, 488 00:18:19,998 --> 00:18:23,268 AND THE LOVELY RECO HAS FILLED IN 489 00:18:23,368 --> 00:18:25,137 TO GO AHEAD AND GIVE US THE FINAL PICKS. 490 00:18:25,237 --> 00:18:28,140 AND WE ALL KNOW THAT RECO IS JUST SUPER EAGER 491 00:18:28,240 --> 00:18:30,375 TO GIVE HIS TWO-CENTS WORTH. 492 00:18:32,711 --> 00:18:35,881 GO, GO, GO! 493 00:18:38,016 --> 00:18:40,119 BESIDES LOOKING FOR SOME FUN BACKGROUND DANCERS, 494 00:18:40,219 --> 00:18:43,455 I'M ALSO LOOKING FOR A YUMMY LITTLE PIECE OF MAN CANDY 495 00:18:43,555 --> 00:18:46,358 THAT I CAN BUMP AND GRIND WITH AS MY LEADING MAN. 496 00:18:46,458 --> 00:18:49,261 MAYBE NOT TOO MUCH GRIND, NOT TOO MUCH BUMP, 497 00:18:49,361 --> 00:18:51,296 MAYBE JUST A LITTLE BIT OF TONGUE ACTION, 498 00:18:51,396 --> 00:18:53,165 BUT IT'S JUST FOR THE VIDEO. 499 00:18:53,265 --> 00:18:55,467 UM, NUMBER 46, IF YOU COULD STAY FOR JUST A SECOND. 500 00:18:55,567 --> 00:18:58,203 THANK YOU, VERY MUCH. 501 00:18:58,303 --> 00:19:00,672 OKAY, I AM ALSO LOOKING FOR A LEADING MALE... 502 00:19:02,374 --> 00:19:04,877 I KNEW GABE WAS GONNA COME IN AND CHECK ON ME. 503 00:19:04,977 --> 00:19:07,012 SO I DECIDED I'M GOING TO MESS WITH HIM A LITTLE BIT, 504 00:19:07,112 --> 00:19:09,748 BUT NOT TOO MUCH, BECAUSE I STILL NEED TO MAKE A WITHDRAWAL 505 00:19:09,848 --> 00:19:12,151 FROM THE GABE FEDERAL SAVINGS AND LOAN 506 00:19:12,251 --> 00:19:13,752 TO HELP FINANCE MY VIDEO. 507 00:19:13,852 --> 00:19:17,756 OKAY, HOW WOULD YOU FEEL ABOUT, UM, TOUCHING, 508 00:19:17,856 --> 00:19:19,558 NOT IN A VULGAR WAY, 509 00:19:19,658 --> 00:19:24,496 MAYBE A SIMPLE, VERY, VERY PLATONIC KISS. 510 00:19:24,596 --> 00:19:25,597 HOW WOULD YOU FEEL ABOUT THAT? 511 00:19:25,697 --> 00:19:26,632 THAT'S FINE. 512 00:19:26,732 --> 00:19:28,500 YOU'D BE OKAY WITH LIKE AN ONSCREEN KISS, 513 00:19:28,600 --> 00:19:30,602 OR SOMETHING LIKE THAT. - YES, THAT'S FINE. 514 00:19:30,702 --> 00:19:32,004 OKAY-- LET ME SEE. 515 00:19:38,076 --> 00:19:39,077 THIS IS CUTE. 516 00:19:39,178 --> 00:19:40,579 I TOLD ANDRE I WAS GOING OUT ON A BLIND DATE. 517 00:19:40,679 --> 00:19:43,182 AH-- NO YOU DIDN'T-- WHAT'D HE SAY? 518 00:19:43,282 --> 00:19:45,684 - WELL, GOOD FOR YOU. - NO, HE DIDN'T. 519 00:19:45,784 --> 00:19:47,486 WHEN YOU GONNA PUT THE BABIES IN? 520 00:19:47,586 --> 00:19:49,521 I THINK WE HAVE TO TAKE SOME OF THE PRESSURE OFF, SO. 521 00:19:49,621 --> 00:19:50,822 OKAY. 522 00:20:01,166 --> 00:20:01,232 LET 523 00:20:01,233 --> 00:20:02,267 LET ME 524 00:20:05,804 --> 00:20:06,405 AND SOFT LIPS! 525 00:20:06,505 --> 00:20:07,539 SOUNDS GREAT TO ME. 526 00:20:07,639 --> 00:20:09,141 OKAY. 527 00:20:09,241 --> 00:20:12,211 - THAT WAS SERIOUS. - I'M JUST CURIOUS JUST... 528 00:20:12,311 --> 00:20:13,145 THANK YOU VERY MUCH FOR COMING OUT. 529 00:20:13,245 --> 00:20:16,014 WE'LL CALL YOU. 530 00:20:16,114 --> 00:20:19,785 HE IS A Y-E-S. 531 00:20:19,885 --> 00:20:21,620 DO I GET TO KISS WHATEVER WOMAN I GET TO FEEL LIKE KISSIN'? 532 00:20:21,720 --> 00:20:24,122 OH, ! 533 00:20:24,223 --> 00:20:26,491 SURPRISE, SURPRISE, IT'S GABE. 534 00:20:26,592 --> 00:20:28,227 I KNEW HE WAS GONNA POP IN TO CHECK ON ME. 535 00:20:28,327 --> 00:20:30,195 SO I'M GONNA TAKE THIS OPPORTUNITY TO MESS WITH HIM 536 00:20:30,295 --> 00:20:31,563 JUST A LITTLE BIT. 537 00:20:31,663 --> 00:20:32,764 CAN Y'ALL BRING IN LIKE A LINE OF WOMEN, 538 00:20:32,864 --> 00:20:34,166 SO I CAN KISS ON THEM, TOO. 539 00:20:34,266 --> 00:20:35,867 I BEG YOUR PARDON, WHAT ARE YOU DOING HERE? 540 00:20:35,968 --> 00:20:36,802 ARE YOU AUDITIONING? 541 00:20:36,902 --> 00:20:37,836 NO, I'M NOT AUDITIONING. 542 00:20:37,936 --> 00:20:39,137 WHAT DO YOU MEAN YOU'RE NOT AUDITIONING? 543 00:20:39,238 --> 00:20:40,205 I NEED A LEAD MAN. 544 00:20:40,305 --> 00:20:41,740 MY RETAINER'S IN MY MOUTH AND EVERYTHING. 545 00:20:41,840 --> 00:20:43,675 THEN WHY ARE YOU HERE? 546 00:20:43,775 --> 00:20:46,845 TO BRING YOU SOME MONEY. 547 00:20:46,945 --> 00:20:50,015 IT WAS EXTREMELY NICE FOR GABE TO BECOME AN INVESTOR 548 00:20:50,115 --> 00:20:52,551 FOR MY MUSIC VIDEO, AND I APPRECIATE IT, I DO. 549 00:20:52,651 --> 00:20:55,087 BUT I ALSO KNOW THAT GABE IS HOPING FOR US 550 00:20:55,187 --> 00:20:58,724 TO GET CLOSER TOGETHER AND HE'S VERY JEALOUS. 551 00:20:58,824 --> 00:21:01,627 BUT I CANNOT BE WORRIED ABOUT THAT RIGHT NOW, GABE, 552 00:21:01,727 --> 00:21:04,563 I HAVE TO FOCUS ON THIS MUSIC VIDEO. 553 00:21:04,663 --> 00:21:06,465 THE LEADING GUY, WE JUST NEED TO DO A SCENE WITH HIM, 554 00:21:06,565 --> 00:21:07,799 MAYBE THE DAY BEFORE. 555 00:21:07,899 --> 00:21:09,534 I NEED TO-- I NEED TO SEE HIM BECAUSE WE CANNOT-- 556 00:21:09,635 --> 00:21:11,169 WE CAN'T JUST SAY, "OKAY, THIS IS THE LEADING GUY," 557 00:21:11,270 --> 00:21:13,105 AND I DIDN'T SEE HIM, I HAVE NO CHEMISTRY AND I DIDN'T-- 558 00:21:13,205 --> 00:21:15,707 YOU KNOW-- AND HE WASN'T-- YOU KNOW, RIGHT, YOU KNOW? 559 00:21:15,807 --> 00:21:18,176 YEAH, GREAT MAKE OUT SCENE. 560 00:21:18,277 --> 00:21:20,646 - OKAY, COOL. - THERE'S A MAKE OUT SCENE? 561 00:21:20,746 --> 00:21:22,381 - MAKE-OUT SCENE? - YEAH. 562 00:21:22,481 --> 00:21:23,649 BUT WHY ARE YOU WORRIED ABOUT WHETHER OR NOT 563 00:21:23,749 --> 00:21:24,616 THERE'S A MAKE OUT SCENE. 564 00:21:24,716 --> 00:21:25,717 HEY, WAIT, IS THERE A MAKE OUT SCENE? 565 00:21:25,817 --> 00:21:26,618 - YEAH. - YES. 566 00:21:26,718 --> 00:21:27,819 - THERE IS? - YES. 567 00:21:27,919 --> 00:21:30,589 DID YOU KISS THAT GUY WHEN HE CAME UP TO YOU? 568 00:21:30,689 --> 00:21:33,859 I AIN'T KISSING YOU ON YOUR LIPS NO MORE. 569 00:21:33,959 --> 00:21:35,427 TALK ABOUT MY PENIS. 570 00:21:35,527 --> 00:21:37,863 I'M GONNA NEED YOU TO KEEP IT CUTE AND PUT IT ON MUTE. 571 00:21:37,963 --> 00:21:40,265 EVERYBODY ALREADY SEEN HIS PENIS. 572 00:21:40,365 --> 00:21:43,235 OH! 573 00:21:43,335 --> 00:21:46,371 GABE, I APOLOGIZE FOR LAUGHING AT YOUR EXPENSE, 574 00:21:46,471 --> 00:21:50,442 WELL, ACTUALLY, NO I'M NOT-- BECAUSE THAT WAS REALLY FUNNY. 575 00:21:50,542 --> 00:21:51,376 ALL RIGHT, I'M GOING. 576 00:21:51,476 --> 00:21:52,144 ALL RIGHT, THANKS FOR COMING THOUGH. 577 00:21:52,244 --> 00:21:53,078 THANKS FOR YOUR INPUT. 578 00:21:53,178 --> 00:21:55,180 I THANK YOU FOR BEING, UH, UNBIASED. 579 00:21:55,280 --> 00:21:56,915 LEAVE A LITTLE SPOT RIGHT THERE FOR ME TO KISS. 580 00:21:57,015 --> 00:21:58,717 HA-HA-HA-- YOU ACT LIKE I'VE BEEN KISSING ON MEN 581 00:21:58,817 --> 00:22:01,186 ALL DAY LONG. 582 00:22:01,286 --> 00:22:02,421 THANKS FOR BEING UNBIASED, OKAY. 583 00:22:02,521 --> 00:22:03,488 YOU TALKIN' ABOUT ME SHOWIN' MY ON CAMERA, 584 00:22:03,588 --> 00:22:04,790 AND YOU KISSIN' PEOPLE. 585 00:22:04,890 --> 00:22:06,925 OH, MY GOSH! 586 00:22:07,025 --> 00:22:08,660 THE WORLD HAS SEEN IT, SO WHO CARES? 587 00:22:20,305 --> 00:22:21,440 WE CAN COME IN. 588 00:22:21,540 --> 00:22:23,842 OKAY, TAMAR'S PROCURE'S FINALLY DONE AND SHE'S WAKING UP 589 00:22:23,942 --> 00:22:26,244 AND I KNOW SHE'S VERY BUZZED. 590 00:22:26,345 --> 00:22:28,547 I KIND OF WANNA MAKE SURE SHE KNOWS THAT WE'RE THERE. 591 00:22:32,584 --> 00:22:34,419 - THEY HAVE SIX EGGS! - SIX EGGS! 592 00:22:34,519 --> 00:22:36,188 IT'S AMAZING. 593 00:22:36,288 --> 00:22:40,859 WHEN YOU GOING TO PUT THE BABIES IN? 594 00:22:40,959 --> 00:22:41,993 I DON'T KNOW. 595 00:22:42,094 --> 00:22:43,161 I THINK YOU HAVE TIME. 596 00:22:43,261 --> 00:22:44,663 WHY DON'T YOU WANNA PUT THEM IN NOW? 597 00:22:44,763 --> 00:22:47,032 LIKE NEXT MONTH? 598 00:22:47,132 --> 00:22:48,133 LET'S TAKE SOME OF THE PRESSURE OFF. 599 00:22:48,233 --> 00:22:50,302 HE'S LIKE, "NOT NOW, FOCUS, TONI-- NOT NOW." 600 00:22:50,402 --> 00:22:52,070 OKAY, ALL RIGHT. 601 00:22:52,170 --> 00:22:54,706 I THINK GOING THROUGH FERTILITY TREATMENTS 602 00:22:54,806 --> 00:22:56,308 VERY HIGH STRESS LEVEL. 603 00:22:56,408 --> 00:22:58,243 IT'S THE SAME STRESS AS GOING THROUGH CANCER TREATMENT. 604 00:22:58,343 --> 00:22:59,277 OKAY. 605 00:22:59,378 --> 00:23:00,612 AND UNFORTUNATELY, MOST OF THE BURDEN FALLS 606 00:23:00,712 --> 00:23:02,948 ON THE WOMAN, SO I THINK WE HAVE TO TAKE 607 00:23:03,048 --> 00:23:04,015 SOME OF THE PRESSURE OFF. 608 00:23:04,116 --> 00:23:05,751 OKAY. 609 00:23:05,851 --> 00:23:10,255 FINALLY, A REAL DOCTOR PUT DR. TONI IN HER PLACE, OKAY? 610 00:23:10,355 --> 00:23:12,724 WHENEVER YOU'RE READY, THAT'S RIGHT. 611 00:23:12,824 --> 00:23:13,759 YOU'LL KNOW WHEN THE TIME'S RIGHT. 612 00:23:13,859 --> 00:23:15,293 YOU'LL KNOW. 613 00:23:15,394 --> 00:23:17,796 HOW ARE VINCENT'S SCUBA DIVERS? 614 00:23:17,896 --> 00:23:19,798 WE'LL FIND OUT IN A FEW HOURS. 615 00:23:19,898 --> 00:23:21,833 TOMORROW, MY EGGS ARE SUPPOSED TO BE FERTILIZED 616 00:23:21,933 --> 00:23:25,270 WITH MY BABY DADDY'S SPERM AND THE GOAL IS TO GET 617 00:23:25,370 --> 00:23:28,774 AS MANY BABY EMBRYOS AS POSSIBLE TO PUT IN THE FREEZER 618 00:23:28,874 --> 00:23:29,941 UNTIL I'M READY. 619 00:23:30,041 --> 00:23:32,544 I MEAN, WHICH COULD BE LIKE 15, 20 YEARS FROM NOW, 620 00:23:32,644 --> 00:23:36,148 SO THAT MEANS I CAN HAVE MY BABIES IN YEAR 2045 621 00:23:36,248 --> 00:23:37,983 IF I WANT TO. 622 00:23:38,083 --> 00:23:39,284 TONI, WATCH MY MAMMA'S FOOT! 623 00:23:39,384 --> 00:23:40,519 I CAN SEE THAT! 624 00:23:40,619 --> 00:23:42,154 MOMMY, DID IT HIT YOUR FOOT? 625 00:23:42,254 --> 00:23:43,922 - ALMOST. - DON'T BE THE PILOT. 626 00:23:44,022 --> 00:23:45,157 I'M OKAY-- TRUST ME. 627 00:23:45,257 --> 00:23:47,659 YOU WANNA PUT THIS ON? 628 00:23:47,759 --> 00:23:48,894 OKAY. 629 00:23:48,994 --> 00:23:51,263 I THINK I CAN WALK FROM HERE. 630 00:23:51,363 --> 00:23:54,633 - THE NURSE SAID, "NO". - SHE SAID "NO," SWEETIE. 631 00:23:54,733 --> 00:23:57,002 - ALL THE WAY OUT. - JUST STI-- JUST, OKAY. 632 00:23:57,102 --> 00:23:59,538 JUST FOLLOW INSTRUCTIONS, IT'LL BE ALL RIGHT. 633 00:23:59,638 --> 00:24:01,339 YOU'LL BE DROPPING IT LIKE IT'S HOT IN NO DAYS. 634 00:24:01,440 --> 00:24:02,607 YEAH. 635 00:24:02,707 --> 00:24:04,609 JUST LET MISS DAISY PUSH YOU. 636 00:24:09,114 --> 00:24:11,283 IT AIN'T LIKE SHE GOT MUCH IN HERE. 637 00:24:11,383 --> 00:24:12,384 I BEG YOUR PARDON! 638 00:24:12,484 --> 00:24:14,686 WHO SAID "IT'S NOT LIKE SHE HAS MUCH IN HERE?" 639 00:24:14,786 --> 00:24:15,821 I DID NOT SAY THAT OUT LOUD. 640 00:24:15,921 --> 00:24:16,822 THAT'S WHAT YOU SAY? 641 00:24:16,922 --> 00:24:18,323 I THOUGHT I SAID IT IN MY HEAD. 642 00:24:18,423 --> 00:24:21,460 WELL, YOU KNOW, EVERYBODY KNOWS IF I WANNA LOOK DIRTY 643 00:24:21,560 --> 00:24:24,429 AND SEXY I NEED TO GO INTO TRINA'S CLOSET BECAUSE 644 00:24:24,529 --> 00:24:27,466 DIRTY AND SEXY IS TRINA'S MIDDLE NAME. 645 00:24:27,566 --> 00:24:30,735 BUT I HAVE TO WEAR A BRA BECAUSE MY, UM, BOOBS 646 00:24:30,836 --> 00:24:32,571 AREN'T THAT LARGE. 647 00:24:32,671 --> 00:24:35,540 I HAVE, UM, THE-THE STICKY PASTIES. 648 00:24:35,640 --> 00:24:37,442 IT'S GONNA MAKE MY BOOBS LOOK BIG? 649 00:24:37,542 --> 00:24:38,443 NO, TOWANDA. 650 00:24:38,543 --> 00:24:40,378 I WANT MY BOOBS TO LOOK BIG. 651 00:24:40,479 --> 00:24:42,581 I'M NOT NO MAGICIAN. 652 00:24:42,681 --> 00:24:43,715 WHAT ARE YOU TRYING TO SAY? 653 00:24:43,815 --> 00:24:44,883 I'M SAYING YOU GOT LITTLE BOOBIES. 654 00:24:44,983 --> 00:24:46,618 SEE, TRINA, THAT WAS-- NOW THAT WAS A LOW BLOW. 655 00:24:46,718 --> 00:24:48,753 TOWANDA, I HAD LITTLE BOOBS, I HAD TO GO BUY MINE! 656 00:24:48,854 --> 00:24:50,188 I DON'T WANNA BUY ANY. 657 00:24:50,288 --> 00:24:52,290 I DON'T THINK TRINA REALLY REMEMBERS WHEN SHE HAD 658 00:24:52,390 --> 00:24:56,161 ITTY-BITTY BOOBIES, YOU KNOW, SHE WAS A PART OF THAT CLUB. 659 00:24:56,261 --> 00:24:57,395 YOU KNOW WHAT I MEAN? 660 00:24:57,496 --> 00:24:59,564 I'M STILL A PART OF THAT CLUB. 661 00:24:59,664 --> 00:25:03,068 SHE NEEDS TO, YOU KNOW, SYMPATHIZE WITH ME A LITTLE BIT. 662 00:25:03,168 --> 00:25:04,135 THIS IS CUTE. 663 00:25:04,236 --> 00:25:05,270 I TOLD ANDRE I WAS GOING OUT ON A BLIND DATE. 664 00:25:05,370 --> 00:25:07,205 NO, YOU DIDN'T! 665 00:25:07,305 --> 00:25:08,540 WHAT'D HE SAY? 666 00:25:08,640 --> 00:25:09,808 "WELL GOOD FOR YOU." 667 00:25:09,908 --> 00:25:12,177 NO, HE DIDN'T, YOU'S A LYIN', THE TRUTH AIN'T IN YOU. 668 00:25:12,277 --> 00:25:15,046 - I REALLY DIDN'T TELL HIM. - SO WHY YOU LIE? 669 00:25:15,146 --> 00:25:16,314 "I DON'T KNOW WHY I TOLD THAT LIE". 670 00:25:16,414 --> 00:25:17,616 "I DON'T KNOW WHY I TOLD THAT LIE." 671 00:25:17,716 --> 00:25:19,451 I WANTED TO SEE YOUR REACTION! 672 00:25:19,551 --> 00:25:21,353 YOU WANTED TO LIE. 673 00:25:21,453 --> 00:25:22,454 I WANTED TO SEE YOUR REACTION. 674 00:25:22,554 --> 00:25:23,788 WELL, ARE YOU GONNA TELL HIM? 675 00:25:23,889 --> 00:25:25,991 FOR WHAT? 676 00:25:26,091 --> 00:25:27,526 YOU DON'T THINK HE KIND OF HAS A RIGHT TO KNOW? 677 00:25:27,626 --> 00:25:28,693 WHY DOES HE HAVE A RIGHT TO KNOW? 678 00:25:28,793 --> 00:25:30,896 Y'ALL SHOULDN'T HAVE THAT TALK, "OH, BY THE WAY, 679 00:25:30,996 --> 00:25:32,030 "I'M DATING OTHER PEOPLE." 680 00:25:32,130 --> 00:25:33,465 YOU KNOW MOMMY KNOWS A LOT OF PEOPLE, 681 00:25:33,565 --> 00:25:35,634 WHAT IF SHE GOT IN CONTACT WITH HILL HARPER, TOWANDA? 682 00:25:35,734 --> 00:25:38,637 I'D PROBABLY WALK IN AND WALK OUT. 683 00:25:38,737 --> 00:25:39,638 YOU WOULD STAND HIM UP? 684 00:25:39,738 --> 00:25:41,640 I MEAN, NOT-NOT LITERALLY STAND HIM UP 685 00:25:41,740 --> 00:25:43,475 BUT I WOULD STAND MYSELF UP. 686 00:25:43,575 --> 00:25:44,609 WHAT? 687 00:25:44,709 --> 00:25:46,711 EVEN IF I GO OUT ON A DATE WITH HILL HARPER, 688 00:25:46,811 --> 00:25:49,948 I'M NOT MARRYING HIM TOMORROW, I HAVE TO GET TO KNOW HIM, 689 00:25:50,048 --> 00:25:52,050 AND I'M DEFINITELY NOT GOING TO DO THE DO-NOT DO-NOT, 690 00:25:52,150 --> 00:25:53,351 YOU KNOW WHAT I MEAN? 691 00:25:53,451 --> 00:25:55,687 IT'S GONNA TAKE A LONG TIME FOR ME TO GET THAT COMFORTABLE 692 00:25:55,787 --> 00:25:57,322 WITH SOMEBODY, AGAIN. 693 00:25:57,422 --> 00:25:59,324 WHAT IF YOU GUYS HAVE LIKE A REAL CONNECTION? 694 00:25:59,424 --> 00:26:02,027 ACT LIKE I'M HILL HARPER, "YOU KNOW WHAT, TOWANDA, 695 00:26:02,127 --> 00:26:05,230 "I REALLY HAD A NICE TIME AND I WAS WATCHING 696 00:26:05,330 --> 00:26:06,431 "THE WENDY WILLIAMS SHOW AND I HEARD 697 00:26:06,531 --> 00:26:07,632 "THAT YOU HAD A CRUSH ON ME 698 00:26:07,732 --> 00:26:09,501 "AND YOU KNOW YOUR SISTER SAID THE SAME THING, 699 00:26:09,601 --> 00:26:12,137 "BUT THIS IS REALLY ABOUT THE CONNECTION THAT YOU AND I 700 00:26:12,237 --> 00:26:14,439 "HAD TONIGHT AND I'M JUST WONDERING 701 00:26:14,539 --> 00:26:15,640 "IF WE CAN DO THIS AGAIN? 702 00:26:15,740 --> 00:26:16,775 "DO YOU THINK MAYBE WE CAN DO THIS AGAIN?" 703 00:26:16,875 --> 00:26:18,476 YEAH, ABSOLUTELY WE CAN GO OUT ON ANOTHER DATE. 704 00:26:18,577 --> 00:26:20,345 UH-HUH. 705 00:26:24,282 --> 00:26:25,350 - THAT WHAT YOU WOULD DO? - YES! 706 00:26:25,450 --> 00:26:27,218 I DON'T KISS ON THE FIRST DATE, I DON'T-- 707 00:26:27,319 --> 00:26:29,354 WELL JUST ACT LIKE HE WAS GONNA KISS YOU ON YOUR CHEEK. 708 00:26:29,454 --> 00:26:30,288 NO. 709 00:26:30,388 --> 00:26:31,523 TOWANDA, I HAD A REALLY GREAT NIGHT, 710 00:26:31,623 --> 00:26:33,358 I THINK YOU'RE GREAT AND WONDERFUL. 711 00:26:33,458 --> 00:26:34,826 HE AIN'T GONNA BE RUBBING UP ON-- 712 00:26:34,926 --> 00:26:35,961 OH-HO-- THAT'S WHAT HE WOULD DO! 713 00:26:36,061 --> 00:26:37,662 BUT WHAT IF IT'S NOT HILL HARPER, 714 00:26:37,762 --> 00:26:38,964 WHAT IF IT'S ANOTHER MAN? 715 00:26:39,064 --> 00:26:40,765 FIRST OF ALL-- FIRST OF ALL, TRINA, LET ME JUST TELL YOU 716 00:26:40,865 --> 00:26:42,801 SOMETHIN', I DON'T LIKE-- DON'T BE TOUCHIN' ON ME 717 00:26:42,901 --> 00:26:44,002 LIKE THAT-- I DON'T KNOW YOU! 718 00:26:44,102 --> 00:26:46,037 I DON'T KNOW WHERE YOUR HANDS HAVE BEEN! 719 00:26:46,137 --> 00:26:48,440 I DON'T KNOW WHERE YOUR MOUTH HAS BEEN-- NO! 720 00:26:48,540 --> 00:26:49,975 I DON'T DO ALL THAT! 721 00:26:50,075 --> 00:26:53,845 OH! 722 00:26:53,945 --> 00:26:55,580 YOUR HANDS ARE DIRTY! 723 00:26:55,680 --> 00:26:57,349 NOW TOWANDA, THAT'S NASTY! 724 00:27:09,461 --> 00:27:12,897 I AM REALLY GETTING STRESSED OUT ABOUT THIS BLIND DATE THING, 725 00:27:12,998 --> 00:27:16,101 AND TRINA'S GOT ME REALLY WORKED UP 726 00:27:16,201 --> 00:27:18,703 AND I USUALLY DON'T GET WORKED UP ABOUT STUFF. 727 00:27:18,803 --> 00:27:20,105 I JUST THINK THAT MOMMY'S TRYING TO SET ME UP 728 00:27:20,205 --> 00:27:21,806 WITH THE ELEPHANT MAN OR SOMETHING. 729 00:27:21,906 --> 00:27:23,575 - HERE WE ARE. - THAT'S IT! 730 00:27:23,675 --> 00:27:24,643 THANK YOU. 731 00:27:24,743 --> 00:27:25,710 SOMETHING PEACH FOR YOU-- YOU'RE WELCOME. 732 00:27:25,810 --> 00:27:27,212 THANK YOU SO MUCH. 733 00:27:27,312 --> 00:27:28,446 IS THERE ANYTHING THAT I CAN BRING FOR YOU 734 00:27:28,546 --> 00:27:29,547 AT THE MOMENT WHILE YOU WAIT? 735 00:27:29,648 --> 00:27:31,316 NOPE, I GUESS I SHOULD BE PROPER AND WAIT 736 00:27:31,416 --> 00:27:32,984 FOR MY BLIND DATE. 737 00:27:33,084 --> 00:27:34,319 YOU LET ME KNOW IF THERE'S ANYTHING YOU NEED. 738 00:27:34,419 --> 00:27:36,521 - THANK YOU. - YOU'RE WELCOME. 739 00:27:47,098 --> 00:27:50,735 COMING UP, ON "BRAXTON FAMILY VALUES"... 740 00:27:50,835 --> 00:27:53,872 I REALLY DON'T WANT ANYONE TO SEE ME DOING MY CHOREOGRAPHY 741 00:27:53,972 --> 00:27:55,607 UNTIL I HAVE IT DONE PAT. 742 00:27:55,707 --> 00:27:57,909 IT ACTUALLY MAKES ME MORE NERVOUS. 743 00:27:58,009 --> 00:27:59,444 TRINA, PUT SOME FUNK IN IT. 744 00:27:59,544 --> 00:28:00,745 WELL, TOWANDA, I HAVE TO LEARN IT. 745 00:28:05,850 --> 00:28:05,949 STATE 746 00:28:05,950 --> 00:28:06,050 STATE YOUR 747 00:28:06,051 --> 00:28:06,116 STATE YOUR NAME 748 00:28:06,117 --> 00:28:06,216 STATE YOUR NAME AND 749 00:28:06,217 --> 00:28:06,283 STATE YOUR NAME AND WHAT 750 00:28:06,284 --> 00:28:06,350 STATE YOUR NAME AND WHAT YOU 751 00:28:06,351 --> 00:28:07,085 STATE YOUR NAME AND WHAT YOU DO. 752 00:28:07,185 --> 00:28:08,687 MY NAME IS RECO AND I'M A DANCER. 753 00:28:08,787 --> 00:28:10,088 LET'S SEE WHAT YOU DO. 754 00:28:31,176 --> 00:28:33,078 I'M AVAILABLE FOR BAR MITZVAHS. 755 00:28:33,178 --> 00:28:35,313 I'M SO GLAD YOU WERE HIRED FOR WARDROBE! 756 00:28:54,966 --> 00:28:56,901 WHAT'S SO FUNNY? 757 00:29:00,171 --> 00:29:01,339 HI. 758 00:29:01,439 --> 00:29:02,207 YOU'RE MY BLIND DATE? 759 00:29:02,307 --> 00:29:03,141 ARE YOU SERIOUS? 760 00:29:03,241 --> 00:29:04,576 YES, I AM YOUR BLIND DATE. 761 00:29:04,676 --> 00:29:05,477 DID I BLIND YOU? 762 00:29:05,577 --> 00:29:06,444 OH, MY GOD! 763 00:29:06,544 --> 00:29:08,012 I'M GONNA CALL MOMMY. 764 00:29:08,113 --> 00:29:10,782 I'M CALLING MOMMY. 765 00:29:10,882 --> 00:29:12,183 YOU SET ME UP WITH ANDRE, MOMMY? 766 00:29:12,283 --> 00:29:14,853 I STUFFED MY BRA FOR ANDRE? 767 00:29:14,953 --> 00:29:17,122 I COULD'VE BEEN HOME ALL NIGHT WITH MY LITTLE BULLET 768 00:29:17,222 --> 00:29:19,257 AND SOME DOUBLE A BATTERIES! 769 00:29:19,357 --> 00:29:24,195 FIRST OF ALL, I WANNA THANK YOUR MOM FOR SETTING US UP 770 00:29:24,295 --> 00:29:25,497 AND SUGGESTING THIS. 771 00:29:25,597 --> 00:29:28,032 IT WAS REALLY A NICE GESTURE FROM HER BECAUSE SHE REALIZES 772 00:29:28,133 --> 00:29:29,501 HOW MUCH I LOVE YOU. 773 00:29:29,601 --> 00:29:31,770 SHE REALIZES HOW MUCH I CARE FOR YOU 774 00:29:31,870 --> 00:29:35,273 AND SHE REALIZES HOW MUCH YOU LOVE ME, ALSO. 775 00:29:35,373 --> 00:29:38,309 I MEAN YOU-YOU-- YOU'RE A GOOD WOMAN, TOWANDA, 776 00:29:38,409 --> 00:29:40,879 YOU'RE SPECIAL, JUST A SPECIAL PERSON. 777 00:29:40,979 --> 00:29:42,380 I MEAN, EVERYBODY REALIZES THAT, 778 00:29:42,480 --> 00:29:44,616 AND I'M BEGINNING TO REALIZE IT MORE AND MORE 779 00:29:44,716 --> 00:29:46,384 EVERY TIME THAT I'M WITH YOU, 780 00:29:46,484 --> 00:29:47,986 YOU JUST SI-- I APPRECIATE YOU 781 00:29:48,086 --> 00:29:49,154 AND I JUST WANNA SHOW YOU SOME-- 782 00:29:49,254 --> 00:29:53,691 SOME TYPE OF APPRECIATION BY TAKING YOU OUT. 783 00:29:53,792 --> 00:29:57,962 ANDRE IS-- HE'S LAYING IT ON PRETTY THICK 784 00:29:58,062 --> 00:30:00,632 HAVING DINNER WITH ME, I TELL YOU. 785 00:30:00,732 --> 00:30:05,370 HE-- HE MUST REALLY BE LISTENING TO A LOT OF TEDDY P, 786 00:30:05,470 --> 00:30:09,140 AND HUMPING ON A FOAM MATTRESS. 787 00:30:09,240 --> 00:30:11,209 I'M A LITTLE CONCERNED ABOUT HIM NOW. 788 00:30:11,309 --> 00:30:13,645 YOUR MOTHER TOLD ME THAT IT'S ALL ABOUT ROMANCE TONIGHT, 789 00:30:13,745 --> 00:30:15,480 SO LET'S MAKE THIS ALL ABOUT ROMANCE. 790 00:30:15,580 --> 00:30:17,749 SO I WANT YOU TO START OPENING YOUR GIFTS. 791 00:30:17,849 --> 00:30:19,083 I JUST OPENED THIS ONE UP. 792 00:30:19,184 --> 00:30:20,018 YOU JUST GAVE THIS ONE TO ME. 793 00:30:20,118 --> 00:30:21,352 THIS WAS JUST OPENED. 794 00:30:21,452 --> 00:30:24,889 NO-NO-- LET'S OPEN THE OTHER GIFTS. 795 00:30:24,989 --> 00:30:26,457 OH, THAT'S ADORABLE. 796 00:30:26,558 --> 00:30:32,197 THIS IS FOR OUR NICE SUPPLE BATH I WOULD LIKE TO GIVE YOU. 797 00:30:32,297 --> 00:30:34,199 ALL RIGHT, I LIKE TO RUB YOUR FEET. 798 00:30:34,299 --> 00:30:36,301 I'M NOT SAYING THAT YOU HAVE TO BE TOTALLY NUDE. 799 00:30:36,401 --> 00:30:39,337 I WOULD JUST WANNA RUB YOUR FEET. 800 00:30:39,437 --> 00:30:40,438 HERE, YOU CAN RUB 'EM NOW. 801 00:30:40,538 --> 00:30:41,372 YOU WANNA RUB 'EM NOW? 802 00:30:41,472 --> 00:30:42,307 YEAH, YOU WANT ME TO RUB 'EM NOW? 803 00:30:42,407 --> 00:30:43,341 - NO, WE'RE IN A RESTAURANT. - OKAY. 804 00:30:43,441 --> 00:30:47,245 THIS, IS YOUR FAVORITE CHOCOLATES... 805 00:30:47,345 --> 00:30:49,714 BECAUSE YOU'RE AS SWEET AS THEY ARE. 806 00:30:49,814 --> 00:30:51,649 OH, THOSE ARE NICE. 807 00:30:51,749 --> 00:30:57,222 AND, THIS IS A TIARA BECAUSE I WANT YOU TO WEAR THIS 808 00:30:57,322 --> 00:30:59,490 BECAUSE I WANT YOU TO-- I WANNA BE REMINDED 809 00:30:59,591 --> 00:31:01,826 ABOUT THE QUEEN THAT YOU ALWAYS ARE. 810 00:31:01,926 --> 00:31:03,061 I'M GONNA WEAR THIS EVERY SINGLE DAY. 811 00:31:03,161 --> 00:31:04,062 THAT'S RIGHT. 812 00:31:04,162 --> 00:31:05,330 BECAUSE YOU ARE A QUEEN TO ME, 813 00:31:05,430 --> 00:31:07,966 AND YOU WILL ALWAYS BE MY QUEEN. 814 00:31:08,066 --> 00:31:11,269 - TING! - YOU LOOK GREAT. 815 00:31:11,369 --> 00:31:13,037 - THANK YOU FOR MY GIFTS. - YOU'RE WELCOME. 816 00:31:13,137 --> 00:31:16,841 I HAVE TO ADMIT, I AM REALLY ENJOYING BEING WINED AND DINED 817 00:31:16,941 --> 00:31:20,111 BECAUSE THIS HASN'T HAPPENED IN A VERY LONG TIME FOR ME. 818 00:31:20,211 --> 00:31:23,281 BUT, I KNOW THAT ANDRE HAS A LITTLE BIT 819 00:31:23,381 --> 00:31:25,717 OF A HIDDEN AGENDA GOING ON. 820 00:31:25,817 --> 00:31:27,018 HE PROBABLY... 821 00:31:27,118 --> 00:31:28,086 NEEDS SOME... 822 00:31:28,186 --> 00:31:29,354 SO HE'S... 823 00:31:29,454 --> 00:31:31,089 REALLY POURING IT ON. 824 00:31:31,189 --> 00:31:33,157 ARE YOU DOING ALL OF THIS 'CAUSE YOU WANNA GET LAID? 825 00:31:33,258 --> 00:31:35,560 NO, OF COURSE NOT. 826 00:31:35,660 --> 00:31:36,928 THAT WOULD BE HARD TO DO WITH YOU. 827 00:31:37,028 --> 00:31:37,929 YEAH, PRETTY MUCH. 828 00:31:38,029 --> 00:31:39,864 I MEAN, AIN'T NO PRETTY MUCH, IT JUST IS, 829 00:31:39,964 --> 00:31:41,232 AND I APPRECIATE THAT. 830 00:31:41,332 --> 00:31:42,333 WHY? 831 00:31:42,433 --> 00:31:44,168 BECAUSE I KNOW AIN'T NOBODY ELSE GETTING IT. 832 00:31:44,269 --> 00:31:46,137 CAN WE HAVE A TOAST TO THE HEALING PROCESS? 833 00:31:46,237 --> 00:31:47,939 TO REJUVENATING THIS MARRIAGE? 834 00:31:48,039 --> 00:31:50,408 ARE YOU GONNA TOAST? 835 00:31:50,508 --> 00:31:55,079 YOU'RE NOT GONNA TOAST? 836 00:31:55,179 --> 00:31:57,682 TO THE HEALING PROCESS? 837 00:31:57,782 --> 00:32:00,618 ANDRE IS SAYING ALL THE THINGS THAT HE THINKS 838 00:32:00,718 --> 00:32:05,189 THAT I WANNA HEAR, BUT IT'S NOT JUST ABOUT THE WORDS, 839 00:32:05,290 --> 00:32:08,893 IT'S ABOUT THE ACTIONS AND I HAVE TO ACTUALLY SEE HIM 840 00:32:08,993 --> 00:32:13,097 PUT IT INTO ACTION AND UNTIL THAT HAPPENS 841 00:32:13,197 --> 00:32:15,566 HE IS NOT GOING TO BE ABLE TO RUB MY TOES 842 00:32:15,667 --> 00:32:17,268 OR ANYTHING ELSE. 843 00:32:29,047 --> 00:32:30,081 ONE! 844 00:32:30,181 --> 00:32:31,049 TWO! 845 00:32:31,149 --> 00:32:31,983 THREE! 846 00:32:32,083 --> 00:32:33,217 - 'BOUT TIME. - 'BOUT TIME, YOU. 847 00:32:33,318 --> 00:32:36,054 TODAY, I AM MEETING VICTOR TO GO OVER THE CHOREOGRAPHY 848 00:32:36,154 --> 00:32:38,756 AND I'M TERRIFIED. 849 00:32:38,856 --> 00:32:43,027 I AM CHOREOGRAPHICALLY CHALLENGED BUT I CANNOT HAVE 850 00:32:43,127 --> 00:32:46,164 THESE DANCERS LOOKING BETTER THAN ME, NO, SIR. 851 00:32:46,264 --> 00:32:48,299 HERE WE GO, FROM THE BEGINNING, PLEASE. 852 00:32:48,399 --> 00:32:49,367 HERE WE GO. 853 00:32:49,467 --> 00:32:50,335 TWO-THREE-- 854 00:32:50,435 --> 00:32:52,337 - WAIT-- - KEEP YOUR FEET TOGETHER. 855 00:32:52,437 --> 00:32:53,838 THERE YOU GO, FEET TOGETHER, FROM THE TOP. 856 00:32:53,938 --> 00:32:58,176 FIVE, SIX, SEVEN, DOWN YOUR BODY, TWO, THREE, FOUR, 857 00:32:58,276 --> 00:32:59,844 FIVE-- UH-HUH - FOUR. 858 00:32:59,944 --> 00:33:02,347 - FIVE, SIX, SEVEN, EIGHT-- - OH, . 859 00:33:04,415 --> 00:33:05,350 NOPE. 860 00:33:05,450 --> 00:33:07,652 - FIVE, SIX, SEVEN, EIGHT-- - OH, . 861 00:33:07,752 --> 00:33:11,122 I DON'T KNOW WHY I WANNA STEP UP. 862 00:33:11,222 --> 00:33:13,224 RIGHT THERE. 863 00:33:13,324 --> 00:33:14,659 I CAN DO IT NOW WHEN WE'RE GOING SLOW. 864 00:33:14,759 --> 00:33:16,127 SLOW, OKAY. 865 00:33:16,227 --> 00:33:18,096 I JUST HAVE TO GET IT IN MY BODY. 866 00:33:18,196 --> 00:33:20,098 UH, MY LEG IS STILL WRONG. 867 00:33:20,198 --> 00:33:23,167 OKAY, I KNOW THAT I'M NORMALLY JUST A LITTLE SLOW 868 00:33:23,267 --> 00:33:24,869 WHEN IT COMES TO CHOREOGRAPHY 869 00:33:24,969 --> 00:33:27,905 BUT THIS IS RIDICULOUS, IT'S NOT EVEN THAT HARD, 870 00:33:28,006 --> 00:33:30,341 I THINK I MIGHT JUST BE A LITTLE TIRED. 871 00:33:30,441 --> 00:33:32,410 NOW LET'S KEEP YOUR CHIN DOWN, TOO. 872 00:33:32,510 --> 00:33:33,578 CHIN DOWN. 873 00:33:33,678 --> 00:33:36,981 - HEY! - LOOK WHO DECIDED TO SHOW UP. 874 00:33:37,081 --> 00:33:41,853 - YOU LOOK LIKE FOXY CLEOPATRA! - I'M A WHOLE LOT OF WOMAN. 875 00:33:41,953 --> 00:33:43,421 YEAH! 876 00:33:43,521 --> 00:33:44,889 HI, GUYS! 877 00:33:44,989 --> 00:33:48,726 OKAY, IT WAS REALLY NICE THAT TOWANDA AND DEREK 878 00:33:48,826 --> 00:33:50,995 CAME TO SEE MY REHEARSAL, BUT I REALLY DON'T WANT 879 00:33:51,095 --> 00:33:53,631 ANYONE TO SEE ME DOING MY CHOREOGRAPHY 880 00:33:53,731 --> 00:33:55,333 UNTIL I HAVE IT DOWN PAT. 881 00:33:55,433 --> 00:33:57,468 IT ACTUALLY MAKES ME MORE NERVOUS. 882 00:33:57,568 --> 00:33:59,704 STEP TWO, STEP TURN. 883 00:33:59,804 --> 00:34:01,339 SHAKE IT UP, SHAKE IT UP, SHAKE IT UP. 884 00:34:01,439 --> 00:34:03,274 STEP-STEP-STEP. 885 00:34:07,478 --> 00:34:09,180 I DON'T KNOW IF YOU'RE JUST REHEARSING NOW OR NOT 886 00:34:09,280 --> 00:34:11,783 BUT BE MINDFUL OF YOUR FACE. 887 00:34:11,883 --> 00:34:13,618 I DON'T KNOW THE MOVES YET. 888 00:34:13,718 --> 00:34:14,819 BUT WHEN YOU KNOW IT, YOU'RE GONNA BE-- 889 00:34:14,919 --> 00:34:18,089 I'M GONNA BE SMILING. 890 00:34:18,189 --> 00:34:19,690 IF WE COULD GO THROUGH IT LIKE SLOW MOTION 891 00:34:19,791 --> 00:34:20,625 WITHOUT ANY MUSIC. 892 00:34:20,725 --> 00:34:22,193 - OKAY. - LET'S ROCK IT. 893 00:34:22,293 --> 00:34:23,661 - I'M GONNA LET Y'ALL GO. - HUH? 894 00:34:23,761 --> 00:34:25,530 - I'M ABOUT TO HIT THE ROAD. - THANKS, D-MAN. 895 00:34:25,630 --> 00:34:27,031 ALL RIGHT, THANK YOU. 896 00:34:27,131 --> 00:34:28,199 YOU'LL DO GREAT. 897 00:34:28,299 --> 00:34:29,934 - I HAVE TO-- HAVE NO CHOICE. - ALL RIGHT, VICTOR. 898 00:34:30,034 --> 00:34:31,636 - ALL RIGHT, DEREK. - KILL IT! 899 00:34:31,736 --> 00:34:33,471 - TRY TO. - YOU'LL BE GREAT. 900 00:34:33,571 --> 00:34:35,573 HERE WE GO. 901 00:34:35,673 --> 00:34:40,311 FIVE, SIX, SEVEN-- SLOW AND OPEN, AND CLOSE, 902 00:34:40,411 --> 00:34:42,880 AND OPEN AND-- - TRINA, PUT SOME FUNKY IN IT. 903 00:34:42,980 --> 00:34:44,515 WELL, TOWANDA, I HAVE TO LEARN IT. 904 00:34:49,654 --> 00:34:50,888 THE STAND OFF. 905 00:34:50,988 --> 00:34:52,790 RIGHT, I MEAN, I DON'T KNOW IT YET. 906 00:34:52,890 --> 00:34:53,891 WELL CAN YOU NOT SEE THE WHOLE THING? 907 00:34:53,991 --> 00:34:55,426 CAN YOU PUT SOME SLINK IN IT? 908 00:34:55,526 --> 00:34:57,562 OKAY, I MEAN, AH... 909 00:34:57,662 --> 00:34:59,964 YOU KNOW, EVERYBODY KNOWS THAT TRINA'S NOT THE DANCER 910 00:35:00,064 --> 00:35:01,833 OF THE FAMILY. 911 00:35:01,933 --> 00:35:03,734 'CAUSE SHE IS STIFF AS A BOARD. 912 00:35:03,835 --> 00:35:05,403 YOU GOTTA PUT SOME STINK ON IT. 913 00:35:05,503 --> 00:35:07,105 YOU GOT TO WORK IT IN. 914 00:35:07,205 --> 00:35:08,306 YOU GOT TO MAKE-- YOU KNOW WHAT I MEAN? 915 00:35:08,406 --> 00:35:09,807 YOU GOTTA PUSH IT OUT. 916 00:35:09,907 --> 00:35:11,742 CAN I SEE YOU PUT SOME STANK ON IT, PLEASE? 917 00:35:11,843 --> 00:35:13,678 WELL, YES, I DON'T HAVE STANK-ARIZATION YET, 918 00:35:13,778 --> 00:35:14,812 BUT OKAY. 919 00:35:14,912 --> 00:35:16,147 WELL PRETEND. 920 00:35:16,247 --> 00:35:19,383 WELL JUST PRETEND YOU'RE PUTTIN' STINK ON IT. 921 00:35:19,484 --> 00:35:22,120 ALL RIGHT, HIT ME AGAIN IKE AND PUT SOME STANK ON IT! 922 00:35:22,220 --> 00:35:25,389 EIGHT, STEP-STEP-STEP-STEP-TURN-- 923 00:35:25,490 --> 00:35:27,892 WHAPPA-DE-WHAPPA.-- - AND A SNAP. 924 00:35:33,064 --> 00:35:34,499 WAS THAT WRONG? 925 00:35:34,599 --> 00:35:37,235 RIGHT ABOUT NOW, I'M REALLY STARTING TO WORRY, 926 00:35:37,335 --> 00:35:40,171 FIRST OF ALL, I AM NOT A FAST LEARNER 927 00:35:40,271 --> 00:35:42,840 AND I NEED MORE TIME TO LEARN THESE MOVES 928 00:35:42,940 --> 00:35:44,709 AND I DON'T HAVE ANYMORE TIME. 929 00:35:44,809 --> 00:35:47,245 MY VIDEO IS NEXT WEEK, 930 00:35:47,345 --> 00:35:49,814 SO LORD PLEASE MAKE ME A BETTER DANCER 931 00:35:49,914 --> 00:35:51,549 AND PUT A LITTLE BIT MORE STANK ON IT! 932 00:35:51,649 --> 00:35:52,717 YES. 933 00:35:52,817 --> 00:35:54,552 I'M GONNA LET YOU GUYS CONCENTRATE ON THE MOVES 934 00:35:54,652 --> 00:35:56,187 SO TRINA CAN FEEL IT IN HER SKIN. 935 00:35:56,287 --> 00:35:57,622 OKAY. 936 00:35:57,722 --> 00:35:59,190 YEAH, SO GIVE ME HUGS AND KISSES. 937 00:35:59,290 --> 00:36:01,092 - I'M A LITTLE SWEATY. - THAT'S OKAY. 938 00:36:01,192 --> 00:36:03,361 - CAN I BORROW THAT OUTFIT? - SURE. 939 00:36:03,461 --> 00:36:05,897 "WE BE KIN NOW". 940 00:36:05,997 --> 00:36:07,131 - LOVE YOU. - LOVE YOU-- I'M PROUD OF YOU. 941 00:36:07,231 --> 00:36:08,966 THANK YOU-- THANK YOU FOR COMIN' BY. 942 00:36:09,066 --> 00:36:12,603 - SURE. - ONE, TWO, THREE, FOUR. 943 00:36:12,703 --> 00:36:15,473 COMING UP, ON "BRAXTON FAMILY VALUES." 944 00:36:15,573 --> 00:36:17,942 YOU CAN LET YOUR GUARD DOWN JUST A LITTLE BIT SOMETIMES, 945 00:36:18,042 --> 00:36:18,809 TOWANDA. 946 00:36:18,910 --> 00:36:20,645 YOU'RE A STONE-- YOU'RE A STONE. 947 00:36:20,745 --> 00:36:22,113 I'M NOT A STONE. 948 00:36:22,213 --> 00:36:23,714 - HARD. - NO, I'M NOT A STONE. 949 00:36:23,814 --> 00:36:25,049 IF YOU DIDN'T STILL LOVE HIM, 950 00:36:25,149 --> 00:36:26,751 WHY HAVEN'T YOU DATED ANYBODY? 951 00:36:34,892 --> 00:36:35,058 TOWANDA'S 952 00:36:35,059 --> 00:36:35,125 TOWANDA'S HANGIN' 953 00:36:35,126 --> 00:36:35,225 TOWANDA'S HANGIN' OUT 954 00:36:35,226 --> 00:36:35,292 TOWANDA'S HANGIN' OUT WITH 955 00:36:35,293 --> 00:36:36,027 TOWANDA'S HANGIN' OUT WITH ME 956 00:36:36,127 --> 00:36:37,028 WHILE WE WAIT FOR MOMMY TO GET HERE 957 00:36:37,128 --> 00:36:39,363 TO WATCH THE KIDS SO I CAN GO TO REHEARSAL. 958 00:36:39,463 --> 00:36:41,065 WELL, ARE YOU HAPPY WITH THE WAY THAT THINGS 959 00:36:41,165 --> 00:36:42,733 ARE GOIN' SO FAR? 960 00:36:42,833 --> 00:36:46,370 TOWANDA, IT'S NOT THAT IT'S NOT GOIN' GREAT, 961 00:36:46,470 --> 00:36:52,176 IT'S JUST THAT MY IDEAS ARE MUCH LARGER THAN MY FINANCES. 962 00:36:52,276 --> 00:36:55,780 EVEN THOUGH GABE HAS AGREED TO BE AN INVESTOR IN THE VIDEO, 963 00:36:55,880 --> 00:36:59,183 I'M STILL PAYING FOR A MAJORITY OF IT MYSELF 964 00:36:59,283 --> 00:37:01,819 AND THE BILLS JUST KEEP WRACKING UP. 965 00:37:01,919 --> 00:37:03,988 IT'S JUST A LOT OF MONEY, AND I WOULD LOVE FOR TRACI 966 00:37:04,088 --> 00:37:05,389 TO BE IN IT-- I JUST-- - WHY DON'T YOU CALL HER 967 00:37:05,489 --> 00:37:06,657 AND ASK HER-- - I WOULD CALL HER AND ASK HER 968 00:37:06,757 --> 00:37:09,160 BUT I CAN'T AFFORD THE PLANE TICKET. 969 00:37:09,260 --> 00:37:10,494 YOU CAN'T COME AND ASK SOMEBODY TO BE IN YOUR VIDEO-- 970 00:37:10,595 --> 00:37:12,363 WELL HOW ABOUT I'LL FLY TRACI DOWN. 971 00:37:12,463 --> 00:37:14,465 - WOULD YOU REALLY? - I'LL PUT-- YES, I PROMISE. 972 00:37:14,565 --> 00:37:17,001 I KNOW THAT TRINA IS EXTREMELY STRESSED 973 00:37:17,101 --> 00:37:20,871 FOR HER VIDEO, SO I FIGURE THAT I SHOULD VOLUNTEER 974 00:37:20,972 --> 00:37:22,907 TO FLY TRACI DOWN, YOU KNOW, 975 00:37:23,007 --> 00:37:25,376 JUST BECAUSE SHE NEEDS A LOT OF SUPPORT RIGHT NOW, 976 00:37:25,476 --> 00:37:27,011 SO THAT'S THE LEAST I CAN DO. 977 00:37:27,111 --> 00:37:28,980 - HEY YOU. - HEY, MOMMY. 978 00:37:29,080 --> 00:37:32,817 MOMMY JUST GOT BACK FROM TAMAR'S PROCEDURE IN LA, 979 00:37:32,917 --> 00:37:35,720 AND I FEEL REALLY BAD THAT I COULDN'T BE THERE. 980 00:37:35,820 --> 00:37:38,856 BUT, VINCE IS FLYING A BUNCH OF US OUT THIS WEEKEND 981 00:37:38,956 --> 00:37:40,258 AND I'LL GET TO SEE HER THEN. 982 00:37:40,358 --> 00:37:42,293 - Y'ALL, I HAVE TO GO. - WHERE YOU GOIN'? 983 00:37:42,393 --> 00:37:43,527 I HAVE TO GO TO CHOREOGRAPHY, MOM, 984 00:37:43,628 --> 00:37:44,996 THAT'S WHY YOU'RE HERE! 985 00:37:45,096 --> 00:37:46,897 - I KNOW BUT-- GO AHEAD-- - WHOA-WHOA-- 986 00:37:46,998 --> 00:37:49,834 BEFORE TRINA LEAVES, WE HAVE TO TALK ABOUT MY DATE. 987 00:37:49,934 --> 00:37:51,035 MY BLIND DATE. 988 00:37:51,135 --> 00:37:52,069 AH... YES! 989 00:37:52,169 --> 00:37:53,237 AND MOMMY WAS GOING TO SET YOU UP-- 990 00:37:53,337 --> 00:37:55,206 YOU HAD A BLIND DATE, TOWANDA-- 991 00:37:55,306 --> 00:37:56,274 YOU KNOW SHE HAD A BLIND DATE, 992 00:37:56,374 --> 00:37:57,541 'CAUSE I HEARD YOU'RE THE ONE WHO SET IT UP. 993 00:37:57,642 --> 00:37:58,509 IS THAT TRUE? 994 00:37:58,609 --> 00:38:00,077 YES. 995 00:38:00,177 --> 00:38:01,245 WHAT, WHAT, WHAT HAPPENED? 996 00:38:01,345 --> 00:38:03,514 WELL, IT WAS ANDRE, OF COURSE YOU ALREADY KNOW. 997 00:38:03,614 --> 00:38:07,852 ANDRE WHO? 998 00:38:07,952 --> 00:38:09,587 JUST TOOK HIS HEART OUT HIS CHEST 999 00:38:09,687 --> 00:38:11,589 AND SQUEEZE ALL THE BLOOD IN A GLASS 1000 00:38:11,689 --> 00:38:12,957 AND JUST POURED IT ALL OUT. 1001 00:38:13,057 --> 00:38:14,091 HE POURED OUT HIS HEART. 1002 00:38:14,191 --> 00:38:15,559 YOU DO KNOW THAT'S SUPER SWEET. 1003 00:38:15,660 --> 00:38:16,661 ANDRE LOVES YOU. 1004 00:38:16,761 --> 00:38:18,896 I DIDN'T SAY THAT HE DIDN'T, I MEAN, I KNOW. 1005 00:38:18,996 --> 00:38:20,698 UH-OH! 1006 00:38:20,798 --> 00:38:22,433 WHY YOU SO HARD-NOSED ALL THE TIME? 1007 00:38:22,533 --> 00:38:23,701 I CAN'T HELP IT. 1008 00:38:23,801 --> 00:38:25,903 YOU CAN-- YOU CAN LET YOUR GUARD DOWN JUST A LITTLE BIT 1009 00:38:26,003 --> 00:38:27,605 SOMETIMES, TOWANDA, EVERYTHING DOESN'T ALWAYS 1010 00:38:27,705 --> 00:38:30,274 HAVE TO BE SO CALCULATED AND JUST SO FRICKIN'-- 1011 00:38:30,374 --> 00:38:32,209 - SURE IT DOES-- - YOU'RE A STONE! 1012 00:38:32,310 --> 00:38:34,779 - I'M NOT A STONE! - YOU'RE HARD! 1013 00:38:34,879 --> 00:38:35,980 NO, I'M NOT A STONE. 1014 00:38:36,080 --> 00:38:37,548 IF YOU DIDN'T STILL LOVE HIM, 1015 00:38:37,648 --> 00:38:39,717 WHY HAVEN'T YOU DATED ANYBODY? 1016 00:38:39,817 --> 00:38:40,885 BECAUSE OF THE CHILDREN. 1017 00:38:40,985 --> 00:38:42,753 NO, THE CHILDREN DON'T HAVE TO SEE. 1018 00:38:42,853 --> 00:38:45,056 YOU CAN GET A SITTER AND GO OUT AND DATE PEOPLE, TOWANDA. 1019 00:38:45,156 --> 00:38:46,457 THE PROBLEM IS THIS... 1020 00:38:46,557 --> 00:38:49,126 TOWANDA, IS WEARING A SHIELD. 1021 00:38:49,226 --> 00:38:51,796 AND I'M GONNA TELL YOU WHY SHE'S WEARING THAT SHIELD, 1022 00:38:51,896 --> 00:38:56,100 BECAUSE YOU KNOW TEETH AND TONGUE FALLS OUT. 1023 00:38:56,200 --> 00:38:57,468 MOMMY, WE GOING TO HAVE TO WORK ON 1024 00:38:57,568 --> 00:38:59,170 YOUR LITTLE COLLOQUIALISMS. 1025 00:38:59,270 --> 00:39:01,906 NO-NO-- I'M GONNA BREAK IT DOWN TO YOU. 1026 00:39:02,006 --> 00:39:03,974 'CAUSE YOU ALL KNOW IT TAKES ME A SECOND TO GET IT. 1027 00:39:04,075 --> 00:39:05,042 GO AHEAD, BREAK IT DOWN. 1028 00:39:05,142 --> 00:39:07,978 SOMETIMES THE TEETH WILL BITE THE TONGUE 1029 00:39:08,079 --> 00:39:09,780 AND SO THEREFORE, 1030 00:39:09,880 --> 00:39:13,050 THE TONGUE IS VERY MINDFUL OF THE TEETH-- 1031 00:39:13,150 --> 00:39:14,885 I MEAN, DO YOU ALWAYS HAVE TO SPEAK IN PARABOLS? 1032 00:39:14,985 --> 00:39:16,187 JESUS. 1033 00:39:16,287 --> 00:39:17,488 WELL THAT'S WHAT I GREW UP WITH, I DON'T KNOW ANY OTHER-- 1034 00:39:19,890 --> 00:39:21,092 THAT'S ALL I KNOW. 1035 00:39:21,192 --> 00:39:23,994 MY THING IS YOU CAN'T JUST TAKE ME OUT ON ONE BLIND DATE 1036 00:39:24,095 --> 00:39:26,564 AND THINK THAT EVERY THING'S GONNA CHANGE. 1037 00:39:26,664 --> 00:39:27,932 - YEAH. - THAT'S TRUE. 1038 00:39:28,032 --> 00:39:29,266 THAT'S NOT GOING-- THAT'S NOT GONNA WORK FOR ME. 1039 00:39:29,367 --> 00:39:30,534 THAT'S TRUE-- I FEEL THAT. 1040 00:39:30,634 --> 00:39:31,702 HE HAS TO CONSTANTLY WOO YOU. 1041 00:39:31,802 --> 00:39:33,270 - YES! - THANK YOU! 1042 00:39:33,371 --> 00:39:34,338 WOO ME! 1043 00:39:34,438 --> 00:39:35,639 - YES. - OKAY. 1044 00:39:35,740 --> 00:39:37,274 DATE ME AGAIN-- TRY TO DATE ME AGAIN. 1045 00:39:37,375 --> 00:39:38,376 YES! 1046 00:39:38,476 --> 00:39:41,011 I'M GLAD THAT MY FAMILY WANTS ME TO GIVE ANDRE 1047 00:39:41,112 --> 00:39:43,314 A SECOND CHANCE, I MEAN THAT'S GREAT. 1048 00:39:43,414 --> 00:39:47,918 HOWEVER, COMMA, I NEED FOR ANDRE TO JUST SHOW ME, 1049 00:39:48,018 --> 00:39:50,554 DON'T JUST SAY IT, JUST SHOW ME YOUR ACTIONS PLEASE. 1050 00:39:50,654 --> 00:39:51,622 - I HAVE TO GO. - RIGHT. 1051 00:39:51,722 --> 00:39:52,523 MEET YOU AT CHOREOGRAPHY. 1052 00:39:52,623 --> 00:39:53,557 YEAH, Y'ALL HAVE TO GO. 1053 00:39:53,657 --> 00:39:54,558 MOM, WHAT ARE YOU GONNA COOK FOR THE BOYS? 1054 00:39:54,658 --> 00:39:55,993 I DON'T KNOW, I'M GONNA TAKE 'EM OUT. 1055 00:39:56,093 --> 00:39:57,094 - OH. - OKAY. 1056 00:39:57,194 --> 00:39:59,497 - YEAH, I'M TAKIN' THEM OUT. - SEE YA, TEETH. 1057 00:39:59,597 --> 00:40:00,965 - LOVE YOU GUYS! - SEE YA LATER. 1058 00:40:01,065 --> 00:40:02,566 - TAKE CARE. - THANK YOU AGAIN! 1059 00:40:10,408 --> 00:40:11,842 I'M EXCITED! 1060 00:40:11,942 --> 00:40:14,078 I LOVE BOATS! 1061 00:40:14,178 --> 00:40:15,980 THAT'S A LOVELY BOAT! 1062 00:40:16,080 --> 00:40:18,082 IT'S BEEN A COUPLE OF DAYS SINCE THE INVASION 1063 00:40:18,182 --> 00:40:21,786 OF THE EGG SNATCHERS, SO I INVITED MY MOM, 1064 00:40:21,886 --> 00:40:25,689 AND MY DAD, TONI, TOWANDA, TRACI AND TRINA-- 1065 00:40:25,790 --> 00:40:28,192 WELL, TOWANDA COULDN'T COME BECAUSE HER DAUGHTER 1066 00:40:28,292 --> 00:40:30,694 GOT SICK, SO EVERYBODY ELSE CAME OUT 1067 00:40:30,795 --> 00:40:33,130 AND VINCENT AND I CHARTERED A YACHT 1068 00:40:33,230 --> 00:40:37,034 TO HAVE A NICE QUIET FAMILY DINNER TO CELEBRATE. 1069 00:40:37,134 --> 00:40:39,370 DADDY, HOW YOU FEELING ABOUT BEING AROUND YOUR GIRLS? 1070 00:40:39,470 --> 00:40:43,007 I'M JUST GLAD I GOT THE BEAUTIFUL GIRLS IN THE WORLD. 1071 00:40:43,107 --> 00:40:44,708 I DON'T BLAME YOU, BECAUSE IF I HAD A DAUGHTER 1072 00:40:44,809 --> 00:40:46,444 WHO LOOKED LIKE ME... 1073 00:40:46,544 --> 00:40:48,679 WHAT WOULD YOU DO IF YOU HAD A DAUGHTER LIKE YOU? 1074 00:40:48,779 --> 00:40:52,883 I GOT FIVE KIDS IN THE FREEZER, I AM JUST FINE. 1075 00:40:52,983 --> 00:40:54,752 OH, THEY GOT FIVE EGGS, THAT'S RIGHT, FIVE. 1076 00:40:54,852 --> 00:40:57,121 HEALTHY, HEALTHY. 1077 00:40:57,221 --> 00:40:58,589 I DIDN'T KNOW HOW MANY. 1078 00:40:58,689 --> 00:41:00,991 CHILLING IN THE FREEZER, SO THEREFORE, I'M GONNA NEED 1079 00:41:01,091 --> 00:41:04,728 FIVE MOTHER'S DAY CARDS AND FIVE GIFTS FROM MY HUSBAND 1080 00:41:04,829 --> 00:41:06,964 BECAUSE WE HAVE FIVE KIDS TOGETHER. 1081 00:41:07,064 --> 00:41:08,566 YOU DON'T GET THAT UNTIL YOU GIVE BIRTH. 1082 00:41:08,666 --> 00:41:10,835 YOU DON'T HAVE THE BABIES YET. 1083 00:41:10,935 --> 00:41:12,736 YOU'RE NOT A MOTHER YET. 1084 00:41:12,837 --> 00:41:13,904 MY KIDS ARE IN THE FREEZER! 1085 00:41:14,004 --> 00:41:15,372 THEY ARE WELL AND INTACT! 1086 00:41:15,473 --> 00:41:17,575 TAMAR SOUNDS RIDICULOUS, 1087 00:41:17,675 --> 00:41:20,411 SHE DESERVES A MOTHER'S DAY PRESENT, 1088 00:41:20,511 --> 00:41:22,446 YOU DON'T HAVE ANY KIDS. 1089 00:41:22,546 --> 00:41:24,381 I MEAN, SHE'S A MOTHER, ALL RIGHT, AT TIMES, 1090 00:41:24,482 --> 00:41:27,551 BUT, SHE SOUNDS RIDICULOUS. 1091 00:41:27,651 --> 00:41:29,353 VINCE, WHEN YOU THINK Y'ALL BE READY? 1092 00:41:29,453 --> 00:41:31,021 I DON'T KNOW. 1093 00:41:31,121 --> 00:41:33,257 I'M READY FOR SOME NEW NEPHEWS AND NIECES. 1094 00:41:33,357 --> 00:41:34,892 I JUST THOUGHT I AGREED TO HAVE A BABY, 1095 00:41:34,992 --> 00:41:38,229 NOT THAT I NEED TO HAVE A BABY RIGHT NOW, 1096 00:41:38,329 --> 00:41:39,497 BUT I'M FINE WITH THE SITUATION. 1097 00:41:39,597 --> 00:41:40,798 YOU KNOW? 1098 00:41:40,898 --> 00:41:43,000 MY BABIES ARE COMFORTABLY SITTING 1099 00:41:43,100 --> 00:41:47,905 IN A NICE LARGE FREEZER... WAITING. 1100 00:41:48,005 --> 00:41:49,240 WHEN YOU GOING TO TAKE 'EM OUT OF THE FREEZER 1101 00:41:49,340 --> 00:41:50,608 AND PUT 'EM IN THE OVEN? 1102 00:41:50,708 --> 00:41:53,043 WHENEVER THE LORD LEAVES. 1103 00:41:53,143 --> 00:41:54,778 THE LORD IS LEAVING RIGHT NOW. 1104 00:41:54,879 --> 00:41:57,515 I JUST CAN'T WAIT UNTIL THEM BABIES WHOOP HER ASS. 1105 00:41:57,615 --> 00:41:58,916 SHE'S GONNA BE LIKE, "OH MY GOD, 1106 00:41:59,016 --> 00:42:00,584 "THEY DIDN'T TELL ME ABOUT THIS-- AH!" 1107 00:42:00,684 --> 00:42:01,485 WHY-- WHAT? 1108 00:42:01,585 --> 00:42:02,753 YOU GOTTA CHANGE THE DIAPER AGAIN? 1109 00:42:02,853 --> 00:42:04,221 HONEY, AH! 1110 00:42:04,321 --> 00:42:05,689 YOU CAN'T PEE IN THIS ... 1111 00:42:08,792 --> 00:42:11,228 I CAN'T WAIT FOR THAT DAY THAT SHE CALL ME 1112 00:42:11,328 --> 00:42:14,498 AND ASK ME TO WATCH HER KIDS 1113 00:42:14,598 --> 00:42:15,866 'CAUSE I'M GONNA SAY TO HER, 1114 00:42:15,966 --> 00:42:17,401 "OKAY, TAMAR, I'LL WATCH 'EM," 1115 00:42:17,501 --> 00:42:20,271 AND I'LL NEVER SHOW UP. 1116 00:42:20,371 --> 00:42:22,006 YOU GONNA PUT ALL FIVE OF THEM IN AT THE SAME TIME? 1117 00:42:22,106 --> 00:42:23,674 I'M GONNA LEAVE ONE JUST IN CASE, YOU KNOW, GOD FORBID, 1118 00:42:23,774 --> 00:42:25,943 TIMES GET TOUGH, I CAN SELL IT. 1119 00:42:26,043 --> 00:42:27,111 WHAT? 1120 00:42:27,211 --> 00:42:28,178 WE GET A LOT OF MONEY FOR THAT. 1121 00:42:28,279 --> 00:42:29,446 ME AND VINCE BABY. 1122 00:42:29,547 --> 00:42:31,615 WHAT YOU TALKIN' ABOUT, THAT'S LIKE PRINCE AND MADONNA. 1123 00:42:31,715 --> 00:42:32,550 - PRINCE AND MADONNA? - YEAH, GIRL! 1124 00:42:32,650 --> 00:42:34,084 GIRL, YOU BETTER GET YOUR LIFE. 83339

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