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These are the user uploaded subtitles that are being translated: 1 00:00:02,369 --> 00:00:02,468 WHAT'S 2 00:00:02,469 --> 00:00:02,501 WHAT'S GOING 3 00:00:02,502 --> 00:00:02,601 WHAT'S GOING ON 4 00:00:02,602 --> 00:00:02,701 WHAT'S GOING ON WITH 5 00:00:02,702 --> 00:00:02,801 WHAT'S GOING ON WITH THE 6 00:00:02,802 --> 00:00:02,901 WHAT'S GOING ON WITH THE SOUL 7 00:00:02,902 --> 00:00:04,470 WHAT'S GOING ON WITH THE SOUL TRAIN 8 00:00:04,471 --> 00:00:05,105 WHAT'S GOING ON WITH THE SOUL TRAIN AWARDS? 9 00:00:05,205 --> 00:00:06,706 GUESS WHAT SONG I'M DOIN'. 10 00:00:06,806 --> 00:00:09,642 - YOU'RE PERFORMING? - MMM-HMM. 11 00:00:09,743 --> 00:00:11,177 COME IN HERE FOR JUST A SEC. 12 00:00:11,277 --> 00:00:12,846 BUT, VOCALLY, WHEN I PLAYED MAJOR CHORDS 13 00:00:12,946 --> 00:00:15,448 OR MINOR CHORDS, YOU KINDA RANDOMLY GOT 'EM WRONG. 14 00:00:15,548 --> 00:00:16,716 BOO! 15 00:00:16,816 --> 00:00:19,319 UHM-UHM. 16 00:00:19,419 --> 00:00:21,521 - TAMAR BRAXTON! - HI. 17 00:00:21,621 --> 00:00:23,189 WHEN IS THE GLADYS KNIGHT THING COMING? 18 00:00:23,289 --> 00:00:24,924 IT'S THE NEXT PIECE. 19 00:00:25,025 --> 00:00:25,692 OH, MY GOD! 20 00:00:25,792 --> 00:00:27,594 WE HAVE, LIKE, TWO MINUTES. 21 00:00:27,694 --> 00:00:30,830 WE ARE THE BRAXTONS AND YOU'LL SEE 22 00:00:30,930 --> 00:00:35,235 THAT WE ARE NOT LIKE AN ORDINARY FAMILY 23 00:00:35,335 --> 00:00:38,471 TONI TRACI TOWANDA TRINA TAMAR AND MISS E 24 00:00:38,571 --> 00:00:41,274 WILL TEACH YOU A THING OR TWO 25 00:00:41,374 --> 00:00:44,778 ON BRAXTON FAMILY VALUES 26 00:00:54,254 --> 00:00:55,889 OH, LET ME PUT THAT THERE. 27 00:00:55,989 --> 00:00:58,224 TAMAR HAS BEEN HERE IN NEW YORK WITH VINCE 28 00:00:58,324 --> 00:00:59,559 FOR HIS RECOVERY, 29 00:00:59,659 --> 00:01:01,728 SO WE JUST DECIDED THAT WE NEED TO BE HERE FOR TAMAR 30 00:01:01,828 --> 00:01:04,864 AND TO SUPPORT HER AND VINCE. 31 00:01:04,964 --> 00:01:06,900 I'M HONESTLY TRYING TO FIGURE OUT 32 00:01:07,000 --> 00:01:10,970 HOW DO I GET MYSELF BACK. 33 00:01:11,071 --> 00:01:13,706 I JUST WANT THE STRESS PART TO BE OVER. 34 00:01:13,807 --> 00:01:16,042 I REALLY, REALLY-- AT-AT THIS TIME, 35 00:01:16,142 --> 00:01:17,811 I AM DOING THE BEST THAT I CAN, 36 00:01:17,911 --> 00:01:19,412 YOU KNOW, WITH HOLDING IT TOGETHER. 37 00:01:19,512 --> 00:01:22,916 I JUST WANT US TO GET OVER THE HUMP OF HIM COMING OUT 38 00:01:23,016 --> 00:01:28,021 OF THE HOSPITAL AND US STARTING A REGIMEN. 39 00:01:28,121 --> 00:01:30,090 YOU KNOW, KNOWING WHAT TIME THE NURSE IS COMING, 40 00:01:30,190 --> 00:01:32,258 KNOWING WHAT TIME THE NUTRITIONIST IS COMING 41 00:01:32,358 --> 00:01:34,227 TO COOK, KNOWING WHAT TIME HE'S SUPPOSED TO EAT, 42 00:01:34,327 --> 00:01:36,596 KNOWING WHAT EXACTLY HE'S SUPPOSED TO EAT. 43 00:01:36,696 --> 00:01:37,897 YOU KNOW? 44 00:01:37,997 --> 00:01:41,034 I AM SUPER STRESSED ABOUT VINCE RECOVERING. 45 00:01:41,134 --> 00:01:43,436 I JUST FEEL LIKE HE NEEDS TO CHANGE HIS LIFE, 46 00:01:43,536 --> 00:01:45,738 OR WE'RE GONNA BE RIGHT BACK IN THE SAME POSITION 47 00:01:45,839 --> 00:01:49,042 BECAUSE HE HAS TO KINDA CHILLAX A LITTLE BIT WITH WORK. 48 00:01:49,142 --> 00:01:51,778 LIKE, HE'S DOING WAY TOO MUCH, RIGHT NOW. 49 00:01:51,878 --> 00:01:54,747 I FEEL SO BAD FOR MY BABY GIRL. 50 00:01:54,848 --> 00:01:58,651 UM, BUT WE WILL STICK TOGETHER AS A FAMILY, 51 00:01:58,751 --> 00:02:02,489 AND WE WILL BE THERE AND SUPPORT HER 100% 52 00:02:02,589 --> 00:02:05,391 BECAUSE THIS, TOO, SHALL PASS. 53 00:02:05,492 --> 00:02:06,926 ONE QUESTION TO ASK YOU GUYS, 54 00:02:07,026 --> 00:02:09,896 WHAT'S GOING ON WITH THE, UM, SOUL TRAIN AWARDS? 55 00:02:09,996 --> 00:02:11,030 GUESS WHAT SONG I'M DOIN'. 56 00:02:11,131 --> 00:02:12,332 HMM? 57 00:02:12,432 --> 00:02:14,300 "LOVE OVERBOARD." 58 00:02:14,400 --> 00:02:15,768 THAT'S A NICE SONG-- I LIKE THAT SONG. 59 00:02:15,869 --> 00:02:17,470 BUT, IT'S, UM, A TRIBUTE TO MISS GLADYS? 60 00:02:17,570 --> 00:02:18,671 YEAH, GLADYS. 61 00:02:18,771 --> 00:02:19,839 I MEAN, THAT'S SO GREAT BECAUSE, YOU KNOW, 62 00:02:19,939 --> 00:02:21,207 SHE'S BEEN LIKE AUNTIE GLADYS. 63 00:02:21,307 --> 00:02:22,709 I'M GONNA BE PERFORMING A GLADYS KNIGHT SONG 64 00:02:22,809 --> 00:02:24,344 FOR THE SOUL TRAIN AWARDS. 65 00:02:24,444 --> 00:02:27,180 I AM SO EXCITED BUT ALSO SUPER NERVOUS 66 00:02:27,280 --> 00:02:30,483 BECAUSE IT'S KINDA LIKE MY BIG COMING OUT MOMENT, 67 00:02:30,583 --> 00:02:33,586 AND I HAVE TO BE PERFECT-- NOT GOOD, 68 00:02:33,686 --> 00:02:36,256 BUT SHE HAS TO BE PERFECT, BABY. 69 00:02:36,356 --> 00:02:38,458 HOW-HOW DID THAT COME ABOUT IN THE FIRST PLACE? 70 00:02:38,558 --> 00:02:40,827 AND SO, YOU GUYS ARE PRESENTING? 71 00:02:40,927 --> 00:02:42,362 YEAH, WE'RE ALL PRESENTING. 72 00:02:42,462 --> 00:02:44,731 - YOU'RE PERFORMING? - MMM-HMM. 73 00:02:44,831 --> 00:02:46,132 NOW, WE KNEW WE WERE PRESENTING, 74 00:02:46,232 --> 00:02:49,302 BUT WHEN DID THIS HAPPEN THAT YOU WERE GONNA PERFORM 75 00:02:49,402 --> 00:02:53,072 BY YOURSELF AT THE AWARDS? 76 00:02:53,173 --> 00:02:54,307 HMM... 77 00:02:54,407 --> 00:02:57,844 BEFORE VINCE GOT SICK, HE COMMITTED US FOR PRESENTING, 78 00:02:57,944 --> 00:03:02,115 AS WELL, UM, AS THEY WANTED ME TO PERFORM. 79 00:03:02,215 --> 00:03:03,750 THE COMMUNICATION JUST SUCKS REALLY BAD. 80 00:03:03,850 --> 00:03:05,318 YEAH, WELL, MY HUSBAND DIDN'T MEAN TO GET SICK. 81 00:03:05,418 --> 00:03:06,853 NO-NO, IT'S NOT ABOUT VINCE. 82 00:03:06,953 --> 00:03:09,122 TAMAR, IT'S NOT ABOUT YOUR HUSBAND BEING SICK. 83 00:03:09,222 --> 00:03:11,791 IT'S ABOUT THE COMMUNICATION OUTSIDE OF YOUR HUSBAND. 84 00:03:11,891 --> 00:03:13,593 YOUR HUSBAND KNEW, AND YOU DIDN'T? 85 00:03:13,693 --> 00:03:14,561 WHAT? 86 00:03:14,661 --> 00:03:15,495 IS THAT WHAT YOU'RE SAYING? 87 00:03:15,595 --> 00:03:16,563 I'M JUST ASKING. 88 00:03:16,663 --> 00:03:17,864 - I-I DIDN'T-- NO, I-- - I'M JUST SAYING. 89 00:03:17,964 --> 00:03:18,865 HE-- I'M SURE HE DIDN'T HAVE A CHANCE 90 00:03:18,965 --> 00:03:20,333 TO PUT IT ON THE SCHEDULE. 91 00:03:20,433 --> 00:03:22,569 I KNEW I WAS PERFORMING AT THE SOUL TRAIN AWARDS 92 00:03:22,669 --> 00:03:25,305 FOR A WHILE, BUT WITH EVERYTHING GOING ON WITH VINCE, 93 00:03:25,405 --> 00:03:26,839 I DIDN'T GET A CHANCE TO TALK TO MY SISTERS 94 00:03:26,940 --> 00:03:28,241 ABOUT THE PERFORMANCE. 95 00:03:28,341 --> 00:03:30,276 BUT, I MEAN, WHAT'S THE BIG DEAL? 96 00:03:30,376 --> 00:03:33,413 IT'S NOT LIKE WE ALL AIN'T GOIN'. 97 00:03:33,513 --> 00:03:35,815 YOU KNOW, THAT REALLY WASN'T THE SONG CHOICE 98 00:03:35,915 --> 00:03:39,118 I WANTED TO DEBUT MY ARTISTRY ON, 99 00:03:39,219 --> 00:03:40,253 BUT BEING AN ARTIST 100 00:03:40,353 --> 00:03:43,289 IS BEING ABLE TO MAKE WHATEVER YOU DO DOPE. 101 00:03:43,389 --> 00:03:44,190 RIGHT. 102 00:03:44,290 --> 00:03:45,124 AND WHATEVER YOU DO YOUR OWN. 103 00:03:45,225 --> 00:03:47,126 - EXACTLY. - SO, THIS IS LIKE-- 104 00:03:47,227 --> 00:03:49,796 IT'S A CHALLENGE, BUT I'M EXCITED ABOUT IT. 105 00:03:49,896 --> 00:03:51,931 YOU'LL BE-- I THINK YOU'LL BE- I THINK YOU'LL BE GREAT. 106 00:04:04,544 --> 00:04:05,478 HOW ARE YOU? 107 00:04:05,578 --> 00:04:06,946 - MY PLEASURE. - MY PLEASURE. 108 00:04:07,046 --> 00:04:08,281 THE PLEASURE'S ALL MINE. 109 00:04:08,381 --> 00:04:10,116 SO, TO PREPARE FOR MY UPCOMING PERFORMANCE 110 00:04:10,216 --> 00:04:13,920 AT THE SOUL TRAIN AWARDS, I'M GONNA GET MY VOICE IN SHAPE, 111 00:04:14,020 --> 00:04:15,488 MY BODY IN SHAPE, BOO, 112 00:04:15,588 --> 00:04:18,091 AND IT'S NOBODY IN THIS BUSINESS 113 00:04:18,191 --> 00:04:20,460 BETTER THAN MAMA JAN SMITH, BABY. 114 00:04:20,560 --> 00:04:23,529 SHE GOT ALL THE BIG NAMES-- JUSTIN BIEBER, USHER, 115 00:04:23,630 --> 00:04:26,866 AND NOW TAMAR-- BOOM! 116 00:04:26,966 --> 00:04:28,134 TELL ME ABOUT YOUR VOICE, NOW. 117 00:04:28,234 --> 00:04:29,602 ANY PROBLEMS THAT YOU'RE HAVING AWARE WITH IT? 118 00:04:29,702 --> 00:04:31,337 YEAH, I HAVE ACID REFLUX REALLY, REALLY BAD. 119 00:04:31,437 --> 00:04:32,372 OKAY. 120 00:04:32,472 --> 00:04:34,741 I'M NOT IN FULL VOICE, RIGHT NOW, UM, BUT-- 121 00:04:34,841 --> 00:04:35,575 YEAH, I CAN HEAR A LITTLE BIT 122 00:04:35,675 --> 00:04:37,277 OF WEAR AND TEAR ON THAT. 123 00:04:37,377 --> 00:04:38,478 YEAH. 124 00:04:38,578 --> 00:04:39,112 WHAT KIND OF CONDITIONING DO YOU DO FOR YOUR VOICE, 125 00:04:39,212 --> 00:04:40,380 AT ALL? 126 00:04:40,480 --> 00:04:41,614 LIKE, WHAT YOU MEAN-- LIKE, EXERCISES, YOU MEAN? 127 00:04:41,714 --> 00:04:43,283 - MMM-HMM. - I DON'T DO THAT MUCH. 128 00:04:43,383 --> 00:04:44,083 WARM UPS, COOL DOWNS? 129 00:04:44,183 --> 00:04:45,151 ANY OF THAT STUFF. 130 00:04:45,251 --> 00:04:46,452 - NUH-UH. - OKAY. 131 00:04:46,552 --> 00:04:49,589 OKAY, LIKE, FOR REAL, WHY DO I SUDDENLY FEEL LIKE A KID 132 00:04:49,689 --> 00:04:52,258 THAT FORGOT TO DO THEIR HOMEWORK? 133 00:04:52,358 --> 00:04:54,861 I WANT YOU TO SING THE LOWEST NOTE THAT YOU CAN. 134 00:04:54,961 --> 00:04:55,728 OH. 135 00:04:55,828 --> 00:04:56,562 THIS DOESN'T HAVE TO BE PRETTY. 136 00:04:56,663 --> 00:04:59,165 - AH. - AH. 137 00:04:59,265 --> 00:05:01,968 HOLD THAT AS LONG AS YOU CAN. 138 00:05:05,071 --> 00:05:05,772 OKAY. 139 00:05:05,872 --> 00:05:07,106 BOO! 140 00:05:07,206 --> 00:05:09,075 UH-UHM. 141 00:05:09,175 --> 00:05:12,211 THAT'S NOT HOT AT ALL, AND IT SOUNDS HORRIBLE! 142 00:05:12,312 --> 00:05:13,913 I'M SO HOARSE, RIGHT NOW, WITH MAMA JAN, 143 00:05:14,013 --> 00:05:17,016 AND I SOUND LIKE A CAT SCRATCHING 144 00:05:17,116 --> 00:05:18,384 TO GET OUT OF A BAG. 145 00:05:20,453 --> 00:05:21,421 THAT AIN'T HOT. 146 00:05:21,521 --> 00:05:23,856 I SOUND TERRIBLE, AND I'M HIGHLY EMBARRASSED. 147 00:05:23,956 --> 00:05:25,958 DO YOU KNOW WHAT YOUR RANGE USUALLY IS? 148 00:05:26,059 --> 00:05:29,028 LIKE MARIAH CAREY NOTES, THE OLD ONES. 149 00:05:29,128 --> 00:05:30,430 SING THIS NOTE FOR ME, AGAIN. 150 00:05:30,530 --> 00:05:31,798 - AH. - NO, YOU'RE DOWN HERE-- 151 00:05:31,898 --> 00:05:32,865 COME UP HERE. 152 00:05:32,965 --> 00:05:34,534 - AH. - NOW, GO ON UP. 153 00:05:34,634 --> 00:05:40,973 AH, AH, AH, AH, AH, AH! 154 00:05:41,074 --> 00:05:42,475 AHEM. 155 00:05:42,575 --> 00:05:45,378 WHAT IS COMING OUT OF MY THROAT, RIGHT NOW? 156 00:05:45,478 --> 00:05:48,081 AH, AH, AH, AH! 157 00:05:48,181 --> 00:05:50,083 OKAY-- SO, THERE'S A REAL BIG DIFFERENCE 158 00:05:50,183 --> 00:05:51,784 IN THE SOUND OF YOUR FALSETTO-- 159 00:05:51,884 --> 00:05:53,019 SEE WHAT I MEAN ABOUT THAT MIDDLE? 160 00:05:53,119 --> 00:05:53,953 RIGHT. 161 00:05:54,053 --> 00:05:54,821 WELL, YOU DON'T REALLY HAVE A MIDDLE. 162 00:05:54,921 --> 00:05:56,055 YOU KINDA, LIKE, CRASH INTO THE TOP 163 00:05:56,155 --> 00:05:57,490 AND-AND HIT IT REALLY HARD. 164 00:05:57,590 --> 00:05:59,759 I KNOW MAMA JAN IS TESTING OUT MY VOCAL RANGE, 165 00:05:59,859 --> 00:06:01,127 BUT DAMN. 166 00:06:01,227 --> 00:06:03,463 I MEAN, IT'S A LITTLE EMBARRASSING. 167 00:06:03,563 --> 00:06:05,231 I KNOW I CAN SING MY ASS OFF, 168 00:06:05,331 --> 00:06:06,999 AND I'VE BEEN DOING THIS MY WHOLE LIFE. 169 00:06:07,100 --> 00:06:09,168 AND I'M GOING THROUGH ALL THESE ELEMENTARY STEPS, 170 00:06:09,268 --> 00:06:12,271 AND IT'S MAKING ME FEEL REAL NERVOUS. 171 00:06:12,372 --> 00:06:14,807 FROM A TECHNICAL STANDPOINT, 172 00:06:14,907 --> 00:06:16,409 WHEN I PLAYED MAJOR CHORDS OR MINOR CHORDS, 173 00:06:16,509 --> 00:06:18,711 YOU KINDA RANDOMLY GOT 'EM WRONG AND DIDN'T KNOW. 174 00:06:18,811 --> 00:06:20,012 - I DID? - THAT'S ALL RIGHT. 175 00:06:20,113 --> 00:06:22,482 THE BREAK BETWEEN YOUR CHEST VOICE AND YOUR FALSETTO 176 00:06:22,582 --> 00:06:25,351 IS-IS PRETTY HUGE IN TERMS OF THE SOUND QUALITY. 177 00:06:25,451 --> 00:06:28,421 YOU'RE LOSING VOCAL QUALITY ON THE TOP END. 178 00:06:28,521 --> 00:06:29,288 OKAY? 179 00:06:29,389 --> 00:06:31,023 YOU REALLY NEED TO AVOID CAFFEINE 180 00:06:31,124 --> 00:06:32,825 AND CAFFEINE PRODUCTS LIKE THE PLAGUE. 181 00:06:32,925 --> 00:06:34,026 THEY'RE JUST GONNA MAKE YOU MORE NERVOUS, 182 00:06:34,127 --> 00:06:36,429 AND THEY'RE GONNA MAKE YOUR ACID REFLUX KICK IN, 183 00:06:36,529 --> 00:06:38,931 WHICH IS GONNA MAKE YOU MORE STRESSED. 184 00:06:39,031 --> 00:06:40,933 SO, KEEPING YOU AWAY FROM CAFFEINE 185 00:06:41,033 --> 00:06:42,168 WOULD BE A HUGE ISSUE. 186 00:06:42,268 --> 00:06:43,636 ALL RIGHT? 187 00:06:43,736 --> 00:06:47,974 WOW, MAMA JAN IS REALLY SCOLDING ME ON MY BAD HABITS. 188 00:06:48,074 --> 00:06:51,377 I HAVEN'T BEEN DOING MY VOCAL EXERCISES 189 00:06:51,477 --> 00:06:53,312 IN A COUPLE YEARS, AND THAT AIN'T HOT, 190 00:06:53,413 --> 00:06:57,049 AND THAT'S PART OF THE REASON WHY I'M ALWAYS HOARSE. 191 00:06:57,150 --> 00:06:58,985 I GOTTA GET MY ACT TOGETHER FAST. 192 00:06:59,085 --> 00:06:59,986 THANK YOU. 193 00:07:00,086 --> 00:07:01,721 - ALL RIGHT, BYE-BYE. - SEE YOU LATER. 194 00:07:12,465 --> 00:07:13,266 OH! 195 00:07:13,366 --> 00:07:14,901 OH, OKAY. 196 00:07:15,001 --> 00:07:16,068 OH, YOU WANT ME TO SIT ON THE-- 197 00:07:16,169 --> 00:07:17,470 OH, I AIN'T PAYING, THOUGH, 'CAUSE I'M ON THE END. 198 00:07:17,570 --> 00:07:18,905 - HA-HA-HA. - TRINA IS. 199 00:07:19,005 --> 00:07:20,406 I ALWAYS PAY-- I'LL PAY THIS TIME. 200 00:07:20,506 --> 00:07:22,542 TAMAR, HUSH, 'CAUSE TRINA PAYS A LOT. 201 00:07:22,642 --> 00:07:24,177 ATTENTION. 202 00:07:24,277 --> 00:07:26,479 TAMAR, YOU LOOK LIKE BLANKET. 203 00:07:26,579 --> 00:07:28,381 - YOU BETTER GET YOUR LIFE. - YES. 204 00:07:28,481 --> 00:07:32,084 - IT IS VERY BLANKET-- - BLANKET IN PARIS. 205 00:07:32,185 --> 00:07:33,119 I'M WEARING A WHITE MASK 206 00:07:33,219 --> 00:07:36,556 BECAUSE I AM A FASHION BEAST, HONEY. 207 00:07:36,656 --> 00:07:38,724 AND I'M JUST SAYING, IF GAGA CAN GET AWAY WITH IT, 208 00:07:38,825 --> 00:07:39,959 SO CAN I. 209 00:07:40,059 --> 00:07:41,661 SO, WHAT YA'LL GONNA DO ABOUT YA'LL MOTHER? 210 00:07:41,761 --> 00:07:43,663 - WHAT DO YOU MEAN? - AND HER WEDDING STUFF. 211 00:07:43,763 --> 00:07:44,664 YES! 212 00:07:44,764 --> 00:07:45,932 MOMMY'S GETTING MARRIED IN THE MORNING. 213 00:07:46,032 --> 00:07:47,099 WHAT ARE WE GONNA DO? 214 00:07:47,200 --> 00:07:49,235 I FLEW BACK TO ATLANTA TO DISCUSS MOMMY'S WEDDING. 215 00:07:49,335 --> 00:07:50,670 I MEAN, I LOVE MY SISTERS. 216 00:07:50,770 --> 00:07:52,972 I JUST DON'T TRUST THEM TO HANDLE THE WEDDING WITHOUT ME. 217 00:07:53,072 --> 00:07:54,507 IT'S CALLED THE OLDER SISTER THING. 218 00:07:54,607 --> 00:07:56,909 OKAY, MAYBE I AM A CONTROL FREAK, PROBABLY, 219 00:07:57,009 --> 00:07:58,678 BUT I DON'T TRUST THEM WITHOUT ME. 220 00:07:58,778 --> 00:08:00,713 I DON'T THINK WE SHOULD HIRE A WEDDING COORDINATOR. 221 00:08:00,813 --> 00:08:02,648 I THINK WE SHOULD DO IT. 222 00:08:02,748 --> 00:08:04,450 OKAY, GUYS, IF I'M GONNA DO THIS WEDDING, 223 00:08:04,550 --> 00:08:05,384 I NEED YOU GUYS-- 224 00:08:05,485 --> 00:08:06,352 WAIT, THAT HAS NOTHING TO DO WITH THIS. 225 00:08:06,452 --> 00:08:07,220 TONI SAID "IF SHE GONNA DO THE WEDDING." 226 00:08:07,320 --> 00:08:08,187 YEAH, BECAUSE I SAID, 227 00:08:08,287 --> 00:08:09,322 "DON'T HIRE A WEDDING COORDINATOR," 228 00:08:09,422 --> 00:08:10,323 AND TONI SAID, "WELL, LOOK, IF I'M GONNA DO IT," 229 00:08:10,423 --> 00:08:11,457 BLAH-BLAH-BLAH. 230 00:08:11,557 --> 00:08:13,493 I HAVE TO BE IN CONTROL OF PLANNING THIS WEDDING. 231 00:08:13,593 --> 00:08:15,228 I TEND TO GET THINGS DONE. 232 00:08:15,328 --> 00:08:17,630 AND BESIDES, MOMMY NEEDS TO BE IN THE BEST POSSIBLE HANDS, 233 00:08:17,730 --> 00:08:19,232 AND THAT WOULD BE ME, THE OLDEST. 234 00:08:19,332 --> 00:08:20,800 YES, THE CONTROL FREAK. 235 00:08:20,900 --> 00:08:22,401 IF I'M GONNA DO THIS WEDDING, 236 00:08:22,502 --> 00:08:25,271 I NEED YOU GUYS TO REALLY BE MY HELPERS-- 237 00:08:25,371 --> 00:08:27,507 MY WORKER BEES ON THIS-- YOU HAVE TO BE DILIGENT. 238 00:08:27,607 --> 00:08:28,541 DIDN'T SHE TAKE OVER AT YOUR WEDDING? 239 00:08:28,641 --> 00:08:29,909 - WELL, YOU KNOW-- - AND VERY-- 240 00:08:30,009 --> 00:08:31,110 SHE'S GONNA DO THE SAME THING. 241 00:08:31,210 --> 00:08:32,245 YES, SHE IS. 242 00:08:32,345 --> 00:08:34,280 I CAN'T LIE AND SAY TONI DID NOT DO A GREAT JOB 243 00:08:34,380 --> 00:08:35,581 AT MY WEDDING. 244 00:08:35,681 --> 00:08:37,083 THE ONLY THING I WAS UPSET ABOUT 245 00:08:37,183 --> 00:08:40,786 IS THAT HER AND VINCE CHANGED MY WHOLE MENU. 246 00:08:40,887 --> 00:08:42,455 SO, TONI ENDED UP PLANNING MY WEDDING 247 00:08:42,555 --> 00:08:44,957 BECAUSE WHAT I WAS DOING WASN'T GOOD ENOUGH FOR HER. 248 00:08:45,057 --> 00:08:46,592 SHE WANTED TO BE ALL EXTRAVAGANT. 249 00:08:46,692 --> 00:08:47,527 HAVE YOU GUYS SEEN 250 00:08:47,627 --> 00:08:49,061 "IT'S A CHARLIE BROWN THANKSGIVING?" 251 00:08:49,161 --> 00:08:50,396 - YEAH. - GET YOUR LIFE. 252 00:08:50,496 --> 00:08:53,666 AND HE WANTED POPCORN AND JELLY BEANS AND STUFF. 253 00:08:53,766 --> 00:08:55,935 - YEAH. - THAT'S WHAT SHE WANTED. 254 00:08:56,035 --> 00:08:57,136 I DON'T KNOW WHAT THE HELL TONI TALKING ABOUT, 255 00:08:57,236 --> 00:08:59,539 I HAD POPCORN AND JELLY BEANS. 256 00:08:59,639 --> 00:09:01,641 I GOT MARRIED AT THE RITZ-CARLTON, OKAY? 257 00:09:01,741 --> 00:09:04,844 AND I HAD TRUFFLED POPCORN... 258 00:09:04,944 --> 00:09:06,045 OKAY? 259 00:09:06,145 --> 00:09:08,314 SO, HOW YA'LL REALLY FEEL ABOUT MOMMY GETTING MARRIED? 260 00:09:08,414 --> 00:09:09,115 I'M HAPPY! 261 00:09:09,215 --> 00:09:10,349 I WISH SHE WOULD WAIT. 262 00:09:10,449 --> 00:09:11,617 - YOU KNOW, SHE-- - I JUST LIKE THE FACT 263 00:09:11,717 --> 00:09:12,752 THAT SHE'S NOT GONNA BE BY HERSELF ALL THE TIME. 264 00:09:12,852 --> 00:09:14,654 THAT-THAT'S WHY I WISH THEY COULD LIVE TOGETHER. 265 00:09:14,754 --> 00:09:16,556 - SHE'S NOT DOING THAT. - HE COULD HAVE HIS OWN ROOM. 266 00:09:16,656 --> 00:09:18,124 SHE COULD HAVE HER OWN ROOM AND-- 267 00:09:18,224 --> 00:09:19,125 - SHE AIN'T GONNA DO THAT. - SHE AIN'T DOING THAT. 268 00:09:19,225 --> 00:09:20,059 - THAT AIN'T HOT, TONI. - BE COMPANION-- 269 00:09:20,159 --> 00:09:22,461 IT AIN'T HOT THIS WAY TO ME. 270 00:09:22,562 --> 00:09:23,930 OH! 271 00:09:24,030 --> 00:09:25,131 WHAT KIND OF TIMELINE ARE WE WORKING ON? 272 00:09:25,231 --> 00:09:26,632 SHE WANTS TO GET MARRIED IMMEDIATELY. 273 00:09:26,732 --> 00:09:28,034 WHAT-WHAT'S HER RUSH? 274 00:09:28,134 --> 00:09:29,035 MAYBE SHE FEELS AS THOUGH 275 00:09:29,135 --> 00:09:30,636 SHE DON'T WANNA BE LONELY ANYMORE. 276 00:09:30,736 --> 00:09:32,939 BUT, SHE CAN STILL LIVE TOGETHER AND COHABITATE. 277 00:09:33,039 --> 00:09:34,440 YEAH, BUT YOU KNOW HOW SHE IS. 278 00:09:34,540 --> 00:09:35,975 MOMMY'S-MOMMY'S STILL UNDER THE OLD SCHOOL. 279 00:09:36,075 --> 00:09:37,143 SHE'S STILL IN THE LAND OF THE BIBLICAL DAYS. 280 00:09:37,243 --> 00:09:37,944 I JUST WISH THERE WAS A LITTLE NEW SCHOOL 281 00:09:38,044 --> 00:09:39,111 IN THAT OLD SCHOOL. 282 00:09:39,211 --> 00:09:40,813 MY MOM AND DOC HAVE BEEN DATING OFF AND ON 283 00:09:40,913 --> 00:09:42,048 FOR A FEW YEARS, NOW. 284 00:09:42,148 --> 00:09:43,182 AND NOW, THEY'RE ENGAGED. 285 00:09:43,282 --> 00:09:44,317 I MEAN, DON'T GET ME WRONG. 286 00:09:44,417 --> 00:09:46,285 I LOVE MY MOM, AND I WANT HER TO BE HAPPY, 287 00:09:46,385 --> 00:09:48,921 BUT I DON'T THINK SHE AND DOC SHOULD BE MARRIED, RIGHT NOW. 288 00:09:49,021 --> 00:09:50,756 I THINK THEY SHOULD LIVE TOGETHER IN SIN. 289 00:09:50,856 --> 00:09:53,225 I GET THAT SHE'S AFRAID, AND SHE'S GETTING OLDER, 290 00:09:53,326 --> 00:09:55,695 BUT I DON'T THINK THIS IS SMART. 291 00:09:55,795 --> 00:09:56,896 OKAY, I SAID IT. 292 00:09:56,996 --> 00:09:58,764 I THINK WE SHOULD DESIGNATE, LIKE, THINGS 293 00:09:58,864 --> 00:10:00,566 THAT EVERYBODY SHOULD DO. 294 00:10:00,666 --> 00:10:02,768 WELL, I'M THE COORDINATOR JUST BECAUSE-- 295 00:10:02,868 --> 00:10:04,437 I'M SORRY, I AM. 296 00:10:04,537 --> 00:10:06,172 TRINA SHOULD BE IN CHARGE OF THE BAND, THE MUSIC, 297 00:10:06,272 --> 00:10:07,106 THE ENTERTAINMENT. 298 00:10:07,206 --> 00:10:07,873 THE MUSIC-- DEFINITELY THE MUSIC. 299 00:10:07,974 --> 00:10:08,941 YES. 300 00:10:09,041 --> 00:10:10,810 TONI HAS TAKEN OVER THE WEDDING PLANNING. 301 00:10:10,910 --> 00:10:13,579 AT LEAST SHE PUT ME IN CHARGE OF THE MUSIC. 302 00:10:13,679 --> 00:10:16,849 MAYBE MY BAND CAN PLAY FOR THE RECEPTION. 303 00:10:16,949 --> 00:10:18,284 WHO WANTS TO BE IN CHARGE OF THE FLOWERS 304 00:10:18,384 --> 00:10:19,385 AND THE DECOR-DECORATIONS? 305 00:10:19,485 --> 00:10:20,486 TRACI? 306 00:10:20,586 --> 00:10:21,921 CHILD, YOU'RE GONNA GET SOME PLASTIC FLOWERS. 307 00:10:22,021 --> 00:10:23,155 DON'T PLAY WITH ME. 308 00:10:23,255 --> 00:10:25,291 LET ME DO THE MENU. 309 00:10:25,391 --> 00:10:27,393 HMM-- NO, 'CAUSE YOU SAID POPCORN AND JELLY BEANS. 310 00:10:27,493 --> 00:10:28,928 I DIDN'T HAVE POPCORN, TOW-- TRACI. 311 00:10:29,028 --> 00:10:30,529 I CAN BE IN CHARGE OF THE FOOD. 312 00:10:30,630 --> 00:10:33,032 - THAT INCLUDES THE CAKE. - I WANNA TASTE CAKES. 313 00:10:33,132 --> 00:10:34,066 - THAT INCLUDES THE CAKE. - I GOT THE CAKE. 314 00:10:34,166 --> 00:10:35,868 MY CAKE WAS-- - TAMAR GOT SOME CAKE THAT- 315 00:10:35,968 --> 00:10:39,005 THAT'S LIKE CRACK AND ONE, YOU KNOW, AND I DON'T EAT-- 316 00:10:39,105 --> 00:10:40,873 - YOU HAD CRACK? - I NEVER HAD-- 317 00:10:40,973 --> 00:10:41,941 NO, I NEVER HAD CRACK. 318 00:10:42,041 --> 00:10:42,908 BUT, TAMAR KNOWS WHAT I'M TALKING ABOUT. 319 00:10:43,009 --> 00:10:44,310 - NO, I DON'T. - SHE ACTIN' ALL BOOSHIE! 320 00:10:44,410 --> 00:10:45,311 - ...TALKIN' ABOUT? - HUH? 321 00:10:45,411 --> 00:10:46,345 WHAT'S YOU TALKING ABOUT? 322 00:10:46,445 --> 00:10:47,313 'CAUSE I AIN'T HAD CRACK CAKE, I'M BOOSHIE? 323 00:10:47,413 --> 00:10:48,481 I HAVEN'T HAD THAT, EITHER, TRACI. 324 00:10:48,581 --> 00:10:49,649 I'VE NEVER HAD CRACK CAKE. 325 00:10:49,749 --> 00:10:50,783 NO, THE CAKE YOU WAS TALKING ABOUT IS LIKE CRACK, 326 00:10:50,883 --> 00:10:53,919 NOT LIKE CRACK, LIKE CRACK, BUT CAKE CRACK. 327 00:10:54,020 --> 00:10:55,054 - BUT ADDICTIVE. - RIGHT. 328 00:10:55,154 --> 00:10:56,088 LIKE-LIKE HOW THEY SAY CRACK IS. 329 00:10:56,188 --> 00:10:59,892 RIGHT... AND I TASTED-- 330 00:10:59,992 --> 00:11:03,996 TAMAR MOST DEFINITELY SHOULDN'T BE IN CHARGE OF FOOD. 331 00:11:04,096 --> 00:11:06,399 MAYBE CAKE, YEAH. 332 00:11:06,499 --> 00:11:09,201 I'M GONNA-- I'M DOING THE DRESS WITH HER. 333 00:11:09,301 --> 00:11:10,469 - WHY ARE YOU-- - THE COORDINATOR DOES IT. 334 00:11:10,569 --> 00:11:11,470 WHY YOU GET TO DO THAT? 335 00:11:11,570 --> 00:11:12,405 BECAUSE THE COORDINATOR DOES THAT. 336 00:11:12,505 --> 00:11:13,606 WE ALL SHOULD DO THE DRESS. 337 00:11:13,706 --> 00:11:14,707 WE CAN GO, BUT I HAVE TO COORDINATE IT AND MAKE-- 338 00:11:14,807 --> 00:11:16,275 HAVE MEETINGS WITH THE DESIGNERS 339 00:11:16,375 --> 00:11:17,276 AND MAKE THE APPOINTMENTS AND-- 340 00:11:17,376 --> 00:11:18,377 THAT'S FINE-- LOOK, TONI, LISTEN. 341 00:11:18,477 --> 00:11:20,780 AS LONG AS MOMMY DON'T WEAR NO TWO-PIECE SUIT. 342 00:11:20,880 --> 00:11:21,781 THAT'S WHAT SHE SAID. 343 00:11:21,881 --> 00:11:23,315 AND WALK DOWN THE AISLE WITH THE BIBLE. 344 00:11:23,416 --> 00:11:24,250 SHE'S NOT DOING THAT. 345 00:11:24,350 --> 00:11:25,051 I'M NOT LETTING HER DO THAT. 346 00:11:25,151 --> 00:11:26,185 THAT AIN'T HOT. 347 00:11:26,285 --> 00:11:27,153 OKAY, WE'RE ALL IN CHARGE OF DIFFERENT THINGS. 348 00:11:27,253 --> 00:11:28,621 TRINA'S IN CHARGE OF THE ENTERTAINMENT. 349 00:11:28,721 --> 00:11:29,922 WINK-WINK. 350 00:11:30,022 --> 00:11:32,658 OKAY, TRACI'S IN CHARGE OF FLOWERS. 351 00:11:32,758 --> 00:11:34,427 TAMAR IS DOING THE FOOD AND CAKE, 352 00:11:34,527 --> 00:11:36,929 WHICH I THINK IS A BAD IDEA FOR THE FOOD. 353 00:11:37,029 --> 00:11:38,497 IT'S REALLY BAD. 354 00:11:38,597 --> 00:11:39,832 I MEAN, WHO WANTS TO EAT JELLY BEANS? 355 00:11:39,932 --> 00:11:42,301 OKAY, TOWANDA IS IN CHARGE OF THE BACHELORETTE PARTY, 356 00:11:42,401 --> 00:11:45,304 BUT TOWANDA CAN BE FUNNY, 357 00:11:45,404 --> 00:11:47,606 AND I'M AFRAID SHE MIGHT HAVE 20-YEAR-OLD STRIPPERS 358 00:11:47,707 --> 00:11:49,442 FOR MY MOM, AND THAT'S NOT GONNA BE A GOOD THING. 359 00:11:49,542 --> 00:11:50,943 SHE'S GONNA BE ANGRY. 360 00:11:51,043 --> 00:11:52,311 AND, OF COURSE, I'M GONNA OVERSEE EVERYTHING 361 00:11:52,411 --> 00:11:53,679 AND MAKE SURE EVERYTHING GOES WELL. 362 00:11:53,779 --> 00:11:55,581 YOU KNOW WHAT'S A GOOD PLACE FOR HER TO GET MARRIED AT? 363 00:11:55,681 --> 00:11:57,616 - WHERE? - THE SAINT REGIS. 364 00:11:57,717 --> 00:11:59,351 I WOULD LOVE IT TO BE. 365 00:11:59,452 --> 00:12:01,087 IT'S A LITTLE MORE COSTLY, BUT IT'S CONTROLLED, 366 00:12:01,187 --> 00:12:02,254 AND IT'S CLEANER. 367 00:12:02,354 --> 00:12:04,623 - YES. - HE GOT MONEY-- HE'S A DOCTOR! 368 00:12:04,724 --> 00:12:06,625 - ALL DOCTORS DON'T HAVE MONEY. - BUT, HE'S AN OLDER DOCTOR. 369 00:12:06,726 --> 00:12:07,626 NO. 370 00:12:07,727 --> 00:12:08,861 HE SHOULD BE PAID OFF HIS DEBTS BY NOW. 371 00:12:08,961 --> 00:12:11,297 I KNOW PLENTY OF DOCTORS WHO'S ROLLIN' UP IN THE DOUGH. 372 00:12:11,397 --> 00:12:13,199 AND I KNOW PLENTY OF DOCTORS WHO'S NOT. 373 00:12:13,299 --> 00:12:15,201 THEY GOT STUDENT LOANS TO PAY. 374 00:12:15,301 --> 00:12:17,036 I HOPE HE STILL AIN'T PAYING NO STUDENT LOANS. 375 00:12:17,136 --> 00:12:18,871 TILL THEY'RE 75 YEARS OLD? 376 00:12:21,941 --> 00:12:23,242 ALL I KNOW, IF DOC IS STILL PAYING OFF 377 00:12:23,342 --> 00:12:25,010 HIS STUDENT LOANS AT HIS AGE, 378 00:12:25,111 --> 00:12:28,114 MOMMY IS GOING TO BE IN A WORLD OF TROUBLE. 379 00:12:28,214 --> 00:12:29,415 - I JUST WANT TO SAY-- - WHAT? 380 00:12:29,515 --> 00:12:32,151 CHEERS TO MY MAMA GETTING THAT BACK ON THE CRACK. 381 00:12:32,251 --> 00:12:34,253 - HALLELUJAH. - CHEERS. 382 00:12:34,353 --> 00:12:35,121 YES! 383 00:12:35,221 --> 00:12:36,021 GET IT, MAMA. 384 00:12:36,122 --> 00:12:37,823 CLANK-CLANK-CLANK! 385 00:12:42,661 --> 00:12:45,698 PUT YOUR HANDS IN THE AIR, IF YOU WANNA GO. 386 00:12:45,798 --> 00:12:47,867 UH, WHERE-WHERE'S MY SISTERS? 387 00:12:47,967 --> 00:12:49,401 THEY NEED TO BE HERE. 388 00:12:49,502 --> 00:12:51,036 IT IS A HAM ASS MESS. 389 00:12:51,137 --> 00:12:52,872 THERE'S A LOT OF AND RIDICULOUSNESS 390 00:12:52,972 --> 00:12:54,573 GOING ON AROUND HERE. 391 00:13:04,483 --> 00:13:04,549 SO, 392 00:13:04,550 --> 00:13:04,649 SO, I'M 393 00:13:04,650 --> 00:13:04,749 SO, I'M GOING 394 00:13:04,750 --> 00:13:04,849 SO, I'M GOING BACK 395 00:13:04,850 --> 00:13:04,916 SO, I'M GOING BACK TO 396 00:13:04,917 --> 00:13:06,351 SO, I'M GOING BACK TO MAMA 397 00:13:06,352 --> 00:13:07,219 SO, I'M GOING BACK TO MAMA JAN 398 00:13:07,319 --> 00:13:09,722 FOR ONE MORE LAST VOCAL COACHING SESSION. 399 00:13:09,822 --> 00:13:12,224 I'M REALLY STARTING TO FEEL ALL THE NERVES 400 00:13:12,324 --> 00:13:13,726 BECAUSE THIS PERFORMANCE IS TOMORROW, 401 00:13:13,826 --> 00:13:16,562 AND I AM NOT FEELING ALL THAT GREAT ABOUT IT. 402 00:13:16,662 --> 00:13:18,531 OKAY, HERE WE GO. 403 00:13:18,631 --> 00:13:21,167 SO, I GUESS I AM MORE COMFORTABLE SINGING ON STAGE 404 00:13:21,267 --> 00:13:24,003 THAN I AM SINGING ONE ON ONE WITH MAMA JAN 405 00:13:24,103 --> 00:13:26,972 BECAUSE SHE'S LIKE, FOR REAL, CRITICIZING 406 00:13:27,072 --> 00:13:28,641 EVERYTHING I SAY OUT OF MY MOUTH. 407 00:13:28,741 --> 00:13:29,742 AND I KNOW THIS THING, RIGHT HERE, 408 00:13:29,842 --> 00:13:31,477 CAN SING HER ASS OFF. 409 00:13:31,577 --> 00:13:32,845 I"M SO BOO 410 00:13:32,945 --> 00:13:35,281 - YOU'RE-YOU'RE SO BOO? - I AM SO BOO-HOO-HOO. 411 00:13:35,381 --> 00:13:36,382 HEY, LET ME TELL YOU SOMETHIN'. 412 00:13:36,482 --> 00:13:38,884 DO-DO YOU KNOW HOW LONG YOUR PART OF THIS IS? 413 00:13:38,984 --> 00:13:40,085 LIKE A MINUTE. 414 00:13:40,186 --> 00:13:41,253 - A MINUTE AND TWO SECONDS. - A MINUTE. 415 00:13:41,353 --> 00:13:42,454 YOU'RE TELLING ME THAT YOU'RE SWEATIN' 416 00:13:42,555 --> 00:13:43,556 A MINUTE AND TWO SECONDS? 417 00:13:43,656 --> 00:13:44,857 - I KNOW. - YOU'RE NOT. 418 00:13:44,957 --> 00:13:45,825 I MEAN, YOU'RE NOT. 419 00:13:45,925 --> 00:13:47,026 COME ON, YOU'RE A BIG GIRL. 420 00:13:47,126 --> 00:13:49,228 DUDE, YOU CAN DO THIS WITH YOUR HANDS TIED BEHIND YOU 421 00:13:49,328 --> 00:13:50,863 AND BLINDFOLDED, ALL RIGHT? 422 00:13:50,963 --> 00:13:53,065 - RIGHT. - SO, UH, THE LONGER LINES, 423 00:13:53,165 --> 00:13:56,368 ACTUALLY, TAY, THE LONGER LINES WORKED REALLY GOOD. 424 00:13:56,468 --> 00:13:57,236 OKAY? 425 00:13:57,336 --> 00:13:59,004 - RIGHT. - HOW YA FEELIN'? 426 00:13:59,104 --> 00:14:01,340 - I FEEL LIKE A LOSER. - REALLY? 427 00:14:01,440 --> 00:14:04,443 YES, BECAUSE I CAN'T REMEMBER THE WORDS, 428 00:14:04,543 --> 00:14:07,246 AND IT'S HOLDING ME BACK FROM DOING MY BEST. 429 00:14:07,346 --> 00:14:08,247 OKAY, AND? 430 00:14:08,347 --> 00:14:09,348 REALLY, WHAT'S BOTHERING ME, 431 00:14:09,448 --> 00:14:13,853 IS THE FACT THAT MY FALSETTO IS GONE, 432 00:14:13,953 --> 00:14:16,755 AND I'M, YOU KNOW, IT'S GIVING ME LOW SELF-ESTEEM 433 00:14:16,856 --> 00:14:18,424 ABOUT ME SINGING? 434 00:14:18,524 --> 00:14:19,892 - AND-- AND? - THAT'S IT-- I'M DONE. 435 00:14:19,992 --> 00:14:21,927 - OKAY, YOU SURE? - YEAH, I THINK. 436 00:14:22,027 --> 00:14:23,162 HERE'S THE BOTTOM LINE. 437 00:14:23,262 --> 00:14:25,564 YOUR FALSETTO IS NOT-- IT'S NOT GONNA COME BACK. 438 00:14:25,664 --> 00:14:26,699 RIGHT. 439 00:14:26,799 --> 00:14:28,567 IT'S NOT-- IT'S-IT'S NOT GONNA BE IN FULL FORCE 440 00:14:28,667 --> 00:14:30,536 BY TOMORROW. 441 00:14:30,636 --> 00:14:32,304 WE'RE DEALING WITH WHAT WE HAVE. 442 00:14:32,404 --> 00:14:33,939 IT'S GONNA BE AS GOOD AS IT'S GONNA BE. 443 00:14:34,039 --> 00:14:36,642 NOBODY ELSE HAS TO KNOW THAT YOU'RE WALKING IN 444 00:14:36,742 --> 00:14:39,578 NOT FEELING LIKE YOU'RE 100%. 445 00:14:39,678 --> 00:14:40,613 RIGHT. 446 00:14:40,713 --> 00:14:41,413 THAT'S NOBODY ELSE'S BUSINESS, ALL RIGHT? 447 00:14:41,513 --> 00:14:42,648 YOU'RE RIGHT. 448 00:14:42,748 --> 00:14:45,284 YOUR ABILITY TO PERFORM, WHICH WE KNOW THAT YOU HAVE, 449 00:14:45,384 --> 00:14:46,452 IS GONNA CARRY THIS-- 450 00:14:46,552 --> 00:14:49,154 IT'S GONNA CARRY THIS ONE MINUTE AND TWO SECONDS. 451 00:14:49,255 --> 00:14:51,290 - RIGHT. - OKAY? 452 00:14:51,390 --> 00:14:52,758 I-I MEAN, PLEASE. 453 00:14:52,858 --> 00:14:54,126 - HA-HA-HA! - OKAY? 454 00:15:01,133 --> 00:15:02,368 WHERE IS DOC? 455 00:15:02,468 --> 00:15:03,869 HE'S ON HIS WAY, MOMMY SAID. 456 00:15:03,969 --> 00:15:04,703 I KNOW-- WHAT TIME IS IT? 457 00:15:04,803 --> 00:15:06,105 - MOM, WHERE YOUR BOO? - YEAH? 458 00:15:06,205 --> 00:15:08,274 - MY BOO? - THAT'S BOO NUMBER TWO. 459 00:15:08,374 --> 00:15:10,042 HE'LL BE HERE SHORTLY. 460 00:15:10,142 --> 00:15:14,680 TAMAR WAS AWAY, UM, PREPARING FOR THE SOUL TRAIN PERFORMANCE, 461 00:15:14,780 --> 00:15:17,983 SO THE GIRLS AND I MET WITH DOC, 462 00:15:18,083 --> 00:15:19,919 SO WE CAN DISCUSS THE WEDDING. 463 00:15:20,019 --> 00:15:22,488 AND QUITE FRANKLY, DOC AND I HAVE NOT HAD A CHANCE 464 00:15:22,588 --> 00:15:24,556 TO EVEN TALK ABOUT THE WEDDING. 465 00:15:24,657 --> 00:15:26,525 - HEY! - HEY, DOC! 466 00:15:26,625 --> 00:15:27,559 HEY, EVERYBODY! 467 00:15:27,660 --> 00:15:28,427 HOW YA'LL DOIN'? 468 00:15:28,527 --> 00:15:29,361 - WE'RE GOOD-- AND YOU? - GOOD! 469 00:15:29,461 --> 00:15:30,429 - SMOOCHES. - HEY. 470 00:15:30,529 --> 00:15:32,631 FIRST OF ALL, CONGRATULATIONS, AGAIN AND AGAIN. 471 00:15:32,731 --> 00:15:33,766 OH, THANK YOU. 472 00:15:33,866 --> 00:15:34,967 WE'RE GOING OVER THE WE-- THE WEDDING STUFF. 473 00:15:35,067 --> 00:15:37,870 AND SO, WE'RE-- ALL OF US TOGETHER, WE'RE PLANNING IT. 474 00:15:37,970 --> 00:15:40,072 WE ARE TRYING TO FIGURE OUT HOW MANY PEOPLE YOU GUYS WANTED 475 00:15:40,172 --> 00:15:43,509 AT YOUR WEDDING, AND WE NEED TO TALK ABOUT BUDGET. 476 00:15:43,609 --> 00:15:44,777 - YES. - OKAY. 477 00:15:44,877 --> 00:15:46,245 SO, WHAT DO YOU GUYS THINK? 478 00:15:46,345 --> 00:15:51,383 A SM-- YOU WANT A SMALL, MEDIUM, OR LARGE WEDDING? 479 00:15:51,483 --> 00:15:53,018 UH, LET ME THINK ABOUT IT. 480 00:15:53,118 --> 00:15:53,953 WAIT. 481 00:15:54,053 --> 00:15:54,820 WHY DON'T YOU JUST GIVE US A LIST 482 00:15:54,920 --> 00:15:55,821 OF THOSE YOU WOULD LIKE TO COME? 483 00:15:55,921 --> 00:15:56,922 OKAY, THAT SOUNDS GOOD-- I'LL DO THAT. 484 00:15:57,022 --> 00:15:57,556 AND THEN, THAT WILL-- THAT WILL DICTATE IT. 485 00:15:57,656 --> 00:15:58,357 AND THEN, DO PLUS ONE. 486 00:15:58,457 --> 00:15:59,425 OKAY. 487 00:15:59,525 --> 00:16:00,659 WHAT IS YOUR BUDGET? 488 00:16:00,759 --> 00:16:03,495 UM, LET ME GIVE YOU THE LIST FIRST. 489 00:16:03,595 --> 00:16:04,563 - NO. - NO. 490 00:16:04,663 --> 00:16:05,631 - NO, WE NEED A BUDGET. - WE NEED A BUDGET. 491 00:16:05,731 --> 00:16:07,333 - NO, THE BUDGET. - WE WANNA KNOW WHAT-- UH... 492 00:16:07,433 --> 00:16:11,503 WHAT ARE YOUR GUYS' BUDGET? 493 00:16:11,603 --> 00:16:12,738 DO YOU WANT AN EXTRAVAGANT WEDDING? 494 00:16:12,838 --> 00:16:15,007 DO YOU WANT SOMETHING INTIMATE? 495 00:16:15,107 --> 00:16:16,642 YOU WANT SOMETHING GRAND? 496 00:16:16,742 --> 00:16:18,477 YOU WANT SOMETHING MODEST? 497 00:16:18,577 --> 00:16:20,379 YOU KNOW, JUST, YOU KNOW, WHAT DO YOU-- 498 00:16:20,479 --> 00:16:22,915 UM, NOT-NOT-- 499 00:16:23,015 --> 00:16:24,917 WE MIGHT NEED TO DISCUSS IT A LITTLE BIT MORE. 500 00:16:25,017 --> 00:16:26,819 YEAH, WE HAVE TO DISCUSS THAT A LITTLE BIT MORE. 501 00:16:26,919 --> 00:16:28,554 THEY DON'T KNOW HOW MANY PEOPLE THEY WANT 502 00:16:28,654 --> 00:16:29,455 TO ATTEND THE WEDDING. 503 00:16:29,555 --> 00:16:30,556 THEY DON'T HAVE A BUDGET NUMBER, 504 00:16:30,656 --> 00:16:32,191 SO WE DON'T KNOW HOW MUCH TO SPEND. 505 00:16:32,291 --> 00:16:34,426 UH, THEY DON'T EVEN KNOW WHAT KIND OF WEDDING THEY WANT. 506 00:16:34,526 --> 00:16:36,428 SEE? 507 00:16:36,528 --> 00:16:37,796 I KNEW THEY WERE RUSHING INTO THIS. 508 00:16:37,896 --> 00:16:39,198 I KNOW THEY SHOULDN'T GET MARRIED. 509 00:16:39,298 --> 00:16:41,233 ONCE AGAIN, LIVE IN SIN... 510 00:16:41,333 --> 00:16:43,035 LIVE IN SIN! 511 00:16:43,135 --> 00:16:44,336 I SAID IT. 512 00:16:44,436 --> 00:16:45,604 YOU THINK ABOUT THE COLORS YET? 513 00:16:45,704 --> 00:16:48,273 I'M THINKING I'LL LET YOU GUYS DECIDE THAT 514 00:16:48,374 --> 00:16:51,310 BECAUSE YA'LL ARE KINDA PICKY-PICKY-PICKY. 515 00:16:51,410 --> 00:16:53,245 TRINA'S HANDLING THE ENTERTAINMENT. 516 00:16:53,345 --> 00:16:54,980 I'LL SEND YOU A LINK, SO YOU CAN LOOK AT WHAT KIND 517 00:16:55,080 --> 00:16:56,448 OF MUSIC YOU WANT, UNLESS YOU ALREADY KNOW. 518 00:16:56,548 --> 00:16:58,517 CAN-CAN I JUST LEAVE THAT UP TO YOU? 519 00:16:58,617 --> 00:17:00,085 DO YOU GUYS HAVE A SONG? 520 00:17:00,185 --> 00:17:01,020 EVERY COUPLE HAVE. 521 00:17:01,120 --> 00:17:02,354 I THINK WE NEED TO TALK ABOUT IT. 522 00:17:02,454 --> 00:17:03,389 CAKE, MOMMY? 523 00:17:03,489 --> 00:17:04,456 WHAT KIND OF CAKE DO YOU LIKE? 524 00:17:04,556 --> 00:17:07,860 - EXACTLY, WHAT KIND? - WHATEVER SHE LIKES. 525 00:17:07,960 --> 00:17:11,797 - "WHATEVER YOU LIKE." - OH, MY GOD! 526 00:17:11,897 --> 00:17:16,235 MOMMY AND DOC HAVE NO CLUE ABOUT WHAT THEY WANT 527 00:17:16,335 --> 00:17:17,736 WITH THIS WEDDING. 528 00:17:17,836 --> 00:17:20,906 AND DOC IS JUST SITTING THERE LIKE A BUMP ON A LOG 529 00:17:21,006 --> 00:17:23,942 SAYING, "WHATEVER YOU LIKE." 530 00:17:24,043 --> 00:17:25,844 WHY ARE THEY GETTING MARRIED SO SOON? 531 00:17:25,944 --> 00:17:27,346 WHY THE RUSH? 532 00:17:27,446 --> 00:17:28,680 I-I KNOW IT'S GONNA BE GREAT. 533 00:17:28,781 --> 00:17:29,982 - OH, YEAH. - YEAH, IT'S GONNA BE GREAT. 534 00:17:30,082 --> 00:17:31,683 OH, YEAH. 535 00:17:31,784 --> 00:17:33,018 THE GIRLS ARE GOOD AT WHAT THEY DO. 536 00:17:33,118 --> 00:17:33,986 MMM-HMM. 537 00:17:34,086 --> 00:17:36,488 WELL, I KNOW IT'S A SHORT TIMETABLE, 538 00:17:36,588 --> 00:17:39,725 BUT, UH, DOC AND I WANT SOMETHING LOW-KEY, 539 00:17:39,825 --> 00:17:42,661 SO A MONTH AND A HALF SHOULD BE PLENTY OF TIME 540 00:17:42,761 --> 00:17:46,799 TO ORGANIZE A SIMPLE BUT YET A TASTEFUL WEDDING. 541 00:17:46,899 --> 00:17:48,834 IS JACKSON GONNA BE IN THE WEDDING? 542 00:17:48,934 --> 00:17:50,903 YES. 543 00:17:51,003 --> 00:17:51,904 I WANT JACKSON IN IT. 544 00:17:52,004 --> 00:17:53,005 REALLY? 545 00:17:53,105 --> 00:17:54,940 WHO'S GONNA WATCH THE DOG DURING THE CEREMONY? 546 00:17:55,040 --> 00:17:56,375 WHAT YOU THINK? 547 00:17:56,475 --> 00:17:57,743 - UH, THAT'S-- - NO, WHAT YOU THINK? 548 00:17:57,843 --> 00:17:58,977 THAT'S ON YOU. 549 00:17:59,078 --> 00:18:02,314 OKAY, SO JACKSON THE DOG IS GONNA BE IN THE WEDDING. 550 00:18:02,414 --> 00:18:03,415 YEAH. 551 00:18:03,515 --> 00:18:05,451 THE ONE DEFINITE ANSWER THAT MOMMY COULD GIVE ME 552 00:18:05,551 --> 00:18:08,320 REGARDING THIS WEDDING IS THAT JACKSON THE DOG 553 00:18:08,420 --> 00:18:10,389 WAS GONNA BE IN THE WEDDING. 554 00:18:10,489 --> 00:18:12,391 REALLY, MOMMY? 555 00:18:12,491 --> 00:18:14,993 OKAY, MOMMY AND DOC ARE GONNA HAVE TO SIT DOWN 556 00:18:15,094 --> 00:18:16,695 AND TALK AND GIVE ME DEFINITE ANSWERS. 557 00:18:16,795 --> 00:18:19,231 I CAN'T DO ANYTHING, WITHOUT THEIR INPUT. 558 00:18:19,331 --> 00:18:20,966 SO, YA'LL GOT A LOT OF THINK-- TO THINK ABOUT. 559 00:18:21,066 --> 00:18:21,967 WE GOT THIS. 560 00:18:22,067 --> 00:18:23,569 - PERFECT. - ALL RIGHT. 561 00:18:23,669 --> 00:18:26,004 NOW, YA'LL CAN GET BACK TO THE CUDDLY STUFF YOU WERE DOING. 562 00:18:26,105 --> 00:18:27,639 YEAH, THE FOOTSIES. 563 00:18:27,739 --> 00:18:29,241 - NO. - OH, THANK YOU. 564 00:18:29,341 --> 00:18:31,143 YOU'RE WELCOME. 565 00:18:39,985 --> 00:18:42,187 TOWANDA, YOU GOT A DO ME, BABY, BOOTY. 566 00:18:42,287 --> 00:18:45,457 I HAVE REHEARSAL FOR THE SOUL TRAIN AWARDS LATER TONIGHT 567 00:18:45,557 --> 00:18:47,526 BUT, FIRST, I'M HAVING DINNER WITH MY SISTERS, 568 00:18:47,626 --> 00:18:50,496 WHICH IS GOOD BECAUSE AFTER MEETING WITH MAMA JAN, 569 00:18:50,596 --> 00:18:51,964 I'M FEELING A LOT MORE NERVOUS 570 00:18:52,064 --> 00:18:53,532 ABOUT THIS PERFORMANCE. 571 00:18:53,632 --> 00:18:56,268 - YOU NERVOUS ABOUT TOMORROW? - YES. 572 00:18:56,368 --> 00:19:00,305 I CAN'T LIE AND SAY I WOULD NOT RATHER BE UP THERE WIT' YA'LL. 573 00:19:00,405 --> 00:19:02,841 LIKE, I DON'T WANNA DO IT BY MYSELF. 574 00:19:02,941 --> 00:19:03,942 YES, YOU DO. 575 00:19:04,042 --> 00:19:05,344 YOU HAVE TO STAND BY YOURSELF SOMETIME. 576 00:19:05,444 --> 00:19:06,478 THAT AIN'T HOT. 577 00:19:06,578 --> 00:19:09,481 TAMAR, YOU KNOW, SHE TALKS A GOOD GAME, 578 00:19:09,581 --> 00:19:11,583 BUT SHE GETS OVERLY NERVOUS. 579 00:19:11,683 --> 00:19:14,853 TAMAR, YOU NEED TO PUT YOUR BIG GIRL PANTIES ON 580 00:19:14,953 --> 00:19:15,921 AND PERFORM. 581 00:19:16,021 --> 00:19:18,190 YOU'RE DOING THIS BY YOURSELF, SO JUST DO IT. 582 00:19:18,290 --> 00:19:19,324 WELL, I CAN'T STAY AND EAT. 583 00:19:19,424 --> 00:19:21,393 I'LL JUST STAY AND HAVE A CELEBRATORY COCKTAIL, 584 00:19:21,493 --> 00:19:23,395 'CAUSE I HAVE TO GO TO REHEARSAL. 585 00:19:23,495 --> 00:19:26,231 I MIGHT NEED SOME MORAL SUPPORT AT REHEARSAL. 586 00:19:26,331 --> 00:19:29,368 SO, MAYBE I CAN GET ONE OF MY SISTERS TO COME WITH ME. 587 00:19:29,468 --> 00:19:34,239 PUT YOUR HANDS IN THE AIR, IF YOU WANNA GO. 588 00:19:34,339 --> 00:19:36,441 WE ALL KNOW HOW TAMAR IS AT REHEARSAL. 589 00:19:36,542 --> 00:19:38,377 SHE'LL GET TO SCREAMIN', YELLIN'. 590 00:19:38,477 --> 00:19:39,411 "UH-UH, UH-UH! 591 00:19:39,511 --> 00:19:40,345 "I AIN'T DOIN' THAT! 592 00:19:40,445 --> 00:19:41,747 "UH-UH-- THAT AIN'T HOT! 593 00:19:41,847 --> 00:19:43,582 "UH-UH-- GET YOUR LIFE!" 594 00:19:43,682 --> 00:19:44,983 NUH-UH... I DON'T WANNA BE THERE. 595 00:19:45,083 --> 00:19:47,819 NO. 596 00:19:47,920 --> 00:19:50,989 I NEED TO GO HOME TO SPEND TIME WITH MY KIDS, 597 00:19:51,089 --> 00:19:53,659 NOT BABYSIT TAMAR. 598 00:19:53,759 --> 00:19:57,029 SO, I'M NOT GONNA BE ABLE TO MAKE IT TO REHEARSAL. 599 00:19:57,129 --> 00:19:59,531 YOU KNOW, MY SISTERS ARE ACTING REAL STANKILICIOUS, 600 00:19:59,631 --> 00:20:00,832 RIGHT NOW. 601 00:20:00,933 --> 00:20:02,568 AND I'M FEELING LIKE IT'S-- YA'LL ARE ACTING LIKE THIS 602 00:20:02,668 --> 00:20:05,370 BECAUSE I'M DOING THIS SOLO PERFORMANCE? 603 00:20:05,470 --> 00:20:06,605 I THINK THEY NEED TO BE THERE FOR ME, 604 00:20:06,705 --> 00:20:09,208 LIKE I'M THERE FOR THEM. 605 00:20:09,308 --> 00:20:10,142 TRINA, YOU WANNA GO. 606 00:20:10,242 --> 00:20:12,511 I SAW YOUR PINKY. 607 00:20:12,611 --> 00:20:13,712 - I DON'T WANNA GO. - YES, YOU DO. 608 00:20:13,812 --> 00:20:15,614 BUT, I WILL GO TO SUPPORT YOU. 609 00:20:15,714 --> 00:20:18,917 I DID NOT NECESSARILY WANT TO GO TO TAMAR'S REHEARSAL. 610 00:20:19,017 --> 00:20:21,253 BUT, YOU KNOW, SHE PUT ME ON THIS GUILT TRIP, 611 00:20:21,353 --> 00:20:24,489 ESPECIALLY WITH VINCENT NOT BEING AT 100% HEALTH. 612 00:20:24,590 --> 00:20:26,291 I MEAN, WHAT AM I SUPPOSED TO DO? 613 00:20:26,391 --> 00:20:27,392 YEAH, I GOTTA GO, FOR REAL, FOR REAL. 614 00:20:27,492 --> 00:20:28,460 BYE, TAMAR. 615 00:20:28,560 --> 00:20:29,761 TRINA, YOU SAID YOU WAS COMIN'. 616 00:20:29,861 --> 00:20:31,196 BUT, YOU DIDN'T SAY WE WERE LEAVING BEFORE WE ATE. 617 00:20:31,296 --> 00:20:32,164 TRINA, YES-- WE'RE LEAVING, NOW. 618 00:20:32,264 --> 00:20:32,998 WE GOTTA GO. 619 00:20:33,098 --> 00:20:34,132 SERIOUSLY? 620 00:20:34,233 --> 00:20:35,834 WE HAVE TO GO TO THIS DANG REHEARSAL, RIGHT NOW? 621 00:20:35,934 --> 00:20:38,570 IF I WOULD'VE KNOWN THAT I COULD NOT FINISH MY DINNER, 622 00:20:38,670 --> 00:20:40,272 I WOULD NEVER HAVE AGREED TO GO. 623 00:20:40,372 --> 00:20:41,540 LET ME TAKE TWO MORE BITES, THEN WE CAN GO. 624 00:20:41,640 --> 00:20:42,674 NO-- BRING IT WIT' YOU. 625 00:20:42,774 --> 00:20:44,476 I CAN'T TAKE A CHICKEN WING WITH ME! 626 00:20:44,576 --> 00:20:45,944 TRINA, WE GOTTA GO, NOW. 627 00:20:46,044 --> 00:20:47,212 JUST BECAUSE I'M BLACK DON'T MEAN I CARRY 628 00:20:47,312 --> 00:20:48,513 CHICKEN WINGS AROUND WITH ME WHEREVER I-- 629 00:20:48,614 --> 00:20:49,848 I DIDN'T SAY-- NOW, I DIDN'T DO ALL THAT. 630 00:20:49,948 --> 00:20:52,551 HAVE A PRODUCTIVE, UM, REHEARSAL-- LOVE YA. 631 00:20:52,651 --> 00:20:53,318 - BYE. - TOODLES. 632 00:20:53,418 --> 00:20:54,953 BYE. 633 00:20:58,257 --> 00:20:59,558 YOU MISSED REHEARSAL. 634 00:20:59,658 --> 00:21:01,860 NOBODY TOLD ME ABOUT STEP REHEARSAL. 635 00:21:01,960 --> 00:21:03,195 TAMAR? 636 00:21:03,295 --> 00:21:04,663 TA-MAR? 637 00:21:04,763 --> 00:21:06,632 I JUST GOT TOWANDA, RIGHT NOW, AND SHE WAS LIKE, 638 00:21:06,732 --> 00:21:08,333 "I'M GONNA GET 'EM TOGETHER AND GET IN REHEARSAL." 639 00:21:08,433 --> 00:21:09,635 THEY HAVEN'T LEFT THE HOTEL YET? 640 00:21:09,735 --> 00:21:11,236 NO. 641 00:21:20,712 --> 00:21:20,778 THERE'S 642 00:21:20,779 --> 00:21:20,878 THERE'S 24 643 00:21:20,879 --> 00:21:21,012 THERE'S 24 HOURS 644 00:21:21,013 --> 00:21:21,112 THERE'S 24 HOURS BEFORE 645 00:21:21,113 --> 00:21:21,245 THERE'S 24 HOURS BEFORE MY 646 00:21:21,246 --> 00:21:21,445 THERE'S 24 HOURS BEFORE MY BIGGEST 647 00:21:21,446 --> 00:21:23,514 THERE'S 24 HOURS BEFORE MY BIGGEST PERFORMANCE 648 00:21:23,515 --> 00:21:24,516 THERE'S 24 HOURS BEFORE MY BIGGEST PERFORMANCE EVER, 649 00:21:24,616 --> 00:21:26,985 AND I AM NERVOUS AS HELL BECAUSE WE'RE STILL TRYING 650 00:21:27,085 --> 00:21:28,453 TO FIGURE EVERYTHING OUT. 651 00:21:28,553 --> 00:21:31,123 I MEAN, I DON'T EVEN KNOW THE WORDS TO THE SONG YET. 652 00:21:31,223 --> 00:21:33,191 I'M TRYING TO THINK OF MY PART. 653 00:21:33,292 --> 00:21:34,426 LIKE, TRINA, HOLD ON. 654 00:21:34,526 --> 00:21:35,427 CAN YOU GET OFF THE PHONE FOR FIVE MINUTES 655 00:21:35,527 --> 00:21:37,496 AND BE HERE FOR ME FOR TWO SECONDS? 656 00:21:37,596 --> 00:21:39,598 OKAY, I'M GLAD TRINA CAME TONIGHT TO SUPPORT ME 657 00:21:39,698 --> 00:21:42,200 AT MY REHEARSAL, BUT NOW THAT SHE'S HERE, 658 00:21:42,301 --> 00:21:43,802 SHE AIN'T EVEN PAYING ATTENTION TO ME. 659 00:21:43,902 --> 00:21:47,239 LIKE, I ASKED HER TO BE HERE FOR MORAL SUPPORT, 660 00:21:47,339 --> 00:21:49,608 NOT TO BE TEXTING HALF OF ATLANTA. 661 00:21:49,708 --> 00:21:50,676 WHAT'S THE WORDS? 662 00:21:50,776 --> 00:21:53,512 THEY CALL ME-- NOT "THEY CALL ME." 663 00:21:53,612 --> 00:21:54,513 THEY SAY, GLADYS. 664 00:21:54,613 --> 00:21:56,615 DID TAMAR REALLY FORCE ME TO COME HERE, 665 00:21:56,715 --> 00:21:58,550 SO I COULD HELP HER REMEMBER HER LYRICS? 666 00:21:58,650 --> 00:22:01,987 LIKE, SERIOUSLY, I HAVE BETTER THINGS TO DO WITH MY TIME, 667 00:22:02,087 --> 00:22:04,122 LIKE HAVE A GLASS OF WINE. 668 00:22:04,222 --> 00:22:08,794 THEY SAY, GIRLFRIEND, YOU KNOW YOU LOVE TOO HARD. 669 00:22:08,894 --> 00:22:10,729 I MEAN, I KNOW THE WORDS, AS LONG AS I CAN READ 'EM 670 00:22:10,829 --> 00:22:13,298 OFF MY PHONE, AND TRINA IS THERE TO HELP ME, 671 00:22:13,398 --> 00:22:15,000 BUT THAT AIN'T GONNA BE THE CASE TOMORROW NIGHT. 672 00:22:15,100 --> 00:22:17,369 SO, WHAT IF I SCREW UP? 673 00:22:17,469 --> 00:22:18,437 I AM SO SCARED. 674 00:22:18,537 --> 00:22:19,905 WE'RE GONNA MOVE DOWNSTAIRS TO THE HOUSE 675 00:22:20,005 --> 00:22:20,872 FOR THE MAIN REHEARSAL. 676 00:22:20,972 --> 00:22:22,174 - OKAY-- THANK YOU. - I'LL ESCORT YOU. 677 00:22:22,274 --> 00:22:24,343 SO, I'M MEMORIZING THE SONG WITH TRINA. 678 00:22:24,443 --> 00:22:26,278 THEN, ALL OF A SUDDEN, I HEAR THAT WE'RE GOING OVER 679 00:22:26,378 --> 00:22:29,614 SOME STEPS FROM THE PERFORMANCE REHEARSAL LAST NIGHT. 680 00:22:29,715 --> 00:22:31,883 WHAT DAMN REHEARSAL LAST NIGHT? 681 00:22:31,983 --> 00:22:33,485 OKAY, I HAVE STEPS? 682 00:22:33,585 --> 00:22:34,786 YOU MISSED REHEARSAL. 683 00:22:34,886 --> 00:22:35,887 I MISSED THE REHEARSAL? 684 00:22:35,987 --> 00:22:36,788 UH-UH-- SHE DIDN'T. 685 00:22:36,888 --> 00:22:38,957 THIS IS SOME TRICKERIZATION GOING ON. 686 00:22:39,057 --> 00:22:42,661 NOBODY TOLD ME ABOUT STEP REHEARSAL. 687 00:22:42,761 --> 00:22:43,762 YOU CAN'T JUST... 688 00:22:43,862 --> 00:22:45,731 - NO, THAT AIN'T HOT. - OKAY. 689 00:22:45,831 --> 00:22:46,898 I DON'T KNOW WHAT THE HELL THEY'RE TALKING ABOUT. 690 00:22:46,998 --> 00:22:48,033 I DON'T MISS REHEARSAL, 691 00:22:48,133 --> 00:22:50,469 ESPECIALLY NO DANCE CHOREOGRAPHY REHEARSAL. 692 00:22:50,569 --> 00:22:53,305 SOMEBODY DIDN'T TELL ME THAT WE WAS HAVING 693 00:22:53,405 --> 00:22:54,906 SOME TYPE OF CHOREOGRAPHY REHEARSAL, 694 00:22:55,006 --> 00:22:57,175 BECAUSE IF THEY DID, SHE WOULD'VE BEEN THERE. 695 00:22:57,275 --> 00:22:59,177 TAMAR IS MAKING THESE DANCE MOVES 696 00:22:59,277 --> 00:23:00,979 WAY TOO COMPLICATED. 697 00:23:01,079 --> 00:23:02,848 THIS ISN'T "SO YOU THINK YOU CAN DANCE." 698 00:23:02,948 --> 00:23:04,983 TAMAR JUST NEEDS TO TAKE HER TIME OUT 699 00:23:05,083 --> 00:23:08,153 AND FOCUS ON THE SONG AND THE LYRICS. 700 00:23:08,253 --> 00:23:09,554 TAMAR? 701 00:23:09,654 --> 00:23:10,889 TA-MAR? 702 00:23:10,989 --> 00:23:11,957 WHAT DO YOU NEED THE CHOREOGRAPHY FOR? 703 00:23:12,057 --> 00:23:13,392 WELL, BECAUSE I WANTED TO HIT POINTS. 704 00:23:13,492 --> 00:23:14,359 YOU DON'T NEED TO DO ALL THAT. 705 00:23:14,459 --> 00:23:15,761 YOU WERE FINE UP THERE. 706 00:23:15,861 --> 00:23:17,396 ANTHONY, TELL HER HOW FINE SHE IS. 707 00:23:19,398 --> 00:23:22,401 - YOU-YOU'RE OVER PLAYING. - YEAH, LESS IS MORE. 708 00:23:22,501 --> 00:23:24,469 LESS IS DEFINITELY MORE. 709 00:23:24,569 --> 00:23:27,105 I GET SO NERVOUS, AND VINCE IS THE ONLY PERSON 710 00:23:27,205 --> 00:23:29,207 WHO KNOWS HOW TO CALM ME DOWN A LITTLE BIT, 711 00:23:29,307 --> 00:23:30,842 BUT HE IS STILL TOO SICK TO TRAVEL, 712 00:23:30,942 --> 00:23:33,412 AND THAT'S HONESTLY WHAT'S REALLY BOTHERING ME, 713 00:23:33,512 --> 00:23:34,379 RIGHT NOW. 714 00:23:34,479 --> 00:23:35,547 YEAH, BUT SOMETIMES, YOU NEED THAT-- 715 00:23:35,647 --> 00:23:37,449 YOU NEED TO REITERATE THAT ENCOURAGEMENT SOMETIMES. 716 00:23:37,549 --> 00:23:39,518 YEAH, 'CAUSE I DON'T HAVE MY HONEY. 717 00:23:39,618 --> 00:23:40,519 WELL, YOU HAVE ME. 718 00:23:40,619 --> 00:23:41,553 AND HE'S THE ONE WHO C-CUSSES ME OUT 719 00:23:41,653 --> 00:23:42,721 AND SAYS, "TAMAR, YOU'RE DOING WAY TOO MUCH. 720 00:23:42,821 --> 00:23:43,822 "YOU'RE DOING-- UH, I AIN'T TALKIN' TO YOU, 721 00:23:43,922 --> 00:23:44,790 "'CAUSE YOU'RE DOING WAY TOO MUCH." 722 00:23:44,890 --> 00:23:45,590 I'M NOT GONNA CURSE YOU OUT, 723 00:23:45,690 --> 00:23:46,758 BUT YOU'RE DOING WAY TOO MUCH. 724 00:23:46,858 --> 00:23:48,460 YOU ARE-- YOU'RE DOING WAY TOO MUCH. 725 00:23:48,560 --> 00:23:50,128 YOU'RE DOING-- IT'S TOO MUCH. 726 00:24:09,915 --> 00:24:12,017 TODAY IS THE DAY OF THE SOUL TRAIN AWARDS, 727 00:24:12,117 --> 00:24:14,219 AND I AM SO EXCITED. 728 00:24:14,319 --> 00:24:15,787 IT'S LIKE THREE HOURS BEFORE THE SHOW, 729 00:24:15,887 --> 00:24:18,123 AND WE'RE ABOUT TO DO OUR FINAL WALK-THROUGH. 730 00:24:18,223 --> 00:24:20,792 HOWEVER, MY SISTERS ARE NOT HERE, 731 00:24:20,892 --> 00:24:22,127 AND THEY ARE LATE. 732 00:24:22,227 --> 00:24:23,628 SO, I'M ABOUT TO WALK ON THE STAGE 733 00:24:23,728 --> 00:24:25,163 WITH THESE STAND-IN SISTERS. 734 00:24:25,263 --> 00:24:27,065 STAND-IN SISTERS, FOR REAL, YA'LL? 735 00:24:27,165 --> 00:24:28,333 REALLY? 736 00:24:28,433 --> 00:24:32,804 GIVE IT UP FOR COMMON AND MARSHA AMBROSIUS. 737 00:24:32,904 --> 00:24:36,708 I AM SO SICK AND TIRED OF MY SISTERS NOT BEING PROFESSIONAL. 738 00:24:36,808 --> 00:24:39,010 LIKE, THIS IS WHAT WE DO. 739 00:24:39,110 --> 00:24:41,513 YOU HAVE TO BE PROFESSIONAL TO BE RESPECTED. 740 00:24:41,613 --> 00:24:43,682 IT'S LIKE THEY AIN'T TAKIN' NONE OF THIS SERIOUSLY, 741 00:24:43,782 --> 00:24:45,116 AND I'M TIRED OF BEGGIN' 'EM. 742 00:24:48,153 --> 00:24:49,221 I MEAN, I GUESS THE RUN-THROUGH OF MY SONG 743 00:24:49,321 --> 00:24:51,556 WENT OKAY, BUT I WISH MY SISTERS WERE THERE 744 00:24:51,656 --> 00:24:53,892 TO GIVE ME SOME HONEST ADVICE. 745 00:24:53,992 --> 00:24:56,161 YOU KNOW, I REALLY WISH MY SISTERS WOULD SUPPORT ME 746 00:24:56,261 --> 00:24:58,230 MORE IN MY SOLO SINGING CAREER. 747 00:24:58,330 --> 00:25:00,532 LIKE, I NEED SOME FEEDBACK. 748 00:25:00,632 --> 00:25:01,900 THEY NEED TO BE HERE. 749 00:25:02,000 --> 00:25:03,602 IT IS A HAM ASS MESS. 750 00:25:03,702 --> 00:25:05,003 - YEAH. - I'M JUST SAYIN'. 751 00:25:05,103 --> 00:25:06,671 THERE'S A LOCK OF AND RIDICULOUSNESS 752 00:25:06,771 --> 00:25:09,007 GOING ON AROUND HERE. 753 00:25:15,714 --> 00:25:18,083 SO, ANTHONY IS MANAGING ME FOR THIS SHOW 754 00:25:18,183 --> 00:25:19,951 SINCE VINCE IS STILL RECUPERATING. 755 00:25:20,051 --> 00:25:21,019 ANTHONY IS COOL. 756 00:25:21,119 --> 00:25:23,488 HE'S TRYING HIS BEST, BUT HE AIN'T NO VINCE. 757 00:25:23,588 --> 00:25:25,524 ANTHONY, WHAT HAD HAPPENED WITH MY SISTERS? 758 00:25:25,624 --> 00:25:27,559 THEY ALL FELT LIKE THEY HAD TOO MUCH TIME, 759 00:25:27,659 --> 00:25:28,860 SO NONE OF 'EM WANTED TO START GETTING READY 760 00:25:28,960 --> 00:25:30,262 AT 1 O'CLOCK. 761 00:25:30,362 --> 00:25:31,463 I DIDN'T SAY GET READY AND COME. 762 00:25:31,563 --> 00:25:33,832 I SAID GATHER UP THE HAIR AND MAKEUP, 763 00:25:33,932 --> 00:25:36,768 GATHER YOUR THINGS, AND COME HERE, NOW. 764 00:25:36,868 --> 00:25:38,136 THE TRAFFIC IS RIDICULOUS. 765 00:25:38,236 --> 00:25:39,538 I TRIED HITTIN' TRINA. 766 00:25:39,638 --> 00:25:41,239 IT WAS GOING STRAIGHT TO VOICE MAIL. 767 00:25:41,339 --> 00:25:43,208 UH, TRACI WASN'T ANSWERING HER PHONE. 768 00:25:43,308 --> 00:25:45,544 AND I JUST GOT TOWANDA, RIGHT NOW, AND SHE WAS LIKE, 769 00:25:45,644 --> 00:25:47,345 "I'M GONNA GET 'EM TOGETHER AND GET 'EM HERE EARLY." 770 00:25:47,445 --> 00:25:48,513 THEY HAVEN'T LEFT THE HOTEL YET? 771 00:25:48,613 --> 00:25:50,682 NO. 772 00:25:50,782 --> 00:25:52,651 I TALKED TO TRINA MAYBE AN HOUR AND A HALF AGO. 773 00:26:02,794 --> 00:26:04,996 LADIES AND GENTLEMEN, WE HAVE TAMAR BRAXTON! 774 00:26:05,096 --> 00:26:06,264 - HI. - TAMAR! 775 00:26:06,364 --> 00:26:07,999 SO, I'M WALKING THE RED CARPET FOR THE SOUL TRAIN AWARDS, 776 00:26:08,099 --> 00:26:09,734 AND I'M POSING FOR THE PRESS. 777 00:26:09,834 --> 00:26:10,835 YOU KNOW, I'M BOOM-BOOM-POW. 778 00:26:10,936 --> 00:26:11,770 DOING MY THING. 779 00:26:11,870 --> 00:26:13,371 AND I AIN'T GOT NO SISTERS. 780 00:26:13,471 --> 00:26:15,540 AIN'T NO TONI ANYWHERE TO BE FOUND. 781 00:26:15,640 --> 00:26:16,908 THEY'RE JUST TAKING PICTURES OF ME, 782 00:26:17,008 --> 00:26:20,312 AND THEY CAN'T BE MAD AT ME BECAUSE SHE WAS ON TIME. 783 00:26:20,412 --> 00:26:21,913 WHAT BROUGHT YOU TO THE SOUL TRAIN AWARDS? 784 00:26:22,013 --> 00:26:24,816 WELL, NUMBER ONE, SHE'S PERFORMING TONIGHT. 785 00:26:24,916 --> 00:26:26,418 OKAY. 786 00:26:26,518 --> 00:26:28,620 AS AMAZING AS THIS OPPORTUNITY IS, 787 00:26:28,720 --> 00:26:30,088 IT'S STILL BITTERSWEET. 788 00:26:30,188 --> 00:26:32,190 I WISH MY BABY, VINCE, WAS HERE WITH ME, 789 00:26:32,290 --> 00:26:35,093 BUT AS A WIFE-AGER, I HAD TO MAKE SURE I PLUG 790 00:26:35,193 --> 00:26:38,430 HIS LATEST MUSICAL ENDEAVOR, MINDLESS BEHAVIOR. 791 00:26:38,530 --> 00:26:40,065 AND THEN, I'M JUST SO EXCITED TO SEE 792 00:26:40,165 --> 00:26:41,099 MINDLESS BEHAVIOR. 793 00:26:41,199 --> 00:26:42,701 - YES. - YES, AND I'M SO EXCITED. 794 00:26:42,801 --> 00:26:43,535 - THEY'RE SO CUTE! - I KNOW! 795 00:26:43,635 --> 00:26:44,436 AREN'T THEY DELICIOUS? 796 00:26:44,536 --> 00:26:45,470 I KNOW. 797 00:26:45,570 --> 00:26:46,571 I, LIKE, WANNA TAKE THEM HOME. 798 00:26:46,671 --> 00:26:48,373 OKAY... WELL, YOU KNOW. 799 00:26:49,941 --> 00:26:51,409 UH, TAMAR? 800 00:26:51,509 --> 00:26:52,310 SORRY. 801 00:26:52,410 --> 00:26:53,445 - YES, TO THE INSIDE. - THANK YOU. 802 00:26:53,545 --> 00:26:55,814 UH, WHERE-WHERE'S MY SISTERS? 803 00:26:55,914 --> 00:26:57,682 - ALL RIGHT, BYE. - WHAT HAPPENED? 804 00:26:57,782 --> 00:27:00,418 THEY GOT STUCK IN A REALLY BAD PATCH OF TRAFFIC. 805 00:27:00,518 --> 00:27:01,252 JUST STAY HERE. 806 00:27:01,353 --> 00:27:02,654 LET ME SEE WHAT-- 807 00:27:10,161 --> 00:27:11,429 I JUST CAN'T BELIEVE TRINA, 808 00:27:11,529 --> 00:27:13,798 TOWANDA, AND TRACI ARE NOT HERE YET. 809 00:27:13,898 --> 00:27:16,635 I'M GETTING REAL WORRIED AND-- 'CAUSE THIS IS A LIVE EVENT. 810 00:27:16,735 --> 00:27:18,803 WHAT'S GONNA HAPPEN, IF THEY DON'T GET HERE IN TIME? 811 00:27:20,805 --> 00:27:21,873 AND LOOK UP. 812 00:27:21,973 --> 00:27:23,074 WHAT'S GOING ON WITH MY SISTERS? 813 00:27:23,174 --> 00:27:24,776 I'M ADDED CORRECTLY... 814 00:27:24,876 --> 00:27:26,978 THEY HAVE BEEN DRIVING FOR TWO HOURS. 815 00:27:27,078 --> 00:27:28,013 YEAH. 816 00:27:28,113 --> 00:27:30,015 OKAY, CAN I GET SOME HAIRSPRAY, 817 00:27:30,115 --> 00:27:31,916 BEFORE SHE FALLS, AGAIN? 818 00:27:32,017 --> 00:27:32,984 OKAY. 819 00:27:33,084 --> 00:27:36,321 WE GOT THE BRAXTONS UP THERE! 820 00:27:36,421 --> 00:27:38,790 WE ARE, LIKE, THE LAST PEOPLE 821 00:27:38,890 --> 00:27:40,725 TO WALK DOWN THE RED CARPET, 822 00:27:40,825 --> 00:27:42,560 AND WE HAVE TO REALLY, REALLY RUSH 823 00:27:42,661 --> 00:27:44,229 BECAUSE THE SHOW IS STARTING. 824 00:27:44,329 --> 00:27:45,497 SAY HI TO ATLANTA OVER THERE. 825 00:27:45,597 --> 00:27:47,766 - HEY, ATLANTA! - HI! 826 00:27:50,802 --> 00:27:52,103 HIS ACTING CAREER IS TAKING HIM TO PLACES 827 00:27:52,203 --> 00:27:54,673 THAT MANY OF US DREAM ABOUT. 828 00:27:54,773 --> 00:27:55,940 THAT WAS OUR LINES. 829 00:27:56,041 --> 00:27:57,275 I CAN'T BELIEVE THIS IS HAPPENING. 830 00:27:57,375 --> 00:27:59,611 WE'RE WAITING TO PRESENT OUR AWARD. 831 00:27:59,711 --> 00:28:00,912 I JUST HAVE A QUICK QUESTION. 832 00:28:01,012 --> 00:28:02,981 SO, WE'RE NOT PRESENTING ANYMORE? 833 00:28:03,081 --> 00:28:04,949 IS THAT WHAT'S GOING ON? 834 00:28:10,188 --> 00:28:11,755 TOWANDA? 835 00:28:11,756 --> 00:28:12,624 - TOWANDA? - WHAT? 836 00:28:12,724 --> 00:28:13,491 - I LOVE YOUR HOUSE. - THANK YOU, TAMAR. 837 00:28:13,591 --> 00:28:14,526 - AND GUESS WHAT? - CHICKEN BUTT. 838 00:28:14,626 --> 00:28:16,361 THIS HAS TURNED INTO AN ENGAGEMENT PARTY, 839 00:28:16,461 --> 00:28:17,829 'CAUSE HER AND ANDRE ARE BACK TOGETHER. 840 00:28:17,929 --> 00:28:19,097 HIS CLOTHES RIGHT IN THE BEDROOM. 841 00:28:19,197 --> 00:28:19,998 YOU-- OH, MY GOSH! 842 00:28:20,098 --> 00:28:20,865 THAT'S WONDERFUL. 843 00:28:20,965 --> 00:28:21,933 NO, DON'T LISTEN TO TAMAR. 844 00:28:22,033 --> 00:28:23,201 IT'S IN THE MASTER BEDROOM. 845 00:28:23,301 --> 00:28:24,135 DON'T LET HER TELL HER THEY AIN'T BUMPIN' AND GRINDIN'. 846 00:28:24,235 --> 00:28:25,370 THEY ARE BUMPIN' AND GRINDIN'. 847 00:28:25,470 --> 00:28:26,438 WE'RE NOT-- HATE TO TELL YA-- WE'RE NOT. 848 00:28:26,538 --> 00:28:27,605 - BUMPIN' AND GRINDING. - NO GRINDING? 849 00:28:27,706 --> 00:28:28,740 - NO. - YES. 850 00:28:28,840 --> 00:28:30,175 I WISH I HAD A PIANO-- I'D WRITE A SONG ABOUT IT. 851 00:28:30,275 --> 00:28:32,744 'CAUSE YOU GOT YOUR BABY DADDY IN YOUR BEDROOM. 852 00:28:32,844 --> 00:28:33,845 I DON'T. 853 00:28:33,945 --> 00:28:35,380 AH-AH, YOUR BEDROOM. 854 00:28:35,480 --> 00:28:36,548 MMM-MMM! 855 00:28:36,648 --> 00:28:37,716 AH-AH, YOUR BEDROOM. 856 00:28:37,816 --> 00:28:39,851 YOUR BABY DADDY'S STUFF IS IN YOUR BEDROOM. 857 00:28:39,951 --> 00:28:41,953 B-B-B-B-B-- YOUR BEDROOM. 858 00:28:42,053 --> 00:28:44,289 - YOUR BABY DADDY. - BOOM! 859 00:28:44,389 --> 00:28:45,623 - I LOVE YOU, THOUGH. - YOUR BABY DADDY. 860 00:28:45,724 --> 00:28:47,058 BUT, YOU KNOW, YOU IS EXPOSED. 861 00:28:53,198 --> 00:28:54,165 YES. 862 00:28:54,265 --> 00:28:55,333 SAY HI TO ATLANTA OVER THERE-- HEY, ATLANTA! 863 00:28:55,433 --> 00:28:57,836 HI! 864 00:28:57,936 --> 00:28:59,337 WE WERE IN TRAFFIC FOR TWO HOURS. 865 00:28:59,437 --> 00:29:01,306 WE WERE RUNNING BEHIND BECAUSE WE DECIDED 866 00:29:01,406 --> 00:29:02,907 TO GET READY AT OUR HOUSE, 867 00:29:03,007 --> 00:29:05,143 AND WE THOUGHT WE HAD ALL THE TIME IN THE WORLD, 868 00:29:05,243 --> 00:29:07,278 AND IT'S ONLY SUPPOSED TO TAKE 45 MINUTES. 869 00:29:07,378 --> 00:29:10,548 BUT BECAUSE OF TRAFFIC, IT TOOK US TWO ENTIRE HOURS. 870 00:29:10,648 --> 00:29:12,450 SO, WE MISSED THE RED CARPET. 871 00:29:12,550 --> 00:29:13,551 - MUAH. - WHAT WERE YOU SAYING? 872 00:29:13,651 --> 00:29:15,587 I SAID, "I DON'T KNOW WHERE MY SISTERS ARE." 873 00:29:15,687 --> 00:29:16,421 WE WERE IN TRAFFIC FOR TWO HOURS. 874 00:29:16,521 --> 00:29:17,522 TWO HOURS. 875 00:29:17,622 --> 00:29:18,757 - MY BOOBS... - OH. 876 00:29:18,857 --> 00:29:20,825 ...THEY'RE EXTRA COLD, HARD, AND CHAFED, 877 00:29:20,925 --> 00:29:22,761 AND MAYBE CHAPPED. 878 00:29:22,861 --> 00:29:24,262 I LOTIONED 'EM, BEFORE I LEFT. 879 00:29:24,362 --> 00:29:25,296 CHAFED, TRACI? 880 00:29:26,898 --> 00:29:29,601 I AM SO RELIEVED THAT MY SISTERS FINALLY MADE IT, 881 00:29:29,701 --> 00:29:31,569 BUT I REALLY NEED TO GET THEM ALL UP TO SPEED 882 00:29:31,669 --> 00:29:32,771 FOR OUR PRESENTATION 883 00:29:32,871 --> 00:29:34,606 FOR COMMON AND MARSHA AMBROSIUS. 884 00:29:34,706 --> 00:29:36,608 HIS ACTING CAREER IS TAKING HIM TO PLACES 885 00:29:36,708 --> 00:29:38,042 THAT MANY OF US DREAM ABOUT. 886 00:29:38,143 --> 00:29:40,311 TRINA, NO-NO-NO-NO-- IT'S NOT AN INFOMERCIAL. 887 00:29:40,411 --> 00:29:41,446 THANK YOU. 888 00:29:41,546 --> 00:29:42,447 WELL, THAT-THAT IS HOW I TALK. 889 00:29:42,547 --> 00:29:43,515 NO-NO-NO... THAT IS-- NO-NO-NO. 890 00:29:43,615 --> 00:29:44,315 WHAT DO YOU WANT ME TO SAY? 891 00:29:44,415 --> 00:29:45,316 NOT ONLY IS-- 892 00:29:45,416 --> 00:29:46,551 YEAH. 893 00:29:46,651 --> 00:29:48,186 HE ONE OF HIP HOP'S MOST CREATIVE AND VIBRANT VOICE-- 894 00:29:48,286 --> 00:29:49,621 I'M NOT-- I DON'T TALK LIKE THAT. 895 00:29:49,721 --> 00:29:50,955 THAT'S HOW YOU'RE SUPPOSED TO TALK. 896 00:29:51,055 --> 00:29:53,191 I-- JUST BECAUSE I'M BLACK ON THE OUTSIDE 897 00:29:53,291 --> 00:29:54,692 DOESN'T MEAN I'M SUPPOSED TO TALK A CERTAIN WAY. 898 00:29:54,793 --> 00:29:55,894 WELL, JUST PRETEND-- ACT. 899 00:29:55,994 --> 00:29:57,929 NOT ONLY IS HE ONE OF HIP HOP'S MOST CREATIVE 900 00:29:58,029 --> 00:30:00,031 AND VIBRANT-- HOW ABOUT I DO IT LIKE THAT? 901 00:30:00,131 --> 00:30:00,965 - THAT'S-THAT'S-- - OKAY. 902 00:30:01,065 --> 00:30:03,234 NOW, LORD, USE THE GIRLS, USE TAMAR 903 00:30:03,334 --> 00:30:04,969 IN A MIGHTY WAY, LORD GOD. 904 00:30:05,069 --> 00:30:07,272 WE LOVE YOU-- WE GLORIFY YOUR NAME. 905 00:30:07,372 --> 00:30:08,439 WE JUST THANK YOU FOR EVERYTHING. 906 00:30:08,540 --> 00:30:10,942 - MAMA! - YES, GOOD LORD! 907 00:30:11,042 --> 00:30:12,177 EVERYTHING GOT TO BE SUNDAY? 908 00:30:12,277 --> 00:30:13,411 A SERMON. 909 00:30:13,511 --> 00:30:14,612 SEE WHAT I HAVE TO DEAL WITH? 910 00:30:14,712 --> 00:30:16,014 I CAN'T EVEN PRAY IN PEACE. 911 00:30:16,114 --> 00:30:19,717 I REALLY, REALLY WANT THIS TO BE A GREAT NIGHT FOR THE GIRLS, 912 00:30:19,818 --> 00:30:24,389 BUT ESPECIALLY FOR TAMAR BECAUSE THIS IS HER BIG CHANCE 913 00:30:24,489 --> 00:30:27,158 THAT SHE CAN SHINE AS A SOLO ARTIST. 914 00:30:27,258 --> 00:30:28,993 SO, I-I'M EXCITED. 915 00:30:29,093 --> 00:30:30,228 READY? 916 00:30:41,439 --> 00:30:43,041 TRACI, TRINA-- OVER HERE. 917 00:30:43,141 --> 00:30:44,342 I HAVE AN ALBUM THAT I'M WORKING ON. 918 00:30:44,442 --> 00:30:47,478 EVERYBODY SHOULD GO GET IT, 'CAUSE IT'S REALLY AMAZING. 919 00:30:49,547 --> 00:30:50,849 I CAN'T BELIEVE THIS IS HAPPENING. 920 00:30:50,949 --> 00:30:53,318 WE'RE WAITING TO PRESENT OUR AWARD, 921 00:30:53,418 --> 00:30:54,519 AND WHEN WE LOOK ON THE MONITOR, 922 00:30:54,619 --> 00:30:56,387 SOMEONE ELSE IS PRESENTING THE AWARD 923 00:30:56,487 --> 00:30:57,622 THAT WE WERE SUPPOSED TO. 924 00:30:57,722 --> 00:31:00,491 WHAT THE HELL IS GOING ON? 925 00:31:02,694 --> 00:31:03,695 YOU KNOW WHAT? 926 00:31:03,795 --> 00:31:06,865 I KNOWED IT, BUT I HAD A BAD FEELING ABOUT THIS. 927 00:31:06,965 --> 00:31:09,934 YOU CAN'T BE SCHEDULED AS A PRESENTER AT A LIVE SHOW 928 00:31:10,034 --> 00:31:11,202 AND JUST NOT SHOW UP 929 00:31:11,302 --> 00:31:14,072 AND DO WHATEVER YOU THINK YOU WANNA DO. 930 00:31:14,172 --> 00:31:15,440 MY SISTERS DID THAT, 931 00:31:15,540 --> 00:31:17,775 AND I NEED TO GET SOME ANSWERS. 932 00:31:17,876 --> 00:31:19,310 THAT WAS OUR SCRIPT. 933 00:31:19,410 --> 00:31:20,712 I JUST HAVE A QUICK QUESTION. 934 00:31:20,812 --> 00:31:22,847 SO, WE'RE NOT PRESENTING ANYMORE? 935 00:31:22,947 --> 00:31:24,182 IS THAT WHAT'S GOING ON? 936 00:31:24,282 --> 00:31:26,217 SO, COME TO FIND OUT, AS A PRECAUTION, 937 00:31:26,317 --> 00:31:28,419 THE PRODUCERS REPLACED US AS PRESENTERS 938 00:31:28,519 --> 00:31:30,588 BECAUSE MY SISTERS WERE LATE. 939 00:31:30,688 --> 00:31:32,123 THEY TOLD ANTHONY ABOUT THE SWITCH, 940 00:31:32,223 --> 00:31:33,491 BUT I CAN'T EVEN BE MAD AT HIM. 941 00:31:33,591 --> 00:31:36,661 HE'S BEEN HOLDING ME DOWN THE WHOLE NIGHT. 942 00:31:36,761 --> 00:31:38,363 AND I'M JUST SO SUPER PISSED AT MY SISTERS. 943 00:31:38,463 --> 00:31:40,098 THEY'RE ACTING LIKE SOME ROOKIES. 944 00:31:40,198 --> 00:31:43,735 THEY SHOULD'VE BEEN HERE ON TIME, POINT BLANK, PERIOD. 945 00:31:43,835 --> 00:31:45,737 WHEN IS THE GLADYS KNIGHT THING COMING? 946 00:31:45,837 --> 00:31:47,572 IT'S ACTUALLY THE NEXT PERFORMANCE 947 00:31:47,672 --> 00:31:51,676 AFTER COMMON AND MARSHA. 948 00:31:51,776 --> 00:31:53,645 I WOULD SAY THAT WE DEFINITELY NEED YOU 949 00:31:53,745 --> 00:31:55,980 IN YOUR DRESS FOR THE PERFORMANCE. 950 00:31:56,080 --> 00:31:57,248 SO, THIS WHOLE TIME, 951 00:31:57,348 --> 00:31:59,918 I'VE BEEN TRYING TO FIGURE OUT WHAT THE HELL HAPPENED. 952 00:32:00,018 --> 00:32:01,319 I SHOULD'VE BEEN GETTING READY. 953 00:32:01,419 --> 00:32:04,188 I AM UP NEXT TO PERFORM, AND THIS IS NOT GOOD. 954 00:32:04,289 --> 00:32:06,357 JEN, HURRY-- SCURRY. 955 00:32:06,457 --> 00:32:07,425 WE HAVE, LIKE, TWO MINUTES. 956 00:32:07,525 --> 00:32:09,193 - WHAT JUST HAPPENED? - A DISASTER. 957 00:32:09,294 --> 00:32:10,828 HURRY! 958 00:32:10,929 --> 00:32:12,330 T-TAKE THE DRESS OUT. 959 00:32:12,430 --> 00:32:14,098 CLOSE THE DOOR, TRINA. 960 00:32:20,204 --> 00:32:23,041 - WALK STILL-- HOLD STILL. - ALL RIGHT. 961 00:32:23,141 --> 00:32:25,710 SO, I'M BARELY DRESSED, AND I'M RUNNING TO THE STAGE 962 00:32:25,810 --> 00:32:28,012 FOR WHAT I HOPE TO BE MY BIG BREAK. 963 00:32:28,112 --> 00:32:30,581 I WANT THE WORLD TO SEE I'M A SUPERSTAR. 964 00:32:33,017 --> 00:32:34,319 OKAY, WE'RE JUST DO-- OH, AT THE END. 965 00:32:34,419 --> 00:32:35,687 AT THE END, MINDLESS BEHAVIOR. 966 00:32:35,787 --> 00:32:36,988 OF THE SHOW? 967 00:32:37,088 --> 00:32:38,990 SO, WE ARE PRESENTING, AFTER ALL. 968 00:32:39,090 --> 00:32:41,159 WE'RE GOING TO INTRODUCE MINDLESS BEHAVIOR 969 00:32:41,259 --> 00:32:44,362 WITH NO REHEARSAL AND NO SCRIPT. 970 00:32:44,462 --> 00:32:45,730 WE'RE JUST GONNA HAVE TO WING IT, 971 00:32:45,830 --> 00:32:47,899 BUT I'M JUST REALLY GLAD THAT THE PRODUCERS 972 00:32:47,999 --> 00:32:50,134 ARE ALLOWING US TO PRESENT, 973 00:32:50,234 --> 00:32:51,636 BECAUSE WE WERE A LITTLE LATE. 974 00:32:51,736 --> 00:32:53,571 I'M A PERFECTIONIST, AND I FEEL LIKE 975 00:32:53,671 --> 00:32:55,506 I COULD'VE DONE A BETTER JOB. 976 00:32:55,606 --> 00:32:57,141 I MEAN, PEOPLE IN THE AUDIENCE MIGHT'VE THOUGHT 977 00:32:57,241 --> 00:32:58,609 I DID GREAT, BUT, YOU KNOW, 978 00:32:58,710 --> 00:33:01,212 MY HAIR LOOKED LIKE THE LION FROM "THE WIZARD OF OZ." 979 00:33:01,312 --> 00:33:03,448 AND, YOU KNOW, I JUST FEEL LIKE I COULD'VE DONE 980 00:33:03,548 --> 00:33:04,582 A BETTER JOB. 981 00:33:04,682 --> 00:33:06,384 YOU'RE HUMAN... LIKE, THAT'S WHAT HAPPENS. 982 00:33:06,484 --> 00:33:09,487 YEAH, BUT I-- WHEN YOU WANT TO BE 983 00:33:09,587 --> 00:33:13,424 A SUCCESSFUL SUPERSTAR, YOU'RE PERFECT. 984 00:33:13,524 --> 00:33:15,293 I HAVE A HIGHER STANDARD. 985 00:33:15,393 --> 00:33:16,894 I HAD A CHANCE TO PROVE MYSELF, 986 00:33:16,995 --> 00:33:18,429 AND I FEEL LIKE I BLEW IT. 987 00:33:18,529 --> 00:33:21,866 I'M JUST-- I'M HURTIN'. 988 00:33:21,966 --> 00:33:22,867 I UNDERSTAND. 989 00:33:22,967 --> 00:33:25,036 EVERYBODY ELSE, IT-IT WAS A PERFORMANCE. 990 00:33:25,136 --> 00:33:28,906 BUT, FOR ME, IT WAS THE PERFORMANCE. 991 00:33:34,746 --> 00:33:36,381 BECAUSE I JUST FEEL LIKE MY PERFORMANCE 992 00:33:36,481 --> 00:33:38,683 WAS NOT WHAT I WANTED IT TO BE. 993 00:33:38,783 --> 00:33:39,617 AT LEAST YOU HAD A PERFORMANCE. 994 00:33:39,717 --> 00:33:40,952 I STOOD THERE AT THE PODIUM. 995 00:33:41,052 --> 00:33:42,086 HELLO? 996 00:33:42,186 --> 00:33:43,388 LIKE, IS ANYBODY HOME? 997 00:33:43,488 --> 00:33:44,522 I'M UPSET. 998 00:33:44,622 --> 00:33:46,224 I'M SITTING HERE, POURING MY HEART OUT, 999 00:33:46,324 --> 00:33:47,992 AND NOBODY GIVES A DAMN! 1000 00:33:55,266 --> 00:33:55,399 EVERYBODY 1001 00:33:55,400 --> 00:33:55,499 EVERYBODY ELSE, 1002 00:33:55,500 --> 00:33:55,565 EVERYBODY ELSE, IT-IT 1003 00:33:55,566 --> 00:33:55,599 EVERYBODY ELSE, IT-IT WAS 1004 00:33:55,600 --> 00:33:57,634 EVERYBODY ELSE, IT-IT WAS A 1005 00:33:57,635 --> 00:33:58,469 EVERYBODY ELSE, IT-IT WAS A PERFORMANCE. 1006 00:33:58,569 --> 00:34:01,806 BUT, FOR ME, IT WAS THE PERFORMANCE. 1007 00:34:08,046 --> 00:34:09,881 SO, THE SHOW IS FINALLY OVER, 1008 00:34:09,981 --> 00:34:12,016 AND ME AND MY SISTERS DECIDE TO GO OUT, 1009 00:34:12,116 --> 00:34:15,420 HAVE A DRINK, AND CHILLAX. 1010 00:34:15,520 --> 00:34:18,022 I FEEL LIKE I WANT TO EAT MY HEARTACHE AWAY, RIGHT NOW. 1011 00:34:18,122 --> 00:34:19,057 WHY? 1012 00:34:19,157 --> 00:34:20,858 BECAUSE I JUST FEEL LIKE MY PERFORMANCE 1013 00:34:20,958 --> 00:34:22,693 WAS NOT WHAT I WANTED IT TO BE. 1014 00:34:22,794 --> 00:34:23,661 AT LEAST YOU HAD A PERFORMANCE. 1015 00:34:23,761 --> 00:34:24,829 I STOOD THERE AT THE PODIUM. 1016 00:34:24,929 --> 00:34:27,665 I WENT THROUGH ALL OF THAT SPRUCING, AND PRIMPING, 1017 00:34:27,765 --> 00:34:30,234 AND NAILING, AND HAIRING, AND MAKEUP... 1018 00:34:30,334 --> 00:34:32,437 TO, NUMBER ONE, NOT WALK THE RED CARPET, 1019 00:34:32,537 --> 00:34:33,538 AND TO, NUMBER TWO, 1020 00:34:33,638 --> 00:34:36,474 NOT GET TO SAY ANYTHING WHILE I'M AT THE PODIUM. 1021 00:34:36,574 --> 00:34:38,276 NO MOMENTS FOR TRINA! 1022 00:34:38,376 --> 00:34:39,477 I'M SORRY, TRINA. 1023 00:34:39,577 --> 00:34:40,945 BUT, AT LEAST SOMEBODY-- WHAT'S-- HOW-HOW THE SONG GO? 1024 00:34:41,045 --> 00:34:41,979 SEE, I STILL DON'T KNOW THE WORDS. 1025 00:34:42,080 --> 00:34:43,114 OH! 1026 00:34:43,214 --> 00:34:44,615 TRINA'S LINE DIDN'T COME UP ON THE TELEPROMPTER. 1027 00:34:44,715 --> 00:34:46,684 I JUST FEEL LIKE I JUST WASN'T AS PROFESSIONAL 1028 00:34:46,784 --> 00:34:49,954 AS I-- AS I KNOW THAT I AM. 1029 00:34:50,054 --> 00:34:51,155 AND LOOK AT MY KNEE. 1030 00:34:51,255 --> 00:34:55,293 I FEEL LIKE, I JUST WANNA WAKE UP AND START OVER. 1031 00:34:55,393 --> 00:34:56,661 HELLO? 1032 00:34:56,761 --> 00:34:57,962 LIKE, IS ANYBODY HOME? 1033 00:34:58,062 --> 00:34:59,163 I'M UPSET. 1034 00:34:59,263 --> 00:35:00,731 I'M SITTING HERE, POURING MY HEART OUT, 1035 00:35:00,832 --> 00:35:02,800 AND NOBODY GIVES A DAMN! 1036 00:35:02,900 --> 00:35:04,035 I KNOW THEY'RE LISTENING TO ME, 1037 00:35:04,135 --> 00:35:06,337 BUT NOBODY IS SAYING ANYTHING TO MAKE ME FEEL BETTER. 1038 00:35:06,437 --> 00:35:08,840 WHAT THE HELL IS THAT ABOUT? 1039 00:35:08,940 --> 00:35:09,874 I JUST WANNA DO IT, AGAIN. 1040 00:35:09,974 --> 00:35:11,109 I DO-- I WANNA DO IT OVER. 1041 00:35:11,209 --> 00:35:12,310 ME, TOO! 1042 00:35:12,410 --> 00:35:14,178 I HAD A THREE-SECOND MOMENT THAT NEVER EVEN HAPPENED. 1043 00:35:14,278 --> 00:35:15,113 IT WAS JUST-- 1044 00:35:15,213 --> 00:35:16,013 WELL, THAT'S WHAT I FEEL LIKE, TOO. 1045 00:35:16,114 --> 00:35:17,048 I PROMISE. 1046 00:35:17,148 --> 00:35:18,683 - TAMAR, STOP. - BUT, TAMAR, JUST... OKAY. 1047 00:35:18,783 --> 00:35:20,685 THAT'S COMPLETE-- THAT'S TOTALLY DIFFERENT. 1048 00:35:20,785 --> 00:35:22,286 - IT'S TOTALLY DIFFERENT. - WHY CAN'T-- WHY? 1049 00:35:22,386 --> 00:35:23,488 NO, BECAUSE SHE'S SAYING-- WHAT SHE'S SAYING IS-- 1050 00:35:23,588 --> 00:35:24,856 WHAT I'M SAYING IS, I DIDN'T EVEN HAVE A MOMENT. 1051 00:35:24,956 --> 00:35:25,957 'CAUSE YOU DIDN'T-- WHY YOU AIN'T SAY NOTHIN'? 1052 00:35:26,057 --> 00:35:27,425 WHY DIDN'T I SAY MY PART THAT DIDN'T COME UP? 1053 00:35:27,525 --> 00:35:28,392 OKAY, TRINA. 1054 00:35:28,493 --> 00:35:29,694 YOU ARE GOING HAM ON ME. 1055 00:35:29,794 --> 00:35:30,661 I'M NOT GOING HAM ON YOU. 1056 00:35:30,761 --> 00:35:31,696 YOU'RE TAKING IT PERSONAL. 1057 00:35:31,796 --> 00:35:32,597 YOU'RE STARTING TO TAKE IT PERSONAL. 1058 00:35:32,697 --> 00:35:34,432 OKAY. 1059 00:35:36,534 --> 00:35:37,502 A MILLION PEOPLE SAW ME SING 1060 00:35:37,602 --> 00:35:39,103 WITH MY HAIR LOOKIN' LIKE THAT, 1061 00:35:39,203 --> 00:35:40,838 AND TRINA'S TALKING ABOUT A LINE 1062 00:35:40,938 --> 00:35:43,474 ON A TELEPROMPTER THAT SHE DIDN'T READ. 1063 00:35:43,574 --> 00:35:45,676 YOU CAN'T EVEN COMPARE THE TWO. 1064 00:35:45,776 --> 00:35:47,345 ARE YOU STILL NERVOUS, EVEN AFTER THE PERFORMANCE? 1065 00:35:47,445 --> 00:35:48,412 I'M NOT NERVOUS AT ALL. 1066 00:35:48,513 --> 00:35:49,680 I WAS JUST EXPRESSING HOW I FEEL. 1067 00:35:49,780 --> 00:35:51,415 AND THEN, YOU KNOW, I JUST THINK MY FEELINGS, 1068 00:35:51,516 --> 00:35:52,884 JUST NOW, JUST GOT TOSSED OUT THE WINDOW. 1069 00:35:52,984 --> 00:35:54,585 "OH, TAMAR, PLEASE, YOU AIN'T PLAY---" 1070 00:35:54,685 --> 00:35:57,288 NO, BECAUSE YOU DID GET YOUR MOMENT. 1071 00:35:57,388 --> 00:35:58,489 YOU HAD YOUR MOMENT. 1072 00:35:58,589 --> 00:35:59,657 YOU HAD A MOMENT TO SING. 1073 00:35:59,757 --> 00:36:00,892 YOU HAD A MOMENT TO SPEAK. 1074 00:36:00,992 --> 00:36:02,860 AND SHE JUST IS SAYING-- - AND I JACKED IT UP. 1075 00:36:02,960 --> 00:36:04,996 I JUST FEEL LIKE FOR EVERYBODY ELSE, 1076 00:36:05,096 --> 00:36:06,898 IT WAS JUST A PERFORMANCE. 1077 00:36:06,998 --> 00:36:10,234 BUT, FOR ME, IT WAS SUPPOSED TO BE THE PERFORMANCE. 1078 00:36:10,334 --> 00:36:11,536 I PUT A WHOLE LOT INTO IT, 1079 00:36:11,636 --> 00:36:13,804 AND I WANTED TO GET, LIKE, THE PAYOFF. 1080 00:36:13,905 --> 00:36:16,174 YOU KNOW HOW YOU PUT A LOT INTO WHATEVER YOU WANNA DO? 1081 00:36:16,274 --> 00:36:17,575 I WANTED TO GET A LITTLE PAYOFF, 1082 00:36:17,675 --> 00:36:19,844 AND I FEEL LIKE I DISAPPOINTED MYSELF. 1083 00:36:19,944 --> 00:36:20,912 I'M JUST HAVING A LITTLE NIGHT TONIGHT. 1084 00:36:21,012 --> 00:36:22,947 THEN, AFTER I GET OFF STAGE, I HEAR THAT VINCE 1085 00:36:23,047 --> 00:36:26,551 HAS TO GET A MRI BECAUSE, OH, IT'S JUST-- 1086 00:36:26,651 --> 00:36:29,720 I JUST FEEL SO GUILTY ABOUT COMING OUT HERE... 1087 00:36:29,820 --> 00:36:32,323 AND NOW, HE'S, LIKE, SICK. 1088 00:36:32,423 --> 00:36:33,491 YOU KNOW, TAMAR COMES ACROSS 1089 00:36:33,591 --> 00:36:36,060 AS IF SHE CAN CONQUER THE WORLD, 1090 00:36:36,160 --> 00:36:37,962 BUT SHE'S ACTUALLY A SOFTIE. 1091 00:36:38,062 --> 00:36:41,632 AND I THINK, BY VINCE NOT BEING HERE BECAUSE HE'S SICK, 1092 00:36:41,732 --> 00:36:44,769 IS MORE THAN SHE CAN HANDLE, RIGHT NOW. 1093 00:36:44,869 --> 00:36:49,006 YOU'VE JUST ALWAYS BEEN THAT LITTLE NERVOUS BALL. 1094 00:36:49,106 --> 00:36:51,042 'CAUSE I LOVE MY FAMILY. 1095 00:36:51,142 --> 00:36:52,877 THAT'S IT! 1096 00:36:52,977 --> 00:36:55,346 LIKE, I AIN'T GOT A BUNCH OF FRIENDS AND STUFF. 1097 00:36:55,446 --> 00:36:57,248 LIKE, THIS IS IT. 1098 00:36:57,348 --> 00:37:00,451 I'M COOL WITH IT, BUT THIS IS IT FOR ME. 1099 00:37:00,551 --> 00:37:02,553 TAMAR, YOU DID A BEAUTIFUL JOB TONIGHT. 1100 00:37:02,653 --> 00:37:03,721 - YES, YOU DID. - AND YOU WERE BEAUTIFUL. 1101 00:37:03,821 --> 00:37:04,889 I KNOW YOU THINK YOU DIDN'T. 1102 00:37:04,989 --> 00:37:05,856 EVERYTHING HAPPENED THE WAY IT WAS SUPPOSED TO. 1103 00:37:05,957 --> 00:37:06,991 YOU SOUNDED GREAT-- YOU LOOKED GREAT. 1104 00:37:07,091 --> 00:37:08,125 WHEN YOU GOT OFF THE STAGE, 1105 00:37:08,226 --> 00:37:09,393 EVERYBODY WAS CLAPPIN' AND HOOTIN' AND HOLLERIN'. 1106 00:37:09,493 --> 00:37:10,428 MMM-HMM. 1107 00:37:10,528 --> 00:37:12,263 CAN I SAY SOMETHIN'? 1108 00:37:12,363 --> 00:37:13,231 WHEN YOU WENT ONSTAGE, 1109 00:37:13,331 --> 00:37:15,333 YOU REMINDED ME OF MARIAH CAREY. 1110 00:37:15,433 --> 00:37:18,536 I DID? 1111 00:37:18,636 --> 00:37:20,271 - AT LEAST YOUR MOVES. - GET YOUR LIFE. 1112 00:37:20,371 --> 00:37:21,672 YOU BETTER NOT BE TALKING ABOUT MY IDOL. 1113 00:37:21,772 --> 00:37:23,040 UH-UH. 1114 00:37:23,140 --> 00:37:24,342 WHO-- WHAT DID I DO, TRINA? 1115 00:37:24,442 --> 00:37:26,110 WILL YOU SHOW ME WHAT I DID? 1116 00:37:26,210 --> 00:37:29,080 WILL YOU SHOW ME WHAT I-- WILL YOU SHOW ME WHAT I DID? 1117 00:37:29,180 --> 00:37:30,715 GET YOUR LIFE! 1118 00:37:32,750 --> 00:37:34,719 THAT IS WHY YOU REMIND ME OF MARIAH! 1119 00:37:34,819 --> 00:37:36,754 YOU GOTTA SHAKE YOUR-- WAIT, SHAKE YOUR WAIST. 1120 00:37:36,854 --> 00:37:37,922 DO YOUR HIP-- AH. 1121 00:37:38,022 --> 00:37:40,091 AH-- HA-HA! 1122 00:37:40,191 --> 00:37:41,425 WELL, IF MY SISTERS ARE MAKING FUN OF ME, 1123 00:37:41,525 --> 00:37:43,761 I MUST'VE DONE MY DAMN THING 1124 00:37:43,861 --> 00:37:46,364 BECAUSE THEY'RE JUST TRYING TO KNOCK MY HOTNESS DOWN. 1125 00:37:46,464 --> 00:37:47,865 BOOM! 1126 00:37:47,965 --> 00:37:49,200 - YEAH. - YOU SKIPPED ON STAGE. 1127 00:37:49,300 --> 00:37:51,702 YOU DID-- YOU DID SKIP. 1128 00:37:51,802 --> 00:37:54,171 THIS EVENT MEANT A LOT TO TAMAR, 1129 00:37:54,272 --> 00:37:57,008 AND I WAS MORE THAN HAPPY TO CHEER HER UP. 1130 00:37:57,108 --> 00:37:59,277 BUT, I HAD TO MESS WITH HER JUST A LITTLE BIT 1131 00:37:59,377 --> 00:38:01,779 BECAUSE, YOU KNOW, TAMAR'S EGO IS JUST TOO DAMN BIG 1132 00:38:01,879 --> 00:38:03,180 FOR HER OWN GOOD. 1133 00:38:03,281 --> 00:38:04,649 WE'RE HAVING FUN, NOW. 1134 00:38:04,749 --> 00:38:05,750 BUT, YOU KNOW, 1135 00:38:05,850 --> 00:38:06,984 THERE'S A LOT THAT WE STILL NEED TO WORK ON 1136 00:38:07,084 --> 00:38:08,686 WITH OUR RELATIONSHIP AS SISTERS. 1137 00:38:08,786 --> 00:38:12,390 YA'LL KNOW THAT'S A TAMAR SMILE. 1138 00:38:12,490 --> 00:38:14,592 GIVING YOU COVER GIRL. 1139 00:38:14,692 --> 00:38:16,093 I FEEL A LITTLE BIT BETTER, 1140 00:38:16,193 --> 00:38:18,095 BUT I KNOW I NEED TO STEP MY GAME UP 1141 00:38:18,195 --> 00:38:19,664 TO GET WHERE I WANNA BE TO BECOME 1142 00:38:19,764 --> 00:38:21,866 THIS MAJOR SUPERSTAR THAT I AM. 1143 00:38:21,966 --> 00:38:24,635 I MEAN, I GOT ALL THIS, HONEY, 1144 00:38:24,735 --> 00:38:28,873 BUT I JUST NEED TO REFINE AND REPACKAGE THIS PACKAGE. 1145 00:38:28,973 --> 00:38:31,676 I MIGHT BE FLAT... I MIGHT FORGET MY LYRICS... 1146 00:38:31,776 --> 00:38:33,244 BUT, GUESS WHERE I'M GONNA BE AT THE END OF THE DAY? 1147 00:38:33,344 --> 00:38:34,378 - HMM? - CUTE. 1148 00:38:34,478 --> 00:38:36,647 - COMPLETELY BEAT TO CAPACITY. - WELL, YEAH. 1149 00:38:36,747 --> 00:38:37,682 - OKAY? - YES-YES-YES. 1150 00:38:37,782 --> 00:38:38,816 AND YOU WERE DANCING LIKE MARIAH. 1151 00:38:38,916 --> 00:38:40,051 AND EVEN THOUGH I DIDN'T HAVE ANYTHING TO SAY, 1152 00:38:40,151 --> 00:38:41,786 I WAS VERY CUTE WHILE I STOOD THERE. 1153 00:38:41,886 --> 00:38:42,853 - MMM-HMM. - YES, YOU WAS, 1154 00:38:42,953 --> 00:38:44,622 AND YOU HAVE MANY MORE NIGHTS TO SAY SOMETHIN'. 1155 00:38:44,722 --> 00:38:46,090 YES! 84101

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