All language subtitles for Braxton.Family.Values.S02E10.Sisters.at.War.1080p.ROKU.WEB-DL.AAC2.0.H.264-FFG_track3_[eng]

WHO'S

WHO'S GOING

WHO'S GOING TO

WHO'S GOING TO GEORGIA?

- WHO'S GOING TO GEORGIA?
- I

- WHO'S GOING TO GEORGIA?
- I THINK

- WHO'S GOING TO GEORGIA?
- I THINK WE'RE

- WHO'S GOING TO GEORGIA?
- I THINK WE'RE ALL

- WHO'S GOING TO GEORGIA?
- I THINK WE'RE ALL GOING.

YEAH?

SO, YOU GUYS ARE
ALL PERFORMING?

THAT'S SOMETHING THAT
WE GOTTA BE READY

AND PREPARED FOR.

THE NEXT SONG,
YOU CAN DO ANOTHER SET.

CAN I-CAN I SAY
WHAT I WANT FIRST?

CAN I FINISH?

YOU CAN'T PUT YOUR HANDS
IN MY .

HOPEFULLY, YOU KNOW,
WE CAN SIT DOWN

AND HAVE A LITTLE COME TO JESUS
ABOUT OUR SISTERSHIP,

BECAUSE THE WAY THINGS ARE
GOING, THEY'RE NOT GREAT.

TONI BRAXTON.

EVERYBODY BAILED ON ME.

YEAH-- Y'ALL SHOULD
FEEL REAL BAD.

WE ARE THE BRAXTONS
AND YOU'LL SEE

THAT WE ARE NOT LIKE
AN ORDINARY FAMILY

TONI TRACI TOWANDA
TRINA TAMAR AND MISS E

WILL TEACH YOU
A THING OR TWO

ON BRAXTON
FAMILY VALUES

YOU KNOW, I HATE WITH
THE SCOOTCHY-OOTCHY BOOTHS.

I HATE THE SCOOTCH-OOTCH.

I'M A LITTLE HUNGRY.

TONI AND TOWANDA ARE
THE LATEST PEOPLE

I'VE EVER MET.
- ARE ALWAYS LATE.

NO, TOWANDA IS
NOT THAT LATE.

WELL, TOWANDA IS LATE.

TOWANDA HAS BECOME LATE
BECAUSE SHE'S WITH TONI.

- HEY, Y'ALL.
- HEY, GIRLS.

HEY.

NOW, WHY Y'ALL
WAS LATE TODAY?

I WASN'T THAT LATE.

YOUR ASSISTANT SHOULD GET
YOU HERE ON TIME, TOWANDA.

I'M NOT HER ASSISTANT.

TOWANDA IS NOT
MY ASSISTANT ANYMORE.

SHE'S MY SISTER.
- THANK YOU, TONE.

IT IS SO NICE TO HEAR
THAT TONI IS NO LONGER

TREATING ME LIKE HER
PERSONAL ASSISTANT.

SHE IS REALLY GROWING,
OR MAYBE IT'S BECAUSE

SHE'S IN A VERY GOOD MOOD
BECAUSE SHE HAS GREAT NEWS.

I'M BEING INDUCTED INTO THE
GEORGIA MUSIC HALL OF FAME.

- I THINK THAT'S GREAT.
- THAT'S HOT.

- CONGRATULATIONS.
- GOOD FOR YOU, TONI.

YEAH.

THE GEORGIA HALL OF FAME
IS SUCH A HUGE HONOR.

SOME OF THE BIGGEST R&B
MUSICIANS IN THE WORLD.

GLADYS KNIGHT, OTIS REDDING,
RAY CHARLES, LITTLE RICHARD,

AND NOW, TONI BRAXTON.

THIS IS SUCH A HUGE
HONOR FOR HER,

AND I AM
SO EXCITED.

I WANT YOU GUYS
TO PERFORM FOR ME.

WHAT DO YOU THINK?
- WHAT DO YOU WANT US TO SING?

I DON'T KNOW.

WHATEVER YOU GUYS--
SURPRISE ME.

- A MEDLEY.
- I DON'T WANNA KNOW THAT PART.

JUST KINDA SURPRISE ME.

YOU WANT US TO
SING YOUR SONGS?

DO YOU THINK WHITNEY HOUSTON
GONNA HAVE SOME OTHER DIVA

UP THERE SINGING SOME
OTHER PEOPLE'S SONGS?

IT'D BE WHITNEY
HOUSTON SONGS.

YOU WANT US TO SING YOUR
SONGS, LIKE, FOR REAL?

WHY WOULD I WANT YOU
TO FAKE SING 'EM?

'CAUSE NOBODY CAN REALLY
GET DOWN THAT DEEP.

IT'S NOT THAT LOW.

IT JUST SOUNDS LOW 'CAUSE
IT HAS HUSKY TONES.

IT'S ACTUALLY
KIND OF HIGH.

I THINK WE
SHOULD DO A MEDLEY.

NOBODY CAN
SING THAT LOW.

I DON'T NEED TO
KNOW THAT PART.

- WHY?
- SURPRISE ME.

THE REALLY COOL THING ABOUT
THE GEORGIA HALL OF FAME

IS THAT THE INDUCTEE
GETS TO CHOOSE

THEIR PERFORMER OF CHOICE,

AND TONI CHOSE US,
HER SISTERS,

TO PERFORM FOR HER--
I AM SO FLATTERED.

WE'RE GONNA TRY,
BUT, YOU KNOW,

IT'S A LITTLE DIFFICULT WORKING
TOGETHER, A LITTLE BIT.

NO, IT'S NOT.

EXCUSE ME, BUT TONI
IS CRAZY THINKING

THAT WE CAN
WORK TOGETHER.

HAS SHE BEEN
PAYING ATTENTION?

TOWANDA, DO YOU
HONESTLY FEEL LIKE

YOU'RE READY FOR
THIS PERFORMANCE?

- I'M NOT FLAT.
- YOU WERE, JUST NOW.

- OH, NO-OH, NO!
- TAMAR, IT'S OKAY.

EVERYBODY GETS FLAT,
EVERY NOW AND THEN.

- I DON'T GET FLAT.
- YES, YOU DO-- YOU JUST DID.

SO, ARE WE GONNA
WRITE SOMETHIN'?

ARE WE GOING TO
SING SOMETHIN'?

ARE WE GONNA DO
THE BRAXTON SOMETHIN'?

WHAT ARE WE GONNA DO?
- LOOK THAT WAY.

LOOK THAT WAY.

WHY ARE YOU GETTING
SO RILED UP?

BECAUSE IT
IS FRUSTRATING.

TOWANDA, TRACI,
TRINA, TAMAR--

AND TAMAR, WE BETTER
GET OUR TOGETHER.

- MAKE SURE IT'S REALLY GOOD.
- I PROMISE.

I'M GONNA MAKE SURE
IT'S THE BOMB.

FOR EVERYBODY--
YOU, YOU, YOU, AND YOU.

MAKE SURE IT'S
REALLY GOOD.

TONI GAVE US OUR MARCHING
ORDERS THAT IT BETTER BE GOOD.

IF WE'RE GONNA
DO THIS THING,

I AM DEFINITELY NOT GONNA
ALLOW TAMAR TO RUIN IT

BY BEING BOSSY
AND TAKING OVER.

HOLD UP, HOLD UP!

WHAT, TAMAR?

AND FIVE, SIX, SEVEN, EIGHT,
AND NO, NO, NO, GO BACK.

NOTHING IS BEING
ACCOMPLISHED.

NOTHING!
- IT AIN'T MY FAULT.

WE'RE GONNA
GET TOGETHER

AND MAKE SURE THAT THE
PERFORMANCE WILL HAPPEN.

I'M EXCITED SINCE
WE TOASTIN' TO TONI

BEING INDUCTED INTO THE
MUSICAL HALL OF FAME.

- YEAH, TONI.
- IT'S ABOUT DAMN TIME!

- YEAH!
- CLINK-CLINK.

CLINK-CLINK-CLINK.

WHAT'S THAT IN HERE
SMELLING LIKE SOME CHICKEN?

UH, UH, YEAH--
I COOKED CHICKEN TODAY.

THIS IS CHICKEN
GREASE IN THERE.

- I SMELL CINNAMON AND SUGAR.
- MOM, YOU FRYING CHICKEN?

WE ARE ALL AT TAMAR'S HOUSE,
IN LOS ANGELES,

TRYING TO FIGURING OUT
WHAT WE'RE ALL GOING TO SING

AT TONI'S GEORGIA MUSIC
HALL OF FAME INDUCTION.

- SO, WHO'S GOING TO GEORGIA?
- I THINK WE'RE ALL GOING.

- YEAH?
- OKAY.

SO, YOU GUYS ARE
ALL PERFORMING?

THAT'S SOMETHING
THAT WE GOTTA BE READY

AND PREPARED FOR.

IT'S LIKE, YOU KNOW,
YOU THROW IT TOGETHER,

IT'S GONNA LOOK
THROWN TOGETHER.

THIS IS WHAT WE ARE SUPPOSED
TO DO PROFESSIONALLY,

AND YOU HAVE TO TAKE IT
AS BEING A PROFESSIONAL.

- I GET THAT-- I GET THAT.
- AND BEING PROFESSIONAL

IS BEING READY.

WE HAVE ALL HEARD THIS
FROM TAMAR BEFORE.

THE GIRL DEFINITELY NEEDS
TO GET SOME NEW MATERIAL.

BESIDES, WE JUST HAD A VERY
SUCCESSFUL PERFORMANCE

IN NEW YORK.

WE CAN DEFINITELY HANDLE
GETTING A MEDLEY TOGETHER

FOR TONI'S INDUCTION.

YOU KNOW, IT'S NOT LIKE A
TONI BRAXTON SONG IS NEW TO US.

IT'D BE DIFFERENT, IF WE
HAD THE SHOW, AND WE JUST,

YOU KNOW, WE CAN KINDA,
YOU KNOW, MAKE IT HAPPEN.

YOU'RE AB-- YOU'RE-YOU'RE
ABSOLUTELY RIGHT.

- WE DON'T.
- BUT, YOU KNOW,

AT-AT THE SAME TOKEN,
IF SOMEONE ASKS ME, YOU KNOW,

"SISTER, COULD YOU
DO THIS FOR ME?"

I'M GONNA TR-I'M GONNA
ATTEMPT TO TRY TO DO

EVERYTHING THAT I CAN
AND EXHAUST ALL MY OPTIONS.

IF WE'RE GONNA DO SOMETHIN',
IT HAS TO BE A TEAM EFFORT.

I CONCUR.

AND IT CAN'T BE
AN I-I-I-I-I.

LET IT BE A TEAM EFFORT,
IS WHAT I'M SAYING.

IF WE'RE GONNA DO IT, LET'S
WORK TOGETHER AS A GROUP.

IT SOUNDS IMPOSSIBLE, BUT
IT'S NOT TOTALLY IMPOSSIBLE,

IF WE BUCKLE DOWN,
AND EVERYBODY REALLY GIVE

A SWIFT KICK IN THE BEHIND
AND DO IT, LIKE--

YOU GUYS GOT THIS,
AND I, YOU KNOW,

I HAVE CONFIDENCE
THAT YOU--

I'M GOING TO DO MY BEST
TO STAY POSITIVE

WITH THIS PERFORMANCE.

BUT, YOU KNOW, WHEN YOU GET
THE FOUR OF US TOGETHER,

IT ALWAYS TURN OUT BE
A PILE OF BULL.

I'M JUST SAYIN'.

I MEAN, UH, DOES ANYBODY
HAVE ANY SUGGESTIONS

OF WHAT SONGS THEY WANNA
DO OF TONI'S MEDLEY?

I KNOW IT HAS TO BE
"BREATHE AGAIN."

I KNOW IT HAS TO BE
"UNBREAK MY HEART."

I KNOW IT HAS TO BE
"ANOTHER SAD LOVE SONG,"

AND I KNOW IT HAS TO BE--
WHAT WAS THE OTHER ONE?

"MAN ENOUGH"--
THERE'S A LOT OF 'EM.

BUT, YOU SAID YOU ONLY
HAVE FOUR MINUTES, RIGHT?

YEAH, BUT IT--
JUST A FEW SECONDS PER SONG.

IT AIN'T A LONG TIME.

WELL, I-I THINK YOU
SHOULD TRY IT ANYWAY.

LIKE I SAID, UM, YOU'VE
DONE THE SONGS BEFORE,

SO IT'S NOT LIKE
IT'S COLD TURKEY.

WE CAN DO, LIKE,
"MAN ENOUGH" FOR ME,

AND THEN DO THAT, UM,
THAT "MAN ENOUGH FOR ME,"

THEN GO, UH,
DUH-DUH-DUH-DUH-DUH.

THAT-THAT DANCE TAKES UP
A GOOD MINUTE AND 30 SECONDS.

YEAH-- COULD WE DO
THE CHORUS PART,

AND THEN DO THE
DANCE PART THING,

AND THEN DO THE
CHORUS PART, AGAIN?

- AND AT THAT SECTION.
- YEAH.

I MEAN, IT'S-IT'S
A THOUGHT.

WELL, IF THERE'S
NO PRODUCER

THAT'S PUTTING
THE SHOW TOGETHER,

THEN WE HAVE TO,
LIKE, DELEGATE JOBS.

WELL, THAT'S WHAT
WE'RE HERE TRYING TO DO.

NO, I'M JUST SAYING,
"YOU'RE GONNA BE THIS.

"YOU'RE GONNA BE THAT.

"THAT'S YOUR JOB
AND THIS IS MY JOB."

LIKE, THAT'S WHAT
WE NEED TO DO.

AND THEN, THAT WAY,
NOBODY'S LOOKING AROUND, LIKE,

"WELL, I THOUGHT
YOU WAS DOING IT."

"I THOUGHT YOU
WAS DOING IT."

NO, LIKE, IT HAS
TO BE ORGANIZED.

HAS TO HAVE SOME TYPE OF
ORGANIZATION TO THE MADNESS.

'CAUSE AT THE END OF THE DAY,
IF IT'S WHACK,

YOU GONNA ALWAYS BE
REMEMBERED FOR BEING WHACK.

AND I AIN'T TRYING TO BE
WITH THE WHACK JUICE.

I DON'T WANT NO
WHACK JUICE ON ME.

I'M NICE AND FRESH
AND CLEAN.

THAT'S HOW I WANT TO STAY--
I'M JUST SAYING.

ARE WE A TEAM?
- YES, WE CAN!

WE CAN DO THIS!
- I HAVE TO GO THE BATHROOM.

WE AIN'T GOT NO CHOICE.

- SHE'S HERE.
- WHO IS "SHE?"

- ME.
- SHE-ME-HER.

SO, WE'RE MEETING UP
AT THIS REHEARSAL STUDIO

TO REHEARSE FOR
TONI'S TRIBUTE,

AND I'M JUST
FINDING OUT

THIS IS, LIKE, A
FOR REAL-FOR REAL SHOW.

LIKE, USHER AND JUSTIN BIEBER
FITTIN' TO PERFORM HERE.

LIKE, WE GOTTA GET
OUR STUFF TOGETHER FAST.

TRACI CAN COME ON
AND DO "BREATHE AGAIN"

AND DRESSED LIKE
"BREATH AGAIN."

- I WANNA DO--
- AND THE NEXT SONG,

YOU CAN DO
ANOTHER SET--

CAN I SAY-CAN I
SAY WHAT I WANT?

- CAN I FINISH?
- YEAH, GO AHEAD.

- "ANOTHER SAD LOVE SONG."
- OKAY.

AND THEN YOU CAN DO
"LET IT FLOW."

AND I'LL COME OUT AND DO
"YOU MEAN THE WORLD TO ME."

WE'RE TRYING TO GET THIS
PERFORMANCE TOGETHER FOR TONI,

AND I WANT IT
TO BE RIGHT.

THIS IS A HUGE ACCOMPLISHMENT
AND WE HAVE TO DO OUR BEST.

LIKE, WE KNOW TONI'S ROUTINE
AND IT HAS TO BE PERFECT.

'CAUSE OTHER THAN THAT,
WE'RE JUST FOUR DO-WOP SINGERS,

SINGING DO-WOP
FOR THE PERSON

WE'VE BEEN SINGING DO-WOP
FOR ALL THIS TIME.

I'M JUST SAYING THAT'S
WHAT IT LOOKS LIKE.

IT'S JUST, BASICALLY,
PAYING HOMAGE TO OUR SISTER.

THIS IS A HUGE
ACCOMPLISHMENT.

TONI BEING INDUCTED IN THE
GEORGIA MUSIC HALL OF FAME

IS SUCH A HUGE DEAL,
AND I FEEL HONORED MYSELF

THAT SHE'S BEING IN THERE,
AND I JUST WANT ALL OF US

TO GET IT TOGETHER,

SO THAT WE CAN GO AHEAD
AND PERFORM FOR HER.

I DON'T KNOW IF
IT'S GONNA HAPPEN.

YOU SHOW US WHAT
WE NEED TO DO.

NO, I'M NOT GONNA SHOW YOU
GUYS WHAT YOU NEED TO DO,

BECAUSE I'M THE
ONLY WHO DISAGREES.

'CAUSE IT'S
NOT GOOD ENOUGH.

- THAT-THAT MEANS--
- SO, I MEAN--

NO, IF I'M THE ONLY PERSON
THAT DON'T AGREE,

THAT MEANS THAT I SHOULD
NOT BE DOING IT.

OKAY, WE DO NOT HAVE
OUR ACT TOGETHER,

FOR REAL, LITERALLY.

I ASKED THEM,
"OKAY, WHAT Y'ALL GOT?"

NOBODY HAD NO IDEAS,
AND THAT IS NOT MY FAULT.

NOBODY ELSE IS COMING UP
WITH ANYTHING,

AND I'M JUST SO SORRY--
IT'S JUST WRONG.

GUYS-- OKAY,
LET'S DO YOUR IDEAS.

LET'S DO THAT--
COME ON, LET'S GET UP HERE.

LET'S SEE WHAT
IT LOOK LIKE.

I THINK IT'S VERY
IMPORTANT THAT WE PLAY OUT

WITH THE IDEAS--
COME ON.

- 'CAUSE YOU'RE REALLY ON 20.
- WEAR THE ATTITUDE.

LET'S GET-LET'S
GET CONFIDENT.

NO-NO, BUT YOU'RE ON 20,
RIGHT NOW, TAMAR.

YOU'RE BEING VERY, VERY HYPER,
AND, FOR ME,

THERE'S NO REASON.
- OH, OKAY.

AND THAT'S NOT HOW WE CAN
GET THINGS ACCOMPLISHED.

WHY CAN'T WE JUST GET TOGETHER
AND MAKE IT WORK?

I-I'M TELLING YOU.

I AM NOT GONNA PUT UP WITH
TAMAR'S SHENANIGANS TODAY.

IT'S NOT GONNA HAPPEN.

AND Y'ALL TWO SHOULD BE
DOING THE BACKGROUND,

REAL QUICK.

TRINA, MOVE BACK,
AND THEN Y'ALL COME UP

AND DO THE BACKGROUND--
I'M SERIOUS.

LET'S START OVER
FROM THE BEGINNING.

WHO'S COMING OUT FIRST--
PUT YOUR HAND IN THE AIR.

NO, I'M TOWANDA.

EVERYBODY SKEDADDLE
UP THE STAGE.

I JUST GOTTA-I JUST
HAVE A NAME LIKE TOWANDA.

AND, TRINA, TRACI, AND
TOWANDA, CAN YOU SKEDADDLE?

- THANK YOU, DARLING.
- AND, THEN, TRACI,

BE READY FOR YOUR CUE.

UNLESS WE GONNA GET IN LINE AND
FOLLOW SOME KIND OF DIRECTION,

WE'RE GONNA LOOK
LIKE SOME WHACK-ASS

TONI BRAXTON IMPERSONATORS
AT A KARAOKE BAR.

UH-UH-UH--
SHE DO NOT DO THAT.

FIVE, SIX...
UH-UH!

YOU SAID.
- I DIDN'T DO THAT.

YES, YOU DID.

YOU CANNOT COME OUT
LIKE THAT.

SHE DID NOT DO IT
LIKE THAT, TAMAR.

- THANK YOU, TRINA.
- YES, SHE DID.

THAT'S NOT
HOW SHE DOES.

YES, SHE-- TOWANDA,
I'VE BEEN SINGING BACKGROUND

SINCE I WAS 12.

AND I'VE BEEN SINGING
BACKGROUND SINCE I WAS 13.

WHY YOU ALWAYS GOT
TO HAVE AN ISSUE?

ME?

HOW ARE WE GONNA PERFORM,
IS THE PROBLEM.

AT THE END OF THE DAY,
IF WE GOT THEM DANCE STEPS,

AND WE ARE SNATCHED AND BEAT,
WE'RE GONNA BE HOT.

TOWANDA, WHY YOU ON
THE PHONE DURING REHEARSAL?

OKAY, THIS IS SERIOUS.

ZO IS AT THE AIRPORT
AND DOESN'T HAVE

HIS CONFIRMATION INFORMATION.
- OH, OKAY.

THAT'S WHAT I'M SAYING--
THIS IS SERIOUS.

I'M NOT JUST
DOODLING AROUND.

ZO HASN'T GOTTEN THE HANG
OF THE TONI BRAXTON

PERSONAL ASSISTANT THING
JUST YET, YOU KNOW?

SO, TONI IS STILL
KINDA DEPENDING ON ME,

SO SHE'S STILL
CALLING ME

AND ASKING ME TO
HELP HER WITH THINGS.

SAY IT, AGAIN--
SAY IT, AGAIN.

TOWANDA, ARE YOU EVER GONNA
GIVE YOURSELF A CHANCE

TO DO SOMETHING OTHER
THAN BE ON THE PHONE?

SO, THIS ALWAYS
HAS TO BE AN ISSUE.

JESUS!

JESUS!

YOU JUST ASKED WHAT THE
ISSUE WAS, AND I TOLD YOU.

ARE YOU LEAVING?

TOWANDA AND I ARE ARGUING
BECAUSE SHE IS ON THE PHONE,

INSTEAD OF FOCUSING ON GETTING
THIS SHOW RIGHT FOR TONI.

I WANNA GO OVER THIS
ONE STEP WITH YOU.

OH BABY BABY
BABY BABY BABY

YOU KNOW WHAT I MEAN?

SHE'S-SHE'S--

NO, TRACI--
SHE'S VERY FLIRTY, VERY--

YOU'RE VERY...
A LITTLE STIFF.

OH, WELL, YOU ARE VERY...
WORKING ON MY NERVES.

- OKAY.
- I THINK YOU SHOULD DO IT.

AND I'LL SIT BACK,
AND I'LL GIVE DIRECTION.

I LIKE MY SONG.

YOU'RE ALWAYS
GIVING UP, TRACI.

SHE'S ALWAYS QUITTING--
WHY?

YOU'RE ALWAYS QUITTING--
YOU QUIT ON YOUR SISTER.

I MEAN, COME ON.
- TRINA CAN SAY SOMETHING.

NOBODY GETS MAD.

I HELP OUT, AND
EVERYBODY IS ACTING LIKE

I AM PULLING
THEIR TEETH.

CAN WE GET THROUGH IT
ONE TIME?

THAT'S ALL I NEED.

YOU HAVE TO HAVE TRACI FINISH
HER TANTRUM FOR A SECOND.

TANTRUM?

MISS BIG MOUTH ALMIGHTY--
MISS WONDERFUL ALL THOU!

I KNOW IT'S FOR TONI,
BUT THAT ONE, RIGHT THERE,

HER MOUTH, JESUS!

COMING UP, ON
"BRAXTON FAMILY VALUES."

HOW'S IT GOING--
HOW'S REHEARSALS GOING?

AND IF YOU'D BE REAL
WITH YOURSELF,

YOU'D BE LIKE,
"YOU KNOW WHAT?

"I WAS ACTING LIKE
AN ASS TO YOU

"FOR ABSOLUTELY REASON."
- I'M ALWAYS REAL WITH MYSELF.

I'M-- AND YES, I WAS,
AND YES, I WAS,

JUST LIKE YOU WAS, TOO.

AND I ALWAYS ACT LIKE
AN ASS .

MISS WANNABE DIANA ROSS
AND MISS WANNABE TINA TURNER!

GOOD GOD!

YOU CAN'T TALK TO NONE
OF THEM !

I

I THINK

I THINK YOU

I THINK YOU SHOULD

I THINK YOU SHOULD DO

I THINK YOU SHOULD DO IT,

I THINK YOU SHOULD DO IT,
AND

I THINK YOU SHOULD DO IT,
AND I'LL

I THINK YOU SHOULD DO IT,
AND I'LL STEP

I THINK YOU SHOULD DO IT,
AND I'LL STEP BACK,

AND I'LL SIT BACK
AND I'LL GIVE DIRECTIONS.

YOU'RE ALWAYS
GIVING UP, TRACI.

YOU'RE ALWAYS QUITTING--
YOU QUIT ON YOUR SISTER.

I MEAN, COME ON.

I KNOW IT'S FOR TONI,
BUT THAT ONE RIGHT THERE,

HER MOUTH, JESUS!

I'M JUST SO
UNAPPRECIATED,

AND I'M JUST TRYING TO
PULL THIS SHOW TOGETHER.

TONI'S HALL OF FAME EVENT IS
JUST, LIKE, A FEW DAYS AWAY,

AND NO ONE ELSE
HAS ANY IDEAS

WHEN I GAVE THEM
A CHANCE TO SHARE IT.

SO, LIKE, WHY IS
EVERYBODY MAD AT ME?

I MIGHT AS WELL
LEAVE, TOO.

I DON'T NEED TO BE
DOING THIS, NEITHER.

I CAN GO.

SO, YOU GUYS CALL ME WHEN YOU
GET YOUR ATTITUDES IN CHECK,

'CAUSE I WILL BE HELPING
THINE SELF FROM NOW ON.

WELL, EXACTLY--
WHAT ELSE IS NEW?

WHO ARE YOU
TALKING TO?

TOWANDA, WE'RE IN THE
MIDDLE OF REHEARSAL.

WE ARE RIGHT IN THE
MIDDLE OF REHEARSAL.

OKAY-- SO, WHO
ARE YOU TALKING TO?

WELL, WHO ARE
YOU TALKING TO?

I'M TALKING TO YOU.

WHEN YOU WALK OUT,
IT'S OKAY.

WHEN YOU HAVE A MOMENT,
IT'S OKAY.

- I DIDN'T HAVE A MOMENT.
- YOU HAD THIS BEFORE.

- WHY ARE YOU SNAPPIN'?
- WHY ARE YOU SNAPPIN'?

- I AM NOT SNAPPIN'.
- I'M NOT SNAPPIN'.

ALL I'M DOING,
IS ASKING.

ALL I'M DOING,
IS TELLING YOU.

- WE ARE IN REHEARSAL.
- WE SURE ARE.

- LIKE, I'M JUST SAYING.
- I'M JUST SAYING.

ARE WE GONNA
DO THE SHOW?

I'M ASKING YOU
BECAUSE YOU-YOU'RE HERE

WITH AN ATTITUDE.
- I DON'T HAVE AN ATTITUDE.

I DON'T HAVE
AN ATTITUDE.

EVERY TIME I SAY SOMETHIN',
EVERYBODY GETS MAD AT ME.

HOW COME YOU'RE
GETTING MAD AT ME?

ALL I HAVE DONE,
IS HELP EVERYBODY.

I DIDN'T DO NOTHIN'
TO NOBODY, EITHER.

ALL I'VE DONE, IS
HELP EVERYBODY.

AND CONTRIBUTE-CONTRIBUTE
WHAT I KNOW HOW TO DO.

ALL I'VE DONE, IS CONTRIBUTE
WHAT I KNOW HOW TO DO.

I THINK I KNOW WHAT
PEOPLE WANT TO SEE.

AND I KNOW HOW TO
TAKE CARE OF STUFF.

H-HOW ABOUT THAT?

I'M JUST TRYING
TO HELP YOU OUT.

I'M TRYING TO HELP
PEOPLE OUT, TOO.

WHY DO YOU HAVE
THE ATTITUDE?

WELL, HOW COME YOU'RE
GETTING MAD AT ME?

YOU'RE NOT GONNA
DISRESPECT ME.

THAT'S NOT
GONNA HAPPEN.

I CAN GET ON MY MAN'S JET
AND GET THE HELL UP OUTTA HERE.

I DON'T NEED THIS.

THIS IS SO TYPICAL
FOR TAMAR.

YOU KNOW, JUST
LEAVING REHEARSAL

AND ALWAYS BLAMING
EVERYBODY ELSE

FOR THE ISSUES
AND THE PROBLEMS,

AND SHE'S NOT
LOOKING AT HERSELF.

- I'LL BE RIGHT BACK, TRAY.
- OKAY.

I DON'T KNOW WHAT IN
TARNATION THE PROBLEM IS,

BUT I'M GONNA TRY TO
DIFFUSE THE SITUATION,

SO WE CAN GET
BACK TO WORK.

EVER SINCE WE WERE LITTLE,
I'VE ALWAYS BEEN THE ONE

CALLED UPON TO
MAKE THE PEACE.

BUT, IF WE CAN'T GET
THIS THING TOGETHER,

THERE WILL BE NO
TRIBUTE PERFORMANCE,

PLAIN AND SIMPLE.

TAMAR, WHERE
ARE YOU GOING?

TOWANDA IS VERY
DISRESPECTFUL.

EVERY TIME
I SAY SOMETHING,

I'M JUST TRYING TO
HELP THE SITUATION.

DO YOU KNOW WHY
EVERYBODY'S MAD AT ME?

DO YOU KNOW WHY EVERYBODY
IS-IS SO MEAN AND EVIL TO ME?

WELL, I-I HAVE TO
BE HONEST, NOW.

IT'S-IT COMES
ACROSS LIKE,

"OKAY, I'M RIGHT,
AND YOU'RE WRONG."

I'M JUST SO FRUSTRATED
THAT NOBODY APPRECIATES

WHAT I BRING.

EVERYBODY TAKES IT
AS BEING NEGATIVE,

AND I'M NOT
BEING NEGATIVE.

THIS IS COMPLETELY
RIDICULOUS.

IF WE CANNOT
CHANGE OUR BEHAVIOR

AND OUR FAMILY DYNAMICS,
EVERYTHING IS GONNA BLOW UP,

AND WE ARE GOING TO
RUIN TONI'S BIG NIGHT.

THE STAKES
ARE TOO HIGH,

AND THIS IS WAY TOO
IMPORTANT TO BLOW.

BUT, I'M JUST
TRYING TO TELL YOU,

IF YOU DON'T LIKE
MY REALITY, THEN--

I DIDN'T SAY OR DO
ANYTHING WRONG TO YOU,

AND EVERY TIME
I GIVE YOU A STEP,

YOU ALWAYS GET AN
ATTITUDE WITH ME.

- IT'S YOUR DELIVERANCE.
- NO, IT'S NOT.

- IT'S YOUR DELIVERANCE.
- NO.

TRINA, I HAVE NOT DONE
ANYTHING TO ANYBODY.

ALL I'VE BEEN DOING,
IS TRYING TO HELP.

AND IF YOU'D BE REAL WITH
YOURSELF, YOU'D BE LIKE,

"YOU KNOW WHAT-- I WAS ACTING
LIKE AN ASS TO YOU

"FOR ABSOLUTELY REASON."
- I'M ALWAYS REAL WITH MYSELF.

I'M-- AND YES, I WAS, AND YES,
I WAS, JUST LIKE YOU WAS, TOO.

- THAT'S NOT NECESSARY.
- JUST LIKE YOU WAS, TOO.

DON'T PUT YOUR HANDS
IN PEOPLE'S FACE.

- WHAT-WHAT?
- I'M JUST SAYING THAT'S NOT--

SOMEBODY CAN
DO THAT, TOO?

JUST LIKE YOU CAN'T PUT YOUR
HANDS IN FACE.

GOD!

MISS WANNABE DIANA ROSS AND
MISS WANNABE TINA TURNER!

GOOD GOD!

YOU CAN'T TALK TO NONE OF
THEM BITCHES!

AFTER REHEARSAL
FELL APART,

TAMAR GOT IN HER CAR AND
THREATENED TO LEAVE ATLANTA

TO GO TO BE WITH VINCENT.

SO, THE ONLY WAY I CAN
SEE FOR THINGS TO HAPPEN,

IS TO CALL
A SUMMIT MEETING

AND SEE IF WE CAN GET
EVERYONE BACK ONBOARD.

IF TAMAR DOESN'T
DO THE SHOW,

EVERYTHING IS
GONNA FALL APART.

- TAMAR?
- HELLO.

WILL YOU PLEASE COME OVER,
SO WE CAN TALK?

BUT-BUT, THAT'S
WHAT I'M SAYING.

YOU DON'T FEEL LIKE
YOU'VE DONE ANYTHING,

AND THE GIRLS DON'T
THINK THEY DONE ANYTHING.

YOU KNOW, SO, I THINK
Y'ALL SHOULD TALK IT OUT.

I THINK THAT HAS-I THINK THAT
CONVERSATION NEEDS TO BE HAD.

WHY CAN'T-WHY CAN'T
WE JUST BE OPEN-MINDED

AND EVERYBODY JUST
TALK TO EACH OTHER?

DO YOU WANT ME TO
CALL DR. SHERRY?

- OH, TONE.
- YES.

TONI AND I ARE HAVING LUNCH,
UM, SO THAT WE CAN DISCUSS

THE AWARDS CEREMONY,
AND, OF COURSE,

SHE WANTS AN UPDATE ON HOW
THE REHEARSALS ARE GOING.

HOW'S IT GOING--
HOW'S REHEARSALS GOING?

WELL, IT'S JUST INTERESTING,
BECAUSE, YOU KNOW,

TAMAR HAS THAT LITTLE
TAKEOVER SPIRIT.

EVERYBODY WAS
IN A GOOD SPACE,

AND SHE JUST CAME
IN BARKING, LIKE,

FOR REAL, TRYING TO JUST
TAKE OVER EVERYTHING.

- WE KNOW THAT'S TAMAR, BUT--
- WHY DO WE HAVE TO USE THAT

AS AN EXCUSE THAT
THAT'S JUST TAMAR?

I'M NOT-I'M NOT
MAKING IT AN EXCUSE.

YOU KNOW TAMAR
ALWAYS FUSSES,

AND THEN IT ALWAYS
COMES TOGETHER.

SHE JUST WANTS IT
TO BE PERFECT.

YOU WANT IT TO BE PERFECT--
TAMAR WANTS IT TO BE PERFECT.

BUT, EVERYBODY WANTS
IT TO BE PERFECT.

TRINA WANTS IT TO BE PERFECT--
IT'LL BE PERFECT.

- BUT, TAMAR IS--
- IT WOULDN'T BE US,

IF THERE WASN'T
SOMETHING GOING ON.

SO, IT'S NORMAL.

I'M JUST ANXIOUS
TO SEE IT,

'CAUSE I KNOW
IT'S GONNA BE GREAT.

TONI IS SO EXCITED ABOUT US
PERFORMING FOR THE CEREMONY.

BUT, THE WAY THAT THE
REHEARSALS ARE GOING,

I AM SO NOT SURE IF
THAT'S GONNA HAPPEN.

BUT, YOU KNOW WHAT?

I DON'T WANNA
BREAK TONI'S HEART,

SO I'M REALLY GONNA
TRY TO MAKE IT WORK.

I KNOW SHE'S PROBABLY GONNA
SING "UNBREAK MY HEART,"

AND IMITATE ME
AND TEASE ME.

SHE'S GONNA BE DANCING LIKE ME,
HOW SHE THINKS I DANCE.

WELL, SHE DEFINITELY THINKS
SHE KNOWS YOU DOWN PAT.

- YES, BUT THAT'S GOOD, THOUGH.
- MMM-HMM.

YEAH.
- IT'LL BE GREAT.

I CAN'T WAIT
TO SEE IT.

I'M STILL FEELING REAL SORE
ABOUT HOW I WAS TREATED

AT REHEARSAL, BUT MOMMY ASKED
ME AND TRACI TO COME OVER

AND DISCUSS WHAT WE WAS
GONNA DO FOR TONI'S TRIBUTE.

- WHAT-WHAT YOU GUYS GONNA DO?
- I DON'T EVEN KNOW.

IT WAS HORRIBLE.

YOU KNOW, I CAN'T BELIEVE
THAT IT WAS HORRIBLE.

GETTING ON STAGE
AND, YOU KNOW,

ALL FOUR OF US DOING BACKGROUND
MOVES TO TONI'S SONGS

IS NOT REALLY DOING US ANY
JUSTICE OR HER RECORDS.

I DON'T WANNA LET
TONI DOWN, EITHER.

BUT, I AIN'T FITTIN' TO
GET ON NOBODY'S STAGE

WITHOUT NO PLAN AND
WITHOUT REHEARSING.

LIKE, WE'RE GONNA EMBARRASS
OURSELF AND TONI, TOO.

IT IS A SIN
AND A SHAME

MY SISTERS DON'T
WANNA LISTEN TO ME.

SO, YOU GUYS COULDN'T
DO THREE OR FOUR SONGS?

IT'S NOT THE SINGING--
IT'S THE PERFORMANCE.

TAMAR IS WORKING ON MY NERVES
WITH HER DICTATING WAYS.

SHE ALWAYS GOTTA
RUN THE SHOW.

IT'S EITHER HER WAY
OR NO WAY.

WHAT I'M SAYING, IS THAT
YOU DONE IT IN THE PAST.

I THINK THAT THIS IS A GREAT
OCCASION FOR YOUR SISTER.

SHE WORKED ALL OF
HER LIFE DOING THIS.

IN SPITE OF THE
GIRLS' DIFFERENCES,

THEY ALWAYS
PUT IT TOGETHER,

AND THEY ALWAYS SET ASIDE
WHAT IS GOING ON WITH THEM,

AT THAT TIME, OUT OF
RESPECT FOR EACH OTHER,

AND I KNOW THAT THEY CAN DO IT
OUT OF THE RESPECT FOR TONI.

YOU CAN'T GET UP THERE
AND EXPECT THINGS TO

FALL INTO PLACE, IF YOU DON'T
HAVE THE ADEQUATE PRACTICE.

TAMAR, THAT'S
NOT TRUE.

AND YOU DON'T
HAVE THE ADEQUATE--

YOU-YOU HAVEN'T PUT THE TIME
IN TO MAKE IT RIGHT.

FOR YOU GUYS NOT TO BE
PREPARED AND NOT TO BE READY,

I'M SOMEWHAT
DISAPPOINTED.

I'M REAL DISAPPOINTED FOR
A LOT OF STUFF, TOO, SO--

YEAH-- I'M EXTREMELY,
EXTREMELY DISAPPOINTED.

MOMMY'S RIGHT--
THIS ISN'T ABOUT US.

THIS IS ABOUT TONI,

AND I DON'T THINK
TAMAR GETS IT AT ALL.

I WOULD SAY I KNOW HOW
TO GET TO TRINA'S PLACE.

BEEN THERE
A FEW TIMES.

WHEN I HEARD THAT TONI
WAS GONNA BE INDUCTED

INTO THE HALL OF FAME,
IN ATLANTA,

I JUMPED ON
THAT PLANE,

AND I MADE IT
QUICKLY TO ATLANTA,

AS FAST AS I COULD, AND JAY
PICKED ME UP AT THE AIRPORT,

AND HE WAS SUPPOSED TO TAKE
ME OVER TO TRINA'S HOUSE.

- TWO MINUTES AWAY.
- TWO MINUTES?

- TWO MINUTES.
- OKAY.

- I THINK IT'S TWO LIGHTS.
- MMM-HMM.

TWO LONG LIGHTS.

WE'RE HERE.
- JAY, WHERE ARE YOU TAKING ME?

THIS DON'T LOOK
LIKE TRINA'S PLACE.

I THINK TOWANDA SAID TO TAKE
YOU TO TRINA'S OR MISS E'S?

- TR-- MISS E?
- YEAH, MISS E.

YOU'RE NOT TAKING ME
TO MISS E, ARE YOU?

I THINK SO--
LET ME CALL TOWANDA.

SHE TOLD ME TO
TAKE YOU SOMEWHERE.

I CAN'T REMEMBER
WHERE SHE SAID.

NOT MISS E.-- I KNOW
SHE DIDN'T SAY MISS E.

I THINK SHE SAID--
LET ME CALL HER.

YOU'RE GONNA
GET ME KILLED.

OH, GOSH.

LET ME JUST TRY TO TURN
AROUND REAL QUICK.

AND INSTEAD OF TAKING ME
TO TRINA'S HOUSE,

HE TOOK ME DIRECTLY
TO EVELYN'S HOUSE

AND PARKED RIGHT IN
FRONT OF HER DOOR.

I WAS SITTING THERE
LIKE A SITTING DUCK.

I DIDN'T KNOW
WHAT TO DO.

DON'T LET HER
COME OUT-- WAIT.

IS THAT MISS E
IN FRONT OF US?

OH, LORD.

WHEN I SAW MY EX-HUSBAND
PARKED OUTSIDE OF MY HOUSE,

I WAS SHOCKED.

I MEAN, HOW COULD JAY BRING
THIS MAN TO MY HOUSE?

IT WAS A PRETTY CLOSE CALL,
AND I TOLD JAY,

"GET ME OUTTA HERE,
AS QUICK AS YOU CAN."

YOU KNOW, I'M DEAD MEAT,
BUT SHE GONNA KILL YOU.

COMING UP, ON
"BRAXTON FAMILY VALUES"...

IT'S A LITTLE EMBARRASSING
THAT WE CAN'T GET

A LITTLE MEDLEY TOGETHER.

YOU KNOW, WE JUST COULDN'T
COME TOGETHER, DAD.

YOU'RE ALWAYS ABLE
TO PULL IT TOGETHER

AT THE LAST MINUTE.
- NOT THIS TIME.

YEAH, WE COULDN'T THIS TIME,
AND I DON'T KNOW WHY.

I'M

I'M ALL

I'M ALL DRY

I'M ALL DRY MOUTH,

I'M ALL DRY MOUTH, NOW.

- I'M ALL DRY MOUTH, NOW.
- I'LL

- I'M ALL DRY MOUTH, NOW.
- I'LL BE

- I'M ALL DRY MOUTH, NOW.
- I'LL BE RIGHT

- I'M ALL DRY MOUTH, NOW.
- I'LL BE RIGHT BACK.

WHOO.

HELLO--
PEACE IN THE MIDDLE EAST.

COME IN--
HAVE A SIT-SIT.

- HELLO.
- COME SIT, AT YOUR FINGERTIPS.

BOOM.

I'M TRYING TO THROW
A HAIL MARY PASS HERE

TO TRY TO GET EVERYONE
ON THE SAME PAGE.

WE REALLY NEED TO
HAVE A PROPER TRIBUTE

FOR TONI'S BIG NIGHT.

OH, OKAY, GUYS--
I'M NOT GONNA KEEP YOU LONG.

THE WAY THINGS ARE GOING,
NOW, IT HURTS MY FEELINGS,

YOU KNOW, 'CAUSE WE-WE'VE
NEVER BEEN THIS WAY BEFORE,

AND I KNOW I LOVE EACH
AND EVERY ONE OF YOU,

AND THERE IS NO ME
WITHOUT ALL OF YOU.

BUT, JUST LIKE YOUR FEELINGS
ARE HURT, I DON'T--

MY FEELINGS ARE NUMB--
I DON'T HAVE ANY FEELINGS.

THEY ARE-- THEY'VE BEEN
TAKEN AWAY FROM ME.

THAT'S UNFORTUNATE BECAUSE
AT-AT THE END OF THE DAY--

IT REALLY IS--
IT'S TERRIBLE.

WE CAN-WE CAN ARGUE, BUT,
AT THE END OF THE DAY,

IT IS ALL LOVE.

WE'VE BEEN IN
ARGUMENTS BEFORE.

WHO-WHO HAVE YOU BEEN IN
AN ARGUMENT WITH, BESIDES ME?

WHAT-- I ARGUE WITH
THE GIRLS ALL THE TIME.

OH.

WE HAVE DISAGREEMENTS
ALL THE TIME,

BUT THAT'S WHAT THEY ARE,
DISAGREEMENTS.

WE DISAGREE.

WHAT I DO WANNA DO IS, MAKE
SURE THAT WE HAVE SOMETHING

SOLIDIFIED AND PLANNED
FOR TONI TOMORROW.

IF WE COULD ALL
WRITE SOMETHING OUT,

SO IT'S NOT
GONNA TAKE MUCH.

JUST MAYBE A FEW LINES
A PERSON, YOU KNOW,

JUST TO GIVE HER
SOME ACCOLADES

FOR EVERYTHING THAT SHE'S
DONE IN THIS INDUSTRY,

'CAUSE SHE'S PAVED THE WAY
FOR SO MANY PEOPLE,

INCLUDING US.

AGAINST ALL ODDS,
WE PULLED TOGETHER

OUR RECENT PERFORMANCE
IN NEW YORK.

IF WE CAN
PULL IT TOGETHER

AND MAYBE EVEN DO A
SPOKEN TRIBUTE FOR TONI,

WE CAN AT LEAST PULL TOGETHER
SOMETHING POSITIVE

FOR HER INDUCTION, FOR
THE GEORGIA HALL OF FAME.

I THINK THAT WOULD BE
A REALLY GREAT IDEA.

I THINK THAT'S
A GREAT IDEA.

I CONCUR.

- TRAY?
- YEAH-- I THINK SO, TOO.

OKAY.

AND, HOPEFULLY, NOW,
OF COURSE, NOT RIGHT NOW,

BUT, HOPEFULLY, YOU KNOW,
WE CAN SIT DOWN

AND HAVE A LITTLE COME TO JESUS
ABOUT US AND OUR SISTERSHIP,

BECAUSE THE WAY
THINGS ARE GOING,

THEY'RE NOT GREAT,
AND IT USED TO BE.

THE WAY THINGS ARE GOING, NOW,
IT HURTS MY FEELINGS.

SO, CAN WE HAVE A GROUP HUG?
- YEAH, SURE.

WE DON'T-WE DON'T HAVE
TO DO A CLANK-CLANK,

BUT WE CAN
HAVE A GROUP HUG.

SO, LET'S-- COME-COME.
- YES-- HOW ABOUT THAT?

LIFE IS WAY
TOO SHORT.

WAIT-WAIT-- PLEASE
DON'T OVERDO IT, THOUGH.

- MUAH-MUAH-MUAH.
- LOVE YOU GUYS.

WE MAY HAVE JUST HUGGED IT
OUT ON THE SISTER GROUP HUG,

BUT LET ME TELL YOU
SOMETHIN, RIGHT NOW.

I AIN'T FEELING ALL THAT,
RIGHT NOW.

I'M JUST SAYING.
- MUAH.

- LOVE YOU GUYS.
- LOVE YOU.

DADDY IS STAYING AT OUR HOUSE
HERE IN ATLANTA,

IN ORDER TO BE THERE
FOR TONI'S CEREMONY,

FOR HER INDUCTION
INTO THE HALL OF FAME.

I'M BUSY WRITING
MY SPEECH,

AND I THINK IT'S
REALLY IMPORTANT

THAT TONI HAS EVERYONE'S
SUPPORT TO BE THERE FOR HER.

- HI, TRINI.
- HEY, WIN.

- YOU WORKING ON YOUR SPEECH?
- MMM-HMM.

- IT'S A SHAME.
- WHAT?

BECAUSE I REALLY WANTED
TO DO THE PERFORMANCE.

- ME, TOO.
- HEY, GIRLS.

- HEY, DADDY-O.
- HEY, DAD.

HEY, TIGGER--
HEY, WONDA.

- HEY, DAD.
- WHAT Y'ALL DOIN'?

WE'RE WRITING SOME
ACCOLADES FOR TONI

FOR HER HALL OF FAME
ACCEPTANCE AWARD.

- OH, GREAT.
- WE WERE SUPPOSED TO PERFORM.

- WE WERE SUPPOSED TO SING.
- AND WHAT HAPPENED?

YOU KNOW, WE JUST COULDN'T
COME TOGETHER, DAD.

YOU KNOW, YOU'RE ALWAYS
ABLE TO PULL IT TOGETHER

IN THE LAST MINUTE.
- NOT THIS TIME.

YEAH, NOT-- WE COULDN'T THIS
TIME, AND I DON'T KNOW WHY.

WE'VE BEEN ABLE TO
RALLY PAST OUR PROBLEMS

AND ACHIEVE SOME
SORT OF SUCCESS,

FOR A PERFORMANCE,

BUT THINGS ARE BEGINNING
TO GET SO BAD,

THAT I'M VERY WORRISOME
THAT WE CAN'T GET PAST IT,

AT THIS POINT.

IT'S NOT ABOUT
ANYBODY'S PERSONALITY.

IT'S ALL ABOUT
PERFORMING FOR TONI.

- YES.
- RIGHT.

- YES, YES.
- THAT'S THE BOTTOM LINE,

BUT IT'S ALSO A
MATTER OF RESPECT.

BETWEEN EACH OTHER?

YES, DEFINITELY
BETWEEN EACH OTHER.

BETWEEN EACH OTHER,
ABSOLUTELY.

WHEN THERE IS A NEGATIVE
VIBE WITHIN A ROOM,

OR WITHIN A UNIT,

IT IS VERY DIFFICULT TO
PERFORM THE TASK AT HAND,

BECAUSE YOU'RE BUSY
TAKING CARE OF

AND CUDDLING YOUR ATTITUDE.

THIS IS A HAPPY DAY,
THIS IS A HAPPY OCCASION,

AND I-I HAVE MADE A DILIGENT
CHOICE TO HAVE A WONDERFUL,

GREAT DAY FOR MY SISTER.

AND LET'S PUT ALL THE OTHER
STUFF BEHIND US, OKAY?

- YES.
- EXACTLY AND-AND LET'S--

I AM VERY PROUD
OF ALL MY GIRLS.

COMING UP, ON
"BRAXTON FAMILY VALUES"...

LOVE YOU, TONI.

SO, SOMEBODY
JUST SAID,

"I CAN'T WAIT TO
HEAR YOU PERFORM."

TONI BRAXTON.

MAMA!

- MAMA!
- YES?

YOU GOT SOME BACON?

YOU KNOW, I WASN'T GONNA COOK,
'CAUSE YOU KNOW WHAT?

I HAVE SOME THINGS
I HAVE TO DO LATER.

USUALLY, WHEN
PEOPLE COME HOME

AND GO TO THEIR MAMA'S
HOUSE AND STUFF--

UH-UH-- I CAN'T.

IT'S TOO MUCH.
- THEY HAVE SOME HOG MAWS,

SOME PORK SKINS,
FRESH PORK SKINS.

TAMAR, WE DON'T-
WE DON'T HAVE--

YOU'VE BEEN TALKING
ABOUT HOG MAWS FOR A WHILE.

YEAH, I NEED SOME
OINK-OINK IN MY LIFE.

I'LL TELL YOU WHAT-- WHY
DON'T YOU GUYS COOK FOR ME?

THAT WOULD BE NICE.

MOMMY, BUT YOU DON'T
GO TO YOUR MAMA HOUSE

TO COOK FOR HER.
- UH-HUH, UH-HUH-- YES, YOU DO.

YOU COOK FOR YOUR MAMA WHEN
YOUR MAMA COME TO YOUR HOUSE.

REMEMBER, I MADE YOU
BACON IN THE MORNING?

WHAT-- WHEN?

YOU HAVE TO MAKE ME
BACON IN THE MORNING,

WITH A LITTLE
BIT OF GRITS.

I'M A LITTLE-I'M
A LITTLE TIRED.

OKAY-- WELL, I GOTTA
GO GET SOME STOCKINGS.

AND IF YOU SEE
SOMETHING REAL CUTE--

I'M NOT GETTING IT FOR YOU--
I'LL GET IT FOR ME.

UGH.

- SEE YA.
- SEE YOU.

TRINA,

TRINA, YOU

TRINA, YOU BETTER

TRINA, YOU BETTER HURRY

TRINA, YOU BETTER HURRY UP

TRINA, YOU BETTER HURRY UP
AND

TRINA, YOU BETTER HURRY UP
AND BEAT

TRINA, YOU BETTER HURRY UP
AND BEAT YOUR

TRINA, YOU BETTER HURRY UP
AND BEAT YOUR FACE.

I'M TRYIN'.

I'M TELLING YOU,
UNDER EYE--

WHY IS
SHE DOING THAT?

LITTLE CIRCLES
IS-IS NOT CUTE.

TODAY IS TONI'S INDUCTION
TO THE GEORGIA HALL OF FAME,

AND WE'RE TRYING TO DECIDE
WHAT WE'RE GOING TO SAY TO HER

WHEN WE'RE
INTRODUCING HER.

SO, DID EVERYBODY WRITE OUT
SOMETHING TO SAY TO TONI?

LIKE, "YOU'RE LATE,
BUT YOU'RE GREAT."

I THINK IT'D BE FUNNY,
THOUGH, IF YOU MADE REFERENCE

TO HER ALWAYS BEING LATE
ALL THE TIME.

WELL, I THINK
IT'S GONNA BE FUN.

I FEEL LIKE A SUCKER FOR
NOT PERFORMING, THOUGH.

- YEAH.
- I FEEL THAT WAY.

WE SHOULD-WE SHOULD
FEEL LIKE SUCKERS,

'CAUSE WE SHOULD'VE MADE SURE
SOMETHIN' CAME TOGETHER.

- THAT AIN'T HOT.
- IT'S REALLY NOT.

IT'S A LITTLE
EMBARRASSIN'.

LIKE, YOU KNOW, WE CAN'T GET
A LITTLE MEDLEY TOGETHER.

DO YOU THINK WE CAN-WE CAN
THROW SOMETHING TOGETHER?

- THROW SOMETHING?
- NOT-NOT-NOT THROW--

WHEN I SAY,
"THROW SOMETHING TOGETHER,"

YOU THINK WE CAN-- 'CAUSE
WE KNOW A LOT OF SONGS.

THERE ARE A LOT OF SONGS
ON THE ROSTER.

SHOULD WE TRY TO SING
SOMETHING REALLY QUICK?

LIKE, MAYBE ONE
OF HER FAVORITES?

- I MEAN, IT AIN'T NO SHAME.
- HELLO?

BUT, IT AIN'T LIKE
WE FIT TO GET UP THERE

AND SING SUPER BASE--
YOU KNOW WHAT I'M SAYIN'?

WE'RE ABOUT TO SING
FOR REAL, FOR REAL R$B

CLASSIC RECORDS.
- REALLY?

- TELEPHONE BANDIT.
- NOT EVEN FOR TWO MINUTES?

WELL, YEAH-- NEXT YEAR, WE
CAN DEFINITELY DO SOMETHIN'.

- NEXT YEAR?
- ALL RIGHT-- THANK YOU.

OKAY, BYE.

SO, WOULD THEY LET US
DO SOMETHIN' QUICK,

LIKE "GET AWAY JORDAN"
OR SOMETHIN'?

- NO-NO.
- I AIN'T DOIN' THAT.

BE-BECAUSE OF TIME
CONSTRAINTS IN THE REHEARSALS--

- THAT WE MISSED.
- WE-- YEAH.

WE CAN'T, UM, WE CAN'T
EVEN SAY A SPEECH, NOW.

WHAT YOU MEAN?

WE CAN'T DO
ANYTHING FOR HER?

OH, MY GOD--
SHAME ON US.

AND, YOU KNOW, JUSTIN IS
GONNA BE, UM, PERFORMING.

- JUSTIN BEAVER?
- JUSTIN WHO-- JUSTIN BIEBER?

I SAID "BEAVER"
ON PURPOSE.

LIKE, THE "BABY,
BABY, BABY?"

HE'S DOING A INTRO, AND
HE'S DOING A PERFORMANCE.

- OH, MY GOSH.
- THAT'S EMBARRASSING.

THAT'S REALLY
EMBARRASSING.

SO, THE PRODUCERS OF THE
SHOW CALLED ME TO INFORM ME

THAT IF WE'RE
NOT PERFORMING,

THEN WE CAN'T DO OUR
SPEECHES, AS WELL.

SO, WE JUST TOTALLY
LET TONI DOWN,

AND I'M REALLY
EMBARRASSED.

SO, BASICALLY, WE'LL JUST
BE SITTIN' IN THE AUDIENCE,

WATCHING THE SHOW.
- OH, MY GOSH.

SHAME ON Y'ALL,
'CAUSE I TOLD Y'ALL.

I'M JUST SAYIN'.
- BUT, OKAY.

- OH, THAT'S-- NO-NO-NO.
- BUT, YOU KNOW WHAT?

TRACI WAS IN
HER FEELINGS.

BUT, NOW IS NOT EVEN THE TIME
TO PLAY THE BLAME GAME.

YEAH.

IT'S REALLY NOT, BECAUSE
WE-WE'VE DONE ENOUGH OF THAT.

I MEAN, I DON'T WANNA
LET TONI DOWN, EITHER,

BUT IF WE GET
ON THAT STAGE,

WITHOUT A PLAN OR
A PROPER REHEARSAL,

WE WON'T BE
HONORING TONI.

WE'RE GONNA BE HONORING
OUR EMBARRASSMENT,

AND THAT'S
JUST A SHAME

THAT MY SISTERS DON'T
WANNA LISTEN TO ME.

NOW, WE'RE GONNA GO TO THIS
THING, AND WE'RE NOT GONNA

BE ABLE TO DO ANYTHING FOR TONI
EXCEPT TO BE THERE.

WE ARE SO EMBARRASSED THAT
WE WILL NOT BE PERFORMING

OR GIVING SPEECHES AT TONI'S
HALL OF FAME TRIBUTE.

NONE OF US WANTS TO
LOOK AT HER IN THE FACE,

AND NONE OF US WANTS TO
BE THE ONE TO TELL HER

THAT WE'RE NOT GONNA BE
DOING ANYTHING FOR HER

FOR HER HALL OF
FAME INDUCTION.

WE'RE REALLY EMBARRASSED,
AND WE SHOULD BE.

TODAY, I AM
SUPER EXCITED.

I AM BEING INDUCTED INTO THE
GEORGIA MUSIC HALL OF FAME,

AND IT'S REALLY
A HUGE HONOR FOR ME,

AND I'M EXCITED
TO BE HERE,

BUT WHAT I REALLY
CAN'T WAIT TO SEE

IS WHAT MY SISTERS
HAVE PUT TOGETHER--

SOME TYPE OF PERFORMANCE
IN MY HONOR.

AND I KNOW THEY WERE
HAVING SOME ISSUES,

BUT I'M SURE THEY'RE GONNA
PULL IT ALL TOGETHER,

AND THEY'RE
GONNA BE GREAT.

WHOO!

- LOVE YOU, TONI.
- THANK YOU.

THAT'S NOT ME.

IT'S A GOOD PICTURE.

- THANK YOU.
- YOU'RE WELCOME.

- GET DADDY'S OTHER ARM?
- YES.

- RIGHT HERE?
- SHE'S ON HER WAY.

- NICE.
- YES-- THANKS.

THANK YOU--
HELLO.

- HOW ARE YOU?
- HI.

- HELLO.
- THANK YOU.

OH, I'M TAMAR.
- OH, I'M SORRY.

THAT'S OKAY.

NOBODY TOLD TONI WE
ARE NOT GONNA PERFORM,

AND NOW WE ARE NOT EVEN
GONNA GIVE OUR SPEECHES?

AND MINE IS FABULOUS,
BY THE WAY.

SHE AIN'T GONNA BE
HAPPY ABOUT THAT.

HELLO, TONI--
LOOK THIS WAY!

LOOK OVER
THIS WAY!

ALL YOUR SISTERS
ARE HERE TONIGHT.

YES.

THIS IS GONNA BE A SPECIAL
NIGHT FOR ALL OF YOU.

IT'S GONNA BE
A SPECIAL NIGHT.

MY WHOLE FAMILY'S TOGETHER,
SO I ALWAYS FEEL HAPPY

WHEN MY FAMILY-WHEN WE'RE HERE,
YOU KNOW, SUPPORTING ME,

AND I SUPPORT THEM,
SO I'M EXCITED.

WE CAN'T WAIT TO
SEE YOU ALL PERFORM.

WE'RE EXCITED--
THANK YOU.

YOU LOOK NICE, DOLL.

OKAY-- SO, SOMEBODY
JUST SAID,

"I CAN'T WAIT TO
HEAR YOU PERFORM."

- I KNOW.
- I KNOW.

A LOT OF PEOPLE
WERE SAYING THAT.

- YEAH.
- THIS IS REALLY AWKWARD.

PEOPLE THINK WE'RE
PERFORMING, AND WE'RE NOT.

THERE ARE A LOT OF MUSICIANS,
AND A LOT OF ARTISTS,

AND A LOT OF PRODUCERS,
AND A LOT OF BIG SHOTS HERE.

THIS IS
SO EMBARRASSING.

SO, I SAID, "HMM--
HOLD YOUR BREATH."

NOT TONIGHT.

IN 2000, TONI WON TWO
AMERICAN MUSIC AWARDS,

AND YET ANOTHER GRAMMY
FOR HER ALBUM "THE HEAT,"

WHICH EARNED A TOP TEN SPOT
IN OVER A DOZEN COUNTRIES

AROUND THE GLOBE.

STEPPING OUTSIDE THE MUSIC
BUSINESS, ONCE AGAIN,

TONI MADE HER
SILVER SCREEN DEBUT

WITH "KINGDOM COME,"
A COMEDY THAT ALSO STARRED--

THE GOVERNOR OF GEORGIA
STARTS DOING MY INTRODUCTION,

AND I REALIZE,
OKAY, I'M ON NEXT.

THIS IS GREAT.

BUT, MY SISTERS ARE
STILL IN THE AUDIENCE,

IN THEIR CHAIRS.

TONI BRAXTON.

I WANNA THANK YOU GUYS
SO MUCH FOR HAVING ME HERE.

THIS IS ABSOLUTELY
WONDERFUL.

I LOVE GLADYS KNIGHT--
I LOVE OTIS REDDING.

AND TO BE STANDING HERE,
TO HAVE THIS AWARD,

JUST SITTING ON THE PEWS WITH
THOSE WONDERFUL LEGENDS,

I'D LIKE TO THANK YOU GUYS
FOR THINKING OF ME.

THANK YOU, GUYS,
SO MUCH!

CONGRATULATIONS.

WHEN I FINALLY SAW
TONI ON THE STAGE,

IT REALLY HIT ME THAT WE
BLEW IT IN A REALLY BIG WAY.

THERE IS NO RHYME OR REASON
TO WHY WE COULD NOT BE ABLE

TO PULL JUST THIS LITTLE
PERFORMANCE OFF FOR TONI.

ALL THIS PETTY STUFF,
ALL THIS PETTY JUNK

HAPPENING BETWEEN MY SISTERS
AND I, IT'S NOT OKAY,

AND IT'S INTERFERING
WITH A WHOLE LOT.

AFTER THE CEREMONY, NONE OF
MY SISTERS EVEN BOTHERED

TO COME BACKSTAGE TO SEE ME--
IT WAS PRETTY DEVASTATING.

THEY FAILED ME ON
EVERY POSSIBLE LEVEL.

WE COULDN'T GO BACKSTAGE
BECAUSE IT WAS ONLY

A LIMITED AMOUNT OF PEOPLE
WHO COULD BACK THERE.

I WAS DEFINITELY EMBARRASSED,
AND I WAS MORTIFIED

BECAUSE I KNOW THAT
SHE WAS LOOKING TO SEE

WHAT HER FAMILY WAS
GONNA DO FOR HER,

'CAUSE EVERYBODY
ELSE'S FAMILY

AND EVERYBODY ELSE HAD
REPRESENTATIVES THERE.

SHE HAD NOBODY.

CAN WE LEAVE, NOW?

COMING UP, ON
"BRAXTON FAMILY VALUES"...

AS A WHOLE, EVERYBODY,
I'M VERY DISAPPOINTED

THAT YOU GUYS DIDN'T
SING AT MY INDUCTION

INTO THE GEORGIA
HALL OF FAME.

EVERYBODY
BAILED ON ME.

WE WERE GOING
THROUGH THE NUMBER.

IT CAME DOWN TO
TOWANDA'S PART,

AND THEN SHE HAD A MELTDOWN--
SO, DON'T LIE.

- IT WAS JUST ME?
- TELL THE TRUTH.

IT'S

IT'S LIKE

IT'S LIKE TOWANDA

IT'S LIKE TOWANDA SAID.

IF SHE DIDN'T THINK ABOUT
ORDERING HERSELF A CAR TODAY,

SHE WOULD NOT HAVE HAD--
- WELL, HELLO!

- HEY.
- HI, GIRLS.

- HI, TONI!
- HOW ARE YA DOIN'?

HI, GOOD TO
SEE YOU-- GOOD.

WE'RE HAVING A SISTER
SESSION WITH DR. SHERRY

TO TRY TO FIGURE OUR WAY
THROUGH A BUNCH OF ISSUES

WE SEEM TO BE HAVING
WITH EACH OTHER.

AND WHEN I SAY, "A BUNCH,"
I MEAN, LIKE,

A WHOLE LIFETIME
WORTH OF PROBLEMS.

I WANTED TO SEE HOW
THIS YEAR HAS CHANGED,

IN TERMS OF THE RELATIONSHIP,
IN TERMS OF Y'ALL AS SISTERS.

YOU KNOW, HOW ARE
THINGS FOR YOU?

A LITTLE MORE TENSION--
WELL, A LOT MORE TENSION

THIS YEAR, I THINK.
- OKAY.

EVERYONE FEELS THAT THEY
HAVE TO DEFEND THEMSELVES

ALL THE TIME.
- AH.

AND SO IT'S CAUSING
A LOT MORE CONFLICT.

- ALL THE TIME?
- PEOPLE GET MAD.

THEY FUSS, THEY FIGHT,
BUT WHAT HAPPENS AT THE END?

CAN YOU PULL
IT TOGETHER?

AND HOW DO WE LEARN TO
COMMUNICATE DIFFERENTLY,

SO WE DON'T HAVE
THESE ISSUES?

WHAT IS THE ONE THING
YOU NEED FROM YOUR SISTERS,

FROM EACH
OF THEM?

AS A WHOLE, EVERYBODY,
I'M VERY DISAPPOINTED

THAT YOU GUYS DIDN'T
SING AT MY INDUCTION

INTO THE GEORGIA
HALL OF FAME.

NO ONE FROM MY FAMILY--
MY SISTERS DIDN'T SING.

THEY WERE SUPPOSED TO SING,
BUT THEY DIDN'T SING.

BUT, ALSO, IT BRINGS
THAT WHOLE IDEA

YOU HAVE TO PUT THAT
MASK ON AND SMILE,

BUT YOU HURT INSIDE.

IT'S NOT FAIR.

I FEEL REALLY BAD THAT
WE ALL LET TONI DOWN.

THIS IS THE VERY FIRST TIME
THAT WE COULDN'T STEP UP

AND FOLLOW THROUGH.

AND, YOU KNOW, WE
REALLY HAVE TO CHANGE

OUR SISTER DYNAMIC.

THIS CANNOT CONTINUE ON
THE WAY IT'S BEEN GOING.

THEN, NO ONE DID
ANYTHING FOR ME.

MY FAMILY WASN'T--
MY PEOPLE THAT I LOVE--

BECAUSE WHEN YOU'RE BEING
INDUCTED INTO SOMETHIN',

YOU CALL THE PEOPLE
CLOSE TO YOU.

- RIGHT.
- EVERYBODY BAILED ON ME.

- I HEAR YOUR PAIN WITH THAT.
- YEAH, I WAS DISAPPOINTED.

- WHAT HAPPENED?
- I JUST SMILED.

- I WAS DISAPPOINTED, TOO.
- YEAH.

I JUST SMILED THE
WHOLE TIME AND SAID,

"OH, WELL,
STORY OF MY LIFE."

WHAT HAPPENED?

I DON'T EVEN BLAME TONI
FOR BEING MAD AT ALL OF US.

LIKE, I GET IT.

WE DID NOT COME THROUGH
WHEN WE SHOULD HAVE,

POINT BLANK
AND THE PERIOD.

I'M GONNA SPEAK
FOR ALL OF AND SAY,

FROM THE BOTTOM
OF MY HEART,

THERE'S NO REASON
WHY WE SHOULD NOT HAVE

GOTTEN OUR STUFF TOGETHER
AND MADE IT HAPPEN FOR YOU.

YOU DESERVE TO HAVE
SOMEBODY HONOR YOU.

AND I KNOW WE CAN'T
GET BACK YESTERDAY.

- I ACCEPT THAT.
- HOW DO YOU FEEL ABOUT THAT?

I ACCEPT THAT.

I THINK THAT'S
A GREAT GESTURE.

I REALLY DO BECAUSE
WE ALL MAKE MISTAKES,

AND YOU CAN'T
BEAT 'EM UP.

ALTHOUGH, YOU CAN BEAT
'EM UP A LITTLE BIT.

YOU'VE ALREADY BEAT 'EM
UP A LITTLE BIT.

IT'S WONDERFUL FOR US TO HAVE
THIS LITTLE KUMBAYA MOMENT,

BUT UNTIL WE GET TO
THE ROOT OF THE ISSUE

AND TO THE ROOT
OF WHAT HAPPENED,

IT'S NEVER GONNA
BE RESOLVED.

WHAT HAPPENED WAS, I THOUGHT
IT WOULD BE A GREAT IDEA

FOR THE GIRLS TO DO
A MEDLEY FOR TONI.

I ASKED EVERYBODY
IN ADVANCE.

SAY, "HEY, DO YOU
WANNA DO IT?"

EVERYBODY SAID, "YES"--
EVERYBODY WAS ONBOARD.

SO, WHEN WE GOT TO REHEARSAL,
IT FELL APART.

NO, WHAT TOWANDA HAS
LEFT OUT, THE MEAT.

SHE JUST GAVE YOU
THE BREAD, OKAY?

TOWANDA WAS ON THE PHONE
THE WHOLE ENTIRE TIME.

SHE COULDN'T PUT HER PHONE
IN HER PURSE FOR FOUR HOURS

TO MAKE SURE YOUR
SHOW WAS GREAT?

THAT'S WHY IT
DIDN'T HAPPEN?

AND THAT-THAT WAS MY--
YES!

THAT IS WHY IT
DIDN'T HAPPEN.

BECAUSE I WAS
ON THE PHONE?

'CAUSE-'CAUSE AND
THAT WAS MY BEEF.

YOU KNOW WHAT?

MY WHOLE BEEF WAS, EVERY
TIME WE TRIED TO DO A NUMBER,

TOWANDA PICKS
UP HER PHONE.

WHY CAN'T YOU
PUT DOWN YOUR PHONE,

SO WE CAN GET
OUR STUFF TOGETHER?

THERE SHE GOES, AGAIN,
ALWAYS REFLECTING

THE RESPONSIBILITIES
ON SOMEONE ELSE.

THAT IS TAMAR'S M.O.,
LET ME TELL YA.

SHE'S JUST
BLAMING TOWANDA.

LET ME JUST BLAME TOWANDA
FOR THIS, THIS TIME.

YOU KNOW, I WANT TAMAR TO TAKE
SOME TYPE OF RESPONSIBILITY,

TO SAY, "HEY, IT'S ME--
PICK ME.

"I'M WRONG"--
SHE'S NOT GONNA DO THAT.

OKAY, HOLD ON
FOR A MINUTE.

LET ME ASK-LET ME
HEAR FROM TRINA.

NOT ONLY IS IT A LIE,
IT'S NOT TRUE.

- WOW-- OH, OKAY.
- I'M GONNA TELL YOU WHY.

IT DID NOT
COME TOGETHER

BECAUSE WE DID
NOT WORK TOGETHER.

THERE WAS ARGUING AND
BICKERING AND FIGHTING,

AND IT WAS NOT A
GOOD ENVIRONMENT.

WE ARE DEFINITELY
AT A LOW POINT

WHEN IT COMES TO
RELATING TO EACH OTHER.

WHEN IT COMES TO THE
"BRAXTON FAMILY VALUES,"

THE ONLY VALUE WE'RE
SHOWING, RIGHT NOW,

IS THAT WE CANNOT
GET ALONG.

BUT, YOU GUY-YOU GUYS
DECIDED A MONTH AGO

TO COLLABORATE AND
MAKE IT HAPPEN.

THANK YOU--
THANK YOU.

SO, IN A MONTH'S TIME,
NOTHING TRANSPIRED?

- NO ONE COULD WORK TOGETHER.
- THAT'S NOT TRUE.

LET ME-LET ME
CORRECT SOMETHING.

- THAT'S TRUE.
- LET ME-LET CLAR--

THAT'S NOT TRUE BECAUSE
WE WERE GOING THROUGH--

WE WERE GOING
THROUGH THE NUMBER.

IT CAME DOWN TO
TOWANDA'S PART,

AND THEN SHE
HAD A MELTDOWN.

NOW, DON'T LIE--
TELL THE TRUTH.

IT WAS JUST ME HAVING
A MELTDOWN, AND THAT'S IT?

BUT, NOBODY'S GONNA
TELL THE TRUTH

BECAUSE EVERYBODY'S
ON ONE TEAM.

IT WAS JUST ME
HAVING A MELTDOWN.

AND NOBODY IS GONNA
BE ON THIS TEAM.

WE CAN PLAY IT.

WHOA-WHOA-WHOA-WHOA--
WAIT A MINUTE.

HANG ON--
AH, EXCUSE ME.

IS THIS NOT AN EXAMPLE
OF WHAT'S HAPPENING?

SO, IT'S LIKE A THREAD.

HAVE YOU EVER HAD
A THREAD AND PULL IT,

AND THEN ALL OF THE SUDDEN,
EVERYTHING UNRAVELS?

- YES.
- IT'S UNRAVELING.

- YEAH.
- IT IS UNRAVELING.

THIS SHOW HAS TURNED
TO A FIRST-CLASS DIVA,

AND IT'S TURNING
EVERYTHING UPSIDE DOWN.

EVERYBODY HAS A LOT
OF PERSONALITY HERE--

PERSONALITY
OVER THE TOP.

I MEAN, EVERYBODY
WAS LOOKING AT ME,

BUT TONI HAS THE BIGGEST
EGO OUT OF ALL OF US,

IF YOU REALLY WANNA KNOW
THE HONEST TO GOD TRUTH.

I MEAN, WE ARE ALL SHARING
THE SPOTLIGHT, NOW,

AND MAYBE TONI
DON'T LIKE THAT.

OH, YES, I SAID IT.

BUT, YOU LOSE
SIGHT OF THE GOAL

WHEN YOU HAVE YOUR MELTDOWNS,
AND YOU FIGHT.

EVERYBODY'S EGOS ARE
GETTING IN THE WAY.

DR. SHERRY IS
ABSOLUTELY CORRECT.

SOME OF THE EGOS
IN THIS FAMILY

HAVE BECOME ABSOLUTELY
OUT OF CONTROL,

AND I AM TIRED OF BEING
TRINA IN THE MIDDLE.

IT'S BECOMING
VERY EXHAUSTING.

AND THIS GOES BACK
TO BEING SELFISH

BECAUSE EVERYBODY
WANTS IT THEIR WAY.

THAT DAY IS OVER--
YOU'RE TOO BIG FOR THAT.

YOU HAVE TO GET OVER THAT--
YOU'RE SELF-DESTRUCTING.

AND YOU KNOW
WHAT HAPPENS?

YOU MAY GET TOGETHER
LATER ON,

BUT THE PUBLIC
SEES THIS, TOO,

AND THEY WANNA KNOW,
WHERE'S ALL THE LOVE?

WHAT HAPPENED--
MY HEART GOES OUT FOR YOU.

SEE, YOU DON'T CANCEL
STUFF LIKE THIS.

YOU SAY, "WE'RE
WORKING IT OUT."

I DO BELIEVE THAT
THE DYNAMICS OF THE SISTERS

IS DEFINITELY, YOU KNOW,
SELF-DESTRUCTIVE.

HOWEVER, COMMA,
IF TAMAR FESSES UP AND SAYS,

"OKAY, I'M TAKING
RESPONSIBILITY.

"IT'S MY FAULT, TOO,"
YOU KNOW,

UNLESS SHE DOES THAT,
IT'S JUST NOT GONNA IMPROVE.

WHERE'S ALL THE LOVE?

HOW DO YOU STOP THE MADNESS
AND COME TOGETHER AS ONE?

I MEAN, I DO AGREE--
THERE IS A PROBLEM.

BUT, WHY DO I
GET THE FEELING

LIKE EVERYBODY IS LOOKING
OUT THE CORNER OF THEIR EYE

LIKE THE WHOLE
PROBLEM IS ME?

UH-UH--
I DO NOT THINK SO.

IT IS NOT MY FAULT THAT I AM
GETTING ALL THIS ATTENTION.

WELL, MAYBE IT IS.

YOU MUST CHANGE
YOUR BEHAVIOR,

IF YOU WANT THE
SITUATION TO CHANGE.