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These are the user uploaded subtitles that are being translated: 1 00:00:02,268 --> 00:00:02,368 WE 2 00:00:02,369 --> 00:00:02,434 WE WANTED 3 00:00:02,435 --> 00:00:02,501 WE WANTED TO 4 00:00:02,502 --> 00:00:02,568 WE WANTED TO COME 5 00:00:02,569 --> 00:00:02,701 WE WANTED TO COME UP 6 00:00:02,702 --> 00:00:02,735 WE WANTED TO COME UP WITH 7 00:00:02,736 --> 00:00:02,868 WE WANTED TO COME UP WITH MY 8 00:00:02,869 --> 00:00:02,901 WE WANTED TO COME UP WITH MY SOUND, 9 00:00:02,902 --> 00:00:02,968 WE WANTED TO COME UP WITH MY SOUND, A 10 00:00:02,969 --> 00:00:04,503 WE WANTED TO COME UP WITH MY SOUND, A NEW 11 00:00:04,504 --> 00:00:05,338 WE WANTED TO COME UP WITH MY SOUND, A NEW SOUND. 12 00:00:05,438 --> 00:00:07,607 THAT LIL' WAYNE, RIGHT THERE, THAT'S IT. 13 00:00:07,707 --> 00:00:08,975 WE'RE GONNA SELL SOME RECORDS. 14 00:00:09,075 --> 00:00:10,343 HA-HA! 15 00:00:10,443 --> 00:00:11,978 THIS IS DADDY'S BOOK! 16 00:00:12,078 --> 00:00:14,147 IT'S MY BOOK AND MY FIRST BOOK SIGNING. 17 00:00:14,247 --> 00:00:15,515 I DON'T KNOW IF I'M GONNA BE HERE. 18 00:00:15,615 --> 00:00:16,750 SERVE ME UP SLOPPY SECONDS. 19 00:00:16,850 --> 00:00:18,885 I DON'T EVER SL-- WHO SERVES YOU UP SLOPPY SECONDS? 20 00:00:18,985 --> 00:00:22,422 WHAT DO YOU DO WHEN YOU'RE STUCK WRITING A SONG? 21 00:00:22,522 --> 00:00:24,391 I'M NOT SITTIN' HERE TO WRITE NO SONG FOR YOU. 22 00:00:24,491 --> 00:00:25,525 YOU CAN WRITE YOUR OWN SONG. 23 00:00:25,625 --> 00:00:26,659 NO, NOT FOR-- YOU DON'T DO THIS 24 00:00:26,760 --> 00:00:28,161 TO NONE OF YOUR OTHER ARTISTS! 25 00:00:28,261 --> 00:00:29,996 TONI CALLED THIS FAMILY MEETIN'-- WHERE WE MEETIN'? 26 00:00:30,096 --> 00:00:31,464 WE ALL KNEW IT WAS SOMETHIN'. 27 00:00:31,564 --> 00:00:34,034 I CAN'T TAKE NO MORE OF YOUR ANNOUNCEMENTS. 28 00:00:36,636 --> 00:00:39,506 WE ARE THE BRAXTONS AND YOU'LL SEE 29 00:00:39,606 --> 00:00:43,443 THAT WE ARE NOT LIKE AN ORDINARY FAMILY 30 00:00:43,543 --> 00:00:47,047 TONI TRACI TOWANDA TRINA TAMAR AND MISS E 31 00:00:47,147 --> 00:00:49,816 WILL TEACH YOU A THING OR TWO 32 00:00:49,916 --> 00:00:53,853 ON BRAXTON FAMILY VALUES 33 00:01:01,494 --> 00:01:04,464 TODAY, I'M GOING ON MY FIRST RECORDING SESSION WITH HARVEY, 34 00:01:04,564 --> 00:01:07,600 AND VINCE IS NOT TOO HAPPY ABOUT THAT. 35 00:01:07,700 --> 00:01:09,736 SO, I GOT TO KEEP THAT ON THE D.L. 36 00:01:09,836 --> 00:01:12,472 SO, HE CAN HEAR THE FINISHED PRODUCT 37 00:01:12,572 --> 00:01:14,707 'CAUSE IT'S GONNA BE OFF THE CHISEL. 38 00:01:14,808 --> 00:01:15,909 WHAT'S YOUR VIBE-- WHAT IS IT? 39 00:01:16,009 --> 00:01:18,878 LIKE, HAPPY IN LOVE-- MAD AT THE WORLD? 40 00:01:18,978 --> 00:01:22,248 I CAN PULL FROM BOTH PLACES. 41 00:01:22,348 --> 00:01:23,683 WE GOTTA MAKE IT REAL. 42 00:01:23,783 --> 00:01:25,118 WE GOTTA MAKE WHATEVER WE'RE TALKIN' ABOUT 43 00:01:25,218 --> 00:01:27,020 SUPER AUTHENTIC. 44 00:01:27,120 --> 00:01:30,990 OKAY, IT'S SO WHACK, THOUGH, BECAUSE I LIKE THE STUFF 45 00:01:31,091 --> 00:01:32,659 THAT I SAY, BUT I'M AFRAID TO COME OUT AND SAY IT 46 00:01:32,759 --> 00:01:36,729 BECAUSE I DON'T WANT NOBODY TO BE LIKE, "THAT'S WHACK." 47 00:01:36,830 --> 00:01:37,864 WHAT-- LYRICALLY? 48 00:01:37,964 --> 00:01:39,599 YEAH, AND IT'S ALL VINCENT'S FAULT. 49 00:01:39,699 --> 00:01:42,168 HE WRECKED YA? 50 00:01:42,268 --> 00:01:45,672 I HAVE DEVELOPED A COMPLEX ABOUT, YOU KNOW, 51 00:01:45,772 --> 00:01:47,674 SINGING IN FRONT OF VINCE AND TONI, 52 00:01:47,774 --> 00:01:49,576 AND SO, THEY KINDA MAKE ME FEEL UNCOMFORTABLE. 53 00:01:49,676 --> 00:01:51,744 - SING SOMETHIN', RIGHT NOW. - DO-DO-DO-DO-DO-DO-DO. 54 00:01:51,845 --> 00:01:53,079 NO, SERIOUSLY, SING SOMETHIN'. 55 00:01:53,179 --> 00:01:55,181 - WHAT DO YOU WANT ME TO SING? - SING SOMETHIN' YOU WROTE. 56 00:01:55,281 --> 00:01:57,183 I HAVEN'T WRITTEN A SONG IN FOREVER. 57 00:01:57,283 --> 00:01:58,551 THERE YOU GO-- EXACTLY, SO THERE YOU GO. 58 00:01:58,651 --> 00:01:59,919 BUT, WHY HAVE I NOT WRITTEN A SONG IN FOREVER, THOUGH? 59 00:02:00,019 --> 00:02:03,723 THAT-- BECAUSE THAT'S YOUR CHOICE. 60 00:02:03,823 --> 00:02:04,958 I'M AFRAID TO SING IN FRONT OF HIM 61 00:02:05,058 --> 00:02:06,960 BECAUSE I DON'T WANT TO NOT BE GREAT, 62 00:02:07,060 --> 00:02:08,161 BECAUSE IF I SING IN FRONT OF HIM, 63 00:02:08,261 --> 00:02:10,163 ESPECIALLY SOMETHING I MAKE UP, YOU KNOW WHAT I MEAN? 64 00:02:10,263 --> 00:02:11,798 LIKE, IF I'M WHACK IN FRONT OF VINCE, 65 00:02:11,898 --> 00:02:13,199 HE'S GONNA BE LIKE, "I DON'T LIKE IT." 66 00:02:13,299 --> 00:02:14,367 YOU'RE TOO HARD ON YOURSELF. 67 00:02:14,467 --> 00:02:15,468 WELL, NO, NOT ONLY DID I COME IN THE DOOR 68 00:02:15,568 --> 00:02:16,536 WITH LOW SELF-ESTEEM, 69 00:02:16,636 --> 00:02:18,771 I CAME IN THE DOOR WITH NO SELF-ESTEEM, 70 00:02:18,872 --> 00:02:21,608 AND THAT IS THE DIFFERENCE. 71 00:02:21,708 --> 00:02:22,775 WELL, YOU CAME TO RIGHT PLACE, 72 00:02:22,876 --> 00:02:24,944 'CAUSE WE'LL-WE'LL GET YOU RIGHT. 73 00:02:25,044 --> 00:02:27,580 IT DOES FEEL GOOD TO FINALLY GET BACK TO ME. 74 00:02:27,680 --> 00:02:29,682 I FEEL LIKE I'VE BEEN LOST FOR A LONG TIME. 75 00:02:29,782 --> 00:02:33,052 I MEAN, I RECORDED A SOLO ALBUM IN 2000. 76 00:02:33,153 --> 00:02:36,623 I WASN'T EXCITED ABOUT THE SALES OF MY FIRST RECORD, 77 00:02:36,723 --> 00:02:39,759 BUT I DON'T FEEL LIKE "IF YOU DON'T WANNA LOVE ME" 78 00:02:39,859 --> 00:02:41,027 WAS A BAD RECORD. 79 00:02:41,127 --> 00:02:43,897 IT WAS A GREAT RECORD, BUT I'M NOT IN THAT SPACE ANYMORE. 80 00:02:43,997 --> 00:02:46,566 SO, I WANNA PLAY YOU A TRACK 81 00:02:46,666 --> 00:02:49,369 THAT I THINK COULD POSSIBLY WORK FOR YOU. 82 00:02:49,469 --> 00:02:51,204 OKAY-- I'M SO EXCITED. 83 00:02:51,304 --> 00:02:52,505 I DON'T KNOW WHAT TO DO WITH MYSELF. 84 00:02:52,605 --> 00:02:54,040 LIKE, I THINK I'M GONNA CATCH THE HOLY GHOST 85 00:02:54,140 --> 00:02:55,875 IN FIVE MINUTES. 86 00:02:55,975 --> 00:02:57,877 IF THE TRACK SUCKS, THEN YOU WON'T, SO-- 87 00:02:57,977 --> 00:02:58,912 OH, MY GOD. 88 00:02:59,012 --> 00:03:00,013 I-I'M GONNA TELL YOU SOMETHIN'. 89 00:03:00,113 --> 00:03:01,181 I AM SO GRATEFUL. 90 00:03:01,281 --> 00:03:03,349 I DON'T THINK I'M NOT GONNA LIKE ANYTHING. 91 00:03:03,449 --> 00:03:04,717 ALL RIGHT-- WELL, WE'LL HAVE FUN. 92 00:03:04,817 --> 00:03:07,120 SO, LET'S PLAY, UM, PLAY YOU THIS TRACK. 93 00:03:07,220 --> 00:03:09,589 SO, WORKING WITH A PRODUCER LIKE HARVEY, HE, LIKE, 94 00:03:09,689 --> 00:03:12,358 PLAYS YOU A TRACK OR A SONG, AND YOU DECIDE, LIKE, 95 00:03:12,458 --> 00:03:14,227 THE KIND OF SOUND THAT YOU WANNA GO WITH. 96 00:03:14,327 --> 00:03:16,429 AND THEN, USUALLY, IF IT'S A SONG, 97 00:03:16,529 --> 00:03:18,665 YOU GET RIGHT IN AND SING IT. 98 00:03:18,765 --> 00:03:21,134 BUT, IF IT'S A TRACK, AND YOU'RE A WRITER, 99 00:03:21,234 --> 00:03:22,368 YOU WRITE THE SONG, 100 00:03:22,468 --> 00:03:25,371 AND THEN YOU GO TO THE STUDIO AND RECORD. 101 00:03:36,382 --> 00:03:37,417 NEXT, DREW. 102 00:03:37,517 --> 00:03:38,651 THAT'S A LITTLE TOO "JERSEY SHORE" FOR ME. 103 00:03:38,751 --> 00:03:39,719 LIKE, YEAH-- YEAH! 104 00:03:39,819 --> 00:03:41,187 I CAN'T-- I CAN'T. 105 00:03:49,762 --> 00:03:50,930 I'M IN A STUDIO. 106 00:03:51,030 --> 00:03:52,031 I'M SO EXCITED WORKIN' WITH HARVEY. 107 00:03:52,131 --> 00:03:53,199 I'M LIKE WHOO-WHOO-- HARVEY! 108 00:03:53,299 --> 00:03:54,901 THEN, HE PLAYS THESE TRACKS. 109 00:03:55,001 --> 00:03:57,003 BOOP-- THEY WERE BONK. 110 00:03:57,103 --> 00:03:58,137 BOO! 111 00:03:58,238 --> 00:03:59,138 WHO'S SINGIN' TO THAT? 112 00:03:59,239 --> 00:04:00,707 SHE'S NOT-- NO. 113 00:04:00,807 --> 00:04:02,842 WE'LL PLAY THE NEXT ONE. 114 00:04:10,817 --> 00:04:13,219 AND THAT WOULD BE THE ONE! 115 00:04:18,091 --> 00:04:22,262 SO, THEN, HARVEY STARTS PLAYIN' THE TAMAR TRACKS, 116 00:04:22,362 --> 00:04:25,064 AND TAMAR TRACKS ARE THE HOT TRACKS. 117 00:04:25,164 --> 00:04:26,633 I'M LISTENING LIKE, UH, THIS SOUNDS A LITTLE BIT 118 00:04:26,733 --> 00:04:28,301 LIKE LIL' WAYNE. 119 00:04:28,401 --> 00:04:30,703 SHE CAN SING OVER A LIL' WAYNE TRACK, 120 00:04:30,803 --> 00:04:32,605 AND I'M LIKE HELL, YEAH. 121 00:04:32,705 --> 00:04:34,641 THIS IS WHAT I'M TALKIN' ABOUT, WILLIS. 122 00:04:34,741 --> 00:04:35,675 THAT'S IT, RIGHT THERE. 123 00:04:35,775 --> 00:04:38,444 I DON'T NEED TO HEAR NOTHING ELSE. 124 00:04:38,544 --> 00:04:41,014 - YOU LIKE THAT ONE? - SHE'S THE ONE. 125 00:04:41,114 --> 00:04:42,482 I'M TELLING YOU. 126 00:04:42,582 --> 00:04:44,984 LIKE, YOU KNOW, I CAN BE SO HOOD RAT AND NOT BE. 127 00:04:45,084 --> 00:04:46,152 OKAY. 128 00:04:46,252 --> 00:04:47,186 AND YOU KNOW VINCE IS GONNA HATE ON IT 129 00:04:47,287 --> 00:04:48,488 BECAUSE IT'S GONNA BE HOOD RAT, 130 00:04:48,588 --> 00:04:51,224 AND IT'S GONNA BE HOT, AND HA! 131 00:04:51,324 --> 00:04:52,258 WE'LL MAKE IT SO HE CAN'T-- 132 00:04:52,358 --> 00:04:53,459 HE DOES NOT WANT ME TO DROP IT, 133 00:04:53,559 --> 00:04:55,561 AND I HAVE TO DROP IT EVERY TIME. 134 00:04:55,662 --> 00:04:57,930 HE'S GONNA BE HOT AT YOU AND ME. 135 00:04:58,031 --> 00:04:59,065 WHAT? 136 00:04:59,165 --> 00:05:00,700 I'M GONNA TELL VINCE THAT YOU MADE ME DO IT. 137 00:05:00,800 --> 00:05:02,368 THAT'S WHAT I'M GONNA DO. 138 00:05:02,468 --> 00:05:03,703 HE WON'T HOLD YOU RESPONSIBLE. 139 00:05:03,803 --> 00:05:05,705 OKAY? 140 00:05:05,805 --> 00:05:07,807 TRUST ME. - WE'LL SEE. 141 00:05:19,118 --> 00:05:20,753 - HERE WE'RE EATIN' TOGETHER. - MOMMY. 142 00:05:20,853 --> 00:05:23,523 - HEY, GUYS! - HI. 143 00:05:23,623 --> 00:05:26,092 I GOT A SURPRISE FOR YOU. 144 00:05:26,192 --> 00:05:28,161 YEAH-- WE LIKE SURPRISES, HUH, BROOKIE? 145 00:05:28,261 --> 00:05:29,796 CHECK IT OUT-- I'M GLAD MY FAMILY IS HERE. 146 00:05:29,896 --> 00:05:30,863 I CAN SHARE IT WITH EVERYBODY. 147 00:05:30,963 --> 00:05:32,298 LET-LET MA-- CAN MOMMY OPEN IT? 148 00:05:32,398 --> 00:05:34,434 I KNOW TOWANDA WANTS ME TO GET A REAL JOB, 149 00:05:34,534 --> 00:05:37,303 BUT I THINK I HAVE SOMETHING THAT TOWANDA 150 00:05:37,403 --> 00:05:39,906 REALLY, REALLY, REALLY IS GONNA LIKE JUST AS MUCH. 151 00:05:40,006 --> 00:05:42,375 - IT'S A BOOK. - WOW-- IT IS A BOOK! 152 00:05:42,475 --> 00:05:45,044 THIS IS DADDY'S BOOK! 153 00:05:45,144 --> 00:05:46,746 IT'S THE FIRST PRINTING. 154 00:05:46,846 --> 00:05:49,082 ANDRE SAID HE WOULD WRITE A RELATIONSHIP BOOK, 155 00:05:49,182 --> 00:05:51,584 AND HE DEFINITELY TOOK MY CRITICISM TO HEART, 156 00:05:51,684 --> 00:05:53,486 AND HE FINISHED IT. 157 00:05:53,586 --> 00:05:56,689 I HAD MY DOUBTS, BUT HE DELIVERED FOR ONCE, 158 00:05:56,789 --> 00:05:58,458 BUT LET'S BE REAL. 159 00:05:58,558 --> 00:06:00,026 HE SELF-PUBLISHED HIS BOOK, 160 00:06:00,126 --> 00:06:02,762 AND IT'S GONNA TAKE A LONG TIME FOR HIM 161 00:06:02,862 --> 00:06:04,664 TO BE ABLE TO TAKE CARE OF ME AND HIS KIDS. 162 00:06:04,764 --> 00:06:06,566 YOU'RE MY BIGGEST INSPIRATION. 163 00:06:06,666 --> 00:06:08,301 - WELL, THANKS, ANDRE. - I LOVE YA. 164 00:06:08,401 --> 00:06:09,469 UH, I GOT MY FIRST BOOK SIGNING COMING UP. 165 00:06:09,569 --> 00:06:10,703 GOOD. 166 00:06:10,803 --> 00:06:11,904 AND I WANNA INVITE YOU AND YOUR FAMILY. 167 00:06:12,004 --> 00:06:13,072 OKAY. 168 00:06:13,172 --> 00:06:14,207 SO, HOPEFULLY, EVERYBODY'LL BE ABLE TO MAKE IT. 169 00:06:14,307 --> 00:06:15,842 - WHEN IS IT? - NEXT COUPLE OF WEEKS. 170 00:06:15,942 --> 00:06:17,577 OH. 171 00:06:17,677 --> 00:06:18,878 WHY ARE YOU LOOKING LIKE THAT? 172 00:06:18,978 --> 00:06:20,913 'CAUSE I DON'T KNOW IF I'M GONNA BE HERE. 173 00:06:21,013 --> 00:06:22,448 AS USUAL-- OKAY. 174 00:06:22,548 --> 00:06:23,583 WHAT DO YOU MEAN, "AS USUAL?" 175 00:06:23,683 --> 00:06:24,650 OKAY, WELL-- 176 00:06:24,751 --> 00:06:25,785 THAT'S NOT FAIR TO SAY, "AS USUAL." 177 00:06:25,885 --> 00:06:27,086 YOU DON'T KNOW IF YOU'RE GONNA BE THERE FOR ME, 178 00:06:27,186 --> 00:06:28,454 BUT YOU'LL BE THERE FOR SOMEBODY ELSE. 179 00:06:28,554 --> 00:06:29,522 IS THAT-- - NO. 180 00:06:29,622 --> 00:06:30,690 NO-- I'M NOT SAYING THAT. 181 00:06:30,790 --> 00:06:32,191 I'M SAYING THE-THE-THE THING THAT I HAVE TO DO IS, 182 00:06:32,291 --> 00:06:34,660 YOU KNOW, IT'S ALREADY BEEN SET A LONG TIME AGO. 183 00:06:34,761 --> 00:06:36,462 I DIDN'T KNOW YOU WERE GONNA DO THIS, THIS FAST. 184 00:06:36,562 --> 00:06:37,997 OKAY, JUST-JUST SERVE-- WHO KNEW THIS? 185 00:06:38,097 --> 00:06:39,499 JUST SERVE ME UP SLOPPY SECONDS. 186 00:06:39,599 --> 00:06:41,634 I DON'T EVER SL-- WHO SERVES YOU UP SLOPPY SECONDS? 187 00:06:41,734 --> 00:06:42,802 WELL, UH-- 188 00:06:42,902 --> 00:06:45,037 I'M NOT GONNA BE IN TOWN BECAUSE TONI HAS CALLED 189 00:06:45,138 --> 00:06:47,440 A VERY IMPORTANT FAMILY MEETIN'. 190 00:06:47,540 --> 00:06:49,709 I MEAN, THIS IS SOMETHING THAT SHE HAS TO TELL MY SISTERS, 191 00:06:49,809 --> 00:06:51,177 AND I'VE BEEN SWORN TO SECRECY. 192 00:06:51,277 --> 00:06:52,478 I CAN'T EVEN TELL ANDRE. 193 00:06:52,578 --> 00:06:54,380 SO, I KINDA FEEL LIKE I'M THE BAD GUY. 194 00:06:54,480 --> 00:06:57,150 - ALL RIGHT. - THIS-- THAT'S-THAT. 195 00:06:57,250 --> 00:07:00,586 WHY DO YOU ALWAYS GET SO UPSET WHEN I TALK ABOUT 196 00:07:00,686 --> 00:07:01,954 STUFF THAT I HAVE TO DO. 197 00:07:02,054 --> 00:07:03,923 BECAUSE I KNOW IT HAS TO DO WITH YOUR FAMILY. 198 00:07:04,023 --> 00:07:05,224 HOW MANY FAMILIES DO YOU HAVE? 199 00:07:05,324 --> 00:07:06,359 TWO. 200 00:07:06,459 --> 00:07:07,527 WHICH ONE COMES FIRST IN YOUR LIFE? 201 00:07:07,627 --> 00:07:08,594 MY KIDS. 202 00:07:08,694 --> 00:07:09,762 AND THEN, WHERE AM I IN THAT? 203 00:07:09,862 --> 00:07:11,998 AM I-- DO I FIT SECOND, THIRD, FOURTH, OR FIFTH? 204 00:07:12,098 --> 00:07:14,300 UH-HUH-- YOU'RE IN THE TOP FIVE. 205 00:07:14,400 --> 00:07:15,435 OH-- WELL, THANK YOU SO-- 206 00:07:15,535 --> 00:07:16,436 BUT, YOU SAID-BUT, YOU SAID, 207 00:07:16,536 --> 00:07:17,603 "FIRST, SECOND, THIRD, FOURTH, OR FIFTH," 208 00:07:17,703 --> 00:07:18,704 SO, I JUST SAID YOU WERE IN THE TOP FIVE. 209 00:07:18,805 --> 00:07:20,540 OKAY-- SO, WE GOT GOLD, SILVER, AND BRONZE, 210 00:07:20,640 --> 00:07:22,108 AND I'M BRONZE, RIGHT NOW. 211 00:07:22,208 --> 00:07:23,876 IS THAT WHAT YOU'RE SAYIN'? 212 00:07:23,976 --> 00:07:27,480 AND NOBODY REMEMBERS BRONZE-- JUST REMEMBER THAT. 213 00:07:27,580 --> 00:07:28,514 THEY DO REMEMBER BRONZE. 214 00:07:28,614 --> 00:07:29,982 NOBODY REMEMBERS BRONZE AND SILVER. 215 00:07:30,082 --> 00:07:31,884 BUT, MY KIDS SHOULD BE GOLD. 216 00:07:31,984 --> 00:07:33,619 UH, YEAH, THEY SHOULD BE, AND I AGREE WIT' YOU. 217 00:07:33,719 --> 00:07:34,720 AND THEY ARE. 218 00:07:34,821 --> 00:07:35,888 BUT, I THINK YOUR FAMILY IS GOLD. 219 00:07:35,988 --> 00:07:36,889 NO, THAT'S NOT TRUE. 220 00:07:36,989 --> 00:07:38,024 AND THEN, YOUR KIDS ARE SILVER. 221 00:07:38,124 --> 00:07:39,058 - THAT'S NOT TRUE. - OKAY, THAT'S FINE. 222 00:07:39,158 --> 00:07:40,326 - THAT'S NOT TRUE. - OKAY. 223 00:07:40,426 --> 00:07:43,095 WHEN YOUR FAMILY CALLS YOU, ALL RIGHT, TOWANDA IS BOOM. 224 00:07:43,196 --> 00:07:44,230 "I GOTTA GO." 225 00:07:44,330 --> 00:07:45,631 BOOM-- "I GOTTA GO." 226 00:07:45,731 --> 00:07:46,933 ANDRE HAS GOT SOMETHING COMING UP. 227 00:07:47,033 --> 00:07:48,334 UH, "I GOTTA THINK ABOUT IT." 228 00:07:48,434 --> 00:07:49,669 AND THIS IS THE BIGGEST THING, RIGHT NOW, 229 00:07:49,769 --> 00:07:52,972 FOR ME GOING IS MY BOOK AND MY FIRST BOOK SIGNING, 230 00:07:53,072 --> 00:07:55,842 SO TO HAVE YOU THERE WOULD BE REALLY, REALLY SPECIAL. 231 00:07:55,942 --> 00:07:56,943 DON'T YOU THINK THAT WOULD BE 232 00:07:57,043 --> 00:07:58,277 REALLY, REALLY SPECIAL FOR ME? 233 00:07:58,377 --> 00:08:00,179 - FOR YOU, YEAH. - YES. 234 00:08:00,279 --> 00:08:01,314 OH, "FOR YOU," BUT NOT FOR YOU. 235 00:08:01,414 --> 00:08:02,315 UH, YOU JUST SAID, "FOR YOU." 236 00:08:02,415 --> 00:08:03,516 - OKAY, WELL-- - I-I DON'T-- 237 00:08:03,616 --> 00:08:04,650 OKAY-- I DON'T KNOW WHAT YOU WANT ME TO DO, ANDRE. 238 00:08:04,750 --> 00:08:05,751 YOU JUST SAID YOU WERE A PART OF IT, RIGHT? 239 00:08:05,852 --> 00:08:06,853 I DON'T KNOW WHAT YOU WANT ME TO DO. 240 00:08:06,953 --> 00:08:08,221 OKAY, I'LL JUST LET YOU TALK. 241 00:08:08,321 --> 00:08:10,490 TONI IS IN A REALLY STRESSFUL SITUATION, 242 00:08:10,590 --> 00:08:13,493 RIGHT NOW, AND SHE NEEDS ME, AND ON TOP OF ALL THAT, 243 00:08:13,593 --> 00:08:15,495 ANDRE IS GIVING ME THIS GUILT TRIP. 244 00:08:15,595 --> 00:08:17,096 I JUST CAN'T CATCH A BREAK. 245 00:08:17,196 --> 00:08:18,364 GO AHEAD. - THAT'S ALL RIGHT. 246 00:08:18,464 --> 00:08:19,899 I'M FINISHED-- LET'S GO. 247 00:08:19,999 --> 00:08:21,033 ALL RIGHT, GUYS. - WHAT YOU MEAN, "LET'S GO?" 248 00:08:21,133 --> 00:08:22,702 WHERE YOU GOIN'? - I'M GOING UPSTAIRS. 249 00:08:22,802 --> 00:08:24,470 WATCH TV... WORK ON SOME OTHER STUFF. 250 00:08:24,570 --> 00:08:26,372 I'M REALLY PISSED WITH TOWANDA, 251 00:08:26,472 --> 00:08:27,440 AND I NEED TO SHOW TOWANDA 252 00:08:27,540 --> 00:08:29,509 THAT I'M TRYING TO DO SOMETHING WITH MY CRAFT. 253 00:08:29,609 --> 00:08:31,844 I'M NOT JUST AT HOME, SITTING AROUND, DREAMING. 254 00:08:31,944 --> 00:08:33,279 I'M ACTUALLY OUT HERE DOING. 255 00:08:33,379 --> 00:08:34,680 SHE DOESN'T BELIEVE ME, 256 00:08:34,780 --> 00:08:36,682 BUT I KNOW I CAN SELL SOME BOOKS. 257 00:08:47,026 --> 00:08:48,895 - OH, MAN, HEY. - HELLO. 258 00:08:48,995 --> 00:08:50,062 HOW YA DOIN'? 259 00:08:50,162 --> 00:08:51,564 SO, AFTER HARVEY GOT FINISHED PLAYIN' THEM LITTLE 260 00:08:51,664 --> 00:08:54,567 "JERSEY SHORE" TRACKS, YOU KNOW, HE PLAYED A TRACK 261 00:08:54,667 --> 00:08:56,002 THAT I REALLY, REALLY LIKED. 262 00:08:56,102 --> 00:08:58,137 AND THEN, AFTER I HEARD THE TRACK 263 00:08:58,237 --> 00:09:00,206 THAT I WANTED TO WRITE TO, HIS PARTNER, DAMON, CAME IN, 264 00:09:00,306 --> 00:09:02,675 AND WE REALLY GOT INTO THE MUSIC. 265 00:09:02,775 --> 00:09:06,112 SO, WE WERE JUST GOING THROUGH, UH, MUSIC FOR HER. 266 00:09:06,212 --> 00:09:07,580 I WAS PLAYING HER KINDA SOME DIFFERENT TRACK IDEAS. 267 00:09:07,680 --> 00:09:09,015 BUT, NOW YOU'RE HERE. 268 00:09:09,115 --> 00:09:11,717 WE CAN SIT DOWN AND WRITE IT WITH TAMAR. 269 00:09:11,817 --> 00:09:13,019 OKAY, LET'S DO THAT. 270 00:09:13,119 --> 00:09:14,487 I THINK ONE THING THAT WE'VE KINDA CONCENTRATED ON 271 00:09:14,587 --> 00:09:15,888 IS JUST WRITING GOOD SONGS. 272 00:09:15,988 --> 00:09:17,423 THIS-THIS THING THAT YOU PLAY ON THE PIANO 273 00:09:17,523 --> 00:09:18,791 MIGHT INSPIRE YOU TO WRITE SOMETHIN'. 274 00:09:18,891 --> 00:09:20,560 IF YOU WANNA DO IT HERE, YOU CAN WRITE IT HERE 275 00:09:20,660 --> 00:09:21,627 AND MESS AROUND WITH IT BY YOURSELF, 276 00:09:21,727 --> 00:09:22,828 OR YOU CAN TAKE IT HOME. 277 00:09:22,929 --> 00:09:26,132 UM, I WON'T BE ABLE TO WRITE IN FRONT OF YOU GUYS. 278 00:09:26,232 --> 00:09:30,469 I'M DEFINITELY SHY TO WORK ON MY MUSIC AROUND HARVEY 279 00:09:30,570 --> 00:09:33,639 AND DAMON BECAUSE I'M SENSITIVE ABOUT MY STUFF. 280 00:09:33,739 --> 00:09:35,908 I'M SENSITIVE ABOUT MY VOICE AND ABOUT MY WRITING. 281 00:09:36,008 --> 00:09:38,778 AND, YOU KNOW, I ALWAYS WANTED TO COME OUT HOT, 282 00:09:38,878 --> 00:09:41,314 YOU KNOW, AND I'M JUST, LIKE, SO NERVOUS. 283 00:09:41,414 --> 00:09:43,149 I HOPE I DO A GREAT JOB. 284 00:09:43,249 --> 00:09:44,884 LIKE, "IF YOU DON'T WANNA LOVE ME," GREAT SONG-- 285 00:09:44,984 --> 00:09:46,519 THANK GOD FOR IT, WHATEVER. - RIGHT. 286 00:09:46,619 --> 00:09:47,954 BUT, I DON'T WANNA SING SONGS LIKE THAT. 287 00:09:48,054 --> 00:09:49,822 I DIDN'T WANNA SING SONGS LIKE THAT THEN. 288 00:09:49,922 --> 00:09:51,123 NO, I HEAR-- I KNOW WHAT YOU WANNA DO. 289 00:09:51,223 --> 00:09:52,124 YOU KNOW WHAT I MEAN? 290 00:09:52,224 --> 00:09:53,492 YOU HAVE TO GO WIT' YOUR PERSONALITY. 291 00:09:53,593 --> 00:09:55,895 BEAT'S GOTTA BE BANGIN'. - YOU SEE WHAT I'M SAYING? 292 00:09:55,995 --> 00:09:57,563 AND-AND THEN, THE REST OF IT HAS GOTTA BE HOT. 293 00:09:57,663 --> 00:10:00,399 YES-- THIS IS DEFINITELY 294 00:10:00,499 --> 00:10:03,135 ALL THAT OLD SCHOOL BALLAD STUFF THAT I WAS DOIN', 295 00:10:03,235 --> 00:10:05,204 THE BRAXTONS AND BACK IN THE DAY, UH-UH. 296 00:10:05,304 --> 00:10:06,339 THAT AIN'T THE ONE. 297 00:10:06,439 --> 00:10:08,541 THIS RIGHT HERE, THAT IS TAMAR. 298 00:10:08,641 --> 00:10:11,143 TAMAR IS BEING TAMAR-- SHE'S BEING HER. 299 00:10:11,243 --> 00:10:14,780 BUT, YOU ARE GONNA HAVE TO DO A BALLAD ON YOUR RECORD. 300 00:10:14,880 --> 00:10:16,215 YOU CAN SING. - I CAN DO A, UH-- 301 00:10:16,315 --> 00:10:17,617 YOU CAN SING. 302 00:10:17,717 --> 00:10:19,218 BUT-BUT, I'M NOT THERE, YOU KNOW? 303 00:10:19,318 --> 00:10:20,753 AND I DON'T WANNA TAKE MY MIND THERE. 304 00:10:20,853 --> 00:10:22,254 WHEN I THINK OF A PROJECT, I THINK OF-- 305 00:10:22,355 --> 00:10:23,556 - THE WHOLE-- - THING. 306 00:10:23,656 --> 00:10:24,757 OKAY, I GET IT. 307 00:10:24,857 --> 00:10:26,192 I-I-I MIGHT WRITE-- BE WRITING FOR THE NEXT WEEK, 308 00:10:26,292 --> 00:10:27,727 AND NO TELLING WHAT I'M GONNA COME UP WITH, 309 00:10:27,827 --> 00:10:28,794 AND I DON'T WANNA BE LIKE, OH, WELL, 310 00:10:28,894 --> 00:10:29,962 SHE DON'T WANNA DO THAT ONE. 311 00:10:30,062 --> 00:10:31,197 AND THEN- AND THEN-THEN I GIVE-- 312 00:10:31,297 --> 00:10:32,365 AND THEN I GIVE THE NEXT, 313 00:10:32,465 --> 00:10:33,432 "UNBREAK MY HEART" TO, YOU KNOW, WHOEVER. 314 00:10:33,532 --> 00:10:34,934 - RIGHT. - AND THEN, YOU'RE LIKE, 315 00:10:35,034 --> 00:10:36,535 "WHY DIDN'T YOU GIVE ME THAT RECORD?" 316 00:10:36,636 --> 00:10:37,837 "WELL, YOU JUST SAID YOU DIDN'T WANT NO RECORD LIKE THAT." 317 00:10:37,937 --> 00:10:40,006 OKAY-- YEAH, YOU'RE RIGHT. 318 00:10:40,106 --> 00:10:41,407 YOU'RE RIGHT. 319 00:10:41,507 --> 00:10:42,942 DAMON DEFINITELY DOES HAVE A POINT. 320 00:10:43,042 --> 00:10:44,744 I SHOULD NOT CLOSE MYSELF OFF 321 00:10:44,844 --> 00:10:46,879 TO OTHER MUSICAL POSSIBILITIES. 322 00:10:46,979 --> 00:10:48,681 I CAN PLAY THE PIANO, AND YOU'RE GORGEOUS. 323 00:10:48,781 --> 00:10:50,116 DAMN IT-- WE'RE GONNA SELL SOME RECORDS. 324 00:10:50,216 --> 00:10:51,550 HA-HA! 325 00:10:51,651 --> 00:10:52,718 AT THE END OF THIS, I WANT YOU TO FEEL LIKE 326 00:10:52,818 --> 00:10:54,320 THEY WROTE SONGS SPECIFICALLY FOR ME. 327 00:10:54,420 --> 00:10:56,355 - AND THAT'S WHAT I WANT. - THAT'S WHERE I'M AT. 328 00:10:56,455 --> 00:10:59,025 THIS IS THE GREATEST NEWS EVER. 329 00:10:59,125 --> 00:11:01,661 I ABSOLUTELY LOVE THE FACT THAT DAMON IS GONNA SIT 330 00:11:01,761 --> 00:11:04,330 AT THE KEYBOARD AND CREATE A SONG JUST FOR ME. 331 00:11:04,430 --> 00:11:08,100 THIS IS THE SITUATION I HAVE BEEN WAITING FOR FOREVER, 332 00:11:08,200 --> 00:11:12,371 BUT WHY, VINCENT HERBERT, DID YOU NOT DO THAT FOR ME? 333 00:11:12,471 --> 00:11:14,674 SHE HAD TO GO GET IT HERSELF. 334 00:11:14,774 --> 00:11:17,843 BUT THEY GOTTA BE LIKE, "Y'ALL SMELL ANYTHING?" 335 00:11:17,943 --> 00:11:18,911 YEAH, WE-- 336 00:11:19,011 --> 00:11:20,146 IT GOT TO BE STANK LIKE THAT. 337 00:11:20,246 --> 00:11:21,447 YEAH-- LIKE, "OH, MY GOD! 338 00:11:21,547 --> 00:11:22,648 "IT'S JUST STUNKY-- LIKE, WHAT IS THAT? 339 00:11:22,748 --> 00:11:24,016 "OH-- WHO NEEDS DEODORANT? 340 00:11:24,116 --> 00:11:25,251 "MY RECORD DOES." 341 00:11:25,351 --> 00:11:27,353 THAT'S WHAT I WANT. - STUPID. 342 00:11:27,453 --> 00:11:30,022 YOU KNOW WHAT I MEAN, LIKE, STANKNESS? 343 00:11:30,122 --> 00:11:32,992 COMING UP, ON "BRAXTON FAMILY VALUES"... 344 00:11:33,092 --> 00:11:35,961 TRINA, YOU NEED A BAM-BAM-BAM-BAM-BAM-BAM-BAM- 345 00:11:36,062 --> 00:11:39,131 BAM-BAM-BAM-BAM-BAM-BAM-- AND IT WAS GOOD. 346 00:11:39,231 --> 00:11:40,332 THAT'S WHAT YOU NEED. 347 00:11:40,433 --> 00:11:41,901 WHEW-- GONNA HAVE A CIGARETTE. 348 00:11:42,001 --> 00:11:43,102 - HEY, DADDY-O. - CHICO! 349 00:11:43,202 --> 00:11:44,503 - YOU'RE FREE! - I HAVEN'T SEEN YOU. 350 00:11:44,603 --> 00:11:47,273 SO, DADDY'S HERE, AND MY MOTHER'S HERE. 351 00:11:47,373 --> 00:11:48,808 OKAY-- NOW, I'M FOR REAL-FOR REAL WORRIED. 352 00:11:48,908 --> 00:11:52,011 I CAN'T TAKE NO MORE OF YOUR ANNOUNCEMENTS. 353 00:12:01,721 --> 00:12:01,786 TOWANDA 354 00:12:01,787 --> 00:12:01,820 TOWANDA AND 355 00:12:01,821 --> 00:12:01,920 TOWANDA AND I 356 00:12:01,921 --> 00:12:01,986 TOWANDA AND I JUST 357 00:12:01,987 --> 00:12:02,053 TOWANDA AND I JUST FLEW 358 00:12:02,054 --> 00:12:02,153 TOWANDA AND I JUST FLEW IN 359 00:12:02,154 --> 00:12:02,220 TOWANDA AND I JUST FLEW IN ON 360 00:12:02,221 --> 00:12:02,353 TOWANDA AND I JUST FLEW IN ON THE 361 00:12:02,354 --> 00:12:02,420 TOWANDA AND I JUST FLEW IN ON THE RED-EYE 362 00:12:02,421 --> 00:12:04,322 TOWANDA AND I JUST FLEW IN ON THE RED-EYE FROM 363 00:12:04,323 --> 00:12:05,157 TOWANDA AND I JUST FLEW IN ON THE RED-EYE FROM ATLANTA 364 00:12:05,257 --> 00:12:06,959 'CAUSE TONI CALLED THIS FAMILY MEETING 365 00:12:07,059 --> 00:12:09,829 AND INSISTED THAT EVERYBODY COMES. 366 00:12:09,929 --> 00:12:11,163 OOH. 367 00:12:11,263 --> 00:12:13,899 ME, TOWANDA, TAMAR DECIDE TO HAVE LUNCH TODAY 368 00:12:13,999 --> 00:12:18,070 BEFORE THE MEETING WITH TONI, AND I'M SUPER EXHAUSTED. 369 00:12:18,170 --> 00:12:19,438 TRINA, WHAT IS WRONG WIT' YOU? 370 00:12:19,538 --> 00:12:21,974 - I DON'T LIKE IT HERE. - TRINA, IT'S DELICIOUS. 371 00:12:22,074 --> 00:12:25,578 IT'S LIKE REAL, REAL ITALIAN FOOD, NOT CHEF-BOY-R-DEE. 372 00:12:25,678 --> 00:12:28,481 THIS PLACE HERE, YOU SAY, "MOZZARELLA," 373 00:12:28,581 --> 00:12:29,615 THEY SAY, "NO, WE DON'T HAVE THAT. 374 00:12:29,715 --> 00:12:32,017 "WE HAVE MOZZARELLA." - IS THAT WHAT HAPPENS? 375 00:12:32,118 --> 00:12:34,520 "WE DON'T HAVE THE BUFFALO MOZZARELLA." 376 00:12:34,620 --> 00:12:35,621 I SAID, "FINE, JUST GIVE ME WHATEVER." 377 00:12:35,721 --> 00:12:38,157 I'M GONNA HAVE SEVERAL SEATS. 378 00:12:38,257 --> 00:12:41,093 - HOW'S YOUR ALBUM COMING? - SHE'S COMING ALONG. 379 00:12:41,193 --> 00:12:43,028 WHAT KIND OF DIRECTION ARE YOU TRYING TO GO INTO? 380 00:12:43,129 --> 00:12:45,498 IT'S NOT BRITNEY POP, WHAT YOU DOIN'. 381 00:12:45,598 --> 00:12:47,133 YEAH, WHICH IS FABULOUS. 382 00:12:47,233 --> 00:12:49,335 IT'S MORE LIKE, YOU KNOW, HOOD-RAP HOP. 383 00:12:49,435 --> 00:12:50,903 GIVE ME AN EXAMPLE OF HOOD-RAP HOP. 384 00:12:51,003 --> 00:12:52,304 I WAS JUST ABOUT TO ASK. 385 00:12:54,440 --> 00:12:55,407 LIKE THAT. 386 00:12:55,508 --> 00:12:56,876 WHO ARE YOU WORKING WITH? 387 00:12:56,976 --> 00:12:58,677 I'M STILL WORKING WITH HARVEY, RIGHT NOW. 388 00:12:58,778 --> 00:13:01,680 BUT, YOU KNOW, WHEN I GO IN WITH THEM, MY MUSIC IS SO-- 389 00:13:01,781 --> 00:13:05,518 I-I-I BELIEVE IS ON POINT, BUT IT'S SO HOOD RAP FOR VINCE. 390 00:13:05,618 --> 00:13:07,987 HE'S LIKE, "AND NO." - MMM-HMM. 391 00:13:08,087 --> 00:13:10,556 VINCENT IS VINCENT THE HERBERT, 392 00:13:10,656 --> 00:13:14,360 AND HE'S ALSO MY HUSBAND. 393 00:13:14,460 --> 00:13:17,696 SO, I DON'T WANT TO, LIKE, OFFEND HIM IN ANY WAY 394 00:13:17,797 --> 00:13:19,098 AND BE LIKE, "YOU DON'T KNOW 395 00:13:19,198 --> 00:13:20,399 "WHAT YOU'RE DOIN' WHEN IT COMES TO ME." 396 00:13:20,499 --> 00:13:22,535 BUT, YOU KNOW, AT THE SAME TIME, OH, MY GOD, 397 00:13:22,635 --> 00:13:24,904 IF VINCE HEARD A RECORD THAT HARVEY AND I DID, 398 00:13:25,004 --> 00:13:27,206 AND HE ABSOLUTELY LOVED IT, LIKE, 399 00:13:27,306 --> 00:13:29,308 I-I WOULD BE THE HAPPIEST LITTLE PRINCESS 400 00:13:29,408 --> 00:13:31,510 IN THE POND. 401 00:13:31,610 --> 00:13:34,046 SO, I JUST FEEL LIKE EVERY TIME I GO TO A PRODUCER'S, 402 00:13:34,146 --> 00:13:36,882 I LOVE THEM TO PIECES, BUT THEY'RE GONNA WANNA DO RECORDS 403 00:13:36,982 --> 00:13:38,717 THAT VINCE WANTS ME TO DO BECAUSE THEY'RE HIS FRIENDS. 404 00:13:38,818 --> 00:13:41,187 ANYBODY THAT YOU WORK WITH ARE FRIENDS WITH VINCE. 405 00:13:42,688 --> 00:13:45,257 IT'S FINE THAT TAMAR IS DOING HER ALBUM, 406 00:13:45,357 --> 00:13:47,960 BUT TO BE TRUTHFUL AND HONEST, I'M JET-LAGGED. 407 00:13:48,060 --> 00:13:49,461 I'M TIRED. 408 00:13:49,562 --> 00:13:52,164 I JUST WANNA KNOW THE REASON THAT EVERYONE IS HERE 409 00:13:52,264 --> 00:13:55,434 AND DROPPED EVERYTHING, AND IT JUST SEEMS LIKE 410 00:13:55,534 --> 00:13:57,036 IT'S JUST SOME KIND OF BIG SECRET. 411 00:13:57,136 --> 00:13:59,004 TOWANDA, WHY DID TONI CALL US ALL OUT HERE? 412 00:13:59,104 --> 00:14:00,906 YOU HAVE TO WAIT UNTIL SHE TELLS YOU. 413 00:14:01,006 --> 00:14:02,141 - WELL, THAT'S BOGUS. - IT'S NOT BOGUS. 414 00:14:02,241 --> 00:14:03,676 TOWANDA, BUT WHY ARE YOU ALWAYS PRIVY TO INFORMATION, 415 00:14:03,776 --> 00:14:05,411 AND THEN YOU DON'T EVEN GIVE US A HEADS UP. 416 00:14:05,511 --> 00:14:07,213 - LET ME TELL YOU SOMETHIN'. - JUST GIVE US A BALLPARK. 417 00:14:07,313 --> 00:14:08,247 - YES. - OKAY. 418 00:14:08,347 --> 00:14:09,248 YOU REALLY WANT ME TO GIVE YOU A BALLPARK? 419 00:14:09,348 --> 00:14:10,449 - YES. - YES. 420 00:14:10,549 --> 00:14:13,052 - CAMDEN YARDS. - SUCH A LIFE. 421 00:14:13,152 --> 00:14:15,354 YOU KNOW, IT'S REALLY STARTING TO WORK ON MY NERVES 422 00:14:15,454 --> 00:14:17,790 THAT TONI IS TELLING TOWANDA EVERYTHING. 423 00:14:17,890 --> 00:14:19,825 I JUST DON'T APPRECIATE HEARING THINGS 424 00:14:19,925 --> 00:14:21,660 AT THE SAME TIME AS EVERYBODY ELSE. 425 00:14:21,760 --> 00:14:22,695 SO, YOU'RE NOT GONNA SAY NOTHIN'? 426 00:14:22,795 --> 00:14:23,929 BUT, IT'S TOMORROW. 427 00:14:24,029 --> 00:14:26,365 WHAT ABOUT-- FOR REAL, JUST A HINT, TOWANDA? 428 00:14:26,465 --> 00:14:28,167 IS SHE PREGNANT? 429 00:14:28,267 --> 00:14:29,568 IS WHO-- IS TONI PREGNANT? 430 00:14:29,668 --> 00:14:33,839 Y'ALL HAVE TO WAIT UNTIL SHE TELLS YOU. 431 00:14:33,939 --> 00:14:35,374 I THINK SHE MIGHT HAVE A LOVE ON TOP-- 432 00:14:35,474 --> 00:14:37,243 ONE OF HER RENDEZVOUS WITH HER BABY DADDY. 433 00:14:37,343 --> 00:14:38,677 YOU KNOW THAT CAN HAPPEN. 434 00:14:38,777 --> 00:14:40,246 TOWANDA IS NOT GOING TO BUDGE. 435 00:14:40,346 --> 00:14:41,247 SHE'S NOT GONNA POP. 436 00:14:41,347 --> 00:14:43,115 SHE'S NOT GONNA TELL THE SECRET. 437 00:14:43,215 --> 00:14:47,286 TOWANDA KNOWS EVERYTHING ABOUT EVERYBODY ELSE'S LIFE. 438 00:14:47,386 --> 00:14:48,554 AND LET ME TELL YA, RIGHT NOW, 439 00:14:48,654 --> 00:14:49,722 TOWANDA IS NOT THE PERSON 440 00:14:49,822 --> 00:14:50,789 THAT YOU WANNA DOUBLE-CROSS 441 00:14:50,890 --> 00:14:53,425 BECAUSE SHE KNOWS TOO MUCH ABOUT EVERYBODY. 442 00:14:53,525 --> 00:14:54,894 SO, YOU'RE REALLY NOT GONNA TELL US? 443 00:14:54,994 --> 00:14:56,629 YOU REALLY GONNA KEEP ASKIN'? 444 00:14:56,729 --> 00:14:57,730 YES. 445 00:14:57,830 --> 00:15:00,132 CAN YOU JUST GIVE US A, YOU KNOW, A CATEGORY 446 00:15:00,232 --> 00:15:01,967 OR SOMETHING. - OKAY. 447 00:15:02,067 --> 00:15:04,503 SHE DID NOT WIN THE LOTTERY. 448 00:15:04,603 --> 00:15:07,573 I'D LIKE TO WIN THE LOTTERY. 449 00:15:07,673 --> 00:15:10,676 MY NAME IS THE SECRET SQUIRREL OF THE FAMILY, 450 00:15:10,776 --> 00:15:12,878 AND IT'S BECAUSE EVERYBODY CAN COME TO ME 451 00:15:12,978 --> 00:15:14,246 AND CONFIDE IN ME AND TELL ME THINGS 452 00:15:14,346 --> 00:15:15,915 'CAUSE THEY KNOW IT'S NOT GONNA COME BACK TO THEM. 453 00:15:16,015 --> 00:15:17,750 AND, TAMAR, IT'S UNFAIR. 454 00:15:17,850 --> 00:15:20,920 AND, TRINA, IT'S UNFAIR FOR YOU TO ASK ME QUESTIONS 455 00:15:21,020 --> 00:15:22,421 WHEN YOU KNOW I'M NOT GONNA TELL. 456 00:15:22,521 --> 00:15:24,623 I DON'T CARE HOW MUCH YOU NAG, TAMAR. 457 00:15:24,723 --> 00:15:25,991 I'M NOT TELLING. 458 00:15:26,091 --> 00:15:27,793 SO, UM, YOU KNOW ANY GOSSIP ON TRACI? 459 00:15:27,893 --> 00:15:30,095 YES, YOU DO-- DAMN! 460 00:15:30,195 --> 00:15:32,164 TOWANDA, YOU CAN PUT OUT YOUR OWN JUICY MAGAZINE, 461 00:15:32,264 --> 00:15:34,366 "TOWANDA'S JUICE." 462 00:15:34,466 --> 00:15:37,970 I THINK THAT WOULD NOT BE AN APPROPRIATE NAME. 463 00:15:38,070 --> 00:15:39,405 TRINA, JUST BECAUSE YOU'RE ALWAYS THINKING SEXUAL 464 00:15:39,505 --> 00:15:40,673 DOES NOT MEAN EVERYBODY-- - I AM NOT. 465 00:15:40,773 --> 00:15:42,274 NO, I AM NOT. - I SAID, "TOWANDA'S JUICE." 466 00:15:42,374 --> 00:15:45,911 JUICE MEANS GOSSIP, ONLY YOU'RE THINKIN'... 467 00:15:46,011 --> 00:15:47,446 PUDDIN' JUICE. 468 00:15:47,546 --> 00:15:48,814 - RIGHT. - PUDDING JUICE? 469 00:15:48,914 --> 00:15:50,215 - I'M-I'M THINKING GOSSIP. - PUDDING JUICE? 470 00:15:50,316 --> 00:15:51,684 WOW. 471 00:15:51,784 --> 00:15:53,185 TRINA, YOU NEED A BAM-BAM-BAM-BAM-BAM-BAM-BAM- 472 00:15:53,285 --> 00:15:56,121 BAM-BAM-BAM-BAM-BAM-BAM, AND IT WAS GOOD. 473 00:15:56,221 --> 00:15:57,423 THAT'S WHAT YOU NEED. 474 00:15:57,523 --> 00:15:59,158 WHEW-- GONNA HAVE A CIGARETTE. 475 00:16:07,866 --> 00:16:10,469 - HI! - TRAY! 476 00:16:10,569 --> 00:16:14,073 I MISS YOU SO MUCH! - I MISSED YOU, TOO. 477 00:16:14,173 --> 00:16:15,607 - YOU LOOK GOOD. - YOU LOOK GOOD, TOO. 478 00:16:15,708 --> 00:16:16,709 THANK YOU. 479 00:16:16,809 --> 00:16:17,977 WELL, TONI CALLED THIS FAMILY MEETING 480 00:16:18,077 --> 00:16:19,111 AND INSISTED THAT WE ALL COME. 481 00:16:19,211 --> 00:16:21,947 NOW, I'M VERY, VERY HAPPY TO SEE MY SISTERS. 482 00:16:22,047 --> 00:16:24,416 HOWEVER, EVERY TIME TONI CALLS A MEETING, 483 00:16:24,516 --> 00:16:25,818 SHE DROPS A BOMB ON US. 484 00:16:25,918 --> 00:16:27,553 LAST TIME, SHE WAS MOVING TO L.A. 485 00:16:27,653 --> 00:16:29,021 WHAT'S UP THIS TIME, TONI? 486 00:16:29,121 --> 00:16:32,891 - LADIES, WE HAVE TAMAR. - HEY. 487 00:16:32,992 --> 00:16:36,295 HEY, TAMY-TAMY-- HEY, VINCE. 488 00:16:36,395 --> 00:16:37,529 YES! 489 00:16:37,629 --> 00:16:39,431 THIS BETTER BE GOOD BECAUSE I TOOK TIME 490 00:16:39,531 --> 00:16:41,900 OUT OF MY BUSY RECORDING SCHEDULE TO COME HERE. 491 00:16:42,001 --> 00:16:43,635 WHAT SHE GOT TO SAY? 492 00:16:43,736 --> 00:16:48,707 INTRODUCING THE OTHER CHROMOSOME WHO MADE US, DADDY! 493 00:16:48,807 --> 00:16:50,976 - OH, THE OTHER HALF OF DNA! - DADDY IN THE HOUSE. 494 00:16:51,076 --> 00:16:52,411 - HEY, DADDY-O. - CHICO. 495 00:16:52,511 --> 00:16:53,846 YOU'RE FREE. 496 00:16:53,946 --> 00:16:55,147 I HAVEN'T SEEN YOU IN SUCH A LONG TIME. 497 00:16:55,247 --> 00:16:58,317 SO, DADDY'S HERE, AND MY MOTHER IS HERE. 498 00:16:58,417 --> 00:17:00,252 OKAY-- NOW, I'M FOR REAL-FOR REAL WORRIED. 499 00:17:00,352 --> 00:17:02,654 THE LAST TIME MY MAMA AND DADDY GOT TOGETHER, 500 00:17:02,755 --> 00:17:05,290 IT WAS A COMPLETE EPIC FAIL. 501 00:17:05,391 --> 00:17:07,459 - YOU'RE A LIAR! - AND YOU'RE A DIRTY LIAR! 502 00:17:07,559 --> 00:17:10,562 THIS IS ABOUT TO GET REAL DEEP. 503 00:17:10,662 --> 00:17:12,364 TONI CALLED THIS FAMILY-- WHERE WE MEETIN'? 504 00:17:12,464 --> 00:17:13,532 - WHERE IS SHE? - SHE'S COMING. 505 00:17:13,632 --> 00:17:15,234 SHE WENT TO THE RESTROOM-- SHE'S COMING. 506 00:17:15,334 --> 00:17:17,236 IT'S GOOD THAT EVERYBODY IS HERE, BUT IT'S A LITTLE 507 00:17:17,336 --> 00:17:20,205 NERVE-WRACKING BECAUSE I HAVE TO BE ALL COOL 508 00:17:20,305 --> 00:17:22,207 UNTIL SHE BREAKS THE NEWS TO EVERYONE. 509 00:17:22,307 --> 00:17:23,976 MOMMY, WHAT'S GOING ON? 510 00:17:24,076 --> 00:17:25,611 YOU GOT A LOOK ON YOUR FACE. 511 00:17:25,711 --> 00:17:27,646 WELL, I'M JUST STANDING HERE. 512 00:17:27,746 --> 00:17:31,283 CHEESE KNIVES, TOWANDA, ALL THE CHEESE KNIVES. 513 00:17:31,383 --> 00:17:32,584 JUST PUT 'EM ON THE SIDE. 514 00:17:32,684 --> 00:17:34,053 HERE YOU GO. 515 00:17:34,153 --> 00:17:36,355 YES, I DID CALL THIS FAMILY MEETING, AND I HAVE BIG NEWS. 516 00:17:36,455 --> 00:17:37,623 I'VE BEEN DEALING WITH IT FOR, YOU KNOW, 517 00:17:37,723 --> 00:17:39,591 A LITTLE WHILE NOW, AND ONLY TOWANDA AND MY MOMMY KNOW, 518 00:17:39,691 --> 00:17:41,994 SO I DIDN'T WANT EVERYONE ELSE TO KNOW ABOUT IT 519 00:17:42,094 --> 00:17:43,562 BECAUSE THEY WORRY-- WE DON'T WANT THAT. 520 00:17:43,662 --> 00:17:45,130 BUT, IT'S TIME EVERYONE FOUND OUT, 521 00:17:45,230 --> 00:17:46,598 AND THEY DESERVE TO FIND OUT IN PERSON. 522 00:17:46,698 --> 00:17:50,335 OKAY, WHO WANTS WINE-- WHO WANTS WINE? 523 00:17:50,436 --> 00:17:51,904 CANDLES. 524 00:17:52,004 --> 00:17:56,642 THE WINE AND CHEESES OF THE WORLD BY CANDLELIGHT. 525 00:17:56,742 --> 00:17:58,710 SO, TONI BRINGS OUT THE CHEESE, THE FRUIT, 526 00:17:58,811 --> 00:18:00,212 THE CHAMPAGNE. 527 00:18:00,312 --> 00:18:02,381 WE ALL KNEW IT WAS SOMETHIN'. 528 00:18:02,481 --> 00:18:05,651 SHE MADE US FLY ALL THE WAY OUT HERE, WITH ALL THIS DRAMA. 529 00:18:05,751 --> 00:18:08,420 THIS CHILD GONNA MAKE MY NERVES SHOT TO SHINGLES. 530 00:18:08,520 --> 00:18:10,322 SOMETHIN' IN THE MILK AIN'T CLEAR. 531 00:18:10,422 --> 00:18:12,391 I DON'T LIKE THE LOOK MY MAMA GOT ON HER FACE. 532 00:18:12,491 --> 00:18:16,161 LORD, I CAN'T HELP THE LOOK THAT'S ON MY FACE. 533 00:18:16,261 --> 00:18:19,264 MY EX-HUSBAND IS SITTING ON ONE SIDE OF ME. 534 00:18:19,364 --> 00:18:23,368 TONI IS GOING THROUGH HER TRIALS AND HER TRIBULATIONS. 535 00:18:23,469 --> 00:18:27,139 YES, I CAN KEEP A SECRET, BUT I WANT HER TO HURRY UP 536 00:18:27,239 --> 00:18:29,942 AND ANNOUNCE WHAT'S GOING ON WITH HER. 537 00:18:30,042 --> 00:18:31,610 SO, T., WHY DID YOU BRING EVERYBODY HERE TODAY? 538 00:18:31,710 --> 00:18:32,744 WHAT'S GOING ON-- WHY? 539 00:18:32,845 --> 00:18:34,413 WITH THE CHEESE, AND THE WINE, AND THE FRUIT? 540 00:18:34,513 --> 00:18:36,715 BECAUSE CHEESE AND WINE IS-- IT'S SOOTHING TO THE SPIRIT, 541 00:18:36,815 --> 00:18:39,485 AND THE BLOOD LOVES RED WINE. 542 00:18:39,585 --> 00:18:41,854 - WELL, I GOT-- - RIGHT? 543 00:18:41,954 --> 00:18:43,021 WELL, I WAS BRINGING EVERYONE TOGETHER 544 00:18:43,122 --> 00:18:47,993 BECAUSE I HAVE SURGERY TOMORROW. 545 00:18:48,093 --> 00:18:51,096 COMING UP, ON "BRAXTON FAMILY VALUES"... 546 00:18:51,196 --> 00:18:54,299 EVERY TIME YOU HAVE AN ANNOUNCEMENT, IT'S SOMETHIN'. 547 00:18:54,399 --> 00:18:55,534 I TOLD YOU I HAD A PROCEDURE. 548 00:18:55,634 --> 00:18:56,602 REMEMBER, I SAID, TRINA, "I HAVE A PROCEDURE." 549 00:18:56,702 --> 00:18:58,303 IT'S HER STORY-- SHE HAS TO TELL IT, TRINA. 550 00:18:58,403 --> 00:19:01,573 A PROCEDURE IS A PAP SMEAR-- PROCEDURE IS A BOOB JOB. 551 00:19:01,673 --> 00:19:03,575 JUST SEEING MY POOR TONI GO THROUGH EVERYTHING 552 00:19:03,675 --> 00:19:05,978 THAT'S TOUGH, YOU KNOW. 553 00:19:13,852 --> 00:19:13,885 WELL, 554 00:19:13,886 --> 00:19:13,951 WELL, I 555 00:19:13,952 --> 00:19:14,118 WELL, I WAS 556 00:19:14,119 --> 00:19:14,285 WELL, I WAS BRINGING 557 00:19:14,286 --> 00:19:15,820 WELL, I WAS BRINGING EVERYONE 558 00:19:15,821 --> 00:19:16,522 WELL, I WAS BRINGING EVERYONE TOGETHER 559 00:19:16,622 --> 00:19:18,457 BECAUSE I HAVE SURGERY TOMORROW. 560 00:19:21,426 --> 00:19:23,328 SO, I INVITED MY SISTERS TO COME OVER TO TELL THEM 561 00:19:23,428 --> 00:19:25,364 ABOUT MY UPCOMING SURGERY, 562 00:19:25,464 --> 00:19:28,534 AND THEY SEEM A LITTLE MORE SCARED THAN I AM. 563 00:19:28,634 --> 00:19:30,269 SO, I HAVE TO A MYOMECTOMY TOMORROW-- 564 00:19:30,369 --> 00:19:32,004 - WHAT SURGERY? - AND A PARTIAL HYSTERECTOMY. 565 00:19:32,104 --> 00:19:35,774 A MYOMECTOMY IS ACTUALLY A VERY COMMON PROCEDURE 566 00:19:35,874 --> 00:19:37,176 FOR WOMEN OF ANY AGE. 567 00:19:37,276 --> 00:19:39,945 IT'S A PROCEDURE WHERE THEY REMOVE BENIGN TUMOR GROWTHS 568 00:19:40,045 --> 00:19:42,681 FROM YOUR UTERUS, BUT BECAUSE OF MY PRIOR LUPUS HISTORY, 569 00:19:42,781 --> 00:19:46,084 IT MAY BE MORE EXTENSIVE, A-A POSSIBLE HYSTERECTOMY. 570 00:19:46,185 --> 00:19:47,886 DON'T BE SCARED, 'CAUSE I DON'T WANNA BE SCARED. 571 00:19:47,986 --> 00:19:49,054 - IT'S OKAY. - I MEAN-- IT'S TOTALLY NORMAL. 572 00:19:49,154 --> 00:19:50,189 RIGHT. 573 00:19:50,289 --> 00:19:51,423 HAPPENS TO A LOT OF WOMEN MY AGE. 574 00:19:51,523 --> 00:19:53,625 THE LUPUS JUST AGGRAVATES IS. 575 00:19:53,725 --> 00:19:56,295 SO, THIS WHY DADDY HERE, AND MOMMY AND DADDY ARE SKIPPIN' 576 00:19:56,395 --> 00:19:59,798 AND JUMPIN' LIKE THEY'RE COOL AND EVERYTHING? 577 00:19:59,898 --> 00:20:01,266 SO, TONI DROPS A BOMB, LIKE, YOU KNOW, 578 00:20:01,366 --> 00:20:04,002 "I GOTTA HAVE SURGERY TOMORROW," 579 00:20:04,102 --> 00:20:05,938 NOT IN A WEEK, BUT TOMORROW. 580 00:20:06,038 --> 00:20:09,608 MY HEART JUST SUNK INTO THE BOTTOM OF MY LOUBOUTINS 581 00:20:09,708 --> 00:20:13,011 'CAUSE I WAS LIKE, "OH, MY GOODNESS, NOT AGAIN. 582 00:20:13,111 --> 00:20:14,613 "I CAN'T GO THROUGH THIS, AGAIN." 583 00:20:14,713 --> 00:20:17,182 I CAN'T TAKE NO MORE OF YOUR ANNOUNCEMENTS. 584 00:20:17,282 --> 00:20:18,850 EVERY TIME YOU HAVE AN ANNOUNCEMENT, 585 00:20:18,951 --> 00:20:21,286 IT'S SOMETHIN'. 586 00:20:21,386 --> 00:20:23,088 I MEAN, I'M TOTALLY SYMPATHETIC, 587 00:20:23,188 --> 00:20:25,457 BUT TONI CONTINUES TO DO THIS TO US. 588 00:20:25,557 --> 00:20:28,427 I MEAN, LAST YEAR, SHE DROPPED THE LUPUS BOMB ON US, 589 00:20:28,527 --> 00:20:29,661 AND WE WERE ALL SHOCKED. 590 00:20:29,761 --> 00:20:33,498 HEY, YOU GUYS, I HAVE AN ANNOUNCEMENT TO MAKE. 591 00:20:33,599 --> 00:20:36,868 THE TRUTH IS THAT I HAVE LUPUS. 592 00:20:36,969 --> 00:20:40,239 I THINK SHE'S DOING THIS TO GET A RISE OUT OF US. 593 00:20:40,339 --> 00:20:41,373 I TOLD YOU I HAD A PROCEDURE. 594 00:20:41,473 --> 00:20:42,441 REMEMBER, I SAID, TRINA, "I HAVE A PROCEDURE." 595 00:20:42,541 --> 00:20:44,042 IT'S HER STORY-- SHE HAS TO TELL IT, TRINA. 596 00:20:44,142 --> 00:20:46,645 A PROCEDURE IS A PAP SMEAR-- A PROCEDURE IS A BOOB JOB. 597 00:20:46,745 --> 00:20:50,482 TONI GAVE US TWO WHAMMIES IN LESS THAN A YEAR. 598 00:20:50,582 --> 00:20:53,385 I MEAN, WHO-- WHERE THEY DO THAT AT? 599 00:20:53,485 --> 00:20:55,053 TOWANDA, HOW COME YOU KNOW SO MUCH? 600 00:20:55,153 --> 00:20:58,357 I'VE SEEN TOWANDA EVERY DAY, AND SHE DIDN'T SAY A WORD. 601 00:20:58,457 --> 00:21:00,525 WOULD YOU BE MAD IF I TOLD YOUR BUSINESS? 602 00:21:00,626 --> 00:21:02,160 YES. 603 00:21:02,261 --> 00:21:03,562 WOULD YOU BE MAD IF I TOLD YOUR BUSINESS? 604 00:21:03,662 --> 00:21:04,930 - YEAH. - OKAY. 605 00:21:05,030 --> 00:21:06,331 YOU KNOW THAT, IF YOU TELL ME SOMETHIN' AND TELL ME 606 00:21:06,431 --> 00:21:08,834 NOT TO SAY ANYTHING, I'M NOT GONNA SAY IT, 607 00:21:08,934 --> 00:21:10,202 AND THAT'S HOW IT SHOULD BE TO ME. 608 00:21:10,302 --> 00:21:14,172 I AM RELIEVED THAT I NO LONGER HAVE TO KEEP THAT SECRET. 609 00:21:14,273 --> 00:21:18,176 SO, I CAN NOW JUST CONCENTRATE ON KEEPING TONI HEALTHY. 610 00:21:18,277 --> 00:21:21,613 I THINK SHE'S A LITTLE MORE SCARED THAN SHE LETS ON. 611 00:21:21,713 --> 00:21:23,181 SO, HOW LONG-HOW LONG ARE YOU OUT FOR? 612 00:21:23,282 --> 00:21:25,851 ANYWHERE FROM SIX TO EIGHT WEEKS. 613 00:21:25,951 --> 00:21:28,287 SO, HOW DOES THIS AFFECT YOU PERFORMING? 614 00:21:28,387 --> 00:21:31,890 I WON'T BE ABLE TO PERFORM FOR A SECOND. 615 00:21:31,990 --> 00:21:33,659 - AGAIN. - WOW! 616 00:21:33,759 --> 00:21:36,928 - THIS IS-IS REALLY SERIOUS. - YEAH, LIKE, UH, WAIT. 617 00:21:37,029 --> 00:21:37,996 OKAY-- DON'T CRY. 618 00:21:38,096 --> 00:21:41,266 DON'T CRY, DON'T CRY, DON'T CRY, DON'T CRY. 619 00:21:41,366 --> 00:21:45,070 IT WAS A TOUGH TIME THE FIRST TIME TONI WAS IN THE HOSPITAL 620 00:21:45,170 --> 00:21:48,040 FOR 11 DAYS, AND NOBODY KNEW WHAT WAS GONNA HAPPEN, 621 00:21:48,140 --> 00:21:50,242 AND, YOU KNOW, I WAS STRESSED OUT. 622 00:21:50,342 --> 00:21:52,044 I GOT ABOUT FIVE GRAY HAIRS. 623 00:21:52,144 --> 00:21:55,047 WELL, WHY EVERYTHING ALWAYS GOTTA HAPPEN TO YOU? 624 00:21:55,147 --> 00:21:56,415 IT'S JUST WHAT THEY GOTTA DO. 625 00:21:56,515 --> 00:21:57,749 I JUST WISH SOMETIMES I CAN HAVE, LIKE, 626 00:21:57,849 --> 00:21:59,084 SOMETHIN' FOR YOU. 627 00:21:59,184 --> 00:22:00,819 JUST SEEING MY POOR TONI GOING THROUGH EVERYTHING 628 00:22:00,919 --> 00:22:03,855 THAT'S TOUGH, YOU KNOW. 629 00:22:03,955 --> 00:22:07,759 TAMAR, WHAT GOD HAS FOR YOU, IS FOR YOU. 630 00:22:07,859 --> 00:22:11,330 WHAT GOD HAS FOR TONI, IS FOR HER. 631 00:22:11,430 --> 00:22:13,265 THAT'S LIFE. 632 00:22:13,365 --> 00:22:15,934 SO, ONLY THING THAT WE CAN DO IS TO BE THERE 633 00:22:16,034 --> 00:22:19,805 AND BE SUPPORTIVE, YOU KNOW, AND LOVE ONE ANOTHER. 634 00:22:19,905 --> 00:22:21,139 ISN'T THAT THE TRUTH? 635 00:22:21,239 --> 00:22:22,541 COME ON, TAMAR-- I'M GONNA BE FINE, REALLY. 636 00:22:22,641 --> 00:22:24,443 I JUST WANT MY BABY OLDER SISTER TO BE OKAY. 637 00:22:24,543 --> 00:22:26,044 I'M GONNA BE FINE-- I'M-I'M GONNA BE GOOD. 638 00:22:26,144 --> 00:22:27,979 AND WHEN YOU WAKE UP FROM THE SURGERY, 639 00:22:28,080 --> 00:22:29,448 WE'LL ALL BE THERE. 640 00:22:29,548 --> 00:22:30,749 WE'LL ALL BE RIGHT THERE. 641 00:22:30,849 --> 00:22:32,651 IT'S TIMES LIKE THIS THAT I REALIZE HOW LUCKY I AM 642 00:22:32,751 --> 00:22:33,885 TO HAVE MY FAMILY AROUND. 643 00:22:33,985 --> 00:22:36,054 IT'S A GREAT FEELING-- I FEEL SO BLESSED. 644 00:22:36,154 --> 00:22:37,856 I'M JUST EAGER TO GET THE SURGERY OVER 645 00:22:37,956 --> 00:22:38,924 AND OUT OF THE WAY, 646 00:22:39,024 --> 00:22:40,392 SO I CAN GET BACK TO BIGGER AND BETTER THINGS. 647 00:22:40,492 --> 00:22:43,028 CAN WE START BY SAYING SOMETHING VERY POSITIVE 648 00:22:43,128 --> 00:22:45,297 AND INSPIRATIONAL? - I'M-I'M HAVING SURGERY. 649 00:22:45,397 --> 00:22:46,531 I'LL BE HOME IN A COUPLE DAYS. 650 00:22:46,631 --> 00:22:47,933 DON'T SCARE ME. - SHE WANTS TO SAY, 651 00:22:48,033 --> 00:22:49,334 "WELL, LET'S SAY GOOD THINGS ABOUT TONI." 652 00:22:49,434 --> 00:22:53,538 WHAT? 653 00:22:53,638 --> 00:22:56,208 MY NERVES ARE SHOT-- WHO DOES THAT? 654 00:22:56,308 --> 00:22:57,843 AND THEY'RE MAKING ME NERVOUS BECAUSE THEY'RE ACTING LIKE, 655 00:22:57,943 --> 00:23:00,512 YOU KNOW, WELL, SUPPOSE THIS HAPPENS, SUPPOSE THAT. 656 00:23:00,612 --> 00:23:02,647 NO, LET'S JUST BE POSITIVE AND SAY, "YOU-YOU'LL BE GREAT. 657 00:23:02,748 --> 00:23:03,648 "YOU'LL BE FINE." 658 00:23:03,749 --> 00:23:05,117 MY MOM AND DAD ARE REALLY GOOD AT THAT. 659 00:23:05,217 --> 00:23:08,019 DEAR LORD, WE BOW OUR HEADS IN SUBMISSION TO YOU. 660 00:23:08,120 --> 00:23:10,822 WE THANK YOU FOR BRINGING US TOGETHER. 661 00:23:10,922 --> 00:23:13,191 WE ASK YOUR BLESSINGS TO BE UPON TONI 662 00:23:13,291 --> 00:23:14,793 AS SHE GO INTO SURGERY. 663 00:23:14,893 --> 00:23:17,496 MOST OF ALL, GOD, WE PRAY FOR THE TIME SHE'S CONVALESCING. 664 00:23:17,596 --> 00:23:20,532 THROUGH ALL TIMES, WE PRAY IN JESUS' NAME. 665 00:23:20,632 --> 00:23:22,534 AMEN. - AMEN! 666 00:23:22,634 --> 00:23:24,136 NO, DADDY, WAIT. 667 00:23:24,236 --> 00:23:28,173 I THOUGHT HE SAID CONGA-- CONGA LESSONS. 668 00:23:28,273 --> 00:23:30,709 I THOUGHT HE SAID, "WE JUST WANNA THANK YOU 669 00:23:30,809 --> 00:23:32,411 "FOR THE CONGA LESSONS." 670 00:23:32,511 --> 00:23:34,446 I SAID, "WHAT?" 671 00:23:42,287 --> 00:23:45,390 - CONVALESCING! - SHE'S SAYING-- 672 00:23:45,490 --> 00:23:47,559 I'M GLAD WE WERE ABLE TO LAUGH TOGETHER AS A FAMILY 673 00:23:47,659 --> 00:23:49,795 BECAUSE TO BE HONEST WITH YA, 674 00:23:49,895 --> 00:23:51,329 I'M A LITTLE NERVOUS ABOUT TOMORROW. 675 00:24:03,975 --> 00:24:06,378 SO, IT'S 4 O'CLOCK IN THE MORNING, SURGERY DAY. 676 00:24:06,478 --> 00:24:08,547 DADDY'S HERE-- MOMMY'S HERE. 677 00:24:08,647 --> 00:24:11,349 MY ASSISTANT, ZO, IS HERE, AND TOWANDA IS HERE. 678 00:24:11,450 --> 00:24:13,452 SHE ALWAYS KNOWS WHEN I TRULY NEED HER. 679 00:24:13,552 --> 00:24:17,689 I NEED TO BE IN A CALM STATE BEFORE I GO IN MY SURGERY. 680 00:24:17,789 --> 00:24:19,524 JUST ME AND KERI SHOULD GO. 681 00:24:19,624 --> 00:24:20,692 OKAY. 682 00:24:20,792 --> 00:24:22,194 I JUST WANNA BE IN A CALM STATE. 683 00:24:22,294 --> 00:24:24,262 AND MY EX-HUSBAND, KERI, IS HERE TO SUPPORT ME. 684 00:24:24,362 --> 00:24:27,599 HE IS STILL AND ALWAYS WILL BE MY BEST FRIEND. 685 00:24:27,699 --> 00:24:29,334 HE'S ALWAYS THERE FOR ME. 686 00:24:29,434 --> 00:24:31,803 IT'S REALLY TERRIFYING GOING TO THE HOSPITAL, 687 00:24:31,903 --> 00:24:34,072 BUT I'M SO BLESSED TO HAVE KERI HERE 688 00:24:34,172 --> 00:24:36,041 TO HOLD MY HAND AND TOWANDA TO DRIVE. 689 00:24:36,141 --> 00:24:38,910 THEY BOTH TAKE SUCH GOOD CARE OF ME. 690 00:24:39,010 --> 00:24:40,579 SEE YOU LATER. - SEE YOU INSIDE. 691 00:24:47,052 --> 00:24:50,021 SHE'S IN THE BACK. 692 00:24:50,121 --> 00:24:52,290 HOW DO YOU FEEL? 693 00:24:52,390 --> 00:24:54,159 A LITTLE ANXIOUS. 694 00:24:54,259 --> 00:24:56,361 A LITTLE BIT DIZZY. 695 00:24:56,461 --> 00:24:57,896 GOTTA FIX MY HAIR. 696 00:24:57,996 --> 00:25:00,198 IMAGE IS EVERYTHING. 697 00:25:00,298 --> 00:25:02,133 I THINK WHENEVER YOU HAVE SURGERY, IT MAKES YOU THINK, 698 00:25:02,234 --> 00:25:03,535 AND YOU DON'T WANNA THINK THE WORST. 699 00:25:03,635 --> 00:25:05,303 YOU WANNA THINK POSITIVE, BUT SOMETIMES THOSE THOUGHTS 700 00:25:05,403 --> 00:25:07,606 KINDA CREEP UP. 701 00:25:07,706 --> 00:25:09,774 SO, WHENEVER I GO THERE, I HAVE A LITTLE BIT ANXIETY. 702 00:25:09,875 --> 00:25:11,476 YOU'RE NOT NERVOUS, ARE YOU? 703 00:25:11,576 --> 00:25:13,011 A LITTLE BIT... A LITTLE NERVOUS. 704 00:25:13,111 --> 00:25:14,980 YOU'RE GONNA BE FINE. 705 00:25:26,224 --> 00:25:29,895 SO, TONI'S SURGERY WAS A LITTLE LONGER THAN EXPECTED, 706 00:25:29,995 --> 00:25:32,197 BUT EVERYTHING'S FINE, AND SHE'S GONNA HAVE TO 707 00:25:32,297 --> 00:25:33,832 STAY IN THE HOSPITAL JUST FOR A FEW MORE DAYS 708 00:25:33,932 --> 00:25:35,400 JUST FOR OBSERVATION. 709 00:25:41,840 --> 00:25:44,242 I'M SO HAPPY THAT TONI CAME THROUGH HER SURGERY OKAY, 710 00:25:44,342 --> 00:25:47,112 BUT I WON'T REST UNTIL SHE COMES HOME, 711 00:25:47,212 --> 00:25:50,348 AND I KNOW SHE'S SAFE. 712 00:25:50,448 --> 00:25:52,684 COMING UP, ON "BRAXTON FAMILY VALUES"... 713 00:25:52,784 --> 00:25:56,488 MY PARENTS ARE GETTING ALONG, BUT DEEP DOWN INSIDE, 714 00:25:56,588 --> 00:25:58,723 THEY CAN'T STAND EACH OTHER. 715 00:25:58,823 --> 00:26:00,091 WANT ME TO BRING EVELYN TO YOUR HOUSE? 716 00:26:00,191 --> 00:26:01,126 NO PROBLEM. 717 00:26:01,226 --> 00:26:02,294 SHE AIN'T COMING TO YOUR HOUSE. 718 00:26:02,394 --> 00:26:04,296 YOU CAN'T BRING YOUR BABY MAMA TO YOUR WIFE'S HOUSE! 719 00:26:06,298 --> 00:26:06,330 WHAT 720 00:26:06,331 --> 00:26:07,698 WHAT IS 721 00:26:07,699 --> 00:26:08,633 WHAT IS THAT? 722 00:26:08,733 --> 00:26:09,868 I'LL BE HAVING SOME OF THAT FOR MY DRINK. 723 00:26:09,968 --> 00:26:11,770 - WHAT? - THE ABSINTH. 724 00:26:11,870 --> 00:26:13,972 - LIQUID LSD, TRINA? - THAT IS NOT LIQUID LSD. 725 00:26:14,072 --> 00:26:15,941 WHO TOLD YOU THAT? - LET ME SMELL IT, DAD. 726 00:26:16,041 --> 00:26:18,510 - SMELL LIKE LICORICE. - IT SMELLS LIKE POISON. 727 00:26:18,610 --> 00:26:19,945 SO, I'M GONNA MAKE THE DRINKS FOR YOU GIRLS. 728 00:26:20,045 --> 00:26:21,646 YOU'RE SPILLING-- IT'S GREEN! 729 00:26:21,746 --> 00:26:24,916 IT'S ALMOST LIKE FREON. - AMMONIA OR SOMETHIN'. 730 00:26:25,016 --> 00:26:26,318 HAVE YOU HAD IT BEFORE? 731 00:26:26,418 --> 00:26:28,186 I HAVE HAD IT IN A DRINK BEFORE, AND IT'S GREAT-- 732 00:26:28,286 --> 00:26:30,121 WELL, SOMEBODY SAID YOU'RE SUPPOSED TO COOK IT LIKE DOPE. 733 00:26:30,221 --> 00:26:31,323 THEY MAKE FIREBALLS WITH IT. 734 00:26:31,423 --> 00:26:32,791 YOU PUT IT ON A SPOON AND DRINK IT LIKE DOPE. 735 00:26:32,891 --> 00:26:33,959 YOU DON'T COOK IT LIKE DOPE, TAMAR. 736 00:26:34,059 --> 00:26:35,160 SOMEBODY HAD TOLD ME. 737 00:26:35,260 --> 00:26:36,328 NOW, YOU KNOW HOW YOU COOK DOPE? 738 00:26:36,428 --> 00:26:38,096 - SHUT UP, TAMAR. - SHUT UP, TOWANDA. 739 00:26:38,196 --> 00:26:39,431 STICK YOUR FINGER IN THERE AND TASTE THIS. 740 00:26:39,531 --> 00:26:40,932 NUH-UH-- THE DEVIL'S ALIVE. 741 00:26:41,032 --> 00:26:42,400 TRACI-- LISTEN, TRACI. 742 00:26:42,500 --> 00:26:43,802 YOU HAVE TO DO IT LIKE THIS. - THERE'S NO PEER PRESSURE. 743 00:26:43,902 --> 00:26:45,470 - TRACI, DO IT LIKE THIS. - WE'RE THE BRAXTONS! 744 00:26:45,570 --> 00:26:46,938 WE DON'T DRINK OUT OF PLASTIC CUPS! 745 00:26:47,038 --> 00:26:49,641 IT TASTES GOOD, DON'T IT? 746 00:26:49,741 --> 00:26:51,176 I DON'T FEEL TOO VERY GOOD. 747 00:26:51,276 --> 00:26:53,445 MY TONGUE PALETTE IS DISTURBED. 748 00:26:53,545 --> 00:26:56,448 - I BEG YOUR PARDON. - I GOT HAIR ON MY CHEST, NOW. 749 00:26:56,548 --> 00:26:58,984 - RIGHT. - LET ME HAVE AN OUNCE. 750 00:26:59,084 --> 00:27:00,318 - OH, MY GOD. - IT'S TERRIBLE? 751 00:27:00,418 --> 00:27:02,053 - I DIDN'T SAY THAT. - I NEED TO WAX MY CHEST, NOW. 752 00:27:15,333 --> 00:27:15,499 HI, 753 00:27:15,500 --> 00:27:17,534 HI, OLIVIA. 754 00:27:17,535 --> 00:27:17,902 - HI, OLIVIA. - HI! 755 00:27:18,003 --> 00:27:19,137 HOW ARE YOU? 756 00:27:19,237 --> 00:27:20,705 BUT, I SAW THE RED VELVET CAKE. 757 00:27:20,805 --> 00:27:22,941 THAT LOOKED SO GOOD. - MOM, CAN'T YOU MAKE THAT? 758 00:27:23,041 --> 00:27:24,409 YEAH. 759 00:27:24,509 --> 00:27:27,178 SO, WHEN TONI TOOK A NAP AT THE HOSPITAL, 760 00:27:27,278 --> 00:27:30,181 WE ALL DECIDED WE WAS GONNA GO TO LUNCH. 761 00:27:30,281 --> 00:27:33,718 AND, UH, WE NOTICED THAT MY PARENTS WERE GETTING ALONG 762 00:27:33,818 --> 00:27:35,754 LIKE THEY WERE STILL MARRIED. 763 00:27:35,854 --> 00:27:38,423 MICHAEL AND EVELYN, YOU GUYS ARE REALLY GETTING ALONG GREAT. 764 00:27:38,523 --> 00:27:39,524 THAT'S HOW WE'RE LOOKING AT IT. 765 00:27:39,624 --> 00:27:40,625 AND TOWANDA SAID Y'ALL WERE MISSING. 766 00:27:40,725 --> 00:27:41,626 Y'ALL SHOULD'VE BEEN THERE. 767 00:27:41,726 --> 00:27:42,894 Y'ALL WAS LIKE HANSEL AND GRETEL. 768 00:27:42,994 --> 00:27:44,362 BUT, THEY WERE LIKE MOMMY SAID, 769 00:27:44,462 --> 00:27:47,165 "WHO'S GOING DOWNSTAIRS TO THE CAFETERIA WITH ME?" 770 00:27:47,265 --> 00:27:49,234 DADDY, "I'LL GO DOWNSTAIRS 771 00:27:49,334 --> 00:27:51,202 "TO THE CAFETERIA WITH YOU, EVELYN." 772 00:27:51,302 --> 00:27:53,571 MISS E. SAID SHE WANTED TO GO TO THE CAFETERIA, 773 00:27:53,672 --> 00:27:56,508 AND I SAID, "HEY, I'LL JOIN YOU DOWN IN THE CAFETERIA." 774 00:27:56,608 --> 00:28:00,011 AND THE GIRLS THOUGHT WE WENT OUT ON A DATE OR SOMETHIN'! 775 00:28:00,111 --> 00:28:02,814 DID Y'ALL FEEL WEIRD OR ANYTHING 776 00:28:02,914 --> 00:28:05,650 BECAUSE YOUR MOTHER AND I WERE TOGETHER? 777 00:28:05,750 --> 00:28:07,185 - NOT WEIRD. - I-I MEAN, WAS-- 778 00:28:07,285 --> 00:28:08,553 WHAT WAS Y'ALL AFRAID OF? 779 00:28:08,653 --> 00:28:10,055 WAS Y'ALL AFRAID OF ANYTHING? - WE WAS AFRAID OF FIREWORKS. 780 00:28:10,155 --> 00:28:12,290 MY FATHER CHEATED ON MY MOTHER 781 00:28:12,390 --> 00:28:13,892 WHILE HE WAS A PASTOR IN A CHURCH. 782 00:28:13,992 --> 00:28:17,996 SO, THEREFORE, MY MOM-- MY PARENTS DIVORCE WAS REALLY HARD 783 00:28:18,096 --> 00:28:21,299 ON HER BECAUSE SHE WAS SO ANGRY WITH MY DAD. 784 00:28:21,399 --> 00:28:23,935 YOU LAY IT LOW AND SPREAD IT WIDE! 785 00:28:24,035 --> 00:28:25,870 YOU DON'T CARE WHO IT IS! 786 00:28:25,970 --> 00:28:28,840 OKAY, I WANT IT TO BE PEACEFUL. 787 00:28:28,940 --> 00:28:31,509 AND, YOU KNOW, WHEN WE INVITED YOU TO THE LUNCHEON 788 00:28:31,609 --> 00:28:35,013 IN MARYLAND, THAT'S-- WE WANTED THIS, SERENITY. 789 00:28:35,113 --> 00:28:36,948 LAST YEAR, WHEN WE TRIED TO GET MY MOTHER AND FATHER 790 00:28:37,048 --> 00:28:39,250 TOGETHER FOR A NICE FAMILY LUNCH, 791 00:28:39,350 --> 00:28:41,920 MY FATHER DID NOT SHOW UP. 792 00:28:42,020 --> 00:28:43,655 WHAT DO YOU THINK, DADDY? 793 00:28:43,755 --> 00:28:45,590 SORRY-- HE'S NOT HERE. 794 00:28:45,690 --> 00:28:47,492 WE CHARTERED A PLANE AND FLEW HERE. 795 00:28:47,592 --> 00:28:49,794 AND I DIDN'T COME ALL THIS WAY NOT TO SEE MY DADDY. 796 00:28:49,894 --> 00:28:52,063 THAT WAS COMPLETELY DEVASTATING. 797 00:28:52,163 --> 00:28:53,832 DADDY, WHY YOU THINK WE WAS COMING TO TOWN? 798 00:28:53,932 --> 00:28:54,999 TO SEE WHO? 799 00:28:55,100 --> 00:28:56,367 YOU DIDN'T KNOW WHERE I LIVED. 800 00:28:56,468 --> 00:28:57,535 OKAY. 801 00:28:57,635 --> 00:28:59,370 'CAUSE IF YOU REALLY WANTED TO SEE ME-- 802 00:28:59,471 --> 00:29:01,306 WANT ME TO BRING EVELYN TO YOUR HOUSE? 803 00:29:01,406 --> 00:29:03,475 'CAUSE SHE WAS WITH US. - I HAVE NO PROBLEM WITH IT. 804 00:29:03,575 --> 00:29:04,642 SHE AIN'T COMING TO YOUR HOUSE. 805 00:29:04,743 --> 00:29:06,544 YOU CAN'T BRING YOUR BABY MAMA TO YOUR WIFE'S HOUSE! 806 00:29:06,644 --> 00:29:08,213 WE AIN'T ALL THE WAY THERE YET. 807 00:29:08,313 --> 00:29:11,716 I MEAN, WE'RE GETTIN' CLOSER, BUT WE AIN'T THERE YET. 808 00:29:11,816 --> 00:29:14,419 MOMMY WOULD NEVER GO TO MY DAD'S HOUSE 809 00:29:14,519 --> 00:29:15,854 TO SEE MY DAD'S WIFE. 810 00:29:15,954 --> 00:29:17,555 NO-- UH-UH. 811 00:29:17,655 --> 00:29:18,690 NOT AN OPTION. 812 00:29:18,790 --> 00:29:20,024 DADDY, WHAT ARE YOU THINKIN'? 813 00:29:20,125 --> 00:29:22,527 WELL, I CAN'T-CAN'T CHANGE WHAT HAPPENED IN THE PAST, 814 00:29:22,627 --> 00:29:26,765 BUT I CERTAINLY CAN LOOK AT MY PAST AND SEE WHAT I CAN DO 815 00:29:26,865 --> 00:29:29,367 TO IMPROVE-TO IMPROVE MY FUTURE. 816 00:29:29,467 --> 00:29:30,902 ABSOLUTELY. 817 00:29:31,002 --> 00:29:34,172 I THINK TAMAR WANTS OUR WHOLE FAMILY UNIT BACK, 818 00:29:34,272 --> 00:29:36,975 AND AS LONG AS MOMMY AND DADDY ARE NOT MARRIED ANYMORE, 819 00:29:37,075 --> 00:29:40,411 AND DADDY'S MARRIED TO SOMEBODY ELSE, AND LET'S NOT FORGET 820 00:29:40,512 --> 00:29:42,247 THE FACT THAT MOMMY NO LONGER WANTS DADDY, 821 00:29:42,347 --> 00:29:46,251 IT'LL NEVER, EVER, EVER COME TO FRUITION, EVER AGAIN. 822 00:29:46,351 --> 00:29:48,520 THE RELATIONSHIP YOU AND YOUR DAD-- 823 00:29:48,620 --> 00:29:52,190 Y'ALL AND YOUR DAD IS BETWEEN YOU GUYS AND YOUR DAD. 824 00:29:52,290 --> 00:29:53,958 SIMPLE AS THAT. 825 00:29:54,058 --> 00:29:56,628 I MAY NEVER SEE YOUR DADDY, AGAIN, OKAY? 826 00:29:56,728 --> 00:29:59,764 DON'T GET ALL EXCITED BECAUSE YOUR DADDY AND I 827 00:29:59,864 --> 00:30:01,533 COMMUNICATED TODAY. 828 00:30:01,633 --> 00:30:04,202 MY SISTERS, THEY'RE, LIKE, OVERLY EXCITED 829 00:30:04,302 --> 00:30:06,137 BECAUSE MY PARENTS ARE GETTING ALONG. 830 00:30:06,237 --> 00:30:07,906 WON'T HAPPEN, CAPTAIN. 831 00:30:08,006 --> 00:30:12,010 THEY CAN ACT ALL THEY WANT, BUT DEEP DOWN INSIDE 832 00:30:12,110 --> 00:30:16,881 IN THEIR INSIDE PARTS, THEY CAN'T STAND EACH OTHER. 833 00:30:16,981 --> 00:30:19,918 IT IS JUST GOOD TO HAVE A NICE FAMILY UNIT 834 00:30:20,018 --> 00:30:22,854 AND TO KNOW THAT YOU HAVE YOUR MOTHER AND YOUR FATHER, 835 00:30:22,954 --> 00:30:25,857 WHO ARE ALIVE IN THIS WORLD TODAY, JUST TO BE THERE. 836 00:30:28,026 --> 00:30:32,096 THAT'S ALL WE'RE SAYING. 837 00:30:32,197 --> 00:30:34,032 WANT ME TO SIT HERE? 838 00:30:34,132 --> 00:30:36,601 OH. - NOW, DON'T-- 839 00:30:36,701 --> 00:30:40,371 I WOULD LIKE TO THINK THAT BOTH EVELYN AND I HAVE GROWN. 840 00:30:40,471 --> 00:30:43,775 WHEN SOMETHING CHALLENGING COMES UP IN THE FAMILY, 841 00:30:43,875 --> 00:30:46,878 WE GOTTA PUT OUR DIFFERENCES ASIDE JUST TO LET 842 00:30:46,978 --> 00:30:49,280 OUR CHILDREN KNOW THAT WE'RE SUPPORTERS OF THEM. 843 00:30:49,380 --> 00:30:52,016 IT GIVES THEM STRENGTH. - AND GO HOME. 844 00:30:52,116 --> 00:30:53,351 - HERE'S TO TONI. - HERE'S TO TONI. 845 00:30:53,451 --> 00:30:55,486 - HERE'S TO TONI. - TO SUCCESS. 846 00:30:55,587 --> 00:30:59,357 AND HERE'S SUCCESS AND HEALING ALL THE WAY AROUND. 847 00:30:59,457 --> 00:31:00,625 AND THANKS FOR ALL THE GOOD STUFF. 848 00:31:00,725 --> 00:31:02,260 - ALL THE WAY. - A DOUBLE SHOT OF HEALING. 849 00:31:02,360 --> 00:31:03,595 - A DOUBLE SHOT. - DOUBLE SHOT. 850 00:31:03,695 --> 00:31:04,863 - CHEERS. - HEAR-HEAR. 851 00:31:04,963 --> 00:31:06,097 CHEERS. 852 00:31:16,541 --> 00:31:18,443 TONI'S SURGERY WAS A SUCCESS, 853 00:31:18,543 --> 00:31:20,712 AND MY FAMILY IS SO RELIEVED. 854 00:31:20,812 --> 00:31:23,781 SO, ZO AND I ARE GOING BACK TO THE HOUSE 855 00:31:23,882 --> 00:31:26,517 TO GET EVERYTHING IN ORDER, AND HE'S REALLY BEEN HELPFUL, 856 00:31:26,618 --> 00:31:29,320 WHICH IS LESS STRESS FOR ME BECAUSE LET ME TELL YOU-- 857 00:31:29,420 --> 00:31:31,723 BETWEEN TONI'S SURGERY AND ME NOT BEING ABLE 858 00:31:31,823 --> 00:31:34,459 TO SEE MY KIDS, MY NERVES ARE SHOT. 859 00:31:34,559 --> 00:31:36,961 DID YOU GET ALL THE FLOWERS? 860 00:31:37,061 --> 00:31:39,731 I JUST GOT A TEXT FROM ANDRE STATING 861 00:31:39,831 --> 00:31:41,432 THAT HE HAS A BOOK SIGNING. 862 00:31:41,532 --> 00:31:44,769 BUT, I'M HERE IN L.A. TO SUPPORT TONI AND HER SURGERY, 863 00:31:44,869 --> 00:31:46,871 SO I DON'T KNOW IF I CAN GO. 864 00:31:58,216 --> 00:32:00,785 HI, PRETTY GIRL. 865 00:32:00,885 --> 00:32:03,021 HI. 866 00:32:06,090 --> 00:32:07,892 HI, PRETTY. 867 00:32:09,928 --> 00:32:11,296 THE SURGERY WENT REALLY WELL. 868 00:32:11,396 --> 00:32:13,464 THE DOCTOR IT'S AN EXTREMELY COMMON PROCEDURE, 869 00:32:13,564 --> 00:32:15,833 AND HE TOLD ME THAT ONE IN THREE WOMEN HAVE IT 870 00:32:15,934 --> 00:32:17,101 IN THEIR LIFETIME, 871 00:32:17,201 --> 00:32:18,803 SO IT'S LIKELY THAT ONE OF MY SISTERS 872 00:32:18,903 --> 00:32:20,571 COULD POSSIBLY GO THROUGH THE SAME THING. 873 00:32:20,672 --> 00:32:23,741 I AM SO GLAD TO BE HOME. 874 00:32:23,841 --> 00:32:26,544 I FEEL REALLY, REALLY GRATEFUL THAT I HAVE THE LOVE 875 00:32:26,644 --> 00:32:29,314 AND SUPPORT OF MY FAMILY TO GET ME THROUGH THIS. 876 00:32:29,414 --> 00:32:32,050 - WHERE ARE THE KIDS AT? - THEY'RE COMING. 877 00:32:32,150 --> 00:32:33,785 - OKAY. - ONE SECOND. 878 00:32:33,885 --> 00:32:34,919 NOW, THIS IS THE HARD PART. 879 00:32:35,019 --> 00:32:36,788 THE KIDS WILL BE HERE ANY MINUTE, AND I HAVE TO GO 880 00:32:36,888 --> 00:32:39,157 AND BE BRAVE AND STRONG AND ACT LIKE MOMMY'S NOT 881 00:32:39,257 --> 00:32:41,826 IN ANY PAIN, SO THEY'LL KNOW EVERYTHING WILL BE OKAY. 882 00:32:41,926 --> 00:32:43,995 - HEY, DENIM. - HI, MOMMY. 883 00:32:44,095 --> 00:32:45,697 COME-- COME-- LOOK AT ME. 884 00:32:45,797 --> 00:32:47,231 COME HERE-COME HERE-- GIVE ME A HUGGY. 885 00:32:47,332 --> 00:32:48,866 I MISSED YA. 886 00:32:48,967 --> 00:32:50,568 WHERE'S THE DOG-- WHERE'S BENTLEY? 887 00:32:50,668 --> 00:32:53,504 - BENTLEY IS DOWNSTAIRS. - GO GET D.Z. FOR MOMMY. 888 00:32:53,604 --> 00:32:54,939 I MISSED YOU GUYS-- GO GET HIM FOR ME. 889 00:32:55,039 --> 00:32:57,175 - DIEZEL! - HI, D.Z. 890 00:32:57,275 --> 00:33:00,078 WHAT'S UP-- WATCH OUT FOR MOMMY TUMMY. 891 00:33:00,178 --> 00:33:03,181 OKAY. 892 00:33:03,281 --> 00:33:04,682 I MISSED YOU. 893 00:33:04,782 --> 00:33:08,720 - I MISSED YOU, TOO. - WHAT'D YOU DO THE WEEKEND? 894 00:33:08,820 --> 00:33:09,721 AH. 895 00:33:09,821 --> 00:33:11,289 MOMMY TUMMY-- MOMMY TUMMY. 896 00:33:11,389 --> 00:33:12,623 MMM. 897 00:33:12,724 --> 00:33:14,993 MOMMY HAS TO GET HEALED, AND I NEED YOU TO BE MY DOCTOR 898 00:33:15,093 --> 00:33:17,462 THIS WEEKEND-- YOU WANNA TAKE CARE OF ME? 899 00:33:17,562 --> 00:33:18,863 YEAH. 900 00:33:18,963 --> 00:33:20,198 GONNA TAKE CARE OF MOMMY THIS WEEKEND. 901 00:33:20,298 --> 00:33:21,733 DENIM, YOU WANNA BE MY DOCTOR AND TAKE CARE OF MOMMY TUMMY? 902 00:33:21,833 --> 00:33:25,069 YOU HAVE TO BE CAREFUL-- DON'T LAY ON MY TUMMY. 903 00:33:25,169 --> 00:33:28,272 AND DON'T LET MOMMY LIFT ANYTHING, OKAY? 904 00:33:28,373 --> 00:33:29,974 OKAY. 905 00:33:30,074 --> 00:33:31,376 DIEZEL, WILL YOU DO ME A FAVOR? 906 00:33:31,476 --> 00:33:32,977 WILL YOU GO GET ME SOME WATER? 907 00:33:33,077 --> 00:33:34,512 - I'LL DO IT. - DENIM'S GONNA DO IT? 908 00:33:34,612 --> 00:33:37,382 OKAY-- AND, DIEZEL, WILL YOU GO GET MY SLIPPERS? 909 00:33:37,482 --> 00:33:40,618 AND LET'S SEE... WHAT ELSE DOES MOMMY NEED? 910 00:33:40,718 --> 00:33:41,853 A POP-SICLE! 911 00:33:41,953 --> 00:33:44,088 THANK YOU, DR. DIEZEL. 912 00:33:44,188 --> 00:33:46,057 IT WAS REALLY GREAT BEING IN MY BED, SEEING MY KIDS. 913 00:33:46,157 --> 00:33:48,893 IT WAS REALLY GOOD-- I MISS MY KIDS A LOT. 914 00:33:48,993 --> 00:33:50,795 I HATE BEING AWAY FROM THEM FOR EXTENDED PERIODS OF TIME. 915 00:33:50,895 --> 00:33:53,097 POP-SICLE? 916 00:33:53,197 --> 00:33:55,800 POP-SICLE. 917 00:33:55,900 --> 00:33:57,568 IS THIS MY FAVORITE OR YOUR FAVORITE? 918 00:33:57,668 --> 00:33:59,737 - IT'S NOT MY FAVORITE. - IT'S NOT YOUR FAVORITE? 919 00:33:59,837 --> 00:34:01,639 OKAY-- IT'S MY FAVORITE. 920 00:34:01,739 --> 00:34:03,408 IS YOUR FINGERS CLEAN? - YES. 921 00:34:03,508 --> 00:34:05,209 - YES, THEY ARE. - THERE YOU GO. 922 00:34:05,309 --> 00:34:06,944 THANKS, DENIM. 923 00:34:07,045 --> 00:34:08,880 PUT IT RIGHT THERE FOR MOMMY, AND THE WATER. 924 00:34:08,980 --> 00:34:10,882 DENIM, DID YOU WASH YOUR HANDS? 925 00:34:10,982 --> 00:34:12,750 - YES. - LET ME SMELL 'EM. 926 00:34:12,850 --> 00:34:14,552 COME HERE. 927 00:34:14,652 --> 00:34:17,021 THEY SMELL LIKE BENTLEY-- THEY SMELL LIKE THE DOG. 928 00:34:17,121 --> 00:34:19,891 GO WASH YOUR HANDS. - AGAIN? 929 00:34:19,991 --> 00:34:22,293 WASH YOUR HANDS-- YOU DIDN'T WASH 'EM AT ALL. 930 00:34:22,393 --> 00:34:24,862 I CAN SMELL BENTLEY-- EW! 931 00:34:24,962 --> 00:34:29,300 AND HURRY BACK! 932 00:34:29,400 --> 00:34:32,103 OH, IT'S GOOD. 933 00:34:32,203 --> 00:34:35,506 TONI IS IN A REALLY GOOD MOOD, AND THE KIDS ARE BEING 934 00:34:35,606 --> 00:34:38,676 SO SWEET AND HELPFUL, AND KERI IS JUST TAKING 935 00:34:38,776 --> 00:34:40,478 SUCH GOOD CARE OF HER. 936 00:34:40,578 --> 00:34:44,782 THINGS ARE REALLY GOING SMOOTH... ALMOST TOO WELL. 937 00:34:44,882 --> 00:34:48,052 TOWANDA! 938 00:34:48,152 --> 00:34:49,987 THE DOCTORS TOLD ME THAT I NEED TO TAKE IT EASY 939 00:34:50,088 --> 00:34:51,389 AND GET PLENTY OF BED REST, 940 00:34:51,489 --> 00:34:52,757 SO I'M JUST GONNA LAY IN THE BED, 941 00:34:52,857 --> 00:34:54,192 WATCH MOVIES WITH MY KIDS. 942 00:34:54,292 --> 00:34:56,394 I WANT EVERYTHING TO BE CALM AND PEACEFUL. 943 00:34:56,494 --> 00:34:58,362 SO, I'M GONNA TELL MY EXTENDED FAMILY 944 00:34:58,463 --> 00:34:59,497 TO GO HOME FOR A BIT. 945 00:34:59,597 --> 00:35:01,065 I KNOW TOWANDA FEELS RESPONSIBLE FOR ME, 946 00:35:01,165 --> 00:35:02,767 BUT SHE'S NOT MY ASSISTANT ANYMORE. 947 00:35:02,867 --> 00:35:04,302 SHE'S MY SISTER, AND SHE HAS HER OWN FAMILY. 948 00:35:04,402 --> 00:35:08,606 I JUST WANNA GO GET SOME SLEEP. 949 00:35:08,706 --> 00:35:11,008 COMING UP, ON "BRAXTON FAMILY VALUES"... 950 00:35:11,109 --> 00:35:14,078 WHAT DO YOU DO WHEN YOU'RE STUCK WRITING A SONG? 951 00:35:14,178 --> 00:35:16,114 I'M NOT SITTING HERE TO WRITE NO SONG FOR YOU. 952 00:35:16,214 --> 00:35:17,582 YOU CAN WRITE YOUR OWN SONG. - NO, NOT FOR-- 953 00:35:17,682 --> 00:35:19,150 YOU DON'T DO THIS TO NONE OF YOUR OTHER ARTISTS! 954 00:35:19,250 --> 00:35:20,952 WELL, MAYBE THAT'S NOT THE SONG FOR YOU THEN. 955 00:35:33,464 --> 00:35:33,563 THANKS, 956 00:35:33,564 --> 00:35:33,630 THANKS, GUYS, 957 00:35:33,631 --> 00:35:34,865 THANKS, GUYS, FOR 958 00:35:34,866 --> 00:35:35,900 THANKS, GUYS, FOR COMING. 959 00:35:36,000 --> 00:35:37,068 YOU WERE ABSOLUTELY RIGHT ABOUT THE WHOLE WALK OUT 960 00:35:37,168 --> 00:35:38,436 OF THE STREET THING. 961 00:35:38,536 --> 00:35:39,770 I TOLD YOU. 962 00:35:39,871 --> 00:35:42,773 ANDRE HAS TAKEN THE INITIATIVE AND GOT HIMSELF INVITED 963 00:35:42,874 --> 00:35:45,009 TO A BIG MEDIA FAIR TO PROMOTE HIS BOOK. 964 00:35:45,109 --> 00:35:46,811 I AIN'T GONNA LIE. 965 00:35:46,911 --> 00:35:49,680 HE TOOK IT UP A NOTCH, AND I'M-I'M-I'M A LITTLE IMPRESSED. 966 00:35:49,780 --> 00:35:51,249 WHAT'S YOUR BOOK HERE? 967 00:35:51,349 --> 00:35:54,418 "69 WAYS"-- LET'S TALK ABOUT "69 WAYS." 968 00:35:54,519 --> 00:35:56,087 YEAH-- BASICALLY, IT'S A RELATIONSHIP BOOK. 969 00:35:56,187 --> 00:35:58,222 THE MIXER THAT I ATTENDED IN, UH, IN ATLANTA 970 00:35:58,322 --> 00:36:01,526 WAS FOR A GROUP CALLED THE "A-T-L-C-E-O MIXER GROUP." 971 00:36:01,626 --> 00:36:05,830 UM, IT REALLY WAS MORE OF A ENTERTAINMENT MIXER TYPE THING. 972 00:36:05,930 --> 00:36:07,498 YOU CAN MAKE SOME GREAT CONTACTS. 973 00:36:07,598 --> 00:36:10,968 MY WIFE TOLD ME, "LOOK, THIS IS WHAT YOU NEED TO DO 974 00:36:11,068 --> 00:36:12,503 "TO MAKE THIS RELATIONSHIP BETTER." 975 00:36:12,603 --> 00:36:15,339 BASICALLY, IT'S TALKING ABOUT 69 DIFFERENT THINGS 976 00:36:15,439 --> 00:36:17,141 THAT WILL HELP YOUR RELATIONSHIP 977 00:36:17,241 --> 00:36:20,111 DEVELOP MORE HEALTHY, MORE EMOTIONALLY GRATIFYING. 978 00:36:20,211 --> 00:36:21,279 THAT'S ALL. 979 00:36:21,379 --> 00:36:24,282 WALKING IN, SEEING THE WHOLE CITY SUPPORTING ANDRE, 980 00:36:24,382 --> 00:36:26,217 I MEAN, I WAS PROUD OF HIM. 981 00:36:26,317 --> 00:36:28,152 I WAS REALLY PROUD OF HIM 982 00:36:28,252 --> 00:36:30,655 BECAUSE HE'S REALLY PUSHING HIS ENVELOPE. 983 00:36:30,755 --> 00:36:32,290 - HEY! - HEY! 984 00:36:32,390 --> 00:36:34,125 HEY, BRO-- HOW'S EVERYTHING GOING? 985 00:36:34,225 --> 00:36:37,195 THE FACT THAT TOWANDA AND TRINA ARE HERE TO SUPPORT ME 986 00:36:37,295 --> 00:36:39,130 AT THIS BOOK SIGNING, SEEING THAT THEY JUST FLEW IN 987 00:36:39,230 --> 00:36:41,098 FROM L.A., IS REALLY, REALLY INCREDIBLE, 988 00:36:41,199 --> 00:36:43,534 AND I REALLY, REALLY, REALLY LOVE THAT SUPPORT 989 00:36:43,634 --> 00:36:44,802 FROM THE BRAXTON FAMILY. 990 00:36:44,902 --> 00:36:48,039 WE FEEL HONORED THAT YOU HAVE ANDRE, MY HUSBAND, HERE. 991 00:36:48,139 --> 00:36:49,307 YEAH. 992 00:36:49,407 --> 00:36:50,741 SHOWCASING HIS BOOK, AT THIS TIME. 993 00:36:50,841 --> 00:36:51,976 SO, WE ARE REALLY, REALLY HONORED TO BE HERE. 994 00:36:52,076 --> 00:36:53,177 THANK YOU FOR HAVING US. 995 00:36:53,277 --> 00:36:54,378 ANDRE CARTER-- ANDRE. 996 00:36:54,478 --> 00:36:55,413 HEY, NICE TO MEET YOU-- ANDRE CARTER. 997 00:36:55,513 --> 00:36:56,647 HI-- NICE TO MEET YOU. 998 00:36:56,747 --> 00:36:59,317 ANDRE'S TAKING PICTURE AND SHAKING HANDS. 999 00:36:59,417 --> 00:37:01,953 HE'S A CELEBRITY, NOW, HONEY-- YOU HEAR ME? 1000 00:37:02,053 --> 00:37:04,689 "69 WAYS TO BECOME A CELEBRITY" SHOULD BE THE NAME 1001 00:37:04,789 --> 00:37:06,057 OF YOUR BOOK, BOOM-BOOM. 1002 00:37:06,157 --> 00:37:08,259 IT IS MY PLEASURE TO INTRODUCE, 1003 00:37:08,359 --> 00:37:11,429 LADIES AND GENTLEMEN, MR. ANDRE CARTER. 1004 00:37:11,529 --> 00:37:13,531 - WOW! - IT'S CALLED "69 WAYS." 1005 00:37:13,631 --> 00:37:15,099 NOW, PEOPLE SAY, "WELL, HOW DID YOU COME UP WITH 1006 00:37:15,199 --> 00:37:16,300 "THESE 69 TOPICS?" 1007 00:37:16,400 --> 00:37:17,969 WELL, YOU GUYS KNOW WHAT'S GOING ON IN THE SHOW 1008 00:37:18,069 --> 00:37:19,136 WITH ME AND MY WIFE. 1009 00:37:19,237 --> 00:37:20,471 YES, WE ARE SEPARATED. 1010 00:37:20,571 --> 00:37:22,440 BUT, I BEGGED HER AND BEGGED HER. 1011 00:37:22,540 --> 00:37:23,674 I SAID, "LOOK, TOWANDA. 1012 00:37:23,774 --> 00:37:25,843 "CAN YOU TELL ME WHAT I NEED TO DO TO BETTER MYSELF?" 1013 00:37:25,943 --> 00:37:27,144 AND WHAT SHE DID WAS SAID, 1014 00:37:27,245 --> 00:37:29,647 "OKAY, YOU NEED TO DO THIS, THIS, THIS, THIS." 1015 00:37:29,747 --> 00:37:31,849 SHE DAMN NEAR CAME UP WITH 69. 1016 00:37:31,949 --> 00:37:33,284 SHE CAME UP TO 33. 1017 00:37:33,384 --> 00:37:36,020 I LEARNED SO MUCH ABOUT THE DYNAMICS OF RELATIONSHIPS 1018 00:37:36,120 --> 00:37:37,622 FROM BEING MARRIED TO TOWANDA, 1019 00:37:37,722 --> 00:37:39,991 FROM WATCHING HER SISTERS AND THEIR RELATIONSHIPS. 1020 00:37:40,091 --> 00:37:41,859 IT'S MADE ME 100 TIMES WISER. 1021 00:37:41,959 --> 00:37:44,395 NOW, ALL I WANNA DO, IS MAKE SURE 1022 00:37:44,495 --> 00:37:46,497 THAT I BRING THIS ACROSS IN MY BOOK. 1023 00:37:46,597 --> 00:37:47,865 I SAID, "HONEY, TELL ME WHAT I NEED TO DO 1024 00:37:47,965 --> 00:37:49,734 "TO MAKE THIS RELATIONSHIP BETTER." 1025 00:37:49,834 --> 00:37:52,770 THIS "69 WAYS" BOOK, I ENJOYED IT. 1026 00:37:52,870 --> 00:37:55,139 THERE WERE CERTAIN PASSAGES THAT I ASKED HIM, 1027 00:37:55,239 --> 00:37:58,342 WHAT DID HE THINK WAS ABOUT ME? 1028 00:37:58,442 --> 00:38:00,611 AND IT WAS, LIKE, FORGIVENESS 1029 00:38:00,711 --> 00:38:03,381 AND BEING RECEPTIVE TO PEOPLE'S FORGIVENESS, 1030 00:38:03,481 --> 00:38:05,483 AND I WAS LIKE, "OH." 1031 00:38:05,583 --> 00:38:07,151 I JUST WANNA TELL YOU THAT I'M VERY, VERY, 1032 00:38:07,251 --> 00:38:12,290 VERY PROUD OF YOU-- GIVE ME A KISS. 1033 00:38:12,390 --> 00:38:13,724 THANK YOU. 1034 00:38:13,824 --> 00:38:15,426 IS ANDRE SHOWING INITIATIVE? 1035 00:38:15,526 --> 00:38:16,994 YES. 1036 00:38:17,094 --> 00:38:18,896 WILL ANDRE BE ABLE TO PROVIDE FOR HIS FAMILY 1037 00:38:18,996 --> 00:38:20,898 AND TAKE CARE OF HIS KIDS AND PAY BILLS? 1038 00:38:20,998 --> 00:38:22,533 NOT IN A MILLION YEARS. 1039 00:38:36,947 --> 00:38:38,182 HI, BOO-- STILL ON YOUR CONFERENCE CALL? 1040 00:38:38,282 --> 00:38:40,318 - NO. - GOOD. 1041 00:38:40,418 --> 00:38:43,554 THAT MEANS I CAN TALK TO YOU, AND YOU CAN HELP ME. 1042 00:38:43,654 --> 00:38:46,424 TONI'S OUT OF THE HOSPITAL, AND I JUST FEEL LIKE 1043 00:38:46,524 --> 00:38:48,025 I NEED TO GET BACK INTO THE SWING OF THINGS. 1044 00:38:48,125 --> 00:38:50,695 YOU KNOW, I'VE BEEN TRYING TO WORK ON MY RECORD 1045 00:38:50,795 --> 00:38:52,630 AND, YOU KNOW, I NEED SOME TYPE OF ADVICE. 1046 00:38:52,730 --> 00:38:53,998 LIKE, I NEED SOME HELP FOR REAL. 1047 00:38:54,098 --> 00:38:55,566 WHAT'S UP? 1048 00:38:55,666 --> 00:38:59,704 WELL, WHAT DO YOU DO WHEN YOU'RE STUCK WRITING A SONG? 1049 00:38:59,804 --> 00:39:02,707 LIKE, I KNOW YOU'RE, LIKE, VINCENT THE HERBERT, 1050 00:39:02,807 --> 00:39:04,075 NOW, BUT YOU USED TO BE VINCENT HERBERT 1051 00:39:04,175 --> 00:39:06,444 THE SONGWRITER AND PRODUCER-- I'M JUST SAYING. 1052 00:39:06,544 --> 00:39:07,511 YOU JUST GO AWAY FROM IT FOR A LITTLE WHILE, 1053 00:39:07,611 --> 00:39:08,779 AND THEN YOU COME BACK TO IT. 1054 00:39:08,879 --> 00:39:10,948 YEAH, BUT WHAT ABOUT IF YOU REALLY NEED TO FINISH IT? 1055 00:39:11,048 --> 00:39:12,350 YOU'RE GONNA KEEP BLOCKING YOURSELF. 1056 00:39:12,450 --> 00:39:14,018 YOU SHOULD GO BACK IN THE STUDIO AND TRY TO WORK ON IT 1057 00:39:14,118 --> 00:39:15,419 A LITTLE MORE THEN, BUT DON'T EVER GET STUCK 1058 00:39:15,519 --> 00:39:16,620 ON A SONG WHERE YOU'RE JUST, LIKE, 1059 00:39:16,721 --> 00:39:18,089 CONSTANTLY FORCING YOURSELF, 1060 00:39:18,189 --> 00:39:19,657 OR IT'S GONNA BE THE SAME OUTCOME. 1061 00:39:19,757 --> 00:39:21,625 IT'S NOT GONNA WORK. 1062 00:39:21,726 --> 00:39:23,160 YOU GOTTA TAKE YOUR TIME AND GET IT RIGHT. 1063 00:39:23,260 --> 00:39:25,463 - THAT DIDN'T HELP. - I'M JUST SAYING-- 1064 00:39:25,563 --> 00:39:27,398 'CAUSE I NEED TO SING THE SONG, LIKE, TOMORROW 1065 00:39:27,498 --> 00:39:29,467 AND, LIKE, IT HAS TO BE DONE. 1066 00:39:29,567 --> 00:39:31,902 YOU ASKED ME FOR YOUR ADVICE-- I TOLD YOU, BABE. 1067 00:39:32,002 --> 00:39:34,271 I KNOW, BUT, YOU KNOW, I HATE BEING, LIKE, NOT PREPARED. 1068 00:39:34,372 --> 00:39:35,806 LIKE, THAT'S NOT THE BUSINESS. 1069 00:39:35,906 --> 00:39:37,208 TAKE YOUR TIME AND GET IT RIGHT. 1070 00:39:37,308 --> 00:39:38,809 YOU'RE NOT IN A RUSH TO DO-- MESS UP. 1071 00:39:38,909 --> 00:39:40,478 BUT, THAT'S WHAT I'M TRYING TO TELL YOU, BOO. 1072 00:39:40,578 --> 00:39:41,846 I DID THAT. 1073 00:39:41,946 --> 00:39:43,147 WELL, MAYBE THAT'S NOT THE SONG FOR YOU THEN. 1074 00:39:43,247 --> 00:39:46,150 VINCE IS ACTING LIKE THIS IS NOT EVEN IMPORTANT. 1075 00:39:46,250 --> 00:39:48,886 I MEAN, I WANTED TO WRITE MY OWN SONGS. 1076 00:39:48,986 --> 00:39:51,856 I MEAN, I HAVE TO BE ME, AND ANYTHING LESS THAN, 1077 00:39:51,956 --> 00:39:54,892 YOU KNOW, WHO I AM AND MY ENERGY AND WHO I-- 1078 00:39:54,992 --> 00:39:56,327 MY-- NOBODY WANTS TO HEAR THAT. 1079 00:39:56,427 --> 00:39:58,095 I DON'T EVEN WANNA HEAR THAT. 1080 00:39:58,195 --> 00:39:59,363 I AIN'T DOING IT. 1081 00:39:59,463 --> 00:40:00,598 I THINK IT NEEDS TO BE MORE ME 1082 00:40:00,698 --> 00:40:01,966 BECAUSE THE SONG IS ABOUT YOU, 1083 00:40:02,066 --> 00:40:04,935 AND I'M TALKING ABOUT, YOU KNOW, HOW YOU BE KISSING ME 1084 00:40:05,035 --> 00:40:06,537 ON THE MOUTH WHEN NOBODY'S AROUND? 1085 00:40:06,637 --> 00:40:08,239 THAT'S WHAT IT'S ABOUT. - OH, OKAY. 1086 00:40:08,339 --> 00:40:10,641 YOU KNOW, I WANNA SOUND LIKE, YOU KNOW, 1087 00:40:10,741 --> 00:40:12,376 I'M HEAD OVER HEELS IN HIGH SCHOOL, 1088 00:40:12,476 --> 00:40:15,413 BUT I DON'T WANT IT TO SOUND LIKE 1089 00:40:15,513 --> 00:40:17,214 IT'S COMING FROM A 17-YEAR-OLD. 1090 00:40:17,314 --> 00:40:19,483 I WANT IT TO COME FROM, LIKE, YOU KNOW, A GROWN PERSON, 1091 00:40:19,583 --> 00:40:20,785 BUT YOU HAVE THOSE FEELINGS. 1092 00:40:20,885 --> 00:40:21,786 I JUST TOLD YOU WHAT YOU GOTTA DO. 1093 00:40:21,886 --> 00:40:23,721 YOU JUST GOTTA WAIT TILL IT'S RIGHT. 1094 00:40:23,821 --> 00:40:24,722 YOU PUTTING THE SONG OUT TOMORROW? 1095 00:40:24,822 --> 00:40:25,756 - COULD BE-- MAYBE. - OKAY, WELL-- 1096 00:40:25,856 --> 00:40:27,324 YOU NEVER KNOW HOW THE LORD IS GONNA BLESS. 1097 00:40:27,425 --> 00:40:28,826 - WELL, IF THAT'S-- - I DON'T THINK-- 1098 00:40:28,926 --> 00:40:30,127 I AM NOT BLOCKING MY OPPORTUNITIES. 1099 00:40:30,227 --> 00:40:31,395 I DON'T THINK THAT'S YOUR FIRST SINGLE. 1100 00:40:31,495 --> 00:40:32,630 WHY? 1101 00:40:32,730 --> 00:40:33,931 YOU DON'T KNOW WHAT THE LORD IS GONNA BLESS. 1102 00:40:34,031 --> 00:40:35,499 COULD BE SOMETHIN' ELSE. 1103 00:40:35,599 --> 00:40:37,735 DON'T WANNA BLOCK YOUR OPPORTUNITIES. 1104 00:40:37,835 --> 00:40:39,370 DRRR. - OPPORTUN-A-TIE. 1105 00:40:39,470 --> 00:40:40,838 SO, YOU WANNA GET STUCK ON A SONG? 1106 00:40:40,938 --> 00:40:42,206 THAT'S NOT THE ANSWER. 1107 00:40:42,306 --> 00:40:44,241 YOU KNOW, SOMETIMES, I NEED ENCOURAGEMENT. 1108 00:40:44,341 --> 00:40:45,776 LIKE, "YEAH, THAT'S HOT. 1109 00:40:45,876 --> 00:40:47,445 HOWEVER, YOU CAN, YOU KNOW, YOU CAN COME UP WITH 1110 00:40:47,545 --> 00:40:48,746 SOMETHIN' BETTER THAN THAT, BOO." 1111 00:40:48,846 --> 00:40:49,947 DO-DO-DO-DO. 1112 00:40:50,047 --> 00:40:52,249 LIKE, WE-- LIKE I DO HIM AND, YOU KNOW, IT'S JUST-- 1113 00:40:52,349 --> 00:40:54,452 I DON'T GET IT. 1114 00:40:54,552 --> 00:40:56,620 YOU GOT WRITER'S BLOCK, MAYBE. 1115 00:40:56,720 --> 00:40:58,122 - I THINK I DO. - OKAY. 1116 00:40:58,222 --> 00:40:59,390 SOMETIMES, I GET WRITER'S BLOCK, TOO. 1117 00:40:59,490 --> 00:41:00,691 IT JUST HAPPENS TO PEOPLE. 1118 00:41:00,791 --> 00:41:02,960 WELL, WHAT ABOUT, IF I SING THE PART THAT I HAVE, 1119 00:41:03,060 --> 00:41:04,261 AND THEN YOU FILL IN THE BLANK. 1120 00:41:04,361 --> 00:41:06,430 THAT'S A LITTLE GAME WE USED TO PLAY WITH MY SISTERS. 1121 00:41:06,530 --> 00:41:07,731 I DON'T WANNA DO THAT NO MORE, BABE. 1122 00:41:07,832 --> 00:41:09,433 GO IN THE STUDIO, AND YOU'LL PROBABLY FEEL IT, 1123 00:41:09,533 --> 00:41:11,068 AND YOU'LL GET IT RIGHT-- YOU'LL KNOCK IT OUT. 1124 00:41:11,168 --> 00:41:12,837 SO, THAT'S WHAT YOU TELL YOUR ARTISTS? 1125 00:41:12,937 --> 00:41:15,039 - YEAH. - NO, YOU DON'T. 1126 00:41:15,139 --> 00:41:16,173 YES, I DO. 1127 00:41:16,273 --> 00:41:17,741 I'M NOT SITTIN' HERE TO WRITE NO SONG FOR YOU. 1128 00:41:17,842 --> 00:41:19,310 YOU CAN WRITE YOUR OWN SONG. - NO, NOT FOR ME. 1129 00:41:19,410 --> 00:41:20,344 I JUST WANNA KNOW-- - WELL, WHAT-- 1130 00:41:20,444 --> 00:41:21,378 SO, WHAT YOU- WHAT YOU WANT? 1131 00:41:21,479 --> 00:41:22,379 - I JUST WANNA KNOW WHERE-- - SING THE PART. 1132 00:41:22,480 --> 00:41:23,414 SING IT, TAMAR. 1133 00:41:23,514 --> 00:41:24,381 THE NEXT PART, WHERE SHOULD I GO WITH IT? 1134 00:41:24,482 --> 00:41:25,416 SING-SING-SING IT THEN-- SING IT. 1135 00:41:25,516 --> 00:41:27,852 FOR REAL-- OKAY. 1136 00:41:27,952 --> 00:41:29,386 AHEM. 1137 00:41:29,487 --> 00:41:32,256 I'M GIVING UP MY LITTLE BLACK BOOKLET 1138 00:41:32,356 --> 00:41:36,794 YOU GOT THE KEYS TO MY HEART SO LOCK IT 1139 00:41:36,894 --> 00:41:40,431 I'M TIRED OF PLAYING GAMES AND BABY I'M A-CHANGING 1140 00:41:40,531 --> 00:41:44,368 I JUST WANNA BE THE RIGHT GIRL FOR YOU 1141 00:41:44,468 --> 00:41:45,736 - THAT SOUNDS GREAT. - WELL, WHAT COMES-- 1142 00:41:45,836 --> 00:41:47,137 I HAVE NO IDEA, BUT I LOVE IT. 1143 00:41:47,238 --> 00:41:48,839 IT SOUNDS GREAT-- IT'S A GOOD JOB. 1144 00:41:48,939 --> 00:41:50,474 THAT IS NOT WHAT I ASKED. 1145 00:41:50,574 --> 00:41:51,942 SEE, I-I-I GAVE YOU MY-MY ADVICE, 1146 00:41:52,042 --> 00:41:57,448 AND NOW I'M GOING INSIDE. 1147 00:41:57,548 --> 00:41:58,716 WELL, YOU KNOW, SOMETIMES, 1148 00:41:58,816 --> 00:42:01,352 SOMEBODY JUST NEED A PAT ON THE BACK. 1149 00:42:01,452 --> 00:42:04,088 SO, IF I GO TO VINCE ABOUT, UH, WELL, YOU KNOW, 1150 00:42:04,188 --> 00:42:06,090 "I DON'T REALLY KNOW HOW TO APPROACH THIS SONG," 1151 00:42:06,190 --> 00:42:07,458 DA-DA-DA-DA-DA, 1152 00:42:07,558 --> 00:42:10,261 AND HE'S LIKE, "YOU NEED TO FIGURE IT OUT YOURSELF," 1153 00:42:10,361 --> 00:42:11,962 LIKE, YOU KNOW, A PARENT OR SOMETHIN'. 1154 00:42:12,062 --> 00:42:14,298 "YOU NEED TO-- I CAN'T GIVE YOU THE ANSWERS. 1155 00:42:14,398 --> 00:42:16,033 "YOU GOT TO KNOW YOURSELF." 1156 00:42:16,133 --> 00:42:17,668 YOU COMING IN, OR ARE YOU GONNA SIT OUTSIDE 1157 00:42:17,768 --> 00:42:19,436 AND JUST LOOK AT THE MOON? 1158 00:42:19,537 --> 00:42:21,005 I'M GONNA SIT OUTSIDE AND LOOK AT THE MOON 1159 00:42:21,105 --> 00:42:22,573 AND GET INSPIRED. - OKAY, COOL. 1160 00:42:22,673 --> 00:42:24,775 MAYBE IF I ASK THE MOON SOMETHIN', 1161 00:42:24,875 --> 00:42:29,079 THE MOON'LL SAY SOMETHIN' BACK TO ME. 1162 00:42:29,179 --> 00:42:31,181 YOU DON'T DO THIS TO NONE OF YOUR OTHER ARTISTS! 87965

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