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1
00:00:02,268 --> 00:00:02,368
WE
2
00:00:02,369 --> 00:00:02,434
WE WANTED
3
00:00:02,435 --> 00:00:02,501
WE WANTED TO
4
00:00:02,502 --> 00:00:02,568
WE WANTED TO COME
5
00:00:02,569 --> 00:00:02,701
WE WANTED TO COME UP
6
00:00:02,702 --> 00:00:02,735
WE WANTED TO COME UP
WITH
7
00:00:02,736 --> 00:00:02,868
WE WANTED TO COME UP
WITH MY
8
00:00:02,869 --> 00:00:02,901
WE WANTED TO COME UP
WITH MY SOUND,
9
00:00:02,902 --> 00:00:02,968
WE WANTED TO COME UP
WITH MY SOUND, A
10
00:00:02,969 --> 00:00:04,503
WE WANTED TO COME UP
WITH MY SOUND, A NEW
11
00:00:04,504 --> 00:00:05,338
WE WANTED TO COME UP
WITH MY SOUND, A NEW SOUND.
12
00:00:05,438 --> 00:00:07,607
THAT LIL' WAYNE, RIGHT
THERE, THAT'S IT.
13
00:00:07,707 --> 00:00:08,975
WE'RE GONNA SELL
SOME RECORDS.
14
00:00:09,075 --> 00:00:10,343
HA-HA!
15
00:00:10,443 --> 00:00:11,978
THIS IS DADDY'S BOOK!
16
00:00:12,078 --> 00:00:14,147
IT'S MY BOOK AND MY
FIRST BOOK SIGNING.
17
00:00:14,247 --> 00:00:15,515
I DON'T KNOW IF
I'M GONNA BE HERE.
18
00:00:15,615 --> 00:00:16,750
SERVE ME UP
SLOPPY SECONDS.
19
00:00:16,850 --> 00:00:18,885
I DON'T EVER SL-- WHO
SERVES YOU UP SLOPPY SECONDS?
20
00:00:18,985 --> 00:00:22,422
WHAT DO YOU DO WHEN YOU'RE
STUCK WRITING A SONG?
21
00:00:22,522 --> 00:00:24,391
I'M NOT SITTIN' HERE TO
WRITE NO SONG FOR YOU.
22
00:00:24,491 --> 00:00:25,525
YOU CAN WRITE
YOUR OWN SONG.
23
00:00:25,625 --> 00:00:26,659
NO, NOT FOR--
YOU DON'T DO THIS
24
00:00:26,760 --> 00:00:28,161
TO NONE OF YOUR
OTHER ARTISTS!
25
00:00:28,261 --> 00:00:29,996
TONI CALLED THIS FAMILY
MEETIN'-- WHERE WE MEETIN'?
26
00:00:30,096 --> 00:00:31,464
WE ALL KNEW IT
WAS SOMETHIN'.
27
00:00:31,564 --> 00:00:34,034
I CAN'T TAKE NO MORE
OF YOUR ANNOUNCEMENTS.
28
00:00:36,636 --> 00:00:39,506
WE ARE THE BRAXTONS
AND YOU'LL SEE
29
00:00:39,606 --> 00:00:43,443
THAT WE ARE NOT LIKE
AN ORDINARY FAMILY
30
00:00:43,543 --> 00:00:47,047
TONI TRACI TOWANDA
TRINA TAMAR AND MISS E
31
00:00:47,147 --> 00:00:49,816
WILL TEACH YOU
A THING OR TWO
32
00:00:49,916 --> 00:00:53,853
ON BRAXTON
FAMILY VALUES
33
00:01:01,494 --> 00:01:04,464
TODAY, I'M GOING ON MY FIRST
RECORDING SESSION WITH HARVEY,
34
00:01:04,564 --> 00:01:07,600
AND VINCE IS NOT
TOO HAPPY ABOUT THAT.
35
00:01:07,700 --> 00:01:09,736
SO, I GOT TO KEEP
THAT ON THE D.L.
36
00:01:09,836 --> 00:01:12,472
SO, HE CAN HEAR THE
FINISHED PRODUCT
37
00:01:12,572 --> 00:01:14,707
'CAUSE IT'S GONNA
BE OFF THE CHISEL.
38
00:01:14,808 --> 00:01:15,909
WHAT'S YOUR VIBE--
WHAT IS IT?
39
00:01:16,009 --> 00:01:18,878
LIKE, HAPPY IN LOVE--
MAD AT THE WORLD?
40
00:01:18,978 --> 00:01:22,248
I CAN PULL FROM
BOTH PLACES.
41
00:01:22,348 --> 00:01:23,683
WE GOTTA
MAKE IT REAL.
42
00:01:23,783 --> 00:01:25,118
WE GOTTA MAKE WHATEVER
WE'RE TALKIN' ABOUT
43
00:01:25,218 --> 00:01:27,020
SUPER AUTHENTIC.
44
00:01:27,120 --> 00:01:30,990
OKAY, IT'S SO WHACK, THOUGH,
BECAUSE I LIKE THE STUFF
45
00:01:31,091 --> 00:01:32,659
THAT I SAY, BUT I'M AFRAID
TO COME OUT AND SAY IT
46
00:01:32,759 --> 00:01:36,729
BECAUSE I DON'T WANT NOBODY
TO BE LIKE, "THAT'S WHACK."
47
00:01:36,830 --> 00:01:37,864
WHAT-- LYRICALLY?
48
00:01:37,964 --> 00:01:39,599
YEAH, AND IT'S ALL
VINCENT'S FAULT.
49
00:01:39,699 --> 00:01:42,168
HE WRECKED YA?
50
00:01:42,268 --> 00:01:45,672
I HAVE DEVELOPED A
COMPLEX ABOUT, YOU KNOW,
51
00:01:45,772 --> 00:01:47,674
SINGING IN FRONT
OF VINCE AND TONI,
52
00:01:47,774 --> 00:01:49,576
AND SO, THEY KINDA MAKE
ME FEEL UNCOMFORTABLE.
53
00:01:49,676 --> 00:01:51,744
- SING SOMETHIN', RIGHT NOW.
- DO-DO-DO-DO-DO-DO-DO.
54
00:01:51,845 --> 00:01:53,079
NO, SERIOUSLY,
SING SOMETHIN'.
55
00:01:53,179 --> 00:01:55,181
- WHAT DO YOU WANT ME TO SING?
- SING SOMETHIN' YOU WROTE.
56
00:01:55,281 --> 00:01:57,183
I HAVEN'T WRITTEN
A SONG IN FOREVER.
57
00:01:57,283 --> 00:01:58,551
THERE YOU GO--
EXACTLY, SO THERE YOU GO.
58
00:01:58,651 --> 00:01:59,919
BUT, WHY HAVE I NOT WRITTEN
A SONG IN FOREVER, THOUGH?
59
00:02:00,019 --> 00:02:03,723
THAT-- BECAUSE
THAT'S YOUR CHOICE.
60
00:02:03,823 --> 00:02:04,958
I'M AFRAID TO
SING IN FRONT OF HIM
61
00:02:05,058 --> 00:02:06,960
BECAUSE I DON'T WANT
TO NOT BE GREAT,
62
00:02:07,060 --> 00:02:08,161
BECAUSE IF I SING
IN FRONT OF HIM,
63
00:02:08,261 --> 00:02:10,163
ESPECIALLY SOMETHING I MAKE
UP, YOU KNOW WHAT I MEAN?
64
00:02:10,263 --> 00:02:11,798
LIKE, IF I'M WHACK
IN FRONT OF VINCE,
65
00:02:11,898 --> 00:02:13,199
HE'S GONNA BE LIKE,
"I DON'T LIKE IT."
66
00:02:13,299 --> 00:02:14,367
YOU'RE TOO HARD
ON YOURSELF.
67
00:02:14,467 --> 00:02:15,468
WELL, NO, NOT ONLY
DID I COME IN THE DOOR
68
00:02:15,568 --> 00:02:16,536
WITH LOW
SELF-ESTEEM,
69
00:02:16,636 --> 00:02:18,771
I CAME IN THE DOOR
WITH NO SELF-ESTEEM,
70
00:02:18,872 --> 00:02:21,608
AND THAT IS
THE DIFFERENCE.
71
00:02:21,708 --> 00:02:22,775
WELL, YOU CAME
TO RIGHT PLACE,
72
00:02:22,876 --> 00:02:24,944
'CAUSE WE'LL-WE'LL
GET YOU RIGHT.
73
00:02:25,044 --> 00:02:27,580
IT DOES FEEL GOOD TO
FINALLY GET BACK TO ME.
74
00:02:27,680 --> 00:02:29,682
I FEEL LIKE I'VE BEEN
LOST FOR A LONG TIME.
75
00:02:29,782 --> 00:02:33,052
I MEAN, I RECORDED A
SOLO ALBUM IN 2000.
76
00:02:33,153 --> 00:02:36,623
I WASN'T EXCITED ABOUT THE
SALES OF MY FIRST RECORD,
77
00:02:36,723 --> 00:02:39,759
BUT I DON'T FEEL LIKE "IF
YOU DON'T WANNA LOVE ME"
78
00:02:39,859 --> 00:02:41,027
WAS A
BAD RECORD.
79
00:02:41,127 --> 00:02:43,897
IT WAS A GREAT RECORD, BUT
I'M NOT IN THAT SPACE ANYMORE.
80
00:02:43,997 --> 00:02:46,566
SO, I WANNA
PLAY YOU A TRACK
81
00:02:46,666 --> 00:02:49,369
THAT I THINK COULD
POSSIBLY WORK FOR YOU.
82
00:02:49,469 --> 00:02:51,204
OKAY--
I'M SO EXCITED.
83
00:02:51,304 --> 00:02:52,505
I DON'T KNOW WHAT
TO DO WITH MYSELF.
84
00:02:52,605 --> 00:02:54,040
LIKE, I THINK I'M GONNA
CATCH THE HOLY GHOST
85
00:02:54,140 --> 00:02:55,875
IN FIVE MINUTES.
86
00:02:55,975 --> 00:02:57,877
IF THE TRACK SUCKS,
THEN YOU WON'T, SO--
87
00:02:57,977 --> 00:02:58,912
OH, MY GOD.
88
00:02:59,012 --> 00:03:00,013
I-I'M GONNA TELL
YOU SOMETHIN'.
89
00:03:00,113 --> 00:03:01,181
I AM SO
GRATEFUL.
90
00:03:01,281 --> 00:03:03,349
I DON'T THINK I'M NOT
GONNA LIKE ANYTHING.
91
00:03:03,449 --> 00:03:04,717
ALL RIGHT--
WELL, WE'LL HAVE FUN.
92
00:03:04,817 --> 00:03:07,120
SO, LET'S PLAY, UM,
PLAY YOU THIS TRACK.
93
00:03:07,220 --> 00:03:09,589
SO, WORKING WITH A PRODUCER
LIKE HARVEY, HE, LIKE,
94
00:03:09,689 --> 00:03:12,358
PLAYS YOU A TRACK OR A
SONG, AND YOU DECIDE, LIKE,
95
00:03:12,458 --> 00:03:14,227
THE KIND OF SOUND
THAT YOU WANNA GO WITH.
96
00:03:14,327 --> 00:03:16,429
AND THEN, USUALLY,
IF IT'S A SONG,
97
00:03:16,529 --> 00:03:18,665
YOU GET RIGHT
IN AND SING IT.
98
00:03:18,765 --> 00:03:21,134
BUT, IF IT'S A TRACK,
AND YOU'RE A WRITER,
99
00:03:21,234 --> 00:03:22,368
YOU WRITE
THE SONG,
100
00:03:22,468 --> 00:03:25,371
AND THEN YOU GO TO
THE STUDIO AND RECORD.
101
00:03:36,382 --> 00:03:37,417
NEXT, DREW.
102
00:03:37,517 --> 00:03:38,651
THAT'S A LITTLE TOO
"JERSEY SHORE" FOR ME.
103
00:03:38,751 --> 00:03:39,719
LIKE, YEAH--
YEAH!
104
00:03:39,819 --> 00:03:41,187
I CAN'T--
I CAN'T.
105
00:03:49,762 --> 00:03:50,930
I'M IN
A STUDIO.
106
00:03:51,030 --> 00:03:52,031
I'M SO EXCITED
WORKIN' WITH HARVEY.
107
00:03:52,131 --> 00:03:53,199
I'M LIKE WHOO-WHOO--
HARVEY!
108
00:03:53,299 --> 00:03:54,901
THEN, HE PLAYS
THESE TRACKS.
109
00:03:55,001 --> 00:03:57,003
BOOP--
THEY WERE BONK.
110
00:03:57,103 --> 00:03:58,137
BOO!
111
00:03:58,238 --> 00:03:59,138
WHO'S SINGIN' TO THAT?
112
00:03:59,239 --> 00:04:00,707
SHE'S NOT--
NO.
113
00:04:00,807 --> 00:04:02,842
WE'LL PLAY
THE NEXT ONE.
114
00:04:10,817 --> 00:04:13,219
AND THAT WOULD
BE THE ONE!
115
00:04:18,091 --> 00:04:22,262
SO, THEN, HARVEY STARTS
PLAYIN' THE TAMAR TRACKS,
116
00:04:22,362 --> 00:04:25,064
AND TAMAR TRACKS
ARE THE HOT TRACKS.
117
00:04:25,164 --> 00:04:26,633
I'M LISTENING LIKE, UH,
THIS SOUNDS A LITTLE BIT
118
00:04:26,733 --> 00:04:28,301
LIKE LIL' WAYNE.
119
00:04:28,401 --> 00:04:30,703
SHE CAN SING OVER
A LIL' WAYNE TRACK,
120
00:04:30,803 --> 00:04:32,605
AND I'M LIKE
HELL, YEAH.
121
00:04:32,705 --> 00:04:34,641
THIS IS WHAT I'M
TALKIN' ABOUT, WILLIS.
122
00:04:34,741 --> 00:04:35,675
THAT'S IT,
RIGHT THERE.
123
00:04:35,775 --> 00:04:38,444
I DON'T NEED TO
HEAR NOTHING ELSE.
124
00:04:38,544 --> 00:04:41,014
- YOU LIKE THAT ONE?
- SHE'S THE ONE.
125
00:04:41,114 --> 00:04:42,482
I'M TELLING YOU.
126
00:04:42,582 --> 00:04:44,984
LIKE, YOU KNOW, I CAN BE
SO HOOD RAT AND NOT BE.
127
00:04:45,084 --> 00:04:46,152
OKAY.
128
00:04:46,252 --> 00:04:47,186
AND YOU KNOW VINCE
IS GONNA HATE ON IT
129
00:04:47,287 --> 00:04:48,488
BECAUSE IT'S
GONNA BE HOOD RAT,
130
00:04:48,588 --> 00:04:51,224
AND IT'S GONNA
BE HOT, AND HA!
131
00:04:51,324 --> 00:04:52,258
WE'LL MAKE IT
SO HE CAN'T--
132
00:04:52,358 --> 00:04:53,459
HE DOES NOT WANT
ME TO DROP IT,
133
00:04:53,559 --> 00:04:55,561
AND I HAVE TO
DROP IT EVERY TIME.
134
00:04:55,662 --> 00:04:57,930
HE'S GONNA BE HOT
AT YOU AND ME.
135
00:04:58,031 --> 00:04:59,065
WHAT?
136
00:04:59,165 --> 00:05:00,700
I'M GONNA TELL VINCE
THAT YOU MADE ME DO IT.
137
00:05:00,800 --> 00:05:02,368
THAT'S WHAT
I'M GONNA DO.
138
00:05:02,468 --> 00:05:03,703
HE WON'T HOLD
YOU RESPONSIBLE.
139
00:05:03,803 --> 00:05:05,705
OKAY?
140
00:05:05,805 --> 00:05:07,807
TRUST ME.
- WE'LL SEE.
141
00:05:19,118 --> 00:05:20,753
- HERE WE'RE EATIN' TOGETHER.
- MOMMY.
142
00:05:20,853 --> 00:05:23,523
- HEY, GUYS!
- HI.
143
00:05:23,623 --> 00:05:26,092
I GOT A
SURPRISE FOR YOU.
144
00:05:26,192 --> 00:05:28,161
YEAH-- WE LIKE
SURPRISES, HUH, BROOKIE?
145
00:05:28,261 --> 00:05:29,796
CHECK IT OUT-- I'M
GLAD MY FAMILY IS HERE.
146
00:05:29,896 --> 00:05:30,863
I CAN SHARE IT
WITH EVERYBODY.
147
00:05:30,963 --> 00:05:32,298
LET-LET MA-- CAN
MOMMY OPEN IT?
148
00:05:32,398 --> 00:05:34,434
I KNOW TOWANDA WANTS
ME TO GET A REAL JOB,
149
00:05:34,534 --> 00:05:37,303
BUT I THINK I HAVE
SOMETHING THAT TOWANDA
150
00:05:37,403 --> 00:05:39,906
REALLY, REALLY, REALLY IS
GONNA LIKE JUST AS MUCH.
151
00:05:40,006 --> 00:05:42,375
- IT'S A BOOK.
- WOW-- IT IS A BOOK!
152
00:05:42,475 --> 00:05:45,044
THIS IS
DADDY'S BOOK!
153
00:05:45,144 --> 00:05:46,746
IT'S THE
FIRST PRINTING.
154
00:05:46,846 --> 00:05:49,082
ANDRE SAID HE WOULD
WRITE A RELATIONSHIP BOOK,
155
00:05:49,182 --> 00:05:51,584
AND HE DEFINITELY TOOK
MY CRITICISM TO HEART,
156
00:05:51,684 --> 00:05:53,486
AND HE
FINISHED IT.
157
00:05:53,586 --> 00:05:56,689
I HAD MY DOUBTS, BUT
HE DELIVERED FOR ONCE,
158
00:05:56,789 --> 00:05:58,458
BUT LET'S
BE REAL.
159
00:05:58,558 --> 00:06:00,026
HE SELF-PUBLISHED
HIS BOOK,
160
00:06:00,126 --> 00:06:02,762
AND IT'S GONNA TAKE
A LONG TIME FOR HIM
161
00:06:02,862 --> 00:06:04,664
TO BE ABLE TO TAKE
CARE OF ME AND HIS KIDS.
162
00:06:04,764 --> 00:06:06,566
YOU'RE MY BIGGEST
INSPIRATION.
163
00:06:06,666 --> 00:06:08,301
- WELL, THANKS, ANDRE.
- I LOVE YA.
164
00:06:08,401 --> 00:06:09,469
UH, I GOT MY FIRST BOOK
SIGNING COMING UP.
165
00:06:09,569 --> 00:06:10,703
GOOD.
166
00:06:10,803 --> 00:06:11,904
AND I WANNA INVITE
YOU AND YOUR FAMILY.
167
00:06:12,004 --> 00:06:13,072
OKAY.
168
00:06:13,172 --> 00:06:14,207
SO, HOPEFULLY, EVERYBODY'LL
BE ABLE TO MAKE IT.
169
00:06:14,307 --> 00:06:15,842
- WHEN IS IT?
- NEXT COUPLE OF WEEKS.
170
00:06:15,942 --> 00:06:17,577
OH.
171
00:06:17,677 --> 00:06:18,878
WHY ARE YOU
LOOKING LIKE THAT?
172
00:06:18,978 --> 00:06:20,913
'CAUSE I DON'T KNOW
IF I'M GONNA BE HERE.
173
00:06:21,013 --> 00:06:22,448
AS USUAL-- OKAY.
174
00:06:22,548 --> 00:06:23,583
WHAT DO YOU
MEAN, "AS USUAL?"
175
00:06:23,683 --> 00:06:24,650
OKAY, WELL--
176
00:06:24,751 --> 00:06:25,785
THAT'S NOT FAIR TO
SAY, "AS USUAL."
177
00:06:25,885 --> 00:06:27,086
YOU DON'T KNOW IF YOU'RE
GONNA BE THERE FOR ME,
178
00:06:27,186 --> 00:06:28,454
BUT YOU'LL BE THERE
FOR SOMEBODY ELSE.
179
00:06:28,554 --> 00:06:29,522
IS THAT--
- NO.
180
00:06:29,622 --> 00:06:30,690
NO-- I'M NOT
SAYING THAT.
181
00:06:30,790 --> 00:06:32,191
I'M SAYING THE-THE-THE THING
THAT I HAVE TO DO IS,
182
00:06:32,291 --> 00:06:34,660
YOU KNOW, IT'S ALREADY
BEEN SET A LONG TIME AGO.
183
00:06:34,761 --> 00:06:36,462
I DIDN'T KNOW YOU WERE
GONNA DO THIS, THIS FAST.
184
00:06:36,562 --> 00:06:37,997
OKAY, JUST-JUST SERVE--
WHO KNEW THIS?
185
00:06:38,097 --> 00:06:39,499
JUST SERVE ME UP
SLOPPY SECONDS.
186
00:06:39,599 --> 00:06:41,634
I DON'T EVER SL-- WHO SERVES
YOU UP SLOPPY SECONDS?
187
00:06:41,734 --> 00:06:42,802
WELL, UH--
188
00:06:42,902 --> 00:06:45,037
I'M NOT GONNA BE IN TOWN
BECAUSE TONI HAS CALLED
189
00:06:45,138 --> 00:06:47,440
A VERY IMPORTANT
FAMILY MEETIN'.
190
00:06:47,540 --> 00:06:49,709
I MEAN, THIS IS SOMETHING THAT
SHE HAS TO TELL MY SISTERS,
191
00:06:49,809 --> 00:06:51,177
AND I'VE BEEN
SWORN TO SECRECY.
192
00:06:51,277 --> 00:06:52,478
I CAN'T EVEN
TELL ANDRE.
193
00:06:52,578 --> 00:06:54,380
SO, I KINDA FEEL
LIKE I'M THE BAD GUY.
194
00:06:54,480 --> 00:06:57,150
- ALL RIGHT.
- THIS-- THAT'S-THAT.
195
00:06:57,250 --> 00:07:00,586
WHY DO YOU ALWAYS GET SO
UPSET WHEN I TALK ABOUT
196
00:07:00,686 --> 00:07:01,954
STUFF THAT
I HAVE TO DO.
197
00:07:02,054 --> 00:07:03,923
BECAUSE I KNOW IT HAS
TO DO WITH YOUR FAMILY.
198
00:07:04,023 --> 00:07:05,224
HOW MANY FAMILIES
DO YOU HAVE?
199
00:07:05,324 --> 00:07:06,359
TWO.
200
00:07:06,459 --> 00:07:07,527
WHICH ONE COMES
FIRST IN YOUR LIFE?
201
00:07:07,627 --> 00:07:08,594
MY KIDS.
202
00:07:08,694 --> 00:07:09,762
AND THEN, WHERE
AM I IN THAT?
203
00:07:09,862 --> 00:07:11,998
AM I-- DO I FIT SECOND,
THIRD, FOURTH, OR FIFTH?
204
00:07:12,098 --> 00:07:14,300
UH-HUH-- YOU'RE
IN THE TOP FIVE.
205
00:07:14,400 --> 00:07:15,435
OH-- WELL,
THANK YOU SO--
206
00:07:15,535 --> 00:07:16,436
BUT, YOU SAID-BUT,
YOU SAID,
207
00:07:16,536 --> 00:07:17,603
"FIRST, SECOND, THIRD,
FOURTH, OR FIFTH,"
208
00:07:17,703 --> 00:07:18,704
SO, I JUST SAID YOU
WERE IN THE TOP FIVE.
209
00:07:18,805 --> 00:07:20,540
OKAY-- SO, WE GOT
GOLD, SILVER, AND BRONZE,
210
00:07:20,640 --> 00:07:22,108
AND I'M BRONZE,
RIGHT NOW.
211
00:07:22,208 --> 00:07:23,876
IS THAT WHAT
YOU'RE SAYIN'?
212
00:07:23,976 --> 00:07:27,480
AND NOBODY REMEMBERS
BRONZE-- JUST REMEMBER THAT.
213
00:07:27,580 --> 00:07:28,514
THEY DO
REMEMBER BRONZE.
214
00:07:28,614 --> 00:07:29,982
NOBODY REMEMBERS
BRONZE AND SILVER.
215
00:07:30,082 --> 00:07:31,884
BUT, MY KIDS
SHOULD BE GOLD.
216
00:07:31,984 --> 00:07:33,619
UH, YEAH, THEY SHOULD BE,
AND I AGREE WIT' YOU.
217
00:07:33,719 --> 00:07:34,720
AND THEY ARE.
218
00:07:34,821 --> 00:07:35,888
BUT, I THINK YOUR
FAMILY IS GOLD.
219
00:07:35,988 --> 00:07:36,889
NO, THAT'S
NOT TRUE.
220
00:07:36,989 --> 00:07:38,024
AND THEN, YOUR
KIDS ARE SILVER.
221
00:07:38,124 --> 00:07:39,058
- THAT'S NOT TRUE.
- OKAY, THAT'S FINE.
222
00:07:39,158 --> 00:07:40,326
- THAT'S NOT TRUE.
- OKAY.
223
00:07:40,426 --> 00:07:43,095
WHEN YOUR FAMILY CALLS YOU,
ALL RIGHT, TOWANDA IS BOOM.
224
00:07:43,196 --> 00:07:44,230
"I GOTTA GO."
225
00:07:44,330 --> 00:07:45,631
BOOM-- "I GOTTA GO."
226
00:07:45,731 --> 00:07:46,933
ANDRE HAS GOT
SOMETHING COMING UP.
227
00:07:47,033 --> 00:07:48,334
UH, "I GOTTA
THINK ABOUT IT."
228
00:07:48,434 --> 00:07:49,669
AND THIS IS THE BIGGEST
THING, RIGHT NOW,
229
00:07:49,769 --> 00:07:52,972
FOR ME GOING IS MY BOOK
AND MY FIRST BOOK SIGNING,
230
00:07:53,072 --> 00:07:55,842
SO TO HAVE YOU THERE WOULD
BE REALLY, REALLY SPECIAL.
231
00:07:55,942 --> 00:07:56,943
DON'T YOU THINK
THAT WOULD BE
232
00:07:57,043 --> 00:07:58,277
REALLY, REALLY
SPECIAL FOR ME?
233
00:07:58,377 --> 00:08:00,179
- FOR YOU, YEAH.
- YES.
234
00:08:00,279 --> 00:08:01,314
OH, "FOR YOU,"
BUT NOT FOR YOU.
235
00:08:01,414 --> 00:08:02,315
UH, YOU JUST
SAID, "FOR YOU."
236
00:08:02,415 --> 00:08:03,516
- OKAY, WELL--
- I-I DON'T--
237
00:08:03,616 --> 00:08:04,650
OKAY-- I DON'T KNOW WHAT
YOU WANT ME TO DO, ANDRE.
238
00:08:04,750 --> 00:08:05,751
YOU JUST SAID YOU WERE
A PART OF IT, RIGHT?
239
00:08:05,852 --> 00:08:06,853
I DON'T KNOW WHAT
YOU WANT ME TO DO.
240
00:08:06,953 --> 00:08:08,221
OKAY, I'LL JUST
LET YOU TALK.
241
00:08:08,321 --> 00:08:10,490
TONI IS IN A REALLY
STRESSFUL SITUATION,
242
00:08:10,590 --> 00:08:13,493
RIGHT NOW, AND SHE NEEDS
ME, AND ON TOP OF ALL THAT,
243
00:08:13,593 --> 00:08:15,495
ANDRE IS GIVING ME
THIS GUILT TRIP.
244
00:08:15,595 --> 00:08:17,096
I JUST CAN'T
CATCH A BREAK.
245
00:08:17,196 --> 00:08:18,364
GO AHEAD.
- THAT'S ALL RIGHT.
246
00:08:18,464 --> 00:08:19,899
I'M FINISHED--
LET'S GO.
247
00:08:19,999 --> 00:08:21,033
ALL RIGHT, GUYS.
- WHAT YOU MEAN, "LET'S GO?"
248
00:08:21,133 --> 00:08:22,702
WHERE YOU GOIN'?
- I'M GOING UPSTAIRS.
249
00:08:22,802 --> 00:08:24,470
WATCH TV... WORK
ON SOME OTHER STUFF.
250
00:08:24,570 --> 00:08:26,372
I'M REALLY PISSED
WITH TOWANDA,
251
00:08:26,472 --> 00:08:27,440
AND I NEED TO
SHOW TOWANDA
252
00:08:27,540 --> 00:08:29,509
THAT I'M TRYING TO DO
SOMETHING WITH MY CRAFT.
253
00:08:29,609 --> 00:08:31,844
I'M NOT JUST AT HOME,
SITTING AROUND, DREAMING.
254
00:08:31,944 --> 00:08:33,279
I'M ACTUALLY
OUT HERE DOING.
255
00:08:33,379 --> 00:08:34,680
SHE DOESN'T
BELIEVE ME,
256
00:08:34,780 --> 00:08:36,682
BUT I KNOW I CAN
SELL SOME BOOKS.
257
00:08:47,026 --> 00:08:48,895
- OH, MAN, HEY.
- HELLO.
258
00:08:48,995 --> 00:08:50,062
HOW YA DOIN'?
259
00:08:50,162 --> 00:08:51,564
SO, AFTER HARVEY GOT
FINISHED PLAYIN' THEM LITTLE
260
00:08:51,664 --> 00:08:54,567
"JERSEY SHORE" TRACKS, YOU
KNOW, HE PLAYED A TRACK
261
00:08:54,667 --> 00:08:56,002
THAT I REALLY,
REALLY LIKED.
262
00:08:56,102 --> 00:08:58,137
AND THEN, AFTER
I HEARD THE TRACK
263
00:08:58,237 --> 00:09:00,206
THAT I WANTED TO WRITE TO,
HIS PARTNER, DAMON, CAME IN,
264
00:09:00,306 --> 00:09:02,675
AND WE REALLY GOT
INTO THE MUSIC.
265
00:09:02,775 --> 00:09:06,112
SO, WE WERE JUST GOING
THROUGH, UH, MUSIC FOR HER.
266
00:09:06,212 --> 00:09:07,580
I WAS PLAYING HER KINDA
SOME DIFFERENT TRACK IDEAS.
267
00:09:07,680 --> 00:09:09,015
BUT, NOW
YOU'RE HERE.
268
00:09:09,115 --> 00:09:11,717
WE CAN SIT DOWN AND
WRITE IT WITH TAMAR.
269
00:09:11,817 --> 00:09:13,019
OKAY, LET'S
DO THAT.
270
00:09:13,119 --> 00:09:14,487
I THINK ONE THING THAT
WE'VE KINDA CONCENTRATED ON
271
00:09:14,587 --> 00:09:15,888
IS JUST WRITING
GOOD SONGS.
272
00:09:15,988 --> 00:09:17,423
THIS-THIS THING THAT
YOU PLAY ON THE PIANO
273
00:09:17,523 --> 00:09:18,791
MIGHT INSPIRE YOU
TO WRITE SOMETHIN'.
274
00:09:18,891 --> 00:09:20,560
IF YOU WANNA DO IT HERE,
YOU CAN WRITE IT HERE
275
00:09:20,660 --> 00:09:21,627
AND MESS AROUND
WITH IT BY YOURSELF,
276
00:09:21,727 --> 00:09:22,828
OR YOU CAN
TAKE IT HOME.
277
00:09:22,929 --> 00:09:26,132
UM, I WON'T BE ABLE TO
WRITE IN FRONT OF YOU GUYS.
278
00:09:26,232 --> 00:09:30,469
I'M DEFINITELY SHY TO WORK
ON MY MUSIC AROUND HARVEY
279
00:09:30,570 --> 00:09:33,639
AND DAMON BECAUSE I'M
SENSITIVE ABOUT MY STUFF.
280
00:09:33,739 --> 00:09:35,908
I'M SENSITIVE ABOUT
MY VOICE AND ABOUT MY WRITING.
281
00:09:36,008 --> 00:09:38,778
AND, YOU KNOW, I ALWAYS
WANTED TO COME OUT HOT,
282
00:09:38,878 --> 00:09:41,314
YOU KNOW, AND I'M JUST,
LIKE, SO NERVOUS.
283
00:09:41,414 --> 00:09:43,149
I HOPE I DO A GREAT JOB.
284
00:09:43,249 --> 00:09:44,884
LIKE, "IF YOU DON'T WANNA
LOVE ME," GREAT SONG--
285
00:09:44,984 --> 00:09:46,519
THANK GOD FOR IT, WHATEVER.
- RIGHT.
286
00:09:46,619 --> 00:09:47,954
BUT, I DON'T WANNA
SING SONGS LIKE THAT.
287
00:09:48,054 --> 00:09:49,822
I DIDN'T WANNA SING
SONGS LIKE THAT THEN.
288
00:09:49,922 --> 00:09:51,123
NO, I HEAR-- I KNOW
WHAT YOU WANNA DO.
289
00:09:51,223 --> 00:09:52,124
YOU KNOW
WHAT I MEAN?
290
00:09:52,224 --> 00:09:53,492
YOU HAVE TO GO WIT'
YOUR PERSONALITY.
291
00:09:53,593 --> 00:09:55,895
BEAT'S GOTTA BE BANGIN'.
- YOU SEE WHAT I'M SAYING?
292
00:09:55,995 --> 00:09:57,563
AND-AND THEN, THE REST
OF IT HAS GOTTA BE HOT.
293
00:09:57,663 --> 00:10:00,399
YES-- THIS IS DEFINITELY
294
00:10:00,499 --> 00:10:03,135
ALL THAT OLD SCHOOL BALLAD
STUFF THAT I WAS DOIN',
295
00:10:03,235 --> 00:10:05,204
THE BRAXTONS AND BACK
IN THE DAY, UH-UH.
296
00:10:05,304 --> 00:10:06,339
THAT AIN'T THE ONE.
297
00:10:06,439 --> 00:10:08,541
THIS RIGHT HERE,
THAT IS TAMAR.
298
00:10:08,641 --> 00:10:11,143
TAMAR IS BEING TAMAR--
SHE'S BEING HER.
299
00:10:11,243 --> 00:10:14,780
BUT, YOU ARE GONNA HAVE TO
DO A BALLAD ON YOUR RECORD.
300
00:10:14,880 --> 00:10:16,215
YOU CAN SING.
- I CAN DO A, UH--
301
00:10:16,315 --> 00:10:17,617
YOU CAN SING.
302
00:10:17,717 --> 00:10:19,218
BUT-BUT, I'M NOT
THERE, YOU KNOW?
303
00:10:19,318 --> 00:10:20,753
AND I DON'T WANNA
TAKE MY MIND THERE.
304
00:10:20,853 --> 00:10:22,254
WHEN I THINK OF A
PROJECT, I THINK OF--
305
00:10:22,355 --> 00:10:23,556
- THE WHOLE--
- THING.
306
00:10:23,656 --> 00:10:24,757
OKAY,
I GET IT.
307
00:10:24,857 --> 00:10:26,192
I-I-I MIGHT WRITE-- BE
WRITING FOR THE NEXT WEEK,
308
00:10:26,292 --> 00:10:27,727
AND NO TELLING WHAT
I'M GONNA COME UP WITH,
309
00:10:27,827 --> 00:10:28,794
AND I DON'T WANNA
BE LIKE, OH, WELL,
310
00:10:28,894 --> 00:10:29,962
SHE DON'T WANNA
DO THAT ONE.
311
00:10:30,062 --> 00:10:31,197
AND THEN- AND
THEN-THEN I GIVE--
312
00:10:31,297 --> 00:10:32,365
AND THEN
I GIVE THE NEXT,
313
00:10:32,465 --> 00:10:33,432
"UNBREAK MY HEART"
TO, YOU KNOW, WHOEVER.
314
00:10:33,532 --> 00:10:34,934
- RIGHT.
- AND THEN, YOU'RE LIKE,
315
00:10:35,034 --> 00:10:36,535
"WHY DIDN'T YOU GIVE
ME THAT RECORD?"
316
00:10:36,636 --> 00:10:37,837
"WELL, YOU JUST SAID YOU DIDN'T
WANT NO RECORD LIKE THAT."
317
00:10:37,937 --> 00:10:40,006
OKAY--
YEAH, YOU'RE RIGHT.
318
00:10:40,106 --> 00:10:41,407
YOU'RE RIGHT.
319
00:10:41,507 --> 00:10:42,942
DAMON DEFINITELY
DOES HAVE A POINT.
320
00:10:43,042 --> 00:10:44,744
I SHOULD NOT
CLOSE MYSELF OFF
321
00:10:44,844 --> 00:10:46,879
TO OTHER MUSICAL
POSSIBILITIES.
322
00:10:46,979 --> 00:10:48,681
I CAN PLAY THE PIANO,
AND YOU'RE GORGEOUS.
323
00:10:48,781 --> 00:10:50,116
DAMN IT-- WE'RE GONNA
SELL SOME RECORDS.
324
00:10:50,216 --> 00:10:51,550
HA-HA!
325
00:10:51,651 --> 00:10:52,718
AT THE END OF THIS,
I WANT YOU TO FEEL LIKE
326
00:10:52,818 --> 00:10:54,320
THEY WROTE SONGS
SPECIFICALLY FOR ME.
327
00:10:54,420 --> 00:10:56,355
- AND THAT'S WHAT I WANT.
- THAT'S WHERE I'M AT.
328
00:10:56,455 --> 00:10:59,025
THIS IS THE
GREATEST NEWS EVER.
329
00:10:59,125 --> 00:11:01,661
I ABSOLUTELY LOVE THE FACT
THAT DAMON IS GONNA SIT
330
00:11:01,761 --> 00:11:04,330
AT THE KEYBOARD AND
CREATE A SONG JUST FOR ME.
331
00:11:04,430 --> 00:11:08,100
THIS IS THE SITUATION I HAVE
BEEN WAITING FOR FOREVER,
332
00:11:08,200 --> 00:11:12,371
BUT WHY, VINCENT HERBERT,
DID YOU NOT DO THAT FOR ME?
333
00:11:12,471 --> 00:11:14,674
SHE HAD TO GO
GET IT HERSELF.
334
00:11:14,774 --> 00:11:17,843
BUT THEY GOTTA BE LIKE,
"Y'ALL SMELL ANYTHING?"
335
00:11:17,943 --> 00:11:18,911
YEAH, WE--
336
00:11:19,011 --> 00:11:20,146
IT GOT TO BE
STANK LIKE THAT.
337
00:11:20,246 --> 00:11:21,447
YEAH-- LIKE,
"OH, MY GOD!
338
00:11:21,547 --> 00:11:22,648
"IT'S JUST STUNKY--
LIKE, WHAT IS THAT?
339
00:11:22,748 --> 00:11:24,016
"OH-- WHO
NEEDS DEODORANT?
340
00:11:24,116 --> 00:11:25,251
"MY RECORD DOES."
341
00:11:25,351 --> 00:11:27,353
THAT'S WHAT I WANT.
- STUPID.
342
00:11:27,453 --> 00:11:30,022
YOU KNOW WHAT I MEAN,
LIKE, STANKNESS?
343
00:11:30,122 --> 00:11:32,992
COMING UP, ON "BRAXTON
FAMILY VALUES"...
344
00:11:33,092 --> 00:11:35,961
TRINA, YOU NEED A
BAM-BAM-BAM-BAM-BAM-BAM-BAM-
345
00:11:36,062 --> 00:11:39,131
BAM-BAM-BAM-BAM-BAM-BAM--
AND IT WAS GOOD.
346
00:11:39,231 --> 00:11:40,332
THAT'S WHAT YOU NEED.
347
00:11:40,433 --> 00:11:41,901
WHEW-- GONNA
HAVE A CIGARETTE.
348
00:11:42,001 --> 00:11:43,102
- HEY, DADDY-O.
- CHICO!
349
00:11:43,202 --> 00:11:44,503
- YOU'RE FREE!
- I HAVEN'T SEEN YOU.
350
00:11:44,603 --> 00:11:47,273
SO, DADDY'S HERE,
AND MY MOTHER'S HERE.
351
00:11:47,373 --> 00:11:48,808
OKAY-- NOW, I'M FOR
REAL-FOR REAL WORRIED.
352
00:11:48,908 --> 00:11:52,011
I CAN'T TAKE NO MORE
OF YOUR ANNOUNCEMENTS.
353
00:12:01,721 --> 00:12:01,786
TOWANDA
354
00:12:01,787 --> 00:12:01,820
TOWANDA AND
355
00:12:01,821 --> 00:12:01,920
TOWANDA AND I
356
00:12:01,921 --> 00:12:01,986
TOWANDA AND I JUST
357
00:12:01,987 --> 00:12:02,053
TOWANDA AND I JUST FLEW
358
00:12:02,054 --> 00:12:02,153
TOWANDA AND I JUST FLEW IN
359
00:12:02,154 --> 00:12:02,220
TOWANDA AND I JUST FLEW IN
ON
360
00:12:02,221 --> 00:12:02,353
TOWANDA AND I JUST FLEW IN
ON THE
361
00:12:02,354 --> 00:12:02,420
TOWANDA AND I JUST FLEW IN
ON THE RED-EYE
362
00:12:02,421 --> 00:12:04,322
TOWANDA AND I JUST FLEW IN
ON THE RED-EYE FROM
363
00:12:04,323 --> 00:12:05,157
TOWANDA AND I JUST FLEW IN
ON THE RED-EYE FROM ATLANTA
364
00:12:05,257 --> 00:12:06,959
'CAUSE TONI CALLED
THIS FAMILY MEETING
365
00:12:07,059 --> 00:12:09,829
AND INSISTED THAT
EVERYBODY COMES.
366
00:12:09,929 --> 00:12:11,163
OOH.
367
00:12:11,263 --> 00:12:13,899
ME, TOWANDA, TAMAR
DECIDE TO HAVE LUNCH TODAY
368
00:12:13,999 --> 00:12:18,070
BEFORE THE MEETING WITH TONI,
AND I'M SUPER EXHAUSTED.
369
00:12:18,170 --> 00:12:19,438
TRINA, WHAT IS
WRONG WIT' YOU?
370
00:12:19,538 --> 00:12:21,974
- I DON'T LIKE IT HERE.
- TRINA, IT'S DELICIOUS.
371
00:12:22,074 --> 00:12:25,578
IT'S LIKE REAL, REAL ITALIAN
FOOD, NOT CHEF-BOY-R-DEE.
372
00:12:25,678 --> 00:12:28,481
THIS PLACE HERE, YOU
SAY, "MOZZARELLA,"
373
00:12:28,581 --> 00:12:29,615
THEY SAY, "NO,
WE DON'T HAVE THAT.
374
00:12:29,715 --> 00:12:32,017
"WE HAVE MOZZARELLA."
- IS THAT WHAT HAPPENS?
375
00:12:32,118 --> 00:12:34,520
"WE DON'T HAVE THE
BUFFALO MOZZARELLA."
376
00:12:34,620 --> 00:12:35,621
I SAID, "FINE, JUST
GIVE ME WHATEVER."
377
00:12:35,721 --> 00:12:38,157
I'M GONNA HAVE
SEVERAL SEATS.
378
00:12:38,257 --> 00:12:41,093
- HOW'S YOUR ALBUM COMING?
- SHE'S COMING ALONG.
379
00:12:41,193 --> 00:12:43,028
WHAT KIND OF DIRECTION
ARE YOU TRYING TO GO INTO?
380
00:12:43,129 --> 00:12:45,498
IT'S NOT BRITNEY POP,
WHAT YOU DOIN'.
381
00:12:45,598 --> 00:12:47,133
YEAH, WHICH IS FABULOUS.
382
00:12:47,233 --> 00:12:49,335
IT'S MORE LIKE,
YOU KNOW, HOOD-RAP HOP.
383
00:12:49,435 --> 00:12:50,903
GIVE ME AN EXAMPLE
OF HOOD-RAP HOP.
384
00:12:51,003 --> 00:12:52,304
I WAS JUST ABOUT TO ASK.
385
00:12:54,440 --> 00:12:55,407
LIKE THAT.
386
00:12:55,508 --> 00:12:56,876
WHO ARE YOU
WORKING WITH?
387
00:12:56,976 --> 00:12:58,677
I'M STILL WORKING
WITH HARVEY, RIGHT NOW.
388
00:12:58,778 --> 00:13:01,680
BUT, YOU KNOW, WHEN I GO IN
WITH THEM, MY MUSIC IS SO--
389
00:13:01,781 --> 00:13:05,518
I-I-I BELIEVE IS ON POINT,
BUT IT'S SO HOOD RAP FOR VINCE.
390
00:13:05,618 --> 00:13:07,987
HE'S LIKE, "AND NO."
- MMM-HMM.
391
00:13:08,087 --> 00:13:10,556
VINCENT IS
VINCENT THE HERBERT,
392
00:13:10,656 --> 00:13:14,360
AND HE'S ALSO
MY HUSBAND.
393
00:13:14,460 --> 00:13:17,696
SO, I DON'T WANT TO, LIKE,
OFFEND HIM IN ANY WAY
394
00:13:17,797 --> 00:13:19,098
AND BE LIKE,
"YOU DON'T KNOW
395
00:13:19,198 --> 00:13:20,399
"WHAT YOU'RE DOIN'
WHEN IT COMES TO ME."
396
00:13:20,499 --> 00:13:22,535
BUT, YOU KNOW, AT THE
SAME TIME, OH, MY GOD,
397
00:13:22,635 --> 00:13:24,904
IF VINCE HEARD A RECORD
THAT HARVEY AND I DID,
398
00:13:25,004 --> 00:13:27,206
AND HE ABSOLUTELY
LOVED IT, LIKE,
399
00:13:27,306 --> 00:13:29,308
I-I WOULD BE THE
HAPPIEST LITTLE PRINCESS
400
00:13:29,408 --> 00:13:31,510
IN THE POND.
401
00:13:31,610 --> 00:13:34,046
SO, I JUST FEEL LIKE EVERY
TIME I GO TO A PRODUCER'S,
402
00:13:34,146 --> 00:13:36,882
I LOVE THEM TO PIECES, BUT
THEY'RE GONNA WANNA DO RECORDS
403
00:13:36,982 --> 00:13:38,717
THAT VINCE WANTS ME TO DO
BECAUSE THEY'RE HIS FRIENDS.
404
00:13:38,818 --> 00:13:41,187
ANYBODY THAT YOU WORK WITH
ARE FRIENDS WITH VINCE.
405
00:13:42,688 --> 00:13:45,257
IT'S FINE THAT TAMAR
IS DOING HER ALBUM,
406
00:13:45,357 --> 00:13:47,960
BUT TO BE TRUTHFUL AND
HONEST, I'M JET-LAGGED.
407
00:13:48,060 --> 00:13:49,461
I'M TIRED.
408
00:13:49,562 --> 00:13:52,164
I JUST WANNA KNOW THE REASON
THAT EVERYONE IS HERE
409
00:13:52,264 --> 00:13:55,434
AND DROPPED EVERYTHING,
AND IT JUST SEEMS LIKE
410
00:13:55,534 --> 00:13:57,036
IT'S JUST SOME
KIND OF BIG SECRET.
411
00:13:57,136 --> 00:13:59,004
TOWANDA, WHY DID TONI
CALL US ALL OUT HERE?
412
00:13:59,104 --> 00:14:00,906
YOU HAVE TO WAIT
UNTIL SHE TELLS YOU.
413
00:14:01,006 --> 00:14:02,141
- WELL, THAT'S BOGUS.
- IT'S NOT BOGUS.
414
00:14:02,241 --> 00:14:03,676
TOWANDA, BUT WHY ARE YOU
ALWAYS PRIVY TO INFORMATION,
415
00:14:03,776 --> 00:14:05,411
AND THEN YOU DON'T EVEN
GIVE US A HEADS UP.
416
00:14:05,511 --> 00:14:07,213
- LET ME TELL YOU SOMETHIN'.
- JUST GIVE US A BALLPARK.
417
00:14:07,313 --> 00:14:08,247
- YES.
- OKAY.
418
00:14:08,347 --> 00:14:09,248
YOU REALLY WANT ME TO
GIVE YOU A BALLPARK?
419
00:14:09,348 --> 00:14:10,449
- YES.
- YES.
420
00:14:10,549 --> 00:14:13,052
- CAMDEN YARDS.
- SUCH A LIFE.
421
00:14:13,152 --> 00:14:15,354
YOU KNOW, IT'S REALLY
STARTING TO WORK ON MY NERVES
422
00:14:15,454 --> 00:14:17,790
THAT TONI IS TELLING
TOWANDA EVERYTHING.
423
00:14:17,890 --> 00:14:19,825
I JUST DON'T APPRECIATE
HEARING THINGS
424
00:14:19,925 --> 00:14:21,660
AT THE SAME TIME
AS EVERYBODY ELSE.
425
00:14:21,760 --> 00:14:22,695
SO, YOU'RE NOT
GONNA SAY NOTHIN'?
426
00:14:22,795 --> 00:14:23,929
BUT, IT'S TOMORROW.
427
00:14:24,029 --> 00:14:26,365
WHAT ABOUT-- FOR REAL,
JUST A HINT, TOWANDA?
428
00:14:26,465 --> 00:14:28,167
IS SHE PREGNANT?
429
00:14:28,267 --> 00:14:29,568
IS WHO--
IS TONI PREGNANT?
430
00:14:29,668 --> 00:14:33,839
Y'ALL HAVE TO WAIT
UNTIL SHE TELLS YOU.
431
00:14:33,939 --> 00:14:35,374
I THINK SHE MIGHT
HAVE A LOVE ON TOP--
432
00:14:35,474 --> 00:14:37,243
ONE OF HER RENDEZVOUS
WITH HER BABY DADDY.
433
00:14:37,343 --> 00:14:38,677
YOU KNOW THAT
CAN HAPPEN.
434
00:14:38,777 --> 00:14:40,246
TOWANDA IS NOT
GOING TO BUDGE.
435
00:14:40,346 --> 00:14:41,247
SHE'S NOT
GONNA POP.
436
00:14:41,347 --> 00:14:43,115
SHE'S NOT GONNA
TELL THE SECRET.
437
00:14:43,215 --> 00:14:47,286
TOWANDA KNOWS EVERYTHING
ABOUT EVERYBODY ELSE'S LIFE.
438
00:14:47,386 --> 00:14:48,554
AND LET ME TELL
YA, RIGHT NOW,
439
00:14:48,654 --> 00:14:49,722
TOWANDA IS
NOT THE PERSON
440
00:14:49,822 --> 00:14:50,789
THAT YOU WANNA
DOUBLE-CROSS
441
00:14:50,890 --> 00:14:53,425
BECAUSE SHE KNOWS TOO
MUCH ABOUT EVERYBODY.
442
00:14:53,525 --> 00:14:54,894
SO, YOU'RE REALLY
NOT GONNA TELL US?
443
00:14:54,994 --> 00:14:56,629
YOU REALLY GONNA
KEEP ASKIN'?
444
00:14:56,729 --> 00:14:57,730
YES.
445
00:14:57,830 --> 00:15:00,132
CAN YOU JUST GIVE US
A, YOU KNOW, A CATEGORY
446
00:15:00,232 --> 00:15:01,967
OR SOMETHING.
- OKAY.
447
00:15:02,067 --> 00:15:04,503
SHE DID NOT
WIN THE LOTTERY.
448
00:15:04,603 --> 00:15:07,573
I'D LIKE TO
WIN THE LOTTERY.
449
00:15:07,673 --> 00:15:10,676
MY NAME IS THE SECRET
SQUIRREL OF THE FAMILY,
450
00:15:10,776 --> 00:15:12,878
AND IT'S BECAUSE
EVERYBODY CAN COME TO ME
451
00:15:12,978 --> 00:15:14,246
AND CONFIDE IN ME
AND TELL ME THINGS
452
00:15:14,346 --> 00:15:15,915
'CAUSE THEY KNOW IT'S NOT
GONNA COME BACK TO THEM.
453
00:15:16,015 --> 00:15:17,750
AND, TAMAR,
IT'S UNFAIR.
454
00:15:17,850 --> 00:15:20,920
AND, TRINA, IT'S UNFAIR
FOR YOU TO ASK ME QUESTIONS
455
00:15:21,020 --> 00:15:22,421
WHEN YOU KNOW I'M
NOT GONNA TELL.
456
00:15:22,521 --> 00:15:24,623
I DON'T CARE HOW
MUCH YOU NAG, TAMAR.
457
00:15:24,723 --> 00:15:25,991
I'M NOT TELLING.
458
00:15:26,091 --> 00:15:27,793
SO, UM, YOU KNOW
ANY GOSSIP ON TRACI?
459
00:15:27,893 --> 00:15:30,095
YES, YOU DO--
DAMN!
460
00:15:30,195 --> 00:15:32,164
TOWANDA, YOU CAN PUT OUT
YOUR OWN JUICY MAGAZINE,
461
00:15:32,264 --> 00:15:34,366
"TOWANDA'S JUICE."
462
00:15:34,466 --> 00:15:37,970
I THINK THAT WOULD NOT
BE AN APPROPRIATE NAME.
463
00:15:38,070 --> 00:15:39,405
TRINA, JUST BECAUSE YOU'RE
ALWAYS THINKING SEXUAL
464
00:15:39,505 --> 00:15:40,673
DOES NOT MEAN EVERYBODY--
- I AM NOT.
465
00:15:40,773 --> 00:15:42,274
NO, I AM NOT.
- I SAID, "TOWANDA'S JUICE."
466
00:15:42,374 --> 00:15:45,911
JUICE MEANS GOSSIP,
ONLY YOU'RE THINKIN'...
467
00:15:46,011 --> 00:15:47,446
PUDDIN' JUICE.
468
00:15:47,546 --> 00:15:48,814
- RIGHT.
- PUDDING JUICE?
469
00:15:48,914 --> 00:15:50,215
- I'M-I'M THINKING GOSSIP.
- PUDDING JUICE?
470
00:15:50,316 --> 00:15:51,684
WOW.
471
00:15:51,784 --> 00:15:53,185
TRINA, YOU NEED A
BAM-BAM-BAM-BAM-BAM-BAM-BAM-
472
00:15:53,285 --> 00:15:56,121
BAM-BAM-BAM-BAM-BAM-BAM,
AND IT WAS GOOD.
473
00:15:56,221 --> 00:15:57,423
THAT'S WHAT
YOU NEED.
474
00:15:57,523 --> 00:15:59,158
WHEW-- GONNA
HAVE A CIGARETTE.
475
00:16:07,866 --> 00:16:10,469
- HI!
- TRAY!
476
00:16:10,569 --> 00:16:14,073
I MISS YOU SO MUCH!
- I MISSED YOU, TOO.
477
00:16:14,173 --> 00:16:15,607
- YOU LOOK GOOD.
- YOU LOOK GOOD, TOO.
478
00:16:15,708 --> 00:16:16,709
THANK YOU.
479
00:16:16,809 --> 00:16:17,977
WELL, TONI CALLED
THIS FAMILY MEETING
480
00:16:18,077 --> 00:16:19,111
AND INSISTED
THAT WE ALL COME.
481
00:16:19,211 --> 00:16:21,947
NOW, I'M VERY, VERY
HAPPY TO SEE MY SISTERS.
482
00:16:22,047 --> 00:16:24,416
HOWEVER, EVERY TIME
TONI CALLS A MEETING,
483
00:16:24,516 --> 00:16:25,818
SHE DROPS A BOMB ON US.
484
00:16:25,918 --> 00:16:27,553
LAST TIME, SHE
WAS MOVING TO L.A.
485
00:16:27,653 --> 00:16:29,021
WHAT'S UP THIS
TIME, TONI?
486
00:16:29,121 --> 00:16:32,891
- LADIES, WE HAVE TAMAR.
- HEY.
487
00:16:32,992 --> 00:16:36,295
HEY, TAMY-TAMY--
HEY, VINCE.
488
00:16:36,395 --> 00:16:37,529
YES!
489
00:16:37,629 --> 00:16:39,431
THIS BETTER BE GOOD
BECAUSE I TOOK TIME
490
00:16:39,531 --> 00:16:41,900
OUT OF MY BUSY RECORDING
SCHEDULE TO COME HERE.
491
00:16:42,001 --> 00:16:43,635
WHAT SHE GOT TO SAY?
492
00:16:43,736 --> 00:16:48,707
INTRODUCING THE OTHER
CHROMOSOME WHO MADE US, DADDY!
493
00:16:48,807 --> 00:16:50,976
- OH, THE OTHER HALF OF DNA!
- DADDY IN THE HOUSE.
494
00:16:51,076 --> 00:16:52,411
- HEY, DADDY-O.
- CHICO.
495
00:16:52,511 --> 00:16:53,846
YOU'RE FREE.
496
00:16:53,946 --> 00:16:55,147
I HAVEN'T SEEN YOU
IN SUCH A LONG TIME.
497
00:16:55,247 --> 00:16:58,317
SO, DADDY'S HERE,
AND MY MOTHER IS HERE.
498
00:16:58,417 --> 00:17:00,252
OKAY-- NOW, I'M FOR
REAL-FOR REAL WORRIED.
499
00:17:00,352 --> 00:17:02,654
THE LAST TIME MY MAMA
AND DADDY GOT TOGETHER,
500
00:17:02,755 --> 00:17:05,290
IT WAS A
COMPLETE EPIC FAIL.
501
00:17:05,391 --> 00:17:07,459
- YOU'RE A LIAR!
- AND YOU'RE A DIRTY LIAR!
502
00:17:07,559 --> 00:17:10,562
THIS IS ABOUT TO
GET REAL DEEP.
503
00:17:10,662 --> 00:17:12,364
TONI CALLED THIS FAMILY--
WHERE WE MEETIN'?
504
00:17:12,464 --> 00:17:13,532
- WHERE IS SHE?
- SHE'S COMING.
505
00:17:13,632 --> 00:17:15,234
SHE WENT TO THE
RESTROOM-- SHE'S COMING.
506
00:17:15,334 --> 00:17:17,236
IT'S GOOD THAT EVERYBODY
IS HERE, BUT IT'S A LITTLE
507
00:17:17,336 --> 00:17:20,205
NERVE-WRACKING BECAUSE
I HAVE TO BE ALL COOL
508
00:17:20,305 --> 00:17:22,207
UNTIL SHE BREAKS THE
NEWS TO EVERYONE.
509
00:17:22,307 --> 00:17:23,976
MOMMY, WHAT'S
GOING ON?
510
00:17:24,076 --> 00:17:25,611
YOU GOT A LOOK
ON YOUR FACE.
511
00:17:25,711 --> 00:17:27,646
WELL, I'M JUST
STANDING HERE.
512
00:17:27,746 --> 00:17:31,283
CHEESE KNIVES, TOWANDA,
ALL THE CHEESE KNIVES.
513
00:17:31,383 --> 00:17:32,584
JUST PUT 'EM
ON THE SIDE.
514
00:17:32,684 --> 00:17:34,053
HERE YOU GO.
515
00:17:34,153 --> 00:17:36,355
YES, I DID CALL THIS FAMILY
MEETING, AND I HAVE BIG NEWS.
516
00:17:36,455 --> 00:17:37,623
I'VE BEEN DEALING
WITH IT FOR, YOU KNOW,
517
00:17:37,723 --> 00:17:39,591
A LITTLE WHILE NOW, AND ONLY
TOWANDA AND MY MOMMY KNOW,
518
00:17:39,691 --> 00:17:41,994
SO I DIDN'T WANT EVERYONE
ELSE TO KNOW ABOUT IT
519
00:17:42,094 --> 00:17:43,562
BECAUSE THEY WORRY--
WE DON'T WANT THAT.
520
00:17:43,662 --> 00:17:45,130
BUT, IT'S TIME
EVERYONE FOUND OUT,
521
00:17:45,230 --> 00:17:46,598
AND THEY DESERVE TO
FIND OUT IN PERSON.
522
00:17:46,698 --> 00:17:50,335
OKAY, WHO WANTS WINE--
WHO WANTS WINE?
523
00:17:50,436 --> 00:17:51,904
CANDLES.
524
00:17:52,004 --> 00:17:56,642
THE WINE AND CHEESES OF
THE WORLD BY CANDLELIGHT.
525
00:17:56,742 --> 00:17:58,710
SO, TONI BRINGS OUT
THE CHEESE, THE FRUIT,
526
00:17:58,811 --> 00:18:00,212
THE CHAMPAGNE.
527
00:18:00,312 --> 00:18:02,381
WE ALL KNEW IT
WAS SOMETHIN'.
528
00:18:02,481 --> 00:18:05,651
SHE MADE US FLY ALL THE WAY
OUT HERE, WITH ALL THIS DRAMA.
529
00:18:05,751 --> 00:18:08,420
THIS CHILD GONNA MAKE MY
NERVES SHOT TO SHINGLES.
530
00:18:08,520 --> 00:18:10,322
SOMETHIN' IN THE
MILK AIN'T CLEAR.
531
00:18:10,422 --> 00:18:12,391
I DON'T LIKE THE LOOK MY
MAMA GOT ON HER FACE.
532
00:18:12,491 --> 00:18:16,161
LORD, I CAN'T HELP THE
LOOK THAT'S ON MY FACE.
533
00:18:16,261 --> 00:18:19,264
MY EX-HUSBAND IS SITTING
ON ONE SIDE OF ME.
534
00:18:19,364 --> 00:18:23,368
TONI IS GOING THROUGH HER
TRIALS AND HER TRIBULATIONS.
535
00:18:23,469 --> 00:18:27,139
YES, I CAN KEEP A SECRET,
BUT I WANT HER TO HURRY UP
536
00:18:27,239 --> 00:18:29,942
AND ANNOUNCE WHAT'S
GOING ON WITH HER.
537
00:18:30,042 --> 00:18:31,610
SO, T., WHY DID YOU BRING
EVERYBODY HERE TODAY?
538
00:18:31,710 --> 00:18:32,744
WHAT'S GOING ON--
WHY?
539
00:18:32,845 --> 00:18:34,413
WITH THE CHEESE, AND THE
WINE, AND THE FRUIT?
540
00:18:34,513 --> 00:18:36,715
BECAUSE CHEESE AND WINE IS--
IT'S SOOTHING TO THE SPIRIT,
541
00:18:36,815 --> 00:18:39,485
AND THE BLOOD
LOVES RED WINE.
542
00:18:39,585 --> 00:18:41,854
- WELL, I GOT--
- RIGHT?
543
00:18:41,954 --> 00:18:43,021
WELL, I WAS BRINGING
EVERYONE TOGETHER
544
00:18:43,122 --> 00:18:47,993
BECAUSE I HAVE
SURGERY TOMORROW.
545
00:18:48,093 --> 00:18:51,096
COMING UP, ON
"BRAXTON FAMILY VALUES"...
546
00:18:51,196 --> 00:18:54,299
EVERY TIME YOU HAVE AN
ANNOUNCEMENT, IT'S SOMETHIN'.
547
00:18:54,399 --> 00:18:55,534
I TOLD YOU I
HAD A PROCEDURE.
548
00:18:55,634 --> 00:18:56,602
REMEMBER, I SAID, TRINA,
"I HAVE A PROCEDURE."
549
00:18:56,702 --> 00:18:58,303
IT'S HER STORY--
SHE HAS TO TELL IT, TRINA.
550
00:18:58,403 --> 00:19:01,573
A PROCEDURE IS A PAP SMEAR--
PROCEDURE IS A BOOB JOB.
551
00:19:01,673 --> 00:19:03,575
JUST SEEING MY POOR TONI
GO THROUGH EVERYTHING
552
00:19:03,675 --> 00:19:05,978
THAT'S TOUGH, YOU KNOW.
553
00:19:13,852 --> 00:19:13,885
WELL,
554
00:19:13,886 --> 00:19:13,951
WELL, I
555
00:19:13,952 --> 00:19:14,118
WELL, I WAS
556
00:19:14,119 --> 00:19:14,285
WELL, I WAS BRINGING
557
00:19:14,286 --> 00:19:15,820
WELL, I WAS BRINGING
EVERYONE
558
00:19:15,821 --> 00:19:16,522
WELL, I WAS BRINGING
EVERYONE TOGETHER
559
00:19:16,622 --> 00:19:18,457
BECAUSE I HAVE
SURGERY TOMORROW.
560
00:19:21,426 --> 00:19:23,328
SO, I INVITED MY SISTERS
TO COME OVER TO TELL THEM
561
00:19:23,428 --> 00:19:25,364
ABOUT MY
UPCOMING SURGERY,
562
00:19:25,464 --> 00:19:28,534
AND THEY SEEM A LITTLE
MORE SCARED THAN I AM.
563
00:19:28,634 --> 00:19:30,269
SO, I HAVE TO A
MYOMECTOMY TOMORROW--
564
00:19:30,369 --> 00:19:32,004
- WHAT SURGERY?
- AND A PARTIAL HYSTERECTOMY.
565
00:19:32,104 --> 00:19:35,774
A MYOMECTOMY IS ACTUALLY
A VERY COMMON PROCEDURE
566
00:19:35,874 --> 00:19:37,176
FOR WOMEN OF ANY AGE.
567
00:19:37,276 --> 00:19:39,945
IT'S A PROCEDURE WHERE THEY
REMOVE BENIGN TUMOR GROWTHS
568
00:19:40,045 --> 00:19:42,681
FROM YOUR UTERUS, BUT BECAUSE
OF MY PRIOR LUPUS HISTORY,
569
00:19:42,781 --> 00:19:46,084
IT MAY BE MORE EXTENSIVE,
A-A POSSIBLE HYSTERECTOMY.
570
00:19:46,185 --> 00:19:47,886
DON'T BE SCARED, 'CAUSE
I DON'T WANNA BE SCARED.
571
00:19:47,986 --> 00:19:49,054
- IT'S OKAY.
- I MEAN-- IT'S TOTALLY NORMAL.
572
00:19:49,154 --> 00:19:50,189
RIGHT.
573
00:19:50,289 --> 00:19:51,423
HAPPENS TO A LOT
OF WOMEN MY AGE.
574
00:19:51,523 --> 00:19:53,625
THE LUPUS JUST
AGGRAVATES IS.
575
00:19:53,725 --> 00:19:56,295
SO, THIS WHY DADDY HERE, AND
MOMMY AND DADDY ARE SKIPPIN'
576
00:19:56,395 --> 00:19:59,798
AND JUMPIN' LIKE THEY'RE
COOL AND EVERYTHING?
577
00:19:59,898 --> 00:20:01,266
SO, TONI DROPS A
BOMB, LIKE, YOU KNOW,
578
00:20:01,366 --> 00:20:04,002
"I GOTTA HAVE
SURGERY TOMORROW,"
579
00:20:04,102 --> 00:20:05,938
NOT IN A WEEK,
BUT TOMORROW.
580
00:20:06,038 --> 00:20:09,608
MY HEART JUST SUNK INTO
THE BOTTOM OF MY LOUBOUTINS
581
00:20:09,708 --> 00:20:13,011
'CAUSE I WAS LIKE, "OH,
MY GOODNESS, NOT AGAIN.
582
00:20:13,111 --> 00:20:14,613
"I CAN'T GO THROUGH
THIS, AGAIN."
583
00:20:14,713 --> 00:20:17,182
I CAN'T TAKE NO MORE
OF YOUR ANNOUNCEMENTS.
584
00:20:17,282 --> 00:20:18,850
EVERY TIME YOU HAVE
AN ANNOUNCEMENT,
585
00:20:18,951 --> 00:20:21,286
IT'S SOMETHIN'.
586
00:20:21,386 --> 00:20:23,088
I MEAN, I'M TOTALLY
SYMPATHETIC,
587
00:20:23,188 --> 00:20:25,457
BUT TONI CONTINUES
TO DO THIS TO US.
588
00:20:25,557 --> 00:20:28,427
I MEAN, LAST YEAR, SHE
DROPPED THE LUPUS BOMB ON US,
589
00:20:28,527 --> 00:20:29,661
AND WE WERE
ALL SHOCKED.
590
00:20:29,761 --> 00:20:33,498
HEY, YOU GUYS, I HAVE AN
ANNOUNCEMENT TO MAKE.
591
00:20:33,599 --> 00:20:36,868
THE TRUTH IS THAT
I HAVE LUPUS.
592
00:20:36,969 --> 00:20:40,239
I THINK SHE'S DOING THIS
TO GET A RISE OUT OF US.
593
00:20:40,339 --> 00:20:41,373
I TOLD YOU I HAD
A PROCEDURE.
594
00:20:41,473 --> 00:20:42,441
REMEMBER, I SAID, TRINA,
"I HAVE A PROCEDURE."
595
00:20:42,541 --> 00:20:44,042
IT'S HER STORY--
SHE HAS TO TELL IT, TRINA.
596
00:20:44,142 --> 00:20:46,645
A PROCEDURE IS A PAP SMEAR--
A PROCEDURE IS A BOOB JOB.
597
00:20:46,745 --> 00:20:50,482
TONI GAVE US TWO WHAMMIES
IN LESS THAN A YEAR.
598
00:20:50,582 --> 00:20:53,385
I MEAN, WHO--
WHERE THEY DO THAT AT?
599
00:20:53,485 --> 00:20:55,053
TOWANDA, HOW COME
YOU KNOW SO MUCH?
600
00:20:55,153 --> 00:20:58,357
I'VE SEEN TOWANDA EVERY DAY,
AND SHE DIDN'T SAY A WORD.
601
00:20:58,457 --> 00:21:00,525
WOULD YOU BE MAD IF
I TOLD YOUR BUSINESS?
602
00:21:00,626 --> 00:21:02,160
YES.
603
00:21:02,261 --> 00:21:03,562
WOULD YOU BE MAD IF
I TOLD YOUR BUSINESS?
604
00:21:03,662 --> 00:21:04,930
- YEAH.
- OKAY.
605
00:21:05,030 --> 00:21:06,331
YOU KNOW THAT, IF YOU TELL
ME SOMETHIN' AND TELL ME
606
00:21:06,431 --> 00:21:08,834
NOT TO SAY ANYTHING,
I'M NOT GONNA SAY IT,
607
00:21:08,934 --> 00:21:10,202
AND THAT'S HOW
IT SHOULD BE TO ME.
608
00:21:10,302 --> 00:21:14,172
I AM RELIEVED THAT I NO LONGER
HAVE TO KEEP THAT SECRET.
609
00:21:14,273 --> 00:21:18,176
SO, I CAN NOW JUST CONCENTRATE
ON KEEPING TONI HEALTHY.
610
00:21:18,277 --> 00:21:21,613
I THINK SHE'S A LITTLE MORE
SCARED THAN SHE LETS ON.
611
00:21:21,713 --> 00:21:23,181
SO, HOW LONG-HOW
LONG ARE YOU OUT FOR?
612
00:21:23,282 --> 00:21:25,851
ANYWHERE FROM
SIX TO EIGHT WEEKS.
613
00:21:25,951 --> 00:21:28,287
SO, HOW DOES THIS
AFFECT YOU PERFORMING?
614
00:21:28,387 --> 00:21:31,890
I WON'T BE ABLE TO
PERFORM FOR A SECOND.
615
00:21:31,990 --> 00:21:33,659
- AGAIN.
- WOW!
616
00:21:33,759 --> 00:21:36,928
- THIS IS-IS REALLY SERIOUS.
- YEAH, LIKE, UH, WAIT.
617
00:21:37,029 --> 00:21:37,996
OKAY-- DON'T CRY.
618
00:21:38,096 --> 00:21:41,266
DON'T CRY, DON'T CRY,
DON'T CRY, DON'T CRY.
619
00:21:41,366 --> 00:21:45,070
IT WAS A TOUGH TIME THE FIRST
TIME TONI WAS IN THE HOSPITAL
620
00:21:45,170 --> 00:21:48,040
FOR 11 DAYS, AND NOBODY
KNEW WHAT WAS GONNA HAPPEN,
621
00:21:48,140 --> 00:21:50,242
AND, YOU KNOW,
I WAS STRESSED OUT.
622
00:21:50,342 --> 00:21:52,044
I GOT ABOUT
FIVE GRAY HAIRS.
623
00:21:52,144 --> 00:21:55,047
WELL, WHY EVERYTHING
ALWAYS GOTTA HAPPEN TO YOU?
624
00:21:55,147 --> 00:21:56,415
IT'S JUST WHAT
THEY GOTTA DO.
625
00:21:56,515 --> 00:21:57,749
I JUST WISH SOMETIMES
I CAN HAVE, LIKE,
626
00:21:57,849 --> 00:21:59,084
SOMETHIN' FOR YOU.
627
00:21:59,184 --> 00:22:00,819
JUST SEEING MY POOR TONI
GOING THROUGH EVERYTHING
628
00:22:00,919 --> 00:22:03,855
THAT'S TOUGH,
YOU KNOW.
629
00:22:03,955 --> 00:22:07,759
TAMAR, WHAT GOD HAS
FOR YOU, IS FOR YOU.
630
00:22:07,859 --> 00:22:11,330
WHAT GOD HAS FOR
TONI, IS FOR HER.
631
00:22:11,430 --> 00:22:13,265
THAT'S LIFE.
632
00:22:13,365 --> 00:22:15,934
SO, ONLY THING THAT WE
CAN DO IS TO BE THERE
633
00:22:16,034 --> 00:22:19,805
AND BE SUPPORTIVE, YOU
KNOW, AND LOVE ONE ANOTHER.
634
00:22:19,905 --> 00:22:21,139
ISN'T THAT THE TRUTH?
635
00:22:21,239 --> 00:22:22,541
COME ON, TAMAR--
I'M GONNA BE FINE, REALLY.
636
00:22:22,641 --> 00:22:24,443
I JUST WANT MY BABY
OLDER SISTER TO BE OKAY.
637
00:22:24,543 --> 00:22:26,044
I'M GONNA BE FINE--
I'M-I'M GONNA BE GOOD.
638
00:22:26,144 --> 00:22:27,979
AND WHEN YOU WAKE
UP FROM THE SURGERY,
639
00:22:28,080 --> 00:22:29,448
WE'LL ALL BE THERE.
640
00:22:29,548 --> 00:22:30,749
WE'LL ALL BE RIGHT THERE.
641
00:22:30,849 --> 00:22:32,651
IT'S TIMES LIKE THIS THAT
I REALIZE HOW LUCKY I AM
642
00:22:32,751 --> 00:22:33,885
TO HAVE MY
FAMILY AROUND.
643
00:22:33,985 --> 00:22:36,054
IT'S A GREAT FEELING--
I FEEL SO BLESSED.
644
00:22:36,154 --> 00:22:37,856
I'M JUST EAGER TO
GET THE SURGERY OVER
645
00:22:37,956 --> 00:22:38,924
AND OUT OF THE WAY,
646
00:22:39,024 --> 00:22:40,392
SO I CAN GET BACK TO
BIGGER AND BETTER THINGS.
647
00:22:40,492 --> 00:22:43,028
CAN WE START BY SAYING
SOMETHING VERY POSITIVE
648
00:22:43,128 --> 00:22:45,297
AND INSPIRATIONAL?
- I'M-I'M HAVING SURGERY.
649
00:22:45,397 --> 00:22:46,531
I'LL BE HOME IN
A COUPLE DAYS.
650
00:22:46,631 --> 00:22:47,933
DON'T SCARE ME.
- SHE WANTS TO SAY,
651
00:22:48,033 --> 00:22:49,334
"WELL, LET'S SAY GOOD
THINGS ABOUT TONI."
652
00:22:49,434 --> 00:22:53,538
WHAT?
653
00:22:53,638 --> 00:22:56,208
MY NERVES ARE SHOT--
WHO DOES THAT?
654
00:22:56,308 --> 00:22:57,843
AND THEY'RE MAKING ME NERVOUS
BECAUSE THEY'RE ACTING LIKE,
655
00:22:57,943 --> 00:23:00,512
YOU KNOW, WELL, SUPPOSE
THIS HAPPENS, SUPPOSE THAT.
656
00:23:00,612 --> 00:23:02,647
NO, LET'S JUST BE POSITIVE
AND SAY, "YOU-YOU'LL BE GREAT.
657
00:23:02,748 --> 00:23:03,648
"YOU'LL BE FINE."
658
00:23:03,749 --> 00:23:05,117
MY MOM AND DAD ARE
REALLY GOOD AT THAT.
659
00:23:05,217 --> 00:23:08,019
DEAR LORD, WE BOW OUR HEADS
IN SUBMISSION TO YOU.
660
00:23:08,120 --> 00:23:10,822
WE THANK YOU FOR
BRINGING US TOGETHER.
661
00:23:10,922 --> 00:23:13,191
WE ASK YOUR BLESSINGS
TO BE UPON TONI
662
00:23:13,291 --> 00:23:14,793
AS SHE GO
INTO SURGERY.
663
00:23:14,893 --> 00:23:17,496
MOST OF ALL, GOD, WE PRAY FOR
THE TIME SHE'S CONVALESCING.
664
00:23:17,596 --> 00:23:20,532
THROUGH ALL TIMES, WE
PRAY IN JESUS' NAME.
665
00:23:20,632 --> 00:23:22,534
AMEN.
- AMEN!
666
00:23:22,634 --> 00:23:24,136
NO, DADDY, WAIT.
667
00:23:24,236 --> 00:23:28,173
I THOUGHT HE SAID
CONGA-- CONGA LESSONS.
668
00:23:28,273 --> 00:23:30,709
I THOUGHT HE SAID,
"WE JUST WANNA THANK YOU
669
00:23:30,809 --> 00:23:32,411
"FOR THE CONGA LESSONS."
670
00:23:32,511 --> 00:23:34,446
I SAID, "WHAT?"
671
00:23:42,287 --> 00:23:45,390
- CONVALESCING!
- SHE'S SAYING--
672
00:23:45,490 --> 00:23:47,559
I'M GLAD WE WERE ABLE TO
LAUGH TOGETHER AS A FAMILY
673
00:23:47,659 --> 00:23:49,795
BECAUSE TO BE
HONEST WITH YA,
674
00:23:49,895 --> 00:23:51,329
I'M A LITTLE NERVOUS
ABOUT TOMORROW.
675
00:24:03,975 --> 00:24:06,378
SO, IT'S 4 O'CLOCK IN
THE MORNING, SURGERY DAY.
676
00:24:06,478 --> 00:24:08,547
DADDY'S HERE--
MOMMY'S HERE.
677
00:24:08,647 --> 00:24:11,349
MY ASSISTANT, ZO, IS HERE,
AND TOWANDA IS HERE.
678
00:24:11,450 --> 00:24:13,452
SHE ALWAYS KNOWS WHEN
I TRULY NEED HER.
679
00:24:13,552 --> 00:24:17,689
I NEED TO BE IN A CALM STATE
BEFORE I GO IN MY SURGERY.
680
00:24:17,789 --> 00:24:19,524
JUST ME AND
KERI SHOULD GO.
681
00:24:19,624 --> 00:24:20,692
OKAY.
682
00:24:20,792 --> 00:24:22,194
I JUST WANNA BE
IN A CALM STATE.
683
00:24:22,294 --> 00:24:24,262
AND MY EX-HUSBAND, KERI,
IS HERE TO SUPPORT ME.
684
00:24:24,362 --> 00:24:27,599
HE IS STILL AND ALWAYS
WILL BE MY BEST FRIEND.
685
00:24:27,699 --> 00:24:29,334
HE'S ALWAYS
THERE FOR ME.
686
00:24:29,434 --> 00:24:31,803
IT'S REALLY TERRIFYING
GOING TO THE HOSPITAL,
687
00:24:31,903 --> 00:24:34,072
BUT I'M SO BLESSED
TO HAVE KERI HERE
688
00:24:34,172 --> 00:24:36,041
TO HOLD MY HAND AND
TOWANDA TO DRIVE.
689
00:24:36,141 --> 00:24:38,910
THEY BOTH TAKE SUCH
GOOD CARE OF ME.
690
00:24:39,010 --> 00:24:40,579
SEE YOU LATER.
- SEE YOU INSIDE.
691
00:24:47,052 --> 00:24:50,021
SHE'S IN
THE BACK.
692
00:24:50,121 --> 00:24:52,290
HOW DO
YOU FEEL?
693
00:24:52,390 --> 00:24:54,159
A LITTLE ANXIOUS.
694
00:24:54,259 --> 00:24:56,361
A LITTLE
BIT DIZZY.
695
00:24:56,461 --> 00:24:57,896
GOTTA FIX
MY HAIR.
696
00:24:57,996 --> 00:25:00,198
IMAGE IS EVERYTHING.
697
00:25:00,298 --> 00:25:02,133
I THINK WHENEVER YOU HAVE
SURGERY, IT MAKES YOU THINK,
698
00:25:02,234 --> 00:25:03,535
AND YOU DON'T WANNA
THINK THE WORST.
699
00:25:03,635 --> 00:25:05,303
YOU WANNA THINK POSITIVE,
BUT SOMETIMES THOSE THOUGHTS
700
00:25:05,403 --> 00:25:07,606
KINDA CREEP UP.
701
00:25:07,706 --> 00:25:09,774
SO, WHENEVER I GO THERE, I
HAVE A LITTLE BIT ANXIETY.
702
00:25:09,875 --> 00:25:11,476
YOU'RE NOT
NERVOUS, ARE YOU?
703
00:25:11,576 --> 00:25:13,011
A LITTLE BIT...
A LITTLE NERVOUS.
704
00:25:13,111 --> 00:25:14,980
YOU'RE
GONNA BE FINE.
705
00:25:26,224 --> 00:25:29,895
SO, TONI'S SURGERY WAS
A LITTLE LONGER THAN EXPECTED,
706
00:25:29,995 --> 00:25:32,197
BUT EVERYTHING'S FINE,
AND SHE'S GONNA HAVE TO
707
00:25:32,297 --> 00:25:33,832
STAY IN THE HOSPITAL
JUST FOR A FEW MORE DAYS
708
00:25:33,932 --> 00:25:35,400
JUST FOR OBSERVATION.
709
00:25:41,840 --> 00:25:44,242
I'M SO HAPPY THAT TONI CAME
THROUGH HER SURGERY OKAY,
710
00:25:44,342 --> 00:25:47,112
BUT I WON'T REST
UNTIL SHE COMES HOME,
711
00:25:47,212 --> 00:25:50,348
AND I KNOW SHE'S SAFE.
712
00:25:50,448 --> 00:25:52,684
COMING UP, ON
"BRAXTON FAMILY VALUES"...
713
00:25:52,784 --> 00:25:56,488
MY PARENTS ARE GETTING
ALONG, BUT DEEP DOWN INSIDE,
714
00:25:56,588 --> 00:25:58,723
THEY CAN'T STAND
EACH OTHER.
715
00:25:58,823 --> 00:26:00,091
WANT ME TO BRING
EVELYN TO YOUR HOUSE?
716
00:26:00,191 --> 00:26:01,126
NO PROBLEM.
717
00:26:01,226 --> 00:26:02,294
SHE AIN'T COMING
TO YOUR HOUSE.
718
00:26:02,394 --> 00:26:04,296
YOU CAN'T BRING YOUR BABY
MAMA TO YOUR WIFE'S HOUSE!
719
00:26:06,298 --> 00:26:06,330
WHAT
720
00:26:06,331 --> 00:26:07,698
WHAT IS
721
00:26:07,699 --> 00:26:08,633
WHAT IS THAT?
722
00:26:08,733 --> 00:26:09,868
I'LL BE HAVING SOME
OF THAT FOR MY DRINK.
723
00:26:09,968 --> 00:26:11,770
- WHAT?
- THE ABSINTH.
724
00:26:11,870 --> 00:26:13,972
- LIQUID LSD, TRINA?
- THAT IS NOT LIQUID LSD.
725
00:26:14,072 --> 00:26:15,941
WHO TOLD YOU THAT?
- LET ME SMELL IT, DAD.
726
00:26:16,041 --> 00:26:18,510
- SMELL LIKE LICORICE.
- IT SMELLS LIKE POISON.
727
00:26:18,610 --> 00:26:19,945
SO, I'M GONNA MAKE THE
DRINKS FOR YOU GIRLS.
728
00:26:20,045 --> 00:26:21,646
YOU'RE SPILLING--
IT'S GREEN!
729
00:26:21,746 --> 00:26:24,916
IT'S ALMOST LIKE FREON.
- AMMONIA OR SOMETHIN'.
730
00:26:25,016 --> 00:26:26,318
HAVE YOU
HAD IT BEFORE?
731
00:26:26,418 --> 00:26:28,186
I HAVE HAD IT IN A DRINK
BEFORE, AND IT'S GREAT--
732
00:26:28,286 --> 00:26:30,121
WELL, SOMEBODY SAID YOU'RE
SUPPOSED TO COOK IT LIKE DOPE.
733
00:26:30,221 --> 00:26:31,323
THEY MAKE
FIREBALLS WITH IT.
734
00:26:31,423 --> 00:26:32,791
YOU PUT IT ON A SPOON
AND DRINK IT LIKE DOPE.
735
00:26:32,891 --> 00:26:33,959
YOU DON'T COOK IT
LIKE DOPE, TAMAR.
736
00:26:34,059 --> 00:26:35,160
SOMEBODY
HAD TOLD ME.
737
00:26:35,260 --> 00:26:36,328
NOW, YOU KNOW HOW
YOU COOK DOPE?
738
00:26:36,428 --> 00:26:38,096
- SHUT UP, TAMAR.
- SHUT UP, TOWANDA.
739
00:26:38,196 --> 00:26:39,431
STICK YOUR FINGER IN
THERE AND TASTE THIS.
740
00:26:39,531 --> 00:26:40,932
NUH-UH--
THE DEVIL'S ALIVE.
741
00:26:41,032 --> 00:26:42,400
TRACI--
LISTEN, TRACI.
742
00:26:42,500 --> 00:26:43,802
YOU HAVE TO DO IT LIKE THIS.
- THERE'S NO PEER PRESSURE.
743
00:26:43,902 --> 00:26:45,470
- TRACI, DO IT LIKE THIS.
- WE'RE THE BRAXTONS!
744
00:26:45,570 --> 00:26:46,938
WE DON'T DRINK OUT
OF PLASTIC CUPS!
745
00:26:47,038 --> 00:26:49,641
IT TASTES
GOOD, DON'T IT?
746
00:26:49,741 --> 00:26:51,176
I DON'T FEEL
TOO VERY GOOD.
747
00:26:51,276 --> 00:26:53,445
MY TONGUE PALETTE
IS DISTURBED.
748
00:26:53,545 --> 00:26:56,448
- I BEG YOUR PARDON.
- I GOT HAIR ON MY CHEST, NOW.
749
00:26:56,548 --> 00:26:58,984
- RIGHT.
- LET ME HAVE AN OUNCE.
750
00:26:59,084 --> 00:27:00,318
- OH, MY GOD.
- IT'S TERRIBLE?
751
00:27:00,418 --> 00:27:02,053
- I DIDN'T SAY THAT.
- I NEED TO WAX MY CHEST, NOW.
752
00:27:15,333 --> 00:27:15,499
HI,
753
00:27:15,500 --> 00:27:17,534
HI, OLIVIA.
754
00:27:17,535 --> 00:27:17,902
- HI, OLIVIA.
- HI!
755
00:27:18,003 --> 00:27:19,137
HOW ARE YOU?
756
00:27:19,237 --> 00:27:20,705
BUT, I SAW
THE RED VELVET CAKE.
757
00:27:20,805 --> 00:27:22,941
THAT LOOKED SO GOOD.
- MOM, CAN'T YOU MAKE THAT?
758
00:27:23,041 --> 00:27:24,409
YEAH.
759
00:27:24,509 --> 00:27:27,178
SO, WHEN TONI TOOK
A NAP AT THE HOSPITAL,
760
00:27:27,278 --> 00:27:30,181
WE ALL DECIDED WE
WAS GONNA GO TO LUNCH.
761
00:27:30,281 --> 00:27:33,718
AND, UH, WE NOTICED THAT MY
PARENTS WERE GETTING ALONG
762
00:27:33,818 --> 00:27:35,754
LIKE THEY WERE
STILL MARRIED.
763
00:27:35,854 --> 00:27:38,423
MICHAEL AND EVELYN, YOU GUYS
ARE REALLY GETTING ALONG GREAT.
764
00:27:38,523 --> 00:27:39,524
THAT'S HOW WE'RE
LOOKING AT IT.
765
00:27:39,624 --> 00:27:40,625
AND TOWANDA SAID
Y'ALL WERE MISSING.
766
00:27:40,725 --> 00:27:41,626
Y'ALL SHOULD'VE
BEEN THERE.
767
00:27:41,726 --> 00:27:42,894
Y'ALL WAS LIKE
HANSEL AND GRETEL.
768
00:27:42,994 --> 00:27:44,362
BUT, THEY WERE
LIKE MOMMY SAID,
769
00:27:44,462 --> 00:27:47,165
"WHO'S GOING DOWNSTAIRS
TO THE CAFETERIA WITH ME?"
770
00:27:47,265 --> 00:27:49,234
DADDY, "I'LL
GO DOWNSTAIRS
771
00:27:49,334 --> 00:27:51,202
"TO THE CAFETERIA
WITH YOU, EVELYN."
772
00:27:51,302 --> 00:27:53,571
MISS E. SAID SHE WANTED
TO GO TO THE CAFETERIA,
773
00:27:53,672 --> 00:27:56,508
AND I SAID, "HEY, I'LL JOIN
YOU DOWN IN THE CAFETERIA."
774
00:27:56,608 --> 00:28:00,011
AND THE GIRLS THOUGHT WE WENT
OUT ON A DATE OR SOMETHIN'!
775
00:28:00,111 --> 00:28:02,814
DID Y'ALL FEEL
WEIRD OR ANYTHING
776
00:28:02,914 --> 00:28:05,650
BECAUSE YOUR MOTHER
AND I WERE TOGETHER?
777
00:28:05,750 --> 00:28:07,185
- NOT WEIRD.
- I-I MEAN, WAS--
778
00:28:07,285 --> 00:28:08,553
WHAT WAS
Y'ALL AFRAID OF?
779
00:28:08,653 --> 00:28:10,055
WAS Y'ALL AFRAID OF ANYTHING?
- WE WAS AFRAID OF FIREWORKS.
780
00:28:10,155 --> 00:28:12,290
MY FATHER CHEATED
ON MY MOTHER
781
00:28:12,390 --> 00:28:13,892
WHILE HE WAS A
PASTOR IN A CHURCH.
782
00:28:13,992 --> 00:28:17,996
SO, THEREFORE, MY MOM-- MY
PARENTS DIVORCE WAS REALLY HARD
783
00:28:18,096 --> 00:28:21,299
ON HER BECAUSE SHE WAS
SO ANGRY WITH MY DAD.
784
00:28:21,399 --> 00:28:23,935
YOU LAY IT LOW AND
SPREAD IT WIDE!
785
00:28:24,035 --> 00:28:25,870
YOU DON'T
CARE WHO IT IS!
786
00:28:25,970 --> 00:28:28,840
OKAY, I WANT IT
TO BE PEACEFUL.
787
00:28:28,940 --> 00:28:31,509
AND, YOU KNOW, WHEN WE
INVITED YOU TO THE LUNCHEON
788
00:28:31,609 --> 00:28:35,013
IN MARYLAND, THAT'S-- WE
WANTED THIS, SERENITY.
789
00:28:35,113 --> 00:28:36,948
LAST YEAR, WHEN WE TRIED TO
GET MY MOTHER AND FATHER
790
00:28:37,048 --> 00:28:39,250
TOGETHER FOR A
NICE FAMILY LUNCH,
791
00:28:39,350 --> 00:28:41,920
MY FATHER DID
NOT SHOW UP.
792
00:28:42,020 --> 00:28:43,655
WHAT DO YOU
THINK, DADDY?
793
00:28:43,755 --> 00:28:45,590
SORRY--
HE'S NOT HERE.
794
00:28:45,690 --> 00:28:47,492
WE CHARTERED A
PLANE AND FLEW HERE.
795
00:28:47,592 --> 00:28:49,794
AND I DIDN'T COME ALL THIS
WAY NOT TO SEE MY DADDY.
796
00:28:49,894 --> 00:28:52,063
THAT WAS COMPLETELY
DEVASTATING.
797
00:28:52,163 --> 00:28:53,832
DADDY, WHY YOU THINK
WE WAS COMING TO TOWN?
798
00:28:53,932 --> 00:28:54,999
TO SEE WHO?
799
00:28:55,100 --> 00:28:56,367
YOU DIDN'T KNOW
WHERE I LIVED.
800
00:28:56,468 --> 00:28:57,535
OKAY.
801
00:28:57,635 --> 00:28:59,370
'CAUSE IF YOU REALLY
WANTED TO SEE ME--
802
00:28:59,471 --> 00:29:01,306
WANT ME TO BRING
EVELYN TO YOUR HOUSE?
803
00:29:01,406 --> 00:29:03,475
'CAUSE SHE WAS WITH US.
- I HAVE NO PROBLEM WITH IT.
804
00:29:03,575 --> 00:29:04,642
SHE AIN'T COMING
TO YOUR HOUSE.
805
00:29:04,743 --> 00:29:06,544
YOU CAN'T BRING YOUR BABY
MAMA TO YOUR WIFE'S HOUSE!
806
00:29:06,644 --> 00:29:08,213
WE AIN'T ALL THE
WAY THERE YET.
807
00:29:08,313 --> 00:29:11,716
I MEAN, WE'RE GETTIN' CLOSER,
BUT WE AIN'T THERE YET.
808
00:29:11,816 --> 00:29:14,419
MOMMY WOULD NEVER
GO TO MY DAD'S HOUSE
809
00:29:14,519 --> 00:29:15,854
TO SEE MY DAD'S WIFE.
810
00:29:15,954 --> 00:29:17,555
NO-- UH-UH.
811
00:29:17,655 --> 00:29:18,690
NOT AN OPTION.
812
00:29:18,790 --> 00:29:20,024
DADDY, WHAT ARE
YOU THINKIN'?
813
00:29:20,125 --> 00:29:22,527
WELL, I CAN'T-CAN'T CHANGE
WHAT HAPPENED IN THE PAST,
814
00:29:22,627 --> 00:29:26,765
BUT I CERTAINLY CAN LOOK AT
MY PAST AND SEE WHAT I CAN DO
815
00:29:26,865 --> 00:29:29,367
TO IMPROVE-TO
IMPROVE MY FUTURE.
816
00:29:29,467 --> 00:29:30,902
ABSOLUTELY.
817
00:29:31,002 --> 00:29:34,172
I THINK TAMAR WANTS OUR
WHOLE FAMILY UNIT BACK,
818
00:29:34,272 --> 00:29:36,975
AND AS LONG AS MOMMY AND
DADDY ARE NOT MARRIED ANYMORE,
819
00:29:37,075 --> 00:29:40,411
AND DADDY'S MARRIED TO SOMEBODY
ELSE, AND LET'S NOT FORGET
820
00:29:40,512 --> 00:29:42,247
THE FACT THAT MOMMY NO
LONGER WANTS DADDY,
821
00:29:42,347 --> 00:29:46,251
IT'LL NEVER, EVER, EVER COME
TO FRUITION, EVER AGAIN.
822
00:29:46,351 --> 00:29:48,520
THE RELATIONSHIP
YOU AND YOUR DAD--
823
00:29:48,620 --> 00:29:52,190
Y'ALL AND YOUR DAD IS BETWEEN
YOU GUYS AND YOUR DAD.
824
00:29:52,290 --> 00:29:53,958
SIMPLE AS THAT.
825
00:29:54,058 --> 00:29:56,628
I MAY NEVER SEE
YOUR DADDY, AGAIN, OKAY?
826
00:29:56,728 --> 00:29:59,764
DON'T GET ALL EXCITED
BECAUSE YOUR DADDY AND I
827
00:29:59,864 --> 00:30:01,533
COMMUNICATED TODAY.
828
00:30:01,633 --> 00:30:04,202
MY SISTERS, THEY'RE,
LIKE, OVERLY EXCITED
829
00:30:04,302 --> 00:30:06,137
BECAUSE MY PARENTS
ARE GETTING ALONG.
830
00:30:06,237 --> 00:30:07,906
WON'T HAPPEN, CAPTAIN.
831
00:30:08,006 --> 00:30:12,010
THEY CAN ACT ALL THEY WANT,
BUT DEEP DOWN INSIDE
832
00:30:12,110 --> 00:30:16,881
IN THEIR INSIDE PARTS, THEY
CAN'T STAND EACH OTHER.
833
00:30:16,981 --> 00:30:19,918
IT IS JUST GOOD TO
HAVE A NICE FAMILY UNIT
834
00:30:20,018 --> 00:30:22,854
AND TO KNOW THAT YOU HAVE
YOUR MOTHER AND YOUR FATHER,
835
00:30:22,954 --> 00:30:25,857
WHO ARE ALIVE IN THIS WORLD
TODAY, JUST TO BE THERE.
836
00:30:28,026 --> 00:30:32,096
THAT'S ALL
WE'RE SAYING.
837
00:30:32,197 --> 00:30:34,032
WANT ME TO SIT HERE?
838
00:30:34,132 --> 00:30:36,601
OH.
- NOW, DON'T--
839
00:30:36,701 --> 00:30:40,371
I WOULD LIKE TO THINK THAT
BOTH EVELYN AND I HAVE GROWN.
840
00:30:40,471 --> 00:30:43,775
WHEN SOMETHING CHALLENGING
COMES UP IN THE FAMILY,
841
00:30:43,875 --> 00:30:46,878
WE GOTTA PUT OUR DIFFERENCES
ASIDE JUST TO LET
842
00:30:46,978 --> 00:30:49,280
OUR CHILDREN KNOW THAT
WE'RE SUPPORTERS OF THEM.
843
00:30:49,380 --> 00:30:52,016
IT GIVES THEM STRENGTH.
- AND GO HOME.
844
00:30:52,116 --> 00:30:53,351
- HERE'S TO TONI.
- HERE'S TO TONI.
845
00:30:53,451 --> 00:30:55,486
- HERE'S TO TONI.
- TO SUCCESS.
846
00:30:55,587 --> 00:30:59,357
AND HERE'S SUCCESS AND
HEALING ALL THE WAY AROUND.
847
00:30:59,457 --> 00:31:00,625
AND THANKS FOR
ALL THE GOOD STUFF.
848
00:31:00,725 --> 00:31:02,260
- ALL THE WAY.
- A DOUBLE SHOT OF HEALING.
849
00:31:02,360 --> 00:31:03,595
- A DOUBLE SHOT.
- DOUBLE SHOT.
850
00:31:03,695 --> 00:31:04,863
- CHEERS.
- HEAR-HEAR.
851
00:31:04,963 --> 00:31:06,097
CHEERS.
852
00:31:16,541 --> 00:31:18,443
TONI'S SURGERY
WAS A SUCCESS,
853
00:31:18,543 --> 00:31:20,712
AND MY FAMILY
IS SO RELIEVED.
854
00:31:20,812 --> 00:31:23,781
SO, ZO AND I ARE GOING
BACK TO THE HOUSE
855
00:31:23,882 --> 00:31:26,517
TO GET EVERYTHING IN ORDER,
AND HE'S REALLY BEEN HELPFUL,
856
00:31:26,618 --> 00:31:29,320
WHICH IS LESS STRESS FOR ME
BECAUSE LET ME TELL YOU--
857
00:31:29,420 --> 00:31:31,723
BETWEEN TONI'S SURGERY
AND ME NOT BEING ABLE
858
00:31:31,823 --> 00:31:34,459
TO SEE MY KIDS,
MY NERVES ARE SHOT.
859
00:31:34,559 --> 00:31:36,961
DID YOU GET ALL
THE FLOWERS?
860
00:31:37,061 --> 00:31:39,731
I JUST GOT A TEXT
FROM ANDRE STATING
861
00:31:39,831 --> 00:31:41,432
THAT HE HAS A
BOOK SIGNING.
862
00:31:41,532 --> 00:31:44,769
BUT, I'M HERE IN L.A. TO
SUPPORT TONI AND HER SURGERY,
863
00:31:44,869 --> 00:31:46,871
SO I DON'T KNOW
IF I CAN GO.
864
00:31:58,216 --> 00:32:00,785
HI, PRETTY GIRL.
865
00:32:00,885 --> 00:32:03,021
HI.
866
00:32:06,090 --> 00:32:07,892
HI, PRETTY.
867
00:32:09,928 --> 00:32:11,296
THE SURGERY WENT
REALLY WELL.
868
00:32:11,396 --> 00:32:13,464
THE DOCTOR IT'S AN
EXTREMELY COMMON PROCEDURE,
869
00:32:13,564 --> 00:32:15,833
AND HE TOLD ME THAT ONE
IN THREE WOMEN HAVE IT
870
00:32:15,934 --> 00:32:17,101
IN THEIR LIFETIME,
871
00:32:17,201 --> 00:32:18,803
SO IT'S LIKELY THAT
ONE OF MY SISTERS
872
00:32:18,903 --> 00:32:20,571
COULD POSSIBLY GO
THROUGH THE SAME THING.
873
00:32:20,672 --> 00:32:23,741
I AM SO GLAD
TO BE HOME.
874
00:32:23,841 --> 00:32:26,544
I FEEL REALLY, REALLY
GRATEFUL THAT I HAVE THE LOVE
875
00:32:26,644 --> 00:32:29,314
AND SUPPORT OF MY FAMILY
TO GET ME THROUGH THIS.
876
00:32:29,414 --> 00:32:32,050
- WHERE ARE THE KIDS AT?
- THEY'RE COMING.
877
00:32:32,150 --> 00:32:33,785
- OKAY.
- ONE SECOND.
878
00:32:33,885 --> 00:32:34,919
NOW, THIS IS
THE HARD PART.
879
00:32:35,019 --> 00:32:36,788
THE KIDS WILL BE HERE ANY
MINUTE, AND I HAVE TO GO
880
00:32:36,888 --> 00:32:39,157
AND BE BRAVE AND STRONG
AND ACT LIKE MOMMY'S NOT
881
00:32:39,257 --> 00:32:41,826
IN ANY PAIN, SO THEY'LL KNOW
EVERYTHING WILL BE OKAY.
882
00:32:41,926 --> 00:32:43,995
- HEY, DENIM.
- HI, MOMMY.
883
00:32:44,095 --> 00:32:45,697
COME--
COME-- LOOK AT ME.
884
00:32:45,797 --> 00:32:47,231
COME HERE-COME HERE--
GIVE ME A HUGGY.
885
00:32:47,332 --> 00:32:48,866
I MISSED YA.
886
00:32:48,967 --> 00:32:50,568
WHERE'S THE DOG--
WHERE'S BENTLEY?
887
00:32:50,668 --> 00:32:53,504
- BENTLEY IS DOWNSTAIRS.
- GO GET D.Z. FOR MOMMY.
888
00:32:53,604 --> 00:32:54,939
I MISSED YOU GUYS--
GO GET HIM FOR ME.
889
00:32:55,039 --> 00:32:57,175
- DIEZEL!
- HI, D.Z.
890
00:32:57,275 --> 00:33:00,078
WHAT'S UP-- WATCH
OUT FOR MOMMY TUMMY.
891
00:33:00,178 --> 00:33:03,181
OKAY.
892
00:33:03,281 --> 00:33:04,682
I MISSED YOU.
893
00:33:04,782 --> 00:33:08,720
- I MISSED YOU, TOO.
- WHAT'D YOU DO THE WEEKEND?
894
00:33:08,820 --> 00:33:09,721
AH.
895
00:33:09,821 --> 00:33:11,289
MOMMY TUMMY--
MOMMY TUMMY.
896
00:33:11,389 --> 00:33:12,623
MMM.
897
00:33:12,724 --> 00:33:14,993
MOMMY HAS TO GET HEALED, AND
I NEED YOU TO BE MY DOCTOR
898
00:33:15,093 --> 00:33:17,462
THIS WEEKEND--
YOU WANNA TAKE CARE OF ME?
899
00:33:17,562 --> 00:33:18,863
YEAH.
900
00:33:18,963 --> 00:33:20,198
GONNA TAKE CARE OF
MOMMY THIS WEEKEND.
901
00:33:20,298 --> 00:33:21,733
DENIM, YOU WANNA BE MY DOCTOR
AND TAKE CARE OF MOMMY TUMMY?
902
00:33:21,833 --> 00:33:25,069
YOU HAVE TO BE CAREFUL--
DON'T LAY ON MY TUMMY.
903
00:33:25,169 --> 00:33:28,272
AND DON'T LET MOMMY
LIFT ANYTHING, OKAY?
904
00:33:28,373 --> 00:33:29,974
OKAY.
905
00:33:30,074 --> 00:33:31,376
DIEZEL, WILL YOU
DO ME A FAVOR?
906
00:33:31,476 --> 00:33:32,977
WILL YOU GO GET
ME SOME WATER?
907
00:33:33,077 --> 00:33:34,512
- I'LL DO IT.
- DENIM'S GONNA DO IT?
908
00:33:34,612 --> 00:33:37,382
OKAY-- AND, DIEZEL, WILL
YOU GO GET MY SLIPPERS?
909
00:33:37,482 --> 00:33:40,618
AND LET'S SEE...
WHAT ELSE DOES MOMMY NEED?
910
00:33:40,718 --> 00:33:41,853
A POP-SICLE!
911
00:33:41,953 --> 00:33:44,088
THANK YOU, DR. DIEZEL.
912
00:33:44,188 --> 00:33:46,057
IT WAS REALLY GREAT BEING
IN MY BED, SEEING MY KIDS.
913
00:33:46,157 --> 00:33:48,893
IT WAS REALLY GOOD--
I MISS MY KIDS A LOT.
914
00:33:48,993 --> 00:33:50,795
I HATE BEING AWAY FROM THEM
FOR EXTENDED PERIODS OF TIME.
915
00:33:50,895 --> 00:33:53,097
POP-SICLE?
916
00:33:53,197 --> 00:33:55,800
POP-SICLE.
917
00:33:55,900 --> 00:33:57,568
IS THIS MY FAVORITE
OR YOUR FAVORITE?
918
00:33:57,668 --> 00:33:59,737
- IT'S NOT MY FAVORITE.
- IT'S NOT YOUR FAVORITE?
919
00:33:59,837 --> 00:34:01,639
OKAY--
IT'S MY FAVORITE.
920
00:34:01,739 --> 00:34:03,408
IS YOUR FINGERS CLEAN?
- YES.
921
00:34:03,508 --> 00:34:05,209
- YES, THEY ARE.
- THERE YOU GO.
922
00:34:05,309 --> 00:34:06,944
THANKS, DENIM.
923
00:34:07,045 --> 00:34:08,880
PUT IT RIGHT THERE FOR
MOMMY, AND THE WATER.
924
00:34:08,980 --> 00:34:10,882
DENIM, DID YOU
WASH YOUR HANDS?
925
00:34:10,982 --> 00:34:12,750
- YES.
- LET ME SMELL 'EM.
926
00:34:12,850 --> 00:34:14,552
COME HERE.
927
00:34:14,652 --> 00:34:17,021
THEY SMELL LIKE BENTLEY--
THEY SMELL LIKE THE DOG.
928
00:34:17,121 --> 00:34:19,891
GO WASH YOUR HANDS.
- AGAIN?
929
00:34:19,991 --> 00:34:22,293
WASH YOUR HANDS-- YOU
DIDN'T WASH 'EM AT ALL.
930
00:34:22,393 --> 00:34:24,862
I CAN SMELL
BENTLEY-- EW!
931
00:34:24,962 --> 00:34:29,300
AND HURRY BACK!
932
00:34:29,400 --> 00:34:32,103
OH, IT'S GOOD.
933
00:34:32,203 --> 00:34:35,506
TONI IS IN A REALLY GOOD
MOOD, AND THE KIDS ARE BEING
934
00:34:35,606 --> 00:34:38,676
SO SWEET AND HELPFUL,
AND KERI IS JUST TAKING
935
00:34:38,776 --> 00:34:40,478
SUCH GOOD CARE OF HER.
936
00:34:40,578 --> 00:34:44,782
THINGS ARE REALLY GOING
SMOOTH... ALMOST TOO WELL.
937
00:34:44,882 --> 00:34:48,052
TOWANDA!
938
00:34:48,152 --> 00:34:49,987
THE DOCTORS TOLD ME THAT
I NEED TO TAKE IT EASY
939
00:34:50,088 --> 00:34:51,389
AND GET PLENTY
OF BED REST,
940
00:34:51,489 --> 00:34:52,757
SO I'M JUST GONNA
LAY IN THE BED,
941
00:34:52,857 --> 00:34:54,192
WATCH MOVIES
WITH MY KIDS.
942
00:34:54,292 --> 00:34:56,394
I WANT EVERYTHING TO
BE CALM AND PEACEFUL.
943
00:34:56,494 --> 00:34:58,362
SO, I'M GONNA TELL
MY EXTENDED FAMILY
944
00:34:58,463 --> 00:34:59,497
TO GO HOME FOR A BIT.
945
00:34:59,597 --> 00:35:01,065
I KNOW TOWANDA FEELS
RESPONSIBLE FOR ME,
946
00:35:01,165 --> 00:35:02,767
BUT SHE'S NOT MY
ASSISTANT ANYMORE.
947
00:35:02,867 --> 00:35:04,302
SHE'S MY SISTER, AND
SHE HAS HER OWN FAMILY.
948
00:35:04,402 --> 00:35:08,606
I JUST WANNA GO
GET SOME SLEEP.
949
00:35:08,706 --> 00:35:11,008
COMING UP, ON
"BRAXTON FAMILY VALUES"...
950
00:35:11,109 --> 00:35:14,078
WHAT DO YOU DO WHEN YOU'RE
STUCK WRITING A SONG?
951
00:35:14,178 --> 00:35:16,114
I'M NOT SITTING HERE TO
WRITE NO SONG FOR YOU.
952
00:35:16,214 --> 00:35:17,582
YOU CAN WRITE YOUR OWN SONG.
- NO, NOT FOR--
953
00:35:17,682 --> 00:35:19,150
YOU DON'T DO THIS TO NONE
OF YOUR OTHER ARTISTS!
954
00:35:19,250 --> 00:35:20,952
WELL, MAYBE THAT'S NOT
THE SONG FOR YOU THEN.
955
00:35:33,464 --> 00:35:33,563
THANKS,
956
00:35:33,564 --> 00:35:33,630
THANKS, GUYS,
957
00:35:33,631 --> 00:35:34,865
THANKS, GUYS, FOR
958
00:35:34,866 --> 00:35:35,900
THANKS, GUYS, FOR COMING.
959
00:35:36,000 --> 00:35:37,068
YOU WERE ABSOLUTELY RIGHT
ABOUT THE WHOLE WALK OUT
960
00:35:37,168 --> 00:35:38,436
OF THE STREET THING.
961
00:35:38,536 --> 00:35:39,770
I TOLD YOU.
962
00:35:39,871 --> 00:35:42,773
ANDRE HAS TAKEN THE INITIATIVE
AND GOT HIMSELF INVITED
963
00:35:42,874 --> 00:35:45,009
TO A BIG MEDIA FAIR
TO PROMOTE HIS BOOK.
964
00:35:45,109 --> 00:35:46,811
I AIN'T GONNA LIE.
965
00:35:46,911 --> 00:35:49,680
HE TOOK IT UP A NOTCH, AND
I'M-I'M-I'M A LITTLE IMPRESSED.
966
00:35:49,780 --> 00:35:51,249
WHAT'S YOUR BOOK HERE?
967
00:35:51,349 --> 00:35:54,418
"69 WAYS"-- LET'S
TALK ABOUT "69 WAYS."
968
00:35:54,519 --> 00:35:56,087
YEAH-- BASICALLY,
IT'S A RELATIONSHIP BOOK.
969
00:35:56,187 --> 00:35:58,222
THE MIXER THAT I ATTENDED
IN, UH, IN ATLANTA
970
00:35:58,322 --> 00:36:01,526
WAS FOR A GROUP CALLED
THE "A-T-L-C-E-O MIXER GROUP."
971
00:36:01,626 --> 00:36:05,830
UM, IT REALLY WAS MORE OF A
ENTERTAINMENT MIXER TYPE THING.
972
00:36:05,930 --> 00:36:07,498
YOU CAN MAKE
SOME GREAT CONTACTS.
973
00:36:07,598 --> 00:36:10,968
MY WIFE TOLD ME, "LOOK,
THIS IS WHAT YOU NEED TO DO
974
00:36:11,068 --> 00:36:12,503
"TO MAKE THIS
RELATIONSHIP BETTER."
975
00:36:12,603 --> 00:36:15,339
BASICALLY, IT'S TALKING
ABOUT 69 DIFFERENT THINGS
976
00:36:15,439 --> 00:36:17,141
THAT WILL HELP
YOUR RELATIONSHIP
977
00:36:17,241 --> 00:36:20,111
DEVELOP MORE HEALTHY, MORE
EMOTIONALLY GRATIFYING.
978
00:36:20,211 --> 00:36:21,279
THAT'S ALL.
979
00:36:21,379 --> 00:36:24,282
WALKING IN, SEEING THE
WHOLE CITY SUPPORTING ANDRE,
980
00:36:24,382 --> 00:36:26,217
I MEAN, I WAS
PROUD OF HIM.
981
00:36:26,317 --> 00:36:28,152
I WAS REALLY
PROUD OF HIM
982
00:36:28,252 --> 00:36:30,655
BECAUSE HE'S REALLY
PUSHING HIS ENVELOPE.
983
00:36:30,755 --> 00:36:32,290
- HEY!
- HEY!
984
00:36:32,390 --> 00:36:34,125
HEY, BRO--
HOW'S EVERYTHING GOING?
985
00:36:34,225 --> 00:36:37,195
THE FACT THAT TOWANDA AND
TRINA ARE HERE TO SUPPORT ME
986
00:36:37,295 --> 00:36:39,130
AT THIS BOOK SIGNING, SEEING
THAT THEY JUST FLEW IN
987
00:36:39,230 --> 00:36:41,098
FROM L.A., IS REALLY,
REALLY INCREDIBLE,
988
00:36:41,199 --> 00:36:43,534
AND I REALLY, REALLY,
REALLY LOVE THAT SUPPORT
989
00:36:43,634 --> 00:36:44,802
FROM THE BRAXTON FAMILY.
990
00:36:44,902 --> 00:36:48,039
WE FEEL HONORED THAT YOU
HAVE ANDRE, MY HUSBAND, HERE.
991
00:36:48,139 --> 00:36:49,307
YEAH.
992
00:36:49,407 --> 00:36:50,741
SHOWCASING HIS BOOK,
AT THIS TIME.
993
00:36:50,841 --> 00:36:51,976
SO, WE ARE REALLY, REALLY
HONORED TO BE HERE.
994
00:36:52,076 --> 00:36:53,177
THANK YOU FOR HAVING US.
995
00:36:53,277 --> 00:36:54,378
ANDRE CARTER-- ANDRE.
996
00:36:54,478 --> 00:36:55,413
HEY, NICE TO MEET YOU--
ANDRE CARTER.
997
00:36:55,513 --> 00:36:56,647
HI--
NICE TO MEET YOU.
998
00:36:56,747 --> 00:36:59,317
ANDRE'S TAKING PICTURE
AND SHAKING HANDS.
999
00:36:59,417 --> 00:37:01,953
HE'S A CELEBRITY, NOW,
HONEY-- YOU HEAR ME?
1000
00:37:02,053 --> 00:37:04,689
"69 WAYS TO BECOME A
CELEBRITY" SHOULD BE THE NAME
1001
00:37:04,789 --> 00:37:06,057
OF YOUR BOOK, BOOM-BOOM.
1002
00:37:06,157 --> 00:37:08,259
IT IS MY PLEASURE
TO INTRODUCE,
1003
00:37:08,359 --> 00:37:11,429
LADIES AND GENTLEMEN,
MR. ANDRE CARTER.
1004
00:37:11,529 --> 00:37:13,531
- WOW!
- IT'S CALLED "69 WAYS."
1005
00:37:13,631 --> 00:37:15,099
NOW, PEOPLE SAY, "WELL,
HOW DID YOU COME UP WITH
1006
00:37:15,199 --> 00:37:16,300
"THESE 69 TOPICS?"
1007
00:37:16,400 --> 00:37:17,969
WELL, YOU GUYS KNOW WHAT'S
GOING ON IN THE SHOW
1008
00:37:18,069 --> 00:37:19,136
WITH ME AND MY WIFE.
1009
00:37:19,237 --> 00:37:20,471
YES, WE ARE SEPARATED.
1010
00:37:20,571 --> 00:37:22,440
BUT, I BEGGED HER
AND BEGGED HER.
1011
00:37:22,540 --> 00:37:23,674
I SAID, "LOOK, TOWANDA.
1012
00:37:23,774 --> 00:37:25,843
"CAN YOU TELL ME WHAT I NEED
TO DO TO BETTER MYSELF?"
1013
00:37:25,943 --> 00:37:27,144
AND WHAT SHE
DID WAS SAID,
1014
00:37:27,245 --> 00:37:29,647
"OKAY, YOU NEED TO DO
THIS, THIS, THIS, THIS."
1015
00:37:29,747 --> 00:37:31,849
SHE DAMN NEAR
CAME UP WITH 69.
1016
00:37:31,949 --> 00:37:33,284
SHE CAME UP TO 33.
1017
00:37:33,384 --> 00:37:36,020
I LEARNED SO MUCH ABOUT
THE DYNAMICS OF RELATIONSHIPS
1018
00:37:36,120 --> 00:37:37,622
FROM BEING MARRIED
TO TOWANDA,
1019
00:37:37,722 --> 00:37:39,991
FROM WATCHING HER SISTERS
AND THEIR RELATIONSHIPS.
1020
00:37:40,091 --> 00:37:41,859
IT'S MADE ME
100 TIMES WISER.
1021
00:37:41,959 --> 00:37:44,395
NOW, ALL I WANNA
DO, IS MAKE SURE
1022
00:37:44,495 --> 00:37:46,497
THAT I BRING THIS
ACROSS IN MY BOOK.
1023
00:37:46,597 --> 00:37:47,865
I SAID, "HONEY, TELL
ME WHAT I NEED TO DO
1024
00:37:47,965 --> 00:37:49,734
"TO MAKE THIS
RELATIONSHIP BETTER."
1025
00:37:49,834 --> 00:37:52,770
THIS "69 WAYS"
BOOK, I ENJOYED IT.
1026
00:37:52,870 --> 00:37:55,139
THERE WERE CERTAIN
PASSAGES THAT I ASKED HIM,
1027
00:37:55,239 --> 00:37:58,342
WHAT DID HE
THINK WAS ABOUT ME?
1028
00:37:58,442 --> 00:38:00,611
AND IT WAS, LIKE,
FORGIVENESS
1029
00:38:00,711 --> 00:38:03,381
AND BEING RECEPTIVE
TO PEOPLE'S FORGIVENESS,
1030
00:38:03,481 --> 00:38:05,483
AND I WAS LIKE, "OH."
1031
00:38:05,583 --> 00:38:07,151
I JUST WANNA TELL YOU
THAT I'M VERY, VERY,
1032
00:38:07,251 --> 00:38:12,290
VERY PROUD OF YOU--
GIVE ME A KISS.
1033
00:38:12,390 --> 00:38:13,724
THANK YOU.
1034
00:38:13,824 --> 00:38:15,426
IS ANDRE SHOWING
INITIATIVE?
1035
00:38:15,526 --> 00:38:16,994
YES.
1036
00:38:17,094 --> 00:38:18,896
WILL ANDRE BE ABLE TO
PROVIDE FOR HIS FAMILY
1037
00:38:18,996 --> 00:38:20,898
AND TAKE CARE OF HIS
KIDS AND PAY BILLS?
1038
00:38:20,998 --> 00:38:22,533
NOT IN A MILLION YEARS.
1039
00:38:36,947 --> 00:38:38,182
HI, BOO-- STILL ON
YOUR CONFERENCE CALL?
1040
00:38:38,282 --> 00:38:40,318
- NO.
- GOOD.
1041
00:38:40,418 --> 00:38:43,554
THAT MEANS I CAN TALK TO
YOU, AND YOU CAN HELP ME.
1042
00:38:43,654 --> 00:38:46,424
TONI'S OUT OF THE HOSPITAL,
AND I JUST FEEL LIKE
1043
00:38:46,524 --> 00:38:48,025
I NEED TO GET BACK INTO
THE SWING OF THINGS.
1044
00:38:48,125 --> 00:38:50,695
YOU KNOW, I'VE BEEN TRYING
TO WORK ON MY RECORD
1045
00:38:50,795 --> 00:38:52,630
AND, YOU KNOW, I NEED
SOME TYPE OF ADVICE.
1046
00:38:52,730 --> 00:38:53,998
LIKE, I NEED SOME
HELP FOR REAL.
1047
00:38:54,098 --> 00:38:55,566
WHAT'S UP?
1048
00:38:55,666 --> 00:38:59,704
WELL, WHAT DO YOU DO WHEN
YOU'RE STUCK WRITING A SONG?
1049
00:38:59,804 --> 00:39:02,707
LIKE, I KNOW YOU'RE,
LIKE, VINCENT THE HERBERT,
1050
00:39:02,807 --> 00:39:04,075
NOW, BUT YOU USED
TO BE VINCENT HERBERT
1051
00:39:04,175 --> 00:39:06,444
THE SONGWRITER AND PRODUCER--
I'M JUST SAYING.
1052
00:39:06,544 --> 00:39:07,511
YOU JUST GO AWAY FROM
IT FOR A LITTLE WHILE,
1053
00:39:07,611 --> 00:39:08,779
AND THEN YOU
COME BACK TO IT.
1054
00:39:08,879 --> 00:39:10,948
YEAH, BUT WHAT ABOUT IF YOU
REALLY NEED TO FINISH IT?
1055
00:39:11,048 --> 00:39:12,350
YOU'RE GONNA KEEP
BLOCKING YOURSELF.
1056
00:39:12,450 --> 00:39:14,018
YOU SHOULD GO BACK IN THE
STUDIO AND TRY TO WORK ON IT
1057
00:39:14,118 --> 00:39:15,419
A LITTLE MORE THEN, BUT
DON'T EVER GET STUCK
1058
00:39:15,519 --> 00:39:16,620
ON A SONG WHERE
YOU'RE JUST, LIKE,
1059
00:39:16,721 --> 00:39:18,089
CONSTANTLY
FORCING YOURSELF,
1060
00:39:18,189 --> 00:39:19,657
OR IT'S GONNA BE
THE SAME OUTCOME.
1061
00:39:19,757 --> 00:39:21,625
IT'S NOT GONNA WORK.
1062
00:39:21,726 --> 00:39:23,160
YOU GOTTA TAKE YOUR
TIME AND GET IT RIGHT.
1063
00:39:23,260 --> 00:39:25,463
- THAT DIDN'T HELP.
- I'M JUST SAYING--
1064
00:39:25,563 --> 00:39:27,398
'CAUSE I NEED TO SING
THE SONG, LIKE, TOMORROW
1065
00:39:27,498 --> 00:39:29,467
AND, LIKE, IT
HAS TO BE DONE.
1066
00:39:29,567 --> 00:39:31,902
YOU ASKED ME FOR YOUR
ADVICE-- I TOLD YOU, BABE.
1067
00:39:32,002 --> 00:39:34,271
I KNOW, BUT, YOU KNOW, I HATE
BEING, LIKE, NOT PREPARED.
1068
00:39:34,372 --> 00:39:35,806
LIKE, THAT'S NOT
THE BUSINESS.
1069
00:39:35,906 --> 00:39:37,208
TAKE YOUR TIME
AND GET IT RIGHT.
1070
00:39:37,308 --> 00:39:38,809
YOU'RE NOT IN A RUSH
TO DO-- MESS UP.
1071
00:39:38,909 --> 00:39:40,478
BUT, THAT'S WHAT I'M
TRYING TO TELL YOU, BOO.
1072
00:39:40,578 --> 00:39:41,846
I DID THAT.
1073
00:39:41,946 --> 00:39:43,147
WELL, MAYBE THAT'S NOT
THE SONG FOR YOU THEN.
1074
00:39:43,247 --> 00:39:46,150
VINCE IS ACTING LIKE THIS
IS NOT EVEN IMPORTANT.
1075
00:39:46,250 --> 00:39:48,886
I MEAN, I WANTED TO
WRITE MY OWN SONGS.
1076
00:39:48,986 --> 00:39:51,856
I MEAN, I HAVE TO BE ME,
AND ANYTHING LESS THAN,
1077
00:39:51,956 --> 00:39:54,892
YOU KNOW, WHO I AM AND
MY ENERGY AND WHO I--
1078
00:39:54,992 --> 00:39:56,327
MY-- NOBODY WANTS
TO HEAR THAT.
1079
00:39:56,427 --> 00:39:58,095
I DON'T EVEN
WANNA HEAR THAT.
1080
00:39:58,195 --> 00:39:59,363
I AIN'T DOING IT.
1081
00:39:59,463 --> 00:40:00,598
I THINK IT NEEDS
TO BE MORE ME
1082
00:40:00,698 --> 00:40:01,966
BECAUSE THE SONG
IS ABOUT YOU,
1083
00:40:02,066 --> 00:40:04,935
AND I'M TALKING ABOUT, YOU
KNOW, HOW YOU BE KISSING ME
1084
00:40:05,035 --> 00:40:06,537
ON THE MOUTH WHEN
NOBODY'S AROUND?
1085
00:40:06,637 --> 00:40:08,239
THAT'S WHAT IT'S ABOUT.
- OH, OKAY.
1086
00:40:08,339 --> 00:40:10,641
YOU KNOW, I WANNA
SOUND LIKE, YOU KNOW,
1087
00:40:10,741 --> 00:40:12,376
I'M HEAD OVER HEELS
IN HIGH SCHOOL,
1088
00:40:12,476 --> 00:40:15,413
BUT I DON'T WANT
IT TO SOUND LIKE
1089
00:40:15,513 --> 00:40:17,214
IT'S COMING FROM
A 17-YEAR-OLD.
1090
00:40:17,314 --> 00:40:19,483
I WANT IT TO COME FROM, LIKE,
YOU KNOW, A GROWN PERSON,
1091
00:40:19,583 --> 00:40:20,785
BUT YOU HAVE
THOSE FEELINGS.
1092
00:40:20,885 --> 00:40:21,786
I JUST TOLD YOU
WHAT YOU GOTTA DO.
1093
00:40:21,886 --> 00:40:23,721
YOU JUST GOTTA WAIT
TILL IT'S RIGHT.
1094
00:40:23,821 --> 00:40:24,722
YOU PUTTING THE
SONG OUT TOMORROW?
1095
00:40:24,822 --> 00:40:25,756
- COULD BE-- MAYBE.
- OKAY, WELL--
1096
00:40:25,856 --> 00:40:27,324
YOU NEVER KNOW HOW
THE LORD IS GONNA BLESS.
1097
00:40:27,425 --> 00:40:28,826
- WELL, IF THAT'S--
- I DON'T THINK--
1098
00:40:28,926 --> 00:40:30,127
I AM NOT BLOCKING
MY OPPORTUNITIES.
1099
00:40:30,227 --> 00:40:31,395
I DON'T THINK THAT'S
YOUR FIRST SINGLE.
1100
00:40:31,495 --> 00:40:32,630
WHY?
1101
00:40:32,730 --> 00:40:33,931
YOU DON'T KNOW WHAT
THE LORD IS GONNA BLESS.
1102
00:40:34,031 --> 00:40:35,499
COULD BE SOMETHIN' ELSE.
1103
00:40:35,599 --> 00:40:37,735
DON'T WANNA BLOCK
YOUR OPPORTUNITIES.
1104
00:40:37,835 --> 00:40:39,370
DRRR.
- OPPORTUN-A-TIE.
1105
00:40:39,470 --> 00:40:40,838
SO, YOU WANNA GET
STUCK ON A SONG?
1106
00:40:40,938 --> 00:40:42,206
THAT'S NOT THE ANSWER.
1107
00:40:42,306 --> 00:40:44,241
YOU KNOW, SOMETIMES,
I NEED ENCOURAGEMENT.
1108
00:40:44,341 --> 00:40:45,776
LIKE, "YEAH, THAT'S HOT.
1109
00:40:45,876 --> 00:40:47,445
HOWEVER, YOU CAN, YOU
KNOW, YOU CAN COME UP WITH
1110
00:40:47,545 --> 00:40:48,746
SOMETHIN' BETTER
THAN THAT, BOO."
1111
00:40:48,846 --> 00:40:49,947
DO-DO-DO-DO.
1112
00:40:50,047 --> 00:40:52,249
LIKE, WE-- LIKE I DO HIM
AND, YOU KNOW, IT'S JUST--
1113
00:40:52,349 --> 00:40:54,452
I DON'T GET IT.
1114
00:40:54,552 --> 00:40:56,620
YOU GOT WRITER'S
BLOCK, MAYBE.
1115
00:40:56,720 --> 00:40:58,122
- I THINK I DO.
- OKAY.
1116
00:40:58,222 --> 00:40:59,390
SOMETIMES, I GET
WRITER'S BLOCK, TOO.
1117
00:40:59,490 --> 00:41:00,691
IT JUST HAPPENS
TO PEOPLE.
1118
00:41:00,791 --> 00:41:02,960
WELL, WHAT ABOUT, IF I
SING THE PART THAT I HAVE,
1119
00:41:03,060 --> 00:41:04,261
AND THEN YOU FILL
IN THE BLANK.
1120
00:41:04,361 --> 00:41:06,430
THAT'S A LITTLE GAME WE USED
TO PLAY WITH MY SISTERS.
1121
00:41:06,530 --> 00:41:07,731
I DON'T WANNA DO
THAT NO MORE, BABE.
1122
00:41:07,832 --> 00:41:09,433
GO IN THE STUDIO, AND
YOU'LL PROBABLY FEEL IT,
1123
00:41:09,533 --> 00:41:11,068
AND YOU'LL GET IT RIGHT--
YOU'LL KNOCK IT OUT.
1124
00:41:11,168 --> 00:41:12,837
SO, THAT'S WHAT YOU
TELL YOUR ARTISTS?
1125
00:41:12,937 --> 00:41:15,039
- YEAH.
- NO, YOU DON'T.
1126
00:41:15,139 --> 00:41:16,173
YES, I DO.
1127
00:41:16,273 --> 00:41:17,741
I'M NOT SITTIN' HERE TO
WRITE NO SONG FOR YOU.
1128
00:41:17,842 --> 00:41:19,310
YOU CAN WRITE YOUR OWN SONG.
- NO, NOT FOR ME.
1129
00:41:19,410 --> 00:41:20,344
I JUST WANNA KNOW--
- WELL, WHAT--
1130
00:41:20,444 --> 00:41:21,378
SO, WHAT YOU-
WHAT YOU WANT?
1131
00:41:21,479 --> 00:41:22,379
- I JUST WANNA KNOW WHERE--
- SING THE PART.
1132
00:41:22,480 --> 00:41:23,414
SING IT, TAMAR.
1133
00:41:23,514 --> 00:41:24,381
THE NEXT PART, WHERE
SHOULD I GO WITH IT?
1134
00:41:24,482 --> 00:41:25,416
SING-SING-SING IT THEN--
SING IT.
1135
00:41:25,516 --> 00:41:27,852
FOR REAL--
OKAY.
1136
00:41:27,952 --> 00:41:29,386
AHEM.
1137
00:41:29,487 --> 00:41:32,256
I'M GIVING UP
MY LITTLE BLACK BOOKLET
1138
00:41:32,356 --> 00:41:36,794
YOU GOT THE KEYS TO
MY HEART SO LOCK IT
1139
00:41:36,894 --> 00:41:40,431
I'M TIRED OF PLAYING GAMES
AND BABY I'M A-CHANGING
1140
00:41:40,531 --> 00:41:44,368
I JUST WANNA BE THE
RIGHT GIRL FOR YOU
1141
00:41:44,468 --> 00:41:45,736
- THAT SOUNDS GREAT.
- WELL, WHAT COMES--
1142
00:41:45,836 --> 00:41:47,137
I HAVE NO IDEA,
BUT I LOVE IT.
1143
00:41:47,238 --> 00:41:48,839
IT SOUNDS GREAT--
IT'S A GOOD JOB.
1144
00:41:48,939 --> 00:41:50,474
THAT IS NOT
WHAT I ASKED.
1145
00:41:50,574 --> 00:41:51,942
SEE, I-I-I GAVE
YOU MY-MY ADVICE,
1146
00:41:52,042 --> 00:41:57,448
AND NOW I'M
GOING INSIDE.
1147
00:41:57,548 --> 00:41:58,716
WELL, YOU KNOW,
SOMETIMES,
1148
00:41:58,816 --> 00:42:01,352
SOMEBODY JUST NEED
A PAT ON THE BACK.
1149
00:42:01,452 --> 00:42:04,088
SO, IF I GO TO VINCE ABOUT,
UH, WELL, YOU KNOW,
1150
00:42:04,188 --> 00:42:06,090
"I DON'T REALLY KNOW HOW
TO APPROACH THIS SONG,"
1151
00:42:06,190 --> 00:42:07,458
DA-DA-DA-DA-DA,
1152
00:42:07,558 --> 00:42:10,261
AND HE'S LIKE, "YOU NEED TO
FIGURE IT OUT YOURSELF,"
1153
00:42:10,361 --> 00:42:11,962
LIKE, YOU KNOW,
A PARENT OR SOMETHIN'.
1154
00:42:12,062 --> 00:42:14,298
"YOU NEED TO-- I CAN'T
GIVE YOU THE ANSWERS.
1155
00:42:14,398 --> 00:42:16,033
"YOU GOT TO
KNOW YOURSELF."
1156
00:42:16,133 --> 00:42:17,668
YOU COMING IN, OR ARE
YOU GONNA SIT OUTSIDE
1157
00:42:17,768 --> 00:42:19,436
AND JUST LOOK
AT THE MOON?
1158
00:42:19,537 --> 00:42:21,005
I'M GONNA SIT OUTSIDE
AND LOOK AT THE MOON
1159
00:42:21,105 --> 00:42:22,573
AND GET INSPIRED.
- OKAY, COOL.
1160
00:42:22,673 --> 00:42:24,775
MAYBE IF I ASK
THE MOON SOMETHIN',
1161
00:42:24,875 --> 00:42:29,079
THE MOON'LL SAY
SOMETHIN' BACK TO ME.
1162
00:42:29,179 --> 00:42:31,181
YOU DON'T DO THIS TO NONE
OF YOUR OTHER ARTISTS!
87965
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