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These are the user uploaded subtitles that are being translated: 1 00:00:02,602 --> 00:00:02,668 IT'S 2 00:00:02,669 --> 00:00:02,868 IT'S THE 3 00:00:02,869 --> 00:00:02,968 IT'S THE RELATIONSHIP 4 00:00:02,969 --> 00:00:03,002 IT'S THE RELATIONSHIP BOOK 5 00:00:03,003 --> 00:00:03,102 IT'S THE RELATIONSHIP BOOK I 6 00:00:03,103 --> 00:00:03,168 IT'S THE RELATIONSHIP BOOK I TOLD 7 00:00:03,169 --> 00:00:04,436 IT'S THE RELATIONSHIP BOOK I TOLD YOU 8 00:00:04,437 --> 00:00:05,405 IT'S THE RELATIONSHIP BOOK I TOLD YOU ABOUT. 9 00:00:05,505 --> 00:00:08,708 SO, IT'S "69 WAYS TO A BETTER RELATIONSHIP?" 10 00:00:08,808 --> 00:00:09,943 WELL-- 11 00:00:10,043 --> 00:00:11,611 HOW CAN YOU WRITE A BOOK ABOUT A BETTER RELATIONSHIP, 12 00:00:11,711 --> 00:00:14,614 WHEN OURS IS IN THE HOLE? 13 00:00:14,714 --> 00:00:17,851 THEY ASKED ME TO FILL IN FOR THE MORNING SHOW. 14 00:00:17,951 --> 00:00:19,652 - WHERE? - UM, W-G-C-I, IN CHICAGO. 15 00:00:19,753 --> 00:00:21,621 - OH, CHICAGO. - LET ME HEAR YOUR RADIO VOICE. 16 00:00:21,721 --> 00:00:24,457 GET YOUR ASS UP! 17 00:00:26,059 --> 00:00:28,194 YOU PUT G.P.S. ON MY PHONE! 18 00:00:28,294 --> 00:00:30,363 YOU PUT A TRACKER ON MY PHONE! 19 00:00:30,463 --> 00:00:32,298 THAT'S NOT OKAY, GABE! 20 00:00:32,399 --> 00:00:34,167 - OKAY, DO YOU-- - I DON'T DO THAT TO YOU! 21 00:00:34,267 --> 00:00:36,036 I'VE NEVER CHECKED YOUR MESSAGES. 22 00:00:36,136 --> 00:00:37,904 I DIDN'T HACK INTO YOUR STUFF, LIKE YOU DID ME. 23 00:00:38,004 --> 00:00:39,606 AND YOU, AND YOUR COUCH, 24 00:00:39,706 --> 00:00:41,341 AND THAT HORSE THAT YOU JUST RODE UP IN ON, 25 00:00:41,441 --> 00:00:42,442 'CAUSE THAT'S SOME BULL, 26 00:00:42,542 --> 00:00:44,077 RIGHT THERE, GABE! 27 00:00:45,412 --> 00:00:48,615 song: WE ARE THE BRAXTON'S AND YOU'LL SEE 28 00:00:48,715 --> 00:00:52,452 THAT WE ARE NOT LIKE AN ORDINARY FAMILY 29 00:00:52,552 --> 00:00:55,989 TONI TRACI TOWANDA TRINA TAMAR AND MS. E 30 00:00:56,089 --> 00:00:58,792 WILL TEACH YOU A THING OR TWO 31 00:00:58,892 --> 00:01:03,663 ON BRAXTON FAMILY VALUES 32 00:01:11,337 --> 00:01:13,339 WHY, 'CAUSE IT'S-- IT'S BLACKBERRY. 33 00:01:13,440 --> 00:01:15,341 - I LOVE 'EM. - YEAH, I LIKE BLACKBERRIES. 34 00:01:15,442 --> 00:01:17,143 I JUST DON'T LIKE THE SEEDS. - OR THE BERRIES. 35 00:01:17,243 --> 00:01:19,412 I HAVE SOME FANTASTIC NEWS. 36 00:01:19,512 --> 00:01:22,882 I MEAN, NOT AS FANTASTIC AS I AM, BUT JUST ABOUT. 37 00:01:22,982 --> 00:01:24,918 WELL, I GOT A BUSINESS OPPORTUNITY. 38 00:01:25,018 --> 00:01:26,319 - YEAH? - WHAT'S THAT? 39 00:01:26,419 --> 00:01:30,123 I THINK I GOT A JOB I THINK I GOT A JOB 40 00:01:30,223 --> 00:01:31,891 WHERE YOU ACTUALLY HAVE TO WAKE UP AND DRIVE TO? 41 00:01:31,991 --> 00:01:33,760 WAKE UP, DRIVE TO, PUT ON THE FACE, 42 00:01:33,860 --> 00:01:35,528 PUT ON SOME CLOTHES, AND SIT THERE AND WORK. 43 00:01:35,628 --> 00:01:37,130 WHAT'S THE JOB? 44 00:01:37,230 --> 00:01:40,467 THEY ASKED ME TO FILL IN FOR THE MORNING SHOW, 45 00:01:40,567 --> 00:01:42,869 AT, UM, W-G-C-I, IN CHICAGO. - WHERE? 46 00:01:42,969 --> 00:01:44,170 OH, CHICAGO. 47 00:01:44,270 --> 00:01:45,972 WHEN I WAS FIRST APPROACHED ABOUT DOING THIS RADIO GIG, 48 00:01:46,072 --> 00:01:48,441 I GOT SO EXCITED, BECAUSE IT'S EVERYTHING THAT I LOVE. 49 00:01:48,541 --> 00:01:50,443 IT'S ABOUT GOSSIP AND IT'S ABOUT MUSIC. 50 00:01:50,543 --> 00:01:52,479 AND, FOR ME TO SIT THERE AND TALK ABOUT THAT 51 00:01:52,579 --> 00:01:55,248 FOR THREE HOURS, AND LAUGH AND GIGGLE, 52 00:01:55,348 --> 00:01:57,250 THAT'S EVERYTHING-- I'M SO EXCITED. 53 00:01:57,350 --> 00:01:58,418 THAT'LL BE FUN. 54 00:01:58,518 --> 00:01:59,686 SO, THEY WANT ME TO TAKE OVER THE RADIO STATION 55 00:01:59,786 --> 00:02:01,287 FOR THREE DAYS. - "TAKE OVER?" 56 00:02:01,387 --> 00:02:02,722 WELL, IT'S CALLED 57 00:02:02,822 --> 00:02:04,090 "THE TAMAR MORNING RIOT TAKEOVER," 58 00:02:04,190 --> 00:02:05,492 AND I THOUGHT THAT WAS JUST BRILLIANT! 59 00:02:05,592 --> 00:02:07,293 I'M LIKE, "WHO-WHO CAME UP WITH THAT?" 60 00:02:07,393 --> 00:02:08,862 - THAT'S FUN. - IF I CAN MAKE THIS HAPPEN, 61 00:02:08,962 --> 00:02:11,831 PEOPLE WILL START SEEING ME AS THE SUPERSTAR THAT I AM, 62 00:02:11,931 --> 00:02:14,267 AND NOT THE BACKGROUND SINGER THAT I AM NOT. 63 00:02:14,367 --> 00:02:15,969 LET ME HEAR YOUR RADIO VOICE. 64 00:02:16,069 --> 00:02:18,004 WHAT'S UP-- WHAT'S UP, EVERYBODY? 65 00:02:18,104 --> 00:02:20,840 GET ON UP-- AH, DON'T YOU GOTTA BE AT WORK? 66 00:02:20,940 --> 00:02:23,409 CLOCK IN, GET UP. 67 00:02:23,510 --> 00:02:26,513 GET YOUR ASS-- 68 00:02:26,613 --> 00:02:29,749 GET YOUR ASS UP! 69 00:02:31,784 --> 00:02:33,386 BOOM! 70 00:02:33,486 --> 00:02:35,155 - YOU HAVEN'T PRACTICED YET? - NO, NOT REALLY. 71 00:02:35,255 --> 00:02:37,590 YOU KNOW HOW I GET, ONCE I START. 72 00:02:37,690 --> 00:02:39,425 TAMAR... 73 00:02:39,526 --> 00:02:41,561 GOLLY JEEPERS ALIVE. 74 00:02:41,661 --> 00:02:46,099 ALWAYS HAS A SENSE OF... "ME, ME, ME, ME!" 75 00:02:46,199 --> 00:02:47,834 - YOU NERVOUS? - NO. 76 00:02:47,934 --> 00:02:49,836 I'M MORE EXCITED THAN I AM NERVOUS. 77 00:02:49,936 --> 00:02:51,571 DO YOU THINK YOU'RE GONNA, UH-- 78 00:02:51,671 --> 00:02:53,940 POSSIBLY THINKIN' ABOUT MAKING IT LONG-TERM? 79 00:02:54,040 --> 00:02:55,909 I THINK I'M GONNA LIKE IT, 80 00:02:56,009 --> 00:02:57,644 BUT IF I LIKE IT, HOPEFULLY, 81 00:02:57,744 --> 00:02:59,212 THEY'LL LIKE ME, YA KNOW? 82 00:02:59,312 --> 00:03:00,880 HOW DOES THAT CONFLICT WITH YOUR SINGING CAREER? 83 00:03:00,980 --> 00:03:02,182 I DON'T KNOW! 84 00:03:02,282 --> 00:03:04,150 YOU KNOW, IT REALLY JUST HAPPENED, 85 00:03:04,250 --> 00:03:06,819 AND, LIKE, IT'S ONLY THREE DAYS, FOR RIGHT NOW. 86 00:03:06,920 --> 00:03:09,322 NO-- ME DOIN' A DEEJAYING GIG 87 00:03:09,422 --> 00:03:12,592 IS NOT GETTING IN THE WAY OF MY SOLO CAREER. 88 00:03:12,692 --> 00:03:13,960 NOTHING IS. 89 00:03:14,060 --> 00:03:15,962 THE WHOLE SHOW IS ME. - OH, WOW! 90 00:03:16,062 --> 00:03:18,364 - I AM RESPONSIBLE FOR-- - DID YOU HEAR TAMAR? 91 00:03:18,464 --> 00:03:19,499 I'M SORRY. 92 00:03:19,599 --> 00:03:21,568 "THE WHOLE SHOW IS ME." - IS ME. 93 00:03:21,668 --> 00:03:25,171 I THINK MY SISTER, TAMAR, IS A BIT OF A DIVA. 94 00:03:25,271 --> 00:03:28,241 OKAY, WELL, THERE IT IS. - WELL, THEN, BOOM. 95 00:03:28,341 --> 00:03:30,543 - YAY, I'M EXCITED! - YOU SHOULD BE! 96 00:03:30,643 --> 00:03:32,312 - I'M EXCITED FOR YOU. - IT'S-IT'S AN EXCITING THING. 97 00:03:32,412 --> 00:03:34,414 I'M JUST, LIKE, SO NERVOUS. 98 00:03:34,514 --> 00:03:36,249 I HOPE I DO A GREAT JOB. 99 00:03:36,349 --> 00:03:37,884 - YES, SHE CAN! - YES, SHE CAN! 100 00:03:37,984 --> 00:03:39,485 YES, SHE CAN! 101 00:03:53,099 --> 00:03:54,701 THERE'S SOME REALLY GREAT THINGS HAPPENING 102 00:03:54,801 --> 00:03:56,202 WITH MY BAND RIGHT NOW, 103 00:03:56,302 --> 00:03:57,937 AND I WANTED TO SHARE IT WITH GABE. 104 00:03:58,037 --> 00:03:59,806 WE DON'T GET TO SEE MUCH OF EACH OTHER. 105 00:03:59,906 --> 00:04:01,874 YEAH, I KNOW, WITH YOUR BUSY SCHEDULE. 106 00:04:01,975 --> 00:04:03,176 WHICH IS GONNA BRING US TO ONE OF THE THINGS 107 00:04:03,276 --> 00:04:04,611 I REALLY WANNA TALK TO YOU ABOUT. 108 00:04:04,711 --> 00:04:07,513 I AM SUPER-DUPER EXCITED ABOUT MY NEW PROJECT 109 00:04:07,614 --> 00:04:09,315 THAT I'M WORKING ON. 110 00:04:09,415 --> 00:04:12,585 I'M FINALLY GONNA DO A SOLO PROJECT FOR MYSELF. 111 00:04:12,685 --> 00:04:14,420 I'M LIKE A BLACK BRITNEY SPEARS, 112 00:04:14,520 --> 00:04:15,688 SO TO SPEAK. 113 00:04:15,788 --> 00:04:17,323 I LIKE MYSELF A LOT, RIGHT NOW. 114 00:04:17,423 --> 00:04:19,525 I KNOW YOU'VE BEEN WONDERING 115 00:04:19,626 --> 00:04:21,261 WHY I'VE BEEN GETTING 12:00 PHONE CALLS 116 00:04:21,361 --> 00:04:23,863 FROM RONNIE AND HERMAN. - OKAY. 117 00:04:23,963 --> 00:04:25,865 AND, WE'VE DECIDED THAT I'M GOING TO WORK ON 118 00:04:25,965 --> 00:04:28,034 MY OWN SOLO PROJECT. 119 00:04:30,503 --> 00:04:31,704 BUT, DOES THAT MEAN THAT 120 00:04:31,804 --> 00:04:33,373 YOU'RE GONNA BE AWAY FROM THE HOUSE MORE? 121 00:04:33,473 --> 00:04:36,876 WELL, YEAH-- YOU HAVE TO PUT IN TIME. 122 00:04:36,976 --> 00:04:38,544 I'M A LITTLE IFFY ABOUT IT. 123 00:04:38,645 --> 00:04:41,514 I MEAN-- - WHAT DO YOU MEAN? 124 00:04:41,614 --> 00:04:43,149 OKAY. 125 00:04:43,249 --> 00:04:45,118 TRINA'S BEEN OUT WITH THE BAND, 126 00:04:45,218 --> 00:04:48,588 PRACTICING AND REHEARSING A LOT LATELY, AND... 127 00:04:48,688 --> 00:04:50,490 SOMETIMES, I WONDER IF SHE'S REALLY 128 00:04:50,590 --> 00:04:52,292 OUT WITH THE BAND REHEARSING. 129 00:04:52,392 --> 00:04:54,494 I JUST THINK THE PEOPLE FROM THE BAND-- 130 00:04:54,594 --> 00:04:56,162 YOU'RE WITH ALL THEM, 131 00:04:56,262 --> 00:04:59,098 AND IT'S KINDA LIKE, WHENEVER Y'ALL GET TOGETHER, 132 00:04:59,198 --> 00:05:01,334 Y'ALL GET TO DRINKIN', Y'ALL GET TO SINGIN', 133 00:05:01,434 --> 00:05:04,871 AND SO, NONE OF 'EM WERE TRYIN' TO SLEEP WITH YOU? 134 00:05:04,971 --> 00:05:07,240 NO, NO. 135 00:05:07,340 --> 00:05:08,875 OKAY. 136 00:05:08,975 --> 00:05:11,344 GABE HAS ONLY BEEN AROUND THE BAND MAYBE ONCE OR TWICE. 137 00:05:11,444 --> 00:05:14,547 AND, THE ONLY TIME HE'S BEEN PRIVY TO BEING AROUND THE BAND, 138 00:05:14,647 --> 00:05:16,349 WE KIND OF PARTIED HARD, 139 00:05:16,449 --> 00:05:17,750 AND I GUESS HE JUST TAKES THAT AS, 140 00:05:17,850 --> 00:05:19,952 EVERY TIME WE'RE OUT, OR EVERY TIME WE'RE WORKING, 141 00:05:20,053 --> 00:05:21,788 WE'RE PARTYING, AND THAT'S NOT TRUE. 142 00:05:21,888 --> 00:05:23,756 SO, YOU JUST DON'T TRUST ANYBODY, HUH? 143 00:05:23,856 --> 00:05:26,259 HAVE YOU ALWAYS HAD TRUST ISSUES YOUR WHOLE LIFE? 144 00:05:26,359 --> 00:05:28,428 I WOULD REALLY LIKE IT IF YOU'D LET ME GO TO THE STUDIO, 145 00:05:28,528 --> 00:05:30,096 THOUGH-- THAT WOULD BE REAL. 146 00:05:30,196 --> 00:05:32,031 BUT, YOU'RE NOT IN THE MUSIC INDUSTRY. 147 00:05:32,131 --> 00:05:33,800 SO, IT'S-- 148 00:05:33,900 --> 00:05:35,435 I JUST WANNA COME, CHECK IT OUT. 149 00:05:35,535 --> 00:05:37,704 SEE HOW THE VIBE IS, SEE WHAT-SEE WHAT GOES ON. 150 00:05:37,804 --> 00:05:39,739 LIKE, KERI WOULD GO TO THE STUDIO WITH TONI. 151 00:05:39,839 --> 00:05:41,374 KERI IS PRODUCING TONI. 152 00:05:41,474 --> 00:05:42,975 VINCE WOULD GO TO THE STUDIO WITH-- 153 00:05:43,076 --> 00:05:44,444 VINCE IS A PRODUCER. 154 00:05:44,544 --> 00:05:46,112 - BUT, I CAN'T GO TO THE-- - YOU-- 155 00:05:46,212 --> 00:05:47,847 ARE YOU GONNA FIX THE SERVER? 156 00:05:47,947 --> 00:05:50,083 I DON'T UNDERSTAND. - YEAH, I MIGHT. 157 00:05:50,183 --> 00:05:52,151 GABE IS SUCH A BAD LIAR. 158 00:05:52,251 --> 00:05:54,320 HE DOESN'T CARE THAT MUCH ABOUT MY MUSIC. 159 00:05:54,420 --> 00:05:56,255 WHAT HE REALLY WANTS TO DO IS COME TO MY REHEARSAL 160 00:05:56,356 --> 00:05:58,658 TO CHECK UP ON ME, BECAUSE HE DOESN'T TRUST ME. 161 00:05:58,758 --> 00:06:00,760 'CAUSE, YOU KNOW, SOMETIMES, 162 00:06:00,860 --> 00:06:03,863 YOU DON'T ALWAYS WALK IN WITH THE BEST ATTITUDE IN THE WORLD. 163 00:06:03,963 --> 00:06:05,932 YOU CAN BE A BIT OF A PESSIMIST. 164 00:06:06,032 --> 00:06:07,633 "I DON'T LIKE THIS VIDEO. 165 00:06:07,734 --> 00:06:09,469 "HOW COME IT'S NOT THE SAME KINDA STUDIO THAT TONI HAD? 166 00:06:09,569 --> 00:06:11,604 "HOW COME IT'S NOT THE SAME KINDA STUDIO TAMAR"... 167 00:06:11,704 --> 00:06:15,174 BE-BECAUSE, THIS IS SOMETHING THAT I'M DOING ON MY OWN, 168 00:06:15,274 --> 00:06:17,343 FOR RIGHT NOW. 169 00:06:17,443 --> 00:06:20,847 I HAVE A SNEAKING SUSPICION THAT TRINA IS CHEATING ON ME. 170 00:06:28,287 --> 00:06:29,956 YEAH, THAT'S-THAT'S GONNA BE GOOD. 171 00:06:30,056 --> 00:06:31,758 IT'S COMIN' TOGETHER. 172 00:06:33,226 --> 00:06:35,695 GO, TRINA! 173 00:06:35,795 --> 00:06:37,897 UH-OH-- WINE'S GONE. 174 00:06:37,997 --> 00:06:39,332 SO, YOU'RE SAYIN', IF I GET ANOTHER GLASS, 175 00:06:39,432 --> 00:06:40,500 I MIGHT GET LUCKY? 176 00:06:40,600 --> 00:06:42,735 IT'S BEEN AWHILE SINCE YOU GOT LUCKY, BOOM-BOOM. 177 00:06:51,978 --> 00:06:53,479 WHAT TIME WE GOTTA GET THE KIDS? 178 00:06:53,579 --> 00:06:56,249 UH, WE GOT A FEW MORE HOURS. 179 00:06:56,349 --> 00:06:58,117 - NEED SOME HELP? - I-I-I WAS GONNA SAY, 180 00:06:58,217 --> 00:06:59,419 I HOPE YOU-- - I'M GONNA HELP YOU OUT. 181 00:06:59,519 --> 00:07:01,254 I WAS ABOUT TO SAY. 182 00:07:01,354 --> 00:07:03,556 - JEEZ! - I'M JUST SAYIN'. 183 00:07:03,656 --> 00:07:04,824 CAN'T GET A BREAK. 184 00:07:04,924 --> 00:07:06,626 MY RELATIONSHIP WITH TOWANDA IS THIS... 185 00:07:06,726 --> 00:07:09,195 TOWANDA AND I LOVE OUR KIDS VERY, VERY MUCH, 186 00:07:09,295 --> 00:07:11,264 AND I REALLY WANNA MAKE THIS WORK, 187 00:07:11,364 --> 00:07:13,266 BUT I NEED FOR TOWANDA TO SIT DOWN WITH ME 188 00:07:13,366 --> 00:07:15,168 AND TELL ME WHAT I REALLY NEED TO DO 189 00:07:15,268 --> 00:07:17,069 TO MAKE THIS RELATIONSHIP WORK. 190 00:07:17,170 --> 00:07:20,239 I KNOW I HAVEN'T BEEN THE BEST HUSBAND THAT I COULD BE, 191 00:07:20,339 --> 00:07:22,575 OR THE BEST PERSON THAT I CAN BE. 192 00:07:22,675 --> 00:07:25,111 WHAT I WANT YOU TO DO, AND I WANT YOU TO BE HONEST WITH ME, 193 00:07:25,211 --> 00:07:26,979 I REALLY, REALLY, REALLY, REALLY, REALLY 194 00:07:27,079 --> 00:07:28,581 WANNA WORK ON THIS RELATIONSHIP. 195 00:07:28,681 --> 00:07:29,849 YOU WANT ME TO BE HONEST WITH YOU? 196 00:07:29,949 --> 00:07:31,250 I WANT YOU TO BE HONEST WITH ME. 197 00:07:31,350 --> 00:07:32,919 TELL ME EVERYTHING THAT I NEED TO DO. 198 00:07:33,019 --> 00:07:35,121 WHAT I NEED TO WORK ON TO MAKE THIS RELATIONSHIP BETTER. 199 00:07:35,221 --> 00:07:36,622 I DON'T THINK YOU REALLY WANNA KNOW. 200 00:07:36,722 --> 00:07:37,790 I REALLY WANNA KNOW, TOWANDA. 201 00:07:37,890 --> 00:07:39,058 I MEAN, I WOULDN'T BE ASKIN' YOU, IF I DIDN'T. 202 00:07:39,158 --> 00:07:40,626 I REALLY WANNA KNOW. - WELL, IF YOU WERE SERIOUS, 203 00:07:40,726 --> 00:07:42,695 YOU WOULD HAVE A PIECE OF PAPER AND A PEN. 204 00:07:42,795 --> 00:07:44,764 - I-I GOT IT RIGHT HERE-- - NO, IT'S A LOT. 205 00:07:44,864 --> 00:07:45,765 SO, YOU GONNA HAVE TO WRITE IT DOWN. 206 00:07:45,865 --> 00:07:46,899 I DON'T WANT YOU TO FORGET IT. 207 00:07:46,999 --> 00:07:48,201 IF YOU'RE SERIOUS, I DON'T WANT YOU TO FORGET. 208 00:07:48,301 --> 00:07:50,236 ANDRE IS NOT GONNA LIKE WHAT I HAVE TO SAY, 209 00:07:50,336 --> 00:07:52,038 BUT IT IS THE TRUTH. 210 00:07:52,138 --> 00:07:54,273 IF HE WANTS TO MAKE THIS WORK, 211 00:07:54,373 --> 00:07:57,777 HE'S GONNA NEED A COMPLETE ATTITUDE MAKEOVER. 212 00:07:57,877 --> 00:08:00,179 THE VERY FIRST THING IS HONESTY. 213 00:08:00,279 --> 00:08:03,049 I THINK THAT YOU FABRICATE THINGS, 214 00:08:03,149 --> 00:08:05,952 AND I THINK THAT YOU WITHHOLD A LOT OF THINGS, 215 00:08:06,052 --> 00:08:08,621 AND I THINK THAT WHEN I ASK YOU QUESTIONS, 216 00:08:08,721 --> 00:08:10,556 YOU DON'T TELL ME THE TRUTH. 217 00:08:10,656 --> 00:08:12,692 OKAY, LE-LET'S MOVE ON. SEE, LIKE I THOUGHT-- SEE? 218 00:08:12,792 --> 00:08:13,926 - OKAY-- ALL RIGHT, ALL RIGHT. - HONESTY. 219 00:08:14,026 --> 00:08:15,628 OKAY, OKAY-- ALL RIGHT. 220 00:08:15,728 --> 00:08:18,164 YOU'RE ASKING ME, "HOW CAN YOU MAKE IT BETTER?" 221 00:08:18,264 --> 00:08:19,999 AND I'M TELLING YOU HOW I'M FEELING. 222 00:08:20,099 --> 00:08:22,068 - SOME OF THESE THINGS HURT. - BUT, WHY DO THEY HURT? 223 00:08:22,168 --> 00:08:23,936 BECAUSE IT'S THE TRUTH? - BECAUSE IT'S NOT THE TRUTH. 224 00:08:24,036 --> 00:08:25,972 THAT'S WHY IT HURTS, OKAY? 225 00:08:26,072 --> 00:08:28,407 I DON'T THINK THAT YOU FULLY RESPECT 226 00:08:28,508 --> 00:08:31,010 MY FAMILY'S RELATIONSHIP THAT WE HAVE WITH EACH OTHER. 227 00:08:31,110 --> 00:08:32,712 CAN YOU BLAME ME? 228 00:08:32,812 --> 00:08:34,881 ANDRE IS SAYING THAT HE WANTS TO CHANGE, 229 00:08:34,981 --> 00:08:36,816 AND THAT SOUNDS SO GOOD ON PAPER. 230 00:08:36,916 --> 00:08:38,918 DO I ACTUALLY THINK HE'S GONNA DO IT? 231 00:08:39,018 --> 00:08:41,354 "THE TASTE IS IN THE PUDDING," AS MY MOM SAYS. 232 00:08:41,454 --> 00:08:43,022 WRITE THIS DOWN-- READY? 233 00:08:43,122 --> 00:08:46,826 I'M GONNA SPELL IT-- J-O-B. 234 00:08:46,926 --> 00:08:48,995 "JOB"-- I READ THE BIBLE. 235 00:08:49,095 --> 00:08:51,397 DO YOU HAVE TO BE A SMART ASS ON EVERY POSSIBLE OCCASION? 236 00:08:51,497 --> 00:08:53,432 JOB, OKAY. 237 00:08:53,533 --> 00:08:55,535 DO WE NEED TO REALLY GO THROUGH THAT JOB SITUATION? 238 00:08:55,635 --> 00:08:57,737 I-- BECAUSE IT'S NOT JUST ABOUT GETTING THE JOB. 239 00:08:57,837 --> 00:09:00,873 IT'S ABOUT PROVIDING-- THAT'S WHAT IT IS. 240 00:09:00,973 --> 00:09:03,442 I DON'T WANT TO BE THE MAN IN THE RELATIONSHIP ANYMORE, 241 00:09:03,543 --> 00:09:04,710 AND THAT'S HOW I'M FEELIN'. 242 00:09:04,810 --> 00:09:07,280 I'M FEELIN' THAT I'M CARRYING ALL THE RESPONSIBILITIES, 243 00:09:07,380 --> 00:09:09,448 AND I DON'T WANT THAT. 244 00:09:09,549 --> 00:09:12,418 I MEAN, DANG, I'M-- THIS IS REALLY ADDIN' UP. 245 00:09:12,518 --> 00:09:14,554 I MEAN, THESE ARE REALLY GREAT POINTS, 246 00:09:14,654 --> 00:09:16,522 AND I WOULD LIKE TO EXPOUND ON THEM 247 00:09:16,622 --> 00:09:18,491 AND ADD SOMETHING ELSE TO 'EM, 248 00:09:18,591 --> 00:09:21,160 BECAUSE I THINK THIS WOULD BE A GREAT IDEA FOR A BOOK. 249 00:09:21,260 --> 00:09:23,563 A RELATIONSHIP BOOK. 250 00:09:23,663 --> 00:09:25,598 WHY YOU SHAKING YOUR HEAD? - A RELATIONSHIP BOOK? 251 00:09:25,698 --> 00:09:26,866 YES. 252 00:09:26,966 --> 00:09:28,267 I'M A WRITER, 253 00:09:28,367 --> 00:09:30,570 SO EVERY TIME I HAVE A VERBAL DISAGREEMENT WITH TOWANDA, 254 00:09:30,670 --> 00:09:32,538 I'VE ALWAYS WRITTEN MY THOUGHTS DOWN. 255 00:09:32,638 --> 00:09:34,340 AND, WHAT IS THAT GONNA DO? 256 00:09:34,440 --> 00:09:36,042 IT'S GONNA BE MY THERAPEUTIC HEALING, 257 00:09:36,142 --> 00:09:37,176 ABOUT WRITIN' SOME OF THESE, 258 00:09:37,276 --> 00:09:39,345 AND COMIN' TO GRIPS WITH SOME OF THESE ISSUES. 259 00:09:39,445 --> 00:09:41,781 THAT'S GONNA HELP ME HEAL. - HEAL FROM WHAT, THOUGH? 260 00:09:41,881 --> 00:09:44,317 HEAL FROM THE EMOTIONAL TRAUMA. 261 00:09:44,417 --> 00:09:46,953 YOU WANNA KNOW MY HEALING? 262 00:09:47,053 --> 00:09:49,422 GET A JOB, SO I DON'T HAVE TO WORK FOR TONI BRAXTON. 263 00:09:52,692 --> 00:09:54,927 COMING UP, ON "BRAXTON FAMILY VALUES..." 264 00:09:55,027 --> 00:09:57,163 TAKE A LOOK AT WHAT I GOT 265 00:09:57,263 --> 00:10:01,100 I'M SOMETHIN' LIKE A DRUG I'M SIMPLY IRRESISTIBLE 266 00:10:01,200 --> 00:10:02,969 - WHOO! - WHAT ARE YOU DOIN' HERE? 267 00:10:03,069 --> 00:10:04,170 OKAY, I'M SORRY! 268 00:10:04,270 --> 00:10:05,471 YOU'RE GONNA MAKE ME NERVOUS AND STUFF! 269 00:10:13,312 --> 00:10:13,411 YEAH, 270 00:10:13,412 --> 00:10:13,478 YEAH, SO, 271 00:10:13,479 --> 00:10:13,545 YEAH, SO, YOU 272 00:10:13,546 --> 00:10:13,612 YEAH, SO, YOU ON 273 00:10:13,613 --> 00:10:14,980 YEAH, SO, YOU ON THAT 274 00:10:14,981 --> 00:10:15,948 YEAH, SO, YOU ON THAT SIDE. 275 00:10:16,048 --> 00:10:17,883 ALL RIGHT, SO WE'RE JUST WALKIN' THROUGH IT AGAIN. 276 00:10:17,984 --> 00:10:19,452 I'M IN THE REHEARSAL STUDIO, 277 00:10:19,552 --> 00:10:21,120 WORKING ON A NEW SONG THAT I CO-WROTE, 278 00:10:21,220 --> 00:10:23,289 AND WE'RE WORKING ON CHOREOGRAPHY 279 00:10:23,389 --> 00:10:25,024 AND GETTING THE SHOW TOGETHER, 280 00:10:25,124 --> 00:10:27,927 SO THAT WE CAN HAVE A SHOWCASE, MAYBE IN A MONTH OR SO. 281 00:10:28,027 --> 00:10:30,329 - START THE MUSIC. - THE MUSIC IS HOT. 282 00:10:30,429 --> 00:10:32,231 IT'S, UH, VERY POP, 283 00:10:32,331 --> 00:10:34,734 AND MY ORIGINAL BAND IS STILL BEHIND ME, 284 00:10:34,834 --> 00:10:37,603 AND I JUST CAN'T BE MORE EXCITED. 285 00:10:37,703 --> 00:10:41,774 YEAH I'M SO SEXY - THERE YOU GO! 286 00:10:41,874 --> 00:10:44,844 IF LOOKIN' GOOD WAS A CRIME YOU'D HAVE TO ARREST ME 287 00:10:44,944 --> 00:10:48,180 ALL THE BOYS WANNA TOUCH ME 288 00:10:48,280 --> 00:10:49,548 WANNA CATCH ONE WILD LIKE AN ANIMAL 289 00:10:49,649 --> 00:10:51,450 - WILD LIKE AN ANIMAL. - BEEN IN VACATION MODE 290 00:10:51,550 --> 00:10:53,686 - BEEN IN VACATION MODE. - READY TO LOSE CONTROL 291 00:10:53,786 --> 00:10:55,121 LOSE CONTROL. 292 00:10:56,722 --> 00:10:58,190 - HI. - HELLO. 293 00:10:59,792 --> 00:11:01,093 SHE'S GONNA BE IN THE CAGE. 294 00:11:01,193 --> 00:11:02,862 TAKE A PEAK AT WHAT I GOT 295 00:11:02,962 --> 00:11:06,232 I'M SOMETHIN' LIKE A DRUG I'M SIMPLY IRRESISTIBLE 296 00:11:06,332 --> 00:11:08,401 I'LL BE ALL THAT YOU'RE THINKIN' OF 297 00:11:08,501 --> 00:11:10,503 ONCE I GET IN YOUR SYSTEM 298 00:11:10,603 --> 00:11:12,271 I GOT THAT REWIND LOVIN' SO GOOD 299 00:11:12,371 --> 00:11:14,440 YOU'RE GONNA WANNA REPLAY 300 00:11:14,540 --> 00:11:17,243 GOT A BODY LIKE A TROPHY YOU WANNA PUT ON DISPLAY 301 00:11:17,343 --> 00:11:18,744 IS THAT RIGHT? 302 00:11:18,844 --> 00:11:19,879 IS THAT RIGHT? 303 00:11:19,979 --> 00:11:22,648 LIKE A VIDEO 304 00:11:22,748 --> 00:11:24,417 TURN ME UP 305 00:11:24,517 --> 00:11:26,352 I WANNA MAKE NOISE 'TILL THE COPS COME KNOCKIN'... 306 00:11:28,888 --> 00:11:30,890 I WISH SHE WOULD KINDA TONE IT DOWN A LITTLE BIT. 307 00:11:30,990 --> 00:11:33,592 I MEAN, THERE'S A LEVEL OF HOW YOU SHOULD BEHAVE 308 00:11:33,693 --> 00:11:36,395 WHENEVER YOU'RE MARRIED. 309 00:11:36,495 --> 00:11:37,997 GOOD JOB-- YOU GOT THAT? 310 00:11:38,097 --> 00:11:39,498 AND, REMEMBER, YOU GOTTA BE UP FRONT. 311 00:11:39,598 --> 00:11:41,233 YEAH-- WHOO! 312 00:11:41,333 --> 00:11:42,902 WHAT ARE YOU DOIN' HERE? 313 00:11:43,002 --> 00:11:44,503 I LIKE THAT-- THAT'S NICE. 314 00:11:44,603 --> 00:11:45,838 - I DIDN'T SEE YOU SLIDE IN. - THAT WHOLE THING, THOUGH, 315 00:11:45,938 --> 00:11:47,473 THAT'S A LITTLE LADY GAGA. - GABE! 316 00:11:47,573 --> 00:11:48,774 OKAY, I'M SORRY. 317 00:11:48,874 --> 00:11:50,042 YOU'RE GONNA MAKE ME NERVOUS AND STUFF! 318 00:11:50,142 --> 00:11:51,677 OKAY, I WON'T SAY NOTHIN' ELSE. 319 00:11:51,777 --> 00:11:53,045 - DAMN IT! - IT WAS GREAT, THOUGH! 320 00:11:53,145 --> 00:11:54,847 - IT MAKES ME NERVOUS. - I'M EXCITED. 321 00:11:54,947 --> 00:11:56,615 I THINK IT'S REALLY SUPER CREEPY 322 00:11:56,716 --> 00:11:58,117 THAT GABE FOLLOWS ME AROUND. 323 00:11:58,217 --> 00:12:00,886 YOU KNOW, HE'S DONE THIS BEFORE AND I CAN'T FIGURE OUT HOW. 324 00:12:00,986 --> 00:12:03,489 I MADE A POINT NOT TO TELL HIM WHERE IT WAS, 325 00:12:03,589 --> 00:12:05,524 'CAUSE I KNEW HE WAS GONNA COME AROUND, POKIN' HIS HEAD 326 00:12:05,624 --> 00:12:07,793 AND BEIN' ALL NOSY, THINKING I'M CHEATING. 327 00:12:07,893 --> 00:12:09,962 I DON'T FEEL LIKE I CAN MOVE PROPERLY IN FRONT OF YOU. 328 00:12:10,062 --> 00:12:11,297 WHY-- JUST MOVE. 329 00:12:11,397 --> 00:12:12,865 'CAUSE I FEEL LIKE I WANNA JUST DO SOME MORE OF THAT, 330 00:12:12,965 --> 00:12:14,100 OR SOMETHIN'. 331 00:12:14,200 --> 00:12:15,434 BUT I CAN'T REALLY JUST, LIKE, GIVE IT, 332 00:12:15,534 --> 00:12:17,036 'CAUSE YOU'RE, LIKE, IN FRONT OF ME. 333 00:12:17,136 --> 00:12:18,237 DO YOU WANT ME TO LEAVE? 334 00:12:18,337 --> 00:12:19,839 SO, I FEEL LIKE YOU'RE CRITIQUING ME. 335 00:12:19,939 --> 00:12:21,741 - YOU KNOW ONE PART I DON'T-- - SEE? 336 00:12:21,841 --> 00:12:23,909 WAIT, WAIT, WAIT-- CAN I JUST SAY ONE PART? 337 00:12:24,009 --> 00:12:25,678 - SURE. - THAT'S OKAY. 338 00:12:25,778 --> 00:12:27,413 OKAY, THERE'S A PART WHERE YOU'RE BACKIN' UP 339 00:12:27,513 --> 00:12:28,981 AND YOU'RE DOIN' YOUR HEAD, LIKE-- 340 00:12:29,081 --> 00:12:30,549 MR. CRITIQUE-IFICATION. 341 00:12:30,649 --> 00:12:31,917 GABE, SERIOUSLY? 342 00:12:32,017 --> 00:12:33,519 NO, NO! 343 00:12:33,619 --> 00:12:35,087 KEEP YOUR OPINIONS TO YOURSELF. 344 00:12:35,187 --> 00:12:37,256 AND WE ALL KNOW THAT OPINIONS ARE LIKE WHAT'S? 345 00:12:37,356 --> 00:12:39,558 A-HOLES-- EVERYBODY HAS ONE. 346 00:12:39,658 --> 00:12:42,194 INSTEAD OF SAYIN', "I WANNA GET STUPID." 347 00:12:42,294 --> 00:12:44,897 WHICH PART'S STUPID? 348 00:12:44,997 --> 00:12:47,633 CAN I BE IN THE LOOP? - WHAT DO YOU NEED, GABE? 349 00:12:47,733 --> 00:12:49,602 - WHAT PART'S STUPID? - IT'S A LYRIC IN THE SONG. 350 00:12:49,702 --> 00:12:51,170 - IT'S A LYRIC IN THE SONG. - OH, OKAY, OKAY, OKAY. 351 00:12:51,270 --> 00:12:52,471 GO AHEAD. 352 00:12:52,571 --> 00:12:54,106 "I WANNA GET STUPID-- I WANNA GO DUMB." 353 00:12:54,206 --> 00:12:55,875 MAYBE-MAYBE ON THE "STUPID" PART, 354 00:12:55,975 --> 00:12:57,510 IF YOU FELL BACK AND THEY CAUGHT YOU. 355 00:12:57,610 --> 00:13:01,247 I KNEW THAT HE WAS GOING TO BE CHOCK-FULL OF IDEAS, 356 00:13:01,347 --> 00:13:04,250 AND GABE IS NOT A CHOREOGRAPHER. 357 00:13:04,350 --> 00:13:05,751 MAYBE YOU SHOULD DO THIS. 358 00:13:05,851 --> 00:13:07,186 WE DO THAT ALREADY, ON "DUMB." 359 00:13:07,286 --> 00:13:08,387 WE'RE DOIN' "DUMB, DUMB." 360 00:13:08,487 --> 00:13:09,488 OH, YOU'RE ALREADY DOIN' THAT? 361 00:13:09,588 --> 00:13:11,023 WELL, THEN, WHAT ARE YOU DOIN' THIS TO? 362 00:13:11,123 --> 00:13:12,491 NO, WE'RE DOIN' THAT ON "DUMB, DUMB." 363 00:13:12,591 --> 00:13:14,460 YOU'RE NOT THE CHOREOGRAPHER, GABE! 364 00:13:14,560 --> 00:13:15,961 I'M JUST GIVIN' POINTERS-- I'M AN OUTSIDER. 365 00:13:16,061 --> 00:13:17,296 THAT'S WHY I DIDN'T WANT YOU HERE! 366 00:13:17,396 --> 00:13:18,831 YOU ARE SITTIN' HERE DOIN' CHOREOGRAPH-IFICATION, 367 00:13:18,931 --> 00:13:20,499 AND IT'S NOT WORKIN'. 368 00:13:20,599 --> 00:13:22,067 I THOUGHT THAT'S MY PLACE OF WORK, 369 00:13:22,168 --> 00:13:24,737 AND HE SHOULD NOT COME THERE AND GIVE HIS OPINION, 370 00:13:24,837 --> 00:13:26,872 AND-AND TRY TO BE THE CHOREOGRAPHER, 371 00:13:26,972 --> 00:13:28,407 AND TRY TO TELL ME HOW THE SONG SHOULD GO. 372 00:13:28,507 --> 00:13:30,509 DO I COME TO YOUR JOB, GABE, AND TELL YOU WHAT TO DO? 373 00:13:30,609 --> 00:13:31,844 NO. 374 00:13:31,944 --> 00:13:33,612 SO, THE SAME SHOULD FALL TRUE FOR ME... 375 00:13:33,712 --> 00:13:35,347 AND IT DOESN'T. 376 00:13:35,447 --> 00:13:36,916 JUST TRY TO MAKE IT GO IN AND OUT. 377 00:13:37,016 --> 00:13:38,450 OKAY, SO, YOU'RE BRINGIN' IT OUT? 378 00:13:38,551 --> 00:13:40,486 - MMM-HMM. - THAT'S VERY SEXY, BABE. 379 00:13:40,586 --> 00:13:42,988 - GABE! - I'M SORRY, BUT IT IS! 380 00:13:43,088 --> 00:13:44,924 - YOU HAVE TO GO! - CAN DO IT THIS WAY, YEAH. 381 00:13:45,024 --> 00:13:46,292 YOU HAVE TO LEAVE-- YOU CANNOT STAY. 382 00:13:46,392 --> 00:13:47,459 I'M-I'M ABOUT TO GO. 383 00:13:47,560 --> 00:13:49,461 I'M JUST GONNA SAY ONE MORE THING. 384 00:13:49,562 --> 00:13:50,896 - BYE. - IT'S-- YOU KNOW WHAT, BABE? 385 00:13:50,996 --> 00:13:52,498 JUST LET GO. 386 00:13:52,598 --> 00:13:53,732 - THANK YOU. - ALL RIGHT? 387 00:13:53,833 --> 00:13:54,867 THANK YOU FOR YOUR PERMISSION TO LET GO. 388 00:13:54,967 --> 00:13:56,001 ALL RIGHT, I'LL WAIT IN THE LOUNGE. 389 00:13:56,101 --> 00:13:57,036 - NO, NO, THAT'S OKAY. - YEAH. 390 00:13:57,136 --> 00:13:57,970 I DON'T NEED YOU TO WAIT IN THE LOUNGE. 391 00:13:58,070 --> 00:13:59,138 CAN YOU WAIT AT THE HOME? 392 00:13:59,238 --> 00:14:00,639 THANK YOU. - IN THE LOUNGE. 393 00:14:00,739 --> 00:14:02,508 AT THE LOUNGE, AT HOME? 394 00:14:11,584 --> 00:14:13,919 - HI, BOO. - HEY. 395 00:14:14,019 --> 00:14:16,088 WELL, YOU KNOW, I JUST WANTED TO TELL YOU-- 396 00:14:16,188 --> 00:14:18,057 DID YOU GET THAT EMAIL THAT I SENT YOU? 397 00:14:18,157 --> 00:14:19,592 WHAT EMAIL? 398 00:14:19,692 --> 00:14:22,728 THE ONE ABOUT THE POSSIBLE CHICAGO TRIP. 399 00:14:22,828 --> 00:14:24,330 - MMM-MMM. - WELL, 400 00:14:24,430 --> 00:14:26,732 I JUST FOUND OUT THAT THEY WANT ME 401 00:14:26,832 --> 00:14:29,568 TO COME AND HOST THE MORNING RADIO SHOW, 402 00:14:29,668 --> 00:14:31,837 AT W-G-C-I, IN CHICAGO. 403 00:14:31,937 --> 00:14:33,772 - THAT'S GREAT. - ISN'T THAT GREAT? 404 00:14:33,873 --> 00:14:37,576 THIS IS A MAJOR, MAJOR STATION IN CHICAGO. 405 00:14:37,676 --> 00:14:39,912 LIKE, THEY WOULDN'T EVEN PLAY MY RECORD. 406 00:14:40,012 --> 00:14:42,615 YOU DIDN'T GET THAT EMAIL-- I FORWARDED IT TO YOU. 407 00:14:42,715 --> 00:14:44,817 - NO, I DIDN'T GET IT. - HOW YOU LOOK AT THAT, 408 00:14:44,917 --> 00:14:46,518 WHEN YOU COULD BE LOOKIN' AT ALL OF THIS? 409 00:14:46,619 --> 00:14:49,655 LIKE, WHAT DO YOU THINK I DO ALL THIS FOR? 410 00:14:49,755 --> 00:14:52,024 WHO GETS UP AND GET THEIR FACE AND DO THEIR HAIR, 411 00:14:52,124 --> 00:14:53,959 AND I MEAN, LOOK-- I MEAN, STOP. 412 00:14:54,059 --> 00:14:55,394 SO, WHAT DO YOU WANNA DO? 413 00:14:55,494 --> 00:14:56,996 DO YOU WANNA GO DO THE RADIO STATION THING? 414 00:14:57,096 --> 00:14:58,097 UM, DEFINITELY. 415 00:14:58,197 --> 00:14:59,632 DON'T YOU THINK IT'D BE A GREAT THING FOR ME? 416 00:14:59,732 --> 00:15:01,600 BEIN' A DJ IS SO MUCH FUN. 417 00:15:01,700 --> 00:15:05,704 AND, YOU KNOW, IT ALSO ADDS TO MY SUPERSTAR IMAGE. 418 00:15:05,804 --> 00:15:08,374 YEAH, BUT YOU GOTTA DECIDE IF YOU GONNA DO RADIO STUFF 419 00:15:08,474 --> 00:15:11,243 AND TRY TO MAKE YOUR ALBUM AT THE SAME TIME. 420 00:15:11,343 --> 00:15:12,978 - YOU CAN'T DO BOTH? - YEAH, YOU CAN, 421 00:15:13,078 --> 00:15:14,413 BUT I'M JUST SAYIN', IT'S A LOT OF WORK. 422 00:15:14,513 --> 00:15:17,416 ARE YOU UP FOR THAT? - EVERYTHING IS A LOT OF WORK. 423 00:15:17,516 --> 00:15:19,218 IT SEEM LIKE EVERY TIME I OPEN MY MOUTH, 424 00:15:19,318 --> 00:15:21,820 IT BECOMES A LOT OF WORK. - ALL RIGHT, WELL, 425 00:15:21,921 --> 00:15:23,989 IT'S JUST A LOT YOU GOTTA DO. 426 00:15:24,089 --> 00:15:26,292 YOU GOTTA GET UP AT, LIKE, 3:00 IN THE MORNING 427 00:15:26,392 --> 00:15:28,460 AND BE THERE AT 4:00 IN THE MORNING. 428 00:15:28,560 --> 00:15:30,963 I MEAN, I'M-I'M FOR, YOU KNOW, THE CHALLENGE. 429 00:15:31,063 --> 00:15:32,865 YEAH, I LOVE TO WORK, 430 00:15:32,965 --> 00:15:34,600 AND THIS IS A GREAT THING FOR ME. 431 00:15:34,700 --> 00:15:35,734 I NEVER SAID YOU DIDN'T LIKE TO WORK. 432 00:15:35,834 --> 00:15:37,102 YOU DO LIKE TO WORK. 433 00:15:37,202 --> 00:15:39,038 IT DEFINITELY FEELS LIKE IT'S TAMAR AGAINST THE WORLD, 434 00:15:39,138 --> 00:15:40,406 ALL THE TIME. 435 00:15:40,506 --> 00:15:41,607 I MEAN, MOST OF THE TIME, 436 00:15:41,707 --> 00:15:43,275 I FEEL LIKE VINCE DOES NOT HAVE MY BACK, 437 00:15:43,375 --> 00:15:45,010 AND THAT'S NOT A COOL FEELING. 438 00:15:45,110 --> 00:15:46,779 YOU DO TOO MUCH SOMETIMES, TAMAR. 439 00:15:46,879 --> 00:15:48,180 YOU GOTTA TRY TO MAKE A RECORD, TOO. 440 00:15:48,280 --> 00:15:49,481 I DON'T KNOW HOW YOU GONNA DO BOTH. 441 00:15:49,581 --> 00:15:50,883 WELL, I'M LEAVIN' NOW. - DON'T LEAVE! 442 00:15:50,983 --> 00:15:52,451 NO, I GOTTA GO. 443 00:16:03,529 --> 00:16:04,797 WHAT'S UP? 444 00:16:04,897 --> 00:16:07,099 TRUE TO MY WORD, I'VE BEEN LOOKING IN THIS JOB MARKET, 445 00:16:07,199 --> 00:16:09,101 LOOKING ON THE INTERNET, TRYIN' TO FIND SOMETHING. 446 00:16:09,201 --> 00:16:10,903 I HAVE BEEN OFFERED JOBS, 447 00:16:11,003 --> 00:16:13,272 BUT THESE JOBS HAVE BEEN OUT OF TOWN. 448 00:16:13,372 --> 00:16:15,774 I JUST MOVED BACK IN TOWN TO TAKE CARE OF MY KIDS, 449 00:16:15,874 --> 00:16:17,743 SO I'M NOT GONNA GO BACK TO THE SAME SITUATION. 450 00:16:17,843 --> 00:16:19,211 I'M NOT GONNA DO THAT. 451 00:16:19,311 --> 00:16:20,779 YOU MUST WANT SOMETHIN'-- WHAT YOU WANT? 452 00:16:20,879 --> 00:16:22,247 JUST KINDA NERVOUS ABOUT WHAT'S GOIN' ON 453 00:16:22,348 --> 00:16:24,316 IN THE JOB MARKET-- IT'S JUST KINDA SCARY. 454 00:16:24,416 --> 00:16:25,985 WHAT HAPPENED WITH THE SCHOOL SYSTEM? 455 00:16:26,085 --> 00:16:27,786 YOU'D BE GOOD IN ENGLISH. 456 00:16:27,886 --> 00:16:29,455 YEAH, BUT IN THE MEANTIME, IN BETWEEN TIME, 457 00:16:29,555 --> 00:16:32,925 I BEEN WORKIN' ON MY CRAFT. 458 00:16:33,025 --> 00:16:34,727 AND I KNOW IT'S NOT QUOTE-UNQUOTE, 459 00:16:34,827 --> 00:16:37,429 WHAT YOU CONSIDER A J-O-B. 460 00:16:37,529 --> 00:16:39,565 IT'S THE RELATIONSHIP BOOK I TOLD YOU ABOUT. 461 00:16:39,665 --> 00:16:41,467 I'VE GOTTEN OVER TEN 462 00:16:41,567 --> 00:16:43,769 SO, IT'S EASY FOR ME TO CRANK OUT A FIRST DRAFT. 463 00:16:43,869 --> 00:16:45,671 WHAT'S "69 WAYS"-- WHAT'S THAT? 464 00:16:45,771 --> 00:16:48,574 OKAY, BASICALLY, 69, OF COURSE, 465 00:16:48,674 --> 00:16:51,510 IS A SEXUAL NUMBER, SO TO SPEAK, ALL RIGHT? 466 00:16:51,610 --> 00:16:53,712 IT'S A SEXUAL POSITION. 467 00:16:53,812 --> 00:16:56,215 SO, WHEN YOU SAY "69," YOU KNOW, THE CONCEPT IS, 468 00:16:56,315 --> 00:16:58,851 "OKAY, I'M THIS WAY AND SHE'S THAT WAY, 469 00:16:58,951 --> 00:17:00,319 "AND YOU'RE DOING YOUR THING, YOU'RE DOING YOUR THING." 470 00:17:00,419 --> 00:17:01,987 SO, "69 WAYS," BASICALLY, IS, 471 00:17:02,087 --> 00:17:04,289 I WANT YOU TO THINK OF YOUR WAY OF DOING THINGS 472 00:17:04,390 --> 00:17:05,858 AND YOUR WAY OF DOING THINGS, 473 00:17:05,958 --> 00:17:07,626 AND LET'S KINDA PUT THESE ALL TOGETHER. 474 00:17:07,726 --> 00:17:10,729 SO, IT'S "69 WAYS TO A BETTER RELATIONSHIP?" 475 00:17:10,829 --> 00:17:12,031 WELL-- 476 00:17:12,131 --> 00:17:13,932 HOW CAN YOU WRITE A BOOK ABOUT A BETTER RELATIONSHIP 477 00:17:14,033 --> 00:17:15,501 WHEN OURS IS IN THE HOLE? 478 00:17:15,601 --> 00:17:17,803 IT'S THE IDEAL SITUATION I WANNA BE, 479 00:17:17,903 --> 00:17:19,371 BUT IT'S NOT THE REAL SITUATION. 480 00:17:19,471 --> 00:17:21,173 SO, I'M THINKIN' THAT THIS COULD HELP ME 481 00:17:21,273 --> 00:17:23,042 BETTER THE RELATIONSHIP. 482 00:17:23,142 --> 00:17:24,510 ALL I NEED FOR YOU IS TO BE BEHIND ME 483 00:17:24,610 --> 00:17:25,577 AND SUPPORT ME ON THIS. 484 00:17:25,677 --> 00:17:27,312 JUST TAKE A LOOK AT IT. 485 00:17:27,413 --> 00:17:29,715 YOU DON'T FEEL THE LEAST BIT EXCITED ABOUT IT? 486 00:17:29,815 --> 00:17:32,117 I MEAN, LIKE, LOOK AT NUMBER-NUMBER ONE. 487 00:17:32,217 --> 00:17:34,353 "RELATIONSHIP IS NOT ALWAY-- NOT ALWAYS A COMPETITION," 488 00:17:34,453 --> 00:17:35,788 AND, SOMETIMES, I FEEL LIKE 489 00:17:35,888 --> 00:17:37,456 WE'RE COMPETING AGAINST EACH OTHER, 490 00:17:37,556 --> 00:17:38,724 AND THAT KILLS ME. - HOW? 491 00:17:38,824 --> 00:17:40,025 HOW ARE WE COMPETING AGAINST EACH OTHER? 492 00:17:40,125 --> 00:17:41,760 WITH WHAT? - TRYING TO MAKE MONEY. 493 00:17:41,860 --> 00:17:43,595 TRYING TO PROVIDE FOR THE KIDS. 494 00:17:43,695 --> 00:17:45,731 BECAUSE YOU'RE THE PROVIDER-- I'M NOT THE PROVIDER. 495 00:17:45,831 --> 00:17:47,066 SO, THAT MEANS, YOU'RE THE WINNER. 496 00:17:47,166 --> 00:17:48,734 I'M THE LOSER. - BUT, HOW-- 497 00:17:48,834 --> 00:17:50,502 BUT-BUT I REMEMBER BEFORE, YOU SAID THAT THE PROVIDER 498 00:17:50,602 --> 00:17:52,471 DOESN'T NECESSARILY HAVE TO BE A MONETARY THING. 499 00:17:52,571 --> 00:17:54,873 I AGREE, BECAUSE IN CONTEXT OF YOUR FAMILY, 500 00:17:54,973 --> 00:17:56,642 SOME OF YOUR FAMILY MEMBERS, 501 00:17:56,742 --> 00:17:58,510 IF YOU'RE NOT PROVIDING MONETARILY, 502 00:17:58,610 --> 00:18:00,112 YOU'RE NOT A PROVIDER. 503 00:18:00,212 --> 00:18:02,147 I AM REALLY TRYING TO BE MORE SYMPATHETIC 504 00:18:02,247 --> 00:18:04,550 ABOUT ANDRE AND HIS SITUATION, BUT WHAT DOES HE THINK? 505 00:18:04,650 --> 00:18:06,685 I MEAN, YOU HAVE TO DO WHAT YOU HAVE TO DO 506 00:18:06,785 --> 00:18:08,454 TO TAKE CARE OF YOUR FAMILY, SOMETIMES. 507 00:18:08,554 --> 00:18:10,022 IT'S NOT ALL ABOUT WHAT YOU WANT. 508 00:18:10,122 --> 00:18:12,591 DO YOU THINK MY HEART IS IN BEING A PERSONAL 509 00:18:12,691 --> 00:18:14,326 OR EXECUTIVE ASSISTANT? 510 00:18:14,426 --> 00:18:16,061 DO YOU THINK MY HEART IS IN THAT? 511 00:18:16,161 --> 00:18:17,529 YOU'VE NEVER EXPRESSED ANY REALLY-- 512 00:18:17,629 --> 00:18:19,198 I HAVE. 513 00:18:19,298 --> 00:18:21,366 THIS HAS BEEN A CONSTANT CONVERSATION. 514 00:18:21,467 --> 00:18:23,569 BUT WILL YOU JUST LOOK AT IT? 515 00:18:23,669 --> 00:18:25,404 WILL YOU GO DOWN TO THE SCHOOL SYSTEM? 516 00:18:25,504 --> 00:18:27,139 YES, I W-- I PROMISED YOU I WOULD DO THAT. 517 00:18:27,239 --> 00:18:28,907 WELL, YOU DO THAT AND I'LL READ IT. 518 00:18:29,007 --> 00:18:31,043 - WOW! - WHAT? 519 00:18:31,143 --> 00:18:33,545 YOU SAID WE WOULD COMPROMISE-- THAT'S COMPROMISE! 520 00:18:33,645 --> 00:18:35,414 - SO, THIS REALLY-- - COMPROMI-- I SAW IT IN HERE. 521 00:18:35,514 --> 00:18:38,016 "COMPROMISE"-- SEE WHAT I'M SAYIN'? 522 00:18:38,117 --> 00:18:39,818 I THINK THIS BOOK IS REALLY GOOD. 523 00:18:39,918 --> 00:18:41,420 THE ONLY THING I HOPE NOW IS THAT, 524 00:18:41,520 --> 00:18:43,789 AFTER SHE READS THIS, SHE'LL BELIEVE IN ME AGAIN. 525 00:18:43,889 --> 00:18:45,624 'KAY, CAN WE SHAKE ON IT? 526 00:18:45,724 --> 00:18:47,960 PROMISE. - MMM. 527 00:18:48,060 --> 00:18:49,862 - READ THE MANUAL. - GET A JOB. 528 00:18:49,962 --> 00:18:51,430 READ IT! 529 00:18:51,530 --> 00:18:54,666 B-O-O-K-- WE WILL BE, O-OKAY. 530 00:18:54,766 --> 00:18:57,469 J-O-B-- YOU WILL GET A J-O-B. 531 00:18:59,171 --> 00:19:01,406 COMING UP, ON "BRAXTON FAMILY VALUES"... 532 00:19:01,507 --> 00:19:04,042 YOU PUT G.P.S. ON MY PHONE! 533 00:19:04,143 --> 00:19:06,111 YOU PUT A TRACKER ON MY PHONE! 534 00:19:06,211 --> 00:19:07,613 YOU, AND YOUR COUCH, 535 00:19:07,713 --> 00:19:09,014 AND THAT HORSE THAT YOU JUST RODE UP IN ON! 536 00:19:09,114 --> 00:19:10,349 'CAUSE THAT'S SOME BULL , 537 00:19:10,449 --> 00:19:12,251 RIGHT THERE, GABE! 538 00:19:32,070 --> 00:19:32,136 I'M 539 00:19:32,137 --> 00:19:32,203 I'M AT 540 00:19:32,204 --> 00:19:32,436 I'M AT THIS 541 00:19:32,437 --> 00:19:32,603 I'M AT THIS PROMOTIONAL 542 00:19:32,604 --> 00:19:32,670 I'M AT THIS PROMOTIONAL CONCERT 543 00:19:32,671 --> 00:19:34,071 I'M AT THIS PROMOTIONAL CONCERT IN 544 00:19:34,072 --> 00:19:35,073 I'M AT THIS PROMOTIONAL CONCERT IN CHICAGO, 545 00:19:35,174 --> 00:19:37,543 FOR THE RADIO STATION THAT I'M HOSTING ON TOMORROW. 546 00:19:37,643 --> 00:19:39,311 I MEAN, IT'S SO BIG. 547 00:19:39,411 --> 00:19:41,079 IT'S, LIKE, BIGGER THAN I THOUGHT IT WOULD EVER BE. 548 00:19:41,180 --> 00:19:42,915 LIKE, IT'S SO MANY PEOPLE. 549 00:19:43,015 --> 00:19:44,583 IT'S CRAZY. 550 00:19:46,752 --> 00:19:48,387 I HAVE NOT SEEN THIS MANY PEOPLE 551 00:19:48,487 --> 00:19:50,789 SINCE I WAS SINGIN' BACKGROUND FOR TONI, BACK IN THE DAY. 552 00:19:50,889 --> 00:19:52,824 I CAN'T BELIEVE ALL THESE PEOPLE LISTEN TO THIS RADIO STATION 553 00:19:52,925 --> 00:19:54,826 AND I HAVE TO HOST IT TOMORROW. 554 00:19:54,927 --> 00:19:57,062 LIKE, I AM SO NERVOUS RIGHT NOW. 555 00:19:57,162 --> 00:19:59,631 WHAT'S UP, EVERYBODY? 556 00:19:59,731 --> 00:20:02,067 DOT COM! 557 00:20:02,167 --> 00:20:03,869 I'M JUST STARTIN' TO FEEL LIKE THIS IS GONNA BE, LIKE, 558 00:20:03,969 --> 00:20:05,537 A SERIOUS SITUATION OR SOMETHING. 559 00:20:05,637 --> 00:20:07,806 LIKE, ALL OF THESE PEOPLE ARE GONNA BE LISTENING TO ME 560 00:20:07,906 --> 00:20:09,374 IN THE MORNING? 561 00:20:09,474 --> 00:20:10,876 YES, THEY ARE-- I'M SO EXCITED ABOUT IT. 562 00:20:10,976 --> 00:20:12,778 I DON'T KNOW WHAT TO DO WITH MYSELF. 563 00:20:12,878 --> 00:20:14,580 MY NAME IS TAMAR BRAXTON, 564 00:20:14,680 --> 00:20:17,182 AND I AM SO EXCITED TO BE HERE IN CHICAGO. 565 00:20:17,282 --> 00:20:20,018 I'M HERE ON BEHALF OF MY W-G-C-I FAMILY. 566 00:20:20,118 --> 00:20:22,988 EVERYBODY LISTENS, RIGHT? 567 00:20:23,088 --> 00:20:26,358 I AM OFFICIALLY TAKING OVER THE MORNING RIOT. 568 00:20:28,760 --> 00:20:30,729 SO, ON MONDAY AND TUESDAYS, 569 00:20:30,829 --> 00:20:34,633 DON'T YOU GUYS FORGET TO TUNE IN! 570 00:20:34,733 --> 00:20:36,368 SO, I'M GONNA GET OUTTA HERE, 571 00:20:36,468 --> 00:20:38,103 AND WE WILL GET BACK TO THIS MUSIC, 572 00:20:38,203 --> 00:20:40,305 'CAUSE I WANT TO FINISH DANCING! 573 00:20:40,405 --> 00:20:42,007 ALL RIGHT? 574 00:20:42,107 --> 00:20:43,308 CAN WE BUST SOME MUSIC? 575 00:20:43,408 --> 00:20:44,710 I'M READY TO GET MY DANCIN' ON. 576 00:20:44,810 --> 00:20:47,045 I GOT MY DANCIN' SHOES, I'M ABOUT TO SWING MY WIG. 577 00:20:47,145 --> 00:20:49,781 I'M ABOUT TO GET IT BOPPING! 578 00:20:49,881 --> 00:20:52,951 GIVE IT UP FOR TAMAR BRAXTON! 579 00:20:53,051 --> 00:20:55,087 AND I KNOW EXACTLY WHAT VINCENT'S THINKING, 580 00:20:55,187 --> 00:20:57,189 "THIS GIRL IS IN WAY OVER HER HEAD." 581 00:20:57,289 --> 00:20:58,857 UH, NO, SHE IS NOT. 582 00:20:58,957 --> 00:21:00,926 SHE'S DOING JUST FINE-- THANK YOU VERY MUCH. 583 00:21:01,026 --> 00:21:02,894 THIS IS BIG, THIS IS REAL BIG. 584 00:21:02,995 --> 00:21:05,430 THAT'S REAL BIG-- IT'S BIG, THAT'S HOT. 585 00:21:05,530 --> 00:21:07,599 YOU GONNA BE ALL OVER FACEBOOK. 586 00:21:07,699 --> 00:21:09,601 ALL OVER FACEBOOK. 587 00:21:09,701 --> 00:21:11,637 SHE HOT. 588 00:21:11,737 --> 00:21:14,172 TAMAR! 589 00:21:14,273 --> 00:21:16,508 OKAY-- HI, HOW ARE YOU? 590 00:21:16,608 --> 00:21:18,076 OH, MY GOD, IT'S SO MANY PEOPLE, 591 00:21:18,176 --> 00:21:19,678 AND I KEEP HEARIN' MY NAME. 592 00:21:19,778 --> 00:21:21,613 "TAMAR, TAMAR-- DOT COM, DOT COM!" 593 00:21:21,713 --> 00:21:23,482 AND I'M JUST LIKE, "MY FANS REALLY, REALLY, 594 00:21:23,582 --> 00:21:25,117 "REALLY LOVE ME!" 595 00:21:25,217 --> 00:21:27,185 I MEAN, I DON'T BLAME THEM. 596 00:21:27,286 --> 00:21:28,787 YOU'RE THE NEXT SUPERSTAR! 597 00:21:28,887 --> 00:21:30,956 NEXT SUPERSTAR! 598 00:21:31,056 --> 00:21:32,991 THEY JUST GOT ME SO NERVOUS FOR TOMORROW. 599 00:21:33,091 --> 00:21:35,193 I JUST REALLY WANNA DO A GREAT JOB. 600 00:21:51,209 --> 00:21:52,978 - WHO DID THIS TO MY PILLOW? - I DON'T KNOW. 601 00:21:53,078 --> 00:21:54,579 I'M TELLING YOU, ALL I NEED IS A NEEDLE AND THREAD. 602 00:21:54,680 --> 00:21:56,014 YOU HAVE A NEEDLE AND THREAD? 603 00:21:56,114 --> 00:21:57,282 PROBABLY SOMEWHERE AROUND HERE. 604 00:21:57,382 --> 00:21:58,450 I CAN FIX IT! 605 00:21:58,550 --> 00:22:00,652 IT IS IMPORTANT FOR ME TO GET TRINA'S HONEST OPINION 606 00:22:00,752 --> 00:22:02,387 ABOUT ANDRE'S BOOK, 607 00:22:02,487 --> 00:22:04,156 BECAUSE HE'S FINALLY REACHING OUT TO ME. 608 00:22:04,256 --> 00:22:05,691 GUESS WHAT? 609 00:22:05,791 --> 00:22:09,695 ANDRE IS WRITING A BOOK, AND IT'S CALLED-- GET THIS. 610 00:22:09,795 --> 00:22:12,497 "69 WAYS TO A BETTER RELATIONSHIP." 611 00:22:12,597 --> 00:22:14,266 - IS IT A SEX BOOK? - NO, TRINA. 612 00:22:14,366 --> 00:22:16,101 OH, SO, Y'ALL GETTIN' BACK TOGETHER, HMM? 613 00:22:16,201 --> 00:22:18,070 SO, YOU'RE NOT SAYIN', "NO"-- YOU NOT SAYIN', "YES." 614 00:22:18,170 --> 00:22:19,871 YOU'RE JUST NOT SAYIN' ANYTHING. 615 00:22:19,971 --> 00:22:22,441 TRINA, WHY CAN'T YOU JUST SAY, "OKAY, , 616 00:22:22,541 --> 00:22:24,209 "TELL ME MORE ABOUT THE BOOK?" - 'CAUSE I'M NOSY. 617 00:22:24,309 --> 00:22:25,277 WHY CAN'T WE TALK ABOUT THE BOOK? 618 00:22:25,377 --> 00:22:26,445 YOU ARE NOSY. 619 00:22:26,545 --> 00:22:27,612 LOOK, LET ME BE NOSY FOR A SECOND. 620 00:22:27,713 --> 00:22:28,647 I'M NOSY, I'M NOSY. - YOU ARE NOSY, YOU ARE NOSY. 621 00:22:28,747 --> 00:22:29,581 YES, YOU ARE, BUT YOU CAN'T HELP YOURSELF. 622 00:22:29,681 --> 00:22:30,415 YOU CAN'T HELP IT. - I CAN'T HELP IT. 623 00:22:30,515 --> 00:22:31,116 I CAN'T, BUT-BUT I CAN ADMIT IT. 624 00:22:31,216 --> 00:22:32,351 YEAH, IT'S HONEST, YEAH. 625 00:22:32,451 --> 00:22:34,586 I HAVEN'T HEARD TOWANDA SAY ANYTHING NICE ABOUT ANDRE 626 00:22:34,686 --> 00:22:36,254 IN YEARS. 627 00:22:36,355 --> 00:22:38,256 I THINK SHE'S STARTING TO LIKE HIM AGAIN. 628 00:22:38,357 --> 00:22:40,359 AND, IT SEEMS LIKE YOU'RE GIVING HIM AN OPPORTUNITY, 629 00:22:40,459 --> 00:22:41,593 TOWANDA. 630 00:22:41,693 --> 00:22:43,528 DON'T GET MAD. - TRINA, WHO SAID I WAS MAD? 631 00:22:43,628 --> 00:22:44,830 BECAUSE I'M SITTING HERE IN SILENCE? 632 00:22:44,930 --> 00:22:46,231 YOU, 'CAUSE-JUST 'CAUSE-JUST 'CAUSE YOU DON'T WANNA SAY 633 00:22:46,331 --> 00:22:48,166 THAT WE GETTIN' BACK TOGETHER. - BUT I'M JUST SITTIN' HERE. 634 00:22:48,266 --> 00:22:49,568 THAT-THAT DOESN'T MEAN ANYTHING. 635 00:22:49,668 --> 00:22:51,536 THERE'S NOTHIN' WRONG WITH GETTIN' BACK TOGETHER. 636 00:22:51,636 --> 00:22:54,539 GETTING BACK TOGETHER IS GOOD. 637 00:22:54,639 --> 00:22:56,308 TRINA, I'M ABOUT TO THROW YOU IN A LAKE. 638 00:22:56,408 --> 00:22:57,509 WHY? 639 00:22:57,609 --> 00:23:00,045 IT IS REALLY DIFFICULT FOR ME TO HEAR ANYTHING 640 00:23:00,145 --> 00:23:02,180 TRINA HAS TO SAY ABOUT ME AND ANDRE, 641 00:23:02,280 --> 00:23:04,816 PERTAINING TO OUR RELATIONSHIP OR JUST HIM, 642 00:23:04,916 --> 00:23:08,153 BECAUSE TRINA'S RELATIONSHIP IS IN THE CRAPHOLE! 643 00:23:08,253 --> 00:23:11,323 SO, WHEN DOES HE THINK THAT THE BOOK'S GONNA BE RELEASED? 644 00:23:11,423 --> 00:23:13,425 - I DON'T KNOW. - IS HE FINISHED? 645 00:23:13,525 --> 00:23:15,127 IS IT DONE? 646 00:23:15,227 --> 00:23:16,428 HE'S TWEAKIN' IT A LITTLE BIT NOW. 647 00:23:16,528 --> 00:23:17,863 MMM-HMM. 648 00:23:17,963 --> 00:23:19,498 'CAUSE I TOLD HIM HE NEEDED TO MAKE SOME CHANGES. 649 00:23:19,598 --> 00:23:20,866 SO, YOU DIDN'T READ IT AT ALL? 650 00:23:20,966 --> 00:23:22,234 I DID-- I READ IT. 651 00:23:22,334 --> 00:23:24,336 IS IT 69 CHAPTERS, OR THERE ARE JUST, LIKE, 652 00:23:24,436 --> 00:23:26,238 SIXTY NINE JUST TOPICS? - THERE ARE-- 653 00:23:26,338 --> 00:23:29,541 IT'S 69 TOPICS AND THERE'S ACTUALLY 69 PAGES. 654 00:23:29,641 --> 00:23:31,810 "SIXTY NINE WAYS." 655 00:23:31,910 --> 00:23:33,211 I'MA READ IT. - I KNOW YOU ARE. 656 00:23:33,311 --> 00:23:37,682 I THINK IT'S GONNA HAVE SOME SEXUAL LITTLE... 657 00:23:37,783 --> 00:23:38,850 POINTS TO IT. 658 00:23:38,950 --> 00:23:40,519 IS THAT WHY YOU'RE GONNA READ IT, TRINA? 659 00:23:40,619 --> 00:23:41,753 NO, I'M GONNA READ IT 'CAUSE I'M GONNA SUPPORT 660 00:23:41,853 --> 00:23:43,155 MY BROTHER-IN-LAW. 661 00:23:43,255 --> 00:23:45,157 'CAUSE THAT'S MY BROTHER-IN-LAW. 662 00:23:45,257 --> 00:23:46,958 DO YOU AND ANDRE STILL DO THE BOOTY? 663 00:23:47,058 --> 00:23:48,126 - NO. - 'CAUSE I SAW THE WAY 664 00:23:48,226 --> 00:23:49,561 HE LOOKED AT YOUR BOOTY THE OTHER DAY. 665 00:23:49,661 --> 00:23:51,496 I THINK TOWANDA AND ANDRE ARE STILL TOGETHER. 666 00:23:51,596 --> 00:23:53,498 I THINK THEY STILL DOIN' A LITTLE WHAT-WHAT, HEY-HEY. 667 00:23:53,598 --> 00:23:55,066 A LITTLE SNEAK-SNEAK, GET IT IN-IN. 668 00:23:55,167 --> 00:23:56,268 THAT'S WHAT I THINK. 669 00:23:56,368 --> 00:23:57,302 WATCH-- THIS IS YOUR BOOTY, 670 00:23:57,402 --> 00:23:58,603 'CAUSE YOU DO HAVE A APPLE BOOTY, 671 00:23:58,703 --> 00:24:00,572 AND THESE ARE HIS EYES-- LOOK. 672 00:24:06,077 --> 00:24:07,112 THAT'S HOW GABE LOOKS AT YOUR BOOTY. 673 00:24:07,212 --> 00:24:09,581 AND THEN, YOU BEND OVER-- LOOK. 674 00:24:09,681 --> 00:24:12,350 THAT HOW-THIS IS HOW GABE LOOKS AT YOUR BOOTY. 675 00:24:12,451 --> 00:24:13,985 NICE BOOTY FOR TRINA. 676 00:24:14,085 --> 00:24:17,823 THIS HOW GABE LOOKS AT YOUR BOOTY-- YOU READY? 677 00:24:24,329 --> 00:24:26,665 COMING UP, ON "BRAXTON FAMILY VALUES"... 678 00:24:26,765 --> 00:24:28,266 I'M SORRY. 679 00:24:28,366 --> 00:24:30,168 - SEE YOUR APOLOGY? - NO. 680 00:24:30,268 --> 00:24:31,436 WELL, YOU KNOW WHAT, GABE. 681 00:24:31,536 --> 00:24:32,904 I JUST SCREWED SOMEBODY LAST NIGHT, BUT I'M SORRY. 682 00:24:33,004 --> 00:24:34,806 I CAN'T CHANGE IT. - HOW WAS IT? 683 00:24:34,906 --> 00:24:37,375 HE'S HUNG LIKE A HORSE. 684 00:24:39,678 --> 00:24:39,844 WHAT 685 00:24:39,845 --> 00:24:40,010 WHAT HAPPENED? 686 00:24:40,011 --> 00:24:40,177 - WHAT HAPPENED? - TRACI 687 00:24:40,178 --> 00:24:40,277 - WHAT HAPPENED? - TRACI UNDERARMS 688 00:24:40,278 --> 00:24:42,079 - WHAT HAPPENED? - TRACI UNDERARMS AIN'T 689 00:24:42,080 --> 00:24:42,581 - WHAT HAPPENED? - TRACI UNDERARMS AIN'T SHAVED. 690 00:24:42,681 --> 00:24:44,683 I DIDN'T SHAVE 'EM. 691 00:24:46,852 --> 00:24:48,753 OKAY, SO, YOU CAN'T BE ON STAGE WITH US-- 692 00:24:48,854 --> 00:24:50,388 YOU CAN'T BE ON STAGE, YOU CAN'T BE IN THE STORE, 693 00:24:50,489 --> 00:24:52,757 YOU CAN'T BE AT WALMART, YOU CAN'T BE AT, UM-- 694 00:24:52,858 --> 00:24:54,960 - TAMAR, TAMAR, TAMAR, TAMAR! - NO WAY, WITH YOUR UNDERARMS 695 00:24:55,060 --> 00:24:56,495 NOT SHAVED. - TAMAR! 696 00:24:56,595 --> 00:24:58,230 REFOCUS. 697 00:24:58,330 --> 00:25:00,131 TRAY, YOU CAN'T BE ON STAGE WITH YOUR UNDERARMS LIKE THAT, 698 00:25:00,232 --> 00:25:01,299 OKAY? 699 00:25:01,399 --> 00:25:02,567 LET'S DO LASER. 700 00:25:02,667 --> 00:25:03,969 WELL, DOES YOUR LOOK LIKE THAT! 701 00:25:04,069 --> 00:25:05,770 - NO. - TAMAR. 702 00:25:05,871 --> 00:25:09,074 BELIEVE IT OR NOT, LIKE MY LEGS, IT'S-- 703 00:25:09,174 --> 00:25:10,809 YOU AIN'T GOT NO HAIR DOWN THERE? 704 00:25:10,909 --> 00:25:12,077 - NOT REALLY. - WHY? 705 00:25:12,177 --> 00:25:14,012 I DON'T KNOW-- I WAS ALWAYS LIKE THAT. 706 00:25:14,112 --> 00:25:16,147 I'M TRYIN' TELL YA. - NO, I TAKE YOUR WORD FOR IT. 707 00:25:16,248 --> 00:25:18,116 I DON'T WANNA SEE-- I DON'T WANNA THINK ABOUT IT. 708 00:25:18,216 --> 00:25:19,417 IF I COULD PULL THESE THINGS DOWN. 709 00:25:19,518 --> 00:25:20,886 DON'T PULL YOUR PANTS DOWN. 710 00:25:22,721 --> 00:25:24,222 DO WE HAVE TO TALK ABOUT YOUR VA-JAY-JAY? 711 00:25:24,322 --> 00:25:25,790 OKAY, TAMAR, ONCE YOU'RE FINISHED GAGGIN'. 712 00:25:25,891 --> 00:25:28,760 IT'S JUST LIKE MY LEGS-- I DON'T-I DON'T KNOW WHY. 713 00:25:28,860 --> 00:25:30,629 TAMAR, HOW ARE YOUR UNDERARMS? 714 00:25:30,729 --> 00:25:31,796 LET ME SEE YOURS. - PERFECT. 715 00:25:31,897 --> 00:25:33,832 I'M JUST MAKIN' SURE-- GOOD. 716 00:25:42,007 --> 00:25:42,039 SO, 717 00:25:42,040 --> 00:25:42,139 SO, I 718 00:25:42,140 --> 00:25:42,172 SO, I SHOW 719 00:25:42,173 --> 00:25:42,273 SO, I SHOW UP 720 00:25:42,274 --> 00:25:42,373 SO, I SHOW UP FOR 721 00:25:42,374 --> 00:25:42,473 SO, I SHOW UP FOR MY 722 00:25:42,474 --> 00:25:42,606 SO, I SHOW UP FOR MY RADIO 723 00:25:42,607 --> 00:25:44,074 SO, I SHOW UP FOR MY RADIO HOSTING 724 00:25:44,075 --> 00:25:44,776 SO, I SHOW UP FOR MY RADIO HOSTING JOB 725 00:25:44,876 --> 00:25:46,511 AT, LIKE, THE ASS CRACK OF DAWN, 726 00:25:46,611 --> 00:25:48,313 AND I'M JUST, LIKE, SUPER NERVOUS. 727 00:25:48,413 --> 00:25:50,916 I REALLY WANNA DO A GOOD JOB. 728 00:25:51,016 --> 00:25:53,018 SHERMAN. - NOT A LOT OF TIME. 729 00:25:53,118 --> 00:25:55,253 HELLO-- WE GOTTA GET TO WORK. - I KNOW-- GOOD MORNING. 730 00:25:58,657 --> 00:26:00,492 SO, WHAT AM I DOING? 731 00:26:00,592 --> 00:26:02,527 - EVERYTHING-- IT'S ALL YOU. - RIGHT, I SEE THAT. 732 00:26:02,627 --> 00:26:04,129 I'M THE ONLY PERSON HERE. 733 00:26:04,229 --> 00:26:06,364 SO, I AM THE ONLY ONE THAT'S CRAZY ENOUGH 734 00:26:06,464 --> 00:26:08,266 TO GET HERE AT, LIKE, 5:00 IN THE MORNING, 735 00:26:08,366 --> 00:26:10,669 AND I DO LOOK GOOD, IF I MUST SAY SO MYSELF. 736 00:26:10,769 --> 00:26:12,637 YES, I DO. 737 00:26:14,706 --> 00:26:16,408 GOOD MORNING! 738 00:26:16,508 --> 00:26:18,877 DOT COM, EVERYBODY-- IT'S 5:02, G-C-I. 739 00:26:18,977 --> 00:26:21,846 THIS IS TAMAR MORNING RIOT TAKEOVER! 740 00:26:21,947 --> 00:26:23,248 WHAT Y'ALL DO THIS WEEKEND? 741 00:26:23,348 --> 00:26:26,217 I WANNA KNOW WHAT-WHAT'S POPPIN' IN CHICAGO! 742 00:26:26,318 --> 00:26:28,787 ANYWAY, UM, CALL ME-- LET ME KNOW. 743 00:26:28,887 --> 00:26:30,555 DON'T BE PLAYIN' WITH ME-- DON'T TWEET ME. 744 00:26:30,655 --> 00:26:32,724 CALL ME-- G-C-I. 745 00:26:34,993 --> 00:26:36,861 YOU FORGOT ALL ABOUT THE LINE-UP, RIGHT HERE. 746 00:26:36,962 --> 00:26:38,930 - WHAT WAS THE LINE-UP? - THE WOODSTARS LINE-UP. 747 00:26:39,030 --> 00:26:40,365 THAT'S WHAT I'M-- WOODSTAR. 748 00:26:40,465 --> 00:26:42,300 THIS RIGHT HERE, IN FRONT OF YOU. 749 00:26:42,400 --> 00:26:44,102 YOU DIDN'T TELL ME ABOUT WHAT THE HELL A WOODSTAR WAS! 750 00:26:44,202 --> 00:26:45,337 YEAH, I DID. 751 00:26:45,437 --> 00:26:46,638 WOODSTAR WAS THE NAME OF THE SPONSOR 752 00:26:46,738 --> 00:26:48,039 THAT I WAS SUPPOSED TO SAY ON THE AIR, 753 00:26:48,139 --> 00:26:50,809 AND I GOT SO NERVOUS, I FORGOT TO DO IT. 754 00:26:50,909 --> 00:26:52,577 - HEY... SO-- - HEY. 755 00:26:52,677 --> 00:26:53,912 AND THEN, THIS FOOL GONNA TELL ME, 756 00:26:54,012 --> 00:26:55,246 "YOU FORGOT ABOUT THE WOODSTAR." 757 00:26:55,347 --> 00:26:56,815 I SAID, "LOOK, BUT YOU DIDN'T TELL ME TO READ IT!" 758 00:26:56,915 --> 00:26:59,150 - I DID, I PUT IT RIGHT THERE-- - YEAH, BUT YOU DIDN'T SAY IT! 759 00:26:59,250 --> 00:27:01,486 I'M GONNA PUT IT IN BIG, BOLD LETTERS. 760 00:27:01,586 --> 00:27:04,189 I'M GOING TO PUT IT IN BIG, BOLD LETTERS NEXT TIME. 761 00:27:04,289 --> 00:27:05,957 THEN YOU GONNA TALK ABOUT, "YOU FORGOT TO SAY THAT." 762 00:27:06,057 --> 00:27:07,726 LIKE, BUT YOU DIDN'T POINT TO IT, 763 00:27:07,826 --> 00:27:10,562 NOR DID YOU TELL ME TO DO IT! - YO, HEY-HEY-HEY-HEY! 764 00:27:10,662 --> 00:27:12,063 GONNA GET IT RIGHT NEXT TIME. 765 00:27:12,163 --> 00:27:14,032 OKAY, WE'LL GET IT RIGHT-- GOOD MORNING! 766 00:27:14,132 --> 00:27:15,967 - HEY. - MORNING'. 767 00:27:16,067 --> 00:27:18,236 - DREA, IT'S TOO DAMN EARLY. - SPARKLE, SPARKLE, DREA, 768 00:27:18,336 --> 00:27:21,373 AND YOU'VE ALREADY MET TAMAR. - WHOA! 769 00:27:21,473 --> 00:27:23,208 DAMN, I THOUGHT I WAS THE ONLY ONE SCREWIN' UP 770 00:27:23,308 --> 00:27:24,542 THIS MORNING. 771 00:27:24,643 --> 00:27:26,277 I MEAN, IT'S NICE TO KNOW THAT REGULAR DJ'S 772 00:27:26,378 --> 00:27:28,113 MESS UP ALL THE TIME, TOO. 773 00:27:28,213 --> 00:27:29,547 WHAT'S UP, EVERYBODY? 774 00:27:29,648 --> 00:27:32,384 THIS IS TAMAR AND IT'S THE TAMAR MORNING RIOT TAKEOVER! 775 00:27:32,484 --> 00:27:34,653 - GOOD JOB, MY FRIEND. - THANK, DARLING. 776 00:27:34,753 --> 00:27:36,421 TAMAR BRAXTON IS DEFINITELY TAKING OVER. 777 00:27:36,521 --> 00:27:37,722 YOUR GIRL, NINA CHANTELLE. 778 00:27:37,822 --> 00:27:39,524 SO, WHAT IS IT TOO DAMN EARLY FOR, FOR YOU? 779 00:27:39,624 --> 00:27:42,327 - G-C-I, GOOD MORNING. - WHAT UP? 780 00:27:42,427 --> 00:27:44,262 WHAT UP? 781 00:27:44,362 --> 00:27:46,264 IT'S MY BIRTHDAY AND I'M PACKIN'. 782 00:27:46,364 --> 00:27:49,334 TAMAR, DO YOU WANNA GIVE HIM A SLIGHT HAPPY BIRTHDAY SONG? 783 00:27:49,434 --> 00:27:50,935 I DON'T-- HAPPY BIRTHDAY. 784 00:27:51,036 --> 00:27:53,071 SO, IT'S TOO DAMN EARLY TO BE SINGIN' "HAPPY BIRTHDAY." 785 00:27:53,171 --> 00:27:54,706 IT'S 5:30. 786 00:27:54,806 --> 00:27:56,908 SO, WHAT'S IT TOO DAMN EARLY FOR YOU FOR? 787 00:27:57,008 --> 00:27:59,144 I CAN BARELY HEAR YOU-- WHAT-WHAT UP? 788 00:27:59,244 --> 00:28:00,612 THAT'S RIGHT-- GO AHEAD WITH THE DRINKS. 789 00:28:00,712 --> 00:28:01,680 HAVE A GOOD DAY, OKAY? 790 00:28:01,780 --> 00:28:02,914 HAPPY BIRTHDAY! 791 00:28:03,014 --> 00:28:04,049 IT'S TOO DAMN EARLY TO BE DRUNK! 792 00:28:04,149 --> 00:28:05,083 GOOD LORD-- IT'S TOO DAMN EARLY. 793 00:28:05,183 --> 00:28:06,551 - HOW 'BOUT THAT? - VINCE, YOU BACK? 794 00:28:06,651 --> 00:28:07,886 VINCE, I'M GONNA CURSE HIM OUT. 795 00:28:07,986 --> 00:28:09,354 SUGAR PLUM! 796 00:28:09,454 --> 00:28:10,422 CAN I GET-- - YOU LOOK HANDSOME. 797 00:28:10,522 --> 00:28:11,389 I LIKE THE COLOR. 798 00:28:11,489 --> 00:28:12,490 SIT WITH US, 'CAUSE, SEE-- 799 00:28:12,590 --> 00:28:13,725 I'M NOT MESSIN'-I'M NOT MESSIN' WITH TAMAR 800 00:28:13,825 --> 00:28:15,026 THIS MORNING. 801 00:28:15,126 --> 00:28:17,662 NOW, WHY WE GOTTA-WHY WE GOTTA BRING OUR PROBLEMS TO WORK? 802 00:28:17,762 --> 00:28:19,698 YOU SHOULDN'T BRING YOUR PROBLEMS TO WORK, MAN. 803 00:28:19,798 --> 00:28:21,733 VINCE WAS COMPLAINING ALL NIGHT 804 00:28:21,833 --> 00:28:23,401 AT THE HOTEL LAST NIGHT. 805 00:28:23,501 --> 00:28:25,270 I'M JUST LIKE, "VINCE, CAN'T YOU JUST, LIKE, CHILLAX, 806 00:28:25,370 --> 00:28:27,706 "AND, LIKE, STAND HERE AND SUPPORT ME?" 807 00:28:27,806 --> 00:28:29,374 WE AIN'T EVEN PRAY YET. 808 00:28:29,474 --> 00:28:31,776 YOU SAY, "THANK YOU, LORD, FOR ANOTHER DAY." 809 00:28:31,876 --> 00:28:33,878 YOU AIN'T EVEN SAY THAT. - WHO YOU TALKIN' TO, ME? 810 00:28:33,978 --> 00:28:35,380 - I SAID IT JUST NOW, FOR US. - OH. 811 00:28:35,480 --> 00:28:37,882 IT'S 77 DEGREES, AT 6:30. 812 00:28:37,982 --> 00:28:40,251 TONY'S CALLIN' THE MORNING RIOT, BUT, TODAY, IT IS... 813 00:28:40,351 --> 00:28:43,388 TAMAR MORNING RIOT TAKEOVER. 814 00:28:43,488 --> 00:28:45,023 ALL RIGHT, SO, 815 00:28:45,123 --> 00:28:46,758 THERE ARE A COUPLE OF THINGS THAT WE WANTED TO TALK ABOUT. 816 00:28:46,858 --> 00:28:50,128 TAMAR AND I WERE DISCUSSING SOME GOSSIP OVER THE WEEKEND. 817 00:28:50,228 --> 00:28:51,963 SOME THINGS-- FIRST THINGS FIRST. 818 00:28:52,063 --> 00:28:53,398 OKAY, WELL, CAN WE-CAN WE TALK ABOUT 819 00:28:53,498 --> 00:28:56,000 NENE'S SON GETTING ARRESTED FOR SHOPLIFTING? 820 00:28:56,101 --> 00:28:58,036 CAN WE TALK ABOUT WHAT HE'S ARRESTED FOR? 821 00:28:58,136 --> 00:28:59,704 HOW 'BOUT Y'ALL-- NO, LISTEN, FOR REAL. 822 00:28:59,804 --> 00:29:03,274 HE STOLE A RAZOR-- WHO DOES THAT? 823 00:29:03,374 --> 00:29:05,710 RHIANNA ALMOST HAD A MICHAEL JACKSON EVENT. 824 00:29:05,810 --> 00:29:07,378 - YES. - YEAH! 825 00:29:07,479 --> 00:29:09,481 SHE WAS GONNA BE, LIKE, STUCK ON VICODIN AND PROPOFOL, 826 00:29:09,581 --> 00:29:11,449 BECAUSE SHE WAS GONNA GET BURNED, LITERALLY, 827 00:29:11,549 --> 00:29:12,751 FROM THE STAGE. 828 00:29:12,851 --> 00:29:14,085 LIKE, THE LIGHTS WENT ON FIRE. 829 00:29:14,185 --> 00:29:15,787 OH, DO WE CARE THAT JAY-Z STARTED A NEW ALBUM? 830 00:29:15,887 --> 00:29:17,756 DIDN'T HE JUST PUT ONE OUT, LIKE, THREE MONTHS AGO? 831 00:29:17,856 --> 00:29:20,024 YEAH, JAY-Z AND KANYE GOT A NEW ALBUM COMIN' OUT. 832 00:29:20,125 --> 00:29:21,826 WHAT-- I'M SORRY. 833 00:29:21,926 --> 00:29:23,595 WE LOVE YOU, JAY, BUT SIT DOWN. 834 00:29:23,695 --> 00:29:25,563 WHY DON'T Y'ALL HAVE A BABY-- GO ON VACATION. 835 00:29:25,663 --> 00:29:27,565 YES, BEYONCE, STOP MAKING ALBUMS 836 00:29:27,665 --> 00:29:29,067 AND SAME WITH YOU, JAY-Z. - YEAH! 837 00:29:29,167 --> 00:29:30,034 TAMAR AND VINCE, UM, 838 00:29:30,135 --> 00:29:31,970 ARE MY NEW BROTHER AND SISTER. - WHAT? 839 00:29:32,070 --> 00:29:34,339 WE'VE BEEN TEACHING THEM SPANISH ALL WEEKEND. 840 00:29:34,439 --> 00:29:36,975 SO, NOW THEY'RE BILINGUAL. - NINA. 841 00:29:37,075 --> 00:29:38,576 NINA. 842 00:29:38,676 --> 00:29:41,079 SHE'S WITH ME TODAY, ON THE TAMAR BRAXTON TAKEOVER. 843 00:29:41,179 --> 00:29:42,680 COMIN' UP NEXT, WE GOT OUR INBOX ISSUE. 844 00:29:42,781 --> 00:29:46,151 YES, IS YOUR MARRIAGE A DYING INSTITUTION? 845 00:29:46,251 --> 00:29:48,153 HEY, BABY, WHAT'S YOUR NAME AND WHERE ARE YOU CALLIN' FROM? 846 00:29:48,253 --> 00:29:50,088 THIS IS JAY, AND I'M CALLING FROM KILLEEN. 847 00:29:50,188 --> 00:29:53,525 MARRIAGE IS DEFINITELY A DYING INSTITUTION. 848 00:29:53,625 --> 00:29:55,693 IT STARTED TO GO DOWNHILL 849 00:29:55,794 --> 00:29:58,096 WHEN ALL THAT RAP MUSIC AND THE LYRICS STARTED HAPPENING. 850 00:29:58,196 --> 00:29:59,898 YOU CAN'T BLAME SOMEBODY CHEATIN' ON YOU 851 00:29:59,998 --> 00:30:02,300 'CAUSE OF RAP MUSIC, HONEY-- YOU GOTTA GET OVER THAT. 852 00:30:02,400 --> 00:30:04,402 THAT AIN'T-THAT AIN'T WHY! 853 00:30:04,502 --> 00:30:05,870 ANYWAY, THANKS FOR THE CALL, JAY. 854 00:30:05,970 --> 00:30:07,305 YEAH, THANK YOU, SUGAR PLUM. 855 00:30:07,405 --> 00:30:10,208 GOOD MORNING-- G-C-I. - HI, MY NAME IS VIRGINIA, 856 00:30:10,308 --> 00:30:12,477 AND I'VE BEEN MARRIED FOR 30 YEARS. 857 00:30:12,577 --> 00:30:13,978 ALL RIGHT! 858 00:30:14,078 --> 00:30:15,713 SO, THAT MEANS YOU ARE HAPPILY MARRIED. 859 00:30:15,814 --> 00:30:17,282 YEAH, VERY HAPPY. 860 00:30:17,382 --> 00:30:19,551 DON'T GET ME WRONG, WE'VE BEEN HAVING UP AND DOWNS. 861 00:30:19,651 --> 00:30:22,487 BUT, LIKE, JUST RECENTLY, HE WROTE ON A PIECE OF PAPER, 862 00:30:22,587 --> 00:30:24,489 THAT HE STUCK ON THE REFRIGERATOR, 863 00:30:24,589 --> 00:30:26,257 THAT WE'RE GETTING DIVORCED. 864 00:30:26,357 --> 00:30:28,526 - DANG! - YOU KNOW WHAT? 865 00:30:28,626 --> 00:30:30,061 "GOOD MORNING-- HAVE A NICE MEAL." 866 00:30:30,161 --> 00:30:31,529 LET ME JUST SAY, I-I THINK THAT'S HEALTHY, 867 00:30:31,629 --> 00:30:32,730 BECAUSE, THAT WAY, 868 00:30:32,831 --> 00:30:34,365 HE'S TELLING YOU HE'S NOT HAPPY RIGHT NOW, 869 00:30:34,465 --> 00:30:36,100 AND Y'ALL NEED TO TALK ABOUT SOME THINGS. 870 00:30:36,201 --> 00:30:37,936 THE MOST IMPORTANT THING IN YOUR MARRIAGE 871 00:30:38,036 --> 00:30:39,771 IS COMMUNICATION. - YES. 872 00:30:39,871 --> 00:30:41,873 AND-AND JUST REALLY, REALLY BE PATIENT, YOU KNOW? 873 00:30:41,973 --> 00:30:43,775 YOU GOTTA BE PATIENT IN A RELATIONSHIP, 874 00:30:43,875 --> 00:30:45,076 IS ANOTHER THING. - VINCE, 875 00:30:45,176 --> 00:30:46,377 ARE YOU PATIENT WITH TAMAR? 876 00:30:46,477 --> 00:30:49,113 I AM SO PATIENT WITH TAMAR THAT, YOU KNOW, GOSH! 877 00:30:49,214 --> 00:30:51,449 IT-IT'S SNOWIN' ONE DAY, RAININ' THE NEXT MOMENT. 878 00:30:51,549 --> 00:30:52,984 I'M JUST THERE FOR HER-- IT DOESN'T MATTER. 879 00:30:53,084 --> 00:30:55,119 - AND DITTO, BOO. - DITTO TO YOU, TOO, BOO. 880 00:30:57,822 --> 00:31:01,492 I THINK VINCE MIGHT REALLY LOVE THIS DEEJAYING GIG FOR ME, 881 00:31:01,593 --> 00:31:03,528 BECAUSE I THINK, SECRETLY, 882 00:31:03,628 --> 00:31:06,731 HE WANTS TO DO A RADIO SHOW WITH ME. 883 00:31:06,831 --> 00:31:08,600 WE'D BE A GOOD PAIR. - OW! 884 00:31:10,635 --> 00:31:12,370 - IT'S 6:42, ON G-C-I. - POINT-BLANK, PERIOD. 885 00:31:12,470 --> 00:31:14,973 POINT-BLANK, PERIOD. - W-G-C-I. 886 00:31:17,408 --> 00:31:19,944 YOU GUYS ARE CRAZY THIS MORNING. 887 00:31:20,044 --> 00:31:21,846 YES, I KILLED IT! 888 00:31:21,946 --> 00:31:23,915 I MEAN, I CAN BE A RADIO DJ AND A SINGER. 889 00:31:24,015 --> 00:31:26,317 I AM REALLY THAT GOOD-- FOR REAL, FOR REAL. 890 00:31:26,417 --> 00:31:27,719 GOOD JOB. I KNOW YOU HAPPY. 891 00:31:27,819 --> 00:31:29,787 WELL, GOOD-- SAY, "THAT GIRL WAS GOOD! 892 00:31:29,888 --> 00:31:31,789 "THAT GIRL WAS GOOD!" - SEXY CHOCOLATE! 893 00:31:31,890 --> 00:31:34,292 "THAT GIRL WAS GOOD! 894 00:31:34,392 --> 00:31:35,894 "TAMAR BRAXTON!" 895 00:31:35,994 --> 00:31:37,629 THE DEEJAYING GIG FOR TAMAR, IN CHICAGO, 896 00:31:37,729 --> 00:31:39,564 WAS A SUPER SUCCESS-- THEY LOVED HER. 897 00:31:39,664 --> 00:31:41,699 SHE KILLED IT-- SHE DID A GREAT, GREAT JOB. 898 00:31:41,799 --> 00:31:43,501 I'M VERY PROUD OF HER. 899 00:31:59,751 --> 00:32:01,953 - HEY. - HEY. 900 00:32:02,053 --> 00:32:04,756 I'M NOT SURPRISED THAT GABE CAME TO MY REHEARSAL. 901 00:32:04,856 --> 00:32:06,991 YOU KNOW, HE'S ALWAYS SNOOPIN' AROUND 902 00:32:07,091 --> 00:32:09,494 AND CHECKIN' ON ME AND BUGGIN' MY PHONE. 903 00:32:09,594 --> 00:32:12,196 GABE IS A STALKER. - WHO DID THE DISHES? 904 00:32:12,297 --> 00:32:15,333 THEY DID A HORRIBLE JOB. - THE BOYS, I'M SURE. 905 00:32:15,433 --> 00:32:17,235 TRINA'S BEEN OUT WITH THE BAND, 906 00:32:17,335 --> 00:32:19,437 PRACTICING AND REHEARSING A LOT LATELY. 907 00:32:19,537 --> 00:32:21,973 I DON'T KNOW WHO SHE'S WITH, WHAT THEY'RE DOING. 908 00:32:22,073 --> 00:32:23,775 I DON'T EVEN KNOW IF THEY'RE ACTUALLY REHEARSING, 909 00:32:23,875 --> 00:32:26,811 BECAUSE SHE WON'T LET ME GO DOWN TO THE STUDIO AND SEE THEM. 910 00:32:26,911 --> 00:32:29,781 IT'S A LOT, HAVING YOU GONE--IT'S MORE ON ME. 911 00:32:29,881 --> 00:32:33,851 LET'S BE HONEST. - MY PHONE'S ACTIN' FUNNY. 912 00:32:33,952 --> 00:32:35,620 JUST LET YOUR PHONE GO-- THE IPAD, 913 00:32:35,720 --> 00:32:37,789 THE FREAKIN' BLACKBERRY. - I CAN'T LET MY PHONE GO. 914 00:32:37,889 --> 00:32:40,625 I MEAN, IT KEEPS-IT KEEPS GOING TO A WHOLE 'NOTHER SCREEN, 915 00:32:40,725 --> 00:32:43,127 AND IT NEVER DID THAT BEFORE. 916 00:32:43,227 --> 00:32:45,697 I THINK I SHOULD COME CLEAN ABOUT WHAT I DID TO HER PHONE, 917 00:32:45,797 --> 00:32:48,032 BY PUTTING THE GPS SOFTWARE ON HER PHONE. 918 00:32:48,132 --> 00:32:50,601 HONESTLY, I FEEL LIKE IT'S MY FAULT, 919 00:32:50,702 --> 00:32:53,037 UH, FOR NOT TRUSTING HER, 920 00:32:53,137 --> 00:32:54,505 BECAUSE OF THE THAT I DID, 921 00:32:54,605 --> 00:32:57,241 AND THE STUFF THAT I'VE DONE IN MY PAST. 922 00:32:57,342 --> 00:33:00,645 I GOT YOUR PHONE AND I INSTALLED SOME SOFTWARE ON THERE 923 00:33:00,745 --> 00:33:03,915 THAT ALLOWS FOR ME TO TRACK EVERYTHING. 924 00:33:06,417 --> 00:33:08,953 COMING UP, ON "BRAXTON FAMILY VALUES"... 925 00:33:09,053 --> 00:33:11,422 WOMEN ARE EMOTIONAL CREATURES, AND GUESS WHAT? 926 00:33:11,522 --> 00:33:13,558 THE WAY YOU TREAT ME IS LIKE YOU'RE MY DAD, 927 00:33:13,658 --> 00:33:16,761 AND I'M SORRY-- I DON'T SCREW MY FATHER. 928 00:33:16,861 --> 00:33:18,429 OKAY. 929 00:33:22,767 --> 00:33:22,799 IT'S 930 00:33:22,800 --> 00:33:22,866 IT'S A 931 00:33:22,867 --> 00:33:23,000 IT'S A LOT, 932 00:33:23,001 --> 00:33:23,066 IT'S A LOT, HAVIN' 933 00:33:23,067 --> 00:33:23,200 IT'S A LOT, HAVIN' YOU 934 00:33:23,201 --> 00:33:23,300 IT'S A LOT, HAVIN' YOU GONE-- 935 00:33:23,301 --> 00:33:23,367 IT'S A LOT, HAVIN' YOU GONE-- IT'S 936 00:33:23,368 --> 00:33:23,433 IT'S A LOT, HAVIN' YOU GONE-- IT'S MORE 937 00:33:23,434 --> 00:33:25,002 IT'S A LOT, HAVIN' YOU GONE-- IT'S MORE ON 938 00:33:25,003 --> 00:33:26,070 IT'S A LOT, HAVIN' YOU GONE-- IT'S MORE ON ME. 939 00:33:26,170 --> 00:33:28,973 GABE IS STILL HAVING A PROBLEM WITH MY WORK SCHEDULE, 940 00:33:29,073 --> 00:33:31,876 AND HE'S GETTIN' JUST A LITTLE TOO PARANOID FOR MY TASTE. 941 00:33:31,976 --> 00:33:34,812 MY PHONE'S ACTIN' FUNNY. 942 00:33:34,912 --> 00:33:36,848 I-I GOT YOUR PHONE 943 00:33:36,948 --> 00:33:39,217 AND I INSTALLED SOME SOFTWARE ON THERE 944 00:33:39,317 --> 00:33:41,953 THAT ALLOWS FOR ME TO TRACK EVERYTHING. 945 00:33:43,788 --> 00:33:45,323 I'M GONNA KICK HIS ASS! 946 00:33:45,423 --> 00:33:47,125 I'M GONNA KICK HIS ASS SO FAR, 947 00:33:47,225 --> 00:33:49,494 THAT HE'S GONNA NEED A GPS SYSTEM TO FIND IT AGAIN. 948 00:33:49,594 --> 00:33:50,628 WELL, WHAT WAS IT? 949 00:33:50,728 --> 00:33:52,463 IT WAS CELL PHONE SPY SOFTWARE. 950 00:33:52,563 --> 00:33:54,499 - WAS GPS ON IT? - YES. 951 00:33:54,599 --> 00:33:56,300 DID YOU HAVE THE ABILITY TO TRACK WHERE I WAS, 952 00:33:56,401 --> 00:33:57,869 THROUGH MY PHONE? - DID I HAVE THE ABILITY? 953 00:33:57,969 --> 00:33:59,037 YES. 954 00:33:59,137 --> 00:34:00,271 WHY DO YOU DO THAT TO ME, GABE? 955 00:34:00,371 --> 00:34:01,773 BECAUSE YOU STILL FUNKY, YOU STILL STINK. 956 00:34:01,873 --> 00:34:03,808 YOU'RE STILL NASTY, COMMON, DIRTY AND LOW-DOWN! 957 00:34:03,908 --> 00:34:05,877 THAT'S WHAT IT IS-- YOU KEEP CHECKIN' ON ME 958 00:34:05,977 --> 00:34:08,079 BECAUSE YOU'RE NOT DOIN' THE RIGHT THING. 959 00:34:08,179 --> 00:34:09,947 THAT'S WHAT THAT IS. - THAT'S NOT TRUE. 960 00:34:10,048 --> 00:34:12,316 I DON'T UNDERSTAND WHY GABE THINKS 961 00:34:12,417 --> 00:34:14,452 HE SHOULD BE TRACKING ME. 962 00:34:14,552 --> 00:34:17,088 HE'S THE ONE WHO CHEATED-- I SHOULD BE TRACKING HIM. 963 00:34:17,188 --> 00:34:20,858 THEN, WHY DO YOU DO IT? - UM, BECAUSE I FEEL LIKE, 964 00:34:20,958 --> 00:34:22,860 DEEP INSIDE, YOU'RE STILL HURT. 965 00:34:22,960 --> 00:34:25,396 AND THAT, THAT HURT THAT YOU FEEL INSIDE, 966 00:34:25,496 --> 00:34:27,532 YOU'RE TRYING TO GET ME BACK. 967 00:34:27,632 --> 00:34:31,069 TRINA'S BEEN REAL UPSET AND ANGRY AT ME FOR SO LONG, 968 00:34:31,169 --> 00:34:35,173 UM, BECAUSE OF ME CHEATING AND BEING UNFAITHFUL. 969 00:34:35,273 --> 00:34:37,241 YOU ARE IN THE DOGHOUSE! 970 00:34:37,341 --> 00:34:39,677 YOU ARE NOT GETTING OUT ANY TIME SOON! 971 00:34:39,777 --> 00:34:41,612 SO, YOU WANNA JUST HANG ME UP ON THE CROSS-- 972 00:34:41,712 --> 00:34:43,848 YES, I DO-- ABSO--LUTELY! 973 00:34:43,948 --> 00:34:45,883 BECAUSE I'M NOT GONNA MAKE YOU THINK THAT IT IS OKAY! 974 00:34:45,983 --> 00:34:48,286 THIS TYPE OF BEHAVIOR IS NOT OKAY! 975 00:34:48,386 --> 00:34:50,288 IT IS NOT ALL RIGHT! 976 00:34:50,388 --> 00:34:52,790 YOU KINDA FEEL LIKE YOU HAVE A TRUMP CARD THAT YOU CAN PLAY. 977 00:34:52,890 --> 00:34:56,127 THAT YOU COULD ALWAYS TAKE-- - DAMN IT, GABE, STOP IT! 978 00:34:56,227 --> 00:34:58,296 YOU WILL NOT PLAY LIKE YOU ARE THE VICTIM! 979 00:34:58,396 --> 00:35:01,799 YOU ARE NOT THE VICTIM-- I AM THE VICTIM HERE! 980 00:35:01,899 --> 00:35:03,634 YOU PUT GPS ON MY PHONE! 981 00:35:03,734 --> 00:35:05,870 YOU PUT A TRACKER ON MY PHONE! 982 00:35:05,970 --> 00:35:08,005 THAT'S NOT OKAY, GABE! 983 00:35:08,106 --> 00:35:10,174 AND I'M NOT GONNA LET YOU SWEEP IT UNDER THE RUG. 984 00:35:10,274 --> 00:35:13,044 AM I SUPPOSED TO SAY, "OH, WELL, GABE, 985 00:35:13,144 --> 00:35:15,780 "OH, HE PUT A GPS ON MY PHONE-- HE LOVE ME." 986 00:35:15,880 --> 00:35:17,415 NO! 987 00:35:17,515 --> 00:35:18,783 THAT'S NOT CUTE! 988 00:35:18,883 --> 00:35:20,451 - OKAY, DO YOU-- - I DON'T DO THAT TO YOU! 989 00:35:20,551 --> 00:35:22,120 I'VE NEVER CHECKED YOUR MESSAGES. 990 00:35:22,220 --> 00:35:23,955 I DIDN'T HACK INTO YOUR STUFF, LIKE YOU DID ME. 991 00:35:24,055 --> 00:35:25,890 AND I FEEL LIKE I AM THE PERSON 992 00:35:25,990 --> 00:35:28,960 WHO WOULD HAVE EVERY RIGHT TO CHECK INTO YOUR STUFF, 993 00:35:29,060 --> 00:35:31,529 AND YOU TREAT ME LIKE I'M THE ONE WHO DID IT! 994 00:35:31,629 --> 00:35:33,598 I AM SUPER-DUPER FURIOUS. 995 00:35:33,698 --> 00:35:35,867 I'M MAD AT HIM, BUT I'M EVEN MORE MAD AT MYSELF, 996 00:35:35,967 --> 00:35:37,802 BECAUSE I DID NOT PUT A STOP TO IT AND I STAYED, 997 00:35:37,902 --> 00:35:39,370 AND I'M THE DUMMY FOR THAT. 998 00:35:39,470 --> 00:35:40,905 YOU, AND YOUR COUCH, 999 00:35:41,005 --> 00:35:42,607 AND THAT HORSE THAT YOU JUST RODE UP IN ON, 1000 00:35:42,707 --> 00:35:43,975 'CAUSE THAT'S SOME BULL, 1001 00:35:44,075 --> 00:35:45,443 RIGHT THERE, GABE! 1002 00:35:48,479 --> 00:35:50,348 OKAY, SIT ON THE COUCH. 1003 00:35:50,448 --> 00:35:51,983 I'M SITTIN' ON THE COUCH 'CAUSE I FEEL LIKE IT! 1004 00:35:52,083 --> 00:35:53,985 NOT JUST 'CAUSE YOU SAID TO SIT ON THE COUCH! 1005 00:35:54,085 --> 00:35:55,453 SO, WE'RE DONE TALKIN' ABOUT THIS? 1006 00:35:55,553 --> 00:35:56,654 WE'RE NOT DONE TALKIN' ABOUT IT. 1007 00:35:56,754 --> 00:35:57,889 WE'RE NEVER DONE TALKIN' ABOUT IT. 1008 00:35:57,989 --> 00:35:59,724 THAT'S WHY WE HAVE SO MANY ISSUES IN OUR RELATIONSHIP, 1009 00:35:59,824 --> 00:36:02,126 'CAUSE WE'RE NEVER DONE TALKING ABOUT IT. 1010 00:36:02,226 --> 00:36:04,629 WOMEN ARE EMOTIONAL CREATURES, AND GUESS WHAT? 1011 00:36:04,729 --> 00:36:06,931 THE WAY YOU TREAT ME IS LIKE YOU'RE MY DAD, 1012 00:36:07,031 --> 00:36:10,234 AND I'M SORRY-- I DON'T SCREW MY FATHER. 1013 00:36:10,334 --> 00:36:11,702 OKAY. 1014 00:36:11,802 --> 00:36:13,304 I KNEW TRINA WOULD REACT THIS WAY, 1015 00:36:13,404 --> 00:36:15,840 WHENEVER SHE FOUND OUT I PUT THE GPS SOFTWARE ON HER PHONE. 1016 00:36:15,940 --> 00:36:18,376 TRINA KNOWS I'M NOT THE MOST TRUSTING PERSON. 1017 00:36:18,476 --> 00:36:20,711 I DON'T THINK I'VE EVER BEEN TRUSTING. 1018 00:36:20,811 --> 00:36:22,547 YOU KNOW WHAT, I'M SORRY. 1019 00:36:22,647 --> 00:36:24,282 - WOW! - NO, BUT I AM SORRY. 1020 00:36:24,382 --> 00:36:25,550 NO, YOU'RE NOT. 1021 00:36:25,650 --> 00:36:27,118 I'VE TOLD YOU MANY TIMES, "I'M SORRY." 1022 00:36:27,218 --> 00:36:30,254 - DO YOU SEE YOUR APOLOGY? - NO. 1023 00:36:30,354 --> 00:36:31,722 WELL, YOU KNOW WHAT, GABE, 1024 00:36:31,822 --> 00:36:33,224 I JUST SCREWED SOMEBODY LAST NIGHT, BUT I'M SORRY. 1025 00:36:33,324 --> 00:36:34,959 I CAN'T CHANGE IT. - HOW WAS IT? 1026 00:36:35,059 --> 00:36:36,494 GREAT. 1027 00:36:36,594 --> 00:36:38,796 HE'S HUNG LIKE A HORSE. 1028 00:36:38,896 --> 00:36:41,933 I HAVE A SNEAKIN' SUSPICION THAT TRINA ISN'T JOKIN' AROUND 1029 00:36:42,033 --> 00:36:43,634 ABOUT CHEATING ON ME. 1030 00:36:43,734 --> 00:36:45,102 I JUST HOPE, FOR THE SAKE OF OUR MARRIAGE, 1031 00:36:45,203 --> 00:36:48,005 THAT SHE HASN'T BEEN STEPPIN' OUT. 1032 00:36:48,105 --> 00:36:50,208 I'M PLAYIN' THE SMALLEST VIOLIN IN THE WORLD. 1033 00:36:50,308 --> 00:36:51,809 ARE YOU PLAYIN' IT FOR YOURSELF, GABE! 1034 00:36:51,909 --> 00:36:53,044 NO, I'M-- 1035 00:36:53,144 --> 00:36:54,245 ARE YOU PLAYIN' IT FOR YOURSELF! 1036 00:36:54,345 --> 00:36:55,479 LET ME SEE, WE'VE BEEN MARRIED FOR EIGHT YEARS, 1037 00:36:55,580 --> 00:36:57,114 AND YOU ADMITTEDLY CHEATED ON ME 1038 00:36:57,215 --> 00:36:59,050 FOR FIVE OUT OF EIGHT YEARS, 1039 00:36:59,150 --> 00:37:00,952 AND THEN YOU FOLLOW ME AROUND, 1040 00:37:01,052 --> 00:37:03,221 THEN YOU PUT A PHONE TRACKER ON MY PHONE, 1041 00:37:03,321 --> 00:37:05,990 AND THEN YOU WANNA PLAY A SMALL VIOLIN FOR ME? 1042 00:37:06,090 --> 00:37:08,492 YOU CAN KISS MY ENTIRE BLACK BEHIND. 1043 00:37:08,593 --> 00:37:10,895 GABE'S PROBLEM IS, HE'S A SMART ASS. 1044 00:37:10,995 --> 00:37:13,965 HE'S SO BUSY HACKIN' INTO MY PHONE AND BEIN' JEALOUS, 1045 00:37:14,065 --> 00:37:16,133 THAT HE CAN'T EVEN SEE THAT I'M COMPLETELY FED UP 1046 00:37:16,234 --> 00:37:17,768 WITH HIS CRAP. 1047 00:37:17,868 --> 00:37:21,372 WELL, I'M NOT READY TO FORGIVE YOU, BECAUSE YOU... 1048 00:37:21,472 --> 00:37:23,841 PUT ON MY PHONE, GABE! 1049 00:37:23,941 --> 00:37:25,610 YOU PUT GPS ON MY PHONE! 1050 00:37:25,710 --> 00:37:26,811 YOU WERE TRACKIN' MY TEXT MESSAGES. 1051 00:37:26,911 --> 00:37:28,145 YOU WAS TRACKING-- YOU WERE TRACKING WHERE I'M GOIN', 1052 00:37:28,246 --> 00:37:30,448 LIKE I NEED SOME HOMING DEVICE! 1053 00:37:30,548 --> 00:37:33,951 LIKE I'M SOME ANIMAL! - OKAY. 1054 00:37:34,051 --> 00:37:35,987 AND YOU WANT ME TO SLEEP WITH YOU 1055 00:37:36,087 --> 00:37:37,622 AND DO ALL KINDS OF ALL REGULAR STUFF, 1056 00:37:37,722 --> 00:37:39,190 LIKE WE JUST REGULAR MARRIED PEOPLE, 1057 00:37:39,290 --> 00:37:41,659 WITH YOUR DISEASED RHINOCEROS PIZZLE! 1058 00:37:41,759 --> 00:37:42,827 I DON'T KNOW WHO YOU BEEN WITH. 1059 00:37:42,927 --> 00:37:44,395 I DON'T KNOW WHERE THAT'S BEEN. 1060 00:37:44,495 --> 00:37:46,197 I DON'T WANT THAT! - IT AIN'T BEEN NOWHERE. 1061 00:37:46,297 --> 00:37:48,332 SEE, YOU'RE JUST PUNCHIN' UNDERNEATH THE BELT. 1062 00:37:48,432 --> 00:37:50,001 I'M PUNCHIN' UNDERNEATH THE BELT? 1063 00:37:50,101 --> 00:37:52,670 YOU KNOW WHAT, I HAVE EVERY RIGHT TO BE UPSET, 1064 00:37:52,770 --> 00:37:55,640 AND UNTIL YOU FINALLY REALIZE THAT, 1065 00:37:55,740 --> 00:37:58,509 WE'RE GOING TO HAVE PROBLEMS. 1066 00:37:58,609 --> 00:38:01,178 AND YOU CAN PUT THAT IN YOUR CORNCOB PIPE AND SMOKE IT. 1067 00:38:01,279 --> 00:38:03,781 THE NUMBER ONE THING FOR A RELATIONSHIP TO WORK IS TRUST, 1068 00:38:03,881 --> 00:38:06,851 AND GABE AND I SIMPLY DON'T TRUST EACH OTHER ANYMORE. 1069 00:38:24,502 --> 00:38:26,337 - HEY. - HEY, WHAT'S UP? 1070 00:38:26,437 --> 00:38:29,073 THIS. 1071 00:38:29,173 --> 00:38:31,942 I ACTUALLY READ IT. - WOW! 1072 00:38:32,043 --> 00:38:33,544 YEAH, GO FIGURE. 1073 00:38:33,644 --> 00:38:35,079 I FINALLY READ ANDRE'S BOOK, 1074 00:38:35,179 --> 00:38:36,814 AND NOW IT'S TIME FOR ME TO GIVE HIM SOME FEEDBACK. 1075 00:38:36,914 --> 00:38:38,649 SO, I HOPE HE TAKES IT WELL. 1076 00:38:38,749 --> 00:38:40,518 YOU GOT SOME GOOD IDEAS. 1077 00:38:40,618 --> 00:38:42,253 DO YOU HAVE ANY PARTICULAR ONES-- 1078 00:38:42,353 --> 00:38:43,988 I MEAN, OF COURSE, I HAVE SOME, YOU KNOW, 1079 00:38:44,088 --> 00:38:45,523 CONSTRUCTIVE CRITICISM. 1080 00:38:45,623 --> 00:38:47,425 OF COURSE, I WOULD CHANGE A COUPLE OF TOPICS 1081 00:38:47,525 --> 00:38:49,026 A LITTLE BIT. 1082 00:38:49,126 --> 00:38:51,562 I DIDN'T THINK IT WAS THE BOMB OR NOTHIN' LIKE THAT. 1083 00:38:51,662 --> 00:38:53,164 I MEAN, I JUST THOUGHT IT WAS KINDA WHACK, 1084 00:38:53,264 --> 00:38:55,499 TO BE HONEST, YA KNOW? 1085 00:38:55,599 --> 00:38:57,401 - THANK YOU FOR READIN' IT. - SURE THING. 1086 00:38:57,501 --> 00:38:58,803 YOU DIDN'T THINK I WAS GONNA READ IT? 1087 00:38:58,903 --> 00:39:00,271 - NO. - I KEEP MY WORD. 1088 00:39:00,371 --> 00:39:02,473 THAT'S ONE THING THAT I DO-- I KEEP MY WORD. 1089 00:39:02,573 --> 00:39:04,075 OKAY. 1090 00:39:04,175 --> 00:39:05,710 I'M KIND OF IN LIMBO. 1091 00:39:05,810 --> 00:39:07,511 I DON'T KNOW WHAT'S REALLY GOIN' ON IN MY LIFE, 1092 00:39:07,611 --> 00:39:09,814 AS FAR AS, UH, MY RELATIONSHIP WITH TOWANDA. 1093 00:39:09,914 --> 00:39:11,382 I'M HOPING THAT IT'LL GET BETTER. 1094 00:39:11,482 --> 00:39:13,317 I'M FIGHTING FOR IT TO GET US BACK TOGETHER. 1095 00:39:13,417 --> 00:39:15,453 CAN YOU CALL ME "JOB" NOW, INSTEAD OF JOB? 1096 00:39:15,553 --> 00:39:17,154 CAN I BE CALLED "JOB?" - NO, WE'RE NOT THERE YET. 1097 00:39:17,254 --> 00:39:18,656 WE'RE NOT AT THE "JOB" THING YET. 1098 00:39:18,756 --> 00:39:20,624 NO, WE'RE NOT AT THE "JOB" THING-- NO. 1099 00:39:20,725 --> 00:39:22,960 'CAUSE I'VE LOST MY FAMILY. 1100 00:39:23,060 --> 00:39:24,929 I'M BEGGIN' GOD TO GIVE EVERYTHING BACK TO ME. 1101 00:39:25,029 --> 00:39:28,132 I LOST MY JOB-- I MEAN, I FEEL LIKE "JOB." 1102 00:39:28,232 --> 00:39:31,302 WELL, CAN I GET A "I LOVE YOU" OUT OF THIS? 1103 00:39:31,402 --> 00:39:33,437 DAMN! 1104 00:39:33,537 --> 00:39:35,239 OKAY. - WELL, YOU KNEW-- 1105 00:39:35,339 --> 00:39:36,907 YOU BE PUSHIN' THAT ENVELOPE, 1106 00:39:37,007 --> 00:39:38,342 FOR REAL! - OKAY. 1107 00:39:38,442 --> 00:39:40,544 I'M NOT SURE IF I REALLY BELIEVE 1108 00:39:40,644 --> 00:39:43,247 THAT ANDRE IS TRYING TO FIGHT FOR HIS FAMILY. 1109 00:39:43,347 --> 00:39:44,782 'CAUSE, TO ME, 1110 00:39:44,882 --> 00:39:46,617 WHEN YOU'RE REALLY TRYING TO FIGHT FOR SOMETHING, 1111 00:39:46,717 --> 00:39:48,619 YOU WILL GO TO THE ENDS OF THE EARTH 1112 00:39:48,719 --> 00:39:50,488 TO MAKE SURE THAT IT'S RIGHT, 1113 00:39:50,588 --> 00:39:52,323 AND I DON'T THINK HE'S THERE YET. 1114 00:39:52,423 --> 00:39:55,659 OKAY, I'M GONNA GO UPSTAIRS AND START EXPOUNDING. 1115 00:39:55,760 --> 00:39:57,261 - GO AHEAD-- - AND EXPANDING. 1116 00:39:57,361 --> 00:39:59,764 - GO LEAVE HERE AND EXPOUND. - ALL RIGHT, THANK YOU. 1117 00:40:21,252 --> 00:40:23,954 - HEY. - HEY. 1118 00:40:24,054 --> 00:40:25,790 SOMETHING JUST CAME FOR ME. 1119 00:40:25,890 --> 00:40:27,725 I AM SUPER-DUPER PISSED OFF 1120 00:40:27,825 --> 00:40:29,860 THAT GABE PUT A GPS SYSTEM ON MY PHONE. 1121 00:40:29,960 --> 00:40:31,262 THE ONLY THING I CAN DO, 1122 00:40:31,362 --> 00:40:33,297 TO GUARANTEE THAT HE DOESN'T DO IT AGAIN, 1123 00:40:33,397 --> 00:40:36,400 IS TO BE EXTRA, EXTRA CAREFUL ABOUT MY PERSONAL BELONGINGS. 1124 00:40:36,500 --> 00:40:38,602 NEW PHONE. - NICE! 1125 00:40:38,702 --> 00:40:39,870 LET ME SEE WHAT KIND OF PHONE IT IS. 1126 00:40:39,970 --> 00:40:41,071 IT'S BRAND NEW-- NO, SEE, UH-UH. 1127 00:40:41,172 --> 00:40:42,440 I DON'T NEED YOU TO SEE WHAT KIND OF PHONE IT IS. 1128 00:40:42,540 --> 00:40:43,707 SEE THIS PHONE? 1129 00:40:43,808 --> 00:40:47,611 THIS IS GOING TO STAY FREE OF SOFTWARE 1130 00:40:47,711 --> 00:40:49,413 THAT GABE PUTS ON IT. 1131 00:40:49,513 --> 00:40:52,383 ARE WE UNDERSTOOD? - YES, WE'RE UNDERSTOOD. 1132 00:40:52,483 --> 00:40:55,085 I THINK TRINA HAS A RIGHT TO DEFINITELY BE ANGRY WITH ME. 1133 00:40:55,186 --> 00:40:56,787 I THINK SHE WENT A LITTLE BIT TOO FAR, 1134 00:40:56,887 --> 00:40:58,689 WHENEVER SHE GOES AND BUYS A NEW PHONE. 1135 00:40:58,789 --> 00:41:00,191 WHAT'S THE POINT OF GETTIN' A NEW PHONE? 1136 00:41:00,291 --> 00:41:01,926 I MEAN, DO YOU HAVE SOMETHING TO HIDE? 1137 00:41:02,026 --> 00:41:05,529 THIS IS TRINA'S PHONE, FOR TRINA'S USE ONLY! 1138 00:41:05,629 --> 00:41:07,198 - SO, WHAT ABOUT THIS PHONE? - UH-UH! 1139 00:41:07,298 --> 00:41:08,766 DON'T TOUCH THAT ONE, EITHER, 1140 00:41:08,866 --> 00:41:10,267 'CAUSE I MIGHT NEED TO REVERT BACK TO IT. 1141 00:41:10,367 --> 00:41:11,602 YOU NEVER KNOW. 1142 00:41:11,702 --> 00:41:12,770 WHY DOES A PERSON NEED TWO PHONES, 1143 00:41:12,870 --> 00:41:13,971 UNLESS THEY HAVE SOMETHIN' TO HIDE? 1144 00:41:14,071 --> 00:41:15,306 - WHAT DO YOU MEAN? - HOW COME? 1145 00:41:15,406 --> 00:41:17,107 YOU JUST LOOKIN' FOR STUFF! 1146 00:41:17,208 --> 00:41:19,710 THAT'S-THAT-THAT IS NOT THE PREMISE OF THIS CONVERSATION. 1147 00:41:19,810 --> 00:41:21,946 OKAY, WELL, WHY'D YOU GET A NEW PHONE? 1148 00:41:22,046 --> 00:41:24,014 BECAUSE I DON'T TRUST THAT PHONE ANYMORE. 1149 00:41:24,114 --> 00:41:25,883 I DON'T TRUST THAT YOU DIDN'T PUT ANY KIND OF SOFTWARE ON IT 1150 00:41:25,983 --> 00:41:28,152 THAT YOU CAN STILL REVERT BACK TO-- MMM-MMM. 1151 00:41:28,252 --> 00:41:29,720 NO. - SAY A COMMAND. 1152 00:41:29,820 --> 00:41:31,689 "SAY A COMMAND"-- DON'T LET GABE TOUCH. 1153 00:41:31,789 --> 00:41:33,991 I AM WILLING TO GIVE GABE ANOTHER CHANCE, 1154 00:41:34,091 --> 00:41:38,596 IF AND ONLY IF, HE MEETS EVERY TERM ON MY CONDITIONS. 1155 00:41:38,696 --> 00:41:42,032 OTHERWISE, IT'S MY WAY OR THE HIGHWAY. 1156 00:41:42,132 --> 00:41:44,535 NEW PHONE-- DON'T TOUCH. 1157 00:41:44,635 --> 00:41:45,936 REPEAT AFTER ME. 1158 00:41:46,036 --> 00:41:47,505 NEW PHONE. - NEW PHONE. 1159 00:41:47,605 --> 00:41:49,473 - DON'T TOUCH. - DON'T TOUCH. 1160 00:41:49,573 --> 00:41:51,976 - TRINA'S PHONE. - TRINA'S PHONE. 1161 00:41:52,076 --> 00:41:55,212 - THIS IS ONLY TRINA'S PHONE. - THIS IS ONLY TRINA'S PHONE. 1162 00:41:55,312 --> 00:41:58,582 - I WILL NOT ADD... - I WILL NOT ADD... 1163 00:41:58,682 --> 00:42:01,385 - OR TAKE AWAY... - OR TAKE AWAY... 1164 00:42:01,485 --> 00:42:04,288 ANY SOFTWARE... 1165 00:42:04,388 --> 00:42:06,891 - PERMANENTLY OR TEMPORARILY? - PERIOD. 1166 00:42:06,991 --> 00:42:09,693 - OKAY. - NO-- ANY SOFTWARE... 1167 00:42:09,793 --> 00:42:12,396 ANY SOFTWARE... 1168 00:42:12,496 --> 00:42:14,732 - ON TRINA'S PHONE. - ON TRINA'S PHONE. 1169 00:42:14,832 --> 00:42:17,535 - PERIOD. - PERIOD. 1170 00:42:17,635 --> 00:42:18,903 THANK YOU. 1171 00:42:19,003 --> 00:42:20,371 GABE, THIS IS THE LAST-- 1172 00:42:20,471 --> 00:42:22,940 I PROMISE, I SWEAR, ON THE HOLY BIBLE. 1173 00:42:23,040 --> 00:42:25,009 THIS IS YOUR VERY, VERY, VERY LAST CHANCE. 1174 00:42:25,109 --> 00:42:27,411 I CANNOT DO THIS ANYMORE. 1175 00:42:27,511 --> 00:42:28,979 WE HAVE A CLEAR UNDERSTANDING? 1176 00:42:29,079 --> 00:42:30,080 - MMM-HMM. - OKAY. 1177 00:42:30,180 --> 00:42:31,815 - YOU LOOK NICE, TOO. - THANK-- UGH. 88429

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