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These are the user uploaded subtitles that are being translated: 1 00:00:02,002 --> 00:00:03,536 TONIGHT ON "BRAXTON FAMILY VALUES..." 2 00:00:03,636 --> 00:00:06,606 I'M GOING TO BE RECORDING MY LONG AWAITED ALBUM. 3 00:00:06,706 --> 00:00:08,074 YAY! 4 00:00:08,174 --> 00:00:10,143 HOW 'BOUT WE JUST TRY A COUPLE TAKES? 5 00:00:10,243 --> 00:00:11,644 I AIN'T DOIN' THAT ON MY RECORD. 6 00:00:11,745 --> 00:00:15,749 - LISTEN, TAMAR, LISTEN. - LIKE, THAT IS BOO! 7 00:00:15,849 --> 00:00:17,183 AND I WAS THINKIN' ABOUT GOIN' BACK 8 00:00:17,283 --> 00:00:20,553 TO COSMETOLOGY SCHOOL AND OPEN UP, UH, A SALON. 9 00:00:20,653 --> 00:00:22,455 - HOW YOU GONNA FINANCE IT? - MY SISTERS. 10 00:00:22,555 --> 00:00:25,759 SO TOWANDA, ZO'S NOT WORKING OUT. 11 00:00:25,859 --> 00:00:29,195 I NEED TOWANDA TO HELP ME OUT. 12 00:00:29,295 --> 00:00:30,797 I LOVE T.C.-- HE'S AMAZING. 13 00:00:30,897 --> 00:00:32,832 BUT I WANNA, YOU KNOW, WORK WITH HARVEY. 14 00:00:32,932 --> 00:00:34,868 HARVEY LIKES TO WRITE HIS OWN STUFF. 15 00:00:34,968 --> 00:00:37,037 I DON'T KNOW IF IT'S GONNA BE RIGHT FOR YOU 16 00:00:37,137 --> 00:00:38,705 TO WORK WITH HIM. 17 00:00:38,805 --> 00:00:41,241 I WAS JUST PRETTY MUCH HOPING THAT YOU WOULD BE 18 00:00:41,341 --> 00:00:45,311 WILLING TO KINDA, LIKE, HAVE AN AFFAIR WITH ME. 19 00:00:46,780 --> 00:00:48,081 song: WE ARE THE BRAXTONS 20 00:00:48,181 --> 00:00:49,749 AND YOU'LL SEE 21 00:00:49,849 --> 00:00:53,186 THAT WE ARE NOT LIKE AN ORDINARY FAMILY 22 00:00:53,286 --> 00:00:57,257 TONI TRACI TOWANDA TRINA TAMAR AND MS. E. 23 00:00:57,357 --> 00:00:59,793 WILL TEACH YOU A THING OR TWO 24 00:00:59,893 --> 00:01:03,363 ON BRAXTON FAMILY VALUES 25 00:01:14,574 --> 00:01:15,542 ALL RIGHT-- THANK YOU. 26 00:01:15,642 --> 00:01:16,810 YOU WANNA SIT HERE-- OH. 27 00:01:16,910 --> 00:01:18,411 TRINA, TRACI, AND TONI ARE ALL IN L.A. 28 00:01:18,511 --> 00:01:19,913 AT THE SAME TIME. 29 00:01:20,013 --> 00:01:22,148 I NEED TO TALK TO EVERYBODY ABOUT THE STATE OF OUR CAREERS. 30 00:01:22,248 --> 00:01:23,883 I MEAN, ESPECIALLY MINE. 31 00:01:23,983 --> 00:01:25,251 - HEY! - HEY! 32 00:01:25,351 --> 00:01:26,953 - SORRY I'M LATE. - YOU KNOW, I'M CALLING YOU. 33 00:01:27,053 --> 00:01:28,221 - SURPRISE-SURPRISE. - YOU'RE ALWAYS LATE. 34 00:01:28,321 --> 00:01:29,656 - HUH? - L.T., GIRL. 35 00:01:29,756 --> 00:01:31,057 I KNOW. 36 00:01:31,157 --> 00:01:32,592 YOU KNOW WHAT, I THINK THERE'S SOME VALIDITY 37 00:01:32,692 --> 00:01:33,927 TO TAMAR'S SONG. - LATE TONI! 38 00:01:34,027 --> 00:01:35,161 YOU MIGHT BE RIGHT. 39 00:01:35,261 --> 00:01:36,563 I AM-- I'VE BEEN LATE A LOT RECENTLY. 40 00:01:36,663 --> 00:01:38,398 - I DON'T UNDERSTAND THAT. - I'M NEVER LATE ON THE STAGE. 41 00:01:38,498 --> 00:01:40,233 - THAT'S TRUE. - I'M NEVER LATE ON THE STAGE. 42 00:01:40,333 --> 00:01:42,135 - AND YOUR KIDS WASN'T LATE. - BUT IN LIFE! 43 00:01:42,235 --> 00:01:43,670 - YES! - I DON'T UNDERSTAND IT! 44 00:01:43,770 --> 00:01:44,838 I KNOW, 'CAUSE THERE'S, LIKE, 45 00:01:44,938 --> 00:01:46,139 NOT ENOUGH HOURS IN THE DAY. 46 00:01:46,239 --> 00:01:48,308 SINCE THE SISTERS ARE TOGETHER, I JUST NEED TO KNOW 47 00:01:48,408 --> 00:01:50,210 WHAT'S UP WITH THE BRAXTON FAMILY ALBUM. 48 00:01:50,310 --> 00:01:51,778 I WANNA SAY THIS. 49 00:01:51,878 --> 00:01:54,714 I AM UPSET ABOUT THE BRAXTON ALBUM, BUT YOU KNOW-- 50 00:01:54,814 --> 00:01:56,683 - WHY? - I-I DON'T KNOW. 51 00:01:56,783 --> 00:01:59,853 I JUST THOUGHT THAT THINGS WOULD START POPPIN' RIGHT NOW, 52 00:01:59,953 --> 00:02:01,221 BUT-- 53 00:02:01,321 --> 00:02:02,489 WHEN EVERYBODY'S ON THE SAME PAGE, 54 00:02:02,589 --> 00:02:04,190 AND EVERYBODY'S ON 100, BECAUSE WE AT THE SAME GOAL, 55 00:02:04,290 --> 00:02:06,025 IT'S LESS TRIPPAGE. 56 00:02:06,126 --> 00:02:07,627 YOU NOT GONNA BE A PART OF THAT ALL. 57 00:02:07,727 --> 00:02:08,962 I DON'T KNOW. 58 00:02:09,062 --> 00:02:10,463 I HAVE TO-I JUST WANNA FIGURE OUT MY OWN PLAN FIRST. 59 00:02:10,563 --> 00:02:12,932 THEN I CAN CONCENTRATE ON THE BRAXTON'S PLAN. 60 00:02:13,032 --> 00:02:17,070 EVERYBODY'S DEDICATION GOT TO BE ON THE SAME LEVEL. 61 00:02:17,170 --> 00:02:18,838 I'M TRYIN' TO DECIDE WHAT I WANNA DO. 62 00:02:18,938 --> 00:02:21,074 I'M INDECISIVE RIGHT NOW. 63 00:02:21,174 --> 00:02:23,009 I'VE LEARNED OVER THE YEARS THAT WHEN TONI BRAXTON 64 00:02:23,109 --> 00:02:25,712 SAYS "MAYBE," SHE REALLY MEANS "NO." 65 00:02:25,812 --> 00:02:27,814 SO, I DON'T BELIEVE SHE HAS ANY REAL INTEREST 66 00:02:27,914 --> 00:02:29,849 IN DOING A BRAXTON'S ALBUM AT THIS TIME. 67 00:02:29,949 --> 00:02:31,851 EVERYBODY ELSE CAN'T BE IN LIMBO. 68 00:02:31,951 --> 00:02:33,119 THAT'S WHY I DON'T WANT YOU TO BE IN LIMBO. 69 00:02:33,219 --> 00:02:34,354 DON'T WAIT FOR ME. 70 00:02:34,454 --> 00:02:35,555 JUST DON'T LET ONE PERSON STOP YOU. 71 00:02:35,655 --> 00:02:36,923 DO YOUR GUYS' THING-- I DON'T WANNA DO THAT. 72 00:02:37,023 --> 00:02:38,892 YEAH, SO-- I HAVE TO DO SOMETHING WITH MYSELF, 73 00:02:38,992 --> 00:02:41,127 BECAUSE IF I DON'T, I'LL GO CRAZY! 74 00:02:41,227 --> 00:02:43,897 I AM GOING TO BE RECORDING MY ALBUM! 75 00:02:43,997 --> 00:02:46,432 MY LONG AWAITED ALBUM! - IT'S ABOUT TIME! 76 00:02:46,533 --> 00:02:47,834 YAY! 77 00:02:47,934 --> 00:02:49,669 WHEN ARE YOU PUTTING IT OUT, THOUGH? 78 00:02:49,769 --> 00:02:51,437 WHEN ARE YOU PUTTING IT OUT? - WHEN IT'S READY. 79 00:02:51,538 --> 00:02:53,640 TAMAR, YOU'RE GONNA START RIGHT AWAY, OR. 80 00:02:53,740 --> 00:02:55,775 I'M WORKING ON IT NOW-- YES. 81 00:02:55,875 --> 00:02:58,244 I'M NOT WORKING ON ANYTHING. 82 00:02:58,344 --> 00:03:01,447 IT'S, LIKE, I'M AT A BLANK, TOTALLY. 83 00:03:01,548 --> 00:03:02,849 SO, IF YOU DECIDE TO DO SOMETHING ON YOUR OWN, 84 00:03:02,949 --> 00:03:04,484 YOU WOULD TELL ME, RIGHT? 85 00:03:04,584 --> 00:03:06,252 IF-IF WE WERE TO DO A BRAXTON'S RECORD, 86 00:03:06,352 --> 00:03:08,755 THAT WOULD COME FIRST. 87 00:03:08,855 --> 00:03:11,024 I-I'M NOT TRYIN' TO GET UPSET OR NOTHIN' LIKE THAT. 88 00:03:11,124 --> 00:03:13,293 WHEN MY SISTER'S GIVIN' ME FALSE HOPE, 89 00:03:13,393 --> 00:03:17,730 IT'S HURTFUL FOR ME NOT TO TRUST WHAT THEY SAY TO ME. 90 00:03:17,830 --> 00:03:19,265 TRACI, WHAT DO YOU WANT TO DO? 91 00:03:19,365 --> 00:03:21,000 MAMA, I WANTS TO SING. 92 00:03:21,100 --> 00:03:22,268 YOU KNOW, I'LL FIGURE IT OUT. 93 00:03:22,368 --> 00:03:24,170 I'VE ALWAYS BEEN VERY VOCAL 94 00:03:24,270 --> 00:03:25,805 ABOUT ME RECORDING MY SOLO RECORD. 95 00:03:25,905 --> 00:03:27,340 RIGHT. 96 00:03:27,440 --> 00:03:29,309 THAT'S SOMETHING THAT I WANT TO DO AND AM GOING TO DO, 97 00:03:29,409 --> 00:03:32,412 AND NOTHING IS STOPPING ME. 98 00:03:32,512 --> 00:03:36,349 IF THE ALBUM IS NOT GOING TO HAPPEN, THEN I NEED TO DO. 99 00:03:48,628 --> 00:03:50,096 I'LL CALL YOU WHEN I'M FINISHED. 100 00:03:50,196 --> 00:03:53,833 OKAY-- BYE. - MORE OF TONI'S BUSINESS. 101 00:03:53,933 --> 00:03:55,134 HUH? 102 00:03:55,235 --> 00:03:56,369 I SAID, "MORE OF TONI'S BUSINESS." 103 00:03:56,469 --> 00:03:58,004 YEAH, OF COURSE. 104 00:03:58,104 --> 00:04:00,073 THE TIME HAS COME FOR ME TO TELL ANDRE SOME NEWS 105 00:04:00,173 --> 00:04:01,808 THAT I KNOW HE'S NOT GONNA BE HAPPY WITH. 106 00:04:01,908 --> 00:04:04,177 ANOTHER ONE OF THESE CONVERSATIONS. 107 00:04:04,277 --> 00:04:05,778 OH, LORD. 108 00:04:05,878 --> 00:04:08,314 ANDRE WILL NEVER APPRECIATE WHY I HAVE TO JUMP 109 00:04:08,414 --> 00:04:09,549 THROUGH HOOPS FOR TONI. 110 00:04:09,649 --> 00:04:10,950 YOU KNOW, WE HAVE A SISTERLY BOND 111 00:04:11,050 --> 00:04:12,285 THAT HE JUST DOESN'T UNDERSTAND, 112 00:04:12,385 --> 00:04:14,654 AND MOMMY AND MY SISTERS ARE IN L.A. RIGHT NOW, 113 00:04:14,754 --> 00:04:17,857 AND I WANNA BE WITH THEM, NOT WITH HIM. 114 00:04:17,957 --> 00:04:20,593 WELL, AS YOU KNOW, TONI HAS A NEW ASSISTANT. 115 00:04:20,693 --> 00:04:22,128 YEAH, WHICH SHE HATES. 116 00:04:22,228 --> 00:04:24,264 YEAH, HE'S NOT DOING VERY WELL. 117 00:04:24,364 --> 00:04:26,299 SO, SHE HAS ASKED FOR ME TO-- 118 00:04:26,399 --> 00:04:28,668 I KNOW WHERE THIS IS GOING. 119 00:04:28,768 --> 00:04:29,702 WHAT-- OKAY, YOU TELL ME. 120 00:04:29,802 --> 00:04:30,770 YOU FINISH THE STATEMENT. 121 00:04:30,870 --> 00:04:31,771 SHE'S ASKING YOU TO MOVE TO L.A. 122 00:04:31,871 --> 00:04:34,107 TO HELP TRAIN THE ASSISTANT. 123 00:04:34,207 --> 00:04:35,708 YEAH. 124 00:04:35,808 --> 00:04:38,845 BUT I DON'T LOOK AT IT AS A MOVE, MOVE, PER SAY. 125 00:04:38,945 --> 00:04:41,581 I'M JUST GOIN' OUT TO TRAIN THE ASSISTANT. 126 00:04:41,681 --> 00:04:43,249 OKAY-- SO, WHEN YOU LEAVIN'? 127 00:04:43,349 --> 00:04:45,418 SHE ASKED IF I CAN LEAVE THIS WEEKEND. 128 00:04:45,518 --> 00:04:48,388 OH... ONCE AGAIN, UP AND GONE. 129 00:04:48,488 --> 00:04:51,124 I MEAN, IT'S LIKE SEX WITH A PROSTITUTE. 130 00:04:51,224 --> 00:04:52,825 BAM, YOU UP AND OUT. 131 00:04:57,463 --> 00:04:59,065 IT'S UP TO-- WHATEVER YOU WANT TO DO. 132 00:04:59,165 --> 00:05:00,433 TOWANDA'S THE TYPE OF PERSON, 133 00:05:00,533 --> 00:05:02,201 SHE LOVES HER IMMEDIATE FAMILY, HER SISTERS. 134 00:05:02,302 --> 00:05:03,403 SHE LOVES THEM DEARLY. 135 00:05:03,503 --> 00:05:04,637 SHE'LL DO ANYTHING FOR 'EM. 136 00:05:04,737 --> 00:05:06,005 SHE NEEDS TO GIVE THAT UP 137 00:05:06,105 --> 00:05:07,473 AND START COMING TO SETTLING SOME OF MY NEEDS. 138 00:05:07,573 --> 00:05:10,276 SAME OLD BULL , DIFFERENT ROLL OF TOILET PAPER. 139 00:05:13,279 --> 00:05:15,181 SMART ASS. 140 00:05:25,525 --> 00:05:26,726 THANKS. 141 00:05:26,826 --> 00:05:28,061 YOU BEEN TO THIS PLACE BEFORE? 142 00:05:28,161 --> 00:05:29,395 THAT WAS YEARS AGO. 143 00:05:29,495 --> 00:05:30,897 HI, HOW ARE YOU? 144 00:05:30,997 --> 00:05:33,599 MOMMY FLEW FROM ATLANTA TO L.A. 145 00:05:33,700 --> 00:05:35,668 TO JOIN ME AND MY SISTERS IN CALIFORNIA. 146 00:05:35,768 --> 00:05:38,905 MOMMY ALWAYS KEEP IT REAL, AND SHE'S NEVER AFRAID 147 00:05:39,005 --> 00:05:40,707 TO GIVE HER HONEST OPINION. 148 00:05:40,807 --> 00:05:42,742 I REALLY NEED TO HAVE A HEART-TO-HEART TALK WITH HER, 149 00:05:42,842 --> 00:05:45,445 BECAUSE I'M REALLY UPSET ABOUT TAMAR 150 00:05:45,545 --> 00:05:47,280 NOT WANTING TO DO THIS BRAXTON FAMILY ALBUM. 151 00:05:47,380 --> 00:05:50,249 I-I DON'T HAVE ANY KIND OF CLARITY TO MY FUTURE. 152 00:05:50,350 --> 00:05:53,786 YOU KNOW, I DON'T THINK THE BRAXTON ALBUM'S GONNA HAPPEN. 153 00:05:53,886 --> 00:05:56,255 TAMAR'S DOIN' HER OWN PROJECT, 154 00:05:56,356 --> 00:05:58,691 AND I KNOW TONI'S GOING TO DO HERS, YOU KNOW. 155 00:05:58,791 --> 00:06:00,927 - TAMAR TOLD YOU GUYS? - YEAH. 156 00:06:01,027 --> 00:06:02,929 - OKAY. - I JUST NEED YOUR ADVICE. 157 00:06:03,029 --> 00:06:06,366 BUT HOW DO YOU FEEL ABOUT THE ALBUM NOT COMING OUT? 158 00:06:06,466 --> 00:06:08,568 WHEN TAMAR SAID SHE DON'T WANNA DO THE FAMILY ALBUM, 159 00:06:08,668 --> 00:06:11,871 IT MADE ME VERY UPSET-- I'M TIRED OF THIS RIDE. 160 00:06:11,971 --> 00:06:13,473 I DON'T LIKE THIS ROLLERCOASTER. 161 00:06:13,573 --> 00:06:15,808 BUT I JUST FEEL, THOUGH, RIGHT NOW, I HAVE OTHER DREAMS. 162 00:06:15,908 --> 00:06:17,443 I HAVE OTHER ASPIRATIONS, LIKE DOING HAIR, 163 00:06:17,543 --> 00:06:19,045 GOING BACK TO COSMETOLOGY SCHOOL, 164 00:06:19,145 --> 00:06:21,280 AND THINGS LIKE THAT, BUT YOU KNOW-- 165 00:06:21,381 --> 00:06:23,349 LIFE DOESN'T PROMISE US ANYTHING. 166 00:06:23,449 --> 00:06:25,218 WE HAVE TO GO OUT AND GET IT. 167 00:06:25,318 --> 00:06:27,954 WHAT DOES TRACI WANT FOR TRACI? 168 00:06:28,054 --> 00:06:29,989 I'M THINKIN' ABOUT GOING BACK TO HAIR SCHOOL. 169 00:06:30,089 --> 00:06:32,692 THAT'S A GREAT FIELD, AND THEY MAKE GOOD MONEY. 170 00:06:32,792 --> 00:06:34,894 WHEN WE WAS YOUNGER, MY MOM OPENED UP HER OWN SALON 171 00:06:34,994 --> 00:06:36,195 UP IN THE HOUSE. 172 00:06:36,295 --> 00:06:37,563 SO, I THOUGHT IT WOULD BE FUN TO DO, 173 00:06:37,663 --> 00:06:39,065 TO OPEN UP MY OWN SALON. 174 00:06:39,165 --> 00:06:41,601 I WENT TO SCHOOL, BUT I NEVER FINISHED. 175 00:06:41,701 --> 00:06:43,169 I THINK YOU HAVE A LOVELY GIFT. 176 00:06:43,269 --> 00:06:44,771 I THINK YOU'RE REALLY GOOD WITH MAKEUP. 177 00:06:44,871 --> 00:06:46,072 THANK YOU, MOMMY-- THANK YOU. 178 00:06:46,172 --> 00:06:47,473 I THINK YOU'RE WONDERFUL WITH HAIR. 179 00:06:47,573 --> 00:06:48,775 THANK YOU. 180 00:06:48,875 --> 00:06:50,176 THE HAIR BUSINESS IS SOMETHING THAT I KNOW ABOUT. 181 00:06:50,276 --> 00:06:51,677 THERE ARE A LOT OF WOMEN, 182 00:06:51,778 --> 00:06:53,446 ESPECIALLY AFRICAN AMERICAN WOMEN, 183 00:06:53,546 --> 00:06:56,783 THAT WILL PAY BIG BUCKS TO HAVE GOOD STYLISTS. 184 00:06:56,883 --> 00:07:00,086 YOU'D BE SURPRISED WHAT YOU CAN DO WITH A NEW DREAM. 185 00:07:00,186 --> 00:07:02,288 I MEAN, WE CAN EVEN GET A SALON TOGETHER. 186 00:07:02,388 --> 00:07:03,990 YEAH, I CAN'T WAIT TO DO THAT. 187 00:07:04,090 --> 00:07:05,858 AND MAYBE WHEN YOU TALK TO THE GIRLS, 188 00:07:05,958 --> 00:07:09,295 THEY MAY EVEN WANNA GO IN ON IT ALSO. 189 00:07:09,395 --> 00:07:11,497 I JUST CAN'T WAIT NOW-- I'M EXCITED. 190 00:07:11,597 --> 00:07:14,534 HERE'S TO TRACI FINISHING SCHOOL. 191 00:07:14,634 --> 00:07:16,602 - YES-- HERE, HERE. - HERE, HERE. 192 00:07:27,146 --> 00:07:29,148 HALLELUJAH, I AM SO EXCITED TO BE STARTIN' 193 00:07:29,248 --> 00:07:32,718 MY MASTERPIECE ALBUM, AND HOW LUCKY AM I 194 00:07:32,819 --> 00:07:36,322 TO HAVE MY HUSBAND, VINCE, TO BE MY EXECUTIVE PRODUCER. 195 00:07:36,422 --> 00:07:37,623 BOOM! 196 00:07:37,723 --> 00:07:38,791 MUAH. 197 00:07:38,891 --> 00:07:40,293 HI, EVERYBODY. - THIS IS T.C. 198 00:07:40,393 --> 00:07:43,196 T.C. IS A NEW UP AND COMING SONGWRITER, 199 00:07:43,296 --> 00:07:45,932 AND HE WROTE A SONG FOR BRANDY, 200 00:07:46,032 --> 00:07:47,633 AND HE WROTE SONGS FOR BEYONCE, 201 00:07:47,733 --> 00:07:51,170 AND NOW HE GONNA WRITE A SONG FOR TAMAR. 202 00:07:51,270 --> 00:07:53,105 HE'S GOT A GREAT RECORD FOR US. 203 00:07:53,206 --> 00:07:55,174 HE'S EXCITED TO BE HERE-- YOU'RE EXCITED TO WORK HIM. 204 00:07:55,274 --> 00:07:56,476 THE SONG SOUNDS GREAT. 205 00:07:56,576 --> 00:07:58,010 MY PLANS FOR TAMAR'S SOLO ALBUM 206 00:07:58,110 --> 00:07:59,779 IS TO MAKE A GREAT RECORD. 207 00:07:59,879 --> 00:08:01,547 SHE'S AN INCREDIBLE VOCALIST, 208 00:08:01,647 --> 00:08:03,616 AND I THINK THE WORLD'S WAITING FOR IT. 209 00:08:03,716 --> 00:08:09,021 YOU KNOW, SHE'S, UM, SHE'S NEVER REALLY HAD HER SHOT, 210 00:08:09,121 --> 00:08:10,656 AND I WANNA BE A PART OF THAT TEAM 211 00:08:10,756 --> 00:08:12,658 THAT HELPS GET HER THERE. 212 00:08:12,758 --> 00:08:14,093 SO, T., TAKE THE SEAT UP HERE SO WE CAN GET STARTED. 213 00:08:14,193 --> 00:08:16,796 - COOL. - WHAT THE HELL! 214 00:08:16,896 --> 00:08:19,065 T.C. IS JUST A SONGWRITER. 215 00:08:19,165 --> 00:08:21,167 I AIN'T FITTIN' TO HAVE HIM RUNNIN' MY SHOW! 216 00:08:21,267 --> 00:08:22,635 IT'S A LITTLE LOW, DON'T YOU THINK? 217 00:08:22,735 --> 00:08:24,504 - WHAT? - THE SONG. 218 00:08:24,604 --> 00:08:27,006 - THAT IS LOW, BOO! - WELL, Y'ALL WORK THAT OUT. 219 00:08:27,106 --> 00:08:29,075 I'LL BE BACK. - WHERE YOU GONNA GO? 220 00:08:29,175 --> 00:08:30,543 I GOTTA GO TAKE CARE OF SOMETHING. 221 00:08:30,643 --> 00:08:31,744 THAT'S NOT WHAT EXECUTIVE PRODUCER DOES. 222 00:08:31,844 --> 00:08:32,912 THEY STAY IN THE STUDIO. - YES, THEY DO. 223 00:08:33,012 --> 00:08:34,146 SERIOUSLY, I GOTTA GO HANDLE SOMETHING. 224 00:08:34,247 --> 00:08:36,282 - OH, LISTEN! - I'LL BE RIGHT BACK. 225 00:08:36,382 --> 00:08:38,518 THAT AIN'T COOL. 226 00:08:38,618 --> 00:08:40,720 YOU SHOULD SIT IN THERE AND WORK OUT THE PARTS FIRST, 227 00:08:40,820 --> 00:08:41,988 BEFORE YOU RECORD THEM, 228 00:08:42,088 --> 00:08:43,422 SO YOU JUST KNOW WHAT YOU'RE DOIN'. 229 00:08:43,523 --> 00:08:44,924 I THINK THAT'S MY PERSONALLY OPINION. 230 00:08:45,024 --> 00:08:46,492 YOU WANNA KNOW WHAT MY PERSONAL OPINION IS? 231 00:08:46,592 --> 00:08:47,960 WHAT? 232 00:08:48,060 --> 00:08:49,028 FOR YOU TO STAY HERE AND-AND HELP ME THROUGH IT FIRST 233 00:08:49,128 --> 00:08:51,397 AND THEN YOU CAN GO. - OH, MY GOD. 234 00:08:51,497 --> 00:08:52,598 I'LL BE RIGHT BACK. 235 00:08:52,698 --> 00:08:53,900 - LIKE, THAT'S NOT HOW YOU DO-- - YES, IT IS. 236 00:08:54,000 --> 00:08:55,034 I THINK YOU TAKIN' FOR GRANTED THE FACT 237 00:08:55,134 --> 00:08:56,135 THAT I'M YOUR WIFE AND-- 238 00:08:56,235 --> 00:08:57,303 OH, MY GOD-- HERE WE GO! 239 00:08:57,403 --> 00:08:58,437 FOR REAL, I'M JUST BEIN' HONEST, 240 00:08:58,538 --> 00:08:59,939 'CAUSE THAT'S NOT WHAT YOU DO. 241 00:09:00,039 --> 00:09:01,374 CAN YOU BELIEVE VINCE JUST WALKED UP OUT THE STUDIO 242 00:09:01,474 --> 00:09:02,575 LIKE THAT? 243 00:09:02,675 --> 00:09:04,043 FOR REAL, HE WOULDN'T DO GAGA LIKE THAT. 244 00:09:04,143 --> 00:09:06,078 AND, YOU KNOW, IT'S MY TIME NOW, 245 00:09:06,178 --> 00:09:08,748 AND IT'S MY TIME FOR YOU TO BE IN THE STUDIO 246 00:09:08,848 --> 00:09:11,817 TO MAKE SURE THAT MY SESSION IS GOING RIGHT. 247 00:09:11,918 --> 00:09:13,352 I AIN'T PUTTIN' UP WITH NO T.C. 248 00:09:13,452 --> 00:09:14,954 HOW 'BOUT WE JUST TRY A COUPLE TAKES? 249 00:09:15,054 --> 00:09:17,390 BUT I'M PRETTY MUCH ALREADY KNOWIN' THAT IT'S TOO LOW. 250 00:09:17,490 --> 00:09:18,791 LET'S COME TO A COMMON PLACE. 251 00:09:18,891 --> 00:09:20,126 WE CAN'T COME TO A COMMON PLACE. 252 00:09:20,226 --> 00:09:22,562 WE GONNA COME TO MY PLACE. 253 00:09:22,662 --> 00:09:23,863 LET ME JUST BREAK IT DOWN LIKE THIS. 254 00:09:23,963 --> 00:09:25,665 I AM NOT MILLI VANILLI. 255 00:09:25,765 --> 00:09:27,466 SHE IS NOT GETTING READY TO GO AND LIP-SYNCH 256 00:09:27,567 --> 00:09:29,135 AND SOUND LIKE SOMEBODY ELSE. 257 00:09:29,235 --> 00:09:31,070 THAT HAS BEEN THE PROBLEM. 258 00:09:31,170 --> 00:09:33,472 I WANNA SOUND LIKE ME! 259 00:09:33,573 --> 00:09:34,874 MAKE SURE YOU ON TOP OF THE NOTE, THOUGH. 260 00:09:34,974 --> 00:09:36,008 THE-- - OOH, OKAY! 261 00:09:36,108 --> 00:09:38,611 AH-- OKAY! 262 00:09:38,711 --> 00:09:39,979 WHEN A PRODUCER TELL YOU TO, 263 00:09:40,079 --> 00:09:42,148 "STAY ON TOP OF YOUR 264 00:09:42,248 --> 00:09:45,184 HE-HE'S, I MEAN, IMPLYING THAT I AM UNDERNEATH MY NOTE, 265 00:09:45,284 --> 00:09:47,453 AND, UH, NO, NO, NO, SHE'S NOT. 266 00:09:47,553 --> 00:09:49,555 EXCUSE ME, LITTLE BABY PRODUCER, BUT, UM, 267 00:09:49,655 --> 00:09:51,791 SHE'S ALWAYS ON PITCH. 268 00:09:51,891 --> 00:09:53,459 WE GOTTA WORK WITH EACH OTHER TO KINDA FIGURE OUT 269 00:09:53,559 --> 00:09:54,894 WHAT YOU WANT. - BUT WE ARE-- WE ARE. 270 00:09:54,994 --> 00:09:57,630 I DONE WORK WITH BABYFACE, R. KELLY, L.A. REID, 271 00:09:57,730 --> 00:10:00,333 DALLAS, AUSTIN, GAGA. 272 00:10:00,433 --> 00:10:02,335 I DONE WORK WITH ALL THESE PEOPLE 273 00:10:02,435 --> 00:10:05,538 AND NEVER HAVE I BEEN TOLD THAT MY PITCH IS FLARP. 274 00:10:05,638 --> 00:10:07,173 SORRY, YOU'LL HAVE TO DEAL WITH ME. 275 00:10:07,273 --> 00:10:08,574 LET ME TELL YA THE PROBLEM. 276 00:10:08,674 --> 00:10:10,076 LET ME JUST BREAK SOMETHING DOWN TO YOU, BOO-BOO. 277 00:10:10,176 --> 00:10:11,444 IT HAS TO BREATH. 278 00:10:11,544 --> 00:10:13,112 IT HAS TO HAVE SOME TYPE OF, UH, PALPITATION. 279 00:10:13,212 --> 00:10:15,114 IT'S NOTHING-- IT'S DEAD. GOODNIGHT. 280 00:10:15,214 --> 00:10:17,984 I AIN'T INTERESTED IN CHANNELING WHITNEY 1988. 281 00:10:18,084 --> 00:10:21,187 THAT AIN'T HOT. - LISTEN, TAMAR, LISTEN! 282 00:10:21,287 --> 00:10:24,023 singing: ANYBODY WANNA GET SAVED 283 00:10:24,123 --> 00:10:25,758 I AIN'T DOIN' THAT ON MY RECORD. 284 00:10:25,858 --> 00:10:28,995 LIKE, THAT IS BOO! 285 00:10:29,095 --> 00:10:31,397 COMING UP ON "BRAXTON FAMILY VALUES..." 286 00:10:31,497 --> 00:10:33,399 I WAS THINKIN' ABOUT GOIN' BACK TO, UH, 287 00:10:33,499 --> 00:10:36,469 COSMETOLOGY SCHOOL AND OPEN UP, UH, A SALON. 288 00:10:36,569 --> 00:10:37,970 WHERE YOU GONNA DO IT AT? 289 00:10:38,070 --> 00:10:39,672 I'LL OPEN UP THE FIRST ONE IN MARYLAND AND MAYBE GEORGIA. 290 00:10:39,772 --> 00:10:40,840 MMM-MMM-- DOUBLE MMM-MMM. 291 00:10:40,940 --> 00:10:42,475 YOU ACT LIKE MARYLAND 292 00:10:42,575 --> 00:10:43,743 JUST NOTHIN' BUT A NUT BUSH PLACE. 293 00:10:43,843 --> 00:10:45,244 IT IS! 294 00:10:49,281 --> 00:10:51,083 LISTEN, TAMAR-- LISTEN! 295 00:10:51,183 --> 00:10:54,286 singing: ANYBODY WANNA GET SAVED 296 00:10:54,387 --> 00:10:55,655 I AIN'T DOIN' THAT ON MY RECORD! 297 00:10:55,755 --> 00:10:58,991 LIKE, THAT IS BOO! 298 00:10:59,091 --> 00:11:00,259 IT IS! 299 00:11:00,359 --> 00:11:02,094 JUST 'CAUSE YOU CAN DO IT, DON'T MEAN YOU SHOULD. 300 00:11:02,194 --> 00:11:04,263 I BEEN IN THIS RECORDING STUDIO FOR, LIKE, 301 00:11:04,363 --> 00:11:05,698 FIVE HOURS. 302 00:11:05,798 --> 00:11:07,566 I MEAN, THIS HERE FEELS LIKE FIVE DAYS. 303 00:11:07,667 --> 00:11:09,368 singing: OH 304 00:11:09,468 --> 00:11:10,636 DO I HAVE TO SING LIKE MICHAEL JACKSON? 305 00:11:10,736 --> 00:11:11,971 I'M JUST SAYIN'. 306 00:11:12,071 --> 00:11:13,539 I LIKE HIM, BUT I WANNA SING LIKE ME. 307 00:11:13,639 --> 00:11:15,341 TAMAR, JUST DO FOUR OF 'EM. 308 00:11:15,441 --> 00:11:18,044 LIKE, I DON'T FEEL LIKE THIS IS 309 00:11:18,144 --> 00:11:20,212 WHERE MUSIC IS GOING ON. 310 00:11:20,312 --> 00:11:22,014 YOU CAN'T RELATE TO THIS RECORD? 311 00:11:22,114 --> 00:11:23,215 NO. 312 00:11:23,315 --> 00:11:25,084 I WOULD LIKE TO COME IN AND SAY SOMETHING. 313 00:11:32,258 --> 00:11:34,760 WE HAVE TO HAVE US A LITTLE POW-WOW REAL QUICK. 314 00:11:34,860 --> 00:11:39,999 IT'S JUST IMPORTANT TO ME THAT IF I'M GONNA SING A SONG 315 00:11:40,099 --> 00:11:42,034 THEN I HAVE... TO SING IT HOW I'M GONNA... 316 00:11:42,134 --> 00:11:44,236 SING IT. - EXACTLY. 317 00:11:44,336 --> 00:11:45,438 AT THE END OF THE DAY, I WANT THE RECORD 318 00:11:45,538 --> 00:11:46,906 TO COME OUT GREAT, TOO. 319 00:11:47,006 --> 00:11:49,008 BUT IT AIN'T ABOUT A BIG BALLAD, AND IT'S NOT ABOUT-- 320 00:11:49,108 --> 00:11:52,378 BUT YOU-YOU DO NEED SOME OF THAT STUFF ON YOUR ALBUM. 321 00:11:52,478 --> 00:11:55,681 I'M NOT SAYIN' SING LIKE THAT THROUGH THE WHOLE RECORD. 322 00:11:55,781 --> 00:11:58,617 THE-THE THING IS WITH THIS WHOLE SITUATION 323 00:11:58,718 --> 00:12:00,119 AND WITH US RECORDING, YOU KNOW, 324 00:12:00,219 --> 00:12:02,188 YOU KNOW, SHE TOLD ME ALREADY BEFORE, 325 00:12:02,288 --> 00:12:06,025 YOU KNOW, THAT, YOU KNOW, HER WAY IS WHAT'S THE WAY, 326 00:12:06,125 --> 00:12:07,893 AND MY WAY IS HER WAY. 327 00:12:07,993 --> 00:12:09,929 DON'T BE TALKIN' TO T.C. LIKE THAT. 328 00:12:10,029 --> 00:12:12,198 SHE WANTS ME TO SIT BACK IN THE CHAIR AND JUST, 329 00:12:12,298 --> 00:12:13,866 YOU KNOW, BE SEEN AND NOT HEARD. 330 00:12:13,966 --> 00:12:16,736 - WOW. - YOU WANT ME TO DO RUN. 331 00:12:16,836 --> 00:12:18,037 NO, I DIDN'T-- 332 00:12:18,137 --> 00:12:19,238 THIS ONE WANTS ME TO DO MICHAEL JACKSON. 333 00:12:19,338 --> 00:12:20,606 I DIDN'T ASK YOU TO DO-- 334 00:12:20,706 --> 00:12:22,108 AND I'M THE ONE THAT'S GONNA PUT 'EM ALL TOGETHER. 335 00:12:22,208 --> 00:12:23,109 SHE JUST TRYIN' TO SAY I SOUND LIKE MICHAEL JACKSON. 336 00:12:23,209 --> 00:12:24,610 THAT'S ALL SHE SAYIN'-- BUT I'M ON KEY. 337 00:12:24,710 --> 00:12:28,781 OH-OH-- THAT'S MY CUE. 338 00:12:28,881 --> 00:12:32,752 SHE'S DONE. 339 00:12:32,852 --> 00:12:35,988 NOW, SEE, I KNEW T.C. WAS GONNA THROW ME UNDER THE BUS, 340 00:12:36,088 --> 00:12:38,057 BUT LITTLE DID I KNOW THAT VINCE WOULD BE DRIVIN' THE BUS 341 00:12:38,157 --> 00:12:39,825 THAT'S RUNNIN' OVER ME. 342 00:12:39,925 --> 00:12:41,727 LIKE, FOR REAL-- WHERE IS MY HUSBAND! 343 00:12:41,827 --> 00:12:43,429 WHERE IS MY BACKUP! 344 00:12:43,529 --> 00:12:46,665 I SEE THE ONLY PERSON THAT'S LOOKIN' OUT FOR TAMAR IS TAMAR. 345 00:12:59,545 --> 00:13:01,046 HE'S COST ME A LOT OF TIME. 346 00:13:01,147 --> 00:13:02,715 BY THE TIME I REMEMBER, I HAVE TO REMIND HIM 347 00:13:02,815 --> 00:13:04,717 TO REMIND ME-- SOMEBODY HAS TO TRAIN HIM. 348 00:13:04,817 --> 00:13:06,619 I'M VERY DEMANDING. 349 00:13:06,719 --> 00:13:09,889 I EXPECT FOR MY ASSISTANTS TO ANTICIPATE MY WANTS AND NEEDS. 350 00:13:09,989 --> 00:13:11,524 I EXPECT THEM TO BE PSYCHIC. 351 00:13:11,624 --> 00:13:14,126 MY ASSISTANT HAS A WIDE RANGE OF RESPONSIBILITIES. 352 00:13:14,226 --> 00:13:15,861 THEY HAVE TO HELP ME MANAGE MY SCHEDULE, 353 00:13:15,961 --> 00:13:18,764 UM, HELP ME WITH MY KIDS, TAKE CARE OF MY WARDROBE, 354 00:13:18,864 --> 00:13:20,266 SOMETIMES SHOP FOR FOOD. 355 00:13:20,366 --> 00:13:21,467 I MEAN, WHATEVER NEEDS TO BE DONE-- 356 00:13:21,567 --> 00:13:22,835 EVEN CLEAN MY MAKEUP BRUSHES, 357 00:13:22,935 --> 00:13:24,170 IF-IF THAT'S WHAT'S NEEDED. 358 00:13:24,270 --> 00:13:25,871 ZO'S BEEN WITH ME NOW, FOR WHAT, TWO MONTHS. 359 00:13:25,971 --> 00:13:28,007 HE'S A SWEET KID, BUT HE'S JUST NOT GETTING IT. 360 00:13:28,107 --> 00:13:30,242 WHAT I REALLY NEED IS TOWANDA FULL TIME. 361 00:13:30,342 --> 00:13:32,378 I GUESS THE BEST I CAN WISH FOR IS MAYBE SHE CAN 362 00:13:32,478 --> 00:13:34,146 WHIP ZO INTO SHAPE IN THE SHORT TIME 363 00:13:34,246 --> 00:13:35,948 SHE'LL BE OUT HERE VISITING ME. 364 00:13:36,048 --> 00:13:38,951 HE REALLY NEEDS TO BE TRAINED PERSONAL FOR ME, 365 00:13:39,051 --> 00:13:40,686 FOR MY WANTS AND NEEDS. 366 00:13:40,786 --> 00:13:42,421 I MEAN, IT'S HARD WITH YOU IN ATLANTA. 367 00:13:42,521 --> 00:13:44,990 BUT I'M HERE TO TRAIN HIM. 368 00:13:45,090 --> 00:13:47,760 I FEEL LIKE THAT'S NEVER GONNA HAPPEN. 369 00:13:47,860 --> 00:13:49,094 WHAT, THAT I'M NOT GONNA TRAIN HIM? 370 00:13:49,195 --> 00:13:50,462 THIS IS HONEST, BEING HONEST. 371 00:13:50,563 --> 00:13:52,131 I THINK PEOPLE NEVER WANNA TRAIN ANOTHER PERSON, 372 00:13:52,231 --> 00:13:53,432 'CAUSE THEY ALWAYS WANNA BE NEEDED, 373 00:13:53,532 --> 00:13:55,034 FELT-FEEL NEEDED A LITTLE BIT. 374 00:13:55,134 --> 00:13:57,937 I ASSURE YOU THAT'S NOT THE CASE. 375 00:13:58,037 --> 00:13:59,939 I DON'T NEED TO BE HER PERSONAL ASSISTANT. 376 00:14:00,039 --> 00:14:02,508 SHE WANTS ME TO BE HER PERSONAL ASSISTANT. 377 00:14:02,608 --> 00:14:04,710 TONI'S TRYIN' TO DO THAT JEDI MIND TRICK STUFF 378 00:14:04,810 --> 00:14:06,445 THAT SHE TRIES TO DO WITH EVERYBODY. 379 00:14:06,545 --> 00:14:08,347 I WANNA ACT-- I HAVE OTHER PLANS. 380 00:14:08,447 --> 00:14:10,783 THAT'S WHY I LEFT ANDRE AND THE KIDS IN ATLANTA, 381 00:14:10,883 --> 00:14:13,018 SO SHE KNOWS THAT I'M NOT GONNA PERMANENTLY MOVE 382 00:14:13,118 --> 00:14:15,020 TO LOS ANGELES. 383 00:14:15,120 --> 00:14:17,790 TRAINING HIM WOULD MEAN BEING OUT HERE FOR A LITTLE BIT. 384 00:14:17,890 --> 00:14:19,325 I JUST THOUGHT I'D SAY THAT. 385 00:14:19,425 --> 00:14:20,860 I'M SAYIN' I'M HERE, THOUGH. 386 00:14:20,960 --> 00:14:22,995 THAT'S WHY I'M HERE TO TRAIN HIM. 387 00:14:23,095 --> 00:14:24,530 IF ZO DOESN'T WORK OUT, TOWANDA'S GONNA HAVE TO BE 388 00:14:24,630 --> 00:14:28,267 MY ASSISTANT AGAIN, AND WE KNOW SHE DOESN'T WANT THAT. 389 00:14:28,367 --> 00:14:30,035 SO, SHE'S GONNA HAVE TO WHIP ZO UP 390 00:14:30,135 --> 00:14:31,370 AND GET HIM WORKING RIGHT. 391 00:14:31,470 --> 00:14:33,105 SHE'S GONNA HAVE TO FIGURE IT OUT. 392 00:14:43,349 --> 00:14:45,651 DO WE NEED A SPOON, TAMAR, FOR THIS? 393 00:14:45,751 --> 00:14:48,721 DIP SPOONS FOR THE SOY SAUCE AND THIS. 394 00:14:48,821 --> 00:14:50,489 SO, TRACI HAS AN ANNOUNCEMENT, HUH? 395 00:14:50,589 --> 00:14:52,458 I WONDER WHAT IT IS. 396 00:14:52,558 --> 00:14:54,827 - SHE MOVIN'. - YOU THINK? 397 00:14:54,927 --> 00:14:56,262 - NO. - NO. 398 00:14:56,362 --> 00:14:57,863 I'M A PERSON TO THINK THAT I CAN DO EVERYTHING BY MYSELF, 399 00:14:57,963 --> 00:14:59,865 BUT I DON'T THINK I COULD DO THIS BY MYSELF. 400 00:14:59,965 --> 00:15:02,735 I THINK I NEED SOME HELP WITH MY SISTERS TO HELP ME 401 00:15:02,835 --> 00:15:05,037 TO INVEST INTO THIS BUSINESS. 402 00:15:05,137 --> 00:15:07,273 THEY WOULD GET 403 00:15:07,373 --> 00:15:08,807 SO, TRACI, YOU WERE SAYING. 404 00:15:08,908 --> 00:15:10,643 SINCE EVERYBODY'S DOIN' THEIR DIRECTION, 405 00:15:10,743 --> 00:15:13,212 I WAS THINKIN' ABOUT GOIN' BACK TO COSMETOLOGY SCHOOL 406 00:15:13,312 --> 00:15:15,180 AND OPEN UP A-A SALON. 407 00:15:15,281 --> 00:15:19,018 THAT'S A FABULOUS IDEA, 'CAUSE I'M NOT GONNA LIE ABOUT IT, 408 00:15:19,118 --> 00:15:20,853 I MEAN, 'CAUSE YOU CAN DO SOME HAIR. 409 00:15:20,953 --> 00:15:22,187 I AIN'T GONNA LIE. 410 00:15:22,288 --> 00:15:24,623 I'M REALLY SURPRISED THAT TRACI MADE THE DECISION 411 00:15:24,723 --> 00:15:26,492 TO OPEN HER OWN SALON. 412 00:15:26,592 --> 00:15:28,060 I ALWAYS THOUGHT THAT SHE HAD HER HEART SET ON 413 00:15:28,160 --> 00:15:29,595 SINGING SO MUCH. 414 00:15:29,695 --> 00:15:31,563 I'M GLAD FOR HER THAT SHE'S MAKING THIS CAREER CHOICE, 415 00:15:31,664 --> 00:15:33,799 BUT I'M ALSO VERY, VERY, VERY SHOCKED. 416 00:15:33,899 --> 00:15:35,534 WHAT WOULD YOU NAME IT? 417 00:15:35,634 --> 00:15:37,336 I TALKED TO MOMMY AND I SAID, UM, 418 00:15:37,436 --> 00:15:40,039 ONE OF 'EM WAS "BEAULIVE." 419 00:15:40,139 --> 00:15:42,474 - SORRY. - LIKE, FOR REAL? 420 00:15:42,574 --> 00:15:44,109 I CAN'T BELIEVE TRACI THINK "BEAULIVE" 421 00:15:44,209 --> 00:15:46,211 IS A GOOD NAME FOR A HAIR SALON. 422 00:15:46,312 --> 00:15:48,647 GIRL, GET YOUR LIFE-- MMM-MMM. 423 00:15:48,747 --> 00:15:51,383 - WHAT WAS THE NAME AGAIN? - "BEAULIVE." 424 00:15:51,483 --> 00:15:53,018 YOU GET BEAUTIED, THEN YOU LEAVE? 425 00:15:53,118 --> 00:15:54,353 I LIKE THAT NAME. 426 00:15:54,453 --> 00:15:56,021 I AM REALLY ON THE FENCE WITH TRACI OPENING UP 427 00:15:56,121 --> 00:15:57,556 HER OWN SALON. 428 00:15:57,656 --> 00:15:59,591 A PART OF ME IS SAYIN, "YES, TRACI, DO THIS. 429 00:15:59,692 --> 00:16:00,960 "I KNOW YOU LOVE DOING HAIR," 430 00:16:01,060 --> 00:16:02,594 BUT ON THE OTHER END OF THE FENCE, 431 00:16:02,695 --> 00:16:04,830 I'M LIKE, "BUT TRACI, I THOUGHT YOU REALLY WANTED TO SING." 432 00:16:04,930 --> 00:16:06,398 HOW YOU GONNA FINANCE IT? 433 00:16:06,498 --> 00:16:09,068 WELL... 434 00:16:09,168 --> 00:16:11,837 FINANCING... 435 00:16:11,937 --> 00:16:14,807 I WAS THINKIN' ABOUT WHEN I OPEN UP THE SHOP 436 00:16:14,907 --> 00:16:20,479 THAT I CAN GET SOME INVESTORS, MY SISTERS. 437 00:16:20,579 --> 00:16:22,314 INVESTORS FROM HER SISTERS WHO? 438 00:16:22,414 --> 00:16:23,749 NOT ME! 439 00:16:23,849 --> 00:16:25,851 MMM-MMM. - WAIT-WAIT-- HEAR HER OUT. 440 00:16:25,951 --> 00:16:27,486 DON'T SAY "NO." - WHERE YOU GONNA DO IT AT? 441 00:16:27,586 --> 00:16:29,922 I'LL OPEN UP THE FIRST ONE IN MARYLAND... 442 00:16:30,022 --> 00:16:31,390 MMM-MMM-- DOUBLE MMM-MMM. 443 00:16:31,490 --> 00:16:32,891 I KNOW IT USED TO BE CHOCOLATE CITY, 444 00:16:32,992 --> 00:16:34,259 BUT THAT DONE DRIED UP, BABY. 445 00:16:34,360 --> 00:16:35,861 IT'S STRAIGHT "JURASSIC PARK." 446 00:16:35,961 --> 00:16:37,896 IT IS DRIED UP! 447 00:16:37,997 --> 00:16:40,699 YOU GOTTA BE REALISTIC WITH YOUR DREAMS. 448 00:16:40,799 --> 00:16:42,301 IF YOU GONNA START OFF ANYWHERE, 449 00:16:42,401 --> 00:16:46,038 ATLANTA'S THE BEST RIGHT NOW... OR L.A. 450 00:16:46,138 --> 00:16:47,973 YOU ACT LIKE MARYLAND AIN'T NOTHIN' BUT A NUT BUSH PLACE. 451 00:16:48,073 --> 00:16:49,241 IT IS! 452 00:16:49,341 --> 00:16:50,609 WHERE YOU LIVIN' AT? - IT'S NOT! 453 00:16:50,709 --> 00:16:52,077 YOU ACT LIKE I'M IN OHIO, WISCON-WISCONSIN-- 454 00:16:52,177 --> 00:16:53,746 LISTEN, DID WE FLY SIX HOURS AND DIDN'T I TAKE TWO HOURS 455 00:16:53,846 --> 00:16:55,514 TO GET TO TRACI'S HOUSE? 456 00:16:55,614 --> 00:16:56,815 THAT'S LIKE I WANNA BE A SINGER 457 00:16:56,915 --> 00:16:58,917 AND I'M MOVIN' TO NEBRASKA. 458 00:16:59,018 --> 00:17:01,120 SO, IF WE DO THIS RECORD, ARE YOU STAYIN' IN MARYLAND? 459 00:17:01,220 --> 00:17:04,156 IF WE DO THIS RECORD, I CAN COMMUTE. 460 00:17:04,256 --> 00:17:05,758 I CAN GO. - NO, YOU CAN'T. 461 00:17:05,858 --> 00:17:07,393 I DON'T KNOW WHAT TAMAR'S TALKIN' ABOUT. 462 00:17:07,493 --> 00:17:09,561 SHE ALREADY PUT A HOLD ON THE BRAXTON FAMILY ALBUM. 463 00:17:09,661 --> 00:17:11,897 NOW, YOU WANNA TALK ABOUT, "LET'S DO THIS" AGAIN. 464 00:17:11,997 --> 00:17:14,066 STOP PLAYIN' WITH MY DAMN EMOTIONS! 465 00:17:14,166 --> 00:17:16,268 HOW LONG IS IT GONNA TAKE YOU TO FINISH BEAUTY SCHOOL? 466 00:17:16,368 --> 00:17:18,337 UH, I DON'T HAVE THAT LONG, 467 00:17:18,437 --> 00:17:19,938 'CAUSE THEY SAID I CAN TAKE THE TEST. 468 00:17:20,039 --> 00:17:21,173 TAKE THE TEST! 469 00:17:21,273 --> 00:17:23,742 I'LL BRUSH UP WITH THE BOOKS AND... 470 00:17:23,842 --> 00:17:25,444 I'LL TAKE THE TEST. 471 00:17:25,544 --> 00:17:27,479 I MEAN, I'M NOT THE BIGGEST FAN OF TRACI OPENIN' UP 472 00:17:27,579 --> 00:17:30,149 HER SALON IN MARYLAND, BUT I DEFINITELY WISH HER 473 00:17:30,249 --> 00:17:33,519 THE BEST OF LUCK... JUST NOT WITH MY MONEY. 474 00:17:33,619 --> 00:17:35,754 WELL, HERE'S TO TRACI AND TO MARYLAND! 475 00:17:35,854 --> 00:17:39,892 LET FREEDOM RING! - THAT'S A GREAT IDEA. 476 00:17:42,528 --> 00:17:44,663 COMING UP ON "BRAXTON FAMILY VALUES..." 477 00:17:44,763 --> 00:17:47,633 WHY YOU FEEL YOU HAVE TO GO BEHIND THEM BACK 478 00:17:47,733 --> 00:17:49,134 TO BE WHO YOU ARE? 479 00:17:49,234 --> 00:17:50,803 I JUST DON'T WANNA CAUSE HAVOC. 480 00:17:50,903 --> 00:17:54,073 IF YOU GO TO HARVEY AND THEM FIND OUT, 481 00:17:54,173 --> 00:17:55,974 THERE WILL BE HECK TO PAY. 482 00:17:56,075 --> 00:17:57,509 THERE'S NOTHIN' WRONG WITH A CONVERSATION. 483 00:17:57,609 --> 00:17:59,178 AND THERE'S NOTHING WRONG WITH THE TRUTH. 484 00:18:14,793 --> 00:18:17,229 - IT IS NOT THAT COLD IN HERE! - YOU LIE. 485 00:18:17,329 --> 00:18:19,765 I CAME OVER TO TONI'S TO TALK ABOUT MY AWFUL 486 00:18:19,865 --> 00:18:22,501 LONG ASS RECORDING SESSION WITH T.C. 487 00:18:22,601 --> 00:18:24,536 I MEAN, I JUST FEEL SO DISSED BY VINCE, 488 00:18:24,636 --> 00:18:26,805 AND YOU KNOW, I NEED SOME TYPE OF ADVICE. 489 00:18:26,905 --> 00:18:28,440 LIKE, I NEED SOME HELP, FOR REAL. 490 00:18:28,540 --> 00:18:30,609 - WHO YOU WORKIN' WITH? - NOBODY I WANNA WORK WITH. 491 00:18:30,709 --> 00:18:32,578 WHO IS THIS GUY-- I DON'T KNOW HIM. 492 00:18:32,678 --> 00:18:34,746 HE'S A BABY-- HE'S ONLY 25. 493 00:18:34,847 --> 00:18:36,515 HE PROBABLY MAKES GREAT MUSIC, 494 00:18:36,615 --> 00:18:38,750 AND HE CAN PROBABLY REALLY SING, 495 00:18:38,851 --> 00:18:40,319 AND HE PROBABLY DOES A GREAT JOB OF WRITING 496 00:18:40,419 --> 00:18:42,454 AND DONE MELODIES AND PUTTING ALL THAT TOGETHER, 497 00:18:42,554 --> 00:18:45,891 BUT HE MAY NOT BE GOOD AT... TEACHING SOMEONE. 498 00:18:45,991 --> 00:18:47,192 T-TEACHING SOMEBODY ELSE HOW TO DO IT. 499 00:18:47,292 --> 00:18:48,760 THAT'S TRUE, 'CAUSE THAT IS AN ART. 500 00:18:48,861 --> 00:18:50,362 EVERYBODY DOESN'T HAVE THAT. 501 00:18:50,462 --> 00:18:51,597 EVERYBODY THAT CAN MAKE TRACKS AIN'T A PRODUCER. 502 00:18:51,697 --> 00:18:52,898 JUST, PEOPLE DON'T UNDERSTAND THAT. 503 00:18:52,998 --> 00:18:55,400 I KNOW THAT TAMAR CAN SOMETIMES BE A HANDFUL 504 00:18:55,501 --> 00:18:57,402 TO DEAL WITH, ESPECIALLY IN THE RECORDING STUDIO, 505 00:18:57,503 --> 00:19:00,739 AND I THINK THAT COMES FROM HER HISTORY IN THE PAST. 506 00:19:00,839 --> 00:19:02,141 SHE'S HAD SEVERAL ALBUMS OUT. 507 00:19:02,241 --> 00:19:03,308 SO, SHE'S IN THE STUDIO AND SHE'S THINKING, 508 00:19:03,408 --> 00:19:04,710 "I CAN DO THIS-- I CAN PRODUCE MYSELF." 509 00:19:04,810 --> 00:19:06,345 SO, IF SHE'S WITH A NEW PRODUCER, 510 00:19:06,445 --> 00:19:08,313 SHE'LL CHEW HIM UP AND SPIT HIM OUT. 511 00:19:08,413 --> 00:19:10,149 SHE'LL THINK, "I KNOW MORE THAN HIM." 512 00:19:10,249 --> 00:19:12,084 BUT SHE NEEDS AND EXPERIENCED PRODUCER WHO KNOWS HER, 513 00:19:12,184 --> 00:19:14,486 WHO GETS IT, WHO WILL CHALLENGE HER, 514 00:19:14,586 --> 00:19:16,488 THAT'S WHAT SHE NEEDS. 515 00:19:16,588 --> 00:19:18,323 I CAN'T BELIEVE VINCE IS LETTIN' THIS CHILD DO IT. 516 00:19:18,423 --> 00:19:20,159 AS OF NOW, IT AIN'T RIGHT. 517 00:19:20,259 --> 00:19:21,960 AND IF IT AIN'T RIGHT, I AIN'T PUTTIN' IT OUT. 518 00:19:22,060 --> 00:19:23,529 YOU KNOW WHO YOU NEED TO WORK WITH. 519 00:19:23,629 --> 00:19:25,631 - I KNOW, HARVEYLICIOUS. - HARVEY. 520 00:19:25,731 --> 00:19:27,432 HARVEY'S THE ONLY ONE THAT CAN CHANGE THAT, 521 00:19:27,533 --> 00:19:28,934 CHANGE PEOPLE'S MINDS. 522 00:19:29,034 --> 00:19:30,469 THERE IS NO QUESTION IN MY MIND THAT THE BEST PRODUCER 523 00:19:30,569 --> 00:19:32,037 FOR TAMAR IS HARVEY MASON. 524 00:19:32,137 --> 00:19:33,972 HE'S THE BEST... HE'S WORKED WITH ME. 525 00:19:34,072 --> 00:19:37,109 HE'S WORKED WITH ARETHA FRANKLIN, BRITNEY SPEARS, 526 00:19:37,209 --> 00:19:38,410 JENNIFER HUDSON. 527 00:19:38,510 --> 00:19:39,611 HE KNOWS HOW TO HANDLE TAMAR, 528 00:19:39,711 --> 00:19:40,946 AND HE'S WORKED WITH HER BEFORE. 529 00:19:41,046 --> 00:19:42,114 WHY CAN'T YOU CALL HIM AND BE LIKE, 530 00:19:42,214 --> 00:19:43,582 "LOOK, TAMAR, I'M GONNA GIVE TAMAR YOUR NUMBER. 531 00:19:43,682 --> 00:19:45,117 "SHE GONNA CALL YOU, 'CAUSE SHE NEED TO ASK YOU SOMETHING." 532 00:19:45,217 --> 00:19:47,119 YOU KNOW HARVEY-- WHY WOULD I DO THAT? 533 00:19:47,219 --> 00:19:49,087 'CAUSE I'M SCARED. 534 00:19:49,188 --> 00:19:51,056 TAMAR, PUT ON YOUR BIG GIRL PANTIES AND CALL HIM. 535 00:19:51,156 --> 00:19:52,891 I JUST DON'T WANT MY MOUTH TO WRITE NO CHECK 536 00:19:52,991 --> 00:19:54,793 THAT MY ASS CAN'T CASH. 537 00:19:54,893 --> 00:19:56,094 ASK-- OKAY. 538 00:19:56,195 --> 00:19:57,462 AS SOON AS HE SAY "OKAY" HE CAN DO IT-- 539 00:19:57,563 --> 00:19:59,131 "OKAY, HARVEY, OKAY-- HOW MUCH IT GONNA COST ME?" 540 00:19:59,231 --> 00:20:00,699 TALK MONEY RIGHT AWAY. 541 00:20:00,799 --> 00:20:02,234 DON'T TALK IT LATER, 'CAUSE WHEN YOU GET THAT INVOICE-- 542 00:20:02,334 --> 00:20:04,603 SHE IS ABSOLUTELY RIGHT! 543 00:20:04,703 --> 00:20:06,805 HARVEY IS THE PERSON WHO NEEDS TO BE PRODUCIN' ME. 544 00:20:06,905 --> 00:20:09,374 NOW, I JUST GOTTA FIGURE OUT HOW I'M GONNA DO IT. 545 00:20:23,155 --> 00:20:25,390 I HAVE NO EARTHLY IDEA WHAT TYPE OF FEEDBACK 546 00:20:25,490 --> 00:20:26,625 TONI'S BEEN GIVING ZO, 547 00:20:26,725 --> 00:20:28,527 BUT HE OBVIOUSLY NEEDS SOME TOUGH LOVE. 548 00:20:28,627 --> 00:20:30,963 AND I AM GONNA MAKE HIM TONI-PROOF, 549 00:20:31,063 --> 00:20:32,898 SO THAT I CAN MOVE ON WITH MY LIFE. 550 00:20:37,269 --> 00:20:38,403 'CAUSE YOU'RE LATE. 551 00:20:38,503 --> 00:20:39,871 YOU WERE SUPPOSED TO BE HERE AT 9 O'CLOCK. 552 00:20:39,972 --> 00:20:41,473 WHAT TIME IS IT NOW? 553 00:20:41,573 --> 00:20:44,276 - 9:56. - WE GOT A LOT TO COVER. 554 00:20:44,376 --> 00:20:46,812 DID YOU GET A CHANCE TO GO TO THE GROCERY STORE? 555 00:20:46,912 --> 00:20:49,348 - YEAH. - WHERE'S THE FRUIT? 556 00:20:49,448 --> 00:20:51,617 ZO, DID YOU FORGET TO GET THE STUFF? 557 00:20:51,717 --> 00:20:53,619 COME ON-- I JUST HAVE TO SHOW YOU SOMETHIN' ELSE. 558 00:20:53,719 --> 00:20:55,320 THERE IS THE NORMAL CLEAN, 559 00:20:55,420 --> 00:20:57,389 AND THEN THERE'S THE TONI BRAXTON CLEAN. 560 00:20:57,489 --> 00:21:00,592 TONI IS SO HYPER ANAL ABOUT HER BATHROOM, 561 00:21:00,692 --> 00:21:03,228 ESPECIALLY HER MAKEUP BRUSHES. 562 00:21:03,328 --> 00:21:05,497 IF SHE CAME IN THE BATHROOM AND SAW THESE BRUSHES... 563 00:21:05,597 --> 00:21:07,733 YOU GOT A FULL DAY AHEAD OF YOU. 564 00:21:07,833 --> 00:21:10,068 I DON'T THINK THAT ZO REALLY FULLY UNDERSTANDS 565 00:21:10,168 --> 00:21:13,705 THAT TONI NEEDS EVERYTHING IN IT'S PROPER PLACE, 566 00:21:13,805 --> 00:21:15,607 NOT STUFF HERE, NOT STUFF THERE, 567 00:21:15,707 --> 00:21:18,810 BUT PERFECT PLACE FOR TONI. 568 00:21:18,910 --> 00:21:20,646 WHERE IS THE OTHER SHOE? - IN THE CAR. 569 00:21:20,746 --> 00:21:22,414 WORK-- WORK! 570 00:21:22,514 --> 00:21:24,383 EVERY SECOND COUNTS WITH TONI BRAXTON. 571 00:21:24,483 --> 00:21:25,784 ZO! 572 00:21:25,884 --> 00:21:27,119 I AM NOT GONNA LIE... 573 00:21:27,219 --> 00:21:28,887 ZO DEFINITELY HAS HIS BLONDE MOMENTS. 574 00:21:28,987 --> 00:21:30,589 I'LL TELL YA, THE HOUSEKEEPER TOOK IT. 575 00:21:30,689 --> 00:21:32,024 YOU NEED TO TELL THE HOUSEKEEPER 576 00:21:32,124 --> 00:21:33,492 DON'T MOVE YOUR STUFF. 577 00:21:33,592 --> 00:21:35,494 I'M JUST GONNA MAKE SURE THAT HE'S THE PERFECT ASSISTANT 578 00:21:35,594 --> 00:21:37,796 FOR TONI, BECAUSE I DON'T WANT THAT JOB BACK. 579 00:21:37,896 --> 00:21:40,165 IT'S OVERWHELMING-- TRUST ME, I KNOW. 580 00:21:40,265 --> 00:21:42,467 THAT'S WHY YOU'RE HERE, TO TAKE MY PLACE. 581 00:21:42,567 --> 00:21:44,836 I DON'T WANNA BE A PERSONAL ASSISTANT EVER. 582 00:21:50,175 --> 00:21:51,877 OOH, THESE ARE CUTE. 583 00:21:51,977 --> 00:21:54,446 YOU'RE GONNA BE LIKE, ANYTHING THAT MAKES ME TALL. 584 00:21:54,546 --> 00:21:57,683 I KNOW, RIGHT-- I LIKE THESE COWBOY BOOTS. 585 00:21:57,783 --> 00:22:00,218 I'VE BEEN LOOKIN' FOR SOME. - NEED HELP FINDING ANYTHING? 586 00:22:00,319 --> 00:22:02,187 I-I LIKE THESE BOOTS. 587 00:22:02,287 --> 00:22:03,822 WANT ME TO GO CHECK IT OUT, SEE IF WE HAVE IT? 588 00:22:03,922 --> 00:22:05,324 YEAH. 589 00:22:05,424 --> 00:22:06,792 I DON'T GET A CHANCE TO HANG OUT WITH TONI ALL THE TIME, 590 00:22:06,892 --> 00:22:08,427 SO I THOUGHT IT WOULD BE FUN TO GO OUT SHOPPING WITH HER 591 00:22:08,527 --> 00:22:10,862 AND TALK ABOUT MY CAREER PLANS. 592 00:22:10,962 --> 00:22:13,932 OH, YES! - OH, YEAH, TRY THOSE ON. 593 00:22:14,032 --> 00:22:15,967 I HAVE THIS LITTLE, CUTE LITTLE DRESS, 594 00:22:16,068 --> 00:22:19,204 AND I'VE BEEN LOOKIN' FOR A PAIR OF COWBOY BOOTS. 595 00:22:19,304 --> 00:22:21,973 LET ME TRY 'EM ON-- WHAT DO YOU THINK? 596 00:22:22,074 --> 00:22:24,876 THEY'RE TOO BIG-- SEE, I CAN'T WEAR 'EM. 597 00:22:24,976 --> 00:22:27,112 THEY TOO BIG-- YOU NEED ANOTHER SIZE. 598 00:22:27,212 --> 00:22:28,980 HEEHAW! 599 00:22:29,081 --> 00:22:32,884 WOW. 600 00:22:32,984 --> 00:22:34,920 WOW. 601 00:22:35,020 --> 00:22:36,888 WHAT DO YOU THINK? 602 00:22:36,988 --> 00:22:38,657 UM. 603 00:22:38,757 --> 00:22:40,292 SEE, THESE ARE NOT CUTE ON ME. 604 00:22:40,392 --> 00:22:44,896 I'LL STICK TO MY CLOGS. 605 00:22:44,996 --> 00:22:47,432 LET ME SEE YOUR COUNTRY GIRL DANCE. 606 00:22:47,532 --> 00:22:49,735 HEEHAW. 607 00:22:49,835 --> 00:22:53,004 THAT'S RIVER DANCE. 608 00:22:53,105 --> 00:22:55,173 THAT WAS RIVER DANCE. 609 00:22:55,273 --> 00:22:57,676 I'M TRYIN' TO SLIP A CONVERSATION TO TONI 610 00:22:57,776 --> 00:22:59,611 TO LET HER KNOW THAT I'M TRYIN' TO OPEN UP A SALON 611 00:22:59,711 --> 00:23:01,613 AND ALSO BE A SINGER. 612 00:23:01,713 --> 00:23:06,184 MAYBE TONI COULD HELP ME MAKE A DECISION. 613 00:23:06,284 --> 00:23:07,853 IT'S WORTH A TRY. 614 00:23:07,953 --> 00:23:09,988 I BEEN THINKIN' ABOUT-- - WHAT? 615 00:23:10,088 --> 00:23:11,323 OKAY-- YOU GOTTA TELL ME SOMETHING. 616 00:23:11,423 --> 00:23:12,824 OH, GOD-- TELL ME-TELL ME. - OKAY. 617 00:23:12,924 --> 00:23:15,193 OPENING UP A SALON AND GOING BACK TO HAIR SCHOOL. 618 00:23:15,293 --> 00:23:17,996 - REALLY? - YEAH. 619 00:23:18,096 --> 00:23:20,766 - OH, THAT'S YOU. - THAT'S CUTE? 620 00:23:20,866 --> 00:23:22,434 - YEAH. - WHEN ARE YOU GONNA DO THIS? 621 00:23:22,534 --> 00:23:25,871 I'M HOPING REAL SOON, BUT IF YOU HAD ANYTHING THAT, 622 00:23:25,971 --> 00:23:28,707 YOU KNOW, I WAS HOPIN' THAT IF YOU WERE GOING BACK 623 00:23:28,807 --> 00:23:30,809 TO SINGING, I MEAN. - OKAY, WHICH IS IT? 624 00:23:30,909 --> 00:23:32,778 YOU GONNA GO BACK TO SCHOOL OR YOU GONNA GO BACK TO SINGING? 625 00:23:32,878 --> 00:23:34,279 I KNOW TRACI WANTS SOMETHING. 626 00:23:34,379 --> 00:23:36,381 I'M NOT SURE IF IT'S A LOAN FOR A SALON 627 00:23:36,481 --> 00:23:38,216 OR A JOB FOR SINGING. 628 00:23:38,316 --> 00:23:40,452 I FEEL LIKE SHE'S SAYING SHE WANTS TO GO BACK TO SCHOOL, 629 00:23:40,552 --> 00:23:43,121 UNLESS I CAN OFFER HER A SINGING JOB. 630 00:23:43,221 --> 00:23:45,290 - DO BOTH. - YEAH, BUT NO. 631 00:23:45,390 --> 00:23:46,725 TELL ME MORE ABOUT THIS SCHOOL. 632 00:23:46,825 --> 00:23:48,026 WHEN ARE YOU GOING? - WELL-- 633 00:23:48,126 --> 00:23:49,928 HOW COME I DIDN'T KNOW THIS? 634 00:23:50,028 --> 00:23:52,764 UM, BECAUSE I-I REALLY DIDN'T WANNA SAY ANYTHING YET. 635 00:23:52,864 --> 00:23:55,400 I'M GUESSING, SINCE SHE ONLY BROUGHT UP THE SCHOOL, 636 00:23:55,500 --> 00:23:58,069 SHE'S NOT INTERESTED IN ME SINGIN' BACKUP. 637 00:23:58,170 --> 00:24:00,572 I JUST FEEL LIKE I NEED TO COMPLETE SOMETHING. 638 00:24:00,672 --> 00:24:02,307 HOW LONG, OR SOMETHING, YOU GOTTA GO? 639 00:24:02,407 --> 00:24:04,042 UM, I DON'T HAVE THAT MUCH HOURS. 640 00:24:04,142 --> 00:24:07,345 SO, YOU KNOW, I JUST HAVE TO DO THE TEST TO PLACE ME 641 00:24:07,446 --> 00:24:10,615 WHERE I SUPPOSED TO BE AND CONTINUE FROM THAT. 642 00:24:10,715 --> 00:24:12,951 I THINK THAT'S COOL YOU GOIN' BACK TO SCHOOL FOR HAIR. 643 00:24:13,051 --> 00:24:15,053 I THINK IT'S A GOOD IDEA THAT TRACI WANTS TO 644 00:24:15,153 --> 00:24:17,889 OPEN HER OWN BUSINESS... IN THEORY. 645 00:24:17,989 --> 00:24:19,591 BUT IN PRACTICE, I THINK SHE'S GONNA HAVE TO HIRE 646 00:24:19,691 --> 00:24:22,894 A BUSINESS MANAGER OR OFFICE MANAGER 647 00:24:22,994 --> 00:24:24,629 OR SOMEONE WHO-WHO KNOWS THE INS AND OUT 648 00:24:24,729 --> 00:24:27,933 OF OPERATING A SHOP, BEFORE SHE CAN DO ANYTHING LIKE THAT. 649 00:24:28,033 --> 00:24:29,701 WHAT DO YOU THINK? - OH, YEAH, THAT'S CUTE. 650 00:24:29,801 --> 00:24:31,203 - THAT'S CUTE? - YEAH. 651 00:24:31,303 --> 00:24:33,305 - IS IT MICHAEL JACKSON? - A LITTLE BIT LIKE "BAD." 652 00:24:33,405 --> 00:24:34,906 YEAH. - "BILLY JEAN"? 653 00:24:35,006 --> 00:24:36,842 WHEN SHE BREAKS OUT IN MICHAEL JACKSON IMPRESSION, 654 00:24:36,942 --> 00:24:39,144 I KNOW I'M NOT GONNA GET ANYTHING OUTTA HER. 655 00:24:39,244 --> 00:24:41,112 OH, WELL. 656 00:24:45,717 --> 00:24:48,453 OOH, GIRL, IT IS HOT IN HERE. 657 00:24:48,553 --> 00:24:49,821 IS IT? 658 00:24:49,921 --> 00:24:51,590 DO YOU GUYS EVER TURN YOUR AIR CONDITIONER ON? 659 00:24:51,690 --> 00:24:53,458 I ALMOST HAVE TO TAKE ALL OF MY CLOTHES OFF 660 00:24:53,558 --> 00:24:55,026 WHEN I STAY AT YOUR HOUSE. 661 00:24:55,126 --> 00:24:56,495 WELL, IT IS HOT IN HERE-- THAT'S WHAT THEY SAY TO DO. 662 00:24:56,595 --> 00:24:59,064 TO BE HONEST, I AM STILL UPSET WITH MY MOM RIGHT NOW. 663 00:24:59,164 --> 00:25:00,699 NO-NO! 664 00:25:00,799 --> 00:25:02,834 WHO-WHO TRYIN' TO BE NASTY! 665 00:25:02,934 --> 00:25:04,669 BUT YOU WILL NOT DISRESPECT ME! 666 00:25:04,769 --> 00:25:08,273 AND NEXT TIME YOU DO IT, I'M GONNA SLAP THE PISS OUTTA YOU! 667 00:25:08,373 --> 00:25:11,042 TRY ME! 668 00:25:11,142 --> 00:25:13,411 BUT I REALLY NEED TO ASK HER FOR HER ADVICE 669 00:25:13,512 --> 00:25:15,914 ON WHETHER OR NOT I SHOULD GO BEHIND VINCE'S BACK 670 00:25:16,014 --> 00:25:18,850 AND WORK WITH HARVEY ON MY SOLO PROJECT. 671 00:25:18,950 --> 00:25:21,419 SO, WHAT HAVE YOU BEEN UP TO? 672 00:25:21,520 --> 00:25:24,556 NOTHIN'-- I'M DEBATING ON WHETHER OR NOT 673 00:25:24,656 --> 00:25:26,925 I SHOULD GO SEE HARVEY. 674 00:25:27,025 --> 00:25:29,261 I CALLED HIM THE OTHER DAY AND HE TOLD ME 675 00:25:29,361 --> 00:25:30,962 TO STOP BY TODAY, AND... 676 00:25:31,062 --> 00:25:33,698 WHAT ARE YOU GOING TO SAY TO HARVEY? 677 00:25:33,798 --> 00:25:35,033 WELL, I'M JUST GONNA, BASICALLY, 678 00:25:35,133 --> 00:25:40,472 ASK HIM TO RECORD SOME SONGS AND KEEP IT A SECRET. 679 00:25:40,572 --> 00:25:43,074 WHY YOU FEEL YOU HAVE TO GO BEHIND VINCE'S BACK 680 00:25:43,174 --> 00:25:45,043 TO BE WHO YOU ARE? 681 00:25:45,143 --> 00:25:46,211 I AIN'T FITTIN' TO TALK TO VINCE 682 00:25:46,311 --> 00:25:47,946 'CAUSE HE'S FITTIN' TO HATE ON IT. 683 00:25:48,046 --> 00:25:50,048 AND SOON AS HE HATE ON IT, IT'S GONNA GO RIGHT DOWN 684 00:25:50,148 --> 00:25:51,850 THE DRAIN, AND IT'LL BE RIGHT BACK TO SQUARE ONE. 685 00:25:51,950 --> 00:25:53,418 BUT YOU SEE, FROM MY POINT OF VIEW, 686 00:25:53,518 --> 00:25:55,153 I DON'T UNDERSTAND WHY YOU FEEL 687 00:25:55,253 --> 00:25:56,821 YOU HAVE TO DO IT BEHIND HIS BACK. 688 00:25:56,922 --> 00:25:59,190 IF I TELL VINCE, HE'S GONNA WANNA DO THE ALBUM HIS WAY, 689 00:25:59,291 --> 00:26:02,060 AND I WANNA DO MY ALBUM MY WAY. 690 00:26:02,160 --> 00:26:04,296 AND WE ALREADY KNOW WHERE THAT'S GONNA MAKE US END UP. 691 00:26:04,396 --> 00:26:05,697 WE GONNA START ARGUIN' AND BICKERIN', 692 00:26:05,797 --> 00:26:07,232 AND I AIN'T FITTIN' TO GO THROUGH THAT NO MORE. 693 00:26:07,332 --> 00:26:08,533 I CAN'T. 694 00:26:08,633 --> 00:26:10,402 I JUST DON'T WANNA CAUSE HAVOC. 695 00:26:10,502 --> 00:26:12,070 LET ME GET THIS STRAIGHT. 696 00:26:12,170 --> 00:26:15,574 IF YOU GO TO HARVEY AND VIN FIND OUT, 697 00:26:15,674 --> 00:26:18,777 WHAT ARE YOU SAYING, THERE WILL BE HECK TO PAY? 698 00:26:18,877 --> 00:26:20,545 I DON'T KNOW. 699 00:26:20,645 --> 00:26:22,380 SHE FELT THAT YOU THINK HE WILL GET ANGRY. 700 00:26:22,480 --> 00:26:24,449 OF COURSE-- SHE WOULD, TOO, OKAY. 701 00:26:24,549 --> 00:26:26,451 BECAUSE WHAT DOES THAT MEAN? 702 00:26:26,551 --> 00:26:29,888 THAT MEANS, OKAY, YOU DON'T TRUST ME ENOUGH, OKAY, 703 00:26:29,988 --> 00:26:32,524 THAT WE CAN SIT DOWN AND WE CAN TALK ABOUT THESE THINGS. 704 00:26:32,624 --> 00:26:36,428 AND WHETHER HE AGREE-AGREES OR NOT, 705 00:26:36,528 --> 00:26:38,263 THEY STILL SHOULD TALK ABOUT IT, 706 00:26:38,363 --> 00:26:40,365 AND SHE JUST SHOULD HOLD HER STANCE 707 00:26:40,465 --> 00:26:42,534 AND SAY, "LISTEN, THIS IS WHAT I'M GOING TO DO, 708 00:26:42,634 --> 00:26:44,669 "AND THIS IS WHAT I'M GOING TO TRY." 709 00:26:44,769 --> 00:26:46,938 I THINK WHAT YOU SHOULD DO IS LET VIN KNOW 710 00:26:47,038 --> 00:26:48,273 WHAT YOU GETTING READY TO DO, 711 00:26:48,373 --> 00:26:50,342 BECAUSE YOU GOTTA LET THE FEAR GO. 712 00:26:50,442 --> 00:26:51,676 THAT'S THE ONLY WAY YOU'RE GONNA MAKE IT. 713 00:26:51,776 --> 00:26:54,779 YOU HAVE TO FULFILL YOUR DREAM, OR ELSE, 714 00:26:54,879 --> 00:26:56,615 YOU WILL BE MISERABLE. 715 00:26:56,715 --> 00:26:58,750 ON THAT NOTE, I'M GOING TO GO, AND I'M-- 716 00:26:58,850 --> 00:27:00,151 'CAUSE THERE'S NOTHING WRONG WITH A CONVERSATION. 717 00:27:00,251 --> 00:27:02,220 AND THERE'S NOTHING WRONG WITH THE TRUTH. 718 00:27:02,320 --> 00:27:04,422 - BOOM. - THE TRUTH SHALL... 719 00:27:04,522 --> 00:27:06,891 - SET YOU FREE. - SET YOU FREE. 720 00:27:18,436 --> 00:27:20,171 I FOUND A BEAUTY SCHOOL CLASS IN HOLLYWOOD. 721 00:27:20,271 --> 00:27:21,740 THE CLASS WAS ALREADY STARTED, 722 00:27:21,840 --> 00:27:24,676 SO THEY SAID I COULD JOIN IN, JUST TO SEE WHERE I'M AT. 723 00:27:24,776 --> 00:27:26,945 I HOPE I CAN HOLD MY OWN. 724 00:27:27,045 --> 00:27:29,280 I ASKED YOU GUYS TO PRACTICE SECTIONING. 725 00:27:29,381 --> 00:27:31,116 AND I WANT YOU GUYS TO GET IT DONE 726 00:27:31,216 --> 00:27:34,853 IN FIVE MINUTES OR LESS. 727 00:27:34,953 --> 00:27:36,988 THE CLASS INSTRUCTOR LOOKED LIKE THE HOMELESS VERSION 728 00:27:37,088 --> 00:27:38,823 OF THE DUDE FROM "X FILES." 729 00:27:38,923 --> 00:27:41,326 HE'S PRETTY STRICT AND I'M FREAKING OUT RIGHT NOW. 730 00:27:41,426 --> 00:27:43,228 AND I'M STARTING RIGHT NOW. 731 00:27:43,328 --> 00:27:45,397 I'M TIMING YOU FOR FIVE MINUTES. 732 00:27:45,497 --> 00:27:47,265 GO-GO-GO-GO! 733 00:27:47,365 --> 00:27:49,768 IT'S ALREADY 30 SECONDS! 734 00:27:49,868 --> 00:27:50,869 YOU HAVEN'T DONE A THING! 735 00:27:50,969 --> 00:27:52,203 I'M TRYING TO REMEMBER STUFF 736 00:27:52,303 --> 00:27:53,872 THAT I'VE LEARNED FIVE YEARS AGO, 737 00:27:53,972 --> 00:27:56,174 AND IT'S REALLY NOT COMING BACK TO ME. 738 00:27:56,274 --> 00:27:57,676 PRESSURE'S ON-- PRESSURE'S ON. 739 00:27:57,776 --> 00:27:59,678 WHOEVER GETS DONE FIRST GETS TO LEAVE 740 00:27:59,778 --> 00:28:01,212 A HALF AND HOUR EARLY. 741 00:28:01,312 --> 00:28:03,982 - DONE. - AWESOME. 742 00:28:04,082 --> 00:28:06,284 SO, THIS PERFECT PATTY FINISHED, LIKE, IN TWO MINUTES, 743 00:28:06,384 --> 00:28:08,553 SMILIN' AND . 744 00:28:08,653 --> 00:28:11,256 SHE ANNOYS THE HELL OUT OF ME. 745 00:28:11,356 --> 00:28:16,661 - THAT'S THREE MINUTES. - DONE. 746 00:28:16,761 --> 00:28:18,897 I'M GONNA TAKE A LOOK AND SEE WHAT YOU GUYS DID. 747 00:28:18,997 --> 00:28:21,132 VANESSA, WE KNOW, DID PERFECT. 748 00:28:21,232 --> 00:28:26,304 THIS ONE, TRACI-- IT LOOKS LIKE YOU DID A NICE JOB, TOO, 749 00:28:26,404 --> 00:28:29,107 BUT IT'S NOT A FINGER'S WIDTH BEHIND THE EAR. 750 00:28:29,207 --> 00:28:30,942 THAT'S A PROBLEM. 751 00:28:31,042 --> 00:28:33,778 IT'S SCOOPED OUT TOO LOW-- THAT'S A PROBLEM. 752 00:28:33,878 --> 00:28:34,879 I KNOW, I'M A LITTLE BIT RUSTY, 753 00:28:34,979 --> 00:28:36,548 BUT HE DID SAY I DID A GOOD JOB. 754 00:28:36,648 --> 00:28:39,184 I KNOW THINGS WILL BE GREAT, IF I DID THIS FULL TIME. 755 00:28:39,284 --> 00:28:40,819 I JUST NEED TO STICK WITH IT. 756 00:28:40,919 --> 00:28:42,687 YOU DIDN'T EVEN GET CLOSE TO THE BOTTOM. 757 00:28:42,787 --> 00:28:47,358 THAT'S A PROBLEM, AND I'M STARTING TO GET ANNOYED. 758 00:28:47,459 --> 00:28:49,894 COMING UP ON "BRAXTON FAMILY VALUES..." 759 00:28:49,994 --> 00:28:52,997 TAMAR, WHAT'S UP-- HOW'VE YOU BEEN? 760 00:28:53,098 --> 00:28:56,901 I WAS JUST PRETTY MUCH HOPING THAT YOU WOULD BE WILLING 761 00:28:57,001 --> 00:29:01,039 TO KINDA, LIKE, HAVE AN AFFAIR WITH ME. 762 00:29:01,139 --> 00:29:02,941 SO, TOWANDA, ZO'S NOT WORKING OUT. 763 00:29:03,041 --> 00:29:05,310 I NEED TO TOWANDA TO HELP ME OUT, 764 00:29:05,410 --> 00:29:08,379 TO COME HERE, TO MOVE HERE. 765 00:29:08,480 --> 00:29:10,582 I DON'T WANT THAT JOB-- I DON'T WANNA DO THAT! 766 00:29:10,682 --> 00:29:12,083 CAN SOMEBODY HELP ME! 767 00:29:14,486 --> 00:29:15,720 LET'S GET THE BACKGROUNDS. 768 00:29:15,820 --> 00:29:17,288 I GOTTA DO MY OWN BACKGROUNDS, FOR REAL? 769 00:29:17,388 --> 00:29:19,290 YEAH, YOU GOTTA GO BACK TO "DU WOP, SHA BOP BOP." 770 00:29:19,390 --> 00:29:20,692 BUT IT-IT'S... 771 00:29:20,792 --> 00:29:21,993 I THINK THAT YOU SHOULD COME IN AND DO IT, 772 00:29:22,093 --> 00:29:23,461 AND I'LL DUB OVER THE TOP OF YOURS. 773 00:29:23,561 --> 00:29:25,130 OKAY. 774 00:29:25,230 --> 00:29:26,364 singing: OOH 775 00:29:26,464 --> 00:29:28,399 OR YOU CAN START WITH LOWER ONES, IF IT'S EASIER. 776 00:29:28,500 --> 00:29:29,434 singing: TEARS 777 00:29:29,534 --> 00:29:30,401 YEAH, BUT WATCH YOUR VIBRATO, 778 00:29:30,502 --> 00:29:31,870 BECAUSE I CAN'T-- UH-UHN. 779 00:29:31,970 --> 00:29:33,271 A LITTLE ELVIS. 780 00:29:33,371 --> 00:29:34,706 singing: OOH 781 00:29:34,806 --> 00:29:35,774 DON'T-DON'T-- NO, NO. 782 00:29:35,874 --> 00:29:39,711 DON'T SHOW OFF. - singing: TEARS 783 00:29:39,811 --> 00:29:41,112 NO RUNNIN' ON MY RECORD. 784 00:29:41,212 --> 00:29:44,349 TAKE YOUR TENNIS SHOES OFF. - ALL RIGHT. 785 00:29:59,697 --> 00:30:01,633 LIKE, SERIOUSLY, PUTTIN' ME WITH T.C. AGAIN? 786 00:30:01,733 --> 00:30:03,168 LIKE, NO! 787 00:30:03,268 --> 00:30:04,702 HARVEY IS WHAT'S BEST FOR ME RIGHT NOW, 788 00:30:04,803 --> 00:30:06,538 AND HE'S GONNA LET ME DO IT MY WAY, 789 00:30:06,638 --> 00:30:10,975 AND I'M GONNA NEED TO DO IT MY WAY AND THAT'S IT. 790 00:30:11,075 --> 00:30:13,611 HARVE BARVE! - TAMAR. 791 00:30:13,711 --> 00:30:14,913 - HI. - WHAT'S UP? 792 00:30:15,013 --> 00:30:16,581 HOW'VE YOU BEEN? - GOOD. 793 00:30:16,681 --> 00:30:17,949 GOOD TO SEE YOU. 794 00:30:18,049 --> 00:30:20,351 I WAS JUST PRETTY MUCH HOPING THAT YOU WOULD 795 00:30:20,451 --> 00:30:25,290 BE WILLING TO KINDA, LIKE, HAVE AN AFFAIR WITH ME. 796 00:30:25,390 --> 00:30:29,394 LIKE, NOT THAT KIND, BUT A MUSICAL AFFAIR. 797 00:30:29,494 --> 00:30:30,595 OH. 798 00:30:30,695 --> 00:30:32,497 WHERE ME AND YOU CAN SECRETLY DO MY ALBUM. 799 00:30:32,597 --> 00:30:34,299 - AND NO ONE WILL KNOW? - AND HE WON'T KNOW. 800 00:30:34,399 --> 00:30:36,434 I KNOW VINCE HAS A TAKE-OVER SPIRIT, 801 00:30:36,534 --> 00:30:37,869 BUT I'M GONNA BE NEEDIN' MY PRODUCERS 802 00:30:37,969 --> 00:30:39,971 AND MY MUSIC AND MY SOUND, 803 00:30:40,071 --> 00:30:42,907 AND I'M JUST HOPIN' THAT HARVEY CAN KEEP THIS A SECRET, 804 00:30:43,007 --> 00:30:45,510 SO VINCE WON'T INTERFERE AND TAKE OVER. 805 00:30:45,610 --> 00:30:47,779 I THINK WE HAVE TWO TOTALLY DIFFERENT... 806 00:30:47,879 --> 00:30:50,048 - DIRECTIONS. - DIRECTIONS. 807 00:30:50,148 --> 00:30:51,249 - LIKE-- - WHAT'S DIRECTION? 808 00:30:51,349 --> 00:30:53,351 I WANNA BE FUN AND YOUNG, AND YOU KNOW, 809 00:30:53,451 --> 00:30:55,153 HE'S MORE INTO, LIKE-- - HE'S WANTS MORE ADULT? 810 00:30:55,253 --> 00:30:57,021 LAID BACK, WHAT'S THE FOUR-ONE-ONE-- 811 00:30:57,121 --> 00:30:59,657 - OH, I SEE-- OKAY. - MARY J. BLIGE THING, 812 00:30:59,757 --> 00:31:01,092 AND I AIN'T FROM NEW YORK. 813 00:31:01,192 --> 00:31:02,493 AND I LOVE THAT KIND OF MUSIC, BUT YOU KNOW, 814 00:31:02,594 --> 00:31:04,162 I JUST WANNA BE ABLE TO BE A 100% REAL 815 00:31:04,262 --> 00:31:06,231 AND BE ABLE TO PULL IT OFF AT THE SAME TIME. 816 00:31:06,331 --> 00:31:08,299 WELL, THAT'S THE ONLY WAY IT'S GONNA WORK. 817 00:31:08,399 --> 00:31:10,101 LIKE, IF YOU'RE DOIN' STUFF THAT YOU'RE NOT FEELIN'-- 818 00:31:10,201 --> 00:31:12,303 YOU'VE DONE THAT BEFORE. - YEAH, AND I HAVE DONE MUSIC. 819 00:31:12,403 --> 00:31:13,738 SEE WHAT I'M SAYIN'-- BEEN THERE, DONE THAT, 820 00:31:13,838 --> 00:31:15,607 GOT A T-SHIRT, AND WHO-WHO WANTS TO WEAR AND OLD T-SHIRT! 821 00:31:15,707 --> 00:31:18,009 NOT HER! - NO, NOT HER. 822 00:31:18,109 --> 00:31:19,844 NO! 823 00:31:19,944 --> 00:31:22,146 I WANT TO WEAR NEW CLOTHES, NAME BRAND NEW CLOTHES. 824 00:31:22,247 --> 00:31:24,148 YOU'RE THE NAME BRAND. 825 00:31:24,249 --> 00:31:26,551 YOU ALREADY GOT THE NAME BRAND NEW CLOTHES COVERED. 826 00:31:26,651 --> 00:31:29,687 YOU'RE-YOU'RE THE GUCCI OF MUSIC. 827 00:31:29,787 --> 00:31:31,422 WHAT'S YOUR NEXT STEPS? 828 00:31:31,522 --> 00:31:33,024 I MEAN, DO YOU REALLY WANNA TRY AND GET IN 829 00:31:33,124 --> 00:31:34,559 AND JUST START RECORDING SOME IDEA, 'CAUSE I MEAN, 830 00:31:34,659 --> 00:31:37,095 I WOULD LOVE TO DO THAT-- I THINK WE MAKE GREAT MUSIC. 831 00:31:37,195 --> 00:31:38,897 I'M GLAD YOU GET IT. 832 00:31:38,997 --> 00:31:41,099 I FEEL LIKE I CAN GET THE BEST VOCAL PERFORMANCE 833 00:31:41,199 --> 00:31:43,034 OUT OF HARVEY, BECAUSE I'M REALLY, REALLY COMFORTABLE 834 00:31:43,134 --> 00:31:45,336 WITH HIM, AND HE KNOWS HOW FAR I CAN GO OR, 835 00:31:45,436 --> 00:31:47,605 YOU KNOW, WHERE I COULD TAKE THIS THING. 836 00:31:47,705 --> 00:31:50,008 SO, I JUST THINK HE'S THE HOMERUN GUY. 837 00:31:50,108 --> 00:31:51,743 I'M UP FOR IT. 838 00:31:51,843 --> 00:31:53,578 OKAY, BUT I HAVE ONE MORE REQUEST. 839 00:31:53,678 --> 00:31:56,781 I DON'T HAVE NO MONEY. 840 00:31:56,881 --> 00:31:58,683 I CAN'T BE USIN' VINCE MONEY TO WORK ON THIS PROJECT 841 00:31:58,783 --> 00:32:00,218 BEHIND HIS BACK. 842 00:32:00,318 --> 00:32:03,421 I MEAN, EVEN I KNOW WHEN I'M TAKIN' THINGS TOO FAR. 843 00:32:03,521 --> 00:32:06,658 THE MONEY WILL HAPPEN WHEN YOU HAVE HITS 844 00:32:06,758 --> 00:32:08,626 AND YOU'RE READY TO RELEASE, 845 00:32:08,726 --> 00:32:09,994 AND IT'S AN INVESTMENT FOR BOTH OF US, 846 00:32:10,094 --> 00:32:11,963 AND I'M COOL WITH THAT-- LET'S DO IT. 847 00:32:12,063 --> 00:32:13,865 THANKS, HARVELICIOUS. - SHAKE ON IT. 848 00:32:26,711 --> 00:32:28,446 WE ARE COOKIN' A BIG DINNER AT TONI'S HOUSE, 849 00:32:28,546 --> 00:32:31,249 AND SOMEHOW, I HAD BEEN THE ERRAND PERSON. 850 00:32:31,349 --> 00:32:32,784 I HAD TO GO OUT AND GET ALL THE FOOD, 851 00:32:32,884 --> 00:32:34,018 AND NOBODY WOULD HELP ME. 852 00:32:34,118 --> 00:32:35,453 NOBODY WOULD BRING IN THE BAGS. 853 00:32:35,553 --> 00:32:36,988 I AM SO TIRED OF BEING THE FAMILY'S PERSONAL ASSISTANT. 854 00:32:37,088 --> 00:32:38,356 WHERE IS ZO? 855 00:32:38,456 --> 00:32:39,757 ZO-ZO! 856 00:32:39,857 --> 00:32:41,359 CAN'T THEY CALL ZO TO DO STUFF? 857 00:32:41,459 --> 00:32:43,227 - I HOPE YOU GOT EVERYTHING. - WOW. 858 00:32:43,328 --> 00:32:44,796 LET ME HELP EVERYBODY UNDERSTAND SOMETHIN'. 859 00:32:44,896 --> 00:32:45,997 MMM-HMM. 860 00:32:46,097 --> 00:32:50,268 I AM NOT THE FAMILY'S PERSONAL ASSISTANT. 861 00:32:50,368 --> 00:32:51,769 THANK YOU, TRINA. 862 00:32:51,869 --> 00:32:53,404 I JUST WANTED TO MAKE THAT ANNOUNCEMENT. 863 00:32:53,504 --> 00:32:55,440 - OH, OKAY. - THE EXECUTIVE CHEF IS HERE. 864 00:32:55,540 --> 00:32:56,674 I HEARD SOMEBODY TALKIN' ABOUT ME. 865 00:32:56,774 --> 00:32:57,942 WHO SAID MY NAME? - I DID. 866 00:32:58,042 --> 00:32:59,844 I SAID THAT TONI'S GONNA COME DOWNSTAIRS 867 00:32:59,944 --> 00:33:02,447 AND SAY THAT IT'S ONLY GONNA TAKE HER 15 MINUTES 868 00:33:02,547 --> 00:33:04,782 TO COOK THE SEA BASS. - THAT'S ALL IT TAKES. 869 00:33:04,882 --> 00:33:07,785 WHAT'D I TELL YOU-- DIDN'T I TELL YOU? 870 00:33:07,885 --> 00:33:10,121 SO, TOWANDA, ZO'S NOT WORKING OUT. 871 00:33:10,221 --> 00:33:15,126 HE'S A SWEETHEART, BUT I NEED TOWANDA TO HELP ME OUT. 872 00:33:15,226 --> 00:33:18,663 I DON'T WANT THAT JOB-- I DON'T WANNA DO THAT! 873 00:33:18,763 --> 00:33:21,799 CAN SOMEBODY HELP ME-- JEEZ! 874 00:33:21,899 --> 00:33:23,735 I THOUGHT ZO WAS WORKIN' OUT-- WHAT HAPPENED? 875 00:33:23,835 --> 00:33:27,438 WHAT WAS THE STRAW? - IT WAS AN ACCIDENT. 876 00:33:27,538 --> 00:33:29,540 OKAY-- AND? 877 00:33:29,640 --> 00:33:34,345 BUT THE STOVE GOT SET ON FIRE. 878 00:33:34,445 --> 00:33:36,848 - OH, MY GOD! - IT WAS AN ACCIDENT. 879 00:33:36,948 --> 00:33:39,317 I HATE TO SAY IT, BUT FROM WHAT I HEARD, 880 00:33:39,417 --> 00:33:43,755 TONI'S ASSISTANT, ZO, THIS GUY, HE'S A WALKING ACCIDENT. 881 00:33:43,855 --> 00:33:46,624 I ASKED HIM TO MAKE ME SOME TEA, SO THIS IS WHAT HE DID. 882 00:33:46,724 --> 00:33:48,626 THIS IS WHAT ZO DID-- LOOK, Y'ALL. 883 00:33:48,726 --> 00:33:50,161 HURRY UP, 'CAUSE I GOTTA SEE-- I GOTTA SEE. 884 00:33:50,261 --> 00:33:52,530 HE HEATED UP THE WATER AND HE PUT IT ON THE STOVE... 885 00:33:52,630 --> 00:33:56,234 AND TURNED THE STOVE ON. - PLASTIC! 886 00:33:56,334 --> 00:33:59,604 - AND IT'S PLASTIC. - HE CAN'T PUT PLASTIC ON FIRE. 887 00:33:59,704 --> 00:34:01,506 I JUST THINK A LOT OF PEOPLE DON'T UNDERSTAND 888 00:34:01,606 --> 00:34:03,241 THAT IT'S A LOT ENTAILED 889 00:34:03,341 --> 00:34:04,909 WITH BEING A PERSONAL ASSISTANT. 890 00:34:05,009 --> 00:34:06,444 FIRST OF ALL, YOU HAVE TO LEARN HOW TO MAKE TEA. 891 00:34:06,544 --> 00:34:08,446 YOU ALMOST HAVE TO BE THREE PEOPLE AT ONE TIME. 892 00:34:08,546 --> 00:34:10,014 ESPECIALLY WORKIN' FOR SOMEBODY LIKE... 893 00:34:10,114 --> 00:34:12,383 YOU GONNA HELP ME OUT... A LITTLE BIT? 894 00:34:12,483 --> 00:34:15,319 WHAT DO YOU NEED TO COME HERE, TO MOVE HERE? 895 00:34:15,420 --> 00:34:17,688 I LEFT ANDRE AND THE KIDS IN ATLANTA. 896 00:34:17,789 --> 00:34:19,390 TONI KNOWS I CAN'T SAY "NO" TO HER, 897 00:34:19,490 --> 00:34:22,860 BUT IF I'M GOING TO DO THIS, IT'S ONLY TEMPORARY, 898 00:34:22,960 --> 00:34:24,662 AND I HAVE SOME CONDITIONS. 899 00:34:24,762 --> 00:34:26,564 LET ME WORK SOME THINGS OUT FIRST. 900 00:34:26,664 --> 00:34:28,166 I GOT SOME STUFF THAT I HAVE TO WORK OUT. 901 00:34:28,266 --> 00:34:29,901 OH, SO THIS IS A "YES"? 902 00:34:30,001 --> 00:34:31,469 THERE ARE CONTINGENCIES, BUT IT'S A "YES." 903 00:34:31,569 --> 00:34:35,306 I HAVE WITNESSES-- WITNESSES. 904 00:34:35,406 --> 00:34:37,141 HOW LONG IS IT GONNA TAKE YOU TO WORK IT OUT? 905 00:34:37,241 --> 00:34:39,343 NOT LONG-- MAYBE A WORK OR SO. 906 00:34:39,444 --> 00:34:41,212 WHAT I NEED YOU TO DO IS TO HELP ME RUN THIS STUFF 907 00:34:41,312 --> 00:34:43,781 AND HIRE YOURSELF AN ASSISTANT. 908 00:34:43,881 --> 00:34:45,783 HOW YOU AN ASSISTANT WHO GETS AN ASSISTANT. 909 00:34:45,883 --> 00:34:47,285 I WANNA WORK FOR TONI. 910 00:34:47,385 --> 00:34:48,753 DIDN'T I TELL EVERYBODY 911 00:34:48,853 --> 00:34:51,355 TOWANDA WANTED TO BE TONI BRAXTON'S ASSISTANT? 912 00:34:51,456 --> 00:34:53,324 I DON'T KNOW WHY NOBODY LISTENS TO ME. 913 00:34:53,424 --> 00:34:55,059 WHAT ABOUT ANDRE AND THE KIDS? 914 00:34:55,159 --> 00:34:56,661 THAT'S WHAT I HAVE TO FIGURE OUT. 915 00:34:56,761 --> 00:34:58,262 WHY I GOTS TO BUST YOUR BRAIN. 916 00:34:58,362 --> 00:35:00,364 I THOUGHT YOU SAID YOU DON'T WANNA WORK WITH TONI NO MORE. 917 00:35:00,465 --> 00:35:02,700 I DID SAY THAT-- TONI KNOWS THIS. 918 00:35:02,800 --> 00:35:04,535 THIS IS NOT ANYTHING NEW! 919 00:35:04,635 --> 00:35:06,838 HOW MANY TIMES HAVE I SAID THIS! 920 00:35:06,938 --> 00:35:08,372 YEAH, SHE DID. 921 00:35:08,473 --> 00:35:10,741 BECAUSE TONI, REMEMBER, I WANT TO DO MY OWN THING. 922 00:35:10,842 --> 00:35:14,412 ONE OF MY CONDITIONS TO BE HERE IN L.A. WITH TONI 923 00:35:14,512 --> 00:35:16,581 IS FOR HER TO ALLOW ME 924 00:35:16,681 --> 00:35:18,716 TO PURSUE MY ACTING ASPIRATIONS. 925 00:35:18,816 --> 00:35:21,552 I DON'T WANT TO BE HER PERSONAL ASSISTANT FOREVER. 926 00:35:21,652 --> 00:35:23,187 THAT'S NOT MY DREAM. 927 00:35:23,287 --> 00:35:25,056 COMING UP ON "BRAXTON FAMILY VALUES..." 928 00:35:25,156 --> 00:35:27,525 I WOULD LOVE TO FINISH RECORDING MY ALBUM. 929 00:35:27,625 --> 00:35:28,693 YOU KNOW, LIKE, I WANNA, YOU KNOW, 930 00:35:28,793 --> 00:35:30,328 WORK WITH HARVEY AND STUFF. 931 00:35:30,428 --> 00:35:32,063 THAT'S NOT HOW IT GOES. 932 00:35:32,163 --> 00:35:33,898 I MEAN, THAT'S JUST A WASTE OF MONEY. 933 00:35:33,998 --> 00:35:35,333 VINCE, YOUR ATTITUDE IS REAL-- 934 00:35:35,433 --> 00:35:37,668 YOU KNOW WHAT-- I'M DONE WITH THIS. 935 00:35:47,678 --> 00:35:49,147 - YOU FINISHED PACKING? - YES. 936 00:35:49,247 --> 00:35:50,581 DID YOU MOVE YOUR STUFF OUT ALREADY? 937 00:35:50,681 --> 00:35:51,816 TRACI'S LEAVIN' TO GO BACK TO MARYLAND, 938 00:35:51,916 --> 00:35:53,751 BUT BEFORE SHE GOES, I WANT HER TO KNOW 939 00:35:53,851 --> 00:35:55,386 THAT I AM COMING FROM A PLACE OF LOVE 940 00:35:55,486 --> 00:35:59,190 WHEN I TELL HER ABOUT HER RIDICULOUS BEAUTY SALON THING. 941 00:35:59,290 --> 00:36:02,960 I DON'T WANT YOU TO THINK, UM, I WAS DISSIN' YOU 942 00:36:03,060 --> 00:36:06,631 GOIN' BACK TO SCHOOL I JUST WANTED YOU TO BE REALISTIC. 943 00:36:06,731 --> 00:36:08,766 YOU GOTTA MAKE SURE YOU WANT YOUR SALON 944 00:36:08,866 --> 00:36:11,636 TO BE IN MARYLAND, 'CAUSE THEN YOU STUCK THERE. 945 00:36:11,736 --> 00:36:13,771 I WANNA OPEN UP MY SALON IN MARYLAND 946 00:36:13,871 --> 00:36:16,541 BECAUSE MY FAMILY'S THERE, MY HUSBAND, MY SON, 947 00:36:16,641 --> 00:36:19,410 MY DAD, MY BROTHER, MY NIECE, MY NEPHEWS. 948 00:36:19,510 --> 00:36:22,180 IT MAKES SENSE TO HAVE A SALON IN MARYLAND 949 00:36:22,280 --> 00:36:24,749 AND MARYLAND IS HOME. 950 00:36:24,849 --> 00:36:26,150 WOW, I-I NEVER KNEW YOU WANTED TO BE 951 00:36:26,250 --> 00:36:28,719 IN MARYLAND LIKE THAT. - YEAH-- I LOVE MARYLAND. 952 00:36:28,819 --> 00:36:30,121 YOU NEVER EXPRESSED THAT BEFORE. 953 00:36:30,221 --> 00:36:31,989 LIKE, "I-I-I'M NOT LEAVING MARYLAND." 954 00:36:32,089 --> 00:36:34,625 LIKE, NOW I HEAR YOU SAYIN', "I'M NOT LEAVING MARYLAND." 955 00:36:34,725 --> 00:36:36,427 I LOVE MARYLAND. 956 00:36:36,527 --> 00:36:37,828 GIRL, YOU GOIN' SO HARD FOR YOUR CITY. 957 00:36:37,929 --> 00:36:39,797 YOU MIGHT AS WELL GO RUN FOR MAYOR. 958 00:36:39,897 --> 00:36:42,300 TAMAR WORDS AT TIMES BE HARSH. 959 00:36:42,400 --> 00:36:46,170 I DON'T THINK SHE REALLY MEAN TO HURT-HURT YOU VERBALLY 960 00:36:46,270 --> 00:36:49,140 OR ANYTHING LIKE THAT, BUT IT'LL START TO EFFECT YOU. 961 00:36:49,240 --> 00:36:50,841 I MEAN, THAT'S MY SISTER. 962 00:36:50,942 --> 00:36:52,376 I'M ONLY TELLIN' YOU THIS 'CAUSE I WANT YOU TO WIN. 963 00:36:52,476 --> 00:36:54,946 MARYLAND IS NOT THE STATE TO BE. 964 00:36:55,046 --> 00:36:57,381 I THINK THAT WHEN SHE'S READY TO OPEN UP A SALON 965 00:36:57,481 --> 00:36:59,517 THAT SHE WILL FIND OUT 966 00:36:59,617 --> 00:37:01,586 THAT IT CAN BE A VERY LUCRATIVE BUSINESS, 967 00:37:01,686 --> 00:37:03,955 IF YOU OPEN IT UP IN THE RIGHT AREA. 968 00:37:04,055 --> 00:37:07,692 BUT YOU CAN'T WANNA BE A, YOU KNOW, A GHETTO SUPERSTAR, 969 00:37:07,792 --> 00:37:09,427 THAT JUST CANNOT BE YOUR GOAL. 970 00:37:09,527 --> 00:37:13,231 YOU JUST HAVE TO-TO REALLY BE CLEAR 971 00:37:13,331 --> 00:37:14,765 ON WHAT YOU WANNA DO WITH YOUR-- 972 00:37:14,865 --> 00:37:16,367 YOU KNOW WHAT I'M SAYING? 973 00:37:16,467 --> 00:37:18,369 - I GOT SOME GOALS IN MIND. - SO, WHAT ABOUT SINGING? 974 00:37:18,469 --> 00:37:20,805 WHAT ARE YOU-- - I WANNA DO THAT, TOO. 975 00:37:20,905 --> 00:37:23,908 IF I HAD MY FIRST PICK, EITHER HAVING THE SALON 976 00:37:24,008 --> 00:37:27,211 OR SINGING BACKGROUND, I'LL SING BACKGROUND. 977 00:37:27,311 --> 00:37:31,282 THAT'S WHERE MY HEART IS-- SINGING, THAT IS MY PASSION. 978 00:37:31,382 --> 00:37:33,718 YOU'LL JUST HAVE TO WAIT. - NO, I'M NOT GONNA WAIT. 979 00:37:33,818 --> 00:37:35,186 OH, YOU'LL HAVE TO WAIT, 'CAUSE YOU GONNA BE LIKE, 980 00:37:35,286 --> 00:37:37,321 "HUH!" 981 00:37:37,421 --> 00:37:39,423 REALLY? - ABOUT WHAT? 982 00:37:39,523 --> 00:37:40,591 JUST WAIT. 983 00:37:40,691 --> 00:37:42,126 NONE OF MY SISTERS HAVE ANY CONFIDENCE IN ME, 984 00:37:42,226 --> 00:37:45,963 ESPECIALLY TAMAR, BUT I'M GONNA PROVE TO THEM I GOT IT. 985 00:37:46,063 --> 00:37:48,966 THE BRAXTON'S NOT HAPPENIN'-- THAT'S IT, JUST WAIT. 986 00:37:49,066 --> 00:37:51,068 I GOT SOME OTHER THINGS IN MIND. 987 00:38:05,182 --> 00:38:06,317 COME IN. 988 00:38:06,417 --> 00:38:07,451 - HEY. - HEY. 989 00:38:07,551 --> 00:38:08,986 SO, AFTER TRACI LEFT, I WENT TO GO FIND VINCE 990 00:38:09,086 --> 00:38:11,422 TO TALK TO HIM ABOUT MY RECORD. 991 00:38:11,522 --> 00:38:15,293 T.C. IS OUTTA HERE-- HARVEY IS IN THE DOOR. 992 00:38:15,393 --> 00:38:17,528 BABE, WHY ARE YOU SO FLAT WITH ME? 993 00:38:17,628 --> 00:38:19,130 LIKE, WHAT ARE YOU DOIN'? - WHAT'S UP? 994 00:38:19,230 --> 00:38:20,631 YOU ALWAYS ON THE PHONE. 995 00:38:20,731 --> 00:38:22,233 LET ME SEE YOUR-- LET ME SHOW YOU WHAT IT LOOK LIKE 996 00:38:22,333 --> 00:38:23,934 FROM MY STANDPOINT. - THAT'S THE AIR CONDITIONIN'. 997 00:38:24,035 --> 00:38:25,369 JUST SAY, "TAMAR, TAMAR"-- OKAY, BUT JUST SAY, "TAMAR." 998 00:38:25,469 --> 00:38:27,738 - TAMAR, TAMAR. - WHAT YOU TALKIN' ABOUT! 999 00:38:27,838 --> 00:38:28,773 FIRST OF ALL, I DON'T EVEN DO THAT. 1000 00:38:28,873 --> 00:38:30,174 I DON'T EVEN KICK MY LEG UP. 1001 00:38:30,274 --> 00:38:31,042 I DON'T EVEN KNOW WHAT YOU TALKIN' ABOUT. 1002 00:38:31,142 --> 00:38:32,143 I DON'T TALK LIKE THAT. 1003 00:38:32,243 --> 00:38:33,311 I DON'T KICK MY LEG UP LIKE THAT. 1004 00:38:33,411 --> 00:38:34,679 YEAH, MAN, THAT'S THE BOMB-- UH-HUH. 1005 00:38:34,779 --> 00:38:36,013 AND THEN SAY, SAY, "TAMAR, CAN I TALK TO YOU?" 1006 00:38:36,113 --> 00:38:38,716 - TAMAR, CAN I TALK TO YOU? - WHAT IS IT. 1007 00:38:38,816 --> 00:38:39,850 THAT'S NOT HOW I DO IT. 1008 00:38:39,950 --> 00:38:41,218 I PROMISE, FROM MY PERCEPTION, 1009 00:38:41,319 --> 00:38:42,820 THAT'S WHAT IT LOOKS LIKE. 1010 00:38:42,920 --> 00:38:44,522 I GET IT-- VINCE IS THE MAN. 1011 00:38:44,622 --> 00:38:46,157 HE'S THE MUSIC GUY RIGHT NOW. 1012 00:38:46,257 --> 00:38:50,127 BUT YOU AIN'T GOT FIVE MINUTES TO TALK TO THIS RIGHT HERE? 1013 00:38:50,227 --> 00:38:51,896 SURE YOU DO. 1014 00:38:51,996 --> 00:38:53,464 SEE WHAT I MEAN? 1015 00:38:53,564 --> 00:38:54,532 I'M TRYIN' TO TALK TO YOU, LIKE, FOR REAL, FOR REAL, 1016 00:38:54,632 --> 00:38:56,167 AND YOU'RE ALWAYS ON YOUR PHONE. 1017 00:38:56,267 --> 00:38:57,501 DO YOU WANNA HAVE A CONVERSATION 1018 00:38:57,601 --> 00:38:58,936 OR DO YOU WANT ME TO GET UP AND WALK OUTTA HERE? 1019 00:38:59,036 --> 00:39:00,171 WHAT WOULD MAKE YOU GET UP AND WALK, 1020 00:39:00,271 --> 00:39:01,472 'CAUSE WE HAVIN' A CONVERSATION, DARLING? 1021 00:39:01,572 --> 00:39:05,076 POO-POO. - CHICKEN NOODLE. 1022 00:39:05,176 --> 00:39:07,478 - CHEESE DOODLE. - WHENEVER YOU WANNA FINISH. 1023 00:39:07,578 --> 00:39:08,879 I'M JUST SAYIN'. 1024 00:39:08,979 --> 00:39:10,748 SWEET POTATO PIE, WHENEVER YOU'RE GONNA FINISH-- GO AHEAD. 1025 00:39:10,848 --> 00:39:15,252 IF YOU LISTEN TO ME. - I HAVE TO WORK, TAMAR. 1026 00:39:15,353 --> 00:39:17,988 IF I GOT AN EMAIL-- I'M JUST CHECKIN' MY EMAIL. 1027 00:39:18,089 --> 00:39:19,690 YEAH, BUT I DON'T HAVE A PROBLEM WORKING. 1028 00:39:19,790 --> 00:39:21,592 ME NEITHER-- I DON'T HAVE A PROBLEM WITH YOU WORKING. 1029 00:39:21,692 --> 00:39:22,960 AS A MATTER OF FACT, I WANNA TALK TO YOU ABOUT WORK. 1030 00:39:23,060 --> 00:39:25,363 I WOULD LOVE TO FINISH RECORDING MY ALBUM. 1031 00:39:25,463 --> 00:39:27,198 YOU KNOW, LIKE, I LOVE T.C. 1032 00:39:27,298 --> 00:39:30,167 HE'S AMAZING, BUT I WANNA, YOU KNOW, WORK WITH HARVEY 1033 00:39:30,267 --> 00:39:31,869 AND STUFF. 1034 00:39:35,439 --> 00:39:37,908 FIRST OF ALL, I STILL DON'T FEEL LIKE YOU KNOW 1035 00:39:38,008 --> 00:39:42,113 EXACTLY WHERE-WHERE WE AT WITH YOUR SOUND AND WHAT KIND OF, 1036 00:39:42,213 --> 00:39:43,781 YOU KNOW, WE JUST CAN'T GO IN THE STUDIO 1037 00:39:43,881 --> 00:39:46,751 AND NOT HAVE A GREAT SONG OR NOT BE DOIN' THE RIGHT SONG, 1038 00:39:46,851 --> 00:39:48,085 CUTTIN' THE WRONG SONG. 1039 00:39:48,185 --> 00:39:49,620 THAT'S JUST A WASTE OF MONEY. 1040 00:39:49,720 --> 00:39:51,355 VINCE AND I BEEN ARGUIN' 1041 00:39:51,455 --> 00:39:54,759 FOR MONTHS, AND HARVEY KNOWS EXACTLY WHAT I WANT. 1042 00:39:54,859 --> 00:39:57,027 HARVEY LIKES TO WRITE HIS OWN STUFF. 1043 00:39:57,128 --> 00:39:59,330 I DON'T KNOW IF IT'S GONNA BE RIGHT FOR YOU TO WORK WITH HIM, 1044 00:39:59,430 --> 00:40:01,065 AS FAR AS YOU WANNA WRITE STUFF. 1045 00:40:01,165 --> 00:40:02,533 YOU GOTTA CALL THE PRODUCER AND SEE IF HE LOOKS AT ME 1046 00:40:02,633 --> 00:40:04,068 AS A WRITER? - NO, I'M NOT-- 1047 00:40:04,168 --> 00:40:05,236 I DIDN'T-- DID THAT COME OUT OF MY MOUTH? 1048 00:40:05,336 --> 00:40:06,370 NO, I JUST KNOW HOW YOU PRODUCER GUYS ARE. 1049 00:40:06,470 --> 00:40:07,838 BUT-BUT-BUT-- YEAH, BUT THAT-- 1050 00:40:07,938 --> 00:40:09,106 I NEVER SAID NOTHIN' LIKE THAT. 1051 00:40:09,206 --> 00:40:10,574 - NO, YOU DIDN'T. - THAT'S NOT NECESSARY. 1052 00:40:10,674 --> 00:40:11,976 DON'T KEEP CUTTIN' ME OFF. - HOW I'M CUTTING YOU OFF? 1053 00:40:12,076 --> 00:40:13,177 I'M TALKIN'-I'M TALKIN' TO YOU, SO YOU, LIKE, 1054 00:40:13,277 --> 00:40:14,879 TALKIN' OVER ME. - GO AHEAD, SWEETHEART. 1055 00:40:14,979 --> 00:40:16,547 - NO, I'M FINISHED, SWEETHEART. - GO AHEAD, BOO. 1056 00:40:16,647 --> 00:40:18,182 YOU GOT IT-- YOU GOT IT, DO-DOODLE DO. 1057 00:40:18,282 --> 00:40:20,217 - DON'T BE FACETIOUS. - OKAY. 1058 00:40:20,317 --> 00:40:22,720 I KEEP GETTIN' THE RUN AROUND AND EXCUSES FROM VINCE. 1059 00:40:22,820 --> 00:40:24,488 IT JUST MAKES ME WONDER, LIKE, 1060 00:40:24,588 --> 00:40:27,124 DO YOU REALLY WANNA HELP ME WITH MY ALBUM? 1061 00:40:27,224 --> 00:40:29,226 VINCE, YOUR ATTITUDE IS REAL HANKY, BOO. 1062 00:40:29,326 --> 00:40:30,761 MY-MY-MY ATTITUDE IS REAL HANKY? 1063 00:40:30,861 --> 00:40:32,296 - REAL HANKY. - AND WHAT IS YOURS? 1064 00:40:32,396 --> 00:40:33,831 YOU KNOW WHAT-- I'M DONE WITH THIS. 1065 00:40:39,170 --> 00:40:41,105 LOCK ME UP. 1066 00:40:45,843 --> 00:40:49,180 I AM SO SORRY, BOO VINCE, BUT I HAVE GOT TO DO MY ALBUM 1067 00:40:49,280 --> 00:40:51,682 MY WAY, AND THAT'S IT. 81343

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