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1
00:00:01,868 --> 00:00:02,001
HI,
2
00:00:02,002 --> 00:00:02,368
HI, TONI.
3
00:00:02,369 --> 00:00:02,936
- HI, TONI.
- HI!
4
00:00:03,036 --> 00:00:04,204
RIGHT OVER HERE, PLEASE.
5
00:00:04,304 --> 00:00:05,739
LAST SEASON, WE HAD
A WHOLE LOT OF FUN...
6
00:00:05,839 --> 00:00:07,340
I THINK I'M TRY-SEXUAL.
7
00:00:07,440 --> 00:00:08,641
I WILL TRY SOMETHIN'
ONE TIME.
8
00:00:08,742 --> 00:00:10,410
THIS IS AN OUTFIT.
9
00:00:10,510 --> 00:00:12,946
DO-DO-DO-DO...
10
00:00:13,046 --> 00:00:14,247
TRACI, HOW OLD
IS THIS PHONE?
11
00:00:14,347 --> 00:00:16,149
THIS WAS IN
NEW JACK CITY
12
00:00:16,249 --> 00:00:17,650
...A WHOLE LOT OF DRAMA...
13
00:00:17,751 --> 00:00:19,219
DO YOU HAVE A HANG-OVER
OR SOMETHIN'?
14
00:00:19,319 --> 00:00:20,553
NO.
15
00:00:20,653 --> 00:00:21,554
YOU'RE A LIAR.
16
00:00:21,654 --> 00:00:23,423
- AND YOU'RE A DIRTY LIAR.
- OH!
17
00:00:23,523 --> 00:00:25,025
SHUT THE UP--
KISS MY ASS.
18
00:00:25,125 --> 00:00:27,227
I JUST DON'T KNOW WHERE
I'D BE OR WHO I WOULD BE
19
00:00:27,327 --> 00:00:29,162
WITHOUT YOU GUYS.
20
00:00:29,262 --> 00:00:31,097
BUT OVERALL,
IT WAS ONE CRAZY RIDE.
21
00:00:31,197 --> 00:00:32,866
BOTH OF YOU LOOK LIKE
OOMPA LOOMPAS.
22
00:00:34,501 --> 00:00:37,137
EW!
23
00:00:37,237 --> 00:00:39,406
AND THIS WOMAN'S VAGINA IS
ALL THE WAY DOWN TO HER SHIN.
24
00:00:39,506 --> 00:00:40,640
YOU DON'T LISTEN.
25
00:00:40,740 --> 00:00:43,043
IT'S THE TRUTH DOT COM AND
YOU DON'T WANNA ACCEPT THAT.
26
00:00:44,744 --> 00:00:45,979
A LOT HAS HAPPENED
TO MY SISTERS AND I
27
00:00:46,079 --> 00:00:47,680
SINCE THE CAMERAS
STOPPED ROLLING.
28
00:00:47,781 --> 00:00:49,349
I MOVED OUT TO
LOS ANGELES WITH MY KIDS
29
00:00:49,449 --> 00:00:51,551
AND TO BE CLOSER
TO WORK AND MY DOCTORS.
30
00:00:51,651 --> 00:00:53,586
IT HELPS ME STAY
ON TOP OF MY LUPUS,
31
00:00:53,686 --> 00:00:54,687
WHICH IS A GOOD THING.
32
00:00:54,788 --> 00:00:57,190
IT HELPS KEEP ME HEALTHY
AND POSITIVE.
33
00:00:57,290 --> 00:01:00,026
THE SUCCESS OF THE FIRST
SEASON HAS BEEN GREAT...
34
00:01:00,126 --> 00:01:01,361
BUT THE TRUTH BE TOLD,
35
00:01:01,461 --> 00:01:03,163
IT HASN'T ALWAYS BEEN
WHAT WE EXPECTED.
36
00:01:03,263 --> 00:01:05,899
A LOT OF TENSION HAS ARISEN
BETWEEN ME AND MY SISTERS
37
00:01:05,999 --> 00:01:07,801
BECAUSE OF
NEWFOUND FAME.
38
00:01:09,402 --> 00:01:10,703
IT'S BEEN A LITTLE
OVERWHELMING
39
00:01:10,804 --> 00:01:13,173
BEING A REALITY TV STAR.
40
00:01:13,273 --> 00:01:16,176
DON'T GET ME WRONG--
I AM LOVING IT.
41
00:01:16,276 --> 00:01:17,644
I LOVE Y'ALL MUSIC.
42
00:01:17,744 --> 00:01:18,745
CAN I GET AN AUTOGRAPH?
43
00:01:18,845 --> 00:01:21,581
AND I CAN'T WAIT FOR
THE MOMENTUM OF THE SHOW
44
00:01:21,681 --> 00:01:23,616
TO HELP ME WITH
MY ACTING CAREER,
45
00:01:23,716 --> 00:01:25,919
WHICH MEANS, I CANNOT BE
TONI BRAXTON'S ASSISTANT
46
00:01:26,019 --> 00:01:27,787
ANYMORE--
AND I'M LOVING THAT.
47
00:01:27,887 --> 00:01:29,055
I'M NOT
LOVING THE FACT
48
00:01:29,155 --> 00:01:30,957
THAT ME, ANDRE
AND MY CHILDREN
49
00:01:31,057 --> 00:01:33,426
ARE LIVING WITH
TRINA AND GABE,
50
00:01:33,526 --> 00:01:36,830
WHICH IS OPENING UP
A WHOLE NEW SET OF PROBLEMS
51
00:01:36,930 --> 00:01:38,765
FOR EVERYBODY.
52
00:01:40,133 --> 00:01:42,302
GABE IS NOT HAPPY WITH
TOWANDA AND HER FAMILY
53
00:01:42,402 --> 00:01:43,636
HAVING TO
LIVE WITH US.
54
00:01:43,736 --> 00:01:45,171
AND HE'S ALSO ANGRY
55
00:01:45,271 --> 00:01:47,440
THAT I'M SPENDING SO MUCH
TIME WITH THE BAND.
56
00:01:47,540 --> 00:01:49,976
I'M REALLY BUSY WORKING
ON MY OWN MATERIAL
57
00:01:50,076 --> 00:01:52,078
AND I'M TOTALLY
DIGGING IT.
58
00:01:52,178 --> 00:01:53,847
YOU KNOW, WITH THE SUCCESS
OF THE FIRST SEASON,
59
00:01:53,947 --> 00:01:55,448
I FIGURED I MIGHT AS WELL
SEIZE THE OPPORTUNITY
60
00:01:55,548 --> 00:01:57,016
AND MAKE IT
WORK FOR ME.
61
00:01:58,518 --> 00:01:59,953
EVERYBODY'S DOIN'
THEIR OWN PROJECT
62
00:02:00,053 --> 00:02:02,856
AND THE BRAXTON FAMILY ALBUM
IS STILL IN LIMBO.
63
00:02:02,956 --> 00:02:04,357
WE GONNA DO IT OR NOT?
64
00:02:04,457 --> 00:02:06,526
I MEAN, IT FEELS LIKE
I'M THE ONLY ONE
65
00:02:06,626 --> 00:02:08,261
IS CONCERNED
ABOUT THIS.
66
00:02:08,361 --> 00:02:09,829
JUST BECAUSE I LIVE
IN MARYLAND
67
00:02:09,929 --> 00:02:11,030
AND I TAKE CARE
OF MY CHILD...
68
00:02:11,131 --> 00:02:13,299
I WANT A SHOT
JUST LIKE MY SISTERS.
69
00:02:13,399 --> 00:02:15,301
I HAVE TO FIGURE OUT
MY CAREER PATH.
70
00:02:16,536 --> 00:02:20,473
I WOULD REALLY LOVE TO SEE
MY GIRLS SING TOGETHER AGAIN
71
00:02:20,573 --> 00:02:22,442
BECAUSE THEY'RE
JUST AWESOME.
72
00:02:22,542 --> 00:02:27,580
GOD PUT A RAINBOW
IN THE SKY
73
00:02:27,680 --> 00:02:30,250
I'M VERY PROUD OF THEM
BECAUSE OF THE SUCCESS
74
00:02:30,350 --> 00:02:31,985
OF LAST SEASON.
75
00:02:32,085 --> 00:02:36,055
HOWEVER, I DON'T WANT
THE SUCCESS OF THE GIRLS
76
00:02:36,156 --> 00:02:39,425
TO INTERFERE WITH
WHO THEY REALLY ARE.
77
00:02:39,526 --> 00:02:42,395
THEY HAVE TO REMEMBER
THAT THEY'RE FAMILY.
78
00:02:42,495 --> 00:02:44,697
THERE'S NO ONE
IN THIS FAMILY
79
00:02:44,797 --> 00:02:47,066
THAT'S JUST A
SUPPORTING PLAYER.
80
00:02:47,167 --> 00:02:50,637
THIS CAN DIVIDE A FAMILY
AND I'M NOT HAVING IT.
81
00:02:53,940 --> 00:02:57,610
AND YOU KNOW THEY HAVE TO
SAVE THE BEST FOR THE LAST.
82
00:02:57,710 --> 00:03:01,214
VINCE HAS BEEN WORKING
REALLY HARD WITH LADY GAGA.
83
00:03:01,314 --> 00:03:03,583
SO, I HAVE BEEN GOING INTO
THE STUDIO ON MY OWN
84
00:03:03,683 --> 00:03:05,952
RECORDING MY OWN SONGS.
85
00:03:06,052 --> 00:03:07,587
MY SISTERS BEEN HATING
ON ME A LITTLE BIT
86
00:03:07,687 --> 00:03:12,025
BUT IT'S REALLY NOT MY FAULT
THAT EVERYBODY LOVES ME
87
00:03:12,125 --> 00:03:14,861
AND FIXING TO GO
WORLDWIDE, BABY!
88
00:03:14,961 --> 00:03:17,964
WHAT'S UP, EVERYBODY?
89
00:03:18,064 --> 00:03:21,134
SHARING THE SPOTLIGHT
IS NOT AN EASY THING TO DO.
90
00:03:21,234 --> 00:03:24,103
SO, WE'LL JUST HAVE TO SEE
HOW THINGS GO THIS YEAR.
91
00:03:25,271 --> 00:03:28,174
WE ARE THE BRAXTONS
AND YOU'LL SEE
92
00:03:28,274 --> 00:03:32,579
THAT WE ARE NOT LIKE
AN ORDINARY FAMILY
93
00:03:32,679 --> 00:03:35,882
TRACI TOWANDA TRINA
TAMAR AND MRS. E
94
00:03:35,982 --> 00:03:38,585
WILL TEACH YOU
A THING OR TWO
95
00:03:38,685 --> 00:03:42,488
ON BRAXTON FAMILY VALUES
96
00:03:50,530 --> 00:03:52,432
DOESN'T IT--
LOOK LIKE MIAMI VICE.
97
00:03:52,532 --> 00:03:56,102
TONI MOVED TO LA--
HOWEVER, I SPEAK TO TONI
98
00:03:56,202 --> 00:03:57,737
JUST ABOUT EVERYDAY.
99
00:03:57,837 --> 00:04:01,741
UM, THE ONLY DIFFERENCE
IS I JUST CAN'T SEE HER.
100
00:04:01,841 --> 00:04:03,610
TRACI AND I
ARE THE ONLY ONES
101
00:04:03,710 --> 00:04:06,179
THAT HAVE NOT SEEN
TONI'S NEW HOUSE.
102
00:04:06,279 --> 00:04:09,716
SO, WE FLEW OUT TO LA
TO CHECK IT OUT.
103
00:04:09,816 --> 00:04:11,484
HIGH CEILINGS--
YOU GO GIRL!
104
00:04:11,584 --> 00:04:13,519
A LOTTA CLEANIN' TO DO
WITH THEM WINDOWS.
105
00:04:13,620 --> 00:04:15,121
I LOVE MY HOME IN L.A.,
106
00:04:15,221 --> 00:04:16,823
BUT IT'S A TEMPORARY
SITUATION.
107
00:04:16,923 --> 00:04:18,591
I'M VERY FORTUNATE
MY BANKRUPTCY SITUATION
108
00:04:18,691 --> 00:04:19,859
WORKED OUT
REALLY GREAT FOR ME.
109
00:04:19,959 --> 00:04:20,927
SO, I'M STARTING OVER
110
00:04:21,027 --> 00:04:22,495
AND STARTING OVER
CAN BE A GREAT THING.
111
00:04:22,595 --> 00:04:23,896
WAIT A MINUTE--
THESE CHAIRS.
112
00:04:23,997 --> 00:04:25,131
FROM THE KITCHEN
IN ATLANTA.
113
00:04:25,231 --> 00:04:26,699
I JUST
REUPHOLSTERED THEM.
114
00:04:26,799 --> 00:04:28,534
DON'T SPEND MONEY
ON NEW FURNITURE
115
00:04:28,635 --> 00:04:29,936
JUST BUY NEW FABRICS.
116
00:04:30,036 --> 00:04:31,304
I'M NOT SURE IF I'M
GONNA STAY IN THIS HOUSE
117
00:04:31,404 --> 00:04:32,572
OR IF I'M GONNA
PURCHASE IT LATER
118
00:04:32,672 --> 00:04:34,040
BUT WE'LL SEE
WHAT HAPPENS.
119
00:04:34,140 --> 00:04:36,442
AND YOU HAVE TO
SEE OUTSIDE.
120
00:04:36,542 --> 00:04:38,077
I LOVE THE VIEW!
121
00:04:38,177 --> 00:04:40,580
I'M SO HAPPY.
122
00:04:40,680 --> 00:04:42,815
THIS LOOK LIKE
A TONI BRAXTON HOUSE.
123
00:04:42,915 --> 00:04:44,851
IS THIS WHAT IT MEANS
TO BE BANKRUPT?
124
00:04:44,951 --> 00:04:46,219
SIGN ME UP!
125
00:04:46,319 --> 00:04:50,390
DID YOU SEE THE SIZE
OF THAT POOL?
126
00:04:50,490 --> 00:04:51,858
SO WHAT'S GOING ON?
127
00:04:51,958 --> 00:04:53,626
NOTHING IS GOING ON.
128
00:04:53,726 --> 00:04:54,961
I'M JUST GLAD
YOU GUYS ARE HERE.
129
00:04:55,061 --> 00:04:56,095
SO NOW YOU HAVE
AN EXCUSE
130
00:04:56,195 --> 00:04:57,830
TO COME VISIT ME
AND TAMIE.
131
00:04:57,930 --> 00:04:58,931
RIGHT.
132
00:04:59,032 --> 00:05:00,633
I KNOW I'VE SAID
THERE'S NOT A LOT GOING ON
133
00:05:00,733 --> 00:05:01,868
BUT I'VE JUST
LEARNED SOME NEWS
134
00:05:01,968 --> 00:05:03,770
THAT'S GONNA MAKE TRACI
A LITTLE UPSET,
135
00:05:03,870 --> 00:05:05,138
ESPECIALLY SINCE
SHE'S SO EAGER
136
00:05:05,238 --> 00:05:07,974
TO GET THE BRAXTON FAMILY
RECORD OFF THE GROUND.
137
00:05:08,074 --> 00:05:10,043
TAMAR, TALK TO YOU YET?
- NO.
138
00:05:10,143 --> 00:05:13,913
BECAUSE TAMAR IS
WORKING ON HER OWN PROJECT?
139
00:05:14,013 --> 00:05:15,014
BECAUSE I'M IN
THE INDUSTRY,
140
00:05:15,114 --> 00:05:16,716
SO SOMEONE CALLED ME
UP AND SAID,
141
00:05:16,816 --> 00:05:18,584
"OH, I HEARD YOUR SISTER
TAMAR'S SINGLE IT'S NICE."
142
00:05:18,685 --> 00:05:19,752
I'M LIKE, "REALLY."
143
00:05:19,852 --> 00:05:22,255
IT'S KIND OF A BIG DEAL OF
TAMAR TO DO HER ALBUM
144
00:05:22,355 --> 00:05:24,924
RIGHT NOW BECAUSE IT
IMPACTS ON WHETHER
145
00:05:25,024 --> 00:05:27,427
WE DO OUR FAMILY ALBUM
TOGETHER.
146
00:05:27,527 --> 00:05:28,828
OKAY, I'M SPEECHLESS.
147
00:05:28,928 --> 00:05:30,730
I MEAN, THE BRAXTON FAMILY
PROJECT WE TALKED ABOUT THAT
148
00:05:30,830 --> 00:05:32,198
BUT I DON'T THINK
THAT'S SOMETHIN'
149
00:05:32,298 --> 00:05:33,433
THAT'S GONNA
BE IMPLEMENTED.
150
00:05:33,533 --> 00:05:34,467
TAMAR CAN'T DO HER ALBUM
151
00:05:34,567 --> 00:05:36,502
AND THE BRAXTON
FAMILY ALBUM.
152
00:05:36,602 --> 00:05:38,371
SHE CAN'T DO BOTH
AT THE SAME TIME.
153
00:05:38,471 --> 00:05:41,407
THAT'S A CONFLICT
OF INTERESTS.
154
00:05:41,507 --> 00:05:43,209
AS AN ARTIST,
YOU HAVE TO BE VERY CAREFUL
155
00:05:43,309 --> 00:05:44,977
NOT TO SPREAD
YOURSELF TOO THIN.
156
00:05:45,078 --> 00:05:46,813
IT'S IMPORTANT THAT YOU
DON'T CONFUSE YOUR AUDIENCE
157
00:05:46,913 --> 00:05:48,381
BY PUTTING OUT THREE AND
FOUR DIFFERENT RECORDS--
158
00:05:48,481 --> 00:05:49,716
THEY DON'T KNOW WHAT YOU ARE,
WHAT YOU'RE DOING.
159
00:05:49,816 --> 00:05:51,984
THAT'S WHY I'M AMBIVALENT
ABOUT PUTTING OUT
160
00:05:52,085 --> 00:05:53,453
A BRAXTON FAMILY RECORD.
161
00:05:53,553 --> 00:05:54,787
I GOT REPRIMANDED
162
00:05:54,887 --> 00:05:56,656
REMEMBER WHEN TAMAR AND I
FIRST STARTED TALKING ABOUT
163
00:05:56,756 --> 00:05:59,559
WANTING TO DO-- LIKE, JUST BE
FEATURED ON THE RECORD.
164
00:05:59,659 --> 00:06:00,960
SHE SAID, "NO, YOU HAVE
TO DO ALL THE SONGS,"
165
00:06:01,060 --> 00:06:02,061
AND I DIDN'T
WANNA DO THAT.
166
00:06:02,161 --> 00:06:03,796
IF WE'RE GONNA DO
A BRAXTONS ANYTHING,
167
00:06:03,896 --> 00:06:07,166
IT HAS TO BE THE FIVE OF US
AT ALL TIMES.
168
00:06:07,266 --> 00:06:10,370
IF IT'S NOT
FIVE OF US, I'M OUT.
169
00:06:10,470 --> 00:06:12,405
I DON'T THINK THE
BRAXTON FAMILY RECORD
170
00:06:12,505 --> 00:06:15,475
IS THE FIRST THING
ON MY LIST THEN.
171
00:06:15,575 --> 00:06:18,311
LOOKY, LOOKY...
HERE'S A NEW COOKIE.
172
00:06:18,411 --> 00:06:21,414
TONI JUST THREW TAMAR
UNDER THE BUS.
173
00:06:21,514 --> 00:06:23,583
I GOTTA FIND OUT
IF WE DOIN' THIS OR NOT.
174
00:06:23,683 --> 00:06:25,852
YOU KNOW WHAT,
I-I'M SORRY.
175
00:06:25,952 --> 00:06:27,987
EVERYBODY WAS TALKIN'
ABOUT DOIN' THE ALBUM...
176
00:06:28,087 --> 00:06:30,189
AND THEN AT THE SAME TIME,
YOU'RE DOIN' THIS
177
00:06:30,289 --> 00:06:31,691
AND NO ONE KNOWS
ABOUT IT?
178
00:06:31,791 --> 00:06:33,659
NO...
IT'S JUST COMMUNICATION.
179
00:06:33,760 --> 00:06:35,528
THAT'S ALL IT IS--
JUST COMMON RESPECT.
180
00:06:35,628 --> 00:06:36,696
LET'S KEEP IT REAL.
181
00:06:36,796 --> 00:06:37,830
DO THE ALBUM...
182
00:06:37,930 --> 00:06:39,565
DON'T DO THE ALBUM...
183
00:06:39,665 --> 00:06:42,802
WHATEVER DECISION YOU MAKE
IS FINE WITH ME
184
00:06:42,902 --> 00:06:44,971
BUT FOR GOD SAKES
JUST MAKE UP YOUR MIND.
185
00:06:45,071 --> 00:06:46,372
BE HONEST ABOUT IT.
186
00:06:46,472 --> 00:06:48,674
LET'S SEE IF TAMAR
MENTIONS IT TO US FIRST.
187
00:06:48,775 --> 00:06:50,443
PERHAPS, SHE'LL
TELL US ABOUT IT
188
00:06:50,543 --> 00:06:51,544
AND WE WON'T
HAVE TO ASK HER.
189
00:06:51,644 --> 00:06:53,312
SO, LET'S SEE--
MAYBE, NO.
190
00:06:53,413 --> 00:06:55,481
- WE'LL SEE.
- BUT IF SHE DOES NOT...
191
00:06:55,581 --> 00:06:57,383
IF SHE DOESN'T,
I'M GONNA ASK HER.
192
00:06:57,483 --> 00:07:00,820
IF SHE DOESN'T, I'M GONNA
GET HOOD RAT ON THAT ASS.
193
00:07:10,596 --> 00:07:12,732
LAST SEASON WAS GREAT
FOR ME AND MY SISTERS.
194
00:07:12,832 --> 00:07:15,735
AND NOW, VINCE IS GETTING
A BUNCH OF CALLS FROM EVERYBODY
195
00:07:15,835 --> 00:07:19,972
TRYING TO WORK WITH WHO--
WHO-- SHE-- ME!
196
00:07:20,072 --> 00:07:23,042
OF COURSE, BECAUSE I AM
FABULOUS, DARLING!
197
00:07:23,142 --> 00:07:24,710
LIKE, WHAT WAS
YOU TALKIN' ABOUT?
198
00:07:24,811 --> 00:07:26,479
LIKE, I HEARD MY NAME
LIKE 13 TIMES.
199
00:07:26,579 --> 00:07:28,681
NOT THIRTEEN--
MAYBE TEN.
200
00:07:28,781 --> 00:07:30,850
NO, I WAS TALKIN' ABOUT
YOUR RECORD DEAL
201
00:07:30,950 --> 00:07:33,753
AND PEOPLE WANNA WORK WITH
YOU TO DO SOME MOVIE STUFF
202
00:07:33,853 --> 00:07:37,390
AND THEN PEOPLE CALLED ABOUT
DOING A MERCHANDISING DEAL.
203
00:07:37,490 --> 00:07:38,391
RIGHT.
204
00:07:38,491 --> 00:07:39,959
SO, YOU GOT A LOT
OF THINGS GOING ON.
205
00:07:40,059 --> 00:07:40,960
YOU EXCITED ABOUT IT?
206
00:07:41,060 --> 00:07:43,162
- I'M VERY EXCITED.
- I'M HAPPY FOR YOU.
207
00:07:43,262 --> 00:07:45,231
I'M HAPPY FOR
YOUR WHOLE FAMILY.
208
00:07:45,331 --> 00:07:48,000
THE FIRST SEASON OF
BRAXTON FAMILY VALUES
209
00:07:48,100 --> 00:07:51,804
HAS AFFECTED MY WIFE
CAREER IN A POSITIVE WAY.
210
00:07:51,904 --> 00:07:52,972
THIS IS WHAT SHE WANTS.
211
00:07:53,072 --> 00:07:54,640
SHE WANTS TO BE
AN ARTIST.
212
00:07:54,740 --> 00:07:56,042
SHE WANTS TO BE
A STAR.
213
00:07:56,142 --> 00:07:57,777
I DON'T KNOW
WHAT ALL OF THAT IS.
214
00:07:57,877 --> 00:07:58,778
WHAT?
215
00:07:58,878 --> 00:07:59,779
THAT YOU'RE
TRYIN' TO GIVE ME
216
00:07:59,879 --> 00:08:00,780
BUT IT'S NOT NECESSARY.
217
00:08:00,880 --> 00:08:01,781
I'M GIVING YOU LIFE.
218
00:08:01,881 --> 00:08:02,782
AND I'M GIVING YOU
THE SAME THING
219
00:08:02,882 --> 00:08:03,816
I'VE BEEN GIVING YOU
FOR YEARS.
220
00:08:03,916 --> 00:08:05,151
- NO, YOU HAVEN'T BEEN--
- AND EVERYBODY ELSE
221
00:08:05,251 --> 00:08:06,252
WHO WANTS TO WORK
WITH ME NOW
222
00:08:06,352 --> 00:08:08,154
HAS JUST FINALLY JUMPED
ON THE SHIP.
223
00:08:08,254 --> 00:08:09,789
HOW ABOUT YOU JUST
BE GRATEFUL?
224
00:08:09,889 --> 00:08:11,624
I'M GRATEFUL.
225
00:08:11,724 --> 00:08:13,659
PEOPLE WASN'T CALLING YOU
TWO YEARS AGO, TAMAR.
226
00:08:13,759 --> 00:08:15,962
- I KNOW.
- IT'S ALL A BLESSING.
227
00:08:16,062 --> 00:08:18,297
- I-I REALIZE THAT.
- OKAY.
228
00:08:18,397 --> 00:08:20,233
I'M SO GLAD ALL OF
THESE OPPORTUNITIES
229
00:08:20,333 --> 00:08:23,970
ARE HAPPENING RIGHT NOW--
ACTING, PRODUCT ENDORSEMENTS.
230
00:08:24,070 --> 00:08:26,005
EVERYBODY WANTIN' ME TO BE
BOOM-BOOM-POW--
231
00:08:26,105 --> 00:08:27,406
COME TO MY PARTY
AND ALL THAT STUFF!
232
00:08:27,507 --> 00:08:29,075
AND ALL THAT IS G-G-GREAT.
233
00:08:29,175 --> 00:08:31,344
I STILL HELP MY SISTERS OUT
AS MUCH AS I CAN.
234
00:08:31,444 --> 00:08:34,514
BUT RIGHT NOW,
IT IS MY TIME.
235
00:08:34,614 --> 00:08:35,515
I HAVE SIGNED
MY CONTRACT
236
00:08:35,615 --> 00:08:37,683
AND I AM READY
TO RECORD MY RECORD
237
00:08:37,783 --> 00:08:40,219
AND THAT IS THE NUMBER ONE
PRIORITY IN MY LIFE.
238
00:08:40,319 --> 00:08:41,721
YOU SHOULD HUG ME AND SAY,
"YOU KNOW WHAT SWEETHEART,
239
00:08:41,821 --> 00:08:44,357
"THANK YOU FOR WORKING HARD
WITH ME AND MY FAMILY.
240
00:08:44,457 --> 00:08:45,691
"I REALLY APPRECIATE YOU."
241
00:08:45,791 --> 00:08:47,260
- OKAY-- THANK YOU.
- I DIDN'T ASK YOU FOR ALL THAT.
242
00:08:47,360 --> 00:08:48,461
I DON'T NEED
ALL OF THAT.
243
00:08:48,561 --> 00:08:51,497
THANK YOU FOR WORKING SO HARD
FOR ME AND MY FAMILY
244
00:08:51,597 --> 00:08:52,798
I DON'T NEED ALL THAT.
245
00:08:52,899 --> 00:08:54,066
I'M NOT GIVING YOU
A DOLLAR, RIGHT NOW.
246
00:08:54,166 --> 00:08:55,568
PEP-PEOPLE GONNA KNOW
YOU AS A GYRATOR.
247
00:08:55,668 --> 00:08:56,836
PEOPLE ARE GONNA THINK
YOU A STRIPPER.
248
00:08:56,936 --> 00:08:58,170
I'M NOT A STRIPPER--
GET YOUR LIFE.
249
00:08:58,271 --> 00:09:00,640
WELL, YOU NEED TO
STOP DOIN' ALL THAT.
250
00:09:00,740 --> 00:09:02,508
THAT'S ALL YOU GOTTA DO IS
HUG PEOPLE AND ACT NORMAL.
251
00:09:02,608 --> 00:09:04,143
- THANK YOU, BABY.
- YOU'RE WELCOME.
252
00:09:04,243 --> 00:09:05,945
THANK GOD THOUGH
AND CALL YOUR MOTHER
253
00:09:06,045 --> 00:09:08,047
AND TELL HER WHEN'S SHE COMIN'
TO MAKE US SOME BAKED CHICKEN.
254
00:09:08,147 --> 00:09:09,215
WOULD YOU STOP?
255
00:09:09,315 --> 00:09:10,683
EVERYTHING
AIN'T CHICKEN.
256
00:09:10,783 --> 00:09:12,285
CHICKEN-CHICKEN-CHICK!
257
00:09:12,385 --> 00:09:14,086
BAWK-BAWK!
258
00:09:14,186 --> 00:09:16,022
GET IT TOGETHER!
259
00:09:23,162 --> 00:09:24,697
DON'T BE TOUCHIN' STUFF.
260
00:09:24,797 --> 00:09:26,232
YOU GOTTA SHAKE IT UP.
261
00:09:26,332 --> 00:09:27,233
YOU GOTTA SHAKE IT!
262
00:09:27,333 --> 00:09:28,234
YOU GOTTA SHAKE IT UP
REALLY-REALLY--
263
00:09:28,334 --> 00:09:29,669
THERE YA GO--
YOU GOTTA SHAKE IT UP.
264
00:09:29,769 --> 00:09:33,472
RIGHT NOW, MY LIVING
SITUATION IS A BIT STICKY.
265
00:09:33,573 --> 00:09:37,243
I WAS LIVING WITH TONI
AND TONI HAS MOVED OUT TO L.A.
266
00:09:37,343 --> 00:09:39,345
AND TRINA AND GABE SAID,
"OKAY, TOWANDA,
267
00:09:39,445 --> 00:09:41,447
"WHY DON'T YOU GUYS
COME MOVE IN WITH US."
268
00:09:41,547 --> 00:09:44,917
SO, THAT'S WHAT I DID
AND THEY'VE BEEN A LIFESAVER.
269
00:09:45,017 --> 00:09:46,752
GO IN THAT TOP DRAWER
RIGHT THERE AND GET A NAPKIN.
270
00:09:46,852 --> 00:09:49,288
NO-- GET IN THAT DRAWER
RIGHT THERE AND GET A NAPKIN.
271
00:09:49,388 --> 00:09:51,624
RIGHT THERE-- THE DRAWER,
NOT THE CABINET-- NUT.
272
00:09:51,724 --> 00:09:52,725
YOU'RE THE NUT.
273
00:09:52,825 --> 00:09:53,726
TOWANDA AND ANDRE
AND THEIR KIDS
274
00:09:53,826 --> 00:09:54,760
HAVE BEEN LIVIN'
IN OUR HOUSE
275
00:09:54,860 --> 00:09:56,228
FOR OVER
A MONTH NOW.
276
00:09:56,329 --> 00:09:59,098
TRINA DID OFFER TO LET
THEM LIVE IN OUR HOUSE
277
00:09:59,198 --> 00:10:01,434
BUT I DIDN'T KNOW IT WAS
GONNA BE THIS LONG.
278
00:10:01,534 --> 00:10:04,036
I WORK FROM HOME.
279
00:10:04,136 --> 00:10:05,805
YOU KNOW,
I HEAR EVERYTHING.
280
00:10:05,905 --> 00:10:09,642
THESE WALLS AREN'T
STUDIO PROOF, YOU KNOW.
281
00:10:09,742 --> 00:10:12,812
BRAXTON AND BROOKE,
CAN YOU GO UPSTAIRS.
282
00:10:12,912 --> 00:10:15,281
I HAVE AN AUDITION
TOMORROW.
283
00:10:15,381 --> 00:10:17,083
ANDRE AND I ARE
OFFICIALLY SEPARATED,
284
00:10:17,183 --> 00:10:19,218
BUT I DID AGREE
TO ALLOW HIM LIVE WITH US,
285
00:10:19,318 --> 00:10:20,920
SO THAT WE CAN BOTH
TAKE CARE OF OUR KIDS
286
00:10:21,020 --> 00:10:22,421
AND HE CAN
WORK ON HIS BOOK
287
00:10:22,521 --> 00:10:24,256
AND I CAN WORK ON
MY CAREER AS AN ACTOR.
288
00:10:24,357 --> 00:10:26,125
OH, THIS GONNA BE GOOD!
289
00:10:26,225 --> 00:10:27,693
HOW DO YOU THINK A WOMAN
WOULD SAY THIS--
290
00:10:27,793 --> 00:10:30,363
"JUST GET THE OUT"
OR "YOU GET THE OUT."
291
00:10:30,463 --> 00:10:31,631
YOU.
292
00:10:31,731 --> 00:10:33,065
- YOU GET THE OUT.
- YES.
293
00:10:33,165 --> 00:10:34,900
ANDRE AND TOWANDA
HAVEN'T CONTRIBUTED AT ALL
294
00:10:35,001 --> 00:10:35,935
TO THE BILLS.
295
00:10:36,035 --> 00:10:37,069
THEY'VE NEVER REALLY
GIVEN US ANYTHING
296
00:10:37,169 --> 00:10:40,306
FOR THE ELECTRIC BILL
OR THE WATER BILL
297
00:10:40,406 --> 00:10:42,875
OR THE GAS BILL
OR RENT.
298
00:10:42,975 --> 00:10:44,810
I FEEL LIKE I'M THE ONLY
ONE PULLIN' WEIGHT.
299
00:10:44,910 --> 00:10:46,112
WHERE'S THE CEREAL
AT, TOWANDA?
300
00:10:46,212 --> 00:10:47,980
RIGHT THERE--
WHERE IT SAYS "CEREAL."
301
00:10:48,080 --> 00:10:49,382
- RIGHT HERE?
- YES.
302
00:10:49,482 --> 00:10:50,383
I DON'T LIKE THIS KIND.
303
00:10:50,483 --> 00:10:52,351
MAN, Y'ALL GOT SOME MILK?
304
00:10:52,451 --> 00:10:53,686
- SOME MILK?
- YEAH.
305
00:10:53,786 --> 00:10:55,154
WHO DO YOU THINK
PAID FOR THE MILK?
306
00:10:55,254 --> 00:10:56,856
UH, I THINK
IT'S IN THE FRIDGE.
307
00:10:56,956 --> 00:10:57,857
ANDRE, LOOK FOR IT
BEFORE YOU ASK.
308
00:10:57,957 --> 00:10:59,859
I'LL PUT SOME CHOCOLATE.
309
00:10:59,959 --> 00:11:01,027
CHOCOLATE MILK
IN THE CEREAL?
310
00:11:01,127 --> 00:11:02,461
YEAH, MAN--
WE CAN TRY THIS OUT.
311
00:11:02,561 --> 00:11:03,963
MIGHT BE GOOD, HUH?
312
00:11:04,063 --> 00:11:06,365
I REALLY APPRECIATE GABE
AND TRINA ALLOWING MY FAMILY
313
00:11:06,465 --> 00:11:08,601
TO STAY IN THE HOUSE,
YOU KNOW, BUT I'M A PROUD MAN.
314
00:11:08,701 --> 00:11:10,302
I MEAN, I DO HAVE
PRIDE FOR MYSELF
315
00:11:10,403 --> 00:11:12,638
AND I DO WANNA
GET OUTTA THERE
316
00:11:12,738 --> 00:11:14,840
BUT, HEY, IT HELPS
THAT WE LIKE THE SAME FOOD.
317
00:11:14,940 --> 00:11:17,043
MAN, YOU GOT THAT DICTIONARY
I CAN BORROW RIGHT QUICK?
318
00:11:17,143 --> 00:11:18,511
YEAH, MAN, HOLD ON.
319
00:11:18,611 --> 00:11:19,645
I'M A LITTLE BUSY
RIGHT NOW.
320
00:11:19,745 --> 00:11:20,946
OH, MY BAD--
I'M SORRY.
321
00:11:21,047 --> 00:11:22,648
I FEEL LIKE, "OH, HERE THEY
ARE, ALL LOLLYGAGGING AROUND
322
00:11:22,748 --> 00:11:25,017
"AND I'M HERE MAKIN' THE MONEY
TO PAY ALL THE BILLS."
323
00:11:25,117 --> 00:11:28,454
I FEEL LIKE I'M SUPPORTIN'
EIGHT PEOPLE RATHER THAN FOUR.
324
00:11:28,554 --> 00:11:30,456
- WHAT'S UP WITH HIM, MAN?
- I DON'T KNOW.
325
00:11:30,556 --> 00:11:32,158
YOU HAVE TO ASK HIM.
326
00:11:32,258 --> 00:11:33,893
I DO PLAN ON HAVING
A CONVERSATION WITH TRINA
327
00:11:33,993 --> 00:11:35,628
ABOUT THEM MOVING
OUT OF THE HOUSE
328
00:11:35,728 --> 00:11:39,198
AND GIVING THEM A DEADLINE
ON WHEN THEY SHOULD BE OUT.
329
00:11:42,034 --> 00:11:44,070
YES, BROOKE.
330
00:11:44,170 --> 00:11:46,072
COMING UP, ON
"BRAXTON FAMILY VALUES."
331
00:11:46,172 --> 00:11:49,075
ANDRE AND TOWANDA HAVE
OVERSTEPPED THEIR BOUNDARIES.
332
00:11:49,175 --> 00:11:51,477
WE NEED TO GIVE 'EM
A TIMELINE.
333
00:11:51,577 --> 00:11:53,145
BUT I'M NOT DOIN' IT.
334
00:11:53,245 --> 00:11:54,947
I SAID TIME
AND TIME AGAIN...
335
00:11:55,047 --> 00:11:57,049
I'M OUT HERE SINGING
DOO-WOP-POP-POP
336
00:11:57,149 --> 00:11:58,784
WITH TONI BRAXTON.
337
00:11:58,884 --> 00:12:00,886
WHY YOU MAD?
338
00:12:08,994 --> 00:12:11,129
[laughing,
339
00:12:12,131 --> 00:12:15,167
DAMN... WHY ARE THEY
SO LOUD-- !
340
00:12:15,267 --> 00:12:17,737
BRAXTON, BROOKE,
THIS ISN'T OUR HOUSE.
341
00:12:17,837 --> 00:12:19,472
I LOVE IT.
342
00:12:19,572 --> 00:12:21,006
WHAT ARE THEY DOIN'?
343
00:12:21,107 --> 00:12:22,508
TOWANDA AND ANDRE
AND THEY'RE KIDS
344
00:12:22,608 --> 00:12:24,477
HAVE BEEN LIVIN' IN THE HOUSE
FOR OVER A MONTH.
345
00:12:24,577 --> 00:12:26,378
I CAN'T CONCENTRATE
WHILE I'M WORKING
346
00:12:26,479 --> 00:12:29,281
AND ON TOP OF IT ALL, SOMEONE
DRANK ALL MY CHOCOLATE MILK.
347
00:12:29,381 --> 00:12:32,017
HEY, GET OUT OF THERE.
348
00:12:32,118 --> 00:12:33,719
WHAT ARE YA'LL
DOIN' IN THERE?
349
00:12:33,819 --> 00:12:35,287
I'M JUST-- I'M PLAYIN'
WITH THE KIDS.
350
00:12:35,387 --> 00:12:36,822
THIS IS WHAT WE DO.
351
00:12:36,922 --> 00:12:38,691
GEEZ... THEY'RE
SO FREAKIN' LOUD.
352
00:12:38,791 --> 00:12:40,559
I NEED TO HAVE
A TALK WITH TRINA.
353
00:12:40,659 --> 00:12:42,261
AND I NEED TO BE
STERN WITH HER,
354
00:12:42,361 --> 00:12:44,130
SO SHE CAN HAVE
A TALK WITH TOWANDA
355
00:12:44,230 --> 00:12:46,866
SINCE SHE'S ONE THAT DECIDED
THEY WOULD STAY AT THE HOUSE.
356
00:12:57,343 --> 00:12:59,512
GO CRAZY!
357
00:12:59,612 --> 00:13:00,579
ALL RIGHT.
358
00:13:00,679 --> 00:13:01,680
LET'S DO IT AGAIN
FROM THE TOP.
359
00:13:01,781 --> 00:13:04,150
LET'S DO IT AGAIN
FROM THE TOP.
360
00:13:04,250 --> 00:13:06,018
THE FIRST SEASON'S
CHANGED MY LIFE
361
00:13:06,118 --> 00:13:08,287
IN THE SENSE THAT I DECIDED
I'M JUST GONNA DO
362
00:13:08,387 --> 00:13:10,823
A SOLO PROJECT
FOR MYSELF.
363
00:13:10,923 --> 00:13:12,825
WE'RE NO LONGER
JUST DOING COVER SONGS.
364
00:13:12,925 --> 00:13:15,895
WE ARE NOW DOING
ORIGINAL MUSIC-- MY MUSIC.
365
00:13:15,995 --> 00:13:18,164
AND WE'RE GONNA BE
PERFORMING THEM REALLY SOON--
366
00:13:18,264 --> 00:13:21,734
MAYBE IN THE
NEXT MONTH OR SO.
367
00:13:21,834 --> 00:13:25,371
AND TO BE HONEST, THE BAND
IS A NICE BREAK FROM GABE,
368
00:13:25,471 --> 00:13:27,640
BECAUSE WE HAVEN'T
BEEN DOING TOO WELL LATELY.
369
00:13:27,740 --> 00:13:30,342
GABE AND I... WE'VE HAD
AN UP AND DOWN MARRIAGE
370
00:13:30,442 --> 00:13:32,444
FOR THE PAST
SEVERAL YEARS.
371
00:13:32,545 --> 00:13:34,480
I MEAN, HE'S ADMITTED TO
HAVING AN AFFAIR ON ME,
372
00:13:34,580 --> 00:13:37,550
AND THAT'S PUT A WET TOWEL
ON OUR RELATIONSHIP.
373
00:13:37,650 --> 00:13:39,051
BOYS GO TO BED--
YOU GET LONELY.
374
00:13:39,151 --> 00:13:41,287
DID YOU SEEK OUTSIDE
THE MARRIAGE?
375
00:13:41,387 --> 00:13:45,357
UM...
376
00:13:45,457 --> 00:13:47,827
FOR US TO BE MARRIED
FOR SEVEN YEARS...
377
00:13:47,927 --> 00:13:49,361
YOU CHEAT ON ME
FOR FIVE OF THEM.
378
00:13:49,461 --> 00:13:50,796
THAT MAKES
HIM A WHORE.
379
00:13:50,896 --> 00:13:54,099
EVERYDAY HAS
BEEN A BATTLE.
380
00:13:54,200 --> 00:13:55,568
DO YA'LL KNOW
WHERE TRINA'S AT?
381
00:13:55,668 --> 00:13:56,969
YEAH, I THINK
SHE'S IN THE BACK.
382
00:13:57,069 --> 00:13:58,504
OKAY.
383
00:14:04,043 --> 00:14:05,010
- YEAH.
- CAN'T WAIT TO LEARN IT.
384
00:14:05,110 --> 00:14:06,478
YEAH, THAT'S
COMING TOGETHER.
385
00:14:09,849 --> 00:14:12,651
I THINK THE BAND--
I DON'T LIKE ALL OF THEM.
386
00:14:12,751 --> 00:14:16,322
I DON'T TRUST THEM, BECAUSE
THEIR LOYALTY IS TO TRINA,
387
00:14:16,422 --> 00:14:18,023
NOT TO ME.
388
00:14:20,459 --> 00:14:21,560
I'M SORRY.
389
00:14:21,660 --> 00:14:22,695
WHAT THE HELL
IS GABE DOING
390
00:14:22,795 --> 00:14:24,396
IN THE MIDDLE
OF MY REHEARSAL?
391
00:14:24,496 --> 00:14:26,699
I'LL BE RIGHT BACK--
I'LL BE RIGHT BACK.
392
00:14:26,799 --> 00:14:28,467
I HAVE AN ISSUE THAT
I WANNA TALK ABOUT.
393
00:14:28,567 --> 00:14:29,835
WHAT DO YOU
WANNA TALK ABOUT?
394
00:14:29,935 --> 00:14:32,104
- ABOUT TOWANDA AND ANDRE.
- WANNA TALK ABOUT THAT NOW?
395
00:14:32,204 --> 00:14:33,505
I DON'T THINK THAT
THE ONLY REASON
396
00:14:33,606 --> 00:14:35,207
GABE CAME TO
THE REHEARSAL HALL
397
00:14:35,307 --> 00:14:37,643
WAS TO TALK TO ME
ABOUT ANDRE AND TOWANDA.
398
00:14:37,743 --> 00:14:40,246
GABE CAME TO
CHECK UP ON ME
399
00:14:40,346 --> 00:14:42,715
BECAUSE HE HAS
TRUST ISSUES.
400
00:14:42,815 --> 00:14:45,784
THERE ARE CERTAIN MEMBERS OF
THE BAND THAT I'M VERY CLOSE TO,
401
00:14:45,885 --> 00:14:48,120
AND THAT MAKES
HIM UNCOMFORTABLE.
402
00:14:48,220 --> 00:14:50,689
THIS IS ALL BECAUSE
YOU DON'T RESPECT WHAT I DO.
403
00:14:50,789 --> 00:14:52,157
YOU DON'T RESPECT WHAT I DO.
- YES, I DO.
404
00:14:52,258 --> 00:14:53,626
'CAUSE IF YOU
RESPECTED WHAT I DID
405
00:14:53,726 --> 00:14:57,162
YOU WOULD NOT COME IN HERE
AND INTERRUPT REHEARSAL.
406
00:14:57,263 --> 00:14:58,464
NOW YOU ABOUT
TO MESS UP MY MOJO
407
00:14:58,564 --> 00:15:00,766
AND I CAN'T GO IN THERE
AND DANCE PROPERLY.
408
00:15:00,866 --> 00:15:01,901
IS THIS ABOUT
TOWANDA AND ANDRE,
409
00:15:02,001 --> 00:15:04,403
OR IS THIS BECAUSE
YOU DON'T TRUST ME?
410
00:15:04,503 --> 00:15:06,872
THE BAND HAS TAKEN
A LOT OUT OF US.
411
00:15:06,972 --> 00:15:08,807
TRINA IS WITH
THE BAND A LOT.
412
00:15:08,908 --> 00:15:12,244
THE BAND ALMOST
SEEM LIKE TO ME
413
00:15:12,344 --> 00:15:15,648
LIKE IT WAS COMPETING
WITH OUR FAMILY.
414
00:15:15,748 --> 00:15:17,349
I THINK YOU CAME DOWN HERE
BECAUSE YOU DON'T TRUST ME
415
00:15:17,449 --> 00:15:19,018
WITH THIS WHOLE BAND
SITUATION.
416
00:15:19,118 --> 00:15:20,853
SO, WE CAN DISCUSS
TOWANDA AND ANDRE
417
00:15:20,953 --> 00:15:22,454
WHEN WE GET TO
THE HOUSE.
418
00:15:22,554 --> 00:15:24,790
AND GUESS WHAT,
I'M GOING BACK TO WORK.
419
00:15:24,890 --> 00:15:26,158
OKAY.
420
00:15:26,258 --> 00:15:27,893
CAN I WATCH YOU SING?
- NO.
421
00:15:27,993 --> 00:15:29,561
YOU CAN GO HOME.
422
00:15:44,343 --> 00:15:46,211
HELLO?
423
00:15:46,312 --> 00:15:47,980
OKAY, SO I'M COMING OVER
TO TONI'S HOUSE
424
00:15:48,080 --> 00:15:49,715
AND I AS I'M PULLING UP,
425
00:15:49,815 --> 00:15:54,153
I SEE HER EX-HUSBAND, KERI
CAR LEAVING THE DRIVEWAY.
426
00:15:54,253 --> 00:15:56,422
I MEAN, AIN'T NO REASON
FOR HIM TO COME OVER THERE.
427
00:15:56,522 --> 00:15:57,856
AIN'T NO REASON
TO COME OVER THERE
428
00:15:57,957 --> 00:15:59,758
BUT TO KNOCK
SOME BOOTS.
429
00:15:59,858 --> 00:16:00,759
TONI!
430
00:16:00,859 --> 00:16:02,594
I'M IN THE BATHROOM--
I'M COMIN'.
431
00:16:02,695 --> 00:16:05,698
WHERE IS TONI
432
00:16:05,798 --> 00:16:08,767
PROBABLY
IN THE SHOWER
433
00:16:08,867 --> 00:16:11,203
'CAUSE SHE AND KERI
434
00:16:11,303 --> 00:16:14,006
HAVE PROBABLY
JUST FINISHED
435
00:16:14,106 --> 00:16:17,576
BUMPIN' AND GRINDIN'
436
00:16:21,013 --> 00:16:23,482
- WHAT ARE YOU DOIN'?
- YEAH!
437
00:16:23,582 --> 00:16:24,950
GIRL, I WROTE
A SONG JUST FOR YOU.
438
00:16:25,050 --> 00:16:26,452
COME OVER HERE--
I'M GONNA TEACH YOU.
439
00:16:29,321 --> 00:16:32,091
TONI
440
00:16:32,191 --> 00:16:33,592
I'M NOT LISTENING TO THIS.
441
00:16:33,692 --> 00:16:36,261
IS HIDING
442
00:16:36,362 --> 00:16:40,165
'CAUSE I SAW
KERI LEAVIN'
443
00:16:40,265 --> 00:16:44,803
AND YA'LL IS
BUMPIN' AND GRINDIN'.
444
00:16:44,903 --> 00:16:46,905
I'M NOT LISTENIN'
TO YOU, TAMAR.
445
00:16:47,006 --> 00:16:49,174
THAT'S WHY I DON'T WANT
TAMAR IN MY BUSINESS.
446
00:16:49,274 --> 00:16:51,443
SHE METTLES
WAY TOO MUCH.
447
00:16:51,543 --> 00:16:53,045
I DON'T KNOW WHAT
YOU TALKIN' ABOUT.
448
00:16:54,947 --> 00:16:56,982
SHUT UP!
449
00:16:57,082 --> 00:16:58,817
GIRL...
- UGH!
450
00:16:58,917 --> 00:17:01,220
OKAY, KERI WAS HERE.
- AND WHAT HAPPENED?
451
00:17:01,320 --> 00:17:03,055
HE JUST CAME BY
TO DROP OFF SOME STUFF.
452
00:17:03,155 --> 00:17:04,056
WHAT?
453
00:17:06,091 --> 00:17:07,993
I KNOW THAT'S RIGHT.
454
00:17:08,093 --> 00:17:09,762
I KNEW IT--
I KNOW'D IT.
455
00:17:09,862 --> 00:17:11,363
YES, I DID.
456
00:17:11,463 --> 00:17:12,798
I MEAN, YOU CAN'T
REALLY HIDE THAT MUCH
457
00:17:12,898 --> 00:17:14,099
FROM DETECTIVE TAMAR.
458
00:17:14,199 --> 00:17:15,300
WE HAVE
CHILDREN TOGETHER.
459
00:17:15,401 --> 00:17:16,869
WE HAVE TO HAVE MEETINGS
AND TALK ABOUT THINGS, RIGHT?
460
00:17:16,969 --> 00:17:18,270
NO, USUALLY PEOPLE
WITH BABY DADDY'S
461
00:17:18,370 --> 00:17:20,072
HAVE MEETINGS
WITH THE BABIES.
462
00:17:20,172 --> 00:17:21,807
- NO.
- YOUR KIDS IS OUT OF TOWN.
463
00:17:21,907 --> 00:17:24,376
THAT IS CALLED A "DATE"
WITH YOUR BABY DADDY.
464
00:17:24,476 --> 00:17:26,612
- WE JUST HAD A MEETING.
- WHERE YOUR BOOTS AT?
465
00:17:26,712 --> 00:17:28,447
HE KNOCKED 'EM OFF.
466
00:17:31,417 --> 00:17:34,887
KERI'S AND I RELATIONSHIP
HAS... WHOO-- COME FULL CIRCLE.
467
00:17:34,987 --> 00:17:38,223
UH, IN 2009,
WE SEPARATED.
468
00:17:38,323 --> 00:17:40,192
AND THEN IN 2010,
WE FILED FOR DIVORCE.
469
00:17:40,292 --> 00:17:41,994
BUT WE'RE STILL
GREAT FRIENDS
470
00:17:42,094 --> 00:17:43,929
BECAUSE WE HAVE
KIDS TOGETHER,
471
00:17:44,029 --> 00:17:45,597
AND ONCE THE KIDS
AND I MOVED OUT HERE,
472
00:17:45,697 --> 00:17:48,300
THEN KERI AND I STARTED
DATING AND HERE WE ARE.
473
00:17:48,400 --> 00:17:50,502
WE'VE BEEN OUT
ON A FEW DATES.
474
00:17:50,602 --> 00:17:51,970
OH, SO,
YA'LL ARE KICKIN' IT?
475
00:17:52,071 --> 00:17:54,540
OKAY, WE ARE DATING
A LITTLE TEENY BIT.
476
00:17:54,640 --> 00:17:56,642
I THINK THAT'S GREAT.
477
00:17:56,742 --> 00:17:58,944
I'M GLAD SOMEBODY'S
CRACKIN' YOUR BACK, GIRL.
478
00:17:59,044 --> 00:18:00,345
- WHAT?
- GLAD.
479
00:18:00,446 --> 00:18:02,081
TAMAR, DON'T SAY THAT.
480
00:18:02,181 --> 00:18:03,282
COME ON--
COME SING MY SONG.
481
00:18:03,382 --> 00:18:04,516
I'M NOT GONNA
SING YOUR SONG.
482
00:18:04,616 --> 00:18:08,987
TONI'S GETTING BACK
WITH HER BABY'S...
483
00:18:09,088 --> 00:18:10,556
BYE!
484
00:18:10,656 --> 00:18:12,324
- TONI, COME BACK!
- I'M NOT!
485
00:18:22,501 --> 00:18:25,637
I AM SO PISSED OFF AT GABE
FOR BUSTING INTO MY REHEARSAL.
486
00:18:25,737 --> 00:18:27,840
I'M JUST GLAD THAT
I HAVE MY SISTER,
487
00:18:27,940 --> 00:18:31,443
SO I'LL HAVE SOMEONE PLEASANT
TO TALK TO WHEN I GET HOME.
488
00:18:31,543 --> 00:18:33,879
- HEY, GUYS.
- HEY, TRINI.
489
00:18:33,979 --> 00:18:35,380
BOY, YOU REALLY
SEEM TALL TODAY.
490
00:18:35,481 --> 00:18:36,582
IT'S MY SHOES.
491
00:18:36,682 --> 00:18:38,150
AREN'T THEY CUTE, THOUGH?
- THEY'RE ADORABLE.
492
00:18:38,250 --> 00:18:39,384
THANKS--
I LIKE 'EM.
493
00:18:39,485 --> 00:18:41,820
DO YOU NORMALLY
CREATE THE TIP MESSAGES
494
00:18:41,920 --> 00:18:44,990
OR DO YOU HAND
THAT OVER TO EDWARD?
495
00:18:45,090 --> 00:18:48,193
IT'S BAD ENOUGH THAT ANDRE AND
TOWANDA DISTURB ME AT WORK,
496
00:18:48,293 --> 00:18:51,163
AND NOW TRINA
IS BEIN' LOUD.
497
00:18:51,263 --> 00:18:54,399
COME ON, NOW--
THIS IS RIDICULOUS.
498
00:18:54,500 --> 00:18:55,400
TRINA, WHENEVER
YOU HAVE A SECOND,
499
00:18:55,501 --> 00:18:56,401
CAN YOU COME
TO MY OFFICE, PLEASE?
500
00:18:56,502 --> 00:18:57,536
WHO, ME?
501
00:18:57,636 --> 00:18:59,104
GABE, HE'S BEEN COMPLAINING
ABOUT THE BILLS
502
00:18:59,204 --> 00:19:00,672
AND COMPLAINING ABOUT
THE EXTRA MONEY
503
00:19:00,772 --> 00:19:02,074
THAT WE'RE SPENDING
EVERY MONTH
504
00:19:02,174 --> 00:19:04,176
AND COMPLAINING ABOUT
OUR SPACE BEING INVADED.
505
00:19:04,276 --> 00:19:06,879
AND, IT IS LIKE HE WANTS TO
COMPLAIN ABOUT EVERYTHING
506
00:19:06,979 --> 00:19:08,714
TO GET ATTENTION.
507
00:19:08,814 --> 00:19:10,015
ANDRE AND TOWANDA
508
00:19:10,115 --> 00:19:12,151
PRETTY MUCH
OVERSTEPPED THEIR BOUNDARIES.
509
00:19:12,251 --> 00:19:15,120
I THINK WE NEED TO
GIVE 'EM A TIMELINE
510
00:19:15,220 --> 00:19:19,191
AS FAR AS YOU KNOW,
MOVIN' OUT.
511
00:19:19,291 --> 00:19:20,792
WHY?
- I'M NOT DOIN' THAT.
512
00:19:20,893 --> 00:19:22,194
- WHY?
- 'CAUSE THAT'S MY SISTER.
513
00:19:22,294 --> 00:19:24,463
I INVITED TOWANDA
TO COME AND STAY WITH ME.
514
00:19:24,563 --> 00:19:26,532
AND I KNOW THAT IF
THE TABLES WERE TURNED,
515
00:19:26,632 --> 00:19:28,867
THAT SHE WOULD DO
THE SAME EXACT THING FOR ME.
516
00:19:28,967 --> 00:19:31,370
SHE IS THE CLOSEST TO ME
OUT OF ALL MY SISTERS,
517
00:19:31,470 --> 00:19:33,505
AND I'M GONNA BE THERE
FOR HER NOT MATTER WHAT.
518
00:19:33,605 --> 00:19:35,474
IT'S JUST DIFFICULT
FOR ME TO WORK HERE.
519
00:19:35,574 --> 00:19:37,442
MAYBE YOU SHOULD GET
AN OFFICE SOMEWHERE ELSE.
520
00:19:37,543 --> 00:19:39,144
NO-- I'M NOT GONNA
PAY-- RENT AN OFFICE,
521
00:19:39,244 --> 00:19:41,046
SO I CAN GO
SOMEWHERE ELSE TO WORK.
522
00:19:41,146 --> 00:19:43,248
GABE, WE ALL KNOW,
IS A LITTLE BIRD.
523
00:19:43,348 --> 00:19:45,584
CHEAP-CHEAP-CHEAP!
524
00:19:45,684 --> 00:19:47,152
I MEAN, IF YOU FEEL LIKE YOU
WANNA HAVE THAT CONVERSATION,
525
00:19:47,252 --> 00:19:48,187
THAT'S ON YOU,
526
00:19:48,287 --> 00:19:49,521
BUT I'M NOT GONNA
TELL MY SISTER
527
00:19:49,621 --> 00:19:51,957
THAT SHE DOESN'T
HAVE A PLACE TO STAY.
528
00:19:52,057 --> 00:19:54,159
HER FAMILY MEANS
SO MUCH TO HER
529
00:19:54,259 --> 00:19:57,229
THAT SOMETIMES THEIR
DECISIONS COME IN THE WAY
530
00:19:57,329 --> 00:19:59,731
OF OUR HOUSEHOLD
DECISIONS...
531
00:19:59,831 --> 00:20:02,367
OF THINGS THAT SHOULD
JUST BE BETWEEN ME AND TRINA.
532
00:20:02,467 --> 00:20:04,069
WE NEED TO
GIVE 'EM A DEADLINE
533
00:20:04,169 --> 00:20:06,271
ON WHEN THEY NEED TO LEAVE--
THAT'S ALL I'M SAYIN'.
534
00:20:06,371 --> 00:20:09,274
AND I TOLD YOU BEFORE
THAT I'M NOT DOIN' IT.
535
00:20:09,374 --> 00:20:11,109
I THINK YOU SHOULD
STAND BESIDE ME
536
00:20:11,210 --> 00:20:13,011
ON THE DECISIONS
THAT I MAKE.
537
00:20:13,111 --> 00:20:14,746
I AM NEVER GOING
TO TELL MY SISTER
538
00:20:14,846 --> 00:20:16,448
THAT SHE DOES NOT
HAVE A PLACE TO STAY.
539
00:20:16,548 --> 00:20:17,816
I AM NEVER GOING
TO TELL MY SISTER,
540
00:20:17,916 --> 00:20:19,952
"HEY, TOWANDA, YOU AND
THE BABIES CAN'T STAY HERE
541
00:20:20,052 --> 00:20:21,420
BECAUSE MY HUSBAND HAS
A PROBLEM WITH PAYING
542
00:20:21,520 --> 00:20:23,889
AN ADDITIONAL TEN DOLLARS
A DAMN MONTH FOR SOME BILL.
543
00:20:23,989 --> 00:20:25,991
I AM PERSONALLY
NOT DOING IT.
544
00:20:26,091 --> 00:20:27,726
I DON'T WANT ANY PART
OF THAT CONVERSATION
545
00:20:27,826 --> 00:20:29,294
BECAUSE I DON'T
AGREE WITH IT.
546
00:20:29,394 --> 00:20:30,596
I'M NEVER GONNA TELL
MY SISTER THAT--
547
00:20:30,696 --> 00:20:32,397
- CAN I SAY SOMETHING?
- YOU CAN'T SAY ANYTHING-- NO.
548
00:20:32,497 --> 00:20:33,599
BECAUSE THERE
IS NO FINISHING.
549
00:20:33,699 --> 00:20:35,167
THE CONVERSATION
IS OVER.
550
00:20:35,267 --> 00:20:36,201
THERE'S NOTHING
LEFT TO SAY.
551
00:20:36,301 --> 00:20:37,569
AS MATTER OF FACT,
552
00:20:37,669 --> 00:20:39,404
I JUST NEED TO GET OUT
BECAUSE I'M NOT DOING IT.
553
00:20:39,504 --> 00:20:40,906
- OKAY.
- PERIOD!
554
00:20:41,006 --> 00:20:42,975
IF TRINA CARES MORE ABOUT
HER SISTER LIVING HERE
555
00:20:43,075 --> 00:20:45,877
THAN OUR MARRIAGE,
THEN WE DEFINITELY NEED
556
00:20:45,978 --> 00:20:47,546
TO GET SOME
PROFESSIONAL HELP.
557
00:20:47,646 --> 00:20:48,780
RIDICULOUS.
558
00:20:48,880 --> 00:20:51,183
- YOU'RE RIDICULOUS.
- YOU'RE RIDICULOUS.
559
00:20:51,283 --> 00:20:53,552
COMING UP, ON
"BRAXTON FAMILY VALUES..."
560
00:20:53,652 --> 00:20:54,853
NO.
561
00:20:54,953 --> 00:20:56,255
I'M THE ONE
WITH THE ATTITUDE?
562
00:20:56,355 --> 00:20:58,056
WAIT A MINUTE--
WAIT A MINUTE.
563
00:20:58,156 --> 00:21:00,092
I MEAN, NOBODY CAN SAY
ANYTHING EXCEPT MISS TAMAR.
564
00:21:00,192 --> 00:21:01,760
I DON'T THINK SO.
565
00:21:01,860 --> 00:21:02,995
OUR WEDDING ANNIVERSARY
IS COMING UP AND I SAID,
566
00:21:03,095 --> 00:21:04,830
"YOU KNOW WHAT, GABE, I WOULD
LIKE TO HAVE A NEW BAND."
567
00:21:04,930 --> 00:21:06,098
"IF YOU GET
SOMETHIN' LIKE THAT,
568
00:21:06,198 --> 00:21:07,633
"YOU HAVE TO
PUT OUT MORE FOR THAT.
569
00:21:07,733 --> 00:21:09,501
LIKE I'M SOME HO
HE JUST MET.
570
00:21:21,747 --> 00:21:21,846
I
571
00:21:21,847 --> 00:21:21,946
I ASKED
572
00:21:21,947 --> 00:21:22,013
I ASKED TAMAR
573
00:21:22,014 --> 00:21:22,079
I ASKED TAMAR TO
574
00:21:22,080 --> 00:21:22,179
I ASKED TAMAR TO COME
575
00:21:22,180 --> 00:21:22,246
I ASKED TAMAR TO COME OVER
576
00:21:22,247 --> 00:21:22,346
I ASKED TAMAR TO COME OVER
AND
577
00:21:22,347 --> 00:21:22,446
I ASKED TAMAR TO COME OVER
AND VISIT
578
00:21:22,447 --> 00:21:22,513
I ASKED TAMAR TO COME OVER
AND VISIT MOMMY
579
00:21:22,514 --> 00:21:23,981
I ASKED TAMAR TO COME OVER
AND VISIT MOMMY AND
580
00:21:23,982 --> 00:21:24,483
I ASKED TAMAR TO COME OVER
AND VISIT MOMMY AND TRACI
581
00:21:24,583 --> 00:21:25,917
WHILE THEY'RE IN TOWN.
582
00:21:26,018 --> 00:21:27,619
I'M HOPING THAT TAMAR
WILL FINALLY TALK ABOUT
583
00:21:27,719 --> 00:21:29,454
HER SOLO PROJECT.
584
00:21:29,554 --> 00:21:31,189
I THINK IT'S TIME
TO TALK ABOUT IT NOW.
585
00:21:31,290 --> 00:21:32,958
SO WHAT YA'LL BEEN DOIN'
BEFORE I GOT HERE?
586
00:21:33,058 --> 00:21:34,960
- I'M STILL UNPACKING.
- RIGHT.
587
00:21:35,060 --> 00:21:37,529
YEAH, WE WERE TALKING ABOUT
TONI'S LOVELY KITCHEN.
588
00:21:37,629 --> 00:21:38,597
YES.
589
00:21:38,697 --> 00:21:40,432
THAT'S ALL YA'LL TALKED
ABOUT IS THE HOUSE?
590
00:21:40,532 --> 00:21:42,000
WHY-- YOU GOT
SOMETHIN' TO TELL US?
591
00:21:42,100 --> 00:21:43,135
WHAT YA MEAN-- NO, I DON'T
HAVE ANYTHING TO SAY.
592
00:21:43,235 --> 00:21:46,438
I JUST WANNA KNOW
WHAT THE 411 IS?
593
00:21:46,538 --> 00:21:49,775
WHY ARE YOU SO MUM,
EVELYN AND TONI?
594
00:21:49,875 --> 00:21:51,710
I MEAN, WHY IS EVERYBODY
ACTIN' ALL WEIRD,
595
00:21:51,810 --> 00:21:53,912
LIKE I WAS ON
"AMERICA'S MOST WANTED?"
596
00:21:54,012 --> 00:21:55,547
I MEAN, YES,
I'M IN AMERICA.
597
00:21:55,647 --> 00:21:57,683
AND, YES,
I'M WANTED
598
00:21:57,783 --> 00:22:00,952
AND IT'S PROBABLY
ILLEGAL TO BE THIS HOT,
599
00:22:01,053 --> 00:22:02,954
BUT I AIN'T DID
NOTHIN' TO NOBODY.
600
00:22:03,055 --> 00:22:03,955
SO WHAT HAVE YOU
BEEN UP TO, TAY?
601
00:22:04,056 --> 00:22:05,691
TRYING TO FIND MYSELF--
THAT'S IT.
602
00:22:05,791 --> 00:22:08,727
WELL, WHAT HAVE YOU
BEEN WORKING ON?
603
00:22:08,827 --> 00:22:12,397
UM, I'VE BEEN WRITING--
TRYING TO WRITE, BUT I CAN'T--
604
00:22:12,497 --> 00:22:14,866
I HAVE WRITER'S BLOCK.
- WRITER'S BLOCK?
605
00:22:14,966 --> 00:22:17,002
SHE BETTER BE WRITIN' FOR
THE NEXT HARRY POTTER
606
00:22:17,102 --> 00:22:19,638
AND NOT HER OWN SONGS
OR SHE'S TRIPPIN'.
607
00:22:19,738 --> 00:22:21,239
SO, IF YOU DECIDE TO DO
SOMETHIN' ON YOUR OWN,
608
00:22:21,340 --> 00:22:22,841
YOU WOULD
TELL ME, RIGHT?
609
00:22:22,941 --> 00:22:24,309
I JUST WANNA KNOW
WHAT'S GOIN' ON WITH
610
00:22:24,409 --> 00:22:26,411
THE BRAXTON'S FIRST.
- THAT'S WHAT I WANNA KNOW.
611
00:22:26,511 --> 00:22:27,746
I MEAN, REGARDLESS,
612
00:22:27,846 --> 00:22:29,381
I AM GONNA PUT OUT
A SOLO RECORD,
613
00:22:29,481 --> 00:22:32,551
BUT IF WE WERE TO
DO A BRAXTON RECORD,
614
00:22:32,651 --> 00:22:35,921
THAT WOULD COME FIRST
AND THEN I WOULD...
615
00:22:36,021 --> 00:22:37,856
WELL, ACTUALLY,
YES, I DID.
616
00:22:37,956 --> 00:22:39,157
I KIND OF LIED,
617
00:22:39,257 --> 00:22:41,960
BECAUSE I'M ACTUALLY WORKIN'
ON MY OWN SINGLE-- SO WHAT?
618
00:22:42,060 --> 00:22:42,994
BUT I COULDN'T
TELL THEM THAT
619
00:22:43,095 --> 00:22:45,697
BECAUSE THEY GONNA BE
GOIN' CRAZY ON ME.
620
00:22:45,797 --> 00:22:47,566
AND I'M STILL TRYING TO
DO THE BRAXTON'S RECORD,
621
00:22:47,666 --> 00:22:50,635
AS LONG AS TONI BRAXTON
IS TRYIN' TO DO IT.
622
00:22:50,736 --> 00:22:52,037
LET'S JUST BE
REAL HONEST ABOUT IT.
623
00:22:52,137 --> 00:22:54,439
SINCE TONI DECIDED
NOT TO DO IT AND I--
624
00:22:54,539 --> 00:22:56,475
- IS THAT WHAT I SAID?
- YOU SAY YOU'RE NOT DOIN' IT.
625
00:22:56,575 --> 00:22:58,610
I THINK A FEW SONGS
WILL ALWAYS WORK,
626
00:22:58,710 --> 00:23:00,379
BUT YOU WANTED IT
TO BE THE WHOLE ALBUM.
627
00:23:00,479 --> 00:23:02,114
WELL, AN EP IS NOT
THAT MANY SONGS.
628
00:23:02,214 --> 00:23:04,049
AN EP IS LIKE,
EIGHT SONGS.
629
00:23:04,149 --> 00:23:05,751
YOU GOT TAMAR SAYIN'
IT'S TONI'S FAULT
630
00:23:05,851 --> 00:23:08,320
AND TONI SAYIN'
IT'S TAMAR'S FAULT.
631
00:23:08,420 --> 00:23:09,788
I'M SO CONFUSED.
632
00:23:09,888 --> 00:23:12,023
BUT THAT MAKES MORE SENSE
FOR ME TO GO-- BE FEATURED,
633
00:23:12,124 --> 00:23:13,592
THEN I MENTIONED FOR YOU GUYS
BEING ON MY RECORD.
634
00:23:13,692 --> 00:23:14,893
YOU DIDN'T
WANNA DO THAT.
635
00:23:14,993 --> 00:23:17,162
BECAUSE THEN, THAT MAKES US
BACKGROUND SINGERS.
636
00:23:17,262 --> 00:23:18,463
BACKGROUND
SINGING IS GREAT.
637
00:23:18,563 --> 00:23:19,698
I'M JUST NOT
DOING IT NO MORE.
638
00:23:19,798 --> 00:23:21,967
POINT BLANK PERIOD--
I'M DONE DOT COM.
639
00:23:22,067 --> 00:23:23,568
WHATEVER--
EXCLAMATION POINT.
640
00:23:23,668 --> 00:23:24,870
GOODBYE--
I'M NOT DOIN' IT.
641
00:23:24,970 --> 00:23:26,204
PERIOD!
642
00:23:26,304 --> 00:23:27,873
I DON'T WANT YOU TO SIT AND
DISRESPECT BACKGROUND SINGING,
643
00:23:27,973 --> 00:23:29,674
BECAUSE A LOT OF US GOT HERE
BY DOING BACKGROUND SINGING.
644
00:23:29,775 --> 00:23:31,376
NO, THAT'S
NOT WHAT I MEAN.
645
00:23:31,476 --> 00:23:33,145
WELL, YOU SAID SINGING
BACKGROUND WITH TONI BRAXTON,
646
00:23:33,245 --> 00:23:34,346
THAT AIN'T HOT.
647
00:23:34,446 --> 00:23:36,148
IT AIN'T HOT--
NOT FOR ME.
648
00:23:36,248 --> 00:23:39,384
IT'S DISRESPECTFUL TO
THE CRAFT, ALL OF US SINGERS
649
00:23:39,484 --> 00:23:41,286
WHO GOT HERE BY
SINGING BACKGROUND.
650
00:23:41,386 --> 00:23:42,788
AIN'T NOBODY
DISRESPECTIN' THE CRAFT
651
00:23:42,888 --> 00:23:44,689
OF BACKGROUND SINGER.
652
00:23:44,790 --> 00:23:46,591
I MADE A WHOLE LOT OF MONEY
SINGING BACKGROUND.
653
00:23:46,691 --> 00:23:48,960
IT WAS GREAT FOR ME, YOU
KNOW, WHEN I WAS DOIN' IT,
654
00:23:49,060 --> 00:23:51,430
BUT THAT'S NOT
WHAT I WANT TO DO ANYMORE--
655
00:23:51,530 --> 00:23:53,064
AND GUESS WHAT,
THAT IS MY CHOICE,
656
00:23:53,165 --> 00:23:55,634
JUST LIKE IT'S HER CHOICE
THAT SHE DON'T WANNA SING
657
00:23:55,734 --> 00:23:58,236
ON THE BRAXTONS ALBUM--
BOOM.
658
00:23:58,336 --> 00:24:00,005
I'VE SAID,
TIME AND TIME AGAIN--
659
00:24:04,042 --> 00:24:05,410
I'M OUT HERE SINGING
DOO-WOP-POP-POP
660
00:24:05,510 --> 00:24:07,179
WITH TONI BRAXTON...
661
00:24:07,279 --> 00:24:09,347
- STOP ALREADY.
- HOLD ON.
662
00:24:09,448 --> 00:24:12,517
SOMEBODY GOT TO DO
THE BACKGROUND.
663
00:24:12,617 --> 00:24:15,153
MY FAMILY WILL FIND ANY
REASON TO PICK ON TAMAR.
664
00:24:15,253 --> 00:24:17,823
FOR SOME REASON MY SISTERS
DON'T WANNA HEAR
665
00:24:17,923 --> 00:24:20,258
ABOUT WHAT I'M DOIN'
AS AN INDIVIDUAL.
666
00:24:20,358 --> 00:24:22,594
EVERY TIME I
SAY SOMETHING IT'S LIKE,
667
00:24:22,694 --> 00:24:24,796
"MM-HMM-- SHE SNEAKIN',
SHE PLOTTIN'."
668
00:24:24,896 --> 00:24:27,466
SO, YOU KNOW, I JUST
TOOK IT AS LIKE, WHAT...
669
00:24:27,566 --> 00:24:29,634
I CAN'T TALK ABOUT
THE THINGS I'M DOING?
670
00:24:29,734 --> 00:24:30,635
LIKE, FOR REAL.
671
00:24:30,735 --> 00:24:32,737
ALL I SAID WAS
I'M NOT COMFORTABLE
672
00:24:32,838 --> 00:24:34,773
WITH THE BRAXTONS
FEATURING TONI BRAXTON.
673
00:24:34,873 --> 00:24:36,308
THAT MAKES ME
A BACKGROUND SINGER.
674
00:24:36,408 --> 00:24:38,810
-
IT'S DONE.
675
00:24:38,910 --> 00:24:40,712
WAIT A MINUTE--
FIRST OF ALL...
676
00:24:40,812 --> 00:24:42,380
- I FORGOT--
- NO.
677
00:24:42,481 --> 00:24:44,149
FIRST OF ALL,
678
00:24:44,249 --> 00:24:46,451
THERE'S NO NEED IN
GETTIN' ATTI-DERN-TUDE...
679
00:24:46,551 --> 00:24:47,786
- I'M THE ONE WITH ATTITUDE?
- WAIT A MINUTE!
680
00:24:47,886 --> 00:24:50,455
WHO-WHO'S TRYIN'
TO BE NASTY?
681
00:24:50,555 --> 00:24:53,158
OH, SO YOU GONNA
GET MAD AND WALK OUT?
682
00:24:53,258 --> 00:24:55,160
I HAD TO LEAVE TONI'S
HOUSE BECAUSE AT THAT POINT,
683
00:24:55,260 --> 00:24:57,462
I JUST FELT JUST TOTALLY
DISRESPECTED AND ATTACKED.
684
00:24:57,562 --> 00:25:00,432
I DIDN'T GET THE CHANCE
TO SAY ANYTHING.
685
00:25:00,532 --> 00:25:01,766
LIKE WHAT THE
WE ARE TALKIN' ABOUT
686
00:25:01,867 --> 00:25:03,401
THAT BULL
FROM LAST SEASON FOR?
687
00:25:03,502 --> 00:25:04,669
IT'S STUPID.
688
00:25:04,769 --> 00:25:06,438
HOLD UP-- WAIT A MINUTE--
REAL QUICK.
689
00:25:06,538 --> 00:25:08,240
YOU'RE MAKIN' YOURSELF
LOOK BAD, TAMAR.
690
00:25:08,340 --> 00:25:09,674
YOU DOIN'
THAT YOURSELF.
691
00:25:09,774 --> 00:25:11,109
NOBODY'S MAKIN'
YOU LOOK BAD.
692
00:25:11,209 --> 00:25:12,878
YOU'RE DOIN'
THAT YOURSELF.
693
00:25:12,978 --> 00:25:14,379
EVERYBODY'S TRYIN'
TO GET BACK AT TAMAR
694
00:25:14,479 --> 00:25:16,014
FOR WHAT TAMAR
SAID LAST SEASON.
695
00:25:16,114 --> 00:25:17,582
THIS IS NOT
WHAT THIS IS ABOUT.
696
00:25:17,682 --> 00:25:21,553
IT'S ABOUT LAST SEASON, THIS
SEASON, AND FUTURE SEASONS.
697
00:25:21,653 --> 00:25:22,954
YOU CAME TO ME
WITH DOING AN ALBUM
698
00:25:23,054 --> 00:25:24,956
NOW YOU WANNA
DO YOUR PROJECT?
699
00:25:25,056 --> 00:25:27,225
WHAT'S THAT ABOUT?
700
00:25:27,325 --> 00:25:28,593
OH, NOW SHE'S GONE.
701
00:25:28,693 --> 00:25:31,329
TAMAR CAN'T HANDLE SUCCESS--
IT GOES STRAIGHT TO HER HEAD.
702
00:25:31,429 --> 00:25:32,898
OUR FAMILY GOT A LOT
OF PRESS LAST SEASON,
703
00:25:32,998 --> 00:25:34,533
A LOT OF EXPOSURE...
704
00:25:34,633 --> 00:25:37,068
BUT I DO THINK A LITTLE OF IT
HAS GONE TO TAMAR'S HEAD--
705
00:25:37,168 --> 00:25:38,403
BIT OF A DIVA.
706
00:25:38,503 --> 00:25:41,473
I MEAN, NOBODY CAN SAY
ANYTHING EXPECT MISS TAMAR?
707
00:25:41,573 --> 00:25:42,941
I DON'T THINK SO!
708
00:25:43,041 --> 00:25:44,209
YOU'RE SUPPOSED
TO LEAVE A SITUATION
709
00:25:44,309 --> 00:25:45,911
IF YOU THINK YOU'RE
GONNA GET ANGRY,
710
00:25:46,011 --> 00:25:47,546
AND THAT'S
EXACTLY WHAT I DID.
711
00:25:47,646 --> 00:25:49,180
THE FIGHT THAT I HAD
AT TONI'S HOUSE,
712
00:25:49,281 --> 00:25:51,149
I FEEL LIKE IT WAS
REALLY RIDICULOUS,
713
00:25:51,249 --> 00:25:54,653
UNWARRANTED AND JUST, WHY
EVERYBODY JUMPIN' ON TAY-TAY?
714
00:25:54,753 --> 00:25:56,821
DOESN'T MAKE SENSE.
715
00:25:56,922 --> 00:25:58,189
THERE'S NOTHIN'
YOU CAN DO, MAMA.
716
00:25:58,290 --> 00:25:59,190
PISS ME OFF.
717
00:25:59,291 --> 00:26:00,458
IT HAS TO
TAKE ITS COURSE,
718
00:26:00,559 --> 00:26:02,027
AND YOU JUST HAVE TO ACCEPT
IT HAS TO TAKE IT'S COURSE.
719
00:26:02,127 --> 00:26:04,963
AND THEN YOU'RE GONNA
WALK OUT, HOP IN YOUR CAR
720
00:26:05,063 --> 00:26:07,465
AND LEAVE BECAUSE YOU
GOT A ATTITUDE.
721
00:26:07,566 --> 00:26:09,000
BECAUSE SHE'S
THE YOUNGEST-- SHE HAS--
722
00:26:09,100 --> 00:26:10,669
SHE'S BEEN ABLE
TO SAY WHAT SHE FEELS
723
00:26:10,769 --> 00:26:12,804
AND WHATEVER
SHE'S THINKING
724
00:26:12,904 --> 00:26:14,506
AND YOU CAN'T
SAY ANYTHING TO TAMAR NOW,
725
00:26:14,606 --> 00:26:16,942
BECAUSE SHE'S FEELING
VERY POWERFUL RIGHT NOW.
726
00:26:17,042 --> 00:26:19,744
TAMAR CAN SAY WHATEVER SHE
WANTS TO SAY TO HER SISTERS...
727
00:26:19,844 --> 00:26:23,815
HOWEVER, SHE CANNOT SAY
WHAT SHE WANT TO SAY TO ME.
728
00:26:23,915 --> 00:26:26,117
THAT'S WHERE
I DRAW THE LINE.
729
00:26:34,859 --> 00:26:36,227
I DECIDED
THAT ME AND TRINA
730
00:26:36,328 --> 00:26:38,096
NEED TO GO SEE
DR. SHERRY, AGAIN.
731
00:26:38,196 --> 00:26:40,498
OUR MARRIAGE IS UNDER
A LOT OF PRESSURE
732
00:26:40,599 --> 00:26:42,767
AND I FEEL LIKE IT'S
JUST ABOUT TO BUST APART.
733
00:26:42,867 --> 00:26:44,903
- HI!
- HI-- HOW ARE YOU!
734
00:26:45,003 --> 00:26:46,638
GOOD TO SEE YOU--
GOOD TO SEE YOU!
735
00:26:46,738 --> 00:26:48,673
COME ON BACK.
736
00:26:48,773 --> 00:26:53,011
I'M GONNA ASK WHERE DO YOU ALL
SEE EACH OTHER AS A COUPLE?
737
00:26:53,111 --> 00:26:54,813
ME AND TRINA,
THINGS IN OUR RELATIONSHIP
738
00:26:54,913 --> 00:26:56,982
WE HAVE GOOD WEEKS
AND WE HAVE BAD WEEKS.
739
00:26:57,082 --> 00:26:59,784
LAST COUPLE OF WEEKS
WE'VE JUST HAD BAD WEEKS.
740
00:26:59,884 --> 00:27:04,189
SO, I MEAN, I THINK
THINGS ARE VERY IFFY.
741
00:27:04,289 --> 00:27:06,157
WE HAVEN'T BEEN
VERY INTIMATE, LATELY.
742
00:27:06,257 --> 00:27:09,027
HOW IS
THE SEX LIFE?
743
00:27:11,296 --> 00:27:13,331
I MEAN, I WANNA
HAVE SEX ALL THE TIME.
744
00:27:13,431 --> 00:27:18,303
SHE JUST DOESN'T WANNA
HAVE SEX WITH ME.
745
00:27:18,403 --> 00:27:19,604
WITH ME?
746
00:27:19,704 --> 00:27:21,172
SEE, WHAT DOES THAT MEAN?
- THAT'S JUST WHAT I SAID.
747
00:27:21,272 --> 00:27:23,041
DID YOU HEAR
WHAT HE SAID THOUGH?
748
00:27:23,141 --> 00:27:26,044
"SHE JUST DOESN'T WANNA
HAVE SEX WITH ME."
749
00:27:26,144 --> 00:27:27,278
SO ARE
YOU IMPLYING
750
00:27:27,379 --> 00:27:28,680
THAT SHE WANTS TO
HAVE SEX WITH OTHERS?
751
00:27:28,780 --> 00:27:29,914
NO.
752
00:27:30,015 --> 00:27:32,584
I'M JUST SAYIN' SHE ISN'T
HAVIN' SEX WITH ME.
753
00:27:32,684 --> 00:27:35,020
TRINA ALWAYS SAYS I'M TRYIN'
TO BAND-AID EVERYTHING WITH SEX
754
00:27:35,120 --> 00:27:36,788
AND THAT IF I HAVE SEX,
755
00:27:36,888 --> 00:27:38,623
IT'LL MAKE THE WORLD
A LOT BETTER--
756
00:27:38,723 --> 00:27:40,291
IF HER
AND I HAVE SEX.
757
00:27:40,392 --> 00:27:42,827
AND, SHE'S
PROBABLY RIGHT.
758
00:27:42,927 --> 00:27:44,129
'CAUSE WHEN
I DON'T HAVE SEX,
759
00:27:44,229 --> 00:27:45,230
I CAN'T KEEP
MY HANDS OFF HER.
760
00:27:45,330 --> 00:27:46,431
OUR WEDDING ANNIVERSARY
IS COMING UP, AND I SAID
761
00:27:46,531 --> 00:27:49,034
"YOU KNOW WHAT GABE,
I WOULD LIKE TO HAVE A NEW BAND
762
00:27:49,134 --> 00:27:51,970
"FOR OUR--
FOR OUR ANNIVERSARY."
763
00:27:52,070 --> 00:27:53,004
"IF YOU GET SOMETHIN'
LIKE THAT,
764
00:27:53,104 --> 00:27:54,272
"YOU HAVE TO
PUT OUT MORE FOR THAT."
765
00:27:54,372 --> 00:27:57,409
LIKE I'M JUST SOME HO
HE JUST MET LAST DAMN WEEK.
766
00:27:57,509 --> 00:27:58,910
NO, YOU'RE NOT A HO,
YOU'RE MY WIFE.
767
00:27:59,010 --> 00:28:00,712
I WANNA SPEND
TIME WITH YOU,
768
00:28:00,812 --> 00:28:04,149
BUT I FEEL LIKE YOU'RE
ALWAYS OUT WITH THE BAND.
769
00:28:04,249 --> 00:28:06,685
OKAY...
LET'S BE HONEST.
770
00:28:06,785 --> 00:28:08,953
GABE HAS AN ISSUE
WITH THE BAND.
771
00:28:09,054 --> 00:28:12,357
IF I SPEND TOO MUCH TIME
WITH ANYBODY HE GETS ANGRY.
772
00:28:12,457 --> 00:28:14,526
I SPEND AS MUCH TIME WITH
THE BAND AS ANYONE ELSE DOES
773
00:28:14,626 --> 00:28:16,461
WHEN THEY'RE WORKING.
774
00:28:16,561 --> 00:28:18,063
IT'S THE SAME THING--
IT'S MY OCCUPATION.
775
00:28:18,163 --> 00:28:19,431
IT'S MY JOB--
IT'S WHAT I DO.
776
00:28:19,531 --> 00:28:20,632
I DON'T KNOW,
777
00:28:20,732 --> 00:28:22,067
I JUST FEEL LIKE SHE SPENDS
A LOT OF TIME WITH THEM.
778
00:28:22,167 --> 00:28:23,802
AND NOT ONLY THAT...
779
00:28:23,902 --> 00:28:27,639
SHE'S ALWAYS TEXTIN'
OR CALLING OR SOMETHING.
780
00:28:27,739 --> 00:28:28,973
INSTEAD OF
CALLING ME TO TELL ME,
781
00:28:29,074 --> 00:28:31,076
OH, HOW MY--
HOW YOUR DAY WAS,
782
00:28:31,176 --> 00:28:32,377
YOU'RE CALLIN'
SOME OTHER MAN,
783
00:28:32,477 --> 00:28:33,912
TELLIN' HIM
HOW YOUR DAY WAS.
784
00:28:34,012 --> 00:28:35,914
SO, THERE ARE A COUPLE
OF PEOPLE IN THE BAND
785
00:28:36,014 --> 00:28:37,148
I DO NOT LIKE.
786
00:28:37,248 --> 00:28:39,050
I HEAR
ISSUES OF TRUST.
787
00:28:39,150 --> 00:28:41,586
AND I HEAR ISSUES OF TRUST
THAT STARTED WAY BEFORE
788
00:28:41,686 --> 00:28:43,421
YOU SAID "I DO."
789
00:28:43,521 --> 00:28:44,689
BUT, WE'VE GOTTA LOOK
790
00:28:44,789 --> 00:28:46,324
AT THE BIG ELEPHANT IN
THE MIDDLE OF THE ROOM.
791
00:28:46,424 --> 00:28:48,793
YOU HAVE ANOTHER
FAMILY IN YOUR HOME.
792
00:28:48,893 --> 00:28:52,797
HOW CAN YOU BOND AND DEAL
WITH WHAT YOUR ISSUES ARE
793
00:28:52,897 --> 00:28:55,667
WHEN ALL THESE OTHER ISSUES
ARE IN PLACE.
794
00:28:55,767 --> 00:28:59,237
GABE AND I'S RELATIONSHIP
ALREADY HAS STRAIN.
795
00:28:59,337 --> 00:29:02,107
WE ARE A COLANDER, OKAY?
796
00:29:02,207 --> 00:29:05,810
NOW, WITH TOWANDA AND ANDRE
AND THEIR FAMILY LIVING HERE
797
00:29:05,910 --> 00:29:10,715
IT'S PUT ADDITIONAL STRAIN
ON OUR RELATIONSHIP.
798
00:29:10,815 --> 00:29:12,283
DID HE MAKE
THE DECISION
799
00:29:12,383 --> 00:29:14,119
FOR THE FAMILY TO
MOVE INTO YOUR HOME?
800
00:29:16,287 --> 00:29:18,022
NO, HE DID NOT,
DR. SHERRY.
801
00:29:18,123 --> 00:29:20,125
HOW DID THEY GET IN
WITHOUT A DISCUSSION,
802
00:29:20,225 --> 00:29:24,162
WITHOUT THE TWO OF YOU
AS A COUPLE IN "OUR" HOME,
803
00:29:24,262 --> 00:29:26,264
TALKIN' ABOUT IT?
804
00:29:26,364 --> 00:29:30,268
DR. SHERRY HAS PAINFULLY
POINTED OUT TO ME
805
00:29:30,368 --> 00:29:34,672
THAT I AM IMPERFECT IN
MY RELATIONSHIP WITH GABE.
806
00:29:36,708 --> 00:29:39,244
SOMEHOW, JUST LIKE
THAT ELEPHANT GOT IN
807
00:29:39,344 --> 00:29:40,812
YOU'RE GONNA
HAVE TO GET IT OUT.
808
00:29:40,912 --> 00:29:43,948
YOU HAVE ENOUGH ISSUES
OF YOUR OWN TO DEAL WITH.
809
00:29:44,048 --> 00:29:45,817
PROMISE!
810
00:29:47,919 --> 00:29:50,021
COMING UP, ON
"BRAXTON FAMILY VALUES."
811
00:29:50,121 --> 00:29:52,524
I GOTTA HAVE
THE UTMOST RESPECT FOR YOU,
812
00:29:52,624 --> 00:29:54,259
BUT YOU DON'T HAVE
TO HAVE IT FOR ME.
813
00:29:54,359 --> 00:29:55,927
WELL, HOW DID I
DISRESPECT YOU?
814
00:29:56,027 --> 00:29:59,197
YOU WANNA ACT LIKE SOME
OLD BRAT WALKING OUT ON ME,
815
00:29:59,297 --> 00:30:01,633
DISRESPECTING ME!
816
00:30:04,169 --> 00:30:04,268
YA'LL
817
00:30:04,269 --> 00:30:04,434
YA'LL WANT
818
00:30:04,435 --> 00:30:04,501
YA'LL WANT SOMETHIN'
819
00:30:04,502 --> 00:30:04,902
YA'LL WANT SOMETHIN'
TO
820
00:30:04,903 --> 00:30:05,703
YA'LL WANT SOMETHIN'
TO DRINK?
821
00:30:05,804 --> 00:30:06,704
Y'ALL WANT A COCKTAIL
OR SOMETHING.
822
00:30:06,805 --> 00:30:08,373
I WOULD LIKE ONE--
A COCKTAIL.
823
00:30:08,473 --> 00:30:09,374
ALL I HAVE IS WINE.
824
00:30:09,474 --> 00:30:10,675
GIRL, RED WINE
PUTS ME TO SLEEP.
825
00:30:10,775 --> 00:30:12,277
TRINA'S NOT HERE--
SHE WOULD ENJOY THIS MOMENT.
826
00:30:12,377 --> 00:30:13,278
YES, SHE WOULD.
827
00:30:13,378 --> 00:30:14,546
I DON'T KNOW
HOW TO OPEN IT, THOUGH.
828
00:30:14,646 --> 00:30:15,947
TRACI DON'T NEITHER.
829
00:30:16,047 --> 00:30:18,049
TRACI DON'T KNOW HOW TO
OPEN NO WINE, GIRL.
830
00:30:18,149 --> 00:30:19,918
WHAT DO YOU MEAN, TRACI
DON'T KNOW HOW TO OPEN WINE?
831
00:30:20,018 --> 00:30:21,486
SHE DON'T KNOW HOW TO
OPEN UP NO WINE.
832
00:30:21,586 --> 00:30:23,321
SHE DON'T EVEN
DRINK WINE.
833
00:30:23,421 --> 00:30:24,622
WHAT DO I DRINK?
834
00:30:24,722 --> 00:30:26,391
FIRST OF ALL, JACK DANIELS
DOES NOT HAVE A CORK.
835
00:30:26,491 --> 00:30:28,493
MAYBE I DON'T KNOW
HOW TO OPEN THIS ONE.
836
00:30:28,593 --> 00:30:31,062
LEMME TRY.
837
00:30:31,162 --> 00:30:34,432
I THINK YOU SUPPOSED
TO TWIST THIS.
838
00:30:34,532 --> 00:30:37,435
I THINK I-- I WATCHED IT
ON TELEVISION.
839
00:30:37,535 --> 00:30:39,070
READY?
840
00:30:39,170 --> 00:30:41,206
AH!
841
00:30:41,306 --> 00:30:43,007
BUT YOU COULD HAVE
TURNED IT WITH THAT.
842
00:30:43,107 --> 00:30:47,145
BUT THAT WOULD'VE
BEEN HARDER TO DO.
843
00:30:47,245 --> 00:30:48,880
IT'S ALMOST
LIKE THE WELCHES
844
00:30:48,980 --> 00:30:50,748
THAT'S BEEN SITTING
OUT ALL DAY LONG.
845
00:30:52,584 --> 00:30:54,219
I MAY WASTED
MY WINE ON YOU.
846
00:30:54,319 --> 00:30:55,954
DIDN'T I TELL YOU?
847
00:31:10,735 --> 00:31:10,834
AFTER
848
00:31:10,835 --> 00:31:10,968
AFTER OUR
849
00:31:10,969 --> 00:31:11,068
AFTER OUR
MEETING
850
00:31:11,069 --> 00:31:11,134
AFTER OUR
MEETING WITH
851
00:31:11,135 --> 00:31:12,236
AFTER OUR
MEETING WITH DR.
852
00:31:12,237 --> 00:31:13,071
AFTER OUR
MEETING WITH DR. SHERRY,
853
00:31:13,171 --> 00:31:14,772
IT'S BECOME PRETTY
CLEAR THAT IT'S TIME
854
00:31:14,873 --> 00:31:17,742
TO TELL TOWANDA AND ANDRE
THAT THEY NEED TO GO.
855
00:31:17,842 --> 00:31:20,078
ALTHOUGH, I'M NOT HAPPY
ABOUT LETTING THEM KNOW THIS,
856
00:31:20,178 --> 00:31:24,349
GABE, I'M SURE, IS ALL
TOO HAPPY TO LET THEM KNOW.
857
00:31:24,449 --> 00:31:26,851
I'M NOT GONNA
BE EXPLOSIVE
858
00:31:26,951 --> 00:31:28,253
AND I'M NOT GONNA
ATTACK THEM.
859
00:31:28,353 --> 00:31:29,621
I KNOW THAT'S THE WAY
YOU THINK I'M GONNA BE.
860
00:31:29,721 --> 00:31:31,256
YEAH--
THAT'S WHAT I THINK.
861
00:31:31,356 --> 00:31:32,690
WE'LL SEE WHAT THEY SAY.
862
00:31:32,790 --> 00:31:34,859
HEY, PRETTY GIRL.
863
00:31:34,959 --> 00:31:36,527
THAT HAT'S CUTE.
864
00:31:36,628 --> 00:31:38,096
IT'S GOTTEN
TO THE POINT
865
00:31:38,196 --> 00:31:40,398
WHERE A LIMIT
NEEDS TO BE SET.
866
00:31:40,498 --> 00:31:42,467
WE INVITED YA'LL TO COME
HAVE BRUNCH WITH US,
867
00:31:42,567 --> 00:31:45,436
SO WE COULD REALLY FIND OUT
THE DIRECTION WHERE IT'S GOIN'
868
00:31:45,536 --> 00:31:47,505
AS FAR AS LIKE,
DO YA'LL HAVE A TIMEFRAME
869
00:31:47,605 --> 00:31:50,174
OF LIKE, WHEN YA'LL THINK
YOU'RE GETTIN' OUT?
870
00:31:50,275 --> 00:31:52,443
YOU KNOW,
I SAW THIS COMING.
871
00:31:52,543 --> 00:31:54,545
I THINK THERE'S
AN UNSPOKEN TENSION
872
00:31:54,646 --> 00:31:57,548
BECAUSE OF WHAT'S
GOIN' ON IN HIS MARRIAGE.
873
00:31:57,649 --> 00:31:59,517
HE'S TRYING TO
RESOLVE THOSE PROBLEMS.
874
00:31:59,617 --> 00:32:00,952
HOW CAN YOU RESOLVE
THOSE PROBLEMS
875
00:32:01,052 --> 00:32:02,186
WHEN YOU GOT
ANOTHER PROBLEM
876
00:32:02,287 --> 00:32:03,788
OF ANOTHER FAMILY
LIVIN' IN YOUR HOUSE.
877
00:32:03,888 --> 00:32:04,889
WOULD YOU LIKE
TO ANSWER THAT?
878
00:32:04,989 --> 00:32:05,890
DO I WANNA ANSWER
THE QUESTION?
879
00:32:05,990 --> 00:32:07,091
MM-HMM.
880
00:32:07,191 --> 00:32:08,626
WELL, FIRST OF ALL,
I KNOW WHERE YOU'RE COMING AT.
881
00:32:08,726 --> 00:32:10,161
YEAH.
882
00:32:10,261 --> 00:32:12,030
I KNEW THERE WOULD BE ISSUES
BECAUSE I ALREADY FEEL BAD
883
00:32:12,130 --> 00:32:14,632
THAT WE GOT FOUR PEOPLE
IN THAT TINY ROOM.
884
00:32:14,732 --> 00:32:16,301
SO I CAN UNDERSTAND THAT.
885
00:32:16,401 --> 00:32:18,436
AND I TOLD TOWANDA
WHEN ARE WE GONNA--
886
00:32:18,536 --> 00:32:19,971
I'VE ASKED HER
THE SAME QUESTION
887
00:32:20,071 --> 00:32:21,406
AND I THINK IT IS
A FAIR QUESTION.
888
00:32:21,506 --> 00:32:22,874
WHEN ARE WE
GONNA LEAVE?
889
00:32:22,974 --> 00:32:24,509
I NEVER HAD A
CONVERSATION WITH GABE.
890
00:32:24,609 --> 00:32:26,077
IT WAS JUST BETWEEN
ME AND TRINA.
891
00:32:26,177 --> 00:32:27,512
TRINA SAID,
"YOU KNOW WHAT TOWANDA,
892
00:32:27,612 --> 00:32:28,846
"JUST MOVE IN WITH US."
893
00:32:28,947 --> 00:32:30,348
AND I SAID, OKAY.
894
00:32:30,448 --> 00:32:32,016
BUT IT'S CLEAR
WE NEED TO GET OUT.
895
00:32:32,116 --> 00:32:33,618
I DON'T KNOW WHERE
WE'RE GONNA GO YET,
896
00:32:33,718 --> 00:32:34,953
BUT I'LL THINK
OF SOMETHING.
897
00:32:35,053 --> 00:32:36,321
I ALWAYS DO.
898
00:32:36,421 --> 00:32:37,322
IT'S GONNA BE
LESS THAN 30 DAYS.
899
00:32:37,422 --> 00:32:39,757
I HATE
TO SEE YOU GO,
900
00:32:39,857 --> 00:32:41,926
AND I'M HAPPY FOR YOU
TO GO AT THE SAME TIME,
901
00:32:42,026 --> 00:32:43,661
BECAUSE IT WOULD'VE
BEEN A GREAT OPPORTUNITY
902
00:32:43,761 --> 00:32:46,931
FOR GABE AND I TO TRY
TO RECONNECT AND RE-BOND.
903
00:32:47,031 --> 00:32:51,035
'CAUSE WE ALL KNOW THAT
HE AND I'S RELATIONSHIP,
904
00:32:51,135 --> 00:32:53,671
WE'RE IN A
GRAND CANYON RIGHT NOW,
905
00:32:53,771 --> 00:32:56,040
AND NOTHIN' BUT ROCKS
AND BOULDERS AROUND US.
906
00:32:56,140 --> 00:32:57,542
IT'S ABOUT TIME WE HAD
THIS CONVERSATION ACTUALLY.
907
00:32:57,642 --> 00:32:59,344
- IT IS.
- WE NEVER REALLY HAD IT.
908
00:32:59,444 --> 00:33:01,079
WE KIND OF
JUST SHOWED UP,
909
00:33:01,179 --> 00:33:03,748
PARKED THE RV OUT
FRONT AND GOT OUT.
910
00:33:03,848 --> 00:33:05,750
I DON'T KNOW WHAT
THE HELL WAS GOIN' ON.
911
00:33:05,850 --> 00:33:07,218
I ACTUALLY DON'T
THINK WE'LL BE ABLE
912
00:33:07,318 --> 00:33:08,586
TO GET OUT OF HERE
IN A MONTH.
913
00:33:08,686 --> 00:33:09,587
I MEAN, IF THEY
WANT ME TO CHIP IN
914
00:33:09,687 --> 00:33:11,556
AND BUY SOME MILK
AND CEREAL I'LL DO THAT,
915
00:33:11,656 --> 00:33:14,158
BUT IT JUST NOT GONNA
HAPPEN ANYTIME SOON.
916
00:33:14,258 --> 00:33:15,994
BUT I'M NOT GONNA
TELL THEM THAT YET.
917
00:33:16,094 --> 00:33:19,964
WELL, LET ME JUST DRINK TO
THE ELEPHANT LEAVING THE ROOM.
918
00:33:20,064 --> 00:33:22,100
UNFORTUNATELY,
I'VE HEARD IT BEFORE
919
00:33:22,200 --> 00:33:24,669
AND I'M GONNA HAVE TO SEE
IT TO ACTUALLY BELIEVE IT.
920
00:33:24,769 --> 00:33:26,537
I DON'T THINK I CAN GO
MORE THAN ANOTHER MONTH
921
00:33:26,637 --> 00:33:28,306
WITHOUT SOMETHIN' HAPPENIN'.
922
00:33:39,817 --> 00:33:40,952
- HEY.
- HEY, LITTLE LADY.
923
00:33:41,052 --> 00:33:43,721
I'M TRYIN' TO FIGURE OUT
WHY NOBODY MADE ME NO BACON?
924
00:33:43,821 --> 00:33:46,257
EVERYBODY KNOW I LIKE BACON
AND COFFEE IN THE MORNING.
925
00:33:46,357 --> 00:33:48,292
SO, MOMMY CAME WHEN I WAS
MAKING SOME BREAKFAST
926
00:33:48,393 --> 00:33:50,061
AND SHE'S BEEN LIKE
NOT SPEAKIN' TO ME SINCE
927
00:33:50,161 --> 00:33:53,264
THIS WHOLE DUMB ASS FIGHT
WE HAD OVER AT TONI'S HOUSE.
928
00:33:53,364 --> 00:33:55,266
I MEAN, WE REALLY NEED TO
GET TO THE BOTTOM OF THIS.
929
00:33:55,366 --> 00:33:57,301
THIS IS LIKE, GETTING
OUT OF HAND AT THIS POINT.
930
00:33:57,402 --> 00:33:58,970
WHAT WAS UP
WITH THE OTHER DAY?
931
00:33:59,070 --> 00:34:00,505
LIKE, WH-WHAT WAS
THAT ALL ABOUT?
932
00:34:00,605 --> 00:34:02,206
THAT'S WHAT I'M GETTIN'
READY TO ASK YOU.
933
00:34:02,306 --> 00:34:04,342
WHAT WAS UP
THE OTHER DAY?
934
00:34:04,442 --> 00:34:05,710
I DON'T KNOW.
935
00:34:05,810 --> 00:34:07,245
LIKE, EVERYBODY WAS JUMPIN'
DOWN MY THROAT AT THE SAME TIME
936
00:34:07,345 --> 00:34:10,081
LIKE, YOU KNOW, I HAD SOMETHIN'
AGAINST SINGIN' BACKGROUND.
937
00:34:10,181 --> 00:34:11,315
I DON'T HAVE NOTHIN'
AGAINST SINGIN' BACKGROUND.
938
00:34:11,416 --> 00:34:13,484
THAT'S JUST NOT
RIGHT FOR ME ANYMORE.
939
00:34:13,584 --> 00:34:17,588
SO, YOU THOUGHT THAT WAS
OKAY FOR YOU TO GET A ATTITUDE
940
00:34:17,688 --> 00:34:19,857
AND WALK OUT WHEN
I'M TRYIN' TO TALK TO YOU?
941
00:34:19,957 --> 00:34:21,893
I THINK-- NO, NOBODY
WAS TRYING TO TALK TO ME.
942
00:34:21,993 --> 00:34:23,761
I FELT ATTACKED--
TOTALLY ATTACKED.
943
00:34:23,861 --> 00:34:26,097
THE PROBLEM IS TAMAR
DOES NOT WANNA TAKE
944
00:34:26,197 --> 00:34:28,266
CONSTRUCTIVE CRITICISM.
945
00:34:28,366 --> 00:34:30,334
SHE'S SPOILED.
946
00:34:30,435 --> 00:34:31,469
SO, THAT IS
WHY I WAS LIKE,
947
00:34:31,569 --> 00:34:32,970
LET ME REMOVE MYSELF
FROM THIS SITUATION
948
00:34:33,071 --> 00:34:35,907
BEFORE I SAY SOMETHING
THAT I MAY REGRET.
949
00:34:36,007 --> 00:34:37,675
YEAH, BECAUSE ESPECIALLY
IF YOU SAY IT TO ME.
950
00:34:37,775 --> 00:34:39,010
OR TO WHOMEVER.
951
00:34:39,110 --> 00:34:40,878
ESPECIALLY
IF YOU SAY IT TO ME.
952
00:34:40,978 --> 00:34:42,547
LET ME MAKE
MYSELF CLEAR...
953
00:34:42,647 --> 00:34:43,815
MOMMY, WHY ARE YOU
SNAPPIN' ON ME, AGAIN?
954
00:34:43,915 --> 00:34:45,883
NO-- YOU THINK
I'M SNAPPIN'.
955
00:34:45,983 --> 00:34:51,122
I DON'T CARE IF YOU
GET MAD 50102 TIMES...
956
00:34:51,222 --> 00:34:53,491
YOU DO NOT
DISRESPECT ME, TAMAR.
957
00:34:53,591 --> 00:34:54,926
I AM THE MOTHER.
958
00:34:55,026 --> 00:34:58,563
I DIDN'T COME FROM YOUR WOMB,
YOU CAME FROM MINE, OKAY?
959
00:34:58,663 --> 00:35:01,199
YOU DON'T DISRESPECT ME
AT ALL.
960
00:35:01,299 --> 00:35:02,633
LET'S KEEP IT REAL.
961
00:35:02,733 --> 00:35:05,069
YOU KNOW WHAT,
IF I DID NOT DESERVE THAT.
962
00:35:05,169 --> 00:35:06,337
IT'S SIMPLE AS THAT.
963
00:35:06,437 --> 00:35:07,738
WHY ARE YOU
YELLING AT ME?
964
00:35:07,839 --> 00:35:10,475
BECAUSE YOU KNOW WHAT,
SOMETIMES, TAMAR,
965
00:35:10,575 --> 00:35:12,610
YOU JUST--
YOU HAVE TO LISTEN
966
00:35:12,710 --> 00:35:16,214
AND IN LISTENING IT'S NOT
ALWAYS SOMEONE ATTACKING YOU.
967
00:35:16,314 --> 00:35:17,582
BUT IT WAS--
IN THAT SITUATION IT WAS.
968
00:35:17,682 --> 00:35:20,084
YOU SEE-- YOU SEE,
YOU CAN'T GET A WORD IN.
969
00:35:20,184 --> 00:35:21,519
LET ME TELL YOU
WHAT MY DAD SAID.
970
00:35:21,619 --> 00:35:24,989
"A FISH WILL NOT GET CAUGHT
IF HE DOESN'T OPEN HIS MOUTH,"
971
00:35:25,089 --> 00:35:27,792
AND SOMETIMES YOU
OPEN YOUR MOUTH TOO MUCH.
972
00:35:27,892 --> 00:35:31,429
I THINK THE FAMILY HAVE
LET TAMAR GET AWAY
973
00:35:31,529 --> 00:35:33,965
WITH TOO MUCH
FOR A LONG TIME.
974
00:35:34,065 --> 00:35:38,035
TONI WOULD COVER THINGS UP
AND WOULD NOT LET US KNOW
975
00:35:38,136 --> 00:35:39,837
WHAT TAMAR WAS DOING,
OR WHAT TAMAR DID,
976
00:35:39,937 --> 00:35:41,772
BECAUSE SHE DIDN'T WANT
TAMAR TO GET IN TROUBLE.
977
00:35:41,873 --> 00:35:47,311
SO, NOW THAT WE ALL
HAVE CREATED THE MONSTER,
978
00:35:47,411 --> 00:35:50,915
YOU KNOW, NOW THEY WANT ME
TO DO SOMETHING ABOUT IT.
979
00:35:51,015 --> 00:35:53,084
I WAS BEING ATTACKED.
980
00:35:53,184 --> 00:35:55,186
I DON'T LIKE
TO FEEL THAT WAY.
981
00:35:55,286 --> 00:35:56,854
FIRST OF ALL, TAMAR--
982
00:35:56,954 --> 00:35:58,856
SO, I WAS BEING RESPECTFUL--
THAT'S WHY I HAD TO GO.
983
00:35:58,956 --> 00:36:00,625
- LIKE RIGHT NOW?
- I LET YOU TALK--
984
00:36:00,725 --> 00:36:03,427
- BUT I WASN'T FINISHED.
- MOMMY, WHAT'S THAT?
985
00:36:03,528 --> 00:36:04,762
WHAT YOU THINK IT IS?
986
00:36:04,862 --> 00:36:06,397
DON'T DO THAT.
987
00:36:10,268 --> 00:36:12,870
COMING UP, ON
"BRAXTON FAMILY VALUES."
988
00:36:12,970 --> 00:36:14,372
YOU WILL
NOT DISRESPECT ME,
989
00:36:14,472 --> 00:36:15,840
AND THE NEXT
TIME YOU DO IT,
990
00:36:15,940 --> 00:36:17,708
I'M GONNA SLAP
THE PISS OUT OF YOU.
991
00:36:17,808 --> 00:36:19,177
TRY ME.
992
00:36:23,047 --> 00:36:23,113
SO,
993
00:36:23,114 --> 00:36:23,213
SO, MOM
994
00:36:23,214 --> 00:36:23,313
SO, MOM COMES
995
00:36:23,314 --> 00:36:23,380
SO, MOM COMES OVER
996
00:36:23,381 --> 00:36:23,446
SO, MOM COMES OVER AND
997
00:36:23,447 --> 00:36:23,580
SO, MOM COMES OVER AND WE
998
00:36:23,581 --> 00:36:23,713
SO, MOM COMES OVER AND WE
START
999
00:36:23,714 --> 00:36:23,747
SO, MOM COMES OVER AND WE
START HAVING
1000
00:36:23,748 --> 00:36:25,949
SO, MOM COMES OVER AND WE
START HAVING A
1001
00:36:25,950 --> 00:36:26,784
SO, MOM COMES OVER AND WE
START HAVING A CONVERSATION
1002
00:36:26,884 --> 00:36:29,120
ABOUT THE FIGHT
OVER TO TONI'S HOUSE.
1003
00:36:29,220 --> 00:36:30,955
MY MOTHER KEEPS US
ALL IN CHECK
1004
00:36:31,055 --> 00:36:35,059
AND I BELIEVE IN SOMEBODY
KEEPIN' THE GROUP IN CHECK.
1005
00:36:35,159 --> 00:36:38,329
HOWEVER, YOU GOTTA
KEEP THE PEOPLE IN LINE
1006
00:36:38,429 --> 00:36:39,864
WHO NEEDS TO BE
IN LINE.
1007
00:36:39,964 --> 00:36:41,766
AND, AT THAT TIME,
I DIDN'T NEED TO BE IN LINE,
1008
00:36:41,866 --> 00:36:43,868
BECAUSE I DON'T
FEEL I DID ANYTHING.
1009
00:36:43,968 --> 00:36:46,037
ALL I'M TRYING
TO TELL YOU IS
1010
00:36:46,137 --> 00:36:48,206
THE DISRESPECTFULNESS
OF IT ALL.
1011
00:36:48,306 --> 00:36:50,374
THAT'S ALL
I'M SAYIN', TAMAR.
1012
00:36:50,474 --> 00:36:53,077
LET ME SAY WHAT
I WANT TO SAY ALSO.
1013
00:36:53,177 --> 00:36:54,512
- BUT WHAT ABOUT ME THOUGH?
- YOU CAN.
1014
00:36:54,612 --> 00:36:56,380
- I'M AN ADULT, TOO.
- OKAY, GO AHEAD.
1015
00:36:56,480 --> 00:36:57,882
YOU KNOW IN CONVERSATIONS,
YOU TALK, I TALK--
1016
00:36:57,982 --> 00:36:59,684
- GO AHEAD.
- WELL, OKAY.
1017
00:36:59,784 --> 00:37:01,352
WELL, YOU KNOW,
I JUST FELT THAT
1018
00:37:01,452 --> 00:37:03,421
I WAS DEFINITELY
MISUNDERSTOOD.
1019
00:37:03,521 --> 00:37:06,524
I SAID, I DON'T HAVE
A PROBLEM SINGING BACKGROUND.
1020
00:37:06,624 --> 00:37:09,927
BACKGROUND SINGING HAS BEEN
A VERY LUCRATIVE CAREER FOR ME,
1021
00:37:10,027 --> 00:37:13,030
BUT IT IS SOMETHING THAT
I DON'T WANT TO DO ANYMORE.
1022
00:37:13,130 --> 00:37:14,298
AND, YOU KNOW,
1023
00:37:14,398 --> 00:37:17,635
FOR SOME REASON EVERYBODY
TOOK TOTAL OFFENSE TO THAT.
1024
00:37:17,735 --> 00:37:21,772
FIRST OF ALL, TAMAR,
I KNOW YOUR DESIRES.
1025
00:37:21,872 --> 00:37:25,209
WHY WOULDN'T I
WANT YOU TO MOVE ON?
1026
00:37:25,309 --> 00:37:28,446
WHY WOULDN'T I
WANT THE BEST FOR YOU?
1027
00:37:28,546 --> 00:37:31,382
I LOVE YOU--
I'M YOUR MOTHER.
1028
00:37:31,482 --> 00:37:35,553
IF ANYONE'S IN YOUR
CORNER, IT'S ME.
1029
00:37:35,653 --> 00:37:37,989
WHEN HAVE I NOT
BEEN IN YOUR CORNER?
1030
00:37:38,089 --> 00:37:39,323
MOMMY, WHY ARE YOU
YELLING AT ME?
1031
00:37:39,423 --> 00:37:41,959
NO-NO-NO--
BECAUSE YOU NEED TO HEAR.
1032
00:37:42,059 --> 00:37:43,294
BUT YOU'RE YELLING AT ME.
1033
00:37:43,394 --> 00:37:44,595
IT'S LIKE, YOU'RE NOT
TALKING TO ME.
1034
00:37:44,695 --> 00:37:46,597
YOU'RE YELLING AT ME.
1035
00:37:46,697 --> 00:37:48,599
HOW SHOULD I TALK, TAMAR?
1036
00:37:48,699 --> 00:37:50,601
DEMONSTRATE--
SHOW ME HOW I SHOULD TALK.
1037
00:37:50,701 --> 00:37:53,371
LIKE-LIKE A MOTHER WOULD
TALK TO HER GROWN DAUGHTER.
1038
00:37:57,375 --> 00:37:58,976
I'M NOT AGAINST
YOU, TAMIE.
1039
00:37:59,076 --> 00:38:00,411
- I NEVER SAID THAT.
- I LOVE YOU.
1040
00:38:00,511 --> 00:38:02,613
- I LOVE YOU, TOO.
- YOU'RE MY YOUNGEST CHILD.
1041
00:38:02,713 --> 00:38:05,349
OKAY--
YOU'RE MY BABY,
1042
00:38:05,449 --> 00:38:09,387
AND THERE'S NOTHIN' I WOULDN'T
DO FOR YOU OR YOUR SIBLINGS,
1043
00:38:09,487 --> 00:38:13,658
BUT I
CANNOT ALLOW YOU
1044
00:38:13,758 --> 00:38:16,527
OR ANY OF THE OTHERS
TO DISRESPECT ME.
1045
00:38:16,627 --> 00:38:19,397
I CANNOT ALLOW THAT--
I WON'T ALLOW THAT.
1046
00:38:19,497 --> 00:38:22,066
- CAN I TALK NOW?
- NO, I'M NOT FINISHED.
1047
00:38:22,166 --> 00:38:23,434
WHY I CAN'T FINISH
1048
00:38:23,534 --> 00:38:24,969
AND YOU HAVE TO SAY
WHAT YOU HAVE TO SAY?
1049
00:38:25,069 --> 00:38:27,738
SO, I GOT TO HAVE
THE UTMOST RESPECT FOR YOU,
1050
00:38:27,838 --> 00:38:28,973
BUT YOU DON'T HAVE
TO HAVE IT FOR ME.
1051
00:38:29,073 --> 00:38:30,074
YOU CAN'T TELL ME
WHAT I DID.
1052
00:38:30,174 --> 00:38:31,142
I ASKED YOU
FIVE TIMES.
1053
00:38:31,242 --> 00:38:32,143
LIKE, HOW DID
I DISRESPECT YOU?
1054
00:38:32,243 --> 00:38:33,144
WHAT DID I
SAY TO YOU?
1055
00:38:33,244 --> 00:38:35,146
YOU WANNA ACT
LIKE SOME OLD BRAT
1056
00:38:35,246 --> 00:38:38,783
WALKIN' OUT ON ME,
DISRESPECTIN' ME.
1057
00:38:38,883 --> 00:38:40,251
NONE OF YOU!
1058
00:38:40,351 --> 00:38:42,586
I DON'T CARE WHO YOU ARE,
WHERE YOU COME FROM,
1059
00:38:42,687 --> 00:38:44,188
WHAT YOU HAVE
ACCUMULATED
1060
00:38:44,288 --> 00:38:46,590
OR WHAT YOU NEVER WILL
ACCUMULATE-- I DON'T CARE.
1061
00:38:46,691 --> 00:38:48,159
MOMMY, TRACI WALKED OUT
ON YOU ALL THE TIME.
1062
00:38:48,259 --> 00:38:50,461
BUT Y'ALL NOT GONNA TALK
TO ME ANY KIND OF WAY,
1063
00:38:50,561 --> 00:38:52,263
AND I MEAN THAT.
1064
00:38:52,363 --> 00:38:56,233
I DEFINITELY FEEL LIKE
MOST OF THE TIME
1065
00:38:56,334 --> 00:38:58,569
IT'S A LITTLE BIT MORE
CRITICAL WHEN IT COMES TO ME.
1066
00:38:58,669 --> 00:39:01,072
HONESTLY, I FEEL LIKE
I'VE BEEN GOIN' THROUGH THIS
1067
00:39:01,172 --> 00:39:02,707
EVEN BEFORE THIS SHOW.
1068
00:39:02,807 --> 00:39:04,775
LIKE I'VE ALWAYS SAID,
IT'S ALWAYS MY FAULT.
1069
00:39:04,875 --> 00:39:06,544
I'M ALWAYS WRONG.
1070
00:39:06,644 --> 00:39:07,812
I'M NOT THAT BAD.
1071
00:39:07,912 --> 00:39:09,747
YOU GONNA LEARN
AS YOU GET OLDER
1072
00:39:09,847 --> 00:39:13,184
YOU CANNOT DO WHATEVER
YOU WANNA DO TO OTHER PEOPLE.
1073
00:39:13,284 --> 00:39:15,820
YOU CANNOT DO THAT--
IT'S WRONG.
1074
00:39:15,920 --> 00:39:17,488
BUT I DID NOT
DO ANYTHING!
1075
00:39:17,588 --> 00:39:20,458
YOU WILL NOT DISRESPECT ME
AND THE NEXT TIME YOU DO IT,
1076
00:39:20,558 --> 00:39:24,061
I'M GONNA SLAP
THE PISS OUTTA YOU
1077
00:39:24,161 --> 00:39:25,863
AND I MEAN
JUST WHAT I'M SAYING.
1078
00:39:25,963 --> 00:39:28,265
TRY ME--
THINK I'M PLAYIN'.
1079
00:39:28,366 --> 00:39:31,335
HONESTLY, I WAS REALLY
DEVASTATED BY THE CONVERSATION
1080
00:39:31,435 --> 00:39:33,437
THAT MY MOTHER AND I
HAD IN THE KITCHEN.
1081
00:39:33,537 --> 00:39:35,139
FOR REAL,
FOR REAL,
1082
00:39:35,239 --> 00:39:36,874
I REALLY DON'T SEE
WHAT I DID WRONG.
1083
00:39:48,085 --> 00:39:49,954
I'M COMPLETELY FLOORED
ABOUT THE FIGHT
1084
00:39:50,054 --> 00:39:51,489
THAT I HAD
WITH MY MOTHER.
1085
00:39:51,589 --> 00:39:54,091
I DIDN'T THINK THAT GETTIN'
THE PISS SLAPPED OUT OF ME
1086
00:39:54,191 --> 00:39:57,194
WAS KIND OF APPROPRIATE
FOR WHAT HAPPENED.
1087
00:39:57,294 --> 00:39:59,363
BUT YOU KNOW,
I'M JUST REALLY HOPING
1088
00:39:59,463 --> 00:40:01,298
VINCE CAN GIVE ME
SOME REALLY GOOD ADVICE,
1089
00:40:01,399 --> 00:40:03,734
BECAUSE HE'S GOOD AT
UNDERSTANDING PEOPLE.
1090
00:40:03,834 --> 00:40:06,103
OKAY, MY NERVES,
FOR REAL, IS ON PROBATION.
1091
00:40:06,203 --> 00:40:08,205
LIKE SERIOUSLY.
- WHAT HAPPENED?
1092
00:40:08,305 --> 00:40:10,808
WELL, I GOT IN
A FIGHT WITH MY FAMILY.
1093
00:40:10,908 --> 00:40:13,144
- OKAY.
- GO OVER TONI'S HOUSE...
1094
00:40:13,244 --> 00:40:14,578
AND YOU KNOW
WHEN YOU WALK IN A ROOM
1095
00:40:14,678 --> 00:40:15,913
AND YOU KNOW SOMEBODY
BEEN TALKIN' ABOUT YOU?
1096
00:40:16,013 --> 00:40:17,314
MM-HMM.
1097
00:40:17,415 --> 00:40:19,850
SO IT TURNS INTO AM I
WORKIN' ON MY RECORD
1098
00:40:19,950 --> 00:40:22,787
AND WHY DO I HAVE A
PROBLEM SINGIN' BACKGROUND,
1099
00:40:22,887 --> 00:40:24,021
ALL OF A SUDDEN.
1100
00:40:24,121 --> 00:40:26,724
AND I'M LIKE, HOLD-HOLD-HOLD--
PUMP YOUR BRAKES, FOOL.
1101
00:40:26,824 --> 00:40:28,726
I DON'T UNDERSTAND
WHAT THE BIG DEAL IS
1102
00:40:28,826 --> 00:40:30,628
IF I DO MY RECORD.
1103
00:40:30,728 --> 00:40:32,363
LIKE, WHAT'S
WRONG WITH THAT?
1104
00:40:32,463 --> 00:40:33,431
YOU WANNA DO
THE BRAXTON'S ALBUM.
1105
00:40:33,531 --> 00:40:34,565
YOU WANNA DO
YOUR OWN ALBUM.
1106
00:40:34,665 --> 00:40:35,933
YOU WANNA DO EVERYTHING.
1107
00:40:36,033 --> 00:40:37,234
THERE'S NOTHIN'
WRONG WITH THAT.
1108
00:40:37,334 --> 00:40:39,270
TRINA'S WORKIN'
ON A RECORD.
1109
00:40:39,370 --> 00:40:41,005
AIN'T NOBODY
MAD AT HER.
1110
00:40:41,105 --> 00:40:42,406
WELL, TONI WAS LIKE--
1111
00:40:42,506 --> 00:40:43,541
TONI'S GONNA BE WORKIN'
ON HER ALBUM.
1112
00:40:43,641 --> 00:40:44,842
NOBODY'S GONNA GET
MAD AT HER.
1113
00:40:44,942 --> 00:40:47,445
I FEEL BOMBARDED--
LIKE, MOMMY POPPIN' OFF,
1114
00:40:47,545 --> 00:40:49,780
TONI POPPIN' OFF,
TRACI POPPIN' OFF.
1115
00:40:49,880 --> 00:40:51,582
SO, I HAD TO GO.
1116
00:40:51,682 --> 00:40:54,552
NOW MOMMY'S LIKE,
YOU DISRESPECTFUL TO ME.
1117
00:40:54,652 --> 00:40:56,454
AND YOU KNOW, SHE CAME OVER
EARLIER TALKIN' ABOUT
1118
00:40:56,554 --> 00:40:57,988
SHE GONNA SLAP
THE PISS OUT OF ME
1119
00:40:58,088 --> 00:40:59,623
IF I BE DISRESPECTFUL
TO HER AGAIN.
1120
00:40:59,723 --> 00:41:02,793
AND I'M LIKE
WHAT DID I DO NOW?
1121
00:41:02,893 --> 00:41:04,662
IT HURT HER REALLY BAD
FOR HER MOM TO SAY
1122
00:41:04,762 --> 00:41:06,564
SHE'S GONNA SLAP
THE PISS OUT OF HER.
1123
00:41:06,664 --> 00:41:07,998
YOU KNOW,
SHE ADORES HER MOTHER.
1124
00:41:08,098 --> 00:41:09,767
SO, IT KIND OF SHOCKED
AND SCARED HER.
1125
00:41:09,867 --> 00:41:11,769
SOMETIMES YOU HAVE A HARD TIME
EXPRESSING YOURSELF.
1126
00:41:11,869 --> 00:41:13,204
NO, BUT
YOU WASN'T THERE.
1127
00:41:13,304 --> 00:41:14,338
IT WASN'T LIKE THAT.
1128
00:41:14,438 --> 00:41:16,140
CAN I FINISH-- CAN I JUST
FINISH FOR A MINUTE?
1129
00:41:16,240 --> 00:41:17,641
SOMETIMES YOU HAVE A HARD TIME
EXPRESSING YOURSELF
1130
00:41:17,741 --> 00:41:19,810
AND SOMETIME,
PEOPLE HAVE A HARD TIME
1131
00:41:19,910 --> 00:41:22,213
UNDERSTANDING
WHAT YOU EXPRESS.
1132
00:41:22,313 --> 00:41:23,747
I WAS PRETTY
CRYSTAL CLEAR.
1133
00:41:23,848 --> 00:41:25,182
TAMAR, CAN YOU LISTEN
FOR A SECOND?
1134
00:41:25,282 --> 00:41:27,751
- PRETTY CLEAR, VINCE.
- YOU DON'T GET IT.
1135
00:41:27,852 --> 00:41:28,886
I'M TRYING TO TELL
YOU WHAT HAPPENED.
1136
00:41:28,986 --> 00:41:30,054
I KNOW WHAT YOU SAYIN',
1137
00:41:30,154 --> 00:41:32,089
BUT I'M TRYIN' TO HELP YOU
UNDERSTAND YOUR FAMILY.
1138
00:41:32,189 --> 00:41:35,893
PEOPLE DON'T UNDERSTAND YOU,
HOW YOU EXPRESS YOURSELF.
1139
00:41:35,993 --> 00:41:37,127
I LIVE WITH IT.
1140
00:41:37,228 --> 00:41:38,462
YOU GET UPSET,
YOU GET EMOTIONAL,
1141
00:41:38,562 --> 00:41:40,731
YOU START CRYING,
YOU GET MAD...
1142
00:41:40,831 --> 00:41:43,000
YOU GET YOUR
FEELINGS HURT
1143
00:41:43,100 --> 00:41:45,336
BECAUSE SOMETIME,
PEOPLE DON'T UNDERSTAND...
1144
00:41:45,436 --> 00:41:46,570
- WHERE I'M COMING FROM.
- EXACTLY.
1145
00:41:46,670 --> 00:41:48,005
BECAUSE YOU'RE NOT COMIN'
FROM A BAD PLACE.
1146
00:41:48,105 --> 00:41:49,673
THAT'S ALL
I'M TRYIN' TO SAY.
1147
00:41:52,376 --> 00:41:56,146
WELL, WHERE WERE YOU
WHEN I WAS GETTING ATTACKED.
1148
00:41:56,247 --> 00:41:58,516
WE ARE
A REAL FAMILY,
1149
00:41:58,616 --> 00:42:01,886
AND WITH ANY FAMILY
YOU HAVE THESE ISSUES.
1150
00:42:01,986 --> 00:42:04,221
BUT I THINK
THAT THIS SHOW
1151
00:42:04,321 --> 00:42:06,490
HAS HEIGHTENED
THE LEVEL OF THE FIGHTING.
1152
00:42:06,590 --> 00:42:08,392
I'M JUST REALLY
WORRIED ABOUT YOU
1153
00:42:08,492 --> 00:42:09,960
AND YOUR MOM'S
RELATIONSHIP
1154
00:42:10,060 --> 00:42:11,662
IF SHE SAYS SHE IS GONNA
SLAP THE PISS OUT OF YOU
1155
00:42:11,762 --> 00:42:13,163
I THINK YOU GUYS REALLY
NEED TO TALK ABOUT THAT
1156
00:42:13,264 --> 00:42:15,099
AND REALLY
WORK THAT OUT.
1157
00:42:15,199 --> 00:42:18,002
BECAUSE YOU AND YOUR MOM
GOT A GREAT RELATIONSHIP.
1158
00:42:18,102 --> 00:42:20,371
I REALLY HOPE VINCE IS
RIGHT THAT TALKING TO MY MOM
1159
00:42:20,471 --> 00:42:22,540
WILL HELP THINGS
BETWEEN US,
1160
00:42:22,640 --> 00:42:24,742
BECAUSE IF WE CANNOT
WORK THIS OUT
1161
00:42:24,842 --> 00:42:27,144
I'M GONNA BE REALLY
DEVASTATED AND WORRIED.
1162
00:42:27,244 --> 00:42:29,513
YOUR MOTHER LOVES YOU,
AND YOU LOVE YOUR MOTHER.
1163
00:42:29,613 --> 00:42:32,583
YOU GUYS ARE FAMILY FIRST
AND THAT MEANS EVERYTHING.
87125
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