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These are the user uploaded subtitles that are being translated: 1 00:00:01,868 --> 00:00:02,001 HI, 2 00:00:02,002 --> 00:00:02,368 HI, TONI. 3 00:00:02,369 --> 00:00:02,936 - HI, TONI. - HI! 4 00:00:03,036 --> 00:00:04,204 RIGHT OVER HERE, PLEASE. 5 00:00:04,304 --> 00:00:05,739 LAST SEASON, WE HAD A WHOLE LOT OF FUN... 6 00:00:05,839 --> 00:00:07,340 I THINK I'M TRY-SEXUAL. 7 00:00:07,440 --> 00:00:08,641 I WILL TRY SOMETHIN' ONE TIME. 8 00:00:08,742 --> 00:00:10,410 THIS IS AN OUTFIT. 9 00:00:10,510 --> 00:00:12,946 DO-DO-DO-DO... 10 00:00:13,046 --> 00:00:14,247 TRACI, HOW OLD IS THIS PHONE? 11 00:00:14,347 --> 00:00:16,149 THIS WAS IN NEW JACK CITY 12 00:00:16,249 --> 00:00:17,650 ...A WHOLE LOT OF DRAMA... 13 00:00:17,751 --> 00:00:19,219 DO YOU HAVE A HANG-OVER OR SOMETHIN'? 14 00:00:19,319 --> 00:00:20,553 NO. 15 00:00:20,653 --> 00:00:21,554 YOU'RE A LIAR. 16 00:00:21,654 --> 00:00:23,423 - AND YOU'RE A DIRTY LIAR. - OH! 17 00:00:23,523 --> 00:00:25,025 SHUT THE UP-- KISS MY ASS. 18 00:00:25,125 --> 00:00:27,227 I JUST DON'T KNOW WHERE I'D BE OR WHO I WOULD BE 19 00:00:27,327 --> 00:00:29,162 WITHOUT YOU GUYS. 20 00:00:29,262 --> 00:00:31,097 BUT OVERALL, IT WAS ONE CRAZY RIDE. 21 00:00:31,197 --> 00:00:32,866 BOTH OF YOU LOOK LIKE OOMPA LOOMPAS. 22 00:00:34,501 --> 00:00:37,137 EW! 23 00:00:37,237 --> 00:00:39,406 AND THIS WOMAN'S VAGINA IS ALL THE WAY DOWN TO HER SHIN. 24 00:00:39,506 --> 00:00:40,640 YOU DON'T LISTEN. 25 00:00:40,740 --> 00:00:43,043 IT'S THE TRUTH DOT COM AND YOU DON'T WANNA ACCEPT THAT. 26 00:00:44,744 --> 00:00:45,979 A LOT HAS HAPPENED TO MY SISTERS AND I 27 00:00:46,079 --> 00:00:47,680 SINCE THE CAMERAS STOPPED ROLLING. 28 00:00:47,781 --> 00:00:49,349 I MOVED OUT TO LOS ANGELES WITH MY KIDS 29 00:00:49,449 --> 00:00:51,551 AND TO BE CLOSER TO WORK AND MY DOCTORS. 30 00:00:51,651 --> 00:00:53,586 IT HELPS ME STAY ON TOP OF MY LUPUS, 31 00:00:53,686 --> 00:00:54,687 WHICH IS A GOOD THING. 32 00:00:54,788 --> 00:00:57,190 IT HELPS KEEP ME HEALTHY AND POSITIVE. 33 00:00:57,290 --> 00:01:00,026 THE SUCCESS OF THE FIRST SEASON HAS BEEN GREAT... 34 00:01:00,126 --> 00:01:01,361 BUT THE TRUTH BE TOLD, 35 00:01:01,461 --> 00:01:03,163 IT HASN'T ALWAYS BEEN WHAT WE EXPECTED. 36 00:01:03,263 --> 00:01:05,899 A LOT OF TENSION HAS ARISEN BETWEEN ME AND MY SISTERS 37 00:01:05,999 --> 00:01:07,801 BECAUSE OF NEWFOUND FAME. 38 00:01:09,402 --> 00:01:10,703 IT'S BEEN A LITTLE OVERWHELMING 39 00:01:10,804 --> 00:01:13,173 BEING A REALITY TV STAR. 40 00:01:13,273 --> 00:01:16,176 DON'T GET ME WRONG-- I AM LOVING IT. 41 00:01:16,276 --> 00:01:17,644 I LOVE Y'ALL MUSIC. 42 00:01:17,744 --> 00:01:18,745 CAN I GET AN AUTOGRAPH? 43 00:01:18,845 --> 00:01:21,581 AND I CAN'T WAIT FOR THE MOMENTUM OF THE SHOW 44 00:01:21,681 --> 00:01:23,616 TO HELP ME WITH MY ACTING CAREER, 45 00:01:23,716 --> 00:01:25,919 WHICH MEANS, I CANNOT BE TONI BRAXTON'S ASSISTANT 46 00:01:26,019 --> 00:01:27,787 ANYMORE-- AND I'M LOVING THAT. 47 00:01:27,887 --> 00:01:29,055 I'M NOT LOVING THE FACT 48 00:01:29,155 --> 00:01:30,957 THAT ME, ANDRE AND MY CHILDREN 49 00:01:31,057 --> 00:01:33,426 ARE LIVING WITH TRINA AND GABE, 50 00:01:33,526 --> 00:01:36,830 WHICH IS OPENING UP A WHOLE NEW SET OF PROBLEMS 51 00:01:36,930 --> 00:01:38,765 FOR EVERYBODY. 52 00:01:40,133 --> 00:01:42,302 GABE IS NOT HAPPY WITH TOWANDA AND HER FAMILY 53 00:01:42,402 --> 00:01:43,636 HAVING TO LIVE WITH US. 54 00:01:43,736 --> 00:01:45,171 AND HE'S ALSO ANGRY 55 00:01:45,271 --> 00:01:47,440 THAT I'M SPENDING SO MUCH TIME WITH THE BAND. 56 00:01:47,540 --> 00:01:49,976 I'M REALLY BUSY WORKING ON MY OWN MATERIAL 57 00:01:50,076 --> 00:01:52,078 AND I'M TOTALLY DIGGING IT. 58 00:01:52,178 --> 00:01:53,847 YOU KNOW, WITH THE SUCCESS OF THE FIRST SEASON, 59 00:01:53,947 --> 00:01:55,448 I FIGURED I MIGHT AS WELL SEIZE THE OPPORTUNITY 60 00:01:55,548 --> 00:01:57,016 AND MAKE IT WORK FOR ME. 61 00:01:58,518 --> 00:01:59,953 EVERYBODY'S DOIN' THEIR OWN PROJECT 62 00:02:00,053 --> 00:02:02,856 AND THE BRAXTON FAMILY ALBUM IS STILL IN LIMBO. 63 00:02:02,956 --> 00:02:04,357 WE GONNA DO IT OR NOT? 64 00:02:04,457 --> 00:02:06,526 I MEAN, IT FEELS LIKE I'M THE ONLY ONE 65 00:02:06,626 --> 00:02:08,261 IS CONCERNED ABOUT THIS. 66 00:02:08,361 --> 00:02:09,829 JUST BECAUSE I LIVE IN MARYLAND 67 00:02:09,929 --> 00:02:11,030 AND I TAKE CARE OF MY CHILD... 68 00:02:11,131 --> 00:02:13,299 I WANT A SHOT JUST LIKE MY SISTERS. 69 00:02:13,399 --> 00:02:15,301 I HAVE TO FIGURE OUT MY CAREER PATH. 70 00:02:16,536 --> 00:02:20,473 I WOULD REALLY LOVE TO SEE MY GIRLS SING TOGETHER AGAIN 71 00:02:20,573 --> 00:02:22,442 BECAUSE THEY'RE JUST AWESOME. 72 00:02:22,542 --> 00:02:27,580 GOD PUT A RAINBOW IN THE SKY 73 00:02:27,680 --> 00:02:30,250 I'M VERY PROUD OF THEM BECAUSE OF THE SUCCESS 74 00:02:30,350 --> 00:02:31,985 OF LAST SEASON. 75 00:02:32,085 --> 00:02:36,055 HOWEVER, I DON'T WANT THE SUCCESS OF THE GIRLS 76 00:02:36,156 --> 00:02:39,425 TO INTERFERE WITH WHO THEY REALLY ARE. 77 00:02:39,526 --> 00:02:42,395 THEY HAVE TO REMEMBER THAT THEY'RE FAMILY. 78 00:02:42,495 --> 00:02:44,697 THERE'S NO ONE IN THIS FAMILY 79 00:02:44,797 --> 00:02:47,066 THAT'S JUST A SUPPORTING PLAYER. 80 00:02:47,167 --> 00:02:50,637 THIS CAN DIVIDE A FAMILY AND I'M NOT HAVING IT. 81 00:02:53,940 --> 00:02:57,610 AND YOU KNOW THEY HAVE TO SAVE THE BEST FOR THE LAST. 82 00:02:57,710 --> 00:03:01,214 VINCE HAS BEEN WORKING REALLY HARD WITH LADY GAGA. 83 00:03:01,314 --> 00:03:03,583 SO, I HAVE BEEN GOING INTO THE STUDIO ON MY OWN 84 00:03:03,683 --> 00:03:05,952 RECORDING MY OWN SONGS. 85 00:03:06,052 --> 00:03:07,587 MY SISTERS BEEN HATING ON ME A LITTLE BIT 86 00:03:07,687 --> 00:03:12,025 BUT IT'S REALLY NOT MY FAULT THAT EVERYBODY LOVES ME 87 00:03:12,125 --> 00:03:14,861 AND FIXING TO GO WORLDWIDE, BABY! 88 00:03:14,961 --> 00:03:17,964 WHAT'S UP, EVERYBODY? 89 00:03:18,064 --> 00:03:21,134 SHARING THE SPOTLIGHT IS NOT AN EASY THING TO DO. 90 00:03:21,234 --> 00:03:24,103 SO, WE'LL JUST HAVE TO SEE HOW THINGS GO THIS YEAR. 91 00:03:25,271 --> 00:03:28,174 WE ARE THE BRAXTONS AND YOU'LL SEE 92 00:03:28,274 --> 00:03:32,579 THAT WE ARE NOT LIKE AN ORDINARY FAMILY 93 00:03:32,679 --> 00:03:35,882 TRACI TOWANDA TRINA TAMAR AND MRS. E 94 00:03:35,982 --> 00:03:38,585 WILL TEACH YOU A THING OR TWO 95 00:03:38,685 --> 00:03:42,488 ON BRAXTON FAMILY VALUES 96 00:03:50,530 --> 00:03:52,432 DOESN'T IT-- LOOK LIKE MIAMI VICE. 97 00:03:52,532 --> 00:03:56,102 TONI MOVED TO LA-- HOWEVER, I SPEAK TO TONI 98 00:03:56,202 --> 00:03:57,737 JUST ABOUT EVERYDAY. 99 00:03:57,837 --> 00:04:01,741 UM, THE ONLY DIFFERENCE IS I JUST CAN'T SEE HER. 100 00:04:01,841 --> 00:04:03,610 TRACI AND I ARE THE ONLY ONES 101 00:04:03,710 --> 00:04:06,179 THAT HAVE NOT SEEN TONI'S NEW HOUSE. 102 00:04:06,279 --> 00:04:09,716 SO, WE FLEW OUT TO LA TO CHECK IT OUT. 103 00:04:09,816 --> 00:04:11,484 HIGH CEILINGS-- YOU GO GIRL! 104 00:04:11,584 --> 00:04:13,519 A LOTTA CLEANIN' TO DO WITH THEM WINDOWS. 105 00:04:13,620 --> 00:04:15,121 I LOVE MY HOME IN L.A., 106 00:04:15,221 --> 00:04:16,823 BUT IT'S A TEMPORARY SITUATION. 107 00:04:16,923 --> 00:04:18,591 I'M VERY FORTUNATE MY BANKRUPTCY SITUATION 108 00:04:18,691 --> 00:04:19,859 WORKED OUT REALLY GREAT FOR ME. 109 00:04:19,959 --> 00:04:20,927 SO, I'M STARTING OVER 110 00:04:21,027 --> 00:04:22,495 AND STARTING OVER CAN BE A GREAT THING. 111 00:04:22,595 --> 00:04:23,896 WAIT A MINUTE-- THESE CHAIRS. 112 00:04:23,997 --> 00:04:25,131 FROM THE KITCHEN IN ATLANTA. 113 00:04:25,231 --> 00:04:26,699 I JUST REUPHOLSTERED THEM. 114 00:04:26,799 --> 00:04:28,534 DON'T SPEND MONEY ON NEW FURNITURE 115 00:04:28,635 --> 00:04:29,936 JUST BUY NEW FABRICS. 116 00:04:30,036 --> 00:04:31,304 I'M NOT SURE IF I'M GONNA STAY IN THIS HOUSE 117 00:04:31,404 --> 00:04:32,572 OR IF I'M GONNA PURCHASE IT LATER 118 00:04:32,672 --> 00:04:34,040 BUT WE'LL SEE WHAT HAPPENS. 119 00:04:34,140 --> 00:04:36,442 AND YOU HAVE TO SEE OUTSIDE. 120 00:04:36,542 --> 00:04:38,077 I LOVE THE VIEW! 121 00:04:38,177 --> 00:04:40,580 I'M SO HAPPY. 122 00:04:40,680 --> 00:04:42,815 THIS LOOK LIKE A TONI BRAXTON HOUSE. 123 00:04:42,915 --> 00:04:44,851 IS THIS WHAT IT MEANS TO BE BANKRUPT? 124 00:04:44,951 --> 00:04:46,219 SIGN ME UP! 125 00:04:46,319 --> 00:04:50,390 DID YOU SEE THE SIZE OF THAT POOL? 126 00:04:50,490 --> 00:04:51,858 SO WHAT'S GOING ON? 127 00:04:51,958 --> 00:04:53,626 NOTHING IS GOING ON. 128 00:04:53,726 --> 00:04:54,961 I'M JUST GLAD YOU GUYS ARE HERE. 129 00:04:55,061 --> 00:04:56,095 SO NOW YOU HAVE AN EXCUSE 130 00:04:56,195 --> 00:04:57,830 TO COME VISIT ME AND TAMIE. 131 00:04:57,930 --> 00:04:58,931 RIGHT. 132 00:04:59,032 --> 00:05:00,633 I KNOW I'VE SAID THERE'S NOT A LOT GOING ON 133 00:05:00,733 --> 00:05:01,868 BUT I'VE JUST LEARNED SOME NEWS 134 00:05:01,968 --> 00:05:03,770 THAT'S GONNA MAKE TRACI A LITTLE UPSET, 135 00:05:03,870 --> 00:05:05,138 ESPECIALLY SINCE SHE'S SO EAGER 136 00:05:05,238 --> 00:05:07,974 TO GET THE BRAXTON FAMILY RECORD OFF THE GROUND. 137 00:05:08,074 --> 00:05:10,043 TAMAR, TALK TO YOU YET? - NO. 138 00:05:10,143 --> 00:05:13,913 BECAUSE TAMAR IS WORKING ON HER OWN PROJECT? 139 00:05:14,013 --> 00:05:15,014 BECAUSE I'M IN THE INDUSTRY, 140 00:05:15,114 --> 00:05:16,716 SO SOMEONE CALLED ME UP AND SAID, 141 00:05:16,816 --> 00:05:18,584 "OH, I HEARD YOUR SISTER TAMAR'S SINGLE IT'S NICE." 142 00:05:18,685 --> 00:05:19,752 I'M LIKE, "REALLY." 143 00:05:19,852 --> 00:05:22,255 IT'S KIND OF A BIG DEAL OF TAMAR TO DO HER ALBUM 144 00:05:22,355 --> 00:05:24,924 RIGHT NOW BECAUSE IT IMPACTS ON WHETHER 145 00:05:25,024 --> 00:05:27,427 WE DO OUR FAMILY ALBUM TOGETHER. 146 00:05:27,527 --> 00:05:28,828 OKAY, I'M SPEECHLESS. 147 00:05:28,928 --> 00:05:30,730 I MEAN, THE BRAXTON FAMILY PROJECT WE TALKED ABOUT THAT 148 00:05:30,830 --> 00:05:32,198 BUT I DON'T THINK THAT'S SOMETHIN' 149 00:05:32,298 --> 00:05:33,433 THAT'S GONNA BE IMPLEMENTED. 150 00:05:33,533 --> 00:05:34,467 TAMAR CAN'T DO HER ALBUM 151 00:05:34,567 --> 00:05:36,502 AND THE BRAXTON FAMILY ALBUM. 152 00:05:36,602 --> 00:05:38,371 SHE CAN'T DO BOTH AT THE SAME TIME. 153 00:05:38,471 --> 00:05:41,407 THAT'S A CONFLICT OF INTERESTS. 154 00:05:41,507 --> 00:05:43,209 AS AN ARTIST, YOU HAVE TO BE VERY CAREFUL 155 00:05:43,309 --> 00:05:44,977 NOT TO SPREAD YOURSELF TOO THIN. 156 00:05:45,078 --> 00:05:46,813 IT'S IMPORTANT THAT YOU DON'T CONFUSE YOUR AUDIENCE 157 00:05:46,913 --> 00:05:48,381 BY PUTTING OUT THREE AND FOUR DIFFERENT RECORDS-- 158 00:05:48,481 --> 00:05:49,716 THEY DON'T KNOW WHAT YOU ARE, WHAT YOU'RE DOING. 159 00:05:49,816 --> 00:05:51,984 THAT'S WHY I'M AMBIVALENT ABOUT PUTTING OUT 160 00:05:52,085 --> 00:05:53,453 A BRAXTON FAMILY RECORD. 161 00:05:53,553 --> 00:05:54,787 I GOT REPRIMANDED 162 00:05:54,887 --> 00:05:56,656 REMEMBER WHEN TAMAR AND I FIRST STARTED TALKING ABOUT 163 00:05:56,756 --> 00:05:59,559 WANTING TO DO-- LIKE, JUST BE FEATURED ON THE RECORD. 164 00:05:59,659 --> 00:06:00,960 SHE SAID, "NO, YOU HAVE TO DO ALL THE SONGS," 165 00:06:01,060 --> 00:06:02,061 AND I DIDN'T WANNA DO THAT. 166 00:06:02,161 --> 00:06:03,796 IF WE'RE GONNA DO A BRAXTONS ANYTHING, 167 00:06:03,896 --> 00:06:07,166 IT HAS TO BE THE FIVE OF US AT ALL TIMES. 168 00:06:07,266 --> 00:06:10,370 IF IT'S NOT FIVE OF US, I'M OUT. 169 00:06:10,470 --> 00:06:12,405 I DON'T THINK THE BRAXTON FAMILY RECORD 170 00:06:12,505 --> 00:06:15,475 IS THE FIRST THING ON MY LIST THEN. 171 00:06:15,575 --> 00:06:18,311 LOOKY, LOOKY... HERE'S A NEW COOKIE. 172 00:06:18,411 --> 00:06:21,414 TONI JUST THREW TAMAR UNDER THE BUS. 173 00:06:21,514 --> 00:06:23,583 I GOTTA FIND OUT IF WE DOIN' THIS OR NOT. 174 00:06:23,683 --> 00:06:25,852 YOU KNOW WHAT, I-I'M SORRY. 175 00:06:25,952 --> 00:06:27,987 EVERYBODY WAS TALKIN' ABOUT DOIN' THE ALBUM... 176 00:06:28,087 --> 00:06:30,189 AND THEN AT THE SAME TIME, YOU'RE DOIN' THIS 177 00:06:30,289 --> 00:06:31,691 AND NO ONE KNOWS ABOUT IT? 178 00:06:31,791 --> 00:06:33,659 NO... IT'S JUST COMMUNICATION. 179 00:06:33,760 --> 00:06:35,528 THAT'S ALL IT IS-- JUST COMMON RESPECT. 180 00:06:35,628 --> 00:06:36,696 LET'S KEEP IT REAL. 181 00:06:36,796 --> 00:06:37,830 DO THE ALBUM... 182 00:06:37,930 --> 00:06:39,565 DON'T DO THE ALBUM... 183 00:06:39,665 --> 00:06:42,802 WHATEVER DECISION YOU MAKE IS FINE WITH ME 184 00:06:42,902 --> 00:06:44,971 BUT FOR GOD SAKES JUST MAKE UP YOUR MIND. 185 00:06:45,071 --> 00:06:46,372 BE HONEST ABOUT IT. 186 00:06:46,472 --> 00:06:48,674 LET'S SEE IF TAMAR MENTIONS IT TO US FIRST. 187 00:06:48,775 --> 00:06:50,443 PERHAPS, SHE'LL TELL US ABOUT IT 188 00:06:50,543 --> 00:06:51,544 AND WE WON'T HAVE TO ASK HER. 189 00:06:51,644 --> 00:06:53,312 SO, LET'S SEE-- MAYBE, NO. 190 00:06:53,413 --> 00:06:55,481 - WE'LL SEE. - BUT IF SHE DOES NOT... 191 00:06:55,581 --> 00:06:57,383 IF SHE DOESN'T, I'M GONNA ASK HER. 192 00:06:57,483 --> 00:07:00,820 IF SHE DOESN'T, I'M GONNA GET HOOD RAT ON THAT ASS. 193 00:07:10,596 --> 00:07:12,732 LAST SEASON WAS GREAT FOR ME AND MY SISTERS. 194 00:07:12,832 --> 00:07:15,735 AND NOW, VINCE IS GETTING A BUNCH OF CALLS FROM EVERYBODY 195 00:07:15,835 --> 00:07:19,972 TRYING TO WORK WITH WHO-- WHO-- SHE-- ME! 196 00:07:20,072 --> 00:07:23,042 OF COURSE, BECAUSE I AM FABULOUS, DARLING! 197 00:07:23,142 --> 00:07:24,710 LIKE, WHAT WAS YOU TALKIN' ABOUT? 198 00:07:24,811 --> 00:07:26,479 LIKE, I HEARD MY NAME LIKE 13 TIMES. 199 00:07:26,579 --> 00:07:28,681 NOT THIRTEEN-- MAYBE TEN. 200 00:07:28,781 --> 00:07:30,850 NO, I WAS TALKIN' ABOUT YOUR RECORD DEAL 201 00:07:30,950 --> 00:07:33,753 AND PEOPLE WANNA WORK WITH YOU TO DO SOME MOVIE STUFF 202 00:07:33,853 --> 00:07:37,390 AND THEN PEOPLE CALLED ABOUT DOING A MERCHANDISING DEAL. 203 00:07:37,490 --> 00:07:38,391 RIGHT. 204 00:07:38,491 --> 00:07:39,959 SO, YOU GOT A LOT OF THINGS GOING ON. 205 00:07:40,059 --> 00:07:40,960 YOU EXCITED ABOUT IT? 206 00:07:41,060 --> 00:07:43,162 - I'M VERY EXCITED. - I'M HAPPY FOR YOU. 207 00:07:43,262 --> 00:07:45,231 I'M HAPPY FOR YOUR WHOLE FAMILY. 208 00:07:45,331 --> 00:07:48,000 THE FIRST SEASON OF BRAXTON FAMILY VALUES 209 00:07:48,100 --> 00:07:51,804 HAS AFFECTED MY WIFE CAREER IN A POSITIVE WAY. 210 00:07:51,904 --> 00:07:52,972 THIS IS WHAT SHE WANTS. 211 00:07:53,072 --> 00:07:54,640 SHE WANTS TO BE AN ARTIST. 212 00:07:54,740 --> 00:07:56,042 SHE WANTS TO BE A STAR. 213 00:07:56,142 --> 00:07:57,777 I DON'T KNOW WHAT ALL OF THAT IS. 214 00:07:57,877 --> 00:07:58,778 WHAT? 215 00:07:58,878 --> 00:07:59,779 THAT YOU'RE TRYIN' TO GIVE ME 216 00:07:59,879 --> 00:08:00,780 BUT IT'S NOT NECESSARY. 217 00:08:00,880 --> 00:08:01,781 I'M GIVING YOU LIFE. 218 00:08:01,881 --> 00:08:02,782 AND I'M GIVING YOU THE SAME THING 219 00:08:02,882 --> 00:08:03,816 I'VE BEEN GIVING YOU FOR YEARS. 220 00:08:03,916 --> 00:08:05,151 - NO, YOU HAVEN'T BEEN-- - AND EVERYBODY ELSE 221 00:08:05,251 --> 00:08:06,252 WHO WANTS TO WORK WITH ME NOW 222 00:08:06,352 --> 00:08:08,154 HAS JUST FINALLY JUMPED ON THE SHIP. 223 00:08:08,254 --> 00:08:09,789 HOW ABOUT YOU JUST BE GRATEFUL? 224 00:08:09,889 --> 00:08:11,624 I'M GRATEFUL. 225 00:08:11,724 --> 00:08:13,659 PEOPLE WASN'T CALLING YOU TWO YEARS AGO, TAMAR. 226 00:08:13,759 --> 00:08:15,962 - I KNOW. - IT'S ALL A BLESSING. 227 00:08:16,062 --> 00:08:18,297 - I-I REALIZE THAT. - OKAY. 228 00:08:18,397 --> 00:08:20,233 I'M SO GLAD ALL OF THESE OPPORTUNITIES 229 00:08:20,333 --> 00:08:23,970 ARE HAPPENING RIGHT NOW-- ACTING, PRODUCT ENDORSEMENTS. 230 00:08:24,070 --> 00:08:26,005 EVERYBODY WANTIN' ME TO BE BOOM-BOOM-POW-- 231 00:08:26,105 --> 00:08:27,406 COME TO MY PARTY AND ALL THAT STUFF! 232 00:08:27,507 --> 00:08:29,075 AND ALL THAT IS G-G-GREAT. 233 00:08:29,175 --> 00:08:31,344 I STILL HELP MY SISTERS OUT AS MUCH AS I CAN. 234 00:08:31,444 --> 00:08:34,514 BUT RIGHT NOW, IT IS MY TIME. 235 00:08:34,614 --> 00:08:35,515 I HAVE SIGNED MY CONTRACT 236 00:08:35,615 --> 00:08:37,683 AND I AM READY TO RECORD MY RECORD 237 00:08:37,783 --> 00:08:40,219 AND THAT IS THE NUMBER ONE PRIORITY IN MY LIFE. 238 00:08:40,319 --> 00:08:41,721 YOU SHOULD HUG ME AND SAY, "YOU KNOW WHAT SWEETHEART, 239 00:08:41,821 --> 00:08:44,357 "THANK YOU FOR WORKING HARD WITH ME AND MY FAMILY. 240 00:08:44,457 --> 00:08:45,691 "I REALLY APPRECIATE YOU." 241 00:08:45,791 --> 00:08:47,260 - OKAY-- THANK YOU. - I DIDN'T ASK YOU FOR ALL THAT. 242 00:08:47,360 --> 00:08:48,461 I DON'T NEED ALL OF THAT. 243 00:08:48,561 --> 00:08:51,497 THANK YOU FOR WORKING SO HARD FOR ME AND MY FAMILY 244 00:08:51,597 --> 00:08:52,798 I DON'T NEED ALL THAT. 245 00:08:52,899 --> 00:08:54,066 I'M NOT GIVING YOU A DOLLAR, RIGHT NOW. 246 00:08:54,166 --> 00:08:55,568 PEP-PEOPLE GONNA KNOW YOU AS A GYRATOR. 247 00:08:55,668 --> 00:08:56,836 PEOPLE ARE GONNA THINK YOU A STRIPPER. 248 00:08:56,936 --> 00:08:58,170 I'M NOT A STRIPPER-- GET YOUR LIFE. 249 00:08:58,271 --> 00:09:00,640 WELL, YOU NEED TO STOP DOIN' ALL THAT. 250 00:09:00,740 --> 00:09:02,508 THAT'S ALL YOU GOTTA DO IS HUG PEOPLE AND ACT NORMAL. 251 00:09:02,608 --> 00:09:04,143 - THANK YOU, BABY. - YOU'RE WELCOME. 252 00:09:04,243 --> 00:09:05,945 THANK GOD THOUGH AND CALL YOUR MOTHER 253 00:09:06,045 --> 00:09:08,047 AND TELL HER WHEN'S SHE COMIN' TO MAKE US SOME BAKED CHICKEN. 254 00:09:08,147 --> 00:09:09,215 WOULD YOU STOP? 255 00:09:09,315 --> 00:09:10,683 EVERYTHING AIN'T CHICKEN. 256 00:09:10,783 --> 00:09:12,285 CHICKEN-CHICKEN-CHICK! 257 00:09:12,385 --> 00:09:14,086 BAWK-BAWK! 258 00:09:14,186 --> 00:09:16,022 GET IT TOGETHER! 259 00:09:23,162 --> 00:09:24,697 DON'T BE TOUCHIN' STUFF. 260 00:09:24,797 --> 00:09:26,232 YOU GOTTA SHAKE IT UP. 261 00:09:26,332 --> 00:09:27,233 YOU GOTTA SHAKE IT! 262 00:09:27,333 --> 00:09:28,234 YOU GOTTA SHAKE IT UP REALLY-REALLY-- 263 00:09:28,334 --> 00:09:29,669 THERE YA GO-- YOU GOTTA SHAKE IT UP. 264 00:09:29,769 --> 00:09:33,472 RIGHT NOW, MY LIVING SITUATION IS A BIT STICKY. 265 00:09:33,573 --> 00:09:37,243 I WAS LIVING WITH TONI AND TONI HAS MOVED OUT TO L.A. 266 00:09:37,343 --> 00:09:39,345 AND TRINA AND GABE SAID, "OKAY, TOWANDA, 267 00:09:39,445 --> 00:09:41,447 "WHY DON'T YOU GUYS COME MOVE IN WITH US." 268 00:09:41,547 --> 00:09:44,917 SO, THAT'S WHAT I DID AND THEY'VE BEEN A LIFESAVER. 269 00:09:45,017 --> 00:09:46,752 GO IN THAT TOP DRAWER RIGHT THERE AND GET A NAPKIN. 270 00:09:46,852 --> 00:09:49,288 NO-- GET IN THAT DRAWER RIGHT THERE AND GET A NAPKIN. 271 00:09:49,388 --> 00:09:51,624 RIGHT THERE-- THE DRAWER, NOT THE CABINET-- NUT. 272 00:09:51,724 --> 00:09:52,725 YOU'RE THE NUT. 273 00:09:52,825 --> 00:09:53,726 TOWANDA AND ANDRE AND THEIR KIDS 274 00:09:53,826 --> 00:09:54,760 HAVE BEEN LIVIN' IN OUR HOUSE 275 00:09:54,860 --> 00:09:56,228 FOR OVER A MONTH NOW. 276 00:09:56,329 --> 00:09:59,098 TRINA DID OFFER TO LET THEM LIVE IN OUR HOUSE 277 00:09:59,198 --> 00:10:01,434 BUT I DIDN'T KNOW IT WAS GONNA BE THIS LONG. 278 00:10:01,534 --> 00:10:04,036 I WORK FROM HOME. 279 00:10:04,136 --> 00:10:05,805 YOU KNOW, I HEAR EVERYTHING. 280 00:10:05,905 --> 00:10:09,642 THESE WALLS AREN'T STUDIO PROOF, YOU KNOW. 281 00:10:09,742 --> 00:10:12,812 BRAXTON AND BROOKE, CAN YOU GO UPSTAIRS. 282 00:10:12,912 --> 00:10:15,281 I HAVE AN AUDITION TOMORROW. 283 00:10:15,381 --> 00:10:17,083 ANDRE AND I ARE OFFICIALLY SEPARATED, 284 00:10:17,183 --> 00:10:19,218 BUT I DID AGREE TO ALLOW HIM LIVE WITH US, 285 00:10:19,318 --> 00:10:20,920 SO THAT WE CAN BOTH TAKE CARE OF OUR KIDS 286 00:10:21,020 --> 00:10:22,421 AND HE CAN WORK ON HIS BOOK 287 00:10:22,521 --> 00:10:24,256 AND I CAN WORK ON MY CAREER AS AN ACTOR. 288 00:10:24,357 --> 00:10:26,125 OH, THIS GONNA BE GOOD! 289 00:10:26,225 --> 00:10:27,693 HOW DO YOU THINK A WOMAN WOULD SAY THIS-- 290 00:10:27,793 --> 00:10:30,363 "JUST GET THE OUT" OR "YOU GET THE OUT." 291 00:10:30,463 --> 00:10:31,631 YOU. 292 00:10:31,731 --> 00:10:33,065 - YOU GET THE OUT. - YES. 293 00:10:33,165 --> 00:10:34,900 ANDRE AND TOWANDA HAVEN'T CONTRIBUTED AT ALL 294 00:10:35,001 --> 00:10:35,935 TO THE BILLS. 295 00:10:36,035 --> 00:10:37,069 THEY'VE NEVER REALLY GIVEN US ANYTHING 296 00:10:37,169 --> 00:10:40,306 FOR THE ELECTRIC BILL OR THE WATER BILL 297 00:10:40,406 --> 00:10:42,875 OR THE GAS BILL OR RENT. 298 00:10:42,975 --> 00:10:44,810 I FEEL LIKE I'M THE ONLY ONE PULLIN' WEIGHT. 299 00:10:44,910 --> 00:10:46,112 WHERE'S THE CEREAL AT, TOWANDA? 300 00:10:46,212 --> 00:10:47,980 RIGHT THERE-- WHERE IT SAYS "CEREAL." 301 00:10:48,080 --> 00:10:49,382 - RIGHT HERE? - YES. 302 00:10:49,482 --> 00:10:50,383 I DON'T LIKE THIS KIND. 303 00:10:50,483 --> 00:10:52,351 MAN, Y'ALL GOT SOME MILK? 304 00:10:52,451 --> 00:10:53,686 - SOME MILK? - YEAH. 305 00:10:53,786 --> 00:10:55,154 WHO DO YOU THINK PAID FOR THE MILK? 306 00:10:55,254 --> 00:10:56,856 UH, I THINK IT'S IN THE FRIDGE. 307 00:10:56,956 --> 00:10:57,857 ANDRE, LOOK FOR IT BEFORE YOU ASK. 308 00:10:57,957 --> 00:10:59,859 I'LL PUT SOME CHOCOLATE. 309 00:10:59,959 --> 00:11:01,027 CHOCOLATE MILK IN THE CEREAL? 310 00:11:01,127 --> 00:11:02,461 YEAH, MAN-- WE CAN TRY THIS OUT. 311 00:11:02,561 --> 00:11:03,963 MIGHT BE GOOD, HUH? 312 00:11:04,063 --> 00:11:06,365 I REALLY APPRECIATE GABE AND TRINA ALLOWING MY FAMILY 313 00:11:06,465 --> 00:11:08,601 TO STAY IN THE HOUSE, YOU KNOW, BUT I'M A PROUD MAN. 314 00:11:08,701 --> 00:11:10,302 I MEAN, I DO HAVE PRIDE FOR MYSELF 315 00:11:10,403 --> 00:11:12,638 AND I DO WANNA GET OUTTA THERE 316 00:11:12,738 --> 00:11:14,840 BUT, HEY, IT HELPS THAT WE LIKE THE SAME FOOD. 317 00:11:14,940 --> 00:11:17,043 MAN, YOU GOT THAT DICTIONARY I CAN BORROW RIGHT QUICK? 318 00:11:17,143 --> 00:11:18,511 YEAH, MAN, HOLD ON. 319 00:11:18,611 --> 00:11:19,645 I'M A LITTLE BUSY RIGHT NOW. 320 00:11:19,745 --> 00:11:20,946 OH, MY BAD-- I'M SORRY. 321 00:11:21,047 --> 00:11:22,648 I FEEL LIKE, "OH, HERE THEY ARE, ALL LOLLYGAGGING AROUND 322 00:11:22,748 --> 00:11:25,017 "AND I'M HERE MAKIN' THE MONEY TO PAY ALL THE BILLS." 323 00:11:25,117 --> 00:11:28,454 I FEEL LIKE I'M SUPPORTIN' EIGHT PEOPLE RATHER THAN FOUR. 324 00:11:28,554 --> 00:11:30,456 - WHAT'S UP WITH HIM, MAN? - I DON'T KNOW. 325 00:11:30,556 --> 00:11:32,158 YOU HAVE TO ASK HIM. 326 00:11:32,258 --> 00:11:33,893 I DO PLAN ON HAVING A CONVERSATION WITH TRINA 327 00:11:33,993 --> 00:11:35,628 ABOUT THEM MOVING OUT OF THE HOUSE 328 00:11:35,728 --> 00:11:39,198 AND GIVING THEM A DEADLINE ON WHEN THEY SHOULD BE OUT. 329 00:11:42,034 --> 00:11:44,070 YES, BROOKE. 330 00:11:44,170 --> 00:11:46,072 COMING UP, ON "BRAXTON FAMILY VALUES." 331 00:11:46,172 --> 00:11:49,075 ANDRE AND TOWANDA HAVE OVERSTEPPED THEIR BOUNDARIES. 332 00:11:49,175 --> 00:11:51,477 WE NEED TO GIVE 'EM A TIMELINE. 333 00:11:51,577 --> 00:11:53,145 BUT I'M NOT DOIN' IT. 334 00:11:53,245 --> 00:11:54,947 I SAID TIME AND TIME AGAIN... 335 00:11:55,047 --> 00:11:57,049 I'M OUT HERE SINGING DOO-WOP-POP-POP 336 00:11:57,149 --> 00:11:58,784 WITH TONI BRAXTON. 337 00:11:58,884 --> 00:12:00,886 WHY YOU MAD? 338 00:12:08,994 --> 00:12:11,129 [laughing, 339 00:12:12,131 --> 00:12:15,167 DAMN... WHY ARE THEY SO LOUD-- ! 340 00:12:15,267 --> 00:12:17,737 BRAXTON, BROOKE, THIS ISN'T OUR HOUSE. 341 00:12:17,837 --> 00:12:19,472 I LOVE IT. 342 00:12:19,572 --> 00:12:21,006 WHAT ARE THEY DOIN'? 343 00:12:21,107 --> 00:12:22,508 TOWANDA AND ANDRE AND THEY'RE KIDS 344 00:12:22,608 --> 00:12:24,477 HAVE BEEN LIVIN' IN THE HOUSE FOR OVER A MONTH. 345 00:12:24,577 --> 00:12:26,378 I CAN'T CONCENTRATE WHILE I'M WORKING 346 00:12:26,479 --> 00:12:29,281 AND ON TOP OF IT ALL, SOMEONE DRANK ALL MY CHOCOLATE MILK. 347 00:12:29,381 --> 00:12:32,017 HEY, GET OUT OF THERE. 348 00:12:32,118 --> 00:12:33,719 WHAT ARE YA'LL DOIN' IN THERE? 349 00:12:33,819 --> 00:12:35,287 I'M JUST-- I'M PLAYIN' WITH THE KIDS. 350 00:12:35,387 --> 00:12:36,822 THIS IS WHAT WE DO. 351 00:12:36,922 --> 00:12:38,691 GEEZ... THEY'RE SO FREAKIN' LOUD. 352 00:12:38,791 --> 00:12:40,559 I NEED TO HAVE A TALK WITH TRINA. 353 00:12:40,659 --> 00:12:42,261 AND I NEED TO BE STERN WITH HER, 354 00:12:42,361 --> 00:12:44,130 SO SHE CAN HAVE A TALK WITH TOWANDA 355 00:12:44,230 --> 00:12:46,866 SINCE SHE'S ONE THAT DECIDED THEY WOULD STAY AT THE HOUSE. 356 00:12:57,343 --> 00:12:59,512 GO CRAZY! 357 00:12:59,612 --> 00:13:00,579 ALL RIGHT. 358 00:13:00,679 --> 00:13:01,680 LET'S DO IT AGAIN FROM THE TOP. 359 00:13:01,781 --> 00:13:04,150 LET'S DO IT AGAIN FROM THE TOP. 360 00:13:04,250 --> 00:13:06,018 THE FIRST SEASON'S CHANGED MY LIFE 361 00:13:06,118 --> 00:13:08,287 IN THE SENSE THAT I DECIDED I'M JUST GONNA DO 362 00:13:08,387 --> 00:13:10,823 A SOLO PROJECT FOR MYSELF. 363 00:13:10,923 --> 00:13:12,825 WE'RE NO LONGER JUST DOING COVER SONGS. 364 00:13:12,925 --> 00:13:15,895 WE ARE NOW DOING ORIGINAL MUSIC-- MY MUSIC. 365 00:13:15,995 --> 00:13:18,164 AND WE'RE GONNA BE PERFORMING THEM REALLY SOON-- 366 00:13:18,264 --> 00:13:21,734 MAYBE IN THE NEXT MONTH OR SO. 367 00:13:21,834 --> 00:13:25,371 AND TO BE HONEST, THE BAND IS A NICE BREAK FROM GABE, 368 00:13:25,471 --> 00:13:27,640 BECAUSE WE HAVEN'T BEEN DOING TOO WELL LATELY. 369 00:13:27,740 --> 00:13:30,342 GABE AND I... WE'VE HAD AN UP AND DOWN MARRIAGE 370 00:13:30,442 --> 00:13:32,444 FOR THE PAST SEVERAL YEARS. 371 00:13:32,545 --> 00:13:34,480 I MEAN, HE'S ADMITTED TO HAVING AN AFFAIR ON ME, 372 00:13:34,580 --> 00:13:37,550 AND THAT'S PUT A WET TOWEL ON OUR RELATIONSHIP. 373 00:13:37,650 --> 00:13:39,051 BOYS GO TO BED-- YOU GET LONELY. 374 00:13:39,151 --> 00:13:41,287 DID YOU SEEK OUTSIDE THE MARRIAGE? 375 00:13:41,387 --> 00:13:45,357 UM... 376 00:13:45,457 --> 00:13:47,827 FOR US TO BE MARRIED FOR SEVEN YEARS... 377 00:13:47,927 --> 00:13:49,361 YOU CHEAT ON ME FOR FIVE OF THEM. 378 00:13:49,461 --> 00:13:50,796 THAT MAKES HIM A WHORE. 379 00:13:50,896 --> 00:13:54,099 EVERYDAY HAS BEEN A BATTLE. 380 00:13:54,200 --> 00:13:55,568 DO YA'LL KNOW WHERE TRINA'S AT? 381 00:13:55,668 --> 00:13:56,969 YEAH, I THINK SHE'S IN THE BACK. 382 00:13:57,069 --> 00:13:58,504 OKAY. 383 00:14:04,043 --> 00:14:05,010 - YEAH. - CAN'T WAIT TO LEARN IT. 384 00:14:05,110 --> 00:14:06,478 YEAH, THAT'S COMING TOGETHER. 385 00:14:09,849 --> 00:14:12,651 I THINK THE BAND-- I DON'T LIKE ALL OF THEM. 386 00:14:12,751 --> 00:14:16,322 I DON'T TRUST THEM, BECAUSE THEIR LOYALTY IS TO TRINA, 387 00:14:16,422 --> 00:14:18,023 NOT TO ME. 388 00:14:20,459 --> 00:14:21,560 I'M SORRY. 389 00:14:21,660 --> 00:14:22,695 WHAT THE HELL IS GABE DOING 390 00:14:22,795 --> 00:14:24,396 IN THE MIDDLE OF MY REHEARSAL? 391 00:14:24,496 --> 00:14:26,699 I'LL BE RIGHT BACK-- I'LL BE RIGHT BACK. 392 00:14:26,799 --> 00:14:28,467 I HAVE AN ISSUE THAT I WANNA TALK ABOUT. 393 00:14:28,567 --> 00:14:29,835 WHAT DO YOU WANNA TALK ABOUT? 394 00:14:29,935 --> 00:14:32,104 - ABOUT TOWANDA AND ANDRE. - WANNA TALK ABOUT THAT NOW? 395 00:14:32,204 --> 00:14:33,505 I DON'T THINK THAT THE ONLY REASON 396 00:14:33,606 --> 00:14:35,207 GABE CAME TO THE REHEARSAL HALL 397 00:14:35,307 --> 00:14:37,643 WAS TO TALK TO ME ABOUT ANDRE AND TOWANDA. 398 00:14:37,743 --> 00:14:40,246 GABE CAME TO CHECK UP ON ME 399 00:14:40,346 --> 00:14:42,715 BECAUSE HE HAS TRUST ISSUES. 400 00:14:42,815 --> 00:14:45,784 THERE ARE CERTAIN MEMBERS OF THE BAND THAT I'M VERY CLOSE TO, 401 00:14:45,885 --> 00:14:48,120 AND THAT MAKES HIM UNCOMFORTABLE. 402 00:14:48,220 --> 00:14:50,689 THIS IS ALL BECAUSE YOU DON'T RESPECT WHAT I DO. 403 00:14:50,789 --> 00:14:52,157 YOU DON'T RESPECT WHAT I DO. - YES, I DO. 404 00:14:52,258 --> 00:14:53,626 'CAUSE IF YOU RESPECTED WHAT I DID 405 00:14:53,726 --> 00:14:57,162 YOU WOULD NOT COME IN HERE AND INTERRUPT REHEARSAL. 406 00:14:57,263 --> 00:14:58,464 NOW YOU ABOUT TO MESS UP MY MOJO 407 00:14:58,564 --> 00:15:00,766 AND I CAN'T GO IN THERE AND DANCE PROPERLY. 408 00:15:00,866 --> 00:15:01,901 IS THIS ABOUT TOWANDA AND ANDRE, 409 00:15:02,001 --> 00:15:04,403 OR IS THIS BECAUSE YOU DON'T TRUST ME? 410 00:15:04,503 --> 00:15:06,872 THE BAND HAS TAKEN A LOT OUT OF US. 411 00:15:06,972 --> 00:15:08,807 TRINA IS WITH THE BAND A LOT. 412 00:15:08,908 --> 00:15:12,244 THE BAND ALMOST SEEM LIKE TO ME 413 00:15:12,344 --> 00:15:15,648 LIKE IT WAS COMPETING WITH OUR FAMILY. 414 00:15:15,748 --> 00:15:17,349 I THINK YOU CAME DOWN HERE BECAUSE YOU DON'T TRUST ME 415 00:15:17,449 --> 00:15:19,018 WITH THIS WHOLE BAND SITUATION. 416 00:15:19,118 --> 00:15:20,853 SO, WE CAN DISCUSS TOWANDA AND ANDRE 417 00:15:20,953 --> 00:15:22,454 WHEN WE GET TO THE HOUSE. 418 00:15:22,554 --> 00:15:24,790 AND GUESS WHAT, I'M GOING BACK TO WORK. 419 00:15:24,890 --> 00:15:26,158 OKAY. 420 00:15:26,258 --> 00:15:27,893 CAN I WATCH YOU SING? - NO. 421 00:15:27,993 --> 00:15:29,561 YOU CAN GO HOME. 422 00:15:44,343 --> 00:15:46,211 HELLO? 423 00:15:46,312 --> 00:15:47,980 OKAY, SO I'M COMING OVER TO TONI'S HOUSE 424 00:15:48,080 --> 00:15:49,715 AND I AS I'M PULLING UP, 425 00:15:49,815 --> 00:15:54,153 I SEE HER EX-HUSBAND, KERI CAR LEAVING THE DRIVEWAY. 426 00:15:54,253 --> 00:15:56,422 I MEAN, AIN'T NO REASON FOR HIM TO COME OVER THERE. 427 00:15:56,522 --> 00:15:57,856 AIN'T NO REASON TO COME OVER THERE 428 00:15:57,957 --> 00:15:59,758 BUT TO KNOCK SOME BOOTS. 429 00:15:59,858 --> 00:16:00,759 TONI! 430 00:16:00,859 --> 00:16:02,594 I'M IN THE BATHROOM-- I'M COMIN'. 431 00:16:02,695 --> 00:16:05,698 WHERE IS TONI 432 00:16:05,798 --> 00:16:08,767 PROBABLY IN THE SHOWER 433 00:16:08,867 --> 00:16:11,203 'CAUSE SHE AND KERI 434 00:16:11,303 --> 00:16:14,006 HAVE PROBABLY JUST FINISHED 435 00:16:14,106 --> 00:16:17,576 BUMPIN' AND GRINDIN' 436 00:16:21,013 --> 00:16:23,482 - WHAT ARE YOU DOIN'? - YEAH! 437 00:16:23,582 --> 00:16:24,950 GIRL, I WROTE A SONG JUST FOR YOU. 438 00:16:25,050 --> 00:16:26,452 COME OVER HERE-- I'M GONNA TEACH YOU. 439 00:16:29,321 --> 00:16:32,091 TONI 440 00:16:32,191 --> 00:16:33,592 I'M NOT LISTENING TO THIS. 441 00:16:33,692 --> 00:16:36,261 IS HIDING 442 00:16:36,362 --> 00:16:40,165 'CAUSE I SAW KERI LEAVIN' 443 00:16:40,265 --> 00:16:44,803 AND YA'LL IS BUMPIN' AND GRINDIN'. 444 00:16:44,903 --> 00:16:46,905 I'M NOT LISTENIN' TO YOU, TAMAR. 445 00:16:47,006 --> 00:16:49,174 THAT'S WHY I DON'T WANT TAMAR IN MY BUSINESS. 446 00:16:49,274 --> 00:16:51,443 SHE METTLES WAY TOO MUCH. 447 00:16:51,543 --> 00:16:53,045 I DON'T KNOW WHAT YOU TALKIN' ABOUT. 448 00:16:54,947 --> 00:16:56,982 SHUT UP! 449 00:16:57,082 --> 00:16:58,817 GIRL... - UGH! 450 00:16:58,917 --> 00:17:01,220 OKAY, KERI WAS HERE. - AND WHAT HAPPENED? 451 00:17:01,320 --> 00:17:03,055 HE JUST CAME BY TO DROP OFF SOME STUFF. 452 00:17:03,155 --> 00:17:04,056 WHAT? 453 00:17:06,091 --> 00:17:07,993 I KNOW THAT'S RIGHT. 454 00:17:08,093 --> 00:17:09,762 I KNEW IT-- I KNOW'D IT. 455 00:17:09,862 --> 00:17:11,363 YES, I DID. 456 00:17:11,463 --> 00:17:12,798 I MEAN, YOU CAN'T REALLY HIDE THAT MUCH 457 00:17:12,898 --> 00:17:14,099 FROM DETECTIVE TAMAR. 458 00:17:14,199 --> 00:17:15,300 WE HAVE CHILDREN TOGETHER. 459 00:17:15,401 --> 00:17:16,869 WE HAVE TO HAVE MEETINGS AND TALK ABOUT THINGS, RIGHT? 460 00:17:16,969 --> 00:17:18,270 NO, USUALLY PEOPLE WITH BABY DADDY'S 461 00:17:18,370 --> 00:17:20,072 HAVE MEETINGS WITH THE BABIES. 462 00:17:20,172 --> 00:17:21,807 - NO. - YOUR KIDS IS OUT OF TOWN. 463 00:17:21,907 --> 00:17:24,376 THAT IS CALLED A "DATE" WITH YOUR BABY DADDY. 464 00:17:24,476 --> 00:17:26,612 - WE JUST HAD A MEETING. - WHERE YOUR BOOTS AT? 465 00:17:26,712 --> 00:17:28,447 HE KNOCKED 'EM OFF. 466 00:17:31,417 --> 00:17:34,887 KERI'S AND I RELATIONSHIP HAS... WHOO-- COME FULL CIRCLE. 467 00:17:34,987 --> 00:17:38,223 UH, IN 2009, WE SEPARATED. 468 00:17:38,323 --> 00:17:40,192 AND THEN IN 2010, WE FILED FOR DIVORCE. 469 00:17:40,292 --> 00:17:41,994 BUT WE'RE STILL GREAT FRIENDS 470 00:17:42,094 --> 00:17:43,929 BECAUSE WE HAVE KIDS TOGETHER, 471 00:17:44,029 --> 00:17:45,597 AND ONCE THE KIDS AND I MOVED OUT HERE, 472 00:17:45,697 --> 00:17:48,300 THEN KERI AND I STARTED DATING AND HERE WE ARE. 473 00:17:48,400 --> 00:17:50,502 WE'VE BEEN OUT ON A FEW DATES. 474 00:17:50,602 --> 00:17:51,970 OH, SO, YA'LL ARE KICKIN' IT? 475 00:17:52,071 --> 00:17:54,540 OKAY, WE ARE DATING A LITTLE TEENY BIT. 476 00:17:54,640 --> 00:17:56,642 I THINK THAT'S GREAT. 477 00:17:56,742 --> 00:17:58,944 I'M GLAD SOMEBODY'S CRACKIN' YOUR BACK, GIRL. 478 00:17:59,044 --> 00:18:00,345 - WHAT? - GLAD. 479 00:18:00,446 --> 00:18:02,081 TAMAR, DON'T SAY THAT. 480 00:18:02,181 --> 00:18:03,282 COME ON-- COME SING MY SONG. 481 00:18:03,382 --> 00:18:04,516 I'M NOT GONNA SING YOUR SONG. 482 00:18:04,616 --> 00:18:08,987 TONI'S GETTING BACK WITH HER BABY'S... 483 00:18:09,088 --> 00:18:10,556 BYE! 484 00:18:10,656 --> 00:18:12,324 - TONI, COME BACK! - I'M NOT! 485 00:18:22,501 --> 00:18:25,637 I AM SO PISSED OFF AT GABE FOR BUSTING INTO MY REHEARSAL. 486 00:18:25,737 --> 00:18:27,840 I'M JUST GLAD THAT I HAVE MY SISTER, 487 00:18:27,940 --> 00:18:31,443 SO I'LL HAVE SOMEONE PLEASANT TO TALK TO WHEN I GET HOME. 488 00:18:31,543 --> 00:18:33,879 - HEY, GUYS. - HEY, TRINI. 489 00:18:33,979 --> 00:18:35,380 BOY, YOU REALLY SEEM TALL TODAY. 490 00:18:35,481 --> 00:18:36,582 IT'S MY SHOES. 491 00:18:36,682 --> 00:18:38,150 AREN'T THEY CUTE, THOUGH? - THEY'RE ADORABLE. 492 00:18:38,250 --> 00:18:39,384 THANKS-- I LIKE 'EM. 493 00:18:39,485 --> 00:18:41,820 DO YOU NORMALLY CREATE THE TIP MESSAGES 494 00:18:41,920 --> 00:18:44,990 OR DO YOU HAND THAT OVER TO EDWARD? 495 00:18:45,090 --> 00:18:48,193 IT'S BAD ENOUGH THAT ANDRE AND TOWANDA DISTURB ME AT WORK, 496 00:18:48,293 --> 00:18:51,163 AND NOW TRINA IS BEIN' LOUD. 497 00:18:51,263 --> 00:18:54,399 COME ON, NOW-- THIS IS RIDICULOUS. 498 00:18:54,500 --> 00:18:55,400 TRINA, WHENEVER YOU HAVE A SECOND, 499 00:18:55,501 --> 00:18:56,401 CAN YOU COME TO MY OFFICE, PLEASE? 500 00:18:56,502 --> 00:18:57,536 WHO, ME? 501 00:18:57,636 --> 00:18:59,104 GABE, HE'S BEEN COMPLAINING ABOUT THE BILLS 502 00:18:59,204 --> 00:19:00,672 AND COMPLAINING ABOUT THE EXTRA MONEY 503 00:19:00,772 --> 00:19:02,074 THAT WE'RE SPENDING EVERY MONTH 504 00:19:02,174 --> 00:19:04,176 AND COMPLAINING ABOUT OUR SPACE BEING INVADED. 505 00:19:04,276 --> 00:19:06,879 AND, IT IS LIKE HE WANTS TO COMPLAIN ABOUT EVERYTHING 506 00:19:06,979 --> 00:19:08,714 TO GET ATTENTION. 507 00:19:08,814 --> 00:19:10,015 ANDRE AND TOWANDA 508 00:19:10,115 --> 00:19:12,151 PRETTY MUCH OVERSTEPPED THEIR BOUNDARIES. 509 00:19:12,251 --> 00:19:15,120 I THINK WE NEED TO GIVE 'EM A TIMELINE 510 00:19:15,220 --> 00:19:19,191 AS FAR AS YOU KNOW, MOVIN' OUT. 511 00:19:19,291 --> 00:19:20,792 WHY? - I'M NOT DOIN' THAT. 512 00:19:20,893 --> 00:19:22,194 - WHY? - 'CAUSE THAT'S MY SISTER. 513 00:19:22,294 --> 00:19:24,463 I INVITED TOWANDA TO COME AND STAY WITH ME. 514 00:19:24,563 --> 00:19:26,532 AND I KNOW THAT IF THE TABLES WERE TURNED, 515 00:19:26,632 --> 00:19:28,867 THAT SHE WOULD DO THE SAME EXACT THING FOR ME. 516 00:19:28,967 --> 00:19:31,370 SHE IS THE CLOSEST TO ME OUT OF ALL MY SISTERS, 517 00:19:31,470 --> 00:19:33,505 AND I'M GONNA BE THERE FOR HER NOT MATTER WHAT. 518 00:19:33,605 --> 00:19:35,474 IT'S JUST DIFFICULT FOR ME TO WORK HERE. 519 00:19:35,574 --> 00:19:37,442 MAYBE YOU SHOULD GET AN OFFICE SOMEWHERE ELSE. 520 00:19:37,543 --> 00:19:39,144 NO-- I'M NOT GONNA PAY-- RENT AN OFFICE, 521 00:19:39,244 --> 00:19:41,046 SO I CAN GO SOMEWHERE ELSE TO WORK. 522 00:19:41,146 --> 00:19:43,248 GABE, WE ALL KNOW, IS A LITTLE BIRD. 523 00:19:43,348 --> 00:19:45,584 CHEAP-CHEAP-CHEAP! 524 00:19:45,684 --> 00:19:47,152 I MEAN, IF YOU FEEL LIKE YOU WANNA HAVE THAT CONVERSATION, 525 00:19:47,252 --> 00:19:48,187 THAT'S ON YOU, 526 00:19:48,287 --> 00:19:49,521 BUT I'M NOT GONNA TELL MY SISTER 527 00:19:49,621 --> 00:19:51,957 THAT SHE DOESN'T HAVE A PLACE TO STAY. 528 00:19:52,057 --> 00:19:54,159 HER FAMILY MEANS SO MUCH TO HER 529 00:19:54,259 --> 00:19:57,229 THAT SOMETIMES THEIR DECISIONS COME IN THE WAY 530 00:19:57,329 --> 00:19:59,731 OF OUR HOUSEHOLD DECISIONS... 531 00:19:59,831 --> 00:20:02,367 OF THINGS THAT SHOULD JUST BE BETWEEN ME AND TRINA. 532 00:20:02,467 --> 00:20:04,069 WE NEED TO GIVE 'EM A DEADLINE 533 00:20:04,169 --> 00:20:06,271 ON WHEN THEY NEED TO LEAVE-- THAT'S ALL I'M SAYIN'. 534 00:20:06,371 --> 00:20:09,274 AND I TOLD YOU BEFORE THAT I'M NOT DOIN' IT. 535 00:20:09,374 --> 00:20:11,109 I THINK YOU SHOULD STAND BESIDE ME 536 00:20:11,210 --> 00:20:13,011 ON THE DECISIONS THAT I MAKE. 537 00:20:13,111 --> 00:20:14,746 I AM NEVER GOING TO TELL MY SISTER 538 00:20:14,846 --> 00:20:16,448 THAT SHE DOES NOT HAVE A PLACE TO STAY. 539 00:20:16,548 --> 00:20:17,816 I AM NEVER GOING TO TELL MY SISTER, 540 00:20:17,916 --> 00:20:19,952 "HEY, TOWANDA, YOU AND THE BABIES CAN'T STAY HERE 541 00:20:20,052 --> 00:20:21,420 BECAUSE MY HUSBAND HAS A PROBLEM WITH PAYING 542 00:20:21,520 --> 00:20:23,889 AN ADDITIONAL TEN DOLLARS A DAMN MONTH FOR SOME BILL. 543 00:20:23,989 --> 00:20:25,991 I AM PERSONALLY NOT DOING IT. 544 00:20:26,091 --> 00:20:27,726 I DON'T WANT ANY PART OF THAT CONVERSATION 545 00:20:27,826 --> 00:20:29,294 BECAUSE I DON'T AGREE WITH IT. 546 00:20:29,394 --> 00:20:30,596 I'M NEVER GONNA TELL MY SISTER THAT-- 547 00:20:30,696 --> 00:20:32,397 - CAN I SAY SOMETHING? - YOU CAN'T SAY ANYTHING-- NO. 548 00:20:32,497 --> 00:20:33,599 BECAUSE THERE IS NO FINISHING. 549 00:20:33,699 --> 00:20:35,167 THE CONVERSATION IS OVER. 550 00:20:35,267 --> 00:20:36,201 THERE'S NOTHING LEFT TO SAY. 551 00:20:36,301 --> 00:20:37,569 AS MATTER OF FACT, 552 00:20:37,669 --> 00:20:39,404 I JUST NEED TO GET OUT BECAUSE I'M NOT DOING IT. 553 00:20:39,504 --> 00:20:40,906 - OKAY. - PERIOD! 554 00:20:41,006 --> 00:20:42,975 IF TRINA CARES MORE ABOUT HER SISTER LIVING HERE 555 00:20:43,075 --> 00:20:45,877 THAN OUR MARRIAGE, THEN WE DEFINITELY NEED 556 00:20:45,978 --> 00:20:47,546 TO GET SOME PROFESSIONAL HELP. 557 00:20:47,646 --> 00:20:48,780 RIDICULOUS. 558 00:20:48,880 --> 00:20:51,183 - YOU'RE RIDICULOUS. - YOU'RE RIDICULOUS. 559 00:20:51,283 --> 00:20:53,552 COMING UP, ON "BRAXTON FAMILY VALUES..." 560 00:20:53,652 --> 00:20:54,853 NO. 561 00:20:54,953 --> 00:20:56,255 I'M THE ONE WITH THE ATTITUDE? 562 00:20:56,355 --> 00:20:58,056 WAIT A MINUTE-- WAIT A MINUTE. 563 00:20:58,156 --> 00:21:00,092 I MEAN, NOBODY CAN SAY ANYTHING EXCEPT MISS TAMAR. 564 00:21:00,192 --> 00:21:01,760 I DON'T THINK SO. 565 00:21:01,860 --> 00:21:02,995 OUR WEDDING ANNIVERSARY IS COMING UP AND I SAID, 566 00:21:03,095 --> 00:21:04,830 "YOU KNOW WHAT, GABE, I WOULD LIKE TO HAVE A NEW BAND." 567 00:21:04,930 --> 00:21:06,098 "IF YOU GET SOMETHIN' LIKE THAT, 568 00:21:06,198 --> 00:21:07,633 "YOU HAVE TO PUT OUT MORE FOR THAT. 569 00:21:07,733 --> 00:21:09,501 LIKE I'M SOME HO HE JUST MET. 570 00:21:21,747 --> 00:21:21,846 I 571 00:21:21,847 --> 00:21:21,946 I ASKED 572 00:21:21,947 --> 00:21:22,013 I ASKED TAMAR 573 00:21:22,014 --> 00:21:22,079 I ASKED TAMAR TO 574 00:21:22,080 --> 00:21:22,179 I ASKED TAMAR TO COME 575 00:21:22,180 --> 00:21:22,246 I ASKED TAMAR TO COME OVER 576 00:21:22,247 --> 00:21:22,346 I ASKED TAMAR TO COME OVER AND 577 00:21:22,347 --> 00:21:22,446 I ASKED TAMAR TO COME OVER AND VISIT 578 00:21:22,447 --> 00:21:22,513 I ASKED TAMAR TO COME OVER AND VISIT MOMMY 579 00:21:22,514 --> 00:21:23,981 I ASKED TAMAR TO COME OVER AND VISIT MOMMY AND 580 00:21:23,982 --> 00:21:24,483 I ASKED TAMAR TO COME OVER AND VISIT MOMMY AND TRACI 581 00:21:24,583 --> 00:21:25,917 WHILE THEY'RE IN TOWN. 582 00:21:26,018 --> 00:21:27,619 I'M HOPING THAT TAMAR WILL FINALLY TALK ABOUT 583 00:21:27,719 --> 00:21:29,454 HER SOLO PROJECT. 584 00:21:29,554 --> 00:21:31,189 I THINK IT'S TIME TO TALK ABOUT IT NOW. 585 00:21:31,290 --> 00:21:32,958 SO WHAT YA'LL BEEN DOIN' BEFORE I GOT HERE? 586 00:21:33,058 --> 00:21:34,960 - I'M STILL UNPACKING. - RIGHT. 587 00:21:35,060 --> 00:21:37,529 YEAH, WE WERE TALKING ABOUT TONI'S LOVELY KITCHEN. 588 00:21:37,629 --> 00:21:38,597 YES. 589 00:21:38,697 --> 00:21:40,432 THAT'S ALL YA'LL TALKED ABOUT IS THE HOUSE? 590 00:21:40,532 --> 00:21:42,000 WHY-- YOU GOT SOMETHIN' TO TELL US? 591 00:21:42,100 --> 00:21:43,135 WHAT YA MEAN-- NO, I DON'T HAVE ANYTHING TO SAY. 592 00:21:43,235 --> 00:21:46,438 I JUST WANNA KNOW WHAT THE 411 IS? 593 00:21:46,538 --> 00:21:49,775 WHY ARE YOU SO MUM, EVELYN AND TONI? 594 00:21:49,875 --> 00:21:51,710 I MEAN, WHY IS EVERYBODY ACTIN' ALL WEIRD, 595 00:21:51,810 --> 00:21:53,912 LIKE I WAS ON "AMERICA'S MOST WANTED?" 596 00:21:54,012 --> 00:21:55,547 I MEAN, YES, I'M IN AMERICA. 597 00:21:55,647 --> 00:21:57,683 AND, YES, I'M WANTED 598 00:21:57,783 --> 00:22:00,952 AND IT'S PROBABLY ILLEGAL TO BE THIS HOT, 599 00:22:01,053 --> 00:22:02,954 BUT I AIN'T DID NOTHIN' TO NOBODY. 600 00:22:03,055 --> 00:22:03,955 SO WHAT HAVE YOU BEEN UP TO, TAY? 601 00:22:04,056 --> 00:22:05,691 TRYING TO FIND MYSELF-- THAT'S IT. 602 00:22:05,791 --> 00:22:08,727 WELL, WHAT HAVE YOU BEEN WORKING ON? 603 00:22:08,827 --> 00:22:12,397 UM, I'VE BEEN WRITING-- TRYING TO WRITE, BUT I CAN'T-- 604 00:22:12,497 --> 00:22:14,866 I HAVE WRITER'S BLOCK. - WRITER'S BLOCK? 605 00:22:14,966 --> 00:22:17,002 SHE BETTER BE WRITIN' FOR THE NEXT HARRY POTTER 606 00:22:17,102 --> 00:22:19,638 AND NOT HER OWN SONGS OR SHE'S TRIPPIN'. 607 00:22:19,738 --> 00:22:21,239 SO, IF YOU DECIDE TO DO SOMETHIN' ON YOUR OWN, 608 00:22:21,340 --> 00:22:22,841 YOU WOULD TELL ME, RIGHT? 609 00:22:22,941 --> 00:22:24,309 I JUST WANNA KNOW WHAT'S GOIN' ON WITH 610 00:22:24,409 --> 00:22:26,411 THE BRAXTON'S FIRST. - THAT'S WHAT I WANNA KNOW. 611 00:22:26,511 --> 00:22:27,746 I MEAN, REGARDLESS, 612 00:22:27,846 --> 00:22:29,381 I AM GONNA PUT OUT A SOLO RECORD, 613 00:22:29,481 --> 00:22:32,551 BUT IF WE WERE TO DO A BRAXTON RECORD, 614 00:22:32,651 --> 00:22:35,921 THAT WOULD COME FIRST AND THEN I WOULD... 615 00:22:36,021 --> 00:22:37,856 WELL, ACTUALLY, YES, I DID. 616 00:22:37,956 --> 00:22:39,157 I KIND OF LIED, 617 00:22:39,257 --> 00:22:41,960 BECAUSE I'M ACTUALLY WORKIN' ON MY OWN SINGLE-- SO WHAT? 618 00:22:42,060 --> 00:22:42,994 BUT I COULDN'T TELL THEM THAT 619 00:22:43,095 --> 00:22:45,697 BECAUSE THEY GONNA BE GOIN' CRAZY ON ME. 620 00:22:45,797 --> 00:22:47,566 AND I'M STILL TRYING TO DO THE BRAXTON'S RECORD, 621 00:22:47,666 --> 00:22:50,635 AS LONG AS TONI BRAXTON IS TRYIN' TO DO IT. 622 00:22:50,736 --> 00:22:52,037 LET'S JUST BE REAL HONEST ABOUT IT. 623 00:22:52,137 --> 00:22:54,439 SINCE TONI DECIDED NOT TO DO IT AND I-- 624 00:22:54,539 --> 00:22:56,475 - IS THAT WHAT I SAID? - YOU SAY YOU'RE NOT DOIN' IT. 625 00:22:56,575 --> 00:22:58,610 I THINK A FEW SONGS WILL ALWAYS WORK, 626 00:22:58,710 --> 00:23:00,379 BUT YOU WANTED IT TO BE THE WHOLE ALBUM. 627 00:23:00,479 --> 00:23:02,114 WELL, AN EP IS NOT THAT MANY SONGS. 628 00:23:02,214 --> 00:23:04,049 AN EP IS LIKE, EIGHT SONGS. 629 00:23:04,149 --> 00:23:05,751 YOU GOT TAMAR SAYIN' IT'S TONI'S FAULT 630 00:23:05,851 --> 00:23:08,320 AND TONI SAYIN' IT'S TAMAR'S FAULT. 631 00:23:08,420 --> 00:23:09,788 I'M SO CONFUSED. 632 00:23:09,888 --> 00:23:12,023 BUT THAT MAKES MORE SENSE FOR ME TO GO-- BE FEATURED, 633 00:23:12,124 --> 00:23:13,592 THEN I MENTIONED FOR YOU GUYS BEING ON MY RECORD. 634 00:23:13,692 --> 00:23:14,893 YOU DIDN'T WANNA DO THAT. 635 00:23:14,993 --> 00:23:17,162 BECAUSE THEN, THAT MAKES US BACKGROUND SINGERS. 636 00:23:17,262 --> 00:23:18,463 BACKGROUND SINGING IS GREAT. 637 00:23:18,563 --> 00:23:19,698 I'M JUST NOT DOING IT NO MORE. 638 00:23:19,798 --> 00:23:21,967 POINT BLANK PERIOD-- I'M DONE DOT COM. 639 00:23:22,067 --> 00:23:23,568 WHATEVER-- EXCLAMATION POINT. 640 00:23:23,668 --> 00:23:24,870 GOODBYE-- I'M NOT DOIN' IT. 641 00:23:24,970 --> 00:23:26,204 PERIOD! 642 00:23:26,304 --> 00:23:27,873 I DON'T WANT YOU TO SIT AND DISRESPECT BACKGROUND SINGING, 643 00:23:27,973 --> 00:23:29,674 BECAUSE A LOT OF US GOT HERE BY DOING BACKGROUND SINGING. 644 00:23:29,775 --> 00:23:31,376 NO, THAT'S NOT WHAT I MEAN. 645 00:23:31,476 --> 00:23:33,145 WELL, YOU SAID SINGING BACKGROUND WITH TONI BRAXTON, 646 00:23:33,245 --> 00:23:34,346 THAT AIN'T HOT. 647 00:23:34,446 --> 00:23:36,148 IT AIN'T HOT-- NOT FOR ME. 648 00:23:36,248 --> 00:23:39,384 IT'S DISRESPECTFUL TO THE CRAFT, ALL OF US SINGERS 649 00:23:39,484 --> 00:23:41,286 WHO GOT HERE BY SINGING BACKGROUND. 650 00:23:41,386 --> 00:23:42,788 AIN'T NOBODY DISRESPECTIN' THE CRAFT 651 00:23:42,888 --> 00:23:44,689 OF BACKGROUND SINGER. 652 00:23:44,790 --> 00:23:46,591 I MADE A WHOLE LOT OF MONEY SINGING BACKGROUND. 653 00:23:46,691 --> 00:23:48,960 IT WAS GREAT FOR ME, YOU KNOW, WHEN I WAS DOIN' IT, 654 00:23:49,060 --> 00:23:51,430 BUT THAT'S NOT WHAT I WANT TO DO ANYMORE-- 655 00:23:51,530 --> 00:23:53,064 AND GUESS WHAT, THAT IS MY CHOICE, 656 00:23:53,165 --> 00:23:55,634 JUST LIKE IT'S HER CHOICE THAT SHE DON'T WANNA SING 657 00:23:55,734 --> 00:23:58,236 ON THE BRAXTONS ALBUM-- BOOM. 658 00:23:58,336 --> 00:24:00,005 I'VE SAID, TIME AND TIME AGAIN-- 659 00:24:04,042 --> 00:24:05,410 I'M OUT HERE SINGING DOO-WOP-POP-POP 660 00:24:05,510 --> 00:24:07,179 WITH TONI BRAXTON... 661 00:24:07,279 --> 00:24:09,347 - STOP ALREADY. - HOLD ON. 662 00:24:09,448 --> 00:24:12,517 SOMEBODY GOT TO DO THE BACKGROUND. 663 00:24:12,617 --> 00:24:15,153 MY FAMILY WILL FIND ANY REASON TO PICK ON TAMAR. 664 00:24:15,253 --> 00:24:17,823 FOR SOME REASON MY SISTERS DON'T WANNA HEAR 665 00:24:17,923 --> 00:24:20,258 ABOUT WHAT I'M DOIN' AS AN INDIVIDUAL. 666 00:24:20,358 --> 00:24:22,594 EVERY TIME I SAY SOMETHING IT'S LIKE, 667 00:24:22,694 --> 00:24:24,796 "MM-HMM-- SHE SNEAKIN', SHE PLOTTIN'." 668 00:24:24,896 --> 00:24:27,466 SO, YOU KNOW, I JUST TOOK IT AS LIKE, WHAT... 669 00:24:27,566 --> 00:24:29,634 I CAN'T TALK ABOUT THE THINGS I'M DOING? 670 00:24:29,734 --> 00:24:30,635 LIKE, FOR REAL. 671 00:24:30,735 --> 00:24:32,737 ALL I SAID WAS I'M NOT COMFORTABLE 672 00:24:32,838 --> 00:24:34,773 WITH THE BRAXTONS FEATURING TONI BRAXTON. 673 00:24:34,873 --> 00:24:36,308 THAT MAKES ME A BACKGROUND SINGER. 674 00:24:36,408 --> 00:24:38,810 - IT'S DONE. 675 00:24:38,910 --> 00:24:40,712 WAIT A MINUTE-- FIRST OF ALL... 676 00:24:40,812 --> 00:24:42,380 - I FORGOT-- - NO. 677 00:24:42,481 --> 00:24:44,149 FIRST OF ALL, 678 00:24:44,249 --> 00:24:46,451 THERE'S NO NEED IN GETTIN' ATTI-DERN-TUDE... 679 00:24:46,551 --> 00:24:47,786 - I'M THE ONE WITH ATTITUDE? - WAIT A MINUTE! 680 00:24:47,886 --> 00:24:50,455 WHO-WHO'S TRYIN' TO BE NASTY? 681 00:24:50,555 --> 00:24:53,158 OH, SO YOU GONNA GET MAD AND WALK OUT? 682 00:24:53,258 --> 00:24:55,160 I HAD TO LEAVE TONI'S HOUSE BECAUSE AT THAT POINT, 683 00:24:55,260 --> 00:24:57,462 I JUST FELT JUST TOTALLY DISRESPECTED AND ATTACKED. 684 00:24:57,562 --> 00:25:00,432 I DIDN'T GET THE CHANCE TO SAY ANYTHING. 685 00:25:00,532 --> 00:25:01,766 LIKE WHAT THE WE ARE TALKIN' ABOUT 686 00:25:01,867 --> 00:25:03,401 THAT BULL FROM LAST SEASON FOR? 687 00:25:03,502 --> 00:25:04,669 IT'S STUPID. 688 00:25:04,769 --> 00:25:06,438 HOLD UP-- WAIT A MINUTE-- REAL QUICK. 689 00:25:06,538 --> 00:25:08,240 YOU'RE MAKIN' YOURSELF LOOK BAD, TAMAR. 690 00:25:08,340 --> 00:25:09,674 YOU DOIN' THAT YOURSELF. 691 00:25:09,774 --> 00:25:11,109 NOBODY'S MAKIN' YOU LOOK BAD. 692 00:25:11,209 --> 00:25:12,878 YOU'RE DOIN' THAT YOURSELF. 693 00:25:12,978 --> 00:25:14,379 EVERYBODY'S TRYIN' TO GET BACK AT TAMAR 694 00:25:14,479 --> 00:25:16,014 FOR WHAT TAMAR SAID LAST SEASON. 695 00:25:16,114 --> 00:25:17,582 THIS IS NOT WHAT THIS IS ABOUT. 696 00:25:17,682 --> 00:25:21,553 IT'S ABOUT LAST SEASON, THIS SEASON, AND FUTURE SEASONS. 697 00:25:21,653 --> 00:25:22,954 YOU CAME TO ME WITH DOING AN ALBUM 698 00:25:23,054 --> 00:25:24,956 NOW YOU WANNA DO YOUR PROJECT? 699 00:25:25,056 --> 00:25:27,225 WHAT'S THAT ABOUT? 700 00:25:27,325 --> 00:25:28,593 OH, NOW SHE'S GONE. 701 00:25:28,693 --> 00:25:31,329 TAMAR CAN'T HANDLE SUCCESS-- IT GOES STRAIGHT TO HER HEAD. 702 00:25:31,429 --> 00:25:32,898 OUR FAMILY GOT A LOT OF PRESS LAST SEASON, 703 00:25:32,998 --> 00:25:34,533 A LOT OF EXPOSURE... 704 00:25:34,633 --> 00:25:37,068 BUT I DO THINK A LITTLE OF IT HAS GONE TO TAMAR'S HEAD-- 705 00:25:37,168 --> 00:25:38,403 BIT OF A DIVA. 706 00:25:38,503 --> 00:25:41,473 I MEAN, NOBODY CAN SAY ANYTHING EXPECT MISS TAMAR? 707 00:25:41,573 --> 00:25:42,941 I DON'T THINK SO! 708 00:25:43,041 --> 00:25:44,209 YOU'RE SUPPOSED TO LEAVE A SITUATION 709 00:25:44,309 --> 00:25:45,911 IF YOU THINK YOU'RE GONNA GET ANGRY, 710 00:25:46,011 --> 00:25:47,546 AND THAT'S EXACTLY WHAT I DID. 711 00:25:47,646 --> 00:25:49,180 THE FIGHT THAT I HAD AT TONI'S HOUSE, 712 00:25:49,281 --> 00:25:51,149 I FEEL LIKE IT WAS REALLY RIDICULOUS, 713 00:25:51,249 --> 00:25:54,653 UNWARRANTED AND JUST, WHY EVERYBODY JUMPIN' ON TAY-TAY? 714 00:25:54,753 --> 00:25:56,821 DOESN'T MAKE SENSE. 715 00:25:56,922 --> 00:25:58,189 THERE'S NOTHIN' YOU CAN DO, MAMA. 716 00:25:58,290 --> 00:25:59,190 PISS ME OFF. 717 00:25:59,291 --> 00:26:00,458 IT HAS TO TAKE ITS COURSE, 718 00:26:00,559 --> 00:26:02,027 AND YOU JUST HAVE TO ACCEPT IT HAS TO TAKE IT'S COURSE. 719 00:26:02,127 --> 00:26:04,963 AND THEN YOU'RE GONNA WALK OUT, HOP IN YOUR CAR 720 00:26:05,063 --> 00:26:07,465 AND LEAVE BECAUSE YOU GOT A ATTITUDE. 721 00:26:07,566 --> 00:26:09,000 BECAUSE SHE'S THE YOUNGEST-- SHE HAS-- 722 00:26:09,100 --> 00:26:10,669 SHE'S BEEN ABLE TO SAY WHAT SHE FEELS 723 00:26:10,769 --> 00:26:12,804 AND WHATEVER SHE'S THINKING 724 00:26:12,904 --> 00:26:14,506 AND YOU CAN'T SAY ANYTHING TO TAMAR NOW, 725 00:26:14,606 --> 00:26:16,942 BECAUSE SHE'S FEELING VERY POWERFUL RIGHT NOW. 726 00:26:17,042 --> 00:26:19,744 TAMAR CAN SAY WHATEVER SHE WANTS TO SAY TO HER SISTERS... 727 00:26:19,844 --> 00:26:23,815 HOWEVER, SHE CANNOT SAY WHAT SHE WANT TO SAY TO ME. 728 00:26:23,915 --> 00:26:26,117 THAT'S WHERE I DRAW THE LINE. 729 00:26:34,859 --> 00:26:36,227 I DECIDED THAT ME AND TRINA 730 00:26:36,328 --> 00:26:38,096 NEED TO GO SEE DR. SHERRY, AGAIN. 731 00:26:38,196 --> 00:26:40,498 OUR MARRIAGE IS UNDER A LOT OF PRESSURE 732 00:26:40,599 --> 00:26:42,767 AND I FEEL LIKE IT'S JUST ABOUT TO BUST APART. 733 00:26:42,867 --> 00:26:44,903 - HI! - HI-- HOW ARE YOU! 734 00:26:45,003 --> 00:26:46,638 GOOD TO SEE YOU-- GOOD TO SEE YOU! 735 00:26:46,738 --> 00:26:48,673 COME ON BACK. 736 00:26:48,773 --> 00:26:53,011 I'M GONNA ASK WHERE DO YOU ALL SEE EACH OTHER AS A COUPLE? 737 00:26:53,111 --> 00:26:54,813 ME AND TRINA, THINGS IN OUR RELATIONSHIP 738 00:26:54,913 --> 00:26:56,982 WE HAVE GOOD WEEKS AND WE HAVE BAD WEEKS. 739 00:26:57,082 --> 00:26:59,784 LAST COUPLE OF WEEKS WE'VE JUST HAD BAD WEEKS. 740 00:26:59,884 --> 00:27:04,189 SO, I MEAN, I THINK THINGS ARE VERY IFFY. 741 00:27:04,289 --> 00:27:06,157 WE HAVEN'T BEEN VERY INTIMATE, LATELY. 742 00:27:06,257 --> 00:27:09,027 HOW IS THE SEX LIFE? 743 00:27:11,296 --> 00:27:13,331 I MEAN, I WANNA HAVE SEX ALL THE TIME. 744 00:27:13,431 --> 00:27:18,303 SHE JUST DOESN'T WANNA HAVE SEX WITH ME. 745 00:27:18,403 --> 00:27:19,604 WITH ME? 746 00:27:19,704 --> 00:27:21,172 SEE, WHAT DOES THAT MEAN? - THAT'S JUST WHAT I SAID. 747 00:27:21,272 --> 00:27:23,041 DID YOU HEAR WHAT HE SAID THOUGH? 748 00:27:23,141 --> 00:27:26,044 "SHE JUST DOESN'T WANNA HAVE SEX WITH ME." 749 00:27:26,144 --> 00:27:27,278 SO ARE YOU IMPLYING 750 00:27:27,379 --> 00:27:28,680 THAT SHE WANTS TO HAVE SEX WITH OTHERS? 751 00:27:28,780 --> 00:27:29,914 NO. 752 00:27:30,015 --> 00:27:32,584 I'M JUST SAYIN' SHE ISN'T HAVIN' SEX WITH ME. 753 00:27:32,684 --> 00:27:35,020 TRINA ALWAYS SAYS I'M TRYIN' TO BAND-AID EVERYTHING WITH SEX 754 00:27:35,120 --> 00:27:36,788 AND THAT IF I HAVE SEX, 755 00:27:36,888 --> 00:27:38,623 IT'LL MAKE THE WORLD A LOT BETTER-- 756 00:27:38,723 --> 00:27:40,291 IF HER AND I HAVE SEX. 757 00:27:40,392 --> 00:27:42,827 AND, SHE'S PROBABLY RIGHT. 758 00:27:42,927 --> 00:27:44,129 'CAUSE WHEN I DON'T HAVE SEX, 759 00:27:44,229 --> 00:27:45,230 I CAN'T KEEP MY HANDS OFF HER. 760 00:27:45,330 --> 00:27:46,431 OUR WEDDING ANNIVERSARY IS COMING UP, AND I SAID 761 00:27:46,531 --> 00:27:49,034 "YOU KNOW WHAT GABE, I WOULD LIKE TO HAVE A NEW BAND 762 00:27:49,134 --> 00:27:51,970 "FOR OUR-- FOR OUR ANNIVERSARY." 763 00:27:52,070 --> 00:27:53,004 "IF YOU GET SOMETHIN' LIKE THAT, 764 00:27:53,104 --> 00:27:54,272 "YOU HAVE TO PUT OUT MORE FOR THAT." 765 00:27:54,372 --> 00:27:57,409 LIKE I'M JUST SOME HO HE JUST MET LAST DAMN WEEK. 766 00:27:57,509 --> 00:27:58,910 NO, YOU'RE NOT A HO, YOU'RE MY WIFE. 767 00:27:59,010 --> 00:28:00,712 I WANNA SPEND TIME WITH YOU, 768 00:28:00,812 --> 00:28:04,149 BUT I FEEL LIKE YOU'RE ALWAYS OUT WITH THE BAND. 769 00:28:04,249 --> 00:28:06,685 OKAY... LET'S BE HONEST. 770 00:28:06,785 --> 00:28:08,953 GABE HAS AN ISSUE WITH THE BAND. 771 00:28:09,054 --> 00:28:12,357 IF I SPEND TOO MUCH TIME WITH ANYBODY HE GETS ANGRY. 772 00:28:12,457 --> 00:28:14,526 I SPEND AS MUCH TIME WITH THE BAND AS ANYONE ELSE DOES 773 00:28:14,626 --> 00:28:16,461 WHEN THEY'RE WORKING. 774 00:28:16,561 --> 00:28:18,063 IT'S THE SAME THING-- IT'S MY OCCUPATION. 775 00:28:18,163 --> 00:28:19,431 IT'S MY JOB-- IT'S WHAT I DO. 776 00:28:19,531 --> 00:28:20,632 I DON'T KNOW, 777 00:28:20,732 --> 00:28:22,067 I JUST FEEL LIKE SHE SPENDS A LOT OF TIME WITH THEM. 778 00:28:22,167 --> 00:28:23,802 AND NOT ONLY THAT... 779 00:28:23,902 --> 00:28:27,639 SHE'S ALWAYS TEXTIN' OR CALLING OR SOMETHING. 780 00:28:27,739 --> 00:28:28,973 INSTEAD OF CALLING ME TO TELL ME, 781 00:28:29,074 --> 00:28:31,076 OH, HOW MY-- HOW YOUR DAY WAS, 782 00:28:31,176 --> 00:28:32,377 YOU'RE CALLIN' SOME OTHER MAN, 783 00:28:32,477 --> 00:28:33,912 TELLIN' HIM HOW YOUR DAY WAS. 784 00:28:34,012 --> 00:28:35,914 SO, THERE ARE A COUPLE OF PEOPLE IN THE BAND 785 00:28:36,014 --> 00:28:37,148 I DO NOT LIKE. 786 00:28:37,248 --> 00:28:39,050 I HEAR ISSUES OF TRUST. 787 00:28:39,150 --> 00:28:41,586 AND I HEAR ISSUES OF TRUST THAT STARTED WAY BEFORE 788 00:28:41,686 --> 00:28:43,421 YOU SAID "I DO." 789 00:28:43,521 --> 00:28:44,689 BUT, WE'VE GOTTA LOOK 790 00:28:44,789 --> 00:28:46,324 AT THE BIG ELEPHANT IN THE MIDDLE OF THE ROOM. 791 00:28:46,424 --> 00:28:48,793 YOU HAVE ANOTHER FAMILY IN YOUR HOME. 792 00:28:48,893 --> 00:28:52,797 HOW CAN YOU BOND AND DEAL WITH WHAT YOUR ISSUES ARE 793 00:28:52,897 --> 00:28:55,667 WHEN ALL THESE OTHER ISSUES ARE IN PLACE. 794 00:28:55,767 --> 00:28:59,237 GABE AND I'S RELATIONSHIP ALREADY HAS STRAIN. 795 00:28:59,337 --> 00:29:02,107 WE ARE A COLANDER, OKAY? 796 00:29:02,207 --> 00:29:05,810 NOW, WITH TOWANDA AND ANDRE AND THEIR FAMILY LIVING HERE 797 00:29:05,910 --> 00:29:10,715 IT'S PUT ADDITIONAL STRAIN ON OUR RELATIONSHIP. 798 00:29:10,815 --> 00:29:12,283 DID HE MAKE THE DECISION 799 00:29:12,383 --> 00:29:14,119 FOR THE FAMILY TO MOVE INTO YOUR HOME? 800 00:29:16,287 --> 00:29:18,022 NO, HE DID NOT, DR. SHERRY. 801 00:29:18,123 --> 00:29:20,125 HOW DID THEY GET IN WITHOUT A DISCUSSION, 802 00:29:20,225 --> 00:29:24,162 WITHOUT THE TWO OF YOU AS A COUPLE IN "OUR" HOME, 803 00:29:24,262 --> 00:29:26,264 TALKIN' ABOUT IT? 804 00:29:26,364 --> 00:29:30,268 DR. SHERRY HAS PAINFULLY POINTED OUT TO ME 805 00:29:30,368 --> 00:29:34,672 THAT I AM IMPERFECT IN MY RELATIONSHIP WITH GABE. 806 00:29:36,708 --> 00:29:39,244 SOMEHOW, JUST LIKE THAT ELEPHANT GOT IN 807 00:29:39,344 --> 00:29:40,812 YOU'RE GONNA HAVE TO GET IT OUT. 808 00:29:40,912 --> 00:29:43,948 YOU HAVE ENOUGH ISSUES OF YOUR OWN TO DEAL WITH. 809 00:29:44,048 --> 00:29:45,817 PROMISE! 810 00:29:47,919 --> 00:29:50,021 COMING UP, ON "BRAXTON FAMILY VALUES." 811 00:29:50,121 --> 00:29:52,524 I GOTTA HAVE THE UTMOST RESPECT FOR YOU, 812 00:29:52,624 --> 00:29:54,259 BUT YOU DON'T HAVE TO HAVE IT FOR ME. 813 00:29:54,359 --> 00:29:55,927 WELL, HOW DID I DISRESPECT YOU? 814 00:29:56,027 --> 00:29:59,197 YOU WANNA ACT LIKE SOME OLD BRAT WALKING OUT ON ME, 815 00:29:59,297 --> 00:30:01,633 DISRESPECTING ME! 816 00:30:04,169 --> 00:30:04,268 YA'LL 817 00:30:04,269 --> 00:30:04,434 YA'LL WANT 818 00:30:04,435 --> 00:30:04,501 YA'LL WANT SOMETHIN' 819 00:30:04,502 --> 00:30:04,902 YA'LL WANT SOMETHIN' TO 820 00:30:04,903 --> 00:30:05,703 YA'LL WANT SOMETHIN' TO DRINK? 821 00:30:05,804 --> 00:30:06,704 Y'ALL WANT A COCKTAIL OR SOMETHING. 822 00:30:06,805 --> 00:30:08,373 I WOULD LIKE ONE-- A COCKTAIL. 823 00:30:08,473 --> 00:30:09,374 ALL I HAVE IS WINE. 824 00:30:09,474 --> 00:30:10,675 GIRL, RED WINE PUTS ME TO SLEEP. 825 00:30:10,775 --> 00:30:12,277 TRINA'S NOT HERE-- SHE WOULD ENJOY THIS MOMENT. 826 00:30:12,377 --> 00:30:13,278 YES, SHE WOULD. 827 00:30:13,378 --> 00:30:14,546 I DON'T KNOW HOW TO OPEN IT, THOUGH. 828 00:30:14,646 --> 00:30:15,947 TRACI DON'T NEITHER. 829 00:30:16,047 --> 00:30:18,049 TRACI DON'T KNOW HOW TO OPEN NO WINE, GIRL. 830 00:30:18,149 --> 00:30:19,918 WHAT DO YOU MEAN, TRACI DON'T KNOW HOW TO OPEN WINE? 831 00:30:20,018 --> 00:30:21,486 SHE DON'T KNOW HOW TO OPEN UP NO WINE. 832 00:30:21,586 --> 00:30:23,321 SHE DON'T EVEN DRINK WINE. 833 00:30:23,421 --> 00:30:24,622 WHAT DO I DRINK? 834 00:30:24,722 --> 00:30:26,391 FIRST OF ALL, JACK DANIELS DOES NOT HAVE A CORK. 835 00:30:26,491 --> 00:30:28,493 MAYBE I DON'T KNOW HOW TO OPEN THIS ONE. 836 00:30:28,593 --> 00:30:31,062 LEMME TRY. 837 00:30:31,162 --> 00:30:34,432 I THINK YOU SUPPOSED TO TWIST THIS. 838 00:30:34,532 --> 00:30:37,435 I THINK I-- I WATCHED IT ON TELEVISION. 839 00:30:37,535 --> 00:30:39,070 READY? 840 00:30:39,170 --> 00:30:41,206 AH! 841 00:30:41,306 --> 00:30:43,007 BUT YOU COULD HAVE TURNED IT WITH THAT. 842 00:30:43,107 --> 00:30:47,145 BUT THAT WOULD'VE BEEN HARDER TO DO. 843 00:30:47,245 --> 00:30:48,880 IT'S ALMOST LIKE THE WELCHES 844 00:30:48,980 --> 00:30:50,748 THAT'S BEEN SITTING OUT ALL DAY LONG. 845 00:30:52,584 --> 00:30:54,219 I MAY WASTED MY WINE ON YOU. 846 00:30:54,319 --> 00:30:55,954 DIDN'T I TELL YOU? 847 00:31:10,735 --> 00:31:10,834 AFTER 848 00:31:10,835 --> 00:31:10,968 AFTER OUR 849 00:31:10,969 --> 00:31:11,068 AFTER OUR MEETING 850 00:31:11,069 --> 00:31:11,134 AFTER OUR MEETING WITH 851 00:31:11,135 --> 00:31:12,236 AFTER OUR MEETING WITH DR. 852 00:31:12,237 --> 00:31:13,071 AFTER OUR MEETING WITH DR. SHERRY, 853 00:31:13,171 --> 00:31:14,772 IT'S BECOME PRETTY CLEAR THAT IT'S TIME 854 00:31:14,873 --> 00:31:17,742 TO TELL TOWANDA AND ANDRE THAT THEY NEED TO GO. 855 00:31:17,842 --> 00:31:20,078 ALTHOUGH, I'M NOT HAPPY ABOUT LETTING THEM KNOW THIS, 856 00:31:20,178 --> 00:31:24,349 GABE, I'M SURE, IS ALL TOO HAPPY TO LET THEM KNOW. 857 00:31:24,449 --> 00:31:26,851 I'M NOT GONNA BE EXPLOSIVE 858 00:31:26,951 --> 00:31:28,253 AND I'M NOT GONNA ATTACK THEM. 859 00:31:28,353 --> 00:31:29,621 I KNOW THAT'S THE WAY YOU THINK I'M GONNA BE. 860 00:31:29,721 --> 00:31:31,256 YEAH-- THAT'S WHAT I THINK. 861 00:31:31,356 --> 00:31:32,690 WE'LL SEE WHAT THEY SAY. 862 00:31:32,790 --> 00:31:34,859 HEY, PRETTY GIRL. 863 00:31:34,959 --> 00:31:36,527 THAT HAT'S CUTE. 864 00:31:36,628 --> 00:31:38,096 IT'S GOTTEN TO THE POINT 865 00:31:38,196 --> 00:31:40,398 WHERE A LIMIT NEEDS TO BE SET. 866 00:31:40,498 --> 00:31:42,467 WE INVITED YA'LL TO COME HAVE BRUNCH WITH US, 867 00:31:42,567 --> 00:31:45,436 SO WE COULD REALLY FIND OUT THE DIRECTION WHERE IT'S GOIN' 868 00:31:45,536 --> 00:31:47,505 AS FAR AS LIKE, DO YA'LL HAVE A TIMEFRAME 869 00:31:47,605 --> 00:31:50,174 OF LIKE, WHEN YA'LL THINK YOU'RE GETTIN' OUT? 870 00:31:50,275 --> 00:31:52,443 YOU KNOW, I SAW THIS COMING. 871 00:31:52,543 --> 00:31:54,545 I THINK THERE'S AN UNSPOKEN TENSION 872 00:31:54,646 --> 00:31:57,548 BECAUSE OF WHAT'S GOIN' ON IN HIS MARRIAGE. 873 00:31:57,649 --> 00:31:59,517 HE'S TRYING TO RESOLVE THOSE PROBLEMS. 874 00:31:59,617 --> 00:32:00,952 HOW CAN YOU RESOLVE THOSE PROBLEMS 875 00:32:01,052 --> 00:32:02,186 WHEN YOU GOT ANOTHER PROBLEM 876 00:32:02,287 --> 00:32:03,788 OF ANOTHER FAMILY LIVIN' IN YOUR HOUSE. 877 00:32:03,888 --> 00:32:04,889 WOULD YOU LIKE TO ANSWER THAT? 878 00:32:04,989 --> 00:32:05,890 DO I WANNA ANSWER THE QUESTION? 879 00:32:05,990 --> 00:32:07,091 MM-HMM. 880 00:32:07,191 --> 00:32:08,626 WELL, FIRST OF ALL, I KNOW WHERE YOU'RE COMING AT. 881 00:32:08,726 --> 00:32:10,161 YEAH. 882 00:32:10,261 --> 00:32:12,030 I KNEW THERE WOULD BE ISSUES BECAUSE I ALREADY FEEL BAD 883 00:32:12,130 --> 00:32:14,632 THAT WE GOT FOUR PEOPLE IN THAT TINY ROOM. 884 00:32:14,732 --> 00:32:16,301 SO I CAN UNDERSTAND THAT. 885 00:32:16,401 --> 00:32:18,436 AND I TOLD TOWANDA WHEN ARE WE GONNA-- 886 00:32:18,536 --> 00:32:19,971 I'VE ASKED HER THE SAME QUESTION 887 00:32:20,071 --> 00:32:21,406 AND I THINK IT IS A FAIR QUESTION. 888 00:32:21,506 --> 00:32:22,874 WHEN ARE WE GONNA LEAVE? 889 00:32:22,974 --> 00:32:24,509 I NEVER HAD A CONVERSATION WITH GABE. 890 00:32:24,609 --> 00:32:26,077 IT WAS JUST BETWEEN ME AND TRINA. 891 00:32:26,177 --> 00:32:27,512 TRINA SAID, "YOU KNOW WHAT TOWANDA, 892 00:32:27,612 --> 00:32:28,846 "JUST MOVE IN WITH US." 893 00:32:28,947 --> 00:32:30,348 AND I SAID, OKAY. 894 00:32:30,448 --> 00:32:32,016 BUT IT'S CLEAR WE NEED TO GET OUT. 895 00:32:32,116 --> 00:32:33,618 I DON'T KNOW WHERE WE'RE GONNA GO YET, 896 00:32:33,718 --> 00:32:34,953 BUT I'LL THINK OF SOMETHING. 897 00:32:35,053 --> 00:32:36,321 I ALWAYS DO. 898 00:32:36,421 --> 00:32:37,322 IT'S GONNA BE LESS THAN 30 DAYS. 899 00:32:37,422 --> 00:32:39,757 I HATE TO SEE YOU GO, 900 00:32:39,857 --> 00:32:41,926 AND I'M HAPPY FOR YOU TO GO AT THE SAME TIME, 901 00:32:42,026 --> 00:32:43,661 BECAUSE IT WOULD'VE BEEN A GREAT OPPORTUNITY 902 00:32:43,761 --> 00:32:46,931 FOR GABE AND I TO TRY TO RECONNECT AND RE-BOND. 903 00:32:47,031 --> 00:32:51,035 'CAUSE WE ALL KNOW THAT HE AND I'S RELATIONSHIP, 904 00:32:51,135 --> 00:32:53,671 WE'RE IN A GRAND CANYON RIGHT NOW, 905 00:32:53,771 --> 00:32:56,040 AND NOTHIN' BUT ROCKS AND BOULDERS AROUND US. 906 00:32:56,140 --> 00:32:57,542 IT'S ABOUT TIME WE HAD THIS CONVERSATION ACTUALLY. 907 00:32:57,642 --> 00:32:59,344 - IT IS. - WE NEVER REALLY HAD IT. 908 00:32:59,444 --> 00:33:01,079 WE KIND OF JUST SHOWED UP, 909 00:33:01,179 --> 00:33:03,748 PARKED THE RV OUT FRONT AND GOT OUT. 910 00:33:03,848 --> 00:33:05,750 I DON'T KNOW WHAT THE HELL WAS GOIN' ON. 911 00:33:05,850 --> 00:33:07,218 I ACTUALLY DON'T THINK WE'LL BE ABLE 912 00:33:07,318 --> 00:33:08,586 TO GET OUT OF HERE IN A MONTH. 913 00:33:08,686 --> 00:33:09,587 I MEAN, IF THEY WANT ME TO CHIP IN 914 00:33:09,687 --> 00:33:11,556 AND BUY SOME MILK AND CEREAL I'LL DO THAT, 915 00:33:11,656 --> 00:33:14,158 BUT IT JUST NOT GONNA HAPPEN ANYTIME SOON. 916 00:33:14,258 --> 00:33:15,994 BUT I'M NOT GONNA TELL THEM THAT YET. 917 00:33:16,094 --> 00:33:19,964 WELL, LET ME JUST DRINK TO THE ELEPHANT LEAVING THE ROOM. 918 00:33:20,064 --> 00:33:22,100 UNFORTUNATELY, I'VE HEARD IT BEFORE 919 00:33:22,200 --> 00:33:24,669 AND I'M GONNA HAVE TO SEE IT TO ACTUALLY BELIEVE IT. 920 00:33:24,769 --> 00:33:26,537 I DON'T THINK I CAN GO MORE THAN ANOTHER MONTH 921 00:33:26,637 --> 00:33:28,306 WITHOUT SOMETHIN' HAPPENIN'. 922 00:33:39,817 --> 00:33:40,952 - HEY. - HEY, LITTLE LADY. 923 00:33:41,052 --> 00:33:43,721 I'M TRYIN' TO FIGURE OUT WHY NOBODY MADE ME NO BACON? 924 00:33:43,821 --> 00:33:46,257 EVERYBODY KNOW I LIKE BACON AND COFFEE IN THE MORNING. 925 00:33:46,357 --> 00:33:48,292 SO, MOMMY CAME WHEN I WAS MAKING SOME BREAKFAST 926 00:33:48,393 --> 00:33:50,061 AND SHE'S BEEN LIKE NOT SPEAKIN' TO ME SINCE 927 00:33:50,161 --> 00:33:53,264 THIS WHOLE DUMB ASS FIGHT WE HAD OVER AT TONI'S HOUSE. 928 00:33:53,364 --> 00:33:55,266 I MEAN, WE REALLY NEED TO GET TO THE BOTTOM OF THIS. 929 00:33:55,366 --> 00:33:57,301 THIS IS LIKE, GETTING OUT OF HAND AT THIS POINT. 930 00:33:57,402 --> 00:33:58,970 WHAT WAS UP WITH THE OTHER DAY? 931 00:33:59,070 --> 00:34:00,505 LIKE, WH-WHAT WAS THAT ALL ABOUT? 932 00:34:00,605 --> 00:34:02,206 THAT'S WHAT I'M GETTIN' READY TO ASK YOU. 933 00:34:02,306 --> 00:34:04,342 WHAT WAS UP THE OTHER DAY? 934 00:34:04,442 --> 00:34:05,710 I DON'T KNOW. 935 00:34:05,810 --> 00:34:07,245 LIKE, EVERYBODY WAS JUMPIN' DOWN MY THROAT AT THE SAME TIME 936 00:34:07,345 --> 00:34:10,081 LIKE, YOU KNOW, I HAD SOMETHIN' AGAINST SINGIN' BACKGROUND. 937 00:34:10,181 --> 00:34:11,315 I DON'T HAVE NOTHIN' AGAINST SINGIN' BACKGROUND. 938 00:34:11,416 --> 00:34:13,484 THAT'S JUST NOT RIGHT FOR ME ANYMORE. 939 00:34:13,584 --> 00:34:17,588 SO, YOU THOUGHT THAT WAS OKAY FOR YOU TO GET A ATTITUDE 940 00:34:17,688 --> 00:34:19,857 AND WALK OUT WHEN I'M TRYIN' TO TALK TO YOU? 941 00:34:19,957 --> 00:34:21,893 I THINK-- NO, NOBODY WAS TRYING TO TALK TO ME. 942 00:34:21,993 --> 00:34:23,761 I FELT ATTACKED-- TOTALLY ATTACKED. 943 00:34:23,861 --> 00:34:26,097 THE PROBLEM IS TAMAR DOES NOT WANNA TAKE 944 00:34:26,197 --> 00:34:28,266 CONSTRUCTIVE CRITICISM. 945 00:34:28,366 --> 00:34:30,334 SHE'S SPOILED. 946 00:34:30,435 --> 00:34:31,469 SO, THAT IS WHY I WAS LIKE, 947 00:34:31,569 --> 00:34:32,970 LET ME REMOVE MYSELF FROM THIS SITUATION 948 00:34:33,071 --> 00:34:35,907 BEFORE I SAY SOMETHING THAT I MAY REGRET. 949 00:34:36,007 --> 00:34:37,675 YEAH, BECAUSE ESPECIALLY IF YOU SAY IT TO ME. 950 00:34:37,775 --> 00:34:39,010 OR TO WHOMEVER. 951 00:34:39,110 --> 00:34:40,878 ESPECIALLY IF YOU SAY IT TO ME. 952 00:34:40,978 --> 00:34:42,547 LET ME MAKE MYSELF CLEAR... 953 00:34:42,647 --> 00:34:43,815 MOMMY, WHY ARE YOU SNAPPIN' ON ME, AGAIN? 954 00:34:43,915 --> 00:34:45,883 NO-- YOU THINK I'M SNAPPIN'. 955 00:34:45,983 --> 00:34:51,122 I DON'T CARE IF YOU GET MAD 50102 TIMES... 956 00:34:51,222 --> 00:34:53,491 YOU DO NOT DISRESPECT ME, TAMAR. 957 00:34:53,591 --> 00:34:54,926 I AM THE MOTHER. 958 00:34:55,026 --> 00:34:58,563 I DIDN'T COME FROM YOUR WOMB, YOU CAME FROM MINE, OKAY? 959 00:34:58,663 --> 00:35:01,199 YOU DON'T DISRESPECT ME AT ALL. 960 00:35:01,299 --> 00:35:02,633 LET'S KEEP IT REAL. 961 00:35:02,733 --> 00:35:05,069 YOU KNOW WHAT, IF I DID NOT DESERVE THAT. 962 00:35:05,169 --> 00:35:06,337 IT'S SIMPLE AS THAT. 963 00:35:06,437 --> 00:35:07,738 WHY ARE YOU YELLING AT ME? 964 00:35:07,839 --> 00:35:10,475 BECAUSE YOU KNOW WHAT, SOMETIMES, TAMAR, 965 00:35:10,575 --> 00:35:12,610 YOU JUST-- YOU HAVE TO LISTEN 966 00:35:12,710 --> 00:35:16,214 AND IN LISTENING IT'S NOT ALWAYS SOMEONE ATTACKING YOU. 967 00:35:16,314 --> 00:35:17,582 BUT IT WAS-- IN THAT SITUATION IT WAS. 968 00:35:17,682 --> 00:35:20,084 YOU SEE-- YOU SEE, YOU CAN'T GET A WORD IN. 969 00:35:20,184 --> 00:35:21,519 LET ME TELL YOU WHAT MY DAD SAID. 970 00:35:21,619 --> 00:35:24,989 "A FISH WILL NOT GET CAUGHT IF HE DOESN'T OPEN HIS MOUTH," 971 00:35:25,089 --> 00:35:27,792 AND SOMETIMES YOU OPEN YOUR MOUTH TOO MUCH. 972 00:35:27,892 --> 00:35:31,429 I THINK THE FAMILY HAVE LET TAMAR GET AWAY 973 00:35:31,529 --> 00:35:33,965 WITH TOO MUCH FOR A LONG TIME. 974 00:35:34,065 --> 00:35:38,035 TONI WOULD COVER THINGS UP AND WOULD NOT LET US KNOW 975 00:35:38,136 --> 00:35:39,837 WHAT TAMAR WAS DOING, OR WHAT TAMAR DID, 976 00:35:39,937 --> 00:35:41,772 BECAUSE SHE DIDN'T WANT TAMAR TO GET IN TROUBLE. 977 00:35:41,873 --> 00:35:47,311 SO, NOW THAT WE ALL HAVE CREATED THE MONSTER, 978 00:35:47,411 --> 00:35:50,915 YOU KNOW, NOW THEY WANT ME TO DO SOMETHING ABOUT IT. 979 00:35:51,015 --> 00:35:53,084 I WAS BEING ATTACKED. 980 00:35:53,184 --> 00:35:55,186 I DON'T LIKE TO FEEL THAT WAY. 981 00:35:55,286 --> 00:35:56,854 FIRST OF ALL, TAMAR-- 982 00:35:56,954 --> 00:35:58,856 SO, I WAS BEING RESPECTFUL-- THAT'S WHY I HAD TO GO. 983 00:35:58,956 --> 00:36:00,625 - LIKE RIGHT NOW? - I LET YOU TALK-- 984 00:36:00,725 --> 00:36:03,427 - BUT I WASN'T FINISHED. - MOMMY, WHAT'S THAT? 985 00:36:03,528 --> 00:36:04,762 WHAT YOU THINK IT IS? 986 00:36:04,862 --> 00:36:06,397 DON'T DO THAT. 987 00:36:10,268 --> 00:36:12,870 COMING UP, ON "BRAXTON FAMILY VALUES." 988 00:36:12,970 --> 00:36:14,372 YOU WILL NOT DISRESPECT ME, 989 00:36:14,472 --> 00:36:15,840 AND THE NEXT TIME YOU DO IT, 990 00:36:15,940 --> 00:36:17,708 I'M GONNA SLAP THE PISS OUT OF YOU. 991 00:36:17,808 --> 00:36:19,177 TRY ME. 992 00:36:23,047 --> 00:36:23,113 SO, 993 00:36:23,114 --> 00:36:23,213 SO, MOM 994 00:36:23,214 --> 00:36:23,313 SO, MOM COMES 995 00:36:23,314 --> 00:36:23,380 SO, MOM COMES OVER 996 00:36:23,381 --> 00:36:23,446 SO, MOM COMES OVER AND 997 00:36:23,447 --> 00:36:23,580 SO, MOM COMES OVER AND WE 998 00:36:23,581 --> 00:36:23,713 SO, MOM COMES OVER AND WE START 999 00:36:23,714 --> 00:36:23,747 SO, MOM COMES OVER AND WE START HAVING 1000 00:36:23,748 --> 00:36:25,949 SO, MOM COMES OVER AND WE START HAVING A 1001 00:36:25,950 --> 00:36:26,784 SO, MOM COMES OVER AND WE START HAVING A CONVERSATION 1002 00:36:26,884 --> 00:36:29,120 ABOUT THE FIGHT OVER TO TONI'S HOUSE. 1003 00:36:29,220 --> 00:36:30,955 MY MOTHER KEEPS US ALL IN CHECK 1004 00:36:31,055 --> 00:36:35,059 AND I BELIEVE IN SOMEBODY KEEPIN' THE GROUP IN CHECK. 1005 00:36:35,159 --> 00:36:38,329 HOWEVER, YOU GOTTA KEEP THE PEOPLE IN LINE 1006 00:36:38,429 --> 00:36:39,864 WHO NEEDS TO BE IN LINE. 1007 00:36:39,964 --> 00:36:41,766 AND, AT THAT TIME, I DIDN'T NEED TO BE IN LINE, 1008 00:36:41,866 --> 00:36:43,868 BECAUSE I DON'T FEEL I DID ANYTHING. 1009 00:36:43,968 --> 00:36:46,037 ALL I'M TRYING TO TELL YOU IS 1010 00:36:46,137 --> 00:36:48,206 THE DISRESPECTFULNESS OF IT ALL. 1011 00:36:48,306 --> 00:36:50,374 THAT'S ALL I'M SAYIN', TAMAR. 1012 00:36:50,474 --> 00:36:53,077 LET ME SAY WHAT I WANT TO SAY ALSO. 1013 00:36:53,177 --> 00:36:54,512 - BUT WHAT ABOUT ME THOUGH? - YOU CAN. 1014 00:36:54,612 --> 00:36:56,380 - I'M AN ADULT, TOO. - OKAY, GO AHEAD. 1015 00:36:56,480 --> 00:36:57,882 YOU KNOW IN CONVERSATIONS, YOU TALK, I TALK-- 1016 00:36:57,982 --> 00:36:59,684 - GO AHEAD. - WELL, OKAY. 1017 00:36:59,784 --> 00:37:01,352 WELL, YOU KNOW, I JUST FELT THAT 1018 00:37:01,452 --> 00:37:03,421 I WAS DEFINITELY MISUNDERSTOOD. 1019 00:37:03,521 --> 00:37:06,524 I SAID, I DON'T HAVE A PROBLEM SINGING BACKGROUND. 1020 00:37:06,624 --> 00:37:09,927 BACKGROUND SINGING HAS BEEN A VERY LUCRATIVE CAREER FOR ME, 1021 00:37:10,027 --> 00:37:13,030 BUT IT IS SOMETHING THAT I DON'T WANT TO DO ANYMORE. 1022 00:37:13,130 --> 00:37:14,298 AND, YOU KNOW, 1023 00:37:14,398 --> 00:37:17,635 FOR SOME REASON EVERYBODY TOOK TOTAL OFFENSE TO THAT. 1024 00:37:17,735 --> 00:37:21,772 FIRST OF ALL, TAMAR, I KNOW YOUR DESIRES. 1025 00:37:21,872 --> 00:37:25,209 WHY WOULDN'T I WANT YOU TO MOVE ON? 1026 00:37:25,309 --> 00:37:28,446 WHY WOULDN'T I WANT THE BEST FOR YOU? 1027 00:37:28,546 --> 00:37:31,382 I LOVE YOU-- I'M YOUR MOTHER. 1028 00:37:31,482 --> 00:37:35,553 IF ANYONE'S IN YOUR CORNER, IT'S ME. 1029 00:37:35,653 --> 00:37:37,989 WHEN HAVE I NOT BEEN IN YOUR CORNER? 1030 00:37:38,089 --> 00:37:39,323 MOMMY, WHY ARE YOU YELLING AT ME? 1031 00:37:39,423 --> 00:37:41,959 NO-NO-NO-- BECAUSE YOU NEED TO HEAR. 1032 00:37:42,059 --> 00:37:43,294 BUT YOU'RE YELLING AT ME. 1033 00:37:43,394 --> 00:37:44,595 IT'S LIKE, YOU'RE NOT TALKING TO ME. 1034 00:37:44,695 --> 00:37:46,597 YOU'RE YELLING AT ME. 1035 00:37:46,697 --> 00:37:48,599 HOW SHOULD I TALK, TAMAR? 1036 00:37:48,699 --> 00:37:50,601 DEMONSTRATE-- SHOW ME HOW I SHOULD TALK. 1037 00:37:50,701 --> 00:37:53,371 LIKE-LIKE A MOTHER WOULD TALK TO HER GROWN DAUGHTER. 1038 00:37:57,375 --> 00:37:58,976 I'M NOT AGAINST YOU, TAMIE. 1039 00:37:59,076 --> 00:38:00,411 - I NEVER SAID THAT. - I LOVE YOU. 1040 00:38:00,511 --> 00:38:02,613 - I LOVE YOU, TOO. - YOU'RE MY YOUNGEST CHILD. 1041 00:38:02,713 --> 00:38:05,349 OKAY-- YOU'RE MY BABY, 1042 00:38:05,449 --> 00:38:09,387 AND THERE'S NOTHIN' I WOULDN'T DO FOR YOU OR YOUR SIBLINGS, 1043 00:38:09,487 --> 00:38:13,658 BUT I CANNOT ALLOW YOU 1044 00:38:13,758 --> 00:38:16,527 OR ANY OF THE OTHERS TO DISRESPECT ME. 1045 00:38:16,627 --> 00:38:19,397 I CANNOT ALLOW THAT-- I WON'T ALLOW THAT. 1046 00:38:19,497 --> 00:38:22,066 - CAN I TALK NOW? - NO, I'M NOT FINISHED. 1047 00:38:22,166 --> 00:38:23,434 WHY I CAN'T FINISH 1048 00:38:23,534 --> 00:38:24,969 AND YOU HAVE TO SAY WHAT YOU HAVE TO SAY? 1049 00:38:25,069 --> 00:38:27,738 SO, I GOT TO HAVE THE UTMOST RESPECT FOR YOU, 1050 00:38:27,838 --> 00:38:28,973 BUT YOU DON'T HAVE TO HAVE IT FOR ME. 1051 00:38:29,073 --> 00:38:30,074 YOU CAN'T TELL ME WHAT I DID. 1052 00:38:30,174 --> 00:38:31,142 I ASKED YOU FIVE TIMES. 1053 00:38:31,242 --> 00:38:32,143 LIKE, HOW DID I DISRESPECT YOU? 1054 00:38:32,243 --> 00:38:33,144 WHAT DID I SAY TO YOU? 1055 00:38:33,244 --> 00:38:35,146 YOU WANNA ACT LIKE SOME OLD BRAT 1056 00:38:35,246 --> 00:38:38,783 WALKIN' OUT ON ME, DISRESPECTIN' ME. 1057 00:38:38,883 --> 00:38:40,251 NONE OF YOU! 1058 00:38:40,351 --> 00:38:42,586 I DON'T CARE WHO YOU ARE, WHERE YOU COME FROM, 1059 00:38:42,687 --> 00:38:44,188 WHAT YOU HAVE ACCUMULATED 1060 00:38:44,288 --> 00:38:46,590 OR WHAT YOU NEVER WILL ACCUMULATE-- I DON'T CARE. 1061 00:38:46,691 --> 00:38:48,159 MOMMY, TRACI WALKED OUT ON YOU ALL THE TIME. 1062 00:38:48,259 --> 00:38:50,461 BUT Y'ALL NOT GONNA TALK TO ME ANY KIND OF WAY, 1063 00:38:50,561 --> 00:38:52,263 AND I MEAN THAT. 1064 00:38:52,363 --> 00:38:56,233 I DEFINITELY FEEL LIKE MOST OF THE TIME 1065 00:38:56,334 --> 00:38:58,569 IT'S A LITTLE BIT MORE CRITICAL WHEN IT COMES TO ME. 1066 00:38:58,669 --> 00:39:01,072 HONESTLY, I FEEL LIKE I'VE BEEN GOIN' THROUGH THIS 1067 00:39:01,172 --> 00:39:02,707 EVEN BEFORE THIS SHOW. 1068 00:39:02,807 --> 00:39:04,775 LIKE I'VE ALWAYS SAID, IT'S ALWAYS MY FAULT. 1069 00:39:04,875 --> 00:39:06,544 I'M ALWAYS WRONG. 1070 00:39:06,644 --> 00:39:07,812 I'M NOT THAT BAD. 1071 00:39:07,912 --> 00:39:09,747 YOU GONNA LEARN AS YOU GET OLDER 1072 00:39:09,847 --> 00:39:13,184 YOU CANNOT DO WHATEVER YOU WANNA DO TO OTHER PEOPLE. 1073 00:39:13,284 --> 00:39:15,820 YOU CANNOT DO THAT-- IT'S WRONG. 1074 00:39:15,920 --> 00:39:17,488 BUT I DID NOT DO ANYTHING! 1075 00:39:17,588 --> 00:39:20,458 YOU WILL NOT DISRESPECT ME AND THE NEXT TIME YOU DO IT, 1076 00:39:20,558 --> 00:39:24,061 I'M GONNA SLAP THE PISS OUTTA YOU 1077 00:39:24,161 --> 00:39:25,863 AND I MEAN JUST WHAT I'M SAYING. 1078 00:39:25,963 --> 00:39:28,265 TRY ME-- THINK I'M PLAYIN'. 1079 00:39:28,366 --> 00:39:31,335 HONESTLY, I WAS REALLY DEVASTATED BY THE CONVERSATION 1080 00:39:31,435 --> 00:39:33,437 THAT MY MOTHER AND I HAD IN THE KITCHEN. 1081 00:39:33,537 --> 00:39:35,139 FOR REAL, FOR REAL, 1082 00:39:35,239 --> 00:39:36,874 I REALLY DON'T SEE WHAT I DID WRONG. 1083 00:39:48,085 --> 00:39:49,954 I'M COMPLETELY FLOORED ABOUT THE FIGHT 1084 00:39:50,054 --> 00:39:51,489 THAT I HAD WITH MY MOTHER. 1085 00:39:51,589 --> 00:39:54,091 I DIDN'T THINK THAT GETTIN' THE PISS SLAPPED OUT OF ME 1086 00:39:54,191 --> 00:39:57,194 WAS KIND OF APPROPRIATE FOR WHAT HAPPENED. 1087 00:39:57,294 --> 00:39:59,363 BUT YOU KNOW, I'M JUST REALLY HOPING 1088 00:39:59,463 --> 00:40:01,298 VINCE CAN GIVE ME SOME REALLY GOOD ADVICE, 1089 00:40:01,399 --> 00:40:03,734 BECAUSE HE'S GOOD AT UNDERSTANDING PEOPLE. 1090 00:40:03,834 --> 00:40:06,103 OKAY, MY NERVES, FOR REAL, IS ON PROBATION. 1091 00:40:06,203 --> 00:40:08,205 LIKE SERIOUSLY. - WHAT HAPPENED? 1092 00:40:08,305 --> 00:40:10,808 WELL, I GOT IN A FIGHT WITH MY FAMILY. 1093 00:40:10,908 --> 00:40:13,144 - OKAY. - GO OVER TONI'S HOUSE... 1094 00:40:13,244 --> 00:40:14,578 AND YOU KNOW WHEN YOU WALK IN A ROOM 1095 00:40:14,678 --> 00:40:15,913 AND YOU KNOW SOMEBODY BEEN TALKIN' ABOUT YOU? 1096 00:40:16,013 --> 00:40:17,314 MM-HMM. 1097 00:40:17,415 --> 00:40:19,850 SO IT TURNS INTO AM I WORKIN' ON MY RECORD 1098 00:40:19,950 --> 00:40:22,787 AND WHY DO I HAVE A PROBLEM SINGIN' BACKGROUND, 1099 00:40:22,887 --> 00:40:24,021 ALL OF A SUDDEN. 1100 00:40:24,121 --> 00:40:26,724 AND I'M LIKE, HOLD-HOLD-HOLD-- PUMP YOUR BRAKES, FOOL. 1101 00:40:26,824 --> 00:40:28,726 I DON'T UNDERSTAND WHAT THE BIG DEAL IS 1102 00:40:28,826 --> 00:40:30,628 IF I DO MY RECORD. 1103 00:40:30,728 --> 00:40:32,363 LIKE, WHAT'S WRONG WITH THAT? 1104 00:40:32,463 --> 00:40:33,431 YOU WANNA DO THE BRAXTON'S ALBUM. 1105 00:40:33,531 --> 00:40:34,565 YOU WANNA DO YOUR OWN ALBUM. 1106 00:40:34,665 --> 00:40:35,933 YOU WANNA DO EVERYTHING. 1107 00:40:36,033 --> 00:40:37,234 THERE'S NOTHIN' WRONG WITH THAT. 1108 00:40:37,334 --> 00:40:39,270 TRINA'S WORKIN' ON A RECORD. 1109 00:40:39,370 --> 00:40:41,005 AIN'T NOBODY MAD AT HER. 1110 00:40:41,105 --> 00:40:42,406 WELL, TONI WAS LIKE-- 1111 00:40:42,506 --> 00:40:43,541 TONI'S GONNA BE WORKIN' ON HER ALBUM. 1112 00:40:43,641 --> 00:40:44,842 NOBODY'S GONNA GET MAD AT HER. 1113 00:40:44,942 --> 00:40:47,445 I FEEL BOMBARDED-- LIKE, MOMMY POPPIN' OFF, 1114 00:40:47,545 --> 00:40:49,780 TONI POPPIN' OFF, TRACI POPPIN' OFF. 1115 00:40:49,880 --> 00:40:51,582 SO, I HAD TO GO. 1116 00:40:51,682 --> 00:40:54,552 NOW MOMMY'S LIKE, YOU DISRESPECTFUL TO ME. 1117 00:40:54,652 --> 00:40:56,454 AND YOU KNOW, SHE CAME OVER EARLIER TALKIN' ABOUT 1118 00:40:56,554 --> 00:40:57,988 SHE GONNA SLAP THE PISS OUT OF ME 1119 00:40:58,088 --> 00:40:59,623 IF I BE DISRESPECTFUL TO HER AGAIN. 1120 00:40:59,723 --> 00:41:02,793 AND I'M LIKE WHAT DID I DO NOW? 1121 00:41:02,893 --> 00:41:04,662 IT HURT HER REALLY BAD FOR HER MOM TO SAY 1122 00:41:04,762 --> 00:41:06,564 SHE'S GONNA SLAP THE PISS OUT OF HER. 1123 00:41:06,664 --> 00:41:07,998 YOU KNOW, SHE ADORES HER MOTHER. 1124 00:41:08,098 --> 00:41:09,767 SO, IT KIND OF SHOCKED AND SCARED HER. 1125 00:41:09,867 --> 00:41:11,769 SOMETIMES YOU HAVE A HARD TIME EXPRESSING YOURSELF. 1126 00:41:11,869 --> 00:41:13,204 NO, BUT YOU WASN'T THERE. 1127 00:41:13,304 --> 00:41:14,338 IT WASN'T LIKE THAT. 1128 00:41:14,438 --> 00:41:16,140 CAN I FINISH-- CAN I JUST FINISH FOR A MINUTE? 1129 00:41:16,240 --> 00:41:17,641 SOMETIMES YOU HAVE A HARD TIME EXPRESSING YOURSELF 1130 00:41:17,741 --> 00:41:19,810 AND SOMETIME, PEOPLE HAVE A HARD TIME 1131 00:41:19,910 --> 00:41:22,213 UNDERSTANDING WHAT YOU EXPRESS. 1132 00:41:22,313 --> 00:41:23,747 I WAS PRETTY CRYSTAL CLEAR. 1133 00:41:23,848 --> 00:41:25,182 TAMAR, CAN YOU LISTEN FOR A SECOND? 1134 00:41:25,282 --> 00:41:27,751 - PRETTY CLEAR, VINCE. - YOU DON'T GET IT. 1135 00:41:27,852 --> 00:41:28,886 I'M TRYING TO TELL YOU WHAT HAPPENED. 1136 00:41:28,986 --> 00:41:30,054 I KNOW WHAT YOU SAYIN', 1137 00:41:30,154 --> 00:41:32,089 BUT I'M TRYIN' TO HELP YOU UNDERSTAND YOUR FAMILY. 1138 00:41:32,189 --> 00:41:35,893 PEOPLE DON'T UNDERSTAND YOU, HOW YOU EXPRESS YOURSELF. 1139 00:41:35,993 --> 00:41:37,127 I LIVE WITH IT. 1140 00:41:37,228 --> 00:41:38,462 YOU GET UPSET, YOU GET EMOTIONAL, 1141 00:41:38,562 --> 00:41:40,731 YOU START CRYING, YOU GET MAD... 1142 00:41:40,831 --> 00:41:43,000 YOU GET YOUR FEELINGS HURT 1143 00:41:43,100 --> 00:41:45,336 BECAUSE SOMETIME, PEOPLE DON'T UNDERSTAND... 1144 00:41:45,436 --> 00:41:46,570 - WHERE I'M COMING FROM. - EXACTLY. 1145 00:41:46,670 --> 00:41:48,005 BECAUSE YOU'RE NOT COMIN' FROM A BAD PLACE. 1146 00:41:48,105 --> 00:41:49,673 THAT'S ALL I'M TRYIN' TO SAY. 1147 00:41:52,376 --> 00:41:56,146 WELL, WHERE WERE YOU WHEN I WAS GETTING ATTACKED. 1148 00:41:56,247 --> 00:41:58,516 WE ARE A REAL FAMILY, 1149 00:41:58,616 --> 00:42:01,886 AND WITH ANY FAMILY YOU HAVE THESE ISSUES. 1150 00:42:01,986 --> 00:42:04,221 BUT I THINK THAT THIS SHOW 1151 00:42:04,321 --> 00:42:06,490 HAS HEIGHTENED THE LEVEL OF THE FIGHTING. 1152 00:42:06,590 --> 00:42:08,392 I'M JUST REALLY WORRIED ABOUT YOU 1153 00:42:08,492 --> 00:42:09,960 AND YOUR MOM'S RELATIONSHIP 1154 00:42:10,060 --> 00:42:11,662 IF SHE SAYS SHE IS GONNA SLAP THE PISS OUT OF YOU 1155 00:42:11,762 --> 00:42:13,163 I THINK YOU GUYS REALLY NEED TO TALK ABOUT THAT 1156 00:42:13,264 --> 00:42:15,099 AND REALLY WORK THAT OUT. 1157 00:42:15,199 --> 00:42:18,002 BECAUSE YOU AND YOUR MOM GOT A GREAT RELATIONSHIP. 1158 00:42:18,102 --> 00:42:20,371 I REALLY HOPE VINCE IS RIGHT THAT TALKING TO MY MOM 1159 00:42:20,471 --> 00:42:22,540 WILL HELP THINGS BETWEEN US, 1160 00:42:22,640 --> 00:42:24,742 BECAUSE IF WE CANNOT WORK THIS OUT 1161 00:42:24,842 --> 00:42:27,144 I'M GONNA BE REALLY DEVASTATED AND WORRIED. 1162 00:42:27,244 --> 00:42:29,513 YOUR MOTHER LOVES YOU, AND YOU LOVE YOUR MOTHER. 1163 00:42:29,613 --> 00:42:32,583 YOU GUYS ARE FAMILY FIRST AND THAT MEANS EVERYTHING. 87125

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