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- Anyway, we can get scooted in.

- Perfect.
- Yeah.

- So you, you come here often
soon, actually, you know,

not every week or whatever,
but a few times a year.

Yes. So you're aware of some

of the history here in Fort Worth?

Oh yeah. My sisters and all
live here. Oh, great, great.

Now, have you ever heard
anything about the South Side

Church, also known as the Rose Chapel?

You'll have a great day.
Okay. I've got to go.

- That was weird.

That was a little weird. That was,

- Yes.

Excuse me.

- Did you get it, Micah?
- Oh I got it.

Whoa. Hi. Hi.

So we're, we have a little bit,

we have a little bit more to do today.

When I get back, I'll
give you a guys a ring

and we'll, we'll catch
up again soon, okay?

Okay. Have a great day.
I love you so much.

I'll see you soon. Okay. All right. Bye.

- So, so far not a ton of luck.

I think we should go hit up
some of the, some of the stores

around here and just see
if we can catch somebody.

Okay. Yeah, yeah.

- Watch for the show. Yeah.

Supposed to do y'all wanna
like stand in front of it?

- This camera keeps flipping. Hi sir.

We're, we're shooting
a documentary about the

history here at the stockyards.

Yes. Can I ask you a few
questions? Yeah, sure. Great.

I'm Gabrielle, this is Micah.

He's our number one camera
expert over at El Paso Docs.

Yeah. Have you heard of
the South Side church? Yes.

The former Rose Chapel

- Church is pretty scary over there.

- Pretty scary. Yeah.

So not a lot of people
heading over to that church.

- No. No. I,
- I highly doubt it. Yeah.

Do you ever hear anything about a fire

that took place in the South Side Church?

All right, here Michael.
Let's get a nice frame on him.

What are some of the
stories that you've heard?

Oh you know, just hear different sounds,

different things going on over there.

- Well, nobody's there. You just

hear all kinds of different noises.

- Have you heard anything about a fire?

- I haven't heard anything about one, no,

I couldn't tell you anything
about the fire. Have you

Did you ever hear about Isabelle Rose?

She lived here back in 1941, trying

to find some of her family.

You have heard of her?

I have heard of her.

- Our
- People told us.

Our family told us over.

My family's from South
Side, his from Northside. So

- Kids, you know how it is.

They try tell you carry
stories and stuff like that.

So that's, they, they told us

- Stay away from South side.

Yeah, for sure. I know
it doesn't look like

it's on you, but it is.

- Oh, she's all grown up.

- Cool. How long have you
had this? Oh my gosh.

- This one
- About three years.

- Have you ever heard of Isabelle Rose?

No.

Well, and so you've
lived here your whole life?

My whole life, yeah. What
do you know about the

South Side church?

- The South side church.

I'll tell you, what I do know
is I'm not talking about it.

- Oh,
- We don't talk about that around here.

- Alright. Okay. Well, all right.

Well, thank you. Thank you, sir.

- You're welcome.
Ann are we good to film tomorrow?

- Yep. Good to go. Sorry,
my mom was asking the time.

We're gonna be back
tomorrow. It's her birthday.

Oh, we should be back before lunch.

- So did you get anything
outta him? No. No.

He didn't wanna talk
about it. He cut me off.

We just said that we don't

talk about that around here.

Something's going on. Oh,
that's weird. Something.

Nobody, I was talking to
those guys over there.

Nobody, nobody knows
anything. Oh. They know.

I feel like they know
there's something going on.

The man always getting the shots.

- How does it feel?
- What

- You're gonna turn into Gabs someday?

- In training. In In training. Excuse me.

Do you all know anything
about the Southside

- Church?

You give them an apple to tell

you everything you want to know.

- The old Rose Chapel.

Where are we going next? Maybe.

- Maybe somebody can talk to

- Us.

All of these places look so old.

I got in contact with one
of the owners from one

of the old saloons out here.

Okay. She's been here a while.

Probably the oldest spot out here. Yeah.

She has to know something. I,
that would make sense. Yeah.

I told her that we were
gonna let her plug her bar.

So do you think that this
place is actually cursed?

- There's no such thing. Oh,

don't gimme any more of that lime.

We're just gonna have to keep filming.

We have like another hour to kill

and then you know, she's gonna be probably

drinking until she falls over. So let's,

- Y'all need me for anything else?

Yes ma'am.

- Rolling?

- Yep. All camera speed.

- Miss Westfall, what can you
tell me about Isabel Rose?

Who? Isabella or Isabella Rose.

The Rose Chapel was named after her.

- Well, I wouldn't know anything.

I wasn't alive in the thirties.
I mean, how old do I look?

- I was wondering if you
or anyone you've know or

- No
- Was related to.

No, Isabelle was a beautiful,

talented dressmaker.

I found that she was very well loved

and respected throughout the community.

Devout Catholic. She

- Look, we are about to open.

- Yes ma'am. There was an
incident in 1941 involving a fire.

Some say she may have caused this fire.

You wouldn't know anything about a fire.

- Y'all might not wanna
be messing around in this.

We're just trying to tell the story.

I mean, you might find yourself in a

place you don't wanna be.

I mean all of you. Have
you thought about that?

- Okay. Look, we're not
trying to get you upset.

We just wanna tell this story.

I mean, you come into my
business and you start Mr.

Westfall. There was an incident
at a wedding involving a

death of a bride whose
last name was Westfall.

- You have no idea what
you're walking into.

Are you related to this
person? How dare you

take this damn thing off of me.

Don't need to get outta here.
I'm done. Turn that thing off.

- I told y'all to get out of this place!

Alright.

- Oh hey, real quick.

I need to get a time
lapse. Wide shot. Be okay.

Like a minute. I, I'll make
it real quick, but Yeah.

- You good? Yeah.

Just looking through this
footage again. How's your

shoulder? About as good as it can be.

I guess. Still feel like
we're missing something.

- You wanna take a look? No,
I've seen enough of that shit.

Monty. Yeah. You need to let this go.

The toxicology report gets here.

It's gonna tell what we know already.

You gotta stop trying to
connect dots that aren't there.

What time's the interview?

- It's one o'clock.

- Well, I'll be out front

- Cameron.

It's a final day before it goes to

- State.

Well, let state have it. The sooner we get

rid of this case, the better.

- Oh. How does it feel?

A story about a man who can't
film in a moving vehicle.

- Ah. I'd watch it though.
- Coming this summer camera

man on camera.

This looks great.
This is the most haunted in Texas

with some stays lasting
longer than expected.

- That shot's horrible.
- Well, I like it.

Hey Gabby, would you
wear a dress like this?

- Ooh. Oh my God. Yes.

That Those are so expensive.

I can't afford that. I'll thrift it.

- Yeah. Get a vintage one. Maybe.

- Will wants me to, but
I highly doubt that.

I'll find one that I love. We'll see.

- So my phone says it might rain. Are we?

- Yeah, it's probably
snow. Are we good for

- That?

- We'll see. Okay.
Anything happens in Texas.

- This guy is over two hours late

- Now.

Well, that's not surprising.

- I do not wanna be walking around

that building in the dark.

- Well, can't we film at night?

- Actually, no. We have to
be out of there by eight.

'cause he has to leave.

I can ask him if we can
see an extra hour though.

- Are you recording? Documenting the dock.

- The amount of footage that
you burn is astonishing.

- That's a special talent of mine.

You know, it's about
time.

- What are we y'all filming?

- Yeah, we're doing a piece
on the south side church.

Hell no. What? What'd you say?
- The the South side church?

Oh, no, no, no, no. Heck no. No way.

- No. Seems to be polarizing.

It's gonna be fine.
Unsettling. Yes. People.

Oh shit. Oh my

- Jesus.

- Y'all from magazine TV show.
- TV show but yes. You must be Hudson.

- Yes ma'am.
- Oh, you can just call me Gabrielle.

Oh, this is Micah, our
cinematographer. Okay.

And Ann, our production assistant.

But with the small crew, she's
more like our production.

Everything.

- Okay. Well, do you wanna
follow me to the building?

- Yeah, that'd be great.
- Okay. Well it's cash only.

So if you need to run the

ATM, you need to go ahead and do it now.

Let's wrap it up. Come
on. Come on. Oh, oh.

- Straight guys. Get it happening.

What is he doing up there?

He's driving like there's
not somebody following him.

- This is ridiculous.
He's fast then he is slow.

He doesn't show up on time. I'm over.

This guy supposed

to just guess where he parked

- Ann in the back

- There it is.

It's, oh my gosh, there.

- That's wonderful.

Oh, there he is. This guy. Come on.

Hey, I need to get some wide shots, man.

Can you get the car out
of the way? Come on.

Okay. Alright. Sure. Dude. Whatever.

This was the last time they saw them.

- Oh, come on. It's so
funny. This place is creepy.

- Yeah. Well, you know,
we've done this a lot.

Don't really, really need
to worry about anything.

You know, we have a lot of
practices middle of the day.

Nothing scary in the daytime.

Maybe some rats or some possums.

And if you see some,
you know, let me know.

'cause we needed some footage.

- All right guys, let's
knock this out. Yeah,

- I'll take that.

And can you grab a tripod and
get that set up? Copy that.

- Ready
- To go.

Do we need this?

- Oh yeah. That's the EMF
device. You know, in case we,

- Hey Hudson,
- Get that out on my face.

- Oh, Hudson, thanks again.

- Yeah, it's not a problem.

- Hey, we're just getting
our equipment ready.

It's gonna take us a little
while. Do you have anything

you need to prep inside?
We're gonna be like a minute.

- Yeah. You got my money?
- Yeah, of course.

Hey, since you were

a couple hours late,
do you think it's cool

if we can stay like an extra hour.

- No.

- How'd it go?
- No luck on staying late.

All right. You got everything ready?

- Yeah, yeah, yeah. You're
good to go. Oh, hang on.

Ann flashlight. Take it.

I need to get
like a time lapse wide shot.

Are you gonna be okay
with just going in there

for just like a minute with him?

Like I, I'll be make it real quick, but

- Yeah, that
- Was a little weird.

- We'll be fine. Just, just make it quick,

man. We gotta get back on schedule.

- Okay. Good.
- All right.

- Okay.
- Ann you good?

- Oh, you know, hey. Just in case.

Alright.

- I need a flashlight.
- Yeah, I'll take it. Thanks.

You got my money? Yeah.

- Here. Gimme the flashlight.
Look right here. That's it

- All. Got it.

- Go this.

Cool.

- So anything we need to
know or be prepped for

or just head on in?

We're just gonna report what we see.

- Come on.

Oh my God.

- Whoa. It looks like someone

was here not too long ago.

- No, it's been decades at least.

There's still stuff in here
from the early 19 hundreds.

- Look at this.

Tables, chairs all just left here.

Must have been something
serious for them to leave it all

- Behind.

Hey, now this generator,
it lasts about an hour

and it turns off at 8:00 PM

and that's where we're out the door.

This is the only open entrance
I have to this building

and I'm not liable for
anything. Are we clear?

- Clear.

- Hey. And you don't want, you don't have

to come if you don't want to.

It's fine.

- Yeah, yeah, yeah. Let's go.

- Ah, yeah. Got you Gabs. Gopro.

That's right. We'll get this
set up. I got the time lapse.

I got,

if I get you, get right here.

You get the building. How's
that look? I think I see it.

There we go. Let's grab this

- Right this way.

- Oh God. It smells in here.

Okay.

- Whoa.

- Hey Anne, get a shot of all this.

- Yeah.
- So did this start off

as a school or a church?

- I don't know. I,
- How old were the kids?

- I had to be young. Six to 12.

- Do you know why it closed down?

- Mm. People say it a bunch

of different things over the years,

but someone just got spooked.

- Maybe it's better if we don't know

until we're out of here.

- Piles of wood.

What were they preparing for?

And look at this pile of rebel.

- Careful.

- There's another feature.

- Hey, are you doing okay?

- Yeah. She would've had her
own room somewhere in here.

Right.

- So you said you're related to the,

to the owner of the building.

- Half cousin. I just do the yard

and make sure no one's breaking in.

- So like the caretaker
for the property then?

- Yeah. I should get a
name tag for that. Yes.

It don't matter since
it's coming down soon.

Anyway, thank God.

- Watch your step over here,
Ann. This place is dangerous.

- Whoa.
- Oh my God.

We're not gonna fall through the floor,

- Right?

- Shouldn't,
Wait. Are you positive?

- There's damage to the building.

Leaks a little bit, but I ain't

never fell through the floor.

- Sounds reassuring.
- Hey Ann, can you get a shot of me?

Here we see the

sanctuary of the old south side church

just left here to decay

memories upon memories.

All preserved in history

- Again.

- Does anyone know what that is?

- Yeah, I probably, some kids gotta find

that dang gum hole.

Where are they coming in at? Oh my God.

- I don't know what that is,

but I don't wanna stick
around to find out. Oh, Micah.

- Sorry. Sorry. I I,

it's gonna make a great
reel though, miss me.

- Yeah, it took you long enough.

- Hmm. This is creepy though.
- Yeah.

Hey, what's in here?

- Nothing. So let's go.

- It don't look like nothing.

- How are you up?

Oh no.

- Okay, so that's the first
floor. Let's work our way up.

- How many floors are there?
- Three

or four. Including the basement.

- Have you been to the basement?

- Yeah. Let's get moving.

- Wait, is it safe to go up those,

- Either these or the
ones on the other side?

- Are you guys all right going up?

- I wanna get some shots.
- And

- As long as the floor
doesn't fall through.

- All right, let's go. Come

- On.

Oh, that's crazy, Anne. Look at that.

- Hey. Hey guys. Come on up now.

- Okay.

Oh

- Wow.

Oh, wonder what happened over
here? Yeah, this is crazy.

- You said you don't know what

- Happened?

I keep hearing something. Be careful.

- Gosh,

- What is it?

Oh my God. Yeah, I forgot
to tell you about that.

Jesus, a little heads up would be

nice.

- Ahhh!

- Oh my God. Ann,

- What the hell?

Why? Why that there?

- Oh, it smells terrible.

- There's bags of wedding dresses.

- Come on.

- Hey, there's one more
room over here real quick.

I just wanna take a peek.

- Oh God.

Are you okay?

- Yeah. Yeah. It's here guys.

The generator is about to go out.

- We only made it to the second floor.

- How much time you got?
- Plenty.

I mean, we have lights. It's up to him.

- 15 minutes and that's pushing it.

We came all this way to
film. - I don't give a damn.

- Look.

Are you kidding me? You made us late.

I gave you your money. So
I want to be every, you got

- 15 minutes

and when that generator goes
out, still rolling still.

I don't be in here. Still
rolling. So get moving,

- God

- Guys, I think I'm just
gonna wait right here for you

to come back, alright?

And just call us if we go over, okay?

My phone hasn't been
working since we got here.

- Oh God. Fine. We'll, we'll,
we'll be fast. Come on.

Look, this guy's not
gonna let us back in here.

We gotta get everything right now. So,

- Yeah, don't you think it's weird?

He hasn't been in the basement?

- I mean, I wasn't gonna be
the one to say it, but yeah,

- I mean, he doesn't know
what he's talking about.

He's probably not related
to anyone here. Like

- Ann is losing her shit out there.

Okay, look, let's just get
this and get outta here.

All right.

- Oh, hello?

- Oh my God.

Dressmaker's workshop.

Oh my God. Oh, these are all still intact.

Oh, it still smells like smoke.

This is incredible.

- Okay, I like this a
lot better than inside.

Alright, GoPro number one

Oh.
Place is a

lot less bad on the outside.

Let's get this.

- There she is.

Isabelle.

Oh, it's her original

sewing machine.

She sat right there.

Oh my god. I gotta get this.

This is the original sewing machine

of Isabel Rose here,

where she sewed all of her dresses.

Her stitching.

This one's for me.

Oh my God.

- All right. Camera number

two. No,

No, no, no, no,

no, no, no, no, no.

Ah, come on. Ah.

What the hell?

Gabs.

- Gabs. You hear me? Gabs,
Gabs.

- Micah, what's going on?

- Oh Ann, you're okay.

- Oh my God.

Come on, Micah. You
gotta see it. I found.

Oh, you gotta go the lights.
Listen, tell me in the car.

Listen, Gabs.

- No, we still gotta see the basement.

- Someone's up here with us,
Gabs.

- We gotta get that footage.

Who's up here? I don't know.

We gotta go.

- Down the stairs.

- Sorry Ann.

This is not, we're not done.
- Gabs. What's wrong with you?

- Gotta get this footage,
- Okay, come on.

- This, this, this is
done. This job is done.

We're over this. It's done.
We're out.

- What are you doing?

Get I'm taking this rig off.
I'm done.

- Please. I'm so hot.

- Get down the stairs.
Woman, get down the stairs.

- No, I'm getting my footage. If you

won't help me, I'm getting it.

There's another way.

Micah!

What the hell? Hey, Micah

- Open the door.

Hey, hey, hey, hey. Watch out.
Get the door open. Come on.

Come on, Hudson. Don't play around.

Hold on, hold on, hold on.
It feels like it's jammed.

Look at, look at the channels
on both sides. The tracks.

- There's nothing over
here.

- No. In the tracks.

There's nothing in the tracks. Hudson,

- Micah, open it.

- I didn't shut it.

Push up on one side. See if it's loose.

Push up on the other side. See
what you can find.

Nothing. Same time. Okay.

One, Two, three.

- There might be one,

I don't know what a hammer is gonna do.

Hammering gonna do nothing.
- Is there another way out?

- No. Listen. Can we,
- I'm gonna look over here.

You have, there's gotta be another way.

Hey, Ann, are you there?
- Yeah.

- Hey, try to stay calm.
- I'm trying.

Why did you bring me here?
- We're gonna get you out.

- No, it's

- I really don't wanna hear it right now.

I guarantee there's something stuck.

- You were supposed To know this

- It's mechanical.

Lady. Why are you crying? What
are you crying for?

- You got locked in here.
- I got you locked in here.

I told y'all to get out
of this place. I'm done.

This is absolutely ridiculous.
This is absolutely ridiculous!

- We shouldn't have come here.

- Hello? Is somebody in there?

Hello?

Hello.

- This is the most open and
shut case I've ever seen.

We have what we need. Four
kids on drugs

- I have watched hours and
hours of video footage.

I've seen everything. I know
there's more to this case.

- What is, what is it that I'm missing?

- I need more time with this
case.

Monty, It's simple!

Four kids got screwed up.

All I know is you need to
let it go. It is what it is.

We got one more interview
and we're done with it.

Let the state take it over.
It's out of our hands.

- Is your phone still not
working?

- No. Is yours?

- No.

- I'm really sorry.

- I'm sorry. I'm sorry I brought you here.

- I thought it would be a
good experience for you.

- I know.

somebody has to know we're here, right?

- Yeah. They'll find us.

Micah.

Who's in here? Cameraman. Where you at?

It sound like it's from the
roof. How did he get up there?

- It's him, right? Yeah.

- I heard you in here.
Yeah. How'd you get in here?

Who else is here?
- No, I heard it from the roof.

- No, it was done here. It's him, right?

- How did he get up there?
- Don't know how he got up there.

I hope he is up there. Then
I can get out of here.

Huh? It's gotta be the
rain. There's no way.

- Micah, can you hear us?
- You can't get to the roof.

- Micah, say something.

- I heard that. No, I
heard it down here now.

- No, I heard it up here.
- Hudson. How do we get

Up there?

Who else is here? Did, did
y'all bring somebody else?

- No, we didn't bring somebody
else here. You tell us.

- Tell you what?
- You are the one that brought

us here.
- Brought you here.

You drove here.
- How could you,

you literally brought people here

and you have no idea what you're doing.

I mean, we could actually
die. How would you even feel?

Would you even care?
He wouldn't care if

we fucking lived or die.

- I want to get out of the building.

You brought us here to
this fucking building.

It's falling apart. It's
a fucking shit hole.

And we're supposed to, we're supposed

to be doing a fucking tour in here.

- Ask the camera lady down there.

- We're gonna fucking die in here.

And it's all your fault.
- That's down there.

Do you see anything? Who
else did you bring here?

- What do you mean? Who else did we bring?

- There has got to be somebody else here.

Because I heard steps.
It was just the three of

us walking in and the only other

person was the camera guy.

But the camera guy ain't answering.

- Okay, look, everyone just take a floor.

Stay where we can see
each other.

- There's gotta be some
steps. I heard some steps.

- That's up here. Micah?
That was up here.

- I'm gonna stay here.

- Gabby. I don't think
it's him.

- Yeah, it has to

- What was what? What is it?

Something's not right. What?
What do you see?

- It's fine.

Gabby is that door? Who is that?

- Who is that? Is that the door? I know.

- I'll go check.
- No, let me go.

- Wait be careful.

- It hurts. It hurts so bad. Oh my God.

- I'm gonna pass out.
- We're gonna get help.

- Look at me.

Look at me. Look at me.

- I'm gonna die.

- I'm gonna
be right back. Okay?

I'm gonna get us out of here. All right.

I'm gonna get us out here.
- Where are you going Gabby?

- Please don't.
- The hell are you doing?

Hey, where you going?

Where the hell are you going?

- Micah?

Micah,

I'm so sorry.

So sorry.

Hello?

Hello.

Who's there?

- Okay, I'm gonna put this around your

leg and we're gonna stop the bleeding.

- No, no, no, no, no. Please. No.

- Do you wanna live?
You wanna walk out here?

Put this in your mouth.

- Do it do it.

Right down on it.

- 1, 2, 3.

Alright, we're good.

Hey, wake up. Come on. Wake up.

Keep your head up.

Keep your eyes open. Hey, come on.

Your friend went that way.
I've been thinking about it.

The only way to get off this
staircase is through the roof.

This, it's the only way. Okay.
Hey, come on now. Come on.

Come back. Come back. You gotta be awake.

Stay awake.

- Will, we wanted to have you back

for some additional questions.

- Yes sir. Anything I can do to help.

- So can you tell me who is Micah

and what did he have to do with her?

- Well, Micah was her cameraman.

They've known each other for years.

They worked on projects together.

And I know he was a great guy.

- Were they into any kind of alternative

or dark stuff at all?

- What do you mean alternative?

- Was she into
witchcraft?

- Witchcraft? No.

- Like was she into drugs?

- Drugs?

As long as I've known
her. She didn't smoke.

She didn't drink. She
wouldn't even take a goddamn

Advil if she had a headache.

So what did you found
something in her system?

- We can't answer that right now.
- Can you tell me?

What do you know?
- Will,

everything's under active
investigation right now.

- Active investigation. Okay.
So can I, can I see anything?

Can I see some of this footage please?

She would never hurt anybody.

- Suspect on location.

Possible person down inside.
- 10-4

- Can you take a step back.

- Okay? Can we go in?

Sit tight. Can we go get her?

- What's going on?

- There's three people inside.
One supposedly injured female.

- I'm going inside.

- Somebody's
bleeding to death. Come on.

- Sit tight with this guy.
I'll Take care of this.

- Go down the hallway through the room

and you'll see a large metal door.

It wasn't
opening. Come on man.

She's bleeding to death.
Officer.

Are you sure the
paramedics are on the way?

- Yes. The ambulance is on the way

- Down the hallway.

Okay. Large metal door.

- Is there anything hurt
besides your leg?

Sit tight. We'll get you out.

- Is there an ambulance coming?

- Yes it is.

- She's down. I need you
up here.

- Yeah, you stay here.

- Hurry up. Y'all gotta hurry.

- Straight ahead on the floor.

I think they were using
that belt as a turnakit.

- You alright? Okay.

- We gotta get her up.
- Hey, can you move? Huh?

Can we help you up? Can you

move? Oh God.

- Gotta get her outta here.
- Gabby.

- Is Gabby your friend?

Let's go.

- Hello?

- What the fuck

the hell is that doing here?

- Monty.

Fuck man. Hey,

Hey, hey, hey.

You good? Yeah. Huh?

- Are you good?
- I'm okay. I'm okay.

- Yeah,
- I'm all right.

- You got comms?
- No, no. Coms.

Cell's dead.
- Alright, look at me.

Just stay close, right?

Okay. Head on a swivel

There's something up with this place.

Fuck,

This is Officer Brooks
with the police department.

We're here to help. Hello?

Am I fucking hearing things?

Shit. I got a 10 54 down here.

Do you copy dispatch. Hello?

Shit,

this is the police.

Make yourself known,

- Ma'am.

- Must cleanse. Please take me.

Cleanse.

For you. May I be
yours, please take me.

This is the only way. The only way.

Ma'am. Don't move.

Cameron!

- Freeze!

- Monty.

Hey, look at me. Stay
focused. All right. Huh?

- Yeah, cam.
- Yeah. Focus.

She's got nowhere to go.

Where the fuck are the paramedics?

Okay. Fuck this place.

Easy.

- You still good?
- Good

- Monty.

Monty.

Monty.

- Fuck.

Fuck.

The fuck was that?

- Burn them all.

- Monty.

Ah, monty.

Fuck,

Monty, Monty

I get the fuck up. Fucking hurry. Monty.

- Get the fuck up,
- Cameron.

- We gotta get the fuck
outta here. Now move buddy.

Cameron, you okay? Blood.

Fuck up. Just sit up. Now we
gotta go.

You look at me. Can you
walk?

Get outta here. Move.

- I'm okay. I'm okay.
I think I'm all right.

- Hey babe.
- Hey babe. What's going down?

Hey, check this stuff out.
I'm on the work site today.

They had a big fire in here.

They're throwing all of this stuff out.

We gotta get it outta here. But look.

- Oh my God. Are those
wedding dresses?

- They are.

Look at this. Isn't that wild?

- Yeah. None of them burned?

- None of them. None of them burned.

This whole place is scorched
and none of them burned.

What do you think?
- I don't know about that.

You want one of these
for our wedding guys?

- No. Hard pass.

- No. Come on girl. Oh shit. Look at this.

- What now?
- Huh? You so silly.

Just for me, just my
size. What do you think?

- Very cute, babe.
- You know what? I'm gonna keep that.

- Alright, well I gotta go.
- Alright. Hey, love you.

- I'll talk to you later.
- Bye.

Bye babe.