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NARRATOR: Supercar
customizer Yianni
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00:00:07,240 --> 00:00:09,280
lives life at full throttle.
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00:00:09,400 --> 00:00:11,840
How accurate is
that speed, though?
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00:00:11,960 --> 00:00:13,600
NARRATOR: He takes
incredible cars--
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00:00:13,720 --> 00:00:14,960
It's gorgeous.
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00:00:15,080 --> 00:00:16,840
NARRATOR: --and works
with his talented crew--
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00:00:16,960 --> 00:00:18,080
You're a G. You're a G.
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00:00:18,200 --> 00:00:21,720
NARRATOR: --to give
them a unique look.
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But the stakes are high--
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00:00:23,760 --> 00:00:25,280
How can we get
this so wrong, man?
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00:00:25,400 --> 00:00:27,640
NARRATOR: --when you work
for demanding clients--
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00:00:27,760 --> 00:00:30,720
I will be calling
you 20 times a day.
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00:00:30,840 --> 00:00:32,440
NARRATOR: --who
expect perfection--
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00:00:32,560 --> 00:00:33,920
Yes, yes, yes.
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NARRATOR: --every time.
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That is so sick.
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That's why you're
the king, bro.
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[upbeat music]
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NARRATOR: This time, Yianni
takes on a job for an artist
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00:00:50,320 --> 00:00:51,800
with a bold color sense.
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I got well known
for the orange
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that we wrapped the RS 6 in
and the RS 5 before that.
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So we're going
to go orange again?
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Good morning, Paul.
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NARRATOR: And Bert has a
client stop by for some tweaks
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00:01:01,520 --> 00:01:02,600
to his Aston Martin.
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00:01:02,720 --> 00:01:04,040
BERT: What are we thinking?
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Just tints around the
windows, smoke the lights.
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[upbeat music]
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NARRATOR: But when the wrap
encounters a major problem--
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Stop work on the car.
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I'm actually very
embarrassed, pal.
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Very sorry.
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NARRATOR: --they have to
go back to square one.
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This is really,
really frustrating.
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NARRATOR: And the deadline
goes out the window.
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Oh, what a great day.
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[upbeat music]
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[engine revs]
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[upbeat music]
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NARRATOR: It's a new
day at the garage,
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and an engine roar
signals the arrival
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of an exciting sports coupe.
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British portrait artist
Paul Oz travels the world
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painting sports personalities.
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[upbeat music]
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He's had two cars
wrapped by Yianni before.
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And today, he's back
with his new Audi RS 5.
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YIANNI: Ooh.
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This is nice.
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How you doing, Paul?
- Really good, Yianni.
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- Long time.
- Good to see you, mate.
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Good to see you again.
- How you been?
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Awesome, absolutely awesome.
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00:02:07,360 --> 00:02:09,040
How's all the
painting going on?
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It's crazy busy.
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It's done a couple
of F1 trips back
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to back, so, yeah, just
got back from Monaco,
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live painting out
there, so all good.
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Nice.
I love that.
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Who's your latest celebrity
that you've done now?
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I'm working through
a series of F1 drivers
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at the moment, so live
painting around Paddock
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Club and all good fun.
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Lewis Hamilton yet?
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00:02:26,680 --> 00:02:28,480
Yeah, I've painted Lewis
twice in the last few weeks.
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So, yeah, and that's--
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I've got a piece going
to Canada at the moment.
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YIANNI: Really?
- A show out there for the--
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YIANNI: Amazing.
You're killing it, as always.
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Yeah, all good,
mate, all good.
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RS 5-- this is a great color.
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Not only-- this is
like a special order.
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00:02:38,840 --> 00:02:40,600
I wrap a lot of
cars in this color,
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and you're going to change it?
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00:02:41,720 --> 00:02:43,280
I just miss the
orange too much.
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I got known for the orange,
and it's now become on brand
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for what I do as a business.
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So--
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Listen, you're a painter.
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I'm sure you know
what looks best.
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I see colors all
day, every day.
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00:02:53,280 --> 00:02:54,840
I bet you do.
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Gloss again, or are you going to
go, like, a matte or a satin--
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flip it up, mix it
up a little bit?
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I think it needs to be gloss.
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I like-- what I like
about what you guys do
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is it looks like a paint job.
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00:03:01,480 --> 00:03:02,680
So you want it
to look factory.
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00:03:02,800 --> 00:03:03,880
Exactly, exactly.
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00:03:04,000 --> 00:03:06,400
And, yeah, same
gloss, bright orange.
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00:03:06,520 --> 00:03:09,160
So orange for the car
and then, on the roof,
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00:03:09,280 --> 00:03:10,280
some splats coming out from it.
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00:03:10,400 --> 00:03:11,200
What, paint splats?
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Yeah, exactly.
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I'll knock something
up and send you a file.
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OK.
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00:03:16,240 --> 00:03:17,360
You've got a lot of chrome
on the car, as well.
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00:03:17,480 --> 00:03:18,240
Is that staying?
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00:03:18,360 --> 00:03:19,480
Some of it.
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00:03:19,600 --> 00:03:21,120
I like the chrome
around the windows.
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00:03:21,240 --> 00:03:25,120
I'm not a fan of it on the front
and on the rear underneath--
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YIANNI: Oh, the diffuser.
PAUL OZ: Yeah.
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YIANNI: OK.
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00:03:27,920 --> 00:03:29,080
So you want to do the front
and the rear diffuser?
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00:03:29,200 --> 00:03:30,000
PAUL OZ: Yes.
- In what, a gloss black?
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00:03:30,120 --> 00:03:31,040
PAUL OZ: Yes, gloss black.
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00:03:31,160 --> 00:03:32,600
OK, so the whole
car in orange.
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00:03:32,720 --> 00:03:33,960
Inside the door shuts, as
well, so everything's done?
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00:03:34,080 --> 00:03:35,280
PAUL OZ: Perfect.
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YIANNI: So it looks
straight out the dealer.
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PAUL OZ: Perfect.
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YIANNI: Your front and
rear in gloss black,
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and everything else
stays the same.
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Perfect.
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OK, you got the key?
PAUL OZ: I have.
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YIANNI: Brilliant.
Lovely seeing you.
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- OK, bye.
- Take care.
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I'll see you soon.
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NARRATOR: The RS version of
the A5 a high-performance coupe
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full of technological
innovation,
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with 30 cutting-edge
driver-assistance systems.
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00:03:55,440 --> 00:03:57,720
This model is
specced to the max,
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00:03:57,840 --> 00:04:01,960
with carbon fiber options
accenting the bodywork.
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00:04:02,080 --> 00:04:05,200
Paul wants his car to stand
out, like his artwork.
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00:04:05,320 --> 00:04:09,560
Yianni has given the team three
days to make it picture-perfect.
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[upbeat music]
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Audi RS 5 in nardo gray.
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Lovely car.
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This is an old custom of ours.
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It's Paul Oz.
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We wrapped his RS 5,
the old-school one,
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originally in orange.
- Yep.
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00:04:29,480 --> 00:04:30,920
RS 6?
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And then he got an R6 that
we wrapped in orange again.
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Yeah.
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It's more its
signature color now.
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Yeah.
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YIANNI: Exactly that--
his signature color.
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So he's like, yeah,
here's my brand-new RS 5.
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Let's wrap it orange again.
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So full wrap, shuts
and returns in orange.
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All the chromes and the silver
bits are going gloss black.
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Yeah.
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We're leaving the
carbon roof, though?
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YIANNI: Leave the carbon roof.
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00:04:51,400 --> 00:04:53,320
But you know he's an artist.
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He wants a big paint
splat on the roof.
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Who's doing that, him?
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YIANNI: Amelia.
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Yeah, we're definitely not going
to paint it on that carbon roof.
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00:05:01,160 --> 00:05:02,640
I was going to say, do
you want me to actually
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splat some paint on there?
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Hell, no.
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00:05:05,480 --> 00:05:07,680
Paint splat with vinyl,
so you can obviously
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00:05:07,800 --> 00:05:09,000
make that on the plotter--
- Cool.
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--and then stick it on there.
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You'll get, obviously,
the design and style.
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Yep.
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00:05:13,520 --> 00:05:15,040
You're going to be
stripping this car down, Mike.
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Yeah, it's going to be a big
strip because, obviously, it's
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shuts and returns, so
front bumper, I mean,
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wing mirrors, handles.
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And we're going to be taking
the doors off of this, as well.
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OK, so that is the car.
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Mike, if you can get
to stripping this car,
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and if you two start wrapping.
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Lovely.
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Thank you.
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All right, cheers.
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NARRATOR: Mike makes
a start stripping
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the first of over 30 parts.
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MIKE: We're starting
on the rear.
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I'm going to take the
lights out of the vehicle
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and off of the
boot lid, as well.
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So this is the best
place to start.
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Keeps me out of the
way of the wrappers
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so they can do their thing.
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[upbeat music]
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NARRATOR: At the
front of the car,
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00:05:53,480 --> 00:05:56,360
the first panel is being
wrapped in the new orange vinyl.
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Gloss vinyl is designed to give
a finish which looks like paint.
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Wow.
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00:06:04,200 --> 00:06:05,920
NARRATOR: The shine
shows any flaws.
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00:06:06,040 --> 00:06:08,440
[upbeat music]
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The wrap is looking good,
and under the bonnet is
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00:06:18,120 --> 00:06:20,920
something really special, too.
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00:06:21,040 --> 00:06:24,800
Designed as a grand tourer,
the RS 5 has a lightweight,
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biturbo 2.9-liter V6.
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00:06:28,560 --> 00:06:30,960
All-wheel drive and
a lower suspension
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mean the car has remarkable
grip and handling.
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00:06:35,320 --> 00:06:38,120
From the bonnet
to the boot, Terry
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00:06:38,240 --> 00:06:40,040
continues to strip the badges.
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00:06:40,160 --> 00:06:42,200
It's a delicate process.
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00:06:42,320 --> 00:06:47,000
The team have devised a special
system to avoid any mistakes.
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So we're just
templating the badge.
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00:06:51,200 --> 00:06:55,640
So when it's removed, and
we wrap this boot lid,
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00:06:55,760 --> 00:06:57,480
we put this template
back on, and the badge
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00:06:57,600 --> 00:07:01,000
will go back on this boot
exactly where it come back off.
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00:07:01,120 --> 00:07:03,240
So now anyone that
wants to put this on,
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00:07:03,360 --> 00:07:06,480
they know exactly where-- what
car it's for and what panel
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00:07:06,600 --> 00:07:09,360
it's going to go on.
203
00:07:09,480 --> 00:07:11,960
[upbeat music]
204
00:07:14,400 --> 00:07:17,000
NARRATOR: Meanwhile, Mike
is freeing off the door,
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00:07:17,120 --> 00:07:18,440
and it's heavy.
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00:07:18,560 --> 00:07:19,360
Well, go on.
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00:07:19,480 --> 00:07:20,760
Try it.
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00:07:20,880 --> 00:07:21,680
That's it.
209
00:07:21,800 --> 00:07:22,760
Slow down.
210
00:07:22,880 --> 00:07:24,080
[groaning]
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00:07:24,200 --> 00:07:25,400
Lovely, boys.
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00:07:25,520 --> 00:07:27,000
Well done.
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00:07:27,120 --> 00:07:29,360
NARRATOR: It needs to come
off the car so the shuts
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00:07:29,480 --> 00:07:31,040
and returns can be done.
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00:07:31,160 --> 00:07:35,800
The client wants the car to
be seamless, all in one color.
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00:07:35,920 --> 00:07:37,760
With the door
stripped, the wrap team
217
00:07:37,880 --> 00:07:40,400
can also access the front wing.
218
00:07:40,520 --> 00:07:42,960
[upbeat music]
219
00:07:50,840 --> 00:07:52,440
The color looks really good.
220
00:07:52,560 --> 00:07:55,240
NARRATOR: Yianni often
posts midway photos of jobs
221
00:07:55,360 --> 00:07:57,000
to his social media pages.
222
00:07:57,120 --> 00:07:58,800
See how many likes
it gets, the comments.
223
00:07:58,920 --> 00:08:01,280
People talk about the color.
224
00:08:01,400 --> 00:08:02,760
NARRATOR: It means
clients like Paul Oz--
225
00:08:02,880 --> 00:08:04,040
Nice.
226
00:08:04,160 --> 00:08:05,160
NARRATOR: --get a sneak
peek at their car.
227
00:08:05,280 --> 00:08:06,160
It looks great.
228
00:08:11,680 --> 00:08:14,160
[upbeat music]
229
00:08:16,160 --> 00:08:18,040
NARRATOR: It's an early
start at the unit,
230
00:08:18,160 --> 00:08:20,320
and Mike has one
more part to strip
231
00:08:20,440 --> 00:08:25,200
from the car, the huge
carbon-filled front panel.
232
00:08:25,320 --> 00:08:27,120
The front wheels
have been removed,
233
00:08:27,240 --> 00:08:30,560
as the panel fixings are tucked
away in the inner wheel arch.
234
00:08:34,800 --> 00:08:36,280
MIKE: Right, who's here?
235
00:08:36,400 --> 00:08:38,720
James, quick, jump on this
corner-- here, here, over here.
236
00:08:38,840 --> 00:08:39,840
That's it.
237
00:08:39,960 --> 00:08:41,240
Let me jump around
the other side.
238
00:08:41,360 --> 00:08:42,240
All right, you ready?
239
00:08:47,440 --> 00:08:49,440
NARRATOR: The panel needs
to be stripped down further
240
00:08:49,560 --> 00:08:51,000
to give the wrappers access.
241
00:08:55,280 --> 00:08:58,240
High-performance cars often
come with optional carbon fiber
242
00:08:58,360 --> 00:08:59,400
upgrades.
243
00:08:59,520 --> 00:09:01,360
It's a super
lightweight material,
244
00:09:01,480 --> 00:09:04,800
but it's 20 times more
expensive than steel.
245
00:09:04,920 --> 00:09:08,160
OK, so here's one
of the carbon pieces--
246
00:09:08,280 --> 00:09:10,120
not damaged in any way.
247
00:09:10,240 --> 00:09:12,320
No clips broken or
anything like that.
248
00:09:12,440 --> 00:09:16,880
So hopefully this goes
all nice and smoothly.
249
00:09:17,000 --> 00:09:19,200
[upbeat music]
250
00:09:20,200 --> 00:09:21,880
NARRATOR: The workshop is full.
251
00:09:22,000 --> 00:09:23,360
Pink.
252
00:09:23,480 --> 00:09:25,360
NARRATOR: And Yianni is
keeping an eye on progress.
253
00:09:29,480 --> 00:09:32,000
Wrong color.
254
00:09:32,120 --> 00:09:33,400
How's that even possible, Bert?
255
00:09:33,520 --> 00:09:34,960
NARRATOR: Paul Oz
has been in touch.
256
00:09:35,080 --> 00:09:38,040
He's seen Yianni's post and
is worried they've picked
257
00:09:38,160 --> 00:09:39,360
the wrong shade of orange.
258
00:09:44,040 --> 00:09:46,560
Bert, downstairs now--
259
00:09:46,680 --> 00:09:48,000
now.
260
00:09:48,120 --> 00:09:50,600
[suspenseful music]
261
00:09:58,040 --> 00:09:59,840
Stop work on the car.
262
00:09:59,960 --> 00:10:01,800
It's the wrong color.
263
00:10:01,920 --> 00:10:04,520
It's not even close.
264
00:10:04,640 --> 00:10:05,920
Look at the difference, man.
It's massive.
265
00:10:06,040 --> 00:10:07,360
What, it's supposed
to be the right one?
266
00:10:07,480 --> 00:10:08,560
It's supposed
to be that color,
267
00:10:08,680 --> 00:10:10,560
and we've done it that color.
268
00:10:10,680 --> 00:10:13,360
Look how much we've wrapped--
269
00:10:13,480 --> 00:10:16,200
bonnet, two wings, shuts.
270
00:10:16,320 --> 00:10:17,720
Vinyl-- a waste.
271
00:10:17,840 --> 00:10:20,760
Order a whole new roll in.
272
00:10:20,880 --> 00:10:22,440
All right, I've got to go.
273
00:10:22,560 --> 00:10:25,200
I'm going to make a phone call
to see if I can get some vinyl.
274
00:10:25,320 --> 00:10:26,400
Fuming.
275
00:10:26,520 --> 00:10:27,280
Fuming.
276
00:10:27,400 --> 00:10:28,760
Schoolboy error.
277
00:10:28,880 --> 00:10:30,960
And the only reason we
know is because I posted it
278
00:10:31,080 --> 00:10:33,760
on social media, and Paul's
like, hold on a minute,
279
00:10:33,880 --> 00:10:34,760
is that the same color?
280
00:10:37,920 --> 00:10:40,720
How can we get
this so wrong, man?
281
00:10:40,840 --> 00:10:43,240
[dial tone beeping]
282
00:10:44,520 --> 00:10:45,120
[ON PHONE] Hi, Yianni.
How are you doing?
283
00:10:45,240 --> 00:10:46,200
I'm well, Paul.
284
00:10:46,320 --> 00:10:47,120
How are you?
- [ON PHONE] Good.
285
00:10:47,240 --> 00:10:48,040
All good.
286
00:10:48,160 --> 00:10:48,920
Thank you, mate.
287
00:10:49,040 --> 00:10:50,040
All good.
288
00:10:50,160 --> 00:10:51,280
You're right, mate.
289
00:10:51,400 --> 00:10:52,920
It's the wrong vinyl.
290
00:10:53,040 --> 00:10:56,080
[ON PHONE] Ah Ah.
291
00:10:56,200 --> 00:10:57,280
Yeah.
292
00:10:57,400 --> 00:10:58,680
I'm actually very
embarrassed, pal.
293
00:10:58,800 --> 00:11:00,000
Very sorry.
294
00:11:00,120 --> 00:11:01,680
Because I've wrapped
your car already twice
295
00:11:01,800 --> 00:11:03,520
in the orange you've had, I
know there's no way on Earth
296
00:11:03,640 --> 00:11:04,720
I'm going to say to
you, keep this orange,
297
00:11:04,840 --> 00:11:06,360
so I haven't even
bother to ask it.
298
00:11:06,480 --> 00:11:08,920
So I'm just going to literally
get my guys to strip the car
299
00:11:09,040 --> 00:11:10,480
and rewrap it.
300
00:11:10,600 --> 00:11:11,720
My only problem is, Paul,
now, I don't think I'm going
301
00:11:11,840 --> 00:11:13,240
to be able to hit deadline.
302
00:11:13,360 --> 00:11:15,080
[ON PHONE] We will work
around it whatever, my friend.
303
00:11:15,200 --> 00:11:16,520
Thanks, Paul.
I appreciate it, mate.
304
00:11:16,640 --> 00:11:17,440
Thank you.
Bye.
305
00:11:17,560 --> 00:11:18,160
[ON PHONE] Cheers.
Bye.
306
00:11:21,040 --> 00:11:22,080
He's a cool customer.
307
00:11:22,200 --> 00:11:24,320
But can you imagine
doing hand-over
308
00:11:24,440 --> 00:11:27,080
on the car fully wrapped and
fully fitted and him turning up,
309
00:11:27,200 --> 00:11:29,120
because he lives miles
away, and be like, oh,
310
00:11:29,240 --> 00:11:31,160
that's not the color, Yian.
311
00:11:31,280 --> 00:11:33,720
[somber music]
312
00:11:36,640 --> 00:11:39,080
Oh, what a great day?
313
00:11:39,200 --> 00:11:41,440
NARRATOR: This is
a costly mistake.
314
00:11:41,560 --> 00:11:44,280
Four people's
labor, half a car's
315
00:11:44,400 --> 00:11:47,400
worth of vinyl,
thousands, not hundreds
316
00:11:47,520 --> 00:11:49,600
of pounds down the drain.
317
00:11:49,720 --> 00:11:53,080
The new vinyl has been ordered
to arrive special delivery
318
00:11:53,200 --> 00:11:54,280
tomorrow morning.
319
00:12:00,920 --> 00:12:03,320
[suspenseful music]
320
00:12:05,720 --> 00:12:08,360
NARRATOR: Paul was due
to collect his car today,
321
00:12:08,480 --> 00:12:12,400
but it's still half
wrapped in the wrong color.
322
00:12:12,520 --> 00:12:15,040
All the team can do
now is strip the car
323
00:12:15,160 --> 00:12:17,000
and wait for the
new vinyl to arrive.
324
00:12:19,960 --> 00:12:23,160
This is really,
really frustrating,
325
00:12:23,280 --> 00:12:27,800
after we spent all those
hours on it, because I was
326
00:12:27,920 --> 00:12:29,320
very happy with what I've done.
327
00:12:34,800 --> 00:12:37,160
NARRATOR: Not only does the
vinyl have to be stripped,
328
00:12:37,280 --> 00:12:39,160
the whole car
needs to be cleaned
329
00:12:39,280 --> 00:12:41,000
to remove any glue traces.
330
00:12:47,640 --> 00:12:51,080
Outside, there's a
welcome delivery.
331
00:12:51,200 --> 00:12:52,680
YIANNI: Vinyl's here, guys.
332
00:12:52,800 --> 00:12:54,360
[cheering]
333
00:12:57,080 --> 00:12:58,320
Right.
334
00:12:58,440 --> 00:13:00,560
OK, everyone, let's get
cracking on this car.
335
00:13:00,680 --> 00:13:02,160
Need to get it down quick time.
336
00:13:02,280 --> 00:13:05,080
NARRATOR: Missing deadline
is a huge embarrassment.
337
00:13:05,200 --> 00:13:08,240
The garage is full, but
Yianni wants all six
338
00:13:08,360 --> 00:13:10,560
of his wrappers to
focus on Paul's car.
339
00:13:10,680 --> 00:13:11,560
Everyone jump in.
340
00:13:20,760 --> 00:13:23,160
NARRATOR: Wrappers
usually work in pairs.
341
00:13:23,280 --> 00:13:27,040
It's extremely rare for Yianni
to put everyone on the same job.
342
00:13:33,000 --> 00:13:35,480
It will take at least a
day to finish the wrap,
343
00:13:35,600 --> 00:13:38,440
and it will also have a knock-on
effect on the other jobs
344
00:13:38,560 --> 00:13:40,320
in the garage.
345
00:13:40,440 --> 00:13:42,640
ANDREW: Boys, Paul Oz is giving
us a bit more time on the car.
346
00:13:42,760 --> 00:13:43,560
No?
347
00:13:43,680 --> 00:13:45,320
[cheering]
348
00:13:45,440 --> 00:13:47,160
I was going to say, I thought
you'd be happy with that.
349
00:13:47,280 --> 00:13:48,880
Amazing.
350
00:13:49,000 --> 00:13:53,320
NARRATOR: The collection is
now booked in for tomorrow.
351
00:13:53,440 --> 00:13:55,720
[upbeat music]
352
00:13:55,840 --> 00:13:58,800
Jobs are booked in weeks
in advance of the workshop.
353
00:13:58,920 --> 00:14:01,160
[upbeat music]
354
00:14:02,520 --> 00:14:05,960
Paul is an Aston
Martin enthusiast.
355
00:14:06,080 --> 00:14:08,320
Bert booked him in for
an on-the-spot job,
356
00:14:08,440 --> 00:14:10,160
and now he has to
put on a brave face.
357
00:14:10,280 --> 00:14:11,560
- How are you?
- Very well.
358
00:14:11,680 --> 00:14:12,920
Yourself?
- Yeah, good, thank you.
359
00:14:13,040 --> 00:14:14,320
- That's good.
- She's a pretty-looking thing.
360
00:14:14,440 --> 00:14:16,920
Thank you very much, indeed.
361
00:14:17,040 --> 00:14:21,600
NARRATOR: This 608-horsepower
beast is the DB11.
362
00:14:21,720 --> 00:14:27,200
Priced at nearly 150,000,
its V12 engine can hit speeds
363
00:14:27,320 --> 00:14:30,840
up to 200 miles per hour.
364
00:14:30,960 --> 00:14:32,400
So you're here today.
365
00:14:32,520 --> 00:14:33,240
Obviously, we're going to do
a couple of little touches
366
00:14:33,360 --> 00:14:34,600
on the car for you.
367
00:14:34,720 --> 00:14:35,680
Yeah, a little bit of
tint in your windows--
368
00:14:35,800 --> 00:14:36,800
BERT: Yep.
369
00:14:36,920 --> 00:14:38,480
PAUL LOCK: --and
smoke the lights.
370
00:14:38,600 --> 00:14:39,880
And I assume
you're hanging around
371
00:14:40,000 --> 00:14:41,160
for this as well, aren't you?
372
00:14:41,280 --> 00:14:42,440
Yeah, I'm going to
go for a little walk.
373
00:14:42,560 --> 00:14:43,160
So you're putting my
boys under pressure.
374
00:14:43,280 --> 00:14:44,080
Yeah.
375
00:14:44,200 --> 00:14:45,280
[laughs]
376
00:14:45,400 --> 00:14:46,800
You'd better give
me the keys, then.
377
00:14:46,920 --> 00:14:47,640
I'll see you in a bit.
PAUL LOCK: Thank you very much.
378
00:14:47,760 --> 00:14:48,760
OK.
BERT: Lovely.
379
00:14:48,880 --> 00:14:49,280
Take care, mate.
PAUL LOCK: Cheers.
380
00:14:49,400 --> 00:14:50,840
Bye bye.
381
00:14:50,960 --> 00:14:51,920
NARRATOR: Window tint master
Mikey has been pulled off
382
00:14:52,040 --> 00:14:54,240
the Audi to work on the DB11.
383
00:14:54,360 --> 00:14:55,720
So what we're
going to do is going
384
00:14:55,840 --> 00:14:57,400
to start with the back
screen, which is the hardest
385
00:14:57,520 --> 00:15:01,800
window on this car, just because
it doesn't open with the boot.
386
00:15:01,920 --> 00:15:04,440
So I'm going to have
to get in the car
387
00:15:04,560 --> 00:15:05,920
with the tint on my hands.
388
00:15:06,040 --> 00:15:07,800
And I'm a tall guy.
389
00:15:07,920 --> 00:15:10,280
I'm, like, 6' 5", so that's--
390
00:15:10,400 --> 00:15:12,120
that don't make
it easy, as well.
391
00:15:12,240 --> 00:15:14,520
NARRATOR: Tinting windows
is time-consuming.
392
00:15:14,640 --> 00:15:19,240
This job has taken
Mikey a good half a day.
393
00:15:19,360 --> 00:15:25,400
The tint film will take 48 hours
to fully adhere to the glass.
394
00:15:25,520 --> 00:15:27,640
Smoking the lights
is the final touch.
395
00:15:27,760 --> 00:15:30,000
[upbeat music]
396
00:15:31,880 --> 00:15:32,960
Yeah.
397
00:15:33,080 --> 00:15:35,320
[upbeat music]
398
00:15:37,440 --> 00:15:38,680
How you doing, mate?
You all right?
399
00:15:38,800 --> 00:15:39,840
PAUL LOCK: Very well.
- Timing is impeccable.
400
00:15:39,960 --> 00:15:41,160
- Yeah?
- Just pulled it out.
401
00:15:41,280 --> 00:15:42,440
PAUL LOCK: Beautiful.
Yeah, I love it.
402
00:15:42,560 --> 00:15:43,600
- First thoughts?
- Yeah, love it.
403
00:15:43,720 --> 00:15:44,720
BERT: Yeah?
- Yeah.
404
00:15:44,840 --> 00:15:46,320
BERT: We've done
tints all around.
405
00:15:46,440 --> 00:15:47,440
PAUL LOCK: Yep.
406
00:15:47,560 --> 00:15:48,560
BERT: But we've
done smoked front
407
00:15:48,680 --> 00:15:50,120
lights, smoked the rear lights.
408
00:15:50,240 --> 00:15:51,200
I'm over the moon.
BERT: Good.
409
00:15:51,320 --> 00:15:52,480
Yeah, I am.
BERT: That's yours.
410
00:15:52,600 --> 00:15:53,800
PAUL LOCK: Thank you
very much, indeed.
411
00:15:53,920 --> 00:15:55,880
BERT: Have a safe
journey home, and when
412
00:15:56,000 --> 00:15:59,200
you get bored of that
color, you come and see me,
413
00:15:59,320 --> 00:16:00,360
and we'll sort it out.
414
00:16:00,480 --> 00:16:01,360
- You changed the color.
- Brilliant.
415
00:16:01,480 --> 00:16:02,560
- No problem.
- Excellent.
416
00:16:02,680 --> 00:16:03,720
Thank you so much
for your business.
417
00:16:03,840 --> 00:16:04,680
- No problem.
- Take care, mate.
418
00:16:04,800 --> 00:16:06,320
Drive safe.
- Bye bye.
419
00:16:06,440 --> 00:16:08,160
[upbeat music]
420
00:16:09,360 --> 00:16:11,040
NARRATOR: It's the
end of a busy day,
421
00:16:11,160 --> 00:16:13,920
but at least one
customer is happy now.
422
00:16:18,600 --> 00:16:20,480
[suspenseful music]
423
00:16:20,600 --> 00:16:22,040
NARRATOR: Deadline day.
424
00:16:22,160 --> 00:16:25,360
The team have worked flat
out, and the car is finally
425
00:16:25,480 --> 00:16:29,200
wrapped in the right color.
426
00:16:29,320 --> 00:16:31,600
While Mike begins
fitting up, Amelia
427
00:16:31,720 --> 00:16:34,360
is working on the roof design.
428
00:16:34,480 --> 00:16:37,280
So the customer is
an artist, so he wants
429
00:16:37,400 --> 00:16:39,000
some paint splats on the roof.
430
00:16:39,120 --> 00:16:41,840
Here, you can see the
design that he's got.
431
00:16:41,960 --> 00:16:44,320
The black background will
be the carbon fiber roof,
432
00:16:44,440 --> 00:16:46,720
and then the white
paint splats are going
433
00:16:46,840 --> 00:16:48,840
to be orange to match the car.
434
00:16:48,960 --> 00:16:53,120
So I've taken this image,
vectorized it, traced it,
435
00:16:53,240 --> 00:16:55,120
and then put it into,
like-- sort of squished it
436
00:16:55,240 --> 00:16:57,360
down and put it
into a software so I
437
00:16:57,480 --> 00:16:59,680
can cut it out on the plotter.
438
00:16:59,800 --> 00:17:02,280
[upbeat music]
439
00:17:08,720 --> 00:17:10,640
NARRATOR: Terry uses
the template he made,
440
00:17:10,760 --> 00:17:13,720
and the badge is in
the perfect position.
441
00:17:13,840 --> 00:17:16,200
[upbeat music]
442
00:17:17,640 --> 00:17:19,560
Paul finishes each
of his artworks
443
00:17:19,680 --> 00:17:21,240
with a splatter of paint.
444
00:17:21,360 --> 00:17:24,880
Amelia needs to carefully line
up the design with the roof edge
445
00:17:25,000 --> 00:17:28,800
to make sure it gives the
artist's trademark effect.
446
00:17:28,920 --> 00:17:31,400
[upbeat music]
447
00:17:38,280 --> 00:17:41,000
It's taken a huge effort
from the whole team
448
00:17:41,120 --> 00:17:46,000
to get Paul's car wrapped
in his signature orange.
449
00:17:46,120 --> 00:17:48,640
After the color
disaster, Yianni knows he
450
00:17:48,760 --> 00:17:51,600
cannot afford another mistake.
451
00:17:51,720 --> 00:17:54,160
[upbeat music]
452
00:18:02,320 --> 00:18:04,040
We did get the orange
wrong, but we have
453
00:18:04,160 --> 00:18:06,040
now rectified that mistake.
454
00:18:06,160 --> 00:18:08,640
I love the personal touch
with the splats on the roof.
455
00:18:08,760 --> 00:18:11,320
He is an artist, so
it is personal to him.
456
00:18:11,440 --> 00:18:13,120
[upbeat music]
457
00:18:14,560 --> 00:18:16,720
NARRATOR: It's a day late,
but Paul has arrived.
458
00:18:16,840 --> 00:18:20,520
And to show there's no hard
feelings, he's not empty-handed.
459
00:18:20,640 --> 00:18:21,680
Paul, how you doing?
You well?
460
00:18:21,800 --> 00:18:22,880
Yianni, good to
see you, my friend.
461
00:18:23,000 --> 00:18:24,320
Good.
What's this?
462
00:18:24,440 --> 00:18:26,080
Well, just thought
I'd bring you a little--
463
00:18:26,200 --> 00:18:28,840
little present to say
thank you for everything.
464
00:18:28,960 --> 00:18:30,240
YIANNI: Mate, that's amazing.
465
00:18:30,360 --> 00:18:31,760
And you know I'm a massive
Lewis fan, as well.
466
00:18:31,880 --> 00:18:33,560
PAUL OZ: I did know you were
a secret Lewis fan, yeah.
467
00:18:33,680 --> 00:18:34,480
Wow.
468
00:18:34,600 --> 00:18:35,840
That's so good.
469
00:18:35,960 --> 00:18:37,240
Mate, thank you so much.
- Oh, it's a pleasure.
470
00:18:37,360 --> 00:18:38,160
Absolute pleasure.
471
00:18:38,280 --> 00:18:40,000
Thank you so, so much.
472
00:18:40,120 --> 00:18:41,480
Do you know what?
473
00:18:41,600 --> 00:18:42,560
I'm going to put this
inside, and then we're going
474
00:18:42,680 --> 00:18:43,680
to have a look at your car, OK?
475
00:18:43,800 --> 00:18:45,760
Looking forward to it.
476
00:18:45,880 --> 00:18:47,520
All right, your turn.
477
00:18:47,640 --> 00:18:49,080
Yianni, quite excited.
YIANNI: Yeah?
478
00:18:49,200 --> 00:18:49,960
Looking forward to this.
479
00:18:50,080 --> 00:18:51,040
Yeah, properly.
480
00:18:51,160 --> 00:18:52,360
Be honest.
481
00:18:52,480 --> 00:18:53,920
How annoyed were you
when you saw the color?
482
00:18:54,040 --> 00:18:55,480
PAUL OZ: It's just that I'm--
483
00:18:55,600 --> 00:18:57,680
I see colors in my dreams.
484
00:18:57,800 --> 00:18:59,240
I'm quite specific about it.
485
00:18:59,360 --> 00:19:01,680
So I'm glad you fixed
it pretty quick.
486
00:19:01,800 --> 00:19:02,960
YIANNI: OK.
487
00:19:03,080 --> 00:19:04,360
Well, the sun is shining.
Are you ready?
488
00:19:04,480 --> 00:19:05,080
Good.
I'm ready.
489
00:19:05,200 --> 00:19:06,080
Wait there.
490
00:19:08,320 --> 00:19:10,120
[knocking]
491
00:19:10,240 --> 00:19:12,680
[dramatic music]
492
00:19:14,600 --> 00:19:16,560
[engine revs]
493
00:19:19,760 --> 00:19:20,840
You excited?
PAUL OZ: Yeah.
494
00:19:20,960 --> 00:19:22,160
I've waited a long
time for this.
495
00:19:22,280 --> 00:19:23,160
YIANNI: Here it comes.
496
00:19:25,880 --> 00:19:28,320
[upbeat music]
497
00:19:34,640 --> 00:19:35,960
Wow.
498
00:19:36,080 --> 00:19:37,120
[music playing] Everybody
wants to live my life
499
00:19:37,240 --> 00:19:38,000
But they can't
500
00:19:38,120 --> 00:19:40,360
I'm the one and only
501
00:19:40,480 --> 00:19:42,640
I've been around the world
502
00:19:42,760 --> 00:19:44,600
I get the finest girls
503
00:19:44,720 --> 00:19:46,840
Everybody wants to live my life
504
00:19:46,960 --> 00:19:47,720
She's back.
505
00:19:47,840 --> 00:19:50,840
Look how bright that is.
506
00:19:50,960 --> 00:19:52,240
Oh, wow.
507
00:19:52,360 --> 00:19:53,920
Looks better than
I thought it would.
508
00:19:54,040 --> 00:19:55,000
It looks like paint.
509
00:19:55,120 --> 00:19:56,200
PAUL OZ: Especially on the roof.
510
00:19:56,320 --> 00:19:57,720
YIANNI: That is
your personal touch.
511
00:19:57,840 --> 00:19:59,400
You are an artist.
512
00:19:59,520 --> 00:20:01,040
PAUL OZ: It's what I do with my
paintings, throwing paint on it
513
00:20:01,160 --> 00:20:01,920
when I've finished it.
514
00:20:02,040 --> 00:20:03,560
So amazing.
515
00:20:03,680 --> 00:20:04,880
Absolutely amazing.
516
00:20:05,000 --> 00:20:05,600
YIANNI: You're a little
bit lost for words.
517
00:20:05,720 --> 00:20:06,600
PAUL OZ: Yeah.
518
00:20:06,720 --> 00:20:08,120
That's incredible.
519
00:20:08,240 --> 00:20:09,480
YIANNI: So we're winning.
520
00:20:09,600 --> 00:20:10,360
PAUL OZ: Definitely, mate.
521
00:20:10,480 --> 00:20:11,640
[laughs]
Brilliant.
522
00:20:11,760 --> 00:20:13,000
PAUL OZ: Definitely winning.
- Brilliant.
523
00:20:13,120 --> 00:20:14,400
- Absolutely beautiful.
- I'm so happy for you.
524
00:20:14,520 --> 00:20:16,000
Well, here is your--
your beautiful key.
525
00:20:16,120 --> 00:20:17,320
PAUL OZ: Thank you.
Glad to have it back.
526
00:20:17,440 --> 00:20:18,680
Enjoy.
527
00:20:18,800 --> 00:20:20,360
Drive safely, and I'll
see you soon, for sure.
528
00:20:20,480 --> 00:20:21,360
Number four, yeah?
529
00:20:21,480 --> 00:20:22,320
I'll see you for the next one.
530
00:20:22,440 --> 00:20:24,600
[upbeat music]
531
00:20:26,040 --> 00:20:27,600
PAUL OZ: It's the third
car wrapped in this color,
532
00:20:27,720 --> 00:20:29,720
and I brought them all to Yianni
because of the job that he does.
533
00:20:29,840 --> 00:20:31,360
It's just incredible.
534
00:20:31,480 --> 00:20:33,240
And the paint splats on the
roof just set it off perfectly.
535
00:20:33,360 --> 00:20:35,120
I'm so impressed.
536
00:20:35,240 --> 00:20:37,680
[engine revs]
537
00:20:38,680 --> 00:20:41,120
[upbeat music]
538
00:20:42,080 --> 00:20:45,000
[indistinct singing]
539
00:21:15,160 --> 00:21:17,920
[audio logo]
38773
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