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NARRATOR: Tonight on The Voice...
2
00:00:05,800 --> 00:00:07,600
The Knockouts are here.
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00:00:07,640 --> 00:00:08,640
They've made it
4
00:00:08,680 --> 00:00:10,520
through the blinds and the battles.
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00:00:10,560 --> 00:00:11,880
This is the final test
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00:00:11,920 --> 00:00:13,600
before the semifinals.
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00:00:13,640 --> 00:00:14,840
We're putting our artists
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00:00:14,880 --> 00:00:16,040
up against each other
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00:00:16,079 --> 00:00:17,200
in groups of three.
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00:00:17,240 --> 00:00:18,280
The weakest performer
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will be knocked out.
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00:00:19,400 --> 00:00:21,400
These guys, they're so good.
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00:00:21,440 --> 00:00:22,800
These guys are insane.
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Bella, she can sing anything.
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We've got some competition here.
(CHUCKLES)
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Damn!
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Each group is given a theme.
Glastonbury music festival.
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Yes.
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'70s. '80s. '90s.
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So, I consider you three my rockers.
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Let the Knockouts...
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begin!
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(SINGERS VOCALISE)
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(CHEERS AND APPLAUSE)
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That was one
of the best performances
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we've seen in the entire show.
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Any of the great divas
would have been happy
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with that performance.
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(SINGERS VOCALISE)
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00:00:58,200 --> 00:01:00,680
This is the toughest Knockout
we've seen.
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There's no-one who I would
want to leave behind at this point.
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The artists
I'll be taking through are...
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(CHEERS AND APPLAUSE)
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Artists that win their Knockouts...
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progress to the Showdown...
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(SINGERS VOCALISE)
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I can only take the top two artists
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through to the semifinals.
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Ladies and gentlemen,
make some noise.
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It's Kate Miller-Heidke!
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I'm looking for the artist
who can really take on my advice
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and perform under pressure.
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Ronan Keating!
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I came here to find someone
who could cut it in the industry.
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Richard Marx!
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This is their chance to show me
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they can step up when it counts.
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Melanie C!
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The semifinals are next.
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And I need to know
who could go all the way to the end.
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(CHEERS AND APPLAUSE)
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Australia,
over two electrifying nights
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our artists will be singing
for a place in The Voice semifinals.
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First, they will need to conquer
their knockout
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to advance
to the Sudden Death Showdown.
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These artists must give it
everything they've got as each team
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is whittled down to just two.
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00:02:29,240 --> 00:02:32,240
Welcome, Australia,
to the Knockouts!
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00:02:32,280 --> 00:02:34,200
(CHEERS AND APPLAUSE)
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00:02:34,240 --> 00:02:37,760
And keep the applause
coming for our superstar coaches.
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00:02:40,320 --> 00:02:41,920
Richard and Melanie,
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tonight it's your teams
that are in the spotlight.
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So, the pressure's on.
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Now, Melanie,
you have an extra artist.
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I do.
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Because you broke
the rules at the Battles.
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Which means you have a four-way
knockout coming tonight, don't you?
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I do.
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Have you made things
a bit harder for yourself?
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In all honesty, I'm really pleased
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I've made the decisions I have.
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It gives me an extra opportunity
to see
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all of these brilliant artists
perform again.
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So, it's going to be hard,
but I'm going to enjoy it.
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Nice.
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Kate. Ronan.
You guys have got the night off.
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Nice.
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So, I've organised
a little treat for you.
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Oh, yeah.
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Oh.
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I've made a little coach's cocktail.
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You read my mind, Sonia, thank you.
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Thank you very much.
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Look in my eyes.
Look in my eyes.
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Look into my eyes,
into my eyes. OK, lovely.
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Buckle up, Australia,
for a huge night ahead.
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First up, it's Team Melanie C!
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(CHEERS AND APPLAUSE)
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(UPBEAT MUSIC)
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I'm really excited about this group.
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(SINGERS VOCALISE)
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Meg... Callan...
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and Gemma have all brought
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creativity and drama
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to their performances.
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Congratulations! You made it
through to the Knockouts.
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Yes!
Thank you.
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Oh, my goodness.
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I know I'm biased, but I think
that my Battles are the best.
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I-I just thought, like all of you,
everyone did so brilliantly and,
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you know, you and Cassie.
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I mean, what a performance that was.
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# I'm too perfect
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# I could be... #
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Yeah!
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It's so very, very difficult.
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I'm gonna take... Cassie.
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Gemma. She'd given
such a brilliant performance.
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I just wasn't ready to say goodbye.
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(CHEERS AND APPLAUSE)
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Oh. Gemma, wait.
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Well, hang on.
Wait a minute.
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I can't let her go.
I'm not letting her go.
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But you don't have a save.
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Ronan's broken the rules.
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It's my turn to break the rules.
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I feel so lucky to still be here.
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I do really want to prove to her
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that I can still be
in this competition.
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And it was a good decision.
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So, in this round,
I thought it would be really nice
122
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to take some really well-known songs
and reimagine them.
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I thought it would be really nice
124
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to have more
of a dance floor for you,
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which obviously for Meg
is the world where you live.
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Yeah.
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Gemma might be
a little bit of a challenge.
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Something different.
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And then I feel like it's a world
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that you can totally inhabit
as well, Callan.
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Yeah.
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Meg, your tune
is 'Show Me Love'. Robin S.
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Oh, my god, I love that song.
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I was so happy
to get this song, honestly.
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It's huge. The vocal is massive.
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# A lover that wants to be there
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# So, baby if you want me
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# Well, you got to show me love. #
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I'd really like Meg
to work on the smaller parts
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of her performance.
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I like it when you do
kind of hold back a little bit.
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OK.
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And then, because you've got...
the voice is so huge,
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it's really nice to...
145
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Turn it down, Meg.
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It's a great thing.
It's a great thing.
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But I think it's just like it's like
just that little bit of restraint
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and then you can hit them.
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I do have a tendency
to do everything extra.
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I have to remember
sometimes to rein it in.
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Gemma.
Yes.
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'California Dreamin',
The Mamas & the Papas.
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Wow.
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00:06:06,000 --> 00:06:07,440
Oh, my gosh, I'm so excited.
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It's definitely different
to what I usually do.
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I've never sung
over a dance beat before.
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# California dreamin'
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# On such a winter's day... #
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I feel like Gemma needs to work
on maintaining her confidence
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throughout the song.
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There are moments of absolute gold,
but when she, like,
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wavers a little bit, I can see it.
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# On such a winter's day. #
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What I don't want to happen
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in this is that it's like
and this is the end.
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Do you know what I mean?
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That's what I felt like it got to...
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It was almost like
because it comes in
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so strong and the middle is great.
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And then it's like...
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And then I'm finishing.
Yeah.
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Because I feel like
we want to finish strong as well.
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Yeah I reckon.
Do you know what I mean?
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Yeah.
Yeah.
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Hearing Gemma and Meg
singing I was like, "Oh, my gosh,
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"I've got some very
stiff competition."
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I'd be lying if I said
that I wasn't feeling intimidated.
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Right, Callan.
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'Spotlight' by Jennifer Hudson.
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Oh-oh-hoo.
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Which is so, in your wheelhouse.
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# Well, I don't like
Living under your spotlight
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# Just because
You think I might... #
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When I started running through it,
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I started becoming less
and less confident
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in my ability to pull the song off.
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# Spotlight. #
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Yeah.
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I was feeling overwhelmed.
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How am I going to do this?
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Are you OK?
Do you want to just take a minute?
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Yeah.
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I could feel
like you're getting a bit
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overwhelmed with it.
195
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A little bit, yeah.
OK.
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Babes, don't worry.
Can I come and give you a hug?
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You got this.
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It's so much I get it, I know.
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Just a little bit.
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Obviously, you have so, got this.
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Alright.
That's why we're here.
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And that's why we have rehearsals.
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Yeah?
Yeah.
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00:08:02,320 --> 00:08:03,960
Yeah. OK.
OK. Yeah.
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00:08:04,000 --> 00:08:05,040
OK. Yeah.
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He just wants to do well, you know?
207
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He wants to do well, for himself.
He wants to do well, for me.
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And I know he will.
209
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But it was just
that moment of thinking,
210
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"Maybe I can't do this."
211
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This is...
It is going to be fabulous.
212
00:08:17,800 --> 00:08:19,200
It's horrible
when you've had a bit of a wobble
213
00:08:19,240 --> 00:08:20,480
because it just knocks
your confidence, doesn't it?
214
00:08:20,520 --> 00:08:21,760
Yeah.
215
00:08:21,800 --> 00:08:23,120
But that's, you know.
216
00:08:23,159 --> 00:08:24,720
I have to pull it out.
I have to pull it out.
217
00:08:24,760 --> 00:08:25,840
Yeah.
218
00:08:28,640 --> 00:08:30,760
This Knockout is going to be tough.
219
00:08:30,799 --> 00:08:34,159
I have to trust myself
and trust that my voice is gonna do
220
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what it needs to do.
221
00:08:37,799 --> 00:08:39,559
I know what it's like
to lose a Battle,
222
00:08:39,600 --> 00:08:42,840
so, I'm just gonna do everything
I can to stay in this competition.
223
00:08:45,960 --> 00:08:48,760
I'm going to fight for this
because I want to be here.
224
00:08:48,800 --> 00:08:51,480
And going home for me
is not an option.
225
00:08:51,520 --> 00:08:53,240
(CHEERS AND APPLAUSE)
226
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Singing for competition survival,
227
00:08:57,000 --> 00:09:00,360
it's Meg, Gemma and Callan.
228
00:09:00,400 --> 00:09:01,960
Go!
Woo-woo!
229
00:09:02,000 --> 00:09:05,000
(CHEER)
230
00:09:14,000 --> 00:09:16,920
# Now, can you feel me?
231
00:09:16,960 --> 00:09:19,960
# Ooh
232
00:09:21,840 --> 00:09:24,200
# If you're looking for devotion
233
00:09:24,240 --> 00:09:25,560
# Can you?
234
00:09:25,600 --> 00:09:29,520
# Can you show me love now?
235
00:09:29,560 --> 00:09:30,840
Come on!
236
00:09:30,880 --> 00:09:33,480
# Ooh
237
00:09:33,520 --> 00:09:35,680
# Heart breaks and promises
238
00:09:35,720 --> 00:09:38,160
# I've had more than my share
239
00:09:41,680 --> 00:09:44,000
# What I need is somebody
240
00:09:44,040 --> 00:09:47,120
# Who really cares
241
00:09:48,840 --> 00:09:51,960
# I really need a lover
242
00:09:52,000 --> 00:09:55,240
# A lover that wants to be there
243
00:09:55,280 --> 00:09:58,440
# So, baby, if you want me
244
00:09:58,480 --> 00:10:02,200
# I said you've got to show me love
245
00:10:02,240 --> 00:10:05,320
# Because words are too easy to say
246
00:10:05,360 --> 00:10:10,000
# Oh, yeah,
You've got to show me love
247
00:10:10,040 --> 00:10:12,520
# I said show me, show me, baby
248
00:10:12,560 --> 00:10:14,000
# Show me, show me, baby
249
00:10:14,040 --> 00:10:16,080
# I say give it to me,
Give it to me, give it to me
250
00:10:16,120 --> 00:10:18,240
# L-O-V-E, show it to me now,
251
00:10:18,280 --> 00:10:21,960
# Well, won't you please
252
00:10:22,000 --> 00:10:25,920
# Won't you show me love. #
253
00:10:25,960 --> 00:10:28,960
(CHEERS AND APPLAUSE)
254
00:10:40,080 --> 00:10:44,960
# All the leaves are brown
255
00:10:45,000 --> 00:10:50,320
# The sky is grey
256
00:10:50,360 --> 00:10:52,920
# California Dreamin'
257
00:10:52,960 --> 00:10:57,400
# Oh, on such a winter's day
258
00:11:01,080 --> 00:11:03,080
# Stopped into a church
259
00:11:04,520 --> 00:11:07,160
# I passed along the way
260
00:11:07,200 --> 00:11:13,080
# Way, way, well,
I got down on my knees
261
00:11:13,120 --> 00:11:17,040
# And I pretend to pray
262
00:11:17,080 --> 00:11:20,440
# Ooh
263
00:11:20,480 --> 00:11:25,520
# Yeah, yeah, yeah, woo, woo
264
00:11:27,040 --> 00:11:29,120
# California dreamin'...
265
00:11:30,760 --> 00:11:33,040
# On such a winter's day
266
00:11:33,080 --> 00:11:35,280
# Such a winter's day
267
00:11:35,320 --> 00:11:39,200
# Such a winter's day.
268
00:11:39,240 --> 00:11:42,840
# Such a winter's day. #
269
00:11:42,880 --> 00:11:45,880
(CHEERS AND APPLAUSE)
270
00:11:54,160 --> 00:11:56,960
# Well, I don't like
271
00:11:57,000 --> 00:12:00,600
# Living under your spotlight
272
00:12:00,640 --> 00:12:04,840
# Just because you think I might
273
00:12:04,880 --> 00:12:09,520
# Find somebody worthy
274
00:12:09,560 --> 00:12:11,920
# Are you a man who loves
275
00:12:11,960 --> 00:12:14,760