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>> Narrator: ON THIS EPISODE OF
"MYTHBUSTERS," IT'S A DOG'S
LIFE.
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"MYTHBUSTERS," IT'S A DOG'S
LIFE.
THE TEAM IS ON THE TRAIL OF
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LIFE.
THE TEAM IS ON THE TRAIL OF
THREE CANINE CONUNDRUMS.
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THE TEAM IS ON THE TRAIL OF
THREE CANINE CONUNDRUMS.
>> IT'S A DOG-EAT-CONVICT
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THREE CANINE CONUNDRUMS.
>> IT'S A DOG-EAT-CONVICT
WORLD OUT THERE.
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>> IT'S A DOG-EAT-CONVICT
WORLD OUT THERE.
>> Narrator: FIRST UP, IT'S
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WORLD OUT THERE.
>> Narrator: FIRST UP, IT'S
PRISON BREAK, MYTHBUSTERS-STYLE,
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>> Narrator: FIRST UP, IT'S
PRISON BREAK, MYTHBUSTERS-STYLE,
AS ADAM AND JAMIE SNIFF
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PRISON BREAK, MYTHBUSTERS-STYLE,
AS ADAM AND JAMIE SNIFF
OUT WHETHER YOU CAN BEAT THE
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00:00:20,200 --> 00:00:21,000
AS ADAM AND JAMIE SNIFF
OUT WHETHER YOU CAN BEAT THE
BLOODHOUND.
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OUT WHETHER YOU CAN BEAT THE
BLOODHOUND.
>> MAN, THAT'S INCREDIBLE.
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BLOODHOUND.
>> MAN, THAT'S INCREDIBLE.
>> [ GROWLING ]
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>> MAN, THAT'S INCREDIBLE.
>> [ GROWLING ]
>> Narrator: THEN KARI, GRANT,
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>> [ GROWLING ]
>> Narrator: THEN KARI, GRANT,
AND TORY TEST MYTHICAL
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>> Narrator: THEN KARI, GRANT,
AND TORY TEST MYTHICAL
TECHNIQUES TO SNEAK PAST A GUARD
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00:00:28,380 --> 00:00:28,740
AND TORY TEST MYTHICAL
TECHNIQUES TO SNEAK PAST A GUARD
DOG.
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TECHNIQUES TO SNEAK PAST A GUARD
DOG.
>> OH, MY GOD, THIS IS NOT
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DOG.
>> OH, MY GOD, THIS IS NOT
WORKING, THIS IS NOT WORKING,
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>> OH, MY GOD, THIS IS NOT
WORKING, THIS IS NOT WORKING,
THIS IS NOT WORKING.
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WORKING, THIS IS NOT WORKING,
THIS IS NOT WORKING.
>> MUSH.
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THIS IS NOT WORKING.
>> MUSH.
>> Narrator: FINALLY, ADAM AND
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>> MUSH.
>> Narrator: FINALLY, ADAM AND
JAMIE TEST THE PROVERB THAT YOU
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>> Narrator: FINALLY, ADAM AND
JAMIE TEST THE PROVERB THAT YOU
CAN'T TEACH AN OLD DOG NEW
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JAMIE TEST THE PROVERB THAT YOU
CAN'T TEACH AN OLD DOG NEW
TRICKS.
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CAN'T TEACH AN OLD DOG NEW
TRICKS.
>> SIT.
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TRICKS.
>> SIT.
[ LAUGHS ]
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>> SIT.
[ LAUGHS ]
>> Narrator: WHO ARE THE
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[ LAUGHS ]
>> Narrator: WHO ARE THE
MYTHBUSTERS?
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>> Narrator: WHO ARE THE
MYTHBUSTERS?
ADAM SAVAGE...
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MYTHBUSTERS?
ADAM SAVAGE...
>> IS EVERYBODY READY FOR
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ADAM SAVAGE...
>> IS EVERYBODY READY FOR
DIVING?
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>> IS EVERYBODY READY FOR
DIVING?
>> Narrator: ...AND
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00:00:49,600 --> 00:00:50,430
DIVING?
>> Narrator: ...AND
JAMIE HYNEMAN.
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00:00:50,430 --> 00:00:51,870
>> Narrator: ...AND
JAMIE HYNEMAN.
>> GETS ME ALL WORKED UP JUST
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JAMIE HYNEMAN.
>> GETS ME ALL WORKED UP JUST
LOOKING AT IT.
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>> GETS ME ALL WORKED UP JUST
LOOKING AT IT.
>> THAT WAS BEAUTIFUL!
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LOOKING AT IT.
>> THAT WAS BEAUTIFUL!
>> Narrator: BETWEEN THEM, MORE
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>> THAT WAS BEAUTIFUL!
>> Narrator: BETWEEN THEM, MORE
THAN 30 YEARS OF
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>> Narrator: BETWEEN THEM, MORE
THAN 30 YEARS OF
SPECIAL-EFFECTS EXPERIENCE.
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THAN 30 YEARS OF
SPECIAL-EFFECTS EXPERIENCE.
>> THAT WAS HEAVY.
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SPECIAL-EFFECTS EXPERIENCE.
>> THAT WAS HEAVY.
>> Narrator: JOINING THEM,
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>> THAT WAS HEAVY.
>> Narrator: JOINING THEM,
GRANT IMAHARA...
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>> Narrator: JOINING THEM,
GRANT IMAHARA...
>> ARE YOU FEELIN' LUCKY, PUNK?
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GRANT IMAHARA...
>> ARE YOU FEELIN' LUCKY, PUNK?
>> Narrator: ...TORY BELLECI...
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>> ARE YOU FEELIN' LUCKY, PUNK?
>> Narrator: ...TORY BELLECI...
>> DID SOMEBODY ORDER SOME
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>> Narrator: ...TORY BELLECI...
>> DID SOMEBODY ORDER SOME
EXPLODING PANTS?
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>> DID SOMEBODY ORDER SOME
EXPLODING PANTS?
>> Narrator: ...AND KARI BYRON.
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00:01:08,490 --> 00:01:09,560
EXPLODING PANTS?
>> Narrator: ...AND KARI BYRON.
>> HIGH EXPLOSIVES AND
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>> Narrator: ...AND KARI BYRON.
>> HIGH EXPLOSIVES AND
ELECTRICITY, WHOO!
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>> HIGH EXPLOSIVES AND
ELECTRICITY, WHOO!
>> Narrator: THEY DON'T JUST
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ELECTRICITY, WHOO!
>> Narrator: THEY DON'T JUST
TELL THE MYTHS.
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>> Narrator: THEY DON'T JUST
TELL THE MYTHS.
THEY PUT THEM TO THE TEST.
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>> HAVE YOU HEARD THE ONE ABOUT
THE DYSLEXIC PHILOSOPHERS
CONVENTION?
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THE DYSLEXIC PHILOSOPHERS
CONVENTION?
>> NO.
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CONVENTION?
>> NO.
>> THE TOP OF DISCUSSION IS, IS
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>> NO.
>> THE TOP OF DISCUSSION IS, IS
THERE A DOG?
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>> THE TOP OF DISCUSSION IS, IS
THERE A DOG?
>> WHAT ARE YOU GOING ON ABOUT?
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THERE A DOG?
>> WHAT ARE YOU GOING ON ABOUT?
>> IT'S TIME.
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>> WHAT ARE YOU GOING ON ABOUT?
>> IT'S TIME.
WE'RE DOING AN ALL-DOGS
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>> IT'S TIME.
WE'RE DOING AN ALL-DOGS
"MYTHBUSTERS" DOG SPECIAL.
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WE'RE DOING AN ALL-DOGS
"MYTHBUSTERS" DOG SPECIAL.
WE HAVE BEEN INUNDATED WITH
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"MYTHBUSTERS" DOG SPECIAL.
WE HAVE BEEN INUNDATED WITH
MYTHS FROM THE FANS AND ON THE
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WE HAVE BEEN INUNDATED WITH
MYTHS FROM THE FANS AND ON THE
WEBSITE, AND NOW IT'S TIME TO
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MYTHS FROM THE FANS AND ON THE
WEBSITE, AND NOW IT'S TIME TO
PUT THEM INTO A SHOW.
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WEBSITE, AND NOW IT'S TIME TO
PUT THEM INTO A SHOW.
>> OKAY. SOUNDS LIKE FUN.
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PUT THEM INTO A SHOW.
>> OKAY. SOUNDS LIKE FUN.
>> YEAH.
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>> OKAY. SOUNDS LIKE FUN.
>> YEAH.
[ DOG BARKING ]
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>> YEAH.
[ DOG BARKING ]
OKAY, HERE'S WHAT I SEE.
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[ DOG BARKING ]
OKAY, HERE'S WHAT I SEE.
IT'S ANOTHER IN A LONG LINE OF
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OKAY, HERE'S WHAT I SEE.
IT'S ANOTHER IN A LONG LINE OF
ADAGES LIKE "A ROLLING STONE
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00:01:53,200 --> 00:01:54,900
IT'S ANOTHER IN A LONG LINE OF
ADAGES LIKE "A ROLLING STONE
GATHERS NO MOSS" AND "FINDING A
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ADAGES LIKE "A ROLLING STONE
GATHERS NO MOSS" AND "FINDING A
NEEDLE IN A HAYSTACK."
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GATHERS NO MOSS" AND "FINDING A
NEEDLE IN A HAYSTACK."
WE SHOULD TEST THE MYTH THAT YOU
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NEEDLE IN A HAYSTACK."
WE SHOULD TEST THE MYTH THAT YOU
CAN'T TEACH AN OLD DOG NEW
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WE SHOULD TEST THE MYTH THAT YOU
CAN'T TEACH AN OLD DOG NEW
TRICKS.
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CAN'T TEACH AN OLD DOG NEW
TRICKS.
YOU READY, OLD DOG?
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TRICKS.
YOU READY, OLD DOG?
>> ARF!
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YOU READY, OLD DOG?
>> ARF!
>> [ Laughing ] LET'S GO.
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>> ARF!
>> [ Laughing ] LET'S GO.
>> Narrator: MAN'S BEST FRIEND.
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00:02:06,540 --> 00:02:08,540
>> [ Laughing ] LET'S GO.
>> Narrator: MAN'S BEST FRIEND.
THEY'RE SMART, THEY'RE TALENTED,
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>> Narrator: MAN'S BEST FRIEND.
THEY'RE SMART, THEY'RE TALENTED,
AND CRUCIALLY, THEY'RE QUICK TO
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THEY'RE SMART, THEY'RE TALENTED,
AND CRUCIALLY, THEY'RE QUICK TO
PICK UP NEW TRICKS.
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AND CRUCIALLY, THEY'RE QUICK TO
PICK UP NEW TRICKS.
BUT THE QUESTION IS, ARE OUR
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PICK UP NEW TRICKS.
BUT THE QUESTION IS, ARE OUR
CANINE COMPANIONS' LEARNING DAYS
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BUT THE QUESTION IS, ARE OUR
CANINE COMPANIONS' LEARNING DAYS
BEHIND THEM WHEN THEY REACH OLD
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CANINE COMPANIONS' LEARNING DAYS
BEHIND THEM WHEN THEY REACH OLD
AGE?
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BEHIND THEM WHEN THEY REACH OLD
AGE?
>> ARF!
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AGE?
>> ARF!
>> WHAT'S THAT, YOU SAY?
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>> ARF!
>> WHAT'S THAT, YOU SAY?
WHAT'S THE PLAN?
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>> WHAT'S THAT, YOU SAY?
WHAT'S THE PLAN?
EXCELLENT QUESTION.
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WHAT'S THE PLAN?
EXCELLENT QUESTION.
I THINK IT'S PRETTY
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EXCELLENT QUESTION.
I THINK IT'S PRETTY
STRAIGHTFORWARD.
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I THINK IT'S PRETTY
STRAIGHTFORWARD.
I THINK WE BRING IN A COUPLE OF
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STRAIGHTFORWARD.
I THINK WE BRING IN A COUPLE OF
DOGS, AND WE SEE IF WE CAN TEACH
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I THINK WE BRING IN A COUPLE OF
DOGS, AND WE SEE IF WE CAN TEACH
THEM SOME TRICKS.
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DOGS, AND WE SEE IF WE CAN TEACH
THEM SOME TRICKS.
>> WELL, THEY GOT TO BE OLD
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THEM SOME TRICKS.
>> WELL, THEY GOT TO BE OLD
DOGS, 'CAUSE, AFTER ALL, THAT'S
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>> WELL, THEY GOT TO BE OLD
DOGS, 'CAUSE, AFTER ALL, THAT'S
WHAT THIS IS ABOUT.
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DOGS, 'CAUSE, AFTER ALL, THAT'S
WHAT THIS IS ABOUT.
MAYBE WE CAN EACH TAKE ONE.
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WHAT THIS IS ABOUT.
MAYBE WE CAN EACH TAKE ONE.
WE'LL TRAIN THEM SEPARATELY.
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MAYBE WE CAN EACH TAKE ONE.
WE'LL TRAIN THEM SEPARATELY.
>> THEY SHOULD BE ALSO AS CLOSE
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WE'LL TRAIN THEM SEPARATELY.
>> THEY SHOULD BE ALSO AS CLOSE
IN AGE AS POSSIBLE.
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>> THEY SHOULD BE ALSO AS CLOSE
IN AGE AS POSSIBLE.
I MEAN, PREFERABLY THEY'RE FROM
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IN AGE AS POSSIBLE.
I MEAN, PREFERABLY THEY'RE FROM
THE SAME LITTER, COUPLE OF
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I MEAN, PREFERABLY THEY'RE FROM
THE SAME LITTER, COUPLE OF
BROTHERS, BROTHER AND SISTER,
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THE SAME LITTER, COUPLE OF
BROTHERS, BROTHER AND SISTER,
SOMETHING LIKE THAT.
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BROTHERS, BROTHER AND SISTER,
SOMETHING LIKE THAT.
>> AND WE CAN DO SOME KIND OF,
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SOMETHING LIKE THAT.
>> AND WE CAN DO SOME KIND OF,
LIKE, A DOG SHOW.
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>> AND WE CAN DO SOME KIND OF,
LIKE, A DOG SHOW.
WHAT DO YOU THINK?
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LIKE, A DOG SHOW.
WHAT DO YOU THINK?
>> A MYTHBUSTERS DOG SHOW AT THE
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WHAT DO YOU THINK?
>> A MYTHBUSTERS DOG SHOW AT THE
END?
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>> A MYTHBUSTERS DOG SHOW AT THE
END?
THAT'S PERFECT. LET'S DO IT.
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END?
THAT'S PERFECT. LET'S DO IT.
>> Narrator: AND JUST AS PERFECT
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THAT'S PERFECT. LET'S DO IT.
>> Narrator: AND JUST AS PERFECT
ARE THESE BEAUTIFUL OLD DOGS,
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>> Narrator: AND JUST AS PERFECT
ARE THESE BEAUTIFUL OLD DOGS,
BOBO AND CECE, AN UNTRAINED
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ARE THESE BEAUTIFUL OLD DOGS,
BOBO AND CECE, AN UNTRAINED
7-YEAR-OLD BROTHER-AND-SISTER
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BOBO AND CECE, AN UNTRAINED
7-YEAR-OLD BROTHER-AND-SISTER
PAIR.
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00:03:00,930 --> 00:03:02,700
7-YEAR-OLD BROTHER-AND-SISTER
PAIR.
>> BOBO AND CECE APPEAR TO BE
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00:03:02,700 --> 00:03:03,900
PAIR.
>> BOBO AND CECE APPEAR TO BE
ALASKAN MALAMUTES.
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00:03:03,900 --> 00:03:05,700
>> BOBO AND CECE APPEAR TO BE
ALASKAN MALAMUTES.
NOW, THIS BREED IS NOTORIOUSLY
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00:03:05,700 --> 00:03:06,830
ALASKAN MALAMUTES.
NOW, THIS BREED IS NOTORIOUSLY
DIFFICULT TO TRAIN.
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NOW, THIS BREED IS NOTORIOUSLY
DIFFICULT TO TRAIN.
THEY'RE HEADSTRONG, SO IF WE CAN
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DIFFICULT TO TRAIN.
THEY'RE HEADSTRONG, SO IF WE CAN
TRAIN THESE OLD DOGS, THIS BEING
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THEY'RE HEADSTRONG, SO IF WE CAN
TRAIN THESE OLD DOGS, THIS BEING
A WORST-CASE SCENARIO, WE SHOULD
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TRAIN THESE OLD DOGS, THIS BEING
A WORST-CASE SCENARIO, WE SHOULD
BE ABLE TO TRAIN ANY OLD DOGS.
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A WORST-CASE SCENARIO, WE SHOULD
BE ABLE TO TRAIN ANY OLD DOGS.
>> MUSH.
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00:03:19,380 --> 00:03:21,750
BE ABLE TO TRAIN ANY OLD DOGS.
>> MUSH.
>> [ LAUGHS ]
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>> MUSH.
>> [ LAUGHS ]
>> Narrator: ADAM AND JAMIE HAVE
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>> [ LAUGHS ]
>> Narrator: ADAM AND JAMIE HAVE
JUST ONE WEEK TO GET THESE
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00:03:25,190 --> 00:03:27,050
>> Narrator: ADAM AND JAMIE HAVE
JUST ONE WEEK TO GET THESE
HOMELESS FURBALLS PULLING IN THE
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JUST ONE WEEK TO GET THESE
HOMELESS FURBALLS PULLING IN THE
RIGHT DIRECTION, SO THEY'RE
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HOMELESS FURBALLS PULLING IN THE
RIGHT DIRECTION, SO THEY'RE
GOING TO NEED SOME EXPERT HELP.
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ADAM AND CECE HAVE ENLISTED DOG
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00:03:33,060 --> 00:03:35,330
TRAINER BEVERLY ULBRICH.
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00:03:35,330 --> 00:03:36,900
>> SO WHAT WE'VE GOT IS SOMEWHAT
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00:03:36,900 --> 00:03:38,370
OF A CONTEST BETWEEN JAMIE AND
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00:03:38,370 --> 00:03:40,670
I, AND WHAT I NEED YOUR HELP
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00:03:40,670 --> 00:03:42,900
WITH IS TO GET CECE HERE TO
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00:03:42,910 --> 00:03:45,270
LEARN HOW TO HEEL, SIT, STAY,
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00:03:45,280 --> 00:03:47,180
DOWN, AND SHAKE HANDS ALL IN THE
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00:03:47,180 --> 00:03:48,280
NEXT WEEK.
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CAN WE DO THAT?
>> I SURE HOPE SO.
LET'S GIVE IT A SHOT.
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00:03:52,020 --> 00:03:53,560
>> I SURE HOPE SO.
LET'S GIVE IT A SHOT.
A LITTLE BLING-BLING HERE.
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00:03:53,550 --> 00:03:55,380
LET'S GIVE IT A SHOT.
A LITTLE BLING-BLING HERE.
>> Narrator: WITH HER SHINY, NEW
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00:03:55,390 --> 00:03:57,130
A LITTLE BLING-BLING HERE.
>> Narrator: WITH HER SHINY, NEW
TRAINING COLLAR, CECE IS READY
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00:03:57,120 --> 00:03:58,550
>> Narrator: WITH HER SHINY, NEW
TRAINING COLLAR, CECE IS READY
FOR LESSON NUMBER ONE --
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00:03:58,560 --> 00:03:59,160
TRAINING COLLAR, CECE IS READY
FOR LESSON NUMBER ONE --
HEELING.
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00:03:59,160 --> 00:04:00,860
FOR LESSON NUMBER ONE --
HEELING.
>> THE IDEA WITH THE WALK IS YOU
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00:04:00,860 --> 00:04:02,520
HEELING.
>> THE IDEA WITH THE WALK IS YOU
WANT THE DOG PAYING ATTENTION TO
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00:04:02,530 --> 00:04:04,200
>> THE IDEA WITH THE WALK IS YOU
WANT THE DOG PAYING ATTENTION TO
YOU, NOT EVERYTHING ELSE AROUND
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00:04:04,190 --> 00:04:04,590
WANT THE DOG PAYING ATTENTION TO
YOU, NOT EVERYTHING ELSE AROUND
YOU.
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00:04:04,590 --> 00:04:05,960
YOU, NOT EVERYTHING ELSE AROUND
YOU.
IF YOU THINK ABOUT, LIKE, HOW A
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00:04:05,960 --> 00:04:07,290
YOU.
IF YOU THINK ABOUT, LIKE, HOW A
PACK TRAVELS, THERE'S ONE PACK
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00:04:07,300 --> 00:04:08,700
IF YOU THINK ABOUT, LIKE, HOW A
PACK TRAVELS, THERE'S ONE PACK
LEADER, AND THE REST OF THE DOGS
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00:04:08,700 --> 00:04:10,000
PACK TRAVELS, THERE'S ONE PACK
LEADER, AND THE REST OF THE DOGS
ARE BEHIND IT, JUST FOLLOWING
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00:04:10,000 --> 00:04:10,960
LEADER, AND THE REST OF THE DOGS
ARE BEHIND IT, JUST FOLLOWING
NATURALLY AND EASILY.
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00:04:10,970 --> 00:04:12,300
ARE BEHIND IT, JUST FOLLOWING
NATURALLY AND EASILY.
AND OBVIOUSLY RIGHT NOW, SHE'S
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00:04:12,300 --> 00:04:13,800
NATURALLY AND EASILY.
AND OBVIOUSLY RIGHT NOW, SHE'S
TRYING TO BE THAT PACK LEADER.
159
00:04:13,800 --> 00:04:15,270
AND OBVIOUSLY RIGHT NOW, SHE'S
TRYING TO BE THAT PACK LEADER.
>> BEVERLY'S THEORY ABOUT DOG
160
00:04:15,270 --> 00:04:16,670
TRYING TO BE THAT PACK LEADER.
>> BEVERLY'S THEORY ABOUT DOG
TRAINING IS TO LET THEM KNOW
161
00:04:16,670 --> 00:04:17,870
>> BEVERLY'S THEORY ABOUT DOG
TRAINING IS TO LET THEM KNOW
YOU'RE THE PACK LEADER.
162
00:04:17,870 --> 00:04:19,870
TRAINING IS TO LET THEM KNOW
YOU'RE THE PACK LEADER.
SO IT'S ALL ABOUT CONDITIONING
163
00:04:19,880 --> 00:04:21,680
YOU'RE THE PACK LEADER.
SO IT'S ALL ABOUT CONDITIONING
THE DOG BOTH POSITIVELY AND
164
00:04:21,680 --> 00:04:23,780
SO IT'S ALL ABOUT CONDITIONING
THE DOG BOTH POSITIVELY AND
NEGATIVELY IN WAYS THAT THE PACK
165
00:04:23,780 --> 00:04:24,540
THE DOG BOTH POSITIVELY AND
NEGATIVELY IN WAYS THAT THE PACK
LEADER WOULD DO.
166
00:04:24,550 --> 00:04:25,750
NEGATIVELY IN WAYS THAT THE PACK
LEADER WOULD DO.
YOU GIVE THEM AFFECTION WHEN
167
00:04:25,750 --> 00:04:27,080
LEADER WOULD DO.
YOU GIVE THEM AFFECTION WHEN
THEY DO RIGHT, AND YOU GIVE THEM
168
00:04:27,080 --> 00:04:28,420
YOU GIVE THEM AFFECTION WHEN
THEY DO RIGHT, AND YOU GIVE THEM
A SCRUFF ON THE NECK, JUST LIKE
169
00:04:28,420 --> 00:04:29,680
THEY DO RIGHT, AND YOU GIVE THEM
A SCRUFF ON THE NECK, JUST LIKE
THE PACK LEADER WOULD DO, WHEN
170
00:04:29,690 --> 00:04:30,920
A SCRUFF ON THE NECK, JUST LIKE
THE PACK LEADER WOULD DO, WHEN
THEY DO WRONG, AND AS LONG AS
171
00:04:30,920 --> 00:04:32,190
THE PACK LEADER WOULD DO, WHEN
THEY DO WRONG, AND AS LONG AS
YOU REPEATEDLY DO THAT AND YOU
172
00:04:32,190 --> 00:04:34,660
THEY DO WRONG, AND AS LONG AS
YOU REPEATEDLY DO THAT AND YOU
DO THAT EXACTLY WHEN THEY'RE
173
00:04:34,660 --> 00:04:35,960
YOU REPEATEDLY DO THAT AND YOU
DO THAT EXACTLY WHEN THEY'RE
DOING STUFF RIGHT AND EXACTLY
174
00:04:35,960 --> 00:04:37,360
DO THAT EXACTLY WHEN THEY'RE
DOING STUFF RIGHT AND EXACTLY
WHEN THEY'RE DOING STUFF WRONG,
175
00:04:37,360 --> 00:04:38,460
DOING STUFF RIGHT AND EXACTLY
WHEN THEY'RE DOING STUFF WRONG,
THEY'LL BECOME MUCH MORE
176
00:04:38,460 --> 00:04:39,860
WHEN THEY'RE DOING STUFF WRONG,
THEY'LL BECOME MUCH MORE
MANAGEABLE 'CAUSE THEY ALL WANT
177
00:04:39,860 --> 00:04:41,530
THEY'LL BECOME MUCH MORE
MANAGEABLE 'CAUSE THEY ALL WANT
TO BE PART OF A TEAM.
178
00:04:41,530 --> 00:04:43,500
MANAGEABLE 'CAUSE THEY ALL WANT
TO BE PART OF A TEAM.
>> Narrator: THAT'S THE THEORY,
179
00:04:43,500 --> 00:04:45,430
TO BE PART OF A TEAM.
>> Narrator: THAT'S THE THEORY,
AND FOR OLD DOG CECE, IT SEEMS
180
00:04:45,440 --> 00:04:46,480
>> Narrator: THAT'S THE THEORY,
AND FOR OLD DOG CECE, IT SEEMS
TO BE WORKING.
181
00:04:46,470 --> 00:04:48,170
AND FOR OLD DOG CECE, IT SEEMS
TO BE WORKING.
ALREADY SHE'S SURPRISINGLY
182
00:04:48,170 --> 00:04:50,740
TO BE WORKING.
ALREADY SHE'S SURPRISINGLY
"WELL-HEELED," WHICH BEGS THE
183
00:04:50,740 --> 00:04:51,940
ALREADY SHE'S SURPRISINGLY
"WELL-HEELED," WHICH BEGS THE
QUESTION...
184
00:04:51,940 --> 00:04:53,340
"WELL-HEELED," WHICH BEGS THE
QUESTION...
>> HOW OLD IS "OLD" WHEN IT
185
00:04:53,340 --> 00:04:54,140
QUESTION...
>> HOW OLD IS "OLD" WHEN IT
COMES TO DOGS?
186
00:04:54,140 --> 00:04:55,680
>> HOW OLD IS "OLD" WHEN IT
COMES TO DOGS?
>> WELL, HOW OLD IS "OLD" WHEN
187
00:04:55,680 --> 00:04:56,710
COMES TO DOGS?
>> WELL, HOW OLD IS "OLD" WHEN
IT COMES TO PEOPLE?
188
00:04:56,710 --> 00:04:57,910
>> WELL, HOW OLD IS "OLD" WHEN
IT COMES TO PEOPLE?
IT'S PRETTY SUBJECTIVE.
189
00:04:57,910 --> 00:04:59,850
IT COMES TO PEOPLE?
IT'S PRETTY SUBJECTIVE.
HOWEVER, THE BEST ESTIMATES THAT
190
00:04:59,850 --> 00:05:01,580
IT'S PRETTY SUBJECTIVE.
HOWEVER, THE BEST ESTIMATES THAT
THE VET HAS IS THAT BOBO AND
191
00:05:01,580 --> 00:05:03,520
HOWEVER, THE BEST ESTIMATES THAT
THE VET HAS IS THAT BOBO AND
CECE WERE BORN ABOUT SEVEN YEARS
192
00:05:03,520 --> 00:05:05,390
THE VET HAS IS THAT BOBO AND
CECE WERE BORN ABOUT SEVEN YEARS
AGO, WHICH, IN HUMAN TERMS, FOR
193
00:05:05,390 --> 00:05:06,820
CECE WERE BORN ABOUT SEVEN YEARS
AGO, WHICH, IN HUMAN TERMS, FOR
THEIR SIZE, MAKES THEM
194
00:05:06,820 --> 00:05:08,490
AGO, WHICH, IN HUMAN TERMS, FOR
THEIR SIZE, MAKES THEM
APPROXIMATELY 50 YEARS OLD.
195
00:05:08,490 --> 00:05:09,990
THEIR SIZE, MAKES THEM
APPROXIMATELY 50 YEARS OLD.
>> THAT'D BE ABOUT IN THE BUTTER
196
00:05:09,990 --> 00:05:10,920
APPROXIMATELY 50 YEARS OLD.
>> THAT'D BE ABOUT IN THE BUTTER
ZONE FOR OUR TEST.
197
00:05:10,930 --> 00:05:12,990
>> THAT'D BE ABOUT IN THE BUTTER
ZONE FOR OUR TEST.
>> INDEED.
198
00:05:13,000 --> 00:05:14,390
ZONE FOR OUR TEST.
>> INDEED.
>> Narrator: OUTSIDE, AND
199
00:05:14,400 --> 00:05:16,000
>> INDEED.
>> Narrator: OUTSIDE, AND
SCHOOL'S STARTING FOR OLD DOGS
200
00:05:16,000 --> 00:05:17,430
>> Narrator: OUTSIDE, AND
SCHOOL'S STARTING FOR OLD DOGS
JAMIE AND BOBO.
201
00:05:17,570 --> 00:05:20,030
AND HEAD TEACH JEAN DONALDSEN
202
00:05:20,040 --> 00:05:22,440
FROM THE SPCA CONFIRMS WE'RE
203
00:05:22,440 --> 00:05:24,470
STARTING FROM SCRATCH.
204
00:05:24,610 --> 00:05:28,180
>> BOBO.
[ CLICKS TONGUE ] CAN YOU SIT?
HE PROBABLY HAS NEVER BEEN
205
00:05:28,180 --> 00:05:28,710
[ CLICKS TONGUE ] CAN YOU SIT?
HE PROBABLY HAS NEVER BEEN
TAUGHT.
206
00:05:28,710 --> 00:05:30,310
HE PROBABLY HAS NEVER BEEN
TAUGHT.
YOU MAY AS WELL BE SAYING IT IN
207
00:05:30,310 --> 00:05:30,910
TAUGHT.
YOU MAY AS WELL BE SAYING IT IN
SWAHILI.
208
00:05:30,910 --> 00:05:32,550
YOU MAY AS WELL BE SAYING IT IN
SWAHILI.
HE HAS NO CLUE.
209
00:05:32,550 --> 00:05:34,210
SWAHILI.
HE HAS NO CLUE.
>> Narrator: UNDAUNTED, JAMIE
210
00:05:34,220 --> 00:05:35,920
HE HAS NO CLUE.
>> Narrator: UNDAUNTED, JAMIE
AND JEAN GET CLASSES STARTED.
211
00:05:35,920 --> 00:05:37,480
>> Narrator: UNDAUNTED, JAMIE
AND JEAN GET CLASSES STARTED.
AND AT THIS DOG SCHOOL, THE
212
00:05:37,490 --> 00:05:38,820
AND JEAN GET CLASSES STARTED.
AND AT THIS DOG SCHOOL, THE
CURRICULUM IS SLIGHTLY
213
00:05:38,820 --> 00:05:41,250
AND AT THIS DOG SCHOOL, THE
CURRICULUM IS SLIGHTLY
DIFFERENT.
214
00:05:41,260 --> 00:05:43,090
CURRICULUM IS SLIGHTLY
DIFFERENT.
>> JEAN'S TECHNIQUE IS
215
00:05:43,090 --> 00:05:45,460
DIFFERENT.
>> JEAN'S TECHNIQUE IS
INFLUENCED BY PAVLOV, SKINNER,
216
00:05:45,460 --> 00:05:46,390
>> JEAN'S TECHNIQUE IS
INFLUENCED BY PAVLOV, SKINNER,
EVEN DARWIN.
217
00:05:46,400 --> 00:05:48,360
INFLUENCED BY PAVLOV, SKINNER,
EVEN DARWIN.
WE COULD TALK ABOUT IT IN TERMS
218
00:05:48,370 --> 00:05:50,110
EVEN DARWIN.
WE COULD TALK ABOUT IT IN TERMS
OF OPERANT CONDITIONING AND
219
00:05:50,100 --> 00:05:52,130
WE COULD TALK ABOUT IT IN TERMS
OF OPERANT CONDITIONING AND
OTHER THINGS, BUT IT BOILS DOWN
220
00:05:52,140 --> 00:05:54,110
OF OPERANT CONDITIONING AND
OTHER THINGS, BUT IT BOILS DOWN
TO THAT, IF THE DOG'S BEHAVIOR
221
00:05:54,100 --> 00:05:55,670
OTHER THINGS, BUT IT BOILS DOWN
TO THAT, IF THE DOG'S BEHAVIOR
IS GOOD, YOU REWARD IT.
222
00:05:55,670 --> 00:05:57,470
TO THAT, IF THE DOG'S BEHAVIOR
IS GOOD, YOU REWARD IT.
IF IT'S BAD, YOU IGNORE IT.
223
00:05:57,470 --> 00:06:00,240
IS GOOD, YOU REWARD IT.
IF IT'S BAD, YOU IGNORE IT.
>> SO I'VE GOT LEVERAGE IN MY
224
00:06:00,240 --> 00:06:01,740
IF IT'S BAD, YOU IGNORE IT.
>> SO I'VE GOT LEVERAGE IN MY
HAND, AND AT THE MOMENT, HE'S
225
00:06:01,750 --> 00:06:03,320
>> SO I'VE GOT LEVERAGE IN MY
HAND, AND AT THE MOMENT, HE'S
NOT GONNA GIVE ME A FULL DOWN,
226
00:06:03,310 --> 00:06:04,850
HAND, AND AT THE MOMENT, HE'S
NOT GONNA GIVE ME A FULL DOWN,
BUT I GOT TO PACE SOME THINGS.
227
00:06:04,850 --> 00:06:06,180
NOT GONNA GIVE ME A FULL DOWN,
BUT I GOT TO PACE SOME THINGS.
THIS IS CALLED SHAPING BY
228
00:06:06,180 --> 00:06:07,510
BUT I GOT TO PACE SOME THINGS.
THIS IS CALLED SHAPING BY
SUCCESS OF APPROXIMATION.
229
00:06:07,520 --> 00:06:09,020
THIS IS CALLED SHAPING BY
SUCCESS OF APPROXIMATION.
SO I'M WAITING FOR THAT RIGHT
230
00:06:09,020 --> 00:06:09,680
SUCCESS OF APPROXIMATION.
SO I'M WAITING FOR THAT RIGHT
FRONT LEG.
231
00:06:09,690 --> 00:06:11,850
SO I'M WAITING FOR THAT RIGHT
FRONT LEG.
AS SOON AS HE CROSSES IT, I'M
232
00:06:11,860 --> 00:06:13,100
FRONT LEG.
AS SOON AS HE CROSSES IT, I'M
GONNA PAY HIM.
233
00:06:13,090 --> 00:06:15,360
AS SOON AS HE CROSSES IT, I'M
GONNA PAY HIM.
WAITING FOR THE LEG.
234
00:06:15,360 --> 00:06:16,760
GONNA PAY HIM.
WAITING FOR THE LEG.
THERE'S THE LEG.
235
00:06:16,760 --> 00:06:18,660
WAITING FOR THE LEG.
THERE'S THE LEG.
>> Narrator: WITH BOBO GETTING
236
00:06:18,660 --> 00:06:20,490
THERE'S THE LEG.
>> Narrator: WITH BOBO GETTING
DOWN AND CECE ALSO RESPONDING
237
00:06:20,500 --> 00:06:22,500
>> Narrator: WITH BOBO GETTING
DOWN AND CECE ALSO RESPONDING
WELL TO THE FIRST DAY'S LESSONS,
238
00:06:22,500 --> 00:06:24,400
DOWN AND CECE ALSO RESPONDING
WELL TO THE FIRST DAY'S LESSONS,
DOESN'T THAT MEAN THIS MYTH IS
239
00:06:24,400 --> 00:06:25,500
WELL TO THE FIRST DAY'S LESSONS,
DOESN'T THAT MEAN THIS MYTH IS
ALREADY BUSTED?
240
00:06:25,500 --> 00:06:27,130
DOESN'T THAT MEAN THIS MYTH IS
ALREADY BUSTED?
>> I THINK THE MYTH IS LOOKING
241
00:06:27,140 --> 00:06:28,540
ALREADY BUSTED?
>> I THINK THE MYTH IS LOOKING
PRETTY BAD AT THIS POINT.
242
00:06:28,540 --> 00:06:30,000
>> I THINK THE MYTH IS LOOKING
PRETTY BAD AT THIS POINT.
THE REAL TEST WILL COME, I
243
00:06:30,010 --> 00:06:32,840
PRETTY BAD AT THIS POINT.
THE REAL TEST WILL COME, I
THINK, WITH THE HANDSHAKE.
244
00:06:32,840 --> 00:06:33,910
THE REAL TEST WILL COME, I
THINK, WITH THE HANDSHAKE.
I THINK ALL THE OTHER STUFF --
245
00:06:33,910 --> 00:06:36,710
THINK, WITH THE HANDSHAKE.
I THINK ALL THE OTHER STUFF --
HEEL, SIT, STAY --
246
00:06:36,710 --> 00:06:40,010
I THINK ALL THE OTHER STUFF --
HEEL, SIT, STAY --
THOSE ARE YOUR PACK COMMANDS.
247
00:06:40,020 --> 00:06:41,280
HEEL, SIT, STAY --
THOSE ARE YOUR PACK COMMANDS.
JUST GETTING THE DOG TO
248
00:06:41,280 --> 00:06:42,850
THOSE ARE YOUR PACK COMMANDS.
JUST GETTING THE DOG TO
UNDERSTAND YOUR WORDS FOR WHAT
249
00:06:42,850 --> 00:06:44,180
JUST GETTING THE DOG TO
UNDERSTAND YOUR WORDS FOR WHAT
IT NATURALLY WANTS TO DO.
250
00:06:44,190 --> 00:06:45,090
UNDERSTAND YOUR WORDS FOR WHAT
IT NATURALLY WANTS TO DO.
BUT SHAKING HANDS?
251
00:06:45,090 --> 00:06:46,520
IT NATURALLY WANTS TO DO.
BUT SHAKING HANDS?
THAT DOESN'T HAPPEN IN THE WILD.
252
00:06:46,520 --> 00:06:47,890
BUT SHAKING HANDS?
THAT DOESN'T HAPPEN IN THE WILD.
I THINK THAT'S REALLY GONNA BE
253
00:06:47,890 --> 00:06:49,320
THAT DOESN'T HAPPEN IN THE WILD.
I THINK THAT'S REALLY GONNA BE
WHERE THE RUBBER MEETS THE ROAD
254
00:06:49,330 --> 00:06:50,700
I THINK THAT'S REALLY GONNA BE
WHERE THE RUBBER MEETS THE ROAD
AND WHETHER OR NOT THESE DOGS
255
00:06:50,690 --> 00:06:52,630
WHERE THE RUBBER MEETS THE ROAD
AND WHETHER OR NOT THESE DOGS
CAN LEARN A REAL TRICK.
256
00:06:59,900 --> 00:07:04,140
[ DOG BARKING ]
>> OUR NEXT MYTH COULD GET YOU
RIPPED LIMB FROM LIMB.
257
00:07:04,140 --> 00:07:06,210
>> OUR NEXT MYTH COULD GET YOU
RIPPED LIMB FROM LIMB.
>> COOL! WHAT IS IT?
258
00:07:06,210 --> 00:07:08,070
RIPPED LIMB FROM LIMB.
>> COOL! WHAT IS IT?
>> WE'RE GOING TO THE DOGS.
259
00:07:08,080 --> 00:07:10,180
>> COOL! WHAT IS IT?
>> WE'RE GOING TO THE DOGS.
IT'S TIME TO TEST MYTHICAL WAYS
260
00:07:10,180 --> 00:07:11,980
>> WE'RE GOING TO THE DOGS.
IT'S TIME TO TEST MYTHICAL WAYS
TO GET PAST THE GUARD DOG.
261
00:07:11,980 --> 00:07:13,510
IT'S TIME TO TEST MYTHICAL WAYS
TO GET PAST THE GUARD DOG.
>> OH, COOL -- LIKE THROWING
262
00:07:13,520 --> 00:07:14,850
TO GET PAST THE GUARD DOG.
>> OH, COOL -- LIKE THROWING
THEM A BIG, JUICY STEAK.
263
00:07:14,850 --> 00:07:16,550
>> OH, COOL -- LIKE THROWING
THEM A BIG, JUICY STEAK.
>> WE HAVE A WHOLE LIST OF IDEAS
264
00:07:16,550 --> 00:07:18,050
THEM A BIG, JUICY STEAK.
>> WE HAVE A WHOLE LIST OF IDEAS
FOR TRYING TO GET PAST GUARD
265
00:07:18,050 --> 00:07:18,520
>> WE HAVE A WHOLE LIST OF IDEAS
FOR TRYING TO GET PAST GUARD
DOGS.
266
00:07:18,520 --> 00:07:19,950
FOR TRYING TO GET PAST GUARD
DOGS.
>> MAN, THIS SOUNDS DANGEROUS.
267
00:07:19,960 --> 00:07:21,090
DOGS.
>> MAN, THIS SOUNDS DANGEROUS.
>> ALL RIGHT. WE'RE IN.
268
00:07:21,090 --> 00:07:22,360
>> MAN, THIS SOUNDS DANGEROUS.
>> ALL RIGHT. WE'RE IN.
[ DOG BARKING ]
269
00:07:22,490 --> 00:07:23,660
>> Narrator: WHEN IT COMES TO
270
00:07:23,660 --> 00:07:25,190
BREAKING AND ENTERING, THE
271
00:07:25,200 --> 00:07:26,970
MYTHBUSTERS ARE UNSURPRISINGLY
272
00:07:26,960 --> 00:07:28,130
EXPERTS.
273
00:07:28,130 --> 00:07:30,160
THEIR CRIMINAL RECORD INCLUDES
274
00:07:30,170 --> 00:07:32,030
SAFE CRACKING, CLIMBING AIR
275
00:07:32,040 --> 00:07:34,040
DUCTS, AND BEATING LASER-BEAM
276
00:07:34,040 --> 00:07:35,470
ALARMS.
277
00:07:35,600 --> 00:07:39,740
[ ALARM RINGING ]
>> ALL RIGHT, LET'S GET OUT OF
HERE BEFORE THE COPS COME.
278
00:07:39,740 --> 00:07:41,410
>> ALL RIGHT, LET'S GET OUT OF
HERE BEFORE THE COPS COME.
>> Narrator: BUT TODAY THEY'RE
279
00:07:41,410 --> 00:07:42,780
HERE BEFORE THE COPS COME.
>> Narrator: BUT TODAY THEY'RE
FILLING THE GAP IN THEIR
280
00:07:42,780 --> 00:07:44,140
>> Narrator: BUT TODAY THEY'RE
FILLING THE GAP IN THEIR
CRIMINAL C.V. BY TESTING
281
00:07:44,150 --> 00:07:46,410
FILLING THE GAP IN THEIR
CRIMINAL C.V. BY TESTING
MYTHICAL METHODS TO BYPASS A
282
00:07:46,420 --> 00:07:47,450
CRIMINAL C.V. BY TESTING
MYTHICAL METHODS TO BYPASS A
GUARD DOG.
283
00:07:47,450 --> 00:07:48,980
MYTHICAL METHODS TO BYPASS A
GUARD DOG.
>> OKAY, GUYS, WHAT'S THE PLAN?
284
00:07:48,990 --> 00:07:50,360
GUARD DOG.
>> OKAY, GUYS, WHAT'S THE PLAN?
>> I THINK THE FIRST STEP IS
285
00:07:50,350 --> 00:07:50,920
>> OKAY, GUYS, WHAT'S THE PLAN?
>> I THINK THE FIRST STEP IS
OBVIOUS.
286
00:07:50,920 --> 00:07:52,420
>> I THINK THE FIRST STEP IS
OBVIOUS.
WE NEED TO GET OURSELVES A DOG,
287
00:07:52,420 --> 00:07:53,820
OBVIOUS.
WE NEED TO GET OURSELVES A DOG,
AND I DON'T WANT TO USE JUST
288
00:07:53,820 --> 00:07:54,590
WE NEED TO GET OURSELVES A DOG,
AND I DON'T WANT TO USE JUST
VICIOUS PETS.
289
00:07:54,590 --> 00:07:56,020
AND I DON'T WANT TO USE JUST
VICIOUS PETS.
I WANT TO GO FIND A GUARD DOG
290
00:07:56,030 --> 00:07:57,500
VICIOUS PETS.
I WANT TO GO FIND A GUARD DOG
TRAINING SCHOOL AND GET A REAL
291
00:07:57,490 --> 00:07:58,120
I WANT TO GO FIND A GUARD DOG
TRAINING SCHOOL AND GET A REAL
GUARD DOG.
292
00:07:58,130 --> 00:07:59,060
TRAINING SCHOOL AND GET A REAL
GUARD DOG.
>> THIS IS GONNA BE FUN.
293
00:07:59,060 --> 00:08:00,260
GUARD DOG.
>> THIS IS GONNA BE FUN.
>> OH, YEAH, AS LONG AS WE DON'T
294
00:08:00,260 --> 00:08:00,760
>> THIS IS GONNA BE FUN.
>> OH, YEAH, AS LONG AS WE DON'T
GET BITTEN.
295
00:08:00,760 --> 00:08:01,190
>> OH, YEAH, AS LONG AS WE DON'T
GET BITTEN.
>> YEAH.
296
00:08:01,200 --> 00:08:02,630
GET BITTEN.
>> YEAH.
[ DOG BARKING ]
297
00:08:02,760 --> 00:08:04,100
>> Narrator: THE RESEARCHERS
298
00:08:04,100 --> 00:08:05,600
HAVE FOUND JUST THE PLACE TO GET
299
00:08:05,600 --> 00:08:07,330
THIS MYTH OFF THE GROUND --
300
00:08:07,340 --> 00:08:09,100
WITMER TYSON KENNELS, WHERE
301
00:08:09,110 --> 00:08:10,980
POLICE AND GUARD DOGS GO TO
302
00:08:10,970 --> 00:08:12,540
SCHOOL, AND IN CASE YOU'RE
303
00:08:12,540 --> 00:08:14,170
WONDERING, "WHO LET THE DOG
304
00:08:14,180 --> 00:08:14,670
OUT?"
305
00:08:14,680 --> 00:08:16,280
MIKE THE HANDLER DID.
306
00:08:16,280 --> 00:08:17,640
>> THIS IS EEWAN.
307
00:08:17,650 --> 00:08:18,810
HE'S A 5-YEAR-OLD GERMAN
308
00:08:18,820 --> 00:08:20,290
SHEPHERD, AND WHAT WE CAN DO IS
309
00:08:20,280 --> 00:08:21,750
WE CAN GIVE YOU A DEMONSTRATION
310
00:08:21,750 --> 00:08:23,350
ON HOW HE STOPS PEOPLE.
311
00:08:23,490 --> 00:08:27,960
ONE OF OUR MAIN TRAINERS HERE IS
JIM.
HE'S GONNA PLAY THE BAD GUY, AND
312
00:08:27,960 --> 00:08:29,520
JIM.
HE'S GONNA PLAY THE BAD GUY, AND
HE'S GONNA TRY AND ESCAPE.
313
00:08:29,530 --> 00:08:30,590
HE'S GONNA PLAY THE BAD GUY, AND
HE'S GONNA TRY AND ESCAPE.
>> COOL!
314
00:08:30,590 --> 00:08:32,690
HE'S GONNA TRY AND ESCAPE.
>> COOL!
[ LAUGHTER ]
315
00:08:32,700 --> 00:08:34,740
>> COOL!
[ LAUGHTER ]
>> Narrator: JIM MANAGES JUST A
316
00:08:34,730 --> 00:08:36,600
[ LAUGHTER ]
>> Narrator: JIM MANAGES JUST A
FEW PACES BEFORE EEWAN IS ON
317
00:08:36,600 --> 00:08:38,530
>> Narrator: JIM MANAGES JUST A
FEW PACES BEFORE EEWAN IS ON
HIM IN A FLASH OF FUR AND TEETH.
318
00:08:38,540 --> 00:08:40,240
FEW PACES BEFORE EEWAN IS ON
HIM IN A FLASH OF FUR AND TEETH.
AND IT'S ONLY THAT SPECIALLY
319
00:08:40,240 --> 00:08:42,000
HIM IN A FLASH OF FUR AND TEETH.
AND IT'S ONLY THAT SPECIALLY
DESIGNED PROTECTIVE SUIT THAT
320
00:08:42,010 --> 00:08:43,680
AND IT'S ONLY THAT SPECIALLY
DESIGNED PROTECTIVE SUIT THAT
PREVENTS HIM FROM BEING THE
321
00:08:43,670 --> 00:08:45,310
DESIGNED PROTECTIVE SUIT THAT
PREVENTS HIM FROM BEING THE
DOG'S DINNER.
322
00:08:45,310 --> 00:08:47,770
PREVENTS HIM FROM BEING THE
DOG'S DINNER.
>> [ GROWLING ]
323
00:08:47,780 --> 00:08:49,680
DOG'S DINNER.
>> [ GROWLING ]
>> Narrator: SO, WHO'S GONNA BE
324
00:08:49,680 --> 00:08:51,880
>> [ GROWLING ]
>> Narrator: SO, WHO'S GONNA BE
DESSERT?
325
00:08:51,880 --> 00:08:54,010
>> Narrator: SO, WHO'S GONNA BE
DESSERT?
>> ANYBODY WANT TO TRY IT?
326
00:08:54,020 --> 00:08:56,050
DESSERT?
>> ANYBODY WANT TO TRY IT?
>> YEAH, TORY VOLUNTEERS.
327
00:08:56,050 --> 00:08:56,850
>> ANYBODY WANT TO TRY IT?
>> YEAH, TORY VOLUNTEERS.
[ LAUGHTER ]
328
00:08:56,850 --> 00:08:58,590
>> YEAH, TORY VOLUNTEERS.
[ LAUGHTER ]
>> Narrator: GRANT WORKS ON THE
329
00:08:58,590 --> 00:09:00,290
[ LAUGHTER ]
>> Narrator: GRANT WORKS ON THE
PRINCIPLE THAT ALTHOUGH THERE'S
330
00:09:00,290 --> 00:09:01,890
>> Narrator: GRANT WORKS ON THE
PRINCIPLE THAT ALTHOUGH THERE'S
NO "I" IN "TEAM," THERE IS A
331
00:09:01,890 --> 00:09:02,360
PRINCIPLE THAT ALTHOUGH THERE'S
NO "I" IN "TEAM," THERE IS A
"ME."
332
00:09:02,360 --> 00:09:04,090
NO "I" IN "TEAM," THERE IS A
"ME."
>> DANG!
333
00:09:04,090 --> 00:09:06,360
"ME."
>> DANG!
THIS IS GETTING SCARY.
334
00:09:06,360 --> 00:09:07,960
>> DANG!
THIS IS GETTING SCARY.
>> Narrator: AND TORY IS, ONCE
335
00:09:07,960 --> 00:09:09,400
THIS IS GETTING SCARY.
>> Narrator: AND TORY IS, ONCE
AGAIN, IN THE FIRING LINE.
336
00:09:09,400 --> 00:09:12,900
>> Narrator: AND TORY IS, ONCE
AGAIN, IN THE FIRING LINE.
>> WHOA. HEY, GOOD BOY.
337
00:09:12,900 --> 00:09:14,670
AGAIN, IN THE FIRING LINE.
>> WHOA. HEY, GOOD BOY.
GOOD BOY.
338
00:09:14,670 --> 00:09:17,570
>> WHOA. HEY, GOOD BOY.
GOOD BOY.
WHOA, THIS DOG'S GOT SOME BITE.
339
00:09:17,570 --> 00:09:19,910
GOOD BOY.
WHOA, THIS DOG'S GOT SOME BITE.
OH, YEAH, I CAN FEEL THE
340
00:09:19,910 --> 00:09:22,140
WHOA, THIS DOG'S GOT SOME BITE.
OH, YEAH, I CAN FEEL THE
PRESSURE ON MY ARM.
341
00:09:22,150 --> 00:09:24,490
OH, YEAH, I CAN FEEL THE
PRESSURE ON MY ARM.
[ SIGHS ]
342
00:09:24,480 --> 00:09:25,780
PRESSURE ON MY ARM.
[ SIGHS ]
YEAH, YOU GOT THE BIG SUIT ON
343
00:09:25,780 --> 00:09:27,110
[ SIGHS ]
YEAH, YOU GOT THE BIG SUIT ON
THAT'S GONNA PROTECT YOU, BUT,
344
00:09:27,120 --> 00:09:28,480
YEAH, YOU GOT THE BIG SUIT ON
THAT'S GONNA PROTECT YOU, BUT,
MAN, YOU SEE THAT DOG BARRELING
345
00:09:28,480 --> 00:09:29,680
THAT'S GONNA PROTECT YOU, BUT,
MAN, YOU SEE THAT DOG BARRELING
DOWN ON YOU WITH HIS TEETH
346
00:09:29,690 --> 00:09:31,050
MAN, YOU SEE THAT DOG BARRELING
DOWN ON YOU WITH HIS TEETH
EXPOSED, AND IT'S GROWLING, AND
347
00:09:31,050 --> 00:09:32,320
DOWN ON YOU WITH HIS TEETH
EXPOSED, AND IT'S GROWLING, AND
THEN IT TAKES A BITE ON YOU.
348
00:09:32,320 --> 00:09:33,220
EXPOSED, AND IT'S GROWLING, AND
THEN IT TAKES A BITE ON YOU.
IT'S PRETTY SCARY.
349
00:09:33,220 --> 00:09:34,520
THEN IT TAKES A BITE ON YOU.
IT'S PRETTY SCARY.
AND THEN THERE'S A COUPLE OF
350
00:09:34,520 --> 00:09:35,860
IT'S PRETTY SCARY.
AND THEN THERE'S A COUPLE OF
POINTS WHERE HE GOT HIS TEETH
351
00:09:35,860 --> 00:09:37,290
AND THEN THERE'S A COUPLE OF
POINTS WHERE HE GOT HIS TEETH
AROUND MY ARM, AND I COULD FEEL
352
00:09:37,290 --> 00:09:38,590
POINTS WHERE HE GOT HIS TEETH
AROUND MY ARM, AND I COULD FEEL
THE PRESSURE BITE DOWN ON MY
353
00:09:38,600 --> 00:09:38,970
AROUND MY ARM, AND I COULD FEEL
THE PRESSURE BITE DOWN ON MY
ARM.
354
00:09:38,960 --> 00:09:40,390
THE PRESSURE BITE DOWN ON MY
ARM.
YOU KNOW, IT WASN'T -- THE TEETH
355
00:09:40,400 --> 00:09:41,860
ARM.
YOU KNOW, IT WASN'T -- THE TEETH
WEREN'T PIERCING INTO MY SKIN OR
356
00:09:41,860 --> 00:09:42,430
YOU KNOW, IT WASN'T -- THE TEETH
WEREN'T PIERCING INTO MY SKIN OR
ANYTHING.
357
00:09:42,430 --> 00:09:43,760
WEREN'T PIERCING INTO MY SKIN OR
ANYTHING.
BUT YOU COULD DEFINITELY FEEL
358
00:09:43,770 --> 00:09:44,460
ANYTHING.
BUT YOU COULD DEFINITELY FEEL
THE PRESSURE.
359
00:09:44,470 --> 00:09:45,270
BUT YOU COULD DEFINITELY FEEL
THE PRESSURE.
[ DOG BARKS ]
360
00:09:45,270 --> 00:09:46,870
THE PRESSURE.
[ DOG BARKS ]
>> Narrator: SO THAT'S EEWAN THE
361
00:09:46,870 --> 00:09:47,530
[ DOG BARKS ]
>> Narrator: SO THAT'S EEWAN THE
GUARD DOG.
362
00:09:47,540 --> 00:09:49,370
>> Narrator: SO THAT'S EEWAN THE
GUARD DOG.
FAST, FOCUSED, AND FURIOUS.
363
00:09:49,370 --> 00:09:51,340
GUARD DOG.
FAST, FOCUSED, AND FURIOUS.
AND THE TEAM NOW KNOW WHAT THE
364
00:09:51,340 --> 00:09:52,710
FAST, FOCUSED, AND FURIOUS.
AND THE TEAM NOW KNOW WHAT THE
MYTH IS UP AGAINST.
365
00:09:52,710 --> 00:09:54,240
AND THE TEAM NOW KNOW WHAT THE
MYTH IS UP AGAINST.
>> OOH, THAT PINCHED THE SKIN!
366
00:09:54,240 --> 00:09:54,910
MYTH IS UP AGAINST.
>> OOH, THAT PINCHED THE SKIN!
[ DOG BARKING ]
367
00:09:54,910 --> 00:09:55,980
>> OOH, THAT PINCHED THE SKIN!
[ DOG BARKING ]
>> IT LOOKS LIKE WE'VE GOT
368
00:09:55,980 --> 00:09:57,080
[ DOG BARKING ]
>> IT LOOKS LIKE WE'VE GOT
OURSELVES A GOOD GUARD DOG.
369
00:09:57,080 --> 00:09:58,350
>> IT LOOKS LIKE WE'VE GOT
OURSELVES A GOOD GUARD DOG.
EEWAN IS VICIOUS.
370
00:09:58,350 --> 00:10:00,280
OURSELVES A GOOD GUARD DOG.
EEWAN IS VICIOUS.
>> YEAH, THAT DOG WAS BITING
371
00:10:00,280 --> 00:10:01,920
EEWAN IS VICIOUS.
>> YEAH, THAT DOG WAS BITING
WITH OVER 550 POUNDS OF
372
00:10:01,920 --> 00:10:02,720
>> YEAH, THAT DOG WAS BITING
WITH OVER 550 POUNDS OF
PRESSURE.
373
00:10:02,720 --> 00:10:04,020
WITH OVER 550 POUNDS OF
PRESSURE.
>> YEAH, I WOULDN'T WANT THAT
374
00:10:04,020 --> 00:10:05,350
PRESSURE.
>> YEAH, I WOULDN'T WANT THAT
BITING ON MY LEG, SO WHAT KIND
375
00:10:05,360 --> 00:10:06,630
>> YEAH, I WOULDN'T WANT THAT
BITING ON MY LEG, SO WHAT KIND
OF MYTHICAL TECHNIQUES DO WE
376
00:10:06,620 --> 00:10:07,620
BITING ON MY LEG, SO WHAT KIND
OF MYTHICAL TECHNIQUES DO WE
HAVE TO GET PAST HIM?
377
00:10:07,620 --> 00:10:09,060
OF MYTHICAL TECHNIQUES DO WE
HAVE TO GET PAST HIM?
>> WE HAVE DISTRACTING THEM WITH
378
00:10:09,060 --> 00:10:10,420
HAVE TO GET PAST HIM?
>> WE HAVE DISTRACTING THEM WITH
A BIG, JUICY STEAK.
379
00:10:10,430 --> 00:10:12,430
>> WE HAVE DISTRACTING THEM WITH
A BIG, JUICY STEAK.
WE HAVE ACTING AGGRESSIVE,
380
00:10:12,430 --> 00:10:13,930
A BIG, JUICY STEAK.
WE HAVE ACTING AGGRESSIVE,
ACTING SUBMISSIVE.
381
00:10:13,930 --> 00:10:16,300
WE HAVE ACTING AGGRESSIVE,
ACTING SUBMISSIVE.
WE ALSO HAVE WOLF URINE.
382
00:10:16,300 --> 00:10:18,970
ACTING SUBMISSIVE.
WE ALSO HAVE WOLF URINE.
WE HAVE SCENT OF A LACTATING
383
00:10:18,970 --> 00:10:19,430
WE ALSO HAVE WOLF URINE.
WE HAVE SCENT OF A LACTATING
BITCH.
384
00:10:19,440 --> 00:10:19,980
WE HAVE SCENT OF A LACTATING
BITCH.
>> WHAT?
385
00:10:19,970 --> 00:10:21,400
BITCH.
>> WHAT?
>> IT'S SUPPOSED TO CALM THEM
386
00:10:21,400 --> 00:10:21,840
>> WHAT?
>> IT'S SUPPOSED TO CALM THEM
DOWN.
387
00:10:21,840 --> 00:10:23,900
>> IT'S SUPPOSED TO CALM THEM
DOWN.
WE ALSO HAVE URINE FROM A BITCH
388
00:10:23,910 --> 00:10:25,740
DOWN.
WE ALSO HAVE URINE FROM A BITCH
IN HEAT, WHICH IS OBVIOUSLY
389
00:10:25,740 --> 00:10:27,510
WE ALSO HAVE URINE FROM A BITCH
IN HEAT, WHICH IS OBVIOUSLY
SUPPOSED TO DISTRACT THEM.
390
00:10:27,510 --> 00:10:29,880
IN HEAT, WHICH IS OBVIOUSLY
SUPPOSED TO DISTRACT THEM.
>> WELL, HE IS A MALE DOG.
391
00:10:29,880 --> 00:10:31,240
SUPPOSED TO DISTRACT THEM.
>> WELL, HE IS A MALE DOG.
>> WELL, WE CAN'T FORGET THE
392
00:10:31,250 --> 00:10:32,780
>> WELL, HE IS A MALE DOG.
>> WELL, WE CAN'T FORGET THE
ENCLOSURE THAT WE'RE SUPPOSED TO
393
00:10:32,780 --> 00:10:34,150
>> WELL, WE CAN'T FORGET THE
ENCLOSURE THAT WE'RE SUPPOSED TO
BUILD TO DO OUR EXPERIMENTS.
394
00:10:34,150 --> 00:10:35,320
ENCLOSURE THAT WE'RE SUPPOSED TO
BUILD TO DO OUR EXPERIMENTS.
>> WELL, LET'S KEEP THAT SIMPLE.
395
00:10:35,320 --> 00:10:36,620
BUILD TO DO OUR EXPERIMENTS.
>> WELL, LET'S KEEP THAT SIMPLE.
WE'LL CLOSE OFF AN AREA WITH A
396
00:10:36,620 --> 00:10:37,880
>> WELL, LET'S KEEP THAT SIMPLE.
WE'LL CLOSE OFF AN AREA WITH A
CHAIN-LINK FENCE, WE'LL PUT A
397
00:10:37,890 --> 00:10:39,290
WE'LL CLOSE OFF AN AREA WITH A
CHAIN-LINK FENCE, WE'LL PUT A
SAFE IN THE MIDDLE, PUT TREASURE
398
00:10:39,290 --> 00:10:40,550
CHAIN-LINK FENCE, WE'LL PUT A
SAFE IN THE MIDDLE, PUT TREASURE
IN IT, AND THEN WE'LL TRY OUR
399
00:10:40,560 --> 00:10:41,860
SAFE IN THE MIDDLE, PUT TREASURE
IN IT, AND THEN WE'LL TRY OUR
DIFFERENT TECHNIQUES TO SEE IF
400
00:10:41,860 --> 00:10:43,190
IN IT, AND THEN WE'LL TRY OUR
DIFFERENT TECHNIQUES TO SEE IF
WE CAN GET TO THE SAFE, GET THE
401
00:10:43,190 --> 00:10:49,300
DIFFERENT TECHNIQUES TO SEE IF
WE CAN GET TO THE SAFE, GET THE
TREASURE, AND GET OUT SAFELY.
402
00:10:49,300 --> 00:10:50,830
WE CAN GET TO THE SAFE, GET THE
TREASURE, AND GET OUT SAFELY.
>> Narrator: KARI, GRANT, AND
403
00:10:50,830 --> 00:10:52,270
TREASURE, AND GET OUT SAFELY.
>> Narrator: KARI, GRANT, AND
TORY ARE ATTEMPTING TO BEAT
404
00:10:52,270 --> 00:10:54,070
>> Narrator: KARI, GRANT, AND
TORY ARE ATTEMPTING TO BEAT
EEWAN THE WELL-TRAINED GUARD
405
00:10:54,070 --> 00:10:54,570
TORY ARE ATTEMPTING TO BEAT
EEWAN THE WELL-TRAINED GUARD
DOG.
406
00:10:54,570 --> 00:10:56,400
EEWAN THE WELL-TRAINED GUARD
DOG.
THEY'RE GOING TO TEST SEVERAL
407
00:10:56,410 --> 00:10:58,200
DOG.
THEY'RE GOING TO TEST SEVERAL
TECHNIQUES TO SNEAK PAST THE
408
00:10:58,210 --> 00:11:00,140
THEY'RE GOING TO TEST SEVERAL
TECHNIQUES TO SNEAK PAST THE
FOUR-LEGGED GUARDIAN, GET INTO
409
00:11:00,140 --> 00:11:01,980
TECHNIQUES TO SNEAK PAST THE
FOUR-LEGGED GUARDIAN, GET INTO
THE SAFE IN THE CENTER OF THE
410
00:11:01,980 --> 00:11:04,010
FOUR-LEGGED GUARDIAN, GET INTO
THE SAFE IN THE CENTER OF THE
COMPOUND, AND THEN ESCAPE SAFELY
411
00:11:04,010 --> 00:11:05,110
THE SAFE IN THE CENTER OF THE
COMPOUND, AND THEN ESCAPE SAFELY
WITH THE LOOT.
412
00:11:05,110 --> 00:11:06,910
COMPOUND, AND THEN ESCAPE SAFELY
WITH THE LOOT.
>> THE FIRST TACTIC I'M GOING TO
413
00:11:06,920 --> 00:11:08,180
WITH THE LOOT.
>> THE FIRST TACTIC I'M GOING TO
UTILIZE IS DIVERSION.
414
00:11:08,180 --> 00:11:09,450
>> THE FIRST TACTIC I'M GOING TO
UTILIZE IS DIVERSION.
I'VE GOT SOME STEAKS.
415
00:11:09,450 --> 00:11:10,880
UTILIZE IS DIVERSION.
I'VE GOT SOME STEAKS.
I'M GONNA CHUCK IT IN ONE SIDE
416
00:11:10,890 --> 00:11:12,390
I'VE GOT SOME STEAKS.
I'M GONNA CHUCK IT IN ONE SIDE
OF THE YARD, AND THEN I'M GONNA
417
00:11:12,390 --> 00:11:13,620
I'M GONNA CHUCK IT IN ONE SIDE
OF THE YARD, AND THEN I'M GONNA
TRY TO MAKE A RUN FOR IT.
418
00:11:13,620 --> 00:11:14,220
OF THE YARD, AND THEN I'M GONNA
TRY TO MAKE A RUN FOR IT.
>> I SEE.
419
00:11:14,220 --> 00:11:15,720
TRY TO MAKE A RUN FOR IT.
>> I SEE.
AND THAT'S SUPPOSED TO DRAW THE
420
00:11:15,730 --> 00:11:17,170
>> I SEE.
AND THAT'S SUPPOSED TO DRAW THE
DOG'S ATTENTION AWAY FROM YOU?
421
00:11:17,160 --> 00:11:18,660
AND THAT'S SUPPOSED TO DRAW THE
DOG'S ATTENTION AWAY FROM YOU?
>> IT ALWAYS WORKS IN THE
422
00:11:18,660 --> 00:11:19,360
DOG'S ATTENTION AWAY FROM YOU?
>> IT ALWAYS WORKS IN THE
CARTOONS.
423
00:11:19,360 --> 00:11:20,730
>> IT ALWAYS WORKS IN THE
CARTOONS.
>> GOOD LUCK WITH THAT.
424
00:11:20,730 --> 00:11:22,530
CARTOONS.
>> GOOD LUCK WITH THAT.
>> Narrator: KARI GETS INTO THE
425
00:11:22,530 --> 00:11:24,800
>> GOOD LUCK WITH THAT.
>> Narrator: KARI GETS INTO THE
DOG-PROOF SAFETY SUIT AND THEN
426
00:11:24,800 --> 00:11:26,670
>> Narrator: KARI GETS INTO THE
DOG-PROOF SAFETY SUIT AND THEN
GIVES IT A TEST RUN.
427
00:11:26,670 --> 00:11:29,600
DOG-PROOF SAFETY SUIT AND THEN
GIVES IT A TEST RUN.
>> [ LAUGHS ]
428
00:11:29,610 --> 00:11:30,610
GIVES IT A TEST RUN.
>> [ LAUGHS ]
>> THAT'S FUNNY.
429
00:11:30,610 --> 00:11:32,310
>> [ LAUGHS ]
>> THAT'S FUNNY.
>> Narrator: WITH KARI ABOUT AS
430
00:11:32,310 --> 00:11:34,010
>> THAT'S FUNNY.
>> Narrator: WITH KARI ABOUT AS
MOBILE AS A DOG'S CHEW TOY, SHE
431
00:11:34,010 --> 00:11:35,280
>> Narrator: WITH KARI ABOUT AS
MOBILE AS A DOG'S CHEW TOY, SHE
ADAPTS HER HEIST PLAN.
432
00:11:35,280 --> 00:11:36,780
MOBILE AS A DOG'S CHEW TOY, SHE
ADAPTS HER HEIST PLAN.
>> I'M NOT GONNA BE ABLE TO
433
00:11:36,780 --> 00:11:38,210
ADAPTS HER HEIST PLAN.
>> I'M NOT GONNA BE ABLE TO
THROW ANYTHING WITH THIS.
434
00:11:38,210 --> 00:11:39,950
>> I'M NOT GONNA BE ABLE TO
THROW ANYTHING WITH THIS.
I'M GONNA GET ONE OF THE BOYS TO
435
00:11:39,950 --> 00:11:41,680
THROW ANYTHING WITH THIS.
I'M GONNA GET ONE OF THE BOYS TO
GO OVER THE CORNER AND THROW IT.
436
00:11:41,680 --> 00:11:42,880
I'M GONNA GET ONE OF THE BOYS TO
GO OVER THE CORNER AND THROW IT.
THAT'S NOT CHEATING.
437
00:11:42,890 --> 00:11:44,430
GO OVER THE CORNER AND THROW IT.
THAT'S NOT CHEATING.
EVERYBODY'S GOT A PARTNER IN
438
00:11:44,420 --> 00:11:44,950
THAT'S NOT CHEATING.
EVERYBODY'S GOT A PARTNER IN
CRIME.
439
00:11:44,950 --> 00:11:46,620
EVERYBODY'S GOT A PARTNER IN
CRIME.
>> Narrator: TORY GETS THE PLAN
440
00:11:46,620 --> 00:11:48,220
CRIME.
>> Narrator: TORY GETS THE PLAN
UNDER WAY BY INTERESTING EEWAN
441
00:11:48,220 --> 00:11:50,460
>> Narrator: TORY GETS THE PLAN
UNDER WAY BY INTERESTING EEWAN
IN HIS MEATY TREAT.
442
00:11:50,460 --> 00:11:51,590
UNDER WAY BY INTERESTING EEWAN
IN HIS MEATY TREAT.
>> OOH, LOOK. HE LIKES.
443
00:11:51,590 --> 00:11:52,560
IN HIS MEATY TREAT.
>> OOH, LOOK. HE LIKES.
>> HE'S LICKING IT.
444
00:11:52,560 --> 00:11:54,490
>> OOH, LOOK. HE LIKES.
>> HE'S LICKING IT.
>> OH, YOU LIKEY.
445
00:11:54,500 --> 00:11:56,600
>> HE'S LICKING IT.
>> OH, YOU LIKEY.
YOU LIKE THE MEAT.
446
00:11:56,600 --> 00:11:58,130
>> OH, YOU LIKEY.
YOU LIKE THE MEAT.
I THINK YOU GUYS SHOULD PROBABLY
447
00:11:58,130 --> 00:11:59,070
YOU LIKE THE MEAT.
I THINK YOU GUYS SHOULD PROBABLY
GO FOR IT NOW, NO?
448
00:11:59,070 --> 00:12:03,340
I THINK YOU GUYS SHOULD PROBABLY
GO FOR IT NOW, NO?
>> OKAY, GO, GO, GO.
449
00:12:03,470 --> 00:12:05,540
>> Narrator: TORY'S TASTY T-BONE
450
00:12:05,540 --> 00:12:07,540
TAUNTING HAS BOUGHT KARI ENOUGH
451
00:12:07,540 --> 00:12:09,710
TIME TO GET TO THE SAFE.
452
00:12:09,850 --> 00:12:17,690
>> [ Laughing ] IT'S WORKING.
>> Narrator: BUT THEN KARI'S
ACCOMPLICE TURNS NASTY AS TORY
453
00:12:17,690 --> 00:12:19,390
>> Narrator: BUT THEN KARI'S
ACCOMPLICE TURNS NASTY AS TORY
THROWS THE STEAK INTO THE
454
00:12:19,390 --> 00:12:20,190
ACCOMPLICE TURNS NASTY AS TORY
THROWS THE STEAK INTO THE
COMPOUND.
455
00:12:20,190 --> 00:12:22,590
THROWS THE STEAK INTO THE
COMPOUND.
>> NOT AT ME! NOT AT ME!
456
00:12:22,590 --> 00:12:24,390
COMPOUND.
>> NOT AT ME! NOT AT ME!
>> Narrator: IT'S A POOR THROW,
457
00:12:24,390 --> 00:12:26,160
>> NOT AT ME! NOT AT ME!
>> Narrator: IT'S A POOR THROW,
BUT EEWAN STAYS FOCUSED ON THE
458
00:12:26,160 --> 00:12:27,960
>> Narrator: IT'S A POOR THROW,
BUT EEWAN STAYS FOCUSED ON THE
MEAT AND STARTS TO CHOW DOWN AS
459
00:12:27,960 --> 00:12:29,630
BUT EEWAN STAYS FOCUSED ON THE
MEAT AND STARTS TO CHOW DOWN AS
KARI HEADS FOR AN UNOFFICIAL
460
00:12:29,630 --> 00:12:31,230
MEAT AND STARTS TO CHOW DOWN AS
KARI HEADS FOR AN UNOFFICIAL
EXIT ON THE FAR SIDE OF THE
461
00:12:31,230 --> 00:12:32,830
KARI HEADS FOR AN UNOFFICIAL
EXIT ON THE FAR SIDE OF THE
COMPOUND, BUT IT'S LOCKED.
462
00:12:32,840 --> 00:12:34,680
EXIT ON THE FAR SIDE OF THE
COMPOUND, BUT IT'S LOCKED.
>> HURRY, HE'S EATING THE MEAT.
463
00:12:34,670 --> 00:12:36,440
COMPOUND, BUT IT'S LOCKED.
>> HURRY, HE'S EATING THE MEAT.
>> Narrator: MEANWHILE, EEWAN
464
00:12:36,440 --> 00:12:38,170
>> HURRY, HE'S EATING THE MEAT.
>> Narrator: MEANWHILE, EEWAN
HAS FINISHED THE FIRST COURSE
465
00:12:38,170 --> 00:12:40,270
>> Narrator: MEANWHILE, EEWAN
HAS FINISHED THE FIRST COURSE
AND GOES BACK TO TORY FOR MORE.
466
00:12:40,280 --> 00:12:42,040
HAS FINISHED THE FIRST COURSE
AND GOES BACK TO TORY FOR MORE.
BUT WHEN TORY DOESN'T HAVE
467
00:12:42,040 --> 00:12:44,140
AND GOES BACK TO TORY FOR MORE.
BUT WHEN TORY DOESN'T HAVE
ANOTHER STEAK READY, EEWAN GOES
468
00:12:44,150 --> 00:12:45,280
BUT WHEN TORY DOESN'T HAVE
ANOTHER STEAK READY, EEWAN GOES
TO WORK.
469
00:12:45,280 --> 00:12:45,910
ANOTHER STEAK READY, EEWAN GOES
TO WORK.
>> OHH!
470
00:12:45,920 --> 00:12:47,720
TO WORK.
>> OHH!
>> NO!
471
00:12:47,720 --> 00:12:50,350
>> OHH!
>> NO!
[ LAUGHTER ]
472
00:12:50,350 --> 00:12:53,190
>> NO!
[ LAUGHTER ]
>> OKAY, OKAY, OKAY.
473
00:12:53,190 --> 00:12:54,850
[ LAUGHTER ]
>> OKAY, OKAY, OKAY.
GET HIM, GET HIM, GET HIM.
474
00:12:54,860 --> 00:12:56,190
>> OKAY, OKAY, OKAY.
GET HIM, GET HIM, GET HIM.
OH, THAT WAS GREAT.
475
00:12:56,190 --> 00:12:57,420
GET HIM, GET HIM, GET HIM.
OH, THAT WAS GREAT.
IT TOTALLY WORKED.
476
00:12:57,430 --> 00:12:59,030
OH, THAT WAS GREAT.
IT TOTALLY WORKED.
>> Narrator: WELL, KIND OF.
477
00:12:59,160 --> 00:13:00,990
THE DELICIOUS DIVERSION DID
478
00:13:01,000 --> 00:13:02,930
DISTRACT EEWAN LONG ENOUGH TO
479
00:13:02,930 --> 00:13:04,930
GET TO THE SAFE AND SECURE THE
480
00:13:04,930 --> 00:13:06,730
LOOT, BUT POOR PLANNING MEANT
481
00:13:06,740 --> 00:13:08,600
THAT KARI ENDED UP AS THE MAIN
482
00:13:08,600 --> 00:13:09,540
COURSE.
483
00:13:09,670 --> 00:13:13,710
>> BUT THE NECKLACE IS SOMEWHERE
INSIDE THE SUIT.
I SWEAR IT'S IN HERE.
484
00:13:13,710 --> 00:13:14,570
INSIDE THE SUIT.
I SWEAR IT'S IN HERE.
I GRABBED IT.
485
00:13:14,580 --> 00:13:16,240
I SWEAR IT'S IN HERE.
I GRABBED IT.
>> Narrator: SO IT'S PLAUSIBLE
486
00:13:16,250 --> 00:13:17,850
I GRABBED IT.
>> Narrator: SO IT'S PLAUSIBLE
TO DISTRACT A GUARD DOG WITH
487
00:13:17,850 --> 00:13:18,710
>> Narrator: SO IT'S PLAUSIBLE
TO DISTRACT A GUARD DOG WITH
TASTY TREATS.
488
00:13:18,710 --> 00:13:20,250
TO DISTRACT A GUARD DOG WITH
TASTY TREATS.
BUT WITHOUT THAT SUIT, KARI
489
00:13:20,250 --> 00:13:21,710
TASTY TREATS.
BUT WITHOUT THAT SUIT, KARI
WOULD HAVE BEEN BREAKFAST.
490
00:13:21,720 --> 00:13:22,580
BUT WITHOUT THAT SUIT, KARI
WOULD HAVE BEEN BREAKFAST.
>> WELL DONE.
491
00:13:22,590 --> 00:13:24,330
WOULD HAVE BEEN BREAKFAST.
>> WELL DONE.
>> Narrator: NEXT UP, GRANT AND
492
00:13:24,320 --> 00:13:26,120
>> WELL DONE.
>> Narrator: NEXT UP, GRANT AND
TORY ARE TACKLING TWO MYTHS
493
00:13:26,120 --> 00:13:28,120
>> Narrator: NEXT UP, GRANT AND
TORY ARE TACKLING TWO MYTHS
WHICH AN ANIMAL BEHAVIORIST AND
494
00:13:28,120 --> 00:13:29,960
TORY ARE TACKLING TWO MYTHS
WHICH AN ANIMAL BEHAVIORIST AND
FAN OF THE SHOW SUGGESTED.
495
00:13:29,960 --> 00:13:32,990
WHICH AN ANIMAL BEHAVIORIST AND
FAN OF THE SHOW SUGGESTED.
>> [ GROWLING ]
496
00:13:33,000 --> 00:13:34,670
FAN OF THE SHOW SUGGESTED.
>> [ GROWLING ]
>> Narrator: AND THEY'RE BOTH
497
00:13:34,660 --> 00:13:36,300
>> [ GROWLING ]
>> Narrator: AND THEY'RE BOTH
BASED ON THE CONCEPT THAT, BY
498
00:13:36,300 --> 00:13:37,900
>> Narrator: AND THEY'RE BOTH
BASED ON THE CONCEPT THAT, BY
USING BODY LANGUAGE, YOU CAN
499
00:13:37,900 --> 00:13:39,570
BASED ON THE CONCEPT THAT, BY
USING BODY LANGUAGE, YOU CAN
PERSUADE THE DOG TO LEAVE YOU
500
00:13:39,570 --> 00:13:40,100
USING BODY LANGUAGE, YOU CAN
PERSUADE THE DOG TO LEAVE YOU
ALONE.
501
00:13:40,100 --> 00:13:42,000
PERSUADE THE DOG TO LEAVE YOU
ALONE.
FIRST INTO THE RING IS GRANT,
502
00:13:42,000 --> 00:13:43,840
ALONE.
FIRST INTO THE RING IS GRANT,
AND THE THEORY IS EEWAN WILL
503
00:13:43,840 --> 00:13:45,840
FIRST INTO THE RING IS GRANT,
AND THE THEORY IS EEWAN WILL
TAKE GRANT'S SUBMISSIVE POSTURE
504
00:13:45,840 --> 00:13:48,510
AND THE THEORY IS EEWAN WILL
TAKE GRANT'S SUBMISSIVE POSTURE
AS PROOF HE'S NOT A THREAT.
505
00:13:48,510 --> 00:13:49,780
TAKE GRANT'S SUBMISSIVE POSTURE
AS PROOF HE'S NOT A THREAT.
>> OH, MY GOD, THIS IS NOT
506
00:13:49,780 --> 00:13:51,140
AS PROOF HE'S NOT A THREAT.
>> OH, MY GOD, THIS IS NOT
WORKING, THIS IS NOT WORKING,
507
00:13:51,150 --> 00:13:52,150
>> OH, MY GOD, THIS IS NOT
WORKING, THIS IS NOT WORKING,
THIS IS NOT WORKING.
508
00:13:52,150 --> 00:13:53,750
WORKING, THIS IS NOT WORKING,
THIS IS NOT WORKING.
>> I DON'T THINK IT'S WORKING.
509
00:13:53,750 --> 00:13:55,220
THIS IS NOT WORKING.
>> I DON'T THINK IT'S WORKING.
>> Narrator: BUT IT DOESN'T
510
00:13:55,220 --> 00:13:55,820
>> I DON'T THINK IT'S WORKING.
>> Narrator: BUT IT DOESN'T
WORK.
511
00:13:55,820 --> 00:13:57,720
>> Narrator: BUT IT DOESN'T
WORK.
NEXT, TORY ATTEMPTS TO TAKE
512
00:13:57,720 --> 00:13:59,620
WORK.
NEXT, TORY ATTEMPTS TO TAKE
ALPHA-DOG STATUS BY GETTING
513
00:13:59,620 --> 00:14:00,550
NEXT, TORY ATTEMPTS TO TAKE
ALPHA-DOG STATUS BY GETTING
AGGRESSIVE.
514
00:14:00,560 --> 00:14:02,220
ALPHA-DOG STATUS BY GETTING
AGGRESSIVE.
>> AAH! AAH! AAH!
515
00:14:02,230 --> 00:14:04,700
AGGRESSIVE.
>> AAH! AAH! AAH!
>> Narrator: BUT HIS TOP-DOG
516
00:14:04,690 --> 00:14:06,860
>> AAH! AAH! AAH!
>> Narrator: BUT HIS TOP-DOG
IMPRESSION SIMPLY RESULTS IN HIM
517
00:14:06,860 --> 00:14:08,600
>> Narrator: BUT HIS TOP-DOG
IMPRESSION SIMPLY RESULTS IN HIM
BEING THE DOG'S LUNCH.
518
00:14:08,600 --> 00:14:10,800
IMPRESSION SIMPLY RESULTS IN HIM
BEING THE DOG'S LUNCH.
WITH THE SCORE MYTHBUSTERS 1,
519
00:14:10,800 --> 00:14:13,070
BEING THE DOG'S LUNCH.
WITH THE SCORE MYTHBUSTERS 1,
GUARD DOG 2, IT'S BACK TO ADAM
520
00:14:13,070 --> 00:14:16,570
WITH THE SCORE MYTHBUSTERS 1,
GUARD DOG 2, IT'S BACK TO ADAM
AND JAMIE.
521
00:14:16,570 --> 00:14:18,470
GUARD DOG 2, IT'S BACK TO ADAM
AND JAMIE.
>> SO, HOW OLD IS THE PHRASE
522
00:14:18,470 --> 00:14:20,540
AND JAMIE.
>> SO, HOW OLD IS THE PHRASE
"YOU CAN'T TEACH AN OLD DOG NEW
523
00:14:20,540 --> 00:14:21,270
>> SO, HOW OLD IS THE PHRASE
"YOU CAN'T TEACH AN OLD DOG NEW
TRICKS"?
524
00:14:21,280 --> 00:14:23,010
"YOU CAN'T TEACH AN OLD DOG NEW
TRICKS"?
>> WELL, IT'S PRETTY OLD.
525
00:14:23,010 --> 00:14:24,840
TRICKS"?
>> WELL, IT'S PRETTY OLD.
IT ORIGINATED FROM SOME GUY
526
00:14:24,850 --> 00:14:26,810
>> WELL, IT'S PRETTY OLD.
IT ORIGINATED FROM SOME GUY
NAMED FITZHERBERT WHO WROTE A
527
00:14:26,820 --> 00:14:28,720
IT ORIGINATED FROM SOME GUY
NAMED FITZHERBERT WHO WROTE A
PAPER ON ANIMAL HUSBANDRY IN
528
00:14:28,720 --> 00:14:29,280
NAMED FITZHERBERT WHO WROTE A
PAPER ON ANIMAL HUSBANDRY IN
1523.
529
00:14:29,290 --> 00:14:29,960
PAPER ON ANIMAL HUSBANDRY IN
1523.
>> THAT'S IT.
530
00:14:29,950 --> 00:14:30,450
1523.
>> THAT'S IT.
>> YEAH.
531
00:14:30,450 --> 00:14:31,120
>> THAT'S IT.
>> YEAH.
>> ALL RIGHT.
532
00:14:31,120 --> 00:14:34,050
>> YEAH.
>> ALL RIGHT.
"THE DOGGE MUST LEARN IT WHEN HE
533
00:14:34,060 --> 00:14:36,990
>> ALL RIGHT.
"THE DOGGE MUST LEARN IT WHEN HE
IS A WHELPE OR ELS IT WYL NOT BE
534
00:14:36,990 --> 00:14:39,790
"THE DOGGE MUST LEARN IT WHEN HE
IS A WHELPE OR ELS IT WYL NOT BE
FOR IT IS HARDE TO MAKE AN OLD
535
00:14:39,800 --> 00:14:41,540
IS A WHELPE OR ELS IT WYL NOT BE
FOR IT IS HARDE TO MAKE AN OLD
DOGGE TO STOUPE."
536
00:14:41,530 --> 00:14:43,660
FOR IT IS HARDE TO MAKE AN OLD
DOGGE TO STOUPE."
>> LIKE I SAID, "YOU CAN'T TEACH
537
00:14:43,670 --> 00:14:45,300
DOGGE TO STOUPE."
>> LIKE I SAID, "YOU CAN'T TEACH
AN OLD DOG NEW TRICKS."
538
00:14:45,300 --> 00:14:46,970
>> LIKE I SAID, "YOU CAN'T TEACH
AN OLD DOG NEW TRICKS."
>> Narrator: IT'S AN AGE-OLD
539
00:14:46,970 --> 00:14:48,870
AN OLD DOG NEW TRICKS."
>> Narrator: IT'S AN AGE-OLD
ADAGE, AND THE MYTHBUSTERS CAN'T
540
00:14:48,870 --> 00:14:50,640
>> Narrator: IT'S AN AGE-OLD
ADAGE, AND THE MYTHBUSTERS CAN'T
RESIST PUTTING IT TO THE TEST.
541
00:14:50,640 --> 00:14:52,540
ADAGE, AND THE MYTHBUSTERS CAN'T
RESIST PUTTING IT TO THE TEST.
ON DAY ONE, THE TRAINING WENT SO
542
00:14:52,540 --> 00:14:54,270
RESIST PUTTING IT TO THE TEST.
ON DAY ONE, THE TRAINING WENT SO
WELL, THE MYTH LOOKED BUSTED.
543
00:14:54,280 --> 00:14:55,380
ON DAY ONE, THE TRAINING WENT SO
WELL, THE MYTH LOOKED BUSTED.
>> SIT.
544
00:14:55,380 --> 00:14:56,680
WELL, THE MYTH LOOKED BUSTED.
>> SIT.
GOOD GIRL.
545
00:14:56,680 --> 00:14:58,240
>> SIT.
GOOD GIRL.
>> Narrator: BUT IN TODAY'S
546
00:14:58,250 --> 00:14:59,880
GOOD GIRL.
>> Narrator: BUT IN TODAY'S
SESSION, WITHOUT PACK LEADERS
547
00:14:59,880 --> 00:15:01,550
>> Narrator: BUT IN TODAY'S
SESSION, WITHOUT PACK LEADERS
BEVERLY AND JEAN TO SHOW THEM
548
00:15:01,550 --> 00:15:02,420
SESSION, WITHOUT PACK LEADERS
BEVERLY AND JEAN TO SHOW THEM
WHO'S BOSS...
549
00:15:02,420 --> 00:15:05,590
BEVERLY AND JEAN TO SHOW THEM
WHO'S BOSS...
>> CECE, SIT. [ LAUGHS ]
550
00:15:05,590 --> 00:15:07,420
WHO'S BOSS...
>> CECE, SIT. [ LAUGHS ]
>> Narrator: ...WELL, THE DOGS'
551
00:15:07,420 --> 00:15:08,920
>> CECE, SIT. [ LAUGHS ]
>> Narrator: ...WELL, THE DOGS'
PERSONALITIES ARE PROVING
552
00:15:08,930 --> 00:15:09,830
>> Narrator: ...WELL, THE DOGS'
PERSONALITIES ARE PROVING
OBSTRUCTIVE.
553
00:15:09,830 --> 00:15:11,630
PERSONALITIES ARE PROVING
OBSTRUCTIVE.
>> WE'RE A LITTLE TOO EXCITED
554
00:15:11,630 --> 00:15:12,560
OBSTRUCTIVE.
>> WE'RE A LITTLE TOO EXCITED
THIS MORNING.
555
00:15:12,560 --> 00:15:13,460
>> WE'RE A LITTLE TOO EXCITED
THIS MORNING.
>> BOBO'S A BRAT.
556
00:15:13,460 --> 00:15:14,960
THIS MORNING.
>> BOBO'S A BRAT.
FIRST OF ALL, I DON'T THINK HE'S
557
00:15:14,960 --> 00:15:16,030
>> BOBO'S A BRAT.
FIRST OF ALL, I DON'T THINK HE'S
AS SMART AS HE SEEMS.
558
00:15:16,030 --> 00:15:17,260
FIRST OF ALL, I DON'T THINK HE'S
AS SMART AS HE SEEMS.
I CAN SEE IT IN HIS EYES.
559
00:15:17,270 --> 00:15:18,330
AS SMART AS HE SEEMS.
I CAN SEE IT IN HIS EYES.
HE'S A LITTLE LIKE...
560
00:15:18,330 --> 00:15:20,300
I CAN SEE IT IN HIS EYES.
HE'S A LITTLE LIKE...
[ DOG PANTING ]
561
00:15:20,300 --> 00:15:21,500
HE'S A LITTLE LIKE...
[ DOG PANTING ]
YEAH, YOU CAN CUT THAT WITH A
562
00:15:21,500 --> 00:15:22,070
[ DOG PANTING ]
YEAH, YOU CAN CUT THAT WITH A
SHOT OF HIM.
563
00:15:22,070 --> 00:15:23,270
YEAH, YOU CAN CUT THAT WITH A
SHOT OF HIM.
YOU'LL SEE IT LOOKS THE SAME.
564
00:15:23,270 --> 00:15:25,410
SHOT OF HIM.
YOU'LL SEE IT LOOKS THE SAME.
CECE IS A VERY SHY DOG.
565
00:15:25,410 --> 00:15:27,710
YOU'LL SEE IT LOOKS THE SAME.
CECE IS A VERY SHY DOG.
SHE IS SUBMISSIVE, USED TO BEING
566
00:15:27,710 --> 00:15:29,880
CECE IS A VERY SHY DOG.
SHE IS SUBMISSIVE, USED TO BEING
SUBMISSIVE, AND IT'S VERY EASY
567
00:15:29,880 --> 00:15:31,380
SHE IS SUBMISSIVE, USED TO BEING
SUBMISSIVE, AND IT'S VERY EASY
FOR HER TO JUST SHUT DOWN
568
00:15:31,380 --> 00:15:32,080
SUBMISSIVE, AND IT'S VERY EASY
FOR HER TO JUST SHUT DOWN
ENTIRELY.
569
00:15:32,080 --> 00:15:33,350
FOR HER TO JUST SHUT DOWN
ENTIRELY.
OH.
570
00:15:33,350 --> 00:15:34,110
ENTIRELY.
OH.
[ LAUGHTER ]
571
00:15:34,120 --> 00:15:35,680
OH.
[ LAUGHTER ]
>> Narrator: CLEARLY, ADAM AND
572
00:15:35,690 --> 00:15:36,990
[ LAUGHTER ]
>> Narrator: CLEARLY, ADAM AND
JAMIE NEED HELP FROM THE
573
00:15:36,990 --> 00:15:37,720
>> Narrator: CLEARLY, ADAM AND
JAMIE NEED HELP FROM THE
PROFESSIONALS.
574
00:15:37,720 --> 00:15:38,990
JAMIE NEED HELP FROM THE
PROFESSIONALS.
>> WHAT I'M SEEING HERE THAT
575
00:15:38,990 --> 00:15:40,350
PROFESSIONALS.
>> WHAT I'M SEEING HERE THAT
MIGHT BE HAPPENING IS SHE MIGHT
576
00:15:40,360 --> 00:15:41,750
>> WHAT I'M SEEING HERE THAT
MIGHT BE HAPPENING IS SHE MIGHT
BE A LITTLE MORE INTIMIDATED BY
577
00:15:41,760 --> 00:15:42,090
MIGHT BE HAPPENING IS SHE MIGHT
BE A LITTLE MORE INTIMIDATED BY
YOU.
578
00:15:42,090 --> 00:15:43,220
BE A LITTLE MORE INTIMIDATED BY
YOU.
A LOT OF TIMES, A DOG,
579
00:15:43,230 --> 00:15:44,600
YOU.
A LOT OF TIMES, A DOG,
ESPECIALLY IF SHE'S A FEMALE
580
00:15:44,590 --> 00:15:45,730
A LOT OF TIMES, A DOG,
ESPECIALLY IF SHE'S A FEMALE
DOG -- SHE MAY BE MORE
581
00:15:45,730 --> 00:15:47,130
ESPECIALLY IF SHE'S A FEMALE
DOG -- SHE MAY BE MORE
INTIMIDATED BY MALES, EITHER
582
00:15:47,130 --> 00:15:48,490
DOG -- SHE MAY BE MORE
INTIMIDATED BY MALES, EITHER
JUST BY NATURE OR BECAUSE
583
00:15:48,500 --> 00:15:50,130
INTIMIDATED BY MALES, EITHER
JUST BY NATURE OR BECAUSE
WHATEVER MEN SHE'S BEEN WITH IN
584
00:15:50,130 --> 00:15:51,600
JUST BY NATURE OR BECAUSE
WHATEVER MEN SHE'S BEEN WITH IN
HER LIFE HAVE BEEN A LITTLE
585
00:15:51,600 --> 00:15:53,130
WHATEVER MEN SHE'S BEEN WITH IN
HER LIFE HAVE BEEN A LITTLE
ROUGH ON HER OR FIRM WITH HER
586
00:15:53,140 --> 00:15:54,640
HER LIFE HAVE BEEN A LITTLE
ROUGH ON HER OR FIRM WITH HER
SUCH THAT SHE'S FEELING THAT
587
00:15:54,640 --> 00:15:55,030
ROUGH ON HER OR FIRM WITH HER
SUCH THAT SHE'S FEELING THAT
WAY.
588
00:15:55,040 --> 00:15:56,570
SUCH THAT SHE'S FEELING THAT
WAY.
>> Narrator: BUT A SESSION OR
589
00:15:56,570 --> 00:15:58,100
WAY.
>> Narrator: BUT A SESSION OR
TWO WITH CONFIDENCE-INSPIRING
590
00:15:58,110 --> 00:15:59,870
>> Narrator: BUT A SESSION OR
TWO WITH CONFIDENCE-INSPIRING
BEVERLY, AND TIMID CECE IS
591
00:15:59,880 --> 00:16:01,620
TWO WITH CONFIDENCE-INSPIRING
BEVERLY, AND TIMID CECE IS
RESPONDING NOT ONLY TO THE
592
00:16:01,610 --> 00:16:02,280
BEVERLY, AND TIMID CECE IS
RESPONDING NOT ONLY TO THE
EXPERT...
593
00:16:02,280 --> 00:16:03,410
RESPONDING NOT ONLY TO THE
EXPERT...
>> WE'RE GONNA SIT.
594
00:16:03,410 --> 00:16:04,110
EXPERT...
>> WE'RE GONNA SIT.
GOOD BABY.
595
00:16:04,110 --> 00:16:04,940
>> WE'RE GONNA SIT.
GOOD BABY.
>> GOOD GIRL.
596
00:16:04,950 --> 00:16:06,650
GOOD BABY.
>> GOOD GIRL.
>> Narrator: ...SHE'S LISTENING
597
00:16:06,650 --> 00:16:07,480
>> GOOD GIRL.
>> Narrator: ...SHE'S LISTENING
TO ADAM.
598
00:16:07,480 --> 00:16:08,350
>> Narrator: ...SHE'S LISTENING
TO ADAM.
>> DOWN.
599
00:16:08,350 --> 00:16:10,420
TO ADAM.
>> DOWN.
>> THERE YOU GO. GOOD DOWN.
600
00:16:10,420 --> 00:16:11,380
>> DOWN.
>> THERE YOU GO. GOOD DOWN.
GOOD DOWN.
601
00:16:11,390 --> 00:16:13,420
>> THERE YOU GO. GOOD DOWN.
GOOD DOWN.
NOW SHE'S REALLY ENGAGING.
602
00:16:13,420 --> 00:16:14,420
GOOD DOWN.
NOW SHE'S REALLY ENGAGING.
THIS IS GREAT.
603
00:16:14,420 --> 00:16:16,290
NOW SHE'S REALLY ENGAGING.
THIS IS GREAT.
>> Narrator: OUTSIDE, JEAN HAS
604
00:16:16,290 --> 00:16:18,220
THIS IS GREAT.
>> Narrator: OUTSIDE, JEAN HAS
BOBO THE BRAT FOCUSED, AND HE'S
605
00:16:18,230 --> 00:16:20,060
>> Narrator: OUTSIDE, JEAN HAS
BOBO THE BRAT FOCUSED, AND HE'S
FLYING THROUGH ALL HIS LESSONS.
606
00:16:20,060 --> 00:16:21,790
BOBO THE BRAT FOCUSED, AND HE'S
FLYING THROUGH ALL HIS LESSONS.
AND JAMIE'S NOT DOING SO BAD,
607
00:16:21,800 --> 00:16:22,360
FLYING THROUGH ALL HIS LESSONS.
AND JAMIE'S NOT DOING SO BAD,
EITHER.
608
00:16:22,370 --> 00:16:23,210
AND JAMIE'S NOT DOING SO BAD,
EITHER.
>> NICE JOB.
609
00:16:23,200 --> 00:16:24,630
EITHER.
>> NICE JOB.
I TELL YOU -- I'VE SEEN A
610
00:16:24,630 --> 00:16:26,330
>> NICE JOB.
I TELL YOU -- I'VE SEEN A
MILLION GENIUS DOGS GO NOWHERE
611
00:16:26,340 --> 00:16:27,880
I TELL YOU -- I'VE SEEN A
MILLION GENIUS DOGS GO NOWHERE
'CAUSE OF CRAPPY TRAINING.
612
00:16:27,870 --> 00:16:29,640
MILLION GENIUS DOGS GO NOWHERE
'CAUSE OF CRAPPY TRAINING.
>> Narrator: WITH FOUR DAYS OF
613
00:16:29,640 --> 00:16:31,570
'CAUSE OF CRAPPY TRAINING.
>> Narrator: WITH FOUR DAYS OF
TRAINING COMPLETE, OUR ELDERLY
614
00:16:31,570 --> 00:16:33,440
>> Narrator: WITH FOUR DAYS OF
TRAINING COMPLETE, OUR ELDERLY
ALASKAN MALAMUTES HAVE COME A
615
00:16:33,440 --> 00:16:34,870
TRAINING COMPLETE, OUR ELDERLY
ALASKAN MALAMUTES HAVE COME A
LONG WAY.
616
00:16:34,880 --> 00:16:36,280
ALASKAN MALAMUTES HAVE COME A
LONG WAY.
>> GIVE HIM IT.
617
00:16:36,280 --> 00:16:38,540
LONG WAY.
>> GIVE HIM IT.
THAT'S IT. GOOD.
618
00:16:38,550 --> 00:16:39,210
>> GIVE HIM IT.
THAT'S IT. GOOD.
>> GOOD BOY.
619
00:16:39,220 --> 00:16:40,660
THAT'S IT. GOOD.
>> GOOD BOY.
>> Narrator: BUT THE PROOF WILL
620
00:16:40,650 --> 00:16:42,980
>> GOOD BOY.
>> Narrator: BUT THE PROOF WILL
COME IN THE FINAL EXAM WHEN ADAM
621
00:16:42,990 --> 00:16:45,160
>> Narrator: BUT THE PROOF WILL
COME IN THE FINAL EXAM WHEN ADAM
AND CECE GO HEAD-TO-HEAD WITH
622
00:16:45,150 --> 00:16:47,250
COME IN THE FINAL EXAM WHEN ADAM
AND CECE GO HEAD-TO-HEAD WITH
JAMIE AND BOBO IN A SHOW-DOG
623
00:16:47,260 --> 00:16:47,890
AND CECE GO HEAD-TO-HEAD WITH
JAMIE AND BOBO IN A SHOW-DOG
SHOWDOWN.
624
00:16:47,890 --> 00:16:49,520
JAMIE AND BOBO IN A SHOW-DOG
SHOWDOWN.
>> BOBO, YOU'VE GOT TO BEHAVE,
625
00:16:49,530 --> 00:16:51,130
SHOWDOWN.
>> BOBO, YOU'VE GOT TO BEHAVE,
OR WE'RE GONNA MAKE YOU INTO A
626
00:16:51,130 --> 00:16:58,400
>> BOBO, YOU'VE GOT TO BEHAVE,
OR WE'RE GONNA MAKE YOU INTO A
COAT.
627
00:16:58,400 --> 00:16:59,870
OR WE'RE GONNA MAKE YOU INTO A
COAT.
>> Narrator: ADAM AND JAMIE ARE
628
00:16:59,870 --> 00:17:01,200
COAT.
>> Narrator: ADAM AND JAMIE ARE
COMPETING IN THE MYTHBUSTERS
629
00:17:01,200 --> 00:17:03,470
>> Narrator: ADAM AND JAMIE ARE
COMPETING IN THE MYTHBUSTERS
"BEST IN SHOW" DOG TRIAL.
630
00:17:03,470 --> 00:17:05,870
COMPETING IN THE MYTHBUSTERS
"BEST IN SHOW" DOG TRIAL.
THEY'VE GONE HEAD-TO-HEAD TO SEE
631
00:17:05,880 --> 00:17:08,150
"BEST IN SHOW" DOG TRIAL.
THEY'VE GONE HEAD-TO-HEAD TO SEE
WHETHER IT'S REALLY IMPOSSIBLE
632
00:17:08,140 --> 00:17:10,480
THEY'VE GONE HEAD-TO-HEAD TO SEE
WHETHER IT'S REALLY IMPOSSIBLE
TO TEACH AN OLD DOG NEW TRICKS.
633
00:17:10,480 --> 00:17:11,880
WHETHER IT'S REALLY IMPOSSIBLE
TO TEACH AN OLD DOG NEW TRICKS.
>> THIS IS THEIR FINAL EXAM.
634
00:17:11,880 --> 00:17:13,450
TO TEACH AN OLD DOG NEW TRICKS.
>> THIS IS THEIR FINAL EXAM.
WE HAVE SET UP A LITTLE DOG SHOW
635
00:17:13,450 --> 00:17:14,110
>> THIS IS THEIR FINAL EXAM.
WE HAVE SET UP A LITTLE DOG SHOW
PLACE HERE.
636
00:17:14,120 --> 00:17:15,250
WE HAVE SET UP A LITTLE DOG SHOW
PLACE HERE.
WE HAVE A SCORE CARD.
637
00:17:15,250 --> 00:17:16,720
PLACE HERE.
WE HAVE A SCORE CARD.
WE HAVE FIVE TRICKS THAT WE'VE
638
00:17:16,720 --> 00:17:17,450
WE HAVE A SCORE CARD.
WE HAVE FIVE TRICKS THAT WE'VE
TAUGHT THEM.
639
00:17:17,450 --> 00:17:18,890
WE HAVE FIVE TRICKS THAT WE'VE
TAUGHT THEM.
WE'RE GONNA SEE HOW WELL THEY
640
00:17:18,890 --> 00:17:19,350
TAUGHT THEM.
WE'RE GONNA SEE HOW WELL THEY
DO.
641
00:17:19,360 --> 00:17:21,400
WE'RE GONNA SEE HOW WELL THEY
DO.
>> Narrator: WITH MYTHTERN JESS
642
00:17:21,390 --> 00:17:23,390
DO.
>> Narrator: WITH MYTHTERN JESS
IN POSITION AS JUDGE AND JURY,
643
00:17:23,390 --> 00:17:25,460
>> Narrator: WITH MYTHTERN JESS
IN POSITION AS JUDGE AND JURY,
EVERYONE AND EVERY DOG IS READY.
644
00:17:25,460 --> 00:17:27,290
IN POSITION AS JUDGE AND JURY,
EVERYONE AND EVERY DOG IS READY.
>> ALL RIGHT, EVERYBODY, AND
645
00:17:27,300 --> 00:17:29,130
EVERYONE AND EVERY DOG IS READY.
>> ALL RIGHT, EVERYBODY, AND
WELCOME TO THE "OLD DOG, NEW
646
00:17:29,130 --> 00:17:30,400
>> ALL RIGHT, EVERYBODY, AND
WELCOME TO THE "OLD DOG, NEW
TRICK" FINAL EXAM.
647
00:17:30,400 --> 00:17:32,430
WELCOME TO THE "OLD DOG, NEW
TRICK" FINAL EXAM.
ADAM AND CECE, YOU'RE UP FIRST.
648
00:17:32,440 --> 00:17:34,280
TRICK" FINAL EXAM.
ADAM AND CECE, YOU'RE UP FIRST.
LET'S START WITH THE HEEL.
649
00:17:34,270 --> 00:17:35,330
ADAM AND CECE, YOU'RE UP FIRST.
LET'S START WITH THE HEEL.
>> GOOD GIRL.
650
00:17:35,340 --> 00:17:37,400
LET'S START WITH THE HEEL.
>> GOOD GIRL.
>> Narrator: WITH CECE IN GOOD
651
00:17:37,410 --> 00:17:39,510
>> GOOD GIRL.
>> Narrator: WITH CECE IN GOOD
POSITION ALONGSIDE ADAM AND NOT
652
00:17:39,510 --> 00:17:41,640
>> Narrator: WITH CECE IN GOOD
POSITION ALONGSIDE ADAM AND NOT
PULLING ON THE LEAD, JUDGE JESS
653
00:17:41,640 --> 00:17:43,280
POSITION ALONGSIDE ADAM AND NOT
PULLING ON THE LEAD, JUDGE JESS
HANDS OUT FULL MARKS.
654
00:17:43,280 --> 00:17:44,780
PULLING ON THE LEAD, JUDGE JESS
HANDS OUT FULL MARKS.
>> NICE WORK, ADAM.
655
00:17:44,780 --> 00:17:46,780
HANDS OUT FULL MARKS.
>> NICE WORK, ADAM.
>> Narrator: AND THAT'S THE
656
00:17:46,780 --> 00:17:48,710
>> NICE WORK, ADAM.
>> Narrator: AND THAT'S THE
STORY OF CECE'S DAY.
657
00:17:48,720 --> 00:17:50,120
>> Narrator: AND THAT'S THE
STORY OF CECE'S DAY.
>> SIT. GOOD GIRL.
658
00:17:50,120 --> 00:17:52,090
STORY OF CECE'S DAY.
>> SIT. GOOD GIRL.
>> Narrator: SHE OBEDIENTLY
659
00:17:52,090 --> 00:17:54,290
>> SIT. GOOD GIRL.
>> Narrator: SHE OBEDIENTLY
FOLLOWS ALL OF ADAM'S COMMANDS.
660
00:17:54,290 --> 00:17:56,390
>> Narrator: SHE OBEDIENTLY
FOLLOWS ALL OF ADAM'S COMMANDS.
>> DOWN.
661
00:17:56,390 --> 00:17:57,990
FOLLOWS ALL OF ADAM'S COMMANDS.
>> DOWN.
GOOD DOWN.
662
00:17:57,990 --> 00:17:59,690
>> DOWN.
GOOD DOWN.
GOOD DOWN. BACK UP.
663
00:17:59,700 --> 00:18:00,900
GOOD DOWN.
GOOD DOWN. BACK UP.
OKAY. SHAKE.
664
00:18:00,900 --> 00:18:02,400
GOOD DOWN. BACK UP.
OKAY. SHAKE.
GOOD SHAKE. VERY GOOD.
665
00:18:02,400 --> 00:18:04,330
OKAY. SHAKE.
GOOD SHAKE. VERY GOOD.
>> Narrator: PROVING THAT, IN
666
00:18:04,330 --> 00:18:05,500
GOOD SHAKE. VERY GOOD.
>> Narrator: PROVING THAT, IN
JUST ONE WEEK...
667
00:18:05,500 --> 00:18:06,230
>> Narrator: PROVING THAT, IN
JUST ONE WEEK...
>> STAY.
668
00:18:06,240 --> 00:18:08,310
JUST ONE WEEK...
>> STAY.
>> Narrator: ...SHE'S LEARNT ALL
669
00:18:08,300 --> 00:18:10,340
>> STAY.
>> Narrator: ...SHE'S LEARNT ALL
FIVE OF THE NEW TRICKS.
670
00:18:10,340 --> 00:18:12,610
>> Narrator: ...SHE'S LEARNT ALL
FIVE OF THE NEW TRICKS.
>> OKAY. AND EAT IT.
671
00:18:12,610 --> 00:18:16,680
FIVE OF THE NEW TRICKS.
>> OKAY. AND EAT IT.
GOOD GIRL. VERY GOOD GIRL.
672
00:18:16,680 --> 00:18:18,410
>> OKAY. AND EAT IT.
GOOD GIRL. VERY GOOD GIRL.
>> Narrator: THE PRESSURE'S ON.
673
00:18:18,410 --> 00:18:19,550
GOOD GIRL. VERY GOOD GIRL.
>> Narrator: THE PRESSURE'S ON.
JAMIE HATES LOSING.
674
00:18:19,550 --> 00:18:21,150
>> Narrator: THE PRESSURE'S ON.
JAMIE HATES LOSING.
HE'LL BE DETERMINED TO MATCH
675
00:18:21,150 --> 00:18:23,050
JAMIE HATES LOSING.
HE'LL BE DETERMINED TO MATCH
ADAM'S FAULTLESS PERFORMANCE.
676
00:18:23,050 --> 00:18:25,890
HE'LL BE DETERMINED TO MATCH
ADAM'S FAULTLESS PERFORMANCE.
>> DOWN. DOWN.
677
00:18:25,890 --> 00:18:28,090
ADAM'S FAULTLESS PERFORMANCE.
>> DOWN. DOWN.
GOOD. SHAKE.
678
00:18:28,090 --> 00:18:28,860
>> DOWN. DOWN.
GOOD. SHAKE.
GOOD BOY.
679
00:18:28,860 --> 00:18:30,720
GOOD. SHAKE.
GOOD BOY.
>> Narrator: BOBO SUCCEEDS IN
680
00:18:30,730 --> 00:18:32,020
GOOD BOY.
>> Narrator: BOBO SUCCEEDS IN
ALL OF THE TASKS TO
681
00:18:32,030 --> 00:18:33,830
>> Narrator: BOBO SUCCEEDS IN
ALL OF THE TASKS TO
JUDGE JESS'S SATISFACTION...
682
00:18:33,830 --> 00:18:37,030
ALL OF THE TASKS TO
JUDGE JESS'S SATISFACTION...
>> BOBO, STAY. STAY.
683
00:18:37,030 --> 00:18:39,000
JUDGE JESS'S SATISFACTION...
>> BOBO, STAY. STAY.
>> Narrator: ...UNTIL THE STAY.
684
00:18:39,000 --> 00:18:40,870
>> BOBO, STAY. STAY.
>> Narrator: ...UNTIL THE STAY.
MAYBE JAMIE'S FUR-COAT THREAT
685
00:18:40,870 --> 00:18:42,700
>> Narrator: ...UNTIL THE STAY.
MAYBE JAMIE'S FUR-COAT THREAT
BACKFIRED.
686
00:18:42,710 --> 00:18:45,110
MAYBE JAMIE'S FUR-COAT THREAT
BACKFIRED.
>> YOU STAY THERE.
687
00:18:45,110 --> 00:18:46,910
BACKFIRED.
>> YOU STAY THERE.
>> Narrator: BOBO WOULDN'T HOLD
688
00:18:46,910 --> 00:18:48,740
>> YOU STAY THERE.
>> Narrator: BOBO WOULDN'T HOLD
FOR THE REQUIRED 20 SECONDS, BUT
689
00:18:48,740 --> 00:18:50,540
>> Narrator: BOBO WOULDN'T HOLD
FOR THE REQUIRED 20 SECONDS, BUT
JUDGE JESS HAS GENEROUSLY GIVEN
690
00:18:50,550 --> 00:18:54,010
FOR THE REQUIRED 20 SECONDS, BUT
JUDGE JESS HAS GENEROUSLY GIVEN
HIM A 1/2 POINT FOR HIS EFFORTS.
691
00:18:54,020 --> 00:18:55,880
JUDGE JESS HAS GENEROUSLY GIVEN
HIM A 1/2 POINT FOR HIS EFFORTS.
>> 9 1/2 OUT OF 10 AIN'T BAD AT
692
00:18:55,890 --> 00:18:57,730
HIM A 1/2 POINT FOR HIS EFFORTS.
>> 9 1/2 OUT OF 10 AIN'T BAD AT
ALL, SO IT SEEMS TO ME THAT YOU
693
00:18:57,720 --> 00:18:59,520
>> 9 1/2 OUT OF 10 AIN'T BAD AT
ALL, SO IT SEEMS TO ME THAT YOU
CAN, IN FACT, TEACH AN OLD DOG
694
00:18:59,520 --> 00:19:00,420
ALL, SO IT SEEMS TO ME THAT YOU
CAN, IN FACT, TEACH AN OLD DOG
NEW TRICKS.
695
00:19:00,420 --> 00:19:01,350
CAN, IN FACT, TEACH AN OLD DOG
NEW TRICKS.
>> I AGREE.
696
00:19:01,360 --> 00:19:03,290
NEW TRICKS.
>> I AGREE.
THIS ONE'S TOTALLY BUSTED AND
697
00:19:03,290 --> 00:19:05,160
>> I AGREE.
THIS ONE'S TOTALLY BUSTED AND
ONE OF THE MORE CUDDLY MYTHS
698
00:19:05,160 --> 00:19:07,660
THIS ONE'S TOTALLY BUSTED AND
ONE OF THE MORE CUDDLY MYTHS
WE'VE EVER DONE.
699
00:19:07,660 --> 00:19:09,160
ONE OF THE MORE CUDDLY MYTHS
WE'VE EVER DONE.
>> Narrator: WITH OLD DOGS
700
00:19:09,170 --> 00:19:10,740
WE'VE EVER DONE.
>> Narrator: WITH OLD DOGS
BUSTED, ADAM AND JAMIE HAVE
701
00:19:10,730 --> 00:19:15,030
>> Narrator: WITH OLD DOGS
BUSTED, ADAM AND JAMIE HAVE
SNIFFED OUT ANOTHER MUTT MYTH.
702
00:19:15,040 --> 00:19:16,200
BUSTED, ADAM AND JAMIE HAVE
SNIFFED OUT ANOTHER MUTT MYTH.
>> SO, CAN YOU CLEARLY
703
00:19:16,210 --> 00:19:17,750
SNIFFED OUT ANOTHER MUTT MYTH.
>> SO, CAN YOU CLEARLY
COMMUNICATE WHAT CLEVER CANINE
704
00:19:17,740 --> 00:19:19,110
>> SO, CAN YOU CLEARLY
COMMUNICATE WHAT CLEVER CANINE
CONUNDRUM YOU'RE CURRENTLY
705
00:19:19,110 --> 00:19:20,140
COMMUNICATE WHAT CLEVER CANINE
CONUNDRUM YOU'RE CURRENTLY
CONCOCTING?
706
00:19:20,140 --> 00:19:21,010
CONUNDRUM YOU'RE CURRENTLY
CONCOCTING?
>> WHAT?
707
00:19:21,010 --> 00:19:22,580
CONCOCTING?
>> WHAT?
>> WHAT'S THE MYTH?
708
00:19:22,580 --> 00:19:23,340
>> WHAT?
>> WHAT'S THE MYTH?
>> BLOODHOUNDS.
709
00:19:23,350 --> 00:19:24,290
>> WHAT'S THE MYTH?
>> BLOODHOUNDS.
>> WHAT ABOUT THEM?
710
00:19:24,280 --> 00:19:25,680
>> BLOODHOUNDS.
>> WHAT ABOUT THEM?
>> WE'RE GONNA TEST WHETHER YOU
711
00:19:25,680 --> 00:19:27,080
>> WHAT ABOUT THEM?
>> WE'RE GONNA TEST WHETHER YOU
CAN TRICK BLOODHOUNDS LIKE THEY
712
00:19:27,080 --> 00:19:27,980
>> WE'RE GONNA TEST WHETHER YOU
CAN TRICK BLOODHOUNDS LIKE THEY
SHOW IN THE MOVIES.
713
00:19:27,980 --> 00:19:29,120
CAN TRICK BLOODHOUNDS LIKE THEY
SHOW IN THE MOVIES.
>> YOU AND I GET TO PLAY
714
00:19:29,120 --> 00:19:29,720
SHOW IN THE MOVIES.
>> YOU AND I GET TO PLAY
FUGITIVES?
715
00:19:29,720 --> 00:19:30,780
>> YOU AND I GET TO PLAY
FUGITIVES?
>> SOMETHING LIKE THAT.
716
00:19:30,790 --> 00:19:33,890
FUGITIVES?
>> SOMETHING LIKE THAT.
>> OH, COOL!
717
00:19:33,890 --> 00:19:35,920
>> SOMETHING LIKE THAT.
>> OH, COOL!
>> Narrator: BLOODHOUNDS ARE THE
718
00:19:35,930 --> 00:19:37,800
>> OH, COOL!
>> Narrator: BLOODHOUNDS ARE THE
ULTIMATE CANINE SUPERSLEUTHS.
719
00:19:37,790 --> 00:19:39,690
>> Narrator: BLOODHOUNDS ARE THE
ULTIMATE CANINE SUPERSLEUTHS.
USED FOR POLICE WORK ALL OVER
720
00:19:39,700 --> 00:19:41,570
ULTIMATE CANINE SUPERSLEUTHS.
USED FOR POLICE WORK ALL OVER
THE WORLD, THEIR CAPACITY FOR
721
00:19:41,560 --> 00:19:43,630
USED FOR POLICE WORK ALL OVER
THE WORLD, THEIR CAPACITY FOR
SNIFFING OUT A HUMAN TRAIL IS
722
00:19:43,630 --> 00:19:45,400
THE WORLD, THEIR CAPACITY FOR
SNIFFING OUT A HUMAN TRAIL IS
LEGENDARY, AND WHERE THERE'S
723
00:19:45,400 --> 00:19:48,300
SNIFFING OUT A HUMAN TRAIL IS
LEGENDARY, AND WHERE THERE'S
LEGEND, THERE'S MYTH.
724
00:19:48,300 --> 00:19:49,670
LEGENDARY, AND WHERE THERE'S
LEGEND, THERE'S MYTH.
>> SO, WHAT'S THE PLAN WITH THIS
725
00:19:49,670 --> 00:19:50,000
LEGEND, THERE'S MYTH.
>> SO, WHAT'S THE PLAN WITH THIS
ONE?
726
00:19:50,010 --> 00:19:51,350
>> SO, WHAT'S THE PLAN WITH THIS
ONE?
>> WELL, WE GOT TO GET A TRAINED
727
00:19:51,340 --> 00:19:51,940
ONE?
>> WELL, WE GOT TO GET A TRAINED
BLOODHOUND.
728
00:19:51,940 --> 00:19:52,610
>> WELL, WE GOT TO GET A TRAINED
BLOODHOUND.
>> ALL RIGHT.
729
00:19:52,610 --> 00:19:53,940
BLOODHOUND.
>> ALL RIGHT.
AND THEN I GUESS WE JUST RUN HIM
730
00:19:53,940 --> 00:19:55,110
>> ALL RIGHT.
AND THEN I GUESS WE JUST RUN HIM
THROUGH THE PACES OF THINGS
731
00:19:55,110 --> 00:19:56,410
AND THEN I GUESS WE JUST RUN HIM
THROUGH THE PACES OF THINGS
WE'VE SEEN THEM GET TRICKED BY
732
00:19:56,410 --> 00:19:57,680
THROUGH THE PACES OF THINGS
WE'VE SEEN THEM GET TRICKED BY
IN THE MOVIES -- BACKTRACKING,
733
00:19:57,680 --> 00:19:58,880
WE'VE SEEN THEM GET TRICKED BY
IN THE MOVIES -- BACKTRACKING,
RUNNING INTO RIVER, CHANGING
734
00:19:58,880 --> 00:19:59,480
IN THE MOVIES -- BACKTRACKING,
RUNNING INTO RIVER, CHANGING
YOUR SCENT.
735
00:19:59,480 --> 00:20:00,080
RUNNING INTO RIVER, CHANGING
YOUR SCENT.
>> YEAH.
736
00:20:00,080 --> 00:20:01,810
YOUR SCENT.
>> YEAH.
>> ALL RIGHT, WELL, WHICH ONE OF
737
00:20:01,820 --> 00:20:03,180
>> YEAH.
>> ALL RIGHT, WELL, WHICH ONE OF
US SHOULD BE THE RUNNER?
738
00:20:03,190 --> 00:20:04,930
>> ALL RIGHT, WELL, WHICH ONE OF
US SHOULD BE THE RUNNER?
>> WELL, SOMETHING TELLS ME THAT
739
00:20:04,920 --> 00:20:06,920
US SHOULD BE THE RUNNER?
>> WELL, SOMETHING TELLS ME THAT
YOU'D BE BETTER AT LAYING DOWN A
740
00:20:06,920 --> 00:20:08,520
>> WELL, SOMETHING TELLS ME THAT
YOU'D BE BETTER AT LAYING DOWN A
SCENT TRAIL THAN I WOULD.
741
00:20:08,520 --> 00:20:09,660
YOU'D BE BETTER AT LAYING DOWN A
SCENT TRAIL THAN I WOULD.
>> [ Laughing ] OKAY.
742
00:20:09,660 --> 00:20:11,220
SCENT TRAIL THAN I WOULD.
>> [ Laughing ] OKAY.
I'M GONNA SAY YES JUST 'CAUSE I
743
00:20:11,230 --> 00:20:12,020
>> [ Laughing ] OKAY.
I'M GONNA SAY YES JUST 'CAUSE I
WANT TO DO IT.
744
00:20:12,030 --> 00:20:13,490
I'M GONNA SAY YES JUST 'CAUSE I
WANT TO DO IT.
LET'S GET STRAIGHT INTO THIS.
745
00:20:13,500 --> 00:20:15,040
WANT TO DO IT.
LET'S GET STRAIGHT INTO THIS.
>> Narrator: STRAIGHT INTO IT?
746
00:20:15,030 --> 00:20:16,960
LET'S GET STRAIGHT INTO THIS.
>> Narrator: STRAIGHT INTO IT?
SURE.
747
00:20:16,970 --> 00:20:19,130
>> Narrator: STRAIGHT INTO IT?
SURE.
>> CAN YOU GUESS WHAT MY ROLE IS
748
00:20:19,130 --> 00:20:19,770
SURE.
>> CAN YOU GUESS WHAT MY ROLE IS
TODAY?
749
00:20:19,770 --> 00:20:23,970
>> CAN YOU GUESS WHAT MY ROLE IS
TODAY?
I AM THE CHASEE, AND I'M GONNA
750
00:20:23,970 --> 00:20:25,400
TODAY?
I AM THE CHASEE, AND I'M GONNA
GO OVER THERE AND TRY EVERY
751
00:20:25,410 --> 00:20:27,040
I AM THE CHASEE, AND I'M GONNA
GO OVER THERE AND TRY EVERY
TRICK IN THE BOOK TO THROW THESE
752
00:20:27,040 --> 00:20:28,070
GO OVER THERE AND TRY EVERY
TRICK IN THE BOOK TO THROW THESE
DOGS OFF MY TRAIL.
753
00:20:28,080 --> 00:20:29,640
TRICK IN THE BOOK TO THROW THESE
DOGS OFF MY TRAIL.
WE'RE GONNA SEE WHAT WORKS AND
754
00:20:29,650 --> 00:20:31,490
DOGS OFF MY TRAIL.
WE'RE GONNA SEE WHAT WORKS AND
WHAT DOESN'T.
755
00:20:31,480 --> 00:20:32,980
WE'RE GONNA SEE WHAT WORKS AND
WHAT DOESN'T.
>> Narrator: PRISON BREAKEE
756
00:20:32,980 --> 00:20:34,580
WHAT DOESN'T.
>> Narrator: PRISON BREAKEE
ADAM'S ALL SUITED UP TO BE THE
757
00:20:34,580 --> 00:20:36,220
>> Narrator: PRISON BREAKEE
ADAM'S ALL SUITED UP TO BE THE
FUGITIVE, AND HERE'S WHAT HE'S
758
00:20:36,220 --> 00:20:37,650
ADAM'S ALL SUITED UP TO BE THE
FUGITIVE, AND HERE'S WHAT HE'S
FACING.
759
00:20:37,790 --> 00:20:39,060
>> THIS IS MORGAN.
760
00:20:39,050 --> 00:20:40,490
HE'S A 2 1/2-YEAR-OLD
761
00:20:40,490 --> 00:20:42,290
BLOODHOUND, AND HE CURRENTLY
762
00:20:42,290 --> 00:20:44,260
WORKS WITH THE SAN MATEO COUNTY
763
00:20:44,260 --> 00:20:46,230
SHERIFF'S OFFICE CANINE UNIT IN
764
00:20:46,230 --> 00:20:47,490
SAN MATEO.
765
00:20:47,630 --> 00:20:51,960
>> Narrator: MORGAN,
HANDLER MATT, AND JAMIE ARE
GOING TO NEED ALL THEIR TRACKING
766
00:20:51,970 --> 00:20:53,670
HANDLER MATT, AND JAMIE ARE
GOING TO NEED ALL THEIR TRACKING
EXPERIENCE BECAUSE THERE ARE SIX
767
00:20:53,670 --> 00:20:57,070
GOING TO NEED ALL THEIR TRACKING
EXPERIENCE BECAUSE THERE ARE SIX
MYTHS THAT THEY'RE UP AGAINST.
768
00:20:57,070 --> 00:20:59,070
EXPERIENCE BECAUSE THERE ARE SIX
MYTHS THAT THEY'RE UP AGAINST.
SOURCED FROM THE MOVIES AND
769
00:20:59,070 --> 00:21:01,010
MYTHS THAT THEY'RE UP AGAINST.
SOURCED FROM THE MOVIES AND
FAN E-MAILS, EACH ONE WILL
770
00:21:01,010 --> 00:21:03,240
SOURCED FROM THE MOVIES AND
FAN E-MAILS, EACH ONE WILL
SUPPOSEDLY CONFUSE AND CONFOUND
771
00:21:03,250 --> 00:21:06,120
FAN E-MAILS, EACH ONE WILL
SUPPOSEDLY CONFUSE AND CONFOUND
THE TRAILING HOUND.
772
00:21:06,120 --> 00:21:08,090
SUPPOSEDLY CONFUSE AND CONFOUND
THE TRAILING HOUND.
LOOKING MORE LIKE AN EXTRA IN A
773
00:21:08,080 --> 00:21:09,780
THE TRAILING HOUND.
LOOKING MORE LIKE AN EXTRA IN A
GEORGE CLOONEY MOVIE, IT'S
774
00:21:09,790 --> 00:21:11,660
LOOKING MORE LIKE AN EXTRA IN A
GEORGE CLOONEY MOVIE, IT'S
NEARLY TIME TO SAY "OH, ADAM,
775
00:21:11,650 --> 00:21:12,820
GEORGE CLOONEY MOVIE, IT'S
NEARLY TIME TO SAY "OH, ADAM,
WHERE ART THOU?"
776
00:21:12,820 --> 00:21:15,990
NEARLY TIME TO SAY "OH, ADAM,
WHERE ART THOU?"
BUT FIRST, THE PLAN.
777
00:21:15,990 --> 00:21:17,390
WHERE ART THOU?"
BUT FIRST, THE PLAN.
>> NOW, THE DOG AND HIS OWNER
778
00:21:17,390 --> 00:21:18,690
BUT FIRST, THE PLAN.
>> NOW, THE DOG AND HIS OWNER
ARE JUST OVER THERE, SO I'M
779
00:21:18,690 --> 00:21:20,130
>> NOW, THE DOG AND HIS OWNER
ARE JUST OVER THERE, SO I'M
GONNA HAVE TO WHISPER THE NEXT
780
00:21:20,130 --> 00:21:21,660
ARE JUST OVER THERE, SO I'M
GONNA HAVE TO WHISPER THE NEXT
TEST 'CAUSE THEY DON'T KNOW WHAT
781
00:21:21,660 --> 00:21:23,160
GONNA HAVE TO WHISPER THE NEXT
TEST 'CAUSE THEY DON'T KNOW WHAT
THIS IS.
782
00:21:23,170 --> 00:21:25,040
TEST 'CAUSE THEY DON'T KNOW WHAT
THIS IS.
THIS NEXT TEST, I AM GONNA BE
783
00:21:25,030 --> 00:21:26,570
THIS IS.
THIS NEXT TEST, I AM GONNA BE
ZIGZAGGING, I'M GONNA BE
784
00:21:26,570 --> 00:21:28,400
THIS NEXT TEST, I AM GONNA BE
ZIGZAGGING, I'M GONNA BE
DOUBLING BACK ON MY TRAIL, AND
785
00:21:28,400 --> 00:21:30,100
ZIGZAGGING, I'M GONNA BE
DOUBLING BACK ON MY TRAIL, AND
I'M GONNA FINISH OFF WITH A
786
00:21:30,110 --> 00:21:32,010
DOUBLING BACK ON MY TRAIL, AND
I'M GONNA FINISH OFF WITH A
LOVELY CLIMBING OF THE TREE.
787
00:21:32,010 --> 00:21:33,340
I'M GONNA FINISH OFF WITH A
LOVELY CLIMBING OF THE TREE.
>> Narrator: WHOA.
788
00:21:33,340 --> 00:21:35,410
LOVELY CLIMBING OF THE TREE.
>> Narrator: WHOA.
SO LET THE GAMES BEGIN.
789
00:21:35,410 --> 00:21:37,480
>> Narrator: WHOA.
SO LET THE GAMES BEGIN.
ADAM HAS FIVE MINUTES TO GET AS
790
00:21:37,480 --> 00:21:39,580
SO LET THE GAMES BEGIN.
ADAM HAS FIVE MINUTES TO GET AS
FAR AWAY AS HE POSSIBLY CAN FROM
791
00:21:39,580 --> 00:21:41,410
ADAM HAS FIVE MINUTES TO GET AS
FAR AWAY AS HE POSSIBLY CAN FROM
MORGAN, THE HUMAN-SEEKING
792
00:21:41,420 --> 00:21:44,920
FAR AWAY AS HE POSSIBLY CAN FROM
MORGAN, THE HUMAN-SEEKING
MISSILE.
793
00:21:44,920 --> 00:21:48,020
MORGAN, THE HUMAN-SEEKING
MISSILE.
>> OKAY. THAT WAS THE ZIGZAG.
794
00:21:48,020 --> 00:21:49,990
MISSILE.
>> OKAY. THAT WAS THE ZIGZAG.
>> Narrator: ADAM, LOOKING LIKE
795
00:21:49,990 --> 00:21:51,890
>> OKAY. THAT WAS THE ZIGZAG.
>> Narrator: ADAM, LOOKING LIKE
A RECENTLY ESCAPED BENNY HILL
796
00:21:51,890 --> 00:21:53,690
>> Narrator: ADAM, LOOKING LIKE
A RECENTLY ESCAPED BENNY HILL
CHARACTER, LAYS DOWN AS MANY
797
00:21:53,700 --> 00:21:56,630
A RECENTLY ESCAPED BENNY HILL
CHARACTER, LAYS DOWN AS MANY
ZIGS, ZAGS, AND DOUBLE-BACKS AS
798
00:21:56,630 --> 00:21:58,530
CHARACTER, LAYS DOWN AS MANY
ZIGS, ZAGS, AND DOUBLE-BACKS AS
HE CAN BEFORE SCAMPERING UP A
799
00:21:58,530 --> 00:21:59,270
ZIGS, ZAGS, AND DOUBLE-BACKS AS
HE CAN BEFORE SCAMPERING UP A
TREE...
800
00:21:59,270 --> 00:22:00,500
HE CAN BEFORE SCAMPERING UP A
TREE...
>> Hello, team.
801
00:22:00,500 --> 00:22:02,770
TREE...
>> Hello, team.
This is convict one. I'm hidden.
802
00:22:02,770 --> 00:22:04,740
>> Hello, team.
This is convict one. I'm hidden.
>> Narrator: ...WHICH MEANS IT'S
803
00:22:04,740 --> 00:22:06,640
This is convict one. I'm hidden.
>> Narrator: ...WHICH MEANS IT'S
TIME TO RELEASE THE HOUND, AND
804
00:22:06,640 --> 00:22:08,410
>> Narrator: ...WHICH MEANS IT'S
TIME TO RELEASE THE HOUND, AND
MATT'S FIRST MOVE IS TO SHOW
805
00:22:08,410 --> 00:22:09,480
TIME TO RELEASE THE HOUND, AND
MATT'S FIRST MOVE IS TO SHOW
MORGAN WHAT THE
806
00:22:09,480 --> 00:22:11,410
MATT'S FIRST MOVE IS TO SHOW
MORGAN WHAT THE
SEARCH-AND-RESCUE COMMUNITY KNOW
807
00:22:11,410 --> 00:22:12,750
MORGAN WHAT THE
SEARCH-AND-RESCUE COMMUNITY KNOW
AS THE SCENT ARTICLE.
808
00:22:12,750 --> 00:22:13,880
SEARCH-AND-RESCUE COMMUNITY KNOW
AS THE SCENT ARTICLE.
>> SMELL. GET HIM.
809
00:22:13,880 --> 00:22:15,480
AS THE SCENT ARTICLE.
>> SMELL. GET HIM.
>> Narrator: IN ACTUAL FACT,
810
00:22:15,480 --> 00:22:17,020
>> SMELL. GET HIM.
>> Narrator: IN ACTUAL FACT,
IT'S ONE OF ADAM'S UNWASHED
811
00:22:17,020 --> 00:22:17,720
>> Narrator: IN ACTUAL FACT,
IT'S ONE OF ADAM'S UNWASHED
T-SHIRTS.
812
00:22:17,720 --> 00:22:19,220
IT'S ONE OF ADAM'S UNWASHED
T-SHIRTS.
TO GET AN UNDERSTANDING OF
813
00:22:19,220 --> 00:22:21,390
T-SHIRTS.
TO GET AN UNDERSTANDING OF
EXACTLY HOW MORGAN CAN FIND ADAM
814
00:22:21,390 --> 00:22:23,590
TO GET AN UNDERSTANDING OF
EXACTLY HOW MORGAN CAN FIND ADAM
FROM SNIFFING HIS DIRTY LAUNDRY,
815
00:22:23,590 --> 00:22:25,020
EXACTLY HOW MORGAN CAN FIND ADAM
FROM SNIFFING HIS DIRTY LAUNDRY,
LET'S GO TO A GRAPHIC.
816
00:22:25,030 --> 00:22:26,930
FROM SNIFFING HIS DIRTY LAUNDRY,
LET'S GO TO A GRAPHIC.
THE SCENT A BLOODHOUND DETECTS
817
00:22:26,930 --> 00:22:28,790
LET'S GO TO A GRAPHIC.
THE SCENT A BLOODHOUND DETECTS
ARE THE MILLIONS OF SKIN CELLS
818
00:22:28,800 --> 00:22:30,700
THE SCENT A BLOODHOUND DETECTS
ARE THE MILLIONS OF SKIN CELLS
WE'RE CONSTANTLY SHEDDING.
819
00:22:30,700 --> 00:22:32,870
ARE THE MILLIONS OF SKIN CELLS
WE'RE CONSTANTLY SHEDDING.
THESE MINUTE PARTICLES CARRY A
820
00:22:32,870 --> 00:22:35,130
WE'RE CONSTANTLY SHEDDING.
THESE MINUTE PARTICLES CARRY A
PERSON'S UNIQUE SCENT SIGNATURE.
821
00:22:35,140 --> 00:22:37,070
THESE MINUTE PARTICLES CARRY A
PERSON'S UNIQUE SCENT SIGNATURE.
THEY RUB OFF ON ANYTHING WE COME
822
00:22:37,070 --> 00:22:38,940
PERSON'S UNIQUE SCENT SIGNATURE.
THEY RUB OFF ON ANYTHING WE COME
INTO CONTACT WITH, AND WE LEAVE
823
00:22:38,940 --> 00:22:42,710
THEY RUB OFF ON ANYTHING WE COME
INTO CONTACT WITH, AND WE LEAVE
A TRAIL OF THEM WHEREVER WE GO.
824
00:22:42,710 --> 00:22:44,180
INTO CONTACT WITH, AND WE LEAVE
A TRAIL OF THEM WHEREVER WE GO.
ADAM MAY AS WELL HAVE LEFT
825
00:22:44,180 --> 00:22:45,950
A TRAIL OF THEM WHEREVER WE GO.
ADAM MAY AS WELL HAVE LEFT
SIGNPOSTS, BECAUSE WHAT'S
826
00:22:45,950 --> 00:22:48,150
ADAM MAY AS WELL HAVE LEFT
SIGNPOSTS, BECAUSE WHAT'S
IMMEDIATELY STRIKING IS THE PACE
827
00:22:48,150 --> 00:22:49,750
SIGNPOSTS, BECAUSE WHAT'S
IMMEDIATELY STRIKING IS THE PACE
AT WHICH MORGAN WORKS.
828
00:22:49,750 --> 00:22:51,980
IMMEDIATELY STRIKING IS THE PACE
AT WHICH MORGAN WORKS.
MATT AND JAMIE, NOT TO MENTION
829
00:22:51,990 --> 00:22:54,350
AT WHICH MORGAN WORKS.
MATT AND JAMIE, NOT TO MENTION
THE UNFIT CREW, ARE AT FULL PACE
830
00:22:54,360 --> 00:22:55,520
MATT AND JAMIE, NOT TO MENTION
THE UNFIT CREW, ARE AT FULL PACE
TRYING TO KEEP UP.
831
00:22:55,520 --> 00:22:56,590
THE UNFIT CREW, ARE AT FULL PACE
TRYING TO KEEP UP.
>> WHERE IS HE?
832
00:22:56,590 --> 00:22:58,460
TRYING TO KEEP UP.
>> WHERE IS HE?
>> I'M SENSING MAYBE ADAM DID A
833
00:22:58,460 --> 00:22:59,830
>> WHERE IS HE?
>> I'M SENSING MAYBE ADAM DID A
LITTLE DOUBLING BACK.
834
00:22:59,830 --> 00:23:01,530
>> I'M SENSING MAYBE ADAM DID A
LITTLE DOUBLING BACK.
>> Narrator: JAMIE'S ON THE
835
00:23:01,530 --> 00:23:03,360
LITTLE DOUBLING BACK.
>> Narrator: JAMIE'S ON THE
RIGHT TRACK, BUT IT'S MORGAN'S
836
00:23:03,370 --> 00:23:05,010
>> Narrator: JAMIE'S ON THE
RIGHT TRACK, BUT IT'S MORGAN'S
NOSE THAT GOT HIM THERE.
837
00:23:05,000 --> 00:23:07,100
RIGHT TRACK, BUT IT'S MORGAN'S
NOSE THAT GOT HIM THERE.
AND PRETTY SOON OUR POLICE POOCH
838
00:23:07,100 --> 00:23:09,270
NOSE THAT GOT HIM THERE.
AND PRETTY SOON OUR POLICE POOCH
IS BARKING UP THE RIGHT TREE.
839
00:23:09,270 --> 00:23:10,370
AND PRETTY SOON OUR POLICE POOCH
IS BARKING UP THE RIGHT TREE.
>> AWESOME! GOOD BOY!
840
00:23:10,370 --> 00:23:11,170
IS BARKING UP THE RIGHT TREE.
>> AWESOME! GOOD BOY!
WHERE'D HE GO?
841
00:23:11,170 --> 00:23:12,510
>> AWESOME! GOOD BOY!
WHERE'D HE GO?
AWESOME! GOOD BOY!
842
00:23:12,510 --> 00:23:14,110
WHERE'D HE GO?
AWESOME! GOOD BOY!
WHERE IS HE? GOOD BOY.
843
00:23:14,110 --> 00:23:15,980
AWESOME! GOOD BOY!
WHERE IS HE? GOOD BOY.
>> Narrator: SO THAT'S MYTH
844
00:23:15,980 --> 00:23:17,610
WHERE IS HE? GOOD BOY.
>> Narrator: SO THAT'S MYTH
NUMBER ONE BUSTED, AND ADAM IS
845
00:23:17,610 --> 00:23:19,040
>> Narrator: SO THAT'S MYTH
NUMBER ONE BUSTED, AND ADAM IS
ON HIS WAY BACK TO PRISON,
846
00:23:19,050 --> 00:23:20,580
NUMBER ONE BUSTED, AND ADAM IS
ON HIS WAY BACK TO PRISON,
ALTHOUGH HE DOESN'T SEEM ALL
847
00:23:20,580 --> 00:23:21,480
ON HIS WAY BACK TO PRISON,
ALTHOUGH HE DOESN'T SEEM ALL
THAT UPSET.
848
00:23:21,480 --> 00:23:23,620
ALTHOUGH HE DOESN'T SEEM ALL
THAT UPSET.
>> I JUST WANT TO SAY -- IF THIS
849
00:23:23,620 --> 00:23:25,550
THAT UPSET.
>> I JUST WANT TO SAY -- IF THIS
LOOKS LIKE FUN, IT'S TWICE AS
850
00:23:25,550 --> 00:23:27,320
>> I JUST WANT TO SAY -- IF THIS
LOOKS LIKE FUN, IT'S TWICE AS
MUCH FUN AS IT LOOKS LIKE.
851
00:23:27,320 --> 00:23:29,560
LOOKS LIKE FUN, IT'S TWICE AS
MUCH FUN AS IT LOOKS LIKE.
THIS IS LIKE -- WHO HASN'T
852
00:23:29,560 --> 00:23:31,490
MUCH FUN AS IT LOOKS LIKE.
THIS IS LIKE -- WHO HASN'T
WANTED TO TRY THIS?
853
00:23:37,400 --> 00:23:42,200
>> Narrator: PUT A PUPPY IN A
HAT AND GET TO IT YODEL, AND
IT'S NO WONDER THAT DOGS ARE
854
00:23:42,200 --> 00:23:43,400
HAT AND GET TO IT YODEL, AND
IT'S NO WONDER THAT DOGS ARE
A MAN'S BEST FRIEND.
855
00:23:43,410 --> 00:23:45,180
IT'S NO WONDER THAT DOGS ARE
A MAN'S BEST FRIEND.
BUT AS KARI, TORY, AND GRANT ARE
856
00:23:45,170 --> 00:23:46,840
A MAN'S BEST FRIEND.
BUT AS KARI, TORY, AND GRANT ARE
FINDING OUT, THAT'S NOT ALWAYS
857
00:23:46,840 --> 00:23:48,770
BUT AS KARI, TORY, AND GRANT ARE
FINDING OUT, THAT'S NOT ALWAYS
THE CASE.
858
00:23:48,780 --> 00:23:50,740
FINDING OUT, THAT'S NOT ALWAYS
THE CASE.
THEY'RE TESTING MYTHICAL WAYS
859
00:23:50,750 --> 00:23:52,650
THE CASE.
THEY'RE TESTING MYTHICAL WAYS
TO BEAT A VICIOUS GUARD DOG.
860
00:23:52,650 --> 00:23:54,550
THEY'RE TESTING MYTHICAL WAYS
TO BEAT A VICIOUS GUARD DOG.
DISTRACTION BY DINNER PROVED
861
00:23:54,550 --> 00:23:56,550
TO BEAT A VICIOUS GUARD DOG.
DISTRACTION BY DINNER PROVED
SUCCESSFUL, BUT CHANGING THEIR
862
00:23:56,550 --> 00:23:59,050
DISTRACTION BY DINNER PROVED
SUCCESSFUL, BUT CHANGING THEIR
BEHAVIOR WAS A DOG'S BREAKFAST.
863
00:23:59,050 --> 00:24:00,650
SUCCESSFUL, BUT CHANGING THEIR
BEHAVIOR WAS A DOG'S BREAKFAST.
>> SO, THE NEXT THING WE'RE
864
00:24:00,660 --> 00:24:01,790
BEHAVIOR WAS A DOG'S BREAKFAST.
>> SO, THE NEXT THING WE'RE
GONNA MOVE ON TO.
865
00:24:01,790 --> 00:24:02,520
>> SO, THE NEXT THING WE'RE
GONNA MOVE ON TO.
>> SCENTS.
866
00:24:02,520 --> 00:24:03,290
GONNA MOVE ON TO.
>> SCENTS.
>> SCENTS.
867
00:24:03,290 --> 00:24:04,590
>> SCENTS.
>> SCENTS.
>> Both: MAKES "SENSE."
868
00:24:04,590 --> 00:24:06,160
>> SCENTS.
>> Both: MAKES "SENSE."
>> All: AHH!
869
00:24:06,160 --> 00:24:07,530
>> Both: MAKES "SENSE."
>> All: AHH!
>> Narrator: OH-HO-HO!
870
00:24:07,530 --> 00:24:09,260
>> All: AHH!
>> Narrator: OH-HO-HO!
SO THE TEAM ARE GOING TO TEST
871
00:24:09,260 --> 00:24:10,860
>> Narrator: OH-HO-HO!
SO THE TEAM ARE GOING TO TEST
THREE THEORIES FROM THE FAN
872
00:24:10,870 --> 00:24:11,360
SO THE TEAM ARE GOING TO TEST
THREE THEORIES FROM THE FAN
SITE.
873
00:24:11,370 --> 00:24:13,200
THREE THEORIES FROM THE FAN
SITE.
WITH A SPRITZ OF THE SCENT OF A
874
00:24:13,200 --> 00:24:15,070
SITE.
WITH A SPRITZ OF THE SCENT OF A
LACTATING DOG MOTHER, EEWAN WILL
875
00:24:15,070 --> 00:24:17,200
WITH A SPRITZ OF THE SCENT OF A
LACTATING DOG MOTHER, EEWAN WILL
BE A PUPPY IN GRANT'S HANDS.
876
00:24:17,210 --> 00:24:19,210
LACTATING DOG MOTHER, EEWAN WILL
BE A PUPPY IN GRANT'S HANDS.
KARI WILL DOUSE HERSELF IN
877
00:24:19,210 --> 00:24:21,410
BE A PUPPY IN GRANT'S HANDS.
KARI WILL DOUSE HERSELF IN
WOLF URINE TO INTIMIDATE HIM,
878
00:24:21,410 --> 00:24:23,540
KARI WILL DOUSE HERSELF IN
WOLF URINE TO INTIMIDATE HIM,
AND A HINT OF SCENT OF A HOT
879
00:24:23,550 --> 00:24:25,690
WOLF URINE TO INTIMIDATE HIM,
AND A HINT OF SCENT OF A HOT
LADY DOG, AND OUR ALPHA MALE
880
00:24:25,680 --> 00:24:27,880
AND A HINT OF SCENT OF A HOT
LADY DOG, AND OUR ALPHA MALE
WILL BE DISTRACTED ENOUGH FOR
881
00:24:27,880 --> 00:24:30,150
LADY DOG, AND OUR ALPHA MALE
WILL BE DISTRACTED ENOUGH FOR
TORY TO SLIP BY UNNOTICED.
882
00:24:30,150 --> 00:24:32,120
WILL BE DISTRACTED ENOUGH FOR
TORY TO SLIP BY UNNOTICED.
FIRST UP IS GRANT WITH
883
00:24:32,120 --> 00:24:33,790
TORY TO SLIP BY UNNOTICED.
FIRST UP IS GRANT WITH
EAU DE DOG MOTHER.
884
00:24:33,790 --> 00:24:35,960
FIRST UP IS GRANT WITH
EAU DE DOG MOTHER.
>> WHAT'S THE THEORY BEHIND
885
00:24:35,960 --> 00:24:36,620
EAU DE DOG MOTHER.
>> WHAT'S THE THEORY BEHIND
THIS?
886
00:24:36,630 --> 00:24:38,470
>> WHAT'S THE THEORY BEHIND
THIS?
>> WELL, THE LACTATING
887
00:24:38,460 --> 00:24:40,830
THIS?
>> WELL, THE LACTATING
MOTHER SMELL -- THEY SECRETE A
888
00:24:40,830 --> 00:24:43,330
>> WELL, THE LACTATING
MOTHER SMELL -- THEY SECRETE A
PHEROMONE THAT MAKES THE PUPPIES
889
00:24:43,330 --> 00:24:44,560
MOTHER SMELL -- THEY SECRETE A
PHEROMONE THAT MAKES THE PUPPIES
FEEL MORE AT EASE.
890
00:24:44,570 --> 00:24:45,870
PHEROMONE THAT MAKES THE PUPPIES
FEEL MORE AT EASE.
IT CALMS THEM DOWN.
891
00:24:45,870 --> 00:24:47,770
FEEL MORE AT EASE.
IT CALMS THEM DOWN.
>> SO THIS IS SUPPOSED TO CALM
892
00:24:47,770 --> 00:24:49,070
IT CALMS THEM DOWN.
>> SO THIS IS SUPPOSED TO CALM
THE GUARD DOG DOWN?
893
00:24:49,070 --> 00:24:50,040
>> SO THIS IS SUPPOSED TO CALM
THE GUARD DOG DOWN?
>> YEAH.
894
00:24:50,040 --> 00:24:51,400
THE GUARD DOG DOWN?
>> YEAH.
>> Narrator: GRANT AND HIS
895
00:24:51,410 --> 00:24:52,970
>> YEAH.
>> Narrator: GRANT AND HIS
PHEROMONES ENTER THE COMPOUND,
896
00:24:52,980 --> 00:24:54,450
>> Narrator: GRANT AND HIS
PHEROMONES ENTER THE COMPOUND,
BUT EEWAN IS NO ONE'S PUPPY.
897
00:24:54,440 --> 00:24:55,540
PHEROMONES ENTER THE COMPOUND,
BUT EEWAN IS NO ONE'S PUPPY.
>> IT'S NOT WORKING.
898
00:24:55,540 --> 00:24:56,640
BUT EEWAN IS NO ONE'S PUPPY.
>> IT'S NOT WORKING.
>> IT'S NOT WORKING.
899
00:24:56,650 --> 00:24:58,250
>> IT'S NOT WORKING.
>> IT'S NOT WORKING.
>> Narrator: THAT'S ANOTHER ONE
900
00:24:58,250 --> 00:24:59,180
>> IT'S NOT WORKING.
>> Narrator: THAT'S ANOTHER ONE
BUSTED.
901
00:24:59,310 --> 00:25:00,850
WHAT'S NEXT, KARI?
902
00:25:00,980 --> 00:25:05,080
>> NOW, THIS IS A MYTH THAT
QUITE A FEW PEOPLE BELIEVE, SO
I'M REALLY INTERESTED TO SEE IF
903
00:25:05,090 --> 00:25:06,650
QUITE A FEW PEOPLE BELIEVE, SO
I'M REALLY INTERESTED TO SEE IF
IT'S TRUE, SEE IF IT WORKS --
904
00:25:06,660 --> 00:25:08,130
I'M REALLY INTERESTED TO SEE IF
IT'S TRUE, SEE IF IT WORKS --
WOLF URINE.
905
00:25:08,120 --> 00:25:09,760
IT'S TRUE, SEE IF IT WORKS --
WOLF URINE.
[ WOLF HOWLING ]
906
00:25:09,760 --> 00:25:12,420
WOLF URINE.
[ WOLF HOWLING ]
>> NOW, URINE IS A BIG
907
00:25:12,430 --> 00:25:14,030
[ WOLF HOWLING ]
>> NOW, URINE IS A BIG
COMMUNICATOR IN THE CANINE
908
00:25:14,030 --> 00:25:15,830
>> NOW, URINE IS A BIG
COMMUNICATOR IN THE CANINE
WORLD, AS I'M SURE YOU'VE SEEN
909
00:25:15,830 --> 00:25:17,530
COMMUNICATOR IN THE CANINE
WORLD, AS I'M SURE YOU'VE SEEN
DOGS MARKING THEIR TERRITORY
910
00:25:17,530 --> 00:25:18,360
WORLD, AS I'M SURE YOU'VE SEEN
DOGS MARKING THEIR TERRITORY
EVERYWHERE.
911
00:25:18,370 --> 00:25:19,970
DOGS MARKING THEIR TERRITORY
EVERYWHERE.
IMAGINE A WOLF MARKS ITS
912
00:25:19,970 --> 00:25:21,870
EVERYWHERE.
IMAGINE A WOLF MARKS ITS
TERRITORY WHERE A SMALLER DOG
913
00:25:21,870 --> 00:25:23,140
IMAGINE A WOLF MARKS ITS
TERRITORY WHERE A SMALLER DOG
IS.
914
00:25:23,140 --> 00:25:24,700
TERRITORY WHERE A SMALLER DOG
IS.
>> Narrator: BASICALLY, WITH A
915
00:25:24,710 --> 00:25:26,340
IS.
>> Narrator: BASICALLY, WITH A
SPLASH OF STINKY WOLF WEE FRESH
916
00:25:26,340 --> 00:25:27,940
>> Narrator: BASICALLY, WITH A
SPLASH OF STINKY WOLF WEE FRESH
FROM THE INTERNET -- WHERE ELSE
917
00:25:27,940 --> 00:25:29,580
SPLASH OF STINKY WOLF WEE FRESH
FROM THE INTERNET -- WHERE ELSE
DO YOU GET IT? -- KARI'S TRYING
918
00:25:29,580 --> 00:25:31,180
FROM THE INTERNET -- WHERE ELSE
DO YOU GET IT? -- KARI'S TRYING
TO INTIMIDATE EEWAN BY SMELLING
919
00:25:31,180 --> 00:25:32,340
DO YOU GET IT? -- KARI'S TRYING
TO INTIMIDATE EEWAN BY SMELLING
LIKE THE BIG BAD WOLF.
920
00:25:32,350 --> 00:25:32,880
TO INTIMIDATE EEWAN BY SMELLING
LIKE THE BIG BAD WOLF.
>> UGH!
921
00:25:32,880 --> 00:25:33,680
LIKE THE BIG BAD WOLF.
>> UGH!
>> [ LAUGHS ]
922
00:25:33,680 --> 00:25:35,250
>> UGH!
>> [ LAUGHS ]
>> Narrator: AND AT THIS POINT,
923
00:25:35,250 --> 00:25:36,680
>> [ LAUGHS ]
>> Narrator: AND AT THIS POINT,
YOU CAN FEEL LUCKY YOU'RE ON
924
00:25:36,690 --> 00:25:38,560
>> Narrator: AND AT THIS POINT,
YOU CAN FEEL LUCKY YOU'RE ON
THE OTHER SIDE OF THE SCREEN.
925
00:25:38,550 --> 00:25:39,750
YOU CAN FEEL LUCKY YOU'RE ON
THE OTHER SIDE OF THE SCREEN.
>> THAT'S STRONG.
926
00:25:39,760 --> 00:25:40,430
THE OTHER SIDE OF THE SCREEN.
>> THAT'S STRONG.
>> HOO!
927
00:25:40,420 --> 00:25:42,390
>> THAT'S STRONG.
>> HOO!
>> Narrator: BUT WILL OUR GUARD
928
00:25:42,390 --> 00:25:44,220
>> HOO!
>> Narrator: BUT WILL OUR GUARD
DOG BE SCARED OFF?
929
00:25:44,230 --> 00:25:45,720
>> Narrator: BUT WILL OUR GUARD
DOG BE SCARED OFF?
>> OH, OH, OH.
930
00:25:45,730 --> 00:25:47,230
DOG BE SCARED OFF?
>> OH, OH, OH.
>> WAIT, WAIT.
931
00:25:47,230 --> 00:25:47,790
>> OH, OH, OH.
>> WAIT, WAIT.
OH!
932
00:25:47,800 --> 00:25:49,230
>> WAIT, WAIT.
OH!
OH, IT'S WORKING!
933
00:25:49,230 --> 00:25:50,260
OH!
OH, IT'S WORKING!
>> YEAH!
934
00:25:50,270 --> 00:25:51,470
OH, IT'S WORKING!
>> YEAH!
>> NO WAY!
935
00:25:51,470 --> 00:25:53,100
>> YEAH!
>> NO WAY!
>> OH, NO, NO.
936
00:25:53,100 --> 00:25:54,570
>> NO WAY!
>> OH, NO, NO.
>> Narrator: INSTEAD OF
937
00:25:54,570 --> 00:25:56,340
>> OH, NO, NO.
>> Narrator: INSTEAD OF
IMMEDIATELY TAKING A PIECE OF
938
00:25:56,340 --> 00:25:58,100
>> Narrator: INSTEAD OF
IMMEDIATELY TAKING A PIECE OF
KARI, EEWAN HESITATED, BUT IN
939
00:25:58,110 --> 00:25:59,840
IMMEDIATELY TAKING A PIECE OF
KARI, EEWAN HESITATED, BUT IN
THE END, HE WASN'T FOOLED BY
940
00:25:59,840 --> 00:26:01,710
KARI, EEWAN HESITATED, BUT IN
THE END, HE WASN'T FOOLED BY
KARI IN THE WOLF'S URINE-SOAKED
941
00:26:01,710 --> 00:26:02,440
THE END, HE WASN'T FOOLED BY
KARI IN THE WOLF'S URINE-SOAKED
CLOTHING.
942
00:26:02,440 --> 00:26:04,180
KARI IN THE WOLF'S URINE-SOAKED
CLOTHING.
>> IF YOU WOULD TAKE A BATH IN
943
00:26:04,180 --> 00:26:05,740
CLOTHING.
>> IF YOU WOULD TAKE A BATH IN
WOLF PEE, YOU MIGHT SURVIVE
944
00:26:05,750 --> 00:26:07,480
>> IF YOU WOULD TAKE A BATH IN
WOLF PEE, YOU MIGHT SURVIVE
BEING ATTACKED BY A GUARD DOG.
945
00:26:07,480 --> 00:26:09,180
WOLF PEE, YOU MIGHT SURVIVE
BEING ATTACKED BY A GUARD DOG.
>> BUT I WOULD DEFINITELY SAY
946
00:26:09,180 --> 00:26:10,750
BEING ATTACKED BY A GUARD DOG.
>> BUT I WOULD DEFINITELY SAY
PLAUSIBLE BECAUSE THERE WAS
947
00:26:10,750 --> 00:26:12,250
>> BUT I WOULD DEFINITELY SAY
PLAUSIBLE BECAUSE THERE WAS
SERIOUS HESITATION THERE.
948
00:26:12,250 --> 00:26:14,120
PLAUSIBLE BECAUSE THERE WAS
SERIOUS HESITATION THERE.
>> Narrator: NEXT, AND THE GUYS
949
00:26:14,120 --> 00:26:15,920
SERIOUS HESITATION THERE.
>> Narrator: NEXT, AND THE GUYS
ARE GOING TO TRY AND DISTRACT
950
00:26:15,920 --> 00:26:17,790
>> Narrator: NEXT, AND THE GUYS
ARE GOING TO TRY AND DISTRACT
EEWAN WITH EAU DE HOT LADY DOG.
951
00:26:17,790 --> 00:26:19,430
ARE GOING TO TRY AND DISTRACT
EEWAN WITH EAU DE HOT LADY DOG.
>> THIS IS "FRESH FROM THE
952
00:26:19,430 --> 00:26:21,430
EEWAN WITH EAU DE HOT LADY DOG.
>> THIS IS "FRESH FROM THE
KENNEL" "BITCH IN HEAT" URINE.
953
00:26:21,430 --> 00:26:23,060
>> THIS IS "FRESH FROM THE
KENNEL" "BITCH IN HEAT" URINE.
>> Narrator: MMM. TASTY.
954
00:26:23,070 --> 00:26:24,510
KENNEL" "BITCH IN HEAT" URINE.
>> Narrator: MMM. TASTY.
BUT WHAT'S THE PLAN?
955
00:26:24,500 --> 00:26:26,600
>> Narrator: MMM. TASTY.
BUT WHAT'S THE PLAN?
>> THE THEORY IS THAT THAT SCENT
956
00:26:26,600 --> 00:26:27,830
BUT WHAT'S THE PLAN?
>> THE THEORY IS THAT THAT SCENT
WILL ATTRACT HIM.
957
00:26:27,840 --> 00:26:29,600
>> THE THEORY IS THAT THAT SCENT
WILL ATTRACT HIM.
HE'LL THINK THAT THERE'S A
958
00:26:29,610 --> 00:26:31,550
WILL ATTRACT HIM.
HE'LL THINK THAT THERE'S A
FEMALE DOG PRESENT, AND HE'LL
959
00:26:31,540 --> 00:26:34,510
HE'LL THINK THAT THERE'S A
FEMALE DOG PRESENT, AND HE'LL
WANT TO GO...GET NASTY.
960
00:26:34,510 --> 00:26:36,210
FEMALE DOG PRESENT, AND HE'LL
WANT TO GO...GET NASTY.
AND THEN I WILL SNEAK BY HIM
961
00:26:36,210 --> 00:26:37,840
WANT TO GO...GET NASTY.
AND THEN I WILL SNEAK BY HIM
WHILE HE'S LOOKING FOR THAT
962
00:26:37,850 --> 00:26:38,440
AND THEN I WILL SNEAK BY HIM
WHILE HE'S LOOKING FOR THAT
FEMALE.
963
00:26:38,450 --> 00:26:39,850
WHILE HE'S LOOKING FOR THAT
FEMALE.
>> Narrator: KARI WAFTS THE
964
00:26:39,850 --> 00:26:41,350
FEMALE.
>> Narrator: KARI WAFTS THE
TEMPTING ODOR UNDER THE GUARD
965
00:26:41,350 --> 00:26:42,250
>> Narrator: KARI WAFTS THE
TEMPTING ODOR UNDER THE GUARD
DOG'S NOSE.
966
00:26:42,250 --> 00:26:43,180
TEMPTING ODOR UNDER THE GUARD
DOG'S NOSE.
>> OH, YEAH.
967
00:26:43,190 --> 00:26:45,230
DOG'S NOSE.
>> OH, YEAH.
>> Narrator: AND SUDDENLY EEWAN
968
00:26:45,220 --> 00:26:47,050
>> OH, YEAH.
>> Narrator: AND SUDDENLY EEWAN
HAS HIS MIND ON ANOTHER JOB.
969
00:26:47,060 --> 00:26:48,460
>> Narrator: AND SUDDENLY EEWAN
HAS HIS MIND ON ANOTHER JOB.
>> COME ON, BIG BOY.
970
00:26:48,460 --> 00:26:50,220
HAS HIS MIND ON ANOTHER JOB.
>> COME ON, BIG BOY.
COME OVER HERE. YOU SMELL THAT?
971
00:26:50,230 --> 00:26:51,830
>> COME ON, BIG BOY.
COME OVER HERE. YOU SMELL THAT?
>> Narrator: HE'S DEFINITELY
972
00:26:51,830 --> 00:26:53,790
COME OVER HERE. YOU SMELL THAT?
>> Narrator: HE'S DEFINITELY
INTERESTED, AND KARI UPS THE
973
00:26:53,800 --> 00:26:55,870
>> Narrator: HE'S DEFINITELY
INTERESTED, AND KARI UPS THE
STAKES WITH A URINE-SOAKED RAG
974
00:26:55,860 --> 00:26:57,760
INTERESTED, AND KARI UPS THE
STAKES WITH A URINE-SOAKED RAG
AND A LITTLE TRAIL OF SCENT
975
00:26:57,770 --> 00:26:59,300
STAKES WITH A URINE-SOAKED RAG
AND A LITTLE TRAIL OF SCENT
ALONG THE FENCE LINE.
976
00:26:59,300 --> 00:27:01,200
AND A LITTLE TRAIL OF SCENT
ALONG THE FENCE LINE.
TORY TIPPY-TOES INSIDE, AND
977
00:27:01,200 --> 00:27:03,370
ALONG THE FENCE LINE.
TORY TIPPY-TOES INSIDE, AND
INCREDIBLY, THE PLAN APPEARS TO
978
00:27:03,370 --> 00:27:05,470
TORY TIPPY-TOES INSIDE, AND
INCREDIBLY, THE PLAN APPEARS TO
BE WORKING.
979
00:27:05,470 --> 00:27:07,270
INCREDIBLY, THE PLAN APPEARS TO
BE WORKING.
EEWAN, OBLIVIOUS TO THE
980
00:27:07,280 --> 00:27:09,690
BE WORKING.
EEWAN, OBLIVIOUS TO THE
INTRUDER, IS SIMPLY THINKING HOT
981
00:27:09,680 --> 00:27:10,880
EEWAN, OBLIVIOUS TO THE
INTRUDER, IS SIMPLY THINKING HOT
LADY DOG THOUGHTS.
982
00:27:10,880 --> 00:27:12,780
INTRUDER, IS SIMPLY THINKING HOT
LADY DOG THOUGHTS.
>> LOOK AT THE DROOL COMING OFF
983
00:27:12,780 --> 00:27:13,680
LADY DOG THOUGHTS.
>> LOOK AT THE DROOL COMING OFF
OF THAT DOG.
984
00:27:13,680 --> 00:27:16,020
>> LOOK AT THE DROOL COMING OFF
OF THAT DOG.
THOSE CHOPS ARE SOAKED.
985
00:27:16,020 --> 00:27:17,580
OF THAT DOG.
THOSE CHOPS ARE SOAKED.
>> I CAN'T BELIEVE IT.
986
00:27:17,590 --> 00:27:19,620
THOSE CHOPS ARE SOAKED.
>> I CAN'T BELIEVE IT.
WE JUST DID BITCH IN HEAT, AND
987
00:27:19,620 --> 00:27:20,490
>> I CAN'T BELIEVE IT.
WE JUST DID BITCH IN HEAT, AND
IT WORKED.
988
00:27:20,490 --> 00:27:22,550
WE JUST DID BITCH IN HEAT, AND
IT WORKED.
THE DOG WAS TOTALLY DISTRACTED.
989
00:27:22,560 --> 00:27:24,420
IT WORKED.
THE DOG WAS TOTALLY DISTRACTED.
HE HAD HIS FACE DOWN IN THE
990
00:27:24,430 --> 00:27:25,490
THE DOG WAS TOTALLY DISTRACTED.
HE HAD HIS FACE DOWN IN THE
URINE THE WHOLE TIME.
991
00:27:25,490 --> 00:27:26,960
HE HAD HIS FACE DOWN IN THE
URINE THE WHOLE TIME.
EVERY ONCE IN A WHILE, HE WOULD
992
00:27:26,960 --> 00:27:28,460
URINE THE WHOLE TIME.
EVERY ONCE IN A WHILE, HE WOULD
LOOK UP, CHECK ME OUT, SEE WHAT
993
00:27:28,460 --> 00:27:29,900
EVERY ONCE IN A WHILE, HE WOULD
LOOK UP, CHECK ME OUT, SEE WHAT
I WAS DOING, BUT THEN HE WOULD
994
00:27:29,900 --> 00:27:30,960
LOOK UP, CHECK ME OUT, SEE WHAT
I WAS DOING, BUT THEN HE WOULD
GO BACK TO THE URINE.
995
00:27:30,970 --> 00:27:32,460
I WAS DOING, BUT THEN HE WOULD
GO BACK TO THE URINE.
I JUST SLOWLY WALKED OVER TO THE
996
00:27:32,470 --> 00:27:34,670
GO BACK TO THE URINE.
I JUST SLOWLY WALKED OVER TO THE
SAFE, GOT THE JEWELS, AND SLOWLY
997
00:27:34,670 --> 00:27:35,600
I JUST SLOWLY WALKED OVER TO THE
SAFE, GOT THE JEWELS, AND SLOWLY
WALKED OUT.
998
00:27:35,600 --> 00:27:37,200
SAFE, GOT THE JEWELS, AND SLOWLY
WALKED OUT.
I MEAN, HE DIDN'T EVEN ACT LIKE
999
00:27:37,210 --> 00:27:38,780
WALKED OUT.
I MEAN, HE DIDN'T EVEN ACT LIKE
HE WAS GONNA TRY TO ATTACK ME.
1000
00:27:38,770 --> 00:27:42,940
I MEAN, HE DIDN'T EVEN ACT LIKE
HE WAS GONNA TRY TO ATTACK ME.
IT WAS PRETTY IMPRESSIVE.
1001
00:27:42,940 --> 00:27:44,880
HE WAS GONNA TRY TO ATTACK ME.
IT WAS PRETTY IMPRESSIVE.
>> YEAH!
1002
00:27:44,880 --> 00:27:45,740
IT WAS PRETTY IMPRESSIVE.
>> YEAH!
>> YEAH!
1003
00:27:45,750 --> 00:27:46,980
>> YEAH!
>> YEAH!
>> IT WORKED!
1004
00:27:46,980 --> 00:27:48,450
>> YEAH!
>> IT WORKED!
>> BITCH IN HEAT.
1005
00:27:48,450 --> 00:27:49,720
>> IT WORKED!
>> BITCH IN HEAT.
GIVE IT UP.
1006
00:27:49,720 --> 00:27:50,720
>> BITCH IN HEAT.
GIVE IT UP.
>> NICE.
1007
00:27:50,720 --> 00:27:53,450
GIVE IT UP.
>> NICE.
>> Narrator: WHILE TORY SHAKES
1008
00:27:53,460 --> 00:27:55,760
>> NICE.
>> Narrator: WHILE TORY SHAKES
HIS BOOTY AFTER SECURING THE...
1009
00:27:55,760 --> 00:27:57,860
>> Narrator: WHILE TORY SHAKES
HIS BOOTY AFTER SECURING THE...
BOOTY, THE FINAL RESULTS FOR
1010
00:27:57,860 --> 00:28:00,290
HIS BOOTY AFTER SECURING THE...
BOOTY, THE FINAL RESULTS FOR
BEATING THE GUARD DOG ARE IN.
1011
00:28:00,300 --> 00:28:02,910
BOOTY, THE FINAL RESULTS FOR
BEATING THE GUARD DOG ARE IN.
BUT THIS SHAGGY DOG STORY AIN'T
1012
00:28:02,900 --> 00:28:07,030
BEATING THE GUARD DOG ARE IN.
BUT THIS SHAGGY DOG STORY AIN'T
OVER YET.
1013
00:28:07,170 --> 00:28:09,270
MANY MYTHBUSTERS MOONS AGO, IN
1014
00:28:09,270 --> 00:28:11,370
THE STORY OF THE SALSA ESCAPE,
1015
00:28:11,370 --> 00:28:13,610
ADAM PROVED THAT HE'S A DAB HAND
1016
00:28:13,610 --> 00:28:15,340
AT LITERALLY BREAKING OUT OF
1017
00:28:15,340 --> 00:28:16,440
PRISON.
1018
00:28:16,580 --> 00:28:21,210
>> AND I ESCAPED!
>> Narrator: BUT NOW THE TEAM IS
TESTING THE MYTH THAT, ON THE
1019
00:28:21,220 --> 00:28:22,350
>> Narrator: BUT NOW THE TEAM IS
TESTING THE MYTH THAT, ON THE
RESULTING MANHUNT...
1020
00:28:22,350 --> 00:28:23,950
TESTING THE MYTH THAT, ON THE
RESULTING MANHUNT...
>> YEAH, ZIGZAGGING DIDN'T WORK
1021
00:28:23,950 --> 00:28:24,480
RESULTING MANHUNT...
>> YEAH, ZIGZAGGING DIDN'T WORK
AT ALL.
1022
00:28:24,490 --> 00:28:26,090
>> YEAH, ZIGZAGGING DIDN'T WORK
AT ALL.
>> Narrator: ...THE BLOODHOUNDS
1023
00:28:26,090 --> 00:28:27,390
AT ALL.
>> Narrator: ...THE BLOODHOUNDS
CAN BE FOILED WITH A FEW
1024
00:28:27,390 --> 00:28:32,260
>> Narrator: ...THE BLOODHOUNDS
CAN BE FOILED WITH A FEW
FIENDISH TRICKS.
1025
00:28:32,260 --> 00:28:33,690
CAN BE FOILED WITH A FEW
FIENDISH TRICKS.
>> SO, GENTLEMEN, THIS IS LIKE A
1026
00:28:33,700 --> 00:28:34,770
FIENDISH TRICKS.
>> SO, GENTLEMEN, THIS IS LIKE A
GAME OF HIDE-AND-SEEK.
1027
00:28:34,760 --> 00:28:35,690
>> SO, GENTLEMEN, THIS IS LIKE A
GAME OF HIDE-AND-SEEK.
JUST FACE THE TREE.
1028
00:28:35,700 --> 00:28:37,130
GAME OF HIDE-AND-SEEK.
JUST FACE THE TREE.
JAMIE, LET ME KNOW EVERY MINUTE,
1029
00:28:37,130 --> 00:28:38,500
JUST FACE THE TREE.
JAMIE, LET ME KNOW EVERY MINUTE,
YOU KNOW, THAT I'M GONE, UP TO
1030
00:28:38,500 --> 00:28:39,470
JAMIE, LET ME KNOW EVERY MINUTE,
YOU KNOW, THAT I'M GONE, UP TO
FIVE MINUTES, OKAY?
1031
00:28:39,470 --> 00:28:39,970
YOU KNOW, THAT I'M GONE, UP TO
FIVE MINUTES, OKAY?
>> OKAY.
1032
00:28:39,970 --> 00:28:41,330
FIVE MINUTES, OKAY?
>> OKAY.
>> AND TRY AND NOT LET THE DOG
1033
00:28:41,340 --> 00:28:42,300
>> OKAY.
>> AND TRY AND NOT LET THE DOG
SEE WHERE I'M GOING.
1034
00:28:42,300 --> 00:28:43,340
>> AND TRY AND NOT LET THE DOG
SEE WHERE I'M GOING.
>> OKAY.
1035
00:28:43,340 --> 00:28:44,670
SEE WHERE I'M GOING.
>> OKAY.
LOOK AT THE TREE.
1036
00:28:44,670 --> 00:28:46,540
>> OKAY.
LOOK AT THE TREE.
>> Narrator: AND HE'S OFF.
1037
00:28:46,540 --> 00:28:48,640
LOOK AT THE TREE.
>> Narrator: AND HE'S OFF.
WITH A FIVE-MINUTE HEAD START,
1038
00:28:48,640 --> 00:28:50,440
>> Narrator: AND HE'S OFF.
WITH A FIVE-MINUTE HEAD START,
ADAM ATTEMPTS TO LOSE HIS
1039
00:28:50,450 --> 00:28:52,420
WITH A FIVE-MINUTE HEAD START,
ADAM ATTEMPTS TO LOSE HIS
PURSUERS WITH MULTIPLE RIVER
1040
00:28:52,410 --> 00:28:53,310
ADAM ATTEMPTS TO LOSE HIS
PURSUERS WITH MULTIPLE RIVER
CROSSINGS.
1041
00:28:53,320 --> 00:28:55,290
PURSUERS WITH MULTIPLE RIVER
CROSSINGS.
AND JUST LIKE THE MOVIES, HE
1042
00:28:55,280 --> 00:28:57,450
CROSSINGS.
AND JUST LIKE THE MOVIES, HE
MAKES HIS WAY UP ONE STREAM FOR
1043
00:28:57,450 --> 00:28:59,650
AND JUST LIKE THE MOVIES, HE
MAKES HIS WAY UP ONE STREAM FOR
AT LEAST 100 FEET BEFORE GETTING
1044
00:28:59,650 --> 00:29:02,090
MAKES HIS WAY UP ONE STREAM FOR
AT LEAST 100 FEET BEFORE GETTING
BACK TO DRY LAND.
1045
00:29:02,090 --> 00:29:04,690
AT LEAST 100 FEET BEFORE GETTING
BACK TO DRY LAND.
BUT DID HIS TACTIC WASH AWAY THE
1046
00:29:04,690 --> 00:29:05,490
BACK TO DRY LAND.
BUT DID HIS TACTIC WASH AWAY THE
TRAIL?
1047
00:29:05,490 --> 00:29:07,890
BUT DID HIS TACTIC WASH AWAY THE
TRAIL?
AT THE FIRST WATERY OBSTACLE,
1048
00:29:07,900 --> 00:29:09,730
TRAIL?
AT THE FIRST WATERY OBSTACLE,
THE EVIDENCE IS NO...
1049
00:29:09,730 --> 00:29:11,000
AT THE FIRST WATERY OBSTACLE,
THE EVIDENCE IS NO...
>> OH, GREAT.
1050
00:29:11,000 --> 00:29:12,770
THE EVIDENCE IS NO...
>> OH, GREAT.
>> Narrator: ...BECAUSE MORGAN
1051
00:29:12,770 --> 00:29:14,000
>> OH, GREAT.
>> Narrator: ...BECAUSE MORGAN
DOESN'T EVEN PAUSE.
1052
00:29:14,000 --> 00:29:15,830
>> Narrator: ...BECAUSE MORGAN
DOESN'T EVEN PAUSE.
HE'S FOLLOWING AND FINDING ADAM
1053
00:29:15,840 --> 00:29:18,670
DOESN'T EVEN PAUSE.
HE'S FOLLOWING AND FINDING ADAM
LIKE HE HAS A HOMING DEVICE.
1054
00:29:18,670 --> 00:29:20,770
HE'S FOLLOWING AND FINDING ADAM
LIKE HE HAS A HOMING DEVICE.
>> THAT'S A GOOD BOY!
1055
00:29:20,780 --> 00:29:24,080
LIKE HE HAS A HOMING DEVICE.
>> THAT'S A GOOD BOY!
THAT'S A GOOD BOY!
1056
00:29:24,080 --> 00:29:25,580
>> THAT'S A GOOD BOY!
THAT'S A GOOD BOY!
>> NO WAY!
1057
00:29:25,580 --> 00:29:27,850
THAT'S A GOOD BOY!
>> NO WAY!
THAT'S IMPOSSIBLE!
1058
00:29:27,850 --> 00:29:29,950
>> NO WAY!
THAT'S IMPOSSIBLE!
>> WHAT A GOOD BOY YOU ARE.
1059
00:29:29,950 --> 00:29:33,520
THAT'S IMPOSSIBLE!
>> WHAT A GOOD BOY YOU ARE.
>> DUDE, THAT TOOK HIM LESS TIME
1060
00:29:33,520 --> 00:29:34,990
>> WHAT A GOOD BOY YOU ARE.
>> DUDE, THAT TOOK HIM LESS TIME
THAN THE FIRST TWO TESTS.
1061
00:29:34,990 --> 00:29:36,590
>> DUDE, THAT TOOK HIM LESS TIME
THAN THE FIRST TWO TESTS.
>> YOU'RE JUST A STINKY GUY.
1062
00:29:36,590 --> 00:29:37,560
THAN THE FIRST TWO TESTS.
>> YOU'RE JUST A STINKY GUY.
WHAT CAN I SAY?
1063
00:29:37,560 --> 00:29:38,420
>> YOU'RE JUST A STINKY GUY.
WHAT CAN I SAY?
>> [ LAUGHS ]
1064
00:29:38,430 --> 00:29:39,060
WHAT CAN I SAY?
>> [ LAUGHS ]
>> [ LAUGHS ]
1065
00:29:39,060 --> 00:29:40,260
>> [ LAUGHS ]
>> [ LAUGHS ]
>> I GUESS ALL THE SWEAT FROM
1066
00:29:40,260 --> 00:29:41,360
>> [ LAUGHS ]
>> I GUESS ALL THE SWEAT FROM
RUNNING EQUALS, YOU KNOW, A
1067
00:29:41,360 --> 00:29:42,490
>> I GUESS ALL THE SWEAT FROM
RUNNING EQUALS, YOU KNOW, A
BUNCH OF FEAR PHEROMONES OR
1068
00:29:42,500 --> 00:29:43,030
RUNNING EQUALS, YOU KNOW, A
BUNCH OF FEAR PHEROMONES OR
SOMETHING.
1069
00:29:43,030 --> 00:29:44,260
BUNCH OF FEAR PHEROMONES OR
SOMETHING.
MAN, THAT'S INCREDIBLE.
1070
00:29:44,270 --> 00:29:45,100
SOMETHING.
MAN, THAT'S INCREDIBLE.
>> [ LAUGHS ]
1071
00:29:45,100 --> 00:29:46,700
MAN, THAT'S INCREDIBLE.
>> [ LAUGHS ]
>> IT'S A DOG-EAT-CONVICT WORLD
1072
00:29:46,700 --> 00:29:47,370
>> [ LAUGHS ]
>> IT'S A DOG-EAT-CONVICT WORLD
OUT THERE.
1073
00:29:47,370 --> 00:29:48,170
>> IT'S A DOG-EAT-CONVICT WORLD
OUT THERE.
>> [ LAUGHS ]
1074
00:29:48,170 --> 00:29:50,100
OUT THERE.
>> [ LAUGHS ]
AT THIS POINT, THE WATER DOESN'T
1075
00:29:50,110 --> 00:29:52,010
>> [ LAUGHS ]
AT THIS POINT, THE WATER DOESN'T
LOOK LIKE A TERRIBLY GOOD THING
1076
00:29:52,010 --> 00:29:53,740
AT THIS POINT, THE WATER DOESN'T
LOOK LIKE A TERRIBLY GOOD THING
TO TRY AND USE BECAUSE, FROM
1077
00:29:53,740 --> 00:29:55,710
LOOK LIKE A TERRIBLY GOOD THING
TO TRY AND USE BECAUSE, FROM
WHAT WE'VE LEARNED ABOUT TALKING
1078
00:29:55,710 --> 00:29:57,640
TO TRY AND USE BECAUSE, FROM
WHAT WE'VE LEARNED ABOUT TALKING
WITH THESE GUYS AND WHAT WE JUST
1079
00:29:57,650 --> 00:29:59,440
WHAT WE'VE LEARNED ABOUT TALKING
WITH THESE GUYS AND WHAT WE JUST
SAW, WATER ACTUALLY LIKES THE
1080
00:29:59,450 --> 00:30:00,010
WITH THESE GUYS AND WHAT WE JUST
SAW, WATER ACTUALLY LIKES THE
SCENT.
1081
00:30:00,020 --> 00:30:03,260
SAW, WATER ACTUALLY LIKES THE
SCENT.
THE SCENT IS, YOU KNOW, KIND OF
1082
00:30:03,250 --> 00:30:04,720
SCENT.
THE SCENT IS, YOU KNOW, KIND OF
HYDROPHILIC, APPARENTLY.
1083
00:30:04,720 --> 00:30:06,290
THE SCENT IS, YOU KNOW, KIND OF
HYDROPHILIC, APPARENTLY.
IT LIKES TO COLLECT IN LOW
1084
00:30:06,290 --> 00:30:08,120
HYDROPHILIC, APPARENTLY.
IT LIKES TO COLLECT IN LOW
AREAS, LIKE WHERE THE WATER IS.
1085
00:30:08,120 --> 00:30:09,860
IT LIKES TO COLLECT IN LOW
AREAS, LIKE WHERE THE WATER IS.
WATER'S NO GUARANTEE THAT THE
1086
00:30:09,860 --> 00:30:11,220
AREAS, LIKE WHERE THE WATER IS.
WATER'S NO GUARANTEE THAT THE
SCENT'S GONNA GO AWAY.
1087
00:30:11,230 --> 00:30:13,060
WATER'S NO GUARANTEE THAT THE
SCENT'S GONNA GO AWAY.
>> Narrator: INCREDIBLY, THAT'S
1088
00:30:13,060 --> 00:30:13,560
SCENT'S GONNA GO AWAY.
>> Narrator: INCREDIBLY, THAT'S
TRUE.
1089
00:30:13,560 --> 00:30:15,090
>> Narrator: INCREDIBLY, THAT'S
TRUE.
AS LONG AS THE WATER IS
1090
00:30:15,100 --> 00:30:17,130
TRUE.
AS LONG AS THE WATER IS
SLOW-MOVING OR STILL, IT HAS THE
1091
00:30:17,130 --> 00:30:19,000
AS LONG AS THE WATER IS
SLOW-MOVING OR STILL, IT HAS THE
POTENTIAL TO RETAIN THE TRAIL
1092
00:30:19,000 --> 00:30:20,400
SLOW-MOVING OR STILL, IT HAS THE
POTENTIAL TO RETAIN THE TRAIL
BETTER THAN DRY LAND.
1093
00:30:20,400 --> 00:30:22,430
POTENTIAL TO RETAIN THE TRAIL
BETTER THAN DRY LAND.
SO THE MYTH THAT WATER WILL FOIL
1094
00:30:22,440 --> 00:30:24,600
BETTER THAN DRY LAND.
SO THE MYTH THAT WATER WILL FOIL
A BLOODHOUND DOESN'T -- WELL,
1095
00:30:24,610 --> 00:30:26,370
SO THE MYTH THAT WATER WILL FOIL
A BLOODHOUND DOESN'T -- WELL,
DOESN'T HOLD ANY WATER.
1096
00:30:26,370 --> 00:30:27,970
A BLOODHOUND DOESN'T -- WELL,
DOESN'T HOLD ANY WATER.
QUITE SIMPLY, MORGAN IS JUST
1097
00:30:27,980 --> 00:30:29,740
DOESN'T HOLD ANY WATER.
QUITE SIMPLY, MORGAN IS JUST
TOO NOSEY.
1098
00:30:29,740 --> 00:30:31,240
QUITE SIMPLY, MORGAN IS JUST
TOO NOSEY.
>> LET'S PAUSE FOR A MINUTE AND
1099
00:30:31,250 --> 00:30:32,710
TOO NOSEY.
>> LET'S PAUSE FOR A MINUTE AND
CONSIDER THE AMAZING OLFACTORY
1100
00:30:32,710 --> 00:30:34,250
>> LET'S PAUSE FOR A MINUTE AND
CONSIDER THE AMAZING OLFACTORY
CAPABILITIES OF THE BLOODHOUND.
1101
00:30:34,250 --> 00:30:35,480
CONSIDER THE AMAZING OLFACTORY
CAPABILITIES OF THE BLOODHOUND.
FOR COMPARISON, A HUMAN'S
1102
00:30:35,480 --> 00:30:36,920
CAPABILITIES OF THE BLOODHOUND.
FOR COMPARISON, A HUMAN'S
OLFACTORY CENTER IS ABOUT THE
1103
00:30:36,920 --> 00:30:39,020
FOR COMPARISON, A HUMAN'S
OLFACTORY CENTER IS ABOUT THE
SIZE OF A POSTAGE STAMP.
1104
00:30:39,020 --> 00:30:41,120
OLFACTORY CENTER IS ABOUT THE
SIZE OF A POSTAGE STAMP.
WHEREAS A BLOODHOUND'S IS ABOUT
1105
00:30:41,120 --> 00:30:42,990
SIZE OF A POSTAGE STAMP.
WHEREAS A BLOODHOUND'S IS ABOUT
THE SIZE OF A HANDKERCHIEF.
1106
00:30:42,990 --> 00:30:44,260
WHEREAS A BLOODHOUND'S IS ABOUT
THE SIZE OF A HANDKERCHIEF.
THIS DIFFERENCE GIVES A
1107
00:30:44,260 --> 00:30:45,820
THE SIZE OF A HANDKERCHIEF.
THIS DIFFERENCE GIVES A
BLOODHOUND ALMOST 1,000 TIMES
1108
00:30:45,830 --> 00:30:47,390
THIS DIFFERENCE GIVES A
BLOODHOUND ALMOST 1,000 TIMES
THE SMELLING CAPABILITIES OF A
1109
00:30:47,400 --> 00:30:47,900
BLOODHOUND ALMOST 1,000 TIMES
THE SMELLING CAPABILITIES OF A
HUMAN.
1110
00:30:47,900 --> 00:30:48,860
THE SMELLING CAPABILITIES OF A
HUMAN.
>> THAT'S A LOT.
1111
00:30:48,860 --> 00:30:54,570
HUMAN.
>> THAT'S A LOT.
>> YEAH.
1112
00:30:54,570 --> 00:30:56,340
>> THAT'S A LOT.
>> YEAH.
>> Narrator: ADAM IS ONCE AGAIN
1113
00:30:56,340 --> 00:30:57,140
>> YEAH.
>> Narrator: ADAM IS ONCE AGAIN
ON THE RUN.
1114
00:30:57,140 --> 00:30:58,970
>> Narrator: ADAM IS ONCE AGAIN
ON THE RUN.
MAYBE HE ESCAPED BEFORE HE HAD A
1115
00:30:58,970 --> 00:31:01,440
ON THE RUN.
MAYBE HE ESCAPED BEFORE HE HAD A
CHANCE TO USE THE PRISON GYM.
1116
00:31:01,440 --> 00:31:03,580
MAYBE HE ESCAPED BEFORE HE HAD A
CHANCE TO USE THE PRISON GYM.
>> [ BREATHING HEAVILY ]
1117
00:31:03,580 --> 00:31:05,280
CHANCE TO USE THE PRISON GYM.
>> [ BREATHING HEAVILY ]
>> Narrator: COULD THIS BE THE
1118
00:31:05,280 --> 00:31:06,910
>> [ BREATHING HEAVILY ]
>> Narrator: COULD THIS BE THE
METHOD THAT MESSES UP MORGAN?
1119
00:31:06,920 --> 00:31:08,160
>> Narrator: COULD THIS BE THE
METHOD THAT MESSES UP MORGAN?
>> THIS TIME I USED
1120
00:31:08,150 --> 00:31:09,720
METHOD THAT MESSES UP MORGAN?
>> THIS TIME I USED
"MYTHBUSTERS" BRAND GROUND
1121
00:31:09,720 --> 00:31:10,350
>> THIS TIME I USED
"MYTHBUSTERS" BRAND GROUND
PEPPER.
1122
00:31:10,350 --> 00:31:12,180
"MYTHBUSTERS" BRAND GROUND
PEPPER.
I HAD A CONFIDANT OF MINE STASH
1123
00:31:12,190 --> 00:31:14,050
PEPPER.
I HAD A CONFIDANT OF MINE STASH
IT IN THIS BARN WHERE I KNEW IT
1124
00:31:14,060 --> 00:31:15,930
I HAD A CONFIDANT OF MINE STASH
IT IN THIS BARN WHERE I KNEW IT
WOULD BE, AND I SPRINKLED IT ALL
1125
00:31:15,920 --> 00:31:17,590
IT IN THIS BARN WHERE I KNEW IT
WOULD BE, AND I SPRINKLED IT ALL
OVER THE FLOOR OF THE WHOLE
1126
00:31:17,590 --> 00:31:19,160
WOULD BE, AND I SPRINKLED IT ALL
OVER THE FLOOR OF THE WHOLE
BARN, AND I JUMPED OUT THE
1127
00:31:19,160 --> 00:31:19,790
OVER THE FLOOR OF THE WHOLE
BARN, AND I JUMPED OUT THE
WINDOW.
1128
00:31:19,790 --> 00:31:21,630
BARN, AND I JUMPED OUT THE
WINDOW.
AND THE THEORY -- THIS IS RIGHT
1129
00:31:21,630 --> 00:31:23,430
WINDOW.
AND THE THEORY -- THIS IS RIGHT
FROM THE MOVIES -- IS THAT THE
1130
00:31:23,430 --> 00:31:24,600
AND THE THEORY -- THIS IS RIGHT
FROM THE MOVIES -- IS THAT THE
DOG SMELLS PEPPER.
1131
00:31:24,600 --> 00:31:26,160
FROM THE MOVIES -- IS THAT THE
DOG SMELLS PEPPER.
[ IMITATES SNEEZING ]
1132
00:31:26,170 --> 00:31:29,030
DOG SMELLS PEPPER.
[ IMITATES SNEEZING ]
CAN'T SMELL HUMAN SMELL ANYMORE.
1133
00:31:29,040 --> 00:31:30,700
[ IMITATES SNEEZING ]
CAN'T SMELL HUMAN SMELL ANYMORE.
[ DOG BARKING ]
1134
00:31:30,710 --> 00:31:33,020
CAN'T SMELL HUMAN SMELL ANYMORE.
[ DOG BARKING ]
>> Narrator: WITH HIS TRAIL TRAP
1135
00:31:33,010 --> 00:31:35,010
[ DOG BARKING ]
>> Narrator: WITH HIS TRAIL TRAP
OF NASAL DISASTER SET, ADAM
1136
00:31:35,010 --> 00:31:38,040
>> Narrator: WITH HIS TRAIL TRAP
OF NASAL DISASTER SET, ADAM
HUNKERS DOWN IN HIS HIDEY-HOLE,
1137
00:31:38,050 --> 00:31:40,180
OF NASAL DISASTER SET, ADAM
HUNKERS DOWN IN HIS HIDEY-HOLE,
AND MORGAN AND HIS TEAM OF HUMAN
1138
00:31:40,180 --> 00:31:41,750
HUNKERS DOWN IN HIS HIDEY-HOLE,
AND MORGAN AND HIS TEAM OF HUMAN
HANDLERS, IGNORING THE
1139
00:31:41,750 --> 00:31:43,880
AND MORGAN AND HIS TEAM OF HUMAN
HANDLERS, IGNORING THE
SPECTACULAR SCENERY, SOON ARRIVE
1140
00:31:43,890 --> 00:31:44,860
HANDLERS, IGNORING THE
SPECTACULAR SCENERY, SOON ARRIVE
AT THE BARN.
1141
00:31:44,850 --> 00:31:47,750
SPECTACULAR SCENERY, SOON ARRIVE
AT THE BARN.
>> WHERE DID HE GO?
1142
00:31:47,760 --> 00:31:48,690
AT THE BARN.
>> WHERE DID HE GO?
WHERE DID HE GO?
1143
00:31:48,690 --> 00:31:49,990
>> WHERE DID HE GO?
WHERE DID HE GO?
>> COULDN'T BE IN THERE.
1144
00:31:49,990 --> 00:31:51,190
WHERE DID HE GO?
>> COULDN'T BE IN THERE.
>> LET'S GO. COME ON.
1145
00:31:51,190 --> 00:31:52,120
>> COULDN'T BE IN THERE.
>> LET'S GO. COME ON.
WHERE DID HE GO?
1146
00:31:52,130 --> 00:31:53,730
>> LET'S GO. COME ON.
WHERE DID HE GO?
>> Narrator: BUT AFTER A COUPLE
1147
00:31:53,730 --> 00:31:55,230
WHERE DID HE GO?
>> Narrator: BUT AFTER A COUPLE
OF CIRCUITS AND NO SNEEZING,
1148
00:31:55,230 --> 00:31:57,030
>> Narrator: BUT AFTER A COUPLE
OF CIRCUITS AND NO SNEEZING,
MORGAN FINDS THE TRAIL LEADING
1149
00:31:57,030 --> 00:31:58,900
OF CIRCUITS AND NO SNEEZING,
MORGAN FINDS THE TRAIL LEADING
AWAY FROM THE SHED AND RIGHT TO
1150
00:31:58,900 --> 00:32:01,100
MORGAN FINDS THE TRAIL LEADING
AWAY FROM THE SHED AND RIGHT TO
A VERY BUSTED ADAM.
1151
00:32:01,100 --> 00:32:04,270
AWAY FROM THE SHED AND RIGHT TO
A VERY BUSTED ADAM.
>> [ Laughing ] WHOA!
1152
00:32:04,270 --> 00:32:06,000
A VERY BUSTED ADAM.
>> [ Laughing ] WHOA!
YOU FOUND ME.
1153
00:32:06,010 --> 00:32:07,440
>> [ Laughing ] WHOA!
YOU FOUND ME.
[ LAUGHS ]
1154
00:32:07,440 --> 00:32:09,340
YOU FOUND ME.
[ LAUGHS ]
>> Narrator: DESPITE THE PEPPERY
1155
00:32:09,340 --> 00:32:11,210
[ LAUGHS ]
>> Narrator: DESPITE THE PEPPERY
PROBLEM, MORGAN ONCE AGAIN GETS
1156
00:32:11,210 --> 00:32:11,780
>> Narrator: DESPITE THE PEPPERY
PROBLEM, MORGAN ONCE AGAIN GETS
HIS MAN.
1157
00:32:11,780 --> 00:32:13,280
PROBLEM, MORGAN ONCE AGAIN GETS
HIS MAN.
>> WELL, I THINK WE'VE PROVED
1158
00:32:13,280 --> 00:32:14,410
HIS MAN.
>> WELL, I THINK WE'VE PROVED
THAT IT DOESN'T WORK.
1159
00:32:14,420 --> 00:32:15,750
>> WELL, I THINK WE'VE PROVED
THAT IT DOESN'T WORK.
>> IT DIDN'T HURT MORGAN.
1160
00:32:15,750 --> 00:32:16,620
THAT IT DOESN'T WORK.
>> IT DIDN'T HURT MORGAN.
SO WHAT'S NEXT?
1161
00:32:16,620 --> 00:32:17,980
>> IT DIDN'T HURT MORGAN.
SO WHAT'S NEXT?
>> I GOT ANOTHER ONE UP MY
1162
00:32:17,990 --> 00:32:19,550
SO WHAT'S NEXT?
>> I GOT ANOTHER ONE UP MY
SLEEVE, BUT I'M NOT GONNA TELL
1163
00:32:19,550 --> 00:32:20,420
>> I GOT ANOTHER ONE UP MY
SLEEVE, BUT I'M NOT GONNA TELL
YOU WHAT IT IS.
1164
00:32:20,420 --> 00:32:26,220
SLEEVE, BUT I'M NOT GONNA TELL
YOU WHAT IT IS.
>> I CAN'T WAIT.
1165
00:32:26,230 --> 00:32:27,860
YOU WHAT IT IS.
>> I CAN'T WAIT.
>> Narrator: KARI, GRANT, AND
1166
00:32:27,860 --> 00:32:29,360
>> I CAN'T WAIT.
>> Narrator: KARI, GRANT, AND
TORY HAVE BEATEN THE GUARD
1167
00:32:29,360 --> 00:32:29,900
>> Narrator: KARI, GRANT, AND
TORY HAVE BEATEN THE GUARD
DOG...
1168
00:32:29,900 --> 00:32:30,960
TORY HAVE BEATEN THE GUARD
DOG...
>> BITCH IN HEAT.
1169
00:32:30,970 --> 00:32:31,730
DOG...
>> BITCH IN HEAT.
GIVE IT UP.
1170
00:32:31,730 --> 00:32:32,530
>> BITCH IN HEAT.
GIVE IT UP.
>> NICE.
1171
00:32:32,530 --> 00:32:34,730
GIVE IT UP.
>> NICE.
>> Narrator: ...AND BEEN BITTEN
1172
00:32:34,740 --> 00:32:36,300
>> NICE.
>> Narrator: ...AND BEEN BITTEN
BY THE GUARD DOG.
1173
00:32:36,300 --> 00:32:37,700
>> Narrator: ...AND BEEN BITTEN
BY THE GUARD DOG.
[ DOG BARKING ]
1174
00:32:37,710 --> 00:32:39,270
BY THE GUARD DOG.
[ DOG BARKING ]
>> YOU KNOW WHAT?
1175
00:32:39,270 --> 00:32:40,910
[ DOG BARKING ]
>> YOU KNOW WHAT?
THE MOST OBVIOUS ONE -- USING A
1176
00:32:40,910 --> 00:32:42,610
>> YOU KNOW WHAT?
THE MOST OBVIOUS ONE -- USING A
STEAK -- ACTUALLY BEAT THE GUARD
1177
00:32:42,610 --> 00:32:43,010
THE MOST OBVIOUS ONE -- USING A
STEAK -- ACTUALLY BEAT THE GUARD
DOG.
1178
00:32:43,010 --> 00:32:44,410
STEAK -- ACTUALLY BEAT THE GUARD
DOG.
AND THE BITCH-IN-HEAT SCENT --
1179
00:32:44,410 --> 00:32:45,610
DOG.
AND THE BITCH-IN-HEAT SCENT --
THAT ONE WORKED, AS WELL.
1180
00:32:45,610 --> 00:32:47,050
AND THE BITCH-IN-HEAT SCENT --
THAT ONE WORKED, AS WELL.
>> AND, YOU KNOW, I REALLY FEEL
1181
00:32:47,050 --> 00:32:48,510
THAT ONE WORKED, AS WELL.
>> AND, YOU KNOW, I REALLY FEEL
THAT IF YOU WERE COVERED HEAD TO
1182
00:32:48,520 --> 00:32:49,950
>> AND, YOU KNOW, I REALLY FEEL
THAT IF YOU WERE COVERED HEAD TO
TOE IN THE WOLF URINE, WE WOULD
1183
00:32:49,950 --> 00:32:51,250
THAT IF YOU WERE COVERED HEAD TO
TOE IN THE WOLF URINE, WE WOULD
HAVE GOTTEN A BETTER RESULT.
1184
00:32:51,250 --> 00:32:53,820
TOE IN THE WOLF URINE, WE WOULD
HAVE GOTTEN A BETTER RESULT.
>> HA! IF YOU COULD STAND IT.
1185
00:32:53,820 --> 00:32:55,920
HAVE GOTTEN A BETTER RESULT.
>> HA! IF YOU COULD STAND IT.
BUT AFTER WATCHING ALL OF THESE
1186
00:32:55,920 --> 00:32:57,790
>> HA! IF YOU COULD STAND IT.
BUT AFTER WATCHING ALL OF THESE
TECHNIQUES, I THINK THAT WE
1187
00:32:57,790 --> 00:32:59,360
BUT AFTER WATCHING ALL OF THESE
TECHNIQUES, I THINK THAT WE
COULD RAMP THIS ONE UP
1188
00:32:59,360 --> 00:33:00,390
TECHNIQUES, I THINK THAT WE
COULD RAMP THIS ONE UP
MYTHBUSTERS STYLE.
1189
00:33:00,400 --> 00:33:01,900
COULD RAMP THIS ONE UP
MYTHBUSTERS STYLE.
>> WE'RE GONNA BUILD OUR OWN
1190
00:33:01,900 --> 00:33:03,600
MYTHBUSTERS STYLE.
>> WE'RE GONNA BUILD OUR OWN
TECHNIQUE TO BEAT THE GUARD DOG?
1191
00:33:03,600 --> 00:33:05,130
>> WE'RE GONNA BUILD OUR OWN
TECHNIQUE TO BEAT THE GUARD DOG?
>> YEAH, AND I'VE ALREADY GOT
1192
00:33:05,130 --> 00:33:06,130
TECHNIQUE TO BEAT THE GUARD DOG?
>> YEAH, AND I'VE ALREADY GOT
SOME GREAT IDEAS.
1193
00:33:06,130 --> 00:33:07,600
>> YEAH, AND I'VE ALREADY GOT
SOME GREAT IDEAS.
>> Narrator: WITH THE MYTHS
1194
00:33:07,600 --> 00:33:08,830
SOME GREAT IDEAS.
>> Narrator: WITH THE MYTHS
TESTED, THE TEAM HAS A
1195
00:33:08,840 --> 00:33:09,740
>> Narrator: WITH THE MYTHS
TESTED, THE TEAM HAS A
CHALLENGE.
1196
00:33:09,740 --> 00:33:11,800
TESTED, THE TEAM HAS A
CHALLENGE.
CAN THEY BUILD SOMETHING THAT
1197
00:33:11,810 --> 00:33:13,740
CHALLENGE.
CAN THEY BUILD SOMETHING THAT
WOULD LET THEM SNEAK PAST A
1198
00:33:13,740 --> 00:33:15,540
CAN THEY BUILD SOMETHING THAT
WOULD LET THEM SNEAK PAST A
WHOLE PACK OF GUARD DOGS?
1199
00:33:15,540 --> 00:33:17,110
WOULD LET THEM SNEAK PAST A
WHOLE PACK OF GUARD DOGS?
>> OKAY, IT WILL ATTACH TO
1200
00:33:17,110 --> 00:33:18,940
WHOLE PACK OF GUARD DOGS?
>> OKAY, IT WILL ATTACH TO
ITSELF, SO ONCE WE GET GOING, I
1201
00:33:18,950 --> 00:33:20,180
>> OKAY, IT WILL ATTACH TO
ITSELF, SO ONCE WE GET GOING, I
THINK IT'LL BE GOOD.
1202
00:33:20,180 --> 00:33:21,850
ITSELF, SO ONCE WE GET GOING, I
THINK IT'LL BE GOOD.
>> Narrator: KARI, AFTER TWO
1203
00:33:21,850 --> 00:33:23,520
THINK IT'LL BE GOOD.
>> Narrator: KARI, AFTER TWO
DAYS OF HARD WORK, HAS BUILT
1204
00:33:23,520 --> 00:33:25,350
>> Narrator: KARI, AFTER TWO
DAYS OF HARD WORK, HAS BUILT
WHAT CAN ONLY BE DESCRIBED AS A
1205
00:33:25,350 --> 00:33:26,950
DAYS OF HARD WORK, HAS BUILT
WHAT CAN ONLY BE DESCRIBED AS A
HUMAN HAMSTER BALL.
1206
00:33:26,960 --> 00:33:29,000
WHAT CAN ONLY BE DESCRIBED AS A
HUMAN HAMSTER BALL.
MEANWHILE, GRANT HAS GONE
1207
00:33:28,990 --> 00:33:29,990
HUMAN HAMSTER BALL.
MEANWHILE, GRANT HAS GONE
HIGH-TECH.
1208
00:33:29,990 --> 00:33:30,960
MEANWHILE, GRANT HAS GONE
HIGH-TECH.
>> [ LAUGHS ]
1209
00:33:30,960 --> 00:33:32,820
HIGH-TECH.
>> [ LAUGHS ]
>> Narrator: HE'S MOUNTING HIS
1210
00:33:32,830 --> 00:33:34,490
>> [ LAUGHS ]
>> Narrator: HE'S MOUNTING HIS
BATTLEBOT WITH A TAXIDERMY
1211
00:33:34,500 --> 00:33:35,230
>> Narrator: HE'S MOUNTING HIS
BATTLEBOT WITH A TAXIDERMY
TABBY.
1212
00:33:35,230 --> 00:33:37,200
BATTLEBOT WITH A TAXIDERMY
TABBY.
TO MAKE IT MORE LIFELIKE,
1213
00:33:37,200 --> 00:33:39,400
TABBY.
TO MAKE IT MORE LIFELIKE,
DR. FRANKEN-GRANT IS USING A
1214
00:33:39,400 --> 00:33:40,970
TO MAKE IT MORE LIFELIKE,
DR. FRANKEN-GRANT IS USING A
LITTLE ROBOTIC WIZARDRY.
1215
00:33:40,970 --> 00:33:43,940
DR. FRANKEN-GRANT IS USING A
LITTLE ROBOTIC WIZARDRY.
>> HE'S ALIVE -- ALIVE!
1216
00:33:43,940 --> 00:33:45,770
LITTLE ROBOTIC WIZARDRY.
>> HE'S ALIVE -- ALIVE!
[ LAUGHS EVILLY ]
1217
00:33:45,770 --> 00:33:47,610
>> HE'S ALIVE -- ALIVE!
[ LAUGHS EVILLY ]
>> Narrator: AND TORY, WELL,
1218
00:33:47,610 --> 00:33:49,570
[ LAUGHS EVILLY ]
>> Narrator: AND TORY, WELL,
HE'S SCRAPING THE BOTTOM OF THE
1219
00:33:49,580 --> 00:33:50,240
>> Narrator: AND TORY, WELL,
HE'S SCRAPING THE BOTTOM OF THE
BARREL.
1220
00:33:50,250 --> 00:33:51,520
HE'S SCRAPING THE BOTTOM OF THE
BARREL.
>> WELL, I'M DONE.
1221
00:33:51,510 --> 00:33:54,180
BARREL.
>> WELL, I'M DONE.
AND, UH, REALLY, IT SPEAKS FOR
1222
00:33:54,180 --> 00:33:56,080
>> WELL, I'M DONE.
AND, UH, REALLY, IT SPEAKS FOR
ITSELF.
1223
00:33:56,080 --> 00:33:57,720
AND, UH, REALLY, IT SPEAKS FOR
ITSELF.
>> Narrator: BACK AT THE
1224
00:33:57,720 --> 00:33:59,950
ITSELF.
>> Narrator: BACK AT THE
ENCLOSURE, GRANT IS FIRST UP.
1225
00:33:59,950 --> 00:34:02,220
>> Narrator: BACK AT THE
ENCLOSURE, GRANT IS FIRST UP.
>> I THINK, INITIALLY, THE DOG
1226
00:34:02,220 --> 00:34:04,390
ENCLOSURE, GRANT IS FIRST UP.
>> I THINK, INITIALLY, THE DOG
WILL BE SOMEWHAT CONFUSED BY
1227
00:34:04,390 --> 00:34:06,790
>> I THINK, INITIALLY, THE DOG
WILL BE SOMEWHAT CONFUSED BY
ROBOCAT, AS MOST PEOPLE ARE, BUT
1228
00:34:06,800 --> 00:34:10,040
WILL BE SOMEWHAT CONFUSED BY
ROBOCAT, AS MOST PEOPLE ARE, BUT
THAT PRIMAL INSTINCT OF CHASING
1229
00:34:10,030 --> 00:34:13,370
ROBOCAT, AS MOST PEOPLE ARE, BUT
THAT PRIMAL INSTINCT OF CHASING
THE CAT, OR THE FURRY SHAPE THAT
1230
00:34:13,370 --> 00:34:16,440
THAT PRIMAL INSTINCT OF CHASING
THE CAT, OR THE FURRY SHAPE THAT
IS IN CAT FORM, WILL KICK IN,
1231
00:34:16,440 --> 00:34:19,810
THE CAT, OR THE FURRY SHAPE THAT
IS IN CAT FORM, WILL KICK IN,
AND IT WON'T BE ABLE TO RESIST
1232
00:34:19,810 --> 00:34:21,540
IS IN CAT FORM, WILL KICK IN,
AND IT WON'T BE ABLE TO RESIST
GOING AFTER IT, AND THAT IS THE
1233
00:34:21,540 --> 00:34:23,240
AND IT WON'T BE ABLE TO RESIST
GOING AFTER IT, AND THAT IS THE
MOMENT WHEN I'LL SEND TORY IN,
1234
00:34:23,240 --> 00:34:26,810
GOING AFTER IT, AND THAT IS THE
MOMENT WHEN I'LL SEND TORY IN,
AND HE'LL GET THE JEWELS.
1235
00:34:26,820 --> 00:34:27,820
MOMENT WHEN I'LL SEND TORY IN,
AND HE'LL GET THE JEWELS.
I FEEL IT.
1236
00:34:27,820 --> 00:34:30,320
AND HE'LL GET THE JEWELS.
I FEEL IT.
OR THE DOG WILL BITE HIS JEWELS,
1237
00:34:30,320 --> 00:34:32,080
I FEEL IT.
OR THE DOG WILL BITE HIS JEWELS,
WHICH WILL ALSO BE FUNNY.
1238
00:34:32,090 --> 00:34:32,980
OR THE DOG WILL BITE HIS JEWELS,
WHICH WILL ALSO BE FUNNY.
OKAY.
1239
00:34:32,990 --> 00:34:34,990
WHICH WILL ALSO BE FUNNY.
OKAY.
GO AHEAD AND RELEASE THE DOG.
1240
00:34:35,120 --> 00:34:36,760
>> Narrator: EEWAN IS RELEASED,
1241
00:34:36,760 --> 00:34:38,220
AND THAT AGE-OLD CAT-AND-DOG
1242
00:34:38,230 --> 00:34:39,360
STORY BEGINS.
1243
00:34:39,360 --> 00:34:40,960
CAT RUNS AWAY FROM DOG.
1244
00:34:41,100 --> 00:34:47,640
DOG CHASES ROBOTICALLY
CONTROLLED DEAD CAT.
IT'S A PERFECT CAT-BURGLAR PLAN
1245
00:34:47,640 --> 00:34:49,540
CONTROLLED DEAD CAT.
IT'S A PERFECT CAT-BURGLAR PLAN
UNTIL ONE LITTLE MISSTEP BY
1246
00:34:49,540 --> 00:34:51,500
IT'S A PERFECT CAT-BURGLAR PLAN
UNTIL ONE LITTLE MISSTEP BY
REMOTE-CONTROL KINGPIN GRANT
1247
00:34:51,510 --> 00:34:54,670
UNTIL ONE LITTLE MISSTEP BY
REMOTE-CONTROL KINGPIN GRANT
MEANS ACCOMPLICE TORY IS BRUNCH.
1248
00:34:54,680 --> 00:34:56,010
REMOTE-CONTROL KINGPIN GRANT
MEANS ACCOMPLICE TORY IS BRUNCH.
>> UH-OH! OH, OH, OH!
1249
00:34:56,010 --> 00:34:57,010
MEANS ACCOMPLICE TORY IS BRUNCH.
>> UH-OH! OH, OH, OH!
RUN, RUN, RUN!
1250
00:34:57,010 --> 00:35:00,010
>> UH-OH! OH, OH, OH!
RUN, RUN, RUN!
>> "RUN, RUN, RUN." OKAY.
1251
00:35:00,010 --> 00:35:01,810
RUN, RUN, RUN!
>> "RUN, RUN, RUN." OKAY.
>> Narrator: YEAH, IT'S KIND OF
1252
00:35:01,820 --> 00:35:03,680
>> "RUN, RUN, RUN." OKAY.
>> Narrator: YEAH, IT'S KIND OF
HARD TO RUN WITH AN 80-POUND DOG
1253
00:35:03,690 --> 00:35:05,130
>> Narrator: YEAH, IT'S KIND OF
HARD TO RUN WITH AN 80-POUND DOG
USING YOU AS A CHEW TOY.
1254
00:35:05,120 --> 00:35:06,080
HARD TO RUN WITH AN 80-POUND DOG
USING YOU AS A CHEW TOY.
>> DUDE, DUDE.
1255
00:35:06,090 --> 00:35:07,720
USING YOU AS A CHEW TOY.
>> DUDE, DUDE.
I DON'T THINK IT'S WORKING,
1256
00:35:07,720 --> 00:35:08,250
>> DUDE, DUDE.
I DON'T THINK IT'S WORKING,
GRANT.
1257
00:35:08,260 --> 00:35:09,890
I DON'T THINK IT'S WORKING,
GRANT.
I DON'T KNOW. JUST A GUESS.
1258
00:35:09,890 --> 00:35:11,490
GRANT.
I DON'T KNOW. JUST A GUESS.
>> OH! OH! YEAH!
1259
00:35:11,490 --> 00:35:13,390
I DON'T KNOW. JUST A GUESS.
>> OH! OH! YEAH!
GOOD DRIVING, KITTY.
1260
00:35:13,390 --> 00:35:15,730
>> OH! OH! YEAH!
GOOD DRIVING, KITTY.
>> I DON'T THINK YOU KNOW.
1261
00:35:15,730 --> 00:35:17,430
GOOD DRIVING, KITTY.
>> I DON'T THINK YOU KNOW.
THIS IS NOT YOUR FUN TIME TO
1262
00:35:17,430 --> 00:35:19,060
>> I DON'T THINK YOU KNOW.
THIS IS NOT YOUR FUN TIME TO
PLAY WITH YOUR LITTLE CAT.
1263
00:35:19,070 --> 00:35:20,570
THIS IS NOT YOUR FUN TIME TO
PLAY WITH YOUR LITTLE CAT.
THERE'S A DOG ON MY ARM.
1264
00:35:20,570 --> 00:35:22,170
PLAY WITH YOUR LITTLE CAT.
THERE'S A DOG ON MY ARM.
>> Narrator: SO THAT'S 1-0 TO
1265
00:35:22,170 --> 00:35:23,470
THERE'S A DOG ON MY ARM.
>> Narrator: SO THAT'S 1-0 TO
EEWAN THE GUARD DOG.
1266
00:35:23,470 --> 00:35:25,270
>> Narrator: SO THAT'S 1-0 TO
EEWAN THE GUARD DOG.
TORY'S NEXT, AND HE'S BROUGHT
1267
00:35:25,270 --> 00:35:26,570
EEWAN THE GUARD DOG.
TORY'S NEXT, AND HE'S BROUGHT
HIS ARMORED TIN CAN.
1268
00:35:26,570 --> 00:35:28,470
TORY'S NEXT, AND HE'S BROUGHT
HIS ARMORED TIN CAN.
>> AS YOU CAN TELL, I WATCHED A
1269
00:35:28,480 --> 00:35:30,380
HIS ARMORED TIN CAN.
>> AS YOU CAN TELL, I WATCHED A
LOT OF "A-TEAM" GROWING UP, AND
1270
00:35:30,380 --> 00:35:34,080
>> AS YOU CAN TELL, I WATCHED A
LOT OF "A-TEAM" GROWING UP, AND
I THINK THAT'S KIND OF WHERE I
1271
00:35:34,080 --> 00:35:35,380
LOT OF "A-TEAM" GROWING UP, AND
I THINK THAT'S KIND OF WHERE I
CAME UP WITH THIS GUY.
1272
00:35:35,380 --> 00:35:36,850
I THINK THAT'S KIND OF WHERE I
CAME UP WITH THIS GUY.
>> Narrator: IT MIGHT BE A
1273
00:35:36,850 --> 00:35:38,580
CAME UP WITH THIS GUY.
>> Narrator: IT MIGHT BE A
BARREL OF LAUGHS AND TORY, BUT,
1274
00:35:38,590 --> 00:35:40,290
>> Narrator: IT MIGHT BE A
BARREL OF LAUGHS AND TORY, BUT,
FOR THIS TEST, HE ISN'T WEARING
1275
00:35:40,290 --> 00:35:41,920
BARREL OF LAUGHS AND TORY, BUT,
FOR THIS TEST, HE ISN'T WEARING
THE SAFETY SUIT, SO THERE'S A
1276
00:35:41,920 --> 00:35:43,360
FOR THIS TEST, HE ISN'T WEARING
THE SAFETY SUIT, SO THERE'S A
REAL ELEMENT OF DANGER.
1277
00:35:43,360 --> 00:35:44,790
THE SAFETY SUIT, SO THERE'S A
REAL ELEMENT OF DANGER.
>> OKAY, HERE HE COMES.
1278
00:35:44,790 --> 00:35:47,630
REAL ELEMENT OF DANGER.
>> OKAY, HERE HE COMES.
>> IT'S COMING AT YOU, BUT
1279
00:35:47,630 --> 00:35:48,890
>> OKAY, HERE HE COMES.
>> IT'S COMING AT YOU, BUT
DOESN'T KNOW WHAT TO DO.
1280
00:35:48,900 --> 00:35:50,300
>> IT'S COMING AT YOU, BUT
DOESN'T KNOW WHAT TO DO.
>> Narrator: IT'S ALL GOING
1281
00:35:50,300 --> 00:35:51,900
DOESN'T KNOW WHAT TO DO.
>> Narrator: IT'S ALL GOING
ACCORDING TO PLAN, BUT THERE ARE
1282
00:35:51,900 --> 00:35:53,500
>> Narrator: IT'S ALL GOING
ACCORDING TO PLAN, BUT THERE ARE
A FEW SCARY MOMENTS.
1283
00:35:53,500 --> 00:35:55,530
ACCORDING TO PLAN, BUT THERE ARE
A FEW SCARY MOMENTS.
>> HOW'S IT GOING IN THERE?
1284
00:35:55,540 --> 00:35:58,100
A FEW SCARY MOMENTS.
>> HOW'S IT GOING IN THERE?
>> Uh...it's not good.
1285
00:35:58,110 --> 00:35:59,540
>> HOW'S IT GOING IN THERE?
>> Uh...it's not good.
>> OH!
1286
00:35:59,540 --> 00:36:02,010
>> Uh...it's not good.
>> OH!
>> [ LAUGHS ]
1287
00:36:02,010 --> 00:36:03,480
>> OH!
>> [ LAUGHS ]
>> Narrator: BUT TORY MANAGES TO
1288
00:36:03,480 --> 00:36:05,140
>> [ LAUGHS ]
>> Narrator: BUT TORY MANAGES TO
INCH HIS WAY OVER TO THE SAFE
1289
00:36:05,150 --> 00:36:08,150
>> Narrator: BUT TORY MANAGES TO
INCH HIS WAY OVER TO THE SAFE
SAFELY AND SECURE THE LOOT.
1290
00:36:08,150 --> 00:36:09,780
INCH HIS WAY OVER TO THE SAFE
SAFELY AND SECURE THE LOOT.
>> I got it.
1291
00:36:09,780 --> 00:36:11,050
SAFELY AND SECURE THE LOOT.
>> I got it.
>> YEAH!
1292
00:36:11,050 --> 00:36:12,320
>> I got it.
>> YEAH!
>> YEAH!
1293
00:36:12,320 --> 00:36:14,150
>> YEAH!
>> YEAH!
>> Narrator: IT'S DURING TORY'S
1294
00:36:14,160 --> 00:36:16,030
>> YEAH!
>> Narrator: IT'S DURING TORY'S
SLOW CRAWL HOME THAT EEWAN WORKS
1295
00:36:16,020 --> 00:36:17,790
>> Narrator: IT'S DURING TORY'S
SLOW CRAWL HOME THAT EEWAN WORKS
OUT, BY GRIPPING THE WHEEL, HE
1296
00:36:17,790 --> 00:36:19,720
SLOW CRAWL HOME THAT EEWAN WORKS
OUT, BY GRIPPING THE WHEEL, HE
CAN GET MORE LEVERAGE.
1297
00:36:19,730 --> 00:36:21,030
OUT, BY GRIPPING THE WHEEL, HE
CAN GET MORE LEVERAGE.
>> AAH! HERE.
1298
00:36:21,030 --> 00:36:23,160
CAN GET MORE LEVERAGE.
>> AAH! HERE.
>> Narrator: AND MIKE THE
1299
00:36:23,160 --> 00:36:25,130
>> AAH! HERE.
>> Narrator: AND MIKE THE
HANDLER CALLS IT OFF BEFORE TORY
1300
00:36:25,130 --> 00:36:26,630
>> Narrator: AND MIKE THE
HANDLER CALLS IT OFF BEFORE TORY
GETS INJURED BY EEWAN'S
1301
00:36:26,630 --> 00:36:30,400
HANDLER CALLS IT OFF BEFORE TORY
GETS INJURED BY EEWAN'S
550-POUND BITE FORCE.
1302
00:36:30,410 --> 00:36:31,110
GETS INJURED BY EEWAN'S
550-POUND BITE FORCE.
>> I GOT IT.
1303
00:36:31,110 --> 00:36:32,250
550-POUND BITE FORCE.
>> I GOT IT.
>> NO, NO, YOU DIDN'T.
1304
00:36:32,240 --> 00:36:33,670
>> I GOT IT.
>> NO, NO, YOU DIDN'T.
>> MAN, YOU THREW THE TOWEL IN
1305
00:36:33,680 --> 00:36:34,280
>> NO, NO, YOU DIDN'T.
>> MAN, YOU THREW THE TOWEL IN
TOO SOON.
1306
00:36:34,280 --> 00:36:35,020
>> MAN, YOU THREW THE TOWEL IN
TOO SOON.
I WAS ROBBED.
1307
00:36:35,010 --> 00:36:36,340
TOO SOON.
I WAS ROBBED.
[ Imitating Marlon Brando ]
1308
00:36:36,340 --> 00:36:38,040
I WAS ROBBED.
[ Imitating Marlon Brando ]
I COULDA BEEN A CONTENDER.
1309
00:36:38,050 --> 00:36:40,080
[ Imitating Marlon Brando ]
I COULDA BEEN A CONTENDER.
>> Narrator: WHILE TORY TELLS US
1310
00:36:40,080 --> 00:36:41,850
I COULDA BEEN A CONTENDER.
>> Narrator: WHILE TORY TELLS US
ABOUT THE "COULDA, SHOULDA,
1311
00:36:41,850 --> 00:36:43,820
>> Narrator: WHILE TORY TELLS US
ABOUT THE "COULDA, SHOULDA,
WOULDAs," EEWAN THE CHAMP IS
1312
00:36:43,820 --> 00:36:45,980
ABOUT THE "COULDA, SHOULDA,
WOULDAs," EEWAN THE CHAMP IS
WARMING UP FOR ROUND THREE WITH
1313
00:36:45,990 --> 00:36:48,020
WOULDAs," EEWAN THE CHAMP IS
WARMING UP FOR ROUND THREE WITH
KARI, THE HUMAN HAMSTER.
1314
00:36:48,020 --> 00:36:50,720
WARMING UP FOR ROUND THREE WITH
KARI, THE HUMAN HAMSTER.
>> DOG IS IN.
1315
00:36:50,860 --> 00:36:52,520
>> I SEE THE DOG.
1316
00:36:52,530 --> 00:36:54,190
>> HE DOESN'T EVEN SEE YOU.
1317
00:36:54,200 --> 00:36:55,740
>> Narrator: EEWAN LOOKS
1318
00:36:55,730 --> 00:36:57,200
CONFUSED.
1319
00:36:57,330 --> 00:37:01,070
>> HE'S CHECKING YOU OUT, BUT
APPARENTLY...
>> HE DOESN'T EVEN SEE HER.
1320
00:37:01,070 --> 00:37:02,370
APPARENTLY...
>> HE DOESN'T EVEN SEE HER.
>> ...YOU ARE INVISIBLE.
1321
00:37:02,370 --> 00:37:03,440
>> HE DOESN'T EVEN SEE HER.
>> ...YOU ARE INVISIBLE.
IS THAT THE BALL OF
1322
00:37:03,440 --> 00:37:04,240
>> ...YOU ARE INVISIBLE.
IS THAT THE BALL OF
INVISIBILITY?
1323
00:37:04,240 --> 00:37:05,800
IS THAT THE BALL OF
INVISIBILITY?
>> Narrator: BUT IT'S NOT LONG
1324
00:37:05,810 --> 00:37:07,940
INVISIBILITY?
>> Narrator: BUT IT'S NOT LONG
BEFORE HE WORKS OUT A HIGH-TECH
1325
00:37:07,940 --> 00:37:10,140
>> Narrator: BUT IT'S NOT LONG
BEFORE HE WORKS OUT A HIGH-TECH
HUMAN HAMSTER IS TRYING TO SNEAK
1326
00:37:10,140 --> 00:37:12,210
BEFORE HE WORKS OUT A HIGH-TECH
HUMAN HAMSTER IS TRYING TO SNEAK
ACROSS HIS YARD, AND HE STARTS
1327
00:37:12,210 --> 00:37:14,010
HUMAN HAMSTER IS TRYING TO SNEAK
ACROSS HIS YARD, AND HE STARTS
TEARING INTO KARI'S BALL.
1328
00:37:14,020 --> 00:37:16,890
ACROSS HIS YARD, AND HE STARTS
TEARING INTO KARI'S BALL.
>> HE'S BITING AT THE PLASTIC.
1329
00:37:17,020 --> 00:37:18,750
>> Narrator: KARI HAD BUILT THE
1330
00:37:18,750 --> 00:37:20,550
HAMSTER BALL WITH AN EASY ACCESS
1331
00:37:20,560 --> 00:37:21,960
HATCH, BUT IT'S JUST TOO
1332
00:37:21,960 --> 00:37:23,690
DANGEROUS FOR HER TO USE IT AND
1333
00:37:23,690 --> 00:37:26,760
EXPOSE HER UNPROTECTED ARM.
1334
00:37:26,760 --> 00:37:28,660
SO SHE HAS TO CUT A SMALLER
1335
00:37:28,660 --> 00:37:30,760
HOLE INSTEAD, AND SURE ENOUGH,
1336
00:37:30,770 --> 00:37:33,210
SHE GETS THE GOODS.
1337
00:37:33,330 --> 00:37:36,530
>> GOT THE NECKLACE!
>> SHE GOT IT.
>> OKAY.
1338
00:37:36,540 --> 00:37:37,470
>> SHE GOT IT.
>> OKAY.
I BEAT YOU, MUTT.
1339
00:37:37,470 --> 00:37:38,700
>> OKAY.
I BEAT YOU, MUTT.
I'M GETTING OUT OF HERE.
1340
00:37:38,710 --> 00:37:40,170
I BEAT YOU, MUTT.
I'M GETTING OUT OF HERE.
>> Narrator: BACK AT THE DOOR,
1341
00:37:40,170 --> 00:37:42,540
I'M GETTING OUT OF HERE.
>> Narrator: BACK AT THE DOOR,
THE DEADLY DEFECT IN KARI'S PLAN
1342
00:37:42,540 --> 00:37:43,480
>> Narrator: BACK AT THE DOOR,
THE DEADLY DEFECT IN KARI'S PLAN
BECOMES EVIDENT.
1343
00:37:43,480 --> 00:37:45,110
THE DEADLY DEFECT IN KARI'S PLAN
BECOMES EVIDENT.
>> THE MAJOR FLAW IN MY PLAN IS
1344
00:37:45,110 --> 00:37:46,480
BECOMES EVIDENT.
>> THE MAJOR FLAW IN MY PLAN IS
THAT THE DOG WILL NOT STOP
1345
00:37:46,480 --> 00:37:48,080
>> THE MAJOR FLAW IN MY PLAN IS
THAT THE DOG WILL NOT STOP
ATTACKING LONG ENOUGH FOR ME TO
1346
00:37:48,080 --> 00:37:49,080
THAT THE DOG WILL NOT STOP
ATTACKING LONG ENOUGH FOR ME TO
GET OUT THE DOOR.
1347
00:37:49,080 --> 00:37:50,250
ATTACKING LONG ENOUGH FOR ME TO
GET OUT THE DOOR.
>> THAT IS A PROBLEM.
1348
00:37:50,250 --> 00:37:51,880
GET OUT THE DOOR.
>> THAT IS A PROBLEM.
>> Narrator: IT'S NOT A PROBLEM
1349
00:37:51,890 --> 00:37:53,490
>> THAT IS A PROBLEM.
>> Narrator: IT'S NOT A PROBLEM
FOR HER WILLING TEAMMATES, WHO
1350
00:37:53,490 --> 00:37:55,150
>> Narrator: IT'S NOT A PROBLEM
FOR HER WILLING TEAMMATES, WHO
HAPPILY RELIEVE HER OF THE LOOT.
1351
00:37:55,160 --> 00:37:56,420
FOR HER WILLING TEAMMATES, WHO
HAPPILY RELIEVE HER OF THE LOOT.
>> PASS US THE JEWELS.
1352
00:37:56,420 --> 00:37:59,820
HAPPILY RELIEVE HER OF THE LOOT.
>> PASS US THE JEWELS.
>> CAN YOU GET THE DOOR...
1353
00:37:59,830 --> 00:38:00,790
>> PASS US THE JEWELS.
>> CAN YOU GET THE DOOR...
>> NICE. OKAY.
1354
00:38:00,800 --> 00:38:02,100
>> CAN YOU GET THE DOOR...
>> NICE. OKAY.
ALL RIGHT, GOOD LUCK.
1355
00:38:02,100 --> 00:38:03,090
>> NICE. OKAY.
ALL RIGHT, GOOD LUCK.
YOU'RE ON YOUR OWN.
1356
00:38:03,100 --> 00:38:03,900
ALL RIGHT, GOOD LUCK.
YOU'RE ON YOUR OWN.
NICE WORK.
1357
00:38:03,900 --> 00:38:04,600
YOU'RE ON YOUR OWN.
NICE WORK.
>> NICE!
1358
00:38:04,600 --> 00:38:05,360
NICE WORK.
>> NICE!
>> SWEET!
1359
00:38:05,370 --> 00:38:06,060
>> NICE!
>> SWEET!
>> YEAH!
1360
00:38:06,070 --> 00:38:07,770
>> SWEET!
>> YEAH!
>> Narrator: TORY AND GRANT
1361
00:38:07,770 --> 00:38:09,700
>> YEAH!
>> Narrator: TORY AND GRANT
HAPPILY MAKE OFF WITH THE LOOT.
1362
00:38:09,700 --> 00:38:11,670
>> Narrator: TORY AND GRANT
HAPPILY MAKE OFF WITH THE LOOT.
BUT WITH KARI FAILING TO ESCAPE,
1363
00:38:11,670 --> 00:38:14,070
HAPPILY MAKE OFF WITH THE LOOT.
BUT WITH KARI FAILING TO ESCAPE,
THAT'S 3 TO EEWAN AND A BIG FAT
1364
00:38:14,080 --> 00:38:16,820
BUT WITH KARI FAILING TO ESCAPE,
THAT'S 3 TO EEWAN AND A BIG FAT
0 TO THE MYTHBUSTERS.
1365
00:38:16,810 --> 00:38:18,410
THAT'S 3 TO EEWAN AND A BIG FAT
0 TO THE MYTHBUSTERS.
>> YOU KNOW, GUYS, I THINK THIS
1366
00:38:18,410 --> 00:38:19,810
0 TO THE MYTHBUSTERS.
>> YOU KNOW, GUYS, I THINK THIS
COULD WORK IF WE WORKED IN
1367
00:38:19,810 --> 00:38:23,750
>> YOU KNOW, GUYS, I THINK THIS
COULD WORK IF WE WORKED IN
CONJUNCTION WITH EACH OTHER.
1368
00:38:23,750 --> 00:38:24,720
COULD WORK IF WE WORKED IN
CONJUNCTION WITH EACH OTHER.
>> WELL, IT LOOKS LIKE OUR
1369
00:38:24,720 --> 00:38:25,850
CONJUNCTION WITH EACH OTHER.
>> WELL, IT LOOKS LIKE OUR
TECHNIQUES FOR BEATING THE GUARD
1370
00:38:25,850 --> 00:38:27,120
>> WELL, IT LOOKS LIKE OUR
TECHNIQUES FOR BEATING THE GUARD
DOG HAD A FEW DESIGN FLAWS.
1371
00:38:27,120 --> 00:38:28,450
TECHNIQUES FOR BEATING THE GUARD
DOG HAD A FEW DESIGN FLAWS.
>> LIKE TRYING TO GET OUT OF
1372
00:38:28,460 --> 00:38:29,320
DOG HAD A FEW DESIGN FLAWS.
>> LIKE TRYING TO GET OUT OF
THE HAMSTER BALL?
1373
00:38:29,320 --> 00:38:30,790
>> LIKE TRYING TO GET OUT OF
THE HAMSTER BALL?
>> YOU KNOW, I THOUGHT MY BARREL
1374
00:38:30,790 --> 00:38:32,160
THE HAMSTER BALL?
>> YOU KNOW, I THOUGHT MY BARREL
WAS GONNA WORK, BUT IT LOOKED
1375
00:38:32,160 --> 00:38:33,560
>> YOU KNOW, I THOUGHT MY BARREL
WAS GONNA WORK, BUT IT LOOKED
LIKE THE DOG HAD FIGURED OUT A
1376
00:38:33,560 --> 00:38:34,630
WAS GONNA WORK, BUT IT LOOKED
LIKE THE DOG HAD FIGURED OUT A
WAY TO TIP IT OVER.
1377
00:38:34,630 --> 00:38:36,160
LIKE THE DOG HAD FIGURED OUT A
WAY TO TIP IT OVER.
>> AND HE WASN'T FOOLED AT ALL
1378
00:38:36,160 --> 00:38:37,300
WAY TO TIP IT OVER.
>> AND HE WASN'T FOOLED AT ALL
BY ROBOCAT'S LIFELIKE
1379
00:38:37,300 --> 00:38:38,000
>> AND HE WASN'T FOOLED AT ALL
BY ROBOCAT'S LIFELIKE
APPEARANCE.
1380
00:38:38,000 --> 00:38:39,200
BY ROBOCAT'S LIFELIKE
APPEARANCE.
>> YEAH. I KNOW I WAS.
1381
00:38:39,200 --> 00:38:40,700
APPEARANCE.
>> YEAH. I KNOW I WAS.
>> WELL, I THINK PEOPLE TOTALLY
1382
00:38:40,700 --> 00:38:41,970
>> YEAH. I KNOW I WAS.
>> WELL, I THINK PEOPLE TOTALLY
UNDERESTIMATE THESE DOGS.
1383
00:38:41,970 --> 00:38:43,370
>> WELL, I THINK PEOPLE TOTALLY
UNDERESTIMATE THESE DOGS.
THEY'RE REALLY WELL-TRAINED.
1384
00:38:43,370 --> 00:38:44,700
UNDERESTIMATE THESE DOGS.
THEY'RE REALLY WELL-TRAINED.
>> YEAH, MIKE WAS SAYING THAT
1385
00:38:44,710 --> 00:38:45,970
THEY'RE REALLY WELL-TRAINED.
>> YEAH, MIKE WAS SAYING THAT
YOU CAN ACTUALLY TRAIN THESE
1386
00:38:45,970 --> 00:38:47,410
>> YEAH, MIKE WAS SAYING THAT
YOU CAN ACTUALLY TRAIN THESE
DOGS TO IGNORE THINGS, SO I BET
1387
00:38:47,410 --> 00:38:48,810
YOU CAN ACTUALLY TRAIN THESE
DOGS TO IGNORE THINGS, SO I BET
IF WE DID THIS TEST AGAIN, THEY
1388
00:38:48,810 --> 00:38:50,240
DOGS TO IGNORE THINGS, SO I BET
IF WE DID THIS TEST AGAIN, THEY
WOULDN'T EVEN LOOK TWICE AT THAT
1389
00:38:50,240 --> 00:38:50,680
IF WE DID THIS TEST AGAIN, THEY
WOULDN'T EVEN LOOK TWICE AT THAT
STEAK.
1390
00:38:50,680 --> 00:38:52,010
WOULDN'T EVEN LOOK TWICE AT THAT
STEAK.
>> ALL I KNOW IS THAT I DON'T
1391
00:38:52,010 --> 00:38:53,380
STEAK.
>> ALL I KNOW IS THAT I DON'T
WANT TO BE ANYWHERE NEAR THESE
1392
00:38:53,380 --> 00:38:54,610
>> ALL I KNOW IS THAT I DON'T
WANT TO BE ANYWHERE NEAR THESE
DOGS WITHOUT THE BITE SUIT.
1393
00:38:54,620 --> 00:38:55,520
WANT TO BE ANYWHERE NEAR THESE
DOGS WITHOUT THE BITE SUIT.
THEY'RE VICIOUS.
1394
00:38:55,520 --> 00:38:57,050
DOGS WITHOUT THE BITE SUIT.
THEY'RE VICIOUS.
>> WELL, TAKING THAT AND ALL OF
1395
00:38:57,050 --> 00:38:58,450
THEY'RE VICIOUS.
>> WELL, TAKING THAT AND ALL OF
OUR TECHNIQUES INTO ACCOUNT,
1396
00:38:58,450 --> 00:38:59,880
>> WELL, TAKING THAT AND ALL OF
OUR TECHNIQUES INTO ACCOUNT,
WHAT DO YOU GUYS WANT TO CALL
1397
00:38:59,890 --> 00:39:00,490
OUR TECHNIQUES INTO ACCOUNT,
WHAT DO YOU GUYS WANT TO CALL
THIS ONE?
1398
00:39:00,490 --> 00:39:01,820
WHAT DO YOU GUYS WANT TO CALL
THIS ONE?
>> I THINK WE HAVE TO CALL
1399
00:39:01,820 --> 00:39:02,890
THIS ONE?
>> I THINK WE HAVE TO CALL
THIS ONE PLAUSIBLE.
1400
00:39:02,890 --> 00:39:04,490
>> I THINK WE HAVE TO CALL
THIS ONE PLAUSIBLE.
>> YEAH, I AGREE, BECAUSE WE CAN
1401
00:39:04,490 --> 00:39:06,120
THIS ONE PLAUSIBLE.
>> YEAH, I AGREE, BECAUSE WE CAN
DISTRACT THE DOGS, BUT YOU DON'T
1402
00:39:06,130 --> 00:39:07,730
>> YEAH, I AGREE, BECAUSE WE CAN
DISTRACT THE DOGS, BUT YOU DON'T
KNOW HOW LONG THEY'RE GONNA STAY
1403
00:39:07,730 --> 00:39:08,430
DISTRACT THE DOGS, BUT YOU DON'T
KNOW HOW LONG THEY'RE GONNA STAY
DISTRACTED.
1404
00:39:08,430 --> 00:39:09,530
KNOW HOW LONG THEY'RE GONNA STAY
DISTRACTED.
IT'S JUST TOO RISKY.
1405
00:39:09,530 --> 00:39:11,460
DISTRACTED.
IT'S JUST TOO RISKY.
>> AND CRIME DOESN'T PAY.
1406
00:39:19,240 --> 00:39:24,540
>> Narrator: ADAM IS THREE DOWN
AGAINST MORGAN, THE WORLD'S MOST
SENSITIVE SNIFFER, BUT THAT'S NO
1407
00:39:24,550 --> 00:39:26,550
AGAINST MORGAN, THE WORLD'S MOST
SENSITIVE SNIFFER, BUT THAT'S NO
SURPRISE BECAUSE HIS HOOTER HAS
1408
00:39:26,550 --> 00:39:28,380
SENSITIVE SNIFFER, BUT THAT'S NO
SURPRISE BECAUSE HIS HOOTER HAS
OVER 1,000 YEARS OF BREEDING
1409
00:39:28,380 --> 00:39:29,280
SURPRISE BECAUSE HIS HOOTER HAS
OVER 1,000 YEARS OF BREEDING
BEHIND HIM.
1410
00:39:29,280 --> 00:39:31,050
OVER 1,000 YEARS OF BREEDING
BEHIND HIM.
>> [ Laughing ] YOU FOUND ME.
1411
00:39:31,050 --> 00:39:36,620
BEHIND HIM.
>> [ Laughing ] YOU FOUND ME.
[ LAUGHS ]
1412
00:39:36,620 --> 00:39:38,190
>> [ Laughing ] YOU FOUND ME.
[ LAUGHS ]
>> LET'S TALK ABOUT THE ORIGIN
1413
00:39:38,190 --> 00:39:39,220
[ LAUGHS ]
>> LET'S TALK ABOUT THE ORIGIN
OF THE BLOODHOUND.
1414
00:39:39,230 --> 00:39:39,820
>> LET'S TALK ABOUT THE ORIGIN
OF THE BLOODHOUND.
>> OKAY.
1415
00:39:39,830 --> 00:39:41,990
OF THE BLOODHOUND.
>> OKAY.
WELL, WE HAVE CITATIONS REFERRED
1416
00:39:42,000 --> 00:39:44,060
>> OKAY.
WELL, WE HAVE CITATIONS REFERRED
TO "SLEUTH HOUNDS" HUNTING MEN
1417
00:39:44,070 --> 00:39:46,070
WELL, WE HAVE CITATIONS REFERRED
TO "SLEUTH HOUNDS" HUNTING MEN
AS EARLY AS THE 13th CENTURY.
1418
00:39:46,070 --> 00:39:47,900
TO "SLEUTH HOUNDS" HUNTING MEN
AS EARLY AS THE 13th CENTURY.
>> YEAH, BUT BACK THEN, NOBLEMEN
1419
00:39:47,900 --> 00:39:49,500
AS EARLY AS THE 13th CENTURY.
>> YEAH, BUT BACK THEN, NOBLEMEN
MAINLY USED THEM FOR HUNTING
1420
00:39:49,500 --> 00:39:50,400
>> YEAH, BUT BACK THEN, NOBLEMEN
MAINLY USED THEM FOR HUNTING
DEER OR BOAR.
1421
00:39:50,410 --> 00:39:52,110
MAINLY USED THEM FOR HUNTING
DEER OR BOAR.
>> AND IT IS COMMONLY BELIEVED
1422
00:39:52,110 --> 00:39:53,840
DEER OR BOAR.
>> AND IT IS COMMONLY BELIEVED
THAT THE BREED WAS REFINED AND
1423
00:39:53,840 --> 00:39:54,910
>> AND IT IS COMMONLY BELIEVED
THAT THE BREED WAS REFINED AND
ORIGINATED AT THE
1424
00:39:54,910 --> 00:39:56,370
THAT THE BREED WAS REFINED AND
ORIGINATED AT THE
SAINT-HUBERT MONASTERY IN
1425
00:39:56,380 --> 00:39:58,010
ORIGINATED AT THE
SAINT-HUBERT MONASTERY IN
BELGIUM IN THE 11th CENTURY.
1426
00:39:58,010 --> 00:39:59,710
SAINT-HUBERT MONASTERY IN
BELGIUM IN THE 11th CENTURY.
>> HUH.
1427
00:39:59,710 --> 00:40:02,810
BELGIUM IN THE 11th CENTURY.
>> HUH.
>> WHAT'S NEXT IS WASHING OFF
1428
00:40:02,820 --> 00:40:05,380
>> HUH.
>> WHAT'S NEXT IS WASHING OFF
AND CHANGING MY CLOTHES.
1429
00:40:05,390 --> 00:40:07,090
>> WHAT'S NEXT IS WASHING OFF
AND CHANGING MY CLOTHES.
WE HAVE A SECRET LOCATION ABOUT
1430
00:40:07,090 --> 00:40:08,390
AND CHANGING MY CLOTHES.
WE HAVE A SECRET LOCATION ABOUT
TWO MINUTES FROM HERE.
1431
00:40:08,390 --> 00:40:09,920
WE HAVE A SECRET LOCATION ABOUT
TWO MINUTES FROM HERE.
WE'VE GOT A WASH BASIN AND A
1432
00:40:09,920 --> 00:40:11,690
TWO MINUTES FROM HERE.
WE'VE GOT A WASH BASIN AND A
WHOLE NEW SET OF CLOTHES FOR ME.
1433
00:40:11,690 --> 00:40:13,360
WE'VE GOT A WASH BASIN AND A
WHOLE NEW SET OF CLOTHES FOR ME.
I'M GONNA FIND IT, WASH MYSELF
1434
00:40:13,360 --> 00:40:15,090
WHOLE NEW SET OF CLOTHES FOR ME.
I'M GONNA FIND IT, WASH MYSELF
OFF, CHANGE MY CLOTHES, TAKE OFF
1435
00:40:15,100 --> 00:40:16,530
I'M GONNA FIND IT, WASH MYSELF
OFF, CHANGE MY CLOTHES, TAKE OFF
IN A DIFFERENT DIRECTION.
1436
00:40:16,530 --> 00:40:19,000
OFF, CHANGE MY CLOTHES, TAKE OFF
IN A DIFFERENT DIRECTION.
WE'LL SEE IF THAT FOOLS THE DOG.
1437
00:40:19,000 --> 00:40:20,770
IN A DIFFERENT DIRECTION.
WE'LL SEE IF THAT FOOLS THE DOG.
I HAVE NO DOUBT HE CAN FIND MY
1438
00:40:20,770 --> 00:40:21,600
WE'LL SEE IF THAT FOOLS THE DOG.
I HAVE NO DOUBT HE CAN FIND MY
WASH BASIN.
1439
00:40:21,600 --> 00:40:23,370
I HAVE NO DOUBT HE CAN FIND MY
WASH BASIN.
THE QUESTION IS, CAN HE FOLLOW
1440
00:40:23,370 --> 00:40:25,140
WASH BASIN.
THE QUESTION IS, CAN HE FOLLOW
ME FROM THERE?
1441
00:40:25,140 --> 00:40:26,470
THE QUESTION IS, CAN HE FOLLOW
ME FROM THERE?
>> Narrator: AS PREDICTED,
1442
00:40:26,470 --> 00:40:29,540
ME FROM THERE?
>> Narrator: AS PREDICTED,
MORGAN FINDS THE WASH LOCATION.
1443
00:40:29,540 --> 00:40:32,910
>> Narrator: AS PREDICTED,
MORGAN FINDS THE WASH LOCATION.
>> OH, WHAT A GOOD BOY.
1444
00:40:32,910 --> 00:40:34,110
MORGAN FINDS THE WASH LOCATION.
>> OH, WHAT A GOOD BOY.
THAT'S A GOOD BOY.
1445
00:40:34,120 --> 00:40:35,220
>> OH, WHAT A GOOD BOY.
THAT'S A GOOD BOY.
WHERE DID HE GO?
1446
00:40:35,220 --> 00:40:37,050
THAT'S A GOOD BOY.
WHERE DID HE GO?
>> Narrator: BUT FOR THE FIRST
1447
00:40:37,050 --> 00:40:38,950
WHERE DID HE GO?
>> Narrator: BUT FOR THE FIRST
TIME, OUR INTREPID TRACKERS ARE
1448
00:40:38,950 --> 00:40:39,580
>> Narrator: BUT FOR THE FIRST
TIME, OUR INTREPID TRACKERS ARE
STUMPED.
1449
00:40:39,590 --> 00:40:41,220
TIME, OUR INTREPID TRACKERS ARE
STUMPED.
BUT IT'S NOT BECAUSE ADAM HAS
1450
00:40:41,220 --> 00:40:42,490
STUMPED.
BUT IT'S NOT BECAUSE ADAM HAS
WASHED HIS SCENT OFF.
1451
00:40:42,490 --> 00:40:44,260
BUT IT'S NOT BECAUSE ADAM HAS
WASHED HIS SCENT OFF.
IT'S BECAUSE THERE'S TOO MUCH OF
1452
00:40:44,260 --> 00:40:44,660
WASHED HIS SCENT OFF.
IT'S BECAUSE THERE'S TOO MUCH OF
IT.
1453
00:40:44,660 --> 00:40:46,090
IT'S BECAUSE THERE'S TOO MUCH OF
IT.
>> I'M GUESSING HE TOOK A
1454
00:40:46,090 --> 00:40:47,230
IT.
>> I'M GUESSING HE TOOK A
SHOWER.
1455
00:40:47,230 --> 00:40:48,460
>> I'M GUESSING HE TOOK A
SHOWER.
THIS JUST MIGHT BE A LOT OF
1456
00:40:48,460 --> 00:40:48,860
SHOWER.
THIS JUST MIGHT BE A LOT OF
SCENT.
1457
00:40:48,860 --> 00:40:50,130
THIS JUST MIGHT BE A LOT OF
SCENT.
I DON'T KNOW IF WE'RE HAVING
1458
00:40:50,130 --> 00:40:51,400
SCENT.
I DON'T KNOW IF WE'RE HAVING
TROUBLE GETTING OUT OF IT OR
1459
00:40:51,400 --> 00:40:51,760
I DON'T KNOW IF WE'RE HAVING
TROUBLE GETTING OUT OF IT OR
WHAT.
1460
00:40:51,770 --> 00:40:53,000
TROUBLE GETTING OUT OF IT OR
WHAT.
>> Narrator: ADAM'S ODOR IS
1461
00:40:53,000 --> 00:40:54,870
WHAT.
>> Narrator: ADAM'S ODOR IS
OVERWHELMING BECAUSE OF ALL THE
1462
00:40:54,870 --> 00:40:56,730
>> Narrator: ADAM'S ODOR IS
OVERWHELMING BECAUSE OF ALL THE
WATER AND THE AMOUNT OF TIME HE
1463
00:40:56,740 --> 00:40:57,700
OVERWHELMING BECAUSE OF ALL THE
WATER AND THE AMOUNT OF TIME HE
SPENT THERE.
1464
00:40:57,710 --> 00:40:59,280
WATER AND THE AMOUNT OF TIME HE
SPENT THERE.
>> I KNOW. WHERE IS HE?
1465
00:40:59,270 --> 00:41:01,270
SPENT THERE.
>> I KNOW. WHERE IS HE?
>> Narrator: MATT REALIZES THIS
1466
00:41:01,280 --> 00:41:03,250
>> I KNOW. WHERE IS HE?
>> Narrator: MATT REALIZES THIS
AND WORKS MORGAN OVER THE AREA
1467
00:41:03,240 --> 00:41:04,780
>> Narrator: MATT REALIZES THIS
AND WORKS MORGAN OVER THE AREA
LOOKING FOR THE EXIT POINT.
1468
00:41:04,780 --> 00:41:06,510
AND WORKS MORGAN OVER THE AREA
LOOKING FOR THE EXIT POINT.
MEANWHILE, ADAM, WITH SOME TIME
1469
00:41:06,510 --> 00:41:08,350
LOOKING FOR THE EXIT POINT.
MEANWHILE, ADAM, WITH SOME TIME
ON HIS HANDS, RELAXES.
1470
00:41:08,350 --> 00:41:11,050
MEANWHILE, ADAM, WITH SOME TIME
ON HIS HANDS, RELAXES.
[ DOG BARKING ]
1471
00:41:11,050 --> 00:41:12,980
ON HIS HANDS, RELAXES.
[ DOG BARKING ]
>> Narrator: BUT MORGAN REMAINS
1472
00:41:12,990 --> 00:41:13,650
[ DOG BARKING ]
>> Narrator: BUT MORGAN REMAINS
FOCUSED.
1473
00:41:13,650 --> 00:41:15,220
>> Narrator: BUT MORGAN REMAINS
FOCUSED.
IN FACT, THE BLOODHOUND IS
1474
00:41:15,220 --> 00:41:16,920
FOCUSED.
IN FACT, THE BLOODHOUND IS
FAMOUS FOR BEING PATIENT AND
1475
00:41:16,920 --> 00:41:18,720
IN FACT, THE BLOODHOUND IS
FAMOUS FOR BEING PATIENT AND
STUBBORN -- CHARACTERISTICS THAT
1476
00:41:18,730 --> 00:41:20,530
FAMOUS FOR BEING PATIENT AND
STUBBORN -- CHARACTERISTICS THAT
HAVE BEEN SELECTED FOR JUST THIS
1477
00:41:20,530 --> 00:41:25,130
STUBBORN -- CHARACTERISTICS THAT
HAVE BEEN SELECTED FOR JUST THIS
PURPOSE.
1478
00:41:25,130 --> 00:41:27,270
HAVE BEEN SELECTED FOR JUST THIS
PURPOSE.
>> THAT'S A GOOD BOY!
1479
00:41:27,270 --> 00:41:29,070
PURPOSE.
>> THAT'S A GOOD BOY!
THAT'S A GOOD BOY!
1480
00:41:29,070 --> 00:41:30,070
>> THAT'S A GOOD BOY!
THAT'S A GOOD BOY!
OH, GOOD BOY!
1481
00:41:30,070 --> 00:41:31,200
THAT'S A GOOD BOY!
OH, GOOD BOY!
>> FOILED AGAIN.
1482
00:41:31,210 --> 00:41:34,380
OH, GOOD BOY!
>> FOILED AGAIN.
>> WHAT A GOOD BOY YOU ARE.
1483
00:41:34,380 --> 00:41:35,180
>> FOILED AGAIN.
>> WHAT A GOOD BOY YOU ARE.
>> NICE SUIT.
1484
00:41:35,180 --> 00:41:36,570
>> WHAT A GOOD BOY YOU ARE.
>> NICE SUIT.
>> [ Laughing ] THANK YOU.
1485
00:41:36,580 --> 00:41:37,010
>> NICE SUIT.
>> [ Laughing ] THANK YOU.
WHOA.
1486
00:41:37,010 --> 00:41:38,710
>> [ Laughing ] THANK YOU.
WHOA.
WHAT THE WELL-DRESSED ESCAPEE IS
1487
00:41:38,710 --> 00:41:39,740
WHOA.
WHAT THE WELL-DRESSED ESCAPEE IS
WEARING THIS YEAR.
1488
00:41:39,750 --> 00:41:41,450
WHAT THE WELL-DRESSED ESCAPEE IS
WEARING THIS YEAR.
>> MORGAN DID REALLY WELL ON THE
1489
00:41:41,450 --> 00:41:42,280
WEARING THIS YEAR.
>> MORGAN DID REALLY WELL ON THE
TEST OVERALL.
1490
00:41:42,280 --> 00:41:43,880
>> MORGAN DID REALLY WELL ON THE
TEST OVERALL.
IT LOOKED LIKE WE HAD A LITTLE
1491
00:41:43,890 --> 00:41:45,530
TEST OVERALL.
IT LOOKED LIKE WE HAD A LITTLE
BIT OF PROBLEM AT THE SHED, BUT
1492
00:41:45,520 --> 00:41:47,150
IT LOOKED LIKE WE HAD A LITTLE
BIT OF PROBLEM AT THE SHED, BUT
ACTUALLY, IN REALITY, THE THING
1493
00:41:47,150 --> 00:41:48,850
BIT OF PROBLEM AT THE SHED, BUT
ACTUALLY, IN REALITY, THE THING
I LIKED ABOUT IT IS MORGAN NEVER
1494
00:41:48,860 --> 00:41:49,450
ACTUALLY, IN REALITY, THE THING
I LIKED ABOUT IT IS MORGAN NEVER
GAVE UP.
1495
00:41:49,460 --> 00:41:50,720
I LIKED ABOUT IT IS MORGAN NEVER
GAVE UP.
YOU CAN SEE ON THE TAPE HE'S
1496
00:41:50,730 --> 00:41:52,030
GAVE UP.
YOU CAN SEE ON THE TAPE HE'S
ALWAYS LOOKING FOR THE SCENT,
1497
00:41:52,030 --> 00:41:53,320
YOU CAN SEE ON THE TAPE HE'S
ALWAYS LOOKING FOR THE SCENT,
AND HE'S ALWAYS SEARCHING FOR
1498
00:41:53,330 --> 00:41:53,630
ALWAYS LOOKING FOR THE SCENT,
AND HE'S ALWAYS SEARCHING FOR
IT.
1499
00:41:53,630 --> 00:41:55,130
AND HE'S ALWAYS SEARCHING FOR
IT.
AND THE TWO TRAILS THAT WENT IN
1500
00:41:55,130 --> 00:41:56,560
IT.
AND THE TWO TRAILS THAT WENT IN
AND WENT OUT WERE ACTUALLY, I
1501
00:41:56,560 --> 00:41:58,000
AND THE TWO TRAILS THAT WENT IN
AND WENT OUT WERE ACTUALLY, I
THINK, FROM THE WAY HE WORKED
1502
00:41:58,000 --> 00:41:59,130
AND WENT OUT WERE ACTUALLY, I
THINK, FROM THE WAY HE WORKED
REALLY CLOSE TOGETHER.
1503
00:41:59,130 --> 00:42:00,670
THINK, FROM THE WAY HE WORKED
REALLY CLOSE TOGETHER.
SO HE JUST KEPT WORKING UNTIL HE
1504
00:42:00,670 --> 00:42:02,130
REALLY CLOSE TOGETHER.
SO HE JUST KEPT WORKING UNTIL HE
FOUND THE WAY OUT, AND ONCE HE
1505
00:42:02,140 --> 00:42:03,700
SO HE JUST KEPT WORKING UNTIL HE
FOUND THE WAY OUT, AND ONCE HE
FOUND THE WAY OUT, HE NAILED IT.
1506
00:42:03,700 --> 00:42:05,170
FOUND THE WAY OUT, AND ONCE HE
FOUND THE WAY OUT, HE NAILED IT.
>> HOW MANY MORE TRICKS YOU DO
1507
00:42:05,170 --> 00:42:06,200
FOUND THE WAY OUT, HE NAILED IT.
>> HOW MANY MORE TRICKS YOU DO
HAVE UP YOUR SLEEVE?
1508
00:42:06,210 --> 00:42:09,840
>> HOW MANY MORE TRICKS YOU DO
HAVE UP YOUR SLEEVE?
>> I HAVE EXACTLY TWO LEFT.
1509
00:42:09,840 --> 00:42:10,580
HAVE UP YOUR SLEEVE?
>> I HAVE EXACTLY TWO LEFT.
>> [ CHUCKLES ]
1510
00:42:10,580 --> 00:42:11,640
>> I HAVE EXACTLY TWO LEFT.
>> [ CHUCKLES ]
WELL, GOOD LUCK, BUDDY.
1511
00:42:11,650 --> 00:42:17,980
>> [ CHUCKLES ]
WELL, GOOD LUCK, BUDDY.
>> [ Laughing ] THANKS.
1512
00:42:17,990 --> 00:42:19,860
WELL, GOOD LUCK, BUDDY.
>> [ Laughing ] THANKS.
EVERYBODY KNOWS FROM THE MOVIES
1513
00:42:19,850 --> 00:42:21,720
>> [ Laughing ] THANKS.
EVERYBODY KNOWS FROM THE MOVIES
THAT COFFEE IS SUPPOSED TO MASK
1514
00:42:21,720 --> 00:42:23,320
EVERYBODY KNOWS FROM THE MOVIES
THAT COFFEE IS SUPPOSED TO MASK
SHIPPED DRUGS.
1515
00:42:23,320 --> 00:42:25,990
THAT COFFEE IS SUPPOSED TO MASK
SHIPPED DRUGS.
IT'S SUPPOSED TO MASK THE SMELL
1516
00:42:25,990 --> 00:42:28,630
SHIPPED DRUGS.
IT'S SUPPOSED TO MASK THE SMELL
FROM SNIFFING DOGS, AND IT IS A
1517
00:42:28,630 --> 00:42:30,330
IT'S SUPPOSED TO MASK THE SMELL
FROM SNIFFING DOGS, AND IT IS A
VERY STRONG SCENT.
1518
00:42:30,330 --> 00:42:32,130
FROM SNIFFING DOGS, AND IT IS A
VERY STRONG SCENT.
AND SO, I GUESS, THE THEORY IS
1519
00:42:32,130 --> 00:42:34,030
VERY STRONG SCENT.
AND SO, I GUESS, THE THEORY IS
THAT IT WILL OVERPOWER THE DOG'S
1520
00:42:34,040 --> 00:42:35,810
AND SO, I GUESS, THE THEORY IS
THAT IT WILL OVERPOWER THE DOG'S
OLFACTORY ABILITIES AND CAN'T
1521
00:42:35,800 --> 00:42:37,370
THAT IT WILL OVERPOWER THE DOG'S
OLFACTORY ABILITIES AND CAN'T
PICK UP MY SCENT.
1522
00:42:37,370 --> 00:42:39,200
OLFACTORY ABILITIES AND CAN'T
PICK UP MY SCENT.
AND THE COLOGNE, AGAIN, IS ALSO
1523
00:42:39,210 --> 00:42:41,070
PICK UP MY SCENT.
AND THE COLOGNE, AGAIN, IS ALSO
SOMETHING THAT WE'RE HOPING WILL
1524
00:42:41,080 --> 00:42:42,920
AND THE COLOGNE, AGAIN, IS ALSO
SOMETHING THAT WE'RE HOPING WILL
OVERPOWER MY ODOR AND THROW HIM
1525
00:42:42,910 --> 00:42:45,880
SOMETHING THAT WE'RE HOPING WILL
OVERPOWER MY ODOR AND THROW HIM
OFF THE TRAIL.
1526
00:42:45,880 --> 00:42:47,510
OVERPOWER MY ODOR AND THROW HIM
OFF THE TRAIL.
>> DID YOU SMELL THAT?
1527
00:42:47,520 --> 00:42:50,120
OFF THE TRAIL.
>> DID YOU SMELL THAT?
>> EVEN I CAN SMELL THAT ONE.
1528
00:42:50,120 --> 00:42:51,750
>> DID YOU SMELL THAT?
>> EVEN I CAN SMELL THAT ONE.
>> Narrator: UNLIKE THE SPICY
1529
00:42:51,750 --> 00:42:53,350
>> EVEN I CAN SMELL THAT ONE.
>> Narrator: UNLIKE THE SPICY
PEPPER EXPERIMENT, WHICH WAS
1530
00:42:53,350 --> 00:42:54,920
>> Narrator: UNLIKE THE SPICY
PEPPER EXPERIMENT, WHICH WAS
DESIGNED TO BLIND THE DOG'S
1531
00:42:54,920 --> 00:42:57,160
PEPPER EXPERIMENT, WHICH WAS
DESIGNED TO BLIND THE DOG'S
SENSE OF SMELL, THIS COFFEE AND
1532
00:42:57,160 --> 00:42:58,990
DESIGNED TO BLIND THE DOG'S
SENSE OF SMELL, THIS COFFEE AND
COLOGNE TEST IS ALL ABOUT
1533
00:42:58,990 --> 00:43:00,730
SENSE OF SMELL, THIS COFFEE AND
COLOGNE TEST IS ALL ABOUT
MASKING ADAM'S ODOR AND
1534
00:43:00,730 --> 00:43:04,930
COLOGNE TEST IS ALL ABOUT
MASKING ADAM'S ODOR AND
CONFUSING POOR OLD MORGAN.
1535
00:43:04,930 --> 00:43:07,070
MASKING ADAM'S ODOR AND
CONFUSING POOR OLD MORGAN.
[ DOG HOWLING ]
1536
00:43:07,070 --> 00:43:08,700
CONFUSING POOR OLD MORGAN.
[ DOG HOWLING ]
>> OH, NO.
1537
00:43:08,700 --> 00:43:09,770
[ DOG HOWLING ]
>> OH, NO.
NO.
1538
00:43:09,770 --> 00:43:11,400
>> OH, NO.
NO.
[ LAUGHS ]
1539
00:43:11,410 --> 00:43:12,710
NO.
[ LAUGHS ]
>> THAT'S A GOOD BOY!
1540
00:43:12,710 --> 00:43:13,540
[ LAUGHS ]
>> THAT'S A GOOD BOY!
>> GOOD BOY!
1541
00:43:13,540 --> 00:43:15,710
>> THAT'S A GOOD BOY!
>> GOOD BOY!
>> WHAT A GOOD DOG!
1542
00:43:15,710 --> 00:43:18,310
>> GOOD BOY!
>> WHAT A GOOD DOG!
>> HE SMELLED LIKE A CHEAP DATE,
1543
00:43:18,310 --> 00:43:20,850
>> WHAT A GOOD DOG!
>> HE SMELLED LIKE A CHEAP DATE,
BUT, YOU KNOW, AT THE END OF IT
1544
00:43:20,850 --> 00:43:22,780
>> HE SMELLED LIKE A CHEAP DATE,
BUT, YOU KNOW, AT THE END OF IT
ALL, UNLESS YOU'RE A CHEAP DATE
1545
00:43:22,780 --> 00:43:24,520
BUT, YOU KNOW, AT THE END OF IT
ALL, UNLESS YOU'RE A CHEAP DATE
TRYING TO ESCAPE, THIS ISN'T
1546
00:43:24,520 --> 00:43:26,180
ALL, UNLESS YOU'RE A CHEAP DATE
TRYING TO ESCAPE, THIS ISN'T
GONNA HELP YOU OUT BECAUSE
1547
00:43:26,190 --> 00:43:31,490
TRYING TO ESCAPE, THIS ISN'T
GONNA HELP YOU OUT BECAUSE
MORGAN FOUND HIM RIGHT AWAY.
1548
00:43:31,490 --> 00:43:32,690
GONNA HELP YOU OUT BECAUSE
MORGAN FOUND HIM RIGHT AWAY.
>> I SUPPOSE THE SECRET'S OUT
1549
00:43:32,690 --> 00:43:33,960
MORGAN FOUND HIM RIGHT AWAY.
>> I SUPPOSE THE SECRET'S OUT
ABOUT WHAT THIS TEST IS ABOUT.
1550
00:43:33,960 --> 00:43:35,230
>> I SUPPOSE THE SECRET'S OUT
ABOUT WHAT THIS TEST IS ABOUT.
>> YEAH, THIS IS JUST DOWNRIGHT
1551
00:43:35,230 --> 00:43:35,590
ABOUT WHAT THIS TEST IS ABOUT.
>> YEAH, THIS IS JUST DOWNRIGHT
MEAN.
1552
00:43:35,600 --> 00:43:36,290
>> YEAH, THIS IS JUST DOWNRIGHT
MEAN.
>> OH, REALLY?
1553
00:43:36,300 --> 00:43:36,890
MEAN.
>> OH, REALLY?
>> OH, YEAH.
1554
00:43:36,900 --> 00:43:37,500
>> OH, REALLY?
>> OH, YEAH.
[ LAUGHTER ]
1555
00:43:37,500 --> 00:43:38,560
>> OH, YEAH.
[ LAUGHTER ]
>> THIS IS A HARD ONE.
1556
00:43:38,570 --> 00:43:39,960
[ LAUGHTER ]
>> THIS IS A HARD ONE.
>> YEAH, FOR US, THIS IS HARD.
1557
00:43:39,970 --> 00:43:41,030
>> THIS IS A HARD ONE.
>> YEAH, FOR US, THIS IS HARD.
SOME PEOPLE, NOT HARD.
1558
00:43:41,040 --> 00:43:42,880
>> YEAH, FOR US, THIS IS HARD.
SOME PEOPLE, NOT HARD.
FOR US, THIS IS HARD.
1559
00:43:42,870 --> 00:43:44,400
SOME PEOPLE, NOT HARD.
FOR US, THIS IS HARD.
>> THE URBAN ENVIRONMENT THEORY
1560
00:43:44,410 --> 00:43:45,910
FOR US, THIS IS HARD.
>> THE URBAN ENVIRONMENT THEORY
IS THAT IT MAKES IT HARDER FOR
1561
00:43:45,910 --> 00:43:47,240
>> THE URBAN ENVIRONMENT THEORY
IS THAT IT MAKES IT HARDER FOR
THE DOG TO FIND ME FOR TWO
1562
00:43:47,240 --> 00:43:47,810
IS THAT IT MAKES IT HARDER FOR
THE DOG TO FIND ME FOR TWO
REASONS.
1563
00:43:47,810 --> 00:43:49,440
THE DOG TO FIND ME FOR TWO
REASONS.
ONE IS THAT THE AREA IS HEAVILY
1564
00:43:49,440 --> 00:43:50,880
REASONS.
ONE IS THAT THE AREA IS HEAVILY
TRAFFICKED BY OTHER PEOPLE.
1565
00:43:50,880 --> 00:43:52,410
ONE IS THAT THE AREA IS HEAVILY
TRAFFICKED BY OTHER PEOPLE.
THE OTHER IS THAT IT'S HARDER
1566
00:43:52,410 --> 00:43:53,880
TRAFFICKED BY OTHER PEOPLE.
THE OTHER IS THAT IT'S HARDER
FOR HIM TO SMELL MY SCENT ON
1567
00:43:53,880 --> 00:43:55,450
THE OTHER IS THAT IT'S HARDER
FOR HIM TO SMELL MY SCENT ON
PAVEMENT.
1568
00:43:55,450 --> 00:43:57,120
FOR HIM TO SMELL MY SCENT ON
PAVEMENT.
>> Narrator: ADAM HAS LAID DOWN
1569
00:43:57,120 --> 00:43:58,620
PAVEMENT.
>> Narrator: ADAM HAS LAID DOWN
A SIX-BLOCK URBAN MAZE OF A
1570
00:43:58,620 --> 00:44:01,290
>> Narrator: ADAM HAS LAID DOWN
A SIX-BLOCK URBAN MAZE OF A
TRAIL -- THE ULTIMATE TEST FOR A
1571
00:44:01,290 --> 00:44:02,890
A SIX-BLOCK URBAN MAZE OF A
TRAIL -- THE ULTIMATE TEST FOR A
BLOODHOUND.
1572
00:44:02,890 --> 00:44:03,990
TRAIL -- THE ULTIMATE TEST FOR A
BLOODHOUND.
[ DOG HOWLS ]
1573
00:44:03,990 --> 00:44:05,390
BLOODHOUND.
[ DOG HOWLS ]
>> GOOD BOY.
1574
00:44:05,390 --> 00:44:06,890
[ DOG HOWLS ]
>> GOOD BOY.
[ DOG HOWLS ]
1575
00:44:06,890 --> 00:44:08,130
>> GOOD BOY.
[ DOG HOWLS ]
COME HERE.
1576
00:44:08,130 --> 00:44:11,130
[ DOG HOWLS ]
COME HERE.
SMELL. GET HIM!
1577
00:44:11,130 --> 00:44:12,500
COME HERE.
SMELL. GET HIM!
>> Narrator: STRAIGHTAWAY, IT'S
1578
00:44:12,500 --> 00:44:13,900
SMELL. GET HIM!
>> Narrator: STRAIGHTAWAY, IT'S
APPARENT THAT MORGAN IS A LITTLE
1579
00:44:13,900 --> 00:44:14,900
>> Narrator: STRAIGHTAWAY, IT'S
APPARENT THAT MORGAN IS A LITTLE
DISTRACTED BY ALL THE
1580
00:44:14,900 --> 00:44:18,270
APPARENT THAT MORGAN IS A LITTLE
DISTRACTED BY ALL THE
INTERESTING BIG-CITY SMELLS.
1581
00:44:18,270 --> 00:44:19,900
DISTRACTED BY ALL THE
INTERESTING BIG-CITY SMELLS.
>> LEAVE IT. LET'S GO.
1582
00:44:19,910 --> 00:44:21,170
INTERESTING BIG-CITY SMELLS.
>> LEAVE IT. LET'S GO.
WHERE DID HE GO?
1583
00:44:21,180 --> 00:44:23,450
>> LEAVE IT. LET'S GO.
WHERE DID HE GO?
LEAVE IT. LET'S GO. GET TO WORK.
1584
00:44:23,440 --> 00:44:26,640
WHERE DID HE GO?
LEAVE IT. LET'S GO. GET TO WORK.
>> TOO MUCH STUFF GOING ON HERE.
1585
00:44:26,650 --> 00:44:28,010
LEAVE IT. LET'S GO. GET TO WORK.
>> TOO MUCH STUFF GOING ON HERE.
>> Narrator: MATT, REALIZING
1586
00:44:28,020 --> 00:44:29,420
>> TOO MUCH STUFF GOING ON HERE.
>> Narrator: MATT, REALIZING
MORGAN HAS LOST HIS FOCUS AND
1587
00:44:29,420 --> 00:44:30,110
>> Narrator: MATT, REALIZING
MORGAN HAS LOST HIS FOCUS AND
THE TRAIL...
1588
00:44:30,120 --> 00:44:31,250
MORGAN HAS LOST HIS FOCUS AND
THE TRAIL...
>> LEAVE IT. LET'S GO.
1589
00:44:31,250 --> 00:44:31,950
THE TRAIL...
>> LEAVE IT. LET'S GO.
GET TO WORK.
1590
00:44:31,950 --> 00:44:33,450
>> LEAVE IT. LET'S GO.
GET TO WORK.
>> Narrator: ...BRINGS HIM BACK
1591
00:44:33,450 --> 00:44:34,820
GET TO WORK.
>> Narrator: ...BRINGS HIM BACK
TO THE START IN AN EFFORT TO
1592
00:44:34,820 --> 00:44:37,120
>> Narrator: ...BRINGS HIM BACK
TO THE START IN AN EFFORT TO
PICK UP ON THE SCENT AGAIN.
1593
00:44:37,120 --> 00:44:38,860
TO THE START IN AN EFFORT TO
PICK UP ON THE SCENT AGAIN.
>> SMELL. GET HIM. LET'S GO.
1594
00:44:38,860 --> 00:44:40,460
PICK UP ON THE SCENT AGAIN.
>> SMELL. GET HIM. LET'S GO.
>> Narrator: THE TEAM HAVE
1595
00:44:40,460 --> 00:44:42,190
>> SMELL. GET HIM. LET'S GO.
>> Narrator: THE TEAM HAVE
CLEARLY FOLLOWED A DIFFERENT
1596
00:44:42,200 --> 00:44:43,900
>> Narrator: THE TEAM HAVE
CLEARLY FOLLOWED A DIFFERENT
ROUTE TO ADAM, BUT AFTER 90
1597
00:44:43,900 --> 00:44:45,600
CLEARLY FOLLOWED A DIFFERENT
ROUTE TO ADAM, BUT AFTER 90
MINUTES OF FALSE LEADS, THEY
1598
00:44:45,600 --> 00:44:47,230
ROUTE TO ADAM, BUT AFTER 90
MINUTES OF FALSE LEADS, THEY
FINALLY FIND THEIR FURTIVE
1599
00:44:47,230 --> 00:44:49,270
MINUTES OF FALSE LEADS, THEY
FINALLY FIND THEIR FURTIVE
FUGITIVE.
1600
00:44:49,270 --> 00:44:51,970
FINALLY FIND THEIR FURTIVE
FUGITIVE.
>> [ LAUGHS ]
1601
00:44:51,970 --> 00:44:53,770
FUGITIVE.
>> [ LAUGHS ]
>> THAT'S A GOOD BOY!
1602
00:44:53,770 --> 00:44:54,840
>> [ LAUGHS ]
>> THAT'S A GOOD BOY!
>> [ LAUGHS ]
1603
00:44:54,840 --> 00:44:57,010
>> THAT'S A GOOD BOY!
>> [ LAUGHS ]
>> Narrator: AN INCREDIBLE FIND,
1604
00:44:57,010 --> 00:44:58,510
>> [ LAUGHS ]
>> Narrator: AN INCREDIBLE FIND,
BUT AS ADAM POINTS OUT, THERE
1605
00:44:58,510 --> 00:45:00,180
>> Narrator: AN INCREDIBLE FIND,
BUT AS ADAM POINTS OUT, THERE
WAS AN ELEMENT OF LUCK INVOLVED.
1606
00:45:00,180 --> 00:45:01,650
BUT AS ADAM POINTS OUT, THERE
WAS AN ELEMENT OF LUCK INVOLVED.
>> WELL, I'M AMAZED THAT YOU
1607
00:45:01,650 --> 00:45:03,280
WAS AN ELEMENT OF LUCK INVOLVED.
>> WELL, I'M AMAZED THAT YOU
FOUND ME 'CAUSE I DIDN'T GO THAT
1608
00:45:03,280 --> 00:45:03,680
>> WELL, I'M AMAZED THAT YOU
FOUND ME 'CAUSE I DIDN'T GO THAT
WAY.
1609
00:45:03,680 --> 00:45:04,620
FOUND ME 'CAUSE I DIDN'T GO THAT
WAY.
I CAME THAT WAY.
1610
00:45:04,620 --> 00:45:06,080
WAY.
I CAME THAT WAY.
I CAME THROUGH A CAR PARK, AND,
1611
00:45:06,090 --> 00:45:07,550
I CAME THAT WAY.
I CAME THROUGH A CAR PARK, AND,
IN FACT, I EVEN LEFT A COUPLE OF
1612
00:45:07,560 --> 00:45:08,600
I CAME THROUGH A CAR PARK, AND,
IN FACT, I EVEN LEFT A COUPLE OF
SCENT POOLS FOR YOU.
1613
00:45:08,590 --> 00:45:09,920
IN FACT, I EVEN LEFT A COUPLE OF
SCENT POOLS FOR YOU.
I GOT DOWN ON THE GROUND AND
1614
00:45:09,920 --> 00:45:11,160
SCENT POOLS FOR YOU.
I GOT DOWN ON THE GROUND AND
GRINDED AROUND, GAVE YOU A
1615
00:45:11,160 --> 00:45:11,890
I GOT DOWN ON THE GROUND AND
GRINDED AROUND, GAVE YOU A
LITTLE GIMME.
1616
00:45:11,890 --> 00:45:13,520
GRINDED AROUND, GAVE YOU A
LITTLE GIMME.
AND I CAME THROUGH AN ALLEY BACK
1617
00:45:13,530 --> 00:45:14,830
LITTLE GIMME.
AND I CAME THROUGH AN ALLEY BACK
THERE AND CAME THIS WAY.
1618
00:45:14,830 --> 00:45:16,260
AND I CAME THROUGH AN ALLEY BACK
THERE AND CAME THIS WAY.
I WOULDN'T CHALK THIS UP TO
1619
00:45:16,260 --> 00:45:18,700
THERE AND CAME THIS WAY.
I WOULDN'T CHALK THIS UP TO
SHEER LUCK.
1620
00:45:18,700 --> 00:45:20,200
I WOULDN'T CHALK THIS UP TO
SHEER LUCK.
BUT I WOULDN'T CALL IT 100%
1621
00:45:20,200 --> 00:45:21,030
SHEER LUCK.
BUT I WOULDN'T CALL IT 100%
FIND, EITHER.
1622
00:45:21,040 --> 00:45:22,440
BUT I WOULDN'T CALL IT 100%
FIND, EITHER.
I'D SAY IT'S SOMEWHERE IN
1623
00:45:22,440 --> 00:45:23,030
FIND, EITHER.
I'D SAY IT'S SOMEWHERE IN
BETWEEN.
1624
00:45:23,040 --> 00:45:24,700
I'D SAY IT'S SOMEWHERE IN
BETWEEN.
AND MORGAN'S STILL A YOUNG DOG,
1625
00:45:24,710 --> 00:45:26,110
BETWEEN.
AND MORGAN'S STILL A YOUNG DOG,
STILL WORK-IN-PROGRESS TO
1626
00:45:26,110 --> 00:45:27,510
AND MORGAN'S STILL A YOUNG DOG,
STILL WORK-IN-PROGRESS TO
LEARNING WHAT HE'S DOING.
1627
00:45:27,510 --> 00:45:29,070
STILL WORK-IN-PROGRESS TO
LEARNING WHAT HE'S DOING.
AND THIS IS, WITHOUT A DOUBT,
1628
00:45:29,080 --> 00:45:30,710
LEARNING WHAT HE'S DOING.
AND THIS IS, WITHOUT A DOUBT,
THE MOST DIFFICULT ENVIRONMENT
1629
00:45:30,710 --> 00:45:32,240
AND THIS IS, WITHOUT A DOUBT,
THE MOST DIFFICULT ENVIRONMENT
FOR HIM TO TRACK SOMEONE IN.
1630
00:45:32,250 --> 00:45:33,610
THE MOST DIFFICULT ENVIRONMENT
FOR HIM TO TRACK SOMEONE IN.
>> MORGAN AND I HAVEN'T YET
1631
00:45:33,610 --> 00:45:34,710
FOR HIM TO TRACK SOMEONE IN.
>> MORGAN AND I HAVEN'T YET
CONCENTRATED ON URBAN
1632
00:45:34,720 --> 00:45:36,220
>> MORGAN AND I HAVEN'T YET
CONCENTRATED ON URBAN
ENVIRONMENTS, SO IT'S POSSIBLE
1633
00:45:36,220 --> 00:45:37,680
CONCENTRATED ON URBAN
ENVIRONMENTS, SO IT'S POSSIBLE
THAT IF YOU DID IT WITH A DOG
1634
00:45:37,690 --> 00:45:39,230
ENVIRONMENTS, SO IT'S POSSIBLE
THAT IF YOU DID IT WITH A DOG
WITH MORE URBAN EXPERIENCE, YOU
1635
00:45:39,220 --> 00:45:42,350
THAT IF YOU DID IT WITH A DOG
WITH MORE URBAN EXPERIENCE, YOU
MIGHT GET A DIFFERENT RESULT.
1636
00:45:42,360 --> 00:45:43,290
WITH MORE URBAN EXPERIENCE, YOU
MIGHT GET A DIFFERENT RESULT.
[ DOG HOWLING ]
1637
00:45:43,290 --> 00:45:44,620
MIGHT GET A DIFFERENT RESULT.
[ DOG HOWLING ]
>> Narrator: IT'S TRUE.
1638
00:45:44,630 --> 00:45:46,500
[ DOG HOWLING ]
>> Narrator: IT'S TRUE.
THERE ARE PLENTY OF DOCUMENTED
1639
00:45:46,490 --> 00:45:47,830
>> Narrator: IT'S TRUE.
THERE ARE PLENTY OF DOCUMENTED
CASES OF BLOODHOUNDS
1640
00:45:47,830 --> 00:45:49,690
THERE ARE PLENTY OF DOCUMENTED
CASES OF BLOODHOUNDS
SUCCESSFULLY FOLLOWING A TRAIL
1641
00:45:49,700 --> 00:45:51,700
CASES OF BLOODHOUNDS
SUCCESSFULLY FOLLOWING A TRAIL
THROUGH HEAVILY POPULATED AREAS,
1642
00:45:51,700 --> 00:45:53,430
SUCCESSFULLY FOLLOWING A TRAIL
THROUGH HEAVILY POPULATED AREAS,
BUT THERE'S NO DOUBTING IT'S
1643
00:45:53,430 --> 00:45:54,030
THROUGH HEAVILY POPULATED AREAS,
BUT THERE'S NO DOUBTING IT'S
TOUGH.
1644
00:45:54,030 --> 00:45:55,430
BUT THERE'S NO DOUBTING IT'S
TOUGH.
>> I DON'T KNOW ABOUT YOU, BUT
1645
00:45:55,440 --> 00:45:56,900
TOUGH.
>> I DON'T KNOW ABOUT YOU, BUT
I'VE HAD ENOUGH RUNNING FOR LIKE
1646
00:45:56,900 --> 00:45:57,570
>> I DON'T KNOW ABOUT YOU, BUT
I'VE HAD ENOUGH RUNNING FOR LIKE
THREE MYTHS.
1647
00:45:57,570 --> 00:45:58,800
I'VE HAD ENOUGH RUNNING FOR LIKE
THREE MYTHS.
I'M GONNA CHANGE BACK INTO
1648
00:45:58,810 --> 00:46:00,270
THREE MYTHS.
I'M GONNA CHANGE BACK INTO
CIVILIAN CLOTHES AND SLEEP FOR A
1649
00:46:00,270 --> 00:46:00,940
I'M GONNA CHANGE BACK INTO
CIVILIAN CLOTHES AND SLEEP FOR A
COUPLE DAYS.
1650
00:46:00,940 --> 00:46:02,610
CIVILIAN CLOTHES AND SLEEP FOR A
COUPLE DAYS.
>> ALL RIGHT. LET'S CLEAR OUT.
1651
00:46:02,610 --> 00:46:04,240
COUPLE DAYS.
>> ALL RIGHT. LET'S CLEAR OUT.
>> Narrator: AS THE TEAM HEAD
1652
00:46:04,250 --> 00:46:05,890
>> ALL RIGHT. LET'S CLEAR OUT.
>> Narrator: AS THE TEAM HEAD
HOME AFTER A HARD DAY HUNTING
1653
00:46:05,880 --> 00:46:07,950
>> Narrator: AS THE TEAM HEAD
HOME AFTER A HARD DAY HUNTING
AND BEING HUNTED, JAMIE DECIDES
1654
00:46:07,950 --> 00:46:09,710
HOME AFTER A HARD DAY HUNTING
AND BEING HUNTED, JAMIE DECIDES
THAT THE OLD FILM-INDUSTRY
1655
00:46:09,720 --> 00:46:11,380
AND BEING HUNTED, JAMIE DECIDES
THAT THE OLD FILM-INDUSTRY
PROVERB "NEVER WORK WITH
1656
00:46:11,390 --> 00:46:13,130
THAT THE OLD FILM-INDUSTRY
PROVERB "NEVER WORK WITH
ANIMALS" IS TOTALLY BUSTED.
1657
00:46:13,120 --> 00:46:14,750
PROVERB "NEVER WORK WITH
ANIMALS" IS TOTALLY BUSTED.
>> THIS HAS BEEN REALLY A
1658
00:46:14,760 --> 00:46:16,530
ANIMALS" IS TOTALLY BUSTED.
>> THIS HAS BEEN REALLY A
WONDERFUL EXPERIENCE FOR US
1659
00:46:16,520 --> 00:46:18,490
>> THIS HAS BEEN REALLY A
WONDERFUL EXPERIENCE FOR US
BECAUSE, YOU KNOW, WORKING WITH
1660
00:46:18,490 --> 00:46:20,390
WONDERFUL EXPERIENCE FOR US
BECAUSE, YOU KNOW, WORKING WITH
AN ANIMAL LIKE THIS THAT IS SO
1661
00:46:20,390 --> 00:46:22,630
BECAUSE, YOU KNOW, WORKING WITH
AN ANIMAL LIKE THIS THAT IS SO
AMAZING, I MEAN, MORGAN WAS --
1662
00:46:22,630 --> 00:46:24,830
AN ANIMAL LIKE THIS THAT IS SO
AMAZING, I MEAN, MORGAN WAS --
IT'S LIKE MAGIC WHAT THIS DOG
1663
00:46:24,830 --> 00:46:25,660
AMAZING, I MEAN, MORGAN WAS --
IT'S LIKE MAGIC WHAT THIS DOG
CAN DO.
1664
00:46:25,670 --> 00:46:27,830
IT'S LIKE MAGIC WHAT THIS DOG
CAN DO.
IT'S ALSO REALLY IMPRESSIVE TO
1665
00:46:27,840 --> 00:46:30,080
CAN DO.
IT'S ALSO REALLY IMPRESSIVE TO
SEE A MAN WORKING WITH THE DOG.
1666
00:46:30,070 --> 00:46:31,970
IT'S ALSO REALLY IMPRESSIVE TO
SEE A MAN WORKING WITH THE DOG.
IT STRIKES ME AS SOMETHING
1667
00:46:31,970 --> 00:46:33,370
SEE A MAN WORKING WITH THE DOG.
IT STRIKES ME AS SOMETHING
THAT'S MORE LIKE AN ART.
1668
00:46:33,370 --> 00:46:35,070
IT STRIKES ME AS SOMETHING
THAT'S MORE LIKE AN ART.
THIS ISN'T JUST LIKE A MACHINE
1669
00:46:35,080 --> 00:46:36,680
THAT'S MORE LIKE AN ART.
THIS ISN'T JUST LIKE A MACHINE
THAT'S PICKING UP SCENTS.
1670
00:46:36,810 --> 00:46:38,810
THIS IS, YOU KNOW, A COMBINATION
1671
00:46:38,810 --> 00:46:40,750
OF THE MAN AND HIS RELATIONSHIP
1672
00:46:40,750 --> 00:46:42,250
WITH THE ANIMAL, TAKING
1673
00:46:42,250 --> 00:46:44,220
ADVANTAGE OF WHAT THE ANIMAL CAN
1674
00:46:44,220 --> 00:46:46,220
DO, PICKING UP THOSE LITTLE TINY
1675
00:46:46,220 --> 00:46:48,690
HINTS OF WHAT'S GOING ON, AND
1676
00:46:48,690 --> 00:46:51,320
TRYING TO PULL IT TOGETHER INTO
1677
00:46:51,330 --> 00:46:53,000
A COMPOSITION THAT ENDS UP
1678
00:46:52,990 --> 00:46:54,390
CATCHING THE BAD GUY.
1679
00:46:54,400 --> 00:46:57,340
IT'S REALLY SOMETHING SPECIAL.
1680
00:46:57,330 --> 00:46:58,630
>> LET'S RECAP ALL THE WAYS WE
1681
00:46:58,630 --> 00:46:59,960
TRIED TO BEAT THE BLOODHOUND --
1682
00:46:59,970 --> 00:47:01,100
BACKTRACKING, ZIGZAGGING,
1683
00:47:01,100 --> 00:47:01,870
CLIMBING A TREE.
1684
00:47:01,870 --> 00:47:02,430
>> BUSTED.
1685
00:47:02,440 --> 00:47:03,300
>> RIVER CROSSING.
1686
00:47:03,300 --> 00:47:03,870
>> BUSTED.
1687
00:47:03,870 --> 00:47:05,140
>> WASHING OFF YOUR SMELL AND
1688
00:47:05,140 --> 00:47:05,940
CHANGING CLOTHES.
1689
00:47:05,940 --> 00:47:06,500
>> BUSTED.
1690
00:47:06,510 --> 00:47:07,740
>> COVERING YOUR TRACKS WITH
1691
00:47:07,740 --> 00:47:08,170
PEPPER?
1692
00:47:08,180 --> 00:47:08,750
>> BUSTED.
1693
00:47:08,740 --> 00:47:10,070
>> MASKING YOUR SCENT WITH
1694
00:47:10,080 --> 00:47:11,110
COLOGNE AND COFFEE.
1695
00:47:11,110 --> 00:47:11,780
>> BUSTED.
1696
00:47:11,780 --> 00:47:13,080
>> AND URBAN ENVIRONMENT.
1697
00:47:13,080 --> 00:47:14,850
>> THAT WOULD BE PLAUSIBLE.
1698
00:47:14,850 --> 00:47:16,250
>> HE DID AMAZINGLY.
1699
00:47:16,250 --> 00:47:18,050
>> YEP, A GOOD DOG'S HARD TO
1700
00:47:18,050 --> 00:47:18,620
FOOL.
1701
00:47:18,620 --> 00:47:28,760
>> CORRECTOMUNDO.
1702
00:47:28,760 --> 00:47:29,960
YOU KNOW, THE WHOLE IDEA FOR
1703
00:47:29,960 --> 00:47:31,100
DOING THE MYTH OF TEACHING
1704
00:47:31,100 --> 00:47:32,430
AN OLD DOG NEW TRICKS CAME FROM
1705
00:47:32,430 --> 00:47:33,130
MY DOG TRAINER.
1706
00:47:33,130 --> 00:47:34,430
>> WELL, A GOOD IDEA IS A GOOD
1707
00:47:34,440 --> 00:47:34,810
IDEA.
1708
00:47:34,800 --> 00:47:36,100
WE'LL TAKE THEM WHEREVER WE CAN
1709
00:47:36,100 --> 00:47:36,600
GET THEM.
1710
00:47:36,600 --> 00:47:37,740
>> WELL, IN FACT, IN A FEW
1711
00:47:37,740 --> 00:47:39,040
EPISODES' TIME, WE'RE GONNA BE
1712
00:47:39,040 --> 00:47:40,270
DOING AN ENTIRE EPISODE BASED
1713
00:47:40,270 --> 00:47:42,040
SOLELY ON VIEWER SUBMISSIONS.
1714
00:47:42,040 --> 00:47:43,880
>> SO IF YOU HAVE AN IDEA, LOG
1715
00:47:43,880 --> 00:47:45,780
ONTO discovery.com/mythbusters,
1716
00:47:45,780 --> 00:47:47,680
AND IF IT'S ANY GOOD, WE'LL PUT
1717
00:47:47,680 --> 00:47:48,710
IT ON THE SHOW.
1718
00:47:48,720 --> 00:47:50,750
>> WE PROMISE.
182297
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