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1
00:00:15,924 --> 00:00:17,204
One, two, three, four!
2
00:00:17,244 --> 00:00:19,765
[PLAYING "VOLDEMORT"]
3
00:00:27,805 --> 00:00:30,965
* I'm sorry if I scare you
I scare myself too *
4
00:00:31,005 --> 00:00:32,804
* I scare myself too *
5
00:00:32,845 --> 00:00:34,325
* You find me terrifying *
6
00:00:34,364 --> 00:00:36,005
* Could it be
You-Know-Who? *
7
00:00:36,044 --> 00:00:37,325
* What could I be hiding? *
8
00:00:37,364 --> 00:00:39,325
* What could I be hiding? *
9
00:00:39,364 --> 00:00:40,804
* What could I be hiding? *
10
00:00:40,845 --> 00:00:42,005
* What could I be hiding? *
11
00:00:42,044 --> 00:00:43,285
* Voldemort's alive and *
12
00:00:43,325 --> 00:00:44,444
* Voldemort's alive and *
13
00:00:44,484 --> 00:00:46,925
* Voldemort's alive and *
14
00:00:46,965 --> 00:00:49,205
* He's under my headscarf *
15
00:00:49,245 --> 00:00:50,724
* He's alive
He's alive *
16
00:00:50,764 --> 00:00:54,124
* Voldemort's alive
And he's under my headscarf *
17
00:00:54,164 --> 00:00:56,205
AMINA:
And so it came to pass.
18
00:00:56,245 --> 00:00:59,285
Us, laying down our music,
our legacy,
19
00:00:59,325 --> 00:01:02,084
exactly as Saira
had always dreamed.
20
00:01:02,124 --> 00:01:04,164
Here, at Molico Studios,
21
00:01:04,205 --> 00:01:08,164
with the only producer she had
ever wanted to work with,
22
00:01:08,205 --> 00:01:10,005
Dirty Mahmood.
23
00:01:10,045 --> 00:01:11,205
Great work, ladies.
24
00:01:11,244 --> 00:01:13,964
[SHUDDERS]
I think we can go filthier.
25
00:01:14,005 --> 00:01:15,565
AMINA:
He was every inch the maverick,
26
00:01:15,604 --> 00:01:18,205
mustachioed genius
Saira had described.
27
00:01:18,244 --> 00:01:20,964
Amina? Less controlled
on the solo.
28
00:01:21,005 --> 00:01:22,125
Lose it a bit.
Yeah.
29
00:01:22,164 --> 00:01:24,765
Don't worry
about it being perfect.
30
00:01:24,804 --> 00:01:26,005
Make it dirty.
31
00:01:26,045 --> 00:01:28,084
I can be dirty.
I can totally be dirty.
32
00:01:28,125 --> 00:01:29,964
He understood what we were.
33
00:01:30,005 --> 00:01:31,045
Yeah. Cool.
Ayesha.
34
00:01:31,084 --> 00:01:32,205
Yes, chef.
35
00:01:32,244 --> 00:01:33,604
That second fill
into the chorus?
36
00:01:33,645 --> 00:01:36,765
M-- Mm-hm?
Show-boat. It's your moment.
37
00:01:36,804 --> 00:01:39,125
He knew how to get
the best out of us.
38
00:01:39,164 --> 00:01:41,164
Heard. Speaking my language.
39
00:01:41,205 --> 00:01:43,084
Eh. Let's go again
from the top.
40
00:01:43,125 --> 00:01:45,005
It felt like
we were leveling up.
41
00:01:45,045 --> 00:01:46,604
Sounding good people.
42
00:01:46,645 --> 00:01:50,045
As joyful as it all was,
there was something missing.
43
00:01:50,084 --> 00:01:52,045
AYESHA:
One, two, three, four!
44
00:01:52,084 --> 00:01:55,604
There as a Taz-shaped hole
at the heart of the band.
45
00:01:55,645 --> 00:01:58,005
But she was adamant
we take the deal.
46
00:01:58,045 --> 00:01:59,765
And so... we did.
47
00:01:59,804 --> 00:02:02,724
[***]
48
00:02:14,324 --> 00:02:15,685
Sure, the label could control
49
00:02:15,724 --> 00:02:17,644
if and when our music
was released.
50
00:02:17,685 --> 00:02:19,805
[CHEERING]
51
00:02:19,845 --> 00:02:21,204
But they'd made it clear
52
00:02:21,245 --> 00:02:24,484
they wanted to put
our album out ASAP.
53
00:02:24,525 --> 00:02:28,525
We were zeitgeisty, apparently.
Zeitgeisty.
54
00:02:36,965 --> 00:02:39,845
Although band life had entered
an exciting new phase,
55
00:02:39,884 --> 00:02:42,444
Bisma still had
some work to do at home.
56
00:02:42,484 --> 00:02:44,164
You okay, Mum?
Yeah, I'm okay.
57
00:02:47,444 --> 00:02:49,444
You know, baby,
I was...
58
00:02:49,484 --> 00:02:54,164
thinking about maybe, one day,
just going out just...
59
00:02:54,204 --> 00:02:56,685
like... this.
60
00:02:59,285 --> 00:03:00,924
Like, with your braids out?
61
00:03:00,965 --> 00:03:02,044
Mm-hm.
62
00:03:05,724 --> 00:03:06,884
But--
63
00:03:06,924 --> 00:03:10,285
It isn't because
I don't love my hijab, I do,
64
00:03:10,324 --> 00:03:11,525
it's just I-- I--
Mum.
65
00:03:11,565 --> 00:03:12,965
I feel I need to do this.
A change.
66
00:03:13,005 --> 00:03:14,644
Mum.
Like you've been doing.
But don't worry.
67
00:03:14,685 --> 00:03:17,125
I'm still strong in my faith,
and I'm not any less Muslim.
68
00:03:17,164 --> 00:03:18,324
It isn't about that.
It's just that--
69
00:03:18,365 --> 00:03:20,044
Mum!
Yes. Sorry.
70
00:03:21,245 --> 00:03:23,005
Yes, baby?
71
00:03:23,044 --> 00:03:26,484
You don't have to explain to me
or to anyone.
72
00:03:26,525 --> 00:03:27,525
Just do you.
73
00:03:36,245 --> 00:03:39,644
[DOOR OPENS, CLOSES]
74
00:03:46,884 --> 00:03:48,845
[SIGHS]
75
00:03:51,965 --> 00:03:53,044
'Kay.
76
00:03:54,245 --> 00:03:55,405
That's enough now.
No.
77
00:03:55,444 --> 00:03:57,405
Uh-- Mum. No, Mum. Dad.
[GIGGLING]
78
00:03:57,444 --> 00:03:59,044
AMINA:
While Bisma
had found resolution,
79
00:03:59,085 --> 00:04:02,884
Ayesha was still torn up
after her argument with Laura.
80
00:04:02,924 --> 00:04:04,044
AHSAN:
Hey.
81
00:04:07,884 --> 00:04:08,924
You okay?
82
00:04:08,965 --> 00:04:10,724
Laura's been stonewalling me.
83
00:04:10,764 --> 00:04:11,805
[SIGHS]
84
00:04:11,845 --> 00:04:13,845
She hasn't even opened
half my texts.
85
00:04:13,884 --> 00:04:16,284
[SIGHS]
86
00:04:21,125 --> 00:04:22,245
You okay?
87
00:04:23,324 --> 00:04:24,685
I told Amina I want her.
88
00:04:25,725 --> 00:04:27,045
Jeez.
89
00:04:27,084 --> 00:04:30,805
I know I said be forward
but not "serial killer" forward.
90
00:04:30,844 --> 00:04:32,524
It just came out.
91
00:04:32,565 --> 00:04:33,644
[SIGHS]
92
00:04:35,444 --> 00:04:37,764
I also said that Billy
was exoticizing her.
93
00:04:37,805 --> 00:04:39,165
Fam.
94
00:04:39,204 --> 00:04:42,045
You better than to use fancy
anthropological terms
95
00:04:42,084 --> 00:04:44,005
when it comes to
matters of the heart.
96
00:04:44,045 --> 00:04:45,444
[EXHALES]
97
00:04:46,324 --> 00:04:48,844
[***]
98
00:04:52,324 --> 00:04:55,605
AMINA:
As for me, I was giving Billy
another shot.
99
00:04:55,644 --> 00:04:59,284
He had apologized for kiss
and I-- I was less afraid.
100
00:05:00,204 --> 00:05:01,844
Need help?
Uh, no. No, no.
101
00:05:01,884 --> 00:05:02,844
[CHUCKLES]
102
00:05:04,725 --> 00:05:05,964
What's this? Hm.
103
00:05:06,005 --> 00:05:09,605
Oh, that's, uh, Ahsan's desk.
His shit.
104
00:05:09,644 --> 00:05:10,605
Oh.
105
00:05:12,524 --> 00:05:13,805
I-- Found it! Heh.
106
00:05:13,844 --> 00:05:16,084
Let's get out of here.
Mm!
107
00:05:16,125 --> 00:05:17,805
AMINA:
I know it looks like theft,
108
00:05:17,844 --> 00:05:21,284
but it had my name on it.
So, technically, it was mine.
109
00:05:21,324 --> 00:05:24,605
Yeah, look, again,
I'm so sorry--
110
00:05:24,644 --> 00:05:26,284
[INHALES DEEPLY]
111
00:05:26,324 --> 00:05:28,404
--that I attacked your face
with my face.
112
00:05:28,444 --> 00:05:31,245
You've apologized.
It's fine, Billy. It's just--
113
00:05:31,284 --> 00:05:33,284
[SIGHS]
It's cool.
114
00:05:33,324 --> 00:05:34,324
Mm.
115
00:05:36,404 --> 00:05:38,685
Can-- Can I--?
Can I ask you something?
116
00:05:38,725 --> 00:05:41,204
Yeah. Sure.
Yeah, of course, anything.
117
00:05:41,245 --> 00:05:43,204
Uh, yeah, so...
118
00:05:43,245 --> 00:05:47,485
So, Ahsan said an odd thing.
He was like--
119
00:05:47,524 --> 00:05:52,284
[SCOFFING]
He was like, you were
exoticizing me or something?
120
00:05:52,324 --> 00:05:55,125
And I was, like,
"Ew. Go away, you cr--
121
00:05:55,165 --> 00:05:57,204
You crazy... cat."
122
00:05:57,245 --> 00:05:59,365
But do you know why
he would say that?
123
00:05:59,404 --> 00:06:02,005
Fucking hell.
Yeah, that man is so pathetic.
124
00:06:02,045 --> 00:06:03,805
He likes you,
but he doesn't have the stones
125
00:06:03,844 --> 00:06:05,204
to do anything about it,
126
00:06:05,245 --> 00:06:06,964
so he spends all of his time
trying to sabotage me.
127
00:06:07,005 --> 00:06:08,404
It's actually kinda racist.
128
00:06:10,365 --> 00:06:12,964
So, you didn't say anything?
No, all I said-- What--
129
00:06:13,005 --> 00:06:15,365
Was that it was exciting
being with you.
130
00:06:15,404 --> 00:06:16,324
Oh.
131
00:06:17,565 --> 00:06:18,404
That's sweet.
132
00:06:18,444 --> 00:06:20,165
AMINA:
That was sweet.
133
00:06:20,204 --> 00:06:21,725
Yeah.
134
00:06:21,764 --> 00:06:26,005
Yeah, exactly. U-- Us.
Against the world.
135
00:06:26,045 --> 00:06:28,725
Uh, exciting, dangerous.
136
00:06:28,764 --> 00:06:31,005
All I said was that it was
exciting being seen with you,
137
00:06:31,045 --> 00:06:33,605
and he totally flipped out. Agh.
138
00:06:33,644 --> 00:06:35,284
Wait, it's exciting
being with me
139
00:06:35,324 --> 00:06:37,084
or it's exciting
being seen with me?
140
00:06:39,365 --> 00:06:42,524
Um-- The--
Um... the second one?
141
00:06:46,685 --> 00:06:49,204
The-- No, the s-- The fir--
The first one.
142
00:06:49,245 --> 00:06:50,805
[INHALES SHARPLY]
143
00:06:50,844 --> 00:06:52,165
What-- What's the difference?
144
00:06:52,204 --> 00:06:53,444
AMINA:
Shit.
145
00:06:55,485 --> 00:06:59,644
Uh, hey, could I get another
an Earl Grey tea, please?
146
00:07:04,444 --> 00:07:05,365
Amina?
147
00:07:07,005 --> 00:07:08,925
Ooh! How's my rockstar?
148
00:07:08,964 --> 00:07:10,444
Vexed.
149
00:07:10,485 --> 00:07:13,644
Profoundly vexed.
He likes being seen with me.
150
00:07:13,685 --> 00:07:16,844
Apparently,
I make him feel dangerous.
151
00:07:16,884 --> 00:07:18,204
Danger-- You?
152
00:07:18,245 --> 00:07:20,404
[LAUGHING]
153
00:07:20,444 --> 00:07:22,165
That's good. That's really--
154
00:07:22,204 --> 00:07:24,084
Okay. Hey.
I can be dangerous, okay?
155
00:07:24,125 --> 00:07:25,685
The point is,
I have been made into a fetish.
156
00:07:25,725 --> 00:07:26,925
What, like a foot?
157
00:07:26,964 --> 00:07:29,324
Exactly. Wait, what?
158
00:07:29,365 --> 00:07:31,324
I told you then,
and I'll tell you again.
159
00:07:31,365 --> 00:07:34,125
He had bad juju.
Bad juju.
160
00:07:34,165 --> 00:07:36,084
[SIGHS]
Shit.
161
00:07:36,125 --> 00:07:39,204
AMINA:
Ahsan had tried to warn me,
and last I spoke to him,
162
00:07:39,245 --> 00:07:42,844
I told him to make like a
taxidermist and stuff himself.
163
00:07:46,245 --> 00:07:48,485
Do you have anything
I can play this on?
164
00:07:48,524 --> 00:07:49,485
Show me.
165
00:07:53,844 --> 00:07:55,644
[INHALES DEEPLY]
166
00:07:57,644 --> 00:07:58,605
Hm.
167
00:08:00,605 --> 00:08:02,404
AHSAN:
Hello! Ahem.
168
00:08:02,444 --> 00:08:06,125
[IN DEEPER VOICE]
Hi! Thank you for tuning
in to Amina Radio.
169
00:08:06,165 --> 00:08:08,324
Get ready
for a jangly good time.
170
00:08:08,365 --> 00:08:10,764
An hour of back-to-back,
rootin'-tootin',
171
00:08:10,805 --> 00:08:15,084
toe-tapping folk bangers
with me, Ahsan,
172
00:08:15,125 --> 00:08:19,605
coming to you live, sort of,
from London's East End.
173
00:08:19,644 --> 00:08:22,165
When I told Amina that there
were no Muslim folk stars,
174
00:08:22,204 --> 00:08:23,444
she would be the first.
175
00:08:23,485 --> 00:08:24,805
She was swift to correct me.
176
00:08:24,844 --> 00:08:28,084
So, this first song
is by our man,
177
00:08:28,125 --> 00:08:29,964
aka, Yusuf Islam...
Yusuf Islam.
178
00:08:30,005 --> 00:08:34,725
...fka, Cat Stevens,
aka, a living legend.
179
00:08:34,764 --> 00:08:36,164
Okay.
180
00:08:36,205 --> 00:08:39,564
["MOONSHADOW" PLAYING]
Enjoy.
181
00:08:39,605 --> 00:08:43,365
* Moonshadow, moonshadow *
182
00:08:43,404 --> 00:08:47,085
* Leapin' and hoppin'
On a moonshadow *
183
00:08:47,125 --> 00:08:50,485
* Moonshadow, moonshadow *
184
00:08:57,325 --> 00:08:59,725
[BAND CHEERING]
185
00:09:01,564 --> 00:09:03,164
So good. Amazing.
Wow!
186
00:09:03,205 --> 00:09:04,325
Amazing.
Sick!
187
00:09:04,365 --> 00:09:05,564
Sounded great, Bisma.
188
00:09:05,605 --> 00:09:06,524
Mm!
189
00:09:07,684 --> 00:09:09,245
Yeah.
Bisma's all right, is she?
190
00:09:09,284 --> 00:09:10,485
Yeah, she's great.
191
00:09:10,524 --> 00:09:14,005
Just noticed, she's sort of
changed her...
192
00:09:14,044 --> 00:09:15,164
style.
193
00:09:15,205 --> 00:09:16,485
Oh, right
the headscarf.
194
00:09:16,524 --> 00:09:17,524
Mm.
She wears it
when she wants.
195
00:09:17,564 --> 00:09:19,245
Great. She'll wear it again?
196
00:09:19,284 --> 00:09:21,564
[SCOFFS]
Probably. You should ask her.
197
00:09:21,605 --> 00:09:24,164
Yeah. No, it's just--
It's really visually striking,
198
00:09:24,205 --> 00:09:27,085
you know, and really declares
what you are: Muslim punk.
199
00:09:27,125 --> 00:09:28,524
Right. Yeah.
200
00:09:28,564 --> 00:09:30,325
CLARICE [SUCKS TEETH]:
But I gotta make some calls.
201
00:09:30,365 --> 00:09:31,725
But if you need anything,
let me know, yeah?
202
00:09:31,764 --> 00:09:34,804
In the reception.
Sounding great, ladies!
203
00:09:34,845 --> 00:09:35,924
Yep.
Yeah, cool.
204
00:09:35,965 --> 00:09:38,684
[INHALES, SIGHS]
205
00:09:38,725 --> 00:09:40,764
Anyone heard from Taz?
206
00:09:40,804 --> 00:09:41,884
Mm-mm.
207
00:09:44,804 --> 00:09:47,924
[ALI SETHI, ABDULLAH SIDDIQUI
& MAANU'S "LEFT RIGHT" PLAYING]
208
00:09:55,684 --> 00:09:57,884
AMINA:
Taz had gone off-grid.
209
00:09:57,924 --> 00:09:59,605
Back to her roots.
210
00:09:59,644 --> 00:10:02,164
Back to the distant lands
from whence she came:
211
00:10:03,845 --> 00:10:04,764
Birmingham.
212
00:10:12,924 --> 00:10:14,524
Hey!
[GIGGLES]
213
00:10:14,564 --> 00:10:16,125
Come here.
214
00:10:17,164 --> 00:10:18,445
Oh!
It's okay.
215
00:10:18,485 --> 00:10:19,845
[LAUGHS]
216
00:10:19,884 --> 00:10:23,284
You did this when we were kids
too. You become obsessed.
217
00:10:23,325 --> 00:10:25,445
Your whole existence
wraps around one thing.
218
00:10:25,485 --> 00:10:27,884
Just like Nav,
all over again.
219
00:10:27,924 --> 00:10:30,085
How is this anything like Nav?
[SIGHS]
220
00:10:30,125 --> 00:10:31,325
Well, with Lady Parts,
221
00:10:31,365 --> 00:10:32,845
you worked your arse off
and then, boom,
222
00:10:32,884 --> 00:10:34,605
they drop you like it's hot.
223
00:10:34,644 --> 00:10:38,485
With Nav...
you were obsessed with him.
224
00:10:38,524 --> 00:10:41,725
Made him your whole life...
and where did that get you?
225
00:10:43,044 --> 00:10:44,884
Yeah, those two things
aren't equivalent. Right?
226
00:10:44,924 --> 00:10:47,044
Nav was a wasteman.
Mm-hm.
227
00:10:47,085 --> 00:10:48,325
And Lady Parts are--
228
00:10:49,524 --> 00:10:52,125
Look, I don't know, the--
The future.
229
00:10:52,164 --> 00:10:54,365
Yeah, whatever.
What I'm saying is,
230
00:10:54,404 --> 00:10:59,085
you give your everything
to a thing, let it define you...
231
00:10:59,125 --> 00:11:02,564
then when it blows up in your
face, you're like, "What?"
232
00:11:03,684 --> 00:11:05,684
You need to do you,
Momtaz.
233
00:11:05,725 --> 00:11:07,404
Focus on your wellbeing.
234
00:11:08,924 --> 00:11:10,205
My wellbeing.
235
00:11:10,245 --> 00:11:12,725
[BOTH LAUGH]
Yes, sis!
236
00:11:12,764 --> 00:11:15,485
You've been running round
looking after everyone else.
237
00:11:15,524 --> 00:11:18,125
Now it's time
to look after yourself.
238
00:11:19,284 --> 00:11:20,924
AMINA:
Taz's wellbeing.
239
00:11:20,965 --> 00:11:24,684
What was her wellbeing?
What did she want?
240
00:11:24,725 --> 00:11:26,284
I missed you.
241
00:11:26,325 --> 00:11:27,804
I missed you too, sis.
242
00:11:30,965 --> 00:11:32,365
Where is Nav, these days?
243
00:11:33,924 --> 00:11:35,965
AMINA:
Nav. The boy
whose stash of weed
244
00:11:36,005 --> 00:11:37,965
Taz had agreed
to hide in her sock drawer
245
00:11:38,005 --> 00:11:39,725
all those years ago.
246
00:11:39,764 --> 00:11:43,085
The boy she took the fall for
when she was 16.
247
00:11:43,125 --> 00:11:46,764
He had once meant everything
to her. There he was now.
248
00:11:46,804 --> 00:11:47,924
[MEN LAUGHING]
249
00:11:47,965 --> 00:11:49,965
She felt nothing.
250
00:11:50,005 --> 00:11:53,485
Perhaps one day the sting
of her break up with Lady Parts
251
00:11:53,524 --> 00:11:56,524
would also fade into just
a pot belly and a bum crack.
252
00:11:56,564 --> 00:11:58,965
Perhaps, perhaps, perhaps.
253
00:11:59,005 --> 00:12:02,284
* My girl, big shot
Music manager mogul *
254
00:12:02,325 --> 00:12:04,365
* Started from the bottom
Now we here *
255
00:12:04,404 --> 00:12:07,404
AMINA:
But not everyone from Taz's
past was a bad memory.
256
00:12:07,445 --> 00:12:09,325
And it-- I just got dropped
by my main band,
257
00:12:09,365 --> 00:12:11,605
so not much
of a big shot.
258
00:12:11,644 --> 00:12:14,485
Get another band.
Get ten bands.
259
00:12:14,524 --> 00:12:16,325
Like, lesson one
in any business is
260
00:12:16,365 --> 00:12:18,245
"Diversify
your portfolio."
261
00:12:18,284 --> 00:12:19,725
[STAMMERS, LAUGHS]
262
00:12:19,764 --> 00:12:23,245
Since when did you--
You become such a business head?
263
00:12:23,284 --> 00:12:24,764
When I am not selling chicken,
264
00:12:24,804 --> 00:12:27,085
I am doing a Master's
in Business.
Mm.
265
00:12:27,125 --> 00:12:30,404
[GASPS] No shit! What?
Yeah. Why are you so surprised?
266
00:12:30,445 --> 00:12:33,965
Like-- I'm more than just
a class clown. Please, please.
267
00:12:34,005 --> 00:12:35,445
[SCOFFS]
Ah, it's good to see you.
268
00:12:35,485 --> 00:12:36,845
It's so good to see you too!
269
00:12:36,884 --> 00:12:38,605
Wait, you still rappin'?
No, I mean, like,
270
00:12:38,644 --> 00:12:40,564
I dabble here and there,
but like--
271
00:12:40,605 --> 00:12:42,485
Um, not much since school.
But yeah.
272
00:12:42,524 --> 00:12:44,804
Ah, nah-- You were good in that
talent show. I remember.
273
00:12:44,845 --> 00:12:46,684
Nah.
Come on. Let me hear something.
274
00:12:46,725 --> 00:12:48,085
Nah, sorry, I can't.
Gimme some bars.
275
00:12:48,125 --> 00:12:49,485
Nah, sorry. I can't.
I-- I took a train.
276
00:12:49,524 --> 00:12:50,644
I don't got a rail card no more.
Okay.
277
00:12:50,684 --> 00:12:52,524
[LAUGHS]
Yes!
[LAUGHS]
278
00:12:52,564 --> 00:12:55,764
* Melodies, flows and rhythms
Bars and codes and -isms *
279
00:12:55,804 --> 00:12:57,404
* Everything meaning
That I must be dreaming *
280
00:12:57,445 --> 00:12:58,924
* And I must be sippin' on
Everything written *
281
00:12:58,965 --> 00:13:01,245
* I become froze and what
I flow like water *
282
00:13:01,284 --> 00:13:02,605
* I'm the daughter of *
283
00:13:02,644 --> 00:13:03,924
* Everything in between
What do you mean *
284
00:13:03,965 --> 00:13:05,404
* And that means a ton
The caution of *
285
00:13:05,445 --> 00:13:06,884
* Identities
Abortion of *
286
00:13:06,924 --> 00:13:08,644
* Societal patterns
I guess it just happens *
287
00:13:08,684 --> 00:13:10,164
* And you want to run
For the foreman of *
288
00:13:10,205 --> 00:13:11,804
* Binary flows
And linear codes *
289
00:13:11,845 --> 00:13:15,085
* I guess I'm personified
By everything they try to hide *
290
00:13:15,125 --> 00:13:16,365
* Flowin' between... *
291
00:13:16,404 --> 00:13:18,164
AMINA:
There it was.
292
00:13:18,205 --> 00:13:19,644
The feeling she'd had
293
00:13:19,684 --> 00:13:22,325
when she first heard
Lady Parts perform.
294
00:13:22,365 --> 00:13:25,804
Excitement. Belief.
295
00:13:25,845 --> 00:13:27,924
This is what she needed.
296
00:13:27,965 --> 00:13:29,884
Oh, that was so good!
297
00:13:29,924 --> 00:13:31,644
I know. I know. I know.
298
00:13:31,684 --> 00:13:33,164
[BOTH LAUGH]
299
00:13:41,644 --> 00:13:44,325
* Kind regards, best wishes
Eat shit! *
300
00:13:44,365 --> 00:13:47,445
* Yours truly, sincerely
This bitch! *
301
00:13:47,485 --> 00:13:49,404
Can I go again on that please?
302
00:13:49,445 --> 00:13:51,804
Sure thing. Go for it.
303
00:13:51,845 --> 00:13:53,605
* Kind regards, best wishes
Eat shit! *
304
00:13:53,644 --> 00:13:56,044
You all right, man?
Hey.
305
00:13:56,085 --> 00:13:57,445
[SPEAKING INDISTINCTLY]
306
00:14:00,044 --> 00:14:01,485
AMINA:
Sister Squire.
307
00:14:01,524 --> 00:14:06,085
Saira's hero
in the actual, literal flesh.
308
00:14:06,125 --> 00:14:08,404
Uh, no, no, no, no, no.
309
00:14:08,445 --> 00:14:09,965
[MOUTHS]
Sister Squire.
310
00:14:10,005 --> 00:14:11,325
What do you mean "no?"
311
00:14:11,365 --> 00:14:13,965
You been harping
about Squire, for ages.
312
00:14:14,005 --> 00:14:15,924
No, no-- I--
I haven't been harping. I--
313
00:14:15,965 --> 00:14:17,804
MAHMOOD:
Yeah, well,
she was recording nearby,
314
00:14:17,845 --> 00:14:19,564
so I thought get her in.
315
00:14:19,605 --> 00:14:21,164
Come on.
316
00:14:21,205 --> 00:14:23,524
Oh... okay.
317
00:14:23,564 --> 00:14:25,764
Heh-heh. Yeah, cool.
318
00:14:25,804 --> 00:14:28,764
Yes. Really stupid.
319
00:14:28,804 --> 00:14:31,044
[EXHALES SHARPLY]
I just-- I'm excited--
320
00:14:31,085 --> 00:14:32,325
[FEEDBACK SQUEALS]
321
00:14:32,365 --> 00:14:34,684
Fuck! Ah! Stupid!
322
00:14:34,725 --> 00:14:36,684
AMINA:
Saira seemed to lose
all grace and poise
323
00:14:36,725 --> 00:14:38,684
in the presence
of her idol.
324
00:14:38,725 --> 00:14:42,284
Oh, my--! It's like I've--
You are my--
325
00:14:42,325 --> 00:14:43,404
[SAIRA GRUNTS]
326
00:14:47,085 --> 00:14:48,205
[CHUCKLES WEAKLY]
327
00:14:51,924 --> 00:14:54,644
AMINA:
We decided to give Saira
some alone time
328
00:14:54,684 --> 00:14:57,044
to meet her hero in peace.
329
00:14:57,085 --> 00:14:58,164
[EXHALES SHARPLY]
330
00:14:58,205 --> 00:15:00,284
[SPOONS RATTLING]
331
00:15:05,325 --> 00:15:06,325
Shit.
332
00:15:06,365 --> 00:15:07,884
[SIGHS]
333
00:15:07,924 --> 00:15:08,965
You all right?
334
00:15:09,005 --> 00:15:10,125
Uh, yes.
335
00:15:10,164 --> 00:15:12,005
Um, I-- I mean, you--
336
00:15:12,044 --> 00:15:14,804
[CLEARS THROAT]
Like, you, you--
337
00:15:14,845 --> 00:15:17,125
[SIGHS, CLEARS THROAT]
338
00:15:17,164 --> 00:15:20,044
I do this, because I saw
you do this,
339
00:15:20,085 --> 00:15:22,404
and I thought,
I do this too.
340
00:15:23,924 --> 00:15:25,845
I'm flattered.
341
00:15:25,884 --> 00:15:29,284
You know, ah, I listen to
your vinyl on a weekly basis.
342
00:15:29,325 --> 00:15:32,564
Uh, Monkey Man Dance
is a masterpiece.
343
00:15:33,605 --> 00:15:34,965
Cool.
344
00:15:35,005 --> 00:15:36,404
Yeah, I've, uh--
345
00:15:36,445 --> 00:15:39,445
I've listened to your stuff as
well. It's-- It's all right.
346
00:15:39,485 --> 00:15:41,445
You've heard our music?
Yeah. It's fun. It's a--
347
00:15:41,485 --> 00:15:43,205
It's a lot of fun.
348
00:15:43,245 --> 00:15:44,485
"Fun?"
349
00:15:45,205 --> 00:15:46,325
Fun.
350
00:15:47,764 --> 00:15:49,205
You know,
when I was your age,
351
00:15:49,245 --> 00:15:51,085
I had to hide the fact
I was Muslim.
352
00:15:51,125 --> 00:15:54,325
"Sister Squire?" I mean,
what the fuck even is that?
353
00:15:54,365 --> 00:15:55,804
[CHUCKLES]
354
00:15:55,845 --> 00:15:58,924
They didn't want anything to do
with me, the music industry.
355
00:15:58,965 --> 00:16:02,044
Years I was out there,
hustling on my own,
356
00:16:02,085 --> 00:16:05,164
putting my music out,
on my own.
357
00:16:05,205 --> 00:16:08,365
So, when Monkey Manbecame
a hit, no one expected that.
358
00:16:08,404 --> 00:16:10,325
Then they sat up.
359
00:16:10,365 --> 00:16:13,284
Finally.
Had their attention.
360
00:16:13,325 --> 00:16:15,965
But when I refused
to soften my lyrics,
361
00:16:16,005 --> 00:16:19,965
do that whole pretty girl,
short skirt, long hair bollocks,
362
00:16:20,005 --> 00:16:21,284
they fucked off.
363
00:16:23,005 --> 00:16:23,924
But I keep on.
364
00:16:25,404 --> 00:16:27,804
I still... keep on.
365
00:16:27,845 --> 00:16:28,924
[CHUCKLES]
366
00:16:28,965 --> 00:16:30,245
I know.
367
00:16:30,284 --> 00:16:32,965
Your latest album
is next level.
368
00:16:33,005 --> 00:16:37,044
And-- And-- And your voice, it's
richer than I've ever heard it.
369
00:16:37,085 --> 00:16:38,404
It-- It's amazing.
370
00:16:38,445 --> 00:16:39,605
Yeah, I know.
371
00:16:40,445 --> 00:16:41,804
You paved the way.
372
00:16:41,845 --> 00:16:43,884
You are fucking right I did.
373
00:16:43,924 --> 00:16:46,684
So, what are you
going to do with that?
374
00:16:46,725 --> 00:16:48,404
What?
Look.
375
00:16:48,445 --> 00:16:50,764
You are a fierce band
of Muslim women,
376
00:16:50,804 --> 00:16:53,205
and you're not even
having to hide that.
377
00:16:53,245 --> 00:16:54,764
You got a platform here.
378
00:16:54,804 --> 00:16:56,564
A real fucking
meaningful platform
379
00:16:56,605 --> 00:17:00,804
to shine a light on anything
in the world. Anything you want.
380
00:17:00,845 --> 00:17:03,365
And there's so much fuckery.
381
00:17:03,404 --> 00:17:05,844
There is so much suffering,
you know?
382
00:17:05,885 --> 00:17:07,005
Yeah.
383
00:17:07,044 --> 00:17:09,645
And... I like your songs.
384
00:17:09,685 --> 00:17:10,564
[CHUCKLES]
385
00:17:10,604 --> 00:17:12,405
'Cause they're the best
kind of...
386
00:17:12,445 --> 00:17:16,925
funny Muslim songs around.
But... what are you saying?
387
00:17:18,685 --> 00:17:19,604
We are--
388
00:17:21,604 --> 00:17:24,725
I don't know. Like--
Our songs are about us,
389
00:17:24,764 --> 00:17:28,564
our experiences, day to day,
like, us-ness, you know?
390
00:17:28,604 --> 00:17:30,685
Uh-- Uh, speaking our truth.
391
00:17:32,564 --> 00:17:35,165
That's great. That's beautiful.
392
00:17:35,205 --> 00:17:40,245
But you could talk about things.
Real things. You know?
393
00:17:40,284 --> 00:17:43,245
Give a voice
to the voiceless.
394
00:17:43,284 --> 00:17:45,044
Muslims are being chucked out
of their homes,
395
00:17:45,084 --> 00:17:46,205
treated as second-class
citizens.
396
00:17:46,245 --> 00:17:48,245
It is dark out there.
397
00:17:49,405 --> 00:17:52,044
They're gonna love having you
on the posters,
398
00:17:52,084 --> 00:17:55,485
but don't you let them forget
that you have got a voice.
399
00:17:55,524 --> 00:17:58,405
You have got something to say.
400
00:17:59,445 --> 00:18:01,005
Don't let your music be empty.
401
00:18:02,245 --> 00:18:04,485
Say something real.
402
00:18:17,685 --> 00:18:20,245
Guys! I bought croissants!
Fam, the R is silent.
403
00:18:20,284 --> 00:18:21,524
It's literally "croissants."
404
00:18:21,564 --> 00:18:22,764
Croissant! Oh--
[GASPING]
405
00:18:22,804 --> 00:18:24,284
[ALL SCREAM]
406
00:18:24,324 --> 00:18:25,764
Hi, everyone.
407
00:18:25,804 --> 00:18:27,604
You okay, amigo?
408
00:18:29,165 --> 00:18:30,965
Yeah. Yeah.
409
00:18:32,405 --> 00:18:34,044
We need two more songs
to round out the album,
410
00:18:34,084 --> 00:18:36,445
and I'm thinking, we've got
a platform here, right?
411
00:18:36,485 --> 00:18:38,485
A voice. We've got
a chance to say something.
412
00:18:38,524 --> 00:18:41,405
Be the change, to make
the change or whatever the fuck.
413
00:18:41,445 --> 00:18:43,764
So, yeah, song ideas,
a first bash.
414
00:18:43,804 --> 00:18:46,044
Saira, we--
We-- We-- We can't--
415
00:18:46,084 --> 00:18:47,645
This-- This is-- It's-- Uh--
416
00:18:47,685 --> 00:18:49,645
What?
Political.
417
00:18:49,685 --> 00:18:50,764
Uh, yeah, we're political.
418
00:18:50,804 --> 00:18:52,284
Yeah, uh, but we're political
419
00:18:52,324 --> 00:18:54,005
in a jokey, winky way.
420
00:18:54,044 --> 00:18:57,445
This is-- This is explicit.
This is on the nose.
421
00:18:57,485 --> 00:18:59,005
We're more nose-adjacent,
right?
422
00:18:59,044 --> 00:19:00,284
BISMA & AYESHA:
Right.
423
00:19:00,324 --> 00:19:02,165
Yeah, Muslims the world over
are being murdered,
424
00:19:02,205 --> 00:19:04,405
kicked out of their homes,
stripped of their citizenship,
425
00:19:04,445 --> 00:19:07,005
and we're, what?
Writing songs about self-care?
426
00:19:07,044 --> 00:19:09,005
Wow, wow. Okay.
"Villain Era" is a banger.
427
00:19:09,044 --> 00:19:11,485
Uh, yes, yes it is. I know.
I'm just saying.
428
00:19:11,524 --> 00:19:14,044
Think, we could shine a light
on any of these issues.
429
00:19:14,084 --> 00:19:16,405
Be the mouthpiece
for something real.
430
00:19:16,445 --> 00:19:17,685
We are
something real.
431
00:19:17,725 --> 00:19:19,205
Yes, but something "real" real.
432
00:19:19,245 --> 00:19:21,485
You want us to use other's
suffering to make us real?
433
00:19:21,524 --> 00:19:25,005
Saira. You presenting us
with a list of Muslim suffering
434
00:19:25,044 --> 00:19:27,405
and saying, "Pick an atrocity,
any atrocity,
435
00:19:27,445 --> 00:19:29,405
and write about that,"
that-- That doesn't feel real.
436
00:19:29,445 --> 00:19:31,324
No, no!
That's not what I'm doing.
437
00:19:31,364 --> 00:19:32,725
We have a platform,
438
00:19:32,764 --> 00:19:35,165
a real meaningful
fucking platform,
439
00:19:35,205 --> 00:19:37,844
a chance to talk about something
that needs our attention.
440
00:19:37,885 --> 00:19:39,364
[BREATHES DEEPLY]
441
00:19:39,405 --> 00:19:40,645
What did Squire say to you?
442
00:19:40,685 --> 00:19:43,604
Nothing. That she liked our
music. Nothing.
443
00:19:43,645 --> 00:19:47,005
Saira, some of these issues.
I-- I-- I-- I don't know.
444
00:19:47,044 --> 00:19:49,925
Maybe we should be amplifying
other voices, you know?
445
00:19:49,965 --> 00:19:52,445
Not-- It-- Heh.
It's not our lived experience.
446
00:19:52,485 --> 00:19:53,925
Amina, we're artists.
447
00:19:53,965 --> 00:19:56,044
We're not confined
by our lived experience.
448
00:19:56,084 --> 00:19:58,245
Come on. Don't you all
agree this stuff?
449
00:19:58,284 --> 00:20:01,844
What is happening right now
is fucking horrendous.
450
00:20:01,885 --> 00:20:03,524
Or maybe you don't.
451
00:20:03,564 --> 00:20:05,165
Oh, come on!
No shit, man.
452
00:20:05,205 --> 00:20:06,284
BISMA:
Saira, don't bait us.
453
00:20:06,324 --> 00:20:07,764
You know we think
it's horrendous.
454
00:20:07,804 --> 00:20:09,965
I mean, I-- I'm the one
who tells you about half of it.
455
00:20:10,005 --> 00:20:11,604
Well, then why don't we
write about it?
456
00:20:11,645 --> 00:20:12,885
Do you think the label
457
00:20:12,925 --> 00:20:14,485
is going to go for
something like this?
458
00:20:14,524 --> 00:20:16,645
Ah, ah. There's the truth.
You're scared of the label.
459
00:20:16,685 --> 00:20:18,965
Yeah, man. Yeah, I am!
'Cause guess what?
460
00:20:19,005 --> 00:20:21,604
I like that we get to record
our music properly
461
00:20:21,645 --> 00:20:24,804
and that we're going on tour
and we're gonna do Glastonbury.
462
00:20:24,844 --> 00:20:27,604
Oh, yeah. You like the comfy
chairs and the nice studio.
463
00:20:27,645 --> 00:20:31,364
I do like the comfy chairs
and the nice studio, Saira!
464
00:20:31,405 --> 00:20:34,324
And I do like the fact
that we get paid!
465
00:20:34,364 --> 00:20:37,604
I'm sorry if that makes me a
morally inferior person to you,
466
00:20:37,645 --> 00:20:40,324
or whatever the hell, but fuck,
man, if we write this,
467
00:20:40,364 --> 00:20:43,284
if we really write this, I'm--
I'm worried that we're gonna--
468
00:20:43,324 --> 00:20:45,564
Oh, you worry?
We're a punk band.
469
00:20:45,604 --> 00:20:47,685
Punk! Punk is about
fighting the power.
470
00:20:47,725 --> 00:20:50,485
Don't you fucking tell me
what punk is or I swear to God
471
00:20:50,524 --> 00:20:53,005
I will ram this up your arse.
472
00:20:53,044 --> 00:20:55,445
We just signed a deal with
a massive American corporation.
473
00:20:55,485 --> 00:20:57,044
How punk are we though,
really?
474
00:20:58,324 --> 00:20:59,445
I'm just saying.
475
00:21:01,084 --> 00:21:03,044
I just think this
could be cool for us.
476
00:21:03,084 --> 00:21:04,965
Get real. And not just
funny Muslim song,
477
00:21:05,005 --> 00:21:07,445
after funny Muslim song,
after funny Muslim song.
478
00:21:07,485 --> 00:21:09,364
Oi, fuck you!
479
00:21:09,405 --> 00:21:10,844
Fuck you!
480
00:21:10,885 --> 00:21:13,685
It's not just
a funny Muslim song.
481
00:21:14,804 --> 00:21:16,564
We're writing about
what's true to us,
482
00:21:16,604 --> 00:21:18,885
and, yeah, we're being
really fucking witty about it.
483
00:21:18,925 --> 00:21:20,445
Everyone. A breath.
484
00:21:23,885 --> 00:21:28,844
Saira, don't-- Don't you see,
weare political.
485
00:21:28,885 --> 00:21:31,804
Just by existing,
just by taking up this space,
486
00:21:31,844 --> 00:21:33,044
we are political.
487
00:21:33,084 --> 00:21:36,524
And don't you think
it's important we succeed?
488
00:21:36,564 --> 00:21:38,604
So that other people
who look like us
489
00:21:38,645 --> 00:21:40,685
might believe that it
can happen to them too?
490
00:21:40,725 --> 00:21:42,685
Because...
if we write something too--
491
00:21:42,725 --> 00:21:44,645
[SIGHS]
I don't know, man,
492
00:21:44,685 --> 00:21:46,364
we might not even
make it out the gate.
493
00:21:46,405 --> 00:21:47,564
We'll be dead
in the water.
494
00:21:47,604 --> 00:21:49,005
You don't know that.
495
00:21:49,044 --> 00:21:50,645
You don't know that.
496
00:21:50,685 --> 00:21:52,965
I-- I just think you're
all being a bit alarmist.
497
00:21:53,005 --> 00:21:54,364
Nah, mate.
498
00:21:54,405 --> 00:21:56,405
You're being cavalier.
499
00:22:00,645 --> 00:22:01,564
[SIGHS]
500
00:22:02,485 --> 00:22:03,885
I'm gonna talk to Clarice.
501
00:22:03,925 --> 00:22:04,925
Sai--
502
00:22:09,084 --> 00:22:10,324
[DOOR SLAMS]
503
00:22:11,084 --> 00:22:12,445
How can I put this?
504
00:22:12,485 --> 00:22:14,485
Absolutely fucking not.
505
00:22:14,524 --> 00:22:16,124
[SCOFFS]
Why not?
506
00:22:16,165 --> 00:22:18,965
[SIGHS]
The reason you guys
are an incredible band
507
00:22:19,005 --> 00:22:21,965
is because you bring people
together with humor, you know?
508
00:22:22,005 --> 00:22:24,445
With, uh, joy.
Uh, you're a positive band,
509
00:22:24,485 --> 00:22:27,324
spreading good cheer.
You write these great, catchy--
510
00:22:27,364 --> 00:22:29,044
Funny Muslim songs?
511
00:22:29,084 --> 00:22:30,445
Yeah, exactly.
512
00:22:30,485 --> 00:22:33,044
Yeah, great, but maybe just
a couple songs on the album
513
00:22:33,084 --> 00:22:36,645
could be a little more just--
Serious, about what's going on.
514
00:22:36,685 --> 00:22:39,564
Uh... there's no "atrocity
bangers" playlist you can be on.
515
00:22:39,604 --> 00:22:41,844
[SCOFFS]
You know, know,
I-- I mean, if anything,
516
00:22:41,885 --> 00:22:43,645
the streamers will get spooked
and ban it
517
00:22:43,685 --> 00:22:45,485
if it's too polarizing.
518
00:22:45,524 --> 00:22:48,245
Saira. I believe in you guys.
I want you to succeed.
519
00:22:48,284 --> 00:22:51,804
I'm saying this because,
yeah, the label feels great
520
00:22:51,844 --> 00:22:52,965
that they've signed you, uh--
521
00:22:53,005 --> 00:22:54,844
[SCOFFS]
We're their diversity hire.
522
00:22:54,885 --> 00:22:56,524
Yeah, they feel like
they did a good thing.
523
00:22:56,564 --> 00:22:58,524
Brownie points
from Jesus, whatever.
524
00:22:58,564 --> 00:23:00,005
I know how excellent you are,
525
00:23:00,044 --> 00:23:01,645
and I'm gonna show them
and the world
526
00:23:01,685 --> 00:23:03,205
that are not a diversity hire,
527
00:23:03,245 --> 00:23:05,564
you are the next big
fucking thing.
528
00:23:05,604 --> 00:23:08,364
Yeah, but if you carry on
writing this,
529
00:23:08,405 --> 00:23:11,124
yeah, and the label gets whiff
that their nice Muslim band
530
00:23:11,165 --> 00:23:13,645
is writing stuff that, you know,
could bring them heat,
531
00:23:13,685 --> 00:23:16,645
unwanted negative attention,
criticism,
532
00:23:16,685 --> 00:23:18,405
then they could muzzle you,
533
00:23:18,445 --> 00:23:20,965
hold the album hostage,
and ultimately drop you.
534
00:23:21,005 --> 00:23:23,445
It'll be 10 years before you get
the rights to your songs back,
535
00:23:23,485 --> 00:23:26,764
and there'll be nothing
I can do to protect you.
536
00:23:26,804 --> 00:23:28,524
[SIGHS]
537
00:23:31,445 --> 00:23:33,044
AMINA:
Despite Clarice's warnings,
538
00:23:33,084 --> 00:23:35,925
Sister Squire's words
weighed heavy on Saira.
539
00:23:43,284 --> 00:23:44,364
Hm.
540
00:23:52,685 --> 00:23:53,604
[SIGHS]
541
00:24:06,764 --> 00:24:08,844
* I could be your puppet *
542
00:24:08,885 --> 00:24:12,245
* Mouthpiece
Window-dressing bae *
543
00:24:12,284 --> 00:24:14,445
* Here's a funny Muslim song *
544
00:24:14,485 --> 00:24:17,124
* 'Cause I got
Nothing real to say *
545
00:24:17,165 --> 00:24:22,284
* It's like Death and the Maiden
Dancing with my corporation *
546
00:24:22,324 --> 00:24:24,245
* I won't mention the-- *
547
00:24:24,284 --> 00:24:26,005
[SOUND SILENCED]
548
00:24:26,044 --> 00:24:26,965
[GASPS SOFTLY]
549
00:24:33,084 --> 00:24:38,044
* It's like Death and the Maiden
Dancing with my corporation *
550
00:24:38,084 --> 00:24:39,804
* I won't mention the-- *
551
00:24:39,844 --> 00:24:41,124
[SILENCED]
552
00:24:41,165 --> 00:24:43,564
[BREATHING SHAKILY]
553
00:24:52,284 --> 00:24:54,124
* I won't mention the w-- *
554
00:24:54,165 --> 00:24:55,245
[CENSOR FEEDBACK HUMS]
555
00:24:55,284 --> 00:24:56,965
Fuck.
556
00:24:57,005 --> 00:24:59,645
[BREATHING SHAKILY]
557
00:25:02,364 --> 00:25:04,284
* I won't mention the-- *
558
00:25:06,165 --> 00:25:07,165
Fuck.
559
00:25:07,205 --> 00:25:09,364
[CENSOR FEEDBACK HUMMING]
560
00:25:11,485 --> 00:25:13,445
Agh! Ahem.
561
00:25:14,764 --> 00:25:16,445
* I won't mention the-- *
562
00:25:16,485 --> 00:25:18,284
[CENSOR FEEDBACK HUMS]
563
00:25:21,084 --> 00:25:22,645
* I won't mention the-- *
564
00:25:24,284 --> 00:25:29,284
[DISTORTED PANTING]
565
00:25:29,324 --> 00:25:30,725
* I won't mention the-- *
566
00:25:30,764 --> 00:25:33,685
[CENSOR FEEDBACK HUMS]
[DISTORTED GASPING]
567
00:25:42,885 --> 00:25:44,445
* I won't mention the-- *
568
00:25:51,165 --> 00:25:52,564
* I won't mention the-- *
569
00:25:52,604 --> 00:25:54,804
[CENSORED SCREAM]
570
00:25:56,725 --> 00:25:59,844
[RASHA NAHAS' "NBEED" PLAYING]
571
00:26:02,284 --> 00:26:04,685
[SINGING IN ARABIC]
38779
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