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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:11,880 --> 00:00:17,640 There's a time for love and a time for living. Take a chance and face the 2 00:00:18,100 --> 00:00:23,680 An open road and a road that's hidden. A brand new life around the bend. 3 00:00:24,220 --> 00:00:28,980 There were times I lost a dream or two. 4 00:00:30,040 --> 00:00:35,120 Found a trail and at the end was you. 5 00:00:35,760 --> 00:00:39,040 There's a path you take and a path not taken. 6 00:00:39,420 --> 00:00:41,620 The choice is up to you, my friend. 7 00:00:42,000 --> 00:00:48,420 Not so long, but you might have waited to a brand new life, a brand new life, a 8 00:00:48,420 --> 00:00:50,300 brand new life for groundbreaking. 9 00:01:12,940 --> 00:01:15,140 I'm calling, calling, 10 00:01:15,960 --> 00:01:19,900 calling your name. 11 00:01:22,440 --> 00:01:24,080 Hi, it's Tony Maselli here. 12 00:01:24,300 --> 00:01:27,480 Uh, Tony, there are some men here calling. 13 00:01:36,910 --> 00:01:41,550 I want you to meet the dreams of Tony and the Dreamtones. The hottest doo -wop 14 00:01:41,550 --> 00:01:43,450 group to walk the halls of Pit King. Hi. 15 00:01:43,670 --> 00:01:45,870 Well, hello. I'm Angela Bowler. 16 00:01:46,230 --> 00:01:47,230 Angela. 17 00:02:10,990 --> 00:02:13,790 Really great. You must have played for every rally and school dance. 18 00:02:14,090 --> 00:02:18,030 No, no, no. Just the locker room showers. Hey, remember that time we ran 19 00:02:18,030 --> 00:02:20,510 hot water? That's when we found out Benny was a falsetto. 20 00:02:21,270 --> 00:02:22,270 Hey, 21 00:02:23,410 --> 00:02:26,770 Tony, we got some bad news. 22 00:02:26,990 --> 00:02:28,510 They're going to tear down the school. 23 00:02:28,950 --> 00:02:30,730 Oh, no. The old high school? 24 00:02:30,970 --> 00:02:33,570 Yeah. Gee, Bobby Guvenelli will never get his diploma. 25 00:02:35,260 --> 00:02:38,020 Well, look, there's a chance of stopping the bulldozers if the building's 26 00:02:38,020 --> 00:02:41,440 brought up to code, so they're throwing a fundraiser Saturday night. Hey, well, 27 00:02:41,540 --> 00:02:42,980 anything you need, count me in. 28 00:02:43,880 --> 00:02:46,700 We need Tony and the Dreamtones to do a couple sets. 29 00:02:47,480 --> 00:02:48,840 I'm going to miss that old school. 30 00:02:50,140 --> 00:02:52,520 How can you say no? 31 00:02:52,760 --> 00:02:54,260 Tony, we get top billing. 32 00:02:54,580 --> 00:02:56,520 Yeah, we get to park in a teacher's area. 33 00:02:57,960 --> 00:03:01,560 No, but that night, remember, Angela, we have a dinner party. 34 00:03:01,780 --> 00:03:02,780 No, we don't. 35 00:03:03,230 --> 00:03:06,210 Yes, yes, we do. No, we don't. Yes, we do. 36 00:03:06,450 --> 00:03:07,830 May I see you in the kitchen, please? 37 00:03:08,390 --> 00:03:12,290 We're just going to get some refreshments. Okay, but yes, we do. 38 00:03:12,610 --> 00:03:14,470 But no, we don't. 39 00:03:15,770 --> 00:03:17,370 Are you sure they're not married? 40 00:03:18,950 --> 00:03:23,550 How can you give up a chance to sing for a good cause? Because, Angela, every 41 00:03:23,550 --> 00:03:26,050 time the dream tones got together, it was bad news. 42 00:03:26,270 --> 00:03:28,410 I'm talking serious artistic differences. 43 00:03:29,160 --> 00:03:30,440 Take our name, for instance. 44 00:03:30,820 --> 00:03:33,080 Satch wanted Satch and the Dreamtones. 45 00:03:33,420 --> 00:03:35,600 Jimbo wanted Jimbo and the Dreamtones. 46 00:03:35,800 --> 00:03:37,940 And Benny wanted... Benny and the Dreamtones. 47 00:03:38,280 --> 00:03:39,400 No, the Ink Spots. 48 00:03:40,880 --> 00:03:42,700 Benny's got no ego at all. Well, 49 00:03:43,400 --> 00:03:46,140 how did you get them to go for Tony and the Dreamtones? 50 00:03:46,960 --> 00:03:48,780 Angela, you've heard me sing. 51 00:03:50,440 --> 00:03:53,920 Anyway, it wasn't just our name we argued about. We argued over everything. 52 00:03:54,120 --> 00:03:57,820 Oh, Tony, that was a long time ago. People outgrow that kind of pettiness. 53 00:03:58,360 --> 00:03:59,360 Not me. 54 00:04:01,060 --> 00:04:03,820 Because of those guys, I missed one of the biggest opportunities of my whole 55 00:04:03,820 --> 00:04:06,660 life. We were all set to sing for graduation night. 56 00:04:07,000 --> 00:04:08,740 And it would have been our first real gig. 57 00:04:09,120 --> 00:04:12,220 And then five minutes before the show started, we get into this big argument 58 00:04:12,220 --> 00:04:14,920 over whether or not to pull our sleeves up. Did you? 59 00:04:15,500 --> 00:04:17,380 Angela, I'm pouring my heart out here. 60 00:04:17,700 --> 00:04:18,700 Sorry. 61 00:04:19,019 --> 00:04:22,019 Anyway, it was the end of Tony and the Dreamtones. 62 00:04:23,000 --> 00:04:26,400 I never got to hear the applause or bask in the glory. 63 00:04:27,000 --> 00:04:28,220 Have my clothes torn off. 64 00:04:29,260 --> 00:04:32,920 And yeah, let me tell you something. The scars have yet to heal. 65 00:04:33,180 --> 00:04:37,020 Oh, Tony. Let go of the past. Seize the present. 66 00:04:37,220 --> 00:04:40,800 I'm sure if the Dream Tongues communicate and are sensitive to each 67 00:04:40,800 --> 00:04:43,300 needs, it'll work out. No, I don't know. I don't know. 68 00:04:44,340 --> 00:04:47,560 I saw your face light up when you went wah. 69 00:04:49,640 --> 00:04:53,760 Yeah, but one wah does not mend a broken heart. 70 00:04:55,650 --> 00:04:59,330 Tony, how many people do you know get a second chance at their moment of glory? 71 00:05:00,350 --> 00:05:03,070 Well, I do look good in shark skin. 72 00:05:25,420 --> 00:05:28,200 I'm touched. I'm moved. I'm jazzed up. 73 00:05:29,660 --> 00:05:32,540 Come on, Angela. You're just saying that. Say it again. 74 00:05:33,360 --> 00:05:37,420 Oh, I mean it. You guys really know how to bebop. 75 00:05:38,340 --> 00:05:40,020 That's doo -wop, Angela. 76 00:05:40,460 --> 00:05:43,100 Bebop, doo -wop, who cares? I like this lady. All right, all right. Come on, 77 00:05:43,100 --> 00:05:45,440 guys. No more interruptions. Come on, Craig. Pick it up here. Ready? 78 00:05:46,980 --> 00:05:50,860 God made the ocean and God made the sea. 79 00:05:51,560 --> 00:05:55,300 But when God made you, he must have thought of me. 80 00:05:57,450 --> 00:06:00,850 I thought you said no more interruptions. No more interruptions 81 00:06:00,850 --> 00:06:02,150 incredibly beautiful daughters. 82 00:06:02,410 --> 00:06:05,530 Satch, Benny, DJ, and Jimbo, this is my daughter, Sam. 83 00:06:05,750 --> 00:06:07,570 Hey, how are you? Good to meet you. 84 00:06:08,430 --> 00:06:09,430 So, 85 00:06:10,050 --> 00:06:11,450 what do you think? 86 00:06:11,890 --> 00:06:14,290 Was this music before they had instruments? 87 00:06:17,650 --> 00:06:19,190 It's doo -wop, Sam. 88 00:06:19,590 --> 00:06:21,270 Doo -wop? How will I love it? 89 00:06:21,550 --> 00:06:24,450 Oh, good, good, because Saturday night, you and your friends are going to be 90 00:06:24,450 --> 00:06:25,990 listening to us at the benefit. 91 00:06:27,250 --> 00:06:28,710 In front of people I know? 92 00:06:32,770 --> 00:06:36,610 She's so excited, guys. She's excited, I'm telling you. All right, come on, 93 00:06:36,610 --> 00:06:38,270 on. We'll pick it up from the bada -badas, okay? 94 00:06:38,570 --> 00:06:39,570 All right, ready? 95 00:06:40,450 --> 00:06:45,690 Bada -bada, boom, D -A -D -A. Bada -bada, boom, D -A -D -A. Hold it, hold 96 00:06:45,730 --> 00:06:46,730 Touch the recorder. 97 00:06:47,530 --> 00:06:51,370 Benny, what do you think you're doing? What, what? Like you don't know you're 98 00:06:51,370 --> 00:06:53,650 badapping when you're supposed to be boom -D -A -ing. 99 00:06:53,980 --> 00:06:56,680 Well, that's because Jimbo keeps stepping on my ba -da -ba. 100 00:06:56,920 --> 00:06:58,200 Oh, blame me. 101 00:06:58,720 --> 00:07:00,840 It's that's the singing through Vaseline. 102 00:07:02,320 --> 00:07:07,020 I like the way I sing. My wife likes the way I sing. My kids like the way I 103 00:07:07,020 --> 00:07:10,740 sing. And if you don't like the way I sing, tough noogies. 104 00:07:11,000 --> 00:07:11,879 Hey, man. 105 00:07:11,880 --> 00:07:13,880 Wait a minute. Hold on a second. 106 00:07:14,180 --> 00:07:16,300 I thought we agreed no arguments, huh? 107 00:07:16,580 --> 00:07:18,740 Have we not learned from our past experiences? 108 00:07:19,500 --> 00:07:22,940 I tell you what. I got something I think we can all agree on, guys. What? 109 00:07:25,680 --> 00:07:26,680 Lunch. Let's go. 110 00:07:27,640 --> 00:07:32,000 Don't hog all the pastrami. I hate pastrami. My wife hates pastrami. My 111 00:07:32,000 --> 00:07:33,000 hate pastrami. 112 00:07:34,200 --> 00:07:37,920 Maronami, this communicating is tough, Angela, I'm telling you, but I think 113 00:07:37,920 --> 00:07:40,980 going to be worth it. I can't wait to get up on that stage Saturday night. 114 00:07:41,720 --> 00:07:42,980 Thanks for talking me into it. 115 00:07:43,280 --> 00:07:44,920 Oh, Tony, you're welcome. 116 00:07:45,160 --> 00:07:47,640 Well, you know, it's like the colonel had Elvis and I have you. 117 00:07:48,240 --> 00:07:52,260 Besides, I know you've been waiting about 18 years to have your clothes torn 118 00:07:52,260 --> 00:07:53,750 off. Yes. 119 00:08:33,260 --> 00:08:37,240 Chapter two, you tell her you never, never, never, never, never gonna part. 120 00:08:37,240 --> 00:08:40,240 chapter three, remember the meaning of romance. 121 00:08:40,659 --> 00:08:44,440 In chapter four, you break up, but you give her just one more chance. 122 00:08:44,760 --> 00:08:47,440 Oh, I wonder, wonder who, but do who. 123 00:09:13,640 --> 00:09:18,880 standing there. Oh, since the... You're good. 124 00:09:19,260 --> 00:09:20,480 No, no, don't. 125 00:09:20,760 --> 00:09:24,500 I'm surprised because I didn't know the right and left side of your brain were 126 00:09:24,500 --> 00:09:25,500 on speaking terms. 127 00:09:27,000 --> 00:09:30,320 Well, I must admit I do have soul. 128 00:09:31,180 --> 00:09:36,840 I used to, when I was in college, I used to sing with some of the girls in the 129 00:09:36,840 --> 00:09:38,660 dorm. You know, it was just me and... 130 00:09:39,040 --> 00:09:40,460 Whoever else didn't have a date. 131 00:09:40,900 --> 00:09:43,840 We used to sing into our hair blowers. Yeah. 132 00:09:44,760 --> 00:09:47,120 What did you call yourselves? The Curlets? 133 00:09:48,560 --> 00:09:49,760 How did you know? 134 00:09:53,720 --> 00:09:59,160 Every Saturday night, we dreamed of being on stage. You know, just getting 135 00:09:59,160 --> 00:10:01,900 loose, getting down, getting a date someday. 136 00:10:02,420 --> 00:10:03,980 Well, I got an idea. 137 00:10:04,480 --> 00:10:06,920 Why don't you do a couple of songs with us Saturday night? 138 00:10:07,760 --> 00:10:08,760 Oh, no. 139 00:10:09,390 --> 00:10:11,390 Oh, you can't be serious. 140 00:10:11,770 --> 00:10:12,870 I mean it. Yeah, look. 141 00:10:13,110 --> 00:10:16,090 If it wasn't for you talking me into this, the dream tones wouldn't be 142 00:10:16,090 --> 00:10:17,770 down at all. It's the least we can do. 143 00:10:18,050 --> 00:10:19,250 Oh, I will die. 144 00:10:19,810 --> 00:10:20,810 What a way to go. 145 00:10:22,590 --> 00:10:23,590 Okay, Mona. 146 00:10:24,370 --> 00:10:25,370 It's time. 147 00:10:26,090 --> 00:10:27,310 Would you do the unzipping? 148 00:10:34,050 --> 00:10:36,290 You came to the right person. No. 149 00:10:45,360 --> 00:10:46,900 I haven't seen you in years. 150 00:10:48,040 --> 00:10:50,460 Well, I hope you two will be very happy together. 151 00:10:54,760 --> 00:10:55,820 Hi. Hi. 152 00:10:56,240 --> 00:10:58,220 Well, well, well, and well. 153 00:10:59,060 --> 00:11:01,920 You must be the world famous Dream Tone. 154 00:11:02,180 --> 00:11:03,740 You must be the world famous Mona. 155 00:11:04,300 --> 00:11:09,280 Well, I don't know about world famous, but I do have North and South America 156 00:11:09,280 --> 00:11:10,280 soda. 157 00:11:12,160 --> 00:11:13,160 She's right. 158 00:11:13,840 --> 00:11:16,860 So, Don't do -op anything I wouldn't do. 159 00:11:18,920 --> 00:11:21,340 Hey, hey, hey, hey, hey, hey. 160 00:11:21,800 --> 00:11:22,800 Hey, 161 00:11:24,900 --> 00:11:26,700 they don't make polyester like that anymore. 162 00:11:27,860 --> 00:11:28,980 Look out, Brooklyn. 163 00:11:29,200 --> 00:11:33,520 Here come the Dream Tones. Hey, wait, wait, wait. It's Tony and the Dream 164 00:11:35,000 --> 00:11:39,080 Hey, hey, you know, I was thinking, you know, if it wasn't for Angela talking me 165 00:11:39,080 --> 00:11:41,020 into this, we wouldn't be having all this fun. 166 00:11:41,220 --> 00:11:42,460 Yeah, we really owe the lady. 167 00:11:43,120 --> 00:11:47,300 I agree, Satch. I agree. Therefore, I was thinking, how about we show our 168 00:11:47,300 --> 00:11:50,700 appreciation by letting Angela sing a couple of songs with us Saturday night? 169 00:11:57,920 --> 00:11:59,820 Well, how's that sound? 170 00:12:00,580 --> 00:12:01,680 Like a nightmare. 171 00:12:02,980 --> 00:12:04,900 Oh, wait a minute, Satch. She's good. 172 00:12:05,340 --> 00:12:09,280 She's really good. Look, we're the Dreamtones, not the Dreamtonettes, and 173 00:12:09,280 --> 00:12:10,280 the way we're going to stay. 174 00:12:10,340 --> 00:12:12,220 Now, wait a minute. When did you start making all the decisions? 175 00:12:12,460 --> 00:12:16,280 When you started getting so pushy, just like the old days. Hey, yo, whoa, wait. 176 00:12:16,360 --> 00:12:18,220 I did not get pushy. I communicated. 177 00:12:18,580 --> 00:12:20,560 Nice. Well, I'm communicating. 178 00:12:21,080 --> 00:12:23,880 Nice. No go, no way, no Angela. 179 00:12:24,160 --> 00:12:26,260 That goes for me. Yeah, me too. 180 00:12:27,600 --> 00:12:29,500 Hey, Benny. Benny, what about you? 181 00:12:29,740 --> 00:12:32,240 Ah, we should have named this group the Ink Spots. 182 00:12:33,770 --> 00:12:36,670 Are you guys telling me you won't let Angela sing one little song with us? 183 00:12:37,190 --> 00:12:38,350 You got that right. 184 00:12:39,550 --> 00:12:40,550 Oh, yeah? 185 00:12:40,890 --> 00:12:45,530 Well, no Angela, no me. 186 00:12:46,690 --> 00:12:49,990 Hey, I'm going to make Saturday night's dinner special, huh? 187 00:12:50,430 --> 00:12:51,930 Everybody's going to get their favorite dish. 188 00:12:52,550 --> 00:12:54,130 Mine lives in Greenwich. 189 00:12:56,630 --> 00:12:59,010 Mona, I'm talking about something with hot fudge on it. 190 00:12:59,890 --> 00:13:00,890 So am I. 191 00:13:10,060 --> 00:13:10,859 Hi, Tony. 192 00:13:10,860 --> 00:13:11,860 Mind if I come in? 193 00:13:14,360 --> 00:13:15,319 Hey, look. 194 00:13:15,320 --> 00:13:18,460 There is absolutely nothing you can say to make up for what's happened. 195 00:13:19,580 --> 00:13:22,520 The dream tones want you back. I thought you'd never read it. 196 00:13:25,020 --> 00:13:26,020 Wait a minute. 197 00:13:26,740 --> 00:13:27,740 What about Angela? 198 00:13:29,280 --> 00:13:30,480 She's in for two numbers. 199 00:13:30,840 --> 00:13:31,920 You mean it, Satch? 200 00:13:32,120 --> 00:13:33,120 Oh, Satch. 201 00:13:33,500 --> 00:13:37,800 Angela. Angela, get ready to start moving and shaking, baby. You're going 202 00:13:37,800 --> 00:13:39,140 a dream tone. What do you think of that? 203 00:13:39,640 --> 00:13:40,640 Rayme! 204 00:13:40,960 --> 00:13:43,020 Has she got rhythm or what? 205 00:13:43,580 --> 00:13:49,380 Oh, I'm so excited! I just can't hide it. I'm about to lose control and I 206 00:13:49,380 --> 00:13:50,380 I like it. 207 00:13:56,180 --> 00:13:57,800 You're going to peak too soon, Eddie. 208 00:13:59,400 --> 00:14:03,560 This is going to be a real blowout. About 700 tickets sold, even the press 209 00:14:03,560 --> 00:14:09,640 coming. Imagine my baby up there, the spotlight following her every move. 210 00:14:09,980 --> 00:14:12,360 I hope your skin clears up by then. 211 00:14:13,800 --> 00:14:14,800 Oh, my. 212 00:14:15,060 --> 00:14:17,620 I never actually thought about people watching me. 213 00:14:18,140 --> 00:14:20,640 Well, that's usually how a concert works. 214 00:14:21,220 --> 00:14:22,480 Well, what if I trip? 215 00:14:22,820 --> 00:14:26,260 I mean, what if a little spit sprays out of the corner of my mouth? 216 00:14:28,790 --> 00:14:31,670 You know the lights pick up things like that. 217 00:14:31,950 --> 00:14:32,849 Oh, don't worry. 218 00:14:32,850 --> 00:14:34,270 All the big stars spit. 219 00:14:36,030 --> 00:14:37,590 Anyway, you're just singing background. 220 00:14:37,990 --> 00:14:38,990 Well, what if I faint? 221 00:14:39,250 --> 00:14:40,250 Fall backwards. 222 00:14:42,970 --> 00:14:45,350 No, I'm afraid I'm not going to be able to do it. 223 00:14:45,570 --> 00:14:47,750 The dream tones are just going to have to go on without me. 224 00:14:48,270 --> 00:14:51,730 Wait a minute, Angela. A minute ago you were so excited you couldn't hide it. 225 00:14:52,770 --> 00:14:55,310 Well, not another word. You have a show to put on. Now rehearse. 226 00:14:56,780 --> 00:14:57,820 Well, are you sure? 227 00:14:58,040 --> 00:14:59,040 I'm positive. 228 00:14:59,800 --> 00:15:00,900 Oh, okay. 229 00:15:01,120 --> 00:15:02,360 Come on, Sax, let's go. 230 00:15:03,240 --> 00:15:08,300 700 people. What if I faint? Fall backwards. Oh, 231 00:15:11,900 --> 00:15:13,260 nice performance, Angela. 232 00:15:14,100 --> 00:15:15,280 What are you talking about? 233 00:15:15,660 --> 00:15:21,500 Oh, come on. I remember all those ballet recitals, cello recitals, piano 234 00:15:21,500 --> 00:15:23,320 recitals that I slept through. 235 00:15:24,900 --> 00:15:27,160 You do not have stage fright. 236 00:15:27,720 --> 00:15:28,720 All right. 237 00:15:28,880 --> 00:15:33,740 All right. I was... Tony was just so disappointed. I made a deal with the 238 00:15:33,880 --> 00:15:37,220 I said I wouldn't go on if they'd crawl back to Tony. 239 00:15:37,900 --> 00:15:38,900 Nice work. 240 00:15:39,160 --> 00:15:43,160 Thanks. But I don't want Tony to find out. Swear you won't tell him. 241 00:15:44,160 --> 00:15:45,160 Mother's honor. 242 00:15:46,480 --> 00:15:48,460 And I'm supposed to trust that. 243 00:15:50,500 --> 00:15:52,000 Chapter one says your mother. 244 00:15:54,640 --> 00:15:58,240 Chapter two, you tell her you're never, never, never, never, never gonna fall 245 00:15:58,240 --> 00:16:01,500 in. Chapter three, remember the meaning of romance. 246 00:16:02,020 --> 00:16:05,560 In chapter four, you break up, but you give her just one more chance. 247 00:16:05,960 --> 00:16:06,240 I 248 00:16:06,240 --> 00:16:14,720 can't 249 00:16:14,720 --> 00:16:16,100 believe that's my dad up there. 250 00:16:16,580 --> 00:16:17,700 He's almost cool. 251 00:16:18,320 --> 00:16:22,180 You know, I should have let my... Oh, he is cool. 252 00:16:22,980 --> 00:16:26,180 You haven't taken your eyes off of him all night. 253 00:16:26,480 --> 00:16:30,340 Well, I'm just happy for Tony. I mean, how many people get to live out their 254 00:16:30,340 --> 00:16:32,120 fantasies? I do. 255 00:16:53,070 --> 00:16:56,210 I think I can speak for all the theme tones when I say it's great to be back 256 00:16:56,210 --> 00:16:57,210 Picking High. 257 00:16:57,470 --> 00:17:00,050 All right, thanks, folks. We'll be right back. 258 00:17:01,130 --> 00:17:04,470 Mom, when I grow up, can I be a rock star? 259 00:17:05,030 --> 00:17:06,550 We'll talk about it, sweetheart. 260 00:17:07,190 --> 00:17:08,930 Wow, what a life. 261 00:17:09,210 --> 00:17:12,849 Money, applause, and all the chicks you can handle. 262 00:17:24,650 --> 00:17:27,530 Come on, come on. You probably said it to all your rock and roll housekeepers. 263 00:17:27,609 --> 00:17:29,790 Dad, I am totally impressed. 264 00:17:30,010 --> 00:17:33,770 Just one thing. I wouldn't push up your sleeves quite so much. Oh, okay. 265 00:17:34,010 --> 00:17:37,030 You know, she's right. There's nothing worse than too much arm. 266 00:17:37,310 --> 00:17:38,109 Hey, don't. 267 00:17:38,110 --> 00:17:40,910 Mom, I'm thirsty. 268 00:17:41,270 --> 00:17:44,270 Oh, sure, sweetheart. Try to have an egg cream. Hey, make it a double. Okay. 269 00:17:44,410 --> 00:17:45,410 Okay. 270 00:17:45,690 --> 00:17:47,830 Well, don't. 271 00:17:48,680 --> 00:17:52,540 So, was it everything you thought it would be? More, Mona. I'm in doo -wop 272 00:17:52,540 --> 00:17:53,540 heaven. 273 00:17:53,620 --> 00:17:55,140 Hey, thanks. I was good. 274 00:17:55,500 --> 00:17:56,500 And? 275 00:17:58,100 --> 00:17:59,440 No stage fright? 276 00:17:59,700 --> 00:18:02,720 Me? Stage fright? Are you kidding me? Hey, it's Angela's department. 277 00:18:03,140 --> 00:18:08,340 You know, it's a funny thing about Angela. She would play that cello in 278 00:18:08,340 --> 00:18:10,140 hundreds of hostile people. 279 00:18:11,080 --> 00:18:14,180 What are you saying, Mona? She doesn't have stage fright? 280 00:18:15,260 --> 00:18:16,260 Oh, it's... 281 00:18:16,520 --> 00:18:18,000 getting warm in here. 282 00:18:18,560 --> 00:18:22,020 Well, if she doesn't have stage fright, why'd she fake it? 283 00:18:22,300 --> 00:18:24,400 Did I say getting warm? 284 00:18:24,940 --> 00:18:26,600 It's downright hot. 285 00:18:27,840 --> 00:18:30,500 Oh, wait a minute. Are you saying she set this all up? 286 00:18:34,140 --> 00:18:35,140 Here you go. 287 00:18:36,000 --> 00:18:37,000 Thanks, Angela. 288 00:18:37,340 --> 00:18:38,340 Here. 289 00:18:38,960 --> 00:18:43,160 Hey, guys, I'm doing a solo. Oh, wait a minute. 290 00:18:44,959 --> 00:18:49,280 Ladies and gentlemen, I need some help with the next number, and there's one 291 00:18:49,280 --> 00:18:52,420 very special lady in the audience who can help me. Oh, me, me, me! 292 00:18:52,960 --> 00:18:53,960 No, no, no. 293 00:18:54,340 --> 00:18:55,560 You, you right there. 294 00:18:55,920 --> 00:18:58,620 Me? Yes, you. Would you come up here, please? 295 00:18:59,140 --> 00:19:03,000 Mother, what is going on? Oh, shut up and go sing. Go, go. 296 00:19:07,240 --> 00:19:08,240 Hey, Mr. 297 00:19:08,520 --> 00:19:11,000 Communicator, we all agreed this wasn't part of the deal. 298 00:19:11,929 --> 00:19:12,929 Tough noogies. 299 00:19:13,650 --> 00:19:17,630 No, no. Tony, what about these guys? Don't worry about those guys. Here, put 300 00:19:17,630 --> 00:19:21,830 this on and make me proud of you, huh? Come on, Blondie. Get the show on the 301 00:19:21,830 --> 00:19:22,830 road. 302 00:19:25,030 --> 00:19:27,830 We're going to do a little ram -a -lam -a -ding -dong. Ready? 303 00:19:28,790 --> 00:19:31,890 Ram -a -lam -a -lam -a -lam -a -ding -dong. Ram -a -lam -a -lam -a -lam -a 304 00:19:31,890 --> 00:19:33,610 -ding. Oh, wow. 305 00:19:34,110 --> 00:19:35,910 Oh, boom, boom, boom. 306 00:19:39,230 --> 00:19:40,430 Are you going to help me here? 307 00:19:40,830 --> 00:19:41,830 Okay, you ready? 308 00:19:44,150 --> 00:19:45,150 Oh, 309 00:19:46,390 --> 00:19:47,390 wow. 310 00:19:48,030 --> 00:19:51,150 Oh, oh, oh, I've got a girl name. 311 00:19:52,630 --> 00:19:56,450 What are you going to do? 312 00:19:56,710 --> 00:19:59,490 Well, if you can't beat them, sing background for them. Come on. 23586