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Previously on Talamasca...
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00:00:12,440 --> 00:00:13,200
[Clicks]
3
00:00:13,280 --> 00:00:14,160
[Snarls]
4
00:00:14,240 --> 00:00:15,600
What the hell is that?!
5
00:00:15,680 --> 00:00:17,480
Something very important
has gone missing.
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00:00:17,560 --> 00:00:18,480
It's called the 752.
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00:00:18,560 --> 00:00:20,120
It doesn't exist.
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00:00:20,240 --> 00:00:22,800
This is what Soledad
ditched the night she died.
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00:00:22,880 --> 00:00:25,040
Encryption.
Next-level shit.
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00:00:25,120 --> 00:00:28,680
Man: Ancient vampire blood.
More valuable than anything.
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00:00:28,760 --> 00:00:30,520
Have you seen
these trainers?
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00:00:30,640 --> 00:00:32,159
Jasper: Someone cares about you,
you know.
13
00:00:32,240 --> 00:00:33,560
I don't know what
you're talking about.
14
00:00:33,640 --> 00:00:35,120
Do not worry, my dude.
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00:00:35,240 --> 00:00:38,440
Between the two of us,
I'm sure we can figure it out.
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00:00:40,760 --> 00:00:50,600
♪♪
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00:00:50,680 --> 00:01:00,600
♪♪
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♪♪
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00:01:10,680 --> 00:01:16,840
♪♪
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00:01:16,920 --> 00:01:19,400
I don't think I'll like
being here without her.
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00:01:19,480 --> 00:01:20,960
Nurse: Don't worry, love.
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00:01:21,039 --> 00:01:23,360
You're not staying
in this place much longer.
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You get to go
on a train ride soon.
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00:01:26,080 --> 00:01:32,520
♪♪
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[Door squeaks open]
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00:01:34,560 --> 00:01:36,840
[Train rumbling]
27
00:01:36,920 --> 00:01:39,000
[Horn blaring]
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00:01:43,960 --> 00:01:45,240
[Blaring continues]
29
00:01:51,560 --> 00:01:53,200
Sorry, no fruit and nut.
30
00:01:53,280 --> 00:01:55,920
Just plain old Dairy Milk.
31
00:02:01,400 --> 00:02:06,640
So, what color loafers was
the man in 9C wearing?
32
00:02:06,720 --> 00:02:09,240
Blue suede.
Left one had a scuffed toe.
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00:02:10,840 --> 00:02:12,280
Where are we going?
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00:02:12,360 --> 00:02:14,800
Oh, somewhere special.
35
00:02:14,880 --> 00:02:17,120
Do they have fruit and nuts
there?
36
00:02:17,200 --> 00:02:19,520
They have anything you want.
37
00:02:19,600 --> 00:02:21,480
What about Coca-Cola?
38
00:02:21,560 --> 00:02:23,560
Bathtubs full of it.
39
00:02:23,640 --> 00:02:25,880
Pineapple?
Pineapple?
40
00:02:25,960 --> 00:02:28,400
You'll have pineapple
coming out of your ears.
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00:02:32,160 --> 00:02:34,320
When will they bring my sister?
42
00:02:34,400 --> 00:02:38,960
♪♪
43
00:02:39,040 --> 00:02:41,960
Emma. Do you know what
I was wondering?
44
00:02:42,040 --> 00:02:45,040
I was wondering how
many steps it was
45
00:02:45,120 --> 00:02:48,960
from our taxi
to the train platform.
46
00:02:49,040 --> 00:02:52,600
Depends.
466 for me.
47
00:02:52,680 --> 00:02:56,400
But you take longer strides,
so you were 327.
48
00:02:56,480 --> 00:02:57,920
[Chuckles softly]
49
00:02:58,000 --> 00:02:59,920
I am sure you're right.
50
00:03:00,000 --> 00:03:02,640
What do I do
when I get to the new place?
51
00:03:03,640 --> 00:03:05,040
Not more tests...
52
00:03:05,120 --> 00:03:07,840
No, no, we're done with tests.
53
00:03:07,920 --> 00:03:12,040
No. You'll be doing
something much more important.
54
00:03:12,120 --> 00:03:19,640
♪♪
55
00:03:19,720 --> 00:03:29,640
♪♪
56
00:03:29,720 --> 00:03:39,640
♪♪
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00:03:39,720 --> 00:03:49,640
♪♪
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♪♪
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00:04:09,960 --> 00:04:12,640
[Sirens wailing in distance]
60
00:04:31,520 --> 00:04:34,120
Highsmith: Come on.
[Chains rattle]
61
00:04:44,760 --> 00:04:47,040
Just tell me who she is.
62
00:04:52,600 --> 00:04:54,840
Why do you care so much
about some freaking girl?
63
00:04:54,920 --> 00:04:57,680
I don't.
I care about my book.
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00:04:57,760 --> 00:05:02,120
And I care when someone gets
between it and me.
65
00:05:02,200 --> 00:05:05,120
You know what? I'm done.
You want your stupid book?
66
00:05:05,200 --> 00:05:08,120
Go get it yourself.
Y-You're just using me.
67
00:05:12,960 --> 00:05:14,680
You know, you're right.
68
00:05:14,760 --> 00:05:17,000
Sometimes I do use people.
69
00:05:17,080 --> 00:05:18,880
We all do, though,
don't we?
70
00:05:18,960 --> 00:05:20,840
Just a matter of degree.
71
00:05:23,160 --> 00:05:25,200
There are things
that I want.
72
00:05:25,280 --> 00:05:27,320
A life outside the shadows.
73
00:05:27,400 --> 00:05:30,760
Some fucking respect.
Dignity.
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00:05:30,840 --> 00:05:33,240
And I tend to see
talented people around me
75
00:05:33,320 --> 00:05:36,320
as tools to get those things.
76
00:05:36,400 --> 00:05:39,520
I obsess. I strategize.
77
00:05:39,600 --> 00:05:42,159
But there is one thing
that I do not do.
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00:05:42,240 --> 00:05:44,440
I do not lie.
79
00:05:44,520 --> 00:05:47,720
And I cannot stand it
when someone lies to me.
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00:05:47,800 --> 00:05:52,360
♪♪
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00:05:52,440 --> 00:05:54,600
[Soft whoosh]
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00:05:54,680 --> 00:06:04,600
♪♪
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00:06:04,680 --> 00:06:14,600
♪♪
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00:06:14,680 --> 00:06:18,480
♪♪
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Jasper: [Whispers eerily] Hey!
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♪♪
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[Loud whoosh]
88
00:06:27,320 --> 00:06:36,840
♪♪
89
00:06:38,240 --> 00:06:39,920
Who the hell
do you think you are?
90
00:06:40,000 --> 00:06:42,920
Let me go.
You child! Huh?
91
00:06:43,000 --> 00:06:46,159
You think you can come into my
world and toss me in the ditch?
92
00:06:46,240 --> 00:06:47,720
I don't know what you think
happened with her.
93
00:06:47,800 --> 00:06:50,760
You don't want things
the way I want things.
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00:06:50,840 --> 00:06:53,480
You can't. You haven't been
alive long enough.
95
00:06:53,560 --> 00:06:56,440
You puppy!
I walked from Bolivia to Texas.
96
00:06:56,520 --> 00:06:58,920
I had nothing, I had no one.
97
00:06:59,000 --> 00:07:00,920
I've told you
how determined I am.
98
00:07:01,000 --> 00:07:02,600
I've shown you what
I'm building down here.
99
00:07:02,680 --> 00:07:04,880
You know what I want
to destroy.
100
00:07:04,960 --> 00:07:07,240
But you don't take me
at my word.
101
00:07:08,720 --> 00:07:13,800
Instead, you try to get in
my head and root around.
102
00:07:13,880 --> 00:07:16,720
Yeah, yeah.
103
00:07:16,800 --> 00:07:19,640
I felt you trying to read
my mind since we left the hotel.
104
00:07:19,720 --> 00:07:21,880
You think you're smooth?
Think you got moves?
105
00:07:21,960 --> 00:07:26,120
You have no moves.
I...have all...the moves.
106
00:07:29,880 --> 00:07:31,680
[Hisses]
107
00:07:33,680 --> 00:07:36,880
Say it.
[Stammers] Say what?
108
00:07:36,960 --> 00:07:38,760
You know what.
109
00:07:38,840 --> 00:07:41,400
See, unlike you,
I'm really good at this.
110
00:07:41,480 --> 00:07:44,159
And I've been bopping around
your porridge bowl all night,
111
00:07:44,240 --> 00:07:45,760
and you got stuff
locked up tight.
112
00:07:45,840 --> 00:07:49,760
Like, does the girl
[Shouts] have my fucking book?
113
00:07:49,840 --> 00:07:51,080
[Normal voice]
But it's the primal shit
114
00:07:51,159 --> 00:07:52,920
that you just cannot hide.
115
00:07:53,000 --> 00:07:58,360
So go ahead,
say...what you're thinking.
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00:07:58,440 --> 00:08:00,560
[Hissing]
117
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Say it.
118
00:08:04,240 --> 00:08:05,920
Say it.
119
00:08:07,160 --> 00:08:09,480
I don't wanna die.
120
00:08:09,560 --> 00:08:11,440
What?
121
00:08:13,880 --> 00:08:16,040
I don't wanna die.
122
00:08:18,360 --> 00:08:20,400
Oh, you're not gonna die.
123
00:08:26,280 --> 00:08:28,000
I'm gonna give you purpose.
124
00:08:28,080 --> 00:08:30,160
♪♪
125
00:08:30,240 --> 00:08:32,840
[Grunting]
126
00:08:32,919 --> 00:08:37,760
♪♪
127
00:08:37,840 --> 00:08:39,679
[Door hinges creaking]
128
00:08:39,760 --> 00:08:41,679
[Door slams shut]
129
00:08:41,760 --> 00:08:43,240
♪♪
130
00:08:43,320 --> 00:08:45,120
Guy: [Grunts]
131
00:08:45,200 --> 00:08:50,520
♪♪
132
00:08:50,600 --> 00:08:53,120
No. Please.
133
00:08:53,200 --> 00:08:54,640
Jasper: You know,
for a moment
134
00:08:54,720 --> 00:08:56,800
I actually thought
you were different.
135
00:08:58,720 --> 00:09:02,120
But you're exactly what
the Talamasca ropes in.
136
00:09:02,200 --> 00:09:05,000
The same kind of venal turncoat
who got my family killed.
137
00:09:05,080 --> 00:09:06,560
Start digging.
138
00:09:06,640 --> 00:09:08,360
[Groans]
139
00:09:08,440 --> 00:09:09,920
Fuck you.
140
00:09:10,000 --> 00:09:11,720
[Scoffs]
141
00:09:12,720 --> 00:09:14,480
[Revenant growls]
142
00:09:16,280 --> 00:09:18,360
So if I feed you to them,
143
00:09:18,440 --> 00:09:20,360
I'm gonna do it
a little at a time.
144
00:09:20,440 --> 00:09:24,120
Keep you in a hole
as their snack forever.
145
00:09:24,200 --> 00:09:27,160
And trust me,
it's painful and smelly.
146
00:09:27,240 --> 00:09:30,960
And it'll drive you to a madness
that you cannot possibly fathom.
147
00:09:31,040 --> 00:09:33,040
Far worse than what
that poor soul in the hotel
148
00:09:33,120 --> 00:09:34,720
was going through.
149
00:09:34,800 --> 00:09:36,280
And way worse
than becoming one of them.
150
00:09:36,360 --> 00:09:38,400
I mean, sure, it's no picnic,
151
00:09:38,480 --> 00:09:40,440
but listen to
those crazy fuckers.
152
00:09:40,520 --> 00:09:42,720
They're pumped.
They have enthusiasm.
153
00:09:42,800 --> 00:09:45,240
Theygot purpose.
154
00:09:48,240 --> 00:09:50,440
You really wanna know
who the girl is?
155
00:09:52,080 --> 00:09:54,120
Okay. I'll tell you.
156
00:09:54,200 --> 00:09:56,320
I don't know.
157
00:09:57,800 --> 00:10:00,160
I've been trying
to figure it out, just like you.
158
00:10:00,240 --> 00:10:02,800
And that's the goddamn truth.
159
00:10:02,880 --> 00:10:05,400
Doesn't matter. Dig.
160
00:10:05,480 --> 00:10:08,560
Go to hell.
Oh, we're already there, baby.
161
00:10:08,640 --> 00:10:10,520
[Loud whoosh]
162
00:10:16,480 --> 00:10:18,440
Hey.
163
00:10:18,520 --> 00:10:21,520
[Cages rattling in distance]
164
00:10:21,600 --> 00:10:31,240
♪♪
165
00:10:31,320 --> 00:10:33,240
[Loud thud]
Highsmith: [Grunts]
166
00:10:33,320 --> 00:10:43,240
♪♪
167
00:10:43,320 --> 00:10:51,040
♪♪
168
00:10:51,120 --> 00:10:53,640
Jasper: [Screaming]
169
00:10:59,200 --> 00:11:00,840
Doris: [Groans]
170
00:11:07,040 --> 00:11:08,360
Guy: Come on!
171
00:11:08,440 --> 00:11:10,120
Come on.
172
00:11:10,200 --> 00:11:12,240
[Grunting]
173
00:11:14,520 --> 00:11:17,040
[Revenants growling]
174
00:11:18,840 --> 00:11:20,480
Run!
175
00:11:29,120 --> 00:11:31,320
[Car revving, tires screeching]
176
00:11:35,120 --> 00:11:36,680
[Car horn beeping]
177
00:11:40,640 --> 00:11:42,920
Doris! Come on!
178
00:11:46,000 --> 00:11:47,640
[Tires screech]
179
00:11:50,400 --> 00:11:52,160
The door!
180
00:11:52,240 --> 00:11:53,680
[Shouts]
181
00:12:01,560 --> 00:12:03,400
[Revenant shrieks]
182
00:12:10,400 --> 00:12:12,320
Both: [Panting]
183
00:12:12,400 --> 00:12:14,040
Holy shit.
184
00:12:14,120 --> 00:12:16,720
♪♪
185
00:12:19,680 --> 00:12:21,480
[Engine revving]
186
00:12:21,560 --> 00:12:27,800
♪♪
187
00:12:27,880 --> 00:12:30,400
Doris: [Panting]
188
00:12:30,480 --> 00:12:35,920
♪♪
189
00:12:36,000 --> 00:12:38,600
Guy: Holy shit.
What the fuck was that?
190
00:12:41,360 --> 00:12:43,280
Who are you?
191
00:12:45,320 --> 00:12:48,400
Uh, I'm the girl
who just saved your life twice.
192
00:12:49,560 --> 00:12:51,080
So you're welcome.
193
00:12:51,160 --> 00:12:53,000
Why do you keep following me?
194
00:12:53,080 --> 00:12:56,040
God. [Laughs]
Don't flatter yourself.
195
00:12:58,480 --> 00:13:02,360
Look, even though you have
your doubts,
196
00:13:02,440 --> 00:13:05,040
I'm pretty sure he's the one
who had Keves killed.
197
00:13:05,120 --> 00:13:06,920
Jasper?Yeah.
198
00:13:07,000 --> 00:13:08,800
[Sighs]
199
00:13:10,600 --> 00:13:14,240
You think he's dead?
No, I doubt it.
200
00:13:14,320 --> 00:13:16,240
Okay. Well, we need to ditch
this van and then get lost.
201
00:13:16,320 --> 00:13:17,800
Really lost.
202
00:13:17,880 --> 00:13:20,440
We?
We. Yes, we.
203
00:13:23,960 --> 00:13:25,560
So what?
204
00:13:25,640 --> 00:13:28,280
Like the countryside?
No.
205
00:13:28,360 --> 00:13:30,600
Jasper has all the resources
of the London Mother House.
206
00:13:30,680 --> 00:13:33,480
It's only a matter of time
before he finds us.
207
00:13:33,560 --> 00:13:35,240
We can't go anywhere
in England.
208
00:13:35,320 --> 00:13:37,320
So what does that mean?
209
00:13:40,840 --> 00:13:43,280
Reconstructive
plastic surgery.
210
00:13:43,360 --> 00:13:45,440
[Scoffs]
211
00:13:45,520 --> 00:13:47,040
Sandpaper our fingerprints off.
212
00:13:47,120 --> 00:13:49,040
[Sighs]
213
00:13:52,240 --> 00:13:53,680
Are you okay?
214
00:13:53,760 --> 00:13:57,120
I mean...yeah.
215
00:14:00,240 --> 00:14:02,880
Okay, well,
we've gotta leave the country.
216
00:14:02,960 --> 00:14:05,000
Yeah.
217
00:14:05,080 --> 00:14:06,560
[Car engine starts]
218
00:14:06,640 --> 00:14:08,040
You think the Maida Vale coven
might help us?
219
00:14:08,120 --> 00:14:09,920
No, no, no, no, no.
I don't want them.
220
00:14:10,000 --> 00:14:11,280
Um...
221
00:14:11,360 --> 00:14:13,720
They're way too wrapped up
in all this.
222
00:14:15,440 --> 00:14:18,120
Have you got anyone
that you can really trust?
223
00:14:21,040 --> 00:14:23,640
Yeah, maybe.
224
00:14:23,720 --> 00:14:25,160
[Gear shift clicks]
225
00:14:28,360 --> 00:14:31,280
There's a rule against that
in the employee handbook.
226
00:14:32,240 --> 00:14:33,680
No, there isn't.
227
00:14:33,760 --> 00:14:35,560
You've actually checked,
haven't you?
228
00:14:37,000 --> 00:14:38,840
What's so important
it couldn't wait until morning?
229
00:14:38,920 --> 00:14:40,440
It looks the same as before.
230
00:14:40,520 --> 00:14:42,080
Mmm. It is.
231
00:14:42,160 --> 00:14:43,880
I'm running
a brute force script.
232
00:14:43,960 --> 00:14:48,720
Could take days, months,
centuries, I don't know.
233
00:14:48,800 --> 00:14:50,280
Whatever it is,
it's important enough
234
00:14:50,360 --> 00:14:52,840
that it got
Soledad Marcel killed.
235
00:14:52,920 --> 00:14:55,120
But that's not why I called.
236
00:14:56,440 --> 00:14:58,960
Mm-hmm. Dah-dah.
237
00:15:00,240 --> 00:15:03,120
Tell a lot about a man
by his shoes.
238
00:15:03,200 --> 00:15:07,200
♪♪
239
00:15:07,280 --> 00:15:08,240
Our man with
the yellow trainers.
240
00:15:08,320 --> 00:15:09,920
Mm-hmm.
241
00:15:10,000 --> 00:15:12,000
Tweaked some
facial recognition code
242
00:15:12,080 --> 00:15:15,680
to search raw camera
feeds for his kicks, et voila.
243
00:15:15,760 --> 00:15:17,360
You're brilliant.
244
00:15:18,960 --> 00:15:22,320
Seems almost unfair
for a man so handsome.
245
00:15:22,400 --> 00:15:24,400
Least you got healthy gums.
246
00:15:24,480 --> 00:15:25,840
[Cellphone vibrating]
247
00:15:25,920 --> 00:15:27,880
It's the lab.
248
00:15:27,960 --> 00:15:30,800
DNA match for a third person
at the scene.
249
00:15:30,880 --> 00:15:33,920
What? At Hepworth Lane?
Our murder-sui?
250
00:15:34,000 --> 00:15:36,160
Safe to call it
a double murder now.
251
00:15:37,840 --> 00:15:40,600
Owen: We're keyed directly
into the city's CCTV network.
252
00:15:40,680 --> 00:15:42,680
I have an entire team scraping
253
00:15:42,760 --> 00:15:45,480
and searching the footage
in real time.
254
00:15:45,560 --> 00:15:47,560
We're inside the servers
at passport control
255
00:15:47,640 --> 00:15:49,240
and have agents at Heathrow,
256
00:15:49,320 --> 00:15:51,800
and Gatwick,
and all major rail stations.
257
00:15:51,880 --> 00:15:53,320
But --
Jasper: Owen...
258
00:15:53,400 --> 00:15:54,960
...is something bothering you?
259
00:15:56,280 --> 00:15:58,480
No.
No?
260
00:15:59,760 --> 00:16:02,280
Are you sure?
261
00:16:02,360 --> 00:16:04,480
Then why won't you look at me?
262
00:16:08,080 --> 00:16:10,120
I'd hate to think
I was offending
263
00:16:10,200 --> 00:16:13,200
your delicate British
sensibilities.
264
00:16:13,280 --> 00:16:16,400
We'll find them,
I promise you.
265
00:16:16,480 --> 00:16:18,520
May take a little time,
that's all.
266
00:16:18,600 --> 00:16:20,400
They set me on fire, Owen.
267
00:16:20,480 --> 00:16:23,480
So I'd kind of prefer
to find them right the fuck now.
268
00:16:23,560 --> 00:16:24,960
Of course.
269
00:16:25,040 --> 00:16:26,960
But even with all of our
capabilities,
270
00:16:27,040 --> 00:16:30,320
tracking two people
in a city of nine million?
271
00:16:30,400 --> 00:16:33,800
It's like trying to hear
a whisper in a hurricane.
272
00:16:33,880 --> 00:16:36,680
Well, I might know
a little butterfly
273
00:16:36,760 --> 00:16:38,960
who can cut through
all the noise.
274
00:16:39,040 --> 00:16:48,960
♪♪
275
00:16:49,040 --> 00:16:58,960
♪♪
276
00:16:59,040 --> 00:17:05,400
♪♪
277
00:17:05,480 --> 00:17:06,800
I'll be right back.
278
00:17:06,880 --> 00:17:09,000
Make it quick.
279
00:17:09,079 --> 00:17:12,720
♪♪
280
00:17:12,800 --> 00:17:14,839
[Car door closes]
281
00:17:14,920 --> 00:17:17,839
[Indistinct chatter]
282
00:17:17,920 --> 00:17:27,839
♪♪
283
00:17:27,920 --> 00:17:36,800
♪♪
284
00:17:36,880 --> 00:17:39,200
You are not
gonna believe this.
285
00:17:39,280 --> 00:17:43,240
♪♪
286
00:17:46,200 --> 00:17:48,840
[Indistinct chatter]
287
00:17:48,920 --> 00:17:58,840
♪♪
288
00:17:58,920 --> 00:18:08,840
♪♪
289
00:18:08,920 --> 00:18:10,440
♪♪
290
00:18:10,520 --> 00:18:13,200
Straight on down
through the door on the right.
291
00:18:13,280 --> 00:18:15,960
[Mid-tempo club music plays]
292
00:18:16,040 --> 00:18:25,200
♪♪
293
00:18:25,280 --> 00:18:27,560
[Music continues in distance]
294
00:18:32,560 --> 00:18:35,120
Man: [On intercom]
Put a coin in the slot.
295
00:18:41,080 --> 00:18:42,920
[Coin clatters]
296
00:18:46,200 --> 00:18:49,000
[Sighs] Can we go and talk?
297
00:18:49,080 --> 00:18:50,960
We're talking here.
298
00:18:51,040 --> 00:18:52,080
This isn't how we do things.
299
00:18:52,160 --> 00:18:54,080
I need to know what's happening.
300
00:18:54,160 --> 00:18:55,880
This is exactly
how you do things.
301
00:18:55,960 --> 00:18:58,120
You put people in the dark
and you keep them there.
302
00:18:58,200 --> 00:19:00,360
We contact you.
That is the protocol.
303
00:19:00,440 --> 00:19:02,120
You didn't respond.
304
00:19:02,200 --> 00:19:03,960
We're a long way from protocol,
Helen.
305
00:19:04,040 --> 00:19:06,080
I need an exfiltration
pack ASAP.
306
00:19:06,160 --> 00:19:07,760
Cash, passport, airline tickets.
307
00:19:07,840 --> 00:19:09,480
I'm out of the country
by the end of the day.
308
00:19:09,560 --> 00:19:10,720
This is ridiculous.
I'm not doing this.
309
00:19:10,800 --> 00:19:12,320
Sit down.
310
00:19:14,520 --> 00:19:16,280
Sit down.
311
00:19:30,040 --> 00:19:35,000
I need you, I need your help,
and you're gonna give it to me.
312
00:19:35,080 --> 00:19:38,320
I did everything that you asked.
I went to the Mother House.
313
00:19:38,400 --> 00:19:41,400
I got close to Jasper.
So close, I almost got killed.
314
00:19:41,480 --> 00:19:43,800
And now I'm in a lot of danger.
315
00:19:43,880 --> 00:19:45,360
And I need to leave England,
316
00:19:45,440 --> 00:19:48,960
and you're the only person
that can help me do that.
317
00:19:49,040 --> 00:19:51,880
What about our mission?
318
00:19:51,960 --> 00:19:53,960
What mission?
319
00:19:55,320 --> 00:19:58,640
There is no mission.
320
00:19:58,720 --> 00:20:00,200
There are bigger forces at play
321
00:20:00,280 --> 00:20:02,240
that you couldn't
possibly understand, Guy.
322
00:20:02,320 --> 00:20:04,360
I'm burned, Helen.
323
00:20:04,440 --> 00:20:05,480
It isn't about you.
324
00:20:05,560 --> 00:20:07,960
But it is about me.
325
00:20:08,040 --> 00:20:10,960
Right now, it is.
326
00:20:12,320 --> 00:20:13,840
And you know it.
327
00:20:15,960 --> 00:20:18,680
And I know there's
an empty space inside of you.
328
00:20:20,800 --> 00:20:23,120
I know there's a wound
that has never really healed.
329
00:20:23,200 --> 00:20:26,040
I can feel it. Trust me.
330
00:20:26,120 --> 00:20:27,840
And I don't know
exactly what that is,
331
00:20:27,920 --> 00:20:30,760
but I do know
that you care about me.
332
00:20:30,840 --> 00:20:32,760
And that it's hard
for you to show that.
333
00:20:32,840 --> 00:20:35,160
Because if you do, it might
compromise what we're doing.
334
00:20:35,240 --> 00:20:38,240
It might get me hurt,
and you don't want that, do you?
335
00:20:38,320 --> 00:20:43,360
♪♪
336
00:20:43,440 --> 00:20:44,880
No.
337
00:20:44,960 --> 00:20:46,520
Then don't rip open a new wound
338
00:20:46,600 --> 00:20:48,240
right alongside your old one.
339
00:20:49,480 --> 00:20:53,000
If you don't help me, Helen,
if you won'thelp me...
340
00:20:55,560 --> 00:20:57,360
...I'm dead.
341
00:21:08,280 --> 00:21:09,840
[Coin clatters]
342
00:21:14,680 --> 00:21:16,080
[Laughs]
343
00:21:16,160 --> 00:21:18,360
[Laughs, sniffs]
344
00:21:20,360 --> 00:21:22,080
The mission's off the books,
isn't it?
345
00:21:23,280 --> 00:21:24,680
Yes.
346
00:21:24,760 --> 00:21:26,840
And I'm off the books,
aren't I?
347
00:21:26,920 --> 00:21:28,720
Yes.
348
00:21:28,800 --> 00:21:31,120
And you're looking
for something, aren't you?
349
00:21:33,680 --> 00:21:35,640
Something more
than just the book?
350
00:21:37,320 --> 00:21:38,840
Yes.
351
00:21:38,920 --> 00:21:40,840
Something very personal.
352
00:21:44,080 --> 00:21:46,600
And the Talamasca Elders,
they wouldn't be too happy
353
00:21:46,680 --> 00:21:49,160
if they found out about that,
now, would they?
354
00:21:49,240 --> 00:21:54,680
♪♪
355
00:21:54,760 --> 00:21:56,480
If you help me get outta here,
I promise
356
00:21:56,560 --> 00:21:58,120
I'll do whatever it takes
to help you find
357
00:21:58,200 --> 00:22:01,560
what it is you're looking for,
I promise you.
358
00:22:01,640 --> 00:22:05,040
You need me and we both
know that.
359
00:22:05,120 --> 00:22:10,040
♪♪
360
00:22:10,120 --> 00:22:12,480
No more freelancing.
No more bucking protocol.
361
00:22:12,560 --> 00:22:16,000
I get you out,
if you do exactlyas I say.
362
00:22:16,080 --> 00:22:17,600
I promise.
363
00:22:17,680 --> 00:22:19,400
I'll need a day to put
all the materials together.
364
00:22:19,480 --> 00:22:21,600
You must stay quiet until then.
365
00:22:21,680 --> 00:22:24,080
Use the safe house,
you'll be out of harms way.
366
00:22:25,480 --> 00:22:27,600
Why is my mom a fugitive?
367
00:22:27,680 --> 00:22:29,520
What did she do
to piss off the Talamasca?
368
00:22:29,600 --> 00:22:32,720
Now is not the moment
to irritate me, Guy.
369
00:22:36,920 --> 00:22:40,560
Okay, one more thing.
I need two exit packs.
370
00:22:40,640 --> 00:22:42,600
I'm getting out of here
and I'm taking someone with me.
371
00:22:42,680 --> 00:22:45,080
Who?
Doris, you don't know her.
372
00:22:45,160 --> 00:22:47,800
Oh, for God's sake.
373
00:22:47,880 --> 00:22:49,640
Yeah, well, she helped me,
Helen.
374
00:22:50,880 --> 00:22:52,640
She helped me.
375
00:22:52,720 --> 00:22:54,360
And now I'm gonna help her.
376
00:22:55,560 --> 00:22:58,440
Very well.
Have it your way.
377
00:22:59,960 --> 00:23:02,200
[Gasps]
I have a plan. Come on.
378
00:23:02,280 --> 00:23:04,360
Helen: Take only
what's necessary.
379
00:23:04,440 --> 00:23:06,960
Leave everything else behind.
380
00:23:07,040 --> 00:23:08,760
Let us help you.
381
00:23:10,040 --> 00:23:12,160
Tell me where you're going,
Doris?
382
00:23:12,240 --> 00:23:14,120
[Sniffs]
383
00:23:14,200 --> 00:23:16,040
It's for your own good.[Sighs]
384
00:23:16,120 --> 00:23:19,760
♪♪
385
00:23:19,840 --> 00:23:22,440
You'll each need
a passport photo
386
00:23:22,520 --> 00:23:24,400
and an alias.
[Camera shutter clicks]
387
00:23:24,480 --> 00:23:27,640
♪♪
388
00:23:27,720 --> 00:23:29,320
[Camera shutter clicks]
389
00:23:29,400 --> 00:23:32,000
♪♪
390
00:23:32,080 --> 00:23:35,320
Leave the photos for
my associate in Lansdowne Road.
391
00:23:35,400 --> 00:23:37,000
There's a Sunday Reporter box.
392
00:23:37,080 --> 00:23:39,960
Tuck the photos in
at knee level.
393
00:23:40,040 --> 00:23:44,520
♪♪
394
00:23:44,600 --> 00:23:47,600
Go directly to the safe house.
There's everything you need.
395
00:23:47,680 --> 00:23:50,000
There's food
and a change of clothes.
396
00:23:50,080 --> 00:23:51,720
Once you are there,
397
00:23:51,800 --> 00:23:53,200
do not set foot outside
until nightfall,
398
00:23:53,280 --> 00:23:55,800
the day after tomorrow.
399
00:23:55,880 --> 00:24:00,520
We'll meet at Waterloo Station,
platform 9, 8 o'clock.
400
00:24:00,600 --> 00:24:02,080
Sure about this?
401
00:24:02,160 --> 00:24:04,400
No, but it's what we've got.
402
00:24:04,480 --> 00:24:11,560
♪♪
403
00:24:11,640 --> 00:24:14,280
Cellphone vibrating]
404
00:24:17,120 --> 00:24:19,800
Hey, Jay.
Jay: Hey. Are you alone?
405
00:24:19,880 --> 00:24:21,240
Yeah.
406
00:24:21,320 --> 00:24:23,320
Something's popped up
on my radar,
407
00:24:23,400 --> 00:24:27,120
and I wasn't sure if I should...
You know, It's sensitive.
408
00:24:27,200 --> 00:24:29,040
And it could be nothing, but --
409
00:24:29,120 --> 00:24:31,520
Please don't tell me
this is about Helen.
410
00:24:31,600 --> 00:24:34,440
Olive, we've got
a serious problem with her.
411
00:24:34,520 --> 00:24:37,080
I just can't make sense
of what I'm looking at.
412
00:24:37,160 --> 00:24:38,840
I think I need some help here.
413
00:24:39,880 --> 00:24:42,160
Are you there? Olive?
414
00:24:48,440 --> 00:24:50,080
Who was that?
415
00:24:51,240 --> 00:24:52,920
Jay.
416
00:24:53,000 --> 00:24:54,200
Jay?
417
00:24:55,560 --> 00:24:58,720
It was a background check
on that sector agent in Parma.
418
00:24:58,800 --> 00:25:00,360
He checks out.
419
00:25:00,440 --> 00:25:02,440
There's nothing out
of the ordinary.
420
00:25:05,640 --> 00:25:07,080
Guy's in trouble.
421
00:25:07,160 --> 00:25:08,560
We need to get him out
of the country.
422
00:25:08,640 --> 00:25:10,200
Where is he?
423
00:25:10,280 --> 00:25:12,840
He's been laying low
in Maida Vale.
424
00:25:12,920 --> 00:25:16,040
With the witches?
On the houseboat. Yes.
425
00:25:18,080 --> 00:25:19,520
Come on, let's go.
426
00:25:19,600 --> 00:25:23,160
♪♪
427
00:25:26,080 --> 00:25:28,120
[Lock disengages, keys jingling]
428
00:25:31,120 --> 00:25:32,760
[Keys thud]
429
00:25:36,640 --> 00:25:38,560
[Lock clicks]
430
00:25:51,880 --> 00:25:53,800
Doris: What is this place?
431
00:25:55,720 --> 00:25:58,000
It's a Talamasca safe house.
432
00:26:02,800 --> 00:26:04,880
[Light switch clicks]
433
00:26:04,960 --> 00:26:07,440
Why exactly do you believe
this woman?
434
00:26:07,520 --> 00:26:10,800
I mean, maybe she will help you.
435
00:26:10,880 --> 00:26:13,000
It's a big maybe,
but why on earth
436
00:26:13,080 --> 00:26:14,840
would she go out of her way
to help me?
437
00:26:14,920 --> 00:26:16,640
Because she promised me
that she would.
438
00:26:16,720 --> 00:26:18,160
And what kind of promises do
you think she made to someone
439
00:26:18,240 --> 00:26:20,800
like Soledad Marcel?
440
00:26:20,880 --> 00:26:22,640
I don't know,
I have no idea what exactly
441
00:26:22,720 --> 00:26:24,200
happened to Soledad Marcel.
442
00:26:24,280 --> 00:26:26,640
And neither do you.
443
00:26:26,720 --> 00:26:30,560
What if she was fed to Jasper
by your Helen?
444
00:26:30,640 --> 00:26:33,080
What if your Helen is a mole?
445
00:26:33,160 --> 00:26:35,040
That's the thing
with the Talamasca.
446
00:26:35,120 --> 00:26:37,200
You'll never know
where you stand with them,
447
00:26:37,280 --> 00:26:39,120
or how they're using you.
448
00:26:40,560 --> 00:26:42,360
I don't trust the Talamasca.
449
00:26:42,440 --> 00:26:46,120
No, but you trust her.
Someone who's always hiding.
450
00:26:50,520 --> 00:26:52,880
You're not exactly
an open book yourself.
451
00:26:52,960 --> 00:26:55,160
Oh, I never said you
should trust me.
452
00:27:05,120 --> 00:27:07,560
Why did you join the Talamasca
in the first place?
453
00:27:11,000 --> 00:27:12,880
Okay. So
454
00:27:12,960 --> 00:27:15,400
I'm in the third grade.
455
00:27:15,480 --> 00:27:17,600
Miss Rosewood's class,
times tables.
456
00:27:17,680 --> 00:27:20,520
And I was having a hard time
remembering six times eight.
457
00:27:20,600 --> 00:27:22,480
And she kept saying,
458
00:27:22,560 --> 00:27:25,840
"Six times eight is 48
and ain't that great?"
459
00:27:25,920 --> 00:27:29,960
And then she'd do this big
exaggerated wink at me like, ah.
460
00:27:30,040 --> 00:27:32,040
And it was really dumb,
and it didn't help me at all.
461
00:27:32,120 --> 00:27:34,080
But I had this massive crush
on her.
462
00:27:34,160 --> 00:27:35,880
And so she keeps doing that,
463
00:27:35,960 --> 00:27:38,560
"Six times eight is 48."
464
00:27:38,640 --> 00:27:41,040
And I'm standing there
and I'm watching her.
465
00:27:41,120 --> 00:27:44,560
And then the principal walks in,
466
00:27:44,640 --> 00:27:48,440
and there was,
like, this charge in the room,
467
00:27:48,520 --> 00:27:50,520
and he whispered something
to her.
468
00:27:52,200 --> 00:27:55,440
And I just remember
she turned...
469
00:27:57,560 --> 00:28:00,600
...and she looked
right at me.
470
00:28:02,640 --> 00:28:04,240
And it was a look
I hadn't seen before.
471
00:28:04,320 --> 00:28:06,000
Not on anybody.
472
00:28:08,720 --> 00:28:12,120
It was as if all the color
in my world was about to leave,
473
00:28:12,200 --> 00:28:16,920
and...she was the first person
to know about it.
474
00:28:18,600 --> 00:28:22,440
And I just knew
before anyone had told me,
475
00:28:22,520 --> 00:28:24,560
that my mom was dead.
476
00:28:24,640 --> 00:28:30,040
♪♪
477
00:28:30,120 --> 00:28:31,480
I didn't have anyone else,
478
00:28:31,560 --> 00:28:32,920
so I was sent
to live with foster parents.
479
00:28:33,000 --> 00:28:35,120
And that was...
480
00:28:35,200 --> 00:28:36,920
Um...
481
00:28:37,000 --> 00:28:39,760
♪♪
482
00:28:39,840 --> 00:28:41,160
Hard?
483
00:28:42,360 --> 00:28:44,200
It's cold.
484
00:28:44,280 --> 00:28:51,080
♪♪
485
00:28:51,160 --> 00:28:53,000
All these years later...
486
00:28:54,960 --> 00:28:58,440
...I meet Helen
and she tells me that...
487
00:29:01,080 --> 00:29:04,080
...my mother had actually been
a Talamasca agent.
488
00:29:04,160 --> 00:29:05,960
And that story
that she had died,
489
00:29:06,040 --> 00:29:08,120
was a lie made up
by the Talamasca.
490
00:29:08,200 --> 00:29:10,920
She didn't die. She just...
491
00:29:13,600 --> 00:29:16,040
She just did something
to piss 'em off.
492
00:29:17,040 --> 00:29:19,400
What?I don't know.
493
00:29:19,480 --> 00:29:21,080
All I know is that
she's still alive
494
00:29:21,160 --> 00:29:22,840
and that she's been
in hiding from them
495
00:29:22,920 --> 00:29:25,040
ever since that day
when I was 9.
496
00:29:25,120 --> 00:29:27,880
♪♪
497
00:29:27,960 --> 00:29:30,040
So that's why you joined?
498
00:29:30,120 --> 00:29:31,840
Yeah.
499
00:29:31,920 --> 00:29:33,960
♪♪
500
00:29:34,040 --> 00:29:35,640
To find her.
501
00:29:35,720 --> 00:29:39,040
♪♪
502
00:29:39,120 --> 00:29:42,880
So the whole mortals
versus immortals,
503
00:29:42,960 --> 00:29:46,680
good versus bad, um,
future of the world --
504
00:29:46,760 --> 00:29:49,920
I was meant to be starting
a job in contract law.
505
00:29:50,000 --> 00:29:54,200
♪♪
506
00:29:54,280 --> 00:29:56,400
You know, I resented her?
507
00:29:58,520 --> 00:30:02,960
All my life, since I was a kid.
508
00:30:03,040 --> 00:30:04,840
I'd been told
that she was a junkie,
509
00:30:04,920 --> 00:30:10,400
that she was irresponsible
and selfish,
510
00:30:10,480 --> 00:30:14,120
and that she hadn't given
a shit about me.
511
00:30:14,200 --> 00:30:15,920
It's one thing to find out
that that isn't true.
512
00:30:16,000 --> 00:30:17,800
But for her?
513
00:30:17,880 --> 00:30:20,760
She's been out there,
all these years,
514
00:30:20,840 --> 00:30:23,480
knowing that her son
felt abandoned.
515
00:30:23,560 --> 00:30:29,080
Can you imagine what that's like
for a mother to feel that?
516
00:30:29,160 --> 00:30:30,520
No.
517
00:30:30,600 --> 00:30:32,440
So if there's a chance,
I mean,
518
00:30:32,520 --> 00:30:36,320
even a small chance that
I can get her out of trouble...
519
00:30:36,400 --> 00:30:39,200
♪♪
520
00:30:39,280 --> 00:30:41,560
...I'd go to the end
of the earth to do it.
521
00:30:43,200 --> 00:30:44,760
What was her name?
522
00:30:45,720 --> 00:30:47,400
Anna.
523
00:30:50,440 --> 00:30:52,840
Anna Lemus.
[Chuckles softly]
524
00:30:56,960 --> 00:30:59,080
♪ I was a boy
525
00:30:59,160 --> 00:31:02,240
♪ With a wild imagination ♪
526
00:31:02,320 --> 00:31:04,880
♪ I'd create worlds ♪
527
00:31:04,960 --> 00:31:07,560
♪ With cities and with nations ♪
528
00:31:07,640 --> 00:31:09,880
♪ And I like it ♪
529
00:31:09,960 --> 00:31:11,320
♪♪
530
00:31:11,400 --> 00:31:14,960
♪ Everyone was happy
as can be ♪
531
00:31:15,040 --> 00:31:17,200
♪♪
532
00:31:17,280 --> 00:31:20,040
♪ I love the town ♪
533
00:31:20,120 --> 00:31:22,920
♪ And I called it Jubilee ♪
534
00:31:23,000 --> 00:31:25,720
[Music continues indistinctly
in background]
535
00:31:25,800 --> 00:31:28,840
[Breathing heavily]
536
00:31:34,800 --> 00:31:37,240
Mm, mm, mm.
[Cellphone vibrates]
537
00:31:43,640 --> 00:31:45,440
We found them.
538
00:31:45,520 --> 00:31:47,840
We'll move in after sundown.
539
00:31:47,920 --> 00:31:51,960
♪♪
540
00:31:52,040 --> 00:31:54,200
Guy: Well, plenty of clothes.
541
00:31:55,360 --> 00:31:57,000
Doris: I don't know what we're
supposed to do here
542
00:31:57,080 --> 00:31:58,680
for two days.
543
00:32:00,120 --> 00:32:01,600
[Drawer slams shut]
544
00:32:01,680 --> 00:32:11,600
♪♪
545
00:32:11,680 --> 00:32:21,600
♪♪
546
00:32:21,680 --> 00:32:29,800
♪♪
547
00:32:29,880 --> 00:32:31,560
Jackpot.
548
00:32:31,640 --> 00:32:35,560
♪♪
549
00:32:35,640 --> 00:32:37,560
[Box clattering]
550
00:32:38,640 --> 00:32:39,760
[Sighs]
551
00:32:46,640 --> 00:32:48,880
Hmm. Yeah.
552
00:32:48,960 --> 00:32:50,640
I'd say you look like a James.
553
00:32:52,560 --> 00:32:55,200
You look nothing like a Julia.
554
00:32:55,280 --> 00:32:58,200
[Laughs] That was the first name
that came to mind.
555
00:32:58,280 --> 00:33:02,640
Okay, so, say you
get stopped by a border agent,
556
00:33:02,720 --> 00:33:05,480
what's Julia's backstory?
557
00:33:05,560 --> 00:33:07,520
Well, she's a dodgy one,
actually.
558
00:33:07,600 --> 00:33:12,800
She followed a childhood passion
for herpetology.
559
00:33:12,880 --> 00:33:14,520
Herpetology?
560
00:33:14,600 --> 00:33:17,520
Come on,
it's the study of reptiles.
561
00:33:17,600 --> 00:33:19,800
[Laughs] Anyway,
562
00:33:19,880 --> 00:33:23,760
she falls madly in love with
her hard-driving thesis advisor,
563
00:33:23,840 --> 00:33:26,680
who was this Brazilian hunk
564
00:33:26,760 --> 00:33:29,920
who would seduce her
with his long-winded monologs,
565
00:33:30,000 --> 00:33:33,640
about the Amazonian
boa constrictor.
566
00:33:34,840 --> 00:33:38,760
Until she found out that he was
as cold blooded as the animals
567
00:33:38,840 --> 00:33:40,520
he claimed to love.
568
00:33:40,600 --> 00:33:46,520
And so she is off to Yorkshire
to start up a lizard sanctuary.
569
00:33:46,600 --> 00:33:48,600
[Laughs]
Very good.
570
00:33:48,680 --> 00:33:50,400
What about our man, James?
571
00:33:50,480 --> 00:33:52,000
James?
572
00:33:53,040 --> 00:33:55,960
Well...[Game piece clattering on board]
573
00:33:56,040 --> 00:33:58,040
You've heard about his,
um, father,
574
00:33:58,120 --> 00:34:00,200
the famous anchovy fisherman,
575
00:34:00,280 --> 00:34:03,080
Fitzgerald MacArthur?
Oh, of course, I'm an adult.
576
00:34:03,160 --> 00:34:05,120
Of course.
577
00:34:05,200 --> 00:34:08,440
And his one-legged second wife,
Cora, the salty dog,
578
00:34:08,520 --> 00:34:11,040
cheated on him with that
intercontinental balloonist?
579
00:34:11,120 --> 00:34:15,040
Oh. Chester Oklahoma.
Chester Oklahoma. Right.
580
00:34:15,120 --> 00:34:17,280
And how Fitzgerald
was so despondent,
581
00:34:17,360 --> 00:34:20,040
that he threw himself
into the, uh, the blowhole
582
00:34:20,120 --> 00:34:21,920
of a passing sperm whale,
583
00:34:22,000 --> 00:34:26,199
leaving his young son, James,
to ply his father's trade,
584
00:34:26,280 --> 00:34:31,199
trolling the lonely seas to farm
the one friend he ever had.
585
00:34:31,280 --> 00:34:34,400
The humble anchovy.
Oh.
586
00:34:34,480 --> 00:34:36,040
Now here he is,
587
00:34:36,120 --> 00:34:41,400
roaming the countryside
in search of this woman
588
00:34:41,480 --> 00:34:45,679
who started up a, um,
lizard sanctuary.
589
00:34:45,760 --> 00:34:49,080
♪♪
590
00:34:49,159 --> 00:34:50,920
[Chuckles softly]
591
00:34:51,000 --> 00:34:58,680
♪♪
592
00:34:58,760 --> 00:35:00,080
I win.
593
00:35:00,160 --> 00:35:02,200
Aw!
594
00:35:02,280 --> 00:35:04,680
So, what now?
595
00:35:04,760 --> 00:35:09,240
Well, if we go to New York,
we could try out there,
596
00:35:09,320 --> 00:35:11,040
but they might
be looking for us.
597
00:35:11,120 --> 00:35:14,120
So might be easier
for us to get lost upstate.
598
00:35:14,200 --> 00:35:18,480
Uh, or we can go West Coast,
California, maybe.
599
00:35:18,560 --> 00:35:19,960
Have you heard of Big Sur?
600
00:35:20,040 --> 00:35:21,360
Guy...
601
00:35:21,440 --> 00:35:22,680
It's supposed
to be beautiful there.
602
00:35:22,760 --> 00:35:25,480
I meant for the rest
of today.
603
00:35:25,560 --> 00:35:27,000
I can't do another board game.
604
00:35:27,080 --> 00:35:28,880
I...
605
00:35:31,920 --> 00:35:33,960
We should probably get
some rest.
606
00:35:34,040 --> 00:35:36,440
[Game pieces clattering]
607
00:35:36,520 --> 00:35:42,760
♪♪
608
00:35:42,840 --> 00:35:52,760
♪♪
609
00:35:52,840 --> 00:35:55,320
What?
Nothing.
610
00:36:02,040 --> 00:36:04,640
[Upbeat music playing
over radio]
611
00:36:04,720 --> 00:36:07,240
[Indistinct chatter]
612
00:36:13,040 --> 00:36:14,880
Pretty face, toots.
613
00:36:14,960 --> 00:36:16,520
[indistinct conversation,
laughter]
614
00:36:16,600 --> 00:36:18,320
[Glasses clink]
615
00:36:18,400 --> 00:36:28,320
♪♪
616
00:36:28,400 --> 00:36:30,000
♪♪
617
00:36:30,080 --> 00:36:31,520
[Keys jingling]
618
00:36:31,600 --> 00:36:41,520
♪♪
619
00:36:41,600 --> 00:36:51,520
♪♪
620
00:36:51,600 --> 00:36:54,120
♪♪
621
00:36:54,200 --> 00:36:55,640
[Door opens]
622
00:36:56,840 --> 00:36:58,160
[Door slams shut]
623
00:36:58,240 --> 00:36:59,960
[Groans]
624
00:37:00,040 --> 00:37:02,040
Ridge: Nothing yet, huh?
625
00:37:04,720 --> 00:37:08,120
Should go home,
get some sleep.
626
00:37:08,200 --> 00:37:09,720
Oh. Keeps me out of trouble.
627
00:37:09,800 --> 00:37:11,600
At least take a break.
628
00:37:13,080 --> 00:37:17,040
Maybe let me buy you some food
and a pint.
629
00:37:18,640 --> 00:37:20,440
Look about starved.
630
00:37:21,520 --> 00:37:25,520
Oh, I wouldn't turn my nose
up at a little nibble, I guess.
631
00:37:30,240 --> 00:37:31,800
[Keys jingle]
632
00:37:31,880 --> 00:37:33,440
[Door opens]
633
00:37:34,920 --> 00:37:36,320
[Door closes]
634
00:37:36,400 --> 00:37:46,320
♪♪
635
00:37:46,400 --> 00:37:48,200
♪♪
636
00:37:48,280 --> 00:37:50,040
[Clicker clicks]
637
00:37:50,120 --> 00:37:54,080
♪♪
638
00:37:54,160 --> 00:37:56,040
[Revenants growling]
639
00:37:56,120 --> 00:38:06,040
♪♪
640
00:38:06,120 --> 00:38:12,000
♪♪
641
00:38:12,080 --> 00:38:14,600
[Growling continues]
[Cage clanging]
642
00:38:14,680 --> 00:38:19,600
♪♪
643
00:38:19,680 --> 00:38:22,320
[Indistinct chatter]
644
00:38:22,400 --> 00:38:32,320
♪♪
645
00:38:32,400 --> 00:38:34,640
[Door hinges creaking]
646
00:38:34,720 --> 00:38:43,880
♪♪
647
00:38:43,960 --> 00:38:46,040
[Revenants growling]
648
00:38:46,120 --> 00:38:53,040
♪♪
649
00:38:53,120 --> 00:38:55,640
[Growling continues]
650
00:38:55,720 --> 00:38:58,160
You're hiding something from me.
651
00:38:58,240 --> 00:39:08,160
♪♪
652
00:39:08,240 --> 00:39:10,120
♪♪
653
00:39:10,200 --> 00:39:12,040
[Computer beeping]
654
00:39:12,120 --> 00:39:14,200
♪♪
655
00:39:14,280 --> 00:39:16,800
People: [Screaming]
656
00:39:16,880 --> 00:39:18,640
♪♪
657
00:39:18,720 --> 00:39:20,160
[Revenants growling]
658
00:39:22,000 --> 00:39:23,920
[Screaming continues]
659
00:39:28,320 --> 00:39:38,240
♪♪
660
00:39:38,320 --> 00:39:46,840
♪♪
661
00:39:46,920 --> 00:39:49,840
[Computer beeping]
662
00:39:49,920 --> 00:39:56,320
♪♪
663
00:40:00,120 --> 00:40:10,040
♪♪
664
00:40:10,120 --> 00:40:20,040
♪♪
665
00:40:20,120 --> 00:40:24,800
♪♪
666
00:40:30,680 --> 00:40:31,720
[Chokes]
667
00:40:32,600 --> 00:40:33,640
Where is it?
668
00:40:34,760 --> 00:40:36,640
This is what happens
when people get close to me.
669
00:40:36,720 --> 00:40:37,960
Would you just tell me
the truth?
670
00:40:38,560 --> 00:40:39,800
We can't trust Helen anymore.
671
00:40:39,880 --> 00:40:41,640
Jasper:
They're gonna try and flee.
672
00:40:43,400 --> 00:40:44,440
Who are you?
673
00:40:49,360 --> 00:40:50,960
I think I know
where your mother is.
674
00:40:58,920 --> 00:41:00,440
Just tell me who she is.
675
00:41:00,520 --> 00:41:02,360
Why do you care so much
about some freaking girl?
676
00:41:02,440 --> 00:41:05,320
I don't.
I care about my book.
677
00:41:05,400 --> 00:41:09,880
And I care when someone gets
between it and me.
678
00:41:09,960 --> 00:41:14,880
♪♪
679
00:41:14,960 --> 00:41:18,600
In episode five, what we very
quickly come to find out
680
00:41:18,680 --> 00:41:21,120
is that Jasper has
some plans for Guy.
681
00:41:22,800 --> 00:41:24,360
You think you're smooth?
682
00:41:24,440 --> 00:41:26,240
Think you got moves?
You have no moves.
683
00:41:26,320 --> 00:41:29,640
Ihave all the moves.
684
00:41:29,720 --> 00:41:33,520
Now Guy has really crossed
the line with Jasper,
685
00:41:33,600 --> 00:41:35,560
and Jasper
lets him know it.
686
00:41:35,640 --> 00:41:38,440
I'm scared of Jasper.
I'm scared of [indistinct].
687
00:41:38,520 --> 00:41:39,640
Let's be real.
688
00:41:39,720 --> 00:41:41,080
[Laughs]
689
00:41:43,600 --> 00:41:46,320
Lafferty: It was important
for us to set this scene
in the basement.
690
00:41:46,400 --> 00:41:48,480
It's a place
that we've only seen
691
00:41:48,560 --> 00:41:51,800
in which these horrible animals
are either made or kept.
692
00:41:51,880 --> 00:41:54,040
Now we're in revenant world.
693
00:41:54,120 --> 00:41:56,680
We really are in revenant world
at the start of episode five.
694
00:41:56,760 --> 00:42:00,600
Fichtner: Yeah, we're down
on this freezing floor
in a basement.
695
00:42:00,680 --> 00:42:03,240
I'm like, "Couldn't we do this
on a soundstage with a heater?
696
00:42:03,320 --> 00:42:04,560
Can I get a latte?"
697
00:42:04,640 --> 00:42:06,240
Start digging.
698
00:42:10,560 --> 00:42:12,280
Yeah,
the cages really do work.
699
00:42:12,360 --> 00:42:14,560
I have a big lever,
which Nick keeps teasing me.
700
00:42:14,640 --> 00:42:16,320
He goes, "You really
like playing with that thing."
701
00:42:16,400 --> 00:42:18,240
And I'm like,
"Listen to the sound on it."
702
00:42:18,320 --> 00:42:19,720
[Lever cranks]
703
00:42:19,800 --> 00:42:21,440
I said, "Listen,
take that piece off the set,
704
00:42:21,520 --> 00:42:23,080
give it to me as a wrap gift
705
00:42:23,160 --> 00:42:25,040
so I can put it in my garage
at home,
706
00:42:25,120 --> 00:42:27,040
and I'll just lift it up
and things will happen."
707
00:42:27,120 --> 00:42:29,360
[Flames whoosh]
708
00:42:29,440 --> 00:42:31,840
Hancock: When Guy gets
in deep trouble with Jasper
709
00:42:31,920 --> 00:42:33,720
over what's happened
at the hotel
710
00:42:33,800 --> 00:42:35,920
and the fact that he's
been keeping stuff from Jasper,
711
00:42:36,000 --> 00:42:38,440
Doris jumps in to save him.
712
00:42:40,640 --> 00:42:42,520
When I read it, I was --
I was like, yeah,
713
00:42:42,600 --> 00:42:44,240
go on, Doris. [Chuckles]
714
00:42:44,320 --> 00:42:46,200
I shot the fire myself,
but not at Bill.
715
00:42:46,280 --> 00:42:48,320
They had Bill here,
a green screen here,
716
00:42:48,400 --> 00:42:52,040
so he shot his reaction to me
throwing the flame.
717
00:42:52,120 --> 00:42:54,160
Then they removed
the green screen and shot me
718
00:42:54,240 --> 00:42:56,320
shooting the flame out
of the aerosol.
719
00:42:56,400 --> 00:42:58,400
And then they combined
the two images together
720
00:42:58,480 --> 00:43:02,040
so it will look like
I am shooting the flame at Bill.
721
00:43:02,120 --> 00:43:03,560
But, in fact, I'm not.
722
00:43:03,640 --> 00:43:05,600
Denton: We're watching Jasper
set on fire,
723
00:43:05,680 --> 00:43:08,280
done by the stuntman Ben,
who is...
724
00:43:08,360 --> 00:43:09,360
That looks so real.
725
00:43:09,440 --> 00:43:10,920
This part here is amazing.
726
00:43:11,000 --> 00:43:13,120
Buckens: I mean, it is real.
Director: Action, A!
727
00:43:13,200 --> 00:43:15,600
He's got protection and stuff,
but he is really on fire.
728
00:43:16,920 --> 00:43:18,720
I've gone through
my storyboards,
729
00:43:18,800 --> 00:43:21,480
and what I want to do here is
that as he goes up into flames,
730
00:43:21,560 --> 00:43:23,720
he carries on,
pushing away Doris
731
00:43:23,800 --> 00:43:25,800
until he pushes her
down the stairs.
732
00:43:26,800 --> 00:43:29,480
She's going to fall down
and then he's going to get hit.
733
00:43:29,560 --> 00:43:31,080
He's going to go down.
734
00:43:32,480 --> 00:43:33,840
It's a super dynamic,
exciting shot.
735
00:43:33,920 --> 00:43:35,360
And at the end,
736
00:43:35,440 --> 00:43:36,920
the revenants are going to go
from those cages
737
00:43:37,000 --> 00:43:40,000
charging around this corner
to follow.
738
00:43:40,080 --> 00:43:42,600
So, yeah, it's super dynamic.
It's all shot in little bits.
739
00:43:42,680 --> 00:43:44,400
But in the end,
it all comes together
740
00:43:44,480 --> 00:43:46,640
in a gorgeous conflagration
of delight.
741
00:43:46,720 --> 00:43:51,200
On the next day, we had
me and Guy running to the car,
742
00:43:51,280 --> 00:43:53,920
all the revenants climbing
onto the car.
743
00:43:54,000 --> 00:43:55,640
Hancock: It is a big action
sequence,
744
00:43:55,720 --> 00:43:58,280
and I think it's a lot of fun
and violent.
745
00:43:58,360 --> 00:44:02,040
Denton: Both the capture
and escape of Guy and Doris
746
00:44:02,120 --> 00:44:04,120
from Jasper
and the revenants
747
00:44:04,200 --> 00:44:06,960
is a real crescendo
to this great series.
748
00:44:07,040 --> 00:44:09,240
The action really comes out
in full effect.
749
00:44:11,440 --> 00:44:13,440
Automated Voice:
Put a coin in the slot.
750
00:44:16,560 --> 00:44:18,880
Denton: I really loved that
scene at Cupid's Arrow,
751
00:44:18,960 --> 00:44:21,800
where we were playing in the
peep show between Helen and Guy.
752
00:44:21,880 --> 00:44:26,800
If you don't help me, Helen,
if you won't help me, I'm dead.
753
00:44:26,880 --> 00:44:28,480
McGovern: I think at that point,
754
00:44:28,560 --> 00:44:31,760
Helen's ambivalence
about the Talamasca
755
00:44:31,840 --> 00:44:34,960
has so chipped away
at her inner resolve
756
00:44:35,040 --> 00:44:38,800
that she is particularly
vulnerable to turning.
757
00:44:38,880 --> 00:44:42,040
And I love the way
the scene is written,
758
00:44:42,120 --> 00:44:46,080
because Guy has reached
a point of maturation
759
00:44:46,160 --> 00:44:48,760
where he's now calling
the shots.
760
00:44:48,840 --> 00:44:51,520
Denton: He knows that
she's looking for her sister,
761
00:44:51,600 --> 00:44:54,760
and he knows that the 752
may be the answer for her.
762
00:44:54,840 --> 00:44:57,360
And so he's got
the upper hand here.
763
00:44:57,440 --> 00:44:58,960
Sure about this?
764
00:44:59,040 --> 00:45:02,000
No, but it's what we got.
765
00:45:02,080 --> 00:45:03,720
Lafferty: Doris is immediately
skeptical
766
00:45:03,800 --> 00:45:05,720
of going into the safe house
from the start.
767
00:45:05,800 --> 00:45:08,200
And she thinks
this is potentially perilous.
768
00:45:08,280 --> 00:45:10,840
But the two find themselves
in this place overnight there,
769
00:45:10,920 --> 00:45:13,080
and all they have is each other.
770
00:45:13,160 --> 00:45:15,680
Hancock: Guy and Doris
have bonded together
771
00:45:15,760 --> 00:45:18,120
and attached to the hip
a little bit,
772
00:45:18,200 --> 00:45:20,160
even though they're
still wary of one another.
773
00:45:20,240 --> 00:45:22,040
Buckens: It kind of feels
like an oasis,
774
00:45:22,120 --> 00:45:24,200
a slower pace than the rest
of the show.
775
00:45:24,280 --> 00:45:27,640
It was nice because the
characters felt very vulnerable
776
00:45:27,720 --> 00:45:29,440
and like two kids.
777
00:45:33,000 --> 00:45:34,400
I win.
778
00:45:34,480 --> 00:45:36,000
[Scoffs]
779
00:45:36,080 --> 00:45:37,560
[Remote clicks]
780
00:45:37,640 --> 00:45:39,240
[Revenants growling]
781
00:45:39,320 --> 00:45:40,520
Lafferty: We think
that the revenants
782
00:45:40,600 --> 00:45:41,800
are coming for Guy and Doris,
783
00:45:41,880 --> 00:45:43,560
hopefully up until
the last second,
784
00:45:43,640 --> 00:45:45,720
in which we find out that that's
not where they're headed.
785
00:45:48,440 --> 00:45:50,760
We had four or five kills
on the boat,
786
00:45:50,840 --> 00:45:53,560
but timed out so that as
the revenant landed on the roof,
787
00:45:53,640 --> 00:45:55,640
it goes with her,
flying through the air, lands,
788
00:45:55,720 --> 00:45:58,080
the roof comes down
into the first window,
789
00:45:58,160 --> 00:46:00,040
and we see someone getting
their neck eaten,
790
00:46:00,120 --> 00:46:02,520
and then we see someone
get slashed across the throat.
791
00:46:02,600 --> 00:46:05,800
So we had, in the four windows,
we had a kill on each window.
792
00:46:07,360 --> 00:46:10,080
Richardson-Sellers: I knew
that Olive was a mole pretty
early on.
793
00:46:10,160 --> 00:46:11,560
I was like, fantastic.
Of course she is.
794
00:46:11,640 --> 00:46:13,000
It makes total sense.
795
00:46:13,080 --> 00:46:14,400
She is here
for the bigger picture --
796
00:46:14,480 --> 00:46:16,560
"What is going to get me
to the 752?"
797
00:46:16,640 --> 00:46:18,440
And that's Jasper.
798
00:46:18,520 --> 00:46:21,560
Lafferty: And Jasper is alive,
but he's been burned by them,
799
00:46:21,640 --> 00:46:24,320
and now he's got
a renewed sense of vengeance
800
00:46:24,400 --> 00:46:26,080
to come after them
in episode six.
801
00:46:26,160 --> 00:46:30,040
♪♪
802
00:46:32,080 --> 00:46:41,920
♪♪
803
00:46:42,000 --> 00:46:51,920
♪♪
804
00:46:52,000 --> 00:47:00,880
♪♪
55280
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