All language subtitles for Steve and Peggy - One Last Dance (1ass)

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These are the user uploaded subtitles that are being translated: 1 00:00:01,436 --> 00:00:04,178 ROGERS: Asking a woman to dance always seems so terrifying. 2 00:00:04,221 --> 00:00:08,095 And the past few years just didn't seem to matter that much. 3 00:00:08,138 --> 00:00:11,098 Figured I'd wait.For what? 4 00:00:12,621 --> 00:00:14,362 Right partner. 5 00:00:16,712 --> 00:00:19,758 JOE RUSSO: The essential conflict in Steve 6 00:00:19,802 --> 00:00:21,978 is the desire to serve. 7 00:00:22,022 --> 00:00:26,548 And that desire to serve would supersede his personal identity. 8 00:00:26,591 --> 00:00:29,681 He's got an amazing set of morals and values. 9 00:00:29,725 --> 00:00:31,118 He's an incredibly good man, 10 00:00:31,161 --> 00:00:34,425 given the hand that life has dealt him. 11 00:00:34,469 --> 00:00:37,211 Doctors kinda know that if this guy is given this great gift, 12 00:00:37,254 --> 00:00:38,603 he won't take advantage of it. 13 00:00:38,647 --> 00:00:41,084 He understands how to value what he has 14 00:00:41,128 --> 00:00:43,043 'cause he didn't always have it. 15 00:00:43,086 --> 00:00:44,914 JOE JOHNSTON: The common issue among all the Marvel heroes 16 00:00:44,957 --> 00:00:47,438 is that they have a very vulnerable side to them. 17 00:00:47,482 --> 00:00:51,094 And Steve Rogers is certainly no exception to that. 18 00:00:51,138 --> 00:00:52,617 He is probably the most vulnerable 19 00:00:52,661 --> 00:00:55,055 before he becomes Captain America. 20 00:00:55,098 --> 00:00:57,666 CHRISTOPHER MARKUS: He, more that any of the other superheroes, 21 00:00:57,709 --> 00:01:00,495 really, kind of, loses who he was 22 00:01:00,538 --> 00:01:02,714 in the process of becoming him. 23 00:01:02,758 --> 00:01:04,977 'Cause he was a scrawny, 90-pound man, 24 00:01:05,021 --> 00:01:06,805 who gets changed into Captain America. 25 00:01:06,849 --> 00:01:08,807 So the old him ceases to exist. 26 00:01:08,851 --> 00:01:12,072 There's no life of Steve Rogers that he goes back to. 27 00:01:12,115 --> 00:01:14,161 Almost, I get the feeling, 28 00:01:14,204 --> 00:01:16,380 he'd be more comfortable if he could wear the outfit all the time 29 00:01:16,424 --> 00:01:17,903 because then he has a persona. 30 00:01:17,947 --> 00:01:19,122 Then he knows who he is. 31 00:01:19,166 --> 00:01:20,689 That's the first time he was valued, 32 00:01:20,732 --> 00:01:22,734 he had very few people who valued him. 33 00:01:22,778 --> 00:01:24,127 He wasn't quite an orphan 34 00:01:24,171 --> 00:01:25,911 but he was alone fairly early on 35 00:01:25,955 --> 00:01:27,348 and he had one friend. 36 00:01:27,391 --> 00:01:29,915 It was Bucky Barnes, and Bucky Barnes goes off to war. 37 00:01:29,959 --> 00:01:31,134 And he was a scrappy kid 38 00:01:31,178 --> 00:01:32,396 who got picked on all his life. 39 00:01:32,440 --> 00:01:34,224 JOHNSTON: He is very relatable. 40 00:01:34,268 --> 00:01:35,921 He is a superhero. 41 00:01:35,965 --> 00:01:39,186 But all his power is basically what the human body can do. 42 00:01:39,229 --> 00:01:42,102 McFEELY: Once circumstances lead him to being Captain America, 43 00:01:42,145 --> 00:01:44,843 he finds, you know, a purpose. 44 00:01:44,887 --> 00:01:47,716 You told me you thought I was meant for more than this. 45 00:01:47,759 --> 00:01:48,847 Did you mean that? 46 00:01:49,979 --> 00:01:50,980 Every word. 47 00:01:53,025 --> 00:01:54,810 HAYLEY ATWELL: Peggy has a career. 48 00:01:54,853 --> 00:01:57,421 And she has a lot of self-respect. 49 00:01:57,465 --> 00:01:59,336 And she's pretty sick and tired 50 00:01:59,380 --> 00:02:00,729 of lots of men kind of not taking her 51 00:02:00,772 --> 00:02:02,905 seriously in the Army, and you know, 52 00:02:02,948 --> 00:02:05,212 playing around with her. 53 00:02:05,255 --> 00:02:08,998 I think Peggy relates to someone really fighting for what they believe in 54 00:02:09,041 --> 00:02:11,609 and really having to struggle all the time to prove themselves. 55 00:02:11,653 --> 00:02:14,003 And, she being the only woman in this environment, 56 00:02:14,046 --> 00:02:16,179 knows exactly what that feels like. 57 00:02:16,223 --> 00:02:19,530 It's not just the normal, everyday love story. 58 00:02:19,574 --> 00:02:20,749 There's something else. 59 00:02:20,792 --> 00:02:22,490 In the same way that we love Steve, 60 00:02:22,533 --> 00:02:25,710 because he exhibits some sort of determination 61 00:02:25,754 --> 00:02:27,016 and selflessness, 62 00:02:27,059 --> 00:02:29,453 that's the same thing that attracts her to him. 63 00:02:29,497 --> 00:02:32,021 JOE: Steve learned a lot from Peggy Carter. 64 00:02:32,064 --> 00:02:33,892 If you go back and look atThe First Avenger, 65 00:02:33,936 --> 00:02:35,459 that is the essential relationship 66 00:02:35,503 --> 00:02:38,114 that I think turned him into who he is today. 67 00:02:38,158 --> 00:02:39,855 It turned him into Captain America. 68 00:02:39,898 --> 00:02:41,857 Her sense of integrity, 69 00:02:41,900 --> 00:02:45,556 her call to action are all qualities that have been engrained 70 00:02:45,600 --> 00:02:47,819 in Steve and are his best qualities. 71 00:02:47,863 --> 00:02:50,953 And they come from an example, from Peggy. 72 00:02:50,996 --> 00:02:53,738 And so I think it was critical that her character 73 00:02:53,782 --> 00:02:55,436 embody those essential qualities 74 00:02:55,479 --> 00:02:57,481 because he wouldn't be who he is without them. 75 00:02:57,525 --> 00:02:59,831 I'm gonna need a rain check on that dance. 76 00:02:59,875 --> 00:03:02,356 A week, next Saturday at the Stork Club. 77 00:03:02,399 --> 00:03:04,053 You got it. 78 00:03:04,096 --> 00:03:06,708 PEGGY: 8:00 on the dot. Don't you dare be late. 79 00:03:13,062 --> 00:03:15,978 JOE: The great tragedy of Steve Rogers' existence 80 00:03:16,021 --> 00:03:18,198 was, now he found he love of his life 81 00:03:18,241 --> 00:03:20,635 and then, had to sacrifice himself, 82 00:03:20,678 --> 00:03:23,942 and 70 years of his life to save the world. 83 00:03:23,986 --> 00:03:26,423 ANTHONY: I always found it very endearing about Cap, 84 00:03:26,467 --> 00:03:28,295 that for all that character has sacrificed, 85 00:03:28,338 --> 00:03:29,687 and he's sacrificed a lot. 86 00:03:29,731 --> 00:03:31,994 But one thing he could never let go of was Peggy. 87 00:03:32,037 --> 00:03:34,214 And it just stayed with him all those years. 88 00:03:35,563 --> 00:03:38,218 It's been so long. 89 00:03:40,568 --> 00:03:42,222 So long. 90 00:03:43,223 --> 00:03:45,529 Well, I couldn't leave my best girl. 91 00:03:45,573 --> 00:03:47,183 Not when she owes me a dance. 92 00:03:51,231 --> 00:03:54,495 ATWELL: We want the audiences to feel moved by it. 93 00:03:54,538 --> 00:03:58,063 People have sent me poems that they've written about Peggy and Cap, 94 00:03:58,107 --> 00:04:00,240 and montages that they've sent me 95 00:04:00,283 --> 00:04:02,981 of Peggy and Cap's greatest moments, 96 00:04:03,025 --> 00:04:04,766 putting, like, soundtracks over them, 97 00:04:04,809 --> 00:04:06,594 like Aerosmith soundtracks or something, 98 00:04:06,637 --> 00:04:09,161 with longing looks from Peggy and Cap. 99 00:04:09,205 --> 00:04:11,425 And I'm realizing that the story has affected them. 100 00:04:11,468 --> 00:04:13,688 And that's great 'cause we feel like that's what we wanted. 101 00:04:13,731 --> 00:04:15,646 We wanted something that had heart to it 102 00:04:15,690 --> 00:04:17,431 that people, essentially, cared about. 103 00:04:17,474 --> 00:04:20,564 Even after he died, Steve was still changing my life. 104 00:04:20,608 --> 00:04:23,350 I really like what they let my character experience 105 00:04:23,393 --> 00:04:24,612 in these movies, to be honest, 106 00:04:24,655 --> 00:04:26,483 the struggle and the sacrifice 107 00:04:26,527 --> 00:04:28,311 and the culmination of friendships 108 00:04:28,355 --> 00:04:30,008 that have had peaks and valleys. 109 00:04:30,052 --> 00:04:32,446 And it's just a really layered, colorful experience. 110 00:04:32,489 --> 00:04:34,578 JOE: His arc over the course of the movies 111 00:04:34,622 --> 00:04:36,580 take him from a place of service, 112 00:04:36,624 --> 00:04:38,756 to where he started to question authority 113 00:04:38,800 --> 00:04:40,889 and ultimately embrace his identity 114 00:04:40,932 --> 00:04:42,586 and become self-actualized. 115 00:04:42,630 --> 00:04:45,197 And he has the opportunity inAvengers: Endgame 116 00:04:45,241 --> 00:04:47,417 to go back and correct the loss 117 00:04:47,461 --> 00:04:49,898 and be with Peggy, the love of his life. 118 00:04:49,941 --> 00:04:51,769 And he makes that choice. 119 00:04:51,813 --> 00:04:54,511 So, did something go wrong or did something go right? 120 00:04:55,599 --> 00:04:57,035 Well, after I 121 00:04:57,079 --> 00:04:59,211 put the stones back, I thought... 122 00:05:00,648 --> 00:05:02,345 Maybe I'll... 123 00:05:02,389 --> 00:05:04,695 try some of that life Tony was 124 00:05:05,392 --> 00:05:07,263 telling me to get. 125 00:05:07,307 --> 00:05:10,005 You're trying' to tap into Steve's journey before you go to set 126 00:05:10,048 --> 00:05:11,963 to understand what this moment means to him. 127 00:05:12,007 --> 00:05:13,617 But you can't help but think about your own. 128 00:05:13,661 --> 00:05:15,489 And think about what this entire experience 129 00:05:15,532 --> 00:05:17,055 has meant to you. 130 00:05:17,099 --> 00:05:19,667 God, you can get choked up even thinking about it right now. 131 00:05:19,710 --> 00:05:21,190 You wanna tell me about her? 132 00:05:29,067 --> 00:05:30,460 ROGERS: No. 133 00:05:30,504 --> 00:05:31,853 No, I don't think I will. 10407

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