All language subtitles for The.Voice.S28E12.en

* Oh-oh, na-na-na-na, hey *

It feels like a dream
to still be in this competition.

Say hi to Joe Walsh.

-Zac Brown.
-Oh, my God!

How many times does a person get
to stand before two superstars?

The knockouts is where
the tension starts to rise.

Snoop: It's time to deliver.
There's no saves, no steals.

You got to have
the whole package.

The pressure
is seriously on.

You really just got to show up
and be undeniable.

Marty: I'm not ready
to go home yet.

The team that I want to form
heading into the playoffs

is one that has that great
work ethic and ambition.

When you add those intangibles,
you get a winner.

[ Harmonizing ]

-Whoo!
-Whoo!

Niall: I just need top quality
going into the playoffs.

The stakes are higher than ever.

Kayleigh: It would mean
the world to me

to make it to playoffs.

You've got one shot.
One shot and that's it.

Daly: There it is --
the Mic Drop!

Now, we do have a thing
called the Mic Drop this season.

The winner
of the Mic Drop contest

will get to perform
at the Rose Parade

presented by Honda.

So I'm waiting for a performance

that just blows me away.

I feel like I got to show
the coaches something

that I haven't shown
them before.

I am ready for knockouts,
so let's do this.

Whoo!

Whoo-whoo!

What?!

Joe, thank you
for doing this today.

You're very welcome.

There is a camaraderie
in everybody.
Yeah.

Doing this for over 50 years,
I've learned a lot.

It's really cool
to give back.

There's bonding and some really
good new friendships being made.

Even though they are
competing against each other.

That's a good thing
about the show.

I love it.
It's good energy.

Yeah.
Yeah.

Alright, so this next pairing
is Conrad and Ryan.

I can't believe
that we are both here.

We're at knockouts!

Crazy!
Ha ha!

During blind auditions,
if nobody turned a chair,

Carson got to select
one artist to come back.

So, Ryan's the Carson Callback,
paired up against Conrad.

He's a great singer
and got a little R&B,

and Ryan's
a little rock and roll.

Let's bring 'em on.

Say hi to Joe Walsh.

Joe Walsh?!
Oh, my God!

Ryan: Joe Walsh
is so cool to me.

-How you doing?
-Oh, man. It's an honor.

I'm a rocker in my heart,

and I've been listening to the
Eagles since I was a little kid.

He is a legend.

He's in the Rock and Roll
Hall of Fame.

He's a badass.

Alright, Conrad.
So, the song
I'm going to be singing

is "Closer" by Ne-Yo.

This whole moment,
being here

makes me feel like I'm
one step closer to my dreams.

I don't come from
a musical family.

My mom was a school teacher
for 30 years,

but I had this innate
burning desire to perform.

I want to take a top-10 hit
from 2008

and bring it into 2025.

I want people
to feel like, "Wow,

I love the refreshing spin
that he put on it."

* Come closer *

* And I just can't pull
myself away *

Ryan: There's a lot about Conrad
that's intimidating to me.

He can riff
and run circles around me.

[ Holding note ]

I am gonna
give my all this time.

* I just can't stop *

Very good.
Thank you.

At the beginning of the song,
the lyrics are,

"Turn the lights off
in this place

and she shines
just like a star."

Yeah.
You got to have that
in your eyes.

'Cause you're
telling somebody,

turn the lights down
on this place and she's a star.

Then you open your eyes
and it's like, wow.

That's what happens
when she walks in the room.

You're setting up a scene
in the listener's head, right?

It's like fishing, and
you get that first verse down,

and then you turn it on.

And the embellishment
that you're doing --

and you can
do them great --

I'm not sure
you'd need them all.

Don't let it distract
from the song.

We've got to be able
to hear the words.

I agree.
Okay.

It kind of looked
like you were

not comfortable
with silence.
Mm.

I just love Reba.

And Joe is legendary.

Just to sit in a room with them,
that's a win already.

Alright, Ryan,
your turn.

What are you singing?

I'm singing "Zombie"
by The Cranberries.

Uh-huh.
It's about war.

But to me,
I am speaking to myself

and that internal war
that I feel.

I have been sober from alcohol
since 2021.

Thank you.
Good for you.
That's huge.

It's crazy seeing you here,

because to celebrate
my four years of sobriety,

I went to Vegas and I saw you
at The Sphere back in April.

I have
31 years sober.
31.

That's amazing.
So I'm proud of you.

And isn't it better?

I've been given a life
beyond anything I could imagine.

Same here.

I feel like this is a great song
to showcase my range.

It's powerful, it's heavy, and
I love that it's rock and roll.

* But you see, it's not me *

Reba: Ryan stands out,
totally different.

I think he really gets into
his lyrics

and he's a great
performer.

* In your head *

Before he sang it, I thought,
"Good luck!"
[ Laughs ]

"He's gonna sing this?"
But he did.

He sang it his way, and I see
why he chose that song.

[ Holding note ]

Ryan is definitely
going to keep me on my toes.

He has a lot of range,
a lot of power.

I was like, "Whoa."

There's a really good
message in it.
Yeah.

And to give that message
and connect with the listener,

just back off
on singing really loud,

just a pinch.

On the choruses?
Yeah.

Thank you.

Conrad, come on up.

I thought y'all did
a great job.

Yeah.
Great performances.

I think you're
pretty good to go, you guys.

Reba: Conrad was
a one-chair turn.

Ryan, I was the only one that
turned in the blind auditions.

But I think they're
both great singers,

and it's just going
to come down to who performs

their song the best.

Reba: We don't have a steal.
We don't have a save.

So add that to your thinking
and really give it your all.

Oh, my gosh.

There's no more steals,
no more saves.

That means the pressure is on.

Reba: Have fun.
Ryan: Moving to the playoffs.

that would just be nuts.

I might do a cartwheel.

[ Laughs ]
I can't do a cartwheel.

Have a good one, y'all.
Reba: Bye-bye.

**

I think everybody got
great starts right now.

It says a lot about the
talent we've got this season.
Yeah.

Well, they're picking
their own songs.

Sometimes that's a positive
and sometimes it's not.

Reba: But I know what
they've done in the past

and I know their potential.

So you really have to
weigh in on that, too.

Me and you haven't used
our Mic Drop thing yet.

If all four of y'all
stand up,

then that's Mic Drop worthy.
Fair enough.

Reba: I know who mine is.
Yes.

You know,
it has to be undeniable.

Like when you gave yours
to Max.

Yeah, it's not like
the person that we chose

is going to sing
at the Rose Parade.

No.
America still has to
vote on that.

-Yeah.
-Right. Exactly.

D'ya know what'll be
interesting?
What?

Will the winner of "The Voice"
be one of those four?

Mm.
Michael: Wow.

Let's go out there!
Come on!

[ Cheers and applause ]

He got the memo!
He got the memo!

[ Cheers and applause continue ]

Hello, Ryan!

Now, with "Zombie,"
here's Ryan Mitchell.

**

**

* Another head hangs lowly *

* Child is slowly taken *

Wow.

* And the violence
causes silence *

* Who are we mistaken? *

* Can't you see,
it's not me *

* It's not my family *

* In your head,
in your head *

* They are fighting *

* With their tanks
and their bombs *

* And their bombs
and their guns *

* In your head,
in your head *

* They are cryiiiiing *

* In your head,
in your head *

* Zombie, zombie, zombie,
hey, hey *

* What's in your head,
in your head? *

* Zombie, zombie, zombieeeee *

* Oh, oh *

* Oh, oh, oh-oh oh-oh-oh *

* Heeeeeeey *

* Hey-eeeeeeeeey *

* Another head hangs lowly *

* Child is slowly taken *

[ Cheers and applause ]

Way to go. Way to go.

Good job. Good job.

* This is "The Voice" *

Daly: Welcome back
to the knockouts.

Whoo!

[ Cheers and applause ]

With "Closer,"
here's Conrad Khalil.

Whoo-whoo!

Background singers:
[ Whispering ] Closer.

* Turn the lights off
in this place *

* And she shines
just like a star *

* And I swear I know her face *

* I just don't know
who you are *

* Turn the music up in here *

* I still hear her
loud and clear *

* Like she's right there
in my ear *

* Telling me that she wants
to own me *

* To control me *

* Come closer *

* Come closer *

* Come closeeeer *

* And I just can't
pull myself away *

* Under her spell
I can't break *

* I just can't stop *

* I just can't stop *

* I just can't stop *

* I just can't stop *

* I just can't stoooooop *
-* I just can't stop *

-* I just can't stop, no *
-* I just can't stop *

-* I just can't stop *

* Noooo *
-* I just can't stop, no *

-* I just can't stoooooooop *
-* I just can't stop, no *

* And I just can't
pull myself away *

* Under her spell
I can't break *

* I just can't stop *

* I just can't stop *

-* I just can't stop *
-* I just can't *

-* Stoooop *
-* I just can't stop *

* Hey, and I just can't
pull myself away *

* But I don't want to escape *

* I just can't stop *

* I just can't stop *

-* I just can't stooooop *
-* I just can't stop *

-* I just can't stoooop *
-* Stop *

* Come closerrrrr *

[ Cheers and applause ]

Way to go! Whoo-whoo!

Thank you.

Way to go! Good job!

* I just can't stop *

Conrad, Ryan, thank you
for such a great start.

Conrad, you have
all the runs.

You have a great range.

You have a really
gorgeous tone.

Thank you for
a great performance.

Thank you, Michael.

Ryan Mitchell
is a Carson Callback?

Callback. Yeah.

Ryan has come back

and exceeded everyone's
greatest expectations.

You have the ability
to interpret songs

better than
anybody else did.

And so if I had to
make a choice

and my name was
Reba McEntire --

I wish it was --
[ Laughter ]

...I would have to lean
your way, Ryan.

But you were both
absolutely fabulous today.

Thank you.

Ryan, the way
you sung the record,

it made me feel
like it was like the early '90s.

And I thought you did
a five-star performance, man.

Thank you.

Conrad from Brick City.

What you showed me was
you have control of your vocals,

the way you was able
to move, dance,

and be able
to control yourself.

If you want that rock
alternative, it's Ryan.

But if you want that R&B,
then it's Conrad.

Thank you.

For you, Conrad,
I wrote down nostalgic.

You remind me, like,

of all those great R&B singers
that I grew up listening to,

and you have that same control
that they do.

And, Ryan,

the growth that you've shown
over the last few weeks

has been unbelievable.

I feel like Ryan
hasn't left first gear yet.

There's way more in that tank.

Thank you, coaches.
Thank you, man.

Daly: Alright, Reba, you got
a tough decision coming up.

Before you tell us the winner,

what were you thinking there?

Reba: Conrad, you knew exactly

where you were going
to give the pauses

and where you were
going to take off.

You were very focused,
and a great job.

Ryan, you connected to
your struggles with alcohol.

You wanted to sing a song
that you could relate to,

which I thought was very brave.

So, way to go on that.

Daly: Reba, you got a tough
decision to make here.

The time has come.

Who is the winner
of this knockout?

[ Dramatic music plays ]

**

The winner
of this knockout round...

...is Ryan.

Ryan, congratulations!

You are moving on!

Reba: Golly,
it's just really hard

because you've got
such great talent,

and you don't want
either one of them to leave.

But Ryan is different
than anybody in the competition.

Way to go. Good job.

We don't get that much
alternative rock on the show.

So to have Ryan fill that void,
perfect.

You're still here, bro.
Yeah.

Playoffs.

Team Carson.
Let's go, man. Let's go.

Way to go, Reba!
Look at you, dude.

Look at you.
What a team we make!

Daly: We make a good team.

Daly: One Mic Drop artist
has been picked so far.

Who will be next?
You can vote for the winner

in the "Voice" official app
and online

once the knockout rounds
conclude

on November 24th.

* This is "The Voice" *

Daly: Welcome back.

[ Cheers and applause ]

The performances
that I've seen so far

are more than mind-blowing.

They're, like,
awards ceremony worthy.

But there's no saves,
no steals.

You don't really have
no safety net.

You got to bring
your best effort.

And I think this
is going to be the best season

of "The Voice" thus far.

Michael: So, I got four kids.
You got five.

Zac: I got five.
Which means that this is

kind of like a paid vacation
for us right now.

Having Zac Brown here
has been better

than I could have
ever expected.

I love having you here because
I know you can help these guys.

Since I was 8 years old,

I carried my guitar everywhere
I went.

I just loved it.
Music was my first love.

I get it.
Fills you up, man.

To have the opportunity
to help people on their path,

it's an honor to come in
and be a part.

It's gonna be great.
This will be so much fun.

Yeah. Big time.

I've got, um,
Marty and Rob.

Marty -- maybe one
of my favorite voices ever...

Wow.
...on this show, which is...

Big statement.

And Rob, who could be
a front-runner, man.

Let's see
what they bring.

-Alright.
-What's up, Marty, Rob?

Oh, my goodness.

-Zac Brown.
-Oh, snap!

How you doing?

Oh, my gosh.
This is Zac Brown.

Ah!

I've admired Zac Brown's
music for so, so long.

Far beyond "Chicken Fried"

and, you know,
those early hits that he had.

Prepare to be amazed, y'all.

Michael: Alright.

I don't know if I told you,
Michael,

but the first time
you called me,

I thought I was getting
a telemarketing call.

I was like, "Canada number?"

And then I picked it up
and I was like, "Hello?"

"Do you want to come
to Canada?"
"Hey, it's Bublé!"

And I was like,
"Oh, hello."

"Can we interest you
in some hockey pucks, sir?"

Where did I catch you
the other day?

I was in the middle
of a gig in Myrtle Beach.

I was like, "Canada? Nah."
[ Laughter ]

Why'd you pick this song?

You know
I love Joe Cocker.

I mean, dude.

This song is about
being excited

to make your way home
to a loved one

when you've been on the road.

I'm on tour like half the time,
basically, but it's really hard

for me to be far away
from my family,

so I'm always incredibly excited
and can't wait to get home.

My wife likes to leave me
little letters in my things

when I leave for tour,
and it means a lot to me

because my heart
kind of aches a lot of the time

when I'm out there.

Awesome.
I love that.

* My baby,
she wrote me a letter *

* She wrote me a letter *

Marty's voice sounds
like it comes from pain,

like,
in a really good way.

Like, it sounds
like it hurts.

It would hurt my voice
to try to sing like that.

So I didn't know
what was going to come out of

his mouth from his voice,
but I love people like that.

I love the growl, man.

It's just
so different and unique.

I felt you finding
your pocket at the beginning.

Ss one of the things
that I do

to do that
is doing some breathing

before I go on,
to actually lower my heart rate.

You feel everything
just calm and settle

before you get going
and find your pocket.

Yeah.
Personally for me, man,
finding that groove.

I love an aggressive groove,
sometimes almost too much,

but that's what gets me
into the pocket.

Yeah.
Like, I need to feel that.

When you lay
that sneaky voice that you got

with that sneaky,
laid-back timing, it's over.

Okay.
Thank you so much, brother.

-Yeah.
-Why is there a piano here?

Are you playing that?

Ah, this is supposed
to be a surprise.

When you pull
the xylophone out next

is when I'm really
going to lose my mind.

This is "Wondering Why,"
Red Clay Strays.

Yeah, man.

Being married 10 years now,

there's always this constant
question in the back of my mind,

like, out of all the guys,

why did she settle on this one?

The song definitely brings forth
a lot of gratitude for my wife.

When you all see me
singing on the stage,

you only see half of who I am.

The other half
is running around chasing kids

or cooking food on the stove.

I wouldn't be standing here
if it wasn't for her.

That's beautiful, man.
That's beautiful.

* 'Cause she keeps on
loving me *

Yeah, man.
* Loves me the way I am *

Marty: Rob has something
really special.

When you hear him sing,
you know that it's real.

You know that it's honest.

That's the thing
that I value most in a singer.

So it's scary to go
head-to-head with it.

* Ohh, ohh, ah *

-I love that song.
-Such a good song.

It's killer,
but hearing you sing it,

it definitely takes
on a different kind of a thing.

It's great. The only thing is,
you don't have to bang

and play along the whole time
at the end.

Maybe do some stabs,

'cause when you grab the mic
and you go

and you take off like that
or whatever,

I kind of wanted you to just,

like, even hit a diamond
or something.

It would have been powerful,
you know what I mean?
Yeah, I agree.

My plan is when
everything kind of shoots up,

I get up, grab the mic,
and I perform.

Put it all out.
I agree.

Walk out to the front.
Own it.

Look at everybody.
Open up your chest.

Sing.
Yeah.

Musically,
on those first verses, man,

when we're nervous,
the bottom end will deceive us.

And you're sitting right there
in that part of your voice,

where it's low enough
that those runs are tough.

Pick some stuff to let you sing
a little bit higher,

'cause the second you move up
a little bit in the notes,

it's like the clarity of
your voice comes through.
Okay.

Michael: You never want to see
a talented person go home.

And I knew this wasn't
a great move for me,

but at the same time,

putting two of my
favorite vocalists ever

up against each other
just feels like an opportunity

for me to make a choice
from the heart.

Thank you guys so much.

-Awesome.
-Thank you.

-Great job.
-Thanks, guys.

The stakes are
a lot higher in this round.

The coaches can't save anyone.

They can't steal anyone.
There's one winner.

So I got to give it
everything I got.

[ Cheers and applause ]

Rob: Got to bring it all.
Got to lay it all out.

One of us is going home.

But I'm not quite ready
to do that yet.

Let's go, my boy.
Let's go, Rob!

[ Cheers and applause ]

With "Wondering Why,"
here's Rob Cole.

Alright.

* She comes from silver spoon,
golden rule *

* Private school *

* Never missed Sunday church *

* And I come from blue collar,
low dollar *

* Out here where concrete
meets old red dirt *

I love this song.

* And I don't know
what happened *

* But it sure don't add up
on paper *

-Wow.
-Michael: Yeah, man.

* But when I close my eyes
late at night *

* You can bet
I thank my maker *

* She keeps on loving me *

-Whoo!
-* Loves me the way I am *

* She's not just along
for the ride *

* She's my biggest fan *

* Whoa, oh *

* And it's a little old piece
of heaven *

* When we lay down at night *

* She keeps on loving me *

* And I keep on wondering why *

* Oh, whoaaaaa, ohhhh, yeah *

* Alright, alright, alright *

* It's a little old piece
of heaven *

* When we lay down at night *

* Ooooh *

* She keeps on loving me *

* And I keep on wondering why,
why, why *

* She keeps on loving me *

* And I keep on wondering *

* Whyyyyyy *

[ Cheers and applause ]

Yes, Rob!

He's on.

* This is "The Voice" *

Daly: Welcome back
to the knockouts.

[ Cheers and applause ]
Come on, Marty!

Now with "The Letter,"
here's Marty O'Reilly.

**

* Gimme a ticket
for an aeroplane *

* 'Cause I ain't got time
for no fast train *

* Oh, lonely days are gone,
and I'm comin' home *

* My baby,
she wrote me a letter *

* I don't care how much
I got to spend *

* Gonna find my way
back home again *

* Oh, the lonely days are gone,
and I'm comin' home, yeah *

* My baby,
she wrote me a letterrrrr *

* She wrote me a letter *

* Said she couldn't live
without me no more *

* Just excuse me, mister *

* Can't you see I'm ready
to see my baby once moooore *

* Anyway, yeah *

* Gimme a ticket
for an airplane *

Hey!

* 'Cause I ain't got time *

* For no fast train *
-No.

* Oh, the lonely days are gone,
I'm comin ' home *

* My baby,
she wrote me a letter *

-* My baby wrote me a letter *
-* Hey, no *

-* My baby wrote me a letter *
-* Yeah *

-* My baby wrote me a letter *
-* She wrote me a letter, no *

* My baby wrote me a letter *

* Oh, the lonely days are gone *

* I'm comin' home, yeah *

* My baby,
she wrote me a letterrrrrr *

* No, nooooo *

* Hey *

[ Cheers and applause ]

Dawg went in.
Dawg went in!

I'll be damned!

[ Laughter ]

I'm gonna start with Marty.

Man, the way you sing,
the way you howl and growl,

that ain't nothin'
but the dog in you.

I love that.

You could win "The Voice."
Like, you were that good.

Thank you, Snoop.
Thank you.

Brother Rob Cole.

The way you started
on that piano

and then you stood up and
went to a whole nother level,

like, that's superstar.

To me,
I'd go with the dog.

Aaaaah!

[ Laughter ]

[ Barks ]
Thanks, man.

Niall: Rob, I think you should
be playing the piano more, dude.

You told the story so well.

And, Marty, you don't
necessarily, like, look at us,

but it's captivating to watch.

[ Splutters ] I don't even know
where you go here.

Both of these deserve to still
be here, and it's sad

that someone actually
has to leave here right now.

Thank you.

Great job, both of you.

I loved you playing the piano.

I loved you singing
a Joe Cocker song.

You channeled a little bit
of Joe here tonight.

Fantastic.

Daly: Thank you, coaches!

Wow, Michael, it's gonna be
a tough decision coming up.

Give us your thoughts
about it first.

Each one of you
executed perfectly.

Oh, my God, I should not
have put you together,

because both of you
are too good not to go on.

[ Applause ]

Michael, who's the winner
of this knockout?

[ Dramatic music plays ]

The winner of
this knockout is...

**

...is Rob.

Rob, congratulations!

You're moving on
to the playoffs!

Rob has a voice
that I could listen to all day,

and I think
when he hits the radio,

it's so distinct and unique
that it could only be Rob.

Okay, let's
prove me right, huh?

I really feel like Rob could
be the winner of "The Voice."

I can't wait to see what's next.

Congratulations.

Michael saw something in me.
I'm ready to prove him right.

Going into playoffs,
I don't want to take a step --

I want to take another leap.

You keep that growl, man,
I love that.

Thanks, buddy.

He's so good. Wow.

Team Bublé is
full of potential.

It's easily the best team
I've ever had on "The Voice."

Alright, Trinity,
tell me what you chose and why.

"I'm Your Baby Tonight"
by Whitney Houston.

God, it's a great song.

I relate to this song.
If you've seen the video,

it's just her being everything
she can be.

Like, she's basically showing
her versatility.

* Feel I can, feel I can do
anything for you, baby *

* I will fly for you, baby *

This is a lot
to ask a human being.

So anything you can do

to where we forget about her
version is what I want to hear.

-* Fantasy, yeah, yeah, yeah *
-* I'll be your baby tonight *

* Yeeeeah *

* Whatever I do, boy *

* It's all about you babe *
-Whoa!

* And ain't it the truth *

* I'm helplessly in love with *

* What else can I do *

* But be there for you? *

* You got a, you got a way *

* That you're makin' me
feel I can, feel I can *

* Do any, do anything,
yeah-yeah *

Whoo!

* Ooh, yeah *

* You know what I-I-I-I-I got *

I think you have this gorgeous,
soulful voice.

You have a lot more
potential in you.

The winner of this Knockout
is Trinity.

Trinity, congratulations! You're
moving on to the playoffs!

Michael: Trinity
reminds me of Sade.

She has the ability to play
within the realm of R&B and pop.

[ Cheers and applause ]

She looks like a star,
sounds like a star,

and she is a star.

* This is "The Voice" *

Daly: Welcome back
to the knockouts

at Universal Studios Hollywood.

Both of my parents
are huge Eagles fans.

So you had no choice.

Here's the Eagles,
whether you want them or not.

[ Laughing ] Well, I chose --
I chose to keep it.

That's okay, that's okay.

And I just became
the biggest fan.

And from then on,
the way I try and write

and think
is because of you guys.

I just want to say thanks.

Well, you're very welcome.

So, we got Dek of Hearts,
country trio.

Great three-part harmony.

All of them
can sing really well.

And over here, Kayleigh,
we've got a pure country singer.

Someone that can sing
very dynamically and sing well.

You ready?
Yeah.

Come on in!

-Hey!
-Hey! Oh, my gosh.

[ Screams ] Oh, my God!

[ All shouting, laughing ]

Dylan: Oh, my gosh.
That is a member of The Eagles.

And we love doing

one of their songs,
"Seven Bridges Road."

I was like, what are the odds,
like, that he's here?

That's crazy, yeah.
That's so cool.

Who wants to go first?
I'll go first.

Do it, girl.
Okay. Kayleigh.

For the knockouts, I'll be
singing "Blue" by LeAnn Rimes.

I love the song,

but boy,
you picked a hard one.

Why did you choose it?

I can show more
of my vocal range with it,

and I don't normally yodel,
so I think adding this

is kind of showing
what else I can do.

I moved to Nashville
four or so months ago.

It's helped my music career
so much,

but I do miss my family
and I miss the farm.

I miss my chickens,

so I can definitely relate
to the song

in the aspect of talking
about being alone.

* Bluuuuue *

* Oh, so lonesome for you *

Emily: Kayleigh is a powerhouse
country female vocalist.

She yodels on it,
too, which...

Which is so cool!
...you couldn't pay me to yodel.

Yeah, we don't yodel.

Yeah, yeah, no, I couldn't.
She sounded so good.

* Bluuuuue *

Joe: The yodeling -- I have
tried to do that my whole life,

in the shower.

There's a gift.

[ Holding note ]

Dang!

Wow, that suits you
so much.

Thank you.
Just need to nail
the pitch a touch.

Okay.
It was just wavy,
a little bit.

Be careful of the high note
at the end.

Okay. Alright.
Don't be afraid of that.

Make sure you got plenty of air
to sing 'em.

Just take a deep breath,
just go get it.

Don't back out. Be confident.
Right.

And in this song, it forces you
to sing at one volume a lot.

If you could try,
in the verse,

kind of bring it down

and just bring it
inside a little bit more...

Okay.
...without losing commitment.

Thank you, I appreciate it.
Thank you.

Niall: She's confident
in who she is,

she sings very well,

and country is just
in her bones.
Yeah.

This is the song
that started our group.

Lady A's our hero.

The song that we're singing
for knockouts is

"What If I Never Get Over You"
by Lady A.

This song reminds us of
every single step in the journey

that we've taken
up until this point.

It was the first song
that we ever sang as a trio.

Dylan: Just been together
for 15 months now

and we were gigging
multiple times a week,

the four-hour gigs in the bars.

That was crunch time
for us to be prepared for this.

* Lost in that last goodbye *

* What if time doesn't do
what it's supposed to do? *

Kayleigh: I love Dek of Hearts
so much.

It's very intimidating
to go up against them

because the way they blend
is absolutely flawless.

I really got to step up my game
and show what I've got.

* What if time doesn't do
what it's supposed to do? *

Niall: I think we're used to
seeing a lot of up-tempo,

happy, smiling
Dek of Hearts,

but it's nice to see
this side of them, softer,

creating a wall of sound
in a different way.

* Ooh, yeah *

That kind of harmony, sometimes
it just happens naturally.

That Eagles chemistry
is what you look for,

and that makes them
special.

God, I wish
I didn't wear this sweater.

I'm out of breath.
[ Laughter ]

Joe comes from one
of the best vocal groups.

You hit one note at one point,
all three of you,

and he's just like,
"Whoa!"

You got me. Boom!

[ Laughter ]

How did it feel for you?

It's a...

I mean, I could get
emotional thinking about

just, like, what the privilege
it is to get to do it

with people like this.

They're the best guys I know.

It's an honor.

And you're having
a good time.

Yeah.
I like to see that.

How do you think
The Eagles had such long success

working with each other?

The real secret
of longevity is

when you break through
to the next generation.

And we have double that now.
Emily: Yeah.

We have grandchildren,

and everybody knows
the words better than us.

[ Laughter ]

But, I mean,
it's a blessing.

And I hope you get there,
because there's nothing like it.

Thank you.

Emily: We want to win
the knockout so badly,

and it would be so cool
to get the Mic Drop button.

It would be amazing
to perform at the Rose Parade.

Kollin: You better believe we're
going to be putting the work in.

Seriously.
Because there's a fire
underneath us

that's getting us ready
to give it our all.

This is crunch time now.

We don't have any saves.
We don't have any steals.

And I can't believe
that one of you

is actually going to leave
this competition.

Just give it one last time,

full commitment
from both of you,

and we're going to have
two very memorable moments.

Dek of Hearts!

[ Cheers and applause ]

Singing "What If I Never
Get Over You,"

here is Dek of Hearts.

[ Cheers and applause ]

**

* It's supposed to hurt,
it's a broken heart *

* But the movin' on
is the hardest part *

* It comes in waves,
the letting go *

* But the memory fades,
everybody knows *

Together:
* Everybody knows *

* What if I'm tryin' *

* But then I close my eyes *

* And then I'm right back,
lost in that last goodbye? *

* What if time doesn't do
what it's supposed to do? *

* What if I never
get over you? *

* And what if I never
get over? *

* What if I never
get closure? *

* What if I never *

* Get back all
the wasted words I told ya? *

* What if it never
gets better? *

* What if this lasts *

* Forever and ever and ever? *

* I-I-I-I'm tryin' *

* But then I close my eyes *

* And then I'm right back *

* Lost in that last goodbye *

* What if time doesn't do
what it's supposed to do? *

* What if I never
get over *

* Oh, if I never get over *

* What if I never
get over you? *

* Ooh, ooh, ooh *

* Ooh, yeaaaaah *

* What if I never
get overrrrrr *

* Over yoooooou? *

[ Cheers and applause ]

Wow!

-Wow!
-Alright, Kayleigh!

* This is "The Voice" *

Daly: Welcome back.

[ Cheers and applause ]

Alright, Kayleigh, come on.
You got this.

Now with "Blue,"
here's Kayleigh Clark.

**

* Bluuuuue *

* Oh, so lonesome for you *

* Tears fill my eyes *

* 'Til I can't see *

**

* Three o'clock
in the morniiiiiin' *

* Here am I *

* Sitting here so lonely *

* So lonesome I could cry *

* Bluuuuuue *

* Oh, so lonesome for you *

* Why can't you be blue
over me? *

Hey!

**

* Now that it's over *

* I realized *

* Those weak words
you whispered *

* Were nothing but lies *

* Bluuuuue *

* Oh, so lonesome for you *

* Why can't you be blue
over me? *

* Why can't you be bluuuuue *

* Over meeeeeeee? *

[ Cheers and applause ]

Holy moly!

What?!

Yodel-la-la-
doodle-do!

This is unfair.

Kayleigh, that was wonderful.
LeAnn will be so proud.

Your yodels were
really, really perfect.

Dek of Hearts, I grew up with
The Singing McEntires,

and y'all's harmony --

and y'all aren't even kin --

[ Laughter ]

...is so good.

Thank you so much.

I would go Dek of Hearts.

Thank you.

Dek of Hearts,
your harmonies,

and when you guys come together,
it's magic.

It sounds so amazing,
and y'all do it so well.

Thank you.

Kayleigh...

What do they call that, Reba,
what she was doing? Yodel?

Yodel-ay-hee!
Yeah. That.

Hello.

[ Laughter ]
Hello. Hello!

That. Yeah.
She's got all of that.

Yeah.

Thank you.

Daly: Thank you, coaches!

Niall, it all comes down to you.

Before we find out your winner,
what'd you think?

I think this is
what it looks like

when two four-chair turns
get into a knockout together.

Kayleigh, you just came
out of the blocks strong.

When we had Joe Walsh in,

he was asking you
to commit with breath.

You took all of his notes,
all of my notes on board,

and just smashed it.

And Dek, that wall of sound that
you make is just so beautiful.

There's not many vocal groups
you hear these days

where all three can sing.

Thank you so much.
Thank you.

Niall, tough one
for you, buddy.

This is a complete 50/50.

I have no idea what
I'm going to do.

Wow.

Niall, who is the winner
of this knockout?

The winner
of this knockout is...

[ Dramatic music plays ]

...Dek of Hearts.

Dek of Hearts!
The trio!

I honestly think
that was the toughest decision

that I've made on "The Voice."

Kayleigh is an incredibly
talented singer.

I just have a feeling
about Dek.

They just bring something
to the show and to music

that makes me excited.

And when they sing together,
it's special.

* I just wanna be part
of your symphony *

Daly: There it is!

The Mic Drop,
for Dek of Hearts!

[ Cheers and applause ]

Niall hits his
Mic Drop button.

That means Niall's nominated
Dek of Hearts

for the chance to sing
in front of millions of people

at the upcoming Rose Parade.

Niall, why did you push
your Mic Drop button

for Dek of Hearts?

I think every time
that Dek step on the stage,

they're just so solid,
so consistent,

and they always
challenge themselves,

and I think they deserve
the chance

for America to hear more
of them.

Daly: Give it up for
Dek of Hearts!

It means the world to me
that we got the Mic Drop.

Yeah, what would you tell me?
Oh, my gosh!

Oh, my gosh.
What the heck?

Come on!

Wow. Guys!
Guys, guys, guys.

There's levels to this.

And you just went to
a different one.

Well, yeah.
Also, congrats on the Mic Drop.

Thank you. What the heck?
[ Laughing ]

**

**

**