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The following programme contains strong language and violent scenes.
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I need to know who these people are.
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Will you tell my wife about us? Is that it?
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A what?
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Oi! (GUNSHOT CRACKS)
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Exactly who and where is Iris Nixon?
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This is Charlie's creator - Jensen.
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All we need to get the machine up and running again,
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is to enter an activation sequence.
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I need you to wake Charlie up for me, Iris,
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or they are gonna kill me.
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Say it. "I'm a cop killer." (VIOLENT GRUNT)
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There's literally no one else I can trust.
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I need to hide something, it's a book.
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Sort of a diary.
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Under no circumstances, can you let anyone see you.
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Or get their hands on that briefcase.
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(INDISTINCT GUARD CHATTER)
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(DEEP, ELECTRONIC THRUM)
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JENSEN: Between 1953 and 1973,
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the United States government funded 116 studies into LSD.
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Powerful psychedelics were given to alcoholics,
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obsessive-compulsives, depressives,
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schizophrenics, convicts...
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..and those suffering from terminal cancer.
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These experiments showed that a single dose of LSD
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could reduce or even eliminate
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the fear of death in the terminally ill.
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My wife, um...
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..was given three months.
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And the...
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..the anxiety she experienced was unendurable.
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She couldn't bear the idea of being erased.
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All she'd ever felt or thought just being gone. Forever.
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As if she had never been.
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So, I administered her enough LSD
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to bring about loss of subjective identity.
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At first, she saw terrible things...
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..things of which she would not speak.
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But I stayed with her.
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And after passing through this shadow,
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she let go her terror
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and congregated with... the dead:
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her father, her mother.
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Our child.
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Upon her return, she told me that dying was easy.
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The dead are all around us.
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Nothing ends.
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Nothing ends.
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And I was holding her hand when she died and...
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..it was the happiest moment of her life.
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(IRIS SIGHS) (KEY CLACKS)
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(CHAIR CREAKS)
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Oh sorry.
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Blimey. Are you OK? (CHUCKLES)
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Yeah, I was, um...
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..a million miles away.
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(KEYS CLACKING)
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Look at that.
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They're literally putting his thinking cap on.
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(BOTH CHUCKLE)
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(UNSETTLING MUSIC)
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Are you ready for the off? Always.
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(PAPERS RUSTLING)
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(SUSPENSEFUL MUSIC)
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(KEYS BEEPING) (UNLOCK CLANG)
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(MUSIC SWELLING)
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(MUSIC STING)
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(THEME SONG STARTS)
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# Oh, here comes the day
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# Comes the day
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# Oh, here comes the rain
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# On your parade
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# There's a price to pay
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# For a life of insincerity
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# And you pretend
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# That it doesn't matter
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# And that you're not scared
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# Oh, here comes that day
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# Here comes that day
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# Oh, here comes that rain
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# On your parade #
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(SONG ENDS)
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(TENSE MUSIC)
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Fuck!
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(SUSPENSEFUL MUSIC)
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(SHE GRUNTS)
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(SHE GRUNTS)
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BAPTISTE: Come back here!
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(PANTING)
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(ENGINE STARTS)
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(BAPTISTE YELLS INDISTINCTLY)
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(SHE YELPS)(GLASS PATTERS)
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(ENGINE REVS) Pull over!
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Stop the car!
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(HE GRUNTS)
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(DEBRIS PATTERS)
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(WIPERS SQUEAK)
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(COUGHING)
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(SHE YELPS)
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Give me that.No!
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Get out of the fucking car!
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(CRIES) Get off me! Get out of the car!
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(BOTH GRUNTING)
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(BLOW THUDS) (JOY COUGHING)
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Where's your phone?
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You can't do that.
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Yeah? Why not?
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You're the police. (HE LAUGHS)
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(BIRDS SQUAWKING)
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(TRAFFIC HUM)
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(IRIS PANTING)
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Shit.
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(CHILDREN CHATTERING)
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(IRIS GROANING)
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Right.
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(INDISTINCT CHATTER)
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Where are you?
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I'm at the police station. You've caused an ungodly mess.
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IRIS: I need you help, Teo.
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I need to get away as quickly as possible.
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I'm really in trouble here.
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There are police everywhere,
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and you are the only way I can get off this island.
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And what exactly do you expect me to do?
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Drive me off the island, on a ferry, in your police car.
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Fuck you. That's not gonna happen.
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It's the only way you get me out of your life.
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Fine. Where are you?
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There's an old watch tower. On the beach.
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Five miles from Cagliari.
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I know the place.
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Hmm.
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(SHE SIGHS)
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(BIRDS SQUAWKING)
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Oh, Mr Baxter.
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Yes.
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Yes, I know your daughter.
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(INDISTINCT SPEECH OVER PHONE) When was this?
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Model and registration.
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Gia. Gia.
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GIA: Si? Her phone number?
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(BIRDS SQUAWKING)
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(CICADAS CHIRPING)
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(PHONE CHIMES)
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(TENSE MUSIC)
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IRIS: OK...
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(TRAIN RATTLING)
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(INDISTINCT CHATTER)
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(PHONE RINGING, VIBRATING)
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Hello?
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IRIS: Hi! Is this Alfie Bird?
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It is. Who's this?
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We've never actually spoken. My name's Iris Nixon.
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Very funny.
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Is this Claire? No, this is Iris.
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Do you have any idea how many Iris Nixon's call me?
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I actually don't. Well, it's a lot.
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They all think they're hilarious
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and they all think they're the first one to have the idea.
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Half of them are blokes. Don't you recognise my voice?
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I've seen pictures. But I never heard her speak.
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I never really thought about that. So where are you, "Iris"?
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Doesn't matter. I'm leaving.
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So, take a selfie, send it.
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And have you plaster me all over the internet?
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I wouldn't do that. Not if you were real.
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I don't believe you.
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OK. Thanks for calling. I think I'm gonna hang up now.
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Alright, let's reverse the polarity of the neutron flow.
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So, what you wanna do, is monetise me. Right?
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I'm not sure I'd put it exactly like that-
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Oh no, I don't take it personally. To you, I'm content.
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And that's fine. It's just the way of the world.
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But you want better content. You want a bigger story!
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You want traffic! You want to go viral!
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You want a billion views! Right?
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Yeah, I want that. Of course, I want that.
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Well, I can give you that, you lucky dog!
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I can give you the full story. What happened. To whom. And why.
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Why?Yes! And why!
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No. No. I mean, why- Why would you do that"?
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Oh, I see.
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Because I told someone that if he came looking for me, I'd punish him.
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I'd bring his entire world down around him.
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But he didn't listen. So now I need you to help me do that.
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Is this actually you?
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Yes. Obviously. Who else would it be?
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I don't believe you.
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No. But you want to, right?
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So here's what I'm gonna do.
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I'm gonna send you a taster of that proof I have.
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Now, fair warning. If any of this ends up on the internet,
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you are gonna find me standing at the end of your bed one night,
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with a razor in my hand.
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And I will slice off your oysters and shove them down your throat.
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Then I will open your belly
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and drape your guts around the room like fucking Christmas decorations.
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You get me?
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Yes.
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Good. Because this is not cosplay, and this is not larping.
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(PHONE CLICKS) This is real.
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(PHONE CHIMES)
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(BREATHING HEAVILY)
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(BREATHING HEAVILY)
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Iris? Yes?
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Uh, this is real, right?
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This is real.
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I'm not- I'm not sure I ever really thought that...
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N-Not in my heart of hearts. It was all just... you know...
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So, actually, what-what the hell is that thing?
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That's what I'm trying to find out.
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Meet me in Rome and I will tell you everything.
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What? In Italy? When?
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Be there tomorrow. I'll call you.
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(SUSPENSEFUL MUSIC)
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It's OK to feel nervous, by the way. I'm not nervous.
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Oh, come on, you're only human.
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I often wonder about that. (CAMERON LAUGHS)
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Perhaps I was grown in a vat and poured out like pancake batter.
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(HE LAUGHS)
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See that's interesting to me.
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What is?
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You consistently deny feeling things that you're obviously feeling.
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Why do you do that?I'm not sure. Why do you consistently insist,
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that I'm feeling something that I'm quite possibly not?
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No. No.Do you- Are you trying to neg me?
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No! I am not negging anyone, least of all you.
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I'm just good at reading people. Really?
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Yeah, I did a course. Of course you did.
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For what it's worth I'm nervous too.
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I know.
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(INDISTINCT GUARDS CHATTER)
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I want him back, Iris.
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I love him and I miss him and I want him back.
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Charlie?
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Jensen!
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Oh yeah, suppose you need him.
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Christ. Is that what you think of me?
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That I don't actually care about him?
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Cos you wouldn't be able to think that if you'd ever actually met him.
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He was kind, and thoughtful, and funny,
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and he made brilliant people feel stupid,
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and the rest of us feel like geniuses.
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And I had to watch it all being stripped away from him, bit by bit,
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until all was had left, was this Jensen-shaped fucking vacuum flask.
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And yes, I want you to wake up the bloody machine,
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because I don't want people to hurt me.
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But no, I am not a fucking automaton.
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And yes, I do actually care about him.
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So please don't talk about him like he's nothing. He's not nothing.
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Cameron, I didn't mean to- I can't help it.
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I didn't try...
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I've just never had anyone who is as significant to me,
255
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as Jensen is to you.
256
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I'm not always equipped, the nuance of it,
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emotionally, it's not something that I'm, um...
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..necessarily very good at.
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That's true, isn't it? You're not lying.
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Why would I? You took a course. (HE SCOFFS GENTLY)
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No friends?
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Um... No, not really.
263
00:15:36,560 --> 00:15:37,560
Ever?
264
00:15:39,840 --> 00:15:41,040
No.
265
00:15:41,080 --> 00:15:44,800
What about the rest of it? No one special?
266
00:15:46,040 --> 00:15:48,000
Er, not to speak of, no.
267
00:15:48,040 --> 00:15:50,360
I don't believe you. Look, you can...
268
00:15:51,200 --> 00:15:52,880
..believe what you like.
269
00:15:52,920 --> 00:15:55,440
But I don't understand why it makes any difference.
270
00:15:55,480 --> 00:15:58,080
Because, if we mean nothing to each other,
271
00:15:58,120 --> 00:16:00,360
then nothing means anything does it?
272
00:16:00,400 --> 00:16:01,880
Oh, I completely agree.
273
00:16:07,240 --> 00:16:09,960
It's a pretty desolate way of looking at things.
274
00:16:10,000 --> 00:16:11,040
It's really not.
275
00:16:13,840 --> 00:16:14,840
So that's it?
276
00:16:15,560 --> 00:16:18,480
You never look at the night sky and see
277
00:16:18,520 --> 00:16:22,720
transcendence and profundity, beauty, unity, oneness?
278
00:16:23,720 --> 00:16:27,360
All I see... is reality.
279
00:16:28,800 --> 00:16:31,120
But you're not just your brain, Iris.
280
00:16:32,640 --> 00:16:34,120
There's more than that.
281
00:16:35,720 --> 00:16:36,720
Where?
282
00:16:37,680 --> 00:16:38,960
Everywhere.
283
00:16:39,000 --> 00:16:40,000
Here.
284
00:16:41,080 --> 00:16:42,080
Now.
285
00:16:56,440 --> 00:16:57,600
(BEEPING)
286
00:16:57,640 --> 00:16:59,000
(BUZZER BLARES)
287
00:16:59,040 --> 00:17:01,840
Morning, everyone. We up and running?
288
00:17:01,880 --> 00:17:03,720
DIA: We are up and running.
289
00:17:03,760 --> 00:17:05,240
Outstanding. Go team!
290
00:17:06,160 --> 00:17:08,800
Hey, Jensen. You might remember Iris.
291
00:17:08,840 --> 00:17:10,440
You met very briefly.
292
00:17:10,480 --> 00:17:15,920
She's with us because she's very, very good
293
00:17:15,960 --> 00:17:19,760
at solving puzzles.
294
00:17:20,480 --> 00:17:22,320
Well, I don't know about that.
295
00:17:24,520 --> 00:17:26,640
(COMPUTERS BEEPING)
296
00:17:34,400 --> 00:17:36,840
So, thing is, Jensen...
297
00:17:37,880 --> 00:17:41,760
At the moment, your diary is a puzzle.
298
00:17:41,800 --> 00:17:44,720
And Charlie's password is in here.
299
00:17:44,760 --> 00:17:48,120
And that's why Dia here, put this together for me.
300
00:17:48,160 --> 00:17:49,680
To help me solve it.
301
00:17:49,720 --> 00:17:54,000
It uses neuro-imaging to detect emotional changes in the brain -
302
00:17:54,040 --> 00:17:56,520
anger, sadness, whatever.
303
00:17:56,560 --> 00:17:59,800
Basically, a much more effective lie detector.
304
00:17:59,840 --> 00:18:03,840
Because emotions can't lie. (HE SCOFFS SOFTLY)
305
00:18:08,000 --> 00:18:12,120
So, the first problem: what code did you use?
306
00:18:15,000 --> 00:18:18,360
So, at the top level it's a Nihilist Cipher.
307
00:18:18,400 --> 00:18:20,840
See all these squiggles.
308
00:18:21,720 --> 00:18:24,720
But at core, it's a basic substitution cipher.
309
00:18:24,760 --> 00:18:27,080
Probably a book code.
310
00:18:27,120 --> 00:18:29,000
(BRAIN ACTIVITY MOVEMENT)
311
00:18:30,880 --> 00:18:34,560
Because book codes are almost impossible to break.
312
00:18:34,600 --> 00:18:37,960
Unless you know the book that was used to create it.
313
00:18:40,400 --> 00:18:41,400
And then...
314
00:18:42,840 --> 00:18:44,640
..something occurred to me.
315
00:18:46,920 --> 00:18:48,640
Why choose a diary?
316
00:18:51,360 --> 00:18:56,760
I think you are very, very cunning and very cautious.
317
00:18:56,800 --> 00:18:59,800
I think you changed the code every week.
318
00:18:59,840 --> 00:19:02,960
Cryptographers call it "key rotation".
319
00:19:03,000 --> 00:19:06,800
I mean, that's gotta be hard, right? All those codes.
320
00:19:08,800 --> 00:19:13,160
So, every Monday, you left yourself a little clue.
321
00:19:13,200 --> 00:19:14,920
(BRAIN ACTIVITY MOVEMENT)
322
00:19:14,960 --> 00:19:17,240
(COMPUTERS BEEPING)
323
00:19:18,720 --> 00:19:22,360
You know, for a long time, I thought it was a drawing of a brain.
324
00:19:23,280 --> 00:19:25,760
You are far too cunning for that.
325
00:19:25,800 --> 00:19:27,480
It's not a brain.
326
00:19:27,520 --> 00:19:28,800
So, what can it be?
327
00:19:32,280 --> 00:19:33,280
I wonder...
328
00:19:37,200 --> 00:19:38,320
..if it's this...
329
00:19:41,080 --> 00:19:44,600
..the DNA sequence of Deinococcus Radiodurans.
330
00:19:45,960 --> 00:19:48,480
The world's toughest bacterium.
331
00:19:49,480 --> 00:19:52,880
Which probably appealed to your sense of humour.
332
00:19:52,920 --> 00:19:57,280
I mean, using a DNA sequence as the source of your book code.
333
00:19:58,240 --> 00:20:02,160
Because DNA's "the book of life", right?
334
00:20:05,440 --> 00:20:07,160
(BRAIN ACTIVITY MOVEMENT)
335
00:20:10,200 --> 00:20:12,240
It's working, Jensen.
336
00:20:14,720 --> 00:20:17,040
(MUSIC CRESCENDOS, STOPS ABRUPTLY)
337
00:20:20,688 --> 00:20:22,800
(INDISTINCT POLICE CHATTER)
338
00:20:22,840 --> 00:20:24,080
(CAMERAS CLICKING)
339
00:20:58,080 --> 00:20:59,080
(KNOCKING)
340
00:21:06,880 --> 00:21:10,160
Thank you for coming. I'm Inspector Casterman.
341
00:21:10,200 --> 00:21:12,080
Where's Joy? It's difficult to be sure.
342
00:21:12,120 --> 00:21:14,920
But we are concerned that Joy may be in some danger.
343
00:21:15,800 --> 00:21:19,120
Can you think of anything that might help us find her?
344
00:21:19,160 --> 00:21:21,520
Anywhere she might try to hide.
345
00:21:21,560 --> 00:21:24,280
With friends, for instance? Hardly.
346
00:21:24,320 --> 00:21:26,320
Boyfriend?If only.
347
00:21:27,720 --> 00:21:29,000
JULIAN: Her jacket.
348
00:21:29,040 --> 00:21:30,120
I'm sorry?
349
00:21:30,160 --> 00:21:32,160
She knows we can trace her phone.
350
00:21:32,200 --> 00:21:35,160
And she has a habit of... pulling this kind of stunt.
351
00:21:35,880 --> 00:21:36,880
And?
352
00:21:37,720 --> 00:21:42,160
And I had a tracker sewn into the lining of her jacket.
353
00:21:57,000 --> 00:21:58,880
(SHEEP BELLS JINGLING)
354
00:22:06,160 --> 00:22:08,240
I see. (SHEPARD YELLING)
355
00:22:08,280 --> 00:22:10,720
Well done, Joy. That was very spirited.
356
00:22:23,720 --> 00:22:26,520
I'm sorry she got you mixed up in all this.
357
00:22:26,560 --> 00:22:30,200
And now I am afraid, I don't know what the hell to do with you.
358
00:22:31,960 --> 00:22:33,520
(SHEPARD YELLING)
359
00:22:38,040 --> 00:22:39,920
(ENGINE REVVING, TYRES SCREECHING)
360
00:22:39,960 --> 00:22:41,560
(TENSE MUSIC)
361
00:22:45,800 --> 00:22:47,640
IRIS: I take it you came alone.
362
00:22:50,160 --> 00:22:54,200
In one hour a passenger ferry leaves Cagliari for Civitavecchia.
363
00:22:54,240 --> 00:22:55,280
I need to be on it.
364
00:22:56,680 --> 00:22:58,120
You take me in this.
365
00:22:58,160 --> 00:23:02,080
Drop me at the Stazione Marittima. Give me a couple of euros.
366
00:23:02,120 --> 00:23:03,840
And that's it. We're done.
367
00:23:03,880 --> 00:23:05,000
I'm gone.
368
00:23:06,160 --> 00:23:08,520
The Special Crime Authority are looking for you.
369
00:23:08,560 --> 00:23:09,560
You'll be fine.
370
00:23:11,520 --> 00:23:12,520
Hmm.
371
00:23:20,520 --> 00:23:21,960
(OMINOUS MUSIC)
372
00:23:29,440 --> 00:23:31,840
(CLATTERING)
373
00:23:37,840 --> 00:23:38,840
(HE SNIFFLES)
374
00:23:40,280 --> 00:23:42,000
Can I trust you? (HE SCOFFS)
375
00:23:43,000 --> 00:23:44,000
"Trust me"?
376
00:23:45,720 --> 00:23:47,280
You're blackmailing me.
377
00:23:48,360 --> 00:23:50,880
What more do you want me to do? Do you want me to enjoy it?
378
00:23:53,120 --> 00:23:54,120
Just get in.
379
00:24:11,800 --> 00:24:14,640
(DRIVER DOOR OPENS, CLOSES)
380
00:24:14,680 --> 00:24:16,840
(ENGINE STARTS, REVS)
381
00:24:34,920 --> 00:24:36,640
(TENSE MUSIC)
382
00:25:01,360 --> 00:25:02,760
(ENGINE REVVING)
383
00:25:02,800 --> 00:25:04,360
What are we doing here?
384
00:25:05,560 --> 00:25:07,560
KRAUSS: Meeting someone.
385
00:25:07,600 --> 00:25:08,880
Who?
386
00:25:09,720 --> 00:25:12,040
Barbapapa. (BOTH LAUGH)
387
00:25:13,240 --> 00:25:14,560
What does that mean?
388
00:25:14,600 --> 00:25:17,120
Nothing. Sit tight. We'll be there soon.
389
00:25:22,920 --> 00:25:24,200
(TENSE MUSIC)
390
00:25:35,280 --> 00:25:37,040
Yeah, go. I think it's your turn.
391
00:25:38,920 --> 00:25:40,280
(LAUGHTER)
392
00:25:40,320 --> 00:25:41,880
(INDISTINCT DIALOGUE)
393
00:25:41,920 --> 00:25:43,800
(PHONE CHIMES, VIBRATES)
394
00:25:43,840 --> 00:25:46,760
No, you don't! I win! I always win...
395
00:25:47,640 --> 00:25:48,760
OK, duty calls.
396
00:25:48,800 --> 00:25:51,600
(FAINT MUSIC PLAYING)
397
00:25:52,600 --> 00:25:53,880
I think I got it.
398
00:25:53,920 --> 00:25:56,240
The password?Yeah.Again?
399
00:25:57,400 --> 00:25:59,600
Yeah, it looks like coordinates.
400
00:25:59,640 --> 00:26:02,600
Amazing. It'll wait. Do it tomorrow.
401
00:26:02,640 --> 00:26:03,760
Exactly.
402
00:26:03,800 --> 00:26:06,400
Come on. Stay with your friends. Yeah. How many times is that now?
403
00:26:06,440 --> 00:26:08,080
IRIS: 127th time lucky...
404
00:26:10,440 --> 00:26:12,680
OK, roll.She ain't coming back.
405
00:26:12,720 --> 00:26:15,720
Nope! (DICE ROLLS) (LAUGHTER)
406
00:26:22,120 --> 00:26:23,640
(KEYPAD BEEPING)
407
00:26:23,680 --> 00:26:27,920
(BUZZER SOUND) (LOCK CLANGS) (DOOR RUMBLES)
408
00:26:31,160 --> 00:26:33,160
(ELECTRONIC CHIRPING)
409
00:26:33,200 --> 00:26:34,200
(IRIS SIGHS)
410
00:26:35,080 --> 00:26:36,520
(TENSE MUSIC)
411
00:26:40,400 --> 00:26:41,920
(LAPTOP CHIMES)
412
00:26:41,960 --> 00:26:43,520
(KEYS CLACKING)
413
00:26:49,400 --> 00:26:52,080
(ELECTRONIC CHIRPING)
414
00:26:54,400 --> 00:26:55,880
"The Bootes Void."
415
00:26:56,920 --> 00:26:58,760
(KEY CLACKS) (LAPTOP CHIMES)
416
00:27:10,680 --> 00:27:12,480
Whatever floats your boat.
417
00:27:18,400 --> 00:27:20,040
(SHE CRACKS HER KNUCKLES)
418
00:27:25,000 --> 00:27:26,560
(ELECTRONIC CHIRPING)
419
00:27:28,960 --> 00:27:30,240
(TENSE MUSIC)
420
00:27:38,640 --> 00:27:39,960
(IRIS SIGHS)
421
00:27:42,560 --> 00:27:44,120
OK? (CLEARS THROAT)
422
00:27:45,280 --> 00:27:46,960
(TENSE MUSIC)
423
00:27:55,880 --> 00:27:58,840
(DEEP ELECTRONIC THRUM)
424
00:28:01,680 --> 00:28:03,680
(LIGHT CLICKS)
425
00:28:03,720 --> 00:28:05,280
(GROUP LAUGHTER)
426
00:28:09,200 --> 00:28:11,160
(INTENSE THRUM)
427
00:28:16,040 --> 00:28:17,960
(TENSE, JARRING MUSIC)
428
00:28:28,080 --> 00:28:29,080
JENSEN: Iris?
429
00:28:32,120 --> 00:28:33,680
Iris, what have you done?
430
00:28:38,160 --> 00:28:40,200
(EERIE MUSIC)
431
00:28:42,880 --> 00:28:44,400
(TENSE MUSIC)
432
00:28:45,400 --> 00:28:46,520
(GRUNTING)
433
00:28:46,560 --> 00:28:48,200
(IRIS SHUDDERS)
434
00:28:48,920 --> 00:28:50,480
(GRUNTING)
435
00:28:50,520 --> 00:28:51,560
(NECK SNAPS)
436
00:28:52,640 --> 00:28:54,360
(YELLING) Iris!
437
00:28:54,400 --> 00:28:57,320
COMPUTER: Attention. Emergency. IRIS: Fuck this!
438
00:28:57,360 --> 00:29:00,640
This facility will lock down in two minutes.
439
00:29:00,680 --> 00:29:04,920
If you can not reach you designated safe area, shelter in place.
440
00:29:04,960 --> 00:29:06,960
(ALARM BLARING)
441
00:29:07,880 --> 00:29:09,040
(GRUNTING)
442
00:29:11,560 --> 00:29:12,960
(KEYS CLACKING)
443
00:29:13,000 --> 00:29:14,240
(ELECTRONIC CHIRPING)
444
00:29:15,400 --> 00:29:16,760
(SUSPENSEFUL MUSIC)
445
00:29:23,520 --> 00:29:24,680
(JENSEN GRUNTING)
446
00:29:27,480 --> 00:29:29,320
COMPUTER: Attention. Emergency.
447
00:29:29,360 --> 00:29:33,040
This facility will lock down in 30 seconds.
448
00:29:33,080 --> 00:29:37,120
If you can not reach you designated safe area, shelter in place.
449
00:29:37,160 --> 00:29:39,320
(SLIDING DOORS RUMBLING)
450
00:29:40,720 --> 00:29:42,960
(INDISTINCT GUARD CHATTER)
451
00:29:44,800 --> 00:29:47,280
(ELECTRONIC CHIRPING) (BEEPING)
452
00:29:47,320 --> 00:29:48,360
IRIS: Oh, my God!
453
00:29:52,440 --> 00:29:56,080
(RUMBLING, SHUDDERING)
454
00:29:57,040 --> 00:29:58,760
(ALL YELLING INDISTINCTLY)
455
00:30:00,960 --> 00:30:02,480
(GUNSHOTS BOOMING)
456
00:30:05,120 --> 00:30:06,600
(GUNSHOT)
457
00:30:06,640 --> 00:30:07,800
What the fuck!
458
00:30:08,880 --> 00:30:11,400
(YELLING) (GUNSHOTS)
459
00:30:12,600 --> 00:30:13,600
IRIS: Fuck!
460
00:30:17,080 --> 00:30:19,400
(GRUNTING, SLICING)
461
00:30:21,720 --> 00:30:23,040
(WOMAN YELPING)
462
00:30:23,080 --> 00:30:24,600
(KNIFE SLICES) (BODY THUDS)
463
00:30:27,000 --> 00:30:29,200
COMPUTER: Attention! Emergency!
464
00:30:29,240 --> 00:30:32,120
This facility will lock down in 60 seconds.
465
00:30:47,840 --> 00:30:48,840
IRIS: Fuck it!
466
00:30:50,720 --> 00:30:52,840
(GRUNTING)
467
00:30:54,560 --> 00:30:55,560
(BEEP)
468
00:31:00,120 --> 00:31:01,440
(GLASS PATTERS)
469
00:31:02,560 --> 00:31:03,800
(AXE SCRAPES)
470
00:31:03,840 --> 00:31:05,480
COMPUTER: Attention. Emergency!
471
00:31:05,520 --> 00:31:08,200
This facility will lock down in 30 seconds.
472
00:31:10,440 --> 00:31:11,440
Iris!
473
00:31:13,280 --> 00:31:14,600
(BEEPING)
474
00:31:15,880 --> 00:31:17,840
COMPUTER: Access denied.
475
00:31:17,880 --> 00:31:19,400
Oh, God.
476
00:31:19,440 --> 00:31:21,880
COMPUTER: 20 seconds to full lockdown.
477
00:31:25,680 --> 00:31:26,960
Access denied.
478
00:31:29,200 --> 00:31:31,160
10 seconds to full lock down.
479
00:31:32,960 --> 00:31:34,520
JENSEN: Iris!
480
00:31:37,360 --> 00:31:38,520
Iris!
481
00:31:41,320 --> 00:31:42,320
Three...
482
00:31:44,480 --> 00:31:45,480
Two...
483
00:31:47,400 --> 00:31:48,400
One.
484
00:31:52,400 --> 00:31:55,240
COMPUTER: This facility is in full lockdown.
485
00:31:55,280 --> 00:31:56,680
Why did you do it?
486
00:31:56,720 --> 00:32:00,240
Charlie. Must. Not. Wake.
487
00:32:00,280 --> 00:32:03,360
They were decent people! It can't wake! It can't wake!
488
00:32:03,400 --> 00:32:05,040
It can't wake!
489
00:32:05,920 --> 00:32:07,440
It must not get free.
490
00:32:11,120 --> 00:32:13,280
Destroy the book. Burn it.
491
00:32:13,320 --> 00:32:15,160
(TASER CRACKLING)
492
00:32:15,200 --> 00:32:16,880
(JENSEN GRUNTING)
493
00:32:20,520 --> 00:32:22,160
(GROANING)
494
00:32:24,640 --> 00:32:26,920
CAMERON: Iris. Iris...
495
00:32:26,960 --> 00:32:28,240
You're safe now.
496
00:32:30,120 --> 00:32:31,840
The place is in lockdown.
497
00:32:31,880 --> 00:32:35,000
We can't open the airlock from up here, but you are safe.
498
00:32:35,040 --> 00:32:38,320
I'm so, so sorry. But you are safe.
499
00:32:42,080 --> 00:32:43,080
Don't do that.
500
00:32:44,440 --> 00:32:45,960
Oh, fuck!
501
00:32:47,280 --> 00:32:49,080
(ALARM CONTINUES BLARING)
502
00:32:50,800 --> 00:32:53,680
What's wrong with the machine, Cameron?
503
00:32:53,720 --> 00:32:55,440
What aren't you telling me?
504
00:32:55,480 --> 00:32:58,600
Nothing. Nothing is wrong with the machine.
505
00:32:58,640 --> 00:33:00,160
I don't believe you.
506
00:33:00,200 --> 00:33:04,080
I can't let you leave, Iris. And I need that diary.
507
00:33:04,120 --> 00:33:07,120
Come on. Please.
508
00:33:07,160 --> 00:33:09,840
What's wrong with the machine?
509
00:33:09,880 --> 00:33:13,560
Nothing. Do not take that book!
510
00:33:16,200 --> 00:33:18,840
Iris, there is nowhere to go.
511
00:33:18,880 --> 00:33:22,280
I'll hunt you down. Don't make me do that.
512
00:33:26,040 --> 00:33:28,640
Don't leave, Iris. Iris, come back!
513
00:33:28,680 --> 00:33:31,400
Come back! Come back here!
514
00:33:31,440 --> 00:33:33,840
Take it and you are killing me!
515
00:33:38,080 --> 00:33:40,760
(TENSE MUSIC SWELLING)
516
00:33:40,800 --> 00:33:42,800
(MUSIC STOPS) (ENGINE REVVING)
517
00:33:50,400 --> 00:33:51,720
(CAR GOES OVER BUMPS)
518
00:33:56,040 --> 00:33:57,040
(CAR STOPS)
519
00:33:57,840 --> 00:33:59,040
(HANDBRAKE PULLS)
520
00:33:59,080 --> 00:34:00,880
(DRIVER DOOR OPENS, CLOSES)
521
00:34:02,160 --> 00:34:03,640
(FOOTSTEPS CRUNCHING)
522
00:34:06,760 --> 00:34:07,960
(BOOT CLICKS OPEN)
523
00:34:12,560 --> 00:34:14,560
(HELICOPTER WHIRRING)
524
00:34:16,640 --> 00:34:19,160
(OMINOUS MUSIC)
525
00:34:33,040 --> 00:34:34,880
How did you end up here?
526
00:34:34,920 --> 00:34:37,440
He saw me hiding the briefcase. Back off!
527
00:34:38,160 --> 00:34:41,120
Dug it up. And?
528
00:34:41,160 --> 00:34:43,120
And I tried to get it back.
529
00:34:43,160 --> 00:34:44,240
Why?
530
00:34:44,280 --> 00:34:46,880
So, I could hide it somewhere else.
531
00:34:55,000 --> 00:34:56,360
What are you doing?
532
00:34:57,600 --> 00:34:59,760
I told you. They're here for money.
533
00:35:00,480 --> 00:35:03,000
And right now, they're working for this prick.
534
00:35:03,040 --> 00:35:04,600
(HELICOPTER DOOR OPENS)
535
00:35:07,160 --> 00:35:08,480
Hiyah.
536
00:35:09,440 --> 00:35:10,440
Lovely day!
537
00:35:11,320 --> 00:35:14,560
Nice to meet you, chaps. Excellent work.
538
00:35:14,600 --> 00:35:16,320
Credit to your profession.
539
00:35:17,200 --> 00:35:18,840
How'd you find me?
540
00:35:18,880 --> 00:35:21,720
Well, they're police officers. They find people.
541
00:35:21,760 --> 00:35:23,320
I mean, specifically.
542
00:35:24,320 --> 00:35:27,040
Your telescope. I mean, it took a while.
543
00:35:27,080 --> 00:35:28,840
But, uh, there you were.
544
00:35:28,880 --> 00:35:30,360
Well, now I feel silly.
545
00:35:30,400 --> 00:35:32,920
Oh honestly, don't feel bad. You're only human.
546
00:35:32,960 --> 00:35:34,120
Allegedly.
547
00:35:34,160 --> 00:35:36,720
No. That is actually mine. Thank you very much.
548
00:35:36,760 --> 00:35:39,760
It's actually no-it's-fucking-not. Thank you very much.
549
00:35:39,800 --> 00:35:44,000
How did you and I end up here, surrounded by a cast of thousands?
550
00:35:44,040 --> 00:35:45,720
What was the actual plan?
551
00:35:45,760 --> 00:35:48,920
Have Joy hide the diary while Teo smuggled me off the island.
552
00:35:48,960 --> 00:35:51,800
So you could come back and dig it up when we'd all scuttled off?
553
00:35:51,840 --> 00:35:53,600
Like woodlice under a brick. Yes.
554
00:35:53,640 --> 00:35:55,560
It's not really that much of a plan, is it?
555
00:35:55,600 --> 00:35:57,600
Well in all fairness, I was improvising.
556
00:35:57,640 --> 00:35:59,800
Well, that's jazz, right?
557
00:36:03,280 --> 00:36:07,080
Actually, you look like someone put you through a blender.
558
00:36:07,120 --> 00:36:10,040
Which makes you the intern, does it?
559
00:36:10,080 --> 00:36:13,000
She just killed someone, did she mention that?
560
00:36:14,080 --> 00:36:15,600
Obi-Wan, there.
561
00:36:16,720 --> 00:36:17,840
Mrs Miyagi.
562
00:36:19,960 --> 00:36:22,880
Dragged his body halfway across the island,
563
00:36:22,920 --> 00:36:25,520
set fire to him then pushed him off a cliff.
564
00:36:26,640 --> 00:36:27,760
Oh, well, Iris.
565
00:36:27,800 --> 00:36:29,800
You had a half-arsed plan which went wrong.
566
00:36:29,840 --> 00:36:32,440
Take it on the chin. Let's all move on. Now.
567
00:36:33,160 --> 00:36:37,280
Two three-digit combinations. Child's play.
568
00:36:37,320 --> 00:36:39,960
Except, it won't be, will it, because it's you.
569
00:36:40,000 --> 00:36:42,440
Which means it's booby-trapped.
570
00:36:42,480 --> 00:36:46,280
If I enter the wrong combination, it's gonna destroy the diary.
571
00:36:46,320 --> 00:36:49,160
I don't know. Open it and see.
572
00:36:49,200 --> 00:36:51,680
What is it? Acid? Some kind of alkaline release?
573
00:36:51,720 --> 00:36:54,400
Well, it's not gonna be an alkaline now, is it, moron.
574
00:36:54,440 --> 00:36:56,520
Acid then. Hydrochloric?
575
00:36:56,560 --> 00:36:57,880
Muriatic.
576
00:36:57,920 --> 00:37:01,360
Which- No. That- That is hydrochloric.
577
00:37:01,400 --> 00:37:03,400
Well done, very good. Naughty.
578
00:37:03,440 --> 00:37:06,760
No- So, if I enter the wrong combination- (MIMICS SIZZLING)
579
00:37:06,800 --> 00:37:08,200
No more diary.
580
00:37:08,240 --> 00:37:11,320
Which means, what I'm going to need is the right combination,
581
00:37:11,360 --> 00:37:13,880
if you don't mind. Well, I mind terribly.
582
00:37:15,200 --> 00:37:18,320
Was it a love thing? You and her. Oh, for goodness sake.
583
00:37:18,360 --> 00:37:19,400
Of course not.
584
00:37:19,440 --> 00:37:22,160
'Cos that particular emotion is not available to you, is it?
585
00:37:22,200 --> 00:37:24,520
Not in excess, no.So, you say.
586
00:37:24,560 --> 00:37:27,680
The thing is, Iris, I actually think you're much more decent
587
00:37:27,720 --> 00:37:29,840
than you'd have everyone believe.
588
00:37:31,840 --> 00:37:34,720
Well then, you'd be wrong. Not for the first time.
589
00:37:34,760 --> 00:37:39,040
Let's see. Um, what's the combination?
590
00:37:39,800 --> 00:37:40,960
Your birthday.
591
00:37:41,000 --> 00:37:42,480
(HE LAUGHS)
592
00:37:42,520 --> 00:37:43,520
OK.
593
00:37:44,640 --> 00:37:47,400
Well, can't say I didn't try.
594
00:37:49,000 --> 00:37:52,280
What would it take to arrange a bit of um... (CLICKS TONGUE)
595
00:37:52,320 --> 00:37:54,640
Money.Yes. But how much?
596
00:37:54,680 --> 00:37:56,200
A hundred thousand.
597
00:37:56,240 --> 00:37:57,240
Seriously?
598
00:37:58,920 --> 00:38:01,560
I have partners. And he's a cop.
599
00:38:03,320 --> 00:38:04,360
OK. Fair enough.
600
00:38:12,120 --> 00:38:13,120
Still "no"?
601
00:38:15,040 --> 00:38:16,440
Still "no".
602
00:38:20,320 --> 00:38:22,800
(TEO GRUNTS VIOLENTLY) Hey, don't move!
603
00:38:22,840 --> 00:38:24,920
Listen. Teo, was it?
604
00:38:24,960 --> 00:38:26,880
I honestly don't want this to happen.
605
00:38:26,920 --> 00:38:30,640
But it's going to, unless Iris helps me open this briefcase
606
00:38:30,680 --> 00:38:32,160
without damaging the contents.
607
00:38:32,200 --> 00:38:34,280
So do me a favour and ask her for me.
608
00:38:35,280 --> 00:38:36,640
Monica...
609
00:38:37,960 --> 00:38:39,200
Please do as he says.
610
00:38:43,040 --> 00:38:44,240
That's not my name.
611
00:38:45,960 --> 00:38:48,760
And I'm sorry, Teo, I really am. But...
612
00:38:48,800 --> 00:38:51,080
..he cannot be allowed to have what he wants.
613
00:38:51,120 --> 00:38:54,320
Seriously? Is that what he gets? Come on, Iris.
614
00:38:54,360 --> 00:38:56,680
Don't do this to him. Miss Brook, please don't let them.
615
00:38:56,720 --> 00:38:58,400
That's not my name. And shush now.
616
00:38:58,440 --> 00:39:00,600
Is this actually what it's like, being you?
617
00:39:00,640 --> 00:39:02,520
Or is this just another lie?
618
00:39:04,000 --> 00:39:05,760
Try me and see.Fine.
619
00:39:05,800 --> 00:39:07,600
Let me know when you want it to stop.
620
00:39:07,640 --> 00:39:08,880
Fine. I want it to stop.
621
00:39:10,440 --> 00:39:14,440
Because you are putting yourself through this for absolutely nothing.
622
00:39:14,480 --> 00:39:16,960
You're not cut out for violence.
623
00:39:17,000 --> 00:39:18,280
And you are?
624
00:39:19,360 --> 00:39:20,360
Evidently.
625
00:39:24,240 --> 00:39:25,880
(TEO WHIMPERS) No!
626
00:39:26,720 --> 00:39:30,440
(GRUNTING, WHACKING)
627
00:39:39,320 --> 00:39:41,760
(WHACKING CONTINUES)
628
00:39:49,160 --> 00:39:52,040
Please stop! Stop! Leave him alone! Leave him alone!
629
00:39:52,080 --> 00:39:54,680
She's right. Stop!Please!
630
00:39:56,680 --> 00:39:57,960
(PANTING)
631
00:39:58,000 --> 00:39:59,120
(STICK CLATTERS)
632
00:39:59,960 --> 00:40:01,440
How can you not care?
633
00:40:02,640 --> 00:40:06,000
I don't know. I just... don't.
634
00:40:06,040 --> 00:40:08,200
(YELLS) That is not true!
635
00:40:18,840 --> 00:40:19,880
(JOY WHIMPERS)
636
00:40:19,920 --> 00:40:23,080
Oh, for God's sake, Cameron. Don't be preposterous.Miss Brook!
637
00:40:23,120 --> 00:40:25,160
Just calm down now. It's gonna be fine.
638
00:40:25,200 --> 00:40:27,080
Everything's not fine! Come on, Iris!
639
00:40:27,120 --> 00:40:29,840
Pull the trigger or don't. Nothing changes.Miss Brook!
640
00:40:29,880 --> 00:40:31,960
Infinity minus one, Joy. Don't be afraid.
641
00:40:32,000 --> 00:40:33,520
Oh, that is such bullshit, Joy!
642
00:40:33,560 --> 00:40:36,280
It's just a position she takes. Even she doesn't believe it!
643
00:40:36,320 --> 00:40:39,080
I can assure you she very much does. Right.
644
00:40:40,760 --> 00:40:44,080
Miss Brook. Please don't kill me. Please don't kill me.
645
00:40:48,680 --> 00:40:50,760
(CHUCKLES) She's right. I can't.
646
00:40:52,320 --> 00:40:53,760
You do it.No!
647
00:40:55,040 --> 00:40:57,280
OK, wait! Stop! Just stop! Alright!
648
00:40:57,320 --> 00:41:00,480
Can everyone just shut up for a second, and just leave her alone?
649
00:41:05,520 --> 00:41:06,720
(COUGHING)
650
00:41:06,760 --> 00:41:10,120
If anything happens to the contents of the briefcase, anything at all,
651
00:41:10,160 --> 00:41:12,480
I want you to shoot this young woman in the head.
652
00:41:12,520 --> 00:41:14,880
Yes. Money. Yes. Is that clear?
653
00:41:14,920 --> 00:41:16,200
Yes, sir. Very clear.
654
00:41:20,760 --> 00:41:21,760
Left side:
655
00:41:23,000 --> 00:41:27,280
Zero. Zero. Zero.
656
00:41:38,080 --> 00:41:39,200
Right side:
657
00:41:40,240 --> 00:41:42,200
Zero. Zero...
658
00:41:43,960 --> 00:41:46,600
Zero. Argh, you're kidding!
659
00:41:53,080 --> 00:41:54,080
(HE CHUCKLES)
660
00:41:56,760 --> 00:41:57,840
Wait!
661
00:42:01,360 --> 00:42:05,000
Iris.Oh, for God's sake, Cameron. Just take the win.
662
00:42:12,080 --> 00:42:13,080
OK.
663
00:42:14,800 --> 00:42:15,800
Show me.
664
00:42:22,080 --> 00:42:23,560
(DEBRIS PATTERING)
665
00:42:25,360 --> 00:42:26,640
(TENSE MUSIC)
666
00:42:40,680 --> 00:42:41,960
(COUGHING)
667
00:42:51,600 --> 00:42:53,280
Was that meant for me?
668
00:42:53,320 --> 00:42:54,840
(HELICOPTER REVVING)
669
00:42:54,880 --> 00:42:56,800
I didn't want anyone to open it.
670
00:43:02,480 --> 00:43:05,720
Oh, God. I've still got the diary.
671
00:43:05,760 --> 00:43:07,920
Kill me, you don't get it.
672
00:43:08,760 --> 00:43:10,720
You hurt Joy, you don't get it.
673
00:43:18,520 --> 00:43:20,000
(JOY GRUNTS)
674
00:43:20,040 --> 00:43:21,440
Alright, Joy.
675
00:43:21,480 --> 00:43:24,120
Sorry and all that, but she just made you collateral.
676
00:43:24,160 --> 00:43:26,120
No! Miss Brook!
677
00:43:26,160 --> 00:43:28,240
Joy, I'm afraid you're gonna have to go with him.
678
00:43:28,280 --> 00:43:30,400
Get in!Just for a little while.
679
00:43:30,440 --> 00:43:31,440
Get in!
680
00:43:32,400 --> 00:43:34,400
I'll come and get you, I promise.
681
00:43:37,440 --> 00:43:38,840
(INAUDIBLE)
682
00:43:58,960 --> 00:44:00,600
(DOOR OPENS) Get rid of it!
683
00:44:06,760 --> 00:44:09,720
(EMERGENCY ANNOUNCEMENT OVER PHONE)
684
00:44:11,120 --> 00:44:13,480
(SIRENS WAILING)
685
00:44:14,680 --> 00:44:16,520
Fucking key's, Iris! Come on!
686
00:44:18,560 --> 00:44:21,000
(SIRENS APPROACHING)
687
00:44:22,280 --> 00:44:24,320
(CAR ALARM CHIRPS) (IRIS RETCHES)
688
00:44:24,360 --> 00:44:25,640
(COUGHING)
689
00:44:32,520 --> 00:44:34,160
(ENGINE REVVING)
690
00:44:44,080 --> 00:44:45,720
(UPLIFTING MUSIC)
691
00:44:57,920 --> 00:44:58,920
(MUSIC FADES)
692
00:45:01,440 --> 00:45:05,320
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