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1
00:00:00,110 --> 00:00:05,550
hey philippine hope everything's good
just noticed you you do have an update
2
00:00:05,550 --> 00:00:10,690
so let's go over and check so play this
out
3
00:00:10,690 --> 00:00:17,170
don't look at me like that all right
4
00:00:17,170 --> 00:00:24,010
cool okay um nice so i
5
00:00:24,010 --> 00:00:27,620
think i got why you don't have him on
this post from the beginning that is
6
00:00:27,620 --> 00:00:30,940
because the door is opening and going
through his head and stuff like that
7
00:00:30,940 --> 00:00:36,040
but it feels good i i like it i like you
go from here to here like and then and
8
00:00:36,040 --> 00:00:41,120
then continuing um so what i would do
now i'll focus a little bit on some
9
00:00:41,120 --> 00:00:47,960
fixes before we kind of nail the
breakdowns um so
10
00:00:47,960 --> 00:00:52,530
i do feel like this this pose is pretty
good Just watch out like the bandies.
11
00:00:52,530 --> 00:00:56,010
There's like some neck stuff and bandies
kind of working, moving.
12
00:00:57,810 --> 00:01:00,550
And there's some kind of eye drift as
well, like wink.
13
00:01:01,670 --> 00:01:04,269
Little things. I know we didn't get into
this, right?
14
00:01:04,870 --> 00:01:06,930
So this post is pretty good.
15
00:01:07,210 --> 00:01:11,390
And then this one feels a little bit
broken. I feel like this arm, it does
16
00:01:11,390 --> 00:01:15,710
like it's... Why is this not drawing?
17
00:01:18,870 --> 00:01:19,870
Where is that?
18
00:01:32,350 --> 00:01:33,670
Okay, I think it's fixed.
19
00:01:38,790 --> 00:01:39,790
Okay,
20
00:01:40,110 --> 00:01:44,530
yeah, what I was saying, this arm feels
a little bit uncomfortable.
21
00:01:44,790 --> 00:01:46,790
It feels like it's breaking back, you
know?
22
00:01:47,150 --> 00:01:48,350
Something feels a little bit off.
23
00:01:49,630 --> 00:01:56,610
So, I've seen two options. I've seen one
option is just to drop the arm down.
24
00:01:57,930 --> 00:02:01,550
The other option we have, you could just
move it down.
25
00:02:01,930 --> 00:02:07,490
here slightly i don't think we need to
see the wrist um it'll be a little a
26
00:02:07,490 --> 00:02:13,410
little um more comfortable try not
breaking back that way um
27
00:02:13,410 --> 00:02:18,450
and try not to cheat the bandits that
much as well i'll say like maybe maybe
28
00:02:18,450 --> 00:02:24,930
the safe option would be go down like oh
you know rest looks pretty good um and
29
00:02:24,930 --> 00:02:30,210
then you then you go into this shape i
think the shape's so good my only
30
00:02:30,210 --> 00:02:36,670
question was this arm do we need to make
this arm go like back a
31
00:02:36,670 --> 00:02:43,410
little bit more your form could go
forward
32
00:02:43,410 --> 00:02:46,750
here or it could just go back like this
33
00:02:46,750 --> 00:02:53,690
they kind
34
00:02:53,690 --> 00:02:56,350
of hear me you can do like a fifth or
maybe a post like
35
00:03:00,110 --> 00:03:04,210
Or another option would be just make it
a little bit closer to the body.
36
00:03:04,790 --> 00:03:07,610
I think maybe closer to the body is a
safe thing to go.
37
00:03:10,430 --> 00:03:12,830
We just kind of close this silhouette.
38
00:03:14,050 --> 00:03:15,510
The grab feels way better.
39
00:03:16,590 --> 00:03:18,750
Then he picks it up to come here.
40
00:03:19,590 --> 00:03:24,970
This pose I will adjust a little bit.
Now it's a little bit too flat. I think
41
00:03:24,970 --> 00:03:26,410
need some bendies here.
42
00:03:31,630 --> 00:03:38,610
especially the form um but the overall
was good and then this one
43
00:03:38,610 --> 00:03:44,170
is good so that's that's it for poses
and i think we can finance a little bit
44
00:03:44,170 --> 00:03:48,870
more as we go but um i think there'll be
like enough fixes to start doing the
45
00:03:48,870 --> 00:03:54,110
breakdowns um talk about breakdowns i
feel like now this whole section in the
46
00:03:54,110 --> 00:03:59,270
end i think you're moving the chest or
the something on the on his torso that
47
00:03:59,270 --> 00:04:03,960
everything is moving together I think
for this kind of movement.
48
00:04:04,480 --> 00:04:05,660
Let me see what he's saying.
49
00:04:08,820 --> 00:04:10,520
Don't look at me like that, alright?
50
00:04:11,340 --> 00:04:12,920
Don't look at me like that, alright?
51
00:04:13,220 --> 00:04:15,480
You could focus more head and face.
52
00:04:16,399 --> 00:04:18,380
You don't look at me like that, alright?
53
00:04:19,079 --> 00:04:23,120
I think you can do those things, but
your hand is not moving.
54
00:04:23,340 --> 00:04:24,340
You can just keep it here.
55
00:04:25,100 --> 00:04:27,460
Let me get a little bit of shoulder
going up.
56
00:04:27,930 --> 00:04:31,470
But I think you're moving, this is just
going too much like this, you know, so
57
00:04:31,470 --> 00:04:33,670
it's going to be a bit hard to spline
this.
58
00:04:36,530 --> 00:04:40,750
And then when you go into breakdowns,
the first one you do is this.
59
00:04:41,250 --> 00:04:46,370
And right now, for me, it's just feeling
a little bit too even. I know you
60
00:04:46,370 --> 00:04:50,890
didn't go all in and start working on
this already, right? So as you move on,
61
00:04:50,970 --> 00:04:52,490
you know, right now it's just even.
62
00:04:53,590 --> 00:04:55,470
So you want to do a little bit of this.
63
00:04:56,970 --> 00:05:00,950
I feel like you need to ease out a
little bit, and you need to have that
64
00:05:02,130 --> 00:05:04,290
And then how you're going to finish the
motion.
65
00:05:04,510 --> 00:05:10,010
For this, you might want to overshoot a
little bit, like a little overshoot and
66
00:05:10,010 --> 00:05:11,010
settle.
67
00:05:11,550 --> 00:05:13,530
But you don't want to see things even,
right?
68
00:05:13,750 --> 00:05:18,730
You really want to get that kind of ease
out, go fast, and then settle.
69
00:05:22,890 --> 00:05:24,610
And then this one.
70
00:05:25,560 --> 00:05:29,740
This one, if you go arms down, it's
going to be a little bit more simple.
71
00:05:30,140 --> 00:05:33,600
But I kind of like that you're going
that way to go back.
72
00:05:33,840 --> 00:05:37,020
I feel like there's a lot happening with
your head right now.
73
00:05:37,240 --> 00:05:40,600
And maybe you need a little antic. So
you have him on this pose.
74
00:05:43,920 --> 00:05:46,300
Let's drop his arm, for example. Let's
see if that works.
75
00:05:47,440 --> 00:05:52,900
But right now, you know, you might want
to arc him down a little bit.
76
00:05:54,049 --> 00:05:56,930
As this hand kind of goes out, you know.
77
00:05:58,050 --> 00:06:02,870
So you could just, it's almost like a
little antic to go to the side as you
78
00:06:02,870 --> 00:06:03,870
have.
79
00:06:04,070 --> 00:06:08,610
Maybe you'll keep this angle on your
head, almost like dragging.
80
00:06:08,950 --> 00:06:11,430
Think about what should be leading, what
should be following.
81
00:06:12,310 --> 00:06:16,930
This hand could just start to bring it
in.
82
00:06:18,070 --> 00:06:19,070
Up.
83
00:06:20,560 --> 00:06:24,220
And then you could do this kind of
flourish with your hand. I think it
84
00:06:24,220 --> 00:06:25,179
cool.
85
00:06:25,180 --> 00:06:28,680
But then you could just drag your head.
86
00:06:28,900 --> 00:06:30,200
Your head was like this.
87
00:06:30,900 --> 00:06:33,220
Now you can drag it like that.
88
00:06:33,720 --> 00:06:35,000
And then to come back here.
89
00:06:38,560 --> 00:06:39,560
Let's go slow.
90
00:06:41,340 --> 00:06:43,120
Let's trim this handy for now.
91
00:06:43,520 --> 00:06:48,000
Let's try to get this beginning working.
At least from here to here.
92
00:06:48,520 --> 00:06:50,000
Or at least from here to here.
93
00:06:51,260 --> 00:06:52,580
As you're fixing the poses.
94
00:06:52,980 --> 00:06:54,760
And then we move on.
95
00:06:55,580 --> 00:06:56,980
What do you think? Let me know.
96
00:06:57,600 --> 00:06:58,600
Talk to you soon.
8076
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