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In this class, we're going to set off on
an incredible creative journey to
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discover the wonder of animation.
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You'll draw a series of pictures on
tracing paper.
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Then we're going to bring in a cameraman
to shoot your work. You'll see your
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creation spring to life, just like the
animation you see on television.
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Life, class.
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That's what animation means.
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Movement. Your characters can move in
any style at all, limited only by the
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boundaries of your own imagination.
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You'll learn that being an animator is
very hard work, but if you pour your
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heart into your labor, you just might
pull off a miracle.
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Through the movement of colored shapes,
you'll reveal the beauty of the human
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spirit.
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He said pull off.
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Plop.
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Plop. Plop. Plop.
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This must be like some kind of toilet of
the future.
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Yeah, like the youth kitty litter.
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Yeah.
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I'm a water man myself.
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I like to take a dump in the kitty box
sometimes.
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Then, like, the cat comes and buries it
for you.
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Whoa. That looks pretty cool.
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Yeah.
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The electrified force field has created
the perfect being.
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Yeah, yeah.
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In the future, it's like all turds will
be perfectly round.
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Yeah, yeah.
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And they will go... Yeah.
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It's like, I haven't seen Danzig on TV
in a while.
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Yeah, yeah. He's been hiding out so that
I can't find him and kick his ass.
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Yeah, right.
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I'd like to see you try to kick Dan's
ass.
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It'd probably be pretty close now
because, like, all that Sam stuff down
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is probably like that pro formula weight
gain powder stuff.
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He's trying to, like, bulk up for a
fight.
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You're a butt monkey, Beaver.
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I'm going to kick his ass.
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Oh, check out his eyes.
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You want black eyes like that? Yeah,
yeah. I think it'd be cool.
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Okay.
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One thing about this video, though, it's
really cool and everything,
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but then it just stops.
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Like, just out of nowhere.
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To help you get ideas for your own
films, I'm going to show you an animated
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I did when I was in school.
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So put down your pencils, everyone.
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Cool. Yeah, yeah. This better not suck.
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Your skin is purple, man.
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I don't dig you.
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I'm purple, and I'm proud.
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You're invading my space, greenie.
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Wow. Your blood is red, just like mine.
Even though we're different on the
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outside, on the inside, we're all the
same.
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Let's live together in peace.
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So, class, what did we learn from my
little film about what's possible in
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animation?
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Uh, in animation, you can, like, have
people ripping apart each other's guts.
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Yeah, yeah, yeah. They're like dabbing
each other's heads with their tongue.
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Amination is cool.
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Yeah, yeah.
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We're drawing dead people.
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Yeah, yeah.
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Dead people are cool.
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These are cool dead people.
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Yeah.
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They're just, like, lying there. Because
they're dead.
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You can't just do one drawing and sit
back, you guys. For animation, you have
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do lots and lots and lots of drawings.
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Uh... Oh.
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Hey, butthead. Let's draw two dead
people on this one.
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Yeah. We already have two dead people on
this one. Yeah, but then we'd have,
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like, um... Three dead people. Yeah.
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Oh, yeah.
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That would be cool.
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Hey, Bela.
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Let's keep making more and more dead
people until we've got, like, a whole
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massacre. Yeah, yeah!
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Massacre! Massacre!
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Massacre!
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This is getting boring.
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Yeah, I know.
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That's like strong dead people getting
their guts chewed up by a dog.
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Yeah, that'd be cool.
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Yeah.
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Are dead people getting smashed by an
airplane?
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Yeah, yeah, yeah.
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They're like dead people with a giant
fork whipping them apart. Yeah.
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This is going to be cool.
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Yeah.
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Yeah.
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Oh, no.
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Is this the Eurythmics?
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You said, uh... You said, um...
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You're, uh, you said, um, you said
something, uh, you're, uh, you're in?
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No, I said, is this the Eurythmics?
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Oh, yeah, but how do you think it's kind
of funny because it sounds like, uh,
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you're in, uh, it sounds kind of like
you're in, you know.
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There's something there.
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Shut up.
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Come on, shut the trunk. Come on, shut
it.
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Shut it! Yeah.
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This reminds me of that part in
Goodfellas where they have that guy in
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trunk.
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That movie was funny.
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Hell yeah.
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00:07:03,421 --> 00:07:06,769
Remember that one part where you were
like, what do you mean I'm funny?
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What do you mean, funny looking? What
are you talking about?
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You think I'm funny? What am I here to
amuse you?
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What am I?
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What, are you here for your
entertainment?
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What are you talking about?
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No, no, no, you said I was funny. Come
on, come on.
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Yeah, pretty good, huh? Yeah.
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Then that guy wussed out.
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Oh, yeah.
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Remember that time you were doing that
to McVicker?
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Oh, yeah.
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That didn't work out too well, though,
but... Yeah.
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You wussed out, too.
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Well, class, it's time to see what your
tireless hours as animators have
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yielded. First up, Cassandra.
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Excellent work, Cassandra. How does it
feel to see your ideas come to life?
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So powerful. So enormous.
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So brief.
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Hmm. Okay.
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00:08:09,560 --> 00:08:15,220
And now let's peer into the imaginations
of our friends Beavis and Butthead.
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Oh.
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00:08:23,060 --> 00:08:24,110
Oh, my.
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00:08:25,140 --> 00:08:26,190
Hmm.
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00:08:27,240 --> 00:08:28,290
Hmm.
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00:08:32,100 --> 00:08:33,150
Well.
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The piece does seem to be attuned to a
certain aspect of our fragmented modern
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society. In fact, I must say I'm
impressed by your work, boys. It's
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it's impulsive, and it's cool.
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Uh, but we drew like 500 dead people.
Yeah!
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What'd you do with them, butthole?
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Beavis, through animation's wondrous
illusion of motion, your hundreds of
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drawings have been transformed into a
single pair of very dynamic characters.
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I'd like to take another look at that.
Wouldn't you, class?
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But, like, in animation, you have to
draw tons of dead people just to end up
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with two dead people?
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Animation sucks.
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Who the hell is this?
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This guy sort of sounds familiar.
146
00:09:44,590 --> 00:09:45,640
Yeah, yeah.
147
00:09:45,810 --> 00:09:47,410
He kind of looks familiar, too.
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00:09:49,710 --> 00:09:53,150
Is this Adam Curry?
149
00:09:54,810 --> 00:09:55,860
No.
150
00:09:56,750 --> 00:09:58,090
Is it Sting?
151
00:09:58,310 --> 00:09:59,850
No, that's not Sting. That's...
152
00:10:00,890 --> 00:10:03,830
And I'll sniff Romano from one day at a
time.
153
00:10:04,570 --> 00:10:05,620
No, it's not.
154
00:10:06,530 --> 00:10:08,450
I think it's David Lee Roth.
155
00:10:09,410 --> 00:10:10,810
Yeah, right.
156
00:10:11,870 --> 00:10:15,390
It is... Beavis, I think this is David
Lee Roth.
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Oh, my God.
158
00:10:18,910 --> 00:10:20,010
Yeah, yeah, it's him.
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00:10:20,950 --> 00:10:22,210
Where are all the chicks?
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I don't know.
161
00:10:24,130 --> 00:10:26,190
It's like something's wrong with him.
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I'm concerned about him.
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Maybe he, like, just, like, did it with
every chick that there is.
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00:10:32,271 --> 00:10:35,079
Whoa, look at that truck. It's going to
hit him. Yeah. It's going to hit him.
165
00:10:35,080 --> 00:10:36,130
Look,
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00:10:37,260 --> 00:10:40,090
it's really going to hit him. Look,
look. Yeah, yeah, yeah.
167
00:10:40,091 --> 00:10:41,699
Wait a minute.
168
00:10:41,700 --> 00:10:45,670
Wait, what are they doing there before
they get run over? Yeah, what happened?
169
00:10:45,740 --> 00:10:46,790
Damn it.
170
00:10:47,240 --> 00:10:48,290
Whoa, look at that.
171
00:10:48,351 --> 00:10:50,439
Yeah, there you go.
172
00:10:50,440 --> 00:10:52,180
That's the old Dave we used to know.
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00:10:52,230 --> 00:10:56,780
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