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1
00:00:15,700 --> 00:00:18,700
♪
2
00:00:23,800 --> 00:00:26,567
(woman) ♪ WHAT IS THIS THING ♪
3
00:00:26,567 --> 00:00:30,233
♪ CALLED LOVE? ♪
4
00:00:30,233 --> 00:00:32,767
♪ THIS FUNNY THING ♪
5
00:00:32,767 --> 00:00:36,367
♪ CALLED LOVE ♪
6
00:00:36,367 --> 00:00:38,667
♪ JUST WHO CAN SOLVE ♪
7
00:00:38,667 --> 00:00:42,500
♪ ITS MYSTERY? ♪
8
00:00:42,500 --> 00:00:45,533
♪ WHY SHOULD IT MAKE ♪
9
00:00:45,533 --> 00:00:49,467
♪ A FOOL OF ME? ♪
10
00:00:49,467 --> 00:00:51,567
♪ I SAW YOU THERE ♪
11
00:00:51,567 --> 00:00:55,533
♪ THAT WONDERFUL DAY ♪
12
00:00:55,533 --> 00:00:57,600
♪ YOU TOOK MY LOVE ♪
13
00:00:57,600 --> 00:01:01,300
♪ AND THREW IT AWAY ♪
14
00:01:01,300 --> 00:01:04,266
♪ AND SO I ASK THE LORD ♪
15
00:01:04,266 --> 00:01:07,667
♪ IN HEAVEN ABOVE ♪
16
00:01:07,667 --> 00:01:10,667
♪ WHAT IS THIS THING ♪
17
00:01:10,667 --> 00:01:15,834
♪ CALLED LOVE? ♪
18
00:01:17,166 --> 00:01:22,367
♪ CALLED LOVE ♪
19
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(man) IT'S 105
IN THE L.A. BASIN,
20
00:01:32,367 --> 00:01:35,400
AND THOSE SUMMER TEMPERATURES
JUST KEEP KICKING ASS.
21
00:01:39,133 --> 00:01:42,767
(objects clatter)
22
00:01:42,767 --> 00:01:44,667
(sighs)
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HOT.
24
00:01:46,266 --> 00:01:47,533
A.C.'s BUSTED.
25
00:01:47,533 --> 00:01:49,500
GONNA RAISE ME?
26
00:01:49,500 --> 00:01:51,300
I'LL RAISE YOU...
27
00:01:53,633 --> 00:01:56,367
$20, AND I'LL SEE YOU.
28
00:01:56,367 --> 00:01:58,667
(moans)
29
00:01:58,667 --> 00:02:00,900
YOU WANNA SEE ME?
30
00:02:03,200 --> 00:02:05,900
OKAY.
31
00:02:07,266 --> 00:02:09,500
TWO PAIR?
32
00:02:09,500 --> 00:02:12,367
I MEAN, ALL I GOT ARE...
33
00:02:12,367 --> 00:02:13,834
(sighs)
34
00:02:13,834 --> 00:02:15,533
TRIP QUEENS.
35
00:02:15,533 --> 00:02:17,166
YOU LOSE.
36
00:02:17,166 --> 00:02:18,700
TAKE IT OFF.
37
00:02:20,467 --> 00:02:21,867
AHH.
38
00:02:23,367 --> 00:02:25,767
MMM.
39
00:02:25,767 --> 00:02:27,166
YEP.
40
00:02:27,166 --> 00:02:28,834
(whispers) ALL RIGHT.
41
00:02:30,500 --> 00:02:32,767
(normal voice)
SHALL I SHUFFLE?
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UNH-UNH.
43
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(both moaning)
44
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(clatter)
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(moans)
46
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(chuckles)
47
00:03:03,467 --> 00:03:05,333
AH.
AH!
48
00:03:05,333 --> 00:03:08,934
(both moaning)
49
00:03:12,233 --> 00:03:15,433
OH! OH! (gasps)
50
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(grunting)
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(gasping)
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(both grunting)
53
00:03:37,934 --> 00:03:39,633
OHH.
54
00:03:39,633 --> 00:03:41,367
(chuckles)
AHH.
55
00:03:41,367 --> 00:03:46,500
(panting)
56
00:03:46,500 --> 00:03:48,367
YOU WANNA DO ANOTHER ONE,
MISTER?
57
00:03:48,367 --> 00:03:51,300
(groans) I CAN'T.
58
00:03:51,300 --> 00:03:52,700
I HAVE TO GO HOME.
59
00:03:52,700 --> 00:03:54,500
I STILL HAVE TO PREP
FOR A HEARING FOR TOMORROW.
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00:03:54,500 --> 00:03:55,767
OH.
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00:03:55,767 --> 00:03:57,467
AH, THE LIFE OF
A RE-EMPLOYED LAWYER.
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00:03:57,467 --> 00:03:58,834
OH.
(chips clatter)
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00:03:58,834 --> 00:04:01,433
HEY, UH, MEET ME FOR LUNCH
ON WEDNESDAY.
64
00:04:01,433 --> 00:04:05,300
WAIT. UH, MAKE IT TUESDAY.
OLD BOYFRIEND COMING TO TOWN.
65
00:04:05,300 --> 00:04:06,667
WHAT?
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00:04:06,667 --> 00:04:08,834
(chips clatter)
67
00:04:08,834 --> 00:04:10,600
I'M NOT THE ONLY GUY
YOU'VE EVER BEEN WITH?
68
00:04:10,600 --> 00:04:11,900
(laughs)
69
00:04:11,900 --> 00:04:13,500
HE'S HERE
FOR A COUPLE OF DAYS.
70
00:04:13,500 --> 00:04:14,800
NAME'S HIGHWAY.
71
00:04:14,800 --> 00:04:17,100
HIGHWAY?
MM-HMM.
72
00:04:17,100 --> 00:04:20,600
MUST BE ONE OF THOSE...
RESTLESS MEN.
73
00:04:20,600 --> 00:04:22,300
THAT'S HIM.
74
00:04:22,300 --> 00:04:25,233
DID YOU LOVE HIM?
75
00:04:25,233 --> 00:04:27,200
HE LOVED ME.
76
00:04:27,200 --> 00:04:29,834
THAT WAS MORE IMPORTANT.
77
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WELL, ANOTHER SHATTERED HEART
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00:04:31,500 --> 00:04:33,533
ON THE LIST
OF MEN YOU'VE SET ADRIFT.
79
00:04:33,533 --> 00:04:35,800
ACTUALLY, HE WENT TO JAIL.
80
00:04:35,800 --> 00:04:38,333
DEALT DOPE TO SUPPORT
HIS SINGING CAREER.
81
00:04:38,333 --> 00:04:40,300
MM. (chuckles)
OPERA?
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00:04:40,300 --> 00:04:43,633
COUNTRY,
BUT A LOT OF LITTLE STUFF.
83
00:04:43,633 --> 00:04:46,133
HAD A LOCAL HIT IN MEMPHIS.
84
00:04:46,133 --> 00:04:47,667
"SHOT THE MAN."
85
00:04:47,667 --> 00:04:51,867
♪ SHOT THE MAN
WHO STOLE YOUR HEART ♪
86
00:04:51,867 --> 00:04:55,166
♪ KILLED THE MAN,
NOW WE'LL NEVER BE APART ♪
87
00:04:55,166 --> 00:04:57,367
HE SOUNDS CLINGY.
HE'S SWEET.
88
00:04:57,367 --> 00:05:00,300
HE BOUGHT ME AN I.D. BRACELET
FROM THE MONEY HE MADE
89
00:05:00,300 --> 00:05:02,633
FROM A SHIPMENT
OF JAMAICAN WEED.
90
00:05:02,633 --> 00:05:04,400
HAD IT ENGRAVED.
91
00:05:04,400 --> 00:05:06,667
I'M WAITING.
IS THERE ANOTHER MURDER LYRIC?
92
00:05:06,667 --> 00:05:09,667
IT SAID,
93
00:05:09,667 --> 00:05:12,467
"BABY,
YOU'RE A ROCKET TO MARS."
94
00:05:12,467 --> 00:05:14,467
WELL...
95
00:05:14,467 --> 00:05:16,400
MAYBE HE GOT
INTO HIS OWN STASH.
96
00:05:16,400 --> 00:05:19,767
(chuckles)
97
00:05:19,767 --> 00:05:21,400
YOU KNOW, I HAVE
A POKER CHIP SOMEWHERE
98
00:05:21,400 --> 00:05:23,600
WHERE IT ISN'T SUPPOSED TO BE.
99
00:05:23,600 --> 00:05:25,767
AH. (whispers) OH.
100
00:05:25,767 --> 00:05:27,700
(normal voice) MAYBE...
101
00:05:27,700 --> 00:05:31,266
I CAN DO A CAVITY SEARCH.
102
00:05:31,266 --> 00:05:33,233
MM.
I THOUGHT YOU'D NEVER ASK.
103
00:05:33,233 --> 00:05:34,734
(grunts)
OKAY.
104
00:05:34,734 --> 00:05:36,333
OH, I'M GONNA FIND IT!
OH.
105
00:05:36,333 --> 00:05:38,633
WHERE IS IT? IN HERE?
MM. IS IT A $25 OR A $100?
106
00:05:38,633 --> 00:05:42,433
I DON'T KNOW. I'LL FIND IT.
HEY! NO. NO. UNH-UNH.
107
00:05:42,433 --> 00:05:44,333
(both moaning)
108
00:05:44,333 --> 00:05:47,133
OH. YOU WANNA GO BACK
TO THE BEDROOM?
(groans)
109
00:05:47,133 --> 00:05:49,300
YES, BUT I ALSO HAVE TO WORK.
110
00:05:49,300 --> 00:05:51,600
(groans)
111
00:05:51,600 --> 00:05:53,533
AH, EX-BOYFRIENDS.
112
00:05:53,533 --> 00:05:55,900
SOMETIMES YOU JUST HAVE TO SAY
TA-TA.
113
00:05:55,900 --> 00:05:58,133
LIKE WHEN I SPENT MY JUNIOR YEAR
AT BARNARD ABROAD
114
00:05:58,133 --> 00:05:59,700
AND I MET FABRICE.
115
00:05:59,700 --> 00:06:02,433
ONE EXQUISITE AFTERNOON,
WE WENT ALOFT
116
00:06:02,433 --> 00:06:05,233
IN A HOT AIR BALLOON
OVER BORDEAUX.
117
00:06:05,233 --> 00:06:07,900
SUDDENLY, THUNDER POUNDED.
IT BEGAN TO POUR.
118
00:06:07,900 --> 00:06:11,200
THE BALLOON WAS SWEPT SIDEWAYS
AND COULDN'T BE CONTROLLED.
119
00:06:11,200 --> 00:06:13,867
I'VE NEVER BEEN SO SCARED
IN MY LIFE.
120
00:06:13,867 --> 00:06:15,200
BUT HERE'S THE GOOD PART--
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THE STORM STOPPED, AS THEY DO,
122
00:06:17,600 --> 00:06:19,233
AND WE WERE SAVED.
123
00:06:19,233 --> 00:06:21,100
AND A RAINBOW APPEARED.
124
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THEY USUALLY DO,
125
00:06:22,467 --> 00:06:24,266
BUT AS SOON AS WE LANDED,
126
00:06:24,266 --> 00:06:27,567
I SAID, "AU REVOIR, FABRICE.
IT'S BEEN FUN,
127
00:06:27,567 --> 00:06:31,166
BUT I CAN'T FORGIVE
YOUR WEEPING IN THE STORM."
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00:06:34,834 --> 00:06:37,767
YOU HAVE A MAGNIFICENT FOOT.
129
00:06:37,767 --> 00:06:40,700
WELL, NOT TO GO ON ABOUT IT,
BUT I WAS VOTED
130
00:06:40,700 --> 00:06:44,467
MOST LIKELY IN MY LAW CLASS
TO BECOME A FOOT MODEL.
131
00:06:44,467 --> 00:06:46,667
WELL, AT BENTON FOGG LEATHERS,
132
00:06:46,667 --> 00:06:48,734
WE DON'T OFTEN GET TO SEE
THE CALIBER OF FOOT
133
00:06:48,734 --> 00:06:50,900
THAT OUR CUSTOM SHOES DESERVE.
134
00:06:50,900 --> 00:06:53,567
TOO OFTEN, WE SEE
THE IMPOVERISHED ARCH...
135
00:06:53,567 --> 00:06:56,133
MM.
THE MISSHAPEN TOENAILS.
136
00:06:56,133 --> 00:06:57,734
HMM.
HEARTBREAKING.
137
00:06:57,734 --> 00:06:59,700
BUT YOUR FOOT...
138
00:06:59,700 --> 00:07:01,400
WELL, TO BE CANDID,
139
00:07:01,400 --> 00:07:03,533
I'VE NEVER SEEN ANYTHING LIKE IT
IN MY CAREER.
140
00:07:03,533 --> 00:07:05,533
WELL, THANK YOU, HEATHER.
141
00:07:05,533 --> 00:07:09,300
AND I APPRECIATE YOUR FLYING IN
FROM LONDON FOR THE FITTING.
142
00:07:09,300 --> 00:07:12,233
OH. I ASSURE YOU,
THE PLEASURE'S ALL MINE.
143
00:07:12,233 --> 00:07:13,533
MM.
144
00:07:13,533 --> 00:07:15,767
YOU SHOULD PICK
WHICH BOOT YOU PREFER.
145
00:07:15,767 --> 00:07:17,233
BUT I'LL TELL YOU THIS.
146
00:07:17,233 --> 00:07:18,500
YOU CAN'T GO WRONG.
147
00:07:18,500 --> 00:07:21,500
FEET LIKES YOURS ARE A GIFT.
148
00:07:21,500 --> 00:07:24,467
AHH. HEY, LUTHER, I--UH... OH.
149
00:07:24,467 --> 00:07:25,767
SORRY. I'LL COME BACK.
150
00:07:25,767 --> 00:07:27,467
OH, NO, NO.
COME IN. COME IN.
151
00:07:27,467 --> 00:07:31,667
MICHAEL, MEET HEATHER CROWLEY
152
00:07:31,667 --> 00:07:34,567
OF THE FINE
CUSTOM SHOEMAKING HOUSE
153
00:07:34,567 --> 00:07:36,400
BENTON FOGG OF LONDON.
154
00:07:36,400 --> 00:07:37,734
HELLO.
PLEASURE.
155
00:07:39,233 --> 00:07:42,133
13... D.
156
00:07:42,133 --> 00:07:43,867
UH, CORRECT.
157
00:07:43,867 --> 00:07:47,133
HMM.
YOU ARE
MENTALLY UNDRESSING MY FEET.
158
00:07:47,133 --> 00:07:48,834
SO I AM. (chuckles)
159
00:07:48,834 --> 00:07:51,500
LUTHER, WHAT'S THIS ALL ABOUT?
160
00:07:51,500 --> 00:07:54,133
I'M HAVING RIDING BOOTS MADE.
161
00:07:54,133 --> 00:07:55,400
FOR WHAT? YOU DON'T RIDE.
162
00:07:55,400 --> 00:07:57,266
SO WHAT?
163
00:07:57,266 --> 00:07:59,633
I'M PLANNING
TO WEAR THEM WITH SHORTS.
164
00:07:59,633 --> 00:08:01,266
(chuckles)
165
00:08:01,266 --> 00:08:03,266
HEATHER, WOULD YOU GIVE US
A MOMENT?
OH.
166
00:08:12,734 --> 00:08:14,767
TAINTED TUSH HAS GONE PUBLIC.
167
00:08:14,767 --> 00:08:17,133
WE ARE GOING TO BE RICH BEYOND
OUR WILDEST DREAMS.
168
00:08:17,133 --> 00:08:19,100
$50 MILLION BETWEEN US!
169
00:08:19,100 --> 00:08:20,800
$50 MILLION ON PAPER, LUTHER.
170
00:08:20,800 --> 00:08:23,433
IT'S--IT'S DATED STOCK.
WE CAN'T SELL IT FOR SIX MONTHS.
171
00:08:23,433 --> 00:08:24,667
GOOD. IT'LL BE WORTH
EVEN MORE BY THEN.
172
00:08:24,667 --> 00:08:26,300
THINK ABOUT IT, MICHAEL.
173
00:08:26,300 --> 00:08:28,266
WE NEVER HAVE TO GROW UP!
174
00:08:28,266 --> 00:08:30,200
OH! THEN THE PRESSURE'S OFF
FOR YOU.
175
00:08:30,200 --> 00:08:32,200
PEOPLE ONLY GROW UP
AND GET THEIR AT TOGETHER
176
00:08:32,200 --> 00:08:33,700
SO THEY CAN MAKE A LIVING.
177
00:08:33,700 --> 00:08:35,200
WE DON'T HAVE TO DO THAT
ANYMORE.
178
00:08:35,200 --> 00:08:37,100
WE CAN DO
WHATEVER THE FUCK WE WANT!
179
00:08:37,100 --> 00:08:39,600
LUTHER--
I AM GOING TO PROPOSE
TO SHERYL CROW.
180
00:08:39,600 --> 00:08:41,600
WHAT?
THIS IS MY TIME, MICHAEL.
181
00:08:41,600 --> 00:08:43,533
I'M GONNA JOIN
CIRQUE du SOLEIL!
182
00:08:43,533 --> 00:08:45,200
LOOK, LUTHER, YOU'RE
GETTING AHEAD OF YOURSELF.
183
00:08:45,200 --> 00:08:46,734
NO, I'M FINALLY IN SYNC
WITH MYSELF.
184
00:08:46,734 --> 00:08:48,467
I'M FREE! (laughs)
OKAY.
185
00:08:48,467 --> 00:08:50,400
FROM THIS MOMENT FORWARD,
186
00:08:50,400 --> 00:08:53,133
I DROP ALL PRETENSE,
I SHED MY FACADE.
187
00:08:53,133 --> 00:08:55,767
I AM GOING TO BE THE ME
I'VE ALWAYS WANTED TO BE!
188
00:08:55,767 --> 00:08:57,467
THE REAL ME!
189
00:08:57,467 --> 00:09:01,233
AND I'M GOING TO STOP SHAVING
MY ASS. (laughs)
190
00:09:01,233 --> 00:09:04,233
THAT IS GENUINELY REVOLTING.
191
00:09:04,233 --> 00:09:06,500
(knock on door)
(laughing)
192
00:09:06,500 --> 00:09:09,934
MICHAEL, I NEED YOU
FOR A MOMENT.
193
00:09:09,934 --> 00:09:13,266
LUTHER, WHY ARE YOU JUMPING
ON THE COUCH?
194
00:09:13,266 --> 00:09:15,800
BECAUSE I AM ALIVE!
195
00:09:15,800 --> 00:09:17,333
WHERE ARE YOUR SHOES?
196
00:09:17,333 --> 00:09:19,200
(sighs deeply)
197
00:09:19,200 --> 00:09:22,133
HOW CONVENTIONAL OF YOU TO
BE ALARMED BY MISSING FOOTWEAR
198
00:09:22,133 --> 00:09:26,533
WHEN YOUR VERY ESSENCE HAS BEEN
STOLEN BY CORPORATE INANITY.
199
00:09:26,533 --> 00:09:28,367
NEVER THOUGHT OF IT THAT WAY.
200
00:09:28,367 --> 00:09:30,767
THIS, ARTHUR,
201
00:09:30,767 --> 00:09:34,667
IS WHAT REAL TRUE FREEDOM
LOOKS LIKE.
202
00:09:34,667 --> 00:09:38,200
NO MORE SELLING OUT
FOR ME. NO.
203
00:09:38,200 --> 00:09:40,467
THIS, MY FRIEND...
204
00:09:40,467 --> 00:09:41,700
(chuckles)
205
00:09:41,700 --> 00:09:43,600
IS THE REAL ME!
206
00:09:43,600 --> 00:09:45,600
HA! (laughs)
207
00:09:45,600 --> 00:09:49,400
WELL, CARRY ON, YOU.
208
00:09:49,400 --> 00:09:51,266
A SMALL SUGGESTION--YOU MIGHT
WANT TO PULL UP YOUR TROUSERS.
209
00:09:51,266 --> 00:09:52,700
I CAN SEE YOUR CHUBBER.
210
00:09:52,700 --> 00:09:55,233
MICHAEL.
YEAH.
211
00:09:55,233 --> 00:09:57,367
(clears throat)
212
00:09:59,600 --> 00:10:01,500
(exhales deeply)
213
00:10:15,200 --> 00:10:17,133
(sighs)
214
00:10:19,133 --> 00:10:20,400
HI, MICHAEL.
215
00:10:20,400 --> 00:10:22,200
JOCE.
216
00:10:22,200 --> 00:10:25,533
WHAT A POTENTIALLY PAINFUL
SURPRISE.
217
00:10:25,533 --> 00:10:27,233
LAST TIME WE SPOKE,
218
00:10:27,233 --> 00:10:29,800
YOU WERE WITH
YOUR NEW PAL CASEY IN KAUAI.
219
00:10:29,800 --> 00:10:32,200
HOW ARE THE BEACHES,
THE WATERFALLS,
220
00:10:32,200 --> 00:10:33,467
THE CUNNILINGUS?
221
00:10:33,467 --> 00:10:36,667
I DIDN'T LEAVE YOU
FOR A WOMAN.
222
00:10:36,667 --> 00:10:38,300
SHE LOOKED LIKE A WOMAN.
223
00:10:38,300 --> 00:10:40,200
AM I MISSING SOMETHING?
224
00:10:40,200 --> 00:10:42,533
SO MUCH, MICHAEL.
225
00:10:42,533 --> 00:10:46,200
CASEY IS ONLY PART OF IT.
226
00:10:46,200 --> 00:10:48,567
THERE'S...
227
00:10:48,567 --> 00:10:50,567
ALSO HAL.
228
00:10:50,567 --> 00:10:53,367
HAL?
229
00:10:53,367 --> 00:10:54,767
THAT SOUNDS LIKE A MAN'S NAME.
230
00:10:54,767 --> 00:10:56,900
YOU KNOW, SOMEONE WHO OWNS
AND OPERATES A PENIS.
231
00:10:56,900 --> 00:10:58,500
(sighs) YOU'D LIKE HIM.
232
00:10:58,500 --> 00:11:00,667
I ALREADY DON'T.
HE LIKES YOU.
233
00:11:00,667 --> 00:11:02,400
I TOLD HIM ALL ABOUT YOU.
234
00:11:02,400 --> 00:11:03,600
NO, YOU DIDN'T.
TELL ME YOU DIDN'T DO THAT.
235
00:11:03,600 --> 00:11:05,433
I TOLD HIM I LOVE YOU,
236
00:11:05,433 --> 00:11:08,734
AND NOW HE LOVES YOU.
237
00:11:08,734 --> 00:11:11,667
I DON'T WANT HAL TO LOVE ME.
MAKE HIM STOP.
238
00:11:11,667 --> 00:11:13,233
(chuckles)
239
00:11:13,233 --> 00:11:15,633
YOU CAN'T STOP LOVE, MICHAEL.
240
00:11:15,633 --> 00:11:19,900
HAVE YOU EVER HEARD OF...
241
00:11:19,900 --> 00:11:21,700
POLYAMORY?
242
00:11:21,700 --> 00:11:23,900
IT THAT THE LESBO RESORT YOU
STAYED WHEN YOU WERE IN HAWAII?
243
00:11:23,900 --> 00:11:26,700
IT'S THE NEW INTIMACY.
244
00:11:26,700 --> 00:11:31,633
OPENING YOURSELF UP TO LOVING
MORE THAN JUST ONE PERSON.
245
00:11:31,633 --> 00:11:33,433
AS DAVID CROSBY SANG
246
00:11:33,433 --> 00:11:37,166
IN HIS POIGNANT BALLAD
"TRIAD,"
247
00:11:37,166 --> 00:11:40,400
"WHY CAN'T WE GO ON AS THREE?"
248
00:11:40,400 --> 00:11:41,633
MM.
249
00:11:41,633 --> 00:11:44,834
OR MAYBE EVEN...
250
00:11:44,834 --> 00:11:47,200
FOUR?
251
00:11:47,200 --> 00:11:49,567
(clears throat) DOES HAL LOOK
A LOT LIKE DAVID CROSBY?
252
00:11:49,567 --> 00:11:51,567
NO.
253
00:11:51,567 --> 00:11:54,300
AH. DAVID CROSBY DONATES SPERM
TO LESBIANS.
254
00:11:54,300 --> 00:11:55,600
IS THAT HOW YOU KNOW HIM?
255
00:11:55,600 --> 00:11:57,500
I DON'T KNOW HIM, MICHAEL.
256
00:11:57,500 --> 00:12:00,266
I'M JUST REFERENCING
AN OLD SONG.
257
00:12:00,266 --> 00:12:02,734
LOOK...
258
00:12:02,734 --> 00:12:04,166
I WANT YOU TO MEET THEM.
259
00:12:04,166 --> 00:12:06,200
NO.
260
00:12:06,200 --> 00:12:09,900
IT WOULD REPRESENT COMPLETION
OF THE CIRCLE FOR ME, MICHAEL.
261
00:12:09,900 --> 00:12:11,400
THINK OF IT.
262
00:12:11,400 --> 00:12:13,867
MY NEW LIFE WITH CASEY AND HAL,
263
00:12:13,867 --> 00:12:15,700
MY WORK ON THE CANTONI ACCOUNT.
264
00:12:15,700 --> 00:12:19,266
IT'S ALL COMING MY WAY.
265
00:12:19,266 --> 00:12:22,266
(sighs)
266
00:12:22,266 --> 00:12:24,166
CAN WE COME OVER
FOR ONE DRINK?
267
00:12:24,166 --> 00:12:26,166
NO!
268
00:12:26,166 --> 00:12:27,767
PLEASE?
269
00:12:27,767 --> 00:12:30,467
FINE. I'VE RETHOUGHT IT.
270
00:12:30,467 --> 00:12:31,700
NO.
271
00:12:33,266 --> 00:12:35,700
I LOVE YOU, MICHAEL.
272
00:12:35,700 --> 00:12:38,266
YOU ARE IMPORTANT TO ME,
273
00:12:38,266 --> 00:12:42,500
AND NOW SO IS CASEY AND HAL.
274
00:12:42,500 --> 00:12:45,266
THEY'VE CHANGED ME,
275
00:12:45,266 --> 00:12:48,300
AND I NEED YOU TO MEET THEM.
276
00:12:48,300 --> 00:12:50,467
NO STRINGS ATTACHED.
277
00:12:50,467 --> 00:12:54,233
WHAT ABOUT ROPES? YOU DIDN'T
SAY ANYTHING ABOUT ROPES.
278
00:12:54,233 --> 00:12:55,734
IS HAL
ONE OF THOSE BONDAGE KINGS?
279
00:12:55,734 --> 00:12:58,800
IS HE GONNA STRING ME UP
AND DRIP HOT WAX ON MY NUTS?
280
00:12:58,800 --> 00:13:00,200
YOU'VE GOT IT ALL WRONG,
MICHAEL.
281
00:13:00,200 --> 00:13:03,400
THIS IS ABOUT EMOTIONS,
NOT SEX.
282
00:13:04,667 --> 00:13:06,500
PLEASE DO THIS FOR ME.
283
00:13:06,500 --> 00:13:09,367
(scoffs) HMM.
284
00:13:09,367 --> 00:13:11,767
DO I HAVE TO HUG HIM?
NO.
285
00:13:11,767 --> 00:13:13,200
IS HE GONNA TRY AND BLOW ME?
286
00:13:13,200 --> 00:13:15,233
(chuckles) NO.
287
00:13:15,233 --> 00:13:18,200
IS HE EXPECTING ME
TO BLOW HIM?
NO.
288
00:13:18,200 --> 00:13:20,400
ONE DRINK. ONE.
289
00:13:28,367 --> 00:13:30,300
(laughs) WHAT IS THIS,
LUTHER?
290
00:13:30,300 --> 00:13:32,633
I TOLD YOU, IT'S A SURPRISE.
291
00:13:32,633 --> 00:13:35,467
COME ON! TELL ME!
BE PATIENT.
292
00:13:35,467 --> 00:13:39,300
(giggling)
293
00:13:40,367 --> 00:13:41,734
VOILA.
294
00:13:41,734 --> 00:13:43,333
WELL...
295
00:13:43,333 --> 00:13:46,166
WHO IS HE AND WHAT IS HE DOING
IN MY BED?
296
00:13:46,166 --> 00:13:47,800
IT'S MARCELLO.
297
00:13:47,800 --> 00:13:50,633
SAY HELLO, MARCELLO. (chuckles)
298
00:13:50,633 --> 00:13:52,333
(male voice)
BUON SERA, PEMMIE.
299
00:13:52,333 --> 00:13:53,667
(laughs)
300
00:13:53,667 --> 00:13:56,166
DITTO, MARCELLO.
301
00:13:56,166 --> 00:13:58,166
HMM. A THREE-WAY.
302
00:13:58,166 --> 00:14:01,367
YOU ARE A BAD BOY, LUTHER.
303
00:14:01,367 --> 00:14:02,700
WELL, I TRY.
304
00:14:02,700 --> 00:14:04,467
AHH.
COME TO ME, PEMMIE.
305
00:14:04,467 --> 00:14:07,500
(laughs) OH, GOD.
306
00:14:07,500 --> 00:14:09,734
THANK GOD JOCE IS IN LISBON.
307
00:14:09,734 --> 00:14:11,266
(chuckles)
308
00:14:11,266 --> 00:14:13,433
OH, GOD. YOU ARE CRAZY.
309
00:14:13,433 --> 00:14:15,166
MMM.
310
00:14:15,166 --> 00:14:17,266
(gasping) OH, MY GOD!
311
00:14:17,266 --> 00:14:19,367
THIS THING'S SO FUCKING SICK!
312
00:14:19,367 --> 00:14:21,433
IT GETS BETTER.
PULL THE COVERS DOWN.
313
00:14:21,433 --> 00:14:22,700
(laughing)
314
00:14:22,700 --> 00:14:25,767
OH! HOLY SHIT.
315
00:14:25,767 --> 00:14:29,200
(laughing) OH, MY GOD!
316
00:14:29,200 --> 00:14:31,900
MARCELLO IS A STATE-OF-THE-ART
REAL DOLL.
317
00:14:31,900 --> 00:14:33,333
IT WAS A GIFT GIVEN TO ME
318
00:14:33,333 --> 00:14:35,300
BY MY GOOD FRIENDS...
MMM!
319
00:14:35,300 --> 00:14:38,200
AT ABYSS CREATIONS.
CARE TO TAKE IT FOR A SPIN?
320
00:14:38,200 --> 00:14:40,834
OHH, GOD,
THAT IS ONE AMAZING COCK.
321
00:14:40,834 --> 00:14:42,633
OH, I ALMOST FORGOT.
322
00:14:44,600 --> 00:14:48,333
(imitates rifle click
and rapid gunfire)
323
00:14:48,333 --> 00:14:50,300
(laughing)
HA HA! (blows air)
324
00:14:50,300 --> 00:14:51,600
OH!
TASTER'S CHOICE.
325
00:14:51,600 --> 00:14:53,200
HOLY SHIT.
326
00:14:53,200 --> 00:14:54,834
ALL RIGHT, I'LL TAKE IT
FROM HERE, LUTHER.
327
00:14:54,834 --> 00:14:57,834
AHH.
328
00:14:57,834 --> 00:14:59,467
HELLO, MARCELLO.
329
00:14:59,467 --> 00:15:01,166
(speaks indistinctly)
330
00:15:01,166 --> 00:15:02,734
THIS IS KIND OF WEIRD,
YOU LITTLE NAUGHTY BOY.
331
00:15:02,734 --> 00:15:06,166
YES, YOU LIKE THAT, MARCELLO,
YOU LITTLE BITCH?
332
00:15:06,166 --> 00:15:08,300
(gasps) BOING!
333
00:15:08,300 --> 00:15:09,834
YES, MARCELLO!
334
00:15:09,834 --> 00:15:11,934
OH, YEAH, YOU LIKE IT LIKE THAT,
YOU LITTLE BITCH?
335
00:15:11,934 --> 00:15:15,300
(moaning)
336
00:15:17,700 --> 00:15:20,500
WHAT IS THAT SMELL, LUTHER?
I CAN SMELL YOU FROM HERE.
337
00:15:20,500 --> 00:15:22,767
(inhales deeply)
THAT, MY DEAREST PEMBERG,
338
00:15:22,767 --> 00:15:25,200
IS THE SMELL OF FREEDOM!
339
00:15:25,200 --> 00:15:26,400
(laughs)
340
00:15:26,400 --> 00:15:28,367
YOU REEK LIKE AN ANIMAL.
341
00:15:28,367 --> 00:15:31,667
YES.
GET IN HERE WITH US AND GRAB
THAT BIG DICK ON THE WAY.
342
00:15:31,667 --> 00:15:33,133
OH, YES, BABY.
343
00:15:33,133 --> 00:15:34,500
(grunting)
344
00:15:34,500 --> 00:15:36,800
HA HA!
AAH!
345
00:15:36,800 --> 00:15:41,333
YES! MARCELLO, YOU KNOW YOU WANT
THIS ONE ON YOU, RIGHT?
346
00:15:41,333 --> 00:15:43,266
OH! (laughs)
347
00:15:43,266 --> 00:15:46,700
♪
348
00:15:46,700 --> 00:15:48,333
(door opens)
349
00:15:48,333 --> 00:15:49,734
(stops playing)
350
00:15:49,734 --> 00:15:51,467
AH.
(closes door)
351
00:15:53,200 --> 00:15:54,700
HOWDY.
352
00:15:54,700 --> 00:15:57,333
HIGHWAY, RIGHT?
353
00:15:59,900 --> 00:16:02,533
WELL... (chuckles)
354
00:16:02,533 --> 00:16:04,600
YOU GOTTA BE MICHAEL.
355
00:16:04,600 --> 00:16:07,166
RIGHT? (grunts)
356
00:16:07,166 --> 00:16:08,500
(laughs)
357
00:16:08,500 --> 00:16:10,266
LIZ'S FRIEND, RIGHT?
358
00:16:10,266 --> 00:16:12,734
YEAH, LIZ'S... FRIEND.
359
00:16:12,734 --> 00:16:14,633
HEY, NO OFFENSE.
360
00:16:14,633 --> 00:16:17,300
NO, NONE TAKEN. IT'S JUST THAT
WE'VE GONE WAY PAST FRIENDSHIP.
361
00:16:17,300 --> 00:16:20,567
HARD NOT TO WITH LIZZIE.
362
00:16:20,567 --> 00:16:24,400
LIZ TELLS ME YOU'RE SOME KIND
OF A COWBOY... TROUBADOUR.
363
00:16:24,400 --> 00:16:27,133
YEAH, SOME COWBOY.
I'M FROM PITTSBURGH. (laughs)
364
00:16:27,133 --> 00:16:29,600
OH, PITTSBURGH.
I SPENT A WEEK THERE ONE NIGHT.
365
00:16:29,600 --> 00:16:31,900
OH, YEAH?
(chuckles)
366
00:16:31,900 --> 00:16:33,834
I DON'T KNOW WHY I DID THAT
367
00:16:33,834 --> 00:16:35,767
WHEN I DON'T THINK WHITE GUYS
SHOULD BE HIGH-FIVING ANYBODY.
368
00:16:35,767 --> 00:16:37,600
OR CALLING EACH OTHER
"BROTHER."
369
00:16:37,600 --> 00:16:39,800
EXACTLY.
370
00:16:39,800 --> 00:16:41,767
HIGH FIVE, MY BROTHER.
371
00:16:41,767 --> 00:16:44,900
(laughing)
(chuckles)
372
00:16:47,667 --> 00:16:49,200
(chuckles)
373
00:16:50,667 --> 00:16:53,400
SO, UH...
HOW'D YOU GET THAT NAME?
374
00:16:53,400 --> 00:16:56,467
HIGHWAY? OH, I GOT THAT
IN THE CLUB SCENE.
375
00:16:56,467 --> 00:16:58,367
A DRUMMER BUDDY OF MINE
GAVE IT TO ME
376
00:16:58,367 --> 00:17:01,300
'CAUSE I COULDN'T STAY ANYWHERE
FOR TOO LONG.
377
00:17:01,300 --> 00:17:03,767
THAT'S HOW I LANDED IN JOLIET
FOR TWO YEARS, ANYWAY.
378
00:17:03,767 --> 00:17:05,533
OH, YEAH.
LIZ TOLD ME ABOUT THAT.
379
00:17:05,533 --> 00:17:07,300
ANYWAY...
380
00:17:07,300 --> 00:17:09,800
GAVE ME AN OPPORTUNITY
TO WRITE A COUPLE COUNTRY HITS
381
00:17:09,800 --> 00:17:13,400
WHEN I WAS ON THE INSIDE.
I SOCKED SOME MONEY AWAY, TOO.
382
00:17:13,400 --> 00:17:16,100
WHO WAS YOUR INSPIRATION?
383
00:17:16,100 --> 00:17:17,700
HANK WILLIAMS? MERLE HAGGARD?
384
00:17:17,700 --> 00:17:19,500
WILLIAM BLAKE.
385
00:17:19,500 --> 00:17:22,433
THE ENGLISH POET?
NOT JUST "THE ENGLISH POET."
386
00:17:22,433 --> 00:17:24,500
HE WAS
THE MAJOR POET AND PAINTER
387
00:17:24,500 --> 00:17:27,166
OF THE ROMANTIC MOVEMENT.
A REVOLUTIONARY.
388
00:17:27,166 --> 00:17:29,133
SUPPORTER OF WOMEN'S RIGHTS.
389
00:17:29,133 --> 00:17:32,467
DID YOU KNOW
THAT ON HIS DEATHBED,
390
00:17:32,467 --> 00:17:36,500
HE TURNS TO HIS WIFE,
TAKES HER HAND, AND HE SAYS,
391
00:17:36,500 --> 00:17:39,233
"STAY, KATE!
392
00:17:39,233 --> 00:17:40,567
"KEEP JUST AS YOU ARE.
393
00:17:40,567 --> 00:17:41,867
"I WILL DRAW YOUR PORTRAIT,
394
00:17:41,867 --> 00:17:44,333
FOR YOU HAVE EVER BEEN
AN ANGEL TO ME"?
395
00:17:44,333 --> 00:17:46,100
HE DRAWS HER PORTRAIT,
396
00:17:46,100 --> 00:17:48,667
STARTS TO SING...
397
00:17:48,667 --> 00:17:50,500
BOOM.
398
00:17:50,500 --> 00:17:51,900
AND DIES.
399
00:17:51,900 --> 00:17:53,900
(laughs)
400
00:17:53,900 --> 00:17:55,500
NOW THAT'S MY INSPIRATION.
401
00:17:55,500 --> 00:17:57,767
AH. THAT'S A PRETTY TOUGH ACT
TO FOLLOW.
402
00:17:57,767 --> 00:18:00,367
YEAH, NO DOUBT. HE MADE IT HARD
FOR THE REST OF US.
403
00:18:00,367 --> 00:18:03,867
OH. ARE YOU DOING
THAT WILLIAM BLAKE SHIT AGAIN?
404
00:18:03,867 --> 00:18:06,500
(laughs) HEY.
405
00:18:06,500 --> 00:18:08,667
(laughs) HEY, IT'S THE MAN!
406
00:18:08,667 --> 00:18:10,600
(chuckles)
407
00:18:10,600 --> 00:18:12,433
(growls)
(giggles) MM.
408
00:18:12,433 --> 00:18:14,667
NEVER THOUGHT I'D BE HAPPY
TO SEE A COP AGAIN.
409
00:18:14,667 --> 00:18:16,166
(laughs) OH, YEAH?
410
00:18:16,166 --> 00:18:19,734
OF COURSE, I MISS SEEING YOU
IN THAT OUTFIT. MMM.
411
00:18:19,734 --> 00:18:21,333
I GOT A PRESENT FOR YOU.
412
00:18:21,333 --> 00:18:23,400
OH, YEAH?
MM-HMM.
413
00:18:28,333 --> 00:18:31,166
LITTLE SOMETHING I WROTE
ON THE INSIDE.
414
00:18:32,800 --> 00:18:40,734
♪ I'VE BEEN LOOKING FOR YOU
FOR SO DAMN LONG ♪
415
00:18:40,734 --> 00:18:43,500
♪ SEARCHING UNTIL I... ♪
416
00:18:43,500 --> 00:18:50,266
♪ I DON'T KNOW IF COULD LIVE
ANOTHER DAY WITHOUT YOU ♪
417
00:18:52,633 --> 00:18:57,200
♪ NOT A DAY GOES BY... ♪
(sings indistinctly)
418
00:18:57,200 --> 00:19:01,533
♪ WHEN I LOOK INTO YOUR EYES ♪
419
00:19:03,633 --> 00:19:05,367
IT'S BEAUTIFUL.
420
00:19:07,567 --> 00:19:09,734
IT'S CALLED
"NOT A DAY GOES BY."
421
00:19:09,734 --> 00:19:11,300
(chuckles)
422
00:19:11,300 --> 00:19:12,667
YOU KNOW WHY?
WHY?
423
00:19:12,667 --> 00:19:14,467
'CAUSE NOT A DAY GOES BY
424
00:19:14,467 --> 00:19:16,066
I HAVEN'T THOUGHT
ABOUT YOU, HONEY.
425
00:19:16,066 --> 00:19:17,700
OH.
426
00:19:17,700 --> 00:19:20,800
THOUGHT ABOUT US,
427
00:19:20,800 --> 00:19:22,300
ABOUT OUR FUTURE.
428
00:19:22,300 --> 00:19:24,367
YOUR WHAT?
429
00:19:24,367 --> 00:19:25,633
OUR FUTURE.
430
00:19:27,233 --> 00:19:29,467
(chuckles) AHEM.
431
00:19:29,467 --> 00:19:32,266
YOU'RE ALL I THOUGHT ABOUT
EVERY MINUTE I WAS IN PRISON.
432
00:19:32,266 --> 00:19:35,767
AND I VOWED,
AS SOON AS I GOT OUT,
433
00:19:35,767 --> 00:19:38,500
I WAS GONNA TRACK YOU DOWN,
HONEY.
434
00:19:38,500 --> 00:19:40,300
AND I WAS GONNA COME HERE
435
00:19:40,300 --> 00:19:43,166
AND I WAS GONNA TELL YOU
THAT ONE LITTLE THING.
436
00:19:43,166 --> 00:19:46,467
I WANT YOU TO BE WITH ME.
437
00:19:46,467 --> 00:19:48,133
(chuckles)
438
00:19:48,133 --> 00:19:49,433
FOREVER.
439
00:19:51,367 --> 00:19:53,367
(sighs)
440
00:19:53,367 --> 00:19:55,467
AND I KNOW THAT'S A LOT
TO TAKE IN.
441
00:19:55,467 --> 00:19:57,200
(chuckles) NO KIDDING.
442
00:19:57,200 --> 00:19:58,734
LOOK, I'M NOT ASKING
443
00:19:58,734 --> 00:20:01,600
FOR YOU TO GIVE ME AN ANSWER
RIGHT THIS SECOND.
444
00:20:01,600 --> 00:20:03,467
(whispers) I WANT YOU
TO THINK ABOUT IT, OKAY?
445
00:20:03,467 --> 00:20:05,734
I WILL.
446
00:20:05,734 --> 00:20:07,467
MMM.
447
00:20:07,467 --> 00:20:08,767
(kissing)
448
00:20:08,767 --> 00:20:10,567
MM.
449
00:20:10,567 --> 00:20:12,133
MMM.
450
00:20:14,133 --> 00:20:16,533
I'LL BE BACK.
451
00:20:19,266 --> 00:20:21,867
AND YOU...
452
00:20:23,834 --> 00:20:25,867
YOU ARE MY WITNESS, BROTHER.
453
00:20:25,867 --> 00:20:27,333
(laughs)
454
00:20:28,567 --> 00:20:30,400
YOU'RE GOOD PEOPLE.
455
00:20:30,400 --> 00:20:33,333
(laughs)
456
00:20:41,800 --> 00:20:43,767
WHAT WAS THAT?
457
00:20:43,767 --> 00:20:46,667
THAT WAS HIGHWAY
BEING HIGHWAY.
458
00:20:50,834 --> 00:20:53,333
AND WHY DIDN'T YOU TELL HIM
I WAS YOUR BOYFRIEND?
459
00:20:53,333 --> 00:20:57,367
BECAUSE I DIDN'T THINK
THAT'S WHAT YOU ARE.
460
00:20:57,367 --> 00:20:59,233
AND ANYWAY,
IT WOULDN'T MATTER TO HIGHWAY.
461
00:20:59,233 --> 00:21:02,333
HIGHWAY DOES
WHAT HIGHWAY WANTS.
462
00:21:02,333 --> 00:21:05,400
AND WHAT THE FUCK
DO YOU THINK I WANT?
463
00:21:05,400 --> 00:21:08,834
HELP ME UNDERSTAND WHAT'S
GOING ON BETWEEN YOU AND ME.
464
00:21:08,834 --> 00:21:10,767
WHERE IS THIS COMING FROM?
465
00:21:10,767 --> 00:21:13,667
IS IT BECAUSE YOUR GIRLFRIEND
LEFT YOU?
HER NAME IS JOCELYN.
466
00:21:13,667 --> 00:21:15,734
I DON'T GIVE A FUCK
WHAT HER NAME IS! SHE'S GONE!
467
00:21:15,734 --> 00:21:17,734
WELL, THANK YOU.
THANK YOU FOR THAT.
468
00:21:17,734 --> 00:21:19,200
YOU JUST--YOU DON'T GET ME.
469
00:21:19,200 --> 00:21:21,200
OH. OH, NO, YOU'RE WRONG.
470
00:21:21,200 --> 00:21:23,600
HERE'S HOW YOU AND I GET
EACH OTHER.
471
00:21:23,600 --> 00:21:24,834
LET'S FUCK.
472
00:21:24,834 --> 00:21:26,900
JUST LIKE THAT?
JUST LIKE THAT!
473
00:21:26,900 --> 00:21:28,367
AND SUDDENLY
YOU JUST WANNA FUCK?
YES!
474
00:21:28,367 --> 00:21:29,700
IS THAT WHAT YOU WANT?
YOU WANT THIS?
475
00:21:29,700 --> 00:21:31,300
(grunts)
HMM? HMM?
476
00:21:31,300 --> 00:21:34,300
(moaning)
HMM? HMM? HMM?
477
00:21:34,300 --> 00:21:37,300
HMM? IS IT WHAT YOU WANT?
(panting)
478
00:21:37,300 --> 00:21:39,200
YOU WANNA FUCK? HUH?
MM-HMM. (grunts)
479
00:21:39,200 --> 00:21:42,834
(gasping)
480
00:21:42,834 --> 00:21:44,467
GET THOSE PANTS OFF.
481
00:21:49,233 --> 00:21:51,433
(gasps) FUCK ME.
482
00:21:51,433 --> 00:21:55,233
(both moaning and grunting)
483
00:21:56,934 --> 00:21:58,500
YOU WANNA FUCK?
484
00:21:58,500 --> 00:22:01,633
(grunting)
YES! AH!
485
00:22:08,500 --> 00:22:10,867
OH!
486
00:22:15,200 --> 00:22:19,834
(grunting)
487
00:22:19,834 --> 00:22:22,333
(panting)
488
00:22:22,333 --> 00:22:24,500
(moans)
(gasps)
489
00:22:24,500 --> 00:22:28,300
(both panting)
490
00:22:47,567 --> 00:22:52,667
THE PRACTICE OF LAW
IS OFTEN FULL-FRONTAL WARFARE.
491
00:22:52,667 --> 00:22:54,834
EVERY MAN NEEDS AN ADVANTAGE,
492
00:22:54,834 --> 00:22:56,934
AND YOU, LADIES,
ARE OBVIOUSLY AWARE
493
00:22:56,934 --> 00:23:00,834
THAT ANATOMY IS
THAT ADVANTAGE.
494
00:23:00,834 --> 00:23:02,934
THE POINT IS, THOUGH SMALL,
495
00:23:02,934 --> 00:23:06,233
I AM A LARGE MAN.
496
00:23:06,233 --> 00:23:08,266
I'M AVAILABLE
FOR LATE-NIGHT CONSULTATIONS,
497
00:23:08,266 --> 00:23:11,500
CASUAL WEEKENDS,
AND SUPERFICIAL DINNERS.
498
00:23:11,500 --> 00:23:13,734
HEY, EVERYONE.
499
00:23:13,734 --> 00:23:16,767
UH, LUTHER, WHAT'S GOING ON?
YOU LOOK TERRIBLE.
500
00:23:16,767 --> 00:23:18,367
I'M EXPRESSING MYSELF.
501
00:23:18,367 --> 00:23:20,166
YOU'RE... EXUDING YOURSELF.
502
00:23:20,166 --> 00:23:21,400
YOU NEED TO BE FUMIGATED.
503
00:23:21,400 --> 00:23:22,700
NONSENSE. I'M IN THE MOMENT.
504
00:23:22,700 --> 00:23:24,734
I'M SO RICH,
I MAY NEVER BATHE AGAIN.
505
00:23:24,734 --> 00:23:26,367
I TOLD YOU
WE'RE NOT THERE YET.
506
00:23:26,367 --> 00:23:27,734
WE HAVE NUMBERED STOCK,
NOT CASH IN HAND.
507
00:23:27,734 --> 00:23:29,333
(sighs) PISH POSH.
508
00:23:29,333 --> 00:23:31,367
(mouth full) SO, GUYS,
509
00:23:31,367 --> 00:23:33,767
LET'S CUT TO THE CHASE,
OKAY?
510
00:23:33,767 --> 00:23:35,500
(normal voice)
YOU'RE BUSY. I'M BUSY.
511
00:23:35,500 --> 00:23:37,900
BLAH, BLAH, BLAH, WHATEVER.
WHO GIVES A FUCK?
512
00:23:37,900 --> 00:23:39,633
I'M ONLY INTERESTED
IN BUYING YOU OUT.
513
00:23:41,233 --> 00:23:43,667
OKAY, $5 MILLION
FOR YOUR SHARES IN TAINTED TUSH.
514
00:23:43,667 --> 00:23:46,800
THAT'S $5 MILLION GUARANTEED
515
00:23:46,800 --> 00:23:48,700
FROM ME, DEZ BAMMER.
516
00:23:48,700 --> 00:23:51,300
TODAY. WHAT SAY YOU?
517
00:23:51,300 --> 00:23:52,667
INTERESTING, DEZ.
518
00:23:52,667 --> 00:23:55,934
WOULD YOU...
CARE TO HEAR MY THOUGHTS?
519
00:23:55,934 --> 00:23:57,400
ABSOLUTELY, LUTHER.
520
00:23:57,400 --> 00:24:01,266
FUCK OFF, YOU FAT FUCK.
521
00:24:01,266 --> 00:24:02,934
UH...
522
00:24:02,934 --> 00:24:05,834
I'M SURE LUTHER DID NOT MEAN
TO SAY IT QUITE THAT WAY.
523
00:24:05,834 --> 00:24:07,533
YOU THINK I'M FAT?
524
00:24:07,533 --> 00:24:09,900
I THINK
YOU'RE A REPUGNANT BLIMP.
525
00:24:09,900 --> 00:24:11,934
OKAY. $6 MILLION.
526
00:24:11,934 --> 00:24:13,500
$6 MILLION?!
BLOW ME.
527
00:24:13,500 --> 00:24:16,300
ALL RIGHT. $6.5 MILLION.
528
00:24:16,300 --> 00:24:19,367
(mouth full) HERE, WIRED TODAY.
529
00:24:19,367 --> 00:24:21,800
(normal voice) OKAY, YOU GOT
30 SECONDS TO RESPOND
530
00:24:21,800 --> 00:24:23,467
OR THE DEAL GOES BYE-BYE.
531
00:24:23,467 --> 00:24:25,333
THE STOCK IS WORTH
$50 MILLION.
532
00:24:25,333 --> 00:24:28,600
(laughs) ON PAPER.
YOU CAN WIPE YOUR ASS WITH THAT.
533
00:24:28,600 --> 00:24:30,233
PASS, ELEPHANT MAN.
534
00:24:30,233 --> 00:24:32,467
WELL, YOUR TIME'S UP ANYWAY.
535
00:24:32,467 --> 00:24:34,667
ALL RIGHT,
LET'S MOVE IT OUT, GIRLS.
536
00:24:34,667 --> 00:24:37,633
APPARENTLY NO ONE HERE
WANTS TO GET RICH TODAY.
537
00:24:37,633 --> 00:24:39,133
OH, BY THE WAY,
I LIKE YOUR STYLE.
538
00:24:39,133 --> 00:24:42,433
MM. (chuckles)
HE LIKES MY STYLE.
539
00:24:44,633 --> 00:24:46,567
THAT'S BECAUSE
YOU DON'T HAVE ANY, LUTHER.
540
00:24:46,567 --> 00:24:49,800
CONGRATULATIONS. I THINK
YOU JUST MADE A HUGE MISTAKE.
541
00:24:52,800 --> 00:24:54,367
MM.
542
00:24:57,367 --> 00:25:00,200
(mutters) $6.5 MILLION.
543
00:25:00,200 --> 00:25:02,300
FUCK.
(telephone rings)
544
00:25:02,300 --> 00:25:04,633
(sighs)
(ring)
545
00:25:04,633 --> 00:25:05,867
(ring)
546
00:25:05,867 --> 00:25:07,734
(beep)
YEAH?
547
00:25:07,734 --> 00:25:09,200
WHAT, HERE?
548
00:25:09,200 --> 00:25:11,433
UH, SURE.
549
00:25:17,266 --> 00:25:18,734
HEY.
550
00:25:18,734 --> 00:25:20,266
HEY.
551
00:25:22,367 --> 00:25:24,633
YOU COME BY
NOT TO TALK AGAIN?
552
00:25:24,633 --> 00:25:26,433
DON'T MAKE A JOKE.
553
00:25:26,433 --> 00:25:28,633
I'M NOT.
554
00:25:34,100 --> 00:25:36,200
MICHAEL,
555
00:25:36,200 --> 00:25:39,367
I'VE BEEN PUTTING THINGS OFF
FOR TOO LONG.
556
00:25:39,367 --> 00:25:40,900
I'M NOT GONNA LIKE THIS,
AM I?
557
00:25:40,900 --> 00:25:42,633
YOU AND ME,
558
00:25:42,633 --> 00:25:44,200
WE'RE GREAT AT RUBBING UP
AGAINST EACH OTHER
559
00:25:44,200 --> 00:25:45,834
AND STARTING BIG FIRES,
560
00:25:45,834 --> 00:25:50,166
BUT THERE'S NEVER SIMPLE
AND EASY WITH US, MICHAEL.
561
00:25:50,166 --> 00:25:52,233
I THOUGHT THAT WAS THE APPEAL.
562
00:25:52,233 --> 00:25:53,500
THAT WAS THEN.
563
00:25:53,500 --> 00:25:56,200
THEN?
564
00:25:56,200 --> 00:25:58,333
AT WHAT POINT
DID WE BECOME "THEN?"
565
00:25:58,333 --> 00:26:00,767
THE NIGHT WE MET.
566
00:26:00,767 --> 00:26:03,133
IT'S A LOT OF THINGS.
567
00:26:03,133 --> 00:26:06,667
CAPTAIN DECKER IS TALKING
ABOUT PROMOTING ME.
568
00:26:06,667 --> 00:26:08,767
HEY! YOU KIDDING?
569
00:26:08,767 --> 00:26:12,200
WELL, YOU KNOW,
YOU'RE RECKLESS AND...
570
00:26:12,200 --> 00:26:15,166
YOU NEVER KNOW WHEN TO STOP,
AND YOUR ATTITUDE SUCKS.
571
00:26:16,767 --> 00:26:20,567
YEAN, HE SAYS
I'M PERFECT DETECTIVE MATERIAL.
572
00:26:20,567 --> 00:26:22,767
(chuckles)
THERE'S A LOT OF THINGS.
573
00:26:22,767 --> 00:26:25,667
MY FOLKS--THEY HAD
THIS CRAZY THING,
574
00:26:25,667 --> 00:26:28,567
AND IT RIPPED THEM APART.
575
00:26:28,567 --> 00:26:31,500
I SWORE I'D NEVER DO THAT.
576
00:26:31,500 --> 00:26:33,133
WELL, YOU'RE NOT THEM.
577
00:26:33,133 --> 00:26:36,100
(scoffs) CLOSE ENOUGH.
578
00:26:36,100 --> 00:26:38,667
YOU KNOW WHAT I THINK?
579
00:26:38,667 --> 00:26:41,333
JOCE HAS MOVED ON,
580
00:26:41,333 --> 00:26:43,133
AND I'M AVAILABLE NOW,
581
00:26:43,133 --> 00:26:45,500
AND THAT SCARES THE SHIT
OUT OF YOU.
582
00:26:45,500 --> 00:26:48,834
YEAH, YOU'RE RIGHT.
583
00:26:48,834 --> 00:26:50,767
IT DOES.
584
00:26:50,767 --> 00:26:54,633
JUST--IT'S JUST TOO MUCH
OF US, MICHAEL.
585
00:26:56,266 --> 00:27:00,266
NEITHER OF US HAS EVER HAD
WHAT WE HAVE TOGETHER.
586
00:27:00,266 --> 00:27:03,200
CHEMISTRY'S NOT ENOUGH.
587
00:27:03,200 --> 00:27:06,867
YOU CAN'T BUILD A LIFE ON THAT,
AND I WANT ONE.
588
00:27:16,800 --> 00:27:18,800
I'M MOVING IN WITH HIGHWAY.
589
00:27:25,100 --> 00:27:44,166
(door closes)
39031
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