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These are the user uploaded subtitles that are being translated: 1 00:00:15,700 --> 00:00:18,700 ♪ 2 00:00:23,800 --> 00:00:26,567 (woman) ♪ WHAT IS THIS THING ♪ 3 00:00:26,567 --> 00:00:30,233 ♪ CALLED LOVE? ♪ 4 00:00:30,233 --> 00:00:32,767 ♪ THIS FUNNY THING ♪ 5 00:00:32,767 --> 00:00:36,367 ♪ CALLED LOVE ♪ 6 00:00:36,367 --> 00:00:38,667 ♪ JUST WHO CAN SOLVE ♪ 7 00:00:38,667 --> 00:00:42,500 ♪ ITS MYSTERY? ♪ 8 00:00:42,500 --> 00:00:45,533 ♪ WHY SHOULD IT MAKE ♪ 9 00:00:45,533 --> 00:00:49,467 ♪ A FOOL OF ME? ♪ 10 00:00:49,467 --> 00:00:51,567 ♪ I SAW YOU THERE ♪ 11 00:00:51,567 --> 00:00:55,533 ♪ THAT WONDERFUL DAY ♪ 12 00:00:55,533 --> 00:00:57,633 ♪ YOU TOOK MY LOVE ♪ 13 00:00:57,633 --> 00:01:01,300 ♪ AND THREW IT AWAY ♪ 14 00:01:01,300 --> 00:01:04,266 ♪ AND SO I ASK THE LORD ♪ 15 00:01:04,266 --> 00:01:07,667 ♪ IN HEAVEN ABOVE ♪ 16 00:01:07,667 --> 00:01:10,667 ♪ WHAT IS THIS THING ♪ 17 00:01:10,667 --> 00:01:15,834 ♪ CALLED LOVE? ♪ 18 00:01:17,166 --> 00:01:22,367 ♪ CALLED LOVE ♪ 19 00:01:29,333 --> 00:01:32,867 ♪ 20 00:01:42,567 --> 00:01:44,600 WHOO! 21 00:01:47,633 --> 00:01:49,266 HEY. 22 00:01:49,266 --> 00:01:51,367 YOU LOOK GOOD, BABY. MM. 23 00:01:51,367 --> 00:01:52,934 I COULD TREAT YOU RIGHT. (chuckles) 24 00:01:52,934 --> 00:01:55,667 YOU KNOW, I'M CRAZY IN BED. 25 00:01:55,667 --> 00:01:59,233 I CAN LICK MY SHOULDER BLADES. 26 00:01:59,233 --> 00:02:02,266 I LOVE... THAT SONG! 27 00:02:02,266 --> 00:02:04,433 MM. LOVE IT! 28 00:02:04,433 --> 00:02:07,266 YOU GOT IT ON, BABY! (giggles) 29 00:02:07,266 --> 00:02:09,934 I GOT NOTHIN'. 30 00:02:09,934 --> 00:02:11,934 YOU KNOW WHAT YOU ARE, MR. NOTHIN'? 31 00:02:11,934 --> 00:02:13,600 MM? POIGNANT. 32 00:02:13,600 --> 00:02:15,900 (bottles clink) 33 00:02:15,900 --> 00:02:19,567 ♪ 34 00:02:24,400 --> 00:02:26,333 MMM. 35 00:02:26,333 --> 00:02:29,567 WELL, LOOK AT US. 36 00:02:29,567 --> 00:02:31,667 TWO STORMS IN A PORT. 37 00:02:31,667 --> 00:02:33,133 (both chuckle) 38 00:02:34,900 --> 00:02:37,433 I'M GRETA. I'M MICHAEL. 39 00:02:37,433 --> 00:02:39,433 I JUST GOT HERE ABOUT AN HOUR AGO, 40 00:02:39,433 --> 00:02:40,767 OR SOMETHING LIKE THAT. 41 00:02:40,767 --> 00:02:42,667 (laughs) I DON'T KNOW WHERE I AM. 42 00:02:42,667 --> 00:02:45,600 WELL, NOBODY KNOWS WHERE THEY ARE, BABY. 43 00:02:45,600 --> 00:02:47,333 EVERYBODY'S JUST FAKING IT. 44 00:02:47,333 --> 00:02:48,767 OKAY. (laughs) 45 00:02:48,767 --> 00:02:51,300 WELL, SINCE YOU'RE ASKING, 46 00:02:51,300 --> 00:02:53,266 I'VE QUIT MY LIFE. 47 00:02:53,266 --> 00:02:55,734 I'VE LEFT IT ALL BEHIND. 48 00:02:55,734 --> 00:02:57,567 TALK ABOUT IT, BABY. 49 00:02:57,567 --> 00:03:00,633 EVERYTHING I THOUGHT WAS REALITY 50 00:03:00,633 --> 00:03:02,567 WAS A FUCKING LIE. 51 00:03:02,567 --> 00:03:05,800 INCLUDING YOU. 52 00:03:05,800 --> 00:03:08,367 YEAH, I'VE BEEN THERE. (chuckles) 53 00:03:08,367 --> 00:03:09,934 FULL-TIME RESIDENT. 54 00:03:09,934 --> 00:03:12,433 NO, YOU DON'T WANT TO HEAR THAT. 55 00:03:12,433 --> 00:03:13,900 IT'S GUT-WRENCHING. 56 00:03:15,867 --> 00:03:17,333 WRENCH AWAY. 57 00:03:17,333 --> 00:03:19,166 WELL... 58 00:03:21,166 --> 00:03:23,467 IT ALL BEGAN 59 00:03:23,467 --> 00:03:26,433 WHEN WE WERE HUMPING IN A STRETCH LIMO. 60 00:03:30,367 --> 00:03:34,300 ♪ 61 00:03:35,867 --> 00:03:39,667 (both grunting and moaning) 62 00:03:52,900 --> 00:03:54,400 (grunts) 63 00:03:56,266 --> 00:03:58,233 (gasps) OH! 64 00:04:15,867 --> 00:04:17,567 STRETCH LIMO? 65 00:04:17,567 --> 00:04:19,700 COOL SURPRISE. 66 00:04:19,700 --> 00:04:21,133 WHAT'S THE OCCASION? 67 00:04:21,133 --> 00:04:22,667 HMM. US. 68 00:04:22,667 --> 00:04:24,133 OH. 69 00:04:24,133 --> 00:04:26,567 (chuckles) 70 00:04:26,567 --> 00:04:28,166 YOU'RE SCARED OF HEIGHTS. 71 00:04:28,166 --> 00:04:29,400 WHAT ARE YOU TALKING ABOUT? 72 00:04:29,400 --> 00:04:30,900 I SAW IT IN YOUR EYES 73 00:04:30,900 --> 00:04:33,533 WHEN WE WERE DRIVING OVER THAT BRIDGE IN SAN PEDRO. 74 00:04:33,533 --> 00:04:35,633 NEVER ADMIT IT, DO YOU? BEING SCARED? 75 00:04:35,633 --> 00:04:37,233 HAVING DOUBTS. 76 00:04:37,233 --> 00:04:39,333 WONDERING WHO YOU CAN COUNT ON AND FOR HOW LONG. 77 00:04:39,333 --> 00:04:42,133 MY EX-SHRINK TOLD ME THAT WE'RE ALL SCARED OF SOMETHING. 78 00:04:42,133 --> 00:04:43,767 YOU WENT TO A SHRINK? WHY? (laughs) 79 00:04:43,767 --> 00:04:46,867 I WILL TELL YOU SOMETIME, WHEN YOU DON'T EXPECT IT. 80 00:04:46,867 --> 00:04:48,533 IT'LL BE MORE INTERESTING THAT WAY. 81 00:04:48,533 --> 00:04:50,266 (chuckles) 82 00:04:50,266 --> 00:04:52,500 WHAT IF I TOLD YOU I'M SCARED OF MYSELF... 83 00:04:52,500 --> 00:04:53,700 WHEN I'M WITH YOU? 84 00:04:53,700 --> 00:04:56,500 TELL ME SOMETHING I DON'T KNOW. 85 00:04:57,734 --> 00:05:00,166 (lowered voice) SO HAVE I TOLD YOU 86 00:05:00,166 --> 00:05:02,700 HOW MUCH I LOVE YOUR COCK INSIDE OF ME? 87 00:05:02,700 --> 00:05:04,767 (moans) 88 00:05:06,667 --> 00:05:09,166 I DON'T KNOW WHETHER TO SAY THANKS 89 00:05:09,166 --> 00:05:10,934 OR TO FEEL SEXUALLY EXPLOITED. 90 00:05:10,934 --> 00:05:13,266 (chuckles) THANKS. 91 00:05:19,333 --> 00:05:21,800 WHAT ABOUT YOU? 92 00:05:21,800 --> 00:05:24,266 WHAT ARE YOU SCARED OF? 93 00:05:24,266 --> 00:05:26,667 I DON'T KNOW. CONTROL, I GUESS. 94 00:05:26,667 --> 00:05:28,400 LOSING IT OR HAVING TOO MUCH? 95 00:05:28,400 --> 00:05:30,800 (laughs) THEY'RE THE SAME THING, AREN'T THEY? 96 00:05:33,867 --> 00:05:35,300 NO. NO. 97 00:05:35,300 --> 00:05:37,767 NO. NO. NO. 98 00:05:40,900 --> 00:05:43,367 KIMBERLY IS WEARING OUR FRENCH BRA AND PANTIES, 99 00:05:43,367 --> 00:05:47,133 MADE FROM A DELICIOUS, ABSORBENT COTTON/SILK BLEND. 100 00:05:47,133 --> 00:05:50,266 MY GOD, MICHAEL. THIS IS BEYOND AROUSING. 101 00:05:50,266 --> 00:05:53,367 RANDOM HOTTIES SPILLING OUT INTO OUR CORRIDOR. 102 00:05:53,367 --> 00:05:57,133 MY DICK IS FIGHTING TO GET OUT LIKE SOME CRAZED RODEO ANIMAL. 103 00:05:57,133 --> 00:06:00,533 QUIET. ALANA'S AN IMPORTANT CLIENT. 104 00:06:00,533 --> 00:06:02,600 DON'T DO ANYTHING STUPID. RIGHT. 105 00:06:04,400 --> 00:06:07,266 HOW ABSORBENT DO YOU SUPPOSE THAT COTTON IS? 106 00:06:07,266 --> 00:06:10,834 DO YOU THINK I COULD USE IT TO MAKE A LITTLE CUP OF TEA? 107 00:06:10,834 --> 00:06:12,300 DOWN, BOY. 108 00:06:12,300 --> 00:06:13,734 AND ROXIE IS WEARING 109 00:06:13,734 --> 00:06:16,600 OUR LATEST DESIGN FROM THE VULNERABLE COLLECTION. 110 00:06:16,600 --> 00:06:18,133 IT'S SO SHEER. 111 00:06:18,133 --> 00:06:19,734 IT'S LIKE BEING NAKED. 112 00:06:19,734 --> 00:06:21,533 (Luther) MARVELOUS. 113 00:06:21,533 --> 00:06:24,266 YOU CAN NEVER OVERDO NAKED. THAT'S MY MOTTO. 114 00:06:25,500 --> 00:06:29,233 WHAT'S YOUR GUESS? QUIET. 115 00:06:29,233 --> 00:06:32,300 WHAT'S GOING ON UNDERNEATH ALANA'S POWER SUIT? 116 00:06:32,300 --> 00:06:36,200 WINTERIZED OR TERRA SHAVE-A? 117 00:06:36,200 --> 00:06:39,800 ♪ 118 00:06:44,567 --> 00:06:46,800 (whip cracking) WHOO! 119 00:06:46,800 --> 00:06:50,166 RIDE 'EM, COWGIRL! WHOO! (laughs) 120 00:06:50,166 --> 00:06:52,166 OH, YES! FASTER! HARDER! 121 00:06:52,166 --> 00:06:53,834 (laughs) (laughs) 122 00:06:53,834 --> 00:06:56,500 WHOO! OH, MY GOD! 123 00:06:56,500 --> 00:06:58,567 OH, YES. 124 00:07:00,266 --> 00:07:03,600 HMM. A FABULOUS COLLECTION, ALANA. 125 00:07:03,600 --> 00:07:06,467 THE STATE-OF-THE-ART FACTORY YOU OPENED UP IN THAILAND 126 00:07:06,467 --> 00:07:08,166 IS TURNING UP TOP-NOTCH WORK. 127 00:07:08,166 --> 00:07:09,667 AND WITH THE NEW FACILITY IN TAIWAN, 128 00:07:09,667 --> 00:07:12,400 WE MAKE THEM FOR LESS AND SHIP DIRECTLY. 129 00:07:12,400 --> 00:07:14,900 PROFITS DOUBLED. WELL, HOW ABOUT 130 00:07:14,900 --> 00:07:16,633 THE WARNING YOU RECEIVED FROM THE HUMAN RIGHTS COMMISSION? 131 00:07:16,633 --> 00:07:19,300 IT'S A STICKUP. EXTORTION. TELL THEM. 132 00:07:19,300 --> 00:07:21,166 THE REPORT THEY'RE ABOUT TO RELEASE 133 00:07:21,166 --> 00:07:22,834 SAYS YOUR DYES MAY BE TOXIC 134 00:07:22,834 --> 00:07:25,433 AND THERE COULD BE SOME LABOR EXPLOITATION CHARGES. 135 00:07:25,433 --> 00:07:27,567 MICHAEL, I NEED A WORD WITH YOU. 136 00:07:30,734 --> 00:07:33,367 (Arthur) WHAT ARE YOU DOING OUT THERE? 137 00:07:33,367 --> 00:07:35,333 THIS DEAL IS WORTH MILLIONS TO THE FIRM. 138 00:07:35,333 --> 00:07:37,233 I'M TRYING TO HAVE A CONSCIENCE, ARTHUR. 139 00:07:37,233 --> 00:07:39,166 CAN THIS LAW FIRM AFFORD TO HAVE A CONSCIENCE? 140 00:07:39,166 --> 00:07:41,800 CONSCIENCE IS A SUBJECTIVE TERM HERE. 141 00:07:41,800 --> 00:07:44,367 WELL, SO IS HYPOCRISY. YOU'RE BEING RIDICULOUS. 142 00:07:44,367 --> 00:07:45,834 THE LOCALS ARE GETTING JOBS THEY NEVER WOULD'VE HAD 143 00:07:45,834 --> 00:07:47,633 IF ALANA HADN'T BUILT THE FACTORY THERE. 144 00:07:47,633 --> 00:07:50,166 NOT TO MENTION ASTHMATIC WORKING CONDITIONS AND SLAVE WAGES. 145 00:07:50,166 --> 00:07:51,467 THE WORLD ISN'T PERFECT. 146 00:07:51,467 --> 00:07:54,567 NEITHER IS ALANA FISHER. 147 00:07:54,567 --> 00:07:56,300 WE CAN'T REPRESENT SOMEONE 148 00:07:56,300 --> 00:07:58,800 WHO'S SUBJECTING WORKERS TO THOSE CONDITIONS. 149 00:07:58,800 --> 00:08:01,233 WHAT ARE YOU SUGGESTING? 150 00:08:01,233 --> 00:08:02,700 WE DROP HER AS A CLIENT. 151 00:08:02,700 --> 00:08:05,433 NO, WE'RE NOT DOING THAT. 152 00:08:05,433 --> 00:08:07,367 EITHER SHE GOES OR I DO. 153 00:08:07,367 --> 00:08:09,600 WELL, SHE ISN'T GOING, AND NEITHER ARE YOU. 154 00:08:09,600 --> 00:08:11,500 REALLY? 155 00:08:11,500 --> 00:08:12,867 WATCH. 156 00:08:19,633 --> 00:08:21,200 YOU ALL RIGHT, ARTHUR? 157 00:08:21,200 --> 00:08:23,333 HE JUST QUIT. 158 00:08:23,333 --> 00:08:25,834 FIX IT. 159 00:08:31,533 --> 00:08:33,300 (knocks on doorframe) 160 00:08:33,300 --> 00:08:35,500 MICHAEL, I WISH I HAD YOUR ETHICS. 161 00:08:35,500 --> 00:08:36,834 YOU WISH YOU HAD ANYONE'S ETHICS. 162 00:08:36,834 --> 00:08:39,300 POINT TAKEN. BUT DON'T FORGET. 163 00:08:39,300 --> 00:08:42,867 A LAWYER WITH TOO MUCH CONSCIENCE CAN'T DO HIS JOB. 164 00:08:42,867 --> 00:08:44,700 (object thuds) 165 00:08:44,700 --> 00:08:46,233 WHERE'D YOU GRADUATE FROM, THE DICK CHENEY LAW SCHOOL? 166 00:08:46,233 --> 00:08:49,233 OH, MICHAEL. BE PRACTICAL. 167 00:08:49,233 --> 00:08:51,867 DON'T WORK ON THE ACCOUNT, BUT DON'T QUIT. 168 00:08:51,867 --> 00:08:54,166 PASS. 169 00:08:54,166 --> 00:08:56,600 WHAT'S REALLY EATING YOU? 170 00:08:56,600 --> 00:08:58,166 ME. 171 00:09:02,667 --> 00:09:05,700 IGNORING YOUR INSTINCTS IS A BIG MISTAKE. 172 00:09:05,700 --> 00:09:09,633 WE ALL HAVE THAT VOICE INSIDE US THAT ONLY WE CAN HEAR-- 173 00:09:09,633 --> 00:09:12,600 THE ONE THAT'S INCAPABLE OF BULLSHIT. 174 00:09:12,600 --> 00:09:15,734 EVEN IF WE IGNORE IT, IT WAITS UNTIL WE'RE SLEEPING. 175 00:09:15,734 --> 00:09:17,700 (chuckles) WE CALL IT 'EM DREAMS. 176 00:09:17,700 --> 00:09:19,600 THEY'RE ACTUALLY MEMOS FROM OUR UNCONSCIOUS 177 00:09:19,600 --> 00:09:22,367 TRYING TO SAVE OUR STUPID ASS. 178 00:09:22,367 --> 00:09:24,467 I WORKED HARD TO MAKE MY MARRIAGE WORK 179 00:09:24,467 --> 00:09:28,233 WITH MY THIRD HUSBAND, TAYLOR. 180 00:09:28,233 --> 00:09:30,633 THE VOICE KNEW TAYLOR LIKED MEN, 181 00:09:30,633 --> 00:09:33,166 EVEN THOUGH I DENIED IT. 182 00:09:33,166 --> 00:09:35,433 WELL, THE VOICE WAS RIGHT, 183 00:09:35,433 --> 00:09:37,166 AND I FINALLY BELIEVED IT. 184 00:09:37,166 --> 00:09:41,567 AND TAYLOR RAN OFF WITH AN ACROBAT FROM BLUE MAN GROUP. 185 00:09:41,567 --> 00:09:44,800 THEY SAY WHAT DRAWS TWO PEOPLE TOGETHER IS... 186 00:09:44,800 --> 00:09:47,133 IS ALWAYS WHAT PUSHES THEM APART. 187 00:09:47,133 --> 00:09:50,200 ♪ 188 00:09:50,200 --> 00:09:51,567 (sighs) 189 00:09:51,567 --> 00:09:53,233 OH, THAT TURNED OUT GOOD. 190 00:09:53,233 --> 00:09:54,734 THANK YOU, MARIO BATALI. 191 00:09:54,734 --> 00:09:57,533 (chuckles) PHENOMENAL. THANK YOU... 192 00:09:57,533 --> 00:10:00,433 FOR COMING OVER AND MAKING DINNER. 193 00:10:00,433 --> 00:10:02,500 OH, AND I HAVE SOMETHING 194 00:10:02,500 --> 00:10:04,667 FOR YOU. 195 00:10:06,767 --> 00:10:09,133 HAPPY THIRD ANNIVERSARY. 196 00:10:14,567 --> 00:10:16,133 (exhales deeply) 197 00:10:20,667 --> 00:10:22,333 I CAN'T ACCEPT THIS. 198 00:10:22,333 --> 00:10:24,133 AH. 199 00:10:26,300 --> 00:10:29,166 (sighs deeply) 200 00:10:41,667 --> 00:10:45,467 ♪ 201 00:11:04,500 --> 00:11:06,233 WHAT, YOU TELL ME IN A CARD? 202 00:11:06,233 --> 00:11:09,300 YOU DIDN'T EVEN HAVE THE DECENCY TO TEXT ME? 203 00:11:09,300 --> 00:11:13,400 I'M NOT GOOD AT THIS, MICHAEL. 204 00:11:13,400 --> 00:11:14,934 THIS HAS BEEN TORTURING ME. 205 00:11:14,934 --> 00:11:17,300 WELL, YOU COULD'VE FOOLED ME. IN FACT, YOU DID. 206 00:11:17,300 --> 00:11:20,834 I DIDN'T SEE THIS COMING. 207 00:11:20,834 --> 00:11:25,166 CASEY IS THAT SINGER THAT I MET AT THE CONFERENCE IN DENVER. 208 00:11:25,166 --> 00:11:26,600 CONFERENCE? THE ONE WHO GAVE ME "THE SECRET." 209 00:11:26,600 --> 00:11:28,867 WAIT. WHOA, WHOA, WHOA. THE--"THE SECRET"? 210 00:11:28,867 --> 00:11:31,367 THAT STUPID BOOK ABOUT HOW WE CREATE OUR OWN FATE? 211 00:11:31,367 --> 00:11:32,734 AND WHO IS THIS CASEY? 212 00:11:32,734 --> 00:11:34,767 I'VE MENTIONED CASEY SEVERAL TIMES. 213 00:11:34,767 --> 00:11:36,600 YOU JUST WEREN'T LISTENING, 214 00:11:36,600 --> 00:11:37,900 LIKE ALWAYS. 215 00:11:37,900 --> 00:11:40,133 (scoffs) 216 00:11:40,133 --> 00:11:41,767 I KNEW YOU'D TAKE THIS BADLY. 217 00:11:41,767 --> 00:11:43,734 NO. NO, NO, NO. NOT AT ALL. 218 00:11:43,734 --> 00:11:45,867 REJECTION, REPRISAL-- WHAT A PERFECT EVENING. 219 00:11:45,867 --> 00:11:48,233 DID YOU POISON MY FOOD, TOO? 220 00:11:48,233 --> 00:11:49,767 I'M NOT LEAVING YOU FOR CASEY. 221 00:11:51,266 --> 00:11:53,767 I'M LEAVING YOU FOR MYSELF. 222 00:11:53,767 --> 00:11:57,500 WELL, I HOPE YOU AND YOURSELF ARE VERY HAPPY. 223 00:11:57,500 --> 00:11:59,567 (sighs) 224 00:12:01,500 --> 00:12:03,400 MICHAEL, I'VE SPENT A LIFETIME 225 00:12:03,400 --> 00:12:05,500 COMPROMISING FOR THE MEN IN MY LIFE, 226 00:12:05,500 --> 00:12:07,266 STARTING WITH MY DAD. 227 00:12:07,266 --> 00:12:09,934 CASEY DOESN'T REQUIRE THAT. 228 00:12:09,934 --> 00:12:11,633 SHE'S AN ARTIST. 229 00:12:11,633 --> 00:12:14,834 SHE'S--SHE'S NOT SO CEREBRAL LIKE YOU AND DAD. 230 00:12:14,834 --> 00:12:16,600 I'VE HAD TOO MUCH OF THAT IN MY LIFE. 231 00:12:16,600 --> 00:12:18,166 WHOA, WHOA, WHOA. 232 00:12:18,166 --> 00:12:20,800 UH, DID YOU SAY "SHE?" AS IN VAGINA? 233 00:12:20,800 --> 00:12:23,233 (sighs) SHE SAID YOU'D SAY SOMETHING LIKE THAT. 234 00:12:23,233 --> 00:12:24,433 WELL, IT'S FATE. 235 00:12:24,433 --> 00:12:26,633 SHE PROBABLY READ "THE SECRET." 236 00:12:26,633 --> 00:12:30,433 OKAY, THE POINT IS THAT GENDER DOESN'T ENTER INTO THIS. 237 00:12:30,433 --> 00:12:32,200 I GUESS SHE WON'T EITHER. 238 00:12:32,200 --> 00:12:35,467 OKAY, STOP IT. MY RELATIONSHIP WITH CASEY IS NOT SEXUAL, OKAY? 239 00:12:35,467 --> 00:12:37,433 WE ARE NOT LESBIANS. 240 00:12:37,433 --> 00:12:41,500 WE ARE TWO WOMEN WHO SHARE A VERY DEEP EMOTIONAL BOND. 241 00:12:41,500 --> 00:12:44,266 OH, SURE. I GET IT. IT'S LIKE MICK JAGGER AND KEITH RICHARDS. 242 00:12:44,266 --> 00:12:47,367 I'M SORRY FOR HURTING YOU, MICHAEL. 243 00:12:47,367 --> 00:12:49,500 I THINK YOU SHOULD KNOW 244 00:12:49,500 --> 00:12:52,900 THAT CASEY AND I ARE LEAVING FOR KAUAI TOMORROW. 245 00:12:55,633 --> 00:12:57,834 KAUAI? 246 00:13:03,266 --> 00:13:05,467 THAT'S A TERRIBLE IDEA. 247 00:13:07,233 --> 00:13:09,367 (bottle and glass clink) 248 00:13:09,367 --> 00:13:10,734 MM. 249 00:13:12,166 --> 00:13:13,667 (glass clatters) 250 00:13:13,667 --> 00:13:15,600 WAIT, ISN'T KAUAI WHERE WE FIRST VACATIONED? 251 00:13:15,600 --> 00:13:19,100 OR AM I JUST SPIRALING INTO SENTIMENTAL TRAGEDY? 252 00:13:19,100 --> 00:13:20,700 MICHAEL, YOU ARE PRICELESS TO ME. 253 00:13:20,700 --> 00:13:22,233 DON'T YOU KNOW THAT? 254 00:13:22,233 --> 00:13:23,767 NO, NOT REALLY. 255 00:13:23,767 --> 00:13:25,233 SOME PART OF YOU MUST BE RELIEVED. 256 00:13:25,233 --> 00:13:26,633 WHICH PART DID YOU HAVE IN MIND? 257 00:13:26,633 --> 00:13:28,367 WE BOTH KNOW 258 00:13:28,367 --> 00:13:30,700 THAT OUR HEARTS HAVEN'T BEEN INTO THIS RELATIONSHIP 259 00:13:30,700 --> 00:13:32,200 FOR QUITE A WHILE. 260 00:13:35,734 --> 00:13:39,166 YOU'RE RIGHT. 261 00:13:39,166 --> 00:13:40,867 WE HAVE NEVER BEEN TRULY INTIMATE. 262 00:13:42,467 --> 00:13:45,867 BUT THAT'S WHAT MADE US COMPATIBLE. 263 00:13:45,867 --> 00:13:47,400 SEE? 264 00:13:47,400 --> 00:13:49,300 WE DO CREATE OUR OWN FATE. 265 00:13:51,367 --> 00:13:53,667 WE DON'T KNOW. WE THINK WE DO, BUT WE DON'T, 266 00:13:53,667 --> 00:13:57,667 AND THAT IS WHAT MAKES LIFE SO MYSTERIOUS. 267 00:13:57,667 --> 00:14:00,467 WHAT WE CAN'T QUITE TOUCH 268 00:14:00,467 --> 00:14:03,600 IS WHAT ALWAYS TOUCHES US MOST DEEPLY. 269 00:14:03,600 --> 00:14:06,533 THIS IS SOMETHING THAT I WROTE 270 00:14:06,533 --> 00:14:08,800 FOR A NEW FRIEND OF MINE, 271 00:14:08,800 --> 00:14:11,834 AND IT'S CALLED "TOUCH." 272 00:14:11,834 --> 00:14:15,567 ♪ 273 00:14:21,333 --> 00:14:24,367 ♪ 274 00:14:24,367 --> 00:14:27,166 YOU'RE WRONG, OKAY? 275 00:14:27,166 --> 00:14:29,467 SHE DIDN'T DUMP ME FOR SOME POETIC DYKE. 276 00:14:29,467 --> 00:14:31,734 SHE'LL BE BACK. 277 00:14:31,734 --> 00:14:33,533 SHE'LL DO WHAT SHE HAS TO DO, 278 00:14:33,533 --> 00:14:37,133 AND SHE'LL BE BACK, AND WE'LL SEE WHERE WE STAND. 279 00:14:37,133 --> 00:14:39,433 OKAY, CAN I TELL YOU WHERE YOU'RE GONNA BE STANDING? 280 00:14:39,433 --> 00:14:41,633 OVER HER AND HER NEW GIRLFRIEND, 281 00:14:41,633 --> 00:14:44,467 WATCHING THEM USE EACH OTHER AS TONGUE DEPRESSORS. JEEZ. 282 00:14:44,467 --> 00:14:46,700 TAKE EVERYTHING RIGHT INTO THE BASEMENT, WHY DON'T YOU? 283 00:14:46,700 --> 00:14:48,834 OH, I'M SORRY. DID I OFFEND YOU, ST. THOMAS AQUINAS? 284 00:14:48,834 --> 00:14:51,633 (groans) OH, EXCUSE ME, 285 00:14:51,633 --> 00:14:53,767 BUT, UH, WEREN'T YOU THE ONE WHO WAS BANGING THE COP 286 00:14:53,767 --> 00:14:56,600 WHILE STILL ENGAGED, TECHNICALLY, TO JOCELYN? 287 00:14:56,600 --> 00:14:58,467 I MEAN, COME ON. 288 00:14:58,467 --> 00:14:59,667 DID YOU REALLY THINK YOU WERE GONNA GET AWAY WITH THAT SHIT? 289 00:14:59,667 --> 00:15:02,333 I DID. YOU'RE DELUSIONAL. 290 00:15:02,333 --> 00:15:04,367 SHE LET YOU THINK YOU WERE GETTING AWAY WITH IT. 291 00:15:04,367 --> 00:15:05,567 IT'S A GIRL TRICK. 292 00:15:05,567 --> 00:15:08,166 YOU REALLY THINK SHE KNEW? 293 00:15:08,166 --> 00:15:10,367 OKAY. LET ME TAKE A WILD GUESS HERE. LET'S SEE. 294 00:15:10,367 --> 00:15:14,567 UH, AFTER JOCELYN FINISHED WORKING YOU OVER, 295 00:15:14,567 --> 00:15:16,433 YOU WENT TO SEE THE COP 296 00:15:16,433 --> 00:15:19,200 'CAUSE YOU WERE FEELING SO TRAGIC. 297 00:15:19,200 --> 00:15:21,667 (grunts) (knock on door) 298 00:15:21,667 --> 00:15:22,867 COME IN. 299 00:15:22,867 --> 00:15:25,233 (door opens) 300 00:15:25,233 --> 00:15:26,734 (door closes) HEY. 301 00:15:26,734 --> 00:15:29,433 WHAT'S GOING ON? 302 00:15:29,433 --> 00:15:32,133 YOU NAME IT. 303 00:15:32,133 --> 00:15:33,734 YOU DON'T LOOK SO HOT. 304 00:15:33,734 --> 00:15:36,300 WELL, I'M A MAN WITHOUT A COUNTRY. 305 00:15:36,300 --> 00:15:37,867 I QUIT MY JOB TODAY. 306 00:15:37,867 --> 00:15:41,133 WELCOME TO THE HUMAN RACE! 307 00:15:41,133 --> 00:15:42,867 YOU THINK I'LL BE ACCEPTED? 308 00:15:42,867 --> 00:15:45,266 OH. 309 00:15:45,266 --> 00:15:47,166 MM. 310 00:15:47,166 --> 00:15:48,500 WHAT'S THAT FOR? 311 00:15:48,500 --> 00:15:50,500 FOR COMING TO ME. 312 00:15:50,500 --> 00:15:51,867 (chuckles) 313 00:15:57,300 --> 00:16:01,567 (moaning and gasping) 314 00:16:15,333 --> 00:16:19,133 (both panting) 315 00:16:32,200 --> 00:16:35,367 (moaning) OH, MY GOD! 316 00:16:35,367 --> 00:16:38,133 OH! OH, MY GOD! 317 00:16:38,133 --> 00:16:40,133 OH, BABY! OH! 318 00:16:40,133 --> 00:16:41,400 OH, MY GOD. 319 00:16:45,266 --> 00:16:47,166 (moans) 320 00:16:52,700 --> 00:16:55,300 (gasps) 321 00:16:55,300 --> 00:16:58,400 OH! (laughs) 322 00:16:58,400 --> 00:16:59,667 (laughs) 323 00:16:59,667 --> 00:17:01,367 WHAT? 324 00:17:01,367 --> 00:17:02,800 I WAS WRONG. 325 00:17:02,800 --> 00:17:06,200 YOU'RE NOT AFRAID OF HEIGHTS. 326 00:17:10,900 --> 00:17:13,400 (man on TV speaks indistinctly) 327 00:17:13,400 --> 00:17:18,166 (changes channel) (football announcers speaking indistinctly) 328 00:17:18,166 --> 00:17:20,567 (knock on door) 329 00:17:27,767 --> 00:17:30,367 YOU LOOK... (speaks indistinctly) 330 00:17:31,633 --> 00:17:33,233 I LIKE THAT. 331 00:17:33,233 --> 00:17:36,133 ALANA, WHAT ARE YOU DOING? CELEBRATING VICTORY. 332 00:17:36,133 --> 00:17:37,400 WHOSE? 333 00:17:37,400 --> 00:17:39,567 YOURS... MEANING MINE. 334 00:17:39,567 --> 00:17:41,233 WHAT DID WE WIN? 335 00:17:41,233 --> 00:17:42,834 DIGNITY. 336 00:17:42,834 --> 00:17:45,367 WHEN I HEARD THAT YOU QUIT BECAUSE OF YOUR CONSCIENCE, 337 00:17:45,367 --> 00:17:46,734 I WAS FLOORED. 338 00:17:46,734 --> 00:17:48,867 YOU HELPED ME TO SEE WHAT I WAS DOING. 339 00:17:48,867 --> 00:17:51,166 YEAH, EXPLOITING THE SHIT OUT OF THOSE PEOPLE. 340 00:17:51,166 --> 00:17:52,834 MM, PRETTY MUCH. 341 00:17:52,834 --> 00:17:55,667 SO I'M BUILDING A SCHOOL AND A HOSPITAL AT THE FACTORY. 342 00:17:55,667 --> 00:17:56,900 I'M PROUD OF YOU. 343 00:17:56,900 --> 00:17:58,333 I'M PROUD OF ME. 344 00:17:58,333 --> 00:18:01,667 NOW POP THE DOM. I NEED TO PEE. 345 00:18:14,533 --> 00:18:16,066 ALL SET. 346 00:18:16,066 --> 00:18:19,266 ME, TOO. 347 00:18:24,767 --> 00:18:27,200 NOW... 348 00:18:27,200 --> 00:18:29,500 FOR THE REAL... 349 00:18:29,500 --> 00:18:31,266 CELEBRATION. 350 00:18:31,266 --> 00:18:32,834 NO. NO! 351 00:18:32,834 --> 00:18:35,166 FUCKER! THAT'S MY CHAMPAGNE! 352 00:18:35,166 --> 00:18:37,166 (door closes) 353 00:18:37,166 --> 00:18:38,767 THAT WAS THE FINAL STRAW. 354 00:18:38,767 --> 00:18:41,300 I DRANK THE ENTIRE BOTTLE OF CHAMPAGNE ON THE WAY OUT HERE. 355 00:18:41,300 --> 00:18:44,233 YOU KNOW, I DON'T GET IT-- YOU. 356 00:18:44,233 --> 00:18:47,133 I MEAN, WHAT ARE ALL THESE CHICKS SEEING THAT I'M NOT? 357 00:18:47,133 --> 00:18:48,433 THAT'S A GOOD QUESTION. 358 00:18:48,433 --> 00:18:49,667 MM. 359 00:18:49,667 --> 00:18:51,200 (laughs) REALLY? 360 00:18:51,200 --> 00:18:52,633 AGAIN? 361 00:18:54,333 --> 00:18:55,600 OKAY. 362 00:18:55,600 --> 00:18:59,767 ♪ 363 00:18:59,767 --> 00:19:03,734 MM, MISTER, I THINK YOU MIGHT NEED TO GO HOME. 364 00:19:03,734 --> 00:19:05,333 I'M NEVER GOING HOME. 365 00:19:05,333 --> 00:19:06,533 (laughs) 366 00:19:06,533 --> 00:19:08,333 I'M STARTING OVER. MM-HMM. 367 00:19:08,333 --> 00:19:11,567 FROM HERE ON IN, I LIVE ANONYMOUSLY. 368 00:19:11,567 --> 00:19:13,567 (Michael) MM. (chuckles) 369 00:19:13,567 --> 00:19:15,133 (singsongy) NO ONE KNOWS WHERE I AM. 370 00:19:15,133 --> 00:19:16,600 (both laugh) WHAT ARE YOU DOING HERE? 371 00:19:16,600 --> 00:19:18,800 AND DON'T SAY "DANCING." 372 00:19:18,800 --> 00:19:20,233 THIS MUST BE LIZ. 373 00:19:20,233 --> 00:19:22,633 (normal voice) LIZ! SAY HELLO TO GRETA. 374 00:19:22,633 --> 00:19:24,767 HEY, GRETA. HAS HE BEEN A BAD BOY? 375 00:19:24,767 --> 00:19:26,467 NO SUCH LUCK. 376 00:19:26,467 --> 00:19:28,867 I'M GONNA TAKE HIM OFF YOUR HANDS NOW. 377 00:19:28,867 --> 00:19:31,266 COME ON, MICHAEL. LET'S GO WALKING. 378 00:19:31,266 --> 00:19:33,867 (groans) MWAH. HOW DID YOU FIND ME? 379 00:19:33,867 --> 00:19:36,633 I'M A COP-- THE ORIGINAL GOOGLER. 380 00:19:36,633 --> 00:19:38,367 YOU'RE SCARIER THAN SHIT. 381 00:19:38,367 --> 00:19:39,667 YOU KNOW WHERE I AM WHEN I DON'T. 382 00:19:39,667 --> 00:19:42,266 (chuckles) I GOTTA GO. SHE FOUND ME. 383 00:19:42,266 --> 00:19:45,467 I'VE BEEN WAITING MY WHOLE LIFE FOR SOMEONE TO DO THAT. 384 00:19:45,467 --> 00:19:48,200 HEY, THANKS FOR BEING MY FRIEND. 385 00:19:48,200 --> 00:19:51,233 YOU WERE THERE THROUGH THICK AND THIN, THE DARTS, 386 00:19:51,233 --> 00:19:52,467 BAD DANCING. 387 00:19:52,467 --> 00:19:53,834 ANY TIME. 388 00:19:53,834 --> 00:19:56,533 WAIT, NO. HEY, HEY, WAIT. CHECK THIS OUT. 389 00:19:56,533 --> 00:19:57,867 YOU TAKE GRETA, AND YOU CHANGE THE LETTERS AROUND, 390 00:19:57,867 --> 00:19:59,400 YOU GET "GREAT." 391 00:19:59,400 --> 00:20:01,667 COINCIDENCE? 392 00:20:01,667 --> 00:20:03,333 MAYBE. 393 00:20:03,333 --> 00:20:05,333 I'LL SEE YA LATER, BIG GUY. 394 00:20:05,333 --> 00:20:06,734 COME ON. LET'S GO. 395 00:20:12,533 --> 00:20:14,233 WHERE THE HELL ARE WE? 396 00:20:14,233 --> 00:20:15,800 CATALINA. 397 00:20:15,800 --> 00:20:17,633 CATALINA? (chuckles) 398 00:20:17,633 --> 00:20:20,767 THAT'S OUTRAGEOUS. WHAT WOULD I BE DOING IN CATALINA? 399 00:20:20,767 --> 00:20:22,433 TELL ME WHAT HAPPENED, MICHAEL. 400 00:20:22,433 --> 00:20:24,467 I WANNA KNOW THE TRUTH. DID YOU GET CANNED? 401 00:20:24,467 --> 00:20:27,333 YEAH, BY JOCELYN. 402 00:20:27,333 --> 00:20:29,367 SHE'S MOVING ON. 403 00:20:29,367 --> 00:20:30,867 SHE GOT A GIRLFRIEND. (laughs) 404 00:20:30,867 --> 00:20:33,166 A SINGER/SONGWRITER. 405 00:20:33,166 --> 00:20:34,400 SHE'S A DYKE? 406 00:20:34,400 --> 00:20:35,934 (laughs) (laughs) 407 00:20:35,934 --> 00:20:38,533 PLOT TWIST. WHY DID YOU NOT TELL ME? 408 00:20:38,533 --> 00:20:40,467 AH. (sighs) 409 00:20:40,467 --> 00:20:42,433 I DIDN'T THINK YOU WANTED TO HEAR ABOUT MY STUFF WITH HER-- 410 00:20:42,433 --> 00:20:43,734 HER FEELINGS AND MY FEELINGS. 411 00:20:43,734 --> 00:20:45,834 AND WITH JOCELYN OUT OF THE PICTURE, 412 00:20:45,834 --> 00:20:47,800 I JUST THOUGHT THAT... 413 00:20:47,800 --> 00:20:50,300 WHAT? I'D FEEL THE PRESSURE TO STEP UP? 414 00:20:50,300 --> 00:20:51,500 MAYBE. 415 00:20:51,500 --> 00:20:53,433 (chuckles) YEAH, I GUESS. 416 00:20:53,433 --> 00:20:56,633 (laughs) I JUST THOUGHT I KNEW HER BETTER. 417 00:20:56,633 --> 00:20:58,166 IT'S COMPLICATED. 418 00:20:58,166 --> 00:20:59,700 OH, NO, IT'S NOT. IT'S SIMPLE. 419 00:20:59,700 --> 00:21:01,433 WELL, YOU JUST SAY THAT 420 00:21:01,433 --> 00:21:03,567 BECAUSE YOU CAN'T SEE HOW COMPLICATED IT IS. 421 00:21:03,567 --> 00:21:05,333 (laughs) 422 00:21:05,333 --> 00:21:06,934 YOU COMPLICATE EVERYTHING, MICHAEL. OH. 423 00:21:06,934 --> 00:21:09,800 YOU OVERTHINK EVERYTHING, AND YOU'RE MISSING THE POINT. 424 00:21:09,800 --> 00:21:11,200 OH, YEAH? WHAT'S THE POINT? 425 00:21:11,200 --> 00:21:12,934 THAT LIFE IS OUT OF CONTROL, 426 00:21:12,934 --> 00:21:14,600 AND PEOPLE LIKE YOU WHO TRY TO CONTROL IT 427 00:21:14,600 --> 00:21:16,700 ARE THE CRAZIEST ONES OF ALL. 428 00:21:16,700 --> 00:21:18,400 WELL, YOU OUGHTA KNOW. 429 00:21:18,400 --> 00:21:20,433 YOU'RE THE MOST CONTROLLING PERSON I EVER MET. 430 00:21:20,433 --> 00:21:23,567 WALKING AROUND WITH YOUR GUN, 431 00:21:23,567 --> 00:21:27,767 USING YOUR SIREN, AND... POKING AT PEOPLE WITH YOUR BATON. 432 00:21:27,767 --> 00:21:30,233 HUNTING DOWN GUYS IN LITTLE OF BARS 433 00:21:30,233 --> 00:21:32,467 WHO WERE PERFECTLY HAPPY. 434 00:21:32,467 --> 00:21:34,300 YOU WILL NEVER BE PERFECTLY HAPPY, MICHAEL, 435 00:21:34,300 --> 00:21:36,233 AND THAT'S ONE OF YOUR BEST QUALITIES. 436 00:21:36,233 --> 00:21:37,767 COME ON. LET'S GO HOME. 437 00:21:37,767 --> 00:21:40,533 NO. CONTROL. SEE THAT? RIGHT THERE. 438 00:21:40,533 --> 00:21:42,300 NO. 439 00:21:42,300 --> 00:21:44,467 ATTICA. 440 00:21:44,467 --> 00:21:47,667 ATTICA! 441 00:21:47,667 --> 00:21:49,667 ATTICA! 442 00:21:49,667 --> 00:21:51,333 ATTICA! 443 00:21:51,333 --> 00:21:54,166 (laughs) ATTICA! 444 00:21:54,166 --> 00:21:56,233 ATTICA! I WILL NOT-- 445 00:21:56,233 --> 00:21:58,300 I WILL NOT BE GOING HOME WITH YOU. 446 00:21:58,300 --> 00:21:59,700 OH. 447 00:21:59,700 --> 00:22:02,333 I CAN GET HOME BY MYSELF, THANK YOU VERY MUCH. 448 00:22:02,333 --> 00:22:04,600 OH. OKAY, THEN. 449 00:22:04,600 --> 00:22:07,767 EXACTLY. OKAY, THEN. ON THAT NOTE... 450 00:22:07,767 --> 00:22:09,767 IT'S ALWAYS-- IT'S ALWAYS GOOD SEEING YOU. 451 00:22:09,767 --> 00:22:11,667 I WILL BE SWIMMING HOME. 452 00:22:11,667 --> 00:22:14,500 GOOD IDEA. TAKE CARE! 453 00:22:14,500 --> 00:22:17,700 OH, I WILL! 454 00:22:17,700 --> 00:22:19,266 SWIM FAST! 455 00:22:22,700 --> 00:22:26,500 ♪ 456 00:22:29,300 --> 00:22:30,700 (panting) 457 00:22:30,700 --> 00:22:33,867 WELL, LOOK WHO'S HERE. HOW WAS YOUR SWIM? 458 00:22:33,867 --> 00:22:36,734 I GOT TO HAWAII, THEN I DECIDED TO COME BACK AND GET YOU. 459 00:22:36,734 --> 00:22:38,433 OH. (chuckles) 460 00:22:38,433 --> 00:22:39,667 YOU COLD? 461 00:22:39,667 --> 00:22:41,633 UH-HUH. (laughs) 462 00:22:41,633 --> 00:22:44,200 LET'S TAKE THIS SHIRT OFF YOU. (grunts) 463 00:22:44,200 --> 00:22:47,166 (panting) 464 00:22:47,166 --> 00:22:48,800 (laughs) 465 00:22:48,800 --> 00:22:50,400 HERE. 466 00:22:50,400 --> 00:22:51,900 AHH. 467 00:22:55,367 --> 00:22:56,900 COME HERE. 468 00:23:05,867 --> 00:23:08,433 IS THAT A... 469 00:23:08,433 --> 00:23:09,667 THAT IS HIM. 470 00:23:09,667 --> 00:23:10,867 OH. YEAH. 471 00:23:10,867 --> 00:23:29,500 GREAT. 31462

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