All language subtitles for Chemistry.S01E07.The.Proposition.1080p.Amazon.WEB-DL.DD+2.0.H.264-QOQ_track3_[eng]

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These are the user uploaded subtitles that are being translated: 1 00:00:15,633 --> 00:00:18,633 ♪♪ 2 00:00:23,734 --> 00:00:26,500 (woman) ♪ WHAT IS THIS THING ♪ 3 00:00:26,500 --> 00:00:30,166 ♪ CALLED LOVE? ♪ 4 00:00:30,166 --> 00:00:32,700 ♪ THIS FUNNY THING ♪ 5 00:00:32,700 --> 00:00:36,300 ♪ CALLED LOVE ♪ 6 00:00:36,300 --> 00:00:38,633 ♪ JUST WHO CAN SOLVE ♪ 7 00:00:38,633 --> 00:00:42,433 ♪ ITS MYSTERY? ♪ 8 00:00:42,433 --> 00:00:45,467 ♪ WHY SHOULD IT MAKE ♪ 9 00:00:45,467 --> 00:00:49,400 ♪ A FOOL OF ME? ♪ 10 00:00:49,400 --> 00:00:51,500 ♪ I SAW YOU THERE ♪ 11 00:00:51,500 --> 00:00:55,500 ♪ THAT WONDERFUL DAY ♪ 12 00:00:55,500 --> 00:00:57,533 ♪ YOU TOOK MY LOVE ♪ 13 00:00:57,533 --> 00:01:01,233 ♪ AND THREW IT AWAY ♪ 14 00:01:01,233 --> 00:01:04,200 ♪ AND SO I ASK THE LORD ♪ 15 00:01:04,200 --> 00:01:07,600 ♪ IN HEAVEN ABOVE ♪ 16 00:01:07,600 --> 00:01:10,600 ♪ WHAT IS THIS THING ♪ 17 00:01:10,600 --> 00:01:15,767 ♪ CALLED LOVE? ♪ 18 00:01:17,100 --> 00:01:22,333 ♪ CALLED LOVE ♪ 19 00:01:28,834 --> 00:01:32,500 ♪♪ 20 00:01:54,233 --> 00:01:56,600 MM. MM. 21 00:01:56,600 --> 00:01:58,166 MM. 22 00:01:58,166 --> 00:01:59,367 HEY. 23 00:01:59,367 --> 00:02:01,200 (chuckles) 24 00:02:01,200 --> 00:02:03,667 MY ASS HAS BEEN COMPARED TO A HILLOCK IN UMBRIA 25 00:02:03,667 --> 00:02:05,133 ON A SUMMER EVENING. 26 00:02:05,133 --> 00:02:06,700 (chuckles) 27 00:02:06,700 --> 00:02:10,333 WHOEVER TOLD YOU THAT WANTED TO FUCK YOU IN THE ASS. 28 00:02:10,333 --> 00:02:12,467 EVERYBODY DOES. I'M A LAWYER. 29 00:02:12,467 --> 00:02:14,700 MM. MM. 30 00:02:14,700 --> 00:02:16,633 MM. 31 00:02:16,633 --> 00:02:18,834 HMM. 32 00:02:18,834 --> 00:02:20,600 HEY. (laughs) 33 00:02:20,600 --> 00:02:22,467 ACCIDENT. 34 00:02:22,467 --> 00:02:23,834 (laughs) 35 00:02:23,834 --> 00:02:26,133 THE BUDDHISTS SAY THERE ARE NO ACCIDENTS, 36 00:02:26,133 --> 00:02:28,433 ASIDE FROM THOSE ORANGE MUUMUUS THEY WEAR. 37 00:02:28,433 --> 00:02:31,133 MM. 38 00:02:31,133 --> 00:02:32,767 HMM. 39 00:02:32,767 --> 00:02:36,166 WHAT? YOU KNOW YOU HAVE REALLY FANTASTIC FEATURES? 40 00:02:36,166 --> 00:02:38,667 I THINK... 41 00:02:38,667 --> 00:02:40,133 YOU COULD HANDLE... 42 00:02:40,133 --> 00:02:41,333 A MOUSTACHE. 43 00:02:41,333 --> 00:02:42,567 (giggles) 44 00:02:42,567 --> 00:02:43,800 (laughs) 45 00:02:43,800 --> 00:02:45,367 (laughs) 46 00:02:45,367 --> 00:02:46,834 I LIKE IT. 47 00:02:46,834 --> 00:02:48,633 DOES THAT TURN YOU ON? 48 00:02:48,633 --> 00:02:50,133 MM. 49 00:02:50,133 --> 00:02:52,133 DO YOU WANT TO BE WITH A GUY? 50 00:02:52,133 --> 00:02:54,433 (groans) HMM? 51 00:02:54,433 --> 00:02:56,133 (both moan) 52 00:02:56,133 --> 00:02:59,633 (both panting) 53 00:03:01,100 --> 00:03:03,700 OH. (laughs) 54 00:03:03,700 --> 00:03:05,500 MM. 55 00:03:11,433 --> 00:03:13,133 (gasps) 56 00:03:13,133 --> 00:03:14,567 (moans) 57 00:03:14,567 --> 00:03:16,400 OH. 58 00:03:16,400 --> 00:03:18,166 (grunts) 59 00:03:18,166 --> 00:03:19,533 (pants) 60 00:03:19,533 --> 00:03:21,266 (moans) 61 00:03:21,266 --> 00:03:23,767 OH! (pants) 62 00:03:23,767 --> 00:03:25,166 (grunts) 63 00:03:25,166 --> 00:03:27,367 (pants) 64 00:03:27,367 --> 00:03:28,567 OH. 65 00:03:28,567 --> 00:03:29,834 MM. (kisses) 66 00:03:29,834 --> 00:03:31,700 OH. OH, MY G-- (gasps) 67 00:03:31,700 --> 00:03:34,233 (moaning) 68 00:03:34,233 --> 00:03:35,433 OHH! 69 00:03:35,433 --> 00:03:37,333 (moaning) 70 00:03:37,333 --> 00:03:38,567 (pants) 71 00:03:38,567 --> 00:03:40,333 (groans) 72 00:03:40,333 --> 00:03:42,166 (exhales) 73 00:03:42,166 --> 00:03:45,500 COME HERE OFTEN, MISTER? 74 00:03:45,500 --> 00:03:47,667 (laughs) I WILL NOW. 75 00:03:47,667 --> 00:03:49,066 (laughs) 76 00:03:49,066 --> 00:03:51,600 MM. 77 00:03:54,133 --> 00:03:55,700 HMM. 78 00:03:57,867 --> 00:04:00,100 SOMETHING I THREW TOGETHER. 79 00:04:00,100 --> 00:04:03,400 IT'S MY FAVORITE. YEAH, IT'S VERY BOLD. 80 00:04:03,400 --> 00:04:05,734 I'VE SEEN BRUSH STROKES LIKE THAT IN... 81 00:04:05,734 --> 00:04:07,200 FISCHL. 82 00:04:07,200 --> 00:04:08,767 (chuckles) FISCHL? 83 00:04:08,767 --> 00:04:10,834 (laughs) GET OUTTA HERE. 84 00:04:10,834 --> 00:04:13,567 (laughs) 85 00:04:13,567 --> 00:04:16,166 WELL, IF YOU LIKE IT THAT MUCH, IT'S YOURS. 86 00:04:16,166 --> 00:04:17,533 YOU'RE KIDDING. 87 00:04:17,533 --> 00:04:19,200 (chuckles) NO, I'M SERIOUS. 88 00:04:19,200 --> 00:04:22,600 YOU JUST SLID YOUR TONGUE UP MY ASS. 89 00:04:22,600 --> 00:04:24,200 OH. 90 00:04:24,200 --> 00:04:27,467 A PAINTING IS A MINOR GESTURE OF GRATITUDE. 91 00:04:27,467 --> 00:04:29,367 MM. MM. 92 00:04:29,367 --> 00:04:31,633 OH. OH, I GOTTA GO. 93 00:04:31,633 --> 00:04:34,100 (grunts) I'M MEETING ABIGAIL AT THE BANK. 94 00:04:34,100 --> 00:04:36,400 IS IT BRING A LESBIAN, GET AN iPod DAY? 95 00:04:36,400 --> 00:04:37,734 OH, THAT'S-- THAT'S HILARIOUS. 96 00:04:37,734 --> 00:04:39,400 NO, SHE'S EXPANDING THE BUSINESS, 97 00:04:39,400 --> 00:04:41,066 SO I'M LENDING HER $10,000. 98 00:04:41,066 --> 00:04:42,367 WELL, THAT'S NICE. 99 00:04:42,367 --> 00:04:45,300 I'LL RACE YOU TO THE SHOWER. 100 00:04:45,300 --> 00:04:47,066 OH, WAIT--YOU-- 101 00:04:47,066 --> 00:04:49,133 (laughs) (grunts) 102 00:04:56,734 --> 00:04:59,700 NICE. 103 00:04:59,700 --> 00:05:01,734 GOOD VIEWS MAKE A BUILDING... 104 00:05:01,734 --> 00:05:03,433 ASSUMING I BUILT IT. 105 00:05:03,433 --> 00:05:05,133 (laughs) 106 00:05:05,133 --> 00:05:07,133 SO, MASON, ARTHUR TELLS ME 107 00:05:07,133 --> 00:05:09,166 YOU MAY BE CO-VENTURING ON THAT WYOMING CASINO. 108 00:05:09,166 --> 00:05:10,767 WE'RE, UH, POWWOWING. 109 00:05:10,767 --> 00:05:13,667 IF IT GETS SERIOUS, I'LL PULL YOU RIGHT IN. 110 00:05:13,667 --> 00:05:15,100 ALL RIGHT. 111 00:05:15,100 --> 00:05:17,233 CONTRACTS FOR THE LAHAINA VILLAS. 112 00:05:17,233 --> 00:05:19,333 SIGN WHEREVER THERE'S A... (clicks pen) 113 00:05:19,333 --> 00:05:21,266 YELLOW TAB. 114 00:05:21,266 --> 00:05:23,667 I LIKE THAT PAINTING... 115 00:05:23,667 --> 00:05:26,166 A LOT. 116 00:05:26,166 --> 00:05:28,400 YEAH, ME, TOO. 117 00:05:30,734 --> 00:05:32,600 WANT TO SELL IT? 118 00:05:32,600 --> 00:05:34,233 NO. 119 00:05:34,233 --> 00:05:35,633 WELL... 120 00:05:35,633 --> 00:05:37,734 NO IS THE NEW YES. 121 00:05:39,400 --> 00:05:40,734 $10,000. 122 00:05:40,734 --> 00:05:42,500 IT'S NOT FOR SALE. 123 00:05:42,500 --> 00:05:46,400 IT WAS GIVEN TO ME BY SOMEONE VERY SPECIAL. 124 00:05:46,400 --> 00:05:48,133 HMM. 125 00:05:48,133 --> 00:05:49,567 $15,000. 126 00:05:54,100 --> 00:05:56,367 YOU SEE THOSE BRUSH STROKES RIGHT THERE? 127 00:05:56,367 --> 00:05:58,567 IT'S VERY FISCHL. 128 00:06:00,633 --> 00:06:03,700 $25,000. 129 00:06:03,700 --> 00:06:05,233 MM. 130 00:06:06,734 --> 00:06:08,300 I'LL DO $20,000. 131 00:06:08,300 --> 00:06:11,166 MAKE IT OUT TO THE ARTIST. 132 00:06:11,166 --> 00:06:12,600 ELIZABETH CAMPANO. 133 00:06:12,600 --> 00:06:16,233 (clicks pen) HMM. ARE YOU FRIENDS? 134 00:06:16,233 --> 00:06:18,600 FRIENDLY. 135 00:06:24,700 --> 00:06:26,300 ♪♪ 136 00:06:26,300 --> 00:06:28,100 (exhales) 137 00:06:28,100 --> 00:06:30,166 OH. 138 00:06:30,166 --> 00:06:31,700 AM I DISTRACTING YOU? 139 00:06:31,700 --> 00:06:33,333 YEAH. (chuckles) 140 00:06:33,333 --> 00:06:34,533 (giggles) 141 00:06:34,533 --> 00:06:37,033 AHH. 142 00:06:37,033 --> 00:06:38,233 ♪♪ 143 00:06:38,233 --> 00:06:39,533 OHH. 144 00:06:39,533 --> 00:06:43,667 ♪♪ 145 00:06:43,667 --> 00:06:45,333 OHH. 146 00:06:45,333 --> 00:06:47,700 OH, G-GOD. 147 00:06:47,700 --> 00:06:49,133 (gasps) 148 00:06:49,133 --> 00:06:50,333 OHH. 149 00:06:50,333 --> 00:06:51,533 (exhales) 150 00:06:51,533 --> 00:06:52,734 (exhales deeply) 151 00:06:52,734 --> 00:06:55,600 YUM. (giggles) 152 00:06:55,600 --> 00:06:57,233 ♪♪ 153 00:06:57,233 --> 00:07:00,066 MMM. A MAN CAN NEVER HAVE TOO MUCH FELLATIO. 154 00:07:00,066 --> 00:07:02,500 THAT IS SOMETHING MY MOTHER TAUGHT ME. 155 00:07:02,500 --> 00:07:05,066 THAT IS ONE... GREAT WOMAN. 156 00:07:05,066 --> 00:07:07,700 (laughs) I NEED YOU TO DO A FAVOR FOR ME, SWEETIE. 157 00:07:07,700 --> 00:07:10,600 WILL YOU READ SOMETHING THAT I WROTE? YEAH, SURE. WHAT? 158 00:07:10,600 --> 00:07:12,767 WELL, I'M GIVING THE KICKOFF SPEECH IN COPENHAGEN 159 00:07:12,767 --> 00:07:16,300 FOR THE SCANDINAVIAN ASSOCIATION OF COFFEE VENDORS. 160 00:07:16,300 --> 00:07:19,333 OUR FIRM HAS DESIGNED 15 ESPRESSO BARS 161 00:07:19,333 --> 00:07:20,767 IN DENMARK THIS YEAR. 162 00:07:20,767 --> 00:07:22,300 JUST WATCH OUT FOR THOSE GUYS IN GRINDERS. 163 00:07:22,300 --> 00:07:24,467 ANIMALS. 164 00:07:24,467 --> 00:07:26,467 (laughs) WELL, THEY'RE STREAMING MY SPEECH ONLINE, 165 00:07:26,467 --> 00:07:28,133 AND I HAVE MEMORIZED IT 166 00:07:28,133 --> 00:07:30,433 DOWN TO THE COMMA, THE PAUSE, EVERYTHING. 167 00:07:30,433 --> 00:07:32,400 I'M A LITTLE ANAL THAT WAY, 168 00:07:32,400 --> 00:07:35,033 AS YOU MAY RECALL FROM LAST WEEKEND. 169 00:07:35,033 --> 00:07:37,133 HEY, HEY, HEY, HEY. I'M TRYING TO DRIVE HERE. 170 00:07:37,133 --> 00:07:38,600 CAN I DO IT FOR YOU RIGHT NOW? 171 00:07:38,600 --> 00:07:40,367 YEAH. I'M A CAPTIVE AUDIENCE. 172 00:07:40,367 --> 00:07:41,767 OKAY. SO... 173 00:07:41,767 --> 00:07:44,767 I TROT UP ON THE STAGE WITH LOTS OF ENERGY. 174 00:07:44,767 --> 00:07:46,433 LOVE TROTTING. IT'S AUSPICIOUS. 175 00:07:46,433 --> 00:07:48,467 MM. I MAKE EYE CONTACT WITH THE CROWD, 176 00:07:48,467 --> 00:07:51,333 WEARING DOLCE & GABBANA, OF COURSE. OH, PLEASE. 177 00:07:51,333 --> 00:07:53,767 I SWEEP THE ROOM WITH A CONSPIRATORIAL SMILE 178 00:07:53,767 --> 00:07:56,100 AND I SAY... UH-HUH. 179 00:07:56,100 --> 00:07:58,300 OH, GOD. I'M A LITTLE EXCITED RIGHT NOW. 180 00:07:58,300 --> 00:07:59,834 ♪♪ 181 00:07:59,834 --> 00:08:01,533 GIVE ME YOUR HAND. 182 00:08:01,533 --> 00:08:03,533 (exhales deeply) 183 00:08:03,533 --> 00:08:08,266 ♪♪ 184 00:08:11,333 --> 00:08:13,467 AHH. OHH. 185 00:08:13,467 --> 00:08:15,367 (inhales sharply) 186 00:08:15,367 --> 00:08:18,533 (exhales deeply) 187 00:08:18,533 --> 00:08:20,500 (pants and moans) 188 00:08:20,500 --> 00:08:22,467 AHH. AH. 189 00:08:22,467 --> 00:08:25,367 MM. (moans) 190 00:08:25,367 --> 00:08:27,567 (exhales deeply) 191 00:08:27,567 --> 00:08:29,567 (pants) 192 00:08:29,567 --> 00:08:31,367 (chuckles) 193 00:08:31,367 --> 00:08:33,300 MY THUMB JUST CAME. 194 00:08:35,300 --> 00:08:37,800 (chuckles) 195 00:08:40,367 --> 00:08:42,266 (indistinct conversations) 196 00:08:42,266 --> 00:08:43,467 HEY. 197 00:08:43,467 --> 00:08:46,033 PRESTON, HOW GOES IT? 198 00:08:46,033 --> 00:08:47,700 IT GOES, BROTHER. 199 00:08:47,700 --> 00:08:50,066 IT'S THE MIDDLE OF THE DAY. WHAT ARE YOU DOING HERE? 200 00:08:50,066 --> 00:08:53,433 I'M A RESIDENT OF THE PLANET. I GO WHERE I WISH. 201 00:08:53,433 --> 00:08:56,533 I GOT SOMETHING FOR YOU. 202 00:09:00,266 --> 00:09:02,066 20 GRAND? FOR WHAT? 203 00:09:02,066 --> 00:09:04,633 WHO'S--WHO'S THIS GUY? 204 00:09:04,633 --> 00:09:06,433 HE'S A CLIENT, 205 00:09:06,433 --> 00:09:08,300 A SERIOUS ART COLLECTOR WHO FELL IN LOVE WITH YOUR PAINTING 206 00:09:08,300 --> 00:09:11,066 AND WROTE THAT CHECK. OH. 207 00:09:11,066 --> 00:09:13,266 GIVE IT BACK. 208 00:09:13,266 --> 00:09:15,600 YOU WALKIN' PAST 20 GRAND? THANK YOU. 209 00:09:19,333 --> 00:09:21,333 I'M GONNA GO CHECK THE SIREN. 210 00:09:21,333 --> 00:09:23,000 (coughs) 211 00:09:23,000 --> 00:09:25,700 THAT PAINTING WAS A GIFT, MICHAEL. 212 00:09:25,700 --> 00:09:27,467 I DON'T SELL WHAT MATTERS TO ME. 213 00:09:27,467 --> 00:09:29,500 THAT'S MORE YOUR LINE OF WORK. 214 00:09:29,500 --> 00:09:31,233 LIZ, YOU'RE BEING RIDICULOUS. 215 00:09:31,233 --> 00:09:33,233 IT WAS FOR A PAINTING YOU JUST HANDED OVER TO ME 216 00:09:33,233 --> 00:09:35,033 BECAUSE IT WASN'T A BIG DEAL TO YOU. 217 00:09:35,033 --> 00:09:38,266 EVERYTHING I PAINT IS A BIG DEAL TO ME. 218 00:09:38,266 --> 00:09:41,200 I WANT THE FUCKING PAINTING BACK. 219 00:09:43,100 --> 00:09:45,333 YOU SAID IT WAS MINE. 220 00:09:45,333 --> 00:09:48,433 ERGO, I CAN DO WHAT I WANT WITH IT. 221 00:09:48,433 --> 00:09:50,400 ERGO, GO FUCK YOURSELF. 222 00:09:50,400 --> 00:09:51,667 OH. 223 00:09:51,667 --> 00:09:53,400 I'LL DEAL WITH IT MY OWN WAY. 224 00:09:53,400 --> 00:09:54,600 (opens door) 225 00:09:54,600 --> 00:09:56,567 MEANING WHAT? 226 00:09:58,233 --> 00:09:59,433 HEY. 227 00:09:59,433 --> 00:10:01,533 (engine turns over) 228 00:10:05,567 --> 00:10:08,567 MEANING WHAT?! 229 00:10:11,200 --> 00:10:13,100 YOU LOOK A GIFT HORSE IN THE MOUTH, 230 00:10:13,100 --> 00:10:15,567 YOU'RE A FUCKING MORON. 231 00:10:17,367 --> 00:10:20,300 (knock on door) 232 00:10:22,133 --> 00:10:25,233 UH, YES, OFFICER. IS THERE A PROBLEM? 233 00:10:25,233 --> 00:10:26,667 I WANT MY PAINTING BACK. 234 00:10:26,667 --> 00:10:29,433 YOU'RE ELIZABETH, THEN. 235 00:10:29,433 --> 00:10:31,767 RIGHT THIS WAY. 236 00:10:33,367 --> 00:10:35,433 HERE'S YOUR CHECK. 237 00:10:35,433 --> 00:10:37,667 I SHOULD PROBABLY POINT OUT, FOR LEGAL REASONS, 238 00:10:37,667 --> 00:10:40,166 THAT IT'S NOT YOURS. 239 00:10:40,166 --> 00:10:42,166 I BOUGHT IT, AND IF YOU TRY TO LEAVE WITH IT, 240 00:10:42,166 --> 00:10:44,400 THAT TECHNICALLY WOULD BE A CRIME, 241 00:10:44,400 --> 00:10:46,567 AND I WOULD BE FORCED TO DO SOMETHING TO PROTECT MY RIGHTS. 242 00:10:46,567 --> 00:10:48,333 MAYBE EVEN CALL THE POLICE... (chuckles) 243 00:10:48,333 --> 00:10:49,567 IRONICALLY. 244 00:10:49,567 --> 00:10:51,100 I DIDN'T APPROVE THE SALE. 245 00:10:51,100 --> 00:10:53,300 THAT MAKES THIS TRANSACTION FRAUD. 246 00:10:53,300 --> 00:10:54,767 OH. WHY DO YOU WANT IT BACK? 247 00:10:54,767 --> 00:10:57,333 I DON'T SELL WHAT I CREATE. 248 00:10:57,333 --> 00:10:59,133 WELL, I'D ENCOURAGE YOU TO RECONSIDER. 249 00:10:59,133 --> 00:11:01,367 I GAVE YOU YOUR CHECK. WE'RE EVEN. 250 00:11:01,367 --> 00:11:02,834 I'M TAKING MY PAINTING. 251 00:11:02,834 --> 00:11:05,133 IF YOU WANT YOUR PAINTING BACK, 252 00:11:05,133 --> 00:11:06,600 IT WILL COST YOU... 253 00:11:06,600 --> 00:11:08,633 $25,000. 254 00:11:08,633 --> 00:11:10,367 ART APPRECIATES. 255 00:11:10,367 --> 00:11:13,266 YOU FUCKING THIEF. I CAN ARREST YOU FOR-- 256 00:11:13,266 --> 00:11:15,600 FOR WHAT? YOU OBVIOUSLY DON'T UNDERSTAND 257 00:11:15,600 --> 00:11:18,767 THE MERCURIAL ECONOMY OF THE ART WORLD. 258 00:11:18,767 --> 00:11:21,133 I COULD FILL YOU IN OVER DINNER. 259 00:11:21,133 --> 00:11:22,533 MM. INTERESTING. 260 00:11:22,533 --> 00:11:25,133 I HAVE A BETTER IDEA. 261 00:11:26,767 --> 00:11:28,333 HMM? 262 00:11:30,767 --> 00:11:32,467 (exhales) NOW WE'RE EVEN. 263 00:11:32,467 --> 00:11:35,300 OH, AND I'LL PASS ON DINNER. 264 00:11:43,367 --> 00:11:45,367 (whispering) OH, YEAH, YEAH, YEAH. 265 00:11:45,367 --> 00:11:46,800 (exhales) 266 00:11:46,800 --> 00:11:49,633 (normal voice) OH, MY GOD. 267 00:11:49,633 --> 00:11:52,166 OH, YEAH. FUCK, YEAH, BABY. 268 00:11:52,166 --> 00:11:54,467 OH, GOD. 269 00:11:54,467 --> 00:11:55,834 OH, MY GOD. 270 00:11:55,834 --> 00:11:57,533 (exhales) 271 00:11:57,533 --> 00:12:00,467 OHH. OH, MY GOD. 272 00:12:00,467 --> 00:12:03,834 MM. YEP. OKAY, YEAH, LIKE THAT. 273 00:12:03,834 --> 00:12:05,400 OH, GOD, YES. DON'T STOP. DON'T FUCKING STOP. 274 00:12:05,400 --> 00:12:07,100 NO, NO, NO, NO, NO. 275 00:12:07,100 --> 00:12:08,800 OH, GOD! OH, MY GOD! 276 00:12:08,800 --> 00:12:10,700 YEAH. FUCK, YEAH. 277 00:12:10,700 --> 00:12:12,633 OHH. (pants) 278 00:12:12,633 --> 00:12:14,800 OOH. OKAY, OKAY, OKAY, OKAY, OKAY. 279 00:12:14,800 --> 00:12:16,400 (chuckles) 280 00:12:16,400 --> 00:12:17,834 MM. MM. 281 00:12:17,834 --> 00:12:20,133 OH, FUCK. 282 00:12:20,133 --> 00:12:22,500 OH, FUCK. OH. 283 00:12:22,500 --> 00:12:24,333 (chuckles) 284 00:12:24,333 --> 00:12:26,100 THAT WAS-- THAT WAS A GOOD ONE. (laughs) 285 00:12:26,100 --> 00:12:27,300 (telephone rings) 286 00:12:27,300 --> 00:12:28,500 DAMN. 287 00:12:28,500 --> 00:12:30,500 GO AHEAD. 288 00:12:31,834 --> 00:12:33,767 HELLO. (man) Hey, Abigail. 289 00:12:33,767 --> 00:12:35,233 IT'S ME, HIGHWAY. 290 00:12:35,233 --> 00:12:37,233 HIGHWAY? YOU'RE OUT? 291 00:12:37,233 --> 00:12:38,633 Almost. 292 00:12:38,633 --> 00:12:40,533 LIZ AROUND? 293 00:12:40,533 --> 00:12:42,567 (laughs) NO. SHE'S ON SHIFT. 294 00:12:42,567 --> 00:12:44,233 What are you up to? 295 00:12:44,233 --> 00:12:46,834 UH, UH, YOU DON'T WANT TO KNOW. (laughs) 296 00:12:46,834 --> 00:12:49,100 WELL, THAT'LL GET ME THROUGH THE NIGHT. 297 00:12:49,100 --> 00:12:51,100 DO ME A FAVOR, WOULD YOU? 298 00:12:51,100 --> 00:12:53,100 TELL LIZZIE I CALLED. 299 00:12:53,100 --> 00:12:55,266 AND, UH... 300 00:12:55,266 --> 00:12:57,567 TELL HER I WAS THINKING ABOUT HER. 301 00:12:57,567 --> 00:13:00,300 UH... 302 00:13:00,300 --> 00:13:02,367 HIGHWAY. 303 00:13:02,367 --> 00:13:05,500 MM. THAT'S TROUBLE. 304 00:13:07,667 --> 00:13:10,266 YOU THINK I SHOULD SAY IT THAT WAY? 305 00:13:10,266 --> 00:13:12,567 IT'S FUNNY. WHY NOT? 306 00:13:12,567 --> 00:13:14,500 MM. I DON'T KNOW. 307 00:13:14,500 --> 00:13:16,100 IT SEEMS TOO EDGY. 308 00:13:16,100 --> 00:13:18,066 IT MIGHT PISS THEM OFF. 309 00:13:18,066 --> 00:13:20,467 AND THEY'RE DRINKING A LOT OF COFFEE. 310 00:13:20,467 --> 00:13:21,700 IT COULD GET UGLY. 311 00:13:21,700 --> 00:13:23,367 UGLY IS FUN. 312 00:13:23,367 --> 00:13:26,166 SAY IT WITH CONVICTION, THEY'LL LOVE IT. 313 00:13:26,166 --> 00:13:27,367 (cell phone rings) 314 00:13:27,367 --> 00:13:28,767 HOLD ON A SEC, JOCE. 315 00:13:28,767 --> 00:13:30,166 (ring) 316 00:13:30,166 --> 00:13:32,834 TRUST ME. IT'LL KILL. 317 00:13:32,834 --> 00:13:35,533 HOW'S IT GOING, MASON? 318 00:13:37,367 --> 00:13:39,300 WHAT? 319 00:13:48,467 --> 00:13:50,066 I'M NOT TALKING ABOUT THIS. 320 00:13:50,066 --> 00:13:51,400 DID IT EVER OCCUR TO YOU, 321 00:13:51,400 --> 00:13:52,767 THERE'S SOMEWHERE BETWEEN ZERO AND 90? 322 00:13:52,767 --> 00:13:55,166 DID YOU HAVE TO DESTROY THAT BEAUTIFUL PAINTING? 323 00:13:55,166 --> 00:13:58,266 IF IT WAS SO BEAUTIFUL, WHY DID YOU SELL IT? 324 00:13:58,266 --> 00:13:59,700 I'M SORRY, LIZ. 325 00:13:59,700 --> 00:14:02,166 I WAS JUST TRYING TO HELP. 326 00:14:05,367 --> 00:14:08,166 YOU KNOW, THERE'S A LOT THAT'S RIGHT WITH THIS WORLD... 327 00:14:08,166 --> 00:14:11,100 A LOT OF GOOD SHIT WORTH PAYING FOR. 328 00:14:11,100 --> 00:14:13,667 FUN WITH FAMILY AND FRIENDS, 329 00:14:13,667 --> 00:14:15,133 WHAT'S THAT WORTH? 330 00:14:15,133 --> 00:14:17,500 PLENTY, RIGHT? 331 00:14:17,500 --> 00:14:21,200 THAT'S WHY I BOUGHT FANTASY YACHTS. 332 00:14:21,200 --> 00:14:23,100 FANTASY YACHTS. 333 00:14:23,100 --> 00:14:26,100 DON'T YOU JUST LOVE THE WAY THOSE TWO WORDS GO TOGETHER? 334 00:14:26,100 --> 00:14:28,300 WE DO IT ALL-- ANNIVERSARIES, BIRTHDAYS, 335 00:14:28,300 --> 00:14:30,367 GRADUATIONS, FUNERALS. 336 00:14:30,367 --> 00:14:31,700 (laughs) 337 00:14:31,700 --> 00:14:33,633 I SHOULD BE WEARING A SANDWICH BOARD, 338 00:14:33,633 --> 00:14:35,367 PARADING UP AND DOWN THE DOCKS. 339 00:14:35,367 --> 00:14:38,400 BUT I'M THINKING VERY SERIOUSLY OF USING CHANTAL 340 00:14:38,400 --> 00:14:40,800 AS MY ON-CAMERA SPOKESPERSON... 341 00:14:40,800 --> 00:14:42,500 IF I CAN... 342 00:14:42,500 --> 00:14:45,200 GET HER TO PUT ON A TOP. 343 00:14:45,200 --> 00:14:46,567 OR NOT. 344 00:14:46,567 --> 00:14:48,400 IT'S ALL ABOUT FUN AND GLAMOUR, RIGHT? 345 00:14:48,400 --> 00:14:49,767 (chuckles) 346 00:14:49,767 --> 00:14:51,233 NOW... 347 00:14:51,233 --> 00:14:54,066 ON THE NECESSITY SIDE OF THE FENCE, 348 00:14:54,066 --> 00:14:55,500 WHEN DID IT BECOME OKAY 349 00:14:55,500 --> 00:14:58,600 TO CHARGE $5 FOR A CUP OF COFFEE 350 00:14:58,600 --> 00:15:00,667 OR A GALLON OF GAS, FOR THAT MATTER? 351 00:15:00,667 --> 00:15:03,400 AND HOW 'BOUT THE COST OF MAJOR LEAGUE PUSSY? 352 00:15:03,400 --> 00:15:05,133 WHICH IS WHAT THIS IS REALLY ALL ABOUT. 353 00:15:05,133 --> 00:15:06,700 DO YOU KNOW THE GOVERNOR OF NEW YORK 354 00:15:06,700 --> 00:15:09,567 PAID 4 GRAND AN HOUR FOR A HOOKER? 355 00:15:09,567 --> 00:15:11,300 A HOOKER! 356 00:15:11,300 --> 00:15:12,867 THERE WAS A TIME WHEN A GUY RUNNING FOR 357 00:15:12,867 --> 00:15:14,467 THE PRESIDENT OF THE UNITED STATES 358 00:15:14,467 --> 00:15:18,066 COULD BALL MARILYN MONROE FOR FREE. 359 00:15:18,066 --> 00:15:21,567 WHERE THE FUCK DID WE GO WRONG? 360 00:15:21,567 --> 00:15:24,367 Michael, I know you're there. 361 00:15:24,367 --> 00:15:27,500 Michael! I need to talk to you. 362 00:15:27,500 --> 00:15:29,667 (sighs) Shit. Call me. 363 00:15:29,667 --> 00:15:31,100 (computer chirps) 364 00:15:31,100 --> 00:15:32,533 THE WOMAN IS DETERMINED. 365 00:15:32,533 --> 00:15:34,734 YEAH, SHE'S GOTTA BE PISSED. 366 00:15:34,734 --> 00:15:36,567 I SAW HER SPEECH STREAMED ONLINE. 367 00:15:36,567 --> 00:15:38,233 EVERY WORD I WROTE TANKED. 368 00:15:38,233 --> 00:15:39,767 NOT ONE LAUGH. 369 00:15:39,767 --> 00:15:42,567 MM-HMM. A CRISIS WHICH ONLY BARELY INTERESTS ME. 370 00:15:42,567 --> 00:15:44,066 (chuckles) 371 00:15:44,066 --> 00:15:46,400 WHAT'S REALLY BOTHERING YOU, MICHAEL? 372 00:15:46,400 --> 00:15:49,734 I CAN SEE IT IN YOUR... SQUINTY, FARAWAY EYES. 373 00:15:49,734 --> 00:15:51,767 I FUCKED UP WITH LIZ, TOO. 374 00:15:51,767 --> 00:15:53,367 SHE GAVE ME A PAINTING, 375 00:15:53,367 --> 00:15:55,333 AND I SOLD IT TO MASON FOR 20 GRAND. 376 00:15:55,333 --> 00:15:57,600 AND THE PROBLEM WOULD BE? 377 00:15:57,600 --> 00:16:00,533 SHE DOESN'T SELL HER ART. I JUST--I DON'T GET HER. 378 00:16:00,533 --> 00:16:01,734 OH, WELL, YOU'RE MAKING 379 00:16:01,734 --> 00:16:03,467 THE FIRST CARDINAL ERROR OF ROMANCE. 380 00:16:03,467 --> 00:16:06,166 NEVER TRY TO UNDERSTAND YOUR LOVER. 381 00:16:06,166 --> 00:16:08,800 THEY ARE ENTITLED TO BEING NEEDLESSLY VAGUE. 382 00:16:08,800 --> 00:16:10,433 I THOUGHT I WAS BEING HELPFUL. 383 00:16:10,433 --> 00:16:12,166 THAT IS EXACTLY WHAT MY BROTHER SAID 384 00:16:12,166 --> 00:16:13,633 RIGHT BEFORE HIS WIFE 385 00:16:13,633 --> 00:16:16,633 CHAIN-SAWED HIS '67 CORVETTE IN HALF 386 00:16:16,633 --> 00:16:19,467 BECAUSE HE HELPFULLY SUGGESTED THAT SHE BLEACH HER TEETH. 387 00:16:19,467 --> 00:16:22,100 CARDINAL ERROR NUMBER TWO-- UNSOLICITED HELPING. 388 00:16:22,100 --> 00:16:24,300 CARDINAL ERROR NUMBER THREE-- 389 00:16:24,300 --> 00:16:26,533 I'M GOOD WITH TWO, LUTHER. 390 00:16:26,533 --> 00:16:28,300 ARE YOU SURE? THERE ARE 56 OF THEM. 391 00:16:34,266 --> 00:16:36,800 WHAT'S ALL THIS? PEACE OFFERING. 392 00:16:36,800 --> 00:16:38,600 HMM. COME IN. 393 00:16:43,333 --> 00:16:46,066 LOOK, I MIGHT HAVE BEEN A LITTLE HARSH WITH YOU. 394 00:16:46,066 --> 00:16:47,400 REALLY? 395 00:16:47,400 --> 00:16:49,133 (chuckles) I'M A COP, 396 00:16:49,133 --> 00:16:51,233 SOMETIMES WHEN I SHOULDN'T BE. 397 00:16:51,233 --> 00:16:52,800 BUT BELIEVE IT OR NOT, 398 00:16:52,800 --> 00:16:54,800 I DON'T USUALLY PUT MY FIST THROUGH MY PAINTINGS. 399 00:16:54,800 --> 00:16:57,700 (chuckles) I ACCEPT YOUR APOLOGY. 400 00:16:57,700 --> 00:16:59,433 SO... 401 00:16:59,433 --> 00:17:00,834 UM... 402 00:17:00,834 --> 00:17:03,133 WHICH ONE WOULD YOU LIKE? 403 00:17:03,133 --> 00:17:05,767 UH... 404 00:17:08,767 --> 00:17:11,266 (sighs) 405 00:17:11,266 --> 00:17:14,066 I LIKE THEM ALL. 406 00:17:14,066 --> 00:17:17,467 BUT THIS ONE... UH, THE MOST. 407 00:17:17,467 --> 00:17:19,567 YOU SURE? 408 00:17:19,567 --> 00:17:22,767 I'M POSITIVE. 409 00:17:22,767 --> 00:17:25,266 THEN IT'S YOURS. 410 00:17:25,266 --> 00:17:27,300 WELL... 411 00:17:27,300 --> 00:17:29,734 I'M GOING TO PUT IT OUT OF PUNCHING RANGE, 412 00:17:29,734 --> 00:17:31,166 IF YOU DON'T MIND. 413 00:17:31,166 --> 00:17:32,533 (laughs) 414 00:17:32,533 --> 00:17:36,266 IS ANYBODY HANDLING YOU-- 415 00:17:36,266 --> 00:17:38,433 AN AGENT, UH, A GALLERY WHERE YOU SHOW? 416 00:17:38,433 --> 00:17:41,133 I DO THIS JUST FOR ME. 417 00:17:41,133 --> 00:17:43,734 UM, I'D LIKE THAT PAINTING BACK. 418 00:17:43,734 --> 00:17:47,500 THIS ONE? NO. I'M KEEPING THIS. 419 00:17:47,500 --> 00:17:49,266 WHY? IT--IT'S GOT A-- IT'S GOT A HOLE IN THE MIDDLE. 420 00:17:49,266 --> 00:17:50,834 UH, THAT'S NOT A HOLE. 421 00:17:50,834 --> 00:17:52,433 THAT'S A PERSONAL STATEMENT. 422 00:17:52,433 --> 00:17:54,400 AND ONE DAY, WHEN ELIZABETH CAMPANO 423 00:17:54,400 --> 00:17:55,800 IS A FAMOUS PAINTER, 424 00:17:55,800 --> 00:17:57,533 IT'S GONNA BE WORTH A FORTUNE. 425 00:17:57,533 --> 00:17:59,433 (laughs) KEEP DREAMING. 426 00:17:59,433 --> 00:18:01,567 MM. UH, YOU PUNCHED YOUR NAME OUT. 427 00:18:01,567 --> 00:18:04,300 WOULD YOU SIGN IT AGAIN? 428 00:18:05,734 --> 00:18:07,266 (chuckles) 429 00:18:07,266 --> 00:18:09,233 (whispers) OKAY. 430 00:18:11,767 --> 00:18:14,400 I'D STILL LIKE TO HAVE THAT DINNER SOMETIME. 431 00:18:14,400 --> 00:18:16,767 I KNOW. 432 00:18:23,433 --> 00:18:25,233 (Jocelyn) Michael? 433 00:18:25,233 --> 00:18:27,300 Michael. 434 00:18:27,300 --> 00:18:29,533 Michael, I know you're there. 435 00:18:29,533 --> 00:18:31,567 (groans) 436 00:18:31,567 --> 00:18:33,533 (inhales sharply) 437 00:18:33,533 --> 00:18:35,100 (exhales) 438 00:18:35,100 --> 00:18:36,300 HEY, JOCE. 439 00:18:36,300 --> 00:18:37,600 So I guess you saw it. 440 00:18:37,600 --> 00:18:39,367 YEAH, I DID. 441 00:18:39,367 --> 00:18:41,567 What did you think? 442 00:18:41,567 --> 00:18:43,266 MORE IMPORTANTLY, WHAT DID YOU THINK? 443 00:18:43,266 --> 00:18:45,500 You really want to know? 444 00:18:45,500 --> 00:18:48,066 I have two words for you, Michael-- 445 00:18:48,066 --> 00:18:50,100 grand slam. 446 00:18:50,100 --> 00:18:51,734 (laughs) They loved it. 447 00:18:51,734 --> 00:18:54,700 THEY DID? I THOUGHT MY SUGGESTIONS RUINED YOUR SPEECH. 448 00:18:54,700 --> 00:18:56,533 I DIDN'T HEAR ANY LAUGHTER. 449 00:18:56,533 --> 00:18:58,667 Grand fucking slam. 450 00:18:58,667 --> 00:19:02,500 (speaks foreign language) 451 00:19:03,667 --> 00:19:05,266 OLAF. 452 00:19:05,266 --> 00:19:08,367 HE, UH, HE IS FRENCH ROAST IN COPENHAGEN. 453 00:19:08,367 --> 00:19:10,400 GOTTA LOVE THOSE ROLLICKING DANES. 454 00:19:10,400 --> 00:19:13,367 I'M A SMASH, AND I OWE IT ALL TO YOU. 455 00:19:13,367 --> 00:19:16,033 YOU ARE WRITING ALL OF MY SPEECHES FROM NOW ON. 456 00:19:16,033 --> 00:19:18,533 Oh, um, yeah. 457 00:19:18,533 --> 00:19:20,567 (speaks foreign language) 458 00:19:20,567 --> 00:19:23,166 That's "I love you" in Danish. 459 00:19:23,166 --> 00:19:24,467 (kisses) 460 00:19:24,467 --> 00:19:26,000 (doorbell rings) 461 00:19:26,000 --> 00:19:27,767 OH. WELL, I LOVE YOU, TOO. I GOTTA GO. 462 00:19:27,767 --> 00:19:30,800 THAT'S... THAT'S "GOTTA GO" IN ENGLISH. 463 00:19:30,800 --> 00:19:32,667 BYE. 464 00:19:38,066 --> 00:19:41,233 POLICE BUSINESS. TURN AROUND, SIR. 465 00:19:41,233 --> 00:19:42,800 WHAT'S THIS ALL ABOUT? 466 00:19:42,800 --> 00:19:44,600 ILLICIT SUBSTANCES. WE RECEIVED A TIP. 467 00:19:44,600 --> 00:19:46,533 I'M AFRAID I'M GONNA HAVE TO STRIP SEARCH YOU. 468 00:19:46,533 --> 00:19:49,533 ASSUME THE POSITION, MR. STRATHMORE. 469 00:19:49,533 --> 00:19:51,166 OH. 470 00:19:51,166 --> 00:19:54,133 DO YOU HAVE A LICENSE FOR THIS CONCEALED WEAPON? 471 00:19:54,133 --> 00:19:56,200 NOT IN THIS STATE. 472 00:19:56,200 --> 00:19:57,433 (chuckles) 473 00:19:57,433 --> 00:20:01,400 AND WHICH STATE WOULD YOU LIKE TO BE IN? 474 00:20:04,567 --> 00:20:08,734 (both moaning) 475 00:20:15,133 --> 00:20:16,800 (both moaning) 476 00:20:16,800 --> 00:20:19,200 AHH. 477 00:20:19,200 --> 00:20:21,433 (grunts and gasps) 478 00:20:21,433 --> 00:20:22,734 (moans) 479 00:20:22,734 --> 00:20:24,667 (grunting) 480 00:20:24,667 --> 00:20:26,767 I THOUGHT YOU WERE MAD AT ME. 481 00:20:26,767 --> 00:20:29,100 OH, I'M ALWAYS MAD AT YOU. 482 00:20:29,100 --> 00:20:31,433 BUT I'M ALSO ALWAYS CRAZY ABOUT YOU. 483 00:20:31,433 --> 00:20:33,266 (grunts) 484 00:20:33,266 --> 00:20:35,133 I THOUGHT ABOUT WHAT YOU SAID. 485 00:20:35,133 --> 00:20:37,133 AND I MADE IT RIGHT WITH MASON. 486 00:20:37,133 --> 00:20:39,734 OHH! I GAVE HIM ANOTHER PAINTING. (moaning) 487 00:20:39,734 --> 00:20:42,667 WHICH ONE? ANOTHER OIL. 488 00:20:42,667 --> 00:20:43,867 (groans) 489 00:20:43,867 --> 00:20:45,400 THE NUDE? 490 00:20:45,400 --> 00:20:47,800 HE WANTED IT. DOES THAT BOTHER YOU? 491 00:20:47,800 --> 00:20:50,133 (gasps) A LOT. 492 00:20:50,133 --> 00:20:52,567 (chuckles) GOOD. (inhales sharply) OHH! 493 00:20:52,567 --> 00:20:54,200 (both panting) 494 00:20:54,200 --> 00:20:55,467 KISS ME. MM. 495 00:20:55,467 --> 00:20:58,533 (both moaning) 496 00:21:01,367 --> 00:21:02,567 (both) OHH. 497 00:21:02,567 --> 00:21:04,467 OHH. OH. OHH. OHH. 498 00:21:04,467 --> 00:21:05,667 AHH. 499 00:21:05,667 --> 00:21:07,133 OH. 500 00:21:09,633 --> 00:21:12,633 ON THE OTHER HAND, JUST BECAUSE SOMEONE GIVES YOU A GIFT HORSE 501 00:21:12,633 --> 00:21:15,433 DOESN'T MEAN IT'S NOT GONNA RUN AWAY. 502 00:21:21,133 --> 00:21:24,100 ABIGAIL LET ME IN. 503 00:21:36,600 --> 00:21:38,633 YOU'VE GOT REAL TALENT, LIZ. 504 00:21:40,300 --> 00:21:43,467 THERE'S NOT MUCH OF THAT IN THIS WORLD. 505 00:21:43,467 --> 00:21:45,667 LET'S NOT TALK ABOUT THIS ANY MORE, OKAY? 506 00:21:45,667 --> 00:21:47,567 DEAL. 507 00:21:47,567 --> 00:21:51,100 ANYWAY, IT'S GENETIC. 508 00:21:51,100 --> 00:21:53,467 MY GRANDMOTHER WAS A PAINTER. 509 00:21:53,467 --> 00:21:56,266 SHE TAUGHT ME EVERYTHING. 510 00:21:56,266 --> 00:21:58,834 SHE WAS AN AMAZING WOMAN. 511 00:21:58,834 --> 00:22:00,233 I WISH I HAD MET HER. 512 00:22:00,233 --> 00:22:02,333 I ADORED HER. 513 00:22:02,333 --> 00:22:06,433 SHE TRAVELED ALL OVER THE WORLD BY HERSELF... 514 00:22:06,433 --> 00:22:08,600 WHEN WOMEN DIDN'T DO THAT. 515 00:22:08,600 --> 00:22:11,600 AND EVERYWHERE SHE WENT, 516 00:22:11,600 --> 00:22:13,867 SHE'D BRING BACK A MEMENTO. 517 00:22:13,867 --> 00:22:17,066 WHEN SHE DIED... 518 00:22:17,066 --> 00:22:19,467 MY PARENTS SOLD... 519 00:22:19,467 --> 00:22:21,233 EVERYTHING. 520 00:22:21,233 --> 00:22:22,600 UGH. 521 00:22:22,600 --> 00:22:24,400 JUST LIKE THAT. 522 00:22:24,400 --> 00:22:26,233 AND ALL I GOT TO KEEP 523 00:22:26,233 --> 00:22:29,567 WAS A SNOW GLOBE FROM ICELAND. 524 00:22:33,333 --> 00:22:36,600 SO FORGIVE ME IF I DON'T EASILY SELL THINGS 525 00:22:36,600 --> 00:22:38,667 THAT MATTER TO ME. 526 00:22:38,667 --> 00:22:41,266 DO YOU WANT ME TO GO? 527 00:22:43,800 --> 00:22:47,467 ♪♪ 528 00:23:12,400 --> 00:23:16,367 (both moaning) 529 00:23:16,367 --> 00:23:18,100 (grunts) 530 00:23:18,100 --> 00:23:19,300 (laughs) 531 00:23:19,300 --> 00:23:21,500 (grunts) GOD. 532 00:23:21,500 --> 00:23:23,767 (gasps and moans) 533 00:23:23,767 --> 00:23:26,633 (moaning) 534 00:23:26,633 --> 00:23:29,100 (moans) 535 00:23:29,100 --> 00:23:31,633 (gasps) OH, GOD. I MISSED YOU. 536 00:23:31,633 --> 00:23:35,533 (moaning) 537 00:23:35,533 --> 00:23:38,100 (moaning) AHH! 538 00:23:38,100 --> 00:23:39,567 (both grunting) 539 00:23:39,567 --> 00:23:41,667 (gasps) OH, MY--OHH! 540 00:23:41,667 --> 00:23:45,333 (both panting) 541 00:23:47,600 --> 00:23:48,800 (laughs) 542 00:23:48,800 --> 00:23:50,200 (kisses) 543 00:23:50,200 --> 00:23:51,400 (moans) 544 00:23:51,400 --> 00:23:52,600 (chuckles) 545 00:24:02,400 --> 00:24:03,400 ♪♪ 34122

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