All language subtitles for Chemistry.S01E03.Smoke..Mirrors.1080p.Amazon.WEB-DL.DD+2.0.H.264-QOQ_track3_[eng]

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These are the user uploaded subtitles that are being translated: 1 00:00:15,734 --> 00:00:18,734 ♪ 2 00:00:23,834 --> 00:00:26,600 (woman) ♪ WHAT IS THIS THING ♪ 3 00:00:26,600 --> 00:00:30,266 ♪ CALLED LOVE? ♪ 4 00:00:30,266 --> 00:00:32,800 ♪ THIS FUNNY THING ♪ 5 00:00:32,800 --> 00:00:36,400 ♪ CALLED LOVE ♪ 6 00:00:36,400 --> 00:00:38,700 ♪ JUST WHO CAN SOLVE ♪ 7 00:00:38,700 --> 00:00:42,533 ♪ ITS MYSTERY? ♪ 8 00:00:42,533 --> 00:00:45,567 ♪ WHY SHOULD IT MAKE ♪ 9 00:00:45,567 --> 00:00:49,500 ♪ A FOOL OF ME? ♪ 10 00:00:49,500 --> 00:00:51,600 ♪ I SAW YOU THERE ♪ 11 00:00:51,600 --> 00:00:55,567 ♪ THAT WONDERFUL DAY ♪ 12 00:00:55,567 --> 00:00:57,633 ♪ YOU TOOK MY LOVE ♪ 13 00:00:57,633 --> 00:01:01,333 ♪ AND THREW IT AWAY ♪ 14 00:01:01,333 --> 00:01:04,300 ♪ AND SO I ASK THE LORD ♪ 15 00:01:04,300 --> 00:01:07,700 ♪ IN HEAVEN ABOVE ♪ 16 00:01:07,700 --> 00:01:10,700 ♪ WHAT IS THIS THING ♪ 17 00:01:10,700 --> 00:01:15,867 ♪ CALLED LOVE? ♪ 18 00:01:17,200 --> 00:01:22,400 ♪ CALLED LOVE ♪ 19 00:01:22,400 --> 00:01:25,400 Captioned by Closed Captioning Services, Inc. 20 00:01:37,567 --> 00:01:39,633 (moans) 21 00:02:11,133 --> 00:02:13,734 (both panting) 22 00:02:20,467 --> 00:02:22,300 OH, FUCK. FUCK! WHAT? 23 00:02:22,300 --> 00:02:23,667 FUCK! WHAT? 24 00:02:23,667 --> 00:02:25,300 FUCK! WHAT? 25 00:02:25,300 --> 00:02:28,467 FUCK! UGH! 26 00:02:28,467 --> 00:02:29,867 UGH! 27 00:02:29,867 --> 00:02:31,433 FUCK! 28 00:02:34,567 --> 00:02:36,633 (door opens and closes) 29 00:02:36,633 --> 00:02:37,867 HAPPY BIRTHDAY. 30 00:02:53,300 --> 00:02:54,500 SURPRISE! 31 00:02:54,500 --> 00:02:55,867 (all) SURPRISE! 32 00:02:55,867 --> 00:02:57,633 (laughs) 33 00:02:57,633 --> 00:02:59,266 (lowered voice) NOT A SURPRISE. YOU TOLD ME ABOUT IT, DAD. 34 00:02:59,266 --> 00:03:03,300 FUCK. ACT SURPRISED ANYWAY. GO ENJOY YOUR FRIENDS. 35 00:03:03,300 --> 00:03:04,533 (laughs) HEY! 36 00:03:04,533 --> 00:03:07,166 OH, THANK YOU. THANK YOU SO MUCH. 37 00:03:07,166 --> 00:03:09,800 WHY ARE YOU SO LATE? LONG STORY. 38 00:03:09,800 --> 00:03:11,734 (sighs) I HAVE TO LEAVE FOR SAN FRANCISCO IN A FEW MINUTES. 39 00:03:11,734 --> 00:03:13,300 ON MY BIRTHDAY? 40 00:03:13,300 --> 00:03:14,934 I TOLD YOU, I'M DOING THAT BOUTIQUE HOTEL 41 00:03:14,934 --> 00:03:16,333 IN THE EMBARCADERO. 42 00:03:16,333 --> 00:03:17,567 OH, YEAH, YEAH, RIGHT. 43 00:03:17,567 --> 00:03:19,200 AND WE AGREED WE'D CELEBRATE, 44 00:03:19,200 --> 00:03:21,166 AND I'D GIVE YOU A PRESENT TOMORROW. 45 00:03:21,166 --> 00:03:22,767 WHAT IS IT? 46 00:03:22,767 --> 00:03:24,767 I'M NOT GONNA TELL YOU. IT WOULD RUIN THE SURPRISE. 47 00:03:24,767 --> 00:03:26,667 I HAVE TO STEAL THE BIRTHDAY BOY. 48 00:03:26,667 --> 00:03:29,633 JUST GIVE US A MINUTE, LUTHER. 49 00:03:29,633 --> 00:03:31,133 I'LL SEE YOU TOMORROW. 50 00:03:31,133 --> 00:03:32,367 MM. 51 00:03:32,367 --> 00:03:33,567 MM. 52 00:03:33,567 --> 00:03:36,567 (indistinct conversations) 53 00:03:38,734 --> 00:03:40,233 MMM. YOU MAKE ME SHIVER. 54 00:03:40,233 --> 00:03:41,467 (chuckles) 55 00:03:41,467 --> 00:03:43,500 LOVE YOU. LOVE YOU, TOO. 56 00:03:43,500 --> 00:03:45,467 FOLLOW ME. 57 00:03:45,467 --> 00:03:49,166 MAY I SAY I HAVE NEVER SEEN YOU DRESSED MORE LUDICROUSLY? 58 00:03:49,166 --> 00:03:51,800 IT'S JAY-Z, OF THE JAY-Z COLLECTION. 59 00:03:51,800 --> 00:03:53,533 OH, OF COURSE. 60 00:03:53,533 --> 00:03:57,166 I FORGOT ABOUT YOUR CLOSE TIES TO THE HIP-HOP WORLD. 61 00:03:57,166 --> 00:03:58,467 WHAT? 62 00:03:58,467 --> 00:04:01,667 YOUR BIRTHDAY GIFT. OPEN IT. 63 00:04:01,667 --> 00:04:03,633 IT'S A DVD I MADE FOR YOU 64 00:04:03,633 --> 00:04:05,333 OF WHICH I AM THE STAR-- 65 00:04:05,333 --> 00:04:09,300 CO-STAR WITH A MISS, UM... (clears throat) 66 00:04:09,300 --> 00:04:10,734 PEMMIE DELLACORTE. 67 00:04:10,734 --> 00:04:12,834 JOCE'S SISTER? (chuckles) 68 00:04:12,834 --> 00:04:16,734 YOU MADE A DVD OF YOU FUCKING JOCELYN'S MARRIED SISTER? 69 00:04:16,734 --> 00:04:19,500 DAUGHTER OF THE MAN WHO EMPLOYS BOTH YOU AND ME? 70 00:04:19,500 --> 00:04:21,533 WELL, IT WAS HER IDEA. OH, IT WAS NOT. 71 00:04:21,533 --> 00:04:23,100 IT WAS, YES, AND SOME OF MY FINEST WORK, 72 00:04:23,100 --> 00:04:24,734 IF I DO SAY SO MYSELF. 73 00:04:24,734 --> 00:04:27,166 (scoffs) 74 00:04:27,166 --> 00:04:28,467 (sighs) OH, MICHAEL, 75 00:04:28,467 --> 00:04:30,667 YOU HAVE NO SENSE OF THE ABSURD. 76 00:04:30,667 --> 00:04:33,266 IF I DID, I'D BE DRESSED LIKE YOU. 77 00:04:33,266 --> 00:04:35,600 LAST CHANCE. 78 00:04:35,600 --> 00:04:36,900 ALL RIGHT. 79 00:04:36,900 --> 00:04:38,767 PEMMIE'S A WILD ONE. 80 00:04:38,767 --> 00:04:44,433 IT'S NO PICNIC LOOKING LIKE THIS OR BEING SO GIFTED IN BED. 81 00:04:44,433 --> 00:04:46,500 IT'S INTIMIDATING. 82 00:04:46,500 --> 00:04:50,533 I SCARE THE CRAP OUT OF MY HUSBAND SETH. 83 00:04:50,533 --> 00:04:53,767 I MEAN... WE DO STUFF SOMETIMES, 84 00:04:53,767 --> 00:04:55,734 IF YOU CALL ME LICKING HIS BALLS 85 00:04:55,734 --> 00:04:58,900 WHILE HE TWANGS HIS POT STICKER "STUFF." 86 00:04:58,900 --> 00:05:00,500 (imitates snoring) 87 00:05:00,500 --> 00:05:02,166 SNORE. 88 00:05:02,166 --> 00:05:04,500 OHH. 89 00:05:04,500 --> 00:05:07,333 A LOT OF PEOPLE THINK PRISON CHANGED ME, 90 00:05:07,333 --> 00:05:11,166 BUT I THINK IT WAS JUST ANOTHER PLACE TO MAKE CLOSE FRIENDS 91 00:05:11,166 --> 00:05:14,200 AND EXPAND MY HORIZONS... 92 00:05:14,200 --> 00:05:17,166 IF YOU CATCH MY DRIFT. 93 00:05:17,166 --> 00:05:18,567 (sighs) 94 00:05:18,567 --> 00:05:21,233 EVEN THOUGH I'M ON PAROLE... (exhales deeply) 95 00:05:21,233 --> 00:05:25,100 SETH IS THRILLED TO HAVE ME BACK... 96 00:05:25,100 --> 00:05:28,333 LUTHER, NO LUTHER. 97 00:05:28,333 --> 00:05:30,633 OOH, I STILL MISS MY CELLMATE GEORGIA. 98 00:05:30,633 --> 00:05:32,633 FOR A WOMAN WHO TOOK A BASEBALL BAT 99 00:05:32,633 --> 00:05:34,200 TO HER HUSBAND'S KNEECAPS, 100 00:05:34,200 --> 00:05:37,200 SHE SURE HAD A TENDER FUCKING TOUCH. 101 00:05:38,767 --> 00:05:40,500 MICHAEL... (clears throat) 102 00:05:40,500 --> 00:05:44,600 MEET SUZE AND YASMIN. 103 00:05:44,600 --> 00:05:46,433 THEY'RE CONTORTIONISTS. 104 00:05:46,433 --> 00:05:47,900 MMM. 105 00:05:47,900 --> 00:05:49,500 THEY DEFY THE LAWS OF PHYSICS. 106 00:05:49,500 --> 00:05:53,500 THEIR BODIES ARE LIKE A CIRCUS OF NASTY HINGES. 107 00:05:53,500 --> 00:05:54,700 (both giggle) 108 00:05:54,700 --> 00:05:56,233 (chuckles) 109 00:05:56,233 --> 00:05:59,333 I BEND WHERE OTHER WOMEN SNAP. 110 00:05:59,333 --> 00:06:01,533 AND I CAN LICK MY OWN VULVA. 111 00:06:01,533 --> 00:06:04,233 YOU'RE LIKE CALIGULA. 112 00:06:04,233 --> 00:06:05,867 MM. 113 00:06:05,867 --> 00:06:08,800 OOH. 114 00:06:11,367 --> 00:06:13,867 (clears throat) HELLO, BOYS. 115 00:06:13,867 --> 00:06:15,700 WHAT SEEMS TO BE THE TROUBLE? (chuckles) 116 00:06:15,700 --> 00:06:19,300 DON'T WANT YOU TO BURN. 117 00:06:19,300 --> 00:06:21,266 (chuckles) GOD. 118 00:06:21,266 --> 00:06:24,433 (Vic) WE MAY HAVE TO CHECK HIM INTO A BURN WARD 119 00:06:24,433 --> 00:06:29,200 AND HAVE HIM LEGALLY DECLARED A PIZZA. 120 00:06:29,200 --> 00:06:30,433 (groans) 121 00:06:30,433 --> 00:06:35,367 OOH, IT LOOKS BAD, MIKEY. 122 00:06:35,367 --> 00:06:39,667 WOULD IT BE TOO MUCH TO ASK YOU TO THROW SOMETHING ON... MOM? 123 00:06:39,667 --> 00:06:41,834 VIC, DID YOU HEAR? HE CALLED ME "MOM." 124 00:06:41,834 --> 00:06:43,500 I HEARD, I HEARD. 125 00:06:43,500 --> 00:06:45,600 LISTEN, SWEETHEART, WHY DON'T YOU GO UP TOP? 126 00:06:45,600 --> 00:06:48,433 I THINK CAPTAIN LU'S GONNA LET YOU STEER. 127 00:06:53,300 --> 00:06:54,533 SHE KNOWS I'M KIDDING, RIGHT? 128 00:06:54,533 --> 00:06:56,200 (sighs) 129 00:06:56,200 --> 00:06:57,600 YEAH, I DON'T KNOW. 130 00:06:57,600 --> 00:07:00,333 CHANTAL HAS SOME VERY STRONG MATERNAL INSTINCTS. 131 00:07:00,333 --> 00:07:02,700 YEAH, HUGE. (laughs) 132 00:07:02,700 --> 00:07:05,800 (laughs) OW. AAH! SUNBURN. 133 00:07:05,800 --> 00:07:09,233 AHH. 134 00:07:09,233 --> 00:07:11,467 WHEN'S THE LAST TIME WE HAD FUN LIKE THIS? 135 00:07:11,467 --> 00:07:13,400 YOUR THIRD WEDDING. 136 00:07:13,400 --> 00:07:15,333 NO, WAIT. YOUR FOURTH, TO MAUREEN. 137 00:07:15,333 --> 00:07:17,767 MAUREEN. GOD, SHE NEVER SHUT UP. 138 00:07:17,767 --> 00:07:19,367 NO, DAD. THAT WAS GERI. 139 00:07:19,367 --> 00:07:20,633 MAUREEN WAS THE SHY REDHEAD 140 00:07:20,633 --> 00:07:22,433 WHO CHECKED INTO THE BEVERLY HILLS HOTEL 141 00:07:22,433 --> 00:07:24,667 AND TOOK 50 VICODIN FOR DINNER. 142 00:07:24,667 --> 00:07:27,667 I THOUGHT THAT WAS DOROTHY. (laughs) 143 00:07:27,667 --> 00:07:30,233 I'M BEGINNING TO LOSE TRACK. I THINK I KINDA LIKE THAT. 144 00:07:30,233 --> 00:07:32,533 YOU'RE SOMETHING, POP. 145 00:07:32,533 --> 00:07:34,367 I WOULDN'T SAY IT IF I DIDN'T MEAN IT. 146 00:07:34,367 --> 00:07:37,700 YOU'RE A LAWYER, SON. IS THAT HOW YOU SEE ME? 147 00:07:37,700 --> 00:07:41,200 THE WAY I SEE YOU, SON, IS I DON'T SEE YOU ENOUGH. 148 00:07:42,767 --> 00:07:44,734 GOT YOU SOMETHING. HAPPY BIRTHDAY. 149 00:07:44,734 --> 00:07:47,100 AW. 150 00:07:48,734 --> 00:07:51,200 (sighs) 151 00:07:51,200 --> 00:07:54,133 OOH. I LOVE IT, POP. 152 00:07:54,133 --> 00:07:56,900 SAID YOU WANTED TO QUIT THE LAW AND GO SAILING AROUND THE WORLD. 153 00:07:56,900 --> 00:07:59,500 HOP ON. (chuckles) 154 00:07:59,500 --> 00:08:02,300 HAPPY BIRTHDAY, SON. 155 00:08:02,300 --> 00:08:05,800 YOUR SOUL THAT CAME BELOW. (chuckles) 156 00:08:05,800 --> 00:08:07,233 YEAH. 157 00:08:15,800 --> 00:08:18,533 MICHAEL! THEY CALL THIS ONE... 158 00:08:18,533 --> 00:08:20,533 (clears throat) 159 00:08:20,533 --> 00:08:22,233 "OPENING NIGHT." 160 00:08:22,233 --> 00:08:23,667 (imitates trumpet playing) 161 00:08:23,667 --> 00:08:27,433 THIS ONE IS CALLED "THE GRAND COULEE DAM." 162 00:08:27,433 --> 00:08:29,467 WELL DONE, GIRLS. (giggles) 163 00:08:29,467 --> 00:08:30,900 BIG FINISH, MICHAEL. 164 00:08:30,900 --> 00:08:34,667 THIS ONE'S CALLED "HERE, PUSSY, PUSSY." 165 00:08:34,667 --> 00:08:36,367 IT'S A PLAY ON WORDS. 166 00:08:36,367 --> 00:08:37,734 STEP BACK, MICHAEL. THIS ONE GETS A LITTLE MESSY. 167 00:08:37,734 --> 00:08:40,567 OH, OKAY. 168 00:08:55,500 --> 00:08:57,767 LIZ. MICHAEL. 169 00:08:57,767 --> 00:08:59,633 (keys jangle) HOW DID YOU GET IN? 170 00:08:59,633 --> 00:09:01,367 I'M A COP. I BROKE IN. 171 00:09:01,367 --> 00:09:03,400 WHAT'S GOING ON? 172 00:09:03,400 --> 00:09:05,734 WE HAD SOME UNFINISHED BUSINESS FROM THIS MORNING. 173 00:09:07,433 --> 00:09:09,333 SMELLS GOOD. WHAT YOU GOT IN HERE? 174 00:09:09,333 --> 00:09:12,200 I PICKED UP SOME CHINESE ON THE WAY. 175 00:09:12,200 --> 00:09:15,133 THESE ARE ALL EMPTY. 176 00:09:15,133 --> 00:09:17,100 I DIDN'T GET IT FOR YOU. 177 00:09:17,100 --> 00:09:18,367 I GOT IT FOR ME. 178 00:09:18,367 --> 00:09:20,834 SO YOU JUST CAME OVER TO EAT AND FUCK? 179 00:09:20,834 --> 00:09:22,233 PRETTY MUCH. 180 00:09:22,233 --> 00:09:23,467 HOW CAN YOU LIVE WITH YOURSELF? 181 00:09:23,467 --> 00:09:25,600 YOU ARE SO FUCKING SELFISH. 182 00:09:25,600 --> 00:09:29,433 PRACTICE. 183 00:09:29,433 --> 00:09:32,333 (gasping) 184 00:09:32,333 --> 00:09:34,467 (moans) 185 00:09:34,467 --> 00:09:36,467 AHH. AHH. A LITTLE SUNBURNED. 186 00:09:36,467 --> 00:09:39,800 OHH. 187 00:09:39,800 --> 00:09:41,600 MMM. 188 00:09:41,600 --> 00:09:45,367 (both moaning) 189 00:09:45,367 --> 00:09:48,367 (gasping) 190 00:10:01,700 --> 00:10:04,300 (continues gasping) 191 00:10:15,900 --> 00:10:18,867 (moaning) 192 00:10:27,867 --> 00:10:30,600 (grunting) 193 00:10:30,600 --> 00:10:32,367 AAH! 194 00:10:32,367 --> 00:10:35,400 (both gasping) 195 00:10:47,533 --> 00:10:52,333 SO... WHAT DID YOUR GIRLFRIEND GET YOU FOR YOUR BIRTHDAY? 196 00:10:53,767 --> 00:10:55,900 I THINK SHE'S GETTING ME A ME-ME. 197 00:10:55,900 --> 00:10:58,834 SHE'S TAKING ME TO HIS GALLERY TOMORROW NIGHT. 198 00:10:58,834 --> 00:11:00,333 THE VIDEO ARTIST? 199 00:11:00,333 --> 00:11:01,900 YOU KNOW ABOUT HIM? 200 00:11:01,900 --> 00:11:05,166 ME-ME? YEAH, HE'S HUGE. I STUDIED HIM IN ART HISTORY. 201 00:11:07,367 --> 00:11:10,500 THAT LOOK--IS IT BECAUSE I KNOW WHO ME-ME IS, 202 00:11:10,500 --> 00:11:12,400 OR BECAUSE I WENT TO COLLEGE? 203 00:11:12,400 --> 00:11:14,333 WELL, YOU JUST KEEP SURPRISING ME. THAT--THAT'S-- 204 00:11:14,333 --> 00:11:16,166 THAT'S--THAT'S ALL. 205 00:11:16,166 --> 00:11:18,400 I WAS EVEN SURPRISED YOU REMEMBERED MY BIRTHDAY. 206 00:11:18,400 --> 00:11:20,533 ARE YOU BEING SARCASTIC? 207 00:11:20,533 --> 00:11:22,600 NO. WHAT DID YOU WANT ME TO DO, 208 00:11:22,600 --> 00:11:23,800 MAKE A BIGGER DEAL OUT OF YOUR BIRTHDAY? 209 00:11:23,800 --> 00:11:25,433 MAYBE GET YOU A PRESENT? 210 00:11:25,433 --> 00:11:27,467 A TEXT MESSAGE WOULD HAVE BEEN PLENTY. 211 00:11:27,467 --> 00:11:29,700 DICTATE TO IT ME, HUH? HOW ABOUT THAT? 212 00:11:29,700 --> 00:11:31,567 THIS IS WHAT I ALWAYS EXPECT, AND SO FAR, 213 00:11:31,567 --> 00:11:33,266 THIS IS WHAT I ALWAYS GET FROM YOU-- 214 00:11:33,266 --> 00:11:36,533 SPECTACULAR SEX FOLLOWED BY A RIDICULOUS ARGUMENT 215 00:11:36,533 --> 00:11:38,700 THAT YOU START AND THEN YOU EXIT. 216 00:11:38,700 --> 00:11:42,934 WELL, WHO AM I TO DISAPPOINT? 217 00:11:46,567 --> 00:11:48,233 SO PICTURE THIS-- 218 00:11:48,233 --> 00:11:50,400 JACKSON POLLOCK AND I ARE DROPPING ACID, NAKED 219 00:11:50,400 --> 00:11:54,734 IN MILES DAVIS' PLACE IN SAG HARBOR. 220 00:11:54,734 --> 00:11:56,400 HE WAS PAINTING MY TITS. 221 00:11:56,400 --> 00:11:58,734 HE HAD THE MOST MARVELOUS HARD-ON, 222 00:11:58,734 --> 00:12:00,567 AND THEN SUDDENLY HE'S SPINNING AROUND, 223 00:12:00,567 --> 00:12:04,233 SPLASHING PAINT ALL OVER THE FLOOR AND WALLS. 224 00:12:04,233 --> 00:12:08,367 NEXT THING YOU KNOW, WE GOT ABSTRACT ART IN AMERICA. 225 00:12:08,367 --> 00:12:11,233 YOU NEVER KNOW WHERE GENIUS COMES FROM. 226 00:12:11,233 --> 00:12:13,467 SOMETIMES IT LOOKS LIKE A MESS 227 00:12:13,467 --> 00:12:17,266 TILL SOMEBODY COMES ALONG AND... GETS IT. 228 00:12:17,266 --> 00:12:21,200 (dance music playing) 229 00:12:26,567 --> 00:12:30,266 (indistinct conversations) 230 00:12:36,200 --> 00:12:38,433 HOW IS IT PRONOUNCED? 231 00:12:38,433 --> 00:12:40,667 FURTHERMORE, HOW QUICKLY? 232 00:12:40,667 --> 00:12:44,800 IS IT PRONOUNCED "MEE-MEE" OR "ME-ME"? 233 00:12:44,800 --> 00:12:46,600 STOP IT, LU. 234 00:12:46,600 --> 00:12:50,467 QUERY--IS HIS FIRST NAME "ME" AND HIS LAST NAME "ME" 235 00:12:50,467 --> 00:12:52,633 OR HIS FIRST NAME "ME-ME," IN WHICH CASE 236 00:12:52,633 --> 00:12:54,800 THE ONLY POSSIBILITY FOR HIS LAST NAME WOULD BE 237 00:12:54,800 --> 00:12:56,900 "I'M A PRETENTIOUS ASSHOLE." 238 00:12:56,900 --> 00:12:58,800 (laughs) 239 00:12:58,800 --> 00:13:01,600 OH, JOCELYN WANTS TO BUY ME ONE FOR MY BIRTHDAY. 240 00:13:01,600 --> 00:13:04,400 SAW A PIECE ON HIM ON CNN. 241 00:13:04,400 --> 00:13:06,600 SHE REMEMBERED. 242 00:13:06,600 --> 00:13:10,467 OHH! GOD, EVERYTHING I DO BECOMES A CLUE FOR HER. 243 00:13:10,467 --> 00:13:13,433 YEAH, WELL, SHE'S STARVED FOR DETAILS, MICHAEL. 244 00:13:13,433 --> 00:13:18,700 JUST MAKE SHIT UP. SINCERITY JUST COMPLICATES THINGS. 245 00:13:18,700 --> 00:13:21,200 YEAH, IT DOES. 246 00:13:21,200 --> 00:13:23,333 ACTUALLY, I LIKE HIM. 247 00:13:23,333 --> 00:13:25,400 HE'S ENGAGING IN A, 248 00:13:25,400 --> 00:13:28,233 YOU KNOW, "I HOPE YOU ALL CHOKE TO DEATH 249 00:13:28,233 --> 00:13:30,266 IN FRONT OF YOUR LOVED ONES" KIND OF WAY. 250 00:13:30,266 --> 00:13:32,266 (laughs) 251 00:13:32,266 --> 00:13:33,567 HAVING FUN? 252 00:13:33,567 --> 00:13:35,367 HEY. HI. 253 00:13:35,367 --> 00:13:38,734 MM. SO I WAS JUST TALKING TO ONE OF MY CLIENTS--RONNY DECKER. 254 00:13:38,734 --> 00:13:41,400 HE'S THE RACEHORSE SPERM BROKER. 255 00:13:41,400 --> 00:13:42,667 MM, I'D LIKE TO GET HIS NUMBER. 256 00:13:42,667 --> 00:13:44,200 YOU KNOW, MAKE A LITTLE CASH ON THE SIDE. 257 00:13:44,200 --> 00:13:45,533 I'M UP TO MY EARS. 258 00:13:45,533 --> 00:13:47,700 YOU KNOW, IT LOOKS REAL, 259 00:13:47,700 --> 00:13:49,734 LIKE HE ACTUALLY MIGHT LIVE IN THERE. 260 00:13:49,734 --> 00:13:51,200 YES, WELL, MAYBE HE'LL 261 00:13:51,200 --> 00:13:52,600 DECIDE TO STAY. 262 00:13:52,600 --> 00:13:54,233 (chuckles) 263 00:13:54,233 --> 00:13:55,667 MICHAEL, WHICH ONE DO YOU LIKE BEST-- 264 00:13:55,667 --> 00:13:58,600 THE ONE WHERE ME-ME SNEERS IRRITABLY OR THE ONE 265 00:13:58,600 --> 00:14:00,433 WHERE HE GLARES DISMISSIVELY? 266 00:14:00,433 --> 00:14:05,734 AHEM! ME-ME DOESN'T GLARE. 267 00:14:05,734 --> 00:14:08,500 AND ME-ME DOESN'T SNEER. THAT IS ALL IN YOUR MIND, SIR. 268 00:14:08,500 --> 00:14:11,333 YOU SEE WHAT YOU SEE, NOT WHAT IS. 269 00:14:11,333 --> 00:14:13,700 HOW VERY SLAVISH AND PAINFUL FOR YOU. 270 00:14:13,700 --> 00:14:15,467 WELL, MY MISTAKE. 271 00:14:15,467 --> 00:14:17,700 OH, BY THE WAY, WHAT HAPPENED TO THE "DIS" SEGMENT OF THE WORD? 272 00:14:17,700 --> 00:14:19,767 I THOUGHT IT WAS "DISTORTIONS." 273 00:14:19,767 --> 00:14:22,500 ONLY TO THOSE IMPRISONED IN THE LITERAL. 274 00:14:22,500 --> 00:14:24,767 I ASSUME YOU'RE NOT AN ART FANCIER. 275 00:14:24,767 --> 00:14:27,433 ACTUALLY, I LOVE ALL KINDS OF ART. HMM. 276 00:14:27,433 --> 00:14:29,400 HAVE YOU SEEN ANY AROUND HERE TONIGHT? 277 00:14:29,400 --> 00:14:31,266 OKAY, LUTHER, TIME TO GET SOME AIR. 278 00:14:31,266 --> 00:14:33,233 YOU, SIR, ARE AESTHETICALLY EMBALMED. 279 00:14:33,233 --> 00:14:36,567 PERHAPS I SHOULD INVITE YOU TO LEAVE MY... "STORTIONS" SHOW 280 00:14:36,567 --> 00:14:39,600 AS CLEARLY IT IS WELL BEYOND YOUR REALM OF COMPREHENSION. 281 00:14:39,600 --> 00:14:43,900 OR MAYBE YOU SHOULD KISS MY ASS, "ME." 282 00:14:43,900 --> 00:14:46,633 OH, I HOPE THAT THOUGHT DIDN'T "TURB" YOU TOO MUCH. 283 00:14:46,633 --> 00:14:48,133 GET OUT. OKAY. HEY, HEY! 284 00:14:48,133 --> 00:14:49,500 COME ON! 285 00:14:49,500 --> 00:14:54,767 (grunting) 286 00:14:54,767 --> 00:14:58,533 I TOLD YOU TO GET THE FUCK OUT OF HERE! 287 00:14:58,533 --> 00:15:00,600 AAH! FUCK YOU! 288 00:15:00,600 --> 00:15:02,233 OH, YEAH?! FUCK ME?! 289 00:15:02,233 --> 00:15:03,934 FUCK YOU! 290 00:15:03,934 --> 00:15:09,467 CALL THE MORTUARY, MICHAEL! THIS PUSSY'S GONNA NEED A BOX! 291 00:15:09,467 --> 00:15:13,200 (man) ...Art Gallery. 12-15 in progress. 292 00:15:13,200 --> 00:15:15,433 PROBABLY RAN OUT OF FOIE GRAS. 293 00:15:15,433 --> 00:15:17,800 LET SOMEBODY ELSE TAKE IT. 294 00:15:17,800 --> 00:15:21,266 OH, NO. THIS ONE I WANT. 295 00:15:21,266 --> 00:15:22,767 (Michael) HEY, LUTHER! CUT IT OUT! 296 00:15:22,767 --> 00:15:24,300 STOP THAT! GUYS, COME ON! 297 00:15:24,300 --> 00:15:25,700 (grunting) 298 00:15:25,700 --> 00:15:27,266 JESUS! BOTH OF YOU, BREAK--HEY, BREAK IT UP! 299 00:15:27,266 --> 00:15:28,600 BREAK IT UP! UHH! 300 00:15:28,600 --> 00:15:32,133 JOCE! GET THE FUCK OFF HER, MAN! (siren wailing) 301 00:15:32,133 --> 00:15:35,667 THAT'S MY FRIEND JOCELYN, YOU REVOLTING TURD! BLOW ME! 302 00:15:35,667 --> 00:15:38,333 JESUS CHRIST, MAN! OKAY, I'M GONNA GET YOU SOME ICE, OKAY? 303 00:15:38,333 --> 00:15:41,367 HEY, HEY, HEY. STAY PUT, ALL RIGHT? 304 00:15:41,367 --> 00:15:43,900 OKAY, OKAY, OKAY, LET'S ALL BE FRIENDS HERE, ALL RIGHT? 305 00:15:43,900 --> 00:15:46,667 THAT MICROBE TWAT STARTED EVERYTHING! 306 00:15:46,667 --> 00:15:49,166 I AM AN ATTORNEY, AND I WANNA PRESS CHARGES 307 00:15:49,166 --> 00:15:50,834 AGAINST THIS PRETENDER! 308 00:15:50,834 --> 00:15:53,734 ALL RIGHT, FOR WHAT? FOR IMPERSONATING A HUMAN BEING! 309 00:15:53,734 --> 00:15:56,266 OH, AND FOR KNOCKING MY FRIEND DOWN. 310 00:15:56,266 --> 00:15:57,467 YOU SON-- 311 00:15:57,467 --> 00:15:59,900 EASY. YOU NEED TO RELAX. ALL RIGHT. 312 00:15:59,900 --> 00:16:03,300 MA'AM? WHY DON'T YOU COME WITH ME TO THE SQUAD CAR, OKAY? 313 00:16:03,300 --> 00:16:04,600 SO WE CAN HAVE A LOOK AT THAT. 314 00:16:04,600 --> 00:16:06,333 YOU'RE GONNA HAVE TO GIVE A STATEMENT. 315 00:16:06,333 --> 00:16:09,233 ALL RIGHT, LET'S GO. IT'S OKAY, IT'S OKAY. 316 00:16:11,934 --> 00:16:13,900 IT'S OKAY. 317 00:16:13,900 --> 00:16:15,667 I DON'T KNOW WHY I'M SO EMOTIONAL. 318 00:16:15,667 --> 00:16:17,834 I'M NOT A PERSON WHO DOES THIS. OKAY? 319 00:16:17,834 --> 00:16:19,433 YOU KNOW, I KNOW WHO I AM. 320 00:16:19,433 --> 00:16:21,567 IF I DIDN'T, I COULDN'T SAY THAT, RIGHT? 321 00:16:21,567 --> 00:16:23,734 WELL, YOU GOT SOCKED PRETTY GOOD. 322 00:16:23,734 --> 00:16:25,133 THIS MAKES AN ASSAULT AND BATTERY. 323 00:16:25,133 --> 00:16:26,467 WOULD YOU LIKE TO PRESS CHARGES? 324 00:16:26,467 --> 00:16:28,433 I JUST WANNA MAKE HIM HAPPY. 325 00:16:28,433 --> 00:16:29,800 WHO, THE GUY WHO PUNCHED YOU? 326 00:16:29,800 --> 00:16:32,433 YOU SEE PEOPLE IN MESSES EVERY DAY. 327 00:16:32,433 --> 00:16:35,800 YOU KNOW, YOU... YOU WEAR A GUN TO WORK. 328 00:16:35,800 --> 00:16:40,367 I HAVE TO ASK YOU, HOW DO YOU MAKE A MAN HAPPY? 329 00:16:40,367 --> 00:16:42,900 LOOK, YOU GOT PRETTY SHOOK UP, OKAY? 330 00:16:42,900 --> 00:16:45,266 I DON'T--I DON'T EVEN THINK HE WANTED A ME-ME TO BEGIN WITH. 331 00:16:45,266 --> 00:16:48,133 I... IT'S WHAT I THOUGHT HE WANTED, YOU KNOW? 332 00:16:48,133 --> 00:16:51,533 AND I'M PROJECTING. I'M ALWAYS PROJECTING WHAT HE WANTS. 333 00:16:51,533 --> 00:16:54,166 I HAVE NO IDEA. 334 00:16:54,166 --> 00:16:57,300 MEN, WOMEN-- TWO DIFFERENT ANIMALS. 335 00:16:57,300 --> 00:16:59,533 YOU'RE SO RIGHT. SLEEPING WITH AN ENEMY. 336 00:16:59,533 --> 00:17:00,900 EXACTLY. 337 00:17:00,900 --> 00:17:04,433 THAT IS DEAD ON. 338 00:17:05,900 --> 00:17:07,667 IT'S FELLATIO, ISN'T IT? 339 00:17:07,667 --> 00:17:10,533 IT'S--IT'S BLOW JOBS, HUMMERS. THEY LOVE THAT. 340 00:17:10,533 --> 00:17:12,333 THEY LIVE FOR THAT--THAT 341 00:17:12,333 --> 00:17:15,467 THAT TONGUE DRIVING THE HAPPY TOUR BUS UP EGO MOUNTAIN. 342 00:17:15,467 --> 00:17:18,166 JOCE, WHAT ARE YOU DOING HERE? I COULDN'T FIND YOU. 343 00:17:18,166 --> 00:17:20,100 I'M TALKING TO THE OFFICER. 344 00:17:20,100 --> 00:17:21,333 HI. 345 00:17:21,333 --> 00:17:23,333 HELLO. 346 00:17:23,333 --> 00:17:25,767 DO YOU KNOW THIS WOMAN? 347 00:17:25,767 --> 00:17:27,166 KNOW ME? 348 00:17:27,166 --> 00:17:29,133 THAT'S MY MAN. 349 00:17:29,133 --> 00:17:31,700 SHE WAS JUST GIVING ME SOME ADVICE. 350 00:17:31,700 --> 00:17:34,166 SHE'S VERY KIND. 351 00:17:34,166 --> 00:17:36,367 EXTREMELY WISE. 352 00:17:36,367 --> 00:17:39,700 THAT'S GREAT, JOCE. HERE. 353 00:17:39,700 --> 00:17:41,467 OFFICER, MAY I SPEAK TO YOU FOR A MOMENT? 354 00:17:41,467 --> 00:17:43,600 I'M BUSY. PLEASE? 355 00:17:43,600 --> 00:17:46,633 JOCE, USE THE ICE. I'LL, UH, I'LL BE RIGHT BACK. 356 00:17:46,633 --> 00:17:48,867 OKAY? 357 00:17:48,867 --> 00:17:50,400 THANK YOU. 358 00:17:53,266 --> 00:17:57,200 OKAY, SO WHAT EXACTLY WERE YOU GALS DISCUSSING, 359 00:17:57,200 --> 00:17:58,700 EXTREMELY WISE ONE--ME? 360 00:17:58,700 --> 00:18:01,433 (chuckles) YOU'RE INSANE. 361 00:18:01,433 --> 00:18:03,633 GET A BLOOD FLUSH. MOVE TO ANOTHER TOWN. 362 00:18:03,633 --> 00:18:05,667 THERE'S ANOTHER PERSON, BECAUSE THIS VERSION 363 00:18:05,667 --> 00:18:07,567 ISN'T WORKING FOR ANYONE. 364 00:18:07,567 --> 00:18:10,200 AND FOR YOUR INFORMATION, I DIDN'T ASK HER ANYTHING. 365 00:18:10,200 --> 00:18:11,500 SHE DID ALL THE ASKING. 366 00:18:11,500 --> 00:18:13,300 WELL, WHAT EXACTLY DID SHE ASK YOU ABOUT? 367 00:18:13,300 --> 00:18:15,367 YOU WANNA KNOW? ARE YOU SURE YOU CAN HANDLE IT? 368 00:18:15,367 --> 00:18:17,433 OH, YES, I CAN HANDLE IT. 369 00:18:17,433 --> 00:18:21,100 WELL, AS I RECALL, WE WERE DISCUSSING BLOW JOBS. 370 00:18:21,100 --> 00:18:23,200 YOU ARE SO FULL OF SHIT. 371 00:18:23,200 --> 00:18:24,633 YOU'RE JUST TRYING TO PISS ME OFF 'CAUSE YOU'RE PISSED OFF. 372 00:18:24,633 --> 00:18:26,333 WELL, SHE REFERRED TO IT 373 00:18:26,333 --> 00:18:30,367 AS "DRIVING THE HAPPY TONGUE TOUR BUS UP EGO MOUNTAIN." 374 00:18:30,367 --> 00:18:34,533 OH, MY GOD. I TOLD HER NEVER TO SAY THAT. 375 00:18:34,533 --> 00:18:36,700 OH, MY. 376 00:18:36,700 --> 00:18:38,333 WHAT DID YOU SAY? 377 00:18:38,333 --> 00:18:40,567 WELL, I TOLD HER SHE SHOULD TRY SUCKING YOUR DICK 378 00:18:40,567 --> 00:18:42,700 IN YOUR KITCHEN. WHAT? 379 00:18:42,700 --> 00:18:45,867 GET OVER YOURSELF, MICHAEL, BECAUSE EVERYONE ELSE HAS. 380 00:18:51,433 --> 00:18:54,400 (gunshots) 381 00:19:02,200 --> 00:19:07,266 (gunshots continue) 382 00:19:09,900 --> 00:19:14,367 DETECTIVE JUDD CUTTER, ELUSIVE CRIME FIGHTER. 383 00:19:14,367 --> 00:19:15,633 I MEANT TO CALL YOU. HMM. 384 00:19:15,633 --> 00:19:17,133 BEEN ON THIS BIG MURDER INVESTIGATION. 385 00:19:17,133 --> 00:19:18,567 IT'S A REAL MESS. 386 00:19:18,567 --> 00:19:21,500 YOU COULD ALWAYS USE BAD THINGS TO YOUR ADVANTAGE. 387 00:19:21,500 --> 00:19:22,767 SEE, DON'T DO THAT. YOU DON'T, UH, 388 00:19:22,767 --> 00:19:24,767 YOU DON'T DO WOUNDED CONVINCINGLY. 389 00:19:24,767 --> 00:19:27,467 YOU, UH, YOU STILL GOT A DEAD EYE. 390 00:19:27,467 --> 00:19:29,300 GIRL'S GOTTA PROTECT HERSELF. 391 00:19:29,300 --> 00:19:31,800 I ALWAYS SUSPECTED YOU WERE A GIRL UNDER ALL THOSE... 392 00:19:31,800 --> 00:19:33,567 FEROCIOUS LAYERS. 393 00:19:33,567 --> 00:19:35,700 YOU STILL HAVE THOSE, UH, THINGS IN YOUR BEDROOM CEILING-- 394 00:19:35,700 --> 00:19:38,834 THOSE LITTLE STARS THAT GLOW IN THE DARK? YOUR DIVORCE GO THROUGH? 395 00:19:38,834 --> 00:19:42,233 I SIGNED THE PAPERS LAST WEEK. SHE'S MOVING TO TUCSON, 396 00:19:42,233 --> 00:19:45,433 CONTINUE HER OBSESSION WITH BECOMING PERFECT 397 00:19:45,433 --> 00:19:48,734 AT THE EXPENSE OF EVERYONE ELSE. 398 00:19:48,734 --> 00:19:51,500 YOU KNOW, YOU AND I SHOULD GET A DRINK SOMETIME. 399 00:19:51,500 --> 00:19:53,100 MM. 400 00:19:57,100 --> 00:19:58,367 (barks and laughs) 401 00:19:58,367 --> 00:20:01,567 MMM! GOD, YOU MONSTER! 402 00:20:01,567 --> 00:20:02,800 (growls) 403 00:20:02,800 --> 00:20:06,133 GOD, YOU'RE HUGE! 404 00:20:06,133 --> 00:20:09,233 AH, LET ME GO, YOU SEXUAL MANIAC. 405 00:20:09,233 --> 00:20:11,333 FULL MOON. 406 00:20:11,333 --> 00:20:14,367 YOUR INCENSE ONLY AROUSED ME FURTHER. 407 00:20:14,367 --> 00:20:16,266 (both laugh) 408 00:20:16,266 --> 00:20:17,600 (growls) 409 00:20:17,600 --> 00:20:18,834 OHH! 410 00:20:18,834 --> 00:20:20,266 (grunting) 411 00:20:20,266 --> 00:20:23,567 OH, DEEPLY AND MASSIVELY HUNG BEAST. 412 00:20:23,567 --> 00:20:28,834 (imitates wolf howling) 413 00:20:28,834 --> 00:20:31,133 (laughs and growls) 414 00:20:31,133 --> 00:20:33,400 AHEM! LUTHER. 415 00:20:33,400 --> 00:20:34,900 MICHAEL, HELLO. 416 00:20:34,900 --> 00:20:36,867 WHAT A NICE SURPRISE. 417 00:20:36,867 --> 00:20:38,500 YOU'RE WORKING LATE. 418 00:20:38,500 --> 00:20:41,867 YES. DO YOU MIND? WHAT THE FUCK IS GOING ON HERE? 419 00:20:41,867 --> 00:20:45,233 OH, IT'S OUR MONTHLY FULL MOON FRENZY. 420 00:20:45,233 --> 00:20:49,567 I PLAY THE INSATIABLE TEX TWANG, AN ESCAPED SEXUAL MADMAN. 421 00:20:49,567 --> 00:20:52,500 AND THESE TWO ARE RECENTLY GRADUATED PAROCHIAL STUDENTS. 422 00:20:52,500 --> 00:20:55,500 THERE'S AN EXTRA COCK RING OVER THERE. JOIN US. 423 00:20:55,500 --> 00:20:56,800 YOU HAVE A BACKUP COCK RING? 424 00:20:56,800 --> 00:20:59,800 WHAT IF ONE POPS? 425 00:20:59,800 --> 00:21:01,367 GOOD-BYE. 426 00:21:01,367 --> 00:21:04,533 (door closes) EVERY MAN MUST HAVE HIS SPARE. 427 00:21:04,533 --> 00:21:05,834 (both giggle) ACTION. 428 00:21:05,834 --> 00:21:07,333 (moaning) 429 00:21:07,333 --> 00:21:09,400 (growls and laughs) 430 00:21:09,400 --> 00:21:12,500 (both moaning) 431 00:21:12,500 --> 00:21:14,667 (grunting) 432 00:21:14,667 --> 00:21:16,767 OFF WE GO. (barks and laughs) 433 00:21:25,867 --> 00:21:27,333 HEY. 434 00:21:27,333 --> 00:21:28,900 HOW DID YOU GET PAST LOBBY SECURITY? 435 00:21:28,900 --> 00:21:30,400 I SHOT THE SECURITY GUARD, 436 00:21:30,400 --> 00:21:32,333 SO WE ONLY HAVE A COUPLE OF MINUTES. 437 00:21:32,333 --> 00:21:34,567 WHAT'S THAT? 438 00:21:34,567 --> 00:21:37,533 TAKE IT. 439 00:21:37,533 --> 00:21:39,900 A PEACE OFFERING? 440 00:21:39,900 --> 00:21:42,600 PEACE IS OVERRATED. 441 00:21:42,600 --> 00:21:44,467 I'LL TELL GANDHI WE SPOKE. 442 00:21:44,467 --> 00:21:46,834 I GOTTA GO. I'M ON DUTY. 443 00:21:46,834 --> 00:21:48,533 WAIT, WAIT, WAIT. 444 00:21:48,533 --> 00:21:50,266 WHAT? 445 00:21:50,266 --> 00:21:52,200 YOU DIDN'T HAVE TO DO THIS. 446 00:21:52,200 --> 00:21:56,233 YEAH, I DID. SEE YA. 447 00:22:36,900 --> 00:22:39,367 (panting) 448 00:22:39,367 --> 00:22:41,166 YOU PAINTED THAT? 449 00:22:41,166 --> 00:22:44,233 YEAH. I-I TRIED TO HAVE IT READY FOR YOUR BIRTHDAY. I JUST-- 450 00:22:44,233 --> 00:22:45,800 IT'S BEAUTIFUL. 451 00:22:48,166 --> 00:22:51,400 I HAD NO IDEA YOU WERE SUCH A... 452 00:22:51,400 --> 00:22:52,700 I DIDN'T KNOW YOU COULD PAINT. 453 00:22:52,700 --> 00:22:55,166 YOU DON'T REALLY KNOW ME. 454 00:22:55,166 --> 00:22:56,367 BUT I WANT TO. 455 00:23:17,333 --> 00:23:19,834 NO ONE IN MY WHOLE LIFE EVER MADE SOMETHING FOR ME. 456 00:23:19,834 --> 00:23:22,467 CRAZY NOW THAT WE MET, I... 457 00:23:22,467 --> 00:23:25,266 I JUST COULDN'T GET IT OUT OF MY HEAD. 458 00:23:25,266 --> 00:23:27,133 MMM. 459 00:23:28,266 --> 00:23:29,834 COME OVER AFTER YOU GET OFF. 460 00:23:29,834 --> 00:23:33,166 I CAN'T. 461 00:23:33,166 --> 00:23:34,467 I HAVE PLANS. 462 00:23:34,467 --> 00:23:35,900 PLANS? 463 00:23:35,900 --> 00:23:38,233 I HAVE A LIFE, MICHAEL. 464 00:23:40,500 --> 00:23:43,500 (doors open) 465 00:23:47,333 --> 00:23:49,166 HAPPY BIRTHDAY. 466 00:23:50,633 --> 00:23:52,367 YOU NEVER KNOW WHAT THE HELL IS UP WITH ANYONE, MAN. 467 00:23:52,367 --> 00:23:55,166 I MEAN, ANYONE. 468 00:23:55,166 --> 00:23:56,433 THERE'S THIS GIRL I DATED 469 00:23:56,433 --> 00:23:58,367 A FEW YEARS BEFORE I MARRIED HELEN. 470 00:23:58,367 --> 00:24:00,200 SHE WAS A MORMON. 471 00:24:00,200 --> 00:24:03,433 SHE WAS A SEXY GIRL, THOUGH. OHH. (laughs) 472 00:24:03,433 --> 00:24:04,934 SHE HAD ALL THE RIGHT CURVES 473 00:24:04,934 --> 00:24:06,900 AND VISTA POINTS WORKING FOR HER, YOU KNOW? 474 00:24:06,900 --> 00:24:09,533 SHE HAD THIS TRANSLUCENT SKIN. 475 00:24:09,533 --> 00:24:15,400 SO ONE NIGHT, SHE DECIDES TO TELL ME THAT SHE'S A VAMPIRE. 476 00:24:15,400 --> 00:24:17,500 AND I'M LIKE, "COME ON." 477 00:24:17,500 --> 00:24:18,700 BUT HERE'S THE THING, THOUGH. 478 00:24:18,700 --> 00:24:20,133 I MEAN, SHE HAD THOSE FANG TEETH, 479 00:24:20,133 --> 00:24:21,400 YOU KNOW, LIKE--LIKE CHER HAD 480 00:24:21,400 --> 00:24:22,800 BEFORE SHE FIBERGLASSED HER MOUTH, 481 00:24:22,800 --> 00:24:24,734 AND IN HER CLOSET, SHE GOT ONE OF THOSE CAPES 482 00:24:24,734 --> 00:24:26,266 WITH THE HIGH COLLAR, YOU KNOW WHAT I'M SAYING? 483 00:24:26,266 --> 00:24:28,233 I MEAN, THIS CHICK WAS HALF NUTS! 484 00:24:28,233 --> 00:24:32,467 OH, AND IN BED, OH, MY GOODNESS. SHE WAS A FREAKIN' 9-1-1 CALL. 485 00:24:32,467 --> 00:24:34,867 OHH. (chuckles) 486 00:24:34,867 --> 00:24:36,433 WE HAD A LOT OF FUN, MAN. 487 00:24:36,433 --> 00:24:37,800 I NEVER DID SLEEP OVER, THOUGH. 488 00:24:37,800 --> 00:24:39,333 SHE WAS ALWAYS LICKING AT MY NECK 489 00:24:39,333 --> 00:24:41,734 LIKE IT WAS A QUARTER POUNDER. 490 00:24:41,734 --> 00:24:45,166 LIKE I SAID, YOU JUST... YOU NEVER KNOW. 491 00:24:45,166 --> 00:24:47,467 PEOPLE GOT SIDES, YOU KNOW? 492 00:24:47,467 --> 00:24:51,800 OPEN YOUR MIND, OR YOU'LL MISS THE SHOW. 493 00:24:57,734 --> 00:24:59,834 (cell phone rings) 494 00:25:04,233 --> 00:25:06,900 HEY, JOCE. WHAT ARE YOU STILL DOING UP? 495 00:25:06,900 --> 00:25:09,700 I COULDN'T SLEEP. Yeah, me neither. 496 00:25:09,700 --> 00:25:13,567 HOW'S THE EYE? SORE. 497 00:25:13,567 --> 00:25:15,700 WANNA COME OVER? 498 00:25:15,700 --> 00:25:17,467 OR I COULD... DRIVE UP. 499 00:25:17,467 --> 00:25:19,800 NO, I'M BEAT. 500 00:25:19,800 --> 00:25:21,300 LONG DAY. 501 00:25:21,300 --> 00:25:23,433 DO YOU LIKE BEING ANOTHER YEAR OLDER? 502 00:25:23,433 --> 00:25:24,800 I WAS ALWAYS ANOTHER YEAR OLDER. 503 00:25:24,800 --> 00:25:26,667 I THOUGHT OF SOMETHING ELSE TO GET YOU. 504 00:25:26,667 --> 00:25:28,333 A JET SKI. 505 00:25:28,333 --> 00:25:30,734 YOU REMEMBER? YOU WERE TALKING ABOUT THOSE. 506 00:25:30,734 --> 00:25:33,100 THAT'S NICE, BUT I'LL PASS. 507 00:25:33,100 --> 00:25:35,734 WHY DON'T YOU JUST MAKE ME SOMETHING? 508 00:25:35,734 --> 00:25:38,133 MAKE YOU SOMETHING? 509 00:25:38,133 --> 00:25:40,500 LIKE WHAT? ANYTHING. 510 00:25:40,500 --> 00:25:43,600 WELL, TELL ME WHAT YOU WANT ME TO MAKE, AND I WILL. 511 00:25:43,600 --> 00:25:46,266 I KNOW. 512 00:25:46,266 --> 00:26:05,433 NIGHTY-NIGHT. Good night, babe. 35294

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