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These are the user uploaded subtitles that are being translated: 1 00:00:14,536 --> 00:00:18,888 CAPTIONING MADE POSSIBLE BY LIONS GATE ENTERTAINMENT 2 00:00:41,171 --> 00:00:42,738 Girl, voice-over: NOVEMBER 1958, 3 00:00:42,781 --> 00:00:45,045 MY SENIOR YEAR OF HIGH SCHOOL. 4 00:00:45,088 --> 00:00:47,308 WHILE OTHER GIRLS WERE DANCING TO ELVIS 5 00:00:47,351 --> 00:00:48,744 AND DREAMING ABOUT PROM DATES, 6 00:00:48,787 --> 00:00:51,790 I WAS READING JANE AUSTEN AND DREAMING ABOUT COLLEGE, 7 00:00:51,834 --> 00:00:55,490 AND THEN MY PARENTS ANNOUNCED WE WERE MOVING TO CUBA... 8 00:00:55,533 --> 00:00:56,795 IN A WEEK. 9 00:00:56,839 --> 00:00:59,233 Singer: ♪ BABY, GONNA MAKE YOU STEP OUTSIDE ♪ 10 00:00:59,276 --> 00:01:00,799 ♪ THE CORNERS OF YOUR WORLD ♪ 11 00:01:00,843 --> 00:01:04,107 ♪ AND FIND THAT IF YOU LET YOUR HEART OPEN UP YOUR MIND ♪ 12 00:01:04,151 --> 00:01:07,284 ♪ THERE'S A WHOLE NEW WORLD ON THE OTHER SIDE ♪ 13 00:01:07,328 --> 00:01:10,026 Girl: SLAMMING DOORS AND GIVING THE SILENT TREATMENT 14 00:01:10,070 --> 00:01:11,419 COULDN'T CHANGE THAT, 15 00:01:11,462 --> 00:01:13,856 BUT IT WAS EASIER THAN ADMITTING I WAS REALLY SCARED. 16 00:01:13,899 --> 00:01:15,640 AT LEAST EVERYONE ELSE WAS HAPPY. 17 00:01:15,684 --> 00:01:17,990 DAD GOT HIS BIG PROMOTION FROM FORD. 18 00:01:18,034 --> 00:01:19,949 MOM GOT TO TRAVEL IN STYLE, 19 00:01:19,992 --> 00:01:21,211 AND SUSIE... 20 00:01:21,255 --> 00:01:25,259 I SWEAR THAT GIRL COULD ADJUST IN A HURRICANE. 21 00:01:25,302 --> 00:01:27,261 Singer: ♪ SO WHAT DIVIDES 22 00:01:27,304 --> 00:01:29,785 ♪ FROM THE BITTERSWEETNESS LOVE PROVIDES? ♪ 23 00:01:29,828 --> 00:01:35,138 ♪ I WILL REDEFINE MY PLACE WITHIN THIS UNION ♪ 24 00:01:35,182 --> 00:01:37,488 ♪ FOR WHAT IS A LIE? 25 00:01:37,532 --> 00:01:39,708 ♪ AND THE BETTER ME CAN'T SHOW ITS SIDE ♪ 26 00:01:39,751 --> 00:01:46,323 ♪ I WILL TRY TO FIND MY WAY TO HIGHER GROUND ♪ 27 00:01:46,367 --> 00:01:48,543 ♪ OH-HO 28 00:01:48,586 --> 00:01:50,849 ♪ THERE'S A MILLION STORIES ♪ 29 00:01:50,893 --> 00:01:55,332 ♪ AND A MILLION WAYS TO GET THERE FROM HERE ♪ 30 00:01:55,376 --> 00:01:58,335 ♪ BABY, YOU'RE GONNA PUT YOUR SKIN ON MINE ♪ 31 00:01:58,379 --> 00:02:00,294 ♪ BE INSIDE YOU ALL MY LIFE ♪ 32 00:02:00,337 --> 00:02:03,123 ♪ BUT IF YOU LET YOUR HEART OPEN UP YOUR MIND ♪ 33 00:02:03,166 --> 00:02:05,951 ♪ THERE'S A WHOLE NEW WORLD ON THE OTHER SIDE ♪ 34 00:02:05,995 --> 00:02:08,040 ♪ I'M GONNA BE YOUR SATELLITE ♪ 35 00:02:08,084 --> 00:02:10,652 ♪ NOW HAND OVER YOUR WORLD AT NIGHT ♪ 36 00:02:10,695 --> 00:02:13,263 ♪ AND I CAN HEAR YOU SLEEP BENEATH THE CANDLELIGHT ♪ 37 00:02:13,307 --> 00:02:18,442 ♪ I CAN SEE YOUR DREAMS LIKE THEY WERE MINE ♪ 38 00:02:27,669 --> 00:02:30,715 Valet: WELCOME TO THE HOTEL OCEANA. 39 00:02:37,200 --> 00:02:40,072 [SINGING IN SPANISH] 40 00:02:53,042 --> 00:02:56,176 Father: NOT TOO SHABBY, HUH? 41 00:02:56,567 --> 00:02:58,221 Girl, voice-over: HERE'S WHAT I KNOW ABOUT CUBA-- 42 00:02:58,265 --> 00:03:01,181 MY HIGH-SCHOOL FRENCH WASN'T GOING TO HELP ME. 43 00:03:01,224 --> 00:03:02,834 I DIDN'T KNOW A SINGLE PERSON, 44 00:03:02,878 --> 00:03:04,358 AND THOUGH NO ONE WOULD TALK ABOUT IT, 45 00:03:04,401 --> 00:03:07,317 FIDEL CASTRO WAS LEADING A PEOPLE IN A REVOLUTION 46 00:03:07,361 --> 00:03:09,232 AGAINST PRESIDENT BATISTA... 47 00:03:09,276 --> 00:03:13,628 NOT THAT YOU WOULD KNOW IT FROM THIS PLACE. 48 00:03:15,412 --> 00:03:18,807 THIS IS CUBA. NOBODY CARES WHAT YOU DO HERE. 49 00:03:18,850 --> 00:03:20,330 SUSIE, YOU WANT A SMOKE? 50 00:03:20,374 --> 00:03:23,203 WATCH OUT FOR THIS ONE. SHE'S A BAD INFLUENCE. 51 00:03:23,246 --> 00:03:24,639 I'LL TAKE THAT AS A COMPLIMENT. 52 00:03:24,682 --> 00:03:27,119 SHE'LL HAVE YOU DITCHING CLASSES IN NO TIME. 53 00:03:27,163 --> 00:03:28,991 AS I RECALL, THERE'S A CERTAIN SOMEONE 54 00:03:29,034 --> 00:03:31,689 THAT LIKES TO DITCH THEM WITH ME. 55 00:03:31,733 --> 00:03:34,736 P.A.: DON'T FORGET TO SIGN UP FOR MAMBO LESSONS. 56 00:03:34,779 --> 00:03:36,955 MAMBO CLASSES ARE HELD EVERY DAY... 57 00:03:36,999 --> 00:03:41,264 MY GOD. JUNE CLEAVER IS IN HAVANA. 58 00:03:41,308 --> 00:03:43,397 ACTUALLY, THAT'S MY SISTER KATEY. 59 00:03:43,440 --> 00:03:45,442 SHE'S A REAL BRAIN. 60 00:03:45,486 --> 00:03:46,661 OH, REALLY? 61 00:03:46,704 --> 00:03:49,185 YEAH. SHE'S PROBABLY GOING TO RADCLIFFE. 62 00:03:49,229 --> 00:03:51,753 WHAT, MAJORING IN FASHION? 63 00:03:53,885 --> 00:03:55,017 WHY DON'T YOU JOIN US? 64 00:03:55,060 --> 00:03:58,455 THERE'S ROOM HERE. 65 00:04:04,200 --> 00:04:05,767 I'M JAMES PHELPS. 66 00:04:05,810 --> 00:04:07,072 HI. KATEY MILLER. 67 00:04:07,116 --> 00:04:09,161 PLEASURE TO MEET YOU. 68 00:04:09,597 --> 00:04:10,815 ARE YOU THE-- YEAH. 69 00:04:10,859 --> 00:04:12,513 YOUR DAD WORKS FOR MY DAD. 70 00:04:12,556 --> 00:04:13,818 YEAH. 71 00:04:13,862 --> 00:04:17,779 THIS IS SHEILA, EVE, POLLY, AND STEPH, 72 00:04:17,822 --> 00:04:20,695 AND I GUESS YOU KNOW SUSIE, RIGHT? 73 00:04:21,304 --> 00:04:22,827 SO, ARE YOU REALLY GOING TO RADCLIFFE? 74 00:04:22,871 --> 00:04:24,351 I WON'T KNOW TILL SPRING. 75 00:04:24,394 --> 00:04:26,657 WHOA. WATCH OUT, GIRLS. 76 00:04:26,701 --> 00:04:28,529 I GUESS IF YOUR HEAD'S IN YOUR BOOKS, 77 00:04:28,572 --> 00:04:29,791 YOU REALLY DON'T HAVE TIME 78 00:04:29,834 --> 00:04:34,012 TO THINK ABOUT SILLY THINGS LIKE THE WEATHER. 79 00:04:34,056 --> 00:04:35,797 CHILLY? 80 00:04:36,493 --> 00:04:37,625 OH. 81 00:04:37,668 --> 00:04:38,887 [GLASSES SHATTER]Eve: SHIT! 82 00:04:38,930 --> 00:04:41,716 Katey: I'M SO SORRY. IT'S MY FAULT. 83 00:04:41,759 --> 00:04:46,373 Eve: NO, JUST--JUST GO GET ME A DRINK. 84 00:04:50,420 --> 00:04:52,509 STUPID SPIC. 85 00:04:55,817 --> 00:04:58,036 EXCUSE ME. 86 00:05:07,219 --> 00:05:08,438 EXCUSE ME. SEÑOR? 87 00:05:08,482 --> 00:05:09,483 HOW MAY I HELP YOU, SEÑORITA? 88 00:05:09,526 --> 00:05:10,875 I KNOCKED INTO THOSE DRINKS. 89 00:05:10,919 --> 00:05:11,833 I'D LIKE TO PAY FOR THEM. 90 00:05:11,876 --> 00:05:13,225 THAT WILL NOT BE NECESSARY. 91 00:05:13,269 --> 00:05:16,359 ACCIDENTS HAPPEN. EXCUSE ME. 92 00:05:19,580 --> 00:05:20,929 [HALTING SPANISH] 93 00:05:20,972 --> 00:05:23,366 I SPEAK ENGLISH... 94 00:05:23,410 --> 00:05:26,108 AND I DON'T NEED YOUR CHARITY. 95 00:05:26,151 --> 00:05:28,110 IT'S NOT. 96 00:05:28,153 --> 00:05:31,026 DON'T WORRY ABOUT IT. IT'S OK. 97 00:05:32,332 --> 00:05:34,159 I'M SORRY FOR WHAT SHE CALLED YOU. 98 00:05:34,203 --> 00:05:36,118 THAT WAS NOTHING.NOT TO ME. 99 00:05:36,161 --> 00:05:39,164 THEN WHY ARE YOU APOLOGIZING? 100 00:05:46,781 --> 00:05:48,522 YOU GUYS WERE SO GOOD. 101 00:05:48,565 --> 00:05:50,132 YOUR MOTHER WAS GOOD. 102 00:05:50,175 --> 00:05:53,788 I WAS...OK. 103 00:05:53,831 --> 00:05:55,398 DAD? HMM. 104 00:05:55,442 --> 00:05:58,183 I'M SORRY I HAVEN'T BEEN... 105 00:05:58,227 --> 00:06:01,752 EXCITED ABOUT ALL OF THIS. 106 00:06:03,885 --> 00:06:05,321 SWEETHEART, IT'S OK. 107 00:06:05,365 --> 00:06:08,977 SENIOR YEAR IS A TERRIBLE TIME TO DRAG YOU OUT OF SCHOOL, 108 00:06:09,020 --> 00:06:10,979 ESPECIALLY WHEN YOU'RE THE STAR OF THE CLASS. 109 00:06:11,022 --> 00:06:13,547 DAD. COME ON. DON'T DENY IT. 110 00:06:13,590 --> 00:06:15,287 BE PROUD OF IT. 111 00:06:15,331 --> 00:06:19,509 YOU'LL DO GREAT HERE, TOO. 112 00:06:32,348 --> 00:06:36,265 I CAN'T STAND ON YOUR FEET ANYMORE. 113 00:06:41,183 --> 00:06:44,534 Mr. Miller: HEY, YOU REMEMBERED THAT. 114 00:06:45,405 --> 00:06:47,929 VERY GOOD. 115 00:06:48,843 --> 00:06:49,757 [BOTH LAUGH] 116 00:06:49,800 --> 00:06:52,020 LET'S CONTINUE WHERE WE LEFT OFF. 117 00:06:52,063 --> 00:06:54,588 BOOK 18, PAGE 285. 118 00:06:54,631 --> 00:06:57,329 KATEY, JUST DO YOUR BEST TO FOLLOW, ALL RIGHT? 119 00:06:57,373 --> 00:06:59,462 IT'S OK. I READ IT LAST YEAR. 120 00:06:59,506 --> 00:07:00,550 Students, mockingly: OOH! 121 00:07:00,594 --> 00:07:02,117 Teacher: KNOCK IT OFF. 122 00:07:02,160 --> 00:07:06,687 WELL, THEN PERHAPS YOU'D LIKE TO BEGIN READING AT LINE 342. 123 00:07:07,383 --> 00:07:10,865 "NOW THE SUITORS TURNED TO DANCE AND SONG, 124 00:07:10,908 --> 00:07:12,736 "TO THE LOVELY BEATEN SWAY 125 00:07:12,780 --> 00:07:16,436 "WAITING FOR DUSK TO COME UPON THEM THERE, 126 00:07:16,479 --> 00:07:19,656 "AND THE DARK NIGHT CAME UPON THEM, 127 00:07:19,700 --> 00:07:21,310 LOST IN PLEASURE." 128 00:07:21,353 --> 00:07:23,660 Students, mockingly: OOH. OOH. 129 00:07:23,704 --> 00:07:29,318 CAN ANYONE TELL US THE SIGNIFICANCE OF THIS PASSAGE? 130 00:07:29,361 --> 00:07:32,190 IT'S A BUNCH OF DRUNK GUYS DOING IT. 131 00:07:32,234 --> 00:07:34,062 [STUDENTS LAUGH] 132 00:07:37,065 --> 00:07:38,501 ATHENA... 133 00:07:38,545 --> 00:07:41,504 WANTS THE SUITORS TO KEEP INVADING ODYSSEUS' HOUSE 134 00:07:41,548 --> 00:07:44,202 SO THAT HE'LL GET ANGRY ENOUGH TO KILL THEM. 135 00:07:44,246 --> 00:07:47,249 AND WHY DOES THE GODDESS WANT THAT? 136 00:07:48,685 --> 00:07:53,211 SHE WANTS ODYSSEUS TO FIND HIS STRENGTH... 137 00:07:53,255 --> 00:07:54,952 AND COURAGE? 138 00:07:54,996 --> 00:07:56,867 VERY GOOD. 139 00:07:59,130 --> 00:08:04,571 [BELL RINGS] 140 00:08:12,579 --> 00:08:14,494 NEED A RIDE HOME? 141 00:08:17,018 --> 00:08:18,280 UH, NO. I'M OK. 142 00:08:18,323 --> 00:08:21,065 I GOT A LOT OF CATCHING UP TO DO. 143 00:08:21,109 --> 00:08:22,197 YOU KNOW, A LOT OF GIRLS 144 00:08:22,240 --> 00:08:23,546 DON'T LIKE TO LET ON WHEN THEY'RE SMART. 145 00:08:23,590 --> 00:08:25,374 I KNOW. I SHOULDN'T HAVE SAID-- 146 00:08:25,417 --> 00:08:27,681 NO. NO, I LIKE THAT. 147 00:08:27,724 --> 00:08:30,684 I LIKE THAT ABOUT YOU. 148 00:08:33,034 --> 00:08:37,342 A BUNCH OF US ARE GOING TO OUR COUNTRY CLUB ON SATURDAY NIGHT. 149 00:08:37,386 --> 00:08:43,000 THERE'LL BE A BAND. THE MUSIC'S PRETTY COOL. 150 00:08:43,044 --> 00:08:44,654 WOULD YOU LIKE TO GO WITH ME? 151 00:08:44,698 --> 00:08:48,528 I REALLY DO HAVE A LOT OF WORK TO DO. 152 00:08:48,571 --> 00:08:50,486 ON A SATURDAY NIGHT? 153 00:08:51,226 --> 00:08:52,749 WOW. 154 00:08:52,793 --> 00:08:53,881 COME ON. 155 00:08:53,924 --> 00:08:55,926 I'M SURE EVEN HOMER TOOK SOME TIME OFF 156 00:08:55,970 --> 00:09:00,365 BETWEEN THE ILIAD AND THE ODYSSEY. 157 00:09:00,409 --> 00:09:03,064 WELL, SURE. OK. 158 00:09:03,107 --> 00:09:05,806 OK. 159 00:09:11,420 --> 00:09:15,380 Girl: WE'RE ALL HERE NOW. YOU CAN GO. 160 00:09:28,437 --> 00:09:31,135 [CHURCH BELLS TOLL] 161 00:09:36,967 --> 00:09:39,491 [MAN WOLF-WHISTLES] 162 00:09:39,535 --> 00:09:41,363 BONITA. 163 00:10:00,948 --> 00:10:03,864 [LATIN MUSIC PLAYING] 164 00:10:51,738 --> 00:10:53,348 ESO. 165 00:11:05,055 --> 00:11:07,754 YOU FELT THE SUDDEN URGE FOR CUBAN MUSIC? 166 00:11:07,797 --> 00:11:10,017 THE VAN LEFT WITHOUT ME. 167 00:11:10,060 --> 00:11:11,671 I'VE BEEN WALKING FOR AN HOUR. 168 00:11:11,714 --> 00:11:12,672 I CAN WALK YOU BACK. 169 00:11:12,715 --> 00:11:14,543 OH, NO. YOU DON'T HAVE TO DO THAT. 170 00:11:14,586 --> 00:11:16,153 OH, YEAH, YOU'RE RIGHT. 171 00:11:16,197 --> 00:11:18,155 YOU'LL FIND YOUR WAY SOONER OR LATER. 172 00:11:18,199 --> 00:11:20,984 MAYBE IN A WEEK OR A MONTH. 173 00:11:21,028 --> 00:11:23,160 LET ME JUST SAY GOOD-BYE. 174 00:11:23,204 --> 00:11:26,120 !¡ABUELITO! 175 00:11:31,908 --> 00:11:34,128 BUENO. 176 00:11:36,043 --> 00:11:36,957 WHAT WAS IT YOU CALLED HIM? 177 00:11:37,000 --> 00:11:41,483 ABUELITO. IT'S MY GRANDPA. 178 00:11:41,962 --> 00:11:44,355 I'M KATEY. WHAT'S YOUR NAME? 179 00:11:44,399 --> 00:11:45,661 JAVIER. 180 00:11:45,705 --> 00:11:50,405 SO WHAT, YOU KNOW LIKE 5 WORDS IN SPANISH? 181 00:11:50,448 --> 00:11:51,885 MAYBE 10. 182 00:11:51,928 --> 00:11:54,452 Javier: AND WHAT ARE YOU STUDYING SO HARD TO DO? 183 00:11:54,496 --> 00:11:56,672 I HAVEN'T FIGURED IT OUT YET. 184 00:11:56,716 --> 00:12:00,589 HERE. LET ME TAKE THAT. 185 00:12:03,810 --> 00:12:07,248 I'VE NEVER SEEN DANCING LIKE THAT. 186 00:12:07,291 --> 00:12:08,684 LIKE WHAT? 187 00:12:08,728 --> 00:12:11,687 I DON'T KNOW. 188 00:12:11,731 --> 00:12:13,167 I LIKE IT. 189 00:12:13,210 --> 00:12:14,951 IT'S VERY... 190 00:12:18,781 --> 00:12:19,826 VERY CUBAN? 191 00:12:19,869 --> 00:12:21,566 YEAH. 192 00:12:22,176 --> 00:12:26,484 [STREET MUSICIANS SINGING IN SPANISH] 193 00:12:40,281 --> 00:12:42,849 [SINGING ALONG] 194 00:12:46,548 --> 00:12:48,855 [HORSE WHINNIES] 195 00:12:48,898 --> 00:12:51,118 WE SHOULD GET OFF THE STREET. 196 00:12:51,161 --> 00:12:52,293 WHY? 197 00:12:52,336 --> 00:12:53,337 YOU DON'T UNDERSTAND WHAT THEY'RE SINGING. 198 00:12:53,381 --> 00:12:56,601 [POLICE WHISTLES AND SIRENS] 199 00:12:59,735 --> 00:13:01,955 NO! 200 00:13:01,998 --> 00:13:03,086 NO! 201 00:13:03,130 --> 00:13:05,872 THAT WAY! 202 00:13:06,568 --> 00:13:09,571 SO YOU'VE GOT-- OK. OH, HERE SHE COMES. 203 00:13:09,614 --> 00:13:11,486 THANK YOU SO MUCH. 204 00:13:11,529 --> 00:13:12,356 [SIGHS] THANK GOD. 205 00:13:12,400 --> 00:13:15,620 KATEY, WHERE HAVE YOU BEEN? 206 00:13:15,664 --> 00:13:17,753 I MISSED THE BUS. 207 00:13:17,797 --> 00:13:19,233 I'M FINE. I WALKED. 208 00:13:19,276 --> 00:13:20,538 FOR HEAVEN'S SAKES. 209 00:13:20,582 --> 00:13:22,062 KATEY, WHY DIDN'T YOU CALL ME? 210 00:13:22,105 --> 00:13:24,629 FOR ALL I KNEW, YOU COULD HAVE BEEN KIDNAPPED BY REBELS. 211 00:13:24,673 --> 00:13:28,111 IT'S NOT THE REBELS YOU SHOULD BE WORRIED ABOUT. 212 00:13:28,155 --> 00:13:30,026 WHAT DID YOU SAY? 213 00:13:33,725 --> 00:13:34,639 YOU'RE RIGHT. 214 00:13:34,683 --> 00:13:37,077 I'M SORRY. I SHOULD HAVE CALLED. 215 00:13:37,120 --> 00:13:39,340 HONEY, WHERE'S YOUR BOOK BAG? 216 00:13:42,212 --> 00:13:44,562 I LEFT IT AT SCHOOL. 217 00:13:44,606 --> 00:13:46,347 IT WAS HEAVY. 218 00:13:50,830 --> 00:13:52,614 [LATIN MUSIC PLAYING] 219 00:14:36,484 --> 00:14:37,964 OH, GOD. 220 00:14:38,007 --> 00:14:40,792 IT WAS GOOD I HAD ALL THESE BORING AMERICAN BOOKS WITH ME. 221 00:14:40,836 --> 00:14:43,970 THEY REALIZED I COULDN'T BE A REVOLUTIONARY. 222 00:14:44,013 --> 00:14:46,320 I DON'T UNDERSTAND. 223 00:14:46,363 --> 00:14:47,843 THEY WERE JUST SINGING. 224 00:14:47,887 --> 00:14:51,368 THERE IS NOT SUCH A THING AS "JUST SINGING" HERE ANYMORE. 225 00:14:53,544 --> 00:14:56,373 YOU KNOW, YOU'RE A PRETTY GOOD DANCER. 226 00:14:56,417 --> 00:14:59,333 [CHUCKLES] I WAS TERRIBLE. 227 00:14:59,376 --> 00:15:03,250 OH, YEAH. YEAH, YOU WERE TERRIBLE, 228 00:15:03,293 --> 00:15:06,166 BUT FOR AN AMERICAN, YOU MOVE WELL. 229 00:15:06,209 --> 00:15:08,429 OH, THANKS. 230 00:15:12,346 --> 00:15:14,435 WHY DO YOU LOOK IN THE MIRROR? 231 00:15:14,478 --> 00:15:17,003 I WAS TRYING TO REMEMBER THE STEPS I SAW. 232 00:15:17,046 --> 00:15:20,484 BUT WHAT DOES LOOKING HAVE TO DO WITH IT? 233 00:15:20,528 --> 00:15:22,922 JUST--JUST FEEL THE MUSIC. 234 00:15:22,965 --> 00:15:24,662 YOU SHOULD SEE FOR YOURSELF. 235 00:15:24,706 --> 00:15:31,060 THE REAL DANCERS ARE AT LA ROSA NEGRA ON SATURDAY NIGHT. 236 00:15:31,104 --> 00:15:33,410 OH...I CAN'T. 237 00:15:33,454 --> 00:15:37,980 I GOT INVITED TO THIS COUNTRY CLUB...THING. 238 00:15:38,024 --> 00:15:40,026 HEY, THAT WAS FAST. 239 00:15:40,069 --> 00:15:41,244 YEAH. 240 00:15:41,288 --> 00:15:43,159 IS THAT WHY YOU WANT TO LEARN CUBAN DANCING? 241 00:15:43,203 --> 00:15:44,813 JUST TO IMPRESS YOUR DATE? 242 00:15:44,856 --> 00:15:46,597 NO. I WANTED TO-- 243 00:15:46,641 --> 00:15:47,685 DON'T WORRY. DON'T WORRY. 244 00:15:47,729 --> 00:15:49,165 THEY WON'T DANCE LIKE THAT AT THE CLUB. 245 00:15:49,209 --> 00:15:52,734 JUST LEARN THE FOX TROT INSTEAD. 246 00:15:53,169 --> 00:15:56,825 I ALREADY KNOW THE FOX TROT. 247 00:15:56,868 --> 00:16:00,872 [DO YOU WANNA DANCE? PLAYING] 248 00:16:06,008 --> 00:16:09,055 [DOOR CLOSES] 249 00:16:10,317 --> 00:16:12,058 DO WE NEED TO GO SHOPPING? 250 00:16:12,101 --> 00:16:16,453 I JUST THOUGHT YOU MIGHT BE GOING TO THE COUNTRY CLUB SATURDAY NIGHT. 251 00:16:16,497 --> 00:16:17,846 OH, YOU JUST THOUGHT? 252 00:16:17,889 --> 00:16:19,456 MRS. PHELPS TOOK ME TO LUNCH. 253 00:16:19,500 --> 00:16:22,372 YOU TWO AREN'T PLANNING AN ARRANGED MARRIAGE, ARE YOU? 254 00:16:22,416 --> 00:16:24,853 NO. I SHOULD HAVE THOUGHT OF THAT. 255 00:16:25,897 --> 00:16:27,290 HE'S SO CUTE. 256 00:16:27,334 --> 00:16:28,596 [CHUCKLES] 257 00:16:28,639 --> 00:16:30,511 ♪ DO YOU, DO YOU, DO YOU, DO YOU WANNA DANCE? ♪ 258 00:16:30,554 --> 00:16:33,427 ♪ DO YOU, DO YOU, DO YOU, DO YOU WANNA DANCE? ♪ 259 00:16:33,470 --> 00:16:38,998 ♪ DO YOU, DO YOU, DO YOU, DO YOU WANNA DANCE? ♪ 260 00:16:39,041 --> 00:16:42,001 YOLANDA? YES? 261 00:16:42,044 --> 00:16:45,265 IS THIS SQUARE? 262 00:16:45,308 --> 00:16:46,222 SQUARE? 263 00:16:46,266 --> 00:16:50,096 YEAH, YOU KNOW... LIKE A SQUARE? 264 00:16:50,139 --> 00:16:52,315 IS A SQUARE GOOD OR BAD? 265 00:16:52,359 --> 00:16:54,448 IT'S BAD. 266 00:16:54,491 --> 00:16:56,798 SIÍ. 267 00:16:56,841 --> 00:16:58,017 THIS IS SQUARE. 268 00:16:58,060 --> 00:17:00,410 OH, GOD. 269 00:17:01,237 --> 00:17:02,630 I DON'T KNOW. 270 00:17:02,673 --> 00:17:06,590 YOU'RE SMALLER THAN ME. YOUR DRESSES'LL BE... 271 00:17:06,634 --> 00:17:09,289 PERFECT. 272 00:17:10,855 --> 00:17:11,813 YOU'RE JOKING. 273 00:17:11,856 --> 00:17:15,121 WHY? IS IT SQUARE? 274 00:17:16,165 --> 00:17:17,993 DEFINITELY NOT. 275 00:17:18,037 --> 00:17:20,822 IT'S NOT FAIR! 276 00:17:20,865 --> 00:17:22,258 ALL OF MY FRIENDS ARE GOING, 277 00:17:22,302 --> 00:17:24,217 SO WHY WOULD YOU GO, AND I CAN'T? 278 00:17:24,260 --> 00:17:27,524 I AM OLDER THAN YOU. 279 00:17:27,568 --> 00:17:28,960 SUCH A WASTE. 280 00:17:29,004 --> 00:17:31,528 YOU DON'T EVEN KNOW HOW TO HAVE FUN. 281 00:17:32,790 --> 00:17:33,835 [GROANS] 282 00:17:33,878 --> 00:17:39,841 [BAND PLAYING ROCK MUSIC] 283 00:17:47,892 --> 00:17:50,547 SURE YOU DON'T WANT ME TO STAY? 284 00:17:51,374 --> 00:17:53,289 DAD, DON'T. 285 00:17:54,203 --> 00:17:55,596 OK. BYE. 286 00:17:55,639 --> 00:17:58,947 [MAKES SILLY NOISE] 287 00:18:00,601 --> 00:18:03,517 BE CAREFUL. 288 00:18:24,712 --> 00:18:27,628 POLLY. POLLY. 289 00:18:27,671 --> 00:18:30,065 [LAUGHS] 290 00:18:32,241 --> 00:18:35,157 GOD, WHAT'D SHE DO? PAINT IT ON? 291 00:18:35,201 --> 00:18:37,681 SEÑORITA. 292 00:18:42,512 --> 00:18:43,992 WOW! 293 00:18:44,645 --> 00:18:46,386 OH...I DON'T KNOW. 294 00:18:46,429 --> 00:18:48,692 OH, I DO. 295 00:18:49,606 --> 00:18:50,477 [SONG ENDS, APPLAUSE] 296 00:18:50,520 --> 00:18:52,087 I WOULD LIKE TO INVITE YOU ALL 297 00:18:52,131 --> 00:18:54,133 TO THE CLUB PALACE ON CHRISTMAS EVE-- 298 00:18:54,176 --> 00:18:55,656 YOU BEEN TO THE PALACE YET? 299 00:18:55,699 --> 00:18:59,660 ...THE TENTH ANNUAL LATIN BALLROOM AMATEUR DANCE CONTEST. 300 00:18:59,703 --> 00:19:00,878 I'LL HAVE TO TAKE YOU. 301 00:19:00,922 --> 00:19:04,621 [BAND PLAYS SURF VERSION OF SLEIGH RIDE] 302 00:19:10,192 --> 00:19:13,282 [YOU SEND MEPLAYING] 303 00:19:13,326 --> 00:19:14,327 ♪ LISTEN 304 00:19:14,370 --> 00:19:17,678 ♪ DARLING, YOU 305 00:19:17,721 --> 00:19:20,289 ♪ SEND ME 306 00:19:20,333 --> 00:19:23,336 ♪ DARLING, YOU 307 00:19:23,379 --> 00:19:24,641 ♪ SEND ME 308 00:19:24,685 --> 00:19:30,343 YOU FEEL REALLY GOOD. AM I MAKING YOU NERVOUS? 309 00:19:30,386 --> 00:19:31,387 NO. 310 00:19:31,431 --> 00:19:33,998 WELL, YOU MAKE ME A LITTLE NERVOUS, 311 00:19:34,042 --> 00:19:35,478 BUT DON'T TELL ANYONE. 312 00:19:35,522 --> 00:19:38,133 IT'LL RUIN MY REPUTATION. 313 00:19:38,177 --> 00:19:39,134 [LAUGHS] 314 00:19:39,178 --> 00:19:43,094 ♪ I THOUGHT IT WAS INFATUATION ♪ 315 00:19:43,486 --> 00:19:45,009 LISTEN, WE'RE GOING OVER TO POLLY'S 316 00:19:45,053 --> 00:19:46,837 FOR A LITTLE MOJITO PARTY. 317 00:19:46,881 --> 00:19:47,969 OH, YEAH? 318 00:19:48,012 --> 00:19:49,840 AND HER PARENTS ARE OUT OF TOWN AGAIN. 319 00:19:49,884 --> 00:19:50,754 WHAT DO YOU THINK? 320 00:19:50,798 --> 00:19:53,627 STEPH CAN MAKE A WICKED MOJITO. 321 00:19:53,670 --> 00:19:55,106 UH, WELL-- 322 00:19:55,150 --> 00:19:56,499 HEY, I'M SURE WE CAN GET SOMEONE 323 00:19:56,543 --> 00:19:59,198 TO RUSTLE YOU UP A SHIRLEY TEMPLE. 324 00:20:00,547 --> 00:20:02,244 ACTUALLY... 325 00:20:02,288 --> 00:20:05,552 JAMES AND I ARE GONNA GO TO A CUBAN CLUB. 326 00:20:05,595 --> 00:20:07,075 WHERE? 327 00:20:07,815 --> 00:20:09,773 LA ROSA NEGRO. 328 00:20:10,339 --> 00:20:14,996 YEAH, WE'RE GOING TO THE... LA ROSA NEGRA. 329 00:20:15,039 --> 00:20:19,218 [LATIN MUSIC PLAYING] 330 00:20:26,529 --> 00:20:28,966 JESUS. 331 00:20:51,424 --> 00:20:54,427 LOOK AT THE WAY THEY FEEL THE MUSIC. 332 00:20:56,777 --> 00:20:59,867 THEY'RE FEELING IT, ALL RIGHT. 333 00:21:02,957 --> 00:21:05,873 I'LL GET US SOME DRINKS. 334 00:21:36,382 --> 00:21:37,948 HI. 335 00:21:39,210 --> 00:21:40,386 YOU LOOK SO CUBAN. 336 00:21:40,429 --> 00:21:42,257 SO DO YOU. 337 00:21:43,867 --> 00:21:46,609 HI. I'M JAVIER. 338 00:21:47,218 --> 00:21:48,350 NAME'S PHELPS. 339 00:21:48,394 --> 00:21:49,656 YEAH. I KNOW YOU. 340 00:21:49,699 --> 00:21:53,355 SO, THE COUNTRY CLUB WASN'T ALL YOU EXPECTED? 341 00:21:53,399 --> 00:21:56,010 WE THOUGHT WE'D EXPAND OUR HORIZONS A LITTLE BIT. 342 00:21:56,053 --> 00:22:00,275 OH, YOU MEAN ACTUALLY EXPERIENCE LA HAVANA? 343 00:22:01,276 --> 00:22:02,973 [REPRESENT CUBA PLAYING] 344 00:22:03,017 --> 00:22:07,195 DO YOU MIND IF I DANCE WITH YOUR DATE? 345 00:22:08,849 --> 00:22:10,981 WELL, YOU'LL HAVE TO ASK HER. 346 00:22:12,505 --> 00:22:14,898 OK. 347 00:22:16,247 --> 00:22:21,470 ♪ TE QUIERO HAVANA,THE RHYTHM PUMPIN' IN MY HEART ♪ 348 00:22:21,514 --> 00:22:23,298 ♪ IN LA ROSA ♪ 349 00:22:23,342 --> 00:22:26,823 ♪ WE DANCE TO THE TEMPO OF LOVE ♪ 350 00:22:26,867 --> 00:22:30,087 SHALL WE GIVE YOUR BOYFRIEND A SHOW? 351 00:22:30,131 --> 00:22:31,524 HE'S NOT MY BOYFRIEND. 352 00:22:31,567 --> 00:22:36,529 ♪ LET YOUR BODY TALK TILL THE VOICE IN YOU SAYS ♪ 353 00:22:36,572 --> 00:22:37,791 ♪ BABY 354 00:22:37,834 --> 00:22:41,011 ♪ I'M THE ONE YOU FIND DEEP IN THE GROOVE ♪ 355 00:22:41,055 --> 00:22:46,452 ♪ THAT HAS YOUR BODY AND YOUR SENSES ♪ 356 00:22:46,495 --> 00:22:51,065 ♪ I'M THE HEAT INSIDE WHEN RHYTHM AND LOVE COLLIDE ♪ 357 00:22:51,108 --> 00:22:52,893 ♪ OHH, LA ♪ CUBA 358 00:22:52,936 --> 00:22:57,506 ♪ LET ME INTRODUCE MYSELF 359 00:22:57,550 --> 00:22:59,726 ♪ REPRESENT, REPRESENT 360 00:22:59,769 --> 00:23:01,075 ♪ CUBA 361 00:23:01,118 --> 00:23:02,859 [SINGING IN SPANISH] 362 00:23:02,903 --> 00:23:04,513 ♪ REPRESENT, REPRESENT 363 00:23:04,557 --> 00:23:05,427 ♪ CUBA 364 00:23:05,471 --> 00:23:08,082 ♪ HEY, ME MUÚSICA♪ 365 00:23:08,125 --> 00:23:09,649 ♪ REPRESENT, REPRESENT 366 00:23:09,692 --> 00:23:11,999 ♪ CUBA 367 00:23:13,043 --> 00:23:14,741 ♪ REPRESENT, REPRESENT 368 00:23:14,784 --> 00:23:15,655 ♪ CUBA 369 00:23:15,698 --> 00:23:18,571 ♪ HEY, TU MUÚSICA♪ 370 00:23:21,356 --> 00:23:23,489 LOSE YOUR DATE? 371 00:23:23,532 --> 00:23:27,928 MUST BE THAT YANKEE DANCING WITH MY BROTHER. 372 00:23:28,972 --> 00:23:31,061 GOOD OF YOU TO BRING YOUR GIRLFRIEND TO HAVANA 373 00:23:31,105 --> 00:23:33,412 WHILE YOU STILL HAVE THE CHANCE. 374 00:23:34,325 --> 00:23:35,283 WHY? 375 00:23:35,326 --> 00:23:37,241 ARE YOU GONNA RUN US GRINGOS OUT? 376 00:23:37,285 --> 00:23:41,376 THAT'S RIGHT, COMEBOLA, SO KEEP SMILING. 377 00:23:41,420 --> 00:23:42,899 [LAUGHS] 378 00:23:43,422 --> 00:23:47,295 ♪ LET ME INTRODUCE MYSELF 379 00:23:47,338 --> 00:23:48,601 ♪ CUBA 380 00:23:48,644 --> 00:23:49,950 ♪ REPRESENT, REPRESENT 381 00:23:49,993 --> 00:23:51,691 ♪ CUBA 382 00:23:52,387 --> 00:23:53,127 ♪ CUBA 383 00:23:53,170 --> 00:23:54,998 ♪ REPRESENT, REPRESENT 384 00:23:55,042 --> 00:23:56,086 ♪ CUBA 385 00:23:56,130 --> 00:23:58,480 ♪ HEY, TU MUÚSICA ♪ 386 00:23:58,524 --> 00:24:00,177 ♪ REPRESENT, REPRESENT 387 00:24:00,221 --> 00:24:01,483 ♪ CUBA 388 00:24:01,527 --> 00:24:03,354 ♪ OISHAS DE UNDERGROUND LE HABANA ♪ 389 00:24:03,398 --> 00:24:05,444 ♪ REPRESENT, REPRESENT 390 00:24:05,487 --> 00:24:06,357 ♪ CUBA 391 00:24:06,401 --> 00:24:09,012 ♪ HEY, TU MUÚSICA♪ 392 00:24:09,056 --> 00:24:11,624 [SONG ENDS, APPLAUSE] 393 00:24:14,714 --> 00:24:18,457 [NEW SONG STARTS] 394 00:24:23,374 --> 00:24:24,419 RAOUL Y ESMERELDA, 395 00:24:24,463 --> 00:24:28,205 KING AND QUEEN OF LA ROSA NEGRA. 396 00:24:32,558 --> 00:24:35,517 WHEN THEY DANCE, THE FLOOR IS THEIRS. 397 00:24:57,670 --> 00:25:00,324 YOU'RE AS GOOD A DANCER AS HE IS. 398 00:25:00,368 --> 00:25:02,370 [CHUCKLES] 399 00:25:06,287 --> 00:25:09,333 KATEY, THIS IS MY BROTHER CARLOS. 400 00:25:09,377 --> 00:25:12,075 ARTURO AND MIGUEL. HOLA. 401 00:25:12,119 --> 00:25:13,642 HOLA. 402 00:25:13,686 --> 00:25:15,775 WE WERE JUST TALKING POLITICS. 403 00:25:15,818 --> 00:25:18,691 REALLY? WELL, MY BROTHER LOVES TALKING. 404 00:25:18,734 --> 00:25:20,867 JAVIER DOESN'T LIKE TO TALK POLITICS. 405 00:25:20,910 --> 00:25:22,042 AFTER ALL, THE REVOLUTION 406 00:25:22,085 --> 00:25:24,000 WOULD SCREW UP HIS JOB KISSING YOUR ASSES. 407 00:25:24,044 --> 00:25:26,002 AND WHERE'S THE REVOLUTION TONIGHT? 408 00:25:26,046 --> 00:25:27,961 ON THE DANCE FLOOR? 409 00:25:28,004 --> 00:25:30,833 WHILE YOU BOYS KISS AND MAKE UP, 410 00:25:30,877 --> 00:25:33,053 WE'RE GONNA GET SOME FRESH AIR. 411 00:25:33,096 --> 00:25:35,229 LET'S GO. 412 00:25:42,976 --> 00:25:44,586 [SIGHS] 413 00:25:44,630 --> 00:25:46,327 I WAS ENJOYING THE DANCING. 414 00:25:46,370 --> 00:25:49,504 YOU--YOU WERE VERY HOT. 415 00:25:49,548 --> 00:25:51,854 [CHUCKLES] 416 00:25:55,249 --> 00:25:56,206 [LOCKS DOOR] 417 00:25:56,250 --> 00:26:00,384 IT'S NOT THE SAFEST PART OF TOWN. 418 00:26:01,647 --> 00:26:03,518 NO, DON'T. 419 00:26:04,693 --> 00:26:07,261 TAKE ME HOME, WILL YOU-- 420 00:26:07,304 --> 00:26:08,436 STOP IT! 421 00:26:08,479 --> 00:26:10,003 GET OFF! 422 00:26:10,046 --> 00:26:12,614 YOU DIDN'T SAY NO TO HIM. 423 00:26:12,658 --> 00:26:14,094 NO! [DRESS RIPS] 424 00:26:14,137 --> 00:26:15,748 [SLAP] 425 00:26:19,708 --> 00:26:20,622 KATEY! 426 00:26:20,666 --> 00:26:22,145 KATEY, GET BACK IN THE DAMN CAR! 427 00:26:22,189 --> 00:26:24,017 I'LL TAKE YOU HOME. 428 00:26:29,718 --> 00:26:31,328 HEY. 429 00:26:31,372 --> 00:26:33,504 HEY. 430 00:26:34,984 --> 00:26:35,768 WHERE IS HE? 431 00:26:35,811 --> 00:26:37,117 HE'S GONE. HE'S GONE. 432 00:26:37,160 --> 00:26:40,511 IT'S OK. IT'S OK. I'M FINE. 433 00:26:40,860 --> 00:26:45,168 MY DAD WORKS FOR HIS DAD. 434 00:26:45,212 --> 00:26:47,736 I JUST WANT TO FORGET ABOUT IT. 435 00:26:47,780 --> 00:26:50,565 DON'T WORRY. 436 00:26:50,609 --> 00:26:53,394 I'LL TAKE YOU HOME. 437 00:26:53,437 --> 00:26:55,614 COME ON. 438 00:26:56,702 --> 00:26:58,965 Katey: I SHOULD HAVE SEEN IT COMING. 439 00:26:59,008 --> 00:27:01,184 I GUESS I'M NOT USED TO-- 440 00:27:01,228 --> 00:27:03,143 Javier: BASTARDS? 441 00:27:03,186 --> 00:27:04,361 GUYS. 442 00:27:04,405 --> 00:27:08,017 WHAT? YOU NEVER HAD A BOYFRIEND IN AMERICA? 443 00:27:08,061 --> 00:27:10,585 NO. I LIKED THIS ONE GUY, 444 00:27:10,629 --> 00:27:12,195 BUT IT DIDN'T WORK OUT. 445 00:27:12,239 --> 00:27:12,979 WHY NOT? 446 00:27:13,022 --> 00:27:14,458 HE DIDN'T KNOW I EXISTED. 447 00:27:14,502 --> 00:27:15,590 Javier: OH. OH, YEAH. 448 00:27:15,634 --> 00:27:18,375 THAT COULD BE A PROBLEM. 449 00:27:21,074 --> 00:27:23,511 THIS IS AS FAR AS I GO. 450 00:27:23,816 --> 00:27:26,383 THE STAFF IS NOT SUPPOSED TO MIX WITH GUESTS. 451 00:27:26,427 --> 00:27:28,777 IT TOOK ME A LONG TIME TO FIND THIS JOB. 452 00:27:28,821 --> 00:27:32,085 Katey: YOU'D BE IN TROUBLE FOR WALKING ME UP THERE? 453 00:27:32,128 --> 00:27:33,695 Javier: YEAH. 454 00:27:33,739 --> 00:27:35,871 THAT'S RIDICULOUS. 455 00:27:46,882 --> 00:27:48,536 ADIOS. 456 00:27:48,579 --> 00:27:50,538 [CHUCKLES] 457 00:27:51,234 --> 00:27:53,846 THANKS FOR WALKING ME HOME. 458 00:27:54,107 --> 00:27:59,242 I'M SORRY YOUR EVENING WAS...SO DIFFICULT. 459 00:28:00,200 --> 00:28:02,376 NOT ALL OF IT WAS. 460 00:28:05,771 --> 00:28:07,990 OH. 461 00:28:35,626 --> 00:28:37,367 Man: MY JOB IS TO MAKE YOU LOOK BEAUTIFUL. 462 00:28:37,411 --> 00:28:41,241 YOUR JOB IS TO MAKE OUR BODIES LIKE ONE. WATCH. 463 00:28:41,284 --> 00:28:43,069 [LATIN MUSIC PLAYING] 464 00:29:24,893 --> 00:29:27,330 [SONG ENDS, APPLAUSE] 465 00:29:28,723 --> 00:29:30,638 THANKS. OK, 466 00:29:30,681 --> 00:29:31,987 THAT'S IT FOR TODAY. 467 00:29:32,031 --> 00:29:35,774 OH, UH, WHO'S GONNA ENTER THE BIG DANCE CONTEST? 468 00:29:35,817 --> 00:29:37,166 Woman: ISN'T IT JUST FOR LOCALS? 469 00:29:37,210 --> 00:29:39,603 ACTUALLY, IT'S FOR ANYONE WHO HAS THE GUTS TO TRY. 470 00:29:39,647 --> 00:29:41,780 WHAT ABOUT YOU? 471 00:29:42,606 --> 00:29:43,694 ME? 472 00:29:43,738 --> 00:29:44,652 UH-HUH. 473 00:29:44,695 --> 00:29:46,828 NO, I CAN'T. I'M NOT GOOD ENOUGH. 474 00:29:46,872 --> 00:29:50,484 SURE YOU ARE. I'VE SEEN YOU PRACTICING. 475 00:29:55,445 --> 00:29:57,099 EASY. 476 00:30:04,237 --> 00:30:06,369 Katey: WHOA. 477 00:30:06,413 --> 00:30:08,719 THINK ABOUT IT. 478 00:30:15,378 --> 00:30:16,379 KATEY! 479 00:30:16,423 --> 00:30:18,294 YOU LEFT YOUR SWEATER IN MY CAR. I-- 480 00:30:18,338 --> 00:30:19,469 JUST BRING IT TO SCHOOL. 481 00:30:19,513 --> 00:30:21,080 HEY, WAIT A SECOND. 482 00:30:21,123 --> 00:30:22,646 KATEY-- 483 00:30:24,344 --> 00:30:25,432 I'M REALLY SORRY. 484 00:30:25,475 --> 00:30:30,654 I WAS DRINKING. I WOULD NEVER HURT YOU. 485 00:30:30,698 --> 00:30:33,005 HE'S NOT HERE. 486 00:30:35,007 --> 00:30:36,399 THEY FIRED HIM. 487 00:30:36,443 --> 00:30:37,444 WHA--WHAT? 488 00:30:37,487 --> 00:30:42,188 LOIS AND YOUR SISTER, THEY SAW YOU. 489 00:30:44,103 --> 00:30:45,800 I'M SORRY. 490 00:30:45,844 --> 00:30:48,281 I--I GOTTA GO. 491 00:30:52,241 --> 00:30:54,548 [DOOR CLOSES] 492 00:30:58,682 --> 00:30:59,596 YOU KNOW, 493 00:30:59,640 --> 00:31:00,641 YOU NEED TO KEEP YOUR MOUTH SHUT. 494 00:31:00,684 --> 00:31:02,208 THE THINGS YOU DO HAVE CONSEQUENCES. 495 00:31:02,251 --> 00:31:04,645 LOIS IS THE ONE WHO BLABBED IT. 496 00:31:04,688 --> 00:31:05,646 OH, RIGHT... 497 00:31:05,689 --> 00:31:07,126 AND YOU HAD NOTHING TO DO WITH IT. 498 00:31:07,169 --> 00:31:10,477 WELL, WHAT WERE YOU DOING WITH THAT GUY, ANYWAY? 499 00:31:10,520 --> 00:31:11,782 IT'S EMBARRASSING. 500 00:31:11,826 --> 00:31:14,742 IS THAT YOU TALKING, OR IS IT THOSE OTHER GIRLS? 501 00:31:14,785 --> 00:31:16,657 HE'S NOT LIKE US. 502 00:31:16,700 --> 00:31:19,703 THERE IS NO "US," SUSIE. 503 00:31:32,891 --> 00:31:33,848 HOLA. 504 00:31:33,892 --> 00:31:36,068 HOLA. 505 00:31:40,811 --> 00:31:43,031 SIÍ. 506 00:31:43,945 --> 00:31:44,685 YES? 507 00:31:44,728 --> 00:31:46,295 I'M A FRIEND OF JAVIER'S. 508 00:31:46,339 --> 00:31:47,470 ¿COÓMO? 509 00:31:47,514 --> 00:31:50,169 FROM THE HOTEL. 510 00:31:51,083 --> 00:31:54,564 I DIDN'T KNOW HE HAD FRIENDS IN THE HOTEL. 511 00:31:54,608 --> 00:31:57,263 UM...IS HE HERE? 512 00:31:57,306 --> 00:32:01,658 NO. HE'S WORKING THERE NOW. 513 00:32:01,702 --> 00:32:03,878 YOU DON'T SEE HIM? 514 00:32:04,618 --> 00:32:07,664 [BOTH SPEAKING SPANISH] 515 00:32:08,709 --> 00:32:12,017 [SPEAKING SPANISH] 516 00:32:15,150 --> 00:32:19,198 SO, WHAT DO YOU WANT WITH MY BROTHER? 517 00:32:19,241 --> 00:32:21,678 I NEED TO TALK TO HIM. 518 00:32:21,722 --> 00:32:26,205 YOU GOT HIM FIRED. ISN'T THAT ENOUGH? 519 00:32:27,380 --> 00:32:30,470 I KNOW A WAY HE CAN MAKE SOME MONEY. 520 00:32:30,861 --> 00:32:31,993 Carlos: YOU YANKEES, YOU COME HERE, 521 00:32:32,037 --> 00:32:33,777 AND YOU POUR MONEY INTO THE CASINOS, 522 00:32:33,821 --> 00:32:36,389 INTO THE POCKETS OF THE GANGSTERS WHO RUN THIS COUNTRY, 523 00:32:36,432 --> 00:32:41,481 THE SAME GANGSTERS WHO MURDER INNOCENT PEOPLE, LIKE MY FATHER. 524 00:32:41,524 --> 00:32:42,961 I DIDN'T KNOW. 525 00:32:43,004 --> 00:32:47,313 THAT'S RIGHT. YOU DON'T KNOW. 526 00:32:56,061 --> 00:32:58,367 Carlos: JAVI. 527 00:33:03,242 --> 00:33:05,461 I FEEL TERRIBLE ABOUT WHAT HAPPENED. 528 00:33:05,505 --> 00:33:06,593 I WENT TO YOUR HOUSE-- 529 00:33:06,636 --> 00:33:09,030 MY HOUSE? YOU TOLD MY MOTHER I WAS FIRED? 530 00:33:09,074 --> 00:33:09,900 NO, I DIDN'T-- 531 00:33:09,944 --> 00:33:10,945 THEN WHAT DO YOU WANT? 532 00:33:10,989 --> 00:33:13,034 I TOLD HER I WANTED TO TALK TO YOU. 533 00:33:13,078 --> 00:33:15,341 I'M SORRY YOU GOT FIRED. 534 00:33:16,037 --> 00:33:19,475 DON'T WORRY. IT'S MY FAULT. I KNEW BETTER. 535 00:33:19,519 --> 00:33:21,869 IS THIS YOUR NEW JOB? 536 00:33:21,912 --> 00:33:24,828 THAT'S RIGHT. YOU MAKE 'EM. WE STEAL 'EM. 537 00:33:24,872 --> 00:33:28,658 ISN'T THAT RIGHT, JAVI? 538 00:33:31,879 --> 00:33:36,101 THERE'S THIS-- THIS DANCE CONTEST 539 00:33:36,144 --> 00:33:39,582 AT THE PALACE CHRISTMAS EVE. 540 00:33:39,626 --> 00:33:40,931 I THINK YOU SHOULD GO. 541 00:33:40,975 --> 00:33:43,369 AND SEE IF THEY NEED ANY BUSBOYS? 542 00:33:43,412 --> 00:33:45,458 THAT'S NOT WHAT I MEAN. 543 00:33:45,501 --> 00:33:49,157 YOU KNOW WHAT KIND OF PEOPLE GOES TO THE PALACE? 544 00:33:49,201 --> 00:33:51,029 I COULD GET YOU IN. 545 00:33:51,072 --> 00:33:53,944 YOU'D HAVE TO BE MY PARTNER. 546 00:33:57,426 --> 00:33:59,254 YOU--YOU MEAN DANCE WITH YOU? 547 00:33:59,298 --> 00:34:02,518 GOD, I'M NOT THAT BAD. 548 00:34:02,562 --> 00:34:04,868 [CHUCKLES] 549 00:34:04,912 --> 00:34:06,131 YOU DIDN'T SEEM TO MIND IT LAST NIGHT. 550 00:34:06,174 --> 00:34:08,437 I WASN'T TRYING TO WIN A CONTEST. 551 00:34:08,481 --> 00:34:10,222 OH, WEREN'T YOU? 552 00:34:13,660 --> 00:34:16,010 I'M SORRY, BUT I HAVE A LOT OF WORK TO DO. 553 00:34:16,054 --> 00:34:21,842 THE PRIZE FOR THE SEMIFINALS IS $300. 554 00:34:21,885 --> 00:34:23,974 THE GRAND PRIZE IS $5,000. 555 00:34:24,018 --> 00:34:27,500 THE WINNERS GET TO GO TO AMERICA. 556 00:34:28,544 --> 00:34:30,938 I DON'T HAVE TIME. 557 00:35:37,091 --> 00:35:38,788 HI. 558 00:35:44,838 --> 00:35:47,014 THIS CONTEST... 559 00:35:47,057 --> 00:35:49,059 DOES IT COST MONEY? 560 00:35:49,669 --> 00:35:51,671 NO. 561 00:35:52,193 --> 00:35:54,413 YOU KNOW THAT IT'S BALLROOM DANCING. 562 00:35:54,456 --> 00:35:55,675 IT'S NOT WHAT I DO. 563 00:35:55,718 --> 00:35:56,763 IT'S LATIN BALLROOM. 564 00:35:56,806 --> 00:35:58,547 IF WE MIX WHAT YOU DO WITH WHAT I DO, 565 00:35:58,591 --> 00:36:01,159 I REALLY THINK WE'D HAVE SOMETHING. 566 00:36:01,202 --> 00:36:03,770 I STILL HAVE TO TEACH YOU EVERYTHING. 567 00:36:03,813 --> 00:36:05,293 NOT EVERYTHING. 568 00:36:05,337 --> 00:36:08,818 I'LL HAVE TO TEACH YOU A FEW THINGS, TOO. 569 00:36:08,862 --> 00:36:10,472 HMM. 570 00:36:13,519 --> 00:36:16,174 CAN WE DO THIS? 571 00:36:17,523 --> 00:36:21,701 [LATIN MUSIC PLAYING] 572 00:36:23,920 --> 00:36:25,792 WHAT?WHAT ARE YOU DOING? 573 00:36:25,835 --> 00:36:27,489 JUST DANCING. 574 00:36:27,533 --> 00:36:29,839 BUT THIS IS A ROUTINE. 575 00:36:29,883 --> 00:36:32,494 YOU CAN'T JUST DO WHAT YOU FEEL LIKE 576 00:36:32,538 --> 00:36:33,452 WHEN YOU FEEL LIKE IT. 577 00:36:33,495 --> 00:36:34,714 WHEN I DANCE, I HAVE NO ROUTINE. 578 00:36:34,757 --> 00:36:37,630 BUT THIS IS A CONTEST. WE NEED A STRUCTURE. 579 00:36:37,673 --> 00:36:40,198 CAN I SEE THAT? 580 00:36:41,024 --> 00:36:42,417 HA. 581 00:36:44,463 --> 00:36:45,377 FIRST, 582 00:36:45,420 --> 00:36:46,769 YOU LEARN TO MOVE, AND THEN WE... 583 00:36:46,813 --> 00:36:49,511 WORRY ABOUT LISTS AND WORDS. OK. FINE. 584 00:36:49,555 --> 00:36:52,297 HOW DO YOU CALL THIS? 585 00:36:52,340 --> 00:36:53,994 YOUR HIPS? 586 00:36:54,037 --> 00:36:56,214 YOUR HIPS. 587 00:36:56,257 --> 00:36:58,477 AND CIRCLE. 588 00:36:58,520 --> 00:37:00,305 COME ON. 589 00:37:00,348 --> 00:37:03,308 COME ON. AND CIRCLE. 590 00:37:04,004 --> 00:37:04,961 THAT'S A BOX. 591 00:37:05,005 --> 00:37:06,876 WHAT, ARE YOU CRAZY? 592 00:37:06,920 --> 00:37:08,313 WHY SHOULD I COVER FOR YOU? 593 00:37:08,356 --> 00:37:10,924 YOU WANT ME TO TELL THEM WHAT HAPPENED? 594 00:37:10,967 --> 00:37:13,187 WELL, HELLO THERE. 595 00:37:14,101 --> 00:37:15,233 James: MOM! 596 00:37:15,276 --> 00:37:16,059 WE'RE JUST HEADING OVER FOR SOME LEMONADE. 597 00:37:16,103 --> 00:37:17,191 WOULD YOU CARE TO JOIN US? 598 00:37:17,235 --> 00:37:18,845 NO, NO. 599 00:37:18,888 --> 00:37:20,150 WE'LL TAKE A RAIN CHECK. 600 00:37:20,194 --> 00:37:21,761 Mrs. Miller: OK. YOU TWO HAVE FUN. 601 00:37:21,804 --> 00:37:25,286 I'M GONNA HELP JAVIER, AND YOU'RE GONNA HELP ME. 602 00:37:25,330 --> 00:37:27,941 ♪ GUAJIRA 603 00:37:28,333 --> 00:37:30,422 ♪ I LOVE YOU TOO MUCH 604 00:37:30,465 --> 00:37:32,946 YOUR FRAME IS REALLY WEAK. 605 00:37:35,775 --> 00:37:36,819 BETTER? 606 00:37:36,863 --> 00:37:39,474 I COULD DO WITHOUT THE BRUISES, THANKS. 607 00:37:41,433 --> 00:37:43,348 I CAN FIT ANOTHER COUPLE BETWEEN US. 608 00:37:43,391 --> 00:37:46,133 IT'S NOT GONNA BE A CROWDED CLUB. 609 00:37:46,176 --> 00:37:48,614 WE'VE GOTTA SWEEP ACROSS THE DANCE FLOOR. 610 00:37:48,657 --> 00:37:50,442 OK. 611 00:37:50,485 --> 00:37:52,574 OK, I CAN SWEEP. 612 00:37:53,880 --> 00:37:56,491 WHAT ARE YOU DOING? YOUR STEPS ARE TOO BIG. 613 00:37:56,535 --> 00:37:58,145 NO, I'M SWEEPING. 614 00:37:58,188 --> 00:37:59,929 HOW'S IT GOING WITH JAMES? 615 00:37:59,973 --> 00:38:01,191 I GOT HOMEWORK TO DO. 616 00:38:01,235 --> 00:38:04,456 YOU KNOW WHAT, SWEETIE? 617 00:38:04,499 --> 00:38:06,545 I'VE BEEN WANTING TO ASK YOU 618 00:38:06,588 --> 00:38:09,461 IF YOU HAVE ANY QUESTIONS OR... 619 00:38:09,504 --> 00:38:13,334 CONCERNS, YOU KNOW, ABOUT YOU AND JAMES. 620 00:38:13,378 --> 00:38:14,683 ♪ GUAJIRA 621 00:38:14,727 --> 00:38:20,341 IT'S LIKE DANCING WITH MY MOTHER'S IRONING BOARD. 622 00:38:20,950 --> 00:38:23,344 JUST CLOSE YOUR EYES. 623 00:38:23,388 --> 00:38:24,476 WHY? 624 00:38:24,519 --> 00:38:26,216 JUST DO IT. 625 00:38:26,521 --> 00:38:29,872 ♪ I LOVE YOU TOO MUCH 626 00:38:35,443 --> 00:38:37,184 Mrs. Miller: IT'S AWKWARD TO TALK ABOUT, BUT... 627 00:38:37,227 --> 00:38:41,841 IT'S IMPORTANT THAT YOU NOT LET A BOY PRESSURE YOU. 628 00:38:41,884 --> 00:38:43,756 AND EVEN IF YOU HAVE CERTAIN FEELINGS 629 00:38:43,799 --> 00:38:44,931 WHEN YOU'RE WITH JAMES, 630 00:38:44,974 --> 00:38:49,675 FEELINGS THAT YOU AREN'T USED TO HAVING... 631 00:38:57,726 --> 00:38:58,597 OH, GOD! 632 00:38:58,640 --> 00:39:00,729 DO YOU HAVE TO BE SUCH A GUY? 633 00:39:02,949 --> 00:39:04,907 OK. 634 00:39:04,951 --> 00:39:07,910 OK, I'LL BE THE GIRL. 635 00:39:11,784 --> 00:39:13,699 THE DECISIONS YOU MAKE NOW, 636 00:39:13,742 --> 00:39:15,831 THE CHOICES YOU MAKE, 637 00:39:15,875 --> 00:39:18,530 COULD AFFECT YOUR WHOLE LIFE. 638 00:39:19,052 --> 00:39:20,880 DO YOU UNDERSTAND WHAT I'M SAYING? 639 00:39:20,923 --> 00:39:21,881 MM-HMM. 640 00:39:21,924 --> 00:39:23,578 YOU DO? OH. 641 00:39:23,622 --> 00:39:24,405 [SIGHS] 642 00:39:24,449 --> 00:39:28,061 ♪ I LOVE YOU TOO MUCH 643 00:39:30,542 --> 00:39:32,631 ♪ GUAJIRA 644 00:39:33,371 --> 00:39:36,678 ♪ I LOVE YOU TOO MUCH 645 00:39:49,474 --> 00:39:52,302 [WOMAN SINGING IN SPANISH] 646 00:40:10,364 --> 00:40:13,585 I DIDN'T WANT TO WASTE THE MUSIC. 647 00:40:14,847 --> 00:40:17,545 NO, OF COURSE NOT. 648 00:40:17,589 --> 00:40:19,417 WHAT'S THE PROBLEM? 649 00:40:19,460 --> 00:40:22,550 WHY ARE YOU SO AFRAID TO LET ME LEAD YOU? 650 00:40:24,378 --> 00:40:26,075 I'M NOT. 651 00:40:26,859 --> 00:40:27,947 YOU ARE. 652 00:40:27,990 --> 00:40:30,689 WHEN YOU'RE READY TO SAY YOU'RE AFRAID, 653 00:40:30,732 --> 00:40:33,953 LET ME KNOW. 654 00:40:41,003 --> 00:40:42,352 HEY. SORRY. 655 00:40:42,396 --> 00:40:43,789 NO, NO, NO. STAY. 656 00:40:43,832 --> 00:40:45,965 I'M ALMOST DONE ANYWAY. 657 00:40:46,008 --> 00:40:49,490 SO, WHAT DID YOU DECIDE? 658 00:40:50,273 --> 00:40:51,623 I ENTERED THE CONTEST. 659 00:40:51,666 --> 00:40:54,843 ALL RIGHT. GOOD FOR YOU. 660 00:40:54,887 --> 00:40:56,628 SO HOW'S IT GOING? 661 00:40:56,671 --> 00:41:01,633 OH, GREAT. IT'S GOING GREAT. 662 00:41:03,199 --> 00:41:04,244 REALLY? 663 00:41:04,287 --> 00:41:07,203 NO, IT'S NOT. 664 00:41:07,813 --> 00:41:11,512 GOD, I MUST HAVE BEEN CRAZY TO THINK WE COULD DO THIS. 665 00:41:11,556 --> 00:41:12,600 IT'S IN 2 WEEKS, 666 00:41:12,644 --> 00:41:17,344 AND WHENEVER HE PUSHES, I PULL, AND-- 667 00:41:17,387 --> 00:41:20,565 AND I'M FLOWING, AND I'M BEING FREE, 668 00:41:20,608 --> 00:41:21,653 AND I'M MAKING A CIRCLE, 669 00:41:21,696 --> 00:41:24,003 AND I'M NOT AN IRONING BOARD ANYMORE, 670 00:41:24,046 --> 00:41:26,353 AND IT'S STILL NOT WORKING. 671 00:41:26,396 --> 00:41:28,703 [SIGHS] AND NOW HE SAYS, 672 00:41:28,747 --> 00:41:30,313 "YOU'RE AFRAID." 673 00:41:30,357 --> 00:41:32,925 ARE YOU? 674 00:41:32,968 --> 00:41:34,840 NO. 675 00:41:35,841 --> 00:41:38,104 THAT'S TOO BAD. 676 00:41:41,455 --> 00:41:43,762 COME HERE UN MOMENTO. 677 00:41:43,805 --> 00:41:46,982 STAND RIGHT HERE. 678 00:41:47,026 --> 00:41:50,116 LET ME SEE YOUR FRAME. 679 00:41:50,159 --> 00:41:54,686 GOOD. [CHUCKLES] 680 00:41:54,729 --> 00:41:56,514 A LITTLE PRESSURE. 681 00:41:59,821 --> 00:42:01,344 MM-HMM. 682 00:42:02,258 --> 00:42:04,347 SO WHERE'D YOU LEARN THIS? 683 00:42:04,391 --> 00:42:07,133 MY PARENTS. THEY WERE DANCERS. 684 00:42:07,176 --> 00:42:09,048 REALLY? 685 00:42:10,005 --> 00:42:12,791 RELAX. 686 00:42:12,834 --> 00:42:14,270 YES. 687 00:42:14,314 --> 00:42:15,750 DROP YOUR ARMS. 688 00:42:15,794 --> 00:42:17,883 BREATHE. [INHALES] 689 00:42:17,926 --> 00:42:20,276 [EXHALES] 690 00:42:20,320 --> 00:42:22,670 NOW JUST BASIC. 691 00:42:24,846 --> 00:42:26,761 GOOD. 692 00:42:27,283 --> 00:42:29,329 WHAT DID YOU MEAN WHEN YOU SAID, 693 00:42:29,372 --> 00:42:31,940 "THAT'S TOO BAD"? 694 00:42:31,984 --> 00:42:33,333 IF YOU CAN'T MOVE THROUGH YOUR FEAR 695 00:42:33,376 --> 00:42:34,943 AND CONNECT WITH YOURSELF, 696 00:42:34,987 --> 00:42:36,031 THERE'S ABSOLUTELY NO WAY 697 00:42:36,075 --> 00:42:38,817 YOU'RE GONNA CONNECT WITH YOUR PARTNER. 698 00:42:38,860 --> 00:42:40,427 LISTEN TO ME. 699 00:42:40,470 --> 00:42:43,604 I KNOW THAT IT'S SCARY AS HELL 700 00:42:43,648 --> 00:42:46,172 TO LET ANOTHER PERSON TOUCH THAT PART OF YOU. 701 00:42:46,215 --> 00:42:47,652 BUT IF YOU DO, 702 00:42:47,695 --> 00:42:50,393 IT'S WORTH IT. 703 00:42:50,872 --> 00:42:53,048 NOW FORGET EVERYTHING I JUST SAID AND DANCE. 704 00:42:53,092 --> 00:42:55,790 [DANCE MUSIC PLAYS] 705 00:43:03,363 --> 00:43:06,018 [SINGING IN SPANISH] 706 00:44:01,682 --> 00:44:04,859 THE FLOOR IS YOURS. 707 00:44:05,773 --> 00:44:08,776 I'LL SEE YOU. 708 00:44:08,820 --> 00:44:11,431 [DOOR CLOSES] 709 00:44:19,526 --> 00:44:21,354 OK, I AM. 710 00:44:23,182 --> 00:44:24,705 YOU'RE WHAT? 711 00:44:26,838 --> 00:44:28,535 AFRAID. 712 00:44:29,362 --> 00:44:33,845 SO THE MOVEMENT HAS TO BE FREE LIKE THE WATER. 713 00:44:34,846 --> 00:44:35,760 AFRO-CUBAN DANCE, 714 00:44:35,803 --> 00:44:37,718 IT'S THE DANCE OF SLAVES. 715 00:44:37,762 --> 00:44:38,980 WHEN THEY DANCED, 716 00:44:39,024 --> 00:44:41,243 IT WAS THEIR ONLY TIME TO FEEL FREE. 717 00:44:41,287 --> 00:44:45,857 SO THEY COULD BE A BIRD, YOU KNOW, 718 00:44:45,900 --> 00:44:51,427 OR DO A FLAMENCO STEP AND MAKE FUN OF THEIR OWNERS. 719 00:44:51,471 --> 00:44:52,777 OR JUST BE IN THE SEA 720 00:44:52,820 --> 00:44:55,649 INSTEAD OF BEING STUCK ON AN ISLAND AWAY FROM HOME. 721 00:44:55,693 --> 00:44:56,955 [SEA GULL CAWS] 722 00:44:56,998 --> 00:44:58,957 IT'S A DANCE ABOUT BEING EXACTLY 723 00:44:59,000 --> 00:45:02,047 WHO YOU WANT TO BE IN THAT MOMENT. 724 00:45:06,660 --> 00:45:11,447 IT HAS TO FEEL AND LOOK 725 00:45:11,491 --> 00:45:14,799 AS NATURAL AS THE WAVES. 726 00:45:14,842 --> 00:45:16,714 COMING... 727 00:45:16,757 --> 00:45:19,760 AND GOING. 728 00:45:19,804 --> 00:45:22,067 COMING... 729 00:45:25,635 --> 00:45:29,248 Javier: WE WERE HAVING DINNER, AND THERE WAS A KNOCK ON THE DOOR. 730 00:45:29,291 --> 00:45:32,599 SUDDENLY 2 POLICEMEN WERE TAKING MY FATHER AWAY. 731 00:45:32,642 --> 00:45:34,644 THE TRAITOR COULD HAVE BEEN ANYONE. 732 00:45:34,688 --> 00:45:38,692 BATISTA HAS HIS SPIES EVERYWHERE. 733 00:45:38,736 --> 00:45:40,215 THAT'S THE THING, YOU KNOW? 734 00:45:40,259 --> 00:45:41,869 MY FATHER NEVER HURT ANYBODY. 735 00:45:41,913 --> 00:45:44,306 HE WAS JUST A FREE THINKER, 736 00:45:44,350 --> 00:45:47,527 BUT SOMEONE DIDN'T LIKE HIS THOUGHTS. 737 00:45:48,702 --> 00:45:52,662 WE HAD A FUNERAL, BUT WE NEVER FOUND HIS BODY. 738 00:45:52,706 --> 00:45:55,143 CARLOS DISAPPEARED FOR A WHILE, 739 00:45:55,187 --> 00:45:56,275 AFRAID HE WOULD BE NEXT, 740 00:45:56,318 --> 00:45:58,016 AND THEN THIS GIRL SHOWS UP WITH A BABY, 741 00:45:58,059 --> 00:45:59,757 SAYS IT'S HIS AND SHE CANNOT AFFORD IT, 742 00:45:59,800 --> 00:46:03,586 AND SUDDENLY I'M IN CHARGE OF MY WHOLE FAMILY. 743 00:46:03,630 --> 00:46:06,546 MAYBE IT'S NOT WHAT YOU WANT FOR YOURSELF, 744 00:46:06,589 --> 00:46:08,635 BUT YOU ARE MAKING A DIFFERENCE. 745 00:46:08,678 --> 00:46:09,810 THERE'S A REVOLUTION OUT THERE, 746 00:46:09,854 --> 00:46:11,812 AND WHAT AM I DOING? 747 00:46:11,856 --> 00:46:13,814 JUST PAINTING STOLEN CARS 748 00:46:13,858 --> 00:46:14,859 AND BABY-SITTING. 749 00:46:14,902 --> 00:46:16,121 NO, YOU'RE KEEPING YOUR FAMILY ALIVE. 750 00:46:16,164 --> 00:46:19,733 THAT'S THE MOST IMPORTANT THING YOU COULD DO. 751 00:46:22,344 --> 00:46:25,608 IF WE COULD REALLY WIN THIS CONTEST, 752 00:46:25,652 --> 00:46:31,963 MAYBE I COULD BRING MY FAMILY TO AMERICA WITH US. 753 00:46:38,447 --> 00:46:39,405 Javier: YOUR PARENTS, 754 00:46:39,448 --> 00:46:42,103 THEY'RE-- THEY'RE PERFECT. 755 00:46:43,365 --> 00:46:44,845 YOU SEE HOW MUCH THEY WANT TO BE 756 00:46:44,889 --> 00:46:46,804 IN EACH OTHER'S ARMS? 757 00:46:47,500 --> 00:46:50,111 FOR US TO DANCE TOGETHER, 758 00:46:50,155 --> 00:46:51,983 I MEAN REALLY DANCE, 759 00:46:52,026 --> 00:46:54,812 THAT'S HOW IT HAS TO BE. 760 00:48:19,897 --> 00:48:21,942 OH, DON'T LET US INTERRUPT YOU. 761 00:48:21,986 --> 00:48:23,378 NO. NO, WE WERE JUST-- 762 00:48:23,422 --> 00:48:24,466 Carlos: YEAH, WE SAW. 763 00:48:24,510 --> 00:48:25,641 LISTEN, WE HAVE MORE STUFF IN THE ALLEY 764 00:48:25,685 --> 00:48:27,295 IF YOU WANT TO DO SOMETHING USEFUL, JAVIER. 765 00:48:27,339 --> 00:48:30,733 [MAN SPEAKING SPANISH, SNICKERS] 766 00:48:30,777 --> 00:48:33,736 I SHOULD GET HOME. 767 00:48:46,532 --> 00:48:49,448 [CLOCK CHIMES] 768 00:48:49,491 --> 00:48:52,451 THANKS FOR STOPPING BY. 769 00:48:52,494 --> 00:48:54,235 IT'S HALF AN HOUR BEFORE CURFEW. 770 00:48:54,279 --> 00:48:57,021 WHAT'D YOU DO, JOIN THE CIRCUS? 771 00:48:57,064 --> 00:48:59,153 [SARCASTIC] HA HA. 772 00:48:59,197 --> 00:49:02,765 YOU'RE GONNA TELL ME YOU WERE OUT WITH JAMES? 773 00:49:02,809 --> 00:49:04,419 THAT'S WHAT YOU TOLD YOUR MOTHER. 774 00:49:04,463 --> 00:49:09,294 I NEVER TOLD HER WHAT SUSIE SAID. 775 00:49:09,337 --> 00:49:11,165 SUSIE WAS WRONG. 776 00:49:13,776 --> 00:49:14,647 OK. 777 00:49:14,690 --> 00:49:17,519 GOOD NIGHT, DAD. 778 00:49:18,520 --> 00:49:21,001 [DOOR OPENS] 779 00:49:21,045 --> 00:49:22,698 Susie: HI. 780 00:49:25,788 --> 00:49:29,096 HOW LONG YOU GONNA BE MAD AT ME? 781 00:49:34,884 --> 00:49:35,929 THE GIRLS HERE. 782 00:49:35,973 --> 00:49:37,409 I TOLD LOIS THAT I LIKE JANE EYRE, 783 00:49:37,452 --> 00:49:40,586 AND SHE ASKED ME WHAT MOVIE SHE WAS IN. 784 00:49:43,502 --> 00:49:46,853 I'M REALLY SORRY THAT I TOLD ON YOU. 785 00:49:47,680 --> 00:49:49,769 AND WHAT I SAID ABOUT JAVIER, 786 00:49:49,812 --> 00:49:51,989 I WAS WRONG. 787 00:49:57,081 --> 00:49:59,300 YOU GOTTA THINK FOR YOURSELF, SUZE. 788 00:49:59,344 --> 00:50:01,911 I KNOW. 789 00:50:01,955 --> 00:50:03,522 I MISS YOU. 790 00:50:08,570 --> 00:50:10,050 [LAUGHING] 791 00:50:10,094 --> 00:50:12,879 WELL, I'VE BEEN DYING TO TELL YOU. 792 00:50:12,922 --> 00:50:14,750 CAN YOU KEEP A SECRET THIS TIME? 793 00:50:14,794 --> 00:50:16,230 ♪ I AIN'T COME TO FIGHT TONIGHT ♪ 794 00:50:16,274 --> 00:50:18,102 ♪ TOO MANY LADIES UP IN HERE TONIGHT ♪ 795 00:50:18,145 --> 00:50:23,498 ♪ EVERYBODY REPORT TO THE DANCE FLOOR, PLEASE! ♪ 796 00:50:23,542 --> 00:50:24,543 ♪ I NEVER REALLY KNEW 797 00:50:24,586 --> 00:50:26,023 ♪ THAT YOU COULD DANCE LIKE THIS ♪ 798 00:50:26,066 --> 00:50:27,894 ♪ SHE MAKE A MAN WANNA SPEAK SPANISH ♪ 799 00:50:27,937 --> 00:50:31,158 ♪ ¿COÓMO SE LLAMA? BONITA ♪ 800 00:50:31,202 --> 00:50:33,117 ♪ MI CASA, SU CASA ♪ 801 00:50:33,160 --> 00:50:35,075 ♪ WHEN YOU MOVE, YOU GOT ME HYPNOTIZED ♪ 802 00:50:35,119 --> 00:50:38,296 ♪ ESPECIALLY WHEN I LOOK INTO HIS EYES ♪ 803 00:50:38,339 --> 00:50:41,386 ♪ HEY, PAPI, I WANNA SEE YOU ♪ 804 00:50:41,429 --> 00:50:42,952 ♪ DO THE DANCE TO THE CONGA ♪ 805 00:50:42,996 --> 00:50:46,478 ♪ HEY, GIRL, I CAN SEE YOUR BODY MOVING ♪ 806 00:50:46,521 --> 00:50:48,088 ♪ AND IT'S DRIVING ME CRAZY ♪ 807 00:50:48,132 --> 00:50:50,656 ♪ AND I DIDN'T HAVE THE SLIGHTEST IDEA ♪ 808 00:50:50,699 --> 00:50:52,223 ♪ UNTIL I SAW YOU DANCING 809 00:50:52,266 --> 00:50:54,703 ♪ AND WHEN YOU WALK UP ON THE DANCE FLOOR ♪ 810 00:50:54,747 --> 00:50:55,878 ♪ NOBODY CANNOT IGNORE 811 00:50:55,922 --> 00:50:57,489 ♪ THE WAY YOU MOVE YOUR BODY, GIRL ♪ 812 00:50:57,532 --> 00:50:59,056 ♪ AND EVERYTHING'S SO UNEXPECTED ♪ 813 00:50:59,099 --> 00:51:00,318 ♪ THE WAY YOU ALREADY LEFT IT ♪ 814 00:51:00,361 --> 00:51:02,146 ♪ SO YOU CAN KEEP ON SHAKING IT ♪ 815 00:51:02,189 --> 00:51:06,672 ♪ BAILA LA CALLE DE NOCHE, BAILA LA CALLE DE DíA ♪ 816 00:51:06,715 --> 00:51:09,153 ♪ I NEVER REALLY KNEW THAT YOU COULD DANCE LIKE THIS ♪ 817 00:51:09,196 --> 00:51:11,807 ♪ SHE MAKE A MAN WANNA SPEAK SPANISH ♪ 818 00:51:11,851 --> 00:51:13,983 ♪ ¿CóMO SE LLAMA? BONITA ♪ 819 00:51:14,027 --> 00:51:16,464 ♪ MI CASA, SU CASA ♪ 820 00:51:16,508 --> 00:51:18,771 ♪ WHEN YOU MOVE, YOU GOT ME HYPNOTIZED ♪ 821 00:51:18,814 --> 00:51:21,513 ♪ ESPECIALLY WHEN I LOOK INTO HIS EYES ♪ 822 00:51:21,556 --> 00:51:24,124 ♪ HEY, PAPI, I WANNA SEE YOU ♪ 823 00:51:24,168 --> 00:51:26,083 ♪ DO THE DANCE TO THE CONGA ♪ 824 00:51:26,126 --> 00:51:29,260 ♪ HEY, BOY, NOW THAT I SEE ALL YOUR RHYTHM ♪ 825 00:51:29,303 --> 00:51:30,478 ♪ I'M IN A STATE OF SHOCK NOW ♪ 826 00:51:30,522 --> 00:51:34,047 ♪ THE WAY I CAN SEE YOUR BODY MOVING ♪ 827 00:51:34,091 --> 00:51:35,309 ♪ AND I DON'T WANT YOU TO STOP NOW ♪ 828 00:51:35,353 --> 00:51:39,313 ♪ I LIKE THE WAY YOU APPROACH ME SO SEXUALLY ♪ 829 00:51:39,357 --> 00:51:40,445 ♪ YOU FOUND ME IN THE BASE, BOY ♪ 830 00:51:40,488 --> 00:51:42,273 ♪ I CAN'T IGNORE THE WAY YOU DANCING ♪ 831 00:51:42,316 --> 00:51:46,015 ♪ YOU GOT ME IN A TRANCE, AND I CAN'T EXPLAIN IT ♪ 832 00:51:46,059 --> 00:51:47,495 ♪ SEÑORITA, FILL THE CONGA 833 00:51:47,539 --> 00:51:50,542 ♪ LET ME SEE YOU MOVE LIKE YOU COME FROM HAVANA ♪ 834 00:51:50,585 --> 00:51:54,546 ♪ OH, I DIDN'T KNOW YOU DID IT LIKE THAT ♪ 835 00:51:54,589 --> 00:51:57,288 ♪ HEY, PAPI, DON'T YOU STOP IT ♪ 836 00:51:57,331 --> 00:51:59,464 ♪ WANNA SEE YOU MOVE YOUR BODY ♪ 837 00:51:59,507 --> 00:52:03,859 ♪ OH, I DIDN'T KNOW YOU DID IT LIKE THAT ♪ 838 00:52:03,903 --> 00:52:06,732 ♪ I NEVER REALLY KNEW THAT YOU COULD DANCE LIKE THIS ♪ 839 00:52:06,775 --> 00:52:09,300 ♪ SHE MAKE A MAN WANNA SPEAK SPANISH ♪ 840 00:52:09,343 --> 00:52:12,172 ♪ ¿COÓMO SE LLAMA? BONITA ♪ 841 00:52:12,216 --> 00:52:14,043 ♪ MI CASA, SU CASA ♪ 842 00:52:14,087 --> 00:52:16,437 ♪ WHEN YOU MOVE, YOU GOT ME HYPNOTIZED ♪ 843 00:52:16,481 --> 00:52:19,136 ♪ ESPECIALLY WHEN I LOOK INTO HIS EYES ♪ 844 00:52:19,179 --> 00:52:22,313 ♪ HEY, PAPI, I WANNA SEE YOU ♪ 845 00:52:22,356 --> 00:52:26,491 ♪ DO THE DANCE TO THE CONGA... ♪ 846 00:52:27,535 --> 00:52:31,060 [BOAT HORN HONKS] 847 00:52:37,023 --> 00:52:39,721 [JACKET RIPS] 848 00:52:39,765 --> 00:52:42,376 [MUTTERS IN SPANISH] 849 00:53:05,704 --> 00:53:07,575 NO. 850 00:53:10,056 --> 00:53:11,884 SIÍ. CLARO. 851 00:53:19,848 --> 00:53:22,155 [RADIO PLAYING JINGLE BELLS] 852 00:53:22,199 --> 00:53:24,070 SUSIE, YOUR MOTHER AND I HAVE 853 00:53:24,113 --> 00:53:26,159 SOME VERY DISAPPOINTING NEWS. 854 00:53:26,203 --> 00:53:28,770 NOW, I KNOW HOW YOU LOVE TO DECORATE THE CHRISTMAS TREE 855 00:53:28,814 --> 00:53:31,077 AND SING CAROLS AND WATCH HOME MOVIES, 856 00:53:31,120 --> 00:53:32,731 BUT I'M AFRAID TONIGHT 857 00:53:32,774 --> 00:53:36,125 WE'RE ALL GONNA HAVE TO GO TO THE PALACE. 858 00:53:36,691 --> 00:53:37,649 ALL OF US? 859 00:53:37,692 --> 00:53:39,216 YES, SUSIE, ALL OF US. 860 00:53:39,259 --> 00:53:40,695 I KNOW IT'S YOUR BIG NIGHT WITH JAMES, 861 00:53:40,739 --> 00:53:44,221 BUT YOU THINK YOU COULD SAVE YOUR OLD MAN ONE DANCE? 862 00:53:44,264 --> 00:53:45,787 WHEN DID THIS HAPPEN? 863 00:53:45,831 --> 00:53:47,006 WELL, YOU KNOW YOUR FATHER. 864 00:53:47,049 --> 00:53:49,226 BLABS TO EVERYONE WE WERE DANCERS. 865 00:53:49,269 --> 00:53:50,183 SO THE PHELPSES INVITED US 866 00:53:50,227 --> 00:53:52,098 TO THE LATIN BALLROOM CONTEST. 867 00:53:52,141 --> 00:53:53,099 WHERE I HEAR THE DANCING IS 868 00:53:53,142 --> 00:53:54,492 SUPPOSED TO BE PRETTY GOOD, BUT... 869 00:53:54,535 --> 00:53:57,756 YOUR MOTHER AND I'LL BE LOOKING OUT FOR MISTAKES. 870 00:54:01,499 --> 00:54:04,284 [DANCE ORCHESTRA PLAYING] 871 00:54:06,199 --> 00:54:08,070 James: I CAN'T WAIT TO SEE THE LOOKS 872 00:54:08,114 --> 00:54:09,463 ON YOUR PARENTS' FACES. 873 00:54:09,507 --> 00:54:10,508 DON'T REMIND ME. 874 00:54:10,551 --> 00:54:11,944 I REALLY SHOULD BE SCOLDING YOU 875 00:54:11,987 --> 00:54:14,163 FOR KEEPING HER OUT TILL ALL HOURS. 876 00:54:14,207 --> 00:54:15,252 DON'T WORRY, MA'AM. 877 00:54:15,295 --> 00:54:16,557 WE'VE DONE NOTHING YOU'D DISAPPROVE OF. 878 00:54:16,601 --> 00:54:18,603 I CAN PROMISE YOU THAT. 879 00:54:18,646 --> 00:54:21,345 [SINGING IN SPANISH] 880 00:54:31,224 --> 00:54:32,834 THANK YOU. 881 00:54:32,878 --> 00:54:34,053 HERE. 882 00:54:34,096 --> 00:54:35,184 YOU TWO MAKE A VERY CUTE COUPLE. 883 00:54:35,228 --> 00:54:37,361 SO MANY OF THE GIRLS COMING OVER 884 00:54:37,404 --> 00:54:38,753 FROM THE STATES THESE DAYS 885 00:54:38,797 --> 00:54:41,190 GET A LITTLE, YOU KNOW, WILD. 886 00:54:41,234 --> 00:54:45,064 YOU'RE LUCKY TO HAVE SUCH LOVELY DAUGHTERS. 887 00:54:45,107 --> 00:54:47,545 M.C.: LADIES AND GENTLEMEN, MERRY CHRISTMAS! 888 00:54:47,588 --> 00:54:48,676 IN JUST A FEW MOMENTS, 889 00:54:48,720 --> 00:54:50,809 WE'LL BEGIN THIS EVENING'S SPECIAL EVENT. 890 00:54:50,852 --> 00:54:54,160 SO, WHEN DO WE GET TO SEE THE CHAMPIONSHIP DANCERS? 891 00:54:54,203 --> 00:54:55,509 OH, WE'RE HARDLY CHAMPIONS. 892 00:54:55,553 --> 00:54:58,077 Mrs. Phelps: OH, YOU'RE JUST BEING MODEST. 893 00:54:58,120 --> 00:55:00,471 COME ON. I'VE NEVER SEEN YOU GUYS DANCE 894 00:55:00,514 --> 00:55:01,776 IN PUBLIC BEFORE. 895 00:55:01,820 --> 00:55:04,736 ACTUALLY, I THOUGHT IF YOUR HUSBAND DIDN'T MIND, 896 00:55:04,779 --> 00:55:06,215 YOU AND I MIGHT... 897 00:55:06,259 --> 00:55:07,260 OH. 898 00:55:07,304 --> 00:55:09,349 JAMES... 899 00:55:09,393 --> 00:55:12,309 MAYBE KATEY WOULD LIKE TO DANCE. 900 00:55:12,787 --> 00:55:15,312 WOULD YOU LIKE TO DANCE? 901 00:55:16,008 --> 00:55:18,358 I HAVE TO FIND THE LADIES' ROOM. 902 00:55:18,402 --> 00:55:19,664 I'LL ESCORT YOU. 903 00:55:19,707 --> 00:55:20,839 NO, NO, I'M FINE. 904 00:55:20,882 --> 00:55:23,581 [SINGING IN SPANISH] 905 00:55:31,023 --> 00:55:33,330 WHERE HAVE YOU BEEN?I'M SORRY. I WAS-- 906 00:55:33,373 --> 00:55:35,636 THIS WAS A CRAZY IDEA. 907 00:55:35,680 --> 00:55:37,682 NO. WE'RE GONNA WIN. 908 00:55:40,511 --> 00:55:41,903 [MUSIC ENDS] 909 00:55:41,947 --> 00:55:43,949 M.C.: THIS IS THE MOMENT YOU HAVE ALL BEEN WAITING FOR, 910 00:55:43,992 --> 00:55:46,865 THE LATIN BALLROOM COMPETITION! 911 00:55:46,908 --> 00:55:48,606 3 TALENTED COUPLES WILL BE CHOSEN 912 00:55:48,649 --> 00:55:50,999 TO COMPETE IN THE FINALS ON NEW YEAR'S EVE. 913 00:55:51,043 --> 00:55:52,349 QUE BONITA. 914 00:55:52,392 --> 00:55:53,654 GRACIAS. 915 00:55:53,698 --> 00:55:55,003 SEÑORITAS AND SEÑORES, 916 00:55:55,047 --> 00:55:57,919 PRESENTING THE BRIGHTEST STAR OF THE HAVANA NIGHT, 917 00:55:57,963 --> 00:56:00,226 LOLA MARTINEZ! 918 00:56:00,269 --> 00:56:03,447 [BAND PLAYING DO YOU ONLY WANNA DANCE] 919 00:56:07,059 --> 00:56:09,583 WHERE'S KATEY? 920 00:56:10,236 --> 00:56:12,369 JUST WAIT. 921 00:56:16,503 --> 00:56:18,853 OH, MY GOD! 922 00:56:21,247 --> 00:56:23,641 ♪ FUNNY THING IS WHEN I LOOK INTO YOUR EYES ♪ 923 00:56:23,684 --> 00:56:26,426 ♪ I SENSE SOMETHING SO SINCERE IN YOUR DISGUISE ♪ 924 00:56:26,470 --> 00:56:29,211 ♪ YOU WHISPER SECRETS I HEAR ONLY IN MY DREAMS ♪ 925 00:56:29,255 --> 00:56:31,997 ♪ THEN I WAKE UP TO YOUR TELE-SMOKE SCREEN ♪ 926 00:56:32,040 --> 00:56:35,174 ♪ I WAIT PATIENTLY WHILE YOU PLAY YOUR GAME ♪ 927 00:56:35,217 --> 00:56:36,697 ♪ 'CAUSE IN THE END 928 00:56:36,741 --> 00:56:38,482 ♪ I'LL BE THE WINNER ALL THE SAME ♪ 929 00:56:38,525 --> 00:56:41,180 ♪ YOU'LL SEE CLEARLY WHEN THE SONG COMES TO A STOP ♪ 930 00:56:41,223 --> 00:56:43,443 ♪ I'LL BE THE ONE BLOWING KISSES FROM THE TOP ♪ 931 00:56:43,487 --> 00:56:45,967 ♪ SO, BABY, STOP, YOU'RE SURROUNDED ♪ 932 00:56:46,011 --> 00:56:49,275 ♪ I GOT MY LOVE, LOVE ALL AROUND YA ♪ 933 00:56:49,318 --> 00:56:52,017 ♪ ONE WRONG MOVE, AND I'LL DROWN YA ♪ 934 00:56:52,060 --> 00:56:55,194 ♪ AND THAT'LL END YA, YOU SHOULD SURRENDER ♪ 935 00:56:55,237 --> 00:56:57,588 ♪ YOU'LL NEVER WIN UNLESS YOU GIVE IN ♪ 936 00:56:57,631 --> 00:57:00,460 ♪ SO, STOP, BABY, STOP, YOU'RE SURROUNDED ♪ 937 00:57:00,504 --> 00:57:03,942 ♪ I GOT MY LOVE, LOVE ALL AROUND YA ♪ 938 00:57:03,985 --> 00:57:07,119 ♪ ONE WRONG MOVE, AND I'LL DROWN YA ♪ 939 00:57:07,162 --> 00:57:09,513 ♪ AND THAT'LL END YA, YOU SHOULD SURRENDER ♪ 940 00:57:09,556 --> 00:57:11,471 ♪ YOU'LL NEVER WIN UNLESS YOU GIVE IN ♪ 941 00:57:11,515 --> 00:57:14,518 ♪ SO WON'T YOU GIVE OUR LOVE A CHANCE? ♪ 942 00:57:14,561 --> 00:57:18,347 ♪ OR DO YOU ONLY WANNA DANCE? ♪ 943 00:57:18,391 --> 00:57:21,394 ♪ YOU PUT YOUR LIPS VERY CLOSELY TO MY FACE ♪ 944 00:57:21,438 --> 00:57:24,353 ♪ AND THEN YOU RUN AWAY, AND SO BEGINS THE CHASE ♪ 945 00:57:24,397 --> 00:57:26,617 ♪ I'LL BE THE HUNTER, BUT, BOY, YOU BETTER PRAY ♪ 946 00:57:26,660 --> 00:57:30,577 ♪ 'CAUSE WHEN I WANT YA, I'LL GET YOU ANYWAY ♪ 947 00:57:30,621 --> 00:57:33,058 ♪ YOU KNOW WHAT I WANNA DO, IT AIN'T ANYTHING NEW ♪ 948 00:57:33,101 --> 00:57:37,541 ♪ I'M TIRED OF DROPPING CLUES, SO WHEN I STEP TO YOU ♪ 949 00:57:37,584 --> 00:57:38,977 ♪ WILL YOU RISE TO MY OCCASION ♪ 950 00:57:39,020 --> 00:57:42,720 ♪ OR WILL YOU MAKE ME CHANGE YOUR STATION? ♪ 951 00:57:42,763 --> 00:57:43,851 ♪ STOP, YOU'RE SURROUNDED 952 00:57:43,895 --> 00:57:46,680 ♪ I GOT MY LOVE, LOVE ALL AROUND YA ♪ 953 00:57:46,724 --> 00:57:49,291 ♪ ONE WRONG MOVE, AND I'LL DROWN YA ♪ 954 00:57:49,335 --> 00:57:52,860 ♪ AND THAT'LL END YA, YOU SHOULD SURRENDER ♪ 955 00:57:52,904 --> 00:57:55,384 ♪ YOU'LL NEVER WIN UNLESS YOU GIVE IN ♪ 956 00:57:55,428 --> 00:57:58,736 ♪ SO, STOP, STOP, YOU'RE SURROUNDED ♪ 957 00:57:58,779 --> 00:58:01,652 ♪ I GOT MY LOVE, LOVE ALL AROUND YA ♪ 958 00:58:01,695 --> 00:58:04,872 ♪ ONE WRONG MOVE, AND I'LL DROWN YA ♪ 959 00:58:04,916 --> 00:58:07,353 ♪ AND THAT'LL END YA, YOU SHOULD SURRENDER ♪ 960 00:58:07,396 --> 00:58:09,834 ♪ YOU'LL NEVER WIN UNLESS YOU GIVE IN ♪ 961 00:58:09,877 --> 00:58:13,359 ♪ SO WON'T YOU GIVE OUR LOVE A CHANCE? ♪ 962 00:58:13,402 --> 00:58:14,578 ♪ IF YOU TAKE MY HANDS 963 00:58:14,621 --> 00:58:17,581 ♪ AND FOLLOW MY LEAD, I'LL MAKE YOU DANCE ♪ 964 00:58:17,624 --> 00:58:18,843 ♪ I CAN MAKE YOU DANCE 965 00:58:18,886 --> 00:58:21,236 ♪ BUT IF YOU GET MY FEET AND MISS THE BEAT ♪ 966 00:58:21,280 --> 00:58:23,543 ♪ THEN I CAN'T TAKE THAT CHANCE ♪ 967 00:58:23,587 --> 00:58:24,805 ♪ I CAN'T TAKE THAT CHANCE 968 00:58:24,849 --> 00:58:26,938 ♪ IF YOU TAKE MY HANDS AND FOLLOW MY LEAD ♪ 969 00:58:26,981 --> 00:58:29,984 ♪ I'LL MAKE YOU DANCE, I CAN MAKE YOU DANCE ♪ 970 00:58:30,028 --> 00:58:32,378 ♪ BUT IF YOU GET MY FEET AND MISS THE BEAT ♪ 971 00:58:32,421 --> 00:58:34,946 ♪ THEN I CAN'T TAKE THAT CHANCE ♪ 972 00:58:34,989 --> 00:58:36,034 ♪ I CAN'T TAKE IT 973 00:58:36,077 --> 00:58:39,037 ♪ SO, STOP, STOP, YOU'RE SURROUNDED ♪ 974 00:58:39,080 --> 00:58:41,779 ♪ I GOT MY LOVE, LOVE ALL AROUND YA ♪ 975 00:58:41,822 --> 00:58:44,346 ♪ ONE WRONG MOVE, AND I'LL DROWN YA ♪ 976 00:58:44,390 --> 00:58:48,002 ♪ SO, STOP, STOP, YOU'RE SURROUNDED ♪ 977 00:58:48,046 --> 00:58:50,701 ♪ I GOT MY LOVE, LOVE ALL AROUND YA ♪ 978 00:58:50,744 --> 00:58:53,660 ♪ ONE WRONG MOVE, AND I'LL DROWN YA ♪ 979 00:58:53,704 --> 00:58:56,489 ♪ AND THAT'LL END YA, YOU SHOULD SURRENDER ♪ 980 00:58:56,533 --> 00:58:59,144 ♪ YOU'LL NEVER WIN UNLESS YOU GIVE IN ♪ 981 00:58:59,187 --> 00:59:02,234 ♪ SO WON'T YOU GIVE OUR LOVE A CHANCE? ♪ 982 00:59:02,277 --> 00:59:04,541 [MUSIC ENDS] 983 00:59:24,038 --> 00:59:25,344 LADIES AND GENTLEMEN, 984 00:59:25,387 --> 00:59:28,260 THE JUDGES HAVE CHOSEN OUR 3 FINALIST COUPLES 985 00:59:28,303 --> 00:59:30,305 FOR NEXT WEEK. 986 00:59:30,349 --> 00:59:33,004 AND THEY ARE COUPLE NUMBER 5, 987 00:59:33,047 --> 00:59:38,575 JOSE VELARDE AND IRIS MESA! 988 00:59:39,184 --> 00:59:42,143 COUPLE NUMBER 9, 989 00:59:42,187 --> 00:59:46,191 TINO AND LOURDES MARTEL! 990 00:59:48,019 --> 00:59:50,369 AND... 991 00:59:50,412 --> 00:59:52,458 COUPLE NUMBER 2, 992 00:59:52,501 --> 00:59:57,463 JAVIER SUAREZ AND KATEY MILLER! 993 00:59:57,506 --> 00:59:59,291 [WHISTLES] 994 01:00:08,213 --> 01:00:09,214 WHAT COULD WE HAVE POSSIBLY DONE 995 01:00:09,257 --> 01:00:11,216 TO MAKE YOU WANT TO HURT US SO MUCH? 996 01:00:11,259 --> 01:00:13,174 YOU HUMILIATE US IN FRONT OF EVERYONE, 997 01:00:13,218 --> 01:00:14,915 INCLUDING YOUR FATHER'S BOSS. 998 01:00:14,959 --> 01:00:16,656 WHAT DID YOU FIGURE THAT HE'D LOSE HIS JOB... 999 01:00:16,700 --> 01:00:18,179 NO ONE'S LOSING THEIR JOB. 1000 01:00:18,223 --> 01:00:19,659 YOU GOING TO LOSE YOUR JOB? 1001 01:00:19,703 --> 01:00:20,921 NO. PLEASE, GO TO BED. 1002 01:00:20,965 --> 01:00:22,662 I DIDN'T DO ANYTHING TO YOU. 1003 01:00:22,706 --> 01:00:23,707 YOU LIED TO US. 1004 01:00:23,750 --> 01:00:25,012 I KNOW, AND I'M SORRY, 1005 01:00:25,056 --> 01:00:26,492 BUT I KNEW YOU WOULDN'T LET ME TRY-- 1006 01:00:26,535 --> 01:00:28,363 KISS A CUBAN POOL BOY IN FRONT OF EVERYONE? 1007 01:00:28,407 --> 01:00:29,974 YOU'RE DAMN STRAIGHT WE WOULDN'T. 1008 01:00:30,017 --> 01:00:32,237 AND WHY IN THE WORLD WOULD YOU WANNA HURT JAMES? 1009 01:00:32,280 --> 01:00:33,804 I THOUGHT YOU LIKED HIM. 1010 01:00:33,847 --> 01:00:36,502 NO, YOU LIKED HIM 'CAUSE HE FITS 1011 01:00:36,545 --> 01:00:38,809 INTO YOUR PERFECT COUNTRY CLUB WORLD. 1012 01:00:38,852 --> 01:00:40,811 THERE'S NOTHING WRONG WITH THAT WORLD. 1013 01:00:40,854 --> 01:00:43,509 NO, BUT HE COULDN'T KEEP HIS HANDS OFF ME. 1014 01:00:43,552 --> 01:00:45,511 WHAT?! WHAT HAPPENED? 1015 01:00:45,554 --> 01:00:47,818 NOTHING HAPPENED. I'M FINE. 1016 01:00:47,861 --> 01:00:48,993 WHY DIDN'T YOU TELL US? 1017 01:00:49,036 --> 01:00:51,822 BECAUSE I DIDN'T WANT TO MESS UP YOUR JOB! 1018 01:00:52,387 --> 01:00:54,433 KATEY, HOW COULD YOU THINK 1019 01:00:54,476 --> 01:00:57,871 THAT MY JOB WOULD BE MORE IMPORTANT THAN YOU? 1020 01:00:58,698 --> 01:01:01,483 I DIDN'T WANT TO HURT YOU. 1021 01:01:02,180 --> 01:01:05,226 I JUST WANTED TO HELP JAVIER, 1022 01:01:05,270 --> 01:01:07,794 WHICH IS HIS NAME, BY THE WAY. 1023 01:01:09,578 --> 01:01:12,712 OH, GOD, I LOVE DANCING WITH HIM. 1024 01:01:12,756 --> 01:01:16,020 OH, KATEY... 1025 01:01:17,369 --> 01:01:20,154 DID IT EVER OCCUR TO YOU THAT THAT BOY 1026 01:01:20,198 --> 01:01:21,329 MIGHT BE USING YOU? 1027 01:01:21,373 --> 01:01:23,244 A NICE AMERICAN GIRL WHO CAN BE HIS TICKET 1028 01:01:23,288 --> 01:01:24,245 OUT OF HAVANA?THAT'S NOT TRUE. 1029 01:01:24,289 --> 01:01:25,420 YOU MAY LOVE DANCING WITH THAT BOY, 1030 01:01:25,464 --> 01:01:26,421 BUT THERE ARE MORE IMPORTANT FACTORS HERE, 1031 01:01:26,465 --> 01:01:28,685 LIKE YOUR FAMILY AND YOUR FUTURE! 1032 01:01:28,728 --> 01:01:29,773 WHY DOES IT HAVE TO BE EITHER-OR? 1033 01:01:29,816 --> 01:01:31,078 JUST BECAUSE YOU GAVE UP YOUR PASSION, 1034 01:01:31,122 --> 01:01:33,385 WHY SHOULD I? 1035 01:01:40,435 --> 01:01:43,177 Mr. Miller: KATEY. 1036 01:01:44,918 --> 01:01:46,659 KATEY. 1037 01:01:46,703 --> 01:01:48,008 KATEY, WAIT. 1038 01:01:48,052 --> 01:01:50,054 HONEY, WAIT!I'M GOING TO JAVIER'S. 1039 01:01:50,097 --> 01:01:51,969 YOUR MOTHER'S JUST TRYING TO PROTECT YOU. 1040 01:01:52,012 --> 01:01:53,187 I'M GONNA BE OUT THERE ON NEW YEAR'S EVE, 1041 01:01:53,231 --> 01:01:56,103 NO MATTER WHAT YOU AND MOM THINK. 1042 01:01:56,147 --> 01:01:58,671 NO MORE LIES. 1043 01:02:03,632 --> 01:02:05,460 HE'S OUT CELEBRATING, 1044 01:02:05,504 --> 01:02:10,639 SO IF YOU WANT TO WAIT FOR HIM... 1045 01:02:15,644 --> 01:02:17,734 THAT WAS KATEY. 1046 01:02:19,387 --> 01:02:22,347 IT'S OK. SHE'S WITH HIS MOTHER. 1047 01:02:22,390 --> 01:02:24,784 WAS I WRONG? 1048 01:02:24,828 --> 01:02:26,394 NO... 1049 01:02:26,438 --> 01:02:29,093 BUT NEITHER WAS KATEY. 1050 01:02:29,658 --> 01:02:31,965 SOMETIMES I WISH WE--I... 1051 01:02:32,009 --> 01:02:35,403 JUST TRY TO IMAGINE WHAT IT WOULD BE LIKE 1052 01:02:35,447 --> 01:02:38,450 IF WE HADN'T HAD... 1053 01:02:40,539 --> 01:02:42,933 DOES IT MAKE ME A BAD MOTHER? 1054 01:02:42,976 --> 01:02:45,370 OF COURSE NOT. 1055 01:02:48,199 --> 01:02:49,156 YOU WERE GOOD. 1056 01:02:49,200 --> 01:02:51,855 IT'S OK TO MISS IT. 1057 01:02:53,160 --> 01:02:56,468 THEY SURE SPICED UP OUR OLD ROUTINE, DIDN'T THEY? 1058 01:02:56,511 --> 01:02:58,035 I'LL SAY. 1059 01:02:58,078 --> 01:02:59,950 THAT WOULDN'T HAVE GONE OVER TOO WELL AT ROSELAND, WOULD IT? 1060 01:02:59,993 --> 01:03:02,126 NO. 1061 01:03:03,823 --> 01:03:08,045 BERT, SHE'S NOT A LITTLE GIRL ANYMORE. 1062 01:03:27,804 --> 01:03:30,676 WHAT ARE YOU READING? 1063 01:03:32,852 --> 01:03:35,812 JOSé MARTí. 1064 01:03:35,855 --> 01:03:36,813 IT WAS MY FATHER'S. 1065 01:03:36,856 --> 01:03:38,771 WE GOT RID OF ALL HIS BOOKS 1066 01:03:38,815 --> 01:03:41,078 JUST TO BE SAFE, BUT... 1067 01:03:41,121 --> 01:03:43,471 I KEPT THIS ONE. 1068 01:03:44,342 --> 01:03:45,996 HELLO. 1069 01:03:46,474 --> 01:03:48,346 JAVIER? YEAH? 1070 01:03:49,651 --> 01:03:51,131 IF WE DON'T WIN THE FINALS-- 1071 01:03:51,175 --> 01:03:52,480 WE WILL. 1072 01:03:52,524 --> 01:03:55,701 BUT IF WE DON'T... 1073 01:03:56,441 --> 01:03:59,661 I'M NOT GONNA GO TO COLLEGE IN 6 MONTHS. 1074 01:04:02,273 --> 01:04:06,843 Y-YOU DON'T KNOW HOW YOU'RE GONNA FEEL IN 6 MONTHS. 1075 01:04:08,409 --> 01:04:10,194 YES, I DO. 1076 01:04:11,543 --> 01:04:13,458 NO, YOU DON'T. 1077 01:04:13,719 --> 01:04:16,678 I DON'T WANT YOU TO GIVE UP YOUR DREAMS FOR ME. 1078 01:04:16,722 --> 01:04:19,290 BUT I HAVE NEW DREAMS NOW. 1079 01:04:34,783 --> 01:04:41,355 [SOFTLY] ♪ HAVE YOURSELF A MERRY LITTLE CHRISTMAS ♪ 1080 01:04:41,399 --> 01:04:48,058 ♪ MAKE THE YULETIDE GAY 1081 01:04:48,101 --> 01:04:49,973 ♪ FROM NOW ON 1082 01:04:50,016 --> 01:05:00,331 ♪ OUR TROUBLES WILL BE MILES AWAY ♪ 1083 01:05:00,374 --> 01:05:02,115 ♪ HERE WE ARE... 1084 01:05:02,159 --> 01:05:05,814 SUSIE, WHY DON'T YOU AND I GO RAID THAT BUFFET BY THE POOL? 1085 01:05:05,858 --> 01:05:06,772 SURE. 1086 01:05:06,815 --> 01:05:12,909 ♪ ...GOLDEN DAYS OF YORE 1087 01:05:12,952 --> 01:05:15,650 ♪ FAITHFUL FRIENDS 1088 01:05:15,694 --> 01:05:19,350 ♪ WHO ARE DEAR TO US 1089 01:05:19,393 --> 01:05:21,091 TREE LOOKS NICE. 1090 01:05:21,134 --> 01:05:26,444 ♪ ...ONCE MORE 1091 01:05:27,358 --> 01:05:29,708 YOUR FATHER AND I DISCUSSED IT... 1092 01:05:33,494 --> 01:05:35,975 AND WE THINK THAT YOU SHOULD DO A... 1093 01:05:36,019 --> 01:05:39,283 DOUBLE TURN AT THE FINALS. 1094 01:05:41,546 --> 01:05:43,896 YOU LIKE THE WAY I DANCED? 1095 01:05:45,202 --> 01:05:47,247 KATEY... 1096 01:05:47,291 --> 01:05:49,858 IF YOU'RE ASKING ME TO APPROVE OF YOU AND THIS BOY, 1097 01:05:49,902 --> 01:05:51,643 I CAN'T... 1098 01:05:51,686 --> 01:05:54,602 THE DANCING... 1099 01:05:56,648 --> 01:05:59,607 THE DANCING WAS INCREDIBLE. 1100 01:06:00,869 --> 01:06:04,699 I THINK I SHOULD TAKE A LITTLE CREDIT FOR THAT. 1101 01:06:05,744 --> 01:06:07,441 I THINK YOU SHOULD, TOO. 1102 01:06:07,485 --> 01:06:12,142 [LATIN BALLROOM MUSIC PLAYING] 1103 01:06:21,542 --> 01:06:23,414 HI!HI! 1104 01:06:24,067 --> 01:06:26,025 JAVIER, THESE ARE MY PARENTS. 1105 01:06:26,069 --> 01:06:27,809 HI, JAVIER. IT'S NICE TO MEET YOU. 1106 01:06:27,853 --> 01:06:31,596 NICE TO MEET YOU, TOO. IT'S AN HONOR TO MEET SUCH WONDERFUL DANCERS. 1107 01:06:31,639 --> 01:06:34,599 OH... THIS IS FROM MY MOTHER'S GARDEN. 1108 01:06:34,642 --> 01:06:36,035 THANK YOU. 1109 01:06:36,079 --> 01:06:37,210 THAT WAS SWEET OF YOU. 1110 01:06:37,254 --> 01:06:38,646 THIS IS FOR YOU. 1111 01:06:38,690 --> 01:06:39,517 THANKS. 1112 01:06:39,560 --> 01:06:40,561 READY?M.C.: HAPPY NEW YEAR, 1113 01:06:40,605 --> 01:06:42,041 YEAH.LADIES AND GENTLEMEN. 1114 01:06:42,085 --> 01:06:44,217 TONIGHT WE BRING YOU THE 3 WINNING COUPLES 1115 01:06:44,261 --> 01:06:47,960 FROM THE LATIN BALLROOM COMPETITION. 1116 01:06:48,004 --> 01:06:51,181 [BAND SINGING IN SPANISH] 1117 01:07:05,456 --> 01:07:08,502 DO YOU WANNA DANCE? 1118 01:07:19,861 --> 01:07:21,254 DON'T YOU DARE! 1119 01:07:21,298 --> 01:07:22,821 [LAUGHS] 1120 01:07:24,083 --> 01:07:26,172 ♪ NO, NO, NO, NO...♪ 1121 01:07:26,216 --> 01:07:29,697 [SINGING IN SPANISH] 1122 01:07:47,019 --> 01:07:50,979 FELIZ AÑO NUEVO, LADIES AND GENTLEMEN. 1123 01:07:51,023 --> 01:07:52,938 WELCOME TO OUR LATIN BALLROOM 1124 01:07:52,981 --> 01:07:57,421 AMATEUR DANCE CONTEST FINAL. 1125 01:08:00,859 --> 01:08:05,168 YOU WILL DANCE ON THE STAGE ONE COUPLE AT A TIME. 1126 01:08:05,211 --> 01:08:07,126 TONIGHT'S WINNING COUPLE 1127 01:08:07,170 --> 01:08:09,476 WILL WIN $5,000. 1128 01:08:09,520 --> 01:08:10,999 YOU ARE UP FIRST. 1129 01:08:11,043 --> 01:08:12,000 [APPLAUSE] 1130 01:08:12,044 --> 01:08:14,742 M.C.: OUR FIRST COUPLE THIS EVENING 1131 01:08:14,786 --> 01:08:16,440 IS MR. JOSE VELARDE 1132 01:08:16,483 --> 01:08:18,659 AND MISS IRIS MESA! 1133 01:08:18,703 --> 01:08:21,184 [APPLAUSE] 1134 01:08:51,388 --> 01:08:53,172 DON'T FORGET TO LOOK AT THE JUDGES. 1135 01:08:53,216 --> 01:08:55,479 DON'T WORRY ABOUT THE OTHERS, HMM? 1136 01:08:55,522 --> 01:08:56,871 REMEMBER, 1137 01:08:56,915 --> 01:08:59,700 [WHISPERING] you're the queen of La Rosa Negra. 1138 01:08:59,744 --> 01:09:02,442 M.C.: OUR FINAL CONTESTANTS THIS EVENING, 1139 01:09:02,486 --> 01:09:06,490 MISS KATEY MILLER AND MR. JAVIER SUAREZ. 1140 01:09:06,533 --> 01:09:08,622 WHOO! [WHISTLES] 1141 01:09:12,409 --> 01:09:14,411 WHOO! [WHISTLES] 1142 01:09:44,702 --> 01:09:47,052 [APPLAUSE] 1143 01:10:06,419 --> 01:10:08,029 SORRY! 1144 01:10:16,516 --> 01:10:18,301 Man: HE'S GOT A GUN! 1145 01:10:18,344 --> 01:10:19,389 NO! 1146 01:10:19,432 --> 01:10:20,303 [GUNSHOT] 1147 01:10:20,346 --> 01:10:23,393 [PEOPLE SCREAMING] 1148 01:10:27,875 --> 01:10:30,878 GO! I'LL FIND YOU! 1149 01:10:54,772 --> 01:10:57,775 [SPEAKING SPANISH EXCITEDLY] 1150 01:11:32,853 --> 01:11:34,768 NO. 1151 01:12:23,513 --> 01:12:26,211 OYE. 1152 01:12:32,304 --> 01:12:34,001 [LAUGHS] 1153 01:12:34,045 --> 01:12:37,788 [CHANTING AND YELLING] 1154 01:12:44,055 --> 01:12:47,101 [CAR HORNS HONKING] 1155 01:13:03,466 --> 01:13:07,034 [FIRECRACKERS LAUNCHING] 1156 01:13:12,605 --> 01:13:16,087 [WOMAN SHOUTS IN SPANISH] 1157 01:13:23,007 --> 01:13:28,360 !¡VIVA LA REVOLUCIóN! 1158 01:13:29,317 --> 01:13:31,145 P.A.: ATTENTION, ALL HOTEL GUESTS. 1159 01:13:31,189 --> 01:13:34,279 PRESIDENT BATISTA HAS FLED THE COUNTRY. 1160 01:13:34,322 --> 01:13:36,063 THERE IS NO IMMEDIATE DANGER. 1161 01:13:36,107 --> 01:13:38,631 PLEASE CONTACT THE FRONT DESK... 1162 01:13:38,675 --> 01:13:42,200 ♪ OHH-OOH 1163 01:13:42,243 --> 01:13:44,507 ♪ HAY 1164 01:13:44,550 --> 01:13:49,816 ♪ EN MI CORAZóN, UNA INQUIETUD ♪ 1165 01:13:49,860 --> 01:13:53,951 ♪ HOY TE VEO TAN DISTANTE 1166 01:13:53,994 --> 01:13:56,475 ♪ HAY 1167 01:13:56,519 --> 01:14:01,437 ♪ ALGO QUE ME ALEJA DE TU AMOR ♪ 1168 01:14:01,480 --> 01:14:06,311 ♪ DE REPENTE Tú CAMBIASTE... ♪ 1169 01:14:06,354 --> 01:14:07,704 I CAN'T BELIEVE IT'S REAL. 1170 01:14:07,747 --> 01:14:10,315 DON'T YOU WANNA BE OUT THERE CELEBRATING? 1171 01:14:10,358 --> 01:14:13,492 NO. I WANNA BE RIGHT HERE WITH YOU. 1172 01:14:13,536 --> 01:14:17,148 ♪ Sé QUE ME HARá SUFRIR 1173 01:14:17,191 --> 01:14:19,585 ♪ ANOCHE YO SENTí 1174 01:14:19,629 --> 01:14:25,199 ♪ QUE ME BESASTE DIFERENTE Y ME QUEDé ♪ 1175 01:14:25,243 --> 01:14:29,073 ♪ SIN SABER QUé HACER 1176 01:14:29,116 --> 01:14:31,031 ♪ YO TE CONOZCO Y Sé 1177 01:14:31,075 --> 01:14:36,776 ♪ QUE ALGO NO ANDA BIEN VEN DIME LA VERDAD ♪ 1178 01:14:36,820 --> 01:14:40,519 ♪ NO QUIERO IMAGINAR 1179 01:14:40,563 --> 01:14:46,394 ♪ QUE FUE EL BESO DEL FINAL ♪ 1180 01:14:48,962 --> 01:14:51,574 ♪ ANOCHE YO SENTí 1181 01:14:51,617 --> 01:14:54,620 ♪ QUE ME BESASTE DIFERENTE ♪ 1182 01:14:54,664 --> 01:14:57,057 ♪ Y ME QUEDé ♪ Y ME QUEDé 1183 01:14:57,101 --> 01:14:58,842 ♪ SIN SABER QUé HACER 1184 01:14:58,885 --> 01:15:00,844 ♪ SIN SABER QUé HACER 1185 01:15:00,887 --> 01:15:02,280 ♪ YO TE CONOZCO Y Sé 1186 01:15:02,323 --> 01:15:03,803 ♪ YO TE CONOZCO Y Sé 1187 01:15:03,847 --> 01:15:08,721 ♪ QUE ALGO NO ANDA BIEN VEN DIME LA VERDAD ♪ 1188 01:15:08,765 --> 01:15:10,723 ♪ NO QUIERO IMAGINAR 1189 01:15:10,767 --> 01:15:12,508 ♪ NO QUIERO IMAGINAR 1190 01:15:12,551 --> 01:15:15,641 ♪ QUE FUE EL BESO DEL FINAL ♪ 1191 01:15:15,685 --> 01:15:17,513 ♪ OHH-OHH 1192 01:15:17,556 --> 01:15:21,517 ♪ QUE FUE EL BESO DEL FINAL ♪ 1193 01:15:21,560 --> 01:15:24,520 WE DIDN'T WIN THE CONTEST. 1194 01:15:24,563 --> 01:15:26,260 NO... 1195 01:15:26,304 --> 01:15:29,394 BUT THE CONSOLATION PRIZE WAS PRETTY GOOD. 1196 01:15:29,437 --> 01:15:32,005 [BOTH LAUGH] 1197 01:15:36,662 --> 01:15:41,667 I'M SO HAPPY I CAN SEE ALL THIS WITH YOU. 1198 01:15:45,366 --> 01:15:47,673 [SIGHS] 1199 01:15:49,240 --> 01:15:51,503 WHAT? 1200 01:15:51,547 --> 01:15:53,679 NOTHING. 1201 01:15:53,723 --> 01:15:55,855 TELL ME. 1202 01:15:57,944 --> 01:15:59,511 CARLOS... 1203 01:15:59,555 --> 01:16:00,947 HE--HE ALWAYS SAID 1204 01:16:00,991 --> 01:16:02,383 THAT WHEN THE REVOLUTION CAME, 1205 01:16:02,427 --> 01:16:07,084 CASTRO WILL KICK OUT ALL THE YANQUI COMPANIES. 1206 01:16:08,651 --> 01:16:11,088 BUT YOU DON'T REALLY KNOW THAT. 1207 01:16:11,131 --> 01:16:14,352 NO. I'M--I'M JUST SAYING THAT... 1208 01:16:14,395 --> 01:16:16,833 WHAT, THAT I MIGHT HAVE TO LEAVE? 1209 01:16:16,876 --> 01:16:19,531 IT COULD HAPPEN. 1210 01:16:19,575 --> 01:16:20,967 BUT THEY WOULDN'T DO THAT, 1211 01:16:21,011 --> 01:16:24,797 NOT IF THE WHOLE IDEA IS TO GIVE PEOPLE THEIR FREEDOM. 1212 01:16:24,841 --> 01:16:27,191 CUBAN PEOPLE. 1213 01:16:27,844 --> 01:16:30,586 WELL, THEN, YOU'LL COME WITH US. 1214 01:16:30,629 --> 01:16:32,500 I'M SURE MY DAD CAN WORK IT OUT. 1215 01:16:32,544 --> 01:16:33,980 AND MY FAMILY? 1216 01:16:34,024 --> 01:16:36,461 WE'LL SEND FOR THEM, JUST LIKE WE WERE ALWAYS GONNA DO. 1217 01:16:36,504 --> 01:16:39,246 KATEY, I WANTED TO LEAVE BECAUSE OF BATISTA, 1218 01:16:39,290 --> 01:16:40,508 BUT NOW-- 1219 01:16:40,552 --> 01:16:41,858 BUT YOU DON'T KNOW WHAT LIFE WILL BE LIKE HERE. 1220 01:16:41,901 --> 01:16:44,948 I MEAN, WHAT IF IT DOESN'T GET BETTER? 1221 01:16:45,862 --> 01:16:47,864 MY FATHER DIED FOR THIS. 1222 01:16:47,907 --> 01:16:50,823 I HAVE TO BELIEVE IT WILL. 1223 01:16:51,563 --> 01:16:53,957 I CAN MAKE A DIFFERENCE HERE. 1224 01:16:54,000 --> 01:16:56,481 YOU SHOWED ME THAT. 1225 01:16:58,004 --> 01:17:01,878 THIS IS MY COUNTRY. IT'S MY HOME. 1226 01:17:05,446 --> 01:17:08,014 [DOOR SHUTS] 1227 01:17:09,320 --> 01:17:10,843 OH, THANK GOD. 1228 01:17:10,887 --> 01:17:13,193 KATEY, ARE YOU OK? 1229 01:17:14,499 --> 01:17:15,674 WE'RE LEAVING. 1230 01:17:15,718 --> 01:17:19,199 YEAH. YOUR FATHER'S MAKING ARRANGEMENTS. 1231 01:17:25,553 --> 01:17:28,252 [KNOCK ON DOOR] 1232 01:17:38,392 --> 01:17:40,830 GIVE ME THAT COMB. 1233 01:17:42,092 --> 01:17:44,224 WHEN YOU WERE LITTLE, YOU USED TO HIDE UNDER THE BED 1234 01:17:44,268 --> 01:17:48,446 WHEN I'D TRY TO COMB OUT THESE KNOTS. 1235 01:17:54,365 --> 01:17:56,715 KATEY, YOUR FATHER'S BEEN THE ONLY MAN IN MY LIFE, 1236 01:17:56,759 --> 01:17:57,977 SO I DON'T KNOW WHAT IT'S LIKE 1237 01:17:58,021 --> 01:18:00,676 TO SAY GOOD-BYE TO SOMEONE. 1238 01:18:00,719 --> 01:18:02,678 SAYING GOOD-BYE TO DANCING, 1239 01:18:02,721 --> 01:18:06,116 THE OTHER LOVE OF MY LIFE... 1240 01:18:08,422 --> 01:18:10,642 IT BROKE MY HEART. 1241 01:18:15,647 --> 01:18:17,431 THEN YOU WERE BORN, AND THEN SUSIE, 1242 01:18:17,475 --> 01:18:19,782 AND I LOVED YOU BOTH SO MUCH THAT I-- 1243 01:18:19,825 --> 01:18:21,653 YOU'RE SAYING I'LL GET OVER IT. 1244 01:18:21,697 --> 01:18:24,569 NO, I'M NOT. NO. 1245 01:18:25,613 --> 01:18:28,791 NO. I'M SAYING I KNOW YOU'RE HURTING. 1246 01:18:29,226 --> 01:18:32,098 [CRYING] EVERYTHING'S SUCH A MESS. 1247 01:18:33,665 --> 01:18:35,798 YOU HAVE A CHOICE. 1248 01:18:35,841 --> 01:18:37,669 YOU CAN DO NOTHING. 1249 01:18:37,713 --> 01:18:40,890 YOU CAN HIDE UNDER THE BED... 1250 01:18:40,933 --> 01:18:44,545 OR YOU CAN WORK THROUGH THE KNOTS. 1251 01:18:49,768 --> 01:18:53,598 [GATE OPENS] 1252 01:19:07,133 --> 01:19:09,527 I'M GONNA MISS YOU. 1253 01:19:13,531 --> 01:19:15,968 I'M GONNA MISS YOU, TOO. 1254 01:19:17,013 --> 01:19:19,711 I AM TAKING YOU WITH ME. 1255 01:19:20,016 --> 01:19:23,541 I AM KEEPING YOU HERE. 1256 01:19:57,923 --> 01:19:59,707 Katey: JAVIER ONCE SAID THAT DANCING 1257 01:19:59,751 --> 01:20:02,145 IS ABOUT BEING EXACTLY WHO YOU WANNA BE 1258 01:20:02,188 --> 01:20:03,494 IN THAT MOMENT. 1259 01:20:03,537 --> 01:20:04,800 DANCING WITH HIM, 1260 01:20:04,843 --> 01:20:05,844 I REALIZED I WAS BECOMING 1261 01:20:05,888 --> 01:20:08,934 EXACTLY THE WOMAN I WANTED TO BE. 1262 01:20:08,978 --> 01:20:10,196 WE DIDN'T WIN THE CONTEST, 1263 01:20:10,240 --> 01:20:12,851 BUT WE DID WIN SOMETHING MORE IMPORTANT TO US. 1264 01:20:12,895 --> 01:20:14,287 ON MY LAST NIGHT IN HAVANA, 1265 01:20:14,331 --> 01:20:17,247 WE WERE KING AND QUEEN OF LA ROSA NEGRA. 1266 01:20:17,290 --> 01:20:19,640 ♪ HIPS START SHAKIN' AND MOVIN' ALL AROUND ♪ 1267 01:20:19,684 --> 01:20:21,904 ♪ HIPS START SHAKIN' AND MOVIN' ALL AROUND ♪ 1268 01:20:21,947 --> 01:20:24,210 ♪ GET THEM HIPS SHAKIN' AROUND ♪ 1269 01:20:24,254 --> 01:20:26,778 ♪ LET'S DIRTY DANCE RIGHT HERE ON THE FLOOR, GIRL ♪ 1270 01:20:26,822 --> 01:20:28,824 ♪ LET'S DO OUR THING, LET'S GIVE 'EM A SHOW, GIRL ♪ 1271 01:20:28,867 --> 01:20:31,174 ♪ BUT I DON'T KNOW, DON'T THINK THEY'RE READY FOR THIS ♪ 1272 01:20:31,217 --> 01:20:33,437 ♪ LET'S GIVE IT TO 'EM, I HOPE THEY'RE READY FOR THIS ♪ 1273 01:20:33,480 --> 01:20:34,481 ♪ YOU PUT YOUR HAND ON MY HIP ♪ 1274 01:20:34,525 --> 01:20:35,831 ♪ I PUT MY HAND ON YOUR HIP ♪ 1275 01:20:35,874 --> 01:20:36,875 ♪ BABY, I'LL FOLLOW YOUR LEAD ♪ 1276 01:20:36,919 --> 01:20:39,791 ♪ CHECK IT, IT GOES LIKE THIS ♪ 1277 01:20:39,835 --> 01:20:41,488 ♪ BABY, JUST FOLLOW THE MOTION ♪ 1278 01:20:41,532 --> 01:20:42,533 ♪ DANCING IS SEXUAL MOTION ♪ 1279 01:20:42,576 --> 01:20:43,839 ♪ MOVING WITH SO MUCH EMOTION ♪ 1280 01:20:43,882 --> 01:20:45,144 ♪ WE GETTIN' DIRTY NOW 1281 01:20:45,188 --> 01:20:46,450 ♪ IT'S HOW WE DANCE ♪ IT'S HOW WE DANCE 1282 01:20:46,493 --> 01:20:47,843 ♪ IT'S HOW WE DANCE ♪ IT'S HOW WE DANCE 1283 01:20:47,886 --> 01:20:49,757 ♪ IT'S HOW WE DANCE ♪ IT'S HOW WE DANCE 1284 01:20:49,801 --> 01:20:52,804 ♪ YEAH, YEAH, JUST DIRTY DANCIN' ♪ 1285 01:20:52,848 --> 01:20:54,980 ♪ JUST SEXY DANCIN' 1286 01:20:55,024 --> 01:20:56,329 ♪ SEXUAL DANCIN' 1287 01:20:56,373 --> 01:20:59,115 ♪ DIRTY, DIRTY DANCIN' ♪ COME ON 1288 01:20:59,158 --> 01:21:01,595 ♪ I JUST WANNA BE DANCIN' 1289 01:21:01,639 --> 01:21:03,771 ♪ DIRTY, DIRTY, DIRTY DANCIN' ♪ 1290 01:21:03,815 --> 01:21:05,991 ♪ I JUST WANNA BE DANCIN' 1291 01:21:06,035 --> 01:21:08,124 ♪ DIRTY, DIRTY, DIRTY-- 1292 01:21:08,167 --> 01:21:09,429 ♪ BAILAR 1293 01:21:09,473 --> 01:21:11,954 ♪ YO QUIERO BAILA-LA LA LA LA LA ♪ 1294 01:21:11,997 --> 01:21:14,347 ♪ BAILAR♪♪ LET'S DANCE, GIRL 1295 01:21:14,391 --> 01:21:17,785 ♪ SHAKE IT, SHAKE IT, SHAKE IT, DON'T SHAKE IT ♪ 1296 01:21:17,829 --> 01:21:19,613 [ALL CHEERING] 1297 01:21:19,657 --> 01:21:22,312 Katey: WE DIDN'T KNOW WHEN WE WOULD SEE EACH OTHER AGAIN, 1298 01:21:22,355 --> 01:21:25,663 BUT WE KNEW THAT THIS WASN'T OUR LAST DANCE. 1299 01:21:25,706 --> 01:21:26,838 ♪ LET'S GO! 1300 01:21:26,882 --> 01:21:28,622 ♪ BAILA LA CALLE DE NOCHE ♪ 1301 01:21:28,666 --> 01:21:31,016 ♪ BAILA LA CALLE DE DíA♪ 1302 01:21:31,060 --> 01:21:33,497 ♪ BAILA LA CALLE DE NOCHE ♪ 1303 01:21:33,540 --> 01:21:35,542 ♪ BAILA LA CALLE DE DíA♪ 1304 01:21:35,586 --> 01:21:38,023 ♪ I NEVER REALLY KNEW THAT YOU COULD DANCE LIKE THIS ♪ 1305 01:21:38,067 --> 01:21:39,677 ♪ SHE MAKE A MAN WANNA SPEAK SPANISH ♪ 1306 01:21:39,720 --> 01:21:41,592 ♪ ¿COÓMO SE LLAMA? ♪♪ !¡Sí!♪ 1307 01:21:41,635 --> 01:21:43,463 ♪ ¿BONITA?♪ ♪ !¡Sí! ♪ 1308 01:21:43,507 --> 01:21:45,422 ♪ MI CASA, SU CASA 1309 01:21:45,465 --> 01:21:47,772 ♪ THE WAY YOU MOVE, YOU GOT ME HYPNOTIZED ♪ 1310 01:21:47,815 --> 01:21:50,122 ♪ ESPECIALLY WHEN I LOOK INTO HIS EYES ♪ 1311 01:21:50,166 --> 01:21:51,602 ♪ HEY, PAPI ♪ !¡Sí! ♪ 1312 01:21:51,645 --> 01:21:52,951 ♪ I WANNA ♪ !¡Sí! ♪ 1313 01:21:52,995 --> 01:21:55,084 ♪ SEE YOU DO THE DANCE TO THE CONGA ♪ 1314 01:21:55,127 --> 01:21:57,086 ♪ SEÑORITA, FEEL THE CONGA 1315 01:21:57,129 --> 01:21:59,566 ♪ LET ME SEE YOU MOVE LIKE YOU COME FROM HAVANA ♪ 1316 01:21:59,610 --> 01:22:03,744 ♪ OHH, I DIDN'T KNOW YOU DID IT LIKE THAT ♪ 1317 01:22:03,788 --> 01:22:05,007 ♪ LADIES, SING! 1318 01:22:05,050 --> 01:22:06,225 ♪ HEY, YOU, PAPI 1319 01:22:06,269 --> 01:22:07,531 ♪ DON'T YOU STOP IT 1320 01:22:07,574 --> 01:22:08,532 ♪ WANNA SEE YOU 1321 01:22:08,575 --> 01:22:09,794 ♪ MOVE YOUR BODY 1322 01:22:09,837 --> 01:22:13,450 ♪ OHH, I DIDN'T KNOW YOU DID IT LIKE THAT ♪ 1323 01:22:13,493 --> 01:22:14,930 ♪ LET'S GO 1324 01:22:14,973 --> 01:22:16,583 ♪ I NEVER REALLY KNEW THAT YOU COULD DANCE LIKE THIS ♪ 1325 01:22:16,627 --> 01:22:18,498 ♪ SHE MAKE A MAN WANNA SPEAK SPANISH ♪ 1326 01:22:18,542 --> 01:22:20,239 ♪ ¿COÓMO SE LLAMA?♪ !¡Sí!♪ 1327 01:22:20,283 --> 01:22:21,980 ♪ ¿BONITA? ♪ ♪ !¡Sí! ♪ 1328 01:22:22,024 --> 01:22:23,808 ♪ MI CASA, SU CASA 1329 01:22:23,851 --> 01:22:26,202 ♪ THE WAY YOU MOVE, YOU GOT ME HYPNOTIZED ♪ 1330 01:22:26,245 --> 01:22:28,682 ♪ ESPECIALLY WHEN I LOOK INTO HIS EYES ♪ 1331 01:22:28,726 --> 01:22:30,032 ♪ HEY, PAPI ♪ !¡Sí! ♪ 1332 01:22:30,075 --> 01:22:31,424 ♪ I WANNA ♪ !¡Sí! ♪ 1333 01:22:31,468 --> 01:22:33,513 ♪ SEE YOU DO THE DANCE TO THE CONGA ♪ 1334 01:22:33,557 --> 01:22:36,038 ♪ BAILA LA CALLE DE NOCHE ♪ 1335 01:22:36,081 --> 01:22:38,475 ♪ BAILA LA CALLE DE DíA ♪ 1336 01:22:38,518 --> 01:22:40,781 ♪ BAILA LA CALLE DE NOCHE ♪ 1337 01:22:40,825 --> 01:22:43,175 ♪ BAILA LA CALLE DE DíA♪ 1338 01:22:43,219 --> 01:22:45,569 ♪ BAILA LA CALLE DE NOCHE ♪ 1339 01:22:45,612 --> 01:22:48,006 ♪ BAILA LA CALLE DE DíA♪ 1340 01:22:48,050 --> 01:22:50,443 ♪ BAILA LA CALLE DE NOCHE ♪ 1341 01:22:50,487 --> 01:22:54,795 ♪ BAILA LA CALLE DE DíA♪ 1342 01:23:06,851 --> 01:23:09,506 [NEW SONG STARTS] 1343 01:23:11,377 --> 01:23:13,466 ♪ REPRESENT, REPRESENT, CUBA ♪ 1344 01:23:13,510 --> 01:23:16,382 ♪ ORISHAS UNDERGROUND DE HAVANA ♪ 1345 01:23:16,426 --> 01:23:19,037 ♪ REPRESENT, REPRESENT, CUBA ♪ 1346 01:23:19,081 --> 01:23:21,431 ♪ HEY, MI MúSICA 1347 01:23:21,474 --> 01:23:23,607 ♪ REPRESENT, REPRESENT, CUBA ♪ 1348 01:23:23,650 --> 01:23:26,523 ♪ ORISHAS UNDERGROUND DE HAVANA ♪ 1349 01:23:26,566 --> 01:23:29,134 ♪ REPRESENT, REPRESENT, CUBA ♪ 1350 01:23:29,178 --> 01:23:30,657 ♪ HEY, TU MúSICA 1351 01:23:30,701 --> 01:23:34,096 ♪ VEN QUE TE QUIERO CANTAR DE CORAZóN ASI ♪ 1352 01:23:34,139 --> 01:23:38,013 ♪ OH, YEAH ♪ LA HISTORIA 1353 01:23:38,056 --> 01:23:40,276 ♪ DE MIS RAíZES 1354 01:23:40,319 --> 01:23:44,106 ♪ RUMBA SON Y GUAGUANCO TODO MEZCLADO ♪ 1355 01:23:44,149 --> 01:23:46,630 ♪ PA' QUE LO BAILES Tú 1356 01:23:46,673 --> 01:23:47,892 ♪ MIRA 1357 01:23:47,935 --> 01:23:50,982 ♪ AY QUIEN NO BAILA EN HAVANA ♪ 1358 01:23:51,026 --> 01:23:54,942 ♪ MIRA ♪ EN LA CADENCIA 1359 01:23:54,986 --> 01:23:56,074 ♪ YO, YO 1360 01:23:56,118 --> 01:24:00,339 [SINGING IN FRENCH AND SPANISH] 1361 01:24:17,008 --> 01:24:19,141 ♪ I'M THE ONE YOU FIND 1362 01:24:19,184 --> 01:24:20,968 ♪ DEEP IN THE GROOVE 1363 01:24:21,012 --> 01:24:23,580 ♪ THAT HAS YOUR BODY AND 1364 01:24:23,623 --> 01:24:27,018 ♪ YOUR SENSES 1365 01:24:27,062 --> 01:24:29,064 ♪ I'M THE HEAT INSIDE 1366 01:24:29,107 --> 01:24:31,283 ♪ WHEN RHYTHM AND LOVE COLLIDE ♪ 1367 01:24:31,327 --> 01:24:36,462 ♪ CUBA ♪ LET ME INTRODUCE MYSELF 1368 01:24:36,506 --> 01:24:37,420 ♪ CUBA-A-A 1369 01:24:37,463 --> 01:24:39,422 ♪ REPRESENT, REPRESENT, CUBA ♪ 1370 01:24:39,465 --> 01:24:42,294 ♪ ORISHAS UNDERGROUND DE HAVANA ♪ 1371 01:24:42,338 --> 01:24:44,992 ♪ REPRESENT, REPRESENT, CUBA ♪ 1372 01:24:45,036 --> 01:24:47,343 ♪ HEY, MI MúSICA 1373 01:24:47,386 --> 01:24:49,562 ♪ REPRESENT, REPRESENT, CUBA ♪ 1374 01:24:49,606 --> 01:24:52,391 ♪ ORISHAS UNDERGROUND DE HAVANA ♪ 1375 01:24:52,435 --> 01:24:55,002 ♪ REPRESENT, REPRESENT, CUBA ♪ 1376 01:24:55,046 --> 01:24:57,701 ♪ HEY, TU MúSICA♪ 1377 01:24:57,744 --> 01:25:00,965 [SINGING IN SPANISH] 1378 01:25:04,838 --> 01:25:05,883 ♪ MOVE YOUR BODY, BODY 1379 01:25:05,926 --> 01:25:08,451 ♪ MOVE YOUR BODY, BODY 1380 01:25:08,842 --> 01:25:11,149 ♪ CLAP YOUR HANDS 1381 01:25:11,193 --> 01:25:13,847 ♪ CLAP YOUR HANDS 1382 01:25:13,891 --> 01:25:14,805 ♪ CLAP YOUR HANDS 1383 01:25:14,848 --> 01:25:15,980 ♪ MOVE YOUR BODY, BODY 1384 01:25:16,023 --> 01:25:17,808 ♪ MOVE YOUR BODY, BODY 1385 01:25:17,851 --> 01:25:20,637 ♪ BRING DOWN YOUR LAST DEFENSE ♪ 1386 01:25:20,680 --> 01:25:23,161 ♪ I FEEL YOUR INNOCENCE 1387 01:25:23,205 --> 01:25:25,859 ♪ SLIP INTO THE NIGHT 1388 01:25:25,903 --> 01:25:27,818 ♪ BABY, HOLD ON TIGHT 1389 01:25:27,861 --> 01:25:30,734 ♪ BRING DOWN YOUR LAST DEFENSE ♪ 1390 01:25:30,777 --> 01:25:33,302 ♪ I FEEL YOUR INNOCENCE 1391 01:25:33,345 --> 01:25:36,000 ♪ SLIP INTO THE NIGHT 1392 01:25:36,043 --> 01:25:37,784 ♪ BABY, HOLD ON TIGHT 1393 01:25:37,828 --> 01:25:42,267 ♪ MMM-MM, MMM-MM [SINGING IN SPANISH] 1394 01:25:42,311 --> 01:25:47,054 ♪ MMM-MM, MMM-MM 1395 01:25:47,098 --> 01:25:48,186 ♪ CUBA-A-A 1396 01:25:48,230 --> 01:25:50,232 ♪ REPRESENT, REPRESENT, CUBA ♪ 1397 01:25:50,275 --> 01:25:53,191 ♪ ORISHAS UNDERGROUND DE HAVANA ♪ 1398 01:25:53,235 --> 01:25:55,802 ♪ REPRESENT, REPRESENT, CUBA ♪ 1399 01:25:55,846 --> 01:25:58,196 ♪ HEY, MI MúSICA 1400 01:25:58,240 --> 01:26:00,459 ♪ REPRESENT, REPRESENT, CUBA ♪ 1401 01:26:00,503 --> 01:26:03,288 ♪ ORISHAS UNDERGROUND DE HAVANA ♪ 1402 01:26:03,332 --> 01:26:05,638 CAPTIONING MADE POSSIBLE BY LIONS GATE ENTERTAINMENT 1403 01:26:05,682 --> 01:26:10,295 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 95887