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♪ You can do what you wanna do ♪
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♪ In living color♪
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- ♪ In living color♪- ♪ You know what I'm sayin'♪
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♪ You can do what you wanna do ♪
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♪ In living color♪
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♪ In living color♪
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♪ You can walk on the moonFloat like a balloon ♪
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♪ It's never too lateand it's never too soon ♪
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♪ Take it from meIt's a'ight to be ♪
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♪ In living color♪
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♪ How would you feel knowingprejudice was obsolete ♪
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♪ And all mankind dancedto the exact beat ♪
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♪ And at night it was safeto walk down the street ♪
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♪ You can do what you wanna do ♪
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♪ In living color♪
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♪ In living color♪
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♪ You can do what you wanna do ♪
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♪ In living color♪
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♪ In living color♪
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♪ Everybody hereis equally kind ♪
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♪ In living color♪
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♪ What's mine is yoursand what's yours is mine ♪
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♪ In living color♪
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♪ How would you feel knowingeverybody was your friend ♪
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♪ From thin to thickand through thick and thin ♪
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♪ And egotistical tripswas put to an end ♪
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♪ You can do what you wanna do ♪
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♪ In living color♪
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♪ In living color♪
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♪ You can walk on the moonFloat like a balloon ♪
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♪ It's never too lateand it's never too soon ♪
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♪ Take it from meIt's a'ight to be ♪
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♪ In living color♪
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♪ How would you feel knowingprejudice was obsolete ♪
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♪ And all mankind dancedto the exact beat ♪
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♪ And at night it was safeto walk down the street ♪
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♪ You can do what you wanna do ♪
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♪ In living color♪♪
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Ladies and gentlemen,
Keenen Ivory Wayans.
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Won't be here tonight. Uh, unfortunately
Keenen's a little tied up right now.
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- But he did ask me
to host the show for him.
- [Door Rattling]
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Let me introduce myself.
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My name is Shawn Wayans,
better known as D.J. S.W. One.
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- [Knocking]
- I'm the second youngest
and probably most talented one...
45
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in the Wayans family.
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- Open the door.!
- Because of that, there's
gonna be a couple changes.
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- Paul?
- [On P.A.] Yeah, Shawn?
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You're fired, man. Lisa, baby,
you're gonna be my new director.
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- Shawn?
- Deidre, I want you to be
my new personal assistant.
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- Yesterday you said I could sing.
- Open the door now.!
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Hey, baby, not now.
Next time it's gonna be about y'all.
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- Not right now. Let me host the show.
- [Knocking]
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Uh, I'd like to get on with the show.
Please, can I have a spotlight?
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- [Door Rattling]
- No, not on them. Just on me.
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Shawn, I'm gonnarip your head off!
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Tonight there's not gonna be any sketches.
Just gonna be a one-man show.
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And I'd like to start off
with my favorite impression.
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This one kills me!
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Bill Cosby!
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- We'll be right back.
- Oh, come on, man!
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♪ You can do what you wanna do ♪
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♪ In living color♪
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♪ In living color♪♪
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Hello!
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Hello.
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What would you do if the man
that you were livin' with...
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and supportin'
for five long years...
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got weak in the knees every time
you mentioned the word "marriage"?
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Joining us today
are two couples...
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who are havin'
that same exact problem.
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Say hello, if you will,
to Mary Stewart.
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[Audience Applauding, Cheering]
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[Oprah]Hold the applause till I finish, please.
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Her male oppressor, Rollo Wells.
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[Audience Booing]
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- Jennifer Kent...- [Audience Applauding]
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And her poor excusefor a man, Daryl Tills.
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[Booing]
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Now, Mary, you said...
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that Rollo actually
showed up to your wedding...
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and then didn't go through
with the vows at the last moment?
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- Oprah, I was totally humiliated!
- Mm-hmm. Mm-hmm.
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- I mean, look at him.
- Mm-hmm.
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And he shows up only
to take back his funky ring.
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That's the only reason
why he came.
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- Let me tell you what really happened.
- Shut up!
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Don't interrupt the girl.
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- Thank you. Well, I could have died.
- Oh, girl.
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My whole family was there. They never
even believed I was gonna get married.
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- I had a new dress. It was awful.
- Oh, girl!
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- I know.
- I couldn't believe it. I had my nails done.
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I know just what you mean.
You know, me and Steadman broke up.
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- Did you?
- Mm-hmm. Yeah.
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- Girl, he said that he
can't commit to marriage.
- I know.
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He said that he's not ready to spend
the rest of his life with me.
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He certainly can
spend my money, though.
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Rollo, why did you
walk out on her?
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- Who's asking?
- Just answer the question!
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Well, you know,when we first got...
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She told me she was a virgin when we
first met. I found out she got six kids.
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- So?
- So?
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Why is it we women always
have to be so pure for you men?
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Hmm?
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All them kids are bigger than me.
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She got a son
look like Eric Dickerson.
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Jennifer, my girlfriend...
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you've been with this man
for eight long years.
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How much longer are you
gonna hang around?
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Well, it's hard when you put
a relationship together.
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You put all of your time into it.
It's okay. I don't mind.
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In other words, homeboy is still
throwing down in the bedroom.
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Uh, yeah, actually.
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Daryl, do you ever plan onmarrying girlfriend over here?
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Uh, well, okay. Now, like, to answer
your question, that's a yes and a no.
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- Mm-hmm.
- See, like, I'm with her now...
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but I still want to be free and easy,
case something better come along.
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You did not say that on my show.
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- What did I say?
- Caller! Caller! Caller, you say what?
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[Man] Yes, Oprah, I just wanna saythat every time I see...
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- Is that you, Willie?
- Yeah. Rollo, is that you?I just hit the number, man.!
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- You just hit the number?
- Yeah.!
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Man, congratulations. I guess you
can bring me my seven dollars now.
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- [Dial Tone Humming]
- Daryl, don't you think it's ever
gonna be too late?
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- What about children?
- Now, look here, Oprah.
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To answer your question,
that's a yes and a no on them children.
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As you know, a man
remains fertile until his late 60s.
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So that gives me about another 31 years
to spread my seed, right, fellas?
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No, but I was figuring, like, she could
drop that calf when she about 45 or 50.
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Ain't that right, baby?
That's what I was thinking.
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That's not what you were thinking.
Let me tell you what you were thinking.
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You were thinking you would leave her
sittin' home barefoot and pregnant...
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while you go out hangin' out
with your friends, hangin' out
in my condo on Lakeshore Drive...
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eatin' at my restaurant,
spendin' all my money!
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That's what you thought!
That's what you thought!
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[Shouting]
Do you hear me?
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Food is my lover!
Food is my friend!
137
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Where are my Oreos?
Aah! Aah!
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Ohh! Ohh, Oreos!
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[Loud Bang]
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♪♪ [Whistling]
Hi, honey!
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- You're mighty chipper this morning.
- Why shouldn't I be?
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Got my old job back.
Ah, I can't wait to get back out to sea.
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I'm so proud of you.
I made you a big breakfast.
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- Dig in.
- Great!
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I just want you to know,
it's wonderful the way you stuck
by me through this whole thing.
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I stuck by you, Sam,
because I believe in you.
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I know you. Well, they made you out
to look like such a klutz.
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Such a moron.The media really took advantage of you.
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After all, it wasn't your faultthat your tanker hit that reef...
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and leaked all that oil.
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Just because you're the captaindoesn't mean you should be responsible...
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for every little thingthat happens to your ship.
153
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And when the tankerdid start leaking...
154
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well, the company didjust whatthey were supposed to do...
155
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they laid downa containment boom.
156
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That's what anyrational group would do.
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How were they supposed to knowthe spill was too big to be contained?
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They werejust doingwhat they thought was right.
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- So they did the next logical thing.
- What was that?
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They poured absorbent material
on the spill to soak it up.
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- Are you okay, honey?
- Yeah. Just gettin' the coffee.
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Yeah, that absorbent materialwas a great idea.
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Too bad itjust madea bigger mess.
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They really turned the tide
when they decided to burn it off.
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That was brilliant.
166
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Sometimes that's the only thingthat'll work.
167
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It's the cleansing power of flame.
168
00:09:01,728 --> 00:09:03,662
You just have to burn offwhat you can...
169
00:09:03,730 --> 00:09:07,166
and let Mother Nature take careof the rest through evaporation.
170
00:09:07,234 --> 00:09:09,759
Hell's bells,in a hundred years or so...
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they'll never know there was
a silly little spill at all.
172
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I think you're right, hon.
We did good.
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You sure did.
I'm so proud of you, Sam.
174
00:09:19,046 --> 00:09:20,980
Goodness, look at the time!
175
00:09:21,048 --> 00:09:25,508
There's a fresh tanker
of crude in the harbor, mister,
and it's got your name on it.
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I love you!
177
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- Bye.
- Don't forget your lunch.
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Oh, yeah.
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Got it!
180
00:09:36,130 --> 00:09:39,759
[Announcer]Coming this fall, it's:
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Nobody's perfect.
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Black innovators have often failed
to get the credit due them...
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00:09:58,252 --> 00:10:00,720
for their brilliant work
in the business world.
184
00:10:00,787 --> 00:10:03,950
In 1975, entrepreneurCalvin Thompson...
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00:10:04,024 --> 00:10:06,356
was employedat a gas station in Detroit.
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00:10:06,426 --> 00:10:11,386
He was working one sunny afternoon whena customer drove up in a big, blue sedan.
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00:10:11,465 --> 00:10:13,399
[Horn Honking]
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00:10:13,467 --> 00:10:15,935
Hey, buddy, can I get
a little gas over here?
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00:10:16,003 --> 00:10:18,767
Thompson had a moment of inspirationand said to the customer...
190
00:10:18,839 --> 00:10:20,773
Get it your damn self!
191
00:10:22,276 --> 00:10:24,938
So today we saluteCalvin Thompson...
192
00:10:25,012 --> 00:10:28,880
inventor ofthe self-service gas station.
193
00:10:31,685 --> 00:10:34,210
I'm David Alan Grier,
and this has been another...
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00:10:34,288 --> 00:10:37,849
Great Moment in Black History.
195
00:10:41,361 --> 00:10:44,728
♪♪ [Hip-hop]
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♪♪ [Rapping]
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00:11:00,581 --> 00:11:02,879
♪♪ [Continues]
198
00:11:07,654 --> 00:11:10,487
The American Heritage dictionary
defines a transition...
199
00:11:10,557 --> 00:11:15,551
as " an instance or process of changing
from one form to another."
200
00:11:15,629 --> 00:11:17,563
So this is one transition.
201
00:11:21,501 --> 00:11:24,629
Aah! Aah! Aaah!
202
00:11:28,408 --> 00:11:30,899
And this is another.
203
00:11:33,080 --> 00:11:37,676
[Grunting, Squealing]
204
00:11:42,122 --> 00:11:44,249
But this, my friends...
205
00:11:44,324 --> 00:11:47,487
is my favorite transition of all.
206
00:11:56,903 --> 00:11:59,997
[Impersonating Jack Nicholson]
Wait till they get a load of me.
207
00:12:08,325 --> 00:12:11,726
Jim is fabulous.
He must be eatin' green eggs and ham.
208
00:12:11,795 --> 00:12:15,060
Hey, I'm Downtown Julie Brown
with you, rockin' it uptown...
209
00:12:15,132 --> 00:12:18,363
downtown and upside down
and every place else in between.
210
00:12:18,435 --> 00:12:20,369
We've got some great music
coming your way.
211
00:12:20,437 --> 00:12:22,371
The new tune from that hot
little sneaker commercial...
212
00:12:22,439 --> 00:12:24,373
something from a little
beer commercial...
213
00:12:24,441 --> 00:12:26,375
but right now I got
a little treat for you.
214
00:12:26,443 --> 00:12:31,005
Miss Whitney Houston in her world
premiere video, "The Rhythmless Nation."
215
00:12:31,081 --> 00:12:34,744
Check it out. Pump it up.
216
00:12:34,818 --> 00:12:38,049
Five, four, three, two, one!
217
00:12:38,122 --> 00:12:40,181
- ♪♪ [R&B]
- Ha!
218
00:12:41,926 --> 00:12:43,757
Ha.!
219
00:12:46,564 --> 00:12:51,160
[Off-key] ♪ There's music on my side
which really helps me hide ♪
220
00:12:51,235 --> 00:12:53,260
♪ Plus the fact that I can't sing ♪
221
00:12:53,337 --> 00:12:55,305
♪ It's me just doin' my thing ♪
222
00:12:55,372 --> 00:12:57,704
♪ If you look close you'll see ♪
223
00:12:57,775 --> 00:12:59,709
♪ I'm sure that you'll agree ♪
224
00:12:59,777 --> 00:13:04,237
♪ I am a part
of a rhythmless nation ♪♪
225
00:14:00,671 --> 00:14:03,162
[Brakes Hissing]
226
00:14:08,145 --> 00:14:10,739
[Brakes Screeching]
227
00:14:11,882 --> 00:14:14,043
[Clears Throat]
228
00:14:14,118 --> 00:14:17,781
Excuse me,
ladies and gentlemen.
229
00:14:17,855 --> 00:14:20,449
Please do not be alarmed.
230
00:14:20,524 --> 00:14:25,086
There seems to be some sort
of a system malfunction here.
231
00:14:26,630 --> 00:14:29,121
My name is Anton.
232
00:14:31,468 --> 00:14:34,733
I'm a victim of society...
233
00:14:34,805 --> 00:14:37,603
and an entertainer.
234
00:14:39,343 --> 00:14:44,178
I will keep you company
until the problem has resolved.
235
00:14:45,215 --> 00:14:48,548
Let me wipe that on there for you.
236
00:14:50,788 --> 00:14:53,416
Some of you may already
recognize me...
237
00:14:53,490 --> 00:14:57,324
from some of my many
television appearances.
238
00:14:57,394 --> 00:15:01,455
I was on the 6:00 news last night.
239
00:15:01,532 --> 00:15:06,162
Yeah, I was the dude
in the choke hold. [Guffaws]
240
00:15:07,905 --> 00:15:10,806
Is this thing on?
241
00:15:10,874 --> 00:15:14,810
I know what you guys like.
You want to hear some impressions?
242
00:15:14,878 --> 00:15:16,812
All right, here's one.
243
00:15:16,880 --> 00:15:19,440
This is Elvis Presley...
244
00:15:19,516 --> 00:15:23,077
if he was alive today.
245
00:15:23,153 --> 00:15:25,815
Hey, get me outta here!
I ain't dead yet.
246
00:15:25,889 --> 00:15:28,380
Somebody dig me up!
247
00:15:30,327 --> 00:15:32,420
The King, ladies and gentlemen.
248
00:15:32,496 --> 00:15:34,487
The King.
249
00:15:37,067 --> 00:15:41,470
Now, I would love to perform
for free for y'all...
250
00:15:41,538 --> 00:15:43,972
but the union stipulates...
251
00:15:44,041 --> 00:15:46,771
that I collect compensation...
252
00:15:46,844 --> 00:15:50,302
for my creative endeavors.
253
00:15:50,381 --> 00:15:55,375
So I appreciate it if when I pass
my sneaker around...
254
00:15:55,452 --> 00:15:58,012
you would be so kind...
255
00:15:58,088 --> 00:16:01,023
as to give to the cause.
256
00:16:01,091 --> 00:16:04,959
'Cause rent is due.
[Chortling]
257
00:16:05,028 --> 00:16:08,293
There you go.
Pass it down.
258
00:16:08,365 --> 00:16:12,426
Oh, I know what it is.
Y'all wanna see some more of my talent.
259
00:16:12,503 --> 00:16:15,836
All right.
How 'bout a song?
260
00:16:17,408 --> 00:16:21,139
♪♪ [Loud]
261
00:16:21,211 --> 00:16:24,669
Give it up for the band,
ladies and gentlemen.
262
00:16:26,150 --> 00:16:28,618
Maceo and the Gang.
263
00:16:30,554 --> 00:16:36,049
♪♪ [Singing]
264
00:16:42,065 --> 00:16:44,727
♪♪ [Singing]
265
00:16:47,471 --> 00:16:49,996
Look, look, look.
I'm gonna give you anything, man.
266
00:16:50,073 --> 00:16:52,007
Just be quiet!
267
00:16:52,075 --> 00:16:54,100
Oh, thanks, bro!
268
00:16:54,178 --> 00:16:56,669
Hey, bro, soul power.
Soul power.
269
00:16:56,747 --> 00:17:00,547
Oh, beaut...
Ah, y'all too kind.
270
00:17:00,617 --> 00:17:03,017
Ow, that hit me in my head.
271
00:17:04,288 --> 00:17:07,086
- I'm gettin' off at the next stop.
- Me too.
272
00:17:07,157 --> 00:17:10,684
[Conductor On P.A.] I'm sorry, but wewill be delayed for several minutes.
273
00:17:10,761 --> 00:17:13,787
Please excuse usfor the inconvenience.
274
00:17:13,864 --> 00:17:17,664
Oh, ladies and gentlemen,
I'm happy to announce...
275
00:17:17,734 --> 00:17:22,296
that show number two
has just begun.
276
00:17:22,372 --> 00:17:27,207
I'd like to recite
a"soquilokee," if I can.
277
00:17:28,612 --> 00:17:32,048
To be or not to be...
278
00:17:32,115 --> 00:17:35,016
that always confused me.
279
00:17:39,790 --> 00:17:43,783
♪♪ [Singing]
280
00:17:45,696 --> 00:17:49,223
♪♪ [Singing]
281
00:17:56,507 --> 00:17:59,374
♪♪ [Singing]
282
00:18:08,385 --> 00:18:11,218
♪♪ [Women Singing]
283
00:18:11,288 --> 00:18:14,121
[Announcer] And now,Public Access Television presents...
284
00:18:14,191 --> 00:18:16,250
Men on Art.
285
00:18:16,326 --> 00:18:18,317
♪♪ [Continues]
286
00:18:25,502 --> 00:18:27,493
Hello. I'm Blayne Edwards.
287
00:18:27,571 --> 00:18:29,505
And I'm Antoine Merriwether.
288
00:18:29,573 --> 00:18:32,235
[Both]
And welcome to Men on Art.
289
00:18:32,309 --> 00:18:35,369
The show that looks at great art
from the past and present.
290
00:18:35,445 --> 00:18:37,413
From a male point of view.
291
00:18:37,481 --> 00:18:40,814
- Yes, the first little piece
we'd like to discuss...
- Don't forget our sponsor.
292
00:18:40,884 --> 00:18:43,250
- What?
- Don't forget our new sponsor.
293
00:18:43,320 --> 00:18:47,313
Oh, good golly, Miss Molly.
That's right.
294
00:18:47,391 --> 00:18:50,417
Tonight's broadcast
is brought to you by...
295
00:19:00,737 --> 00:19:04,002
I ain't gonna touch it.
296
00:19:04,074 --> 00:19:06,542
- Ben did.
- Stop.
297
00:19:06,610 --> 00:19:09,738
As I was saying, our first piece
we're gonna discuss...
298
00:19:09,813 --> 00:19:12,611
is Rembrandt's
The Night Watch.
299
00:19:12,683 --> 00:19:15,709
This is so nice to seemale bonding.
300
00:19:15,786 --> 00:19:20,086
See how they're dressed up with
the swords and acting butch,
but they still together.
301
00:19:20,157 --> 00:19:22,091
Mm-hmm. Hear! Hear!
302
00:19:22,159 --> 00:19:24,957
Our next piece
we're gonna discuss...
303
00:19:25,028 --> 00:19:28,520
is Leonardo da Vinci's
Mona Lisa.
304
00:19:28,599 --> 00:19:31,261
[Both]
Hated it!
305
00:19:31,335 --> 00:19:34,600
You know, where are
Miss Mona's eyebrows? Tell me.
306
00:19:34,671 --> 00:19:38,004
Yes, I think somebody went
a little tweezer crazy.
307
00:19:38,075 --> 00:19:41,067
You'd better stop.
Look who's talkin'.
308
00:19:41,144 --> 00:19:44,307
Don't hate me
'cause I'm beautiful.
309
00:19:47,184 --> 00:19:51,746
And this little thingy over here,
that's Botticelli's Birth of Venus.
310
00:19:51,822 --> 00:19:55,121
Hated it!
311
00:19:55,192 --> 00:20:00,186
And now we come to Andy Warhol's
portrait of Marilyn Monroe.
312
00:20:01,732 --> 00:20:03,666
Oh, I wish I was still a blond.
313
00:20:03,734 --> 00:20:07,670
Yeah, and Dorothy wish
she could go back to Kansas.
314
00:20:07,738 --> 00:20:10,536
I have just two words
to describe this...
315
00:20:10,607 --> 00:20:12,734
gor-geous.
316
00:20:12,809 --> 00:20:17,337
I have to disagree.
Marilyn was nothing but a slut.
317
00:20:17,414 --> 00:20:20,076
I mean, two Kennedys
and a mafioso?
318
00:20:20,150 --> 00:20:23,415
That trash was workin' overtime.
319
00:20:23,487 --> 00:20:25,421
Oh, you are so wrong.
320
00:20:25,489 --> 00:20:28,424
Miss Marilyn was
the last true diva.
321
00:20:28,492 --> 00:20:32,053
I used to do her in my nightclub act,
An Evening with the Stars.
322
00:20:32,129 --> 00:20:35,462
- With hairy legs.
- Now, don't go there.
323
00:20:35,532 --> 00:20:37,523
I'm sorry, 'Toine.
324
00:20:42,172 --> 00:20:45,903
- I liked your little nightclub skits.
- Did you really like it?
325
00:20:45,976 --> 00:20:49,104
Cross my heart and hope to look
like Whoopi Goldberg in my next life.
326
00:20:49,179 --> 00:20:51,170
Stop!
327
00:20:52,616 --> 00:20:56,017
Well, our next piece
is truly a work of art.
328
00:20:56,086 --> 00:21:00,455
- Yes, it is.
- It's Michelangelo's statue of David.
329
00:21:00,524 --> 00:21:02,458
[Gasps]
330
00:21:02,526 --> 00:21:06,519
Gasp and swoon!
I just caught the vapors.
331
00:21:11,301 --> 00:21:14,361
- Now, this is art.
- Yes, it is.
332
00:21:14,438 --> 00:21:17,771
And little David
is working that bow tie.
333
00:21:21,244 --> 00:21:23,576
- You know, that was my idea.
- Yes.
334
00:21:23,647 --> 00:21:27,310
We're gonna have to give this one
two snaps up in a circle.
335
00:21:33,490 --> 00:21:37,426
I mean, what power,
what strength, what a man.
336
00:21:37,494 --> 00:21:41,055
Mm-hmm. I see why
Goliath dropped dead.
337
00:21:41,131 --> 00:21:44,623
Stop. Well, it looks like
we're just about out of time.
338
00:21:44,701 --> 00:21:48,432
Join us next week when we'll be looking
at Gainsborough's The Blue Boy.
339
00:21:48,505 --> 00:21:51,633
- And this David again.
- You better hush.
340
00:21:51,708 --> 00:21:55,974
- Bye.
- ♪♪ [Women Singing]
341
00:22:02,452 --> 00:22:05,046
Thank you.
342
00:22:05,122 --> 00:22:08,216
Thank you very much. Thank you
from all of us here on In Living Color.
343
00:22:08,291 --> 00:22:11,055
We'll see y'all next week.
Peace.
344
00:23:00,076 --> 00:23:03,512
♪ You can do what you wanna do ♪
345
00:23:03,580 --> 00:23:05,571
♪ In living color♪♪
29108
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