Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:16,460 --> 00:00:18,460
Previously on...
Talamasca.
2
00:00:18,460 --> 00:00:20,140
We're interested
in the supernatural.
3
00:00:20,260 --> 00:00:21,620
I don't believe in witches, vampires.
4
00:00:21,620 --> 00:00:22,660
Nobody does.
5
00:00:22,660 --> 00:00:23,660
Until they meet one.
6
00:00:23,660 --> 00:00:24,940
Why me?
[Clicking]
7
00:00:25,060 --> 00:00:26,860
You hear things
others cannot.
8
00:00:26,860 --> 00:00:29,260
Guy: Anna Leamas.
She was my mother.
9
00:00:29,260 --> 00:00:30,700
She's alive.
10
00:00:30,820 --> 00:00:32,460
They're using you, kid.
11
00:00:32,460 --> 00:00:33,860
[Hisses]
[Gasps]
12
00:00:33,860 --> 00:00:35,460
Tell me exactly
what they've done for me.
13
00:00:35,460 --> 00:00:36,660
Everything.
14
00:00:36,660 --> 00:00:37,820
Helen: We have
a specific need
15
00:00:37,820 --> 00:00:39,260
in London at present.
16
00:00:39,260 --> 00:00:40,700
You're gonna get
that poor boy killed.
17
00:00:40,860 --> 00:00:44,740
♪
18
00:00:45,940 --> 00:00:48,140
Radio: Please be advised...
19
00:00:48,140 --> 00:00:49,220
Criminalist: Come and have
a look at this.
20
00:00:49,220 --> 00:00:50,820
What do you think?
21
00:00:50,820 --> 00:00:52,220
Criminalist #2: Yeah,
we'll need to bag that.
22
00:00:52,220 --> 00:00:53,980
Yeah, I'll take care of that.
23
00:00:55,060 --> 00:00:56,700
Got a finger.
24
00:00:56,700 --> 00:00:59,100
Least a nick of one.
25
00:00:59,100 --> 00:01:00,820
Might be a fingerprint.
26
00:01:02,540 --> 00:01:05,780
Hough: Jesus. She threw herself
into a bloody blender.
27
00:01:05,780 --> 00:01:07,580
You don't see a lot of that.
28
00:01:07,580 --> 00:01:10,780
Women do not sully their looks
when they top themselves.
29
00:01:10,780 --> 00:01:13,780
It's like,
it's either wrist or pills now.
30
00:01:13,780 --> 00:01:16,580
Why is what's left of her
all chewed up?
31
00:01:16,580 --> 00:01:18,420
Stray dogs
more than likely.
32
00:01:18,420 --> 00:01:21,220
Well, they certainly
had their fill.
33
00:01:21,220 --> 00:01:23,500
Pocketbook.
34
00:01:23,500 --> 00:01:24,940
Any ID?
35
00:01:24,940 --> 00:01:26,900
[Suspenseful music plays]
36
00:01:26,900 --> 00:01:30,060
Soledad Marcel.
Lives in Wandsworth.
37
00:01:30,060 --> 00:01:31,460
Lived.
38
00:01:31,460 --> 00:01:33,140
Gimme.
39
00:01:33,140 --> 00:01:34,660
I found this as well.
40
00:01:34,660 --> 00:01:41,100
♪
41
00:01:41,100 --> 00:01:42,300
What's that?
42
00:01:42,300 --> 00:01:44,820
Silly Putty.
43
00:01:44,820 --> 00:01:46,060
Kids play with it.
44
00:01:46,060 --> 00:01:51,100
♪
45
00:01:51,100 --> 00:01:52,660
- Appreciate it.
- On it.
46
00:01:52,660 --> 00:01:56,020
Woman: I got multiple numbers
not matching up.
47
00:01:56,020 --> 00:01:58,060
Man: There's a new algorithm
I'd like to show you.
48
00:01:58,060 --> 00:01:59,460
[Keyboard keys clacking]
49
00:01:59,460 --> 00:02:01,340
TV Reporter: ...guys
in the vicinity...
50
00:02:01,340 --> 00:02:03,660
[Indistinct chatter]
[Computer chimes]
51
00:02:03,660 --> 00:02:12,420
♪
52
00:02:12,420 --> 00:02:14,820
Mr. Owen.
53
00:02:14,820 --> 00:02:16,500
Thank you.
54
00:02:16,500 --> 00:02:27,060
♪
55
00:02:27,060 --> 00:02:29,100
[The Georgia Satellites' "Keep
Your Hands to Yourself" plays]
56
00:02:29,100 --> 00:02:36,460
♪ Ooh, baby, baby, baby ♪
57
00:02:36,460 --> 00:02:38,660
♪ Why you gonna treat me
this way? ♪
58
00:02:38,660 --> 00:02:40,860
♪ You know I'm still
your loverboy ♪
59
00:02:40,860 --> 00:02:42,740
♪ I still feel the same way ♪
60
00:02:42,740 --> 00:02:44,740
[Music stops abruptly]
61
00:02:44,740 --> 00:02:48,220
Intel on the Soledad Marcel
police investigation.
62
00:02:48,220 --> 00:02:50,180
It appears we have nothing
to worry about.
63
00:02:52,100 --> 00:02:54,580
Until she sends
a replacement.
64
00:02:54,580 --> 00:02:56,180
And she will.
65
00:02:58,780 --> 00:03:00,340
[Music continues]
66
00:03:00,340 --> 00:03:02,020
♪ ...a story 'bout free milk
and a cow ♪
67
00:03:02,020 --> 00:03:03,900
♪ And said, "No huggee,
no kissee" ♪
68
00:03:03,900 --> 00:03:06,580
♪ "Until I get a wedding vow" ♪
69
00:03:06,580 --> 00:03:10,100
♪ My honey, my baby, don't put
my love upon no shelf ♪
70
00:03:10,100 --> 00:03:12,260
♪ She said,
"Don't hand me no lines" ♪
71
00:03:12,260 --> 00:03:15,260
♪ "And keep your hands
to yourself ♪
72
00:03:15,260 --> 00:03:18,260
[Theme music plays]
73
00:03:18,260 --> 00:03:48,260
♪
74
00:03:48,260 --> 00:03:50,020
[Rain pattering]
75
00:03:51,620 --> 00:03:55,220
I have conditions.
You never lie to me.
76
00:03:55,220 --> 00:03:57,500
No "above your pay grade,
77
00:03:57,500 --> 00:03:59,500
further down the road,
all will be revealed."
78
00:03:59,500 --> 00:04:03,100
No, bullshit.
I can walk away at any time.
79
00:04:03,100 --> 00:04:05,460
Something smells funny,
and I'm out.
80
00:04:05,460 --> 00:04:07,300
My job at Cavitt
is waiting for me
81
00:04:07,300 --> 00:04:08,900
like none of this
ever happened.
82
00:04:08,900 --> 00:04:12,780
And don't...
Don't say it's not possible.
83
00:04:12,780 --> 00:04:14,460
You personally got
a Vampire board approved
84
00:04:14,460 --> 00:04:16,220
for a penthouse at The Dakota.
85
00:04:16,220 --> 00:04:19,380
So basically everything's
possible.
86
00:04:23,980 --> 00:04:25,780
Anything else?
87
00:04:25,780 --> 00:04:27,260
Oh, I'll let you know.
88
00:04:28,940 --> 00:04:33,100
We'll need to create a cover.
A legend.
89
00:04:33,100 --> 00:04:35,620
One that includes and explains
your status at Cavitt,
90
00:04:35,620 --> 00:04:37,140
as well as your current
state of mind.
91
00:04:37,140 --> 00:04:38,660
What are you talking about?
92
00:04:38,660 --> 00:04:40,100
You must be given
the appearance
93
00:04:40,100 --> 00:04:42,220
and distinct footprint
of a clean break,
94
00:04:42,220 --> 00:04:44,260
as well as an irrational
yet believable reason
95
00:04:44,260 --> 00:04:45,980
for your journey.
96
00:04:45,980 --> 00:04:47,540
Osterhaus: [Scoffs]
A sabbatical, Guy?
97
00:04:47,540 --> 00:04:49,860
You take a sabbatical
after you're tenured.
98
00:04:49,860 --> 00:04:51,140
Law firms don't have tenure,
99
00:04:51,140 --> 00:04:52,780
and you haven't worked
a day yet.
100
00:04:52,780 --> 00:04:55,340
Okay. Maybe more like a gap.
101
00:04:55,340 --> 00:04:57,700
[Scoffs] A gap?
102
00:04:57,700 --> 00:05:01,500
[Sighs] Gap week,
gap month, gap year?
103
00:05:02,980 --> 00:05:04,980
What's-- What's going on here,
Guy?
104
00:05:04,980 --> 00:05:06,500
Second-guessing
a career in law?
105
00:05:06,500 --> 00:05:08,700
No, no, no.
Trying to find yourself?
106
00:05:08,700 --> 00:05:10,580
No, that's not it.
Then what? What is it?
107
00:05:10,580 --> 00:05:11,980
A death.
108
00:05:13,860 --> 00:05:15,700
A death in the family, okay?
109
00:05:15,700 --> 00:05:18,700
A legend that will allow you to
take on your assignment quickly.
110
00:05:18,700 --> 00:05:22,860
Not out of preference,
but unfortunately, necessity.
111
00:05:22,860 --> 00:05:24,300
Training and preparation
112
00:05:24,300 --> 00:05:26,780
that should take a year
will become a week.
113
00:05:28,820 --> 00:05:31,860
Guy: And in a week,
I'll be doing what?
114
00:05:31,860 --> 00:05:35,220
Helen: Using your unique skills
to access information.
115
00:05:35,220 --> 00:05:38,140
Our problem in London
is getting worse by the day.
116
00:05:39,180 --> 00:05:41,260
What does their outfit
have to do with yours?
117
00:05:42,740 --> 00:05:44,260
Ours.
118
00:05:44,260 --> 00:05:45,660
Driver: Where to, ma'am?
119
00:05:45,660 --> 00:05:46,980
Kennedy Airport.
120
00:05:48,340 --> 00:05:50,060
The London Mother House
has gone rogue.
121
00:05:50,060 --> 00:05:51,300
If they continue on this path,
122
00:05:51,300 --> 00:05:52,620
it could undermine
all that we do.
123
00:05:52,620 --> 00:05:54,260
Everyone's aware of it,
124
00:05:54,260 --> 00:05:56,380
but no one will do anything
about it except us.
125
00:05:56,380 --> 00:05:57,540
And here I thought
you were all
126
00:05:57,540 --> 00:05:59,980
part of the same
tight-knit club.
127
00:05:59,980 --> 00:06:03,060
Every club has rules and
members who don't follow them.
128
00:06:03,060 --> 00:06:05,420
Who made New York
the enforcer?
129
00:06:05,420 --> 00:06:06,980
We did.
130
00:06:08,940 --> 00:06:10,460
You should know
there is a degree
131
00:06:10,460 --> 00:06:12,860
of personal peril involved
with this enterprise.
132
00:06:14,180 --> 00:06:15,820
Danger, in fact.
133
00:06:15,820 --> 00:06:18,820
♪
134
00:06:18,820 --> 00:06:21,260
Jay: Uh, so this
is your new laptop.
135
00:06:21,260 --> 00:06:24,780
And that
is a 54-character code
136
00:06:24,780 --> 00:06:29,460
you'll memorize to access our
New York database using this.
137
00:06:29,460 --> 00:06:31,260
And your codename.
138
00:06:34,100 --> 00:06:35,660
Dark Horse.
139
00:06:35,660 --> 00:06:37,260
Helen: Your travel packet
will contain
140
00:06:37,260 --> 00:06:38,980
an open-ended ticket
to Heathrow
141
00:06:38,980 --> 00:06:43,020
and 20,000 British pounds
on various debit cards.
142
00:06:43,020 --> 00:06:46,260
Ticket is coach
to better suit your legend.
143
00:06:46,260 --> 00:06:48,500
We've set up a private account
for you.
144
00:06:48,500 --> 00:06:50,540
One that I will
personally oversee.
145
00:06:50,540 --> 00:06:53,380
One that the larger Talamasca
Organization is blind to.
146
00:06:53,380 --> 00:06:54,620
They can know nothing
of this mission,
147
00:06:54,620 --> 00:06:56,340
for the good of everyone.
148
00:06:56,340 --> 00:06:58,700
This is your favorite book.
Never leaves your side.
149
00:06:58,700 --> 00:07:00,780
That is,
until you've used it once,
150
00:07:00,780 --> 00:07:03,540
then you lose it and you carry
your new favorite book.
151
00:07:03,540 --> 00:07:05,100
It's a decoder key.
152
00:07:06,460 --> 00:07:09,380
Page number, line number,
word number.
153
00:07:09,380 --> 00:07:11,980
Page, line, word. Got it?
Come on. Go, go, go.
154
00:07:11,980 --> 00:07:14,660
You got it? Page...
Two.
155
00:07:14,660 --> 00:07:17,260
Line... Let's go. Resented.
156
00:07:17,260 --> 00:07:18,700
Word? Word, word, word.
Yes.
157
00:07:18,700 --> 00:07:19,940
Yeah. Come.
Seldom.
158
00:07:19,940 --> 00:07:21,380
Yes.
159
00:07:21,380 --> 00:07:22,900
When someone asks
what I'm doing in London?
160
00:07:22,900 --> 00:07:24,940
Helen: Fresh start.
161
00:07:24,940 --> 00:07:26,900
You've had a rough time
of it lately.
162
00:07:26,900 --> 00:07:29,500
A cousin of yours
helped you to acquire a position
163
00:07:29,500 --> 00:07:32,260
of employment and a work visa.
164
00:07:33,700 --> 00:07:35,780
A cousin?
165
00:07:35,780 --> 00:07:38,220
Who now has a condo in Florida?
166
00:07:38,220 --> 00:07:40,260
I've very much appreciated
your sense of humor
167
00:07:40,260 --> 00:07:41,740
through all this.
168
00:07:41,740 --> 00:07:43,020
Let's hope
you can keep it up
169
00:07:43,020 --> 00:07:44,660
once you see where
you're working.
170
00:07:45,740 --> 00:07:47,980
Passenger: [Snoring lightly]
171
00:07:47,980 --> 00:08:15,020
♪
172
00:08:15,020 --> 00:08:17,020
Helen: We've provided you with
everything you need to know
173
00:08:17,020 --> 00:08:18,380
at this juncture.
174
00:08:19,500 --> 00:08:22,180
Names, faces of all
the key players,
175
00:08:22,180 --> 00:08:24,860
as well as all pertinent
London locations.
176
00:08:26,300 --> 00:08:29,300
In addition, we've assembled
text and basic tutorials
177
00:08:29,300 --> 00:08:31,580
to augment what
you've already learned.
178
00:08:31,580 --> 00:08:33,980
♪
179
00:08:33,980 --> 00:08:36,180
Passenger: [Coughing]
180
00:08:36,180 --> 00:08:45,260
♪
181
00:08:45,260 --> 00:08:48,100
We know that London
is bringing in a new operative,
182
00:08:48,100 --> 00:08:50,460
but their motives remain
unclear.
183
00:08:51,980 --> 00:08:53,740
When we have more information,
184
00:08:53,740 --> 00:08:55,660
we'll contact you
via the Dead Drop Beacon
185
00:08:55,660 --> 00:08:57,460
near your place of employment.
186
00:08:57,460 --> 00:09:00,060
Find and decipher the code.
187
00:09:00,060 --> 00:09:04,060
Once we reach out, you'll need
to move quickly to gather Intel.
188
00:09:04,060 --> 00:09:05,660
[PA chimes loudly]
189
00:09:05,660 --> 00:09:07,180
Pilot: This is
your captain speaking.
190
00:09:07,180 --> 00:09:08,780
We are beginning
our initial descent
191
00:09:08,780 --> 00:09:10,580
into London Heathrow Airport.
192
00:09:10,580 --> 00:09:12,700
On behalf
of the entire flight crew,
193
00:09:12,700 --> 00:09:15,020
I'd like to thank you for
choosing to fly with us today.
194
00:09:15,020 --> 00:09:16,980
We hope you enjoy your stay
in London
195
00:09:16,980 --> 00:09:19,180
or wherever your
final destination may be.
196
00:09:19,180 --> 00:09:21,540
[Suspenseful music plays]
[Horns honking]
197
00:09:21,540 --> 00:09:23,660
[Siren wailing]
198
00:09:27,380 --> 00:09:29,860
[Siren wailing]
199
00:09:34,180 --> 00:09:35,460
[Horn blaring]
200
00:09:35,460 --> 00:09:46,300
♪
201
00:09:46,300 --> 00:09:48,980
Helen: We've selected
modest housing for you
202
00:09:48,980 --> 00:09:51,260
in a neighborhood close
to the London Mother House.
203
00:09:52,740 --> 00:09:54,860
Here's a critical piece
of the puzzle.
204
00:09:56,020 --> 00:09:58,820
Your backstory,
which is mostly true,
205
00:09:58,820 --> 00:10:02,020
will be accessible
to anyone who searches for it.
206
00:10:03,820 --> 00:10:06,420
This, of course, includes
the Talamasca Organization,
207
00:10:06,420 --> 00:10:08,700
who we want to keep
at arm's length.
208
00:10:08,700 --> 00:10:10,740
Guy: Won't they
already know my history?
209
00:10:10,740 --> 00:10:12,740
I mean, they pay
for all of it.
210
00:10:12,740 --> 00:10:15,180
No, you are off book,
so to speak.
211
00:10:15,180 --> 00:10:17,700
All the arrangements regarding
your upbringing and education
212
00:10:17,700 --> 00:10:19,580
were handled privately.
213
00:10:19,580 --> 00:10:20,980
By you.
214
00:10:22,140 --> 00:10:24,580
I'm your pet project.
215
00:10:24,580 --> 00:10:26,780
I suppose one could say that.
216
00:10:28,380 --> 00:10:31,340
So, about a million lies
led us to where we are now.
217
00:10:31,340 --> 00:10:33,540
Somehow fitting, I suppose.
218
00:10:33,540 --> 00:10:36,700
Which is why it's essential
your legend remain consistent
219
00:10:36,700 --> 00:10:39,340
and as close to reality
as possible.
220
00:10:39,340 --> 00:10:41,500
Guy Anatole had
a promising career in law
221
00:10:41,500 --> 00:10:43,420
and a rich life
in front of him.
222
00:10:43,420 --> 00:10:45,380
Things went swimmingly
for a short while,
223
00:10:45,380 --> 00:10:47,820
then the poor boy had
a mental break.
224
00:10:47,820 --> 00:10:49,780
A mental break?
225
00:10:49,780 --> 00:10:51,340
Not unusual for someone
with your history.
226
00:10:51,340 --> 00:10:53,260
A loner who hears voices
227
00:10:53,260 --> 00:10:56,900
and uses an alarming amount
of Clonazepam.
228
00:10:56,900 --> 00:10:59,140
Quite the résumé.
229
00:10:59,140 --> 00:11:01,300
How do I reach you?
You don't.
230
00:11:01,300 --> 00:11:02,980
It's a very strong chance
that once you leave,
231
00:11:02,980 --> 00:11:05,780
we won't see each other again.
232
00:11:05,780 --> 00:11:07,220
So, I arrive in London
233
00:11:07,220 --> 00:11:10,140
and this all just magically
works out?
234
00:11:10,140 --> 00:11:12,940
[Stammers] I don't even know
what I'm supposed to be doing.
235
00:11:12,940 --> 00:11:15,700
Whilst we wait for this new
operative to arrive in London,
236
00:11:15,700 --> 00:11:18,220
we'll put you close to those
who run the London Mother House.
237
00:11:18,220 --> 00:11:20,020
Close enough to hopefully
use your skills
238
00:11:20,020 --> 00:11:21,980
to listen in and report back.
239
00:11:24,540 --> 00:11:26,300
And I'm on my own?
240
00:11:26,300 --> 00:11:28,420
[Somber music plays]
241
00:11:29,820 --> 00:11:32,020
If the Talamasca Organization
doesn't know what I'm up to,
242
00:11:32,020 --> 00:11:33,100
then who does?
243
00:11:33,100 --> 00:11:35,340
Me and a few select others.
244
00:11:35,340 --> 00:11:38,980
A London point person will be
in contact to spell out details.
245
00:11:38,980 --> 00:11:40,260
They're your handler,
246
00:11:40,260 --> 00:11:42,420
and everything will
come through them.
247
00:11:42,420 --> 00:11:46,420
This is a very... specific
and covert affair.
248
00:11:49,180 --> 00:11:50,580
So I believe I've hit
the high notes.
249
00:11:50,580 --> 00:11:52,700
Any questions?
Yeah. Just one.
250
00:11:55,060 --> 00:11:56,580
You never told me your name.
251
00:11:58,220 --> 00:11:59,580
Helen.
252
00:12:01,020 --> 00:12:02,500
It's Helen.
253
00:12:02,500 --> 00:12:12,060
♪
254
00:12:17,140 --> 00:12:18,740
[Siren wailing in distance]
255
00:12:22,500 --> 00:12:25,140
[Indistinct chatter in distance]
256
00:12:31,180 --> 00:12:33,060
[ Suspenseful music plays ]
257
00:12:33,060 --> 00:12:35,260
[Indistinct chatter continues]
258
00:12:35,260 --> 00:12:42,540
♪
259
00:12:42,540 --> 00:12:45,020
[Pills rattling]
260
00:12:45,020 --> 00:13:01,660
♪
261
00:13:01,660 --> 00:13:04,100
[Clattering in distance]
262
00:13:04,100 --> 00:13:22,300
♪
263
00:13:22,300 --> 00:13:24,140
[Door buzzer buzzing]
264
00:13:24,140 --> 00:13:26,820
♪
265
00:13:26,820 --> 00:13:29,620
Mr. Checkers,
do you know why you're here?
266
00:13:29,620 --> 00:13:31,380
No, Mr. Owen.
267
00:13:31,380 --> 00:13:33,620
Were you friends
with Soledad Marcel?
268
00:13:35,340 --> 00:13:38,620
Yes. Poor girl.
269
00:13:38,620 --> 00:13:40,140
Were you more than friends?
270
00:13:41,420 --> 00:13:43,780
[Upbeat electronic music plays]
271
00:13:45,420 --> 00:13:46,700
W-What are you trying to say?
272
00:13:46,700 --> 00:13:48,980
At five before midnight,
Thursday last,
273
00:13:48,980 --> 00:13:51,500
you entered the Secure File
and Tech office.
274
00:13:51,500 --> 00:13:52,700
What?
275
00:13:52,700 --> 00:13:54,140
And you left
12 minutes later.
276
00:13:54,140 --> 00:13:56,900
Midnight?
I can assure you, I did not.
277
00:13:56,900 --> 00:13:58,940
I never work that late.
278
00:13:58,940 --> 00:14:00,620
Which is a discussion
for another time.
279
00:14:00,620 --> 00:14:03,980
But for this one,
we know it wasn't you.
280
00:14:06,460 --> 00:14:08,620
[Clears throat]
Who is that?
281
00:14:10,340 --> 00:14:12,420
Looks like Soledad.
282
00:14:12,420 --> 00:14:14,500
Thank you
for the confirmation.
283
00:14:14,500 --> 00:14:16,020
When did you last see her?
284
00:14:17,140 --> 00:14:19,620
[Upbeat electronic music plays]
285
00:14:21,500 --> 00:14:23,700
Uh... It was the night she died.
286
00:14:23,700 --> 00:14:25,460
Some of us went out after work.
287
00:14:25,460 --> 00:14:27,180
[Suspenseful music plays]
288
00:14:27,180 --> 00:14:28,860
Does this have anything
to do with what happened to her?
289
00:14:28,860 --> 00:14:30,380
Thought you might know.
290
00:14:30,380 --> 00:14:33,780
Seeing that she used
your card to gain access.
291
00:14:33,780 --> 00:14:36,140
Absolutely not.
Absolutely not.
292
00:14:36,140 --> 00:14:38,420
I-I did not give her my card.
293
00:14:38,420 --> 00:14:39,980
See? Here.
294
00:14:41,060 --> 00:14:42,660
It's in here somewhere.
295
00:14:42,660 --> 00:14:49,020
♪
296
00:14:49,020 --> 00:14:51,260
What was she after?
297
00:14:51,260 --> 00:14:52,940
We don't know.
298
00:14:52,940 --> 00:14:55,260
What we do know is we're
leveling you down a notch.
299
00:14:56,220 --> 00:14:57,660
[Scoffs softly]
300
00:15:00,220 --> 00:15:01,620
[Chuckles incredulously]
301
00:15:03,340 --> 00:15:05,740
You used to be someone
I looked up to.
302
00:15:06,620 --> 00:15:08,900
We used to be a family
around here.
303
00:15:08,900 --> 00:15:10,780
And now it's--
now it's all "need to know"
304
00:15:10,780 --> 00:15:13,820
and security cameras
in every nook and cranny.
305
00:15:13,820 --> 00:15:15,860
Even in the loo,
for Christ's sake.
306
00:15:15,860 --> 00:15:17,660
We've made efforts
to right the ship, yes.
307
00:15:17,660 --> 00:15:19,540
Right the ship?
308
00:15:19,540 --> 00:15:22,060
A fucking pirate ship
is what it is.
309
00:15:22,060 --> 00:15:25,140
And I've got a feeling--
we've all got a feeling
310
00:15:25,140 --> 00:15:27,900
that you're not the bloody
captain anymore.
311
00:15:30,300 --> 00:15:32,100
It's you.
312
00:15:32,100 --> 00:15:34,020
Yeah, it's you.
313
00:15:34,020 --> 00:15:37,100
You're sneaking around, and
you're whispering in his ear.
314
00:15:37,100 --> 00:15:40,020
We don't know who you are, but
we know that you're the problem.
315
00:15:40,020 --> 00:15:42,060
Ever since you got here.
[Chuckling]
316
00:15:45,500 --> 00:15:47,460
Oh, I like this guy.
317
00:15:47,460 --> 00:16:07,460
♪
318
00:16:07,460 --> 00:16:10,220
[Siren wailing]
319
00:16:10,220 --> 00:16:21,420
♪
320
00:16:21,420 --> 00:16:24,060
[Indistinct chatter]
321
00:16:24,060 --> 00:16:28,780
♪
322
00:16:28,780 --> 00:16:30,980
[Baby crying in distance]
323
00:16:30,980 --> 00:16:34,260
♪
324
00:16:34,260 --> 00:16:37,860
[Thinking] Look at this little
twat. He's looking at you.
325
00:16:37,860 --> 00:16:41,420
[Thinking] Oi.
Pretty boy. Nice.
326
00:16:41,420 --> 00:16:51,020
♪
327
00:16:51,020 --> 00:16:53,620
[Indistinct chatter]
328
00:16:57,380 --> 00:16:59,420
Pretty ladies inside.
329
00:16:59,420 --> 00:17:00,700
4 quid.
330
00:17:01,820 --> 00:17:03,620
- Come on, lad, don't be shy.
- Guy: Hi.
331
00:17:03,620 --> 00:17:06,180
My name's Guy Anatole.
332
00:17:06,180 --> 00:17:09,940
I was told that I was meant
to come here for a job.
333
00:17:09,940 --> 00:17:13,060
The Yank, yeah.
Yeah. What's your name?
334
00:17:13,060 --> 00:17:15,060
- Jimmy.
- Jimmy.
335
00:17:15,060 --> 00:17:17,540
Go on, get inside.
Learn your lines.
336
00:17:17,540 --> 00:17:20,140
My lines?
Yeah, your lines.
337
00:17:20,140 --> 00:17:21,540
Go on.
338
00:17:25,060 --> 00:17:28,860
Russian, Polish, Asian, Exotic.
339
00:17:28,860 --> 00:17:30,940
Sexy. Sexy.
Strippers to the left.
340
00:17:30,940 --> 00:17:32,460
Pole dancing to the right.
341
00:17:32,460 --> 00:17:33,700
Sexy.
342
00:17:33,700 --> 00:17:35,700
[Intriguing music plays]
343
00:17:37,380 --> 00:17:40,460
Hey! Come on.
Sexy. Sexy.
344
00:17:40,460 --> 00:17:44,860
Russian, Polish, Asian, Exotic.
[Camera shutter clicks]
345
00:17:44,860 --> 00:17:47,500
Sexy. Sexy.
Strippers to the left.
346
00:17:47,500 --> 00:17:50,020
Pole dancing to the right.
Sexy. Sexy.
347
00:18:01,380 --> 00:18:02,580
[Door bell chimes]
348
00:18:02,580 --> 00:18:34,580
♪
349
00:18:34,580 --> 00:18:35,820
[Computer chimes]
350
00:18:35,820 --> 00:18:37,460
[Suspenseful music plays]
351
00:18:37,460 --> 00:19:21,660
♪
352
00:19:23,740 --> 00:19:26,340
[Indistinct chatter in distance]
353
00:19:44,100 --> 00:19:46,380
[Indistinct chatter continues]
354
00:19:54,460 --> 00:19:56,020
Man #2: Cheers, mate.
355
00:19:56,020 --> 00:19:58,100
[Upbeat music plays
in background]
356
00:19:58,100 --> 00:19:59,420
Billy: Here you go, Guy.
357
00:19:59,420 --> 00:20:01,980
Thanks, Billy.
Enjoy, mate.
358
00:20:04,020 --> 00:20:05,420
Pint of Hazy, Bill.
359
00:20:05,420 --> 00:20:07,660
Coming up, love.
Misty for you.
360
00:20:07,660 --> 00:20:10,140
Chippie roun' the corner
is better, just so you know.
361
00:20:13,420 --> 00:20:14,860
Billy: Here you go.
362
00:20:19,100 --> 00:20:20,660
Yamas!
363
00:20:21,740 --> 00:20:23,300
Sure.
364
00:20:26,420 --> 00:20:28,340
Haven't seen you
here before.
365
00:20:28,340 --> 00:20:30,020
It's my first time.
366
00:20:30,020 --> 00:20:31,540
Oh, well, you'll be back.
367
00:20:31,540 --> 00:20:33,620
It's a solid spot.
368
00:20:33,620 --> 00:20:35,300
Except for the food.
369
00:20:37,180 --> 00:20:38,500
[Chuckles softly]
370
00:20:44,620 --> 00:20:47,700
Okay, Yank,
where you from?
371
00:20:48,660 --> 00:20:51,140
[Chuckles] Detroit.
372
00:20:51,140 --> 00:20:54,700
What do you do?
No, no, let me guess.
373
00:20:54,700 --> 00:20:56,100
Social worker?
374
00:20:56,100 --> 00:20:57,660
Got the sad eyes for it.
375
00:20:57,660 --> 00:20:59,140
I just graduated.
376
00:20:59,140 --> 00:21:02,100
From where?
NYU.
377
00:21:02,100 --> 00:21:04,900
In New York. Law school.
378
00:21:04,900 --> 00:21:07,300
Mm. Smarty pants.
379
00:21:07,300 --> 00:21:08,620
[Laughs]
380
00:21:08,620 --> 00:21:10,340
So, did you come for the rain?
381
00:21:11,740 --> 00:21:12,940
London.
382
00:21:14,380 --> 00:21:15,900
I'm still trying
to work things out.
383
00:21:15,900 --> 00:21:18,460
I was able to get a work visa,
so...
384
00:21:18,460 --> 00:21:20,420
Oh. Where are you working?
385
00:21:20,420 --> 00:21:21,700
I'd rather not say.
386
00:21:21,700 --> 00:21:24,460
Rather not,
or you can't?
387
00:21:25,620 --> 00:21:27,140
I love secrets.
388
00:21:27,140 --> 00:21:29,300
Does this not look like a face
you can trust?
389
00:21:31,780 --> 00:21:33,540
CIA.
Worse.
390
00:21:35,420 --> 00:21:38,060
I'm a barker at a strip club
in Soho.
391
00:21:39,220 --> 00:21:40,500
Actually,
to call it a club
392
00:21:40,500 --> 00:21:42,180
would definitely be
a stretch, so...
393
00:21:42,180 --> 00:21:43,980
Well, I'm guessing you can
get me in for free, then.
394
00:21:43,980 --> 00:21:45,860
Guessing I can.[Laughs]
395
00:21:45,860 --> 00:21:47,740
Putting that away.
You never know.
396
00:21:47,740 --> 00:21:49,900
You never know.
You never know.
397
00:21:49,900 --> 00:21:51,260
[Quietly] Never know.
398
00:21:52,700 --> 00:21:55,580
Okay, so you came for the rain
and a creepy job.
399
00:21:56,860 --> 00:21:58,180
My mom spent some time here.
400
00:21:58,180 --> 00:21:59,980
I kind of wanted
to check the place out.
401
00:21:59,980 --> 00:22:01,260
From here? Where?
402
00:22:01,260 --> 00:22:04,180
What, north,
south, east, west?
403
00:22:04,180 --> 00:22:06,700
Hammersmith, Ilford,
Twickenham, Chiselhurst?
404
00:22:06,700 --> 00:22:08,260
[Chuckles]
You haven't got a clue
405
00:22:08,260 --> 00:22:09,980
what I'm talking about,
have you?
406
00:22:09,980 --> 00:22:11,980
Yeah, well, those sound like
Harry Potter characters to me.
407
00:22:11,980 --> 00:22:13,740
Both: [Laugh]
408
00:22:13,740 --> 00:22:16,860
Okay, so I'm guessing it's
your first time in London, then?
409
00:22:16,860 --> 00:22:20,020
Yeah, it's my first time
anywhere.
410
00:22:20,020 --> 00:22:22,620
So you're a handsome
young man
411
00:22:22,620 --> 00:22:26,060
on a journey
of finding himself. [Chuckles]
412
00:22:26,060 --> 00:22:29,460
That's the lead
in every other romance novel
413
00:22:29,460 --> 00:22:31,180
on the bookstore shelf.
414
00:22:32,420 --> 00:22:33,980
I like it.
415
00:22:33,980 --> 00:22:36,140
Normally, I don't come in
till chapter three.
416
00:22:36,140 --> 00:22:39,860
No, two. 'Cause you really need
me to kick the story into gear.
417
00:22:39,860 --> 00:22:41,700
Oh, yeah.
418
00:22:45,620 --> 00:22:47,820
[Cellphone chimes]
Oh.
419
00:22:47,820 --> 00:22:49,740
Right. [Sniffs]
420
00:22:52,300 --> 00:22:54,180
Oh, shit.
421
00:22:55,340 --> 00:22:56,980
I got to crack on.
422
00:22:59,020 --> 00:23:00,420
I got it.
423
00:23:00,420 --> 00:23:01,620
Oh, no, no,
that's totally not necessary.
424
00:23:01,620 --> 00:23:03,700
No, no. I got it.
425
00:23:07,300 --> 00:23:08,740
Decent.
426
00:23:12,380 --> 00:23:13,580
What's your name?
427
00:23:13,580 --> 00:23:14,820
Uh. It's Guy.
428
00:23:14,820 --> 00:23:17,820
[Laughs]
That's kind of generic.
429
00:23:17,820 --> 00:23:20,060
Okay. What's yours?
Keves.
430
00:23:20,060 --> 00:23:22,180
- Keves?
- Mm-hmm.
431
00:23:22,180 --> 00:23:24,500
Oh, that is not at all generic.
432
00:23:24,500 --> 00:23:26,980
Mnh-mnh. You have this.
433
00:23:26,980 --> 00:23:28,340
Thanks.
434
00:23:30,300 --> 00:23:32,260
It was, uh, nice to meet you.
435
00:23:40,220 --> 00:23:41,660
Smile.
436
00:23:43,860 --> 00:23:45,260
[Camera shutter clicks]
437
00:23:47,020 --> 00:23:48,340
[Muffled] Gimme your hand.
438
00:23:49,980 --> 00:23:51,300
[Garbling]
439
00:23:51,300 --> 00:23:54,900
Okay, so a bunch of us
are going
440
00:23:54,900 --> 00:23:56,780
to this After Hours
in Hackney tonight.
441
00:23:56,780 --> 00:24:01,300
Just, you know, sick beats,
dope vibe, if you fancy it.
442
00:24:03,260 --> 00:24:04,740
Never know.
443
00:24:04,740 --> 00:24:06,700
It could change your life.
444
00:24:12,660 --> 00:24:13,980
That's my Guy.
445
00:24:13,980 --> 00:24:16,060
[Indistinct chatter
in background]
446
00:24:22,580 --> 00:24:24,140
That's my Guy.
447
00:24:37,060 --> 00:24:38,780
[Indistinct chatter in distance]
448
00:24:40,740 --> 00:24:43,420
[Siren wailing in distance]
449
00:24:56,940 --> 00:24:59,180
Man #3: [In distance]
That's what friends are for.
450
00:24:59,180 --> 00:25:01,620
[Suspenseful music plays]
451
00:25:01,620 --> 00:25:03,500
[Music builds]
452
00:25:03,500 --> 00:25:05,260
♪
453
00:25:05,260 --> 00:25:07,660
[Electronic music plays]
454
00:25:07,660 --> 00:25:26,580
♪
455
00:25:26,580 --> 00:25:28,700
[Music distorts]
456
00:25:28,700 --> 00:25:30,540
[Voices whispering]
457
00:25:30,540 --> 00:25:32,540
Voice: Why is he staring
at you like that?
458
00:25:32,540 --> 00:25:34,900
[Voices overlap, grow louder]
459
00:25:36,460 --> 00:25:38,860
You came! [Laughs]
460
00:25:41,300 --> 00:25:43,660
You good?
Yes.
461
00:25:43,660 --> 00:25:45,860
[Music continues]
462
00:25:45,860 --> 00:25:53,740
♪
463
00:25:53,740 --> 00:25:55,620
[Laughing]
464
00:25:55,620 --> 00:25:58,140
♪
465
00:25:58,140 --> 00:25:59,740
Whoo!
466
00:25:59,740 --> 00:26:01,580
[Bronski Beat's
"Smalltown Boy" plays]
467
00:26:01,580 --> 00:26:08,260
♪ You leave in the morning
with everything you own ♪
468
00:26:08,260 --> 00:26:12,220
♪ In a little black case ♪
469
00:26:12,220 --> 00:26:15,740
♪ Alone on a platform,
the wind and the rain ♪
470
00:26:15,740 --> 00:26:21,580
♪ On a sad and lonely face ♪
471
00:26:21,580 --> 00:26:34,580
♪ I will never understand
why you have to leave ♪
472
00:26:34,580 --> 00:26:40,460
♪ But the love that you seek
will never be found at home ♪
473
00:26:40,460 --> 00:26:48,620
♪ The love that you need
will never be found at home ♪
474
00:26:48,620 --> 00:27:10,660
♪ Run away, turn away,
run away, turn away, run away ♪
475
00:27:10,660 --> 00:27:18,660
♪ Run away, turn away,
run away, turn away, run away ♪
476
00:27:18,660 --> 00:27:23,620
♪ Pushed around
and kicked around ♪
477
00:27:23,620 --> 00:27:27,780
♪ Always a lonely boy ♪
478
00:27:27,780 --> 00:27:31,300
♪ You were the one
they'd talk about ♪
479
00:27:31,300 --> 00:27:35,180
♪ Around town as they
put you down ♪
480
00:27:35,180 --> 00:27:38,140
♪ And as hard
as they would try ♪
481
00:27:38,140 --> 00:27:42,620
♪ They'd hurt to make you cry ♪
482
00:27:42,620 --> 00:27:48,500
♪ But you never cried to them,
just to your soul ♪
483
00:27:48,500 --> 00:27:56,700
♪ No, you never cried to them,
just to your soul ♪
484
00:27:56,700 --> 00:28:02,980
♪
485
00:28:02,980 --> 00:28:06,580
You're in so much trouble.
486
00:28:06,580 --> 00:28:11,580
♪ To your soul ♪
487
00:28:12,940 --> 00:28:15,460
♪ To your soul ♪
488
00:28:16,740 --> 00:28:18,900
♪ To your soul ♪
489
00:28:21,020 --> 00:28:23,020
♪ Cry ♪
490
00:28:25,060 --> 00:28:28,860
♪ Cry ♪
491
00:28:28,860 --> 00:28:33,700
♪
492
00:28:33,700 --> 00:28:35,780
Keves: [Gasps]
Guy: [Grunts]
493
00:28:35,780 --> 00:28:38,620
♪
494
00:28:38,620 --> 00:28:40,100
[Laughs]
495
00:28:40,100 --> 00:28:45,340
♪ Run away, turn away,
run away, turn away, run away ♪
496
00:28:45,340 --> 00:28:47,420
Keves: [Moaning]
497
00:28:48,340 --> 00:28:51,780
I broke the rules.
I broke all the rules.
498
00:28:51,780 --> 00:28:53,700
Oh!
499
00:28:53,700 --> 00:28:56,020
I'm a rule-breaker.
500
00:28:56,020 --> 00:28:58,860
[Moaning]
501
00:29:16,180 --> 00:29:17,980
I'm sorry.
502
00:29:21,820 --> 00:29:24,460
[Eerie music plays]
503
00:29:24,460 --> 00:29:26,300
♪
504
00:29:26,300 --> 00:29:28,460
[Indistinct chatter in distance]
505
00:29:28,460 --> 00:29:34,820
♪
506
00:29:34,820 --> 00:29:36,420
Keves?
507
00:29:36,420 --> 00:29:38,980
♪
508
00:29:38,980 --> 00:29:40,220
Keves?
509
00:29:50,460 --> 00:29:52,020
[Coins clink]
510
00:29:52,020 --> 00:29:54,580
Live girls.
511
00:29:54,580 --> 00:29:56,460
Russian, Polish, Asian, Exotic.
512
00:29:56,460 --> 00:29:58,580
Ladies-- Oh.
513
00:29:58,580 --> 00:30:01,580
Ladies on the left.
Pole dancing on the right.
514
00:30:01,580 --> 00:30:05,300
Sexy. Sexy.
Russians, Polish, Asian.
515
00:30:09,140 --> 00:30:11,180
Sexy. Sexy girls.
516
00:30:11,180 --> 00:30:13,620
♪ How ever do you want me ♪
517
00:30:13,620 --> 00:30:15,420
♪ How ever do you need me, how ♪
518
00:30:15,420 --> 00:30:18,260
♪ How ever do you want me ♪
519
00:30:18,260 --> 00:30:20,340
♪ How ever do you need me ♪
520
00:30:20,340 --> 00:30:23,140
♪ How ever do you want me ♪
521
00:30:23,140 --> 00:30:25,100
♪ How do you need me, how ♪
522
00:30:25,100 --> 00:30:27,900
♪ How ever do you want me ♪
523
00:30:27,900 --> 00:30:29,980
♪ How ever do you need me ♪
524
00:30:32,860 --> 00:30:34,580
Where have you been?
525
00:30:35,980 --> 00:30:38,060
[Suspenseful music plays]
526
00:30:38,060 --> 00:30:41,460
♪
527
00:30:41,460 --> 00:30:42,700
Hey.
528
00:30:42,700 --> 00:30:45,380
Hey, hey. Hey. Excuse me.
529
00:30:45,380 --> 00:30:47,580
Uh, did you take an X
off the phone booth?
530
00:30:47,580 --> 00:30:49,220
An X in white tape?
531
00:30:49,220 --> 00:30:50,900
Did you take any white tape
off the phone booth?
532
00:30:50,900 --> 00:30:52,380
No clue.
533
00:30:52,380 --> 00:31:00,740
♪
534
00:31:00,740 --> 00:31:02,460
Hey!
535
00:31:02,460 --> 00:31:05,860
♪
536
00:31:05,860 --> 00:31:07,740
What's going on?
537
00:31:10,260 --> 00:31:11,860
I gotta go, Jimmy, but I'll work
a double tomorrow,
538
00:31:11,860 --> 00:31:13,860
I promise you.
Hey! What am I gonna do?
539
00:31:13,860 --> 00:31:14,860
I don't know.
540
00:31:14,860 --> 00:31:22,780
♪
541
00:31:22,780 --> 00:31:25,460
Man #4: Alright.
I'll let him know.
542
00:31:25,460 --> 00:32:25,460
♪
543
00:32:25,460 --> 00:32:28,300
[Objects clattering]
544
00:32:28,300 --> 00:32:52,700
♪
545
00:32:52,700 --> 00:32:54,580
[Water splashes]
546
00:32:54,580 --> 00:32:56,820
♪
547
00:32:56,820 --> 00:32:58,860
[Bird chirping]
548
00:32:58,860 --> 00:33:00,980
♪
549
00:33:00,980 --> 00:33:02,740
[Dog barks]
550
00:33:02,740 --> 00:33:14,020
♪
551
00:33:14,020 --> 00:33:17,340
[Thinking] Matej Vagna,
nickname, Archie.
552
00:33:17,340 --> 00:33:20,220
Private flight,
dinner Delphine.
553
00:33:20,220 --> 00:33:23,780
Aldgate...
Helen: 19:00. Track from there.
554
00:33:25,780 --> 00:33:27,740
Discreetly follow
wherever he goes,
555
00:33:27,740 --> 00:33:31,020
making note of locations
as well as the company he keeps.
556
00:33:32,700 --> 00:33:36,380
We believe that he's in London
for a specific purpose.
557
00:33:36,380 --> 00:33:38,420
When the underworld,
or in this case,
558
00:33:38,420 --> 00:33:42,220
the London Mother House, needs
someone found or dealt with,
559
00:33:42,220 --> 00:33:44,140
he's the one they call.
560
00:33:45,900 --> 00:33:48,860
If you have a chance
to listen in, take it.
561
00:33:57,740 --> 00:34:00,860
This is recon only,
so do not engage.
562
00:34:00,860 --> 00:34:03,100
These people are dangerous.
563
00:34:03,100 --> 00:34:05,540
[Indistinct chatter]
564
00:34:12,020 --> 00:34:14,300
[Suspenseful music plays]
565
00:34:14,300 --> 00:34:17,860
♪
566
00:34:17,860 --> 00:34:20,500
[Siren wailing in distance]
567
00:34:20,500 --> 00:34:57,100
♪
568
00:34:57,100 --> 00:34:58,780
[Music fades]
569
00:35:02,740 --> 00:35:04,820
Voices: I know what I'm doing.
Let's get on with it.
570
00:35:04,820 --> 00:35:06,780
Don't fuck this up.
571
00:35:08,060 --> 00:35:10,700
How am I supposed
to square this with Amsterdam?
572
00:35:10,700 --> 00:35:13,260
Jasper: [Thinking]
Who do we have here?
573
00:35:13,260 --> 00:35:31,140
♪
574
00:35:36,300 --> 00:36:19,620
♪
575
00:36:19,620 --> 00:36:22,780
[Horn blaring]
576
00:36:22,780 --> 00:37:06,260
♪
577
00:37:06,260 --> 00:37:08,500
[Metal thuds, bottles clinking]
578
00:37:08,500 --> 00:38:27,580
♪
579
00:38:27,580 --> 00:38:29,460
[Door closes]
580
00:38:29,460 --> 00:38:36,300
♪
581
00:38:36,300 --> 00:38:39,220
[Indistinct shouting]
582
00:38:41,300 --> 00:38:43,340
Woman #2: What the hell are you
talking about?
583
00:38:43,340 --> 00:38:45,180
[Indistinct arguing]
584
00:38:45,180 --> 00:38:47,220
Man #5: Give it to me now!
585
00:38:47,220 --> 00:38:49,180
[Arguing continues]
586
00:38:49,180 --> 00:38:50,980
Woman #2: [Shouts in pain]
587
00:38:50,980 --> 00:38:53,260
♪
588
00:38:53,260 --> 00:38:54,660
[Thudding]
589
00:38:54,660 --> 00:38:57,260
[Screaming]
590
00:38:57,260 --> 00:39:16,060
♪
591
00:39:16,060 --> 00:39:17,900
[Loud thud]
592
00:39:17,900 --> 00:39:18,940
[Screaming continues]
593
00:39:18,940 --> 00:39:20,660
[Glass shatters]
594
00:39:22,020 --> 00:39:24,060
Man #5: [Grunts]
[Squelching]
595
00:39:24,060 --> 00:39:41,340
♪
596
00:39:41,340 --> 00:39:43,380
[Lights buzzing]
597
00:39:43,380 --> 00:39:48,980
♪
598
00:39:48,980 --> 00:39:51,980
[Stairs creaking]
599
00:39:51,980 --> 00:40:40,940
♪
600
00:40:40,940 --> 00:40:42,980
[Dramatic sting]
Guy: [Gasps]
601
00:40:42,980 --> 00:40:45,300
[Breathes heavily]
602
00:40:45,300 --> 00:40:48,340
♪
603
00:40:48,340 --> 00:40:50,580
[Dramatic sting]
604
00:40:50,580 --> 00:41:05,300
♪
605
00:41:05,300 --> 00:41:06,860
[Gasps]
606
00:41:06,860 --> 00:41:16,300
♪
607
00:41:16,300 --> 00:41:18,660
[Creaking in distance]
608
00:41:18,660 --> 00:41:33,300
♪
609
00:41:33,300 --> 00:41:35,460
[Creaking continues]
610
00:41:35,460 --> 00:42:22,940
♪
611
00:42:22,940 --> 00:42:25,220
[Inhales deeply]
612
00:42:25,220 --> 00:42:28,860
♪
613
00:42:28,860 --> 00:42:31,660
[Breathes shakily]
614
00:42:31,660 --> 00:42:37,500
♪
615
00:42:37,500 --> 00:42:39,780
[Softly] It's okay, it's okay.
616
00:42:39,780 --> 00:42:42,700
♪
617
00:42:42,700 --> 00:42:45,660
[Eerie vocalizing]
618
00:42:45,660 --> 00:42:54,940
♪
619
00:42:54,940 --> 00:42:55,900
[Grunts]
620
00:42:55,900 --> 00:42:58,620
Archie: [Gasping]
621
00:43:03,540 --> 00:43:05,860
Guy: Oh. Oh, shit.
622
00:43:05,860 --> 00:43:08,500
Archie: [Gasps] Book.
623
00:43:10,780 --> 00:43:12,900
[Gasping]
624
00:43:14,820 --> 00:43:16,460
Guy: It's okay.
625
00:43:16,460 --> 00:43:18,940
It's okay.
626
00:43:18,940 --> 00:43:23,060
It's okay, it's okay.
It's okay, it's okay.
627
00:43:24,660 --> 00:43:27,860
It's okay, it's okay,
it's okay, it's okay, it's okay.
628
00:43:30,340 --> 00:43:32,140
It's okay.
629
00:43:32,140 --> 00:43:34,500
[Solemn music plays]
630
00:43:34,500 --> 00:43:37,380
♪
631
00:43:37,380 --> 00:43:39,460
Fuck!
632
00:43:39,460 --> 00:43:41,180
Gosh.
633
00:43:41,180 --> 00:43:58,140
♪
634
00:43:58,140 --> 00:44:00,460
[Lights buzzing]
635
00:44:00,460 --> 00:44:12,540
♪
636
00:44:12,540 --> 00:44:15,580
[Breathing rapidly]
637
00:44:15,580 --> 00:44:17,460
[Tires screeching]
638
00:44:17,460 --> 00:44:23,060
♪
639
00:44:29,300 --> 00:44:31,060
Helen: Something very important
has gone missing.
640
00:44:31,060 --> 00:44:35,540
We refer to it as the 752.
641
00:44:35,540 --> 00:44:37,860
Why do you think
Archie was killed?
642
00:44:37,860 --> 00:44:40,180
We're close. That's why.
643
00:44:40,180 --> 00:44:42,340
And we're not the only ones
who want it.
644
00:44:42,340 --> 00:44:44,060
What do you know
about my mom?
645
00:44:44,060 --> 00:44:50,660
♪
646
00:44:50,660 --> 00:44:52,060
What the hell is going on?
647
00:44:52,060 --> 00:44:55,980
♪
648
00:44:58,420 --> 00:44:59,780
Owen:
Intel on the Soledad Marcel
649
00:44:59,900 --> 00:45:01,340
police investigation.
650
00:45:01,460 --> 00:45:03,700
It appears we have nothing
to worry about.
651
00:45:03,820 --> 00:45:06,860
Until she sends
a replacement.
652
00:45:06,980 --> 00:45:08,660
And she will.
653
00:45:08,820 --> 00:45:15,660
♪
654
00:45:15,780 --> 00:45:19,660
In episode two,
once Guy says, "Yes."
655
00:45:19,780 --> 00:45:21,140
Guy:
I have conditions.
656
00:45:21,260 --> 00:45:22,460
You never lie to me.
657
00:45:22,580 --> 00:45:24,620
Something smells funny
and I'm out.
658
00:45:24,740 --> 00:45:27,860
And he has ulterior motives,
you know, to pursue his goal,
659
00:45:27,980 --> 00:45:29,420
which is to find his mother.
660
00:45:29,540 --> 00:45:30,500
Anything else?
661
00:45:30,620 --> 00:45:32,020
Oh, I'll let you know.
662
00:45:32,140 --> 00:45:33,460
But once he does,
663
00:45:33,580 --> 00:45:34,700
he has to go through
intense training.
664
00:45:34,820 --> 00:45:36,100
Training and preparation.
665
00:45:36,220 --> 00:45:38,540
That should take
a year or become a week.
666
00:45:38,660 --> 00:45:43,420
Helen is in a hurry
because there is this drive
667
00:45:43,540 --> 00:45:46,500
to discover what we call
the 752.
668
00:45:46,620 --> 00:45:48,660
And she's lost a lot
of the people
669
00:45:48,780 --> 00:45:52,580
that she's been working with
in order to find this thing.
670
00:45:52,700 --> 00:45:53,620
Driver:
Where to, ma'am?
671
00:45:53,740 --> 00:45:55,260
Kennedy airport.
672
00:45:55,380 --> 00:45:57,820
Hancock: We get little pieces
of the 752 as we go along
673
00:45:57,940 --> 00:46:00,740
and no one knows
exactly what it is,
674
00:46:00,860 --> 00:46:02,220
which is kind of fun.
675
00:46:02,340 --> 00:46:03,940
Helen: You should know
there is a degree
676
00:46:04,060 --> 00:46:07,100
of personal peril involved
with this enterprise.
677
00:46:08,140 --> 00:46:09,380
Danger, in fact.
678
00:46:10,260 --> 00:46:12,700
I think he kind of does
let the skepticism slide,
679
00:46:12,820 --> 00:46:15,060
and it's nice to be a part
of something.
680
00:46:15,180 --> 00:46:16,540
Dark Horse?
681
00:46:16,660 --> 00:46:18,980
That's kind of what
Guy's always looking for.
682
00:46:19,100 --> 00:46:20,900
When someone asks
what I'm doing in London.
683
00:46:21,020 --> 00:46:22,380
Fresh start.
684
00:46:22,500 --> 00:46:24,060
You've had a rough time
of it lately.
685
00:46:24,180 --> 00:46:26,420
But we've already seen
what waits for him in London.
686
00:46:26,540 --> 00:46:29,220
And we know that,
as Burton told him,
687
00:46:29,340 --> 00:46:30,900
not every vampire's like me.
688
00:46:31,020 --> 00:46:32,740
There are some people that
are gonna try to take you
689
00:46:32,860 --> 00:46:34,700
and they won't play nice.
690
00:46:36,020 --> 00:46:37,500
London Motherhouse
691
00:46:37,620 --> 00:46:39,300
has kind of a creepy vibe
to it a little bit,
692
00:46:39,420 --> 00:46:42,540
and there's a Gothic nature
to that building in particular.
693
00:46:42,660 --> 00:46:44,620
I think the windows
and how they're offset,
694
00:46:44,740 --> 00:46:45,940
it's really beautiful,
695
00:46:46,060 --> 00:46:48,420
but it's also
there's something amiss.
696
00:46:49,460 --> 00:46:50,900
Fichtner:
The sets are incredible.
697
00:46:51,020 --> 00:46:54,140
The basement of the Motherhouse
is incredible.
698
00:46:54,260 --> 00:46:56,780
You'd step on and you
don't have to try to figure out,
699
00:46:56,900 --> 00:46:58,140
"Geez, I wonder if I'm there."
700
00:46:58,260 --> 00:46:59,620
No, no, no. You're there.
701
00:46:59,740 --> 00:47:00,780
Just look around.
702
00:47:00,900 --> 00:47:02,500
There's real dirt on the ground.
703
00:47:02,620 --> 00:47:04,260
So this is it.
This is the basement.
704
00:47:04,380 --> 00:47:07,260
This is a set that we had
to think very carefully about
705
00:47:07,380 --> 00:47:10,700
how it was going to be shot,
what the best angles were.
706
00:47:10,820 --> 00:47:14,100
But this is pretty much
how I originally designed it.
707
00:47:14,220 --> 00:47:16,100
Hancock:
We're also establishing
708
00:47:16,220 --> 00:47:17,940
more of the inner
workings of it.
709
00:47:18,060 --> 00:47:19,700
You see people working
at computers
710
00:47:19,820 --> 00:47:21,660
and passing along information.
711
00:47:21,780 --> 00:47:23,940
We know that it's
not just Dark Horse,
712
00:47:24,060 --> 00:47:25,620
it's there are people
that work there.
713
00:47:25,740 --> 00:47:28,140
Mr. Owen.
714
00:47:28,260 --> 00:47:29,940
Thank you.
715
00:47:31,140 --> 00:47:33,780
Guy gets to London
with all of this preparation
716
00:47:33,900 --> 00:47:35,260
and then doesn't know
what to do.
717
00:47:35,380 --> 00:47:36,660
There's no orders.
718
00:47:36,780 --> 00:47:38,260
We're waiting for something
to happen.
719
00:47:38,380 --> 00:47:39,660
Hey. Come on.
720
00:47:39,780 --> 00:47:41,020
Sexy. Sexy.
721
00:47:41,140 --> 00:47:42,260
Asian.
[Camera shutter clicks]
722
00:47:42,380 --> 00:47:43,700
Exotic.
723
00:47:43,820 --> 00:47:45,740
Denton: What I really like
about reading spy stuff
724
00:47:45,860 --> 00:47:47,860
and watching things like
"Three Days of the Condor"
and whatnot,
725
00:47:47,980 --> 00:47:49,300
is that you've got
these characters
726
00:47:49,420 --> 00:47:51,140
that are reluctant spies,
727
00:47:51,260 --> 00:47:53,700
and Guy, to me,
is a real reluctant spy
728
00:47:53,820 --> 00:47:56,740
because he doesn't
really want to be a spy.
729
00:47:56,860 --> 00:48:00,140
He just wants to figure out what
the hell has happened to him?
730
00:48:00,260 --> 00:48:03,340
McGovern: Well, the spy stuff
is a lot of fun for me.
731
00:48:03,460 --> 00:48:05,020
I mean,
just getting into a mindset
732
00:48:05,140 --> 00:48:06,500
where you
have to do something
733
00:48:06,620 --> 00:48:08,260
in a really complicated way...
[Laughs]
734
00:48:08,380 --> 00:48:10,740
...that could be done
very simply.
735
00:48:10,860 --> 00:48:12,660
So it's more a modus operandi
736
00:48:12,780 --> 00:48:15,860
than it is anything
pragmatically necessary.
737
00:48:15,980 --> 00:48:17,620
But even more important
than that,
738
00:48:17,740 --> 00:48:20,500
it's the mentality
of being a spy
739
00:48:20,620 --> 00:48:23,900
that I think the show
is very interested in.
740
00:48:24,020 --> 00:48:25,860
Fichtner: That's what I love
about that moment right there.
741
00:48:25,980 --> 00:48:27,460
Like, "Wow! Okay."
742
00:48:27,580 --> 00:48:30,980
[Jasper telepathically]
Who do we have here?
743
00:48:31,100 --> 00:48:33,020
He thinks he's gonna
listen to me?
744
00:48:33,140 --> 00:48:34,740
Oh, no, no, no, no.
745
00:48:34,860 --> 00:48:36,540
I gotta get to know him.
746
00:48:38,820 --> 00:48:41,380
In episode two,
Guy is in a very rough spot.
747
00:48:41,500 --> 00:48:45,420
And like many spies in
many spy books and spy movies,
748
00:48:45,540 --> 00:48:47,180
Guy doesn't know
the full context
749
00:48:47,300 --> 00:48:48,860
of the situation he's in.
750
00:48:48,980 --> 00:48:50,300
In following Archie,
751
00:48:50,420 --> 00:48:52,100
which is the only thing
he's been told to do,
752
00:48:52,220 --> 00:48:55,540
he is putting himself
in great peril.
753
00:48:55,660 --> 00:48:58,100
He's been warned
not to intrude,
754
00:48:58,220 --> 00:49:00,500
that this is recon only.
755
00:49:00,620 --> 00:49:04,500
And yet a girl's screams
make him as a human being go,
756
00:49:04,620 --> 00:49:07,420
"Uh, should I go?
I have to go see if I can help."
757
00:49:07,540 --> 00:49:08,940
[Woman screams]
758
00:49:09,060 --> 00:49:10,940
Yeah, it takes the show
into a much darker realm.
759
00:49:11,060 --> 00:49:12,220
And I think dead bodies
760
00:49:12,340 --> 00:49:14,220
and Guy's never seen
a dead body.
761
00:49:14,340 --> 00:49:16,860
Guy doesn't know what the hell
to do with a dead body.
762
00:49:16,980 --> 00:49:20,660
And you really do see
that vulnerability
763
00:49:20,780 --> 00:49:22,140
of fish out of water.
764
00:49:23,300 --> 00:49:24,860
Hancock:
When he goes into the room
765
00:49:24,980 --> 00:49:26,580
where she's hanging
and looks at her,
766
00:49:26,700 --> 00:49:30,300
it's Kevus who had met
only a night before
767
00:49:30,420 --> 00:49:31,940
and spent the night with.
768
00:49:32,060 --> 00:49:34,220
And Kevus,
this person that he cared about
769
00:49:34,340 --> 00:49:36,260
who actually saw him
and cared about him,
770
00:49:36,380 --> 00:49:38,220
and he, her, is like axed.
771
00:49:38,340 --> 00:49:39,580
And so I think that it's like,
772
00:49:39,700 --> 00:49:41,620
"What has Helen
gotten him into?"
773
00:49:41,740 --> 00:49:42,780
[Guy gasping]
774
00:49:42,900 --> 00:49:44,180
[Wheezing]
775
00:49:44,300 --> 00:49:45,580
Hancock:
All he can think to do
776
00:49:45,700 --> 00:49:47,940
is to run away
as fast as possible.
777
00:49:48,060 --> 00:49:49,580
And so from that point on,
778
00:49:49,700 --> 00:49:51,780
there's no doubt
that his life has changed.
779
00:49:51,900 --> 00:49:54,260
[Panting]
780
00:49:54,420 --> 00:49:58,940
♪
781
00:50:02,620 --> 00:50:04,220
[Theme music plays]
782
00:50:04,220 --> 00:50:29,660
♪
53407
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof