Original subtitles

[Music]

I'm John Gail. This is my safari.

The little guy is my partner, Duffy.

We're splitting the safari. He's heading

back to the timber stand that had been

granted us by the British government.

Ordinarily, safaris are for hunting wild

animals, but mine was organized to bring

in a man named Abel McCracken, an escape

murderer who had been stirring up the

Numbi natives in this territory. They've

been raiding and killing everything

within reach.

Duffy and I stood to lose all we'd

worked for unless they were stopped. So,

I appointed myself to do the job.

[Music]

[Applause]

[Music]

Mazongo.

Not yet.

[Music]

Numb

lady.

[Music]

[Music]

[Music]

You go habana.

[Music]

We'll have to pitch camp here and deal

>> nama

neama

hit. He ate our Moana. Well, it's not

bad.

>> How long have I been here?

>> Oh, just a few hours. How do you feel?

>> Fine.

>> Fine enough to tell me what happened to

you.

>> Not sure. Was on safari. Six quarters.

Caught this.

Next thing here. Well,

>> what brought you out here?

>> Just looking over the country. Tourist.

You sure picked a great town for it.

Where'd you get your safari?

>> Nairobi.

>> What? Didn't they warn you? The new

kumbi. Guy named McCracken's been

heating them up. That was a numbi area

you picked up in your shoulder. What's

your name?

>> Harder.

Dan Harter.

>> All right. I'm John Gail. Now, look,

it's a little out of my way, but I'm

taking you to a place not too far from

here. It's run by a well, I don't know,

some kind of an animal scientist,

something like that. He'll take care of

you. Make sure you get back to Nairobi.

Now, if you're up to it, I'd like to

shove off the first thing in the

morning.

>> Thanks.

>> Don't mention it. Like to get an early

start.

I want to make that mirror in place by

tomorrow night.

[Music]

[Music]

[Music]

[Applause]

[Music]

Hey,

[Music]

What?

[Music]

[Applause]

[Music]

[Applause]

[Music]

Get up on that porch.

>> My brother, they watch.

>> He's dead. I saw them do it. I saw them

kill him. Why? Why they have to kill

him? We never did anything to them. They

killed him. They killed him.

>> Stop that.

If there's anything to be done, we've

got to keep our heads. You understand?

>> Now, is everyone else here? My brother's

two children. They're inside.

Our native helpers ran away.

[Music]

>> That arrow came from a nucumbi. Does

that mean anything to you?

>> No.

You better go on in with the children.

I'll leave my men here to guard tonight.

Maybe by morning I can bring back a few

of those new kumbi. Pigaha.

>> Pigah.

>> Ando, come on with me.

>> Aba. Aba.

[Music]

I can't stand much more of this.

>> They're mourning your brother, Miss

Marion.

>> They never even knew him.

>> I suppose in Africa, just humanity is

kinship enough.

>> I had a sample of African humanity last

night. Oh, I hate the sight, the sound,

and smell of this place.

>> How did you happen to come here, Miss

Marian?

>> I was teaching school in Toronto, Mr.

Harder. was very proper, very tough. 6

months ago, Bob's wife died. He wrote me

and asked me if I'd help him with the

children until his work was finished.

So, I escaped to Africa.

I escaped beautifully, didn't I?

>> And now,

>> now I want to get the children back to

Canada just as fast as possible.

>> Hey, aren't you pushing things a little

bit?

>> Yes, indeed, doctor. You better take

things easy.

>> Are the children all right now? They

finally fell asleep.

>> How'd it go?

>> No good. They got off clean. All we know

is that they were Numi. Mind if I wash

up?

>> Of course.

>> Don't worry. We'll catch up with them

sooner or later. We'll settle a chance.

>> We've already packed. When are we

leaving for Nairobi?

>> We're not. We're going to move on.

>> Mr. Gail, you have some idea of revenge

against the natives. I don't want it.

The important thing is to get the

children back to Nairobi and out of this

country.

>> That's understandable, but you can't

make that trip by yourself. And harder

is no share to take you.

>> I can pay you. I'll make it worth your

while.

>> Look, Miss Mary and I have to have

affairs of my own. Doesn't seem to be

any comfort to you, but I'm trying to

chase down a man, a white man who's

probably responsible for your brother's

death.

>> But the new Kumbi killed my brother.

>> Yeah, sure. But for your information,

there was a white man back of it. Man

named Abel McCracken. Among other

things, he's an escape murderer. He's

been hiding with the Numbi and Tangana.

Ever since he got to him, they've been

raiding and killing across the British

East African border. Well, if I can get

this McCracken, it'll stop all this mess

and will break up. Without a leader,

they'll fall apart.

>> Why is it your concern? Are you a

policeman?

>> No, I'm not a policeman. Right now, I'm

in the lumber business or trying to be.

There's enough cedar in this country to

make an army rich. Well, my partner and

I staked out our share of it. We hucked

our souls on a promise we'd get our

operating papers from Nairobi. So, we

don't get them. Nobody does until the

Numbi are cleaned out. That answers your

last question, Miss Mary. And my end of

this is business, pure and simple.

I couldn't help overhearing. What do you

intend to do with Miss Marion and the

children?

Well, my partner's up at our timber

stand. We can make his camp in about 3

days. I'll drop all of you off there and

then pick you up on the way back.

>> Agreeable?

>> Are you asking me to approve your plan,

Mr. Gail?

>> Unless you can think of a better one.

This uh Abel McCracken, if what you say

is true, I uh have a stake in this

myself.

>> These are your things. I picked them up

just in case my safari boys got ideas.

>> I'm going with you, John. All the way to

Tangan

>> with that hole in your chest.

>> It's not such a big hole, my friend.

Just give me a few days.

>> Haven't got him.

>> Wouldn't you say that I've earned the

right?

>> Yeah, I suppose you have at that.

>> We'll set up here for a few days.

sour sour sour.

You're not going on safari dressed like

that, are you?

>> My clothes are quite suitable, Mr. Gail.

What's wrong with them?

>> Well, for one thing, your hair. We're

not wearing corsets out here this

season.

>> Mr. Gail, look what we've got.

>> Carter, come here.

The donkeyy's your idea?

>> Well, they're the children's pets. I

thought it was a pretty good notion for

>> them.

>> You did?

>> Well, they'd have a hard time keeping up

with us on foot.

>> Not a chance. A hungry cat can smell

those things 5 miles away.

>> I'm sorry, kids, but those donkeys are

going to have to stay here.

>> But we just can't go off and leave them.

>> Please, Mr. Gail. We won't let them

bother anyone.

Please.

I'm sure your aunt has already told you

what a hard man I am. So don't blink

those beautiful eyes at me. Mind now if

they get out of line just once, we're

going to be having donkey steak for

dinner some night.

>> Do you think he really means it on

Piggy?

>> Yes, I think he does.

[Music]

Feeling

[Music]

all right?

>> Never better.

>> Well, we'll make camp in another couple

of hours.

[Music]

No

[Music]

Andy Sally bedtime.

>> Good night and

>> good night and here.

[Music]

>> Good night Andy.

>> Good night Peggy.

Quireri nawi, Mr. Gail.

>> Oh. Oh, good night, son.

>> Night.

>> Night.

>> Well, that's what we're looking for.

>> McCracken.

>> Mhm.

>> Where do we look?

>> Well, the Numb doing a lot of shifting

around lately. They still need a Bulma

for the women and kids. My guess is

they're somewhere east of here.

Somewhere around Lake Tenika.

>> That's Germany's East Africa, isn't it?

>> That's right. Why don't they take care

of him? Well,

>> as long as you're not raiding them, I

guess they're not much interested.

And it's impossible for the British to

cross the border and do anything about

it. But not me.

>> John, how sure are you that it's really

McCracken that's behind in the company?

>> Sure enough to know what to do when I

find him.

>> You'd kill him?

>> Oh, no. No. I'd bring him back nice and

safe.

>> But it's not certain that he is a

murderer. You said he escaped before his

trial. Isn't there something about a man

being innocent until proven guilty?

>> Well, then why did he run away? And that

arrow I dug out of your chest would be

enough to convince me.

>> I guess I'll turn in.

>> Sleep yet?

>> No, not for a while.

>> Good night.

>> Good night.

[Music]

You really resent me, don't you?

>> No, I don't resent you. Just your

attitude.

>> Well, as long as we have to be together.

Let's try to be friendly. My name's

Peggy.

[Music]

That Peggy was a hyena. And you've been

in Africa long enough to have heard that

before.

>> And we are not under any circumstance

going back to Nairobi.

[Music]

It's not much of a pull. We can make it.

All right. Wagazi. Moji. Moji.

[Music]

Hunter, you stick with the kids.

>> Hunger, you thunder. You thunder.

[Music]

Thunder.

>> Keep his head around there. Anger your

panda.

[Music]

Gambas.

[Music]

>> Thanks, Endolo.

[Music]

Well, come on.

They won't bother you.

Down. Put me down.

>> Certain

better now.

[Music]

Come on.

[Music]

Pick up your feet.

[Music]

>> You think I could get a little privacy?

>> Certainly. If you got a bush, there are

plenty of them.

[Music]

[Applause]

[Music]

1

[Music]

You you got

me.

[Music]

It's a much

[Music]

Wenda. Wend.

[Music]

See

[Music]

what Andolo is making for me, Aunt

Peggy.

>> This will protect her from evil spirits.

>> That's right.

[Music]

[Music]

Isn't there something you can do?

>> It's not my safari, Peggy.

We can try.

[Music]

You put away that photograph long enough

for us to talk to you. It's

>> the first rule of the hunt. Know your

game.

>> He's not an animal, John. He's a human

being.

>> This is the second time you've tried to

turn this safari into a debating

society.

Suppose you tell me why.

>> I'm thinking about the children. Why

don't we call off this manhunt and get

them back to Nairobi?

>> All right. I'm sorry about the kids, but

I'm doing everything I can for them.

Matter of fact, they're lucky they're

alive.

>> I don't think that really matters to

you. The important thing is your lumber

business, and to get it, you'd sacrifice

anybody, including the children. You're

very brave and efficient, Mr. Gail. But

you're no better than the man you're

hunting.

>> Look, I didn't ask for you two. You

already slowed me up over a week. It's

going to be a distinct pleasure to dump

both of you with Duffy.

I sure don't know what poor old Duffy

ever did to deserve that.

[Music]

>> Come back.

Come back.

>> Please don't take me. My dummy will be

killed.

[Music]

Get back here. Let that donkey go. Come

back here.

>> Crazy. And is chasing that donkey. I'm

going after him. Watch these kids.

[Music]

>> He could get killed.

>> That's right. They come.

[Music]

[Applause]

[Music]

Get rid of that donkey. Both of them.

You think I'm going through that again?

You're crazy.

I said get rid of him.

I'll take this for now. Just tie him

down and get some sleep. Thanks, Angelo.

>> That donkey could have cost Andelo his

life.

>> That's right. He did a pretty decent

thing. Did you have to rob it of its

dignity? Not much dignity in a corpse.

Can't live according to civilized rules

out here. You ought to know that soft

spot rots. It decays. Andy going to bed.

Don't worry, your dumpy's going to be

all right.

This isn't a world I made harder. I just

live here.

[Music]

This is it. The Gail Duffy Lumber

Company. Hoodie. Hottie. Anybody home?

[Music]

[Music]

[Music]

Duffy.

[Music]

Dovey didn't even want those trees, but

he got them

and Dela were going to move out. Yes,

Buana

Nairobi

Tanga

after what happened?

>> Because of what's happened. Now get it

straight, Harter. I'm not going to stop

hunting for McCracken. Not now. Not for

anything.

>> John, I know how you feel. It isn't easy

to lose somebody that's close to you. I

know this isn't a search anymore. This

is suicide.

>> We can split up anytime you feel like

it. You can start back. Take her and the

kids with you. You're welcome to half

the safari.

But how do you know the Numbi aren't

between here and Nairobi by now?

>> He's right, Dan. Isn't there something

about safety and numbers? I guess we

have no other choice.

Hoy Nazi deal.

[Music]

[Music]

[Music]

[Music]

Heat. Heat.

[Music]

What do we do? Hurry

those kids.

[Music]

[Applause]

[Music]

Kraken,

>> let us see what you can do for him.

>> Where you going? I'm going to take a

look at what we're up against.

>> That's open ground. You don't argue.

Take care of him.

[Music]

Heat. Heat.

[Music]

I found Mr. Gale right above you.

[Music]

Andy, get back.

[Applause]

[Music]

[Applause]

[Music]

[Applause]

[Music]

[Applause]

[Music]

[Applause]

when I'm finished. You may wish you were

dead, my friend.

[Music]

Joe

Melissa

Shelissa

get anything out of him?

>> He'll take us to McCracken.

>> How do you know you can trust him, John?

>> Well, I think he has a great desire to

stay alive.

>> Think he can travel on that leg?

>> Oh, yeah, sure. It's just a flesh wound.

He'll travel. All right.

What's the matter with you?

>> Nothing.

>> Come on. What are you sore about?

>> Well, I did help you. I ran out and

yelled.

>> Well, look, partner, don't you get the

idea I'm not grateful. As a matter of

fact, you sort of saved my life. You're

a very bold man, Andy. But aren't you

remember one thing? There are old men

and there are bold men, but there are no

old bold men. Understand?

>> What about you, Mr. Gail?

Well, I guess I'll have to take that as

kind of a compliment.

[Music]

>> Well, it's all clear around the camp.

I'm going to double up on the guard the

other night. Where's Dan?

>> Jing.

>> How about you?

>> Tried. Couldn't sleep. Well, this place

does that to you sometimes. It never

sleeps. I think I'd try again, though,

if I were you. Why don't you try telling

yourself a story?

>> I've been working on one about the kind

of life that prepared you for all this.

>> I knocked around enough to get tired of

it. Got tired enough to move on. Moved

on enough to want to settle down.

>> When you settle down, then what?

>> Well, I never thought much about that.

>> No dreams?

>> No illusions? No, that isn't quite true.

I used to have dreams about being rich.

Duffy died because of that particular

illusion of mine.

And there were other things I wanted,

still want, I suppose.

>> Such as

>> the homely virtues,

>> love them to family.

>> I guess you could say that.

>> Do you expect to find them in the middle

of the junk?

>> As a matter of fact, I didn't expect to

find them at all.

>> Well, that does sound bitter. Well, I'm

a very bitter fellow. But I'm happy to

say I finally got my illusions back.

>> What made you change your mind?

>> A girl. A school teacher in the middle

of the jungle.

>> Who?

>> Are you turning in?

>> I suppose I better.

John, I'd like to finish this talk some

other time.

>> All right.

Night, John.

Good night.

>> Why here?

>> No, you're still up, huh?

>> Just thinking.

>> You seem very cheerful.

>> Why not? We've got a prisoner, haven't

he? Got a first class guide right into

McCracken's back door.

Another few days we'll have him, Dan. We

have him for sure.

>> Yeah.

Kraken's getting closer. All right.

[Music]

[Music]

[Music]

Wana McCracken.

Why am I a crack?

>> Nigel.

[Music]

>> Sally.

>> Sally.

>> I'm Peggy. What are you here? Dan's gone

away.

That's true. Dan and the prisoner have

gone.

>> Both Mr.

>> Hardy decided to pull out on us. He took

the numbi with him.

>> But why?

>> I don't know. But if I ever You better

get your things ready. I'm going to

leave here just as soon as I can. Ando

Sasi.

>> Thank you.

[Music]

Banduki. Banduki.

Banduki.

How long?

[Music]

And again iter

Trying.

>> Hello, Dad.

>> Hello, Abel.

>> Hi, Abel.

Else you and your friends would be dead.

I saw you after the attack. I had to get

a look at these men who came with guns.

You've grown up, lad. How long's it

been?

>> Nine years.

>> Nine years.

I've missed you.

menu.

>> Well, what are we standing here for?

Come in, Dan. Come in.

[Music]

>> Not exactly a palace, is it? Still,

there's comfort here. Better than a

prisoner's cell or a wooden box. I know

Arie, let's have a drink together.

Abel, I've come a long way.

>> Ah, you have, Dan. Sit down. Sit down.

You're a fine lad. It's the loneliness

that's the worst part. Ever tried

teaching an how to play chess?

>> About the murder. Is it true?

>> True enough.

I killed a man.

Yes,

Dan.

Dan, it was a fair fight. My life or

his. How did it happen?

[Applause]

I claim

diamond deposits. He tried to cheat me.

I'm not obliged to account to anyone out

here, Dan. Not even you.

It's a raw thing you and me squabbbling

with each other. Drink up, Dan.

To be together again.

>> Where'd the liquor come from?

>> Drink, Dan. You'll find them better in

England.

>> Where'd it come from?

>> Where all the rest came from. I took it,

Dan, where I found it. Was I supposed to

rot here? Bury myself in a jungle grave

because of their precious laws? Back

there, they sit in their stupid courts

and make up fairy stories to protect

each other. Life is sacred.

Well, I believe that, Dad. Only I have

my own law. If life is so sacred, it

must be protected. Whatever the price, a

man has to live.

>> How many have you killed?

The Numb have done the fighting.

>> You started them. You taught them.

>> I They enjoy the game.

>> Game.

>> Is that what it was when I got a numbi

arrow on my chest?

Dad,

>> I didn't know. I was looking for you. If

Safari hadn't found me, I'd have died

like the others.

I didn't even know you were in Africa.

[Music]

[Music]

Dan, why'd you come?

[Music]

To

>> prove the things I said about my brother

weren't true.

[Music]

They have a dance for everything.

>> Birth, death, sickness.

That's how they solve their problems.

What about us, Dan? Dancing's not going

to help much, is it?

Come on back with me, Aiden.

Come back. Listen to me, Aiden. I've

saved a little money. We can hire a

lawyer, doctors. We can plead insanity.

>> Insanity.

Insanity, it

you see these these guns, so long as I

have them or one bullet or these hands,

I'll fight to keep alive.

Ah, there's madness for you.

I'll soak this country in blood, Dad.

But by heaven, able McCracken is going

to live.

[Music]

You've gone ahead. When he'll go

[Music]

[Applause]

[Music]

I'm hungry.

>> Well, we'd be stopping for lunch pretty

soon.

>> I'd sure like some ice cream.

>> Well, I've got some tin beef. It's going

to taste just as good.

[Music]

[Applause]

[Music]

So hot.

>> There's open country up ahead. We may

get a little breeze.

>> How about a nice Canadian blizzard?

Why don't you shoot?

>> If she crosses over the little one,

it'll be all right.

[Applause]

>> If she charges, get behind that tree.

[Applause]

[Music]

[Applause]

[Music]

[Applause]

[Music]

Sally, come on. Andy, we better not. But

if we lose the donkey again, Mr. Gal

will be mad at us.

[Music]

>> Sally. Andy.

Sally,

Andy,

where' they go?

Where could they pee?

>> They couldn't be too far away.

>> Sally Andy,

[Music]

>> we've almost got him. Andy, come back.

>> Darn. Andy

[Music]

>> and

I stuck off from here.

>> Beggy, go back.

>> I'm going with you.

>> No, you're not. You're going to stay

here.

>> John, please.

>> Do you want those children back before

dark? My boys are close to the breaking

point now. If we all leave, they're able

to scatter. Please. Wendy. I'm home.

[Music]

[Applause]

[Music]

Guess we lost him.

>> Andy, I want to go back.

They're doing that to call us back.

>> It came from this way.

>> No, it didn't. It's this way.

>> It is not, Andy.

>> I'm sure it's this way. Come on, Sally.

[Music]

[Music]

Let's sit down and rest a while.

[Music]

[Laughter]

>> Aw, that's just an old hyena. He can't

hurt you.

>> Yes, he can. He'll bite off your nose

while you're asleep.

>> Not while I'm around. He won't. Come on,

Shelly.

[Music]

You sleep, Sally. I I'll be the guard.

I'm scared.

[Music]

Hana

is that son.

[Music]

>> You stay here, Sally. I'm going in for a

swim.

[Music]

Hippos. It's full of hippos.

[Music]

Moana. Good job.

That's part of Sally's dress. All right.

[Music]

>> They must have slept here last night.

>> Andy,

sorry.

[Music]

[Applause]

It came from this direction. I know it

did. Andy,

>> we'll be home soon.

[Music]

Lucky for us, he's just had his lunch.

[Music]

You Find them.

>> Peggy,

we made a circle.

I found the trail, but it gave out.

I thought I heard him once, but uh

Look, I'm going to comb every inch of

this ground before.

>> So young.

So

>> to comi

>> John don't shoot

children are all right.

>> Where where are they? in the Comi

village with a McCracken, mate.

>> John, let him talk.

>> Well, how about it?

>> How do you figure with McCracken?

>> He's my brother.

>> A whole continent to choose from, and I

had to pick his brother.

>> Wasn't me, John. I didn't say anything

because I'd hoped that [ __ ] wasn't what

they said he was. I wanted to bring him

back with me. He's insane. drunk with

killing

>> the children. Danny's got the children.

>> I had to leave them. I couldn't help it.

He wants you to come to the village. He

says he'll release the children then. He

wants you to give up all your weapons.

If you resist, he has the children.

>> John, do what he asks. Please.

>> Why the invitation? What does he want?

>> To show his power. He thinks he can

stand off an army.

And you can trust him to turn over those

children to us.

>> I just want them back, John. That's all.

If we go to him, maybe

>> if we go to McCracken as prisoners,

we'll likely all wind up dead except

him.

>> Can't you understand? I'd have fought

him if I could. There was no way.

>> Johnny, he could kill us now if that's

what he wanted.

He will give us the children,

won't he?

>> I don't know.

We'll have to do as he says.

He's beating us.

>> Give him the rest of the rifles.

>> We'll leave in the morning. Tell them.

Yes.

Almost 4:00.

We'll be moving out soon.

Harder,

I want you to tell me the truth.

Can I trust you?

>> Yes.

>> I guess I'll have to.

You time this. See how long it takes to

burn down to this mark.

Your brother thinks he can stand off an

army.

How about a phantom army? Artillery,

Dan. A company of British mortars could

panic his village in 5 minutes.

>> How far is it to the village? How many

hours?

>> Eight, I'd say.

>> You'd better be right.

He gave us an invitation.

All right, fine.

We'll even bring him our supplies.

But about a half a dozen of these boxes

are going to be empty except for some of

this dynamite and candle different

lengths. Then if we can just hide these

boxes on the trail going in right up to

the edge of the village and the candle

burns down to the dynamite. Boom.

They'll think the whole British army's

in back of us. A creeping barrage right

into McCracken's lap.

Number seven.

[Music]

[Music]

Here.

[Music]

Hide these.

[Music]

[Applause]

Hurry.

Let's go.

[Music]

And this tent here

[Applause]

8 hours to the village lay the first

charge in 7 Nice.

[Music]

[Music]

Angelo, tell him she's sick. She's going

to have to rest for a while.

That's my

[Music]

[Music]

Awesome.

[Music]

Woohoo.

[Music]

What the magic?

[Music]

[Music]

[Music]

village.

Well, if you were right, it's only it's

about a half an hour to the village.

We've only got two of them set.

Here comes number three right now.

[Music]

Right on schedule. All right, Angelo.

[Music]

What a big

[Music]

fancy head.

[Music]

Huffy, huffy.

Go

>> indie indie.

[Music]

Heat. Heat.

[Music]

Heat. Heat.

It's McCracken, Mr. Gail. So, you came

to Tangana to fight me. We want the

children. All in good time. Why

shouldn't I kill you? You're

>> stay where you are. Answer a question,

Mr. Gail. We were told we could come and

go in peace. You'll find no peace here.

>> Please, Mr. McCracken, may I see the

children?

Candy

Candy

Piggy.

>> Should you come one step closer, Mr.

Gail, I should have been most pleased to

shoot you. In deference to my brother, I

shall commit you to leave this place

alive. You'll go in the morning. As for

the children,

they'll remain with me.

>> But you promised

>> they shall be well taken care of.

You must make that clear to both the

British and German government. Tell them

what you've seen here. Tell them should

they ever contemplate a punitive

expedition, the children will die, and

most horribly.

What if the British military column had

already started and cross the border

into Tangana? That should take some

months of arrangement in related London.

>> If they waited to make such

arrangements.

>> What are you threatening me with, Mr.

Gail?

>> The possibility that British guns will

reduce this village of yours to rubble

in less than two hours.

What I want my people to know, I'll tell

them.

No troops have passed through their

scouts. My brother has described you as

a brave man. I think you're very stupid.

You leave in the morning or die here.

The decision is yours.

>> Dan,

come with me.

[Music]

A poor trick, Jan.

>> Wasn't a trick. Don't lie to me.

>> They're giving you a chance until 7:00.

[Music]

Are you frightened, Abel?

>> Don't be a fool.

>> 5 minutes.

>> I There's all of that before your joke

is done.

>> Then it'll be my turn to provide the

entertainment.

Sai,

[Music]

>> it must be time.

>> John, it's going to work, isn't it?

>> I've checked the timing twice. It's got

to work.

[Music]

[Applause]

[Music]

It's past 7:00.

[Music]

>> Well, where are you finding British

troops now, Dan? Have they forgotten? Or

perhaps their watches were slow?

Or maybe that good watch I gave you

isn't keeping time anymore.

[Music]

Well, it's not going to work.

[Music]

>> That first charge should have gone off

at least 5 minutes ago.

>> Peggy, I'm sorry. If I hadn't been so

bullheaded, we wouldn't be in this mess.

>> John, if it wasn't for you, we wouldn't

even have a chance. But we do. If you

stop believing that, then we are

finished.

It's going to work.

It's got to

[Music]

Omarano

neon

karate

angar. a yuck.

[Applause]

>> They say they've been cheated to the

prize of war. Here they've captured the

enemy and they want him, Dad. They want

Gail out here.

>> Hey, but you're their leader. You can

stop him.

>> I lead by giving them what they want.

Love

you.

[Music]

[Applause]

Nothing.

Nothing.

>> Number four.

[Applause]

[Music]

[Applause]

I got on. I got all. I got

[Applause]

[Applause]

[Music]

[Applause]

[Music]

[Applause]

Chill. They go,

[Applause]

>> John. Here they are.

>> Here we are, piggy.

[Applause]

[Music]

[Applause]

[Music]

[Applause]

And take Peggy, too.

[Music]

[Applause]

He would He would have gone on killing

wasn't he?

>> Yes, Danny.

[Music]

Heat.

Heat.

[Music]

dead.

>> Come on, Peggy.

Let's go home, Peggy.

to

heat.

Heat. Heat.

Heat. Heat.

Yes.