Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:20,800 --> 00:00:23,840
MÚSICA: "America" by Simon & Garfunkel
2
00:00:37,400 --> 00:00:40,200
# "Kathy, I'm lost", I said
3
00:00:40,200 --> 00:00:43,560
# Though I knew she was sleeping
4
00:00:45,400 --> 00:00:51,800
# "I'm empty and aching And I don't know why"
5
00:00:51,800 --> 00:00:55,480
# Counting the cars On the New Jersey Turnpike
6
00:00:55,480 --> 00:00:57,760
# They've all come
7
00:00:57,760 --> 00:01:02,600
# To look for America
8
00:01:02,600 --> 00:01:09,400
# All come to look for America
9
00:01:09,400 --> 00:01:11,200
# All come
10
00:01:11,200 --> 00:01:16,440
# To look for America... #
11
00:01:18,600 --> 00:01:22,600
Eu posso sentir no ar que algo grande está para acontecer ao redor.
12
00:01:22,600 --> 00:01:26,600
E, uh, eu apenas...
13
00:01:26,600 --> 00:01:29,400
Eu tenho essas sensação que estou perdendo.
14
00:01:29,400 --> 00:01:35,080
Que está bem ali e eu estou no meio disso tudo, mas não consigo alcançar.
15
00:01:35,080 --> 00:01:41,040
# "Let us be lovers We'll marry our fortunes together"
16
00:01:43,400 --> 00:01:48,640
# "I've got some real estate Here in my bag"
17
00:01:50,240 --> 00:01:53,600
# So we bought a pack of cigarettes
18
00:01:53,600 --> 00:01:58,160
# And Mrs Wagner pies
19
00:01:58,160 --> 00:02:00,000
# And walked off
20
00:02:00,000 --> 00:02:04,640
# To look for America
21
00:02:09,400 --> 00:02:15,520
# "Kathy," I said, as we boarded A Greyhound in Pittsburgh
22
00:02:17,800 --> 00:02:22,640
# "Michigan seems like a dream To me now
23
00:02:23,600 --> 00:02:27,760
# "It took me four days to hitch-hike From Saginaw
24
00:02:27,760 --> 00:02:29,800
# "I've come
25
00:02:29,800 --> 00:02:35,640
# "To look for America"
26
00:02:39,000 --> 00:02:41,800
# "Kathy, I'm lost", I said
27
00:02:41,800 --> 00:02:44,440
# Though I knew she was sleeping
28
00:02:46,720 --> 00:02:53,680
# "I'm empty and aching And I don't know why"
29
00:02:53,680 --> 00:02:57,040
# Counting the cars On the New Jersey Turnpike
30
00:02:57,040 --> 00:02:59,440
# They've all come
31
00:02:59,440 --> 00:03:04,080
# To look for America
32
00:03:04,080 --> 00:03:10,840
# All come to look for America
33
00:03:10,840 --> 00:03:12,640
# All come
34
00:03:12,640 --> 00:03:17,840
# To look for America... #
35
00:03:28,000 --> 00:03:30,800
..Um, três e cinco da última parte.
36
00:03:30,800 --> 00:03:34,000
.
37
00:03:34,000 --> 00:03:36,440
Não está soando bem.
38
00:03:38,000 --> 00:03:42,240
Se você está num jogo de harmonias, você aprende a abaster-se de hamonias assim.
39
00:03:43,800 --> 00:03:46,040
O jogo de hamonia.
40
00:03:47,000 --> 00:03:50,440
- Isso não é um mal -
- Beethoven...
41
00:03:52,000 --> 00:03:54,440
Beethoven's, uh...
42
00:03:55,600 --> 00:04:00,800
- ..200ª aniversário dele está chegando, sabia?
- Não.
- 1970.
43
00:04:00,800 --> 00:04:02,600
O que, na próxima quinta?
44
00:04:02,600 --> 00:04:07,400
- Não, 1970. Dezembro de 1970. Ainda quase um ano.
- Uh-huh.
45
00:04:07,400 --> 00:04:10,600
Eu só estou te dizendo. Eu não quero que você...
46
00:04:10,600 --> 00:04:15,000
- Pego de surpresa.
- Seja surpreendido.
- Você está ganhando algo dele?
- Não.
47
00:04:15,000 --> 00:04:18,000
O fato de dizer isso é por causa das coisas das harmonias.
48
00:04:18,000 --> 00:04:21,600
Havia essa, uh, havia essa...
49
00:04:21,600 --> 00:04:24,200
Beethoven estava escrevendo essa parte.
50
00:04:24,200 --> 00:04:30,000
e as quintas paralelas foram desprezadas, ironicamente.
51
00:04:30,000 --> 00:04:34,040
- Certo? Sabe que ele escreveu em quinta paralela?
- Certo.
52
00:04:36,000 --> 00:04:40,800
Então o cara disse, "Você escreveu isso em quintas paralelas?"
53
00:04:40,800 --> 00:04:43,040
Beethoven disse...
54
00:04:44,000 --> 00:04:49,000
.."Onde está essa lei que diz que não se pode escrever em quintas paralelas?
55
00:04:49,000 --> 00:04:50,800
"De onde vem isso?"
56
00:04:50,800 --> 00:04:54,800
Então ele disse, "Esse cara e esse cara e esse cara disseram isso"
57
00:04:54,800 --> 00:04:57,200
Então Beethoven diz,
58
00:04:57,200 --> 00:05:00,440
"Eu digo que pode!"
59
00:05:02,000 --> 00:05:05,840
"Enquando estiver escrevendo em quintas paralelas, eu digo que pode!"
60
00:05:08,400 --> 00:05:10,880
Ele era um tolo, Beethoven.
61
00:05:13,200 --> 00:05:16,320
O 200ª aniversário de mais alguém está chegando em breve.
62
00:05:16,320 --> 00:05:20,740
- 200ª aniversário?
- sim.
- Quem é?
- America.
63
00:05:24,600 --> 00:05:27,000
Você acha que ela consegue?
64
00:05:29,400 --> 00:05:32,840
MÚSICA: "Cuba Si, Nixon No" by Simon & Garfunkel
65
00:05:33,000 --> 00:05:35,520
.
66
00:05:38,600 --> 00:05:40,600
JUNTOS: # You know he's sittin' In a cockpit
67
00:05:40,600 --> 00:05:46,400
# Feels like he's in a drea-eam...
68
00:05:46,400 --> 00:05:48,400
.
69
00:05:48,400 --> 00:05:50,800
- Nós estamos no...
- Fica em cima.
- Fica no quatro.
70
00:05:50,800 --> 00:05:53,400
- ELE CANTAROLA
- Estamos ainda no quarto acorde.
71
00:05:53,400 --> 00:05:55,800
- Gênio melódico, fique na nota alta.
- OK.
72
00:05:55,800 --> 00:05:58,400
# Feels like he's in
73
00:05:58,400 --> 00:06:02,600
- # A dream...
- ELES HAMOZINAM
74
00:06:02,600 --> 00:06:08,800
# Because he's heading to Havana He should be going to New Orleans #
75
00:06:08,800 --> 00:06:12,000
Isso soa... Certo, começa na nota baixa.
76
00:06:12,000 --> 00:06:15,000
Não... deixa eu pegar primeiros os acordes, depois eu pego as notas.
77
00:06:15,000 --> 00:06:18,840
Pega as duas partes na sua cabeça e depois eu aprendo.
78
00:06:18,840 --> 00:06:21,800
.
79
00:06:36,480 --> 00:06:38,720
.
80
00:06:41,240 --> 00:06:43,840
A-ha! Espera. Não?
81
00:06:44,600 --> 00:06:47,840
.
82
00:06:52,200 --> 00:06:56,600
# Cuba si, Nixon, no, no, no
83
00:06:56,600 --> 00:06:59,600
# No, no, no
84
00:06:59,600 --> 00:07:01,320
# You know the Spanish-speaking people
85
00:07:01,320 --> 00:07:03,600
# Got a different way Of running the show #
86
00:07:03,600 --> 00:07:07,040
- É bom ter essa...
- ELE CANTAROLA
87
00:07:09,320 --> 00:07:15,000
Você está cantando em contraponto a um Si menor e um Si maior na gravação,
88
00:07:15,000 --> 00:07:17,600
então eu não sugiro que você acompanhe isso...
89
00:07:17,600 --> 00:07:21,280
- O que temos?
- Eu sugiro que você mantenha o Fá sustenido.
90
00:07:21,280 --> 00:07:23,520
.
91
00:07:28,200 --> 00:07:30,440
.
92
00:07:32,200 --> 00:07:35,120
- Pegou essa?
- Sim.
93
00:07:35,120 --> 00:07:36,920
.
94
00:07:36,920 --> 00:07:39,640
# So soon...
95
00:07:41,000 --> 00:07:45,000
# I'll remember
96
00:07:45,960 --> 00:07:50,200
# Frank Lloyd Wright
97
00:07:50,200 --> 00:07:55,400
# All of the nights We'd harmonize till dawn...
98
00:07:55,400 --> 00:07:57,240
Amei isso.
99
00:07:58,880 --> 00:08:02,880
# I never laughed so long
100
00:08:02,880 --> 00:08:04,920
# So long
101
00:08:04,920 --> 00:08:07,280
Amei. Amei! Amei! Amei!
102
00:08:07,280 --> 00:08:09,520
# So long
103
00:08:11,800 --> 00:08:14,040
- Edita.
- # So long
104
00:08:16,280 --> 00:08:19,320
# So long #
105
00:08:19,320 --> 00:08:20,760
Eu acho que...
106
00:08:20,760 --> 00:08:22,840
Tudo bem.
107
00:08:25,400 --> 00:08:27,840
É isso. Conseguimos.
108
00:08:29,400 --> 00:08:32,200
Sim. Tudo certo.
109
00:08:32,200 --> 00:08:34,640
Eu tive uma tarde interessante.
110
00:08:40,200 --> 00:08:44,400
Será que essas câmeras estão te inibindo, Paul?
111
00:08:44,400 --> 00:08:50,320
Eu vivo com essas câmeras, Artie. Já viu elas me inibirem?
112
00:08:50,360 --> 00:08:53,440
.
113
00:08:57,800 --> 00:09:01,840
É um meio tão... é um meio tão diferente.
114
00:09:02,800 --> 00:09:06,800
Eu esqueço o quanto eu me apoio...
115
00:09:06,800 --> 00:09:10,400
..no fato de que você pode fazer um som sem vê-lo.
116
00:09:10,400 --> 00:09:12,800
Você pode criar imagens sem vê-las.
117
00:09:12,800 --> 00:09:16,000
É assim como escrevo, com imagens,
118
00:09:16,000 --> 00:09:19,400
mas sem vê-las, então elas evocam.
119
00:09:19,400 --> 00:09:24,600
Mas são imagens. Imagens reais.
120
00:09:24,600 --> 00:09:29,600
É como, você já viu esses filmes de programas de rádio
121
00:09:29,600 --> 00:09:32,200
e você vê as pessoas que fizeram as vozes?
122
00:09:32,200 --> 00:09:34,800
E você diz, "Nossa! Aquele cara?
123
00:09:34,800 --> 00:09:36,840
"Ele é, uh...
124
00:09:39,000 --> 00:09:43,400
..o Sombra? Não pode ser."
125
00:09:43,400 --> 00:09:46,480
# MÚSICA: "So Long, Frank Lloyd Wright"
126
00:09:47,600 --> 00:09:52,400
# I'll remember
127
00:09:52,400 --> 00:09:57,000
# Frank Lloyd Wright
128
00:09:57,000 --> 00:10:03,000
# All of the nights We'd harmonise till dawn
129
00:10:05,200 --> 00:10:09,280
# I never laughed so long
130
00:10:09,280 --> 00:10:13,120
# So long
131
00:10:13,120 --> 00:10:16,960
# So long
132
00:10:18,600 --> 00:10:22,200
# Architects may come And architects may go
133
00:10:22,200 --> 00:10:26,840
# And never change your point of view
134
00:10:35,800 --> 00:10:40,320
# So long
135
00:10:40,320 --> 00:10:44,720
# Frank Lloyd Wright
136
00:10:44,720 --> 00:10:48,760
# All of the nights we'd harmonise
137
00:10:48,760 --> 00:10:53,000
# Till dawn
138
00:10:53,000 --> 00:10:57,320
# I never laughed so long
139
00:10:57,320 --> 00:10:59,680
# So long
140
00:11:01,600 --> 00:11:04,600
# So long
141
00:11:06,200 --> 00:11:08,720
# So long
142
00:11:10,600 --> 00:11:13,440
# So long
143
00:11:15,400 --> 00:11:17,440
# So long
144
00:11:18,960 --> 00:11:21,880
# So long
145
00:11:23,800 --> 00:11:26,440
# So long
146
00:11:28,480 --> 00:11:31,120
# So long
147
00:11:31,120 --> 00:11:33,360
.
148
00:11:40,000 --> 00:11:44,120
# He's got high hopes
149
00:11:44,120 --> 00:11:49,120
# He's got high hopes... #
150
00:11:53,760 --> 00:11:56,120
.
151
00:11:56,120 --> 00:12:00,040
# MÚSICA: "Bridge Over Troubled Water" by Simon & Garfunkel
152
00:12:18,400 --> 00:12:22,640
# When you're weary
153
00:12:24,320 --> 00:12:28,640
# Feeling small
154
00:12:28,640 --> 00:12:33,000
# When tears are in
155
00:12:33,000 --> 00:12:35,800
# Your eyes
156
00:12:35,800 --> 00:12:39,800
# I will dry them all
157
00:12:39,800 --> 00:12:43,200
# Oh
158
00:12:43,200 --> 00:12:48,000
# I'm on your side
159
00:12:48,000 --> 00:12:54,760
# Oh, when times get rough
160
00:12:54,760 --> 00:13:01,200
# And friends just can't be found
161
00:13:01,200 --> 00:13:04,200
# Like a bridge
162
00:13:04,200 --> 00:13:09,200
# Over troubled water
163
00:13:09,200 --> 00:13:12,600
# I will lay me down
164
00:13:12,600 --> 00:13:15,600
# Like a bridge
165
00:13:15,600 --> 00:13:20,600
# Over troubled water
166
00:13:20,600 --> 00:13:27,040
# I will lay me down
167
00:13:39,800 --> 00:13:43,440
# When you're down and out
168
00:13:45,240 --> 00:13:49,720
# When you're on the street
169
00:13:49,720 --> 00:13:54,200
# When evening falls
170
00:13:54,200 --> 00:13:57,200
# So hard
171
00:13:57,200 --> 00:14:00,960
# I will comfort you
172
00:14:00,960 --> 00:14:03,440
# Ooh
173
00:14:04,200 --> 00:14:08,920
# I'll take your part
174
00:14:08,920 --> 00:14:10,360
# Oh
175
00:14:10,360 --> 00:14:15,960
# When darkness comes
176
00:14:15,960 --> 00:14:22,600
# And pain is all around
177
00:14:22,600 --> 00:14:25,560
# Like a bridge
178
00:14:25,560 --> 00:14:30,480
# Over troubled water
179
00:14:30,480 --> 00:14:33,760
# I will lay me down
180
00:14:33,760 --> 00:14:37,160
# Like a bridge
181
00:14:37,160 --> 00:14:42,320
# Over troubled water
182
00:14:42,320 --> 00:14:44,200
# I will lay me
183
00:14:44,200 --> 00:14:50,000
# Down...
184
00:14:50,000 --> 00:14:52,080
.
185
00:15:14,720 --> 00:15:19,240
# Sail on, silvergirl
186
00:15:21,000 --> 00:15:25,400
# Sail on by
187
00:15:25,400 --> 00:15:29,800
# Your time has come
188
00:15:29,800 --> 00:15:32,480
# To shine
189
00:15:32,480 --> 00:15:37,040
# All your dreams are on their way
190
00:15:39,640 --> 00:15:44,400
# See how they shine
191
00:15:44,400 --> 00:15:46,520
# Oh
192
00:15:46,520 --> 00:15:50,880
# If you need a friend
193
00:15:50,880 --> 00:15:53,280
# I'm sailing
194
00:15:53,280 --> 00:15:57,600
# Right behind
195
00:15:57,600 --> 00:16:00,480
# Like a bridge
196
00:16:00,480 --> 00:16:05,400
# Over troubled water
197
00:16:05,400 --> 00:16:09,000
# I will ease your mind
198
00:16:09,000 --> 00:16:11,560
# Like a bridge
199
00:16:11,560 --> 00:16:17,000
# Over troubled water
200
00:16:17,000 --> 00:16:19,000
# I will ease your
201
00:16:19,000 --> 00:16:24,080
# Mind... #
202
00:16:43,400 --> 00:16:45,840
.
203
00:17:00,600 --> 00:17:03,040
.
204
00:17:17,200 --> 00:17:20,000
# Whoa, whoa, whoa, whoa, whoa
205
00:17:20,000 --> 00:17:22,600
# Mm...
206
00:17:22,600 --> 00:17:24,840
.
207
00:17:34,160 --> 00:17:36,200
# Orang-utans are sceptical
208
00:17:36,200 --> 00:17:38,560
# Of changes in their cages
209
00:17:38,560 --> 00:17:43,920
# And the zookeeper Is very fond of rum
210
00:17:43,920 --> 00:17:46,240
OK.
211
00:17:49,000 --> 00:17:51,680
Certo. Nós vamos tentar fazer mais cedo.
212
00:17:51,680 --> 00:17:53,920
Talvez 10 ou 11, algo assim.
213
00:17:55,000 --> 00:17:58,440
Estamos ensaiando a banda para os shows na próxima semana.
214
00:17:59,400 --> 00:18:01,400
Aumentando. OK.
215
00:18:01,400 --> 00:18:04,840
Eu também, Jim. Tchau.
216
00:18:12,600 --> 00:18:15,840
.
217
00:18:19,200 --> 00:18:22,400
Vamos fazê-lo mais uma vez e torná-lo perfeito?
218
00:18:22,400 --> 00:18:25,160
.
219
00:18:28,880 --> 00:18:31,520
# "Kathy, I'm lost," I said
220
00:18:31,520 --> 00:18:36,040
# Though I knew she was sleeping
221
00:18:37,000 --> 00:18:43,920
# "I'm empty and aching And I don't know why"
222
00:18:43,920 --> 00:18:47,760
# Counting the cars On the New Jersey Turnpike
223
00:18:47,760 --> 00:18:51,320
# They've all come to look for
224
00:18:51,320 --> 00:18:55,680
# America...
225
00:18:55,680 --> 00:18:57,800
# All come... #
226
00:18:57,800 --> 00:19:00,400
Cada pessoa sente como se fosse a sua visão particular
227
00:19:00,400 --> 00:19:06,800
que a qualidade de vida deve ser melhor e menos confuso e mais simples e mais natural.
228
00:19:09,200 --> 00:19:13,000
Toda vez que as pessoas têm a oportunidade de se reunir,
229
00:19:13,000 --> 00:19:16,480
é um sentimento edificante.
230
00:19:16,480 --> 00:19:20,280
Quando todos esses garotos foram até Woodstock,
231
00:19:20,280 --> 00:19:22,840
você tinha 300,000 garotos em Woodstock,
232
00:19:22,840 --> 00:19:26,200
havia uma grande alegria de ter 300.000 pessoas
233
00:19:26,200 --> 00:19:29,800
que se relacionaram por alguma coisa,
234
00:19:29,800 --> 00:19:31,840
pelo desejo de ir para Woodstock,
235
00:19:31,840 --> 00:19:36,600
ou por sua idade ou pela música ou algo assim.
236
00:19:36,600 --> 00:19:40,480
O sentimento de pertencimento é muito forte nesses momentos.
237
00:19:40,480 --> 00:19:43,000
Esta questão, que, até aquele momento,
238
00:19:43,000 --> 00:19:46,200
você pode ter sentido impotente,
239
00:19:46,200 --> 00:19:49,400
agora pelo menos você sente, "eu posso tocá-lo,
240
00:19:49,400 --> 00:19:52,200
"Junto com essas centenas de milhares de outros,
241
00:19:52,200 --> 00:19:58,000
"E, portanto, eu estou esperançoso. Mantém a esperança viva."
242
00:19:58,000 --> 00:20:02,040
MÚSICA: "Scarborough Fair" by Simon & Garfunkel
243
00:20:07,880 --> 00:20:10,400
# Are you going
244
00:20:10,400 --> 00:20:14,640
# To Scarborough Fair?
245
00:20:15,600 --> 00:20:17,400
# Parsley, sage
246
00:20:17,400 --> 00:20:22,840
# Rosemary and thyme
247
00:20:24,480 --> 00:20:27,240
# Remember me
248
00:20:27,240 --> 00:20:31,680
# To one who lives there
249
00:20:31,680 --> 00:20:34,600
# She once was
250
00:20:34,600 --> 00:20:39,320
# A true love of mine
251
00:20:42,000 --> 00:20:47,200
- # Tell her to find me an acre of land
- # On the side of a hill
252
00:20:47,200 --> 00:20:49,400
# A sprinkling of leaves...
253
00:20:49,400 --> 00:20:51,040
# Parsley, sage
254
00:20:51,040 --> 00:20:53,400
# Rosemary and thyme...
255
00:20:53,400 --> 00:20:58,440
# Washes the ground With so many tears...
256
00:20:58,440 --> 00:21:02,200
# Between the salt water And the sea strands...
257
00:21:02,200 --> 00:21:06,200
# A soldier cleans and polishes a gun...
258
00:21:06,200 --> 00:21:07,960
# Then she'll be
259
00:21:07,960 --> 00:21:12,840
# A true love of mine
260
00:21:16,000 --> 00:21:19,000
# Tell her to reap it In a sickle of leather...
261
00:21:19,000 --> 00:21:23,320
# War bellows Blazing in scarlet battalions...
262
00:21:23,320 --> 00:21:27,400
# Parsley, sage, rosemary And thyme...
263
00:21:27,400 --> 00:21:32,480
# Generals order their soldiers To kill...
264
00:21:32,480 --> 00:21:35,400
# And gather it all
265
00:21:35,400 --> 00:21:38,760
- In a bunch of heather
- # And to fight for a cause
266
00:21:38,760 --> 00:21:40,400
# They've long ago forgotten...
267
00:21:40,400 --> 00:21:42,760
# Then she'll be
268
00:21:42,760 --> 00:21:47,440
# A true love of mine
269
00:21:50,200 --> 00:21:52,600
# Are you going
270
00:21:52,600 --> 00:21:58,000
# To Scarborough Fair?
271
00:21:58,000 --> 00:22:00,160
# Parsley, sage
272
00:22:00,160 --> 00:22:06,640
# Rosemary and thyme
273
00:22:06,640 --> 00:22:10,120
# Remember me
274
00:22:10,120 --> 00:22:14,800
# To one who lives there
275
00:22:14,800 --> 00:22:17,400
# She once was
276
00:22:17,400 --> 00:22:22,640
# A true love of mine #
277
00:22:29,320 --> 00:22:31,600
É muito fácil esquecer o que significa
278
00:22:31,600 --> 00:22:34,400
uma bala entrar no interior de uma pessoa
279
00:22:34,400 --> 00:22:38,200
e para um homem ser morto por uma arma alguém.
280
00:22:38,200 --> 00:22:41,200
Para um homem estar fora em...
281
00:22:41,200 --> 00:22:46,000
Ele está em casa, ele está Iowa um dia, e no próximo, ele está numa situação...
282
00:22:46,000 --> 00:22:49,200
ele deveria sentir...
283
00:22:49,200 --> 00:22:51,600
ele deveria observar, "Isso vale a pena.
284
00:22:51,600 --> 00:22:54,800
"Estar neste mato agora, tentando matar aquele cara
285
00:22:54,800 --> 00:22:57,600
E de estar na posição onde esse cara poderia me matar,
286
00:22:57,600 --> 00:23:01,000
"Eu tenho que sentir que isso tudo faz sentido para mim, e que vale a pena.
287
00:23:01,000 --> 00:23:02,600
"Eu estou lutando por algo
288
00:23:02,600 --> 00:23:05,600
"Que faz valer a pena eu estar nessa situação."
289
00:23:05,600 --> 00:23:08,440
É... incrível.
290
00:23:09,600 --> 00:23:13,240
- Quero dizer -
- Eu acho que, no entanto, muito do que se diz,
291
00:23:13,240 --> 00:23:18,200
se não de todos o que estamos dizendo, é extremamente óbvio.
292
00:23:18,200 --> 00:23:23,000
Por mais óbvio que isso seja, uh, nós não devemos estar no Vietnã,
293
00:23:23,000 --> 00:23:29,800
ou tão óbvio de como as pessoas estão passando fome neste país e...
294
00:23:29,800 --> 00:23:33,520
tão óbvio como é que há desigualdade no país.
295
00:23:33,520 --> 00:23:37,720
E talvez, tão irritante é ter que ouvi-lo,
296
00:23:37,720 --> 00:23:41,120
que tem que ser dito, até que parem a guerra,
297
00:23:41,120 --> 00:23:46,040
até que eles alimentem as pessoas, até que eles façam...
298
00:23:47,000 --> 00:23:50,600
..todos livres para ter igualdade de oportunidades,
299
00:23:50,600 --> 00:23:53,600
ou o quanto pode ser feito dentro desta sociedade,
300
00:23:53,600 --> 00:23:59,040
até que isso aconteça, é a função do, uh...
301
00:23:59,800 --> 00:24:05,560
..É a função do povo de apontar e fazer nos lembrar disso.
302
00:24:07,000 --> 00:24:12,640
'Devo te lembrar matar uma criança é violência.
303
00:24:12,640 --> 00:24:16,400
'Suprimir cultura é violência.
304
00:24:17,360 --> 00:24:21,440
'Negligenciar crianças em idade escolar é violência.
305
00:24:22,240 --> 00:24:26,080
'Punir a mãe e sua família é violência.
306
00:24:27,080 --> 00:24:29,840
.
307
00:24:33,600 --> 00:24:36,840
.
308
00:24:38,480 --> 00:24:40,760
.
309
00:24:40,760 --> 00:24:44,000
MÚSICA: "El Condor Pasa (If I Could)" by Simon & Garfunkel
310
00:24:45,160 --> 00:24:48,280
# I'd rather be a sparrow
311
00:24:48,280 --> 00:24:51,600
# Than a snail
312
00:24:51,600 --> 00:24:54,680
# Yes, I would
313
00:24:54,680 --> 00:24:57,800
# If I could
314
00:24:57,800 --> 00:25:01,400
# I surely would
315
00:25:01,400 --> 00:25:05,200
# Mm, mm-mm-mm
316
00:25:05,200 --> 00:25:10,560
# I'd rather be a hammer than a nail
317
00:25:10,560 --> 00:25:14,000
Yes, I would
318
00:25:14,000 --> 00:25:17,200
# If I only could
319
00:25:17,200 --> 00:25:21,000
# I surely would
320
00:25:21,000 --> 00:25:24,640
# Mm, mm-mm-mm
321
00:25:24,640 --> 00:25:26,320
# Away
322
00:25:26,320 --> 00:25:30,760
# I'd rather sail away
323
00:25:30,760 --> 00:25:33,600
# Like a swan
324
00:25:33,600 --> 00:25:37,520
# That's here and gone
325
00:25:37,520 --> 00:25:43,240
# A man gets tied up to the ground
326
00:25:43,240 --> 00:25:46,280
# He gives the world
327
00:25:46,280 --> 00:25:49,760
# Its saddest sound
328
00:25:49,760 --> 00:25:53,280
# Its saddest sound
329
00:26:00,400 --> 00:26:05,240
# I'd rather be a forest Than a street
330
00:26:06,280 --> 00:26:08,920
# Yes, I would
331
00:26:09,680 --> 00:26:12,520
# If I could
332
00:26:12,520 --> 00:26:15,640
# I surely would
333
00:26:16,840 --> 00:26:21,680
# I'd rather feel the earth Beneath my feet
334
00:26:22,480 --> 00:26:25,320
# Yes, I would
335
00:26:25,320 --> 00:26:28,800
# If I only could
336
00:26:28,800 --> 00:26:32,000
# I surely would
337
00:26:44,480 --> 00:26:46,720
.
338
00:26:51,600 --> 00:26:54,160
.
339
00:27:04,320 --> 00:27:06,640
.
340
00:27:15,400 --> 00:27:18,320
.
341
00:27:23,320 --> 00:27:28,120
Realizações produtivas americanas nos últimos anos têm mantido a renda real crescente
342
00:27:28,120 --> 00:27:33,200
além de atender as exigências de um esforço de defesa em rápida expansão.
343
00:27:33,200 --> 00:27:37,600
O desemprego foi reduzido para os níveis mais baixos em quase duas décadas.
344
00:27:37,600 --> 00:27:40,200
O dólar está forte e respeitado no mundo,
345
00:27:40,200 --> 00:27:42,200
apesar da inflação recente...
346
00:27:42,200 --> 00:27:45,800
# Wish I was a Kellogg's Cornflake
347
00:27:45,800 --> 00:27:50,640
# Floatin' in my bowl takin' movies
348
00:27:52,000 --> 00:27:55,120
# Relaxin' awhile
349
00:27:55,960 --> 00:27:58,520
# Livin' in style
350
00:27:58,520 --> 00:28:03,840
# Talkin' to a raisin Who occasionally plays LA
351
00:28:06,000 --> 00:28:09,840
# Casually glancing at his toupee
352
00:28:16,000 --> 00:28:19,800
# Wish I was an English muffin
353
00:28:19,800 --> 00:28:23,840
# 'Bout to make the most Out of a toaster
354
00:28:25,120 --> 00:28:28,640
# I'd ease myself down
355
00:28:29,600 --> 00:28:32,200
# Comin' up brown
356
00:28:32,200 --> 00:28:37,200
# I prefer boysenberry More than any ordinary jam
357
00:28:37,200 --> 00:28:39,200
These figures suppress...
358
00:28:39,200 --> 00:28:43,840
# I'm a Citizens for Boysenberry Jam fan
359
00:28:45,880 --> 00:28:48,080
# Ah...
360
00:28:48,080 --> 00:28:52,440
# South California... #
361
00:28:53,400 --> 00:28:55,480
.
362
00:29:03,000 --> 00:29:07,240
E aqui vai
363
00:29:10,520 --> 00:29:15,440
# When you're weary
364
00:29:16,600 --> 00:29:21,600
# Feeling small
365
00:29:21,600 --> 00:29:26,200
# When tears are in
366
00:29:26,200 --> 00:29:29,400
# Your eyes
367
00:29:29,400 --> 00:29:33,200
# I will dry them all
368
00:29:33,200 --> 00:29:37,400
# Oh
369
00:29:37,400 --> 00:29:42,600
# I'm on your side
370
00:29:42,600 --> 00:29:49,040
# Oh, when times get rough
371
00:29:50,000 --> 00:29:54,000
# And friends just can't
372
00:29:54,000 --> 00:29:57,200
# Be found
373
00:29:57,200 --> 00:30:00,400
# Like a bridge
374
00:30:00,400 --> 00:30:05,800
# Over troubled water
375
00:30:05,800 --> 00:30:09,600
# I will lay me down
376
00:30:09,600 --> 00:30:12,680
# Like a bridge
377
00:30:12,680 --> 00:30:18,200
# Over troubled water
378
00:30:18,200 --> 00:30:23,840
# I will lay me down
379
00:30:28,480 --> 00:30:32,800
JUNTOS: # Sail on, silvergirl...
380
00:30:32,800 --> 00:30:34,200
Microfone do Paul.
381
00:30:34,200 --> 00:30:38,800
# Sail on by
382
00:30:38,800 --> 00:30:42,800
- # Your time has come...
- Onde está meu microfone?
383
00:30:42,800 --> 00:30:46,000
- Um instante.
- # ..To shine
384
00:30:46,000 --> 00:30:53,000
# All your dreams are on their way
385
00:30:53,000 --> 00:30:57,800
# See how they shine
386
00:30:57,800 --> 00:30:59,800
# Oh
387
00:30:59,800 --> 00:31:04,600
# If you need a friend
388
00:31:04,600 --> 00:31:06,600
# I'm sailing
389
00:31:06,600 --> 00:31:11,000
# Right behind
390
00:31:11,000 --> 00:31:13,800
# Like a bridge
391
00:31:13,800 --> 00:31:19,000
# Over troubled water
392
00:31:19,000 --> 00:31:22,800
# I will ease your mind
393
00:31:22,800 --> 00:31:25,800
# Like a bridge
394
00:31:25,800 --> 00:31:30,240
# Over troubled water... #
395
00:31:32,600 --> 00:31:35,600
Vamos ficar no Beverly Wilshire Hotel.
396
00:31:35,600 --> 00:31:40,600
Eu pego minha guitarra, desço as escadas, pego o elevador para ir ao estúdio.
397
00:31:40,600 --> 00:31:44,400
E nos elevadores têm jornais.
398
00:31:44,400 --> 00:31:48,600
Eu vejo as manchetes nos jornais e penso,
399
00:31:48,600 --> 00:31:51,200
"Por que é que eu vou fazer este álbum?
400
00:31:51,200 --> 00:31:55,240
"Qual é o sentido deste álbum? O mundo está desmoronando..."
401
00:31:56,800 --> 00:32:00,760
O caos de "Que diabos é a coisa toda?"
402
00:32:00,760 --> 00:32:04,640
é uma reação violenta, gritando para..
403
00:32:05,800 --> 00:32:09,200
..A confusão de "O que é isso tudo?"
404
00:32:09,200 --> 00:32:15,400
Estou me mudando daqui, estou acabando com tudo isso, ainda não resolvi,
405
00:32:15,400 --> 00:32:19,880
qual o ponto disso, o que é, por que eu não sinto o que eu sinto?
406
00:32:19,880 --> 00:32:22,800
- Mantenho isso fora do palco, Paul?
- Não, não, não.
407
00:32:22,800 --> 00:32:27,440
Why Don't You Write Me? Feelin' Groovy...
408
00:32:34,200 --> 00:32:38,600
Feelin' Groovy, Scarborough Fair, Only Living Boy, At The Zoo,
409
00:32:38,600 --> 00:32:41,840
Emily, Angie, Sounds Of Silence.
410
00:32:42,800 --> 00:32:44,800
Abram caminho!
411
00:32:44,800 --> 00:32:49,240
- Você não está pronto?
- Vocês nunca iriam fazer isso sem a banda!
412
00:32:55,600 --> 00:33:00,000
Os garotos estão fazendo isso de novo, um ano depois! Quanto tempo isso pode durar?
413
00:33:00,000 --> 00:33:02,200
.
414
00:33:02,200 --> 00:33:05,440
Vocês dois estão prontos?
415
00:33:07,400 --> 00:33:11,000
Qualquer coisa que estamos esquecendo que sempre fizemos nos shows antigos?
416
00:33:11,000 --> 00:33:14,000
Nós não costumamos levar uma bolsa. Nós não precisamos disso.
417
00:33:14,000 --> 00:33:17,240
.
418
00:33:19,200 --> 00:33:22,040
.
419
00:33:25,800 --> 00:33:28,320
.
420
00:33:32,400 --> 00:33:34,040
Vai.
421
00:33:36,840 --> 00:33:40,200
Juntos # And here's to you, Mrs Robinson
422
00:33:40,200 --> 00:33:44,400
# Jesus loves you more Than you will know
423
00:33:44,400 --> 00:33:46,560
# Wo, wo, wo
424
00:33:46,560 --> 00:33:50,000
# God bless you please, Mrs Robinson
425
00:33:50,000 --> 00:33:54,000
# Heaven holds a place For those who pray
426
00:33:54,000 --> 00:33:56,400
# Hey, hey, hey
427
00:33:56,400 --> 00:33:58,680
# Hey, hey, hey
428
00:34:01,600 --> 00:34:06,840
# We'd like to know a little bit About you for our files
429
00:34:07,400 --> 00:34:11,440
# We'd like to help you learn To help yourself
430
00:34:12,600 --> 00:34:17,440
# Look around you All you see are sympathetic eyes
431
00:34:18,200 --> 00:34:22,000
# Stroll around the grounds Until you feel at home
432
00:34:22,000 --> 00:34:25,200
# And here's to you, Mrs Robinson
433
00:34:25,200 --> 00:34:29,200
# Jesus loves you more Than you will know
434
00:34:29,200 --> 00:34:31,320
# Wo, wo, wo
435
00:34:31,320 --> 00:34:34,720
# God bless you please, Mrs Robinson
436
00:34:34,720 --> 00:34:38,800
# Heaven holds a place For those who pray
437
00:34:38,800 --> 00:34:41,080
# Hey, hey, hey
438
00:34:41,080 --> 00:34:43,040
# Hey, hey, hey
439
00:34:46,600 --> 00:34:51,440
# Hide it in a hiding place Where no-one ever goes
440
00:34:52,400 --> 00:34:57,000
# Put it in your pantry With your cupcakes
441
00:34:57,000 --> 00:35:02,800
# It's a little secret Just the Robinsons' affair
442
00:35:02,800 --> 00:35:06,120
# Most of all You've got to hide it from the kids
443
00:35:06,120 --> 00:35:09,280
# Where have you gone, Joe DiMaggio?
444
00:35:09,280 --> 00:35:13,400
# A nation turns its lonely eyes To you
445
00:35:13,400 --> 00:35:15,600
# Woo, woo, woo
446
00:35:15,600 --> 00:35:19,000
# What's that you say, Mrs Robinson?
447
00:35:19,000 --> 00:35:22,920
# Joltin' Joe has left and gone away
448
00:35:22,920 --> 00:35:25,320
# Hey, hey, hey
449
00:35:25,320 --> 00:35:27,040
# Hey, hey, hey #
450
00:35:30,360 --> 00:35:32,920
.
451
00:35:41,600 --> 00:35:44,520
'Eu não consigo me ver fazendo isso daqui a cinco anos.'
452
00:35:45,560 --> 00:35:49,000
Eu falo de toda a esfera espiritual,
453
00:35:49,000 --> 00:35:51,600
que todo esse conjunto, uh,
454
00:35:51,600 --> 00:35:54,240
aspecto da minha vida.
455
00:35:56,400 --> 00:35:59,040
Todo este ... Este divertimento...
456
00:36:00,000 --> 00:36:02,880
..Não tem nada a ver com isso.
457
00:36:02,880 --> 00:36:06,200
Para dizer: "Isso é tudo que tenho a fazer
458
00:36:06,200 --> 00:36:13,000
"Para ser um compositor profissional ou artista," é impreciso.
459
00:36:13,000 --> 00:36:16,000
Pessoalmente, eu estou fazendo muito.
460
00:36:16,000 --> 00:36:21,000
- Você sente alguma necessidade -
- Para fazer outra coisa em uma escala nacional?
- Sim.
461
00:36:21,000 --> 00:36:24,000
Você gostaria de ser presidente?
462
00:36:24,000 --> 00:36:26,240
Ah, eu não se.
463
00:36:27,200 --> 00:36:29,240
Alguns dias.
464
00:36:33,200 --> 00:36:35,600
Por que você está sorrindo?
465
00:36:35,600 --> 00:36:39,200
- Alguns dias você gostaria de ser presidente?
- Alguns dias eu não gostaria de ser.
466
00:36:39,200 --> 00:36:42,600
O que você sente nos dias que você quer ser presidente?
467
00:36:42,600 --> 00:36:45,000
Eu endireitaria tudo
468
00:36:45,000 --> 00:36:48,200
e voltaria em paz para as minhas composições!
469
00:36:48,200 --> 00:36:51,000
.
470
00:36:51,000 --> 00:36:54,200
Eu gostaria de me desenvolver como artista
471
00:36:54,200 --> 00:36:56,240
tanto quanto eu pudesse.
472
00:36:57,200 --> 00:37:01,000
E para ser presidente, eu simplesmente não teria tempo. Realmente, eu não sei.
473
00:37:01,000 --> 00:37:04,200
Ele quer desenvolver-se como um artista!
474
00:37:04,200 --> 00:37:07,000
Você tem tempo suficiente para ser presidente?
475
00:37:07,000 --> 00:37:10,840
- Eu sinto que eu ia fazer o tempo.
.
476
00:37:11,960 --> 00:37:14,200
.
477
00:37:14,200 --> 00:37:16,280
.
478
00:37:18,000 --> 00:37:22,400
- MUSIC DROWNS OUT SPEECH
- ..Eu gosto dessa música.
479
00:37:22,400 --> 00:37:24,640
Eu não consegui superar isso.
480
00:37:26,000 --> 00:37:30,000
# Slow down, you move too fast
481
00:37:30,000 --> 00:37:33,000
# You got to make the morning last
482
00:37:33,000 --> 00:37:38,000
# Just kicking down the cobblestones
483
00:37:38,000 --> 00:37:42,800
# Looking for fun And feelin' groovy...
484
00:37:42,800 --> 00:37:45,800
# Ba, da, da, da, da, da, da
485
00:37:45,800 --> 00:37:49,600
.
486
00:37:49,600 --> 00:37:53,200
.
487
00:37:53,200 --> 00:37:54,840
Eu sei.
488
00:37:57,800 --> 00:38:01,800
# Ain'tcha got no rhymes for me?
489
00:38:01,800 --> 00:38:06,000
# Doot-in, doo-doo Feelin' groovy...
490
00:38:06,000 --> 00:38:09,000
.
491
00:38:09,000 --> 00:38:11,520
# Ba, da, da, da, da, da, da...
492
00:38:16,400 --> 00:38:20,800
# I got no deeds to do No promises to keep
493
00:38:20,800 --> 00:38:26,040
- # Do, do, do, do, do, do, do...
- # Ba, da, da, da, da, da, da...
494
00:38:29,200 --> 00:38:33,800
# Life, I love you, all is groovy #
495
00:38:33,800 --> 00:38:36,040
.
496
00:38:45,800 --> 00:38:48,840
# Train, train
497
00:38:54,280 --> 00:38:57,640
# Train, train
498
00:38:58,920 --> 00:39:03,840
# Moving down the line
499
00:39:05,400 --> 00:39:08,840
# Train, train
500
00:39:10,600 --> 00:39:14,360
# Moving down the line
501
00:39:16,520 --> 00:39:20,040
# Well, she's taken my baby
502
00:39:20,040 --> 00:39:23,960
# Oh, and she's right on time #
503
00:39:31,400 --> 00:39:36,800
Me surpreende, agora que nos apresentamos pela primeira vez após uma pausa de um ano,
504
00:39:36,800 --> 00:39:42,440
que ainda não sou, na minha opinião, bom para falar em público.
505
00:39:43,520 --> 00:39:47,240
MÚSICA: "For Emily, Whenever I May Find Her"
506
00:39:52,960 --> 00:39:56,240
# What a dream I had
507
00:39:57,000 --> 00:40:00,800
# Pressed in organdie
508
00:40:00,800 --> 00:40:04,800
# Clothed in crinoline
509
00:40:04,800 --> 00:40:09,000
# Of smoky burgundy
510
00:40:09,000 --> 00:40:15,040
# Softer than the rain
511
00:40:16,000 --> 00:40:18,400
# I wandered empty streets
512
00:40:18,400 --> 00:40:23,600
# Down past the shop displays
513
00:40:23,600 --> 00:40:27,280
# I heard cathedral bells
514
00:40:27,280 --> 00:40:31,600
# Tripping down the alleyways
515
00:40:31,600 --> 00:40:37,600
# As I walked on
516
00:40:37,600 --> 00:40:40,200
# And when you ran to me
517
00:40:40,200 --> 00:40:41,480
# Your...
518
00:40:41,480 --> 00:40:45,600
# Cheeks flushed with the night
519
00:40:45,600 --> 00:40:49,400
# We walked on frosted fields
520
00:40:49,400 --> 00:40:54,600
# Of juniper and lamplight
521
00:40:54,600 --> 00:40:56,800
# I held your
522
00:40:56,800 --> 00:41:00,640
# Hand...
523
00:41:02,800 --> 00:41:04,880
.
524
00:41:20,400 --> 00:41:23,800
# And when I awoke
525
00:41:23,800 --> 00:41:27,800
# And felt you warm and near
526
00:41:27,800 --> 00:41:32,000
# I kissed your honey hair
527
00:41:32,000 --> 00:41:36,000
# With my grateful tears
528
00:41:36,000 --> 00:41:39,600
# Oh, I love you
529
00:41:39,600 --> 00:41:44,400
# Girl...
530
00:41:44,400 --> 00:41:49,000
# Oh, I...
531
00:41:49,000 --> 00:41:51,200
# Love...
532
00:41:51,200 --> 00:41:56,000
# You #
533
00:41:56,000 --> 00:41:58,520
.
534
00:42:02,400 --> 00:42:05,400
É realmente irônico para mim me olhar e dizer,
535
00:42:05,400 --> 00:42:07,800
"Aquele cara parece Mr Hip."
536
00:42:07,800 --> 00:42:11,600
Sinto como se lançasse um senso que...
537
00:42:11,600 --> 00:42:15,200
..estou sabendo respostas. Eu sei, apenas.
538
00:42:15,200 --> 00:42:17,600
Sabe? Eu não estou confuso.
539
00:42:17,600 --> 00:42:22,000
É por isso que as coisas mais falsas sobre as pessoas é
540
00:42:22,000 --> 00:42:24,400
que eles não parecem estarem confusas,
541
00:42:24,400 --> 00:42:29,560
como se eles tivessem tudo muito bem definido.
542
00:42:29,560 --> 00:42:32,320
MÚSICA: "The Boxer"
543
00:42:37,000 --> 00:42:42,120
# Now the years are rolling by me They are rocking evenly
544
00:42:42,120 --> 00:42:45,200
# I am older than I once was
545
00:42:45,200 --> 00:42:47,200
# And younger than I'll be
546
00:42:47,200 --> 00:42:51,200
# That's not unusual
547
00:42:51,200 --> 00:42:53,000
# It isn't strange
548
00:42:53,000 --> 00:42:55,600
# After changes upon changes
549
00:42:55,600 --> 00:42:58,200
# We are more or less the same
550
00:42:58,200 --> 00:43:03,200
# After changes We are more or less the same
551
00:43:03,200 --> 00:43:05,040
# Lie-la-lie
552
00:43:06,000 --> 00:43:08,600
# La-la-la-la, lie-lie-lie
553
00:43:08,600 --> 00:43:10,240
# Lie-la-lie
554
00:43:11,000 --> 00:43:17,600
# Lie-lie-lie-lie, lie-le-lie La-la-la-la-lie #
555
00:43:17,600 --> 00:43:20,080
.
556
00:43:20,080 --> 00:43:23,640
Eu não escrevo alguma coisa diretamente de alguém.
557
00:43:25,600 --> 00:43:28,800
Escrevo por várias razões.
558
00:43:28,800 --> 00:43:33,000
Algumas músicas que eu escrevo pelo prazer de escrever uma canção.
559
00:43:33,000 --> 00:43:35,400
Não há nenhum grande significado.
560
00:43:35,400 --> 00:43:38,000
É apenas uma canção.
561
00:43:38,000 --> 00:43:40,800
Canções são legais. As pessoas...
562
00:43:40,800 --> 00:43:42,800
As pessoas cantam canções,
563
00:43:42,800 --> 00:43:46,400
crianças cantam músicas o tempo todo pelo o prazer do canto,
564
00:43:46,400 --> 00:43:49,200
o prazer de um ritmo.
565
00:43:49,200 --> 00:43:52,200
"London Bridge is falling down..."
566
00:43:52,200 --> 00:43:56,600
"One, two, three, and girls bounce balls and sing..."
567
00:43:56,600 --> 00:43:58,560
Essas são as músicas.
568
00:43:58,560 --> 00:44:02,400
Há um prazer em cantar canções, há um prazer em escrever canções.
569
00:44:02,400 --> 00:44:06,160
Algumas músicas, você tenta e expressar-se emocionalmente.
570
00:44:06,160 --> 00:44:09,400
Essas são músicas diferentes para mim.
571
00:44:09,400 --> 00:44:13,400
Elas expressam o que eu sinto e aliviam...
572
00:44:13,400 --> 00:44:17,400
..as tensões que eu sinto quando as expresso.
573
00:44:17,400 --> 00:44:20,960
Mas eu não penso diretamente em alguém.
574
00:44:21,000 --> 00:44:24,400
# Homeward bound
575
00:44:24,400 --> 00:44:26,680
# I wish I was
576
00:44:26,680 --> 00:44:30,600
# Homeward bound
577
00:44:30,600 --> 00:44:32,880
AMBOS: # Home, where my thoughts escape
578
00:44:32,880 --> 00:44:34,200
# At home
579
00:44:34,200 --> 00:44:35,800
# Where my music's playing
580
00:44:35,800 --> 00:44:38,000
# Home, where my love lies
581
00:44:38,000 --> 00:44:42,840
# Waiting silently for me
582
00:44:44,840 --> 00:44:47,000
# Tonight I'll sing my songs again
583
00:44:47,000 --> 00:44:51,240
- # I'll play the game and pretend
- # Ooh...
584
00:44:52,000 --> 00:44:54,800
# Mm-mm, mm, mm
585
00:44:54,800 --> 00:44:59,680
# But all my words come back to me In shades of mediocrity
586
00:44:59,680 --> 00:45:02,360
# Like emptiness and harmony
587
00:45:02,360 --> 00:45:06,720
# I need someone to comfort me
588
00:45:06,720 --> 00:45:09,720
# Homeward bound
589
00:45:09,720 --> 00:45:12,200
# I wish I was
590
00:45:12,200 --> 00:45:15,800
# Homeward bound
591
00:45:15,800 --> 00:45:19,400
# Home, where my thoughts escape At home
592
00:45:19,400 --> 00:45:20,800
# Where my music's playing
593
00:45:20,800 --> 00:45:23,200
# Home, where my love lies
594
00:45:23,200 --> 00:45:29,000
# Waiting silently for me
595
00:45:29,000 --> 00:45:34,440
# Silently for me #
596
00:45:39,000 --> 00:45:41,440
.
597
00:45:42,440 --> 00:45:45,040
MÚSICA: "America"
598
00:45:51,600 --> 00:45:53,480
# "Let us be lovers
599
00:45:53,480 --> 00:45:58,240
"We'll marry our fortunes together"
600
00:46:00,280 --> 00:46:05,800
# "I've got some real estate Here in my bag"
601
00:46:05,800 --> 00:46:07,600
# Ooh, ooh
602
00:46:07,600 --> 00:46:12,000
# So we bought a pack of cigarettes
603
00:46:12,000 --> 00:46:15,400
# And Mrs Wagner pies
604
00:46:15,400 --> 00:46:18,000
# And walked off
605
00:46:18,000 --> 00:46:23,160
# To look for America... #
606
00:46:24,120 --> 00:46:26,800
Gente de tantos países diferentes vieram aqui
607
00:46:26,800 --> 00:46:29,800
e fizeram essa conglomeração.
608
00:46:29,800 --> 00:46:33,000
Nós somos como crianças tímidas, temos de olhar em volta e dizer,
609
00:46:33,000 --> 00:46:37,600
"Há uma criança chinesa na minha classe, há um menino negro, há um..."
610
00:46:37,600 --> 00:46:39,800
O nosso grupo é tão variado
611
00:46:39,800 --> 00:46:45,600
e aqui estamos juntos, temos que nos unir lentamente..
612
00:46:45,600 --> 00:46:49,000
Nós olhamos uns para os outros sem olhar direito,
613
00:46:49,000 --> 00:46:51,840
uma espécie de vergonha de, uh...
614
00:46:53,800 --> 00:46:57,800
Eu acho que todos nós percebemos...
615
00:46:57,800 --> 00:47:01,200
..o valor de se unir.
616
00:47:01,200 --> 00:47:04,800
Aqui estamos nós, nós temos este país e podemos...
617
00:47:04,800 --> 00:47:08,200
..podemos fazer grandes coisas.
618
00:47:08,200 --> 00:47:14,000
Nós temos um holofote sobre nós. Nós temos o poder para fazer grandes coisas.
619
00:47:14,000 --> 00:47:17,040
E eu acho que todos nós sentimos que
620
00:47:17,040 --> 00:47:22,360
é tremendamente valioso para nós nos misturar, mas é muito difícil.
621
00:47:22,600 --> 00:47:26,200
Todos os seres humanos têm, uh,
622
00:47:26,200 --> 00:47:29,800
este desejo de tomar o seu eu interior
623
00:47:29,800 --> 00:47:34,200
e fundi-lo com o resto da humanidade.
624
00:47:34,200 --> 00:47:36,680
E dificilmente eles são capazes de fazer isso,
625
00:47:36,680 --> 00:47:40,200
São constatemente relembrados dos obstáculos.
626
00:47:40,200 --> 00:47:43,200
Eles se defendem, encontram razões para manter seu isolamento
627
00:47:43,200 --> 00:47:48,000
como um ingrediente necessário de suas crenças ou o que seja,
628
00:47:48,000 --> 00:47:50,480
mas não é verdade o que sentem.
629
00:47:50,480 --> 00:47:54,040
MÚSICA: "The Sound Of Silence"
630
00:48:01,200 --> 00:48:05,800
# Hello, darkness, my old friend
631
00:48:05,800 --> 00:48:10,800
# I've come to talk with you again
632
00:48:10,800 --> 00:48:16,200
# Because a vision softly creeping
633
00:48:16,200 --> 00:48:21,400
# Left its seeds while I was sleeping
634
00:48:21,400 --> 00:48:24,000
# And the vision
635
00:48:24,000 --> 00:48:29,000
# That was planted in my brain
636
00:48:29,000 --> 00:48:33,000
# Still remains
637
00:48:33,000 --> 00:48:36,200
# Within the sound
638
00:48:36,200 --> 00:48:39,400
# Of silence
639
00:48:39,400 --> 00:48:45,000
AMBOS: # In restless dreams I walked alone
640
00:48:45,000 --> 00:48:50,200
# Narrow streets of cobblestone
641
00:48:50,200 --> 00:48:55,200
# 'Neath the halo of a streetlamp
642
00:48:55,200 --> 00:49:00,720
# I turned my collar To the cold and damp
643
00:49:00,720 --> 00:49:03,400
# When my eyes were stabbed
644
00:49:03,400 --> 00:49:07,640
# By the flash of a neon light
645
00:49:08,200 --> 00:49:10,840
# That split the night
646
00:49:12,200 --> 00:49:15,600
# And touched the sound
647
00:49:15,600 --> 00:49:18,600
# Of silence
648
00:49:18,600 --> 00:49:24,000
# And the people bowed and prayed
649
00:49:24,000 --> 00:49:29,000
# To the neon god they made
650
00:49:29,000 --> 00:49:34,000
# And the sign flashed its warning
651
00:49:34,000 --> 00:49:38,800
# In the words that it was forming
652
00:49:38,800 --> 00:49:42,800
# And the sign said "The words of the prophets
653
00:49:42,800 --> 00:49:47,400
# "Are written on subway walls
654
00:49:47,400 --> 00:49:50,600
# "And tenement halls
655
00:49:50,600 --> 00:49:57,040
# "And whispered in the sounds
656
00:49:57,600 --> 00:50:02,840
# "Of silence" #
657
00:50:06,400 --> 00:50:09,440
.
658
00:50:14,000 --> 00:50:16,720
MÚSICA: "Song For The Asking (Live)"
659
00:50:29,400 --> 00:50:31,600
# Here is my song
660
00:50:31,600 --> 00:50:35,200
# For the asking
661
00:50:35,200 --> 00:50:38,600
# Ask me and I will play
662
00:50:38,600 --> 00:50:45,040
# So sweetly, I'll make you smile
663
00:50:48,400 --> 00:50:54,560
# This is my tune for the taking
664
00:50:54,560 --> 00:50:58,000
# Take it, don't turn away
665
00:50:58,000 --> 00:51:01,520
# I've been waiting
666
00:51:01,520 --> 00:51:05,240
# All my life
667
00:51:08,800 --> 00:51:13,600
# Thinking it over, I've been sad
668
00:51:13,600 --> 00:51:17,400
# Thinking it over I'd be more than glad
669
00:51:17,400 --> 00:51:21,200
# To change my ways
670
00:51:21,200 --> 00:51:24,800
# For the asking
671
00:51:24,800 --> 00:51:28,000
# Ask me and I will play
672
00:51:28,000 --> 00:51:31,600
# All the love that I
673
00:51:31,600 --> 00:51:34,840
# Hold inside... #
674
00:51:51,400 --> 00:51:55,440
Subtitles by Red Bee Media Ltd - Traduzido por thyago_msampaio@hotmail.com
675
00:51:55,440 --> 00:51:59,480
BBC - Songs of America (1969)
44513
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof