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These are the user uploaded subtitles that are being translated: 1 00:00:00,490 --> 00:00:15,780 [CROWD MURMURING] 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:15,780 --> 00:00:16,760 MAN (OFFSCREEN): WATCH THE [INAUDIBLE]! 5 00:00:16,760 --> 00:00:17,750 WATCH THE [INAUDIBLE]! 6 00:00:17,750 --> 00:00:21,200 THAT STUFF BURN YOUR HAND BOY YOU'LL BE TOO DIZZY. 7 00:00:21,200 --> 00:00:22,680 THAT STUFF BURN BOY. 8 00:00:27,120 --> 00:00:31,310 MAN (OFFSCREEN): THERE'S LOTS OF TRADITIONS TO MARDI GRAS. 9 00:00:31,310 --> 00:00:34,600 EACH PARADE HAS AN EMBLEM FLOAT THAT'S THE SAME EVERY 10 00:00:34,600 --> 00:00:41,020 YEAR, LIKE THE DOUBLE M'S HAS THE BROKEN COLUMN. 11 00:00:41,020 --> 00:00:43,170 LOT OF PEOPLE SAY IT'S A BROKEN COLUMN OF THE 12 00:00:43,170 --> 00:00:44,330 CONFEDERACY. 13 00:00:44,330 --> 00:00:48,300 I DON'T KNOW THAT RIGHT OR NOT BUT THERE ARE A LOT OF 14 00:00:48,300 --> 00:00:52,090 THEORIES OF WHY WE HAVE A BROKEN COLUMN. 15 00:00:52,090 --> 00:00:55,520 ON THAT FLOW RIDES FOLLY AND DEATH. 16 00:00:55,520 --> 00:00:59,600 FOLLY CHASES DEATH AROUND THE COLUMN ALL THROUGH THE PARADE, 17 00:00:59,600 --> 00:01:07,150 BEATS HIM WITH A BLOWN UP PIG BLADDER. 18 00:01:07,150 --> 00:01:14,490 IT'S THE OLD SPIRIT OF FOLLY DRIVING DEATH OUT SO THE PARTY 19 00:01:14,490 --> 00:01:24,770 CAN COMMENCE AND OUR BLACK FRIENDS CALL IT 20 00:01:24,770 --> 00:01:26,150 DEVIL AROUND THE POST. 21 00:01:26,150 --> 00:01:56,370 [CROWD CHEERING] 22 00:01:56,370 --> 00:01:57,850 -ABOUT SEVEN MORE MINUTES. 23 00:01:57,850 --> 00:02:04,750 [CROWD MURMURING] 24 00:02:04,750 --> 00:02:05,760 MAY I HAVE EVERYBODY'S ATTENTION? 25 00:02:05,760 --> 00:02:07,090 FIRST OF ALL, I'D LIKE TO WELCOME 26 00:02:07,090 --> 00:02:08,230 ALL OF YOU HERE TONIGHT. 27 00:02:08,230 --> 00:02:11,620 ON BEHALF OF MYSELF AND THE RECEPTION COMMITTEE, GIRLS, I 28 00:02:11,620 --> 00:02:13,670 CANNOT TELL YOU HOW EXCITED WE ARE FOR YOU ALL. 29 00:02:13,670 --> 00:02:16,010 YOU'RE ALL GORGEOUS AND TONIGHT IS ABOUT YOU ALL AND 30 00:02:16,010 --> 00:02:18,590 WE'RE HERE TO SERVE YOU ALL AND MAKE SURE YOU HAVE THE 31 00:02:18,590 --> 00:02:19,840 TIME OF YOUR LIFE. 32 00:03:32,600 --> 00:03:39,990 [MUSIC PLAYS] 33 00:03:39,990 --> 00:04:10,020 [AUDIENCE LAUGHS] 34 00:04:10,020 --> 00:04:16,820 -THIS HERE HAS GOT TO BE IN ACCORDANCE WITH YOUR CROWN. 35 00:04:16,820 --> 00:04:18,070 -RIGHT. 36 00:04:21,180 --> 00:04:22,630 -NOW, JUST LOOK STRAIGHT HELEN-- 37 00:04:22,630 --> 00:04:23,080 -OKAY. 38 00:04:23,080 --> 00:04:24,330 ---AND I'LL GET IT BACK. 39 00:04:26,660 --> 00:04:27,400 GOOD. 40 00:04:27,400 --> 00:04:28,370 -GOOD. 41 00:04:28,370 --> 00:04:31,270 -OKAY. 42 00:04:31,270 --> 00:04:32,520 DOWN. 43 00:04:35,630 --> 00:04:38,180 MAINLY WHAT WE'VE BEEN WORKING WITH IS TRYING TO GET THE 44 00:04:38,180 --> 00:04:42,290 RIGHT PROPORTION FOR HELEN BECAUSE ONE THING SHE'S TALL, 45 00:04:42,290 --> 00:04:43,900 WHICH IS WONDERFUL, YOU KNOW? 46 00:04:43,900 --> 00:04:46,280 SHE'S GOT THE HEIGHT AND WE DON'T WANT TO CUT THAT DOWN 47 00:04:46,280 --> 00:04:47,530 THAT'S FOR SURE. 48 00:04:54,900 --> 00:04:57,340 -ADJUST THAT. 49 00:04:57,340 --> 00:05:02,630 THIS IS, KIND OF HAS AN ARGENTINE FLAIR TO IT. 50 00:05:02,630 --> 00:05:08,520 KING PERON OF ARGENTINA AND KING JOSEPH KIND 51 00:05:08,520 --> 00:05:11,430 OF LIKED HIS FLAIR. 52 00:05:11,430 --> 00:05:14,430 -I'M GOING TO CROWN THIS YOUNG LADY. 53 00:05:14,430 --> 00:05:17,210 AND LET'S SEE IF IT'S NOT A LITTLE BIT MORE COMFORTABLE. 54 00:05:17,210 --> 00:05:18,510 OH BOY! 55 00:05:18,510 --> 00:05:19,770 -THAT'S BETTER, YEAH. 56 00:05:19,770 --> 00:05:23,940 THE QUEEN WILL BECOME AN ACTRESS THAT NIGHT AND THIS 57 00:05:23,940 --> 00:05:30,180 EVENT WOULD BE MORE INSPIRED THAN ANY BROADWAY SHOW. 58 00:05:30,180 --> 00:05:31,620 -GOOD MORNING. 59 00:05:31,620 --> 00:05:33,060 GOOD MORNING. 60 00:05:33,060 --> 00:05:37,380 -GOOD MORNING HOW ARE YOU DOING YOU LOOK, YOU LOOK 61 00:05:37,380 --> 00:05:37,870 WONDERFUL. 62 00:05:37,870 --> 00:05:38,590 -THANK YOU DEAR. 63 00:05:38,590 --> 00:05:39,480 -DO I NEED TO BOW? 64 00:05:39,480 --> 00:05:40,430 -NOT YET. 65 00:05:40,430 --> 00:05:41,410 -NOT YET? 66 00:05:41,410 --> 00:05:42,390 NOT YET? 67 00:05:42,390 --> 00:05:43,120 OK, OK. 68 00:05:43,120 --> 00:05:47,280 [MUSIC PLAYS] 69 00:05:47,280 --> 00:05:49,790 -GOOD MORNING TEACHERS, STAFF AND STUDENTS. 70 00:05:49,790 --> 00:05:52,920 WE HAVE A SPECIAL ANNOUNCEMENT THIS MORNING. 71 00:05:52,920 --> 00:05:57,510 AND THIS ANNOUNCEMENT IS IN THE FORM OF CONGRATULATIONS TO 72 00:05:57,510 --> 00:06:02,500 TWO OF OUR MOST DISTINGUISHED FACULTY MEMBERS. 73 00:06:02,500 --> 00:06:06,320 MAYBE YOU DID NOT GET A CHANCE TO SEE YESTERDAY'S PAPER, BUT 74 00:06:06,320 --> 00:06:09,720 WE HAVE ROYALTY AMONG US. 75 00:06:09,720 --> 00:06:11,710 -IN YOU ALL HEARD MY GRANDMOTHER ON THE PHONE SO 76 00:06:11,710 --> 00:06:13,330 YOU ALL KNOW SHE CAN TALK. 77 00:06:13,330 --> 00:06:18,100 SHE WASN'T A SLAVE BUT THEY HAD A COTTON FARM, HER 78 00:06:18,100 --> 00:06:21,650 GRANDFATHER AND HIS CHILDREN HAD A COTTON FARM AND SHE HAD 79 00:06:21,650 --> 00:06:22,780 TO PICK COTTON. 80 00:06:22,780 --> 00:06:25,030 AND SHE SAID THAT SHE WAS GOING TO TAKE HER 81 00:06:25,030 --> 00:06:26,600 GRANDCHILDREN OUT THERE ONE DAY AND TEACH 82 00:06:26,600 --> 00:06:28,190 US HOW TO PICK COTTON. 83 00:06:28,190 --> 00:06:29,550 I'M NOT GOING. 84 00:06:29,550 --> 00:06:31,490 I DON'T WANT TO LEARN. 85 00:06:31,490 --> 00:06:32,460 I'M NOT INTERESTED. 86 00:06:32,460 --> 00:06:33,250 [PA SYSTEM SOUNDS] 87 00:06:33,250 --> 00:06:34,500 -YES? 88 00:06:38,310 --> 00:06:39,670 NO KING ROBERSON IS NOT. 89 00:06:52,600 --> 00:06:53,740 -PLEASE JOIN US IN HERE. 90 00:06:53,740 --> 00:06:58,330 WE'RE VERY EXCITED TO BE HERE TONIGHT TO HONOR THE 2007 KING 91 00:06:58,330 --> 00:06:59,700 AND QUEEN OF CARNIVAL. 92 00:06:59,700 --> 00:07:04,870 -ISN'T IT PERFECT FOR MOBILE TONIGHT TO HONOR THE GREATEST 93 00:07:04,870 --> 00:07:09,090 HONOR THAT WE CAN BESTOW ON ANY ONE IN 94 00:07:09,090 --> 00:07:11,510 MOBILE, QUEEN OF CARNIVAL. 95 00:07:11,510 --> 00:07:15,910 WE KNOW THAT YOU REPRESENT OUR CITY, YOU REPRESENT YOUR 96 00:07:15,910 --> 00:07:19,480 FAMILY, YOU REPRESENT THE CARNIVAL ASSOCIATION, BUT MORE 97 00:07:19,480 --> 00:07:23,270 IMPORTANTLY, YOU REPRESENT THE NEW GENERATION OF MEAHERS AND 98 00:07:23,270 --> 00:07:25,210 LIONSES FROM MOBILE. 99 00:07:25,210 --> 00:07:27,930 WE ARE HONORED TO HAVE YOU QUEEN HELEN. 100 00:07:27,930 --> 00:07:28,790 -THANK YOU. 101 00:07:28,790 --> 00:07:30,040 ALL: CHEERS! 102 00:07:31,930 --> 00:07:35,190 -MAX, YOU AND YOUR FAMILY ARE CERTAINLY NO STRANGERS TO 103 00:07:35,190 --> 00:07:40,180 CARNIVAL AS WELL, AND HERE YOU ARE NOW, LORD OF MISRULE. 104 00:07:40,180 --> 00:07:42,700 LADIES AND GENTLEMEN I ASK THAT YOU LIFT YOUR GLASS TO 105 00:07:42,700 --> 00:07:48,100 KING FELIX III 2007, MONARCH OF MERRIMENT, LORD OF MISRULE, 106 00:07:48,100 --> 00:07:50,700 PAUL, MAX BARRY BRUCKMAN TO MAX. 107 00:07:50,700 --> 00:07:53,020 ALL: HERE HERE. 108 00:07:53,020 --> 00:07:56,860 -I'D LIKE TO THANK THE CARNIVAL COMMITTEE FOR 109 00:07:56,860 --> 00:07:58,870 AFFORDING US THIS OPPORTUNITY WHICH WE ARE SO LOOKING 110 00:07:58,870 --> 00:08:02,000 FORWARD TO IN THE COMING MONTHS, THE FESTIVITIES 111 00:08:02,000 --> 00:08:05,130 EVERYTHING ELSE, AND THEN FINALLY I'D LIKE TO PROPOSE A 112 00:08:05,130 --> 00:08:07,540 TOAST TO QUEEN TO BE HELEN. 113 00:08:07,540 --> 00:08:09,250 QUEEN HELEN, HERE HERE. 114 00:08:09,250 --> 00:08:10,500 ALL: HERE HERE. 115 00:08:19,760 --> 00:08:22,070 MAN (OFFSCREEN): FOR A FEMALE-- 116 00:08:22,070 --> 00:08:23,320 -YOU GOT A COMB? 117 00:08:31,440 --> 00:08:35,220 -I FOUND OUT ON APRIL 19TH, SO I TOLD MY WHOLE FAMILY TWO 118 00:08:35,220 --> 00:08:36,490 DAYS LATER. 119 00:08:36,490 --> 00:08:38,830 THAT'S WHEN I STARTED ASKING ALL MY FAMILY MEMBERS IF THEY 120 00:08:38,830 --> 00:08:42,420 WANTED TO DO THE COURT AND TELL THEM THAT I WANTED THEM 121 00:08:42,420 --> 00:08:44,080 TO BE ON THERE WITH ME. 122 00:08:44,080 --> 00:08:48,450 -HE'S STANDING THERE LOOKING LIKE HIS GRANDDAD. 123 00:08:48,450 --> 00:08:50,890 WILL YOU COME PEEP? 124 00:08:50,890 --> 00:08:53,330 GOD, TALL. 125 00:08:53,330 --> 00:08:54,580 -OW! 126 00:08:58,700 --> 00:09:00,160 MAN (OFFSCREEN): OK, STAND STRAIGHT UP. 127 00:09:00,160 --> 00:09:03,100 BRING, BRING YOUR HANDS IN FRON.T 128 00:09:03,100 --> 00:09:06,580 -EVEN THOUGH WE HAVE TWO DIFFERENT SETS OF KINGS AND 129 00:09:06,580 --> 00:09:10,540 QUEENS, WE'RE ALL, I'M REPRESENTING THE WHOLE CITY 130 00:09:10,540 --> 00:09:13,380 NOT JUST THE AFRICAN AMERICAN PROSPECTIVE OF MARDI GRAS, 131 00:09:13,380 --> 00:09:14,630 IT'S THE ENTIRE CITY. 132 00:09:18,360 --> 00:09:22,260 -IF YOU LOOK AT MARDI GRAS YEARS AGO, YOU FOUND A LOT OF 133 00:09:22,260 --> 00:09:25,220 BLACK GENTLEMAN IN THE PARADE, BUT THEY WERE CARRYING TORCHES 134 00:09:25,220 --> 00:09:29,250 TO LIGHT THE PARADE AS WELL AS HUGE LANTERNS THAT WERE 135 00:09:29,250 --> 00:09:32,110 BURNING WITH KEROSENE AND THAT WAS THE ONLY 136 00:09:32,110 --> 00:09:33,890 PARTICIPATION THEY HAD. 137 00:09:33,890 --> 00:09:36,610 SO THEY WENT FROM THERE TO THEIR OWN ORGANIZATIONS AND 138 00:09:36,610 --> 00:09:37,860 HERE WE ARE. 139 00:10:06,150 --> 00:10:08,630 -WHEN SHE SAID SHE WAS GOING TO BE THE QUEEN 140 00:10:08,630 --> 00:10:11,320 I SAID, OH MY GOD. 141 00:10:11,320 --> 00:10:13,060 I SAID THAT'S A LOT OF MONEY. 142 00:10:13,060 --> 00:10:15,440 -EXPENSIVE MONEY. 143 00:10:15,440 --> 00:10:18,400 I'M TELLING YOU IT TAKES, IT TAKES MONEY YOU KNOW, FOR 144 00:10:18,400 --> 00:10:19,810 THAT, SURE. 145 00:10:19,810 --> 00:10:25,360 -WHEN I HAVE SAVED EVERYTHING SO IT'S JUST LIKE WORKING 146 00:10:25,360 --> 00:10:26,620 PENNY PINCHING-- 147 00:10:26,620 --> 00:10:28,220 NOT REALLY PENNY PINCHING, JUST PAYING WHAT I HAD TO AND 148 00:10:28,220 --> 00:10:30,630 EVERYTHING ELSE JUST HAD TO GO TO MARDI GRAS, I JUST COULDN'T 149 00:10:30,630 --> 00:10:32,010 DO ANYTHING ELSE. 150 00:10:32,010 --> 00:10:35,050 IT'S ABOUT A CAR AND HALF-- MAYBE, WELL I WOULD SAY A CAR. 151 00:10:35,050 --> 00:10:43,340 AT THE MINIMUM YOU GOING TO SPEND A CAR, A NICE 20. 152 00:10:43,340 --> 00:10:45,420 JUST ONE PERSON. 153 00:10:45,420 --> 00:10:48,040 -YOU KNOW, WE HAVE SO MUCH FUN AT MARDI GRAS, A LOT AS WE 154 00:10:48,040 --> 00:10:52,360 FORGET WHAT BUSINESS IT BRINGS TO OUR COMMUNITY. 155 00:10:52,360 --> 00:10:56,130 SO IN 2004 WE COMMISSIONED THE UNIVERSITY OF ALABAMA BUSINESS 156 00:10:56,130 --> 00:10:59,840 SCHOOL TO COME TO MOBILE AND SPEND A YEAR STUDYING WHAT THE 157 00:10:59,840 --> 00:11:05,400 ACTUAL ECONOMIC IMPACT IS OF CARNIVAL ON MOBILE YEAR ROUND. 158 00:11:05,400 --> 00:11:07,780 AND WE WERE AMAZED WE WERE ASTOUNDED. 159 00:11:07,780 --> 00:11:29,170 UH, THE UH, IN 2004 FOR INSTANCE IT WAS $227 MILLION. 160 00:11:29,170 --> 00:11:31,180 -IT'S INSANE THE AMOUNT OF MONEY THAT IT 161 00:11:31,180 --> 00:11:33,040 TAKES TO HAND SEW THESE. 162 00:11:33,040 --> 00:11:34,880 IT'S ALL ABOUT THE HAND SEWING, AND A HAND 163 00:11:34,880 --> 00:11:37,250 CRAFTSMANSHIP. 164 00:11:37,250 --> 00:11:39,520 I GOT TO TELL YOU THIS, THIS REALLY IS ONE OF MY FAVORITE 165 00:11:39,520 --> 00:11:42,100 THINGS THE WAY THIS MOVES AND FLOWS THROUGH HERE. 166 00:11:42,100 --> 00:11:46,340 WE HAD DONE SOME SMALL GRAPES BEFORE, AND THESE BIG ONES 167 00:11:46,340 --> 00:11:48,490 THEY LOOK LIKE TIFFANY JEWELRY. 168 00:11:48,490 --> 00:11:49,870 I'M PROUD OF THESE. 169 00:11:49,870 --> 00:11:53,350 -SEE THESE ARE THE BRUCKMANS, THE FAMILY NAME IS BRUCKMAN, 170 00:11:53,350 --> 00:11:56,100 AND THIS IS THEIR ABSOLUTE FAMILY CREST. 171 00:11:56,100 --> 00:12:00,980 AND IT'S THE BRIDGE MAN ON THE BRIDGE. 172 00:12:00,980 --> 00:12:03,500 AND IT'S KIND OF FUNNY. 173 00:12:03,500 --> 00:12:08,050 I DO THIS FOR ONE REASON AND THAT'S TO ASSOCIATE MYSELF AND 174 00:12:08,050 --> 00:12:09,760 GET TO KNOW THESE WONDERFUL PEOPLE. 175 00:12:09,760 --> 00:12:11,980 I'VE MADE GREAT FRIENDS DOING THIS. 176 00:12:16,330 --> 00:12:20,110 -I DON'T KNOW EXACTLY HOW THE SELECTION FOR BEING QUEEN 177 00:12:20,110 --> 00:12:24,280 WORKS BUT I DEFINITELY THINK THAT MY GRANDMOTHER AS THE 178 00:12:24,280 --> 00:12:28,060 OLDEST LIVING QUEEN HAD AN INFLUENTIAL PART 179 00:12:28,060 --> 00:12:30,250 FOR ME BEING CHOSEN. 180 00:12:30,250 --> 00:12:33,360 THEY TOLD ME THAT I NEEDED TO GRACIOUS QUEEN BECAUSE I WAS 181 00:12:33,360 --> 00:12:35,860 REPRESENTING THE WHOLE CITY IN FRONT OF EVERYONE. 182 00:12:35,860 --> 00:12:38,170 -I WOULD LIKE TO WELCOME ALL OF YOU ALL HERE TONIGHT. 183 00:12:38,170 --> 00:12:41,560 THIS IS ABOUT THE NINTH ANNUAL WINE TASTING THAT WE'VE DONE 184 00:12:41,560 --> 00:12:42,840 FOR THE DEBUTANTES. 185 00:12:42,840 --> 00:12:44,790 I WOULD LOVE FOR YOU TO GO AROUND THE TABLE AND INTRODUCE 186 00:12:44,790 --> 00:12:46,830 YOUR SELVES, BECAUSE WE GROWN UPS DON'T KNOW 187 00:12:46,830 --> 00:12:48,620 ALL OF YOUNG PEOPLE. 188 00:12:48,620 --> 00:12:50,380 -I'M [INAUDIBLE] 189 00:12:50,380 --> 00:12:52,820 -I'M ZACK WOLF. 190 00:12:52,820 --> 00:12:54,770 -I'M HELEN. 191 00:12:54,770 --> 00:12:56,930 -DEBUTANT, I KNOW IT'S A FRENCH WORD. 192 00:12:56,930 --> 00:12:59,850 IT'S JUST FOR A YOUNG GIRL AND IT'S THE TIME IN WHICH SHE'S 193 00:12:59,850 --> 00:13:05,110 MAKING HER INTRODUCTION TO SOCIETY AND SHE GET MARRIED, 194 00:13:05,110 --> 00:13:07,850 AND SHE'S LIKE READY TO START A FAMILY. 195 00:13:07,850 --> 00:13:11,400 I DON'T REALLY KNOW WHY MARDI GRAS IS RELATED TO MAKING YOUR 196 00:13:11,400 --> 00:13:12,510 DEBUT AND EVERYTHING. 197 00:13:12,510 --> 00:13:14,930 YOU KNOW, IT'S JUST A MOBILE THING AND IT'S 198 00:13:14,930 --> 00:13:17,220 ALWAYS BEEN LIKE THIS. 199 00:13:17,220 --> 00:13:20,940 -I CAN'T DRINK A LOT OF RED WINE BECAUSE OF THE HISTAMINES 200 00:13:20,940 --> 00:13:25,690 IN IT, AND IT'LL MAKE ME TURN RED IN THE FACE, AND STOP ME 201 00:13:25,690 --> 00:13:28,920 UP UNLESS I TAKE AN ANTIHISTAMINE FIRST. 202 00:13:28,920 --> 00:13:35,630 SO AND PARTICULARLY BEING DOWN HERE IN A HOT CLIMATE MOST OF 203 00:13:35,630 --> 00:13:42,840 THE YEAR I DRINK WHITE WINE 80% OF THE TIME. 204 00:13:42,840 --> 00:13:45,010 EVEN WITH A STEAK. 205 00:13:45,010 --> 00:13:48,940 -WHAT I'M GOING TO ATTEMPT TO DO HERE IS I'M GOING TO TAKE A 206 00:13:48,940 --> 00:13:54,930 SMALL AMOUNT OF WINE IN MY MOUTH AND SUCK IN, DON'T YOU 207 00:13:54,930 --> 00:14:12,180 ALL DO IT YET, AND SUCK IN AIR OVER IT, AND SWALLOW IT, AND 208 00:14:12,180 --> 00:14:16,100 THEN THINK ABOUT THE SENSATION THAT'S THE IN YOUR MOUTH, 209 00:14:16,100 --> 00:14:19,400 BECAUSE YOUR MOUTH WILL BE FILLED WITH FLAVOR. 210 00:14:22,810 --> 00:14:26,200 -I DON'T HEAR ANY SLURPING. 211 00:14:26,200 --> 00:14:32,840 OK, NOW SWALLOW IT, KEEP YOUR LIPS SHUT AND FEEL THE FLAVOR 212 00:14:32,840 --> 00:14:34,370 JUST EXPAND IN YOUR MOUTH. 213 00:15:34,510 --> 00:15:35,990 MAN (OFFSCREEN): ONE MORE TIME. 214 00:15:35,990 --> 00:15:37,630 ONE, TWO THREE. 215 00:15:37,630 --> 00:15:39,900 VERY GOOD. 216 00:15:39,900 --> 00:15:41,870 -WHEN I FIRST WENT UP-- MY PARENTS FIRST WANTED ME TO DO 217 00:15:41,870 --> 00:15:43,220 THIS THE WAS YOU KNOW-- 218 00:15:43,220 --> 00:15:44,450 WOMAN (OFFSCREEN): IT'S NOT YOUR CUP OF TEA. 219 00:15:44,450 --> 00:15:45,420 -NO THIS IS NOT MINE. 220 00:15:45,420 --> 00:15:48,730 I MEAN, I KIND OF LIKE TO MARCH TO MY OWN BEAT ALWAYS. 221 00:15:48,730 --> 00:15:53,720 BUT YOU KNOW, THE MORE I THINK ABOUT IT THE MORE FUN IT-- 222 00:15:53,720 --> 00:15:55,460 WOMAN (OFFSCREEN): THEY USUALLY HAVE A LOT OF FUN, THE 223 00:15:55,460 --> 00:15:56,150 GIRLS DO. 224 00:15:56,150 --> 00:15:57,400 -YEAH, UH-HUH YEAH. 225 00:16:03,630 --> 00:16:06,000 WOMAN (OFFSCREEN): IF YOU LIKE IT, THE BOW AND-- 226 00:16:06,000 --> 00:16:07,130 I THINK I LIKE IT. 227 00:16:07,130 --> 00:16:07,870 WOMAN (OFFSCREEN): OK. 228 00:16:07,870 --> 00:16:08,950 WOMAN (OFFSCREEN): OK. 229 00:16:08,950 --> 00:16:10,990 WOMAN (OFFSCREEN): THAT'S WHAT WE'RE GOING FOR. 230 00:16:10,990 --> 00:16:13,090 -OK. 231 00:16:13,090 --> 00:16:15,660 WOMAN (OFFSCREEN): I WAS ALWAYS LIBERAL POLITICALLY. 232 00:16:15,660 --> 00:16:19,510 I WAS ALWAYS MORE SENSITIVE TO, YOU KNOW, RACISM, AND I 233 00:16:19,510 --> 00:16:21,240 MEAN POLITICALLY I WAS JUST MORE LIBERAL, IT WAS ALWAYS 234 00:16:21,240 --> 00:16:22,060 KIND OF HARD. 235 00:16:22,060 --> 00:16:24,420 -WOULD IT FIT AROUND LIKE, AROUND MY HIPS? 236 00:16:24,420 --> 00:16:27,120 -BEING RAISED BY PEOPLE THAT WERE VERY INFLUENTIAL IN MY 237 00:16:27,120 --> 00:16:29,830 LIFE THAT RAISED ME THAT WERE BLACK, I THINK WHATS ALWAYS 238 00:16:29,830 --> 00:16:32,480 BOTHERED ME WAS THE WAY IN WHICH PEOPLE IN THE SOUTH WERE 239 00:16:32,480 --> 00:16:36,850 ABLE TO DISTINGUISH THIS ONE BLACK PERSON THEY HAD A 240 00:16:36,850 --> 00:16:41,250 RELATIONSHIP WITH FROM THE BLACK COMMUNITY AS A WHOLE. 241 00:16:41,250 --> 00:16:45,480 THEY WOULD GET CLOSE AND LOVE THIS PERSON BUT TO THERE. 242 00:16:45,480 --> 00:16:47,850 YOU KNOW USUALLY THESE PEOPLE ARE IN POSITIONS OF 243 00:16:47,850 --> 00:16:48,990 EMPLOYMENT. 244 00:16:48,990 --> 00:16:51,640 IF YOU LOVE THEM, AND YOU KNOW THEIR STORIES, AND YOU GIVE 245 00:16:51,640 --> 00:16:54,450 THEM EXTRA $20 AT CHRISTMAS, AND YOU KNOW THIS, THAT AND 246 00:16:54,450 --> 00:16:54,670 THE OTHER-- 247 00:16:54,670 --> 00:16:56,260 HOW IS YOUR DAUGHTER, HOW IS YOUR SISTER, HAVE THOSE 248 00:16:56,260 --> 00:17:01,780 CONVERSATIONS BUT THERE'S A THERE'S A FEAR FOR GETTING 249 00:17:01,780 --> 00:17:03,680 CLOSER THAN THAT. 250 00:17:03,680 --> 00:17:04,110 -OK. 251 00:17:04,110 --> 00:17:07,070 OK, NOW FOR THE PROBLEM WE'RE HAVING WITH THIS-- 252 00:17:07,070 --> 00:17:08,720 -OH, JUST TUCK IT IN. 253 00:17:08,720 --> 00:17:12,250 -NO I MEAN UH, AS FAR AS WEARING THE, WEARING IT WITH 254 00:17:12,250 --> 00:17:12,690 THE TRAIN. 255 00:17:12,690 --> 00:17:13,680 -OH RIGHT. 256 00:17:13,680 --> 00:17:16,110 BECAUSE THE ISSUE IS YOU HAVE TO ATTACH TO TRAIN TO THE BACK 257 00:17:16,110 --> 00:17:16,600 OF-- 258 00:17:16,600 --> 00:17:20,980 -IN ORDER TO KEEP THE TRAIN ON THERE'S A HARNESS THAT YOU 259 00:17:20,980 --> 00:17:22,420 HAVE TO WEAR UNDERNEATH IT. 260 00:17:22,420 --> 00:17:23,820 -A HARNESS. 261 00:17:23,820 --> 00:17:24,470 -YES. 262 00:17:24,470 --> 00:17:25,720 IT'S JUST STRAPS. 263 00:17:25,720 --> 00:17:26,570 -IT GOES UNDERNEATH MY TOP? 264 00:17:26,570 --> 00:17:29,510 -AND IT GOES UNDERNEATH YOUR TOP. 265 00:17:29,510 --> 00:17:30,470 -WOW. 266 00:17:30,470 --> 00:17:31,760 DO I GET TO TAKE THE HARNESS OFF AFTER I 267 00:17:31,760 --> 00:17:32,860 TAKE THE TRAIN OFF? 268 00:17:32,860 --> 00:17:34,400 HARNESS IT'S LIKE A HORSE. 269 00:17:34,400 --> 00:17:36,070 THIS IS REALLY LIKE GOING BACK TO VICTORIAN 270 00:17:36,070 --> 00:17:37,680 TIMES, I FEEL LIKE-- 271 00:17:37,680 --> 00:17:39,550 -YOU'LL FEEL LIKE REAL ROYALTY. 272 00:17:39,550 --> 00:17:42,120 -THAT ACTUALLY IS THE COOL PART ABOUT IT I'VE BEEN 273 00:17:42,120 --> 00:17:43,470 THINKING ABOUT MORE AND MORE. 274 00:17:43,470 --> 00:17:44,640 -THE TRADITION OF IT? 275 00:17:44,640 --> 00:17:45,850 -YEAH 276 00:17:45,850 --> 00:17:47,270 -YOU LIKE THAT? 277 00:17:47,270 --> 00:17:48,260 -YEAH I LIKE IT. 278 00:17:48,260 --> 00:17:49,920 THERE'S SOMETHING ABOUT IT THAT APPEALS TO ME IN A WAY 279 00:17:49,920 --> 00:17:51,080 THAT YOU KNOW? 280 00:17:51,080 --> 00:17:54,230 I'M GETTING, I'M GETTING A GREATER AND GREATER AFFINITY 281 00:17:54,230 --> 00:17:55,480 FOR MY ROOTS. 282 00:17:58,090 --> 00:17:58,750 -THIS WILL DO-- 283 00:17:58,750 --> 00:18:00,500 I THINK THIS WHOLE EXPERIENCE WILL-- 284 00:18:00,500 --> 00:18:01,600 -I THINK SO TOO. 285 00:18:01,600 --> 00:18:03,940 -YEAH, IT ENLIGHTENS YOU ABOUT A LOT. 286 00:18:03,940 --> 00:18:04,630 -I THINK SO TOO. 287 00:18:04,630 --> 00:18:06,560 -A LOT OF HISTORY. 288 00:18:06,560 --> 00:18:07,140 YOU KNOW? 289 00:18:07,140 --> 00:18:08,120 -YEAH. 290 00:18:08,120 --> 00:18:10,160 WOMAN (OFFSCREEN): SO WHAT HAS HAPPENED SO FAR? 291 00:18:10,160 --> 00:18:14,320 -THEY WANTED HIM COME TO THEY HOUSE AND UM STAY WITH HIM 292 00:18:14,320 --> 00:18:18,280 BECAUSE HE COULDN'T STAY IN A HOTEL BECAUSE HE WAS BLACK 293 00:18:18,280 --> 00:18:18,490 SO-- 294 00:18:18,490 --> 00:18:21,480 -THEY'RE TALKING ABOUT HOW BLACK PEOPLE COULDN'T STAY IN 295 00:18:21,480 --> 00:18:23,440 HOTELS RIGHT? 296 00:18:23,440 --> 00:18:26,160 AND HOW THEY USED TO HAVE TO STAY IN PEOPLE'S HOUSES WHEN 297 00:18:26,160 --> 00:18:28,200 THEY CAME BECAUSE THEY DIDN'T HAVE ANYWHERE TO SLEEP. 298 00:18:28,200 --> 00:18:31,490 SO AGAIN WHERE DOES MS. JACKSON COME IN. 299 00:18:31,490 --> 00:18:32,730 [MULTIPLE STUDENTS ANSWER] 300 00:18:32,730 --> 00:18:35,190 -DUKE ELLINGTON CAME AND STAYED AT HIS HOUSE BEFORE, 301 00:18:35,190 --> 00:18:37,170 BECAUSE HE PERFORMED HE COULDN'T STAY AT A HOTEL. 302 00:18:37,170 --> 00:18:39,830 TEACHER (OFFSCREEN): OK SO I THINK WE GOT IT STRAIGHT NOW. 303 00:18:39,830 --> 00:18:46,110 -WHEN WE HAD CELEBRITIES TO VISIT THE CITY, SUCH AS MARIAN 304 00:18:46,110 --> 00:18:51,470 ANDERSON, PAUL ROBESON, DOROTHY DANDRIDGE, THEY 305 00:18:51,470 --> 00:18:53,740 COULDN'T STAY IN HOTELS. 306 00:18:53,740 --> 00:18:56,010 THEREFORE, THEY WOULD STAY WITH WHOMEVER 307 00:18:56,010 --> 00:18:57,980 HAD THE NICEST HOUSE. 308 00:18:57,980 --> 00:19:01,600 MY GRANDFATHER WAS A DOCTOR IN THE CITY. 309 00:19:01,600 --> 00:19:05,860 THEIR HOME WAS ONE OF THE NICER HOMES IN THE COMMUNITY 310 00:19:05,860 --> 00:19:09,790 AND MY GRANDFATHER HAS ALWAYS BEEN A VERY HOSPITABLE PERSON. 311 00:19:09,790 --> 00:19:11,250 -ALRIGHT, SO THEY, THEY WERE TALKING 312 00:19:11,250 --> 00:19:12,920 ABOUT THIS, THIS, ANNUAL-- 313 00:19:12,920 --> 00:19:14,060 THAT'S A WORD WE KNOW, RIGHT? 314 00:19:14,060 --> 00:19:15,060 WHAT DOES IT MEAN? 315 00:19:15,060 --> 00:19:15,610 ALL: EVERY YEAR. 316 00:19:15,610 --> 00:19:18,490 -OK, THIS ANNUAL DANCE THEY HAVE AND THIS ONE WAS GOING TO 317 00:19:18,490 --> 00:19:20,280 BE SPECIAL BECAUSE? 318 00:19:20,280 --> 00:19:21,040 STUDENT (OFFSCREEN): DUKE ELLINGTON. 319 00:19:21,040 --> 00:19:22,820 -DUKE ELLINGTON WAS COMING TO PLAY. 320 00:19:22,820 --> 00:19:25,720 -I HAVE A SORT OF A CHERISHED MEMORY. 321 00:19:25,720 --> 00:19:31,390 PAUL ROBESON CAME HERE TO MOBILE AND HE SANG BRAHMS'S 322 00:19:31,390 --> 00:19:35,120 LULLABY TO THE BABY, AND IT HAPPENED TO BE ME. 323 00:19:35,120 --> 00:19:38,190 -BE SURE YOU BEEN TELLING THEM ABOUT THAT TIME DUKE 324 00:19:38,190 --> 00:19:38,550 ELLINGTONE. 325 00:19:38,550 --> 00:19:41,640 CAME AND STAY AT THE PLACE, KEEPING FOLKS FROM GOING 326 00:19:41,640 --> 00:19:43,430 PLACES JUST BECAUSE THEY WERE BLACK. 327 00:19:43,430 --> 00:19:57,290 [MUSIC PLAYING] 328 00:19:57,290 --> 00:19:59,270 -HEY HOW ARE YOU? 329 00:20:02,240 --> 00:20:05,220 -THE SIZE OF THE STONES ARE INCREDIBLE 330 00:20:05,220 --> 00:20:07,180 AND THE FUR IS ORIGINAL. 331 00:20:07,180 --> 00:20:11,130 WHAT WE DID WE ADDED THE BAR TO GIVE THE MANTLE THE LENGTH 332 00:20:11,130 --> 00:20:13,240 THAT WE WANTED TODAY AND THE OTHER THING THAT WE ADDED WAS 333 00:20:13,240 --> 00:20:15,550 WAS HELEN'S INITIALS. 334 00:20:15,550 --> 00:20:16,800 HELEN BIATRIX MEAHER. 335 00:20:43,140 --> 00:20:44,970 MAN (OFFSCREEN): YOU KNOW, IN ALL OUR LIVES SOMETIMES WE 336 00:20:44,970 --> 00:20:47,430 HAVE A DARK PART OF OUR LIVES THAT WE'D 337 00:20:47,430 --> 00:20:51,110 RATHER NOT TO DEAL WITH. 338 00:20:51,110 --> 00:20:54,160 SOME AFRICANS BELIEVED THAT THE ANCESTORS, THEY'RE NOT 339 00:20:54,160 --> 00:20:56,050 DEAD, THEY'RE RIGHT HERE TODAY. 340 00:20:56,050 --> 00:20:57,520 CAN'T YOU FEEL THEM? 341 00:21:00,490 --> 00:21:06,540 -IN 1859 SLAVERY WAS STILL GOING ON, BUT AT THAT POINT IN 342 00:21:06,540 --> 00:21:09,250 TIME THE SLAVE TRADE ITSELF HAD BEEN 343 00:21:09,250 --> 00:21:12,640 ABOLISHED AND WAS ILLEGAL. 344 00:21:12,640 --> 00:21:15,940 THE MEAHER FAMILY, WHICH EXISTS TODAY, EVEN HERE TODAY 345 00:21:15,940 --> 00:21:21,520 IN MOBILE, THEY OWNED A LOT OF LAND. 346 00:21:21,520 --> 00:21:26,060 THE STORY HAS IT THAT OLD TIM MEAHER MADE A BET THAT HE 347 00:21:26,060 --> 00:21:31,130 COULD GO AND BRING BACK A SHIP OF SLAVES. 348 00:21:31,130 --> 00:21:35,730 HE GOT THE SCHOONER "CLOTILDE" AND BROUGHT THE SLAVES BACK 349 00:21:35,730 --> 00:21:39,000 HERE INTO MOBILE BAY. 350 00:21:39,000 --> 00:21:44,060 WELL, BECAUSE IT WAS IN LEGAL HE TOLD THE FIRST MATE ON THE 351 00:21:44,060 --> 00:21:48,070 SHIP THAT HE WAS GOING INTO TOWN TO COLLECT HIS BET, AND 352 00:21:48,070 --> 00:21:52,720 IF HE DIDN'T GET BACK WITHIN AN HOUR TO RUN IT AGROUND, SET 353 00:21:52,720 --> 00:21:57,820 IT AFIRE, TO GET RID OF THE EVIDENCE AND HE DID NOT COME 354 00:21:57,820 --> 00:21:59,980 BACK WITHIN THE HOUR. 355 00:21:59,980 --> 00:22:02,100 SO THE FIRST MATE DID JUST THAT. 356 00:22:02,100 --> 00:22:04,840 HE RAN HER AGROUND AND SET HER ON FIRE. 357 00:22:04,840 --> 00:22:08,630 ALL OF THE AFRICANS THAT WERE ON THE SHIP WERE ABLE TO GET 358 00:22:08,630 --> 00:22:12,930 OFF OF THE SHIP AND THEY WENT INTO THE WOODS, WHAT IS KNOWN 359 00:22:12,930 --> 00:22:15,450 TODAY AS AFRICA TOWN. 360 00:22:15,450 --> 00:22:19,300 PLATEAU, ALABAMA WAS WHAT IT WAS NAMED PRIOR TO THAT. 361 00:22:19,300 --> 00:22:21,280 AND THEY HID. 362 00:22:21,280 --> 00:22:26,690 THAT WAS THE LAST SLAVE SHIP TO ENTER THE UNITED STATES. 363 00:22:26,690 --> 00:22:32,310 -1859 AND IT LANDED IN MOBILE ALABAMA AT PLATEAU. 364 00:22:32,310 --> 00:22:36,600 DURING THAT TIME PEOPLE WHO CAME TO THIS COUNTRY AND 365 00:22:36,600 --> 00:22:41,420 ACTUALLY SETTLED ON LAND HAD SQUATTERS' RIGHTS. 366 00:22:41,420 --> 00:22:44,250 IF THAT'S THE CASE THAT PROBABLY COULD BE THE ARGUMENT 367 00:22:44,250 --> 00:22:48,120 MADE FOR WHO OWNS THE PROPERTY SCOTT PAPER COMPANY, BECAUSE 368 00:22:48,120 --> 00:22:49,390 THAT'S WHERE THEY WERE. 369 00:22:49,390 --> 00:22:51,040 THEY WERE ALL IN THAT AREA. 370 00:22:51,040 --> 00:22:54,550 AND SO IT'S INTERESTING BECAUSE THEY HAVE SOME 371 00:22:54,550 --> 00:22:58,270 FAMILIES IN MOBILE WHO WERE REALLY INTRICATELY INVOLVED IN 372 00:22:58,270 --> 00:23:00,650 IT, THEIR ANCESTORS. 373 00:23:00,650 --> 00:23:04,000 -THEY MEAHER FAMILY ARE THE PRIMARY PROPERTY OWNERS WITHIN 374 00:23:04,000 --> 00:23:06,430 THE WHOLE AREA OF AFRICA TOWN. 375 00:23:06,430 --> 00:23:08,990 AND ONE THING ABOUT THEM, THE DON'T SELL LAND THEY'LL LET 376 00:23:08,990 --> 00:23:13,440 YOU LEASE IT, OR RENT IT BUT THEY WON'T SELL ANY LAND. 377 00:23:13,440 --> 00:23:17,360 WITH THEIR ANCESTORS BEING THE PERSONS WHO CONCOCTED THE IDEA 378 00:23:17,360 --> 00:23:21,160 OF BRINGING THE SLAVE HERE TO MOBILE I THINK THAT THEY HAVE 379 00:23:21,160 --> 00:23:25,380 SOME OF THE ORIGINAL ARTIFACTS THAT WERE PART OF THE SLAVE 380 00:23:25,380 --> 00:23:29,660 SHIP THE "CLOTILDE" BUT THEY HAVE NOT BEEN COOPERATIVE. 381 00:23:29,660 --> 00:23:32,090 WE DON'T KNOW WHAT THEIR REASONS ARE BUT WE'RE GOING TO 382 00:23:32,090 --> 00:23:34,400 CONTINUED TO PUSH ON WITH THE STORY. 383 00:23:34,400 --> 00:23:36,930 BUT NOT THE PUNITIVE PURPOSES, BUT FOR POSTERITY. 384 00:23:40,090 --> 00:23:44,360 -MY GRANDFATHER HE WAS REALLY FROM AFRICA. 385 00:23:44,360 --> 00:23:47,690 HE REALLY WAS-- WAS BROUGHT INTO PLATEAU, 386 00:23:47,690 --> 00:23:51,690 OUT THERE ON A BOAT. 387 00:23:51,690 --> 00:23:54,390 FROM THAT, THE FAMILY SPREAD. 388 00:23:54,390 --> 00:23:58,550 HIS NAME WAS BARRY MALONE SURE RIGHT. 389 00:24:18,060 --> 00:24:20,590 PAT RICHARDSON (OFFSCREEN): SO OK NOW I HAVE IT, I GOT YOU 390 00:24:20,590 --> 00:24:23,210 OK, I GOT YOU, AM I STRAIGHT WITH YOU NOW? 391 00:24:23,210 --> 00:24:26,760 SEE AM I STRAIGHT WITH YOU? 392 00:24:26,760 --> 00:24:28,410 WE'RE OFF SOMEWHERE. 393 00:24:28,410 --> 00:24:30,880 HERE I WOULD JUST GO EVERY OTHER. 394 00:24:30,880 --> 00:24:32,910 -YEAH THERE'S GOING TO BE AN AWFUL LOT OF STONES ON HERE 395 00:24:32,910 --> 00:24:33,280 TOO. 396 00:24:33,280 --> 00:24:35,840 -YES, I AGREE. 397 00:24:35,840 --> 00:24:41,630 THE BEST PART FOR ME IS TO SEE THAT QUEEN OR KING OR LADY HIT 398 00:24:41,630 --> 00:24:45,790 THE RUNWAY, HIT THE STAGE, AND I JUST RUN OUT THERE AND I 399 00:24:45,790 --> 00:24:50,020 JUST SIT AND I JUST WATCH THEM FLOW ACROSS THE STAGE AND JUST 400 00:24:50,020 --> 00:24:52,140 WATCH IT JUST DAZZLE, DAZZLE, DAZZLE. 401 00:24:52,140 --> 00:24:53,050 I LIKE THE DAZZLE. 402 00:24:53,050 --> 00:24:55,770 MY OWN-- MY-- ALL MY TRAINS DAZZLE. 403 00:24:55,770 --> 00:24:59,510 THEY JUST, THEY'RE JUST BLINDING. 404 00:24:59,510 --> 00:25:02,060 AND I LIKE THAT LOOK, I LIKE THAT POP, POP, POP, POP, POP 405 00:25:02,060 --> 00:25:03,310 POP, THE LIGHTS. 406 00:25:07,470 --> 00:25:13,470 -THE ENTIRE GOWN WILL BE JEWELED THIS WAY AND THIS IS 407 00:25:13,470 --> 00:25:15,250 THE FRONT OF THE GOWN. 408 00:25:15,250 --> 00:25:19,340 AND THIS IS VERY, VERY FLATTERING ON HELEN BECAUSE 409 00:25:19,340 --> 00:25:22,210 YOU KNOW, ANYBODY THAT DOESN'T HAVE A LOT OF BUST LINE IT 410 00:25:22,210 --> 00:25:23,760 REALLY DOES. 411 00:25:23,760 --> 00:25:28,670 AND THIS, BELIEVE IT OR NOT, IS ALMOST A REPLICA OF HER 412 00:25:28,670 --> 00:25:32,440 GRANDMOTHER'S GOWN THAT SHE WORE IN 1935. 413 00:25:32,440 --> 00:25:38,820 IT'S HARD TO BELIEVE THAT THOSE APPLIQUES ACTUALLY CAME 414 00:25:38,820 --> 00:25:42,050 OFF OF YOUR MANTLE. 415 00:25:42,050 --> 00:25:46,200 I THINK THE CHALLENGE THAT HAS BEEN TO US IS 416 00:25:46,200 --> 00:25:48,140 TRYING TO DO CAPTURE-- 417 00:26:10,490 --> 00:26:14,080 -THAT IS A MUCH BETTER IDEA. 418 00:26:14,080 --> 00:26:17,450 -AND OF COURSE THE BEAUTY PART ABOUT MOBILE MARDI GRAS, IT'S 419 00:26:17,450 --> 00:26:20,560 FOCUSED ON ONE QUEEN. 420 00:26:20,560 --> 00:26:23,180 WE DON'T HAVE DIFFERENT QUEENS LIKE THE 421 00:26:23,180 --> 00:26:25,950 CARNIVAL HAS IN NEW ORLEANS. 422 00:26:25,950 --> 00:26:31,300 IN MOBILE THERE IS ONE QUEEN OF MARDI GRAS. 423 00:26:31,300 --> 00:26:34,150 -MY NAME IS ALIA JONES, THIS MY STORY. 424 00:26:34,150 --> 00:26:36,680 HAVE YOU HAD A MOON PIE BEFORE? 425 00:26:36,680 --> 00:26:37,410 I HAVE. 426 00:26:37,410 --> 00:26:39,200 THEY ARE VERY SCRUMPTIOUS. 427 00:26:39,200 --> 00:26:42,440 MY FAVORITE KIND OF MOON PIE IS A CHOCOLATE MOON PIE. 428 00:26:42,440 --> 00:26:45,730 WHEN I EAT THIS MOON PIE IT MAKES ME FEEL LIKE JUMPING IN 429 00:26:45,730 --> 00:26:47,840 A POOL FULL OF CHOCOLATE FILLING. 430 00:26:47,840 --> 00:26:50,780 WHEN I SMELL THE MOON PIE, THE SMELL KNOCKS ME OUT LIKE 431 00:26:50,780 --> 00:26:51,980 MUHAMMAD ALI. 432 00:26:51,980 --> 00:26:54,280 THE MOON PIE FEELS MUSHY AND SOFT. 433 00:26:54,280 --> 00:26:56,870 THE MOON PIE IS AS SOFT AS A PILLOW MADE OUT OF 434 00:26:56,870 --> 00:26:57,970 MARSHMALLOWS. 435 00:26:57,970 --> 00:27:00,920 I WILL SHAVE MY HEAD AND JOIN THE ARMY JUST FOR A MOON PIE. 436 00:27:13,220 --> 00:27:15,050 -I ADMIRE YOUR WORK. 437 00:27:15,050 --> 00:27:15,960 WOMAN (OFFSCREEN): THANK YOU. 438 00:27:15,960 --> 00:27:17,530 AND I ALWAYS ADMIRE YOURS. 439 00:27:17,530 --> 00:27:19,260 -WE'RE GOING TO ALLUDE TO ONE THIS YEAR. 440 00:27:19,260 --> 00:27:19,680 -ARE YOU? 441 00:27:19,680 --> 00:27:20,680 -IT'S PURPLE, JUST LIKE THAT. 442 00:27:20,680 --> 00:27:21,390 WOMAN (OFFSCREEN): OH, IS IT? 443 00:27:21,390 --> 00:27:22,240 I'M DYING TO SEE IT. 444 00:27:22,240 --> 00:27:23,960 I'M LOOKING FORWARD TO IT YEAH. 445 00:27:23,960 --> 00:27:27,060 -BUT KELLY HAS INVITED ME OVER TO HIS STUDIO TO SEE, TO SEE 446 00:27:27,060 --> 00:27:27,530 THE QUEEN. 447 00:27:27,530 --> 00:27:27,790 -SURE. 448 00:27:27,790 --> 00:27:29,440 AND YOU'RE WELCOME TO MY STORE ANY DAY TO 449 00:27:29,440 --> 00:27:30,850 SEE THE KING'S TRAIN. 450 00:27:30,850 --> 00:27:33,950 -ANY TIME RON BARRETT TELLS YOU YOU'RE THE BOMB-- 451 00:27:33,950 --> 00:27:35,680 I'M UP ON CLOUD NINE NOW. 452 00:27:35,680 --> 00:27:37,710 I MEAN WHEN HE TELLS YOU HE'S BEEN WATCHING IT AND HE LOVES 453 00:27:37,710 --> 00:27:39,150 IT AND HE LOVES IT AND HE LOVES YOUR DETAIL IT MAKES YOU 454 00:27:39,150 --> 00:27:43,140 FEEL WONDERFUL. 455 00:27:43,140 --> 00:27:47,440 SO ALL ABOUT, ALL OUR WORK IS WORTH IT. 456 00:27:57,660 --> 00:28:02,790 -YOU CAN NOT BUY A TICKET TO ONE OF THE OLD ORGANIZATIONS. 457 00:28:02,790 --> 00:28:05,480 I CAN'T SPEAK ABOUT THE NEW ONES. 458 00:28:05,480 --> 00:28:08,880 NO ONE IS INVITED EXCEPT THE ACTIVE AND THE HONORARY 459 00:28:08,880 --> 00:28:12,130 MEMBERS AND THEIR WIVES OR DATES. 460 00:28:12,130 --> 00:28:16,590 SO IT'S A PRIVATE PARTY YOU MIGHT SAY. 461 00:28:16,590 --> 00:28:20,210 LIKE WHO YOU INVITE INTO YOUR HOME IT'S YOUR BUSINESS. 462 00:28:23,120 --> 00:28:26,040 -HEY, AT THE OPEN HOUSE WE DISCUSSED ABOUT 463 00:28:26,040 --> 00:28:27,950 GETTING A MASK CUT. 464 00:28:27,950 --> 00:28:31,710 I AM TIRED OF ANSWERING QUESTIONS FROM MY MEMBERS AND 465 00:28:31,710 --> 00:28:34,040 OTHER MEMBERS OF THE ORGANIZATION. 466 00:28:34,040 --> 00:28:35,280 TWO THINGS I WANT TO KNOW. 467 00:28:35,280 --> 00:28:38,060 ONE, WE NEED A MASK TO SHOW US, BECAUSE I'M GOING TO TELL 468 00:28:38,060 --> 00:28:40,810 YOU, IF YOU'RE A BEER DRINKER, YOU AIN'T GOING TO WORK IT OUT 469 00:28:40,810 --> 00:28:41,610 OF THIS MASK. 470 00:28:41,610 --> 00:28:44,060 TWO YOU CAN'T BREATHE OUT OF IT. 471 00:28:44,060 --> 00:28:47,090 THREE, AND I DON'T MEAN ANYTHING ABOUT THIS, THIS MASK 472 00:28:47,090 --> 00:28:48,660 FITS A MONGOLOID, YOU HEAR ME? 473 00:28:48,660 --> 00:28:51,360 [APPLAUSE] 474 00:28:51,360 --> 00:28:55,640 -IF EVERYBODY WOULD TAKE ONE MINUTE AND PUT EVERY DAMN BEER 475 00:28:55,640 --> 00:29:00,160 DOWN AND LISTEN, IF YOU TAKE THIS MASK AND TRY TO WEAR IT 476 00:29:00,160 --> 00:29:04,780 LIKE THIS IT'S GOING TO BE LIKE A MONGOLOID. 477 00:29:04,780 --> 00:29:09,080 TAKE THE MASK AND TIE YOU A KNOT IN THE BACK OF THE MASK. 478 00:29:11,870 --> 00:29:13,970 LIKE THAT. 479 00:29:13,970 --> 00:29:16,000 PUT THE DAMN THING ON. 480 00:29:16,000 --> 00:29:18,090 IT WON'T MOVE. 481 00:29:18,090 --> 00:29:19,310 OK? 482 00:29:19,310 --> 00:29:20,250 IT WON'T MOVE. 483 00:29:20,250 --> 00:29:23,880 TIE IT TIGHT AS YOU CAN IN THE BACK. 484 00:29:23,880 --> 00:29:26,950 YOUR HAT IS GOING TO GO TO RIGHT HERE. 485 00:29:26,950 --> 00:29:28,200 CUT FROM HERE UP. 486 00:29:28,200 --> 00:29:31,940 IF YOU CUT FROM HERE UP. 487 00:29:31,940 --> 00:29:36,250 THE WHOLE THING WITH MARDI GRAS, FOR THOSE OF YOU THAT 488 00:29:36,250 --> 00:29:39,940 EVER THOUGHT ABOUT IT, THE WHOLE THING WITH MARDI GRAS 489 00:29:39,940 --> 00:29:45,480 IS, IT IS A MYSTIC SOCIETY THAT NOBODY IS SUPPOSED TO 490 00:29:45,480 --> 00:29:46,730 KNOW WHO YOU ARE. 491 00:29:50,390 --> 00:29:52,400 -LADIES AND GENTLEMEN, IF I COULD HAVE YOUR ATTENTION 492 00:29:52,400 --> 00:29:55,180 PLEASE, I THINK WE ALL NEED TO RAISE OUR GLASS AND LET'S 493 00:29:55,180 --> 00:29:58,550 TOAST THE OLDEST MYSTIC ORGANIZATION IN THE COUNTRY, 494 00:29:58,550 --> 00:30:02,430 IT WAS STARTED IN 1842, AND LET'S TOAST THE STRIKERS. 495 00:30:02,430 --> 00:30:04,910 ALWAYS MEMBERS PAST AND PRESENT. 496 00:30:04,910 --> 00:30:07,260 ALL: HERE HERE. 497 00:30:07,260 --> 00:30:09,600 -THE OUTLAWS HAVE BEEN INVOLVED IN STRIKERS EVER 498 00:30:09,600 --> 00:30:11,950 SINCE 1874. 499 00:30:11,950 --> 00:30:15,970 I'M A FOURTH GENERATION AND WE ARE SO PROUD TONIGHT TO HAVE 500 00:30:15,970 --> 00:30:16,860 YOU LEAD OUR DANCE. 501 00:30:16,860 --> 00:30:19,590 YOU'RE THE FIFTH GENERATION. 502 00:30:19,590 --> 00:30:21,490 I ALSO WANT TO TELL YOU I JUST THINK YOU'RE AN INCREDIBLE 503 00:30:21,490 --> 00:30:22,740 YOUNG LADY. 504 00:30:31,810 --> 00:30:36,770 -A MYSTIC SOCIETY IS A GROUP OF PEOPLE, MEN OR WOMEN, OR 505 00:30:36,770 --> 00:30:41,290 MEN AND WOMEN TOGETHER, THAT CHOOSE TO REMAIN ANONYMOUS. 506 00:30:41,290 --> 00:30:43,090 REALLY FOR FUN. 507 00:30:43,090 --> 00:30:46,830 AND IT'S PART OF OUR WHOLE CULTURE WITH CARNIVAL AND WITH 508 00:30:46,830 --> 00:30:50,090 MARDI GRAS AND MOBILE, IS TO HAVE MYSTIC SOCIETIES WHERE 509 00:30:50,090 --> 00:30:53,840 YOU ACTUALLY DON'T KNOW WHO'S BEHIND THE MASK. 510 00:30:53,840 --> 00:30:57,010 YOU DON'T ACTUALLY KNOW WHO'S IN THE ORGANIZATION. 511 00:30:57,010 --> 00:30:58,800 THAT MAKES IT FUN. 512 00:30:58,800 --> 00:31:01,130 -IF THEY HAD A NEIGHBOR JOB THAT DIDN'T HAVE AN 513 00:31:01,130 --> 00:31:04,400 INVITATION, I MEAN A MASKER TO TAKE HER OUT, I'D 514 00:31:04,400 --> 00:31:05,920 VOLUNTEERED TO DO IT. 515 00:31:05,920 --> 00:31:08,870 I WORE A MASK IN MANY CASES THEY NEVER KNEW 516 00:31:08,870 --> 00:31:10,470 WHO TOOK THEM OUT. 517 00:31:10,470 --> 00:31:13,460 AND FROM A PRACTICAL STANDPOINT, WHEN YOU GET 518 00:31:13,460 --> 00:31:16,930 BEHIND THAT MASK, YOU DO SOME THINGS THAT YOU WOULDN'T DO 519 00:31:16,930 --> 00:31:20,420 WITHOUT IT ON. 520 00:31:20,420 --> 00:31:24,910 -THERE'S A NEW SHERIFF IN TOWN AND HE HAS DECIDED THAT 521 00:31:24,910 --> 00:31:29,410 TONIGHT IS GOING TO BE ONE FOR THE MEMORY BOOKS. 522 00:31:29,410 --> 00:31:30,900 HAVE A GREAT EVENING! 523 00:31:44,870 --> 00:31:47,870 MAN (OFFSCREEN): LADIES AND GENTLEMEN, MISS 524 00:31:47,870 --> 00:31:50,360 HELEN BEATRIX MEAHER. 525 00:32:28,400 --> 00:32:30,470 MAX BRUCKMAN (OFFSCREEN): IT'S NOT THE SAME ANYWHERE. 526 00:32:30,470 --> 00:32:34,100 THE DRESS CODE IN THE SOUTH IS PEOPLE LIKE TO GET DRESSED UP, 527 00:32:34,100 --> 00:32:35,170 GO TO A PARTY. 528 00:32:35,170 --> 00:32:38,310 YOU KNOW, FOR PEOPLE IN THE SOUTH IT KIND OF SAYS, LOOK 529 00:32:38,310 --> 00:32:39,480 WE'RE TRADITIONALISTS. 530 00:32:39,480 --> 00:32:42,790 WE LIKE THE FACT THAT WE HAVE A HERITAGE, AND WE LIKE THE 531 00:32:42,790 --> 00:32:45,680 FACT THAT WE'RE TIED BACK TO HISTORY, SO WE'RE GOING TO 532 00:32:45,680 --> 00:32:49,170 KEEP DOING WHAT OUR ANCESTORS DID, AND THAT'S WHAT THEY DID 533 00:32:49,170 --> 00:32:50,790 WE'RE NOT GOING TO CHANGE THINGS AND WE'RE NOT GOING TO 534 00:32:50,790 --> 00:32:54,310 LET PEOPLE SHOW UP TO THESE PARTIES UNDERDRESSED, AND I 535 00:32:54,310 --> 00:32:55,050 THINK THAT'S GREAT. 536 00:32:55,050 --> 00:32:58,490 IT KIND OF TIES IN THE WHOLE YOU KNOW, SO MUCH OF IT'S TIED 537 00:32:58,490 --> 00:33:02,150 TO HISTORY AND WHAT HAPPENED IN THE PAST. 538 00:33:07,920 --> 00:33:11,370 -WE ALL VALUE OUR TREES, AND WE ALL SPEND A LOT OF TIME 539 00:33:11,370 --> 00:33:14,180 WORRYING ABOUT THEM AND NURSING THEM AND CARING FOR 540 00:33:14,180 --> 00:33:15,910 THEN, AND YOU'D SAY HOWS THAT-- 541 00:33:15,910 --> 00:33:19,040 IN FACT MARDI GRAS, YOU'D SAY WE RUN THE RALLY EVERY YEAR TO 542 00:33:19,040 --> 00:33:21,970 BE SURE THAT WE CAN LIFT THE TREES RATHER 543 00:33:21,970 --> 00:33:23,130 THAN TRIM THE TREES. 544 00:33:23,130 --> 00:33:24,430 THAT'S WHAT WE DO. 545 00:33:24,430 --> 00:33:27,700 AND WE VERY SELDOM EVER TOUCH A TREE BECAUSE TREES ARE 546 00:33:27,700 --> 00:33:29,880 REALLY SACRED IN OUR COMMUNITY. 547 00:33:29,880 --> 00:33:32,100 IT JUST FITS RIGHT IN TO WHAT WE VALUE. 548 00:33:32,100 --> 00:33:34,980 WE VALUE OUR ROOTS, NO PUN INTENDED. 549 00:33:34,980 --> 00:33:38,700 BUT WE VALUE THOSE THINGS, AND THAT'S PART OF OUR CULTURE, 550 00:33:38,700 --> 00:33:42,130 OUR CANOPY OF OAKS IS THROUGHOUT OUR CITY. 551 00:33:42,130 --> 00:33:45,700 WE'RE NOT EXACTLY DRUIDS BUT WE DO LOVE TREES. 552 00:33:52,170 --> 00:33:54,170 -MAY I HAVE YOUR ATTENTION PLEASE? 553 00:33:54,170 --> 00:33:56,620 I'M YOUR PIANIST I'M BOB HOLME, AND I'VE HAD THE 554 00:33:56,620 --> 00:33:59,980 PRIVILEGE OF TEACHING BOTH MRS. YOUNGBLOOD AND HER 555 00:33:59,980 --> 00:34:00,940 DAUGHTER BRITTAIN. 556 00:34:00,940 --> 00:34:02,710 AND THIS IS THEIR FAVORITE PIECE. 557 00:34:02,710 --> 00:34:04,120 IT'S AN ETUDE BY CHOPIN. 558 00:34:22,320 --> 00:34:24,180 WOMAN (OFFSCREEN): I THINK THE TWO WOMEN WHO RAISED US THE 559 00:34:24,180 --> 00:34:24,880 MOST WERE YOU AND DORA. 560 00:34:24,880 --> 00:34:26,730 -YEAH, YES, HOW IS SHE DOING? 561 00:34:26,730 --> 00:34:27,610 -SHE'S GOOD. 562 00:34:27,610 --> 00:34:29,110 SHE JUST CALLED ME THE OTHER DAY. 563 00:34:29,110 --> 00:34:29,790 -SHE DID? 564 00:34:29,790 --> 00:34:30,980 -SHE'S GOING TO BE 78 THIS YEAR. 565 00:34:30,980 --> 00:34:31,820 -NO. 566 00:34:31,820 --> 00:34:32,710 SHE LOOKS GREAT. 567 00:34:32,710 --> 00:34:33,370 -SHE LOOKS AMAZING. 568 00:34:33,370 --> 00:34:34,080 -GREAT. 569 00:34:34,080 --> 00:34:37,150 -AND SHE MET [INAUDIBLE], WE WENT TO CHURCH WITH HER. 570 00:34:37,150 --> 00:34:37,640 -YOU DID? 571 00:34:37,640 --> 00:34:38,580 -WHEN HE CAME THIS SUMMER. 572 00:34:38,580 --> 00:34:39,230 IT WAS AMAZING. 573 00:34:39,230 --> 00:34:40,790 -THAT'S GREAT, THAT'S GREAT. 574 00:34:40,790 --> 00:34:44,080 -AND UM, AND SHE TOLD ME, I WISH THAT I WAS GOING TO GET 575 00:34:44,080 --> 00:34:45,760 MARRIED WHEN I WAS 35. 576 00:34:45,760 --> 00:34:46,120 -UH-HUH. 577 00:34:46,120 --> 00:34:47,930 -AND SHE SAID, GOT TO MAKE IT AT LEAST 30. 578 00:34:47,930 --> 00:34:48,730 I'M 78. 579 00:34:48,730 --> 00:34:50,760 [LAUGHTER] 580 00:34:50,760 --> 00:34:51,580 -SO-- 581 00:34:51,580 --> 00:34:52,310 -EXCUSE ME. 582 00:34:52,310 --> 00:34:53,110 -OH, SORRY. 583 00:34:53,110 --> 00:34:53,920 -IT'S OK. 584 00:34:53,920 --> 00:34:56,770 -NOW, WITH THE OTHER PARTY, NOW WHERE'S THE OTHER PARTY? 585 00:34:56,770 --> 00:34:57,740 -I DON'T EVEN KNOW. 586 00:34:57,740 --> 00:34:58,150 -OH, YOU DON'T KNOW? 587 00:34:58,150 --> 00:34:59,450 -THERE'S A PILE OF INVITATIONS. 588 00:34:59,450 --> 00:35:00,720 -OH, OK, OK. 589 00:35:00,720 --> 00:35:04,280 -I JUST KIND OF GO WHERE I'M TOLD TO GO NEXT. 590 00:35:04,280 --> 00:35:05,730 -FLOAT WITH THE WIND, HUH? 591 00:35:05,730 --> 00:35:06,980 -EXACTLY. 592 00:35:13,430 --> 00:35:15,590 -I FORGOT WHAT IT'S LIKE IN MOBILE, THAT THERE IS A WAY OF 593 00:35:15,590 --> 00:35:16,790 DOING THINGS. 594 00:35:16,790 --> 00:35:19,170 THERE IS A CODE OF BEHAVIOR, A CODE OF 595 00:35:19,170 --> 00:35:22,770 CONDUCT THAT IS THE NORM. 596 00:35:22,770 --> 00:35:26,800 TO BE HONEST, I WASN'T PARTICULARLY WANTING TO DO 597 00:35:26,800 --> 00:35:28,390 THIS, MY DEBUT. 598 00:35:28,390 --> 00:35:32,490 MY MOM WANTED ME TO DO IT, IT WAS IMPORTANT TO HER. 599 00:35:32,490 --> 00:35:33,470 WHAT? 600 00:35:33,470 --> 00:35:34,190 MOTHER (OFFSCREEN): WHAT? 601 00:35:34,190 --> 00:35:34,820 -WHAT? 602 00:35:34,820 --> 00:35:35,710 [LAUGHTER] 603 00:35:35,710 --> 00:35:36,600 -IT'S TRUE. 604 00:35:36,600 --> 00:35:37,490 -OK. 605 00:35:37,490 --> 00:35:38,390 -I DIDN'T. 606 00:35:38,390 --> 00:35:42,670 AND I KIND OF FEEL MYSELF, I'M LESS RELAXED. 607 00:35:42,670 --> 00:35:52,150 FORM ISN'T RELAXED UNLESS IT'S SECOND NATURE, 608 00:35:52,150 --> 00:35:57,290 -MY FEELING IS THAT YOUR, YOUR HOME, YOUR ROOTS, WHERE YOU 609 00:35:57,290 --> 00:36:03,250 GREW UP, ARE REALLY JUST AS MUCH A PART OF YOU AS YOUR, 610 00:36:03,250 --> 00:36:07,410 YOUR MOTHER AND YOUR FATHER YOU KNOW, ARE A PART OF YOU. 611 00:36:07,410 --> 00:36:11,910 I SEE THIS AS A WAY OF, OF KIND OF HELPING HER RECONNECT 612 00:36:11,910 --> 00:36:14,840 WITH WHERE SHE'S FROM. 613 00:36:38,760 --> 00:36:43,190 -YOU CAN'T HAVE RECONCILIATION IF ONLY ONE SIDE OR ONE PARTY 614 00:36:43,190 --> 00:36:46,960 WANTS TO BE RECONCILED AND THE OTHER SIDE IS STAYING AWAY AND 615 00:36:46,960 --> 00:36:49,700 DOESN'T WANT TO SHOW ANY INTEREST IN IT. 616 00:36:49,700 --> 00:36:51,540 YOU KNOW THERE'S THE MEAHER NATIONAL PARK 617 00:36:51,540 --> 00:36:53,440 NOT SO FAR FROM HERE. 618 00:36:53,440 --> 00:36:56,700 WHEN I SAW THE SIGN THE MEAHER NATIONAL PARK I SAID, OH YES, 619 00:36:56,700 --> 00:37:01,490 THAT'S THE FELLOW WHO HIRED ILLEGALLY A SHIP OF SLAVES AND 620 00:37:01,490 --> 00:37:03,880 BROUGHT THEM HERE, THE BEGINNING OF AFRICA TOWN. 621 00:37:03,880 --> 00:37:07,970 AND SO WE HAVE MIXED EMOTIONS ABOUT THAT NAME. 622 00:37:07,970 --> 00:37:12,100 HOW RESILIENT THE BODY AND THE SPIRIT OF INDIVIDUALS TO BE 623 00:37:12,100 --> 00:37:15,260 ABLE TO SURVIVE THAT KIND OF AFRICAN HOLOCAUST. 624 00:37:15,260 --> 00:37:18,180 AND WE TODAY HAVE CAST THAT OUT OF OUR MINDS AND WE HAVE 625 00:37:18,180 --> 00:37:19,440 NOT PAID ATTENTION TO IT. 626 00:37:19,440 --> 00:37:20,110 -YES SIR. 627 00:37:20,110 --> 00:37:22,880 -FRIENDS, LET ME JUST SAY, MANY OF OUR WHITE BROTHERS AND 628 00:37:22,880 --> 00:37:25,540 SISTERS ARE WORRIED THAT ANY TIME WE TALK ABOUT SOMETHING 629 00:37:25,540 --> 00:37:27,980 LIKE THIS, THEY ALWAYS THINK WE TALK ABOUT REPARATIONS. 630 00:37:27,980 --> 00:37:29,650 THAT WE'RE GOING TO THE BILL. 631 00:37:29,650 --> 00:37:31,230 THAT THEY'RE GOING TO HAVE TO GIVE US SOME MONEY. 632 00:37:31,230 --> 00:37:32,460 WE DON'T WANT ANY MONEY! 633 00:37:32,460 --> 00:37:34,650 IT'S NOT ABOUT MONEY FOR THE SACRIFICES. 634 00:37:34,650 --> 00:37:38,160 NO WAY THAT YOU CAN PAY IN TERMS OF DOLLARS AND CENTS 635 00:37:38,160 --> 00:37:39,740 WHAT OUR PEOPLE HAVE SACRIFICED. 636 00:37:39,740 --> 00:37:41,120 IT'S NOT ABOUT MONEY! 637 00:37:41,120 --> 00:37:43,030 IT'S ABOUT THE OTHER KIND OF CURRENCY. 638 00:37:43,030 --> 00:37:46,480 A CHANGE OF THE HEART, NOT THE CHANGE OF THE POCKET. 639 00:37:46,480 --> 00:37:50,310 FRIENDS WE'RE LIVING IN A VERY TERRIBLE TIME, A TIME IN WHICH 640 00:37:50,310 --> 00:37:52,380 MANY OF US AS AFRICAN AMERICANS HAVE KNOWN DOMESTIC 641 00:37:52,380 --> 00:37:54,620 TERRORISM FOR MANY YEARS, BUT NOBODY HAS WANTED TO SAY 642 00:37:54,620 --> 00:37:55,990 ANYTHING ABOUT THAT. 643 00:37:55,990 --> 00:37:57,840 A TIME IN WHICH OUR PEOPLE HAVE BEEN LYNCHED 644 00:37:57,840 --> 00:37:58,920 EVEN IN HERE IN MOBILE. 645 00:37:58,920 --> 00:38:01,920 IN FACT A STREET HAS BEEN NAMED AFTER THE INDIVIDUAL WHO 646 00:38:01,920 --> 00:38:03,490 WAS LYNCHED. 647 00:38:03,490 --> 00:38:06,680 THESE ARE NOT ANCIENT THINGS, THESE ARE NOT THINGS OF OUR 648 00:38:06,680 --> 00:38:10,400 PAST, BUT THESE ARE THINGS RIGHT IN OUR MIDST. 649 00:38:26,610 --> 00:38:30,500 -IT'S REALLY A PART OF THE CITIES HISTORY THAT THE CITY 650 00:38:30,500 --> 00:38:34,910 IS NOT PROUD OF, SOMETHING THAT I THINK THE CITY IS 651 00:38:34,910 --> 00:38:37,040 OVERCOMING. 652 00:38:37,040 --> 00:38:41,020 PEOPLE WHO LIVED THROUGH IT NEVER FORGET IT. 653 00:39:01,490 --> 00:39:03,460 -MY NAME IS SAMMY SHEPHARD. 654 00:39:03,460 --> 00:39:06,100 THIS IN MY 48TH YEAR OF DOING THE MARDI GRAS. 655 00:39:06,100 --> 00:39:08,640 THAT MY BROTHER LOUIS-CHARLES, HE BEEN IN 656 00:39:08,640 --> 00:39:10,340 IT A NUMBER OF YEARS. 657 00:39:10,340 --> 00:39:11,750 -SLOW IT DOWN. 658 00:39:11,750 --> 00:39:13,090 SLOW IT DOWN. 659 00:39:13,090 --> 00:39:16,660 -OUR JOB IS TO TAKE THEM THE TOWN AFTER THEY FINISH 660 00:39:16,660 --> 00:39:19,970 PARADING, BRING THEM BACK MAKE SURE THEY BE REPLACED BACK IN 661 00:39:19,970 --> 00:39:21,220 THE WAREHOUSE. 662 00:39:26,610 --> 00:39:29,290 -WE DOING THE CONDES THEN WE DO THE MOBILE 663 00:39:29,290 --> 00:39:31,460 MYSTIC AFTER THE CONDES. 664 00:39:31,460 --> 00:39:34,860 THEN WE COME HERE AND WE DO THE MYSTERY STRIPERS, AND THEN 665 00:39:34,860 --> 00:39:39,050 WE DO THE MOTS, AND THEN WE GOT ALL FOUR OF 666 00:39:39,050 --> 00:39:40,980 THEM MARDI GRAS DAY. 667 00:39:40,980 --> 00:39:42,820 WE CAN'T DO IT WITHOUT EACH OTHER. 668 00:39:42,820 --> 00:39:44,560 IT TAKE EVERYBODY DOING THEIR PART. 669 00:39:44,560 --> 00:39:47,780 -I BROUGHT HIM HERE ALL THE WAY UP. 670 00:39:47,780 --> 00:39:49,240 -20 YEARS IN THE BUSINESS. 671 00:39:49,240 --> 00:39:51,110 MAN (OFFSCREEN): 20 YEAR MAN HERE. 672 00:39:51,110 --> 00:39:56,500 WE BROUGHT HIM HERE WHEN HE WAS A PUP, NOW HE A BIG DOG. 673 00:39:56,500 --> 00:39:59,580 -MY DAD IS JERRY RICHARDSON HE IS THE PRESIDENT OF THE MOBILE 674 00:39:59,580 --> 00:40:03,000 MYSTICS, THIS MARDI GRAS ORGANIZATION, AND TODAY I'M 675 00:40:03,000 --> 00:40:06,060 HERE TO MAKE SURE THAT EVERYTHING GOES SMOOTHLY THAT 676 00:40:06,060 --> 00:40:08,210 UHM, ALL THE FLOATS GET OUT. 677 00:40:08,210 --> 00:40:10,870 HOPEFULLY IT'LL HELP ME GET IN IN A FEW YEARS. 678 00:40:10,870 --> 00:40:14,000 I'M ONLY 18 YEARS OLD AND YOU HAVE TO BE 21 TO UH, JOIN A 679 00:40:14,000 --> 00:40:16,040 MARDI GRAS ORGANIZATION IN MOBILE. 680 00:40:16,040 --> 00:40:18,790 SOME ORGANIZATIONS THEY THE TRADITION AND IF YOU'RE NOT 681 00:40:18,790 --> 00:40:21,300 OLD MOBILE, THERE ONES THAT HAVE BEEN AROUND FOR 50, 60 682 00:40:21,300 --> 00:40:23,210 YEARS, THEN THEY DON'T REALLY WANT YOU. 683 00:40:23,210 --> 00:40:24,890 BUT THE MOBILE MYSTICS, THEY ACCEPT EVERYBODY. 684 00:40:29,250 --> 00:40:31,430 -MY NAME IS DESTINY WILLIAMS. 685 00:40:31,430 --> 00:40:34,750 THE TITLE OF MY STORY IS CALLED MOON PIES. 686 00:40:34,750 --> 00:40:36,710 HAVE YOU SEEN A MOON PIE? 687 00:40:36,710 --> 00:40:38,350 DOES YOU LIKE MOON PIES? 688 00:40:38,350 --> 00:40:39,250 I DO. 689 00:40:39,250 --> 00:40:41,220 I LOVE THE BANANA MOON PIES. 690 00:40:41,220 --> 00:40:45,200 I LOVE THEM SO MUCH THAT I WOULD NOT GIVE MY MOON PIES UP 691 00:40:45,200 --> 00:40:46,760 FOR NOTHING IN THE WORLD. 692 00:40:46,760 --> 00:40:49,940 I WILL NOT SHARE MY MOON PIES WITH OTHERS. 693 00:40:49,940 --> 00:40:51,730 THEY ARE FRUITY AND JUICY. 694 00:40:51,730 --> 00:40:54,290 THE MOON PIES ARE FLAVORY AND SWEET. 695 00:40:54,290 --> 00:40:56,230 IT IS AS SWEET AS HONEY. 696 00:40:56,230 --> 00:40:59,660 I AM AS STUBBORN AS A MULE WITH MY MOON PIES. 697 00:40:59,660 --> 00:41:03,210 I REALLY ADORE MY MAGNIFICENT TREAT. 698 00:41:03,210 --> 00:41:03,640 -WHOO! 699 00:41:03,640 --> 00:41:04,170 -UH OH. 700 00:41:04,170 --> 00:41:06,010 YOU CAN'T GET IN. 701 00:41:06,010 --> 00:41:07,260 -CJ! 702 00:41:09,920 --> 00:41:10,900 -WHAT ARE YOU ALL DOING OUT THERE? 703 00:41:10,900 --> 00:41:48,320 [MUSIC PLAYS] 704 00:41:48,320 --> 00:41:50,700 -HAPPY MARDI GRAS! 705 00:41:50,700 --> 00:41:52,600 -HEY! 706 00:41:52,600 --> 00:41:53,080 HEY! 707 00:41:53,080 --> 00:41:53,760 MAN (OFFSCREEN): YES SIR? 708 00:41:53,760 --> 00:41:55,420 -YOU GOT A MOON PIE? 709 00:41:55,420 --> 00:41:57,900 -THAT WAS THE WAY-- 710 00:41:57,900 --> 00:41:59,370 -HUH? 711 00:41:59,370 --> 00:42:00,130 MAN (OFFSCREEN): HAPPY MARDI GRAS. 712 00:42:00,130 --> 00:42:01,190 MAX BRUCKMAN (OFFSCREEN): HAPPY MARDI GRAS. 713 00:42:01,190 --> 00:42:03,160 -GIVE ME A MOON PIE. 714 00:42:03,160 --> 00:42:06,320 -HAPPY MARDI GRAS. 715 00:42:06,320 --> 00:42:07,560 GIVE ME A MOON PIE. 716 00:42:07,560 --> 00:42:10,190 -GO OUT FOR A PASS. 717 00:42:10,190 --> 00:42:11,440 -BOOM TOUCHDOWN! 718 00:42:49,100 --> 00:42:53,970 -IT'S UHM, I'M NOT GOING TO SAY-- 719 00:42:53,970 --> 00:42:57,020 I DON'T KNOW THE POLITICALLY CORRECT WORD FOR IT, BUT IT'S 720 00:42:57,020 --> 00:43:03,440 LIKE PRETTY SEVERELY RETARDED KIDS AND ALL AND IT'S GREAT. 721 00:43:03,440 --> 00:43:07,360 I MEAN THEY LOVE IT, THEY HAVE A WONDERFUL TIME WITH IT. 722 00:43:07,360 --> 00:43:11,870 BUT LIKE I MEAN, ON THE OTHER HAND, YOU KNOW, I MEAN, IT'S 723 00:43:11,870 --> 00:43:16,310 SAD, I MEAN TO SEE THESE KIDS BUT YET WHAT WE DO AND WHAT WE 724 00:43:16,310 --> 00:43:18,830 BRING TO THEM MEANS A WHOLE LOT TO THEM. 725 00:43:18,830 --> 00:43:21,920 WE'RE GOING TO WALK THROUGH AND GO UP TO THE FRONT, AND 726 00:43:21,920 --> 00:43:23,990 I'LL SHOW YOU THE MEETING HALL BECAUSE THEY 727 00:43:23,990 --> 00:43:25,240 GETTING ANTSY FOR A MEETING. 728 00:45:57,900 --> 00:46:00,400 MAN (OFFSCREEN): HERE WE GO, YOU ALL, HERE WE GO GUYS. 729 00:46:00,400 --> 00:46:01,650 HERE WE GO. 730 00:46:07,880 --> 00:46:11,370 WOMAN (OFFSCREEN): THE MOBILE AREA MARDI GRAS ASSOCIATION 731 00:46:11,370 --> 00:46:15,370 WELCOMES YOU TO THE 2007 GRAND MARSHAL'S BALLS. 732 00:46:18,360 --> 00:46:23,270 IF YOU ARE NOT IN A FESTIVE MOOD WHEN YOU ARRIVED I KNOW 733 00:46:23,270 --> 00:46:24,520 YOU ARE NOW. 734 00:46:28,740 --> 00:46:40,200 LADIES AND GENTLEMEN THE 2007 ROYAL COURT. 735 00:46:40,200 --> 00:46:43,740 -THIS IS A LETTER TO THE EDITOR THAT I SUBMITTED IN 736 00:46:43,740 --> 00:46:47,070 SEPTEMBER OF 2006. 737 00:46:47,070 --> 00:46:51,530 FOR YEARS I HAVE BEEN AN AVID PARTICIPANT IN MARDI GRAS AND 738 00:46:51,530 --> 00:46:54,620 ALL OF IT'S ASSOCIATION HOOPLA. 739 00:46:54,620 --> 00:46:58,840 IN JANUARY OF LAST YEAR WHEN I WAS TELLING MARTY GROVE 740 00:46:58,840 --> 00:47:04,420 STORIES TO A HUSBAND AND WIFE WHO WERE VISITING THE CITY THE 741 00:47:04,420 --> 00:47:09,140 HUSBAND, WHO IS WHITE, EXCLAIMED THAT HE COULD GET 742 00:47:09,140 --> 00:47:12,720 BALL TICKETS FROM HIS PROJECT MANAGER. 743 00:47:12,720 --> 00:47:18,120 THEIR EXCITEMENT HOWEVER TURNED QUICKLY TO SORROW AS I 744 00:47:18,120 --> 00:47:24,020 EXPLAINED THAT MARDI GRAS IS ALSO THE LAST STRONGHOLD OF 745 00:47:24,020 --> 00:47:30,140 SEGREGATION, AND THAT HIS WIFE WHO IS BLACK WOULD NOT BE 746 00:47:30,140 --> 00:47:32,690 ADMITTED TO THE BALL. 747 00:47:32,690 --> 00:47:37,090 I OFFERED TO INVITE THEM TO MY BALL INSTEAD, BUT THEY WERE 748 00:47:37,090 --> 00:47:38,810 NOT INTERESTED. 749 00:47:38,810 --> 00:47:42,700 THE SEGREGATION PART HAD SPOILED IT. 750 00:47:42,700 --> 00:47:45,920 THE FOLKS DOWNTOWN WILL BE MAD, YOU KNOW, THIS IS BAD FOR 751 00:47:45,920 --> 00:47:49,500 TOURISM BUT IT IS THE TRUTH, ISN'T IT. 752 00:47:49,500 --> 00:47:53,560 WE CAN ALL KIND OF SKIRT AROUND AND SAY, WELL THEY LIKE 753 00:47:53,560 --> 00:47:54,480 IT LIKE THAT. 754 00:47:54,480 --> 00:47:58,090 AND I THINK THAT'S KIND OF WHAT EVERYBODY WANTS TO SAY. 755 00:47:58,090 --> 00:47:59,890 WELL, BECAUSE WE DON'T HAVE A CHOICE. 756 00:48:06,580 --> 00:48:08,770 LORENZO MARTIN (OFFSCREEN): IN 2000 I CAME DOWN TO MIDTOWN 757 00:48:08,770 --> 00:48:10,150 WITH MY SON DOING THE MARDI GRAS 758 00:48:10,150 --> 00:48:12,700 AND I PUT ON MY SHOULDERS. 759 00:48:12,700 --> 00:48:14,650 LITTLE DID I KNOW THAT HE WAS GOING TO HOLLER AND SCREAM FOR 760 00:48:14,650 --> 00:48:18,040 MOON PIES AND BEADS, AND HE WASN'T GOING TO GET IT BECAUSE 761 00:48:18,040 --> 00:48:19,550 HE WAS YOUNG BLACK KID. 762 00:48:19,550 --> 00:48:22,710 HE DID NOT KNOW THAT, I KNEW THAT, AND THE YOUNG PEOPLE 763 00:48:22,710 --> 00:48:25,470 THAT WAS IN FRONT OF US KNEW IT, SO THEY ON THREE OCCASIONS 764 00:48:25,470 --> 00:48:27,960 PASSED HIM SOME [INAUDIBLE] SOME BEADS, SOME MOON PIE. 765 00:48:27,960 --> 00:48:30,140 AFTER THAT NIGHT I FELT REAL BAD AS A DAD. 766 00:48:30,140 --> 00:48:31,850 MY FIRST SON HE'S A JUNIOR. 767 00:48:31,850 --> 00:48:35,660 AND I FELT LIKE I NEEDED TO DO SOMETHING ABOUT THAT. 768 00:48:35,660 --> 00:48:38,010 I PROCEEDED TO TALK TO THE MAYOR AND TALKED TO SOME OTHER 769 00:48:38,010 --> 00:48:41,830 INDIVIDUALS ABOUT POSSIBLY HAVING AN ORGANIZATION 770 00:48:41,830 --> 00:48:45,900 INTEGRATED THAT PARADE- DURING THE PARADE SEASON. 771 00:48:45,900 --> 00:48:49,100 -I LIKE HISTORY BECAUSE IF YOU DON'T KNOW WHAT'S GOING ON IN 772 00:48:49,100 --> 00:48:50,700 YOUR PAST YOU'LL NEVER FIND OUT WHAT YOUR 773 00:48:50,700 --> 00:48:51,660 FUTURE GOING TO BE LIKE. 774 00:48:51,660 --> 00:48:56,430 THE WHOLE GOAL IS TO MAKE SURE THAT WE DON'T REPEAT THE PAST 775 00:48:56,430 --> 00:48:57,730 AND SEGREGATE ANYBODY. 776 00:48:57,730 --> 00:49:00,300 WE'RE NOT A SEGREGATED ORGANIZATION. 777 00:49:00,300 --> 00:49:02,790 WE'RE AN ORGANIZATION THAT'S OPEN TO EVERYBODY. 778 00:49:02,790 --> 00:49:06,850 I'M PRETTY SURE WE COVERED ALL THE RULES OF WHAT WE CAN'T DO 779 00:49:06,850 --> 00:49:10,180 SO MUCH TO RULES OF WHAT WE CAN DO. 780 00:49:10,180 --> 00:49:12,530 YOU CAN HAVE FUN. 781 00:49:12,530 --> 00:49:14,830 YOU CAN THROW CANDY. 782 00:49:14,830 --> 00:49:19,540 YOU CAN SMILE, YOU CAN JUMP, YOU CAN SHOUT, YOU CAN SCREAM 783 00:49:19,540 --> 00:49:20,790 YOU CAN DO ALL THOSE THINGS. 784 00:49:24,470 --> 00:49:27,410 WE'RE GOING TO WRAP THIS UP BECAUSE TIME IS AT AN ESSENCE. 785 00:49:27,410 --> 00:49:28,660 TIME IS AT ESSENCE. 786 00:49:33,780 --> 00:49:36,720 WHEN YOU GET ON YOUR FLOAT JUST REMEMBER ONE THING. 787 00:49:36,720 --> 00:49:40,100 YOU'RE STILL MAKING HISTORY, YOU'RE STILL MAKING HISTORY. 788 00:49:44,740 --> 00:49:46,960 -BUT US NOT HAVING A FLOAT BOARD, US NOT OWNING THE 789 00:49:46,960 --> 00:49:49,660 FLOATS, IT MAKES IT VERY DIFFICULT BECAUSE WE ONLY HAVE 790 00:49:49,660 --> 00:49:51,840 A FOUR OR FIVE HOUR SPAN TO LOAD THE FLOATS. 791 00:49:51,840 --> 00:49:54,000 -WHAT WE DO, WE RENT OUR FLOATS. 792 00:49:54,000 --> 00:49:56,140 AFTER WE USE THEM, THEY'RE NOT GOOD FOR NOTHING. 793 00:49:56,140 --> 00:49:59,010 SO WE END UP RENTING THEM TO OTHER ORGANIZATIONS THAT'S 794 00:49:59,010 --> 00:49:59,820 BUILDING UP. 795 00:49:59,820 --> 00:50:02,230 THAT CAN'T AFFORD TO BUILD THEIR OWN FLOAT. 796 00:50:02,230 --> 00:50:04,400 BELIEVE IT OR NOT THESE FLOATS WOULD RUN YOU ANYWHERE FROM 797 00:50:04,400 --> 00:50:07,760 $60,000 TO $75,000 FROM THE GROUND UP. 798 00:50:07,760 --> 00:50:11,850 AND THE CAVALIERS ARE SUCH GOOD PEOPLE THEY ALLOW YOU ALL 799 00:50:11,850 --> 00:50:14,780 TO RENT THESE FINE BEAUTIFUL FLOATS, TO ENJOY YOU ALL'S 800 00:50:14,780 --> 00:50:15,410 PARADE, RIGHT? 801 00:50:15,410 --> 00:50:16,110 MAN (OFFSCREEN): WE APPRECIATE IT. 802 00:50:16,110 --> 00:50:18,040 -AND, AND AND, YOU KNOW THE GOOD THING ABOUT WE WANT TO 803 00:50:18,040 --> 00:50:18,950 GROW AND BE-- 804 00:50:18,950 --> 00:50:20,850 YOU ALL ARE A ROLE MODEL TO US. 805 00:50:20,850 --> 00:50:22,470 THAT'S HOW YOU LEARN YOU-- 806 00:50:22,470 --> 00:50:22,950 MAN (OFFSCREEN): WHOA, WHOA, WHOA. 807 00:50:22,950 --> 00:50:24,360 WAIT A MINUTE. 808 00:50:24,360 --> 00:50:25,780 MAN (OFFSCREEN): THAT'S A BAD ROLE MODEL. 809 00:50:25,780 --> 00:50:26,730 MAN (OFFSCREEN): YOU NEED TO DO BETTER THAN THAT. 810 00:50:26,730 --> 00:50:28,620 MAN (OFFSCREEN): NO, THAT SOUNDS GOOD, 811 00:50:28,620 --> 00:50:29,570 THANK YOU VERY MUCH. 812 00:50:29,570 --> 00:50:31,360 MAN (OFFSCREEN): YOU NEED TO LEARN THROUGH HISTORY. 813 00:50:31,360 --> 00:50:33,250 MAN (OFFSCREEN): WISH WE COULD SELL OUR FLOATS TO YOU ALL AND 814 00:50:33,250 --> 00:50:35,930 WE COULD RENT THEM FROM YOU ALL. 815 00:50:35,930 --> 00:50:38,530 YEAH, YOU PAY TO REBUILD THEM YOU PAY TO HOUSE THEM. 816 00:50:38,530 --> 00:50:39,650 -YEAH, YEAH THAT'S-- 817 00:50:39,650 --> 00:50:40,820 MAN (OFFSCREEN): IT'S A WHOLE LOT CHEAPER THAT WAY. 818 00:50:40,820 --> 00:50:41,200 DON'T GET NO BARN. 819 00:50:41,200 --> 00:50:41,850 -THAT'S SOMETHING TO THINK ABOUT. 820 00:50:41,850 --> 00:50:45,750 BUT YEAH, WE APPRECIATE YOU GUYS, YOU KNOW W REALLY DO. 821 00:50:45,750 --> 00:50:49,060 EVERY YEAR, EVERY YEAR I TELL YOU, TELL YOU GUYS HOW MUCH WE 822 00:50:49,060 --> 00:50:50,150 APPRECIATE YOU. 823 00:50:50,150 --> 00:50:52,060 UM, YOU ALL HAVE MADE A LOT OF PEOPLE HAPPY. 824 00:50:52,060 --> 00:50:53,810 -WE DEPOSIT YOUR APPRECIATION. 825 00:50:53,810 --> 00:50:54,540 -YOU DID? 826 00:50:54,540 --> 00:50:54,890 -YEAH. 827 00:50:54,890 --> 00:50:55,570 -DID IT, DID IT CLEAR? 828 00:50:55,570 --> 00:50:56,820 -IT CLEARED. 829 00:50:56,820 --> 00:50:57,740 THIS YEAR IT DID. 830 00:50:57,740 --> 00:50:58,010 -THIS YEAR! 831 00:50:58,010 --> 00:50:58,390 HEY 832 00:50:58,390 --> 00:50:59,640 MAN (OFFSCREEN): YOU'RE IN OUR BAR AREN'T YOU? 833 00:51:02,910 --> 00:51:04,160 -LOVE IT! 834 00:52:51,300 --> 00:52:54,570 -MY DUTY TODAY IS TO HAVE A KEY AROUND MY NECK. 835 00:52:54,570 --> 00:52:57,780 NOW, WE SAY THAT THE KEYS DON'T OPEN ANYBODY, BUT THIS 836 00:52:57,780 --> 00:52:59,990 KEY DOES THIS KEY OPEN CITY HALL. 837 00:52:59,990 --> 00:53:02,920 SO ON ASH WEDNESDAY I HOPE THE GRAND MARSHALL GIVES IT BACK 838 00:53:02,920 --> 00:53:04,720 TO ME BECAUSE I WON'T BE ABLE TO GET IN MY OFFICE. 839 00:53:04,720 --> 00:53:11,610 -(SINGING) THE SOUTHERN BELLS ARE RINGING, CLIMATE'S IDEAL. 840 00:53:11,610 --> 00:53:15,050 IT'S A HONEYSUCKLE OF HEAVEN BY THE NAME OF MOBILE. 841 00:53:25,380 --> 00:53:28,340 MAN (OFFSCREEN)LADIES AND GENTLEMEN, THEY MAYOR OF 842 00:53:28,340 --> 00:53:31,240 MOBILE THE HONORABLE SAM JONES. 843 00:54:24,200 --> 00:54:46,030 [SHOUTING WITH EXCITEMENT] 844 00:54:46,030 --> 00:54:49,400 MAN (OFFSCREEN)THANKS, PLEASE WELCOME KING FELIX III AND THE 845 00:54:49,400 --> 00:54:50,650 KNIGHTS OF HIS COURT. 846 00:54:58,380 --> 00:55:02,240 -YOU KNOW IF IT'S HISTORICALLY WHITE, OR IF IT'S HISTORICALLY 847 00:55:02,240 --> 00:55:04,160 BLACK, YOU KNOW THEY, THEY KEEP IT THAT WAY BECAUSE 848 00:55:04,160 --> 00:55:06,330 THAT'S JUST HOW IT IS. 849 00:55:06,330 --> 00:55:09,000 BUT IT'S JUST THE WAY TOO FOR MOBILE TO SAY, OK, WELL YEAH, 850 00:55:09,000 --> 00:55:11,640 THERE-- LIKE I SAID THERE IS A BARRIER BECAUSE THESE GROUPS 851 00:55:11,640 --> 00:55:14,130 WERE FOUNDED AS AFRICAN AMERICAN ORGANIZATIONS, OR A 852 00:55:14,130 --> 00:55:19,860 CAUCASIAN ORGANIZATIONS, BUT IT'S NOT A SNOBBISH, OK, WE 853 00:55:19,860 --> 00:55:22,840 CAN'T ASSOCIATE WITH THEM BECAUSE THEY ARE THIS. 854 00:55:22,840 --> 00:55:25,760 IT'S THE WAY FOR PEOPLE TO SEE OH, THEY REALLY DO MINGLE AND 855 00:55:25,760 --> 00:55:28,470 GET ALONG, AND THAT'S ONE OF THE MAJOR REASONS THAT JOSEPH 856 00:55:28,470 --> 00:55:30,680 AND I WANT TO GO TO THE MCA CARNATION. 857 00:55:30,680 --> 00:55:34,260 BECAUSE I THINK WILL BE THE FIRST TIME THAT THE 858 00:55:34,260 --> 00:55:36,210 [INAUDIBLE] KING AND QUEEN HAVE EVER GONE. 859 00:56:01,230 --> 00:56:02,220 -THIS IS SO HEAVY. 860 00:56:02,220 --> 00:56:04,700 MY MOTHER IS HERE. 861 00:56:04,700 --> 00:56:05,190 THIS IS GOING TO-- 862 00:56:05,190 --> 00:56:06,680 I'M GOING TO FALL OVER BACKWARDS. 863 00:56:06,680 --> 00:56:07,660 -HERE WE GO. 864 00:56:07,660 --> 00:56:10,640 ONE, TWO, THREE. 865 00:56:10,640 --> 00:56:12,820 -MY DRESS IS SEE THROUGH WE JUST FOUND OUT. 866 00:56:12,820 --> 00:56:15,660 SOMEONE'S TRYING TO BRING A SLIP BUT THERE'S A TRAFFIC JAM 867 00:56:15,660 --> 00:56:16,910 ON THE HIGHWAY. 868 00:56:23,790 --> 00:56:25,280 [LAUGHTER] 869 00:56:49,100 --> 00:56:51,960 ANNOUNCER (OFFSCREEN): LADIES AND GENTLEMEN, WELCOME TO THE 870 00:56:51,960 --> 00:56:55,810 103RD CORONATION OF A MOBILE MARDI GRAS QUEEN OF THE 134TH 871 00:56:55,810 --> 00:56:59,360 YEAR OF CARNIVAL IN OUR BELOVED MOBILE, ALABAMA, WHERE 872 00:56:59,360 --> 00:57:01,920 THE AMERICAN MARDI GRAS CARNIVAL BEGAN. 873 00:57:09,670 --> 00:57:15,470 [MUSIC] 874 00:57:15,470 --> 00:57:19,370 ANNOUNCER: HIS ROYAL MAJESTY, KING FELIX III, EMPEROR OF 875 00:57:19,370 --> 00:57:20,820 MIRTH AND JOY. 876 00:57:20,820 --> 00:57:22,760 LORD OF MISRULE. 877 00:57:22,760 --> 00:57:23,560 [INAUDIBLE] 878 00:57:23,560 --> 00:57:24,280 BARRY BRUCKMAN. 879 00:57:24,280 --> 00:57:27,770 [APPLAUSE] 880 00:57:27,770 --> 00:57:33,240 [MUSIC] 881 00:57:33,240 --> 00:57:38,220 ANNOUNCER: KING FELIX IS ATTENDED BY HIS [INAUDIBLE] 882 00:57:38,220 --> 00:57:41,710 AND MASTER JOHN RICHIE MCPHERSON PRINCE, JUNIOR. 883 00:57:54,160 --> 00:58:02,630 [APPLAUSE] 884 00:58:06,110 --> 00:58:07,360 -DAVID COOK. 885 00:58:15,080 --> 00:58:22,050 [MUSIC] 886 00:58:22,050 --> 00:58:24,300 ANNOUNCER: HER GRACIOUS MAJESTY, QUEEN HELEN. 887 00:58:24,300 --> 00:58:28,340 HELEN BEATRICE MEAHER EMPRESS OF CHARM AND BEAUTY. 888 00:58:28,340 --> 00:58:30,810 RULER OF OUR HEARTS. 889 00:58:30,810 --> 00:58:37,240 [APPLAUSE] 890 00:58:37,240 --> 00:58:59,520 [MUSIC] 891 00:58:59,520 --> 00:59:01,010 [CHEERING] 892 00:59:01,010 --> 00:59:06,950 [MUSIC] 893 00:59:06,950 --> 00:59:09,860 ANNOUNCER: LADIES AND GENTLEMEN, PRESENTING KING 894 00:59:09,860 --> 00:59:13,520 ALEXIS I, QUEEN STEPHANIE OF MOBILE AREA MARDI GRAS 895 00:59:13,520 --> 00:59:15,310 ASSOCIATION. 896 00:59:15,310 --> 00:59:19,190 THEY'RE HERE TO GREET KING FELIX AND QUEEN HELEN. 897 00:59:19,190 --> 00:59:22,660 [APPLAUSE] 898 00:59:22,660 --> 00:59:44,480 [MUSIC] 899 00:59:44,480 --> 00:59:46,470 FEMALE NARRATING: THIS WAS THE FIRST TIME EVER IN HISTORY 900 00:59:46,470 --> 00:59:49,640 THAT THE MAMGA KING AND QUEEN EVER ATTENDED THE MCA 901 00:59:49,640 --> 00:59:50,580 CORONATION. 902 00:59:50,580 --> 00:59:52,850 AND THEN, OF COURSE, TO ACTUALLY BE ANNOUNCED AND 903 00:59:52,850 --> 00:59:54,180 CALLED OUT AND HAVE TO WALK OUT. 904 00:59:54,180 --> 00:59:56,250 THAT WAS AMAZING TO ME. 905 00:59:56,250 --> 00:59:58,030 BUT I WAS NERVOUS BECAUSE I DIDN'T THINK WE 906 00:59:58,030 --> 00:59:58,900 WE'RE GOING TO DO THAT. 907 00:59:58,900 --> 01:00:02,530 [MUSIC] 908 01:00:02,530 --> 01:00:04,200 FEMALE NARRATING: I THOUGHT IT WAS SO NICE 909 01:00:04,200 --> 01:00:05,470 THAT THEY DID COME. 910 01:00:05,470 --> 01:00:08,230 AND THEY WERE JUST LIKE, WHEN YOU GET OUT THERE AND RIGHT 911 01:00:08,230 --> 01:00:11,320 AFTER MAX CROWNS YOU, YOU NEED TO TELL HIM THAT-- THAT 912 01:00:11,320 --> 01:00:12,390 THERE'S A CHANGE OF PLANS. 913 01:00:12,390 --> 01:00:15,010 [MUSIC] 914 01:00:15,010 --> 01:00:18,620 MALE NARRATING: AS SOON AS MR. COOPER FOUND OUT, YOU KNOW, 915 01:00:18,620 --> 01:00:22,470 HEY, WE GOT THE MAMGA KING AND QUEEN IN HERE, IT WAS LIKE 916 01:00:22,470 --> 01:00:25,430 EVERYTHING AROUND US CHANGED. 917 01:00:25,430 --> 01:00:26,400 GIVE THEM ANYTHING THEY WANT. 918 01:00:26,400 --> 01:00:27,970 AND, I MEAN, HE SAID THAT. 919 01:00:27,970 --> 01:00:33,690 HE REALLY MEANT IT TO WHERE HE EVEN ASSIGNED A WAITER TO US. 920 01:00:33,690 --> 01:00:38,760 FOR THEM TO INCLUDE US IN THEIR CORONATION-- 921 01:00:38,760 --> 01:00:40,680 HE DIDN'T HAVE TO DO THAT. 922 01:00:40,680 --> 01:00:42,420 HE REALLY DIDN'T. 923 01:00:42,420 --> 01:00:45,550 THEY KIND OF GAVE US THE CUES OF WHERE TO STOP 924 01:00:45,550 --> 01:00:47,090 AND WHERE TO WAVE. 925 01:00:47,090 --> 01:00:50,590 AND WE KNEW THAT THERE WAS THE PARENTS OF THE KING AND QUEEN 926 01:00:50,590 --> 01:00:51,260 AND THEIR FAMILIES. 927 01:00:51,260 --> 01:00:53,700 SO WE STOPPED THERE AND WE CAME AROUND. 928 01:00:53,700 --> 01:00:56,100 AND JUST TO SEE THE PEOPLE APPLAUD AND STANDING UP AND 929 01:00:56,100 --> 01:00:59,870 ALL HAIL THE KING ALEXIS AND-- 930 01:00:59,870 --> 01:01:01,780 AND QUEEN STEPHANIE. 931 01:01:01,780 --> 01:01:03,890 IT WAS VERY SPECIAL. 932 01:01:03,890 --> 01:01:22,280 [BACKGROUND NOISES] 933 01:01:22,280 --> 01:01:22,760 FEMALE NARRATING: MTR. 934 01:01:22,760 --> 01:01:26,410 COOPER TOLD US THAT WE GOT THE BIGGEST OVATION BECAUSE IT WAS 935 01:01:26,410 --> 01:01:29,240 JUST A SHOCK FOR THEM FOR US TO EVEN BE THERE. 936 01:01:29,240 --> 01:01:30,220 -YOU KNOW. 937 01:01:30,220 --> 01:01:32,630 LIKE YOU WOULD DO AT YOUR HOME IF A GUEST ARRIVED. 938 01:01:32,630 --> 01:01:35,190 YOU MAKE THEM FEEL WELCOME. 939 01:01:35,190 --> 01:01:37,170 AND I DON'T KNOW A BETTER WAY TO MAKE THEM FEEL WELCOME ON 940 01:01:37,170 --> 01:01:40,340 BUT TO INTRODUCE THEM TO ENTIR-- 941 01:01:40,340 --> 01:01:41,290 ENTIRE AUDIENCE. 942 01:01:41,290 --> 01:01:42,080 AND-- 943 01:01:42,080 --> 01:01:42,970 AND I DIDN'T KNOW. 944 01:01:42,970 --> 01:01:48,470 BUT I FELT VERY SURE, I FELT VERY SURE THAT THEIR RECEPTION 945 01:01:48,470 --> 01:01:50,020 WOULD BE THAT WAY. 946 01:01:50,020 --> 01:01:52,230 IT'S MOBILE 2007. 947 01:01:52,230 --> 01:01:53,990 THOSE DAYS ARE GONE. 948 01:02:26,820 --> 01:02:29,570 -THERE WAS A TIME NOT VERY LONG AGO WHEN THAT WOULD HAVE 949 01:02:29,570 --> 01:02:32,550 ABSOLUTELY NEVER OCCURRED. 950 01:02:32,550 --> 01:02:33,600 THEN AGAIN, THE WHOLE COURT DIDN'T GO. 951 01:02:33,600 --> 01:02:34,380 YOU KNOW WHAT I MEAN? 952 01:02:34,380 --> 01:02:35,920 BECAUSE I THINK THAT-- IT'S NOT-- THEY'RE NOT 953 01:02:35,920 --> 01:02:36,410 READY FOR THAT YET. 954 01:02:36,410 --> 01:02:40,290 THEY'RE NOT READY FOR THE COURT OF ONE TO VISIT THE-- 955 01:02:40,290 --> 01:02:42,060 THE BALL OF THE OTHER. 956 01:02:42,060 --> 01:02:45,470 -THANK YOU SO MUCH FOR COMING. 957 01:02:45,470 --> 01:02:52,770 [BACKGROUND NOISES] 958 01:02:52,770 --> 01:02:55,430 FEMALE NARRATING: I HOPE IT ENCOURAGES THE KING-- 959 01:02:55,430 --> 01:02:58,150 MAMGA'S KING AND QUEEN TO GO EVERY YEAR. 960 01:02:58,150 --> 01:03:00,300 AND MAYBE AT SOME POINT-- 961 01:03:00,300 --> 01:03:00,730 I DON'T KNOW. 962 01:03:00,730 --> 01:03:03,520 I THINK THEY HAVE SOMETHING TO DO ON THE SUNDAY NIGHT. 963 01:03:03,520 --> 01:03:03,940 BUT I DON'T KNOW. 964 01:03:03,940 --> 01:03:06,160 MAYBE AT SOME POINT THEY'LL BE ABLE TO COME TO THE MAMGA 965 01:03:06,160 --> 01:03:07,810 CORONATION. 966 01:03:07,810 --> 01:03:08,370 I DON'T KNOW WHO. 967 01:03:08,370 --> 01:03:09,730 MAYBE. 968 01:03:09,730 --> 01:03:11,030 I DON'T KNOW. 969 01:03:11,030 --> 01:03:38,310 [BACKGROUND NOISES] 970 01:03:38,310 --> 01:03:49,280 [LAUGHTER] 971 01:03:49,280 --> 01:03:50,360 -THERE'S IS GORGEOUS. 972 01:03:50,360 --> 01:03:50,980 BUT IT'S-- 973 01:03:50,980 --> 01:03:52,820 IT'S NOT AS FORMAL AS OURS. 974 01:03:52,820 --> 01:03:53,300 IT'S KIND OF IN-- 975 01:03:53,300 --> 01:03:55,100 I DON'T WANT TO SAY INFORMAL. 976 01:03:55,100 --> 01:03:56,860 BUT LIKE THE KNIGHTS AND STUFF, THEY BE UP THERE WITH 977 01:03:56,860 --> 01:03:57,370 THEIR LADY. 978 01:03:57,370 --> 01:04:00,190 AND YOU KNOW, THEY KINDA BE TALKING AND-- 979 01:04:00,190 --> 01:04:03,210 -NO WAY. 980 01:04:03,210 --> 01:04:04,010 -UH UH. 981 01:04:04,010 --> 01:04:05,620 NOT STANDING UP THERE. 982 01:04:05,620 --> 01:04:06,590 OH, SHE REAL QUIET. 983 01:04:06,590 --> 01:04:06,970 SHE'S SWEET THOUGH. 984 01:04:06,970 --> 01:04:08,720 SHE REAL QUIET. 985 01:04:08,720 --> 01:04:09,970 ANNOUNCER: [INAUDIBLE] 986 01:04:14,210 --> 01:04:17,200 SON OF MR. [INAUDIBLE] 987 01:04:17,200 --> 01:04:18,200 JONES. 988 01:04:18,200 --> 01:04:23,690 [MUSIC] 989 01:04:23,690 --> 01:04:26,180 [APPLAUSE] 990 01:04:26,180 --> 01:04:29,180 ANNOUNCER: LADIES AND GENTLEMEN, PRESENTING THE 991 01:04:29,180 --> 01:04:32,910 KNIGHTS OF THE 67TH PRESENTATION OF THE MOBILE 992 01:04:32,910 --> 01:04:34,860 AREA MARDI GRAS ASSOCIATION. 993 01:04:34,860 --> 01:04:41,710 [MUSIC] 994 01:04:41,710 --> 01:04:46,380 ANNOUNCER: PRESENTING KING ALEXIS I. KING OF THE 67TH 995 01:04:46,380 --> 01:04:52,280 PRESENTATION OF THE MOBILE AREA MARDI GRAS ASSOCIATION. 996 01:04:52,280 --> 01:04:57,420 HIS ROYAL HIGHNESS , KING JOSEPH JERMAINE ROBESON. 997 01:04:57,420 --> 01:05:24,470 [MUSIC] 998 01:05:24,470 --> 01:05:30,910 [MUSIC] 999 01:05:30,910 --> 01:05:33,910 ANNOUNCER: LADIES AND GENTLEMEN, HER GRACIOUS 1000 01:05:33,910 --> 01:05:39,420 MAJESTY, QUEEN STEPHANIE [INAUDIBLE]. 1001 01:05:39,420 --> 01:05:44,800 [MUSIC] 1002 01:05:44,800 --> 01:05:50,700 [APPLAUSE] 1003 01:05:50,700 --> 01:05:54,150 [MUSIC] 1004 01:05:54,150 --> 01:05:57,590 [APPLAUSE] 1005 01:05:57,590 --> 01:06:04,970 [MUSIC] 1006 01:06:04,970 --> 01:06:07,430 [BACKGROUND NOISES] 1007 01:06:07,430 --> 01:06:08,470 -IT'S OK. 1008 01:06:08,470 --> 01:06:09,380 THESE ARE SOME BRAND NEW SHOES. 1009 01:06:09,380 --> 01:06:11,210 THESE ARE BEING THROWN AWAY. 1010 01:06:11,210 --> 01:06:12,110 -OH, HERE THEY GO. 1011 01:06:12,110 --> 01:06:14,160 I TOOK THEM OFF OF MY FEET. 1012 01:06:14,160 --> 01:06:15,160 MALE SPEAKER (OFFSCREEN): GOT IT. 1013 01:06:15,160 --> 01:06:17,820 NOW HOLD WHERE YOU ARE. 1014 01:06:17,820 --> 01:06:19,300 [CAMERA BEEPING] 1015 01:06:19,300 --> 01:06:24,720 [MUSIC] 1016 01:06:24,720 --> 01:06:30,640 [BACKGROUND NOISES] 1017 01:06:30,640 --> 01:06:33,100 -THERE'S SOMETHING GOING ON RIGHT HERE. 1018 01:06:33,100 --> 01:06:43,450 [BACKGROUND NOISES] 1019 01:06:43,450 --> 01:06:44,350 -HEY, GOOD TO SEE YOU AGAIN. 1020 01:06:44,350 --> 01:06:45,510 -THINGS ARE GREAT. 1021 01:06:45,510 --> 01:06:45,900 GREAT. 1022 01:06:45,900 --> 01:06:47,240 IT'S WONDERFUL TO SEE YOU AGAIN. 1023 01:06:47,240 --> 01:06:48,190 -YOU TOO. 1024 01:06:48,190 --> 01:06:49,630 HOW YOU DOING? 1025 01:06:49,630 --> 01:06:51,060 -DOING GREAT. 1026 01:06:51,060 --> 01:06:52,010 CONGRATS. 1027 01:06:52,010 --> 01:06:52,500 -YEAH. 1028 01:06:52,500 --> 01:06:53,070 -HI, AGAIN. 1029 01:06:53,070 --> 01:06:53,740 HOW ARE Y'ALL? 1030 01:06:53,740 --> 01:06:53,990 -GOOD. 1031 01:06:53,990 --> 01:06:54,390 HOW ARE YOU? 1032 01:06:54,390 --> 01:06:54,670 -GOOD. 1033 01:06:54,670 --> 01:06:55,920 ARE Y'ALL READY FOR THIS? 1034 01:06:55,920 --> 01:06:56,360 -YEAH. 1035 01:06:56,360 --> 01:06:57,230 WE'RE READY. 1036 01:06:57,230 --> 01:06:59,010 -NOT NERVOUS OR ANYTHING? 1037 01:06:59,010 --> 01:07:01,690 -WE JUST DID THE CORONATION SO I'M GOOD NOW. 1038 01:07:01,690 --> 01:07:04,180 ANNOUNCER: ALL RIGHT, PUT YOUR HANDS 1039 01:07:04,180 --> 01:07:06,160 TOGETHER FOR THE COMRADES. 1040 01:07:06,160 --> 01:07:09,640 YOU GONNA HAVE A MARDI GRAS PARTY UP IN HERE TONIGHT. 1041 01:07:09,640 --> 01:07:11,630 GRAB THE UMBRELLAS. 1042 01:07:11,630 --> 01:07:14,610 BECAUSE WE'RE ABOUT TO GET REAL BUSY. 1043 01:07:14,610 --> 01:07:43,940 [MUSIC] 1044 01:07:43,940 --> 01:07:45,820 MALE NARRATING: I'VE BEEN GOING TO THE COMRADES BALL 1045 01:07:45,820 --> 01:07:47,720 SINCE 2004. 1046 01:07:47,720 --> 01:07:51,890 AND OUR YEAR, THIS IS THE FIRST TIME WHERE THE MCA KING 1047 01:07:51,890 --> 01:07:54,750 AND QUEEN AND THE MAMGA KING AND QUEEN 1048 01:07:54,750 --> 01:07:56,010 INTERACTED LIKE THAT . 1049 01:07:56,010 --> 01:07:57,400 I MEAN MINGLED IN THE CROWD. 1050 01:07:57,400 --> 01:07:59,190 TOOK PICTURES WITH PEOPLE. 1051 01:07:59,190 --> 01:08:00,220 DANCING TOGETHER. 1052 01:08:00,220 --> 01:08:00,650 WALK TOGETHER. 1053 01:08:00,650 --> 01:08:03,990 LIKE, WE ACTUALLY MINGLED. 1054 01:08:03,990 --> 01:08:06,000 MALE NARRATING: I DON'T THINK WE WERE SUPPOSED TO DO THAT. 1055 01:08:06,000 --> 01:08:08,500 BUT WE KINDA JUST GOT CARRIED AWAY WITH IT. 1056 01:08:08,500 --> 01:08:10,670 -I FELT LIKE A ROCK STAR. 1057 01:08:10,670 --> 01:08:13,130 I FELT LIKE I WAS UP THERE LIKE AT A CONCERT. 1058 01:08:13,130 --> 01:08:16,880 -HE KEPT ASKING ME WHILE WE WERE DANCING, HE WAS LIKE, 1059 01:08:16,880 --> 01:08:17,940 THIS IS THE BEST. 1060 01:08:17,940 --> 01:08:19,370 DO Y'ALL DO THIS ALL THE TIME? 1061 01:08:19,370 --> 01:08:22,720 [MUSIC] 1062 01:08:22,720 --> 01:08:25,070 MALE NARRATING: I THINK IF--IF THERE WAS ANYTHING, YOU KNOW, 1063 01:08:25,070 --> 01:08:26,000 TO HELP, YOU KNOW-- 1064 01:08:26,000 --> 01:08:28,850 I HATE TO SAY THE WORD BRING IT TOGETHER BECAUSE IT-- IT 1065 01:08:28,850 --> 01:08:30,340 IMPLIES THEY'RE MORE SEGREGATED THAN I 1066 01:08:30,340 --> 01:08:31,560 THINK THAT THEY ARE. 1067 01:08:31,560 --> 01:08:35,090 I JUST THINK PEOPLE TEND TO CHOOSE TO GO SPEND TIME WITH 1068 01:08:35,090 --> 01:08:36,560 WHAT THEIR FAMILIES HAVE BEEN DOING FOR 1069 01:08:36,560 --> 01:08:37,940 GENERATIONS AND YEARS. 1070 01:08:37,940 --> 01:08:39,200 AND THAT'S JUST WHAT THEY CHOOSE TO DO. 1071 01:08:39,200 --> 01:08:41,790 BUT IT WOULD BE GREAT IF YOU COULD GET MORE PEOPLE TO GO TO 1072 01:08:41,790 --> 01:08:44,060 THE COMRADES BECAUSE THEY'D LOVE IT. 'CAUSE IT'S SUCH AN 1073 01:08:44,060 --> 01:08:44,720 EYE OPENER. 1074 01:08:44,720 --> 01:08:46,020 IT'S SUCH A GREAT PARTY. 1075 01:09:16,490 --> 01:09:17,950 -[INAUDIBLE], COME ON. 1076 01:09:17,950 --> 01:09:19,410 WE GOTTA TAKE A PICTURE. 1077 01:09:19,410 --> 01:09:20,380 -THANK YOU. 1078 01:09:20,380 --> 01:09:21,840 YOU LOOK GOOD TOO. 1079 01:09:25,240 --> 01:09:28,580 MALE NARRATING: I THINK THE SEPARATION IS MORE SO TO 1080 01:09:28,580 --> 01:09:32,270 PRESERVE OUR OWN PERSPECTIVES ON MARDI GRAS. 1081 01:09:32,270 --> 01:09:35,410 BUT WE SHOULD STILL HAVE SOME TYPE OF ACTIVITY WHERE BOTH 1082 01:09:35,410 --> 01:09:38,530 COURTS AND BOTH ORGANIZATIONS CAN REALLY GET TO KNOW EACH 1083 01:09:38,530 --> 01:09:42,910 OTHER AND-- AND NOT JUST BE THE FOCAL POINTS OF MARDI GRAS 1084 01:09:42,910 --> 01:09:46,430 AND JUST SEE EACH OTHER AT THE COMRADES BALL AND THAT BE IT. 1085 01:09:46,430 --> 01:09:49,760 I THINK IT'S-- IT'S A LOT OF TIME TIL WHEN WE CAN SIT DOWN 1086 01:09:49,760 --> 01:09:51,560 AND BREAK BREAD WITH ONE ANOTHER AND FIND OUT A LITTLE 1087 01:09:51,560 --> 01:09:52,810 BIT MORE ABOUT EACH OTHER. 1088 01:10:18,170 --> 01:10:23,650 [MUSIC] 1089 01:10:23,650 --> 01:10:29,900 MALE NARRATING: I THINK THAT IF I WAS TO SEE THEM LIKE A 1090 01:10:29,900 --> 01:10:32,370 MONTH OR SO FROM NOW, THEY'LL REMEMBER WHO I AM. 1091 01:10:32,370 --> 01:10:34,000 AND, HEY, TUTU. 1092 01:10:34,000 --> 01:10:39,960 SO NEXT YEAR I WILL MOST DEFINITELY BE ATTENDING SOME 1093 01:10:39,960 --> 01:10:41,880 MORE MCA EVENTS. 1094 01:10:41,880 --> 01:10:49,360 [BACKGROUND NOISES] 1095 01:10:49,360 --> 01:11:23,300 [MARCHING BAND] 1096 01:11:23,300 --> 01:11:24,290 -IT'S MAMGA FITTING TO COME. 1097 01:11:24,290 --> 01:11:26,500 Y'ALL BETTER TURN AROUND AND GO BACK UP THERE. 1098 01:11:26,500 --> 01:11:27,960 -WHY? 1099 01:11:27,960 --> 01:11:29,460 -IT'S THE BLACK PARADE. 1100 01:11:29,460 --> 01:11:30,630 IT'S OUR TIME. 1101 01:11:30,630 --> 01:11:34,080 Y'ALL GONNA MISS THE BIG BOOM BOOM. 1102 01:11:34,080 --> 01:11:37,540 Y'ALL BETTER PACK HER UP AND COME ON UP HERE. 1103 01:11:37,540 --> 01:11:37,750 -[INAUDIBLE] 1104 01:11:37,750 --> 01:11:39,250 -Y'ALL AIN'T GOT ENOUGH GOING ON HERE. 1105 01:11:39,250 --> 01:11:56,210 [MUSIC] 1106 01:11:56,210 --> 01:12:08,190 [BACKGROUND NOISES] 1107 01:12:08,190 --> 01:12:35,140 [MARCHING BAND] 1108 01:12:35,140 --> 01:12:43,620 [CHEERING] 1109 01:12:43,620 --> 01:12:54,100 [MARCHING BAND] 1110 01:12:54,100 --> 01:12:58,700 [CHEERING] 1111 01:12:58,700 --> 01:12:59,980 -MY NAME IS DE ANDRA BAILEY. 1112 01:12:59,980 --> 01:13:04,100 MY FAVORITE THING ABOUT THE FIFTH GRADE WAS I GOT TO BE IN 1113 01:13:04,100 --> 01:13:05,970 THE CLASS WITH THE REAL QUEEN OF MARDI GRAS. 1114 01:13:05,970 --> 01:13:07,870 I WENT TO THE CORONATION AND WATCHED HER BE 1115 01:13:07,870 --> 01:13:09,120 THE QUEEN SHE IS. 1116 01:13:13,400 --> 01:13:17,080 MALE NARRATING: WHEN MY DAUGHTER WAS QUEEN, THEY, UH-- 1117 01:13:17,080 --> 01:13:19,840 CAME TO THE HOUSE AND PRESENTED THAT TO HER. 1118 01:13:19,840 --> 01:13:20,980 AND YOU CAN SEE WHAT IT SAYS. 1119 01:13:20,980 --> 01:13:27,580 THE CORONATION COMMITTEE OF THE CARNIVAL ASSOCIATION FOR 1120 01:13:27,580 --> 01:13:29,360 QUEEN MARGARET WILSON LUCE. 1121 01:13:33,830 --> 01:13:35,320 UH-- 1122 01:13:35,320 --> 01:13:39,560 YOU'RE GRANDMAMA HAD HER HANDS FULL GETTING IT ALL DONE. 1123 01:13:39,560 --> 01:13:42,320 AND WE HAD A LOT OF FUN WITH IT. 1124 01:13:42,320 --> 01:13:44,430 THE NIGHT-- 1125 01:13:44,430 --> 01:13:48,660 THE NIGHT THEY CAME BY TO PICK HER UP THEY COME-- THEY COME 1126 01:13:48,660 --> 01:13:51,430 IN A BUS WITH ALL THE LADIES ON THE BUS. 1127 01:13:51,430 --> 01:13:54,640 SO I'D SET UP TABLES IN THE FRONT YARD. 1128 01:13:54,640 --> 01:13:56,450 HAD A HELL OF A PARTY OUT THERE. 1129 01:13:56,450 --> 01:13:59,810 [LAUGHTER] 1130 01:13:59,810 --> 01:14:03,360 YOU KNOW, IT WAS A GOOD SPIRIT. 1131 01:14:03,360 --> 01:14:07,640 IT DEVELOPED INTO A FUN TIME. 1132 01:14:07,640 --> 01:14:10,830 I MEAN, OH, YOU CAN MAKE SOMETHING BAD OUT OF ANYTHING. 1133 01:14:10,830 --> 01:14:12,650 I MEAN-- 1134 01:14:12,650 --> 01:14:14,350 AND THE SPIRIT OF MARDI GRAS'S FUN. 1135 01:14:14,350 --> 01:14:26,220 [MUSIC] 1136 01:14:26,220 --> 01:14:28,240 -GOOD AFTERNOON, EVERYBODY, AND WELCOME TO THE 140TH 1137 01:14:28,240 --> 01:14:32,400 ANNUAL CELEBRATION OF THE ORDER OF MYTHS. 1138 01:14:32,400 --> 01:14:35,150 WE ARE THE OLDEST CONTINUALLY PARADING 1139 01:14:35,150 --> 01:14:37,370 MYSTIC SOCIETY IN EXISTENCE. 1140 01:14:37,370 --> 01:14:42,600 [MUSIC] 1141 01:14:42,600 --> 01:14:44,720 MALE NARRATING: I KNOW THAT THERE'S A TIME, THERE'S A 1142 01:14:44,720 --> 01:14:45,570 PLACE FOR CHANGE. 1143 01:14:45,570 --> 01:14:47,390 AND I'M NOT TRYING TO SHUN THAT. 1144 01:14:47,390 --> 01:14:48,990 BUT I DON'T THINK ANYTHING NEEDS TO BE 1145 01:14:48,990 --> 01:14:49,960 FORCED ON IT RIGHT NOW. 1146 01:14:49,960 --> 01:14:52,730 YOU KNOW, IT'S WORKED WELL FOR YEARS FOR--FOR 100 YEARS. 1147 01:14:52,730 --> 01:14:55,170 THERE'S ALWAYS GOING TO BE PROBLEMS WITH ANY LARGE EVENT. 1148 01:14:55,170 --> 01:14:56,770 THERE ARE ALWAYS GOING TO BE PEOPLE WHO 1149 01:14:56,770 --> 01:14:58,930 HAVE ISSUES WITH ANYTHING. 1150 01:14:58,930 --> 01:14:59,730 THAT'S-- 1151 01:14:59,730 --> 01:15:01,410 YOU KNOW, YOU CAN'T AVOID THAT. 1152 01:15:01,410 --> 01:15:02,480 NO MATTER WHAT YOU DO. 1153 01:15:02,480 --> 01:15:05,660 BUT MY OPINION, NOTHING NEEDS TO CHANGE. 1154 01:15:05,660 --> 01:15:15,600 [BACKGROUND NOISES] 1155 01:15:15,600 --> 01:15:30,010 [CHEERING] 1156 01:15:30,010 --> 01:15:38,460 [BACKGROUND NOISES] 1157 01:15:38,460 --> 01:16:03,810 [MUSIC] 1158 01:16:07,400 --> 01:16:11,120 -I WILL TELL YOU SOMETHING THAT I WILL NOT 1159 01:16:11,120 --> 01:16:12,940 PERMIT YOU TO RECORD. 1160 01:16:12,940 --> 01:16:15,920 FEMALE SPEAKER (OFFSCREEN): OK. 1161 01:16:15,920 --> 01:18:26,880 [MUSIC] 82054

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