Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,490 --> 00:00:15,780
[CROWD MURMURING]
2
00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX
3
00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX
4
00:00:15,780 --> 00:00:16,760
MAN (OFFSCREEN): WATCH
THE [INAUDIBLE]!
5
00:00:16,760 --> 00:00:17,750
WATCH THE [INAUDIBLE]!
6
00:00:17,750 --> 00:00:21,200
THAT STUFF BURN YOUR HAND
BOY YOU'LL BE TOO DIZZY.
7
00:00:21,200 --> 00:00:22,680
THAT STUFF BURN BOY.
8
00:00:27,120 --> 00:00:31,310
MAN (OFFSCREEN): THERE'S LOTS
OF TRADITIONS TO MARDI GRAS.
9
00:00:31,310 --> 00:00:34,600
EACH PARADE HAS AN EMBLEM FLOAT
THAT'S THE SAME EVERY
10
00:00:34,600 --> 00:00:41,020
YEAR, LIKE THE DOUBLE M'S
HAS THE BROKEN COLUMN.
11
00:00:41,020 --> 00:00:43,170
LOT OF PEOPLE SAY IT'S A
BROKEN COLUMN OF THE
12
00:00:43,170 --> 00:00:44,330
CONFEDERACY.
13
00:00:44,330 --> 00:00:48,300
I DON'T KNOW THAT RIGHT OR NOT
BUT THERE ARE A LOT OF
14
00:00:48,300 --> 00:00:52,090
THEORIES OF WHY WE HAVE
A BROKEN COLUMN.
15
00:00:52,090 --> 00:00:55,520
ON THAT FLOW RIDES
FOLLY AND DEATH.
16
00:00:55,520 --> 00:00:59,600
FOLLY CHASES DEATH AROUND THE
COLUMN ALL THROUGH THE PARADE,
17
00:00:59,600 --> 00:01:07,150
BEATS HIM WITH A BLOWN
UP PIG BLADDER.
18
00:01:07,150 --> 00:01:14,490
IT'S THE OLD SPIRIT OF FOLLY
DRIVING DEATH OUT SO THE PARTY
19
00:01:14,490 --> 00:01:24,770
CAN COMMENCE AND OUR BLACK
FRIENDS CALL IT
20
00:01:24,770 --> 00:01:26,150
DEVIL AROUND THE POST.
21
00:01:26,150 --> 00:01:56,370
[CROWD CHEERING]
22
00:01:56,370 --> 00:01:57,850
-ABOUT SEVEN MORE MINUTES.
23
00:01:57,850 --> 00:02:04,750
[CROWD MURMURING]
24
00:02:04,750 --> 00:02:05,760
MAY I HAVE EVERYBODY'S
ATTENTION?
25
00:02:05,760 --> 00:02:07,090
FIRST OF ALL, I'D
LIKE TO WELCOME
26
00:02:07,090 --> 00:02:08,230
ALL OF YOU HERE TONIGHT.
27
00:02:08,230 --> 00:02:11,620
ON BEHALF OF MYSELF AND THE
RECEPTION COMMITTEE, GIRLS, I
28
00:02:11,620 --> 00:02:13,670
CANNOT TELL YOU HOW EXCITED
WE ARE FOR YOU ALL.
29
00:02:13,670 --> 00:02:16,010
YOU'RE ALL GORGEOUS AND TONIGHT
IS ABOUT YOU ALL AND
30
00:02:16,010 --> 00:02:18,590
WE'RE HERE TO SERVE YOU ALL
AND MAKE SURE YOU HAVE THE
31
00:02:18,590 --> 00:02:19,840
TIME OF YOUR LIFE.
32
00:03:32,600 --> 00:03:39,990
[MUSIC PLAYS]
33
00:03:39,990 --> 00:04:10,020
[AUDIENCE LAUGHS]
34
00:04:10,020 --> 00:04:16,820
-THIS HERE HAS GOT TO BE IN
ACCORDANCE WITH YOUR CROWN.
35
00:04:16,820 --> 00:04:18,070
-RIGHT.
36
00:04:21,180 --> 00:04:22,630
-NOW, JUST LOOK STRAIGHT
HELEN--
37
00:04:22,630 --> 00:04:23,080
-OKAY.
38
00:04:23,080 --> 00:04:24,330
---AND I'LL GET IT BACK.
39
00:04:26,660 --> 00:04:27,400
GOOD.
40
00:04:27,400 --> 00:04:28,370
-GOOD.
41
00:04:28,370 --> 00:04:31,270
-OKAY.
42
00:04:31,270 --> 00:04:32,520
DOWN.
43
00:04:35,630 --> 00:04:38,180
MAINLY WHAT WE'VE BEEN WORKING
WITH IS TRYING TO GET THE
44
00:04:38,180 --> 00:04:42,290
RIGHT PROPORTION FOR HELEN
BECAUSE ONE THING SHE'S TALL,
45
00:04:42,290 --> 00:04:43,900
WHICH IS WONDERFUL, YOU KNOW?
46
00:04:43,900 --> 00:04:46,280
SHE'S GOT THE HEIGHT AND WE
DON'T WANT TO CUT THAT DOWN
47
00:04:46,280 --> 00:04:47,530
THAT'S FOR SURE.
48
00:04:54,900 --> 00:04:57,340
-ADJUST THAT.
49
00:04:57,340 --> 00:05:02,630
THIS IS, KIND OF HAS AN
ARGENTINE FLAIR TO IT.
50
00:05:02,630 --> 00:05:08,520
KING PERON OF ARGENTINA
AND KING JOSEPH KIND
51
00:05:08,520 --> 00:05:11,430
OF LIKED HIS FLAIR.
52
00:05:11,430 --> 00:05:14,430
-I'M GOING TO CROWN
THIS YOUNG LADY.
53
00:05:14,430 --> 00:05:17,210
AND LET'S SEE IF IT'S NOT A
LITTLE BIT MORE COMFORTABLE.
54
00:05:17,210 --> 00:05:18,510
OH BOY!
55
00:05:18,510 --> 00:05:19,770
-THAT'S BETTER, YEAH.
56
00:05:19,770 --> 00:05:23,940
THE QUEEN WILL BECOME AN ACTRESS
THAT NIGHT AND THIS
57
00:05:23,940 --> 00:05:30,180
EVENT WOULD BE MORE INSPIRED
THAN ANY BROADWAY SHOW.
58
00:05:30,180 --> 00:05:31,620
-GOOD MORNING.
59
00:05:31,620 --> 00:05:33,060
GOOD MORNING.
60
00:05:33,060 --> 00:05:37,380
-GOOD MORNING HOW ARE YOU
DOING YOU LOOK, YOU LOOK
61
00:05:37,380 --> 00:05:37,870
WONDERFUL.
62
00:05:37,870 --> 00:05:38,590
-THANK YOU DEAR.
63
00:05:38,590 --> 00:05:39,480
-DO I NEED TO BOW?
64
00:05:39,480 --> 00:05:40,430
-NOT YET.
65
00:05:40,430 --> 00:05:41,410
-NOT YET?
66
00:05:41,410 --> 00:05:42,390
NOT YET?
67
00:05:42,390 --> 00:05:43,120
OK, OK.
68
00:05:43,120 --> 00:05:47,280
[MUSIC PLAYS]
69
00:05:47,280 --> 00:05:49,790
-GOOD MORNING TEACHERS,
STAFF AND STUDENTS.
70
00:05:49,790 --> 00:05:52,920
WE HAVE A SPECIAL ANNOUNCEMENT
THIS MORNING.
71
00:05:52,920 --> 00:05:57,510
AND THIS ANNOUNCEMENT IS IN THE
FORM OF CONGRATULATIONS TO
72
00:05:57,510 --> 00:06:02,500
TWO OF OUR MOST DISTINGUISHED
FACULTY MEMBERS.
73
00:06:02,500 --> 00:06:06,320
MAYBE YOU DID NOT GET A CHANCE
TO SEE YESTERDAY'S PAPER, BUT
74
00:06:06,320 --> 00:06:09,720
WE HAVE ROYALTY AMONG US.
75
00:06:09,720 --> 00:06:11,710
-IN YOU ALL HEARD MY GRANDMOTHER
ON THE PHONE SO
76
00:06:11,710 --> 00:06:13,330
YOU ALL KNOW SHE CAN TALK.
77
00:06:13,330 --> 00:06:18,100
SHE WASN'T A SLAVE BUT THEY
HAD A COTTON FARM, HER
78
00:06:18,100 --> 00:06:21,650
GRANDFATHER AND HIS CHILDREN HAD
A COTTON FARM AND SHE HAD
79
00:06:21,650 --> 00:06:22,780
TO PICK COTTON.
80
00:06:22,780 --> 00:06:25,030
AND SHE SAID THAT SHE WAS
GOING TO TAKE HER
81
00:06:25,030 --> 00:06:26,600
GRANDCHILDREN OUT THERE
ONE DAY AND TEACH
82
00:06:26,600 --> 00:06:28,190
US HOW TO PICK COTTON.
83
00:06:28,190 --> 00:06:29,550
I'M NOT GOING.
84
00:06:29,550 --> 00:06:31,490
I DON'T WANT TO LEARN.
85
00:06:31,490 --> 00:06:32,460
I'M NOT INTERESTED.
86
00:06:32,460 --> 00:06:33,250
[PA SYSTEM SOUNDS]
87
00:06:33,250 --> 00:06:34,500
-YES?
88
00:06:38,310 --> 00:06:39,670
NO KING ROBERSON IS NOT.
89
00:06:52,600 --> 00:06:53,740
-PLEASE JOIN US IN HERE.
90
00:06:53,740 --> 00:06:58,330
WE'RE VERY EXCITED TO BE HERE
TONIGHT TO HONOR THE 2007 KING
91
00:06:58,330 --> 00:06:59,700
AND QUEEN OF CARNIVAL.
92
00:06:59,700 --> 00:07:04,870
-ISN'T IT PERFECT FOR MOBILE
TONIGHT TO HONOR THE GREATEST
93
00:07:04,870 --> 00:07:09,090
HONOR THAT WE CAN BESTOW
ON ANY ONE IN
94
00:07:09,090 --> 00:07:11,510
MOBILE, QUEEN OF CARNIVAL.
95
00:07:11,510 --> 00:07:15,910
WE KNOW THAT YOU REPRESENT OUR
CITY, YOU REPRESENT YOUR
96
00:07:15,910 --> 00:07:19,480
FAMILY, YOU REPRESENT THE
CARNIVAL ASSOCIATION, BUT MORE
97
00:07:19,480 --> 00:07:23,270
IMPORTANTLY, YOU REPRESENT THE
NEW GENERATION OF MEAHERS AND
98
00:07:23,270 --> 00:07:25,210
LIONSES FROM MOBILE.
99
00:07:25,210 --> 00:07:27,930
WE ARE HONORED TO HAVE
YOU QUEEN HELEN.
100
00:07:27,930 --> 00:07:28,790
-THANK YOU.
101
00:07:28,790 --> 00:07:30,040
ALL: CHEERS!
102
00:07:31,930 --> 00:07:35,190
-MAX, YOU AND YOUR FAMILY ARE
CERTAINLY NO STRANGERS TO
103
00:07:35,190 --> 00:07:40,180
CARNIVAL AS WELL, AND HERE YOU
ARE NOW, LORD OF MISRULE.
104
00:07:40,180 --> 00:07:42,700
LADIES AND GENTLEMEN I ASK THAT
YOU LIFT YOUR GLASS TO
105
00:07:42,700 --> 00:07:48,100
KING FELIX III 2007, MONARCH OF
MERRIMENT, LORD OF MISRULE,
106
00:07:48,100 --> 00:07:50,700
PAUL, MAX BARRY BRUCKMAN
TO MAX.
107
00:07:50,700 --> 00:07:53,020
ALL: HERE HERE.
108
00:07:53,020 --> 00:07:56,860
-I'D LIKE TO THANK THE CARNIVAL
COMMITTEE FOR
109
00:07:56,860 --> 00:07:58,870
AFFORDING US THIS OPPORTUNITY
WHICH WE ARE SO LOOKING
110
00:07:58,870 --> 00:08:02,000
FORWARD TO IN THE COMING
MONTHS, THE FESTIVITIES
111
00:08:02,000 --> 00:08:05,130
EVERYTHING ELSE, AND THEN
FINALLY I'D LIKE TO PROPOSE A
112
00:08:05,130 --> 00:08:07,540
TOAST TO QUEEN TO BE HELEN.
113
00:08:07,540 --> 00:08:09,250
QUEEN HELEN, HERE HERE.
114
00:08:09,250 --> 00:08:10,500
ALL: HERE HERE.
115
00:08:19,760 --> 00:08:22,070
MAN (OFFSCREEN):
FOR A FEMALE--
116
00:08:22,070 --> 00:08:23,320
-YOU GOT A COMB?
117
00:08:31,440 --> 00:08:35,220
-I FOUND OUT ON APRIL 19TH, SO
I TOLD MY WHOLE FAMILY TWO
118
00:08:35,220 --> 00:08:36,490
DAYS LATER.
119
00:08:36,490 --> 00:08:38,830
THAT'S WHEN I STARTED ASKING ALL
MY FAMILY MEMBERS IF THEY
120
00:08:38,830 --> 00:08:42,420
WANTED TO DO THE COURT AND TELL
THEM THAT I WANTED THEM
121
00:08:42,420 --> 00:08:44,080
TO BE ON THERE WITH ME.
122
00:08:44,080 --> 00:08:48,450
-HE'S STANDING THERE LOOKING
LIKE HIS GRANDDAD.
123
00:08:48,450 --> 00:08:50,890
WILL YOU COME PEEP?
124
00:08:50,890 --> 00:08:53,330
GOD, TALL.
125
00:08:53,330 --> 00:08:54,580
-OW!
126
00:08:58,700 --> 00:09:00,160
MAN (OFFSCREEN): OK,
STAND STRAIGHT UP.
127
00:09:00,160 --> 00:09:03,100
BRING, BRING YOUR
HANDS IN FRON.T
128
00:09:03,100 --> 00:09:06,580
-EVEN THOUGH WE HAVE TWO
DIFFERENT SETS OF KINGS AND
129
00:09:06,580 --> 00:09:10,540
QUEENS, WE'RE ALL, I'M
REPRESENTING THE WHOLE CITY
130
00:09:10,540 --> 00:09:13,380
NOT JUST THE AFRICAN AMERICAN
PROSPECTIVE OF MARDI GRAS,
131
00:09:13,380 --> 00:09:14,630
IT'S THE ENTIRE CITY.
132
00:09:18,360 --> 00:09:22,260
-IF YOU LOOK AT MARDI GRAS YEARS
AGO, YOU FOUND A LOT OF
133
00:09:22,260 --> 00:09:25,220
BLACK GENTLEMAN IN THE PARADE,
BUT THEY WERE CARRYING TORCHES
134
00:09:25,220 --> 00:09:29,250
TO LIGHT THE PARADE AS WELL
AS HUGE LANTERNS THAT WERE
135
00:09:29,250 --> 00:09:32,110
BURNING WITH KEROSENE AND
THAT WAS THE ONLY
136
00:09:32,110 --> 00:09:33,890
PARTICIPATION THEY HAD.
137
00:09:33,890 --> 00:09:36,610
SO THEY WENT FROM THERE TO THEIR
OWN ORGANIZATIONS AND
138
00:09:36,610 --> 00:09:37,860
HERE WE ARE.
139
00:10:06,150 --> 00:10:08,630
-WHEN SHE SAID SHE WAS
GOING TO BE THE QUEEN
140
00:10:08,630 --> 00:10:11,320
I SAID, OH MY GOD.
141
00:10:11,320 --> 00:10:13,060
I SAID THAT'S A LOT OF MONEY.
142
00:10:13,060 --> 00:10:15,440
-EXPENSIVE MONEY.
143
00:10:15,440 --> 00:10:18,400
I'M TELLING YOU IT TAKES, IT
TAKES MONEY YOU KNOW, FOR
144
00:10:18,400 --> 00:10:19,810
THAT, SURE.
145
00:10:19,810 --> 00:10:25,360
-WHEN I HAVE SAVED EVERYTHING
SO IT'S JUST LIKE WORKING
146
00:10:25,360 --> 00:10:26,620
PENNY PINCHING--
147
00:10:26,620 --> 00:10:28,220
NOT REALLY PENNY PINCHING, JUST
PAYING WHAT I HAD TO AND
148
00:10:28,220 --> 00:10:30,630
EVERYTHING ELSE JUST HAD TO GO
TO MARDI GRAS, I JUST COULDN'T
149
00:10:30,630 --> 00:10:32,010
DO ANYTHING ELSE.
150
00:10:32,010 --> 00:10:35,050
IT'S ABOUT A CAR AND HALF--
MAYBE, WELL I WOULD SAY A CAR.
151
00:10:35,050 --> 00:10:43,340
AT THE MINIMUM YOU GOING TO
SPEND A CAR, A NICE 20.
152
00:10:43,340 --> 00:10:45,420
JUST ONE PERSON.
153
00:10:45,420 --> 00:10:48,040
-YOU KNOW, WE HAVE SO MUCH FUN
AT MARDI GRAS, A LOT AS WE
154
00:10:48,040 --> 00:10:52,360
FORGET WHAT BUSINESS IT BRINGS
TO OUR COMMUNITY.
155
00:10:52,360 --> 00:10:56,130
SO IN 2004 WE COMMISSIONED THE
UNIVERSITY OF ALABAMA BUSINESS
156
00:10:56,130 --> 00:10:59,840
SCHOOL TO COME TO MOBILE AND
SPEND A YEAR STUDYING WHAT THE
157
00:10:59,840 --> 00:11:05,400
ACTUAL ECONOMIC IMPACT IS OF
CARNIVAL ON MOBILE YEAR ROUND.
158
00:11:05,400 --> 00:11:07,780
AND WE WERE AMAZED WE
WERE ASTOUNDED.
159
00:11:07,780 --> 00:11:29,170
UH, THE UH, IN 2004 FOR INSTANCE
IT WAS $227 MILLION.
160
00:11:29,170 --> 00:11:31,180
-IT'S INSANE THE AMOUNT
OF MONEY THAT IT
161
00:11:31,180 --> 00:11:33,040
TAKES TO HAND SEW THESE.
162
00:11:33,040 --> 00:11:34,880
IT'S ALL ABOUT THE HAND
SEWING, AND A HAND
163
00:11:34,880 --> 00:11:37,250
CRAFTSMANSHIP.
164
00:11:37,250 --> 00:11:39,520
I GOT TO TELL YOU THIS, THIS
REALLY IS ONE OF MY FAVORITE
165
00:11:39,520 --> 00:11:42,100
THINGS THE WAY THIS MOVES
AND FLOWS THROUGH HERE.
166
00:11:42,100 --> 00:11:46,340
WE HAD DONE SOME SMALL GRAPES
BEFORE, AND THESE BIG ONES
167
00:11:46,340 --> 00:11:48,490
THEY LOOK LIKE TIFFANY
JEWELRY.
168
00:11:48,490 --> 00:11:49,870
I'M PROUD OF THESE.
169
00:11:49,870 --> 00:11:53,350
-SEE THESE ARE THE BRUCKMANS,
THE FAMILY NAME IS BRUCKMAN,
170
00:11:53,350 --> 00:11:56,100
AND THIS IS THEIR ABSOLUTE
FAMILY CREST.
171
00:11:56,100 --> 00:12:00,980
AND IT'S THE BRIDGE
MAN ON THE BRIDGE.
172
00:12:00,980 --> 00:12:03,500
AND IT'S KIND OF FUNNY.
173
00:12:03,500 --> 00:12:08,050
I DO THIS FOR ONE REASON AND
THAT'S TO ASSOCIATE MYSELF AND
174
00:12:08,050 --> 00:12:09,760
GET TO KNOW THESE WONDERFUL
PEOPLE.
175
00:12:09,760 --> 00:12:11,980
I'VE MADE GREAT FRIENDS
DOING THIS.
176
00:12:16,330 --> 00:12:20,110
-I DON'T KNOW EXACTLY HOW THE
SELECTION FOR BEING QUEEN
177
00:12:20,110 --> 00:12:24,280
WORKS BUT I DEFINITELY THINK
THAT MY GRANDMOTHER AS THE
178
00:12:24,280 --> 00:12:28,060
OLDEST LIVING QUEEN HAD
AN INFLUENTIAL PART
179
00:12:28,060 --> 00:12:30,250
FOR ME BEING CHOSEN.
180
00:12:30,250 --> 00:12:33,360
THEY TOLD ME THAT I NEEDED TO
GRACIOUS QUEEN BECAUSE I WAS
181
00:12:33,360 --> 00:12:35,860
REPRESENTING THE WHOLE CITY
IN FRONT OF EVERYONE.
182
00:12:35,860 --> 00:12:38,170
-I WOULD LIKE TO WELCOME ALL
OF YOU ALL HERE TONIGHT.
183
00:12:38,170 --> 00:12:41,560
THIS IS ABOUT THE NINTH ANNUAL
WINE TASTING THAT WE'VE DONE
184
00:12:41,560 --> 00:12:42,840
FOR THE DEBUTANTES.
185
00:12:42,840 --> 00:12:44,790
I WOULD LOVE FOR YOU TO GO
AROUND THE TABLE AND INTRODUCE
186
00:12:44,790 --> 00:12:46,830
YOUR SELVES, BECAUSE WE
GROWN UPS DON'T KNOW
187
00:12:46,830 --> 00:12:48,620
ALL OF YOUNG PEOPLE.
188
00:12:48,620 --> 00:12:50,380
-I'M [INAUDIBLE]
189
00:12:50,380 --> 00:12:52,820
-I'M ZACK WOLF.
190
00:12:52,820 --> 00:12:54,770
-I'M HELEN.
191
00:12:54,770 --> 00:12:56,930
-DEBUTANT, I KNOW IT'S
A FRENCH WORD.
192
00:12:56,930 --> 00:12:59,850
IT'S JUST FOR A YOUNG GIRL AND
IT'S THE TIME IN WHICH SHE'S
193
00:12:59,850 --> 00:13:05,110
MAKING HER INTRODUCTION TO
SOCIETY AND SHE GET MARRIED,
194
00:13:05,110 --> 00:13:07,850
AND SHE'S LIKE READY
TO START A FAMILY.
195
00:13:07,850 --> 00:13:11,400
I DON'T REALLY KNOW WHY MARDI
GRAS IS RELATED TO MAKING YOUR
196
00:13:11,400 --> 00:13:12,510
DEBUT AND EVERYTHING.
197
00:13:12,510 --> 00:13:14,930
YOU KNOW, IT'S JUST A MOBILE
THING AND IT'S
198
00:13:14,930 --> 00:13:17,220
ALWAYS BEEN LIKE THIS.
199
00:13:17,220 --> 00:13:20,940
-I CAN'T DRINK A LOT OF RED WINE
BECAUSE OF THE HISTAMINES
200
00:13:20,940 --> 00:13:25,690
IN IT, AND IT'LL MAKE ME TURN
RED IN THE FACE, AND STOP ME
201
00:13:25,690 --> 00:13:28,920
UP UNLESS I TAKE AN
ANTIHISTAMINE FIRST.
202
00:13:28,920 --> 00:13:35,630
SO AND PARTICULARLY BEING DOWN
HERE IN A HOT CLIMATE MOST OF
203
00:13:35,630 --> 00:13:42,840
THE YEAR I DRINK WHITE
WINE 80% OF THE TIME.
204
00:13:42,840 --> 00:13:45,010
EVEN WITH A STEAK.
205
00:13:45,010 --> 00:13:48,940
-WHAT I'M GOING TO ATTEMPT TO DO
HERE IS I'M GOING TO TAKE A
206
00:13:48,940 --> 00:13:54,930
SMALL AMOUNT OF WINE IN MY MOUTH
AND SUCK IN, DON'T YOU
207
00:13:54,930 --> 00:14:12,180
ALL DO IT YET, AND SUCK IN AIR
OVER IT, AND SWALLOW IT, AND
208
00:14:12,180 --> 00:14:16,100
THEN THINK ABOUT THE SENSATION
THAT'S THE IN YOUR MOUTH,
209
00:14:16,100 --> 00:14:19,400
BECAUSE YOUR MOUTH WILL
BE FILLED WITH FLAVOR.
210
00:14:22,810 --> 00:14:26,200
-I DON'T HEAR ANY SLURPING.
211
00:14:26,200 --> 00:14:32,840
OK, NOW SWALLOW IT, KEEP YOUR
LIPS SHUT AND FEEL THE FLAVOR
212
00:14:32,840 --> 00:14:34,370
JUST EXPAND IN YOUR MOUTH.
213
00:15:34,510 --> 00:15:35,990
MAN (OFFSCREEN):
ONE MORE TIME.
214
00:15:35,990 --> 00:15:37,630
ONE, TWO THREE.
215
00:15:37,630 --> 00:15:39,900
VERY GOOD.
216
00:15:39,900 --> 00:15:41,870
-WHEN I FIRST WENT UP-- MY
PARENTS FIRST WANTED ME TO DO
217
00:15:41,870 --> 00:15:43,220
THIS THE WAS YOU KNOW--
218
00:15:43,220 --> 00:15:44,450
WOMAN (OFFSCREEN): IT'S
NOT YOUR CUP OF TEA.
219
00:15:44,450 --> 00:15:45,420
-NO THIS IS NOT MINE.
220
00:15:45,420 --> 00:15:48,730
I MEAN, I KIND OF LIKE TO MARCH
TO MY OWN BEAT ALWAYS.
221
00:15:48,730 --> 00:15:53,720
BUT YOU KNOW, THE MORE I THINK
ABOUT IT THE MORE FUN IT--
222
00:15:53,720 --> 00:15:55,460
WOMAN (OFFSCREEN): THEY USUALLY
HAVE A LOT OF FUN, THE
223
00:15:55,460 --> 00:15:56,150
GIRLS DO.
224
00:15:56,150 --> 00:15:57,400
-YEAH, UH-HUH YEAH.
225
00:16:03,630 --> 00:16:06,000
WOMAN (OFFSCREEN): IF YOU
LIKE IT, THE BOW AND--
226
00:16:06,000 --> 00:16:07,130
I THINK I LIKE IT.
227
00:16:07,130 --> 00:16:07,870
WOMAN (OFFSCREEN): OK.
228
00:16:07,870 --> 00:16:08,950
WOMAN (OFFSCREEN): OK.
229
00:16:08,950 --> 00:16:10,990
WOMAN (OFFSCREEN): THAT'S
WHAT WE'RE GOING FOR.
230
00:16:10,990 --> 00:16:13,090
-OK.
231
00:16:13,090 --> 00:16:15,660
WOMAN (OFFSCREEN): I WAS ALWAYS
LIBERAL POLITICALLY.
232
00:16:15,660 --> 00:16:19,510
I WAS ALWAYS MORE SENSITIVE TO,
YOU KNOW, RACISM, AND I
233
00:16:19,510 --> 00:16:21,240
MEAN POLITICALLY I WAS JUST MORE
LIBERAL, IT WAS ALWAYS
234
00:16:21,240 --> 00:16:22,060
KIND OF HARD.
235
00:16:22,060 --> 00:16:24,420
-WOULD IT FIT AROUND LIKE,
AROUND MY HIPS?
236
00:16:24,420 --> 00:16:27,120
-BEING RAISED BY PEOPLE THAT
WERE VERY INFLUENTIAL IN MY
237
00:16:27,120 --> 00:16:29,830
LIFE THAT RAISED ME THAT WERE
BLACK, I THINK WHATS ALWAYS
238
00:16:29,830 --> 00:16:32,480
BOTHERED ME WAS THE WAY IN WHICH
PEOPLE IN THE SOUTH WERE
239
00:16:32,480 --> 00:16:36,850
ABLE TO DISTINGUISH THIS ONE
BLACK PERSON THEY HAD A
240
00:16:36,850 --> 00:16:41,250
RELATIONSHIP WITH FROM THE BLACK
COMMUNITY AS A WHOLE.
241
00:16:41,250 --> 00:16:45,480
THEY WOULD GET CLOSE AND LOVE
THIS PERSON BUT TO THERE.
242
00:16:45,480 --> 00:16:47,850
YOU KNOW USUALLY THESE PEOPLE
ARE IN POSITIONS OF
243
00:16:47,850 --> 00:16:48,990
EMPLOYMENT.
244
00:16:48,990 --> 00:16:51,640
IF YOU LOVE THEM, AND YOU KNOW
THEIR STORIES, AND YOU GIVE
245
00:16:51,640 --> 00:16:54,450
THEM EXTRA $20 AT CHRISTMAS,
AND YOU KNOW THIS, THAT AND
246
00:16:54,450 --> 00:16:54,670
THE OTHER--
247
00:16:54,670 --> 00:16:56,260
HOW IS YOUR DAUGHTER, HOW IS
YOUR SISTER, HAVE THOSE
248
00:16:56,260 --> 00:17:01,780
CONVERSATIONS BUT THERE'S A
THERE'S A FEAR FOR GETTING
249
00:17:01,780 --> 00:17:03,680
CLOSER THAN THAT.
250
00:17:03,680 --> 00:17:04,110
-OK.
251
00:17:04,110 --> 00:17:07,070
OK, NOW FOR THE PROBLEM WE'RE
HAVING WITH THIS--
252
00:17:07,070 --> 00:17:08,720
-OH, JUST TUCK IT IN.
253
00:17:08,720 --> 00:17:12,250
-NO I MEAN UH, AS FAR AS WEARING
THE, WEARING IT WITH
254
00:17:12,250 --> 00:17:12,690
THE TRAIN.
255
00:17:12,690 --> 00:17:13,680
-OH RIGHT.
256
00:17:13,680 --> 00:17:16,110
BECAUSE THE ISSUE IS YOU HAVE TO
ATTACH TO TRAIN TO THE BACK
257
00:17:16,110 --> 00:17:16,600
OF--
258
00:17:16,600 --> 00:17:20,980
-IN ORDER TO KEEP THE TRAIN ON
THERE'S A HARNESS THAT YOU
259
00:17:20,980 --> 00:17:22,420
HAVE TO WEAR UNDERNEATH IT.
260
00:17:22,420 --> 00:17:23,820
-A HARNESS.
261
00:17:23,820 --> 00:17:24,470
-YES.
262
00:17:24,470 --> 00:17:25,720
IT'S JUST STRAPS.
263
00:17:25,720 --> 00:17:26,570
-IT GOES UNDERNEATH MY TOP?
264
00:17:26,570 --> 00:17:29,510
-AND IT GOES UNDERNEATH
YOUR TOP.
265
00:17:29,510 --> 00:17:30,470
-WOW.
266
00:17:30,470 --> 00:17:31,760
DO I GET TO TAKE THE
HARNESS OFF AFTER I
267
00:17:31,760 --> 00:17:32,860
TAKE THE TRAIN OFF?
268
00:17:32,860 --> 00:17:34,400
HARNESS IT'S LIKE A HORSE.
269
00:17:34,400 --> 00:17:36,070
THIS IS REALLY LIKE GOING
BACK TO VICTORIAN
270
00:17:36,070 --> 00:17:37,680
TIMES, I FEEL LIKE--
271
00:17:37,680 --> 00:17:39,550
-YOU'LL FEEL LIKE
REAL ROYALTY.
272
00:17:39,550 --> 00:17:42,120
-THAT ACTUALLY IS THE COOL
PART ABOUT IT I'VE BEEN
273
00:17:42,120 --> 00:17:43,470
THINKING ABOUT MORE AND MORE.
274
00:17:43,470 --> 00:17:44,640
-THE TRADITION OF IT?
275
00:17:44,640 --> 00:17:45,850
-YEAH
276
00:17:45,850 --> 00:17:47,270
-YOU LIKE THAT?
277
00:17:47,270 --> 00:17:48,260
-YEAH I LIKE IT.
278
00:17:48,260 --> 00:17:49,920
THERE'S SOMETHING ABOUT IT THAT
APPEALS TO ME IN A WAY
279
00:17:49,920 --> 00:17:51,080
THAT YOU KNOW?
280
00:17:51,080 --> 00:17:54,230
I'M GETTING, I'M GETTING A
GREATER AND GREATER AFFINITY
281
00:17:54,230 --> 00:17:55,480
FOR MY ROOTS.
282
00:17:58,090 --> 00:17:58,750
-THIS WILL DO--
283
00:17:58,750 --> 00:18:00,500
I THINK THIS WHOLE
EXPERIENCE WILL--
284
00:18:00,500 --> 00:18:01,600
-I THINK SO TOO.
285
00:18:01,600 --> 00:18:03,940
-YEAH, IT ENLIGHTENS
YOU ABOUT A LOT.
286
00:18:03,940 --> 00:18:04,630
-I THINK SO TOO.
287
00:18:04,630 --> 00:18:06,560
-A LOT OF HISTORY.
288
00:18:06,560 --> 00:18:07,140
YOU KNOW?
289
00:18:07,140 --> 00:18:08,120
-YEAH.
290
00:18:08,120 --> 00:18:10,160
WOMAN (OFFSCREEN): SO WHAT
HAS HAPPENED SO FAR?
291
00:18:10,160 --> 00:18:14,320
-THEY WANTED HIM COME TO THEY
HOUSE AND UM STAY WITH HIM
292
00:18:14,320 --> 00:18:18,280
BECAUSE HE COULDN'T STAY IN A
HOTEL BECAUSE HE WAS BLACK
293
00:18:18,280 --> 00:18:18,490
SO--
294
00:18:18,490 --> 00:18:21,480
-THEY'RE TALKING ABOUT HOW BLACK
PEOPLE COULDN'T STAY IN
295
00:18:21,480 --> 00:18:23,440
HOTELS RIGHT?
296
00:18:23,440 --> 00:18:26,160
AND HOW THEY USED TO HAVE TO
STAY IN PEOPLE'S HOUSES WHEN
297
00:18:26,160 --> 00:18:28,200
THEY CAME BECAUSE THEY DIDN'T
HAVE ANYWHERE TO SLEEP.
298
00:18:28,200 --> 00:18:31,490
SO AGAIN WHERE DOES MS.
JACKSON COME IN.
299
00:18:31,490 --> 00:18:32,730
[MULTIPLE STUDENTS ANSWER]
300
00:18:32,730 --> 00:18:35,190
-DUKE ELLINGTON CAME AND STAYED
AT HIS HOUSE BEFORE,
301
00:18:35,190 --> 00:18:37,170
BECAUSE HE PERFORMED HE COULDN'T
STAY AT A HOTEL.
302
00:18:37,170 --> 00:18:39,830
TEACHER (OFFSCREEN): OK SO I
THINK WE GOT IT STRAIGHT NOW.
303
00:18:39,830 --> 00:18:46,110
-WHEN WE HAD CELEBRITIES TO
VISIT THE CITY, SUCH AS MARIAN
304
00:18:46,110 --> 00:18:51,470
ANDERSON, PAUL ROBESON, DOROTHY
DANDRIDGE, THEY
305
00:18:51,470 --> 00:18:53,740
COULDN'T STAY IN HOTELS.
306
00:18:53,740 --> 00:18:56,010
THEREFORE, THEY WOULD
STAY WITH WHOMEVER
307
00:18:56,010 --> 00:18:57,980
HAD THE NICEST HOUSE.
308
00:18:57,980 --> 00:19:01,600
MY GRANDFATHER WAS A
DOCTOR IN THE CITY.
309
00:19:01,600 --> 00:19:05,860
THEIR HOME WAS ONE OF THE NICER
HOMES IN THE COMMUNITY
310
00:19:05,860 --> 00:19:09,790
AND MY GRANDFATHER HAS ALWAYS
BEEN A VERY HOSPITABLE PERSON.
311
00:19:09,790 --> 00:19:11,250
-ALRIGHT, SO THEY,
THEY WERE TALKING
312
00:19:11,250 --> 00:19:12,920
ABOUT THIS, THIS, ANNUAL--
313
00:19:12,920 --> 00:19:14,060
THAT'S A WORD WE KNOW, RIGHT?
314
00:19:14,060 --> 00:19:15,060
WHAT DOES IT MEAN?
315
00:19:15,060 --> 00:19:15,610
ALL: EVERY YEAR.
316
00:19:15,610 --> 00:19:18,490
-OK, THIS ANNUAL DANCE THEY HAVE
AND THIS ONE WAS GOING TO
317
00:19:18,490 --> 00:19:20,280
BE SPECIAL BECAUSE?
318
00:19:20,280 --> 00:19:21,040
STUDENT (OFFSCREEN):
DUKE ELLINGTON.
319
00:19:21,040 --> 00:19:22,820
-DUKE ELLINGTON WAS
COMING TO PLAY.
320
00:19:22,820 --> 00:19:25,720
-I HAVE A SORT OF A
CHERISHED MEMORY.
321
00:19:25,720 --> 00:19:31,390
PAUL ROBESON CAME HERE TO MOBILE
AND HE SANG BRAHMS'S
322
00:19:31,390 --> 00:19:35,120
LULLABY TO THE BABY, AND
IT HAPPENED TO BE ME.
323
00:19:35,120 --> 00:19:38,190
-BE SURE YOU BEEN TELLING THEM
ABOUT THAT TIME DUKE
324
00:19:38,190 --> 00:19:38,550
ELLINGTONE.
325
00:19:38,550 --> 00:19:41,640
CAME AND STAY AT THE PLACE,
KEEPING FOLKS FROM GOING
326
00:19:41,640 --> 00:19:43,430
PLACES JUST BECAUSE
THEY WERE BLACK.
327
00:19:43,430 --> 00:19:57,290
[MUSIC PLAYING]
328
00:19:57,290 --> 00:19:59,270
-HEY HOW ARE YOU?
329
00:20:02,240 --> 00:20:05,220
-THE SIZE OF THE STONES
ARE INCREDIBLE
330
00:20:05,220 --> 00:20:07,180
AND THE FUR IS ORIGINAL.
331
00:20:07,180 --> 00:20:11,130
WHAT WE DID WE ADDED THE BAR TO
GIVE THE MANTLE THE LENGTH
332
00:20:11,130 --> 00:20:13,240
THAT WE WANTED TODAY AND THE
OTHER THING THAT WE ADDED WAS
333
00:20:13,240 --> 00:20:15,550
WAS HELEN'S INITIALS.
334
00:20:15,550 --> 00:20:16,800
HELEN BIATRIX MEAHER.
335
00:20:43,140 --> 00:20:44,970
MAN (OFFSCREEN): YOU KNOW, IN
ALL OUR LIVES SOMETIMES WE
336
00:20:44,970 --> 00:20:47,430
HAVE A DARK PART OF OUR
LIVES THAT WE'D
337
00:20:47,430 --> 00:20:51,110
RATHER NOT TO DEAL WITH.
338
00:20:51,110 --> 00:20:54,160
SOME AFRICANS BELIEVED THAT
THE ANCESTORS, THEY'RE NOT
339
00:20:54,160 --> 00:20:56,050
DEAD, THEY'RE RIGHT
HERE TODAY.
340
00:20:56,050 --> 00:20:57,520
CAN'T YOU FEEL THEM?
341
00:21:00,490 --> 00:21:06,540
-IN 1859 SLAVERY WAS STILL GOING
ON, BUT AT THAT POINT IN
342
00:21:06,540 --> 00:21:09,250
TIME THE SLAVE TRADE
ITSELF HAD BEEN
343
00:21:09,250 --> 00:21:12,640
ABOLISHED AND WAS ILLEGAL.
344
00:21:12,640 --> 00:21:15,940
THE MEAHER FAMILY, WHICH EXISTS
TODAY, EVEN HERE TODAY
345
00:21:15,940 --> 00:21:21,520
IN MOBILE, THEY OWNED
A LOT OF LAND.
346
00:21:21,520 --> 00:21:26,060
THE STORY HAS IT THAT OLD TIM
MEAHER MADE A BET THAT HE
347
00:21:26,060 --> 00:21:31,130
COULD GO AND BRING BACK
A SHIP OF SLAVES.
348
00:21:31,130 --> 00:21:35,730
HE GOT THE SCHOONER "CLOTILDE"
AND BROUGHT THE SLAVES BACK
349
00:21:35,730 --> 00:21:39,000
HERE INTO MOBILE BAY.
350
00:21:39,000 --> 00:21:44,060
WELL, BECAUSE IT WAS IN LEGAL HE
TOLD THE FIRST MATE ON THE
351
00:21:44,060 --> 00:21:48,070
SHIP THAT HE WAS GOING INTO TOWN
TO COLLECT HIS BET, AND
352
00:21:48,070 --> 00:21:52,720
IF HE DIDN'T GET BACK WITHIN AN
HOUR TO RUN IT AGROUND, SET
353
00:21:52,720 --> 00:21:57,820
IT AFIRE, TO GET RID OF THE
EVIDENCE AND HE DID NOT COME
354
00:21:57,820 --> 00:21:59,980
BACK WITHIN THE HOUR.
355
00:21:59,980 --> 00:22:02,100
SO THE FIRST MATE
DID JUST THAT.
356
00:22:02,100 --> 00:22:04,840
HE RAN HER AGROUND AND
SET HER ON FIRE.
357
00:22:04,840 --> 00:22:08,630
ALL OF THE AFRICANS THAT WERE
ON THE SHIP WERE ABLE TO GET
358
00:22:08,630 --> 00:22:12,930
OFF OF THE SHIP AND THEY WENT
INTO THE WOODS, WHAT IS KNOWN
359
00:22:12,930 --> 00:22:15,450
TODAY AS AFRICA TOWN.
360
00:22:15,450 --> 00:22:19,300
PLATEAU, ALABAMA WAS WHAT IT
WAS NAMED PRIOR TO THAT.
361
00:22:19,300 --> 00:22:21,280
AND THEY HID.
362
00:22:21,280 --> 00:22:26,690
THAT WAS THE LAST SLAVE SHIP
TO ENTER THE UNITED STATES.
363
00:22:26,690 --> 00:22:32,310
-1859 AND IT LANDED IN MOBILE
ALABAMA AT PLATEAU.
364
00:22:32,310 --> 00:22:36,600
DURING THAT TIME PEOPLE WHO
CAME TO THIS COUNTRY AND
365
00:22:36,600 --> 00:22:41,420
ACTUALLY SETTLED ON LAND
HAD SQUATTERS' RIGHTS.
366
00:22:41,420 --> 00:22:44,250
IF THAT'S THE CASE THAT PROBABLY
COULD BE THE ARGUMENT
367
00:22:44,250 --> 00:22:48,120
MADE FOR WHO OWNS THE PROPERTY
SCOTT PAPER COMPANY, BECAUSE
368
00:22:48,120 --> 00:22:49,390
THAT'S WHERE THEY WERE.
369
00:22:49,390 --> 00:22:51,040
THEY WERE ALL IN THAT AREA.
370
00:22:51,040 --> 00:22:54,550
AND SO IT'S INTERESTING
BECAUSE THEY HAVE SOME
371
00:22:54,550 --> 00:22:58,270
FAMILIES IN MOBILE WHO WERE
REALLY INTRICATELY INVOLVED IN
372
00:22:58,270 --> 00:23:00,650
IT, THEIR ANCESTORS.
373
00:23:00,650 --> 00:23:04,000
-THEY MEAHER FAMILY ARE THE
PRIMARY PROPERTY OWNERS WITHIN
374
00:23:04,000 --> 00:23:06,430
THE WHOLE AREA OF AFRICA TOWN.
375
00:23:06,430 --> 00:23:08,990
AND ONE THING ABOUT THEM, THE
DON'T SELL LAND THEY'LL LET
376
00:23:08,990 --> 00:23:13,440
YOU LEASE IT, OR RENT IT BUT
THEY WON'T SELL ANY LAND.
377
00:23:13,440 --> 00:23:17,360
WITH THEIR ANCESTORS BEING THE
PERSONS WHO CONCOCTED THE IDEA
378
00:23:17,360 --> 00:23:21,160
OF BRINGING THE SLAVE HERE TO
MOBILE I THINK THAT THEY HAVE
379
00:23:21,160 --> 00:23:25,380
SOME OF THE ORIGINAL ARTIFACTS
THAT WERE PART OF THE SLAVE
380
00:23:25,380 --> 00:23:29,660
SHIP THE "CLOTILDE" BUT THEY
HAVE NOT BEEN COOPERATIVE.
381
00:23:29,660 --> 00:23:32,090
WE DON'T KNOW WHAT THEIR REASONS
ARE BUT WE'RE GOING TO
382
00:23:32,090 --> 00:23:34,400
CONTINUED TO PUSH ON
WITH THE STORY.
383
00:23:34,400 --> 00:23:36,930
BUT NOT THE PUNITIVE PURPOSES,
BUT FOR POSTERITY.
384
00:23:40,090 --> 00:23:44,360
-MY GRANDFATHER HE WAS
REALLY FROM AFRICA.
385
00:23:44,360 --> 00:23:47,690
HE REALLY WAS-- WAS BROUGHT
INTO PLATEAU,
386
00:23:47,690 --> 00:23:51,690
OUT THERE ON A BOAT.
387
00:23:51,690 --> 00:23:54,390
FROM THAT, THE FAMILY SPREAD.
388
00:23:54,390 --> 00:23:58,550
HIS NAME WAS BARRY MALONE
SURE RIGHT.
389
00:24:18,060 --> 00:24:20,590
PAT RICHARDSON (OFFSCREEN): SO
OK NOW I HAVE IT, I GOT YOU
390
00:24:20,590 --> 00:24:23,210
OK, I GOT YOU, AM I STRAIGHT
WITH YOU NOW?
391
00:24:23,210 --> 00:24:26,760
SEE AM I STRAIGHT WITH YOU?
392
00:24:26,760 --> 00:24:28,410
WE'RE OFF SOMEWHERE.
393
00:24:28,410 --> 00:24:30,880
HERE I WOULD JUST
GO EVERY OTHER.
394
00:24:30,880 --> 00:24:32,910
-YEAH THERE'S GOING TO BE AN
AWFUL LOT OF STONES ON HERE
395
00:24:32,910 --> 00:24:33,280
TOO.
396
00:24:33,280 --> 00:24:35,840
-YES, I AGREE.
397
00:24:35,840 --> 00:24:41,630
THE BEST PART FOR ME IS TO SEE
THAT QUEEN OR KING OR LADY HIT
398
00:24:41,630 --> 00:24:45,790
THE RUNWAY, HIT THE STAGE, AND
I JUST RUN OUT THERE AND I
399
00:24:45,790 --> 00:24:50,020
JUST SIT AND I JUST WATCH THEM
FLOW ACROSS THE STAGE AND JUST
400
00:24:50,020 --> 00:24:52,140
WATCH IT JUST DAZZLE,
DAZZLE, DAZZLE.
401
00:24:52,140 --> 00:24:53,050
I LIKE THE DAZZLE.
402
00:24:53,050 --> 00:24:55,770
MY OWN-- MY-- ALL MY
TRAINS DAZZLE.
403
00:24:55,770 --> 00:24:59,510
THEY JUST, THEY'RE
JUST BLINDING.
404
00:24:59,510 --> 00:25:02,060
AND I LIKE THAT LOOK, I LIKE
THAT POP, POP, POP, POP, POP
405
00:25:02,060 --> 00:25:03,310
POP, THE LIGHTS.
406
00:25:07,470 --> 00:25:13,470
-THE ENTIRE GOWN WILL BE JEWELED
THIS WAY AND THIS IS
407
00:25:13,470 --> 00:25:15,250
THE FRONT OF THE GOWN.
408
00:25:15,250 --> 00:25:19,340
AND THIS IS VERY, VERY
FLATTERING ON HELEN BECAUSE
409
00:25:19,340 --> 00:25:22,210
YOU KNOW, ANYBODY THAT DOESN'T
HAVE A LOT OF BUST LINE IT
410
00:25:22,210 --> 00:25:23,760
REALLY DOES.
411
00:25:23,760 --> 00:25:28,670
AND THIS, BELIEVE IT OR NOT,
IS ALMOST A REPLICA OF HER
412
00:25:28,670 --> 00:25:32,440
GRANDMOTHER'S GOWN THAT
SHE WORE IN 1935.
413
00:25:32,440 --> 00:25:38,820
IT'S HARD TO BELIEVE THAT THOSE
APPLIQUES ACTUALLY CAME
414
00:25:38,820 --> 00:25:42,050
OFF OF YOUR MANTLE.
415
00:25:42,050 --> 00:25:46,200
I THINK THE CHALLENGE THAT
HAS BEEN TO US IS
416
00:25:46,200 --> 00:25:48,140
TRYING TO DO CAPTURE--
417
00:26:10,490 --> 00:26:14,080
-THAT IS A MUCH BETTER IDEA.
418
00:26:14,080 --> 00:26:17,450
-AND OF COURSE THE BEAUTY PART
ABOUT MOBILE MARDI GRAS, IT'S
419
00:26:17,450 --> 00:26:20,560
FOCUSED ON ONE QUEEN.
420
00:26:20,560 --> 00:26:23,180
WE DON'T HAVE DIFFERENT
QUEENS LIKE THE
421
00:26:23,180 --> 00:26:25,950
CARNIVAL HAS IN NEW ORLEANS.
422
00:26:25,950 --> 00:26:31,300
IN MOBILE THERE IS ONE
QUEEN OF MARDI GRAS.
423
00:26:31,300 --> 00:26:34,150
-MY NAME IS ALIA JONES,
THIS MY STORY.
424
00:26:34,150 --> 00:26:36,680
HAVE YOU HAD A MOON
PIE BEFORE?
425
00:26:36,680 --> 00:26:37,410
I HAVE.
426
00:26:37,410 --> 00:26:39,200
THEY ARE VERY SCRUMPTIOUS.
427
00:26:39,200 --> 00:26:42,440
MY FAVORITE KIND OF MOON PIE
IS A CHOCOLATE MOON PIE.
428
00:26:42,440 --> 00:26:45,730
WHEN I EAT THIS MOON PIE IT
MAKES ME FEEL LIKE JUMPING IN
429
00:26:45,730 --> 00:26:47,840
A POOL FULL OF CHOCOLATE
FILLING.
430
00:26:47,840 --> 00:26:50,780
WHEN I SMELL THE MOON PIE, THE
SMELL KNOCKS ME OUT LIKE
431
00:26:50,780 --> 00:26:51,980
MUHAMMAD ALI.
432
00:26:51,980 --> 00:26:54,280
THE MOON PIE FEELS
MUSHY AND SOFT.
433
00:26:54,280 --> 00:26:56,870
THE MOON PIE IS AS SOFT AS
A PILLOW MADE OUT OF
434
00:26:56,870 --> 00:26:57,970
MARSHMALLOWS.
435
00:26:57,970 --> 00:27:00,920
I WILL SHAVE MY HEAD AND JOIN
THE ARMY JUST FOR A MOON PIE.
436
00:27:13,220 --> 00:27:15,050
-I ADMIRE YOUR WORK.
437
00:27:15,050 --> 00:27:15,960
WOMAN (OFFSCREEN): THANK YOU.
438
00:27:15,960 --> 00:27:17,530
AND I ALWAYS ADMIRE YOURS.
439
00:27:17,530 --> 00:27:19,260
-WE'RE GOING TO ALLUDE
TO ONE THIS YEAR.
440
00:27:19,260 --> 00:27:19,680
-ARE YOU?
441
00:27:19,680 --> 00:27:20,680
-IT'S PURPLE, JUST LIKE THAT.
442
00:27:20,680 --> 00:27:21,390
WOMAN (OFFSCREEN): OH, IS IT?
443
00:27:21,390 --> 00:27:22,240
I'M DYING TO SEE IT.
444
00:27:22,240 --> 00:27:23,960
I'M LOOKING FORWARD
TO IT YEAH.
445
00:27:23,960 --> 00:27:27,060
-BUT KELLY HAS INVITED ME OVER
TO HIS STUDIO TO SEE, TO SEE
446
00:27:27,060 --> 00:27:27,530
THE QUEEN.
447
00:27:27,530 --> 00:27:27,790
-SURE.
448
00:27:27,790 --> 00:27:29,440
AND YOU'RE WELCOME TO
MY STORE ANY DAY TO
449
00:27:29,440 --> 00:27:30,850
SEE THE KING'S TRAIN.
450
00:27:30,850 --> 00:27:33,950
-ANY TIME RON BARRETT TELLS
YOU YOU'RE THE BOMB--
451
00:27:33,950 --> 00:27:35,680
I'M UP ON CLOUD NINE NOW.
452
00:27:35,680 --> 00:27:37,710
I MEAN WHEN HE TELLS YOU HE'S
BEEN WATCHING IT AND HE LOVES
453
00:27:37,710 --> 00:27:39,150
IT AND HE LOVES IT AND HE LOVES
YOUR DETAIL IT MAKES YOU
454
00:27:39,150 --> 00:27:43,140
FEEL WONDERFUL.
455
00:27:43,140 --> 00:27:47,440
SO ALL ABOUT, ALL OUR
WORK IS WORTH IT.
456
00:27:57,660 --> 00:28:02,790
-YOU CAN NOT BUY A TICKET TO ONE
OF THE OLD ORGANIZATIONS.
457
00:28:02,790 --> 00:28:05,480
I CAN'T SPEAK ABOUT
THE NEW ONES.
458
00:28:05,480 --> 00:28:08,880
NO ONE IS INVITED EXCEPT THE
ACTIVE AND THE HONORARY
459
00:28:08,880 --> 00:28:12,130
MEMBERS AND THEIR
WIVES OR DATES.
460
00:28:12,130 --> 00:28:16,590
SO IT'S A PRIVATE PARTY
YOU MIGHT SAY.
461
00:28:16,590 --> 00:28:20,210
LIKE WHO YOU INVITE INTO YOUR
HOME IT'S YOUR BUSINESS.
462
00:28:23,120 --> 00:28:26,040
-HEY, AT THE OPEN HOUSE
WE DISCUSSED ABOUT
463
00:28:26,040 --> 00:28:27,950
GETTING A MASK CUT.
464
00:28:27,950 --> 00:28:31,710
I AM TIRED OF ANSWERING
QUESTIONS FROM MY MEMBERS AND
465
00:28:31,710 --> 00:28:34,040
OTHER MEMBERS OF THE
ORGANIZATION.
466
00:28:34,040 --> 00:28:35,280
TWO THINGS I WANT TO KNOW.
467
00:28:35,280 --> 00:28:38,060
ONE, WE NEED A MASK TO SHOW US,
BECAUSE I'M GOING TO TELL
468
00:28:38,060 --> 00:28:40,810
YOU, IF YOU'RE A BEER DRINKER,
YOU AIN'T GOING TO WORK IT OUT
469
00:28:40,810 --> 00:28:41,610
OF THIS MASK.
470
00:28:41,610 --> 00:28:44,060
TWO YOU CAN'T BREATHE
OUT OF IT.
471
00:28:44,060 --> 00:28:47,090
THREE, AND I DON'T MEAN ANYTHING
ABOUT THIS, THIS MASK
472
00:28:47,090 --> 00:28:48,660
FITS A MONGOLOID, YOU HEAR ME?
473
00:28:48,660 --> 00:28:51,360
[APPLAUSE]
474
00:28:51,360 --> 00:28:55,640
-IF EVERYBODY WOULD TAKE ONE
MINUTE AND PUT EVERY DAMN BEER
475
00:28:55,640 --> 00:29:00,160
DOWN AND LISTEN, IF YOU TAKE
THIS MASK AND TRY TO WEAR IT
476
00:29:00,160 --> 00:29:04,780
LIKE THIS IT'S GOING TO
BE LIKE A MONGOLOID.
477
00:29:04,780 --> 00:29:09,080
TAKE THE MASK AND TIE YOU A KNOT
IN THE BACK OF THE MASK.
478
00:29:11,870 --> 00:29:13,970
LIKE THAT.
479
00:29:13,970 --> 00:29:16,000
PUT THE DAMN THING ON.
480
00:29:16,000 --> 00:29:18,090
IT WON'T MOVE.
481
00:29:18,090 --> 00:29:19,310
OK?
482
00:29:19,310 --> 00:29:20,250
IT WON'T MOVE.
483
00:29:20,250 --> 00:29:23,880
TIE IT TIGHT AS YOU
CAN IN THE BACK.
484
00:29:23,880 --> 00:29:26,950
YOUR HAT IS GOING TO
GO TO RIGHT HERE.
485
00:29:26,950 --> 00:29:28,200
CUT FROM HERE UP.
486
00:29:28,200 --> 00:29:31,940
IF YOU CUT FROM HERE UP.
487
00:29:31,940 --> 00:29:36,250
THE WHOLE THING WITH MARDI GRAS,
FOR THOSE OF YOU THAT
488
00:29:36,250 --> 00:29:39,940
EVER THOUGHT ABOUT IT, THE WHOLE
THING WITH MARDI GRAS
489
00:29:39,940 --> 00:29:45,480
IS, IT IS A MYSTIC SOCIETY THAT
NOBODY IS SUPPOSED TO
490
00:29:45,480 --> 00:29:46,730
KNOW WHO YOU ARE.
491
00:29:50,390 --> 00:29:52,400
-LADIES AND GENTLEMEN, IF I
COULD HAVE YOUR ATTENTION
492
00:29:52,400 --> 00:29:55,180
PLEASE, I THINK WE ALL NEED TO
RAISE OUR GLASS AND LET'S
493
00:29:55,180 --> 00:29:58,550
TOAST THE OLDEST MYSTIC
ORGANIZATION IN THE COUNTRY,
494
00:29:58,550 --> 00:30:02,430
IT WAS STARTED IN 1842, AND
LET'S TOAST THE STRIKERS.
495
00:30:02,430 --> 00:30:04,910
ALWAYS MEMBERS PAST
AND PRESENT.
496
00:30:04,910 --> 00:30:07,260
ALL: HERE HERE.
497
00:30:07,260 --> 00:30:09,600
-THE OUTLAWS HAVE BEEN INVOLVED
IN STRIKERS EVER
498
00:30:09,600 --> 00:30:11,950
SINCE 1874.
499
00:30:11,950 --> 00:30:15,970
I'M A FOURTH GENERATION AND WE
ARE SO PROUD TONIGHT TO HAVE
500
00:30:15,970 --> 00:30:16,860
YOU LEAD OUR DANCE.
501
00:30:16,860 --> 00:30:19,590
YOU'RE THE FIFTH GENERATION.
502
00:30:19,590 --> 00:30:21,490
I ALSO WANT TO TELL YOU I JUST
THINK YOU'RE AN INCREDIBLE
503
00:30:21,490 --> 00:30:22,740
YOUNG LADY.
504
00:30:31,810 --> 00:30:36,770
-A MYSTIC SOCIETY IS A GROUP
OF PEOPLE, MEN OR WOMEN, OR
505
00:30:36,770 --> 00:30:41,290
MEN AND WOMEN TOGETHER, THAT
CHOOSE TO REMAIN ANONYMOUS.
506
00:30:41,290 --> 00:30:43,090
REALLY FOR FUN.
507
00:30:43,090 --> 00:30:46,830
AND IT'S PART OF OUR WHOLE
CULTURE WITH CARNIVAL AND WITH
508
00:30:46,830 --> 00:30:50,090
MARDI GRAS AND MOBILE, IS TO
HAVE MYSTIC SOCIETIES WHERE
509
00:30:50,090 --> 00:30:53,840
YOU ACTUALLY DON'T KNOW
WHO'S BEHIND THE MASK.
510
00:30:53,840 --> 00:30:57,010
YOU DON'T ACTUALLY KNOW WHO'S
IN THE ORGANIZATION.
511
00:30:57,010 --> 00:30:58,800
THAT MAKES IT FUN.
512
00:30:58,800 --> 00:31:01,130
-IF THEY HAD A NEIGHBOR JOB
THAT DIDN'T HAVE AN
513
00:31:01,130 --> 00:31:04,400
INVITATION, I MEAN A MASKER
TO TAKE HER OUT, I'D
514
00:31:04,400 --> 00:31:05,920
VOLUNTEERED TO DO IT.
515
00:31:05,920 --> 00:31:08,870
I WORE A MASK IN MANY CASES
THEY NEVER KNEW
516
00:31:08,870 --> 00:31:10,470
WHO TOOK THEM OUT.
517
00:31:10,470 --> 00:31:13,460
AND FROM A PRACTICAL STANDPOINT,
WHEN YOU GET
518
00:31:13,460 --> 00:31:16,930
BEHIND THAT MASK, YOU DO SOME
THINGS THAT YOU WOULDN'T DO
519
00:31:16,930 --> 00:31:20,420
WITHOUT IT ON.
520
00:31:20,420 --> 00:31:24,910
-THERE'S A NEW SHERIFF IN TOWN
AND HE HAS DECIDED THAT
521
00:31:24,910 --> 00:31:29,410
TONIGHT IS GOING TO BE ONE
FOR THE MEMORY BOOKS.
522
00:31:29,410 --> 00:31:30,900
HAVE A GREAT EVENING!
523
00:31:44,870 --> 00:31:47,870
MAN (OFFSCREEN): LADIES
AND GENTLEMEN, MISS
524
00:31:47,870 --> 00:31:50,360
HELEN BEATRIX MEAHER.
525
00:32:28,400 --> 00:32:30,470
MAX BRUCKMAN (OFFSCREEN): IT'S
NOT THE SAME ANYWHERE.
526
00:32:30,470 --> 00:32:34,100
THE DRESS CODE IN THE SOUTH IS
PEOPLE LIKE TO GET DRESSED UP,
527
00:32:34,100 --> 00:32:35,170
GO TO A PARTY.
528
00:32:35,170 --> 00:32:38,310
YOU KNOW, FOR PEOPLE IN THE
SOUTH IT KIND OF SAYS, LOOK
529
00:32:38,310 --> 00:32:39,480
WE'RE TRADITIONALISTS.
530
00:32:39,480 --> 00:32:42,790
WE LIKE THE FACT THAT WE HAVE
A HERITAGE, AND WE LIKE THE
531
00:32:42,790 --> 00:32:45,680
FACT THAT WE'RE TIED BACK TO
HISTORY, SO WE'RE GOING TO
532
00:32:45,680 --> 00:32:49,170
KEEP DOING WHAT OUR ANCESTORS
DID, AND THAT'S WHAT THEY DID
533
00:32:49,170 --> 00:32:50,790
WE'RE NOT GOING TO CHANGE THINGS
AND WE'RE NOT GOING TO
534
00:32:50,790 --> 00:32:54,310
LET PEOPLE SHOW UP TO THESE
PARTIES UNDERDRESSED, AND I
535
00:32:54,310 --> 00:32:55,050
THINK THAT'S GREAT.
536
00:32:55,050 --> 00:32:58,490
IT KIND OF TIES IN THE WHOLE YOU
KNOW, SO MUCH OF IT'S TIED
537
00:32:58,490 --> 00:33:02,150
TO HISTORY AND WHAT HAPPENED
IN THE PAST.
538
00:33:07,920 --> 00:33:11,370
-WE ALL VALUE OUR TREES, AND
WE ALL SPEND A LOT OF TIME
539
00:33:11,370 --> 00:33:14,180
WORRYING ABOUT THEM AND NURSING
THEM AND CARING FOR
540
00:33:14,180 --> 00:33:15,910
THEN, AND YOU'D SAY
HOWS THAT--
541
00:33:15,910 --> 00:33:19,040
IN FACT MARDI GRAS, YOU'D SAY WE
RUN THE RALLY EVERY YEAR TO
542
00:33:19,040 --> 00:33:21,970
BE SURE THAT WE CAN LIFT
THE TREES RATHER
543
00:33:21,970 --> 00:33:23,130
THAN TRIM THE TREES.
544
00:33:23,130 --> 00:33:24,430
THAT'S WHAT WE DO.
545
00:33:24,430 --> 00:33:27,700
AND WE VERY SELDOM EVER TOUCH
A TREE BECAUSE TREES ARE
546
00:33:27,700 --> 00:33:29,880
REALLY SACRED IN
OUR COMMUNITY.
547
00:33:29,880 --> 00:33:32,100
IT JUST FITS RIGHT IN
TO WHAT WE VALUE.
548
00:33:32,100 --> 00:33:34,980
WE VALUE OUR ROOTS,
NO PUN INTENDED.
549
00:33:34,980 --> 00:33:38,700
BUT WE VALUE THOSE THINGS, AND
THAT'S PART OF OUR CULTURE,
550
00:33:38,700 --> 00:33:42,130
OUR CANOPY OF OAKS IS
THROUGHOUT OUR CITY.
551
00:33:42,130 --> 00:33:45,700
WE'RE NOT EXACTLY DRUIDS
BUT WE DO LOVE TREES.
552
00:33:52,170 --> 00:33:54,170
-MAY I HAVE YOUR ATTENTION
PLEASE?
553
00:33:54,170 --> 00:33:56,620
I'M YOUR PIANIST I'M BOB
HOLME, AND I'VE HAD THE
554
00:33:56,620 --> 00:33:59,980
PRIVILEGE OF TEACHING BOTH
MRS. YOUNGBLOOD AND HER
555
00:33:59,980 --> 00:34:00,940
DAUGHTER BRITTAIN.
556
00:34:00,940 --> 00:34:02,710
AND THIS IS THEIR
FAVORITE PIECE.
557
00:34:02,710 --> 00:34:04,120
IT'S AN ETUDE BY CHOPIN.
558
00:34:22,320 --> 00:34:24,180
WOMAN (OFFSCREEN): I THINK THE
TWO WOMEN WHO RAISED US THE
559
00:34:24,180 --> 00:34:24,880
MOST WERE YOU AND DORA.
560
00:34:24,880 --> 00:34:26,730
-YEAH, YES, HOW IS SHE DOING?
561
00:34:26,730 --> 00:34:27,610
-SHE'S GOOD.
562
00:34:27,610 --> 00:34:29,110
SHE JUST CALLED ME
THE OTHER DAY.
563
00:34:29,110 --> 00:34:29,790
-SHE DID?
564
00:34:29,790 --> 00:34:30,980
-SHE'S GOING TO BE
78 THIS YEAR.
565
00:34:30,980 --> 00:34:31,820
-NO.
566
00:34:31,820 --> 00:34:32,710
SHE LOOKS GREAT.
567
00:34:32,710 --> 00:34:33,370
-SHE LOOKS AMAZING.
568
00:34:33,370 --> 00:34:34,080
-GREAT.
569
00:34:34,080 --> 00:34:37,150
-AND SHE MET [INAUDIBLE], WE
WENT TO CHURCH WITH HER.
570
00:34:37,150 --> 00:34:37,640
-YOU DID?
571
00:34:37,640 --> 00:34:38,580
-WHEN HE CAME THIS SUMMER.
572
00:34:38,580 --> 00:34:39,230
IT WAS AMAZING.
573
00:34:39,230 --> 00:34:40,790
-THAT'S GREAT, THAT'S GREAT.
574
00:34:40,790 --> 00:34:44,080
-AND UM, AND SHE TOLD ME, I WISH
THAT I WAS GOING TO GET
575
00:34:44,080 --> 00:34:45,760
MARRIED WHEN I WAS 35.
576
00:34:45,760 --> 00:34:46,120
-UH-HUH.
577
00:34:46,120 --> 00:34:47,930
-AND SHE SAID, GOT TO
MAKE IT AT LEAST 30.
578
00:34:47,930 --> 00:34:48,730
I'M 78.
579
00:34:48,730 --> 00:34:50,760
[LAUGHTER]
580
00:34:50,760 --> 00:34:51,580
-SO--
581
00:34:51,580 --> 00:34:52,310
-EXCUSE ME.
582
00:34:52,310 --> 00:34:53,110
-OH, SORRY.
583
00:34:53,110 --> 00:34:53,920
-IT'S OK.
584
00:34:53,920 --> 00:34:56,770
-NOW, WITH THE OTHER PARTY, NOW
WHERE'S THE OTHER PARTY?
585
00:34:56,770 --> 00:34:57,740
-I DON'T EVEN KNOW.
586
00:34:57,740 --> 00:34:58,150
-OH, YOU DON'T KNOW?
587
00:34:58,150 --> 00:34:59,450
-THERE'S A PILE OF
INVITATIONS.
588
00:34:59,450 --> 00:35:00,720
-OH, OK, OK.
589
00:35:00,720 --> 00:35:04,280
-I JUST KIND OF GO WHERE
I'M TOLD TO GO NEXT.
590
00:35:04,280 --> 00:35:05,730
-FLOAT WITH THE WIND, HUH?
591
00:35:05,730 --> 00:35:06,980
-EXACTLY.
592
00:35:13,430 --> 00:35:15,590
-I FORGOT WHAT IT'S LIKE IN
MOBILE, THAT THERE IS A WAY OF
593
00:35:15,590 --> 00:35:16,790
DOING THINGS.
594
00:35:16,790 --> 00:35:19,170
THERE IS A CODE OF BEHAVIOR,
A CODE OF
595
00:35:19,170 --> 00:35:22,770
CONDUCT THAT IS THE NORM.
596
00:35:22,770 --> 00:35:26,800
TO BE HONEST, I WASN'T
PARTICULARLY WANTING TO DO
597
00:35:26,800 --> 00:35:28,390
THIS, MY DEBUT.
598
00:35:28,390 --> 00:35:32,490
MY MOM WANTED ME TO DO IT,
IT WAS IMPORTANT TO HER.
599
00:35:32,490 --> 00:35:33,470
WHAT?
600
00:35:33,470 --> 00:35:34,190
MOTHER (OFFSCREEN): WHAT?
601
00:35:34,190 --> 00:35:34,820
-WHAT?
602
00:35:34,820 --> 00:35:35,710
[LAUGHTER]
603
00:35:35,710 --> 00:35:36,600
-IT'S TRUE.
604
00:35:36,600 --> 00:35:37,490
-OK.
605
00:35:37,490 --> 00:35:38,390
-I DIDN'T.
606
00:35:38,390 --> 00:35:42,670
AND I KIND OF FEEL MYSELF,
I'M LESS RELAXED.
607
00:35:42,670 --> 00:35:52,150
FORM ISN'T RELAXED UNLESS
IT'S SECOND NATURE,
608
00:35:52,150 --> 00:35:57,290
-MY FEELING IS THAT YOUR, YOUR
HOME, YOUR ROOTS, WHERE YOU
609
00:35:57,290 --> 00:36:03,250
GREW UP, ARE REALLY JUST AS MUCH
A PART OF YOU AS YOUR,
610
00:36:03,250 --> 00:36:07,410
YOUR MOTHER AND YOUR FATHER YOU
KNOW, ARE A PART OF YOU.
611
00:36:07,410 --> 00:36:11,910
I SEE THIS AS A WAY OF, OF KIND
OF HELPING HER RECONNECT
612
00:36:11,910 --> 00:36:14,840
WITH WHERE SHE'S FROM.
613
00:36:38,760 --> 00:36:43,190
-YOU CAN'T HAVE RECONCILIATION
IF ONLY ONE SIDE OR ONE PARTY
614
00:36:43,190 --> 00:36:46,960
WANTS TO BE RECONCILED AND THE
OTHER SIDE IS STAYING AWAY AND
615
00:36:46,960 --> 00:36:49,700
DOESN'T WANT TO SHOW
ANY INTEREST IN IT.
616
00:36:49,700 --> 00:36:51,540
YOU KNOW THERE'S THE MEAHER
NATIONAL PARK
617
00:36:51,540 --> 00:36:53,440
NOT SO FAR FROM HERE.
618
00:36:53,440 --> 00:36:56,700
WHEN I SAW THE SIGN THE MEAHER
NATIONAL PARK I SAID, OH YES,
619
00:36:56,700 --> 00:37:01,490
THAT'S THE FELLOW WHO HIRED
ILLEGALLY A SHIP OF SLAVES AND
620
00:37:01,490 --> 00:37:03,880
BROUGHT THEM HERE, THE BEGINNING
OF AFRICA TOWN.
621
00:37:03,880 --> 00:37:07,970
AND SO WE HAVE MIXED EMOTIONS
ABOUT THAT NAME.
622
00:37:07,970 --> 00:37:12,100
HOW RESILIENT THE BODY AND THE
SPIRIT OF INDIVIDUALS TO BE
623
00:37:12,100 --> 00:37:15,260
ABLE TO SURVIVE THAT KIND
OF AFRICAN HOLOCAUST.
624
00:37:15,260 --> 00:37:18,180
AND WE TODAY HAVE CAST THAT OUT
OF OUR MINDS AND WE HAVE
625
00:37:18,180 --> 00:37:19,440
NOT PAID ATTENTION TO IT.
626
00:37:19,440 --> 00:37:20,110
-YES SIR.
627
00:37:20,110 --> 00:37:22,880
-FRIENDS, LET ME JUST SAY, MANY
OF OUR WHITE BROTHERS AND
628
00:37:22,880 --> 00:37:25,540
SISTERS ARE WORRIED THAT ANY
TIME WE TALK ABOUT SOMETHING
629
00:37:25,540 --> 00:37:27,980
LIKE THIS, THEY ALWAYS THINK
WE TALK ABOUT REPARATIONS.
630
00:37:27,980 --> 00:37:29,650
THAT WE'RE GOING TO THE BILL.
631
00:37:29,650 --> 00:37:31,230
THAT THEY'RE GOING TO HAVE
TO GIVE US SOME MONEY.
632
00:37:31,230 --> 00:37:32,460
WE DON'T WANT ANY MONEY!
633
00:37:32,460 --> 00:37:34,650
IT'S NOT ABOUT MONEY
FOR THE SACRIFICES.
634
00:37:34,650 --> 00:37:38,160
NO WAY THAT YOU CAN PAY IN TERMS
OF DOLLARS AND CENTS
635
00:37:38,160 --> 00:37:39,740
WHAT OUR PEOPLE HAVE
SACRIFICED.
636
00:37:39,740 --> 00:37:41,120
IT'S NOT ABOUT MONEY!
637
00:37:41,120 --> 00:37:43,030
IT'S ABOUT THE OTHER
KIND OF CURRENCY.
638
00:37:43,030 --> 00:37:46,480
A CHANGE OF THE HEART, NOT
THE CHANGE OF THE POCKET.
639
00:37:46,480 --> 00:37:50,310
FRIENDS WE'RE LIVING IN A VERY
TERRIBLE TIME, A TIME IN WHICH
640
00:37:50,310 --> 00:37:52,380
MANY OF US AS AFRICAN AMERICANS
HAVE KNOWN DOMESTIC
641
00:37:52,380 --> 00:37:54,620
TERRORISM FOR MANY YEARS, BUT
NOBODY HAS WANTED TO SAY
642
00:37:54,620 --> 00:37:55,990
ANYTHING ABOUT THAT.
643
00:37:55,990 --> 00:37:57,840
A TIME IN WHICH OUR PEOPLE
HAVE BEEN LYNCHED
644
00:37:57,840 --> 00:37:58,920
EVEN IN HERE IN MOBILE.
645
00:37:58,920 --> 00:38:01,920
IN FACT A STREET HAS BEEN NAMED
AFTER THE INDIVIDUAL WHO
646
00:38:01,920 --> 00:38:03,490
WAS LYNCHED.
647
00:38:03,490 --> 00:38:06,680
THESE ARE NOT ANCIENT THINGS,
THESE ARE NOT THINGS OF OUR
648
00:38:06,680 --> 00:38:10,400
PAST, BUT THESE ARE THINGS
RIGHT IN OUR MIDST.
649
00:38:26,610 --> 00:38:30,500
-IT'S REALLY A PART OF THE
CITIES HISTORY THAT THE CITY
650
00:38:30,500 --> 00:38:34,910
IS NOT PROUD OF, SOMETHING
THAT I THINK THE CITY IS
651
00:38:34,910 --> 00:38:37,040
OVERCOMING.
652
00:38:37,040 --> 00:38:41,020
PEOPLE WHO LIVED THROUGH
IT NEVER FORGET IT.
653
00:39:01,490 --> 00:39:03,460
-MY NAME IS SAMMY SHEPHARD.
654
00:39:03,460 --> 00:39:06,100
THIS IN MY 48TH YEAR OF
DOING THE MARDI GRAS.
655
00:39:06,100 --> 00:39:08,640
THAT MY BROTHER LOUIS-CHARLES,
HE BEEN IN
656
00:39:08,640 --> 00:39:10,340
IT A NUMBER OF YEARS.
657
00:39:10,340 --> 00:39:11,750
-SLOW IT DOWN.
658
00:39:11,750 --> 00:39:13,090
SLOW IT DOWN.
659
00:39:13,090 --> 00:39:16,660
-OUR JOB IS TO TAKE THEM THE
TOWN AFTER THEY FINISH
660
00:39:16,660 --> 00:39:19,970
PARADING, BRING THEM BACK MAKE
SURE THEY BE REPLACED BACK IN
661
00:39:19,970 --> 00:39:21,220
THE WAREHOUSE.
662
00:39:26,610 --> 00:39:29,290
-WE DOING THE CONDES THEN
WE DO THE MOBILE
663
00:39:29,290 --> 00:39:31,460
MYSTIC AFTER THE CONDES.
664
00:39:31,460 --> 00:39:34,860
THEN WE COME HERE AND WE DO THE
MYSTERY STRIPERS, AND THEN
665
00:39:34,860 --> 00:39:39,050
WE DO THE MOTS, AND THEN
WE GOT ALL FOUR OF
666
00:39:39,050 --> 00:39:40,980
THEM MARDI GRAS DAY.
667
00:39:40,980 --> 00:39:42,820
WE CAN'T DO IT WITHOUT
EACH OTHER.
668
00:39:42,820 --> 00:39:44,560
IT TAKE EVERYBODY DOING
THEIR PART.
669
00:39:44,560 --> 00:39:47,780
-I BROUGHT HIM HERE
ALL THE WAY UP.
670
00:39:47,780 --> 00:39:49,240
-20 YEARS IN THE BUSINESS.
671
00:39:49,240 --> 00:39:51,110
MAN (OFFSCREEN): 20
YEAR MAN HERE.
672
00:39:51,110 --> 00:39:56,500
WE BROUGHT HIM HERE WHEN HE WAS
A PUP, NOW HE A BIG DOG.
673
00:39:56,500 --> 00:39:59,580
-MY DAD IS JERRY RICHARDSON HE
IS THE PRESIDENT OF THE MOBILE
674
00:39:59,580 --> 00:40:03,000
MYSTICS, THIS MARDI GRAS
ORGANIZATION, AND TODAY I'M
675
00:40:03,000 --> 00:40:06,060
HERE TO MAKE SURE THAT
EVERYTHING GOES SMOOTHLY THAT
676
00:40:06,060 --> 00:40:08,210
UHM, ALL THE FLOATS GET OUT.
677
00:40:08,210 --> 00:40:10,870
HOPEFULLY IT'LL HELP ME
GET IN IN A FEW YEARS.
678
00:40:10,870 --> 00:40:14,000
I'M ONLY 18 YEARS OLD AND YOU
HAVE TO BE 21 TO UH, JOIN A
679
00:40:14,000 --> 00:40:16,040
MARDI GRAS ORGANIZATION
IN MOBILE.
680
00:40:16,040 --> 00:40:18,790
SOME ORGANIZATIONS THEY THE
TRADITION AND IF YOU'RE NOT
681
00:40:18,790 --> 00:40:21,300
OLD MOBILE, THERE ONES THAT HAVE
BEEN AROUND FOR 50, 60
682
00:40:21,300 --> 00:40:23,210
YEARS, THEN THEY DON'T
REALLY WANT YOU.
683
00:40:23,210 --> 00:40:24,890
BUT THE MOBILE MYSTICS,
THEY ACCEPT EVERYBODY.
684
00:40:29,250 --> 00:40:31,430
-MY NAME IS DESTINY WILLIAMS.
685
00:40:31,430 --> 00:40:34,750
THE TITLE OF MY STORY
IS CALLED MOON PIES.
686
00:40:34,750 --> 00:40:36,710
HAVE YOU SEEN A MOON PIE?
687
00:40:36,710 --> 00:40:38,350
DOES YOU LIKE MOON PIES?
688
00:40:38,350 --> 00:40:39,250
I DO.
689
00:40:39,250 --> 00:40:41,220
I LOVE THE BANANA MOON PIES.
690
00:40:41,220 --> 00:40:45,200
I LOVE THEM SO MUCH THAT I WOULD
NOT GIVE MY MOON PIES UP
691
00:40:45,200 --> 00:40:46,760
FOR NOTHING IN THE WORLD.
692
00:40:46,760 --> 00:40:49,940
I WILL NOT SHARE MY MOON
PIES WITH OTHERS.
693
00:40:49,940 --> 00:40:51,730
THEY ARE FRUITY AND JUICY.
694
00:40:51,730 --> 00:40:54,290
THE MOON PIES ARE FLAVORY
AND SWEET.
695
00:40:54,290 --> 00:40:56,230
IT IS AS SWEET AS HONEY.
696
00:40:56,230 --> 00:40:59,660
I AM AS STUBBORN AS A MULE
WITH MY MOON PIES.
697
00:40:59,660 --> 00:41:03,210
I REALLY ADORE MY MAGNIFICENT
TREAT.
698
00:41:03,210 --> 00:41:03,640
-WHOO!
699
00:41:03,640 --> 00:41:04,170
-UH OH.
700
00:41:04,170 --> 00:41:06,010
YOU CAN'T GET IN.
701
00:41:06,010 --> 00:41:07,260
-CJ!
702
00:41:09,920 --> 00:41:10,900
-WHAT ARE YOU ALL
DOING OUT THERE?
703
00:41:10,900 --> 00:41:48,320
[MUSIC PLAYS]
704
00:41:48,320 --> 00:41:50,700
-HAPPY MARDI GRAS!
705
00:41:50,700 --> 00:41:52,600
-HEY!
706
00:41:52,600 --> 00:41:53,080
HEY!
707
00:41:53,080 --> 00:41:53,760
MAN (OFFSCREEN): YES SIR?
708
00:41:53,760 --> 00:41:55,420
-YOU GOT A MOON PIE?
709
00:41:55,420 --> 00:41:57,900
-THAT WAS THE WAY--
710
00:41:57,900 --> 00:41:59,370
-HUH?
711
00:41:59,370 --> 00:42:00,130
MAN (OFFSCREEN): HAPPY
MARDI GRAS.
712
00:42:00,130 --> 00:42:01,190
MAX BRUCKMAN (OFFSCREEN):
HAPPY MARDI GRAS.
713
00:42:01,190 --> 00:42:03,160
-GIVE ME A MOON PIE.
714
00:42:03,160 --> 00:42:06,320
-HAPPY MARDI GRAS.
715
00:42:06,320 --> 00:42:07,560
GIVE ME A MOON PIE.
716
00:42:07,560 --> 00:42:10,190
-GO OUT FOR A PASS.
717
00:42:10,190 --> 00:42:11,440
-BOOM TOUCHDOWN!
718
00:42:49,100 --> 00:42:53,970
-IT'S UHM, I'M NOT
GOING TO SAY--
719
00:42:53,970 --> 00:42:57,020
I DON'T KNOW THE POLITICALLY
CORRECT WORD FOR IT, BUT IT'S
720
00:42:57,020 --> 00:43:03,440
LIKE PRETTY SEVERELY RETARDED
KIDS AND ALL AND IT'S GREAT.
721
00:43:03,440 --> 00:43:07,360
I MEAN THEY LOVE IT, THEY HAVE
A WONDERFUL TIME WITH IT.
722
00:43:07,360 --> 00:43:11,870
BUT LIKE I MEAN, ON THE OTHER
HAND, YOU KNOW, I MEAN, IT'S
723
00:43:11,870 --> 00:43:16,310
SAD, I MEAN TO SEE THESE KIDS
BUT YET WHAT WE DO AND WHAT WE
724
00:43:16,310 --> 00:43:18,830
BRING TO THEM MEANS A
WHOLE LOT TO THEM.
725
00:43:18,830 --> 00:43:21,920
WE'RE GOING TO WALK THROUGH AND
GO UP TO THE FRONT, AND
726
00:43:21,920 --> 00:43:23,990
I'LL SHOW YOU THE MEETING
HALL BECAUSE THEY
727
00:43:23,990 --> 00:43:25,240
GETTING ANTSY FOR A MEETING.
728
00:45:57,900 --> 00:46:00,400
MAN (OFFSCREEN): HERE WE GO,
YOU ALL, HERE WE GO GUYS.
729
00:46:00,400 --> 00:46:01,650
HERE WE GO.
730
00:46:07,880 --> 00:46:11,370
WOMAN (OFFSCREEN): THE MOBILE
AREA MARDI GRAS ASSOCIATION
731
00:46:11,370 --> 00:46:15,370
WELCOMES YOU TO THE 2007
GRAND MARSHAL'S BALLS.
732
00:46:18,360 --> 00:46:23,270
IF YOU ARE NOT IN A FESTIVE MOOD
WHEN YOU ARRIVED I KNOW
733
00:46:23,270 --> 00:46:24,520
YOU ARE NOW.
734
00:46:28,740 --> 00:46:40,200
LADIES AND GENTLEMEN THE
2007 ROYAL COURT.
735
00:46:40,200 --> 00:46:43,740
-THIS IS A LETTER TO THE EDITOR
THAT I SUBMITTED IN
736
00:46:43,740 --> 00:46:47,070
SEPTEMBER OF 2006.
737
00:46:47,070 --> 00:46:51,530
FOR YEARS I HAVE BEEN AN AVID
PARTICIPANT IN MARDI GRAS AND
738
00:46:51,530 --> 00:46:54,620
ALL OF IT'S ASSOCIATION
HOOPLA.
739
00:46:54,620 --> 00:46:58,840
IN JANUARY OF LAST YEAR WHEN
I WAS TELLING MARTY GROVE
740
00:46:58,840 --> 00:47:04,420
STORIES TO A HUSBAND AND WIFE
WHO WERE VISITING THE CITY THE
741
00:47:04,420 --> 00:47:09,140
HUSBAND, WHO IS WHITE, EXCLAIMED
THAT HE COULD GET
742
00:47:09,140 --> 00:47:12,720
BALL TICKETS FROM HIS
PROJECT MANAGER.
743
00:47:12,720 --> 00:47:18,120
THEIR EXCITEMENT HOWEVER TURNED
QUICKLY TO SORROW AS I
744
00:47:18,120 --> 00:47:24,020
EXPLAINED THAT MARDI GRAS IS
ALSO THE LAST STRONGHOLD OF
745
00:47:24,020 --> 00:47:30,140
SEGREGATION, AND THAT HIS WIFE
WHO IS BLACK WOULD NOT BE
746
00:47:30,140 --> 00:47:32,690
ADMITTED TO THE BALL.
747
00:47:32,690 --> 00:47:37,090
I OFFERED TO INVITE THEM TO MY
BALL INSTEAD, BUT THEY WERE
748
00:47:37,090 --> 00:47:38,810
NOT INTERESTED.
749
00:47:38,810 --> 00:47:42,700
THE SEGREGATION PART
HAD SPOILED IT.
750
00:47:42,700 --> 00:47:45,920
THE FOLKS DOWNTOWN WILL BE MAD,
YOU KNOW, THIS IS BAD FOR
751
00:47:45,920 --> 00:47:49,500
TOURISM BUT IT IS THE
TRUTH, ISN'T IT.
752
00:47:49,500 --> 00:47:53,560
WE CAN ALL KIND OF SKIRT AROUND
AND SAY, WELL THEY LIKE
753
00:47:53,560 --> 00:47:54,480
IT LIKE THAT.
754
00:47:54,480 --> 00:47:58,090
AND I THINK THAT'S KIND OF WHAT
EVERYBODY WANTS TO SAY.
755
00:47:58,090 --> 00:47:59,890
WELL, BECAUSE WE DON'T
HAVE A CHOICE.
756
00:48:06,580 --> 00:48:08,770
LORENZO MARTIN (OFFSCREEN): IN
2000 I CAME DOWN TO MIDTOWN
757
00:48:08,770 --> 00:48:10,150
WITH MY SON DOING
THE MARDI GRAS
758
00:48:10,150 --> 00:48:12,700
AND I PUT ON MY SHOULDERS.
759
00:48:12,700 --> 00:48:14,650
LITTLE DID I KNOW THAT HE WAS
GOING TO HOLLER AND SCREAM FOR
760
00:48:14,650 --> 00:48:18,040
MOON PIES AND BEADS, AND HE
WASN'T GOING TO GET IT BECAUSE
761
00:48:18,040 --> 00:48:19,550
HE WAS YOUNG BLACK KID.
762
00:48:19,550 --> 00:48:22,710
HE DID NOT KNOW THAT, I KNEW
THAT, AND THE YOUNG PEOPLE
763
00:48:22,710 --> 00:48:25,470
THAT WAS IN FRONT OF US KNEW IT,
SO THEY ON THREE OCCASIONS
764
00:48:25,470 --> 00:48:27,960
PASSED HIM SOME [INAUDIBLE]
SOME BEADS, SOME MOON PIE.
765
00:48:27,960 --> 00:48:30,140
AFTER THAT NIGHT I FELT
REAL BAD AS A DAD.
766
00:48:30,140 --> 00:48:31,850
MY FIRST SON HE'S A JUNIOR.
767
00:48:31,850 --> 00:48:35,660
AND I FELT LIKE I NEEDED TO
DO SOMETHING ABOUT THAT.
768
00:48:35,660 --> 00:48:38,010
I PROCEEDED TO TALK TO THE MAYOR
AND TALKED TO SOME OTHER
769
00:48:38,010 --> 00:48:41,830
INDIVIDUALS ABOUT POSSIBLY
HAVING AN ORGANIZATION
770
00:48:41,830 --> 00:48:45,900
INTEGRATED THAT PARADE- DURING
THE PARADE SEASON.
771
00:48:45,900 --> 00:48:49,100
-I LIKE HISTORY BECAUSE IF YOU
DON'T KNOW WHAT'S GOING ON IN
772
00:48:49,100 --> 00:48:50,700
YOUR PAST YOU'LL NEVER
FIND OUT WHAT YOUR
773
00:48:50,700 --> 00:48:51,660
FUTURE GOING TO BE LIKE.
774
00:48:51,660 --> 00:48:56,430
THE WHOLE GOAL IS TO MAKE SURE
THAT WE DON'T REPEAT THE PAST
775
00:48:56,430 --> 00:48:57,730
AND SEGREGATE ANYBODY.
776
00:48:57,730 --> 00:49:00,300
WE'RE NOT A SEGREGATED
ORGANIZATION.
777
00:49:00,300 --> 00:49:02,790
WE'RE AN ORGANIZATION THAT'S
OPEN TO EVERYBODY.
778
00:49:02,790 --> 00:49:06,850
I'M PRETTY SURE WE COVERED ALL
THE RULES OF WHAT WE CAN'T DO
779
00:49:06,850 --> 00:49:10,180
SO MUCH TO RULES OF
WHAT WE CAN DO.
780
00:49:10,180 --> 00:49:12,530
YOU CAN HAVE FUN.
781
00:49:12,530 --> 00:49:14,830
YOU CAN THROW CANDY.
782
00:49:14,830 --> 00:49:19,540
YOU CAN SMILE, YOU CAN JUMP, YOU
CAN SHOUT, YOU CAN SCREAM
783
00:49:19,540 --> 00:49:20,790
YOU CAN DO ALL THOSE THINGS.
784
00:49:24,470 --> 00:49:27,410
WE'RE GOING TO WRAP THIS UP
BECAUSE TIME IS AT AN ESSENCE.
785
00:49:27,410 --> 00:49:28,660
TIME IS AT ESSENCE.
786
00:49:33,780 --> 00:49:36,720
WHEN YOU GET ON YOUR FLOAT
JUST REMEMBER ONE THING.
787
00:49:36,720 --> 00:49:40,100
YOU'RE STILL MAKING HISTORY,
YOU'RE STILL MAKING HISTORY.
788
00:49:44,740 --> 00:49:46,960
-BUT US NOT HAVING A FLOAT
BOARD, US NOT OWNING THE
789
00:49:46,960 --> 00:49:49,660
FLOATS, IT MAKES IT VERY
DIFFICULT BECAUSE WE ONLY HAVE
790
00:49:49,660 --> 00:49:51,840
A FOUR OR FIVE HOUR SPAN
TO LOAD THE FLOATS.
791
00:49:51,840 --> 00:49:54,000
-WHAT WE DO, WE RENT
OUR FLOATS.
792
00:49:54,000 --> 00:49:56,140
AFTER WE USE THEM, THEY'RE
NOT GOOD FOR NOTHING.
793
00:49:56,140 --> 00:49:59,010
SO WE END UP RENTING THEM TO
OTHER ORGANIZATIONS THAT'S
794
00:49:59,010 --> 00:49:59,820
BUILDING UP.
795
00:49:59,820 --> 00:50:02,230
THAT CAN'T AFFORD TO BUILD
THEIR OWN FLOAT.
796
00:50:02,230 --> 00:50:04,400
BELIEVE IT OR NOT THESE FLOATS
WOULD RUN YOU ANYWHERE FROM
797
00:50:04,400 --> 00:50:07,760
$60,000 TO $75,000 FROM
THE GROUND UP.
798
00:50:07,760 --> 00:50:11,850
AND THE CAVALIERS ARE SUCH GOOD
PEOPLE THEY ALLOW YOU ALL
799
00:50:11,850 --> 00:50:14,780
TO RENT THESE FINE BEAUTIFUL
FLOATS, TO ENJOY YOU ALL'S
800
00:50:14,780 --> 00:50:15,410
PARADE, RIGHT?
801
00:50:15,410 --> 00:50:16,110
MAN (OFFSCREEN): WE
APPRECIATE IT.
802
00:50:16,110 --> 00:50:18,040
-AND, AND AND, YOU KNOW THE GOOD
THING ABOUT WE WANT TO
803
00:50:18,040 --> 00:50:18,950
GROW AND BE--
804
00:50:18,950 --> 00:50:20,850
YOU ALL ARE A ROLE
MODEL TO US.
805
00:50:20,850 --> 00:50:22,470
THAT'S HOW YOU LEARN YOU--
806
00:50:22,470 --> 00:50:22,950
MAN (OFFSCREEN): WHOA,
WHOA, WHOA.
807
00:50:22,950 --> 00:50:24,360
WAIT A MINUTE.
808
00:50:24,360 --> 00:50:25,780
MAN (OFFSCREEN): THAT'S
A BAD ROLE MODEL.
809
00:50:25,780 --> 00:50:26,730
MAN (OFFSCREEN): YOU NEED
TO DO BETTER THAN THAT.
810
00:50:26,730 --> 00:50:28,620
MAN (OFFSCREEN): NO,
THAT SOUNDS GOOD,
811
00:50:28,620 --> 00:50:29,570
THANK YOU VERY MUCH.
812
00:50:29,570 --> 00:50:31,360
MAN (OFFSCREEN): YOU NEED TO
LEARN THROUGH HISTORY.
813
00:50:31,360 --> 00:50:33,250
MAN (OFFSCREEN): WISH WE COULD
SELL OUR FLOATS TO YOU ALL AND
814
00:50:33,250 --> 00:50:35,930
WE COULD RENT THEM
FROM YOU ALL.
815
00:50:35,930 --> 00:50:38,530
YEAH, YOU PAY TO REBUILD THEM
YOU PAY TO HOUSE THEM.
816
00:50:38,530 --> 00:50:39,650
-YEAH, YEAH THAT'S--
817
00:50:39,650 --> 00:50:40,820
MAN (OFFSCREEN): IT'S A WHOLE
LOT CHEAPER THAT WAY.
818
00:50:40,820 --> 00:50:41,200
DON'T GET NO BARN.
819
00:50:41,200 --> 00:50:41,850
-THAT'S SOMETHING
TO THINK ABOUT.
820
00:50:41,850 --> 00:50:45,750
BUT YEAH, WE APPRECIATE YOU
GUYS, YOU KNOW W REALLY DO.
821
00:50:45,750 --> 00:50:49,060
EVERY YEAR, EVERY YEAR I TELL
YOU, TELL YOU GUYS HOW MUCH WE
822
00:50:49,060 --> 00:50:50,150
APPRECIATE YOU.
823
00:50:50,150 --> 00:50:52,060
UM, YOU ALL HAVE MADE A
LOT OF PEOPLE HAPPY.
824
00:50:52,060 --> 00:50:53,810
-WE DEPOSIT YOUR APPRECIATION.
825
00:50:53,810 --> 00:50:54,540
-YOU DID?
826
00:50:54,540 --> 00:50:54,890
-YEAH.
827
00:50:54,890 --> 00:50:55,570
-DID IT, DID IT CLEAR?
828
00:50:55,570 --> 00:50:56,820
-IT CLEARED.
829
00:50:56,820 --> 00:50:57,740
THIS YEAR IT DID.
830
00:50:57,740 --> 00:50:58,010
-THIS YEAR!
831
00:50:58,010 --> 00:50:58,390
HEY
832
00:50:58,390 --> 00:50:59,640
MAN (OFFSCREEN): YOU'RE
IN OUR BAR AREN'T YOU?
833
00:51:02,910 --> 00:51:04,160
-LOVE IT!
834
00:52:51,300 --> 00:52:54,570
-MY DUTY TODAY IS TO HAVE
A KEY AROUND MY NECK.
835
00:52:54,570 --> 00:52:57,780
NOW, WE SAY THAT THE KEYS DON'T
OPEN ANYBODY, BUT THIS
836
00:52:57,780 --> 00:52:59,990
KEY DOES THIS KEY
OPEN CITY HALL.
837
00:52:59,990 --> 00:53:02,920
SO ON ASH WEDNESDAY I HOPE THE
GRAND MARSHALL GIVES IT BACK
838
00:53:02,920 --> 00:53:04,720
TO ME BECAUSE I WON'T BE ABLE
TO GET IN MY OFFICE.
839
00:53:04,720 --> 00:53:11,610
-(SINGING) THE SOUTHERN BELLS
ARE RINGING, CLIMATE'S IDEAL.
840
00:53:11,610 --> 00:53:15,050
IT'S A HONEYSUCKLE OF HEAVEN
BY THE NAME OF MOBILE.
841
00:53:25,380 --> 00:53:28,340
MAN (OFFSCREEN)LADIES AND
GENTLEMEN, THEY MAYOR OF
842
00:53:28,340 --> 00:53:31,240
MOBILE THE HONORABLE
SAM JONES.
843
00:54:24,200 --> 00:54:46,030
[SHOUTING WITH EXCITEMENT]
844
00:54:46,030 --> 00:54:49,400
MAN (OFFSCREEN)THANKS, PLEASE
WELCOME KING FELIX III AND THE
845
00:54:49,400 --> 00:54:50,650
KNIGHTS OF HIS COURT.
846
00:54:58,380 --> 00:55:02,240
-YOU KNOW IF IT'S HISTORICALLY
WHITE, OR IF IT'S HISTORICALLY
847
00:55:02,240 --> 00:55:04,160
BLACK, YOU KNOW THEY, THEY
KEEP IT THAT WAY BECAUSE
848
00:55:04,160 --> 00:55:06,330
THAT'S JUST HOW IT IS.
849
00:55:06,330 --> 00:55:09,000
BUT IT'S JUST THE WAY TOO FOR
MOBILE TO SAY, OK, WELL YEAH,
850
00:55:09,000 --> 00:55:11,640
THERE-- LIKE I SAID THERE IS A
BARRIER BECAUSE THESE GROUPS
851
00:55:11,640 --> 00:55:14,130
WERE FOUNDED AS AFRICAN AMERICAN
ORGANIZATIONS, OR A
852
00:55:14,130 --> 00:55:19,860
CAUCASIAN ORGANIZATIONS, BUT
IT'S NOT A SNOBBISH, OK, WE
853
00:55:19,860 --> 00:55:22,840
CAN'T ASSOCIATE WITH THEM
BECAUSE THEY ARE THIS.
854
00:55:22,840 --> 00:55:25,760
IT'S THE WAY FOR PEOPLE TO SEE
OH, THEY REALLY DO MINGLE AND
855
00:55:25,760 --> 00:55:28,470
GET ALONG, AND THAT'S ONE OF THE
MAJOR REASONS THAT JOSEPH
856
00:55:28,470 --> 00:55:30,680
AND I WANT TO GO TO
THE MCA CARNATION.
857
00:55:30,680 --> 00:55:34,260
BECAUSE I THINK WILL BE THE
FIRST TIME THAT THE
858
00:55:34,260 --> 00:55:36,210
[INAUDIBLE] KING AND QUEEN
HAVE EVER GONE.
859
00:56:01,230 --> 00:56:02,220
-THIS IS SO HEAVY.
860
00:56:02,220 --> 00:56:04,700
MY MOTHER IS HERE.
861
00:56:04,700 --> 00:56:05,190
THIS IS GOING TO--
862
00:56:05,190 --> 00:56:06,680
I'M GOING TO FALL
OVER BACKWARDS.
863
00:56:06,680 --> 00:56:07,660
-HERE WE GO.
864
00:56:07,660 --> 00:56:10,640
ONE, TWO, THREE.
865
00:56:10,640 --> 00:56:12,820
-MY DRESS IS SEE THROUGH
WE JUST FOUND OUT.
866
00:56:12,820 --> 00:56:15,660
SOMEONE'S TRYING TO BRING A SLIP
BUT THERE'S A TRAFFIC JAM
867
00:56:15,660 --> 00:56:16,910
ON THE HIGHWAY.
868
00:56:23,790 --> 00:56:25,280
[LAUGHTER]
869
00:56:49,100 --> 00:56:51,960
ANNOUNCER (OFFSCREEN): LADIES
AND GENTLEMEN, WELCOME TO THE
870
00:56:51,960 --> 00:56:55,810
103RD CORONATION OF A MOBILE
MARDI GRAS QUEEN OF THE 134TH
871
00:56:55,810 --> 00:56:59,360
YEAR OF CARNIVAL IN OUR BELOVED
MOBILE, ALABAMA, WHERE
872
00:56:59,360 --> 00:57:01,920
THE AMERICAN MARDI GRAS
CARNIVAL BEGAN.
873
00:57:09,670 --> 00:57:15,470
[MUSIC]
874
00:57:15,470 --> 00:57:19,370
ANNOUNCER: HIS ROYAL MAJESTY,
KING FELIX III, EMPEROR OF
875
00:57:19,370 --> 00:57:20,820
MIRTH AND JOY.
876
00:57:20,820 --> 00:57:22,760
LORD OF MISRULE.
877
00:57:22,760 --> 00:57:23,560
[INAUDIBLE]
878
00:57:23,560 --> 00:57:24,280
BARRY BRUCKMAN.
879
00:57:24,280 --> 00:57:27,770
[APPLAUSE]
880
00:57:27,770 --> 00:57:33,240
[MUSIC]
881
00:57:33,240 --> 00:57:38,220
ANNOUNCER: KING FELIX IS
ATTENDED BY HIS [INAUDIBLE]
882
00:57:38,220 --> 00:57:41,710
AND MASTER JOHN RICHIE MCPHERSON
PRINCE, JUNIOR.
883
00:57:54,160 --> 00:58:02,630
[APPLAUSE]
884
00:58:06,110 --> 00:58:07,360
-DAVID COOK.
885
00:58:15,080 --> 00:58:22,050
[MUSIC]
886
00:58:22,050 --> 00:58:24,300
ANNOUNCER: HER GRACIOUS
MAJESTY, QUEEN HELEN.
887
00:58:24,300 --> 00:58:28,340
HELEN BEATRICE MEAHER EMPRESS
OF CHARM AND BEAUTY.
888
00:58:28,340 --> 00:58:30,810
RULER OF OUR HEARTS.
889
00:58:30,810 --> 00:58:37,240
[APPLAUSE]
890
00:58:37,240 --> 00:58:59,520
[MUSIC]
891
00:58:59,520 --> 00:59:01,010
[CHEERING]
892
00:59:01,010 --> 00:59:06,950
[MUSIC]
893
00:59:06,950 --> 00:59:09,860
ANNOUNCER: LADIES AND GENTLEMEN,
PRESENTING KING
894
00:59:09,860 --> 00:59:13,520
ALEXIS I, QUEEN STEPHANIE OF
MOBILE AREA MARDI GRAS
895
00:59:13,520 --> 00:59:15,310
ASSOCIATION.
896
00:59:15,310 --> 00:59:19,190
THEY'RE HERE TO GREET KING
FELIX AND QUEEN HELEN.
897
00:59:19,190 --> 00:59:22,660
[APPLAUSE]
898
00:59:22,660 --> 00:59:44,480
[MUSIC]
899
00:59:44,480 --> 00:59:46,470
FEMALE NARRATING: THIS WAS THE
FIRST TIME EVER IN HISTORY
900
00:59:46,470 --> 00:59:49,640
THAT THE MAMGA KING AND QUEEN
EVER ATTENDED THE MCA
901
00:59:49,640 --> 00:59:50,580
CORONATION.
902
00:59:50,580 --> 00:59:52,850
AND THEN, OF COURSE, TO ACTUALLY
BE ANNOUNCED AND
903
00:59:52,850 --> 00:59:54,180
CALLED OUT AND HAVE
TO WALK OUT.
904
00:59:54,180 --> 00:59:56,250
THAT WAS AMAZING TO ME.
905
00:59:56,250 --> 00:59:58,030
BUT I WAS NERVOUS BECAUSE
I DIDN'T THINK WE
906
00:59:58,030 --> 00:59:58,900
WE'RE GOING TO DO THAT.
907
00:59:58,900 --> 01:00:02,530
[MUSIC]
908
01:00:02,530 --> 01:00:04,200
FEMALE NARRATING: I THOUGHT
IT WAS SO NICE
909
01:00:04,200 --> 01:00:05,470
THAT THEY DID COME.
910
01:00:05,470 --> 01:00:08,230
AND THEY WERE JUST LIKE, WHEN
YOU GET OUT THERE AND RIGHT
911
01:00:08,230 --> 01:00:11,320
AFTER MAX CROWNS YOU, YOU NEED
TO TELL HIM THAT-- THAT
912
01:00:11,320 --> 01:00:12,390
THERE'S A CHANGE OF PLANS.
913
01:00:12,390 --> 01:00:15,010
[MUSIC]
914
01:00:15,010 --> 01:00:18,620
MALE NARRATING: AS SOON AS MR.
COOPER FOUND OUT, YOU KNOW,
915
01:00:18,620 --> 01:00:22,470
HEY, WE GOT THE MAMGA KING AND
QUEEN IN HERE, IT WAS LIKE
916
01:00:22,470 --> 01:00:25,430
EVERYTHING AROUND US CHANGED.
917
01:00:25,430 --> 01:00:26,400
GIVE THEM ANYTHING THEY WANT.
918
01:00:26,400 --> 01:00:27,970
AND, I MEAN, HE SAID THAT.
919
01:00:27,970 --> 01:00:33,690
HE REALLY MEANT IT TO WHERE HE
EVEN ASSIGNED A WAITER TO US.
920
01:00:33,690 --> 01:00:38,760
FOR THEM TO INCLUDE US
IN THEIR CORONATION--
921
01:00:38,760 --> 01:00:40,680
HE DIDN'T HAVE TO DO THAT.
922
01:00:40,680 --> 01:00:42,420
HE REALLY DIDN'T.
923
01:00:42,420 --> 01:00:45,550
THEY KIND OF GAVE US THE
CUES OF WHERE TO STOP
924
01:00:45,550 --> 01:00:47,090
AND WHERE TO WAVE.
925
01:00:47,090 --> 01:00:50,590
AND WE KNEW THAT THERE WAS THE
PARENTS OF THE KING AND QUEEN
926
01:00:50,590 --> 01:00:51,260
AND THEIR FAMILIES.
927
01:00:51,260 --> 01:00:53,700
SO WE STOPPED THERE AND
WE CAME AROUND.
928
01:00:53,700 --> 01:00:56,100
AND JUST TO SEE THE PEOPLE
APPLAUD AND STANDING UP AND
929
01:00:56,100 --> 01:00:59,870
ALL HAIL THE KING ALEXIS AND--
930
01:00:59,870 --> 01:01:01,780
AND QUEEN STEPHANIE.
931
01:01:01,780 --> 01:01:03,890
IT WAS VERY SPECIAL.
932
01:01:03,890 --> 01:01:22,280
[BACKGROUND NOISES]
933
01:01:22,280 --> 01:01:22,760
FEMALE NARRATING: MTR.
934
01:01:22,760 --> 01:01:26,410
COOPER TOLD US THAT WE GOT THE
BIGGEST OVATION BECAUSE IT WAS
935
01:01:26,410 --> 01:01:29,240
JUST A SHOCK FOR THEM FOR
US TO EVEN BE THERE.
936
01:01:29,240 --> 01:01:30,220
-YOU KNOW.
937
01:01:30,220 --> 01:01:32,630
LIKE YOU WOULD DO AT YOUR
HOME IF A GUEST ARRIVED.
938
01:01:32,630 --> 01:01:35,190
YOU MAKE THEM FEEL WELCOME.
939
01:01:35,190 --> 01:01:37,170
AND I DON'T KNOW A BETTER WAY
TO MAKE THEM FEEL WELCOME ON
940
01:01:37,170 --> 01:01:40,340
BUT TO INTRODUCE
THEM TO ENTIR--
941
01:01:40,340 --> 01:01:41,290
ENTIRE AUDIENCE.
942
01:01:41,290 --> 01:01:42,080
AND--
943
01:01:42,080 --> 01:01:42,970
AND I DIDN'T KNOW.
944
01:01:42,970 --> 01:01:48,470
BUT I FELT VERY SURE, I FELT
VERY SURE THAT THEIR RECEPTION
945
01:01:48,470 --> 01:01:50,020
WOULD BE THAT WAY.
946
01:01:50,020 --> 01:01:52,230
IT'S MOBILE 2007.
947
01:01:52,230 --> 01:01:53,990
THOSE DAYS ARE GONE.
948
01:02:26,820 --> 01:02:29,570
-THERE WAS A TIME NOT VERY LONG
AGO WHEN THAT WOULD HAVE
949
01:02:29,570 --> 01:02:32,550
ABSOLUTELY NEVER OCCURRED.
950
01:02:32,550 --> 01:02:33,600
THEN AGAIN, THE WHOLE
COURT DIDN'T GO.
951
01:02:33,600 --> 01:02:34,380
YOU KNOW WHAT I MEAN?
952
01:02:34,380 --> 01:02:35,920
BECAUSE I THINK THAT-- IT'S
NOT-- THEY'RE NOT
953
01:02:35,920 --> 01:02:36,410
READY FOR THAT YET.
954
01:02:36,410 --> 01:02:40,290
THEY'RE NOT READY FOR THE COURT
OF ONE TO VISIT THE--
955
01:02:40,290 --> 01:02:42,060
THE BALL OF THE OTHER.
956
01:02:42,060 --> 01:02:45,470
-THANK YOU SO MUCH FOR COMING.
957
01:02:45,470 --> 01:02:52,770
[BACKGROUND NOISES]
958
01:02:52,770 --> 01:02:55,430
FEMALE NARRATING: I HOPE IT
ENCOURAGES THE KING--
959
01:02:55,430 --> 01:02:58,150
MAMGA'S KING AND QUEEN
TO GO EVERY YEAR.
960
01:02:58,150 --> 01:03:00,300
AND MAYBE AT SOME POINT--
961
01:03:00,300 --> 01:03:00,730
I DON'T KNOW.
962
01:03:00,730 --> 01:03:03,520
I THINK THEY HAVE SOMETHING
TO DO ON THE SUNDAY NIGHT.
963
01:03:03,520 --> 01:03:03,940
BUT I DON'T KNOW.
964
01:03:03,940 --> 01:03:06,160
MAYBE AT SOME POINT THEY'LL BE
ABLE TO COME TO THE MAMGA
965
01:03:06,160 --> 01:03:07,810
CORONATION.
966
01:03:07,810 --> 01:03:08,370
I DON'T KNOW WHO.
967
01:03:08,370 --> 01:03:09,730
MAYBE.
968
01:03:09,730 --> 01:03:11,030
I DON'T KNOW.
969
01:03:11,030 --> 01:03:38,310
[BACKGROUND NOISES]
970
01:03:38,310 --> 01:03:49,280
[LAUGHTER]
971
01:03:49,280 --> 01:03:50,360
-THERE'S IS GORGEOUS.
972
01:03:50,360 --> 01:03:50,980
BUT IT'S--
973
01:03:50,980 --> 01:03:52,820
IT'S NOT AS FORMAL AS OURS.
974
01:03:52,820 --> 01:03:53,300
IT'S KIND OF IN--
975
01:03:53,300 --> 01:03:55,100
I DON'T WANT TO SAY INFORMAL.
976
01:03:55,100 --> 01:03:56,860
BUT LIKE THE KNIGHTS AND STUFF,
THEY BE UP THERE WITH
977
01:03:56,860 --> 01:03:57,370
THEIR LADY.
978
01:03:57,370 --> 01:04:00,190
AND YOU KNOW, THEY KINDA
BE TALKING AND--
979
01:04:00,190 --> 01:04:03,210
-NO WAY.
980
01:04:03,210 --> 01:04:04,010
-UH UH.
981
01:04:04,010 --> 01:04:05,620
NOT STANDING UP THERE.
982
01:04:05,620 --> 01:04:06,590
OH, SHE REAL QUIET.
983
01:04:06,590 --> 01:04:06,970
SHE'S SWEET THOUGH.
984
01:04:06,970 --> 01:04:08,720
SHE REAL QUIET.
985
01:04:08,720 --> 01:04:09,970
ANNOUNCER: [INAUDIBLE]
986
01:04:14,210 --> 01:04:17,200
SON OF MR. [INAUDIBLE]
987
01:04:17,200 --> 01:04:18,200
JONES.
988
01:04:18,200 --> 01:04:23,690
[MUSIC]
989
01:04:23,690 --> 01:04:26,180
[APPLAUSE]
990
01:04:26,180 --> 01:04:29,180
ANNOUNCER: LADIES AND GENTLEMEN,
PRESENTING THE
991
01:04:29,180 --> 01:04:32,910
KNIGHTS OF THE 67TH PRESENTATION
OF THE MOBILE
992
01:04:32,910 --> 01:04:34,860
AREA MARDI GRAS ASSOCIATION.
993
01:04:34,860 --> 01:04:41,710
[MUSIC]
994
01:04:41,710 --> 01:04:46,380
ANNOUNCER: PRESENTING KING
ALEXIS I. KING OF THE 67TH
995
01:04:46,380 --> 01:04:52,280
PRESENTATION OF THE MOBILE AREA
MARDI GRAS ASSOCIATION.
996
01:04:52,280 --> 01:04:57,420
HIS ROYAL HIGHNESS , KING
JOSEPH JERMAINE ROBESON.
997
01:04:57,420 --> 01:05:24,470
[MUSIC]
998
01:05:24,470 --> 01:05:30,910
[MUSIC]
999
01:05:30,910 --> 01:05:33,910
ANNOUNCER: LADIES AND GENTLEMEN,
HER GRACIOUS
1000
01:05:33,910 --> 01:05:39,420
MAJESTY, QUEEN STEPHANIE
[INAUDIBLE].
1001
01:05:39,420 --> 01:05:44,800
[MUSIC]
1002
01:05:44,800 --> 01:05:50,700
[APPLAUSE]
1003
01:05:50,700 --> 01:05:54,150
[MUSIC]
1004
01:05:54,150 --> 01:05:57,590
[APPLAUSE]
1005
01:05:57,590 --> 01:06:04,970
[MUSIC]
1006
01:06:04,970 --> 01:06:07,430
[BACKGROUND NOISES]
1007
01:06:07,430 --> 01:06:08,470
-IT'S OK.
1008
01:06:08,470 --> 01:06:09,380
THESE ARE SOME BRAND
NEW SHOES.
1009
01:06:09,380 --> 01:06:11,210
THESE ARE BEING THROWN AWAY.
1010
01:06:11,210 --> 01:06:12,110
-OH, HERE THEY GO.
1011
01:06:12,110 --> 01:06:14,160
I TOOK THEM OFF OF MY FEET.
1012
01:06:14,160 --> 01:06:15,160
MALE SPEAKER (OFFSCREEN):
GOT IT.
1013
01:06:15,160 --> 01:06:17,820
NOW HOLD WHERE YOU ARE.
1014
01:06:17,820 --> 01:06:19,300
[CAMERA BEEPING]
1015
01:06:19,300 --> 01:06:24,720
[MUSIC]
1016
01:06:24,720 --> 01:06:30,640
[BACKGROUND NOISES]
1017
01:06:30,640 --> 01:06:33,100
-THERE'S SOMETHING GOING
ON RIGHT HERE.
1018
01:06:33,100 --> 01:06:43,450
[BACKGROUND NOISES]
1019
01:06:43,450 --> 01:06:44,350
-HEY, GOOD TO SEE YOU AGAIN.
1020
01:06:44,350 --> 01:06:45,510
-THINGS ARE GREAT.
1021
01:06:45,510 --> 01:06:45,900
GREAT.
1022
01:06:45,900 --> 01:06:47,240
IT'S WONDERFUL TO
SEE YOU AGAIN.
1023
01:06:47,240 --> 01:06:48,190
-YOU TOO.
1024
01:06:48,190 --> 01:06:49,630
HOW YOU DOING?
1025
01:06:49,630 --> 01:06:51,060
-DOING GREAT.
1026
01:06:51,060 --> 01:06:52,010
CONGRATS.
1027
01:06:52,010 --> 01:06:52,500
-YEAH.
1028
01:06:52,500 --> 01:06:53,070
-HI, AGAIN.
1029
01:06:53,070 --> 01:06:53,740
HOW ARE Y'ALL?
1030
01:06:53,740 --> 01:06:53,990
-GOOD.
1031
01:06:53,990 --> 01:06:54,390
HOW ARE YOU?
1032
01:06:54,390 --> 01:06:54,670
-GOOD.
1033
01:06:54,670 --> 01:06:55,920
ARE Y'ALL READY FOR THIS?
1034
01:06:55,920 --> 01:06:56,360
-YEAH.
1035
01:06:56,360 --> 01:06:57,230
WE'RE READY.
1036
01:06:57,230 --> 01:06:59,010
-NOT NERVOUS OR ANYTHING?
1037
01:06:59,010 --> 01:07:01,690
-WE JUST DID THE CORONATION
SO I'M GOOD NOW.
1038
01:07:01,690 --> 01:07:04,180
ANNOUNCER: ALL RIGHT,
PUT YOUR HANDS
1039
01:07:04,180 --> 01:07:06,160
TOGETHER FOR THE COMRADES.
1040
01:07:06,160 --> 01:07:09,640
YOU GONNA HAVE A MARDI GRAS
PARTY UP IN HERE TONIGHT.
1041
01:07:09,640 --> 01:07:11,630
GRAB THE UMBRELLAS.
1042
01:07:11,630 --> 01:07:14,610
BECAUSE WE'RE ABOUT
TO GET REAL BUSY.
1043
01:07:14,610 --> 01:07:43,940
[MUSIC]
1044
01:07:43,940 --> 01:07:45,820
MALE NARRATING: I'VE BEEN GOING
TO THE COMRADES BALL
1045
01:07:45,820 --> 01:07:47,720
SINCE 2004.
1046
01:07:47,720 --> 01:07:51,890
AND OUR YEAR, THIS IS THE FIRST
TIME WHERE THE MCA KING
1047
01:07:51,890 --> 01:07:54,750
AND QUEEN AND THE MAMGA
KING AND QUEEN
1048
01:07:54,750 --> 01:07:56,010
INTERACTED LIKE THAT .
1049
01:07:56,010 --> 01:07:57,400
I MEAN MINGLED IN THE CROWD.
1050
01:07:57,400 --> 01:07:59,190
TOOK PICTURES WITH PEOPLE.
1051
01:07:59,190 --> 01:08:00,220
DANCING TOGETHER.
1052
01:08:00,220 --> 01:08:00,650
WALK TOGETHER.
1053
01:08:00,650 --> 01:08:03,990
LIKE, WE ACTUALLY MINGLED.
1054
01:08:03,990 --> 01:08:06,000
MALE NARRATING: I DON'T THINK
WE WERE SUPPOSED TO DO THAT.
1055
01:08:06,000 --> 01:08:08,500
BUT WE KINDA JUST GOT CARRIED
AWAY WITH IT.
1056
01:08:08,500 --> 01:08:10,670
-I FELT LIKE A ROCK STAR.
1057
01:08:10,670 --> 01:08:13,130
I FELT LIKE I WAS UP THERE
LIKE AT A CONCERT.
1058
01:08:13,130 --> 01:08:16,880
-HE KEPT ASKING ME WHILE WE
WERE DANCING, HE WAS LIKE,
1059
01:08:16,880 --> 01:08:17,940
THIS IS THE BEST.
1060
01:08:17,940 --> 01:08:19,370
DO Y'ALL DO THIS ALL THE TIME?
1061
01:08:19,370 --> 01:08:22,720
[MUSIC]
1062
01:08:22,720 --> 01:08:25,070
MALE NARRATING: I THINK IF--IF
THERE WAS ANYTHING, YOU KNOW,
1063
01:08:25,070 --> 01:08:26,000
TO HELP, YOU KNOW--
1064
01:08:26,000 --> 01:08:28,850
I HATE TO SAY THE WORD BRING
IT TOGETHER BECAUSE IT-- IT
1065
01:08:28,850 --> 01:08:30,340
IMPLIES THEY'RE MORE
SEGREGATED THAN I
1066
01:08:30,340 --> 01:08:31,560
THINK THAT THEY ARE.
1067
01:08:31,560 --> 01:08:35,090
I JUST THINK PEOPLE TEND TO
CHOOSE TO GO SPEND TIME WITH
1068
01:08:35,090 --> 01:08:36,560
WHAT THEIR FAMILIES HAVE
BEEN DOING FOR
1069
01:08:36,560 --> 01:08:37,940
GENERATIONS AND YEARS.
1070
01:08:37,940 --> 01:08:39,200
AND THAT'S JUST WHAT
THEY CHOOSE TO DO.
1071
01:08:39,200 --> 01:08:41,790
BUT IT WOULD BE GREAT IF YOU
COULD GET MORE PEOPLE TO GO TO
1072
01:08:41,790 --> 01:08:44,060
THE COMRADES BECAUSE THEY'D LOVE
IT. 'CAUSE IT'S SUCH AN
1073
01:08:44,060 --> 01:08:44,720
EYE OPENER.
1074
01:08:44,720 --> 01:08:46,020
IT'S SUCH A GREAT PARTY.
1075
01:09:16,490 --> 01:09:17,950
-[INAUDIBLE], COME ON.
1076
01:09:17,950 --> 01:09:19,410
WE GOTTA TAKE A PICTURE.
1077
01:09:19,410 --> 01:09:20,380
-THANK YOU.
1078
01:09:20,380 --> 01:09:21,840
YOU LOOK GOOD TOO.
1079
01:09:25,240 --> 01:09:28,580
MALE NARRATING: I THINK THE
SEPARATION IS MORE SO TO
1080
01:09:28,580 --> 01:09:32,270
PRESERVE OUR OWN PERSPECTIVES
ON MARDI GRAS.
1081
01:09:32,270 --> 01:09:35,410
BUT WE SHOULD STILL HAVE SOME
TYPE OF ACTIVITY WHERE BOTH
1082
01:09:35,410 --> 01:09:38,530
COURTS AND BOTH ORGANIZATIONS
CAN REALLY GET TO KNOW EACH
1083
01:09:38,530 --> 01:09:42,910
OTHER AND-- AND NOT JUST BE THE
FOCAL POINTS OF MARDI GRAS
1084
01:09:42,910 --> 01:09:46,430
AND JUST SEE EACH OTHER AT THE
COMRADES BALL AND THAT BE IT.
1085
01:09:46,430 --> 01:09:49,760
I THINK IT'S-- IT'S A LOT OF
TIME TIL WHEN WE CAN SIT DOWN
1086
01:09:49,760 --> 01:09:51,560
AND BREAK BREAD WITH ONE ANOTHER
AND FIND OUT A LITTLE
1087
01:09:51,560 --> 01:09:52,810
BIT MORE ABOUT EACH OTHER.
1088
01:10:18,170 --> 01:10:23,650
[MUSIC]
1089
01:10:23,650 --> 01:10:29,900
MALE NARRATING: I THINK THAT
IF I WAS TO SEE THEM LIKE A
1090
01:10:29,900 --> 01:10:32,370
MONTH OR SO FROM NOW, THEY'LL
REMEMBER WHO I AM.
1091
01:10:32,370 --> 01:10:34,000
AND, HEY, TUTU.
1092
01:10:34,000 --> 01:10:39,960
SO NEXT YEAR I WILL MOST
DEFINITELY BE ATTENDING SOME
1093
01:10:39,960 --> 01:10:41,880
MORE MCA EVENTS.
1094
01:10:41,880 --> 01:10:49,360
[BACKGROUND NOISES]
1095
01:10:49,360 --> 01:11:23,300
[MARCHING BAND]
1096
01:11:23,300 --> 01:11:24,290
-IT'S MAMGA FITTING TO COME.
1097
01:11:24,290 --> 01:11:26,500
Y'ALL BETTER TURN AROUND
AND GO BACK UP THERE.
1098
01:11:26,500 --> 01:11:27,960
-WHY?
1099
01:11:27,960 --> 01:11:29,460
-IT'S THE BLACK PARADE.
1100
01:11:29,460 --> 01:11:30,630
IT'S OUR TIME.
1101
01:11:30,630 --> 01:11:34,080
Y'ALL GONNA MISS THE
BIG BOOM BOOM.
1102
01:11:34,080 --> 01:11:37,540
Y'ALL BETTER PACK HER UP
AND COME ON UP HERE.
1103
01:11:37,540 --> 01:11:37,750
-[INAUDIBLE]
1104
01:11:37,750 --> 01:11:39,250
-Y'ALL AIN'T GOT ENOUGH
GOING ON HERE.
1105
01:11:39,250 --> 01:11:56,210
[MUSIC]
1106
01:11:56,210 --> 01:12:08,190
[BACKGROUND NOISES]
1107
01:12:08,190 --> 01:12:35,140
[MARCHING BAND]
1108
01:12:35,140 --> 01:12:43,620
[CHEERING]
1109
01:12:43,620 --> 01:12:54,100
[MARCHING BAND]
1110
01:12:54,100 --> 01:12:58,700
[CHEERING]
1111
01:12:58,700 --> 01:12:59,980
-MY NAME IS DE ANDRA BAILEY.
1112
01:12:59,980 --> 01:13:04,100
MY FAVORITE THING ABOUT THE
FIFTH GRADE WAS I GOT TO BE IN
1113
01:13:04,100 --> 01:13:05,970
THE CLASS WITH THE REAL
QUEEN OF MARDI GRAS.
1114
01:13:05,970 --> 01:13:07,870
I WENT TO THE CORONATION
AND WATCHED HER BE
1115
01:13:07,870 --> 01:13:09,120
THE QUEEN SHE IS.
1116
01:13:13,400 --> 01:13:17,080
MALE NARRATING: WHEN MY DAUGHTER
WAS QUEEN, THEY, UH--
1117
01:13:17,080 --> 01:13:19,840
CAME TO THE HOUSE AND PRESENTED
THAT TO HER.
1118
01:13:19,840 --> 01:13:20,980
AND YOU CAN SEE WHAT IT SAYS.
1119
01:13:20,980 --> 01:13:27,580
THE CORONATION COMMITTEE OF THE
CARNIVAL ASSOCIATION FOR
1120
01:13:27,580 --> 01:13:29,360
QUEEN MARGARET WILSON LUCE.
1121
01:13:33,830 --> 01:13:35,320
UH--
1122
01:13:35,320 --> 01:13:39,560
YOU'RE GRANDMAMA HAD HER HANDS
FULL GETTING IT ALL DONE.
1123
01:13:39,560 --> 01:13:42,320
AND WE HAD A LOT
OF FUN WITH IT.
1124
01:13:42,320 --> 01:13:44,430
THE NIGHT--
1125
01:13:44,430 --> 01:13:48,660
THE NIGHT THEY CAME BY TO PICK
HER UP THEY COME-- THEY COME
1126
01:13:48,660 --> 01:13:51,430
IN A BUS WITH ALL THE
LADIES ON THE BUS.
1127
01:13:51,430 --> 01:13:54,640
SO I'D SET UP TABLES
IN THE FRONT YARD.
1128
01:13:54,640 --> 01:13:56,450
HAD A HELL OF A PARTY
OUT THERE.
1129
01:13:56,450 --> 01:13:59,810
[LAUGHTER]
1130
01:13:59,810 --> 01:14:03,360
YOU KNOW, IT WAS
A GOOD SPIRIT.
1131
01:14:03,360 --> 01:14:07,640
IT DEVELOPED INTO A FUN TIME.
1132
01:14:07,640 --> 01:14:10,830
I MEAN, OH, YOU CAN MAKE
SOMETHING BAD OUT OF ANYTHING.
1133
01:14:10,830 --> 01:14:12,650
I MEAN--
1134
01:14:12,650 --> 01:14:14,350
AND THE SPIRIT OF MARDI
GRAS'S FUN.
1135
01:14:14,350 --> 01:14:26,220
[MUSIC]
1136
01:14:26,220 --> 01:14:28,240
-GOOD AFTERNOON, EVERYBODY,
AND WELCOME TO THE 140TH
1137
01:14:28,240 --> 01:14:32,400
ANNUAL CELEBRATION OF
THE ORDER OF MYTHS.
1138
01:14:32,400 --> 01:14:35,150
WE ARE THE OLDEST CONTINUALLY
PARADING
1139
01:14:35,150 --> 01:14:37,370
MYSTIC SOCIETY IN EXISTENCE.
1140
01:14:37,370 --> 01:14:42,600
[MUSIC]
1141
01:14:42,600 --> 01:14:44,720
MALE NARRATING: I KNOW THAT
THERE'S A TIME, THERE'S A
1142
01:14:44,720 --> 01:14:45,570
PLACE FOR CHANGE.
1143
01:14:45,570 --> 01:14:47,390
AND I'M NOT TRYING
TO SHUN THAT.
1144
01:14:47,390 --> 01:14:48,990
BUT I DON'T THINK ANYTHING
NEEDS TO BE
1145
01:14:48,990 --> 01:14:49,960
FORCED ON IT RIGHT NOW.
1146
01:14:49,960 --> 01:14:52,730
YOU KNOW, IT'S WORKED WELL FOR
YEARS FOR--FOR 100 YEARS.
1147
01:14:52,730 --> 01:14:55,170
THERE'S ALWAYS GOING TO BE
PROBLEMS WITH ANY LARGE EVENT.
1148
01:14:55,170 --> 01:14:56,770
THERE ARE ALWAYS GOING
TO BE PEOPLE WHO
1149
01:14:56,770 --> 01:14:58,930
HAVE ISSUES WITH ANYTHING.
1150
01:14:58,930 --> 01:14:59,730
THAT'S--
1151
01:14:59,730 --> 01:15:01,410
YOU KNOW, YOU CAN'T
AVOID THAT.
1152
01:15:01,410 --> 01:15:02,480
NO MATTER WHAT YOU DO.
1153
01:15:02,480 --> 01:15:05,660
BUT MY OPINION, NOTHING
NEEDS TO CHANGE.
1154
01:15:05,660 --> 01:15:15,600
[BACKGROUND NOISES]
1155
01:15:15,600 --> 01:15:30,010
[CHEERING]
1156
01:15:30,010 --> 01:15:38,460
[BACKGROUND NOISES]
1157
01:15:38,460 --> 01:16:03,810
[MUSIC]
1158
01:16:07,400 --> 01:16:11,120
-I WILL TELL YOU SOMETHING
THAT I WILL NOT
1159
01:16:11,120 --> 01:16:12,940
PERMIT YOU TO RECORD.
1160
01:16:12,940 --> 01:16:15,920
FEMALE SPEAKER (OFFSCREEN):
OK.
1161
01:16:15,920 --> 01:18:26,880
[MUSIC]
82054
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.