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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:03,360 PHONE RINGS 2 00:00:03,360 --> 00:00:06,200 Interior Design Masters Headquarters, Alan speaking. 3 00:00:06,200 --> 00:00:07,480 It's offices this week. 4 00:00:07,480 --> 00:00:11,920 Ten aspiring designers are putting their lives on hold 5 00:00:11,920 --> 00:00:13,800 in search of a dream... 6 00:00:13,800 --> 00:00:16,600 Yes, I am talented and it's a great opportunity for me 7 00:00:16,600 --> 00:00:17,880 to showcase my talent. 8 00:00:17,880 --> 00:00:20,200 ..to break into the competitive world 9 00:00:20,200 --> 00:00:22,320 of professional interior design. 10 00:00:22,320 --> 00:00:26,760 You only live once and what I absolutely love is being creative. 11 00:00:26,760 --> 00:00:30,360 With interiors guru Michelle Ogundehin at the helm... 12 00:00:30,360 --> 00:00:32,120 Everyone with a passion for design 13 00:00:32,120 --> 00:00:34,200 thinks they can be an interior designer, 14 00:00:34,200 --> 00:00:37,000 but I'm looking for someone who has authentic talent 15 00:00:37,000 --> 00:00:40,480 and sees this as a real opportunity to learn. 16 00:00:40,480 --> 00:00:44,240 ..they'll need to impress some of the biggest names in the industry. 17 00:00:44,240 --> 00:00:48,000 Hello, '80s. I've missed you! 18 00:00:48,000 --> 00:00:51,760 This feels like an idea that should have been instantly put aside. 19 00:00:51,760 --> 00:00:54,040 I am scraping the barrel for criticism 20 00:00:54,040 --> 00:00:56,320 because I do love this room. 21 00:00:56,320 --> 00:00:59,720 This is what we're looking for - fearless decorating. 22 00:00:59,720 --> 00:01:02,560 Each week, the designers will be challenged to transform 23 00:01:02,560 --> 00:01:03,880 a commercial space... 24 00:01:03,880 --> 00:01:06,000 Open the door, I'm coming in. 25 00:01:03,880 --> 00:01:06,000 RINGS BELL 26 00:01:06,000 --> 00:01:08,080 I thought you were going to squidge my head then. 27 00:01:08,080 --> 00:01:11,000 ..to test their creative flair... 28 00:01:11,000 --> 00:01:12,640 That looks gorgeous now. 29 00:01:12,640 --> 00:01:15,160 ..and state-of-the-art design skills. 30 00:01:15,160 --> 00:01:18,080 Oh, sorry, sorry, sorry. Whoa! 31 00:01:15,160 --> 00:01:18,080 CLATTERING 32 00:01:18,080 --> 00:01:21,600 Sometimes when you're trying to do too much at once, accidents happen. 33 00:01:21,600 --> 00:01:24,800 I think you've sabotaged me! You've ruined that beautiful carpet. 34 00:01:24,800 --> 00:01:27,360 It's harder than it looks! 35 00:01:27,360 --> 00:01:29,680 They'll be pushed to their limits... 36 00:01:29,680 --> 00:01:33,360 I think the only thing holding me back is probably myself. 37 00:01:33,360 --> 00:01:37,400 ..as they compete to win a major career-defining contract 38 00:01:37,400 --> 00:01:40,520 with a luxury hotel in the Lakes. 39 00:01:40,520 --> 00:01:43,040 That would definitely be my absolute dream. 40 00:01:45,240 --> 00:01:47,840 Welcome to Interior Design Masters. 41 00:01:58,880 --> 00:02:01,080 It's week two. 42 00:02:01,080 --> 00:02:04,920 The designers are starting to arrive at Michelle's studio. 43 00:02:04,920 --> 00:02:07,440 I'm really excited. I just want to get going. 44 00:02:09,400 --> 00:02:12,720 Because I was in the bottom two teams last week, 45 00:02:12,720 --> 00:02:14,240 I don't want to be there again. 46 00:02:14,240 --> 00:02:17,560 Cannot be on that couch again. I just can't do it. 47 00:02:17,560 --> 00:02:20,800 After a challenging start transforming show homes, 48 00:02:20,800 --> 00:02:23,320 the nine remaining designers have another chance 49 00:02:23,320 --> 00:02:24,960 to show what they're made of. 50 00:02:24,960 --> 00:02:27,600 Hello, everyone. Hello! Hi! 51 00:02:27,600 --> 00:02:30,600 Oh, and the relief! 52 00:02:27,600 --> 00:02:30,600 LAUGHTER 53 00:02:30,600 --> 00:02:32,840 How you all feeling? Good. 54 00:02:32,840 --> 00:02:35,720 Did you think it was going to be this intense? No. Not at all. No. 55 00:02:35,720 --> 00:02:38,560 Cos the standard was really high. Did you agree? 56 00:02:38,560 --> 00:02:39,920 Yeah. Intimidatingly so. 57 00:02:39,920 --> 00:02:42,080 Hello, Michelle. Hello, everyone. 58 00:02:42,080 --> 00:02:44,720 Onwards and upwards then. Challenge two - 59 00:02:44,720 --> 00:02:47,520 you're going to be designing offices, but this time, 60 00:02:47,520 --> 00:02:51,160 you're going to be working in teams of three 61 00:02:51,160 --> 00:02:55,000 and each space must have three clear zones. 62 00:02:55,000 --> 00:02:59,040 There's a meeting zone, a work space and a more relaxed area. 63 00:02:59,040 --> 00:03:01,600 You'll have one zone each and be judged 64 00:03:01,600 --> 00:03:03,640 on your individual designs. 65 00:03:03,640 --> 00:03:07,400 But as always, I'll be looking at how you work as a team. 66 00:03:07,400 --> 00:03:10,840 The strongest team will be safe, 67 00:03:10,840 --> 00:03:14,400 but the rest of you will have Michelle to answer to 68 00:03:14,400 --> 00:03:17,680 and one of you will be going home. 69 00:03:19,160 --> 00:03:22,000 Go for it, then. I cannot wait to see what you do. 70 00:03:22,000 --> 00:03:23,080 Good luck. 71 00:03:23,080 --> 00:03:24,720 ALL: Thank you. 72 00:03:24,720 --> 00:03:25,840 Bye-bye. 73 00:03:28,880 --> 00:03:32,800 Situated in west London, the open-plan, mid-century offices 74 00:03:32,800 --> 00:03:35,720 are a blank canvas. The designers will need to come up 75 00:03:35,720 --> 00:03:40,040 with innovative ways to divide the space into three zones. 76 00:03:40,040 --> 00:03:45,160 So, Michelle, not one room, not two rooms, three rooms in an office. 77 00:03:45,160 --> 00:03:46,600 How difficult is that? 78 00:03:46,600 --> 00:03:49,600 Super difficult, because we're asking three people to kind 79 00:03:49,600 --> 00:03:51,720 of show us what they can do individually. 80 00:03:51,720 --> 00:03:54,120 But actually, you've got to make it look like one office. 81 00:03:54,120 --> 00:03:56,880 How will they divide up one big, open-plan space? 82 00:03:56,880 --> 00:03:59,240 I mean, there's so many different ways you could approach it. 83 00:03:59,240 --> 00:04:01,480 Do you make it, literally, a wall? 84 00:04:01,480 --> 00:04:03,320 Yeah. Do you make it book shelves? 85 00:04:03,320 --> 00:04:05,120 Do you make it something you interact with? 86 00:04:05,120 --> 00:04:08,040 It's all going to be about how they divide up that space. 87 00:04:08,040 --> 00:04:10,600 And to add to all that, these offices are going to be used 88 00:04:10,600 --> 00:04:12,360 by three different companies. 89 00:04:12,360 --> 00:04:15,320 Exactly. One team is designing for a beauty brand, 90 00:04:15,320 --> 00:04:17,880 one for a tech company, one for a media company, 91 00:04:17,880 --> 00:04:21,320 so the office itself and its contemporary nature will dictate 92 00:04:21,320 --> 00:04:22,960 a certain amount of the design, 93 00:04:22,960 --> 00:04:26,320 but the rest of it is about building a brand around the company 94 00:04:26,320 --> 00:04:28,720 that they're supposed to be designing for. 95 00:04:28,720 --> 00:04:32,960 Show me that you really thought about, how do I make a contemporary 96 00:04:32,960 --> 00:04:35,680 office space for the 21st century? 97 00:04:35,680 --> 00:04:38,320 Ooh, God, the pressure's on, isn't it? 98 00:04:38,320 --> 00:04:42,520 With each designer having had access to the brief in advance, 99 00:04:42,520 --> 00:04:45,400 first to share their ideas, Team Media. 100 00:04:45,400 --> 00:04:46,680 So that's the floor plan. 101 00:04:46,680 --> 00:04:50,560 Yeah. I want to split the space by creating a white curtain 102 00:04:50,560 --> 00:04:52,360 right the way across here. 103 00:04:52,360 --> 00:04:54,320 So the idea was to separate it 104 00:04:54,320 --> 00:04:57,400 because that's such a big space. If you just put one table in it, 105 00:04:57,400 --> 00:04:58,960 you can only have one meeting. OK. 106 00:04:58,960 --> 00:05:00,640 If we were to separate it, 107 00:05:00,640 --> 00:05:02,520 you've got a multifunctional space. 108 00:05:02,520 --> 00:05:04,760 The danger is it's not a huge office, 109 00:05:04,760 --> 00:05:07,920 and if we introduce too many partitions, it might end up feeling 110 00:05:07,920 --> 00:05:10,160 a little bit... Broke up. ..rabbit warren-y. Yeah. 111 00:05:10,160 --> 00:05:13,120 OK. Do you want something completely different? Absolutely. 112 00:05:13,120 --> 00:05:14,400 Absolutely. Eek! 113 00:05:14,400 --> 00:05:17,000 So I want it to be playful and I wanted 114 00:05:17,000 --> 00:05:20,920 to do something that elevated the space. 115 00:05:20,920 --> 00:05:24,080 So I'm really excited about the idea of doing some tiered seating. 116 00:05:26,480 --> 00:05:29,400 I think my style is bold, it's playful, 117 00:05:29,400 --> 00:05:32,720 I like there to be an element of fun in every room that I create. 118 00:05:35,680 --> 00:05:40,680 My main motivation for taking part in this process was my children. 119 00:05:40,680 --> 00:05:43,760 I felt it was really important to do something to make them proud 120 00:05:43,760 --> 00:05:47,520 and to inspire them to push themselves 121 00:05:47,520 --> 00:05:49,600 out of their comfort zone. 122 00:05:49,600 --> 00:05:53,000 For me, it's really important not to follow trends. 123 00:05:53,000 --> 00:05:55,760 I will always make my decisions based on my heart. 124 00:05:56,720 --> 00:05:59,560 And I'd really like a couple of swings either side 125 00:05:59,560 --> 00:06:01,800 of the sofa seating area. Yeah. 126 00:06:01,800 --> 00:06:05,640 I work in an office, so I know what an office needs. 127 00:06:05,640 --> 00:06:07,600 Sometimes people put in fun things to do, 128 00:06:07,600 --> 00:06:11,280 and whilst it's nice on paper, it doesn't necessarily work. 129 00:06:11,280 --> 00:06:13,240 I was going quite industrial. 130 00:06:13,240 --> 00:06:16,360 I do like the idea of using wood and natural materials. 131 00:06:16,360 --> 00:06:19,840 If your tiered sitting was in a plywood, you know, materials can 132 00:06:19,840 --> 00:06:22,480 tie things together really well. Absolutely. 133 00:06:22,480 --> 00:06:25,840 If you have the bright yellow, it's a media PR company 134 00:06:25,840 --> 00:06:29,040 and it's bringing energy to the work space. Yeah. 135 00:06:29,040 --> 00:06:31,840 Next door, transforming the tech office, 136 00:06:31,840 --> 00:06:35,000 Barbara, Paul and Siobhan. 137 00:06:35,000 --> 00:06:37,040 What I've done is I've mocked up 138 00:06:37,040 --> 00:06:39,080 our office space in a 3D model, 139 00:06:39,080 --> 00:06:42,360 so it might be a bit helpful for us to just look at the space together 140 00:06:42,360 --> 00:06:45,200 and then get a better idea of how it could be mapped out. 141 00:06:46,400 --> 00:06:50,280 I got a degree in architecture and I think the thing that needs 142 00:06:50,280 --> 00:06:52,600 to work in a room is the layout. 143 00:06:54,680 --> 00:06:57,280 Any time that I'm working on a project, I'll always just use 144 00:06:57,280 --> 00:07:00,440 one of my 3D modelling computer programmes so that you can get 145 00:07:00,440 --> 00:07:02,760 a really good idea of the space and be able to see 146 00:07:02,760 --> 00:07:06,040 what it's like to move around a room. 147 00:07:06,040 --> 00:07:10,720 I love to hear other people's ideas, but if I have an idea that I think 148 00:07:10,720 --> 00:07:13,120 is right, I would definitely fight my corner for it. 149 00:07:14,640 --> 00:07:17,480 I think one thing we need to establish is how would 150 00:07:17,480 --> 00:07:18,800 a tech company function? 151 00:07:18,800 --> 00:07:22,120 I don't think we should do anything too soft or subtle here. 152 00:07:22,120 --> 00:07:24,640 What I didn't want is basically just a load of desks. 153 00:07:24,640 --> 00:07:26,200 I wanted these pods. 154 00:07:26,200 --> 00:07:29,280 So if you wanted to take a call privately, you could do that. 155 00:07:29,280 --> 00:07:33,160 If you're a client, you're entering directly into a work space. 156 00:07:33,160 --> 00:07:35,240 I think there could be an opportunity to create 157 00:07:35,240 --> 00:07:37,000 some sort of mini reception area. 158 00:07:37,000 --> 00:07:39,440 We've got to think about the partitions. I 100% agree that 159 00:07:39,440 --> 00:07:40,680 there's no walls there, 160 00:07:40,680 --> 00:07:41,920 so it's up to us to decide. 161 00:07:41,920 --> 00:07:43,680 Yeah. And in the meeting space, 162 00:07:43,680 --> 00:07:45,720 I really like when you walk into the room, 163 00:07:45,720 --> 00:07:47,080 you spot the wallpaper. 164 00:07:47,080 --> 00:07:49,160 I want it to fit in with the mid-century vibe. 165 00:07:49,160 --> 00:07:52,080 It's in a mid-century building, so maybe bringing the mid-century in 166 00:07:52,080 --> 00:07:54,640 with the colour palette. Pops of colour. Yeah. 167 00:07:54,640 --> 00:07:56,800 To be honest, I think this is going to be a challenge. 168 00:07:56,800 --> 00:07:59,080 I've never personally worked with anyone before, 169 00:07:59,080 --> 00:08:01,000 like, I've always just worked by myself. 170 00:08:01,000 --> 00:08:04,760 Our designs are kind of working together, but there is literally 171 00:08:04,760 --> 00:08:07,480 so much to think about with this scheme. 172 00:08:07,480 --> 00:08:10,960 The final team's office will be for a sustainable beauty brand. 173 00:08:10,960 --> 00:08:12,440 So mine is taking 174 00:08:12,440 --> 00:08:16,040 more of a gender neutral approach to beauty 175 00:08:16,040 --> 00:08:17,960 and drawing more on the sustainable elements, 176 00:08:17,960 --> 00:08:22,040 so using a lot of natural features of wood, quite soft materials. 177 00:08:22,040 --> 00:08:24,480 Obviously, we thought that beauty needed to be softer, 178 00:08:24,480 --> 00:08:26,240 with kind of an alpine spa kind of feel. 179 00:08:26,240 --> 00:08:28,680 The main feature is going to be the desks 180 00:08:28,680 --> 00:08:30,040 and the configuration. 181 00:08:30,040 --> 00:08:33,600 Because of sustainability, I want to use some of those materials, 182 00:08:33,600 --> 00:08:38,400 something like reclaimed boards and make them into a big, long table. 183 00:08:38,400 --> 00:08:39,520 A bit like this, 184 00:08:39,520 --> 00:08:42,800 but then I wanted to paint some sort of like botanical mural. 185 00:08:42,800 --> 00:08:44,040 Cool. 186 00:08:44,040 --> 00:08:46,960 So I kind of wanted to use paint effects on the wall, create 187 00:08:46,960 --> 00:08:49,160 like a little pod for more intimate, simple meetings. 188 00:08:49,160 --> 00:08:51,600 Then I also wanted to use open shelving as partitions 189 00:08:51,600 --> 00:08:53,960 between the spaces, so you can kind of see through them, 190 00:08:53,960 --> 00:08:57,240 but... Between our spaces? ..between all the spaces, 191 00:08:57,240 --> 00:08:59,760 yeah. Right, OK. And also, the co-working table, 192 00:08:59,760 --> 00:09:01,880 I was thinking you could also use it as a ping-pong table, 193 00:09:01,880 --> 00:09:03,520 so if you really want to have fun. 194 00:09:03,520 --> 00:09:06,560 The only thing that I'm a little bit worried about is noise. 195 00:09:06,560 --> 00:09:09,600 We can't have noise coming through if they're playing table tennis. 196 00:09:09,600 --> 00:09:10,640 Yes. Yeah, yeah. 197 00:09:10,640 --> 00:09:13,040 Sound can travel quite quickly in offices 198 00:09:13,040 --> 00:09:16,120 and when you're playing ping pong in the breakout area, 199 00:09:16,120 --> 00:09:18,440 and you're having a meeting with an external client, 200 00:09:18,440 --> 00:09:20,560 you don't really want to be able to hear that. 201 00:09:20,560 --> 00:09:23,360 It's really exciting to do an office, but it's a little bit 202 00:09:23,360 --> 00:09:26,160 of a challenge because I've never, I've never even worked 203 00:09:26,160 --> 00:09:28,320 in an office before. When you work for the NHS, 204 00:09:28,320 --> 00:09:30,480 you don't actually get a dedicated working space, 205 00:09:30,480 --> 00:09:32,720 so this is going to be an interesting challenge. 206 00:09:37,960 --> 00:09:40,280 Oh, it looks amazing! It looks so nice. 207 00:09:40,280 --> 00:09:42,200 West London. 208 00:09:43,600 --> 00:09:47,080 Awaiting the teams inside a 13-storey office block... 209 00:09:47,080 --> 00:09:49,880 Huge! Is this us here, yeah? Yeah! 210 00:09:49,880 --> 00:09:52,120 ..three open-plan offices. 211 00:09:52,120 --> 00:09:53,960 Ooh! 212 00:09:53,960 --> 00:09:55,480 Nice. 213 00:09:55,480 --> 00:09:57,920 It does feel smaller, doesn't it? It does. 214 00:09:57,920 --> 00:09:59,280 It's just narrow that way. 215 00:09:59,280 --> 00:10:02,560 In just two days and with a budget of £1,500 each... 216 00:10:02,560 --> 00:10:04,760 GIGGLING 217 00:10:02,560 --> 00:10:04,760 Girls, hurry up. 218 00:10:04,760 --> 00:10:08,200 ..the teams must turn these conventional offices 219 00:10:08,200 --> 00:10:13,360 into three individual yet cohesive work spaces. 220 00:10:13,360 --> 00:10:15,640 Hi. We've got company. Hiya. 221 00:10:15,640 --> 00:10:18,840 And to help turn their concepts into reality, 222 00:10:18,840 --> 00:10:21,720 the designers have been given two decorators 223 00:10:21,720 --> 00:10:23,520 and two builders per team. 224 00:10:24,920 --> 00:10:27,040 Look at that for a tool kit. Wow. 225 00:10:27,040 --> 00:10:30,600 So we've got a really quite ambitious scheme. 226 00:10:30,600 --> 00:10:33,200 Kicking things off for Team Media, Amy. 227 00:10:33,200 --> 00:10:35,720 We're building Wembley Stadium about here. 228 00:10:37,600 --> 00:10:42,080 OK. My intention is to build a small stadium in this space. 229 00:10:42,080 --> 00:10:45,760 Having seen it on paper and thought I knew exactly what it looked like, 230 00:10:45,760 --> 00:10:47,840 turns out I wasn't that right after all. 231 00:10:47,840 --> 00:10:50,160 Everything just seems bigger or smaller or higher 232 00:10:50,160 --> 00:10:52,120 or shorter than I thought it was. 233 00:10:52,120 --> 00:10:55,240 So, I mean, that aside, it's great. I can't wait. 234 00:10:55,240 --> 00:10:56,680 So we do have some plans. 235 00:10:56,680 --> 00:11:00,040 Barbara's going to have a chat with you guys in a bit of detail 236 00:11:00,040 --> 00:11:01,880 about the 3D model. 237 00:11:01,880 --> 00:11:06,400 Over in Team Tech, time to explain their complex vision. 238 00:11:06,400 --> 00:11:08,480 There's basically five partitions 239 00:11:08,480 --> 00:11:10,600 that we're going to be having built. 240 00:11:10,600 --> 00:11:14,360 We've got one, two and then the third divider's a diagonal divider, 241 00:11:14,360 --> 00:11:16,560 which is going to cut from the edge of this window here 242 00:11:16,560 --> 00:11:17,840 to this column. 243 00:11:19,840 --> 00:11:23,280 Team Tech's ambitious wooden dividers will be multi-functional 244 00:11:23,280 --> 00:11:24,760 and distinguish each area. 245 00:11:26,280 --> 00:11:30,280 Paul's meeting zone will incorporate whiteboard partitions. 246 00:11:30,280 --> 00:11:35,440 Siobhan's work zone will be split in two by diagonal, open shelving. 247 00:11:35,440 --> 00:11:39,280 And Barbara's single divider in her breakout zone will provide seating. 248 00:11:39,280 --> 00:11:42,280 And we're building the two whiteboard dividers on top 249 00:11:42,280 --> 00:11:45,320 of these units over here and here. 250 00:11:45,320 --> 00:11:47,880 But no standing about today, right? 251 00:11:45,320 --> 00:11:47,880 LAUGHTER 252 00:11:47,880 --> 00:11:49,000 Crack that whip. 253 00:11:49,000 --> 00:11:54,280 Last week, I got criticised for being ambitious and putting a lot 254 00:11:54,280 --> 00:11:57,680 into the design, but I definitely like pushing myself. 255 00:11:57,680 --> 00:12:01,240 If you ask my husband, he would say that I am a control freak. 256 00:12:01,240 --> 00:12:03,360 It's not the light one. It's the mid one. 257 00:12:03,360 --> 00:12:05,560 But I like to keep things as controlled as possible. 258 00:12:05,560 --> 00:12:07,560 I think that's the only way that you can make 259 00:12:07,560 --> 00:12:09,360 a big project like this work. 260 00:12:09,360 --> 00:12:13,080 I'm basically taking responsibility for all the dividers 261 00:12:13,080 --> 00:12:16,720 in the space and all the paintwork is in the right spots as well. 262 00:12:19,240 --> 00:12:22,320 Team Tech's colour palette and artistic shapes are centred 263 00:12:22,320 --> 00:12:25,560 around Paul's bold choice of geometric wallpaper. 264 00:12:26,520 --> 00:12:29,400 Obviously, it's a brave choice to have such a bold pattern 265 00:12:29,400 --> 00:12:31,320 with so many shades going through it, 266 00:12:31,320 --> 00:12:34,560 but I think because we have so many blocks of plain colours, 267 00:12:34,560 --> 00:12:36,120 it needs a bit of depth 268 00:12:36,120 --> 00:12:38,520 and I think that's what that wall's going to do. 269 00:12:38,520 --> 00:12:40,880 For the paper, when you see just a sample... Yeah. 270 00:12:40,880 --> 00:12:42,320 ..you can't tell, can you? 271 00:12:42,320 --> 00:12:45,120 Until it's really like, kind of, up on the wall. 272 00:12:45,120 --> 00:12:47,240 Unless you're a wallpaper king like me. 273 00:12:47,240 --> 00:12:49,920 Yeah, unless you're a wallpaper king, yeah. 274 00:12:49,920 --> 00:12:52,040 For cohesion, Barbara and Siobhan 275 00:12:52,040 --> 00:12:55,480 paint their dividers in keeping with Paul's wallpaper scheme. 276 00:12:55,480 --> 00:12:58,360 My choice of paper has influenced the rest of the room. 277 00:12:58,360 --> 00:13:02,080 There's a lot of risk on me because if Michelle doesn't like this, 278 00:13:02,080 --> 00:13:04,600 it could be all down to me. 279 00:13:04,600 --> 00:13:08,720 Each of Team Tech's partitions need to be built from scratch. 280 00:13:08,720 --> 00:13:11,040 How are you feeling about it so far? 281 00:13:11,040 --> 00:13:13,040 It's starting to take a bit of shape. 282 00:13:13,040 --> 00:13:14,680 I am worried about the workload. 283 00:13:14,680 --> 00:13:17,040 Yes. Yeah, I am. There's an awful lot of carpentry to do, 284 00:13:17,040 --> 00:13:20,000 which has then got to be painted and that's the problem. 285 00:13:20,000 --> 00:13:22,480 And this stuff is horrible to paint. 286 00:13:22,480 --> 00:13:25,680 You know, at the end of the day, it might be worth a chat 287 00:13:25,680 --> 00:13:29,960 about prioritising things. Yeah, yeah, yeah. OK. 288 00:13:31,320 --> 00:13:32,720 I knew there was a lot to be done. 289 00:13:32,720 --> 00:13:35,200 He's not sure whether we'll be able to get all of these dividers built, 290 00:13:35,200 --> 00:13:37,120 that's the main worry at the moment 291 00:13:37,120 --> 00:13:40,680 and these, each of the individual dividers are really important 292 00:13:40,680 --> 00:13:44,520 because they create specific spaces that function in different ways. 293 00:13:44,520 --> 00:13:47,880 So I'm trying to plan what we could lose. 294 00:13:47,880 --> 00:13:50,880 I don't actually know what the answer is yet. 295 00:13:50,880 --> 00:13:53,880 It goes from the floor all the way up to the ceiling and around. 296 00:13:53,880 --> 00:13:55,360 Over in Team Beauty, 297 00:13:55,360 --> 00:13:58,480 in her meeting room, surface pattern designer Charlotte 298 00:13:58,480 --> 00:14:02,560 is painting her statement piece, a bespoke mural. 299 00:14:02,560 --> 00:14:08,040 We had a sustainable beauty brand, so I looked at images of botanicals 300 00:14:08,040 --> 00:14:11,400 that are used in skin care and beauty, and I've kind of used 301 00:14:11,400 --> 00:14:15,840 some of those shapes to make an abstract design whilst mixing it 302 00:14:15,840 --> 00:14:18,800 with my own design style as well. 303 00:14:18,800 --> 00:14:22,520 My feedback from Michelle was to think more 3D than 2D, 304 00:14:22,520 --> 00:14:25,520 so I've tried to do that by zoning the space 305 00:14:25,520 --> 00:14:27,240 and going up onto the ceiling. 306 00:14:29,840 --> 00:14:32,880 Charlotte's skin tone colour palette will be reflected throughout 307 00:14:32,880 --> 00:14:34,480 the entire office. 308 00:14:34,480 --> 00:14:37,360 Team Beauty will divide their three working zones 309 00:14:37,360 --> 00:14:41,000 using curtain partitions and fabric screens to create a soft 310 00:14:41,000 --> 00:14:42,280 and relaxed feel. 311 00:14:47,120 --> 00:14:49,040 Over in the breakout zone, 312 00:14:49,040 --> 00:14:52,440 Peter is mindful of their target audience. 313 00:14:52,440 --> 00:14:56,720 We wanted it to have this very soft but very gender-fluid 314 00:14:56,720 --> 00:15:00,160 and very gender-neutral space, so it doesn't alienate anyone. 315 00:15:00,160 --> 00:15:02,800 And that's why we've gone for lots of skin tone colours, 316 00:15:02,800 --> 00:15:05,760 because that's kind of the diversity element that we wanted to bring 317 00:15:05,760 --> 00:15:07,400 into our beauty brand. 318 00:15:09,480 --> 00:15:10,880 I was born in Malta. 319 00:15:10,880 --> 00:15:13,120 I'd been working as a doctor in the UK, but I gave that up 320 00:15:13,120 --> 00:15:15,840 a year ago because I really wanted to follow my passion, 321 00:15:15,840 --> 00:15:17,200 which is interior design. 322 00:15:18,920 --> 00:15:20,840 I can deal with pressure quite well, 323 00:15:20,840 --> 00:15:23,600 because I used to deal with life and death on a daily basis. 324 00:15:23,600 --> 00:15:26,520 Failure is a really big thing. 325 00:15:26,520 --> 00:15:29,600 I've never failed an exam, so having a scheme 326 00:15:29,600 --> 00:15:32,320 which is unsuccessful, it does scare me because it's not something 327 00:15:32,320 --> 00:15:34,680 that I know how to deal with very well. 328 00:15:38,120 --> 00:15:40,400 So, could you attach these to the wall? 329 00:15:40,400 --> 00:15:41,760 Down in her work zone, 330 00:15:41,760 --> 00:15:45,400 Micaela's vision to include soft textures is under way. 331 00:15:45,400 --> 00:15:49,200 Some of the other guys have a lot more experience in interior design 332 00:15:49,200 --> 00:15:51,000 than I do, so... 333 00:15:51,000 --> 00:15:52,960 Last week was the first room I've ever done 334 00:15:52,960 --> 00:15:54,680 that wasn't in my own house. 335 00:15:54,680 --> 00:15:57,680 Michelle told me to think about the bigger picture, 336 00:15:57,680 --> 00:16:02,040 so I really want to make sure that she knows I've thought more, 337 00:16:02,040 --> 00:16:04,560 away from the upholstery and about the walls 338 00:16:04,560 --> 00:16:07,240 and all of the different things that are going on, 339 00:16:07,240 --> 00:16:09,320 so I've got something to prove this week. 340 00:16:10,640 --> 00:16:13,800 Before I started my upholstery business, I actually used to work 341 00:16:13,800 --> 00:16:17,720 in travel. I travelled around Europe, looking at boutique hotels. 342 00:16:17,720 --> 00:16:21,920 That really got me into the world of interiors and design. 343 00:16:21,920 --> 00:16:25,200 Normally, I focus just on a few pieces in the room - 344 00:16:25,200 --> 00:16:26,640 the chairs, the headboards - 345 00:16:26,640 --> 00:16:29,960 so I'm really excited to put my stamp on the whole room. 346 00:16:32,040 --> 00:16:35,280 Ample seating is required for the work zone, so Micaela 347 00:16:35,280 --> 00:16:37,680 is incorporating a window bench. 348 00:16:37,680 --> 00:16:40,160 I think the biggest risk I've taken in the work space 349 00:16:40,160 --> 00:16:42,320 is actually getting rid of a lot of the desks, 350 00:16:42,320 --> 00:16:45,400 so I needed to add back in usable seating 351 00:16:45,400 --> 00:16:50,320 and I think the window bench is a much more team-friendly environment. 352 00:16:54,760 --> 00:16:59,480 It's mid-morning on day one, and in Amy, Jon and Lynsey's Media Office, 353 00:16:59,480 --> 00:17:02,080 they're going big and bold. 354 00:17:02,080 --> 00:17:05,880 I really wanted to go as high as the ceiling height would allow 355 00:17:05,880 --> 00:17:09,720 and the idea is just to create a bit of elevated drama, I guess, 356 00:17:09,720 --> 00:17:11,120 and really break up the space. 357 00:17:11,120 --> 00:17:15,200 But also, it has the added advantage of giving Jon's meeting room 358 00:17:15,200 --> 00:17:18,840 a really good, private partition wall. 359 00:17:19,920 --> 00:17:22,440 I've never done this before, which is part of the reason 360 00:17:22,440 --> 00:17:24,760 for doing it, because I wanted to push myself. 361 00:17:26,720 --> 00:17:30,760 Amy's tiered seating installation and Lynsey's dual-purpose shelving 362 00:17:30,760 --> 00:17:34,760 will act as the dividers between all their spaces. 363 00:17:34,760 --> 00:17:38,040 For cohesion, plywood will be used to make furniture as well 364 00:17:38,040 --> 00:17:41,640 as wall art and coloured shapes will appear from the break out 365 00:17:41,640 --> 00:17:43,240 into the meeting area. 366 00:17:44,440 --> 00:17:45,720 I'm just nervous. 367 00:17:47,080 --> 00:17:49,520 It's embarrassing if I get it really, really wrong. 368 00:17:49,520 --> 00:17:51,760 The pressure is on. 369 00:17:51,760 --> 00:17:53,280 There's a lot to do. 370 00:17:53,280 --> 00:17:55,960 If I pull it off, it's going to look insane. 371 00:17:55,960 --> 00:17:58,560 If I don't, I don't and I'll be going home. 372 00:17:58,560 --> 00:18:01,200 # I'm making a stadium. # 373 00:18:01,200 --> 00:18:03,720 What are we doing on top of it again? I forgot. 374 00:18:03,720 --> 00:18:06,640 Dancing? Dancing. 375 00:18:03,720 --> 00:18:06,640 LAUGHTER 376 00:18:06,640 --> 00:18:08,080 In the meeting zone, 377 00:18:08,080 --> 00:18:10,280 Jon's statement colour is up. 378 00:18:10,280 --> 00:18:11,360 This colour is bold 379 00:18:11,360 --> 00:18:14,720 and the good thing is that the brief asked for bold and sophisticated. 380 00:18:14,720 --> 00:18:17,520 So, yeah, bold and sophisticated is the way. 381 00:18:18,960 --> 00:18:22,680 Jon's use of colour will be reflected throughout his furniture. 382 00:18:22,680 --> 00:18:27,640 This is my ceiling panel that goes above my conference table. 383 00:18:27,640 --> 00:18:30,680 I wanted to try and bring some colour into the concrete. 384 00:18:30,680 --> 00:18:33,600 The four in the middle are yellow, and then the rest of it is black. 385 00:18:33,600 --> 00:18:35,800 This is a bumblebee I'm painting here, ain't it? 386 00:18:35,800 --> 00:18:38,840 A sophisticated bumblebee. No! 387 00:18:38,840 --> 00:18:41,040 HE LAUGHS 388 00:18:41,040 --> 00:18:44,440 In the last challenge, I was really inspired by how much people 389 00:18:44,440 --> 00:18:46,880 were making and thought, "Right, I'm going to challenge myself." 390 00:18:46,880 --> 00:18:50,360 I've never made any item of furniture before in my life. 391 00:18:50,360 --> 00:18:52,720 So I'm making the conference table from scratch, 392 00:18:52,720 --> 00:18:54,480 making the ceiling panel from scratch, 393 00:18:54,480 --> 00:18:57,040 I'm making some cube seating from scratch, 394 00:18:57,040 --> 00:18:59,720 I'm upholstering chairs, which I've never done before, 395 00:18:59,720 --> 00:19:01,600 and I'm upholstering the cubes that I'm making. 396 00:19:03,400 --> 00:19:07,120 Across in the work zone, architect Lynsey is measuring and cutting 397 00:19:07,120 --> 00:19:11,440 individual pieces of plywood to form her 3D feature wall. 398 00:19:11,440 --> 00:19:14,520 It's a functional space, so you can't throw fabrics in there, 399 00:19:14,520 --> 00:19:16,520 you can't have cushions all over the place. 400 00:19:16,520 --> 00:19:18,800 I didn't want to just paint a wall blank, 401 00:19:18,800 --> 00:19:21,360 so I'm using angular shapes that Amy's going to pick up 402 00:19:21,360 --> 00:19:24,120 in her painting on the wall and Jon's picked up in some 403 00:19:24,120 --> 00:19:26,000 of the fabrics he's using. 404 00:19:29,320 --> 00:19:31,480 Basically, we've got the four boards in here 405 00:19:31,480 --> 00:19:33,040 that are the green and the pink, 406 00:19:33,040 --> 00:19:35,960 and what we need is two more boards over in this direction 407 00:19:35,960 --> 00:19:39,400 that are just pink. This other one's also going to be pink and green. 408 00:19:39,400 --> 00:19:40,720 Over in Team Tech, 409 00:19:40,720 --> 00:19:42,320 Barbara's in control. 410 00:19:42,320 --> 00:19:44,600 Siobhan. They all need to be flipped. 411 00:19:44,600 --> 00:19:46,920 Sage on the other side, yep. Exactly. I can do that. 412 00:19:46,920 --> 00:19:48,760 Barbara is on it. 413 00:19:48,760 --> 00:19:51,360 Right, this is just fully pink. Get pink on that, yeah, yeah, yeah. 414 00:19:51,360 --> 00:19:55,080 She has kind of like given herself that leadership role, which I'm fine 415 00:19:55,080 --> 00:19:58,200 about, you know, because I'm just like, we need to just, you know, 416 00:19:58,200 --> 00:20:00,960 do what we need to do. I'm happy painting all day 417 00:20:00,960 --> 00:20:02,680 if that's, you know, if that's what it takes. 418 00:20:02,680 --> 00:20:05,400 We've been really ambitious. There's five or six dividers in the room 419 00:20:05,400 --> 00:20:08,480 in total. We don't want to not have one, so I think it's important that 420 00:20:08,480 --> 00:20:11,160 we get as much prep work as we can. 421 00:20:11,160 --> 00:20:13,440 Oh, my God, I could watch you doing that all day, 422 00:20:13,440 --> 00:20:16,800 but I won't, I'll crack on with what I'm doing. Please don't. Carry on. 423 00:20:16,800 --> 00:20:19,200 Why don't I just hold it and you can do the loop? 424 00:20:19,200 --> 00:20:22,320 But Barbara also needs to focus on her own space. 425 00:20:22,320 --> 00:20:25,200 She's mirroring shapes from Paul's wallpaper. 426 00:20:25,200 --> 00:20:26,800 To get the arches drawn, 427 00:20:26,800 --> 00:20:29,360 we're using a technique of string, pencil. 428 00:20:29,360 --> 00:20:30,600 Perfect. Just stop. 429 00:20:30,600 --> 00:20:34,680 We tie the centre spot and then hold that in place 430 00:20:34,680 --> 00:20:36,960 and we basically can draw the arch, 431 00:20:36,960 --> 00:20:40,840 like this. It's quite a kind of simple, easy way of doing it. 432 00:20:40,840 --> 00:20:42,240 Yeah. 433 00:20:42,240 --> 00:20:45,080 The thing about this design is I know all the measurements 434 00:20:45,080 --> 00:20:47,520 inside out and that is why I've taken on this sort 435 00:20:47,520 --> 00:20:49,280 of overarching role today. 436 00:20:49,280 --> 00:20:51,800 It's nerve-racking, but it's just rewarding. 437 00:20:51,800 --> 00:20:55,040 I've never done anything like this before, so I just wanted 438 00:20:55,040 --> 00:20:59,280 to try and throw as much at it as possible. 439 00:21:03,640 --> 00:21:04,960 Where the hell am I? 440 00:21:04,960 --> 00:21:06,320 Where did she say? 441 00:21:07,360 --> 00:21:09,200 It's halfway through the first day. 442 00:21:09,200 --> 00:21:11,080 Open the door, I'm coming in. 443 00:21:16,320 --> 00:21:19,640 Time to see how the designers are getting on. 444 00:21:19,640 --> 00:21:21,720 You OK? 445 00:21:21,720 --> 00:21:23,640 All done. Phew! 446 00:21:25,280 --> 00:21:26,720 Well done, mate. 447 00:21:26,720 --> 00:21:29,240 So good. Woohoo! 448 00:21:29,240 --> 00:21:33,040 First up, Team Media and Jon's meeting room. 449 00:21:33,040 --> 00:21:35,440 Hello, Jon. Hello, you. 450 00:21:35,440 --> 00:21:38,680 Another day, another pair of skimpy shorts, I see. 451 00:21:38,680 --> 00:21:41,400 Lovely! Get a bit of ventilation up there. That's the one. 452 00:21:41,400 --> 00:21:44,720 So tell us about the colour, because it's very satsuma-y 453 00:21:44,720 --> 00:21:46,160 for a meeting room. 454 00:21:46,160 --> 00:21:49,160 HE GASPS 455 00:21:46,160 --> 00:21:49,160 Have I said something wrong? 456 00:21:49,160 --> 00:21:50,920 I feel offended. 457 00:21:50,920 --> 00:21:52,600 I like satsumas. 458 00:21:52,600 --> 00:21:55,480 Yes, satsumas are good for you. If you're in a meeting for two, three 459 00:21:55,480 --> 00:21:57,520 hours, there's nothing worse than looking at a plain, 460 00:21:57,520 --> 00:21:59,040 blank, boring wall. 461 00:21:59,040 --> 00:22:01,480 But I'm really pleased that we've actually gone with that colour. 462 00:22:01,480 --> 00:22:03,880 Kind of the same colour as my Post-it notes bizarrely. 463 00:22:03,880 --> 00:22:06,760 And also Paul. Yes. Yes, absolutely. 464 00:22:06,760 --> 00:22:08,680 He's actually in the room. You just can't see him. 465 00:22:08,680 --> 00:22:10,640 He's... He's in the corner. 466 00:22:10,640 --> 00:22:12,280 ALAN GIGGLES 467 00:22:14,920 --> 00:22:18,040 You can come out now, Paul. I'm... I'm joking. 468 00:22:18,040 --> 00:22:20,960 We can all have a laugh in the workplace. 469 00:22:20,960 --> 00:22:23,880 No, I get it. It's bright, it's good... I like it. 470 00:22:23,880 --> 00:22:26,360 Yeah. OK, I'll leave you to it, Jon. Thank you. Thank you. 471 00:22:26,360 --> 00:22:29,120 The trouble with the colour orange, it's very divisive. 472 00:22:29,120 --> 00:22:32,600 When some people think of orange, they think zesty and fresh. 473 00:22:32,600 --> 00:22:35,920 But to other people, they think budget airlines and fake tan. 474 00:22:40,480 --> 00:22:44,760 Team Beauty, aspiring to create a tranquil space, remain an oasis 475 00:22:44,760 --> 00:22:46,920 of calm in the process. 476 00:22:46,920 --> 00:22:49,880 Micaela! Hello.How are you? Good. How you doing? 477 00:22:49,880 --> 00:22:52,680 What the hell is going on? It's like living in a skip. 478 00:22:52,680 --> 00:22:55,360 We've got so much furniture, there's just stuff everywhere. 479 00:22:55,360 --> 00:22:58,040 So, what's this then? It doesn't look very office. 480 00:22:58,040 --> 00:23:00,240 It looks like the kind of thing my nan has in her house. 481 00:23:00,240 --> 00:23:01,400 Well, it is from a charity shop, 482 00:23:01,400 --> 00:23:03,440 so it could have could have been from your nan's house. 483 00:23:03,440 --> 00:23:05,800 Could be my nan's. She's had a clear out. 484 00:23:05,800 --> 00:23:08,040 I thought it was nice to have something a bit softer, 485 00:23:08,040 --> 00:23:10,960 a bit mid-century. Bit homelier as well. Yeah. 486 00:23:10,960 --> 00:23:13,520 What colours are you going to have? Cos you've got lots of chairs. 487 00:23:13,520 --> 00:23:16,080 I've got to have lots of chairs as an upholsterer.But you don't want 488 00:23:16,080 --> 00:23:17,760 it to look like an old people's home, do you? 489 00:23:17,760 --> 00:23:20,040 We're going for skin tone. So it is a lot of brown, actually. 490 00:23:20,040 --> 00:23:22,120 Oh, OK. Well, don't have little bowls 491 00:23:22,120 --> 00:23:24,200 of Werther's Originals everywhere. 492 00:23:24,200 --> 00:23:28,080 I hope no-one walks in there and thinks it's an old people's home, 493 00:23:28,080 --> 00:23:30,800 but it does make you think about things and think, oh, God. 494 00:23:30,800 --> 00:23:33,760 Michelle's going to come in and you know, what's she's going to say? 495 00:23:33,760 --> 00:23:35,680 What's she going to think of this? 496 00:23:39,240 --> 00:23:42,560 Over on Team Tech, Siobhan's upcycling cable bobbins 497 00:23:42,560 --> 00:23:44,040 to turn into stools. 498 00:23:44,040 --> 00:23:47,520 It's all a bit chaotic up there, so I've come to a nice 499 00:23:47,520 --> 00:23:50,640 little spot so that I can get everything sprayed - my letters 500 00:23:50,640 --> 00:23:52,920 and some cable bobbins. 501 00:23:52,920 --> 00:23:56,600 I've listened to Michelle and I'm not trying to, basically, you know, 502 00:23:56,600 --> 00:23:58,720 just bring a load of pink and fluffiness in, 503 00:23:58,720 --> 00:24:01,440 but, actually, it really goes with that whole, like, mid-century 504 00:24:01,440 --> 00:24:02,720 colours and everything. 505 00:24:02,720 --> 00:24:06,880 There you go. Go on. Yeah, that's fine. That's fine. 506 00:24:06,880 --> 00:24:08,840 This way. My side? Your side, yeah. 507 00:24:08,840 --> 00:24:10,920 With an hour to go on day one, 508 00:24:10,920 --> 00:24:13,840 Barbara and Paul are constructing the whiteboard divider 509 00:24:13,840 --> 00:24:16,440 that will sit between the work and meeting zone. 510 00:24:16,440 --> 00:24:19,440 Paul? Yeah. Can we just have a quick chat about this? 511 00:24:19,440 --> 00:24:21,280 Put it on here. 512 00:24:21,280 --> 00:24:23,160 We know we're really pushed for time. Yeah. 513 00:24:23,160 --> 00:24:24,560 In terms of what needs to be done 514 00:24:24,560 --> 00:24:27,920 and I know we had these two extra panels running down here. 515 00:24:27,920 --> 00:24:29,280 Do you think we still need them? 516 00:24:29,280 --> 00:24:31,200 I'm thinking in the interest of time. 517 00:24:31,200 --> 00:24:33,200 No. I think what we do is just eliminate them 518 00:24:33,200 --> 00:24:35,360 and get on with what we really need to get done. 519 00:24:35,360 --> 00:24:37,560 We are going to lose these two panelled sections. 520 00:24:37,560 --> 00:24:39,480 We're going to just get the whiteboard in place 521 00:24:39,480 --> 00:24:41,920 and then that section is complete. 522 00:24:43,280 --> 00:24:46,040 Phew!How are you coping? 523 00:24:46,040 --> 00:24:48,600 It's not easy, but I think we're getting there.Who's coming up 524 00:24:48,600 --> 00:24:49,920 with most of the ideas? 525 00:24:49,920 --> 00:24:52,760 I probably put forward most of the ideas. 526 00:24:52,760 --> 00:24:55,920 The good thing is, is I've got this, like, 3D model that everyone 527 00:24:55,920 --> 00:24:59,560 can look at so that they can sort of make changes in front of them. 528 00:24:59,560 --> 00:25:01,920 But, you know, you do need to concentrate on yourself. 529 00:25:01,920 --> 00:25:03,840 You ended up on the sofa last week. 530 00:25:03,840 --> 00:25:05,680 You don't want to be there for a second week. 531 00:25:05,680 --> 00:25:06,920 There is a bit of a risk there. 532 00:25:06,920 --> 00:25:10,040 I mean, it could go either way. If Michelle thinks we've fulfilled 533 00:25:10,040 --> 00:25:12,840 the brief, then it's great because I've been such an integral 534 00:25:12,840 --> 00:25:14,200 part of all the decisions. 535 00:25:14,200 --> 00:25:17,000 But if she doesn't think that we've fulfilled the brief and we do 536 00:25:17,000 --> 00:25:20,000 end up on the couch, then loads of responsibility's on my shoulders. 537 00:25:20,000 --> 00:25:21,560 Good luck, Barbara. Bye! 538 00:25:21,560 --> 00:25:24,040 You can't fault Barbara's ambition. 539 00:25:24,040 --> 00:25:27,560 She just wants to be over everything but there is this risk 540 00:25:27,560 --> 00:25:29,280 that you could overstretch yourself. 541 00:25:29,280 --> 00:25:31,600 I just hope she can pull it off. 542 00:25:35,000 --> 00:25:36,800 Over on Team Media... 543 00:25:36,800 --> 00:25:38,320 I finished it! Finally. 544 00:25:38,320 --> 00:25:41,680 ..Lynsey's 3D wall art is ready to be installed. 545 00:25:41,680 --> 00:25:43,920 This is one of three that are going on that wall. 546 00:25:43,920 --> 00:25:45,560 I can't wait to get them up there, 547 00:25:45,560 --> 00:25:47,320 I think it'll be really high-impact. 548 00:25:47,320 --> 00:25:48,680 We've cut all your timbers. 549 00:25:48,680 --> 00:25:51,560 That looks amazing. That's how I imagined it. 550 00:25:52,640 --> 00:25:56,720 And Amy's turned her attention to a smaller form of seating. 551 00:25:56,720 --> 00:25:58,160 So I bought some cheap chairs, 552 00:25:58,160 --> 00:25:59,680 but they're not in the best condition, 553 00:25:59,680 --> 00:26:03,120 so I'm going to do a combination of some painting of the fabric 554 00:26:03,120 --> 00:26:06,640 and some re-upholstery of just the seat cushion. 555 00:26:06,640 --> 00:26:11,120 This is the first time I have done this and basically I'm just using 556 00:26:11,120 --> 00:26:14,160 the emulsion that we're putting on the walls 557 00:26:14,160 --> 00:26:16,520 and I've mixed it 50/50 with water, 558 00:26:16,520 --> 00:26:20,080 dampened the surface and then slap it on. 559 00:26:20,080 --> 00:26:22,560 Yeah, it looks good. Thanks. Glad you approve. 560 00:26:22,560 --> 00:26:27,160 With day one drawing to a close, team-mate Jon has had a hiccup. 561 00:26:27,160 --> 00:26:30,160 I've cut the fabric too short. 562 00:26:30,160 --> 00:26:35,000 And it doesn't matter where I move it to, it doesn't fit. 563 00:26:35,000 --> 00:26:37,640 And I measured it. That just won't work. 564 00:26:37,640 --> 00:26:40,920 No. Just redo it. It's another knock in the time 565 00:26:40,920 --> 00:26:44,120 that I've got left, cos I now need to recut this and make sure it fits. 566 00:26:49,440 --> 00:26:52,080 I'm hoping Michelle likes it and she can see that I am looking 567 00:26:52,080 --> 00:26:54,600 at the bigger picture, but the closer we get to the end, 568 00:26:54,600 --> 00:26:57,400 the more my confidence starts to wane. 569 00:26:57,400 --> 00:26:58,680 It's not quite there yet. 570 00:27:03,320 --> 00:27:05,720 It's the end of the day and I'm not where I needed to be. 571 00:27:05,720 --> 00:27:09,040 So tomorrow morning, I need to rethink what I'm going to do 572 00:27:09,040 --> 00:27:10,640 to bring myself back on track. 573 00:27:10,640 --> 00:27:14,720 There's a little bit of sick rising just about here. 574 00:27:14,720 --> 00:27:18,920 Oh! I just feel, like, relief seeing that now. 575 00:27:18,920 --> 00:27:22,800 This just means so much to me because I'm doing this for myself. 576 00:27:22,800 --> 00:27:25,200 I'm learning so much and I love it, but I'm trying to do it 577 00:27:25,200 --> 00:27:28,360 for my family, my boys, my husband, 578 00:27:28,360 --> 00:27:31,360 so that we can all have a better life. 579 00:27:32,720 --> 00:27:34,640 So, it's important to me. 580 00:27:58,760 --> 00:28:01,080 It's the second and final day. 581 00:28:02,640 --> 00:28:06,240 I think what we need to do is just get paint on this fast. Yeah. 582 00:28:06,240 --> 00:28:08,720 It's brushes at the ready for Team Tech. 583 00:28:08,720 --> 00:28:10,440 We've just got so much to do. 584 00:28:10,440 --> 00:28:13,040 We just need to kind of get as much paint on, especially this, 585 00:28:13,040 --> 00:28:14,120 cos it's a bit tricky. 586 00:28:14,120 --> 00:28:17,800 This acts as a divider... And Barbara's divider 587 00:28:17,800 --> 00:28:20,760 for her breakout space still needs to be built. 588 00:28:20,760 --> 00:28:23,160 I've got a row of lights going across here. Yep. 589 00:28:23,160 --> 00:28:26,040 Sooner we can get on with this one, that's priority. 590 00:28:29,200 --> 00:28:33,560 In Team Media, Jon is starting where he left off - 591 00:28:33,560 --> 00:28:35,960 upholstering furniture, 592 00:28:35,960 --> 00:28:38,360 but this time he has a plan. 593 00:28:38,360 --> 00:28:40,520 I need to remember which is the front of the chair 594 00:28:40,520 --> 00:28:41,560 and which is the back, 595 00:28:41,560 --> 00:28:43,920 so I've just put an arrow on the table and a T 596 00:28:43,920 --> 00:28:46,280 so I remember that's the top because, you know, I have a problem 597 00:28:46,280 --> 00:28:49,000 with cutting the wrong size of fabric. 598 00:28:51,400 --> 00:28:54,480 Meanwhile, team-mate Lynsey is taking on another wooden 599 00:28:54,480 --> 00:28:57,480 installation for her work zone. 600 00:28:57,480 --> 00:29:01,400 I haven't done this technique before, so I'm kind of winging it. 601 00:29:03,280 --> 00:29:06,160 I want to show all the layers of the plywood and just create a bit 602 00:29:06,160 --> 00:29:07,680 of a sculptural piece. 603 00:29:07,680 --> 00:29:09,760 And I've cut out a hole in it, which is going 604 00:29:09,760 --> 00:29:10,960 to have the company logo. 605 00:29:10,960 --> 00:29:13,280 So when the visitors come to the company, 606 00:29:13,280 --> 00:29:15,840 it'll be really prominent in the window. 607 00:29:15,840 --> 00:29:19,000 And Amy's tiered seating is now constructed. 608 00:29:19,000 --> 00:29:21,520 Welcome to the stadium. 609 00:29:19,000 --> 00:29:21,520 ALAN LAUGHS 610 00:29:21,520 --> 00:29:23,840 Give me an A! Give me a M! Give me a Y! 611 00:29:23,840 --> 00:29:27,680 So, talk me through it, because it looks quite big. 612 00:29:27,680 --> 00:29:28,960 It is quite big, yeah. 613 00:29:28,960 --> 00:29:31,520 I wanted to make a statement, wanted a bit of drama in here. 614 00:29:31,520 --> 00:29:35,440 Figured it's a media PR company, so I figured that the kind of people 615 00:29:35,440 --> 00:29:38,840 that might come in here might be being trendy, sitting, hanging out, 616 00:29:38,840 --> 00:29:41,680 looking cool, but also for product launches 617 00:29:41,680 --> 00:29:42,880 and team meetings, 618 00:29:42,880 --> 00:29:46,880 this could be a spill out from the meeting area next-door. 619 00:29:46,880 --> 00:29:49,800 Also, I wanted to create a nice partition wall for Jon. 620 00:29:49,800 --> 00:29:54,360 Amy's stadium seating is a bit too big for my liking. 621 00:29:54,360 --> 00:29:57,400 When you want to sit down, you want to just relax 622 00:29:57,400 --> 00:29:59,000 and flop yourself down. 623 00:29:59,000 --> 00:30:01,200 You'd need a fireman's lift to get on those seats, 624 00:30:01,200 --> 00:30:02,960 they're so high up. 625 00:30:02,960 --> 00:30:07,040 I understand you get kind of a bit obsessed with your own design, 626 00:30:07,040 --> 00:30:11,680 but I really do think that the tiered seating stadium area 627 00:30:11,680 --> 00:30:13,600 is clever, is multifunctional. 628 00:30:13,600 --> 00:30:15,760 It could be used for a variety of reasons. 629 00:30:19,640 --> 00:30:23,680 So, mural update is that I'm nearly there. 630 00:30:23,680 --> 00:30:26,400 I've done it a bit quicker than I anticipated, 631 00:30:26,400 --> 00:30:28,400 but which is always a good thing, I think. 632 00:30:28,400 --> 00:30:30,160 Down in Charlotte's meeting zone, 633 00:30:30,160 --> 00:30:34,120 her vision to create a more 3D room is taking shape. 634 00:30:35,480 --> 00:30:38,360 Just to create a bit of texture on the wall, other than just putting 635 00:30:38,360 --> 00:30:40,920 some wallpaper there, so the shapes that have been cut out 636 00:30:40,920 --> 00:30:43,400 kind of mimic what's going on with the mural, 637 00:30:43,400 --> 00:30:45,640 and then they're going to be painted in the same colour. 638 00:30:45,640 --> 00:30:47,080 And it'll be quite cool. 639 00:30:47,080 --> 00:30:49,160 Today's the crucial day to bring it all together, 640 00:30:49,160 --> 00:30:51,080 but so far, no dramas. 641 00:30:51,080 --> 00:30:54,200 But, when everything's done and everyone pulls it together, 642 00:30:54,200 --> 00:30:55,760 with their amazing styling, 643 00:30:55,760 --> 00:30:58,000 it does normally send me into a bit of a spin 644 00:30:58,000 --> 00:31:00,040 and I start doubting myself, 645 00:31:00,040 --> 00:31:01,800 but I'm just doing my best. 646 00:31:03,200 --> 00:31:05,200 Ah, Peter. Yeah. Oh, God. 647 00:31:05,200 --> 00:31:07,880 There you go. Looks great. Awesome. 648 00:31:07,880 --> 00:31:10,160 So, that's ready to be painted now, isn't it? Yes. 649 00:31:10,160 --> 00:31:12,760 Team-mate Peter is aiming to inject some fun 650 00:31:12,760 --> 00:31:14,560 into his breakout space. 651 00:31:14,560 --> 00:31:16,040 I'm creating a really relaxed space 652 00:31:16,040 --> 00:31:18,360 where people are going to have informal meetings. 653 00:31:18,360 --> 00:31:20,840 Here there's going to be a ping pong table 654 00:31:20,840 --> 00:31:25,120 that can also come up and be a coworking standing desk. 655 00:31:25,120 --> 00:31:27,760 I want the judges to feel like this is the dream office 656 00:31:27,760 --> 00:31:30,400 that they would always want to be in, so, yeah... 657 00:31:30,400 --> 00:31:34,000 I do so want to win this, because it would be a great opportunity 658 00:31:34,000 --> 00:31:35,920 to do a great commercial project. 659 00:31:38,120 --> 00:31:41,160 OK, can you get in there? Why don't you hold the cable? 660 00:31:41,160 --> 00:31:42,840 In the tech space, 661 00:31:42,840 --> 00:31:45,840 Paul's making foliage a feature in his meeting room. 662 00:31:45,840 --> 00:31:50,440 I think, Babs, I need to leave one grid space in between. 663 00:31:50,440 --> 00:31:53,520 You just show me where you're happy with it and I'll get it up. 664 00:31:53,520 --> 00:31:55,480 So much going on, isn't there? OK, that's it. 665 00:31:55,480 --> 00:31:58,160 What do you think about your light? I love that. 666 00:31:58,160 --> 00:31:59,560 Hello! 667 00:31:59,560 --> 00:32:02,320 Hello, Alan.It's me. Hiya. 668 00:32:02,320 --> 00:32:03,680 Paul. Alan. 669 00:32:03,680 --> 00:32:05,960 And Barbara in the back. Hello, love. 670 00:32:05,960 --> 00:32:08,120 You all right?Great. 671 00:32:08,120 --> 00:32:10,440 Now, tell me about this. What does this mean? 672 00:32:10,440 --> 00:32:13,560 I mean, listen, I've woken up under a bush after a night out 673 00:32:13,560 --> 00:32:15,120 but I've never had a meeting under one. 674 00:32:15,120 --> 00:32:16,560 LAUGHTER 675 00:32:16,560 --> 00:32:20,240 Everything, from my view is quite concrete, very hard.Yeah. 676 00:32:20,240 --> 00:32:22,640 It was just to kind of give a bit of the outdoors in. 677 00:32:22,640 --> 00:32:25,800 Does it scream "tech" to you, though? I think it does. 678 00:32:25,800 --> 00:32:28,640 You know, tech can be so many different things, but, yeah, 679 00:32:28,640 --> 00:32:30,480 I can see this working.I like it. 680 00:32:33,200 --> 00:32:35,320 It's halfway through the second day. 681 00:32:35,320 --> 00:32:38,080 This has to be the most boring thing I've ever done. 682 00:32:38,080 --> 00:32:40,520 Babs, I think you're going to have to come over and show us 683 00:32:40,520 --> 00:32:41,920 your 3D model again. 684 00:32:43,560 --> 00:32:46,360 All of the offices are radically transforming... 685 00:32:46,360 --> 00:32:47,720 Yeah, that looks great. 686 00:32:47,720 --> 00:32:50,240 ..into work spaces for the 21st century. 687 00:32:50,240 --> 00:32:53,200 This piece of muslin, so you can see through it, 688 00:32:53,200 --> 00:32:55,560 and it also prevents anyone who's sat down on the ping pong table 689 00:32:55,560 --> 00:32:57,520 being hit in the head by a ping pong! 690 00:32:58,560 --> 00:33:00,960 Peter, love. Hi, how are you? 691 00:33:00,960 --> 00:33:03,040 Hello. How are you? I'm good, thanks. 692 00:33:03,040 --> 00:33:05,480 Now, what's this? Is this one of the partitions? 693 00:33:05,480 --> 00:33:07,400 Yes, so we wanted something quite soft, 694 00:33:07,400 --> 00:33:10,160 so that's why we went for something with texture and textiles. 695 00:33:10,160 --> 00:33:12,480 Because I didn't know if you were using this as an homage 696 00:33:12,480 --> 00:33:14,880 because you're a doctor and I go behind it and... 697 00:33:14,880 --> 00:33:18,560 Oh!..maybe I take my trousers off and pop them over. 698 00:33:18,560 --> 00:33:20,920 I'm ready to see you now! 699 00:33:20,920 --> 00:33:23,720 No, you say that, don't you? It's not that kind of office. 700 00:33:23,720 --> 00:33:25,080 Oh. 701 00:33:25,080 --> 00:33:28,200 But is this partition going to be big enough, though? 702 00:33:28,200 --> 00:33:29,480 That's all I'm saying. 703 00:33:29,480 --> 00:33:30,960 I mean, it's an open-plan office, 704 00:33:30,960 --> 00:33:33,080 so unless you're doing something super structural 705 00:33:33,080 --> 00:33:34,440 that is more permanent. 706 00:33:34,440 --> 00:33:37,560 We specifically wanted it to be flexible.Yeah, yeah. 707 00:33:39,880 --> 00:33:43,680 The clock is ticking and, for Jon, the pressure is mounting. 708 00:33:43,680 --> 00:33:45,400 I'm really concerned about my room. 709 00:33:45,400 --> 00:33:48,680 My room looks no different from how we started this morning, 710 00:33:48,680 --> 00:33:51,560 so I'm desperate to get the curtains up so that you can see 711 00:33:51,560 --> 00:33:54,000 that I've actually done something in the room. 712 00:33:54,000 --> 00:33:56,840 Jon's chosen drapes to help zone his space. 713 00:33:56,840 --> 00:33:59,720 It just gives an option to have a multi-meeting space 714 00:33:59,720 --> 00:34:02,640 because of how generous the proportions of the room are. 715 00:34:02,640 --> 00:34:04,120 Two nines are 18, aren't they? 716 00:34:04,120 --> 00:34:06,160 Two, four, six, eight, nine. 717 00:34:07,240 --> 00:34:08,640 I have lost a hook. 718 00:34:10,360 --> 00:34:12,800 For me, it just felt like a bit of a waste if I was just going 719 00:34:12,800 --> 00:34:14,680 to put one large room. 720 00:34:14,680 --> 00:34:16,560 I hope Michelle will appreciate that 721 00:34:16,560 --> 00:34:18,560 I've thought about the use of the space, 722 00:34:18,560 --> 00:34:20,560 the actual functionality of the room. 723 00:34:20,560 --> 00:34:24,680 We have curtains, ladies! Perfection. 724 00:34:26,920 --> 00:34:31,360 Over in Team Beauty, Charlotte is almost finished... 725 00:34:32,400 --> 00:34:34,160 Spin it around! 726 00:34:34,160 --> 00:34:36,920 ..and Peter's breakout space is also on track. 727 00:34:37,920 --> 00:34:40,600 So this is my collaborative work pod. The curtains create a bit 728 00:34:40,600 --> 00:34:42,640 of privacy so you can have a phone call in here. 729 00:34:42,640 --> 00:34:45,200 Obviously not super private, but it's private enough. 730 00:34:48,280 --> 00:34:50,040 Bit higher than that, if you don't mind. 731 00:34:50,040 --> 00:34:53,040 With Barbara's breakout divider constructed, 732 00:34:53,040 --> 00:34:55,120 she's beginning to see the light. 733 00:34:55,120 --> 00:34:56,880 Get that at that height, is that OK? 734 00:34:56,880 --> 00:34:58,880 Finally getting some lights in place. 735 00:34:58,880 --> 00:35:01,120 I don't think we go any lower, that's probably fine. 736 00:35:01,120 --> 00:35:02,520 Progress is being made. 737 00:35:02,520 --> 00:35:04,880 I think it just literally goes there. 738 00:35:04,880 --> 00:35:07,120 Across the office in the work zone, 739 00:35:07,120 --> 00:35:09,760 Siobhan's fixing tech words to her walls 740 00:35:09,760 --> 00:35:12,400 using cables and oversized lettering. 741 00:35:12,400 --> 00:35:14,000 Love it! Yes. 742 00:35:15,480 --> 00:35:18,040 OK, I think higher. 743 00:35:18,040 --> 00:35:20,720 Yeah, it's definitely just come together, 744 00:35:20,720 --> 00:35:24,880 just as we imagined on Barbara's 3D model. 745 00:35:26,560 --> 00:35:29,000 She can hear me in background! 746 00:35:29,000 --> 00:35:30,880 Sorry, pal. Get it in, babe, get it in. 747 00:35:30,880 --> 00:35:33,040 I'm not really taking the mickey, honest! 748 00:35:34,120 --> 00:35:37,600 Oh, my God, it's just such a roller-coaster of emotions. 749 00:35:37,600 --> 00:35:41,520 I mean, I cannot tell you, but I feel a little bit more confident 750 00:35:41,520 --> 00:35:45,160 now that we will get there, that we will reach the finish line. 751 00:35:47,320 --> 00:35:48,600 I'm swinging! 752 00:35:48,600 --> 00:35:52,280 With less than an hour to go, it's a race to the finish. 753 00:35:52,280 --> 00:35:53,320 Whee! 754 00:35:56,400 --> 00:35:57,760 It's quite good, isn't it? 755 00:36:03,040 --> 00:36:06,000 That's going to be slightly in and to the back, 756 00:36:06,000 --> 00:36:09,160 so one there, one on the other side like that. 757 00:36:09,160 --> 00:36:13,840 On Team Beauty, Micaela's left an important job until last. 758 00:36:13,840 --> 00:36:17,320 I am a bit worried about how I'm going to configure them. 759 00:36:17,320 --> 00:36:20,920 Just need to check I've got enough space around each desk. 760 00:36:22,360 --> 00:36:24,320 Guys, 20 minutes. 761 00:36:28,720 --> 00:36:30,840 Joining Michelle to judge this week, 762 00:36:30,840 --> 00:36:34,360 award-winning interior designer and former design director 763 00:36:34,360 --> 00:36:37,080 of Soho House, Linda Boronkay. 764 00:36:37,080 --> 00:36:40,560 I think this is such a brilliant challenge because the whole world 765 00:36:40,560 --> 00:36:43,720 of work has completely changed in the last year or so. 766 00:36:43,720 --> 00:36:45,920 I mean, this is now about kind of seduction. 767 00:36:45,920 --> 00:36:48,200 What is a designer going to offer 768 00:36:48,200 --> 00:36:51,480 to seduce me out of my home and back into an office? 769 00:36:51,480 --> 00:36:55,800 Yes, I 100% agree. Office design doesn't have to be boring. 770 00:36:55,800 --> 00:36:59,120 I'm also looking for something that is unique and maybe something 771 00:36:59,120 --> 00:37:00,800 is very inspiring for us as well. 772 00:37:00,800 --> 00:37:04,080 These spaces will have to represent the brand, 773 00:37:04,080 --> 00:37:05,400 the brand values. 774 00:37:05,400 --> 00:37:08,400 And if I can see his or her stamp throughout the space, 775 00:37:08,400 --> 00:37:10,680 that is quite interesting as well. 776 00:37:13,320 --> 00:37:16,320 First office space to be judged, Team Beauty. 777 00:37:16,320 --> 00:37:17,480 Yeah, thank you. 778 00:37:19,920 --> 00:37:22,040 I'm going to run out of time. 779 00:37:23,320 --> 00:37:26,240 Oh, my God, that was a mad rush. 780 00:37:26,240 --> 00:37:28,120 My God, I need to go to sleep. 781 00:37:32,240 --> 00:37:35,480 I didn't manage to get my desks and chairs into the space quick enough 782 00:37:35,480 --> 00:37:37,240 to play around with the layout, 783 00:37:37,240 --> 00:37:41,000 so I have a little niggle in the back of my mind that my desks 784 00:37:41,000 --> 00:37:44,400 are blocking the entrance to the rest of the office. 785 00:37:44,400 --> 00:37:47,480 I hope I've done enough, but I ran out of time. 786 00:37:47,480 --> 00:37:50,840 So this is our sustainable beauty brand. 787 00:37:50,840 --> 00:37:55,440 Micaela's forte is upholstery, detail, colours, textures, 788 00:37:55,440 --> 00:37:57,200 which I can definitely see, 789 00:37:57,200 --> 00:38:00,680 but the last challenge I felt she needed to get a sense of the room 790 00:38:00,680 --> 00:38:05,160 as a whole. I really don't like all the desks stacked up like this. 791 00:38:05,160 --> 00:38:07,560 I mean, I feel like I'm about to take an exam. 792 00:38:07,560 --> 00:38:08,800 It feels very rigid. 793 00:38:08,800 --> 00:38:12,200 And also these spaces should encourage collaborative working. 794 00:38:12,200 --> 00:38:14,760 And I wouldn't feel comfortable sitting at a desk like this. 795 00:38:14,760 --> 00:38:18,680 I would always feel like somebody's watching over my shoulder. Yeah. 796 00:38:18,680 --> 00:38:22,360 Maybe that's the area where you try the products of the beauty brand. 797 00:38:22,360 --> 00:38:25,640 Yes, probably with the... Make-up mirror. ..ring flash and everything. 798 00:38:25,640 --> 00:38:28,480 So that's good, that's really diving into the detail of beauty. 799 00:38:28,480 --> 00:38:30,680 And nice that they haven't fallen into that 800 00:38:30,680 --> 00:38:32,240 "let's make it all pink and feminine, 801 00:38:32,240 --> 00:38:33,760 "because that's beauty, isn't it?" 802 00:38:33,760 --> 00:38:36,000 It is just missing kind of reception. 803 00:38:36,000 --> 00:38:37,400 Things are facing the wrong way. 804 00:38:37,400 --> 00:38:39,600 Exactly, you don't have a sense of arrival. 805 00:38:44,680 --> 00:38:49,120 I think my breakout space looks exactly how I imagined it. 806 00:38:49,120 --> 00:38:52,360 For me to go home now, I feel it would be a bit premature. 807 00:38:52,360 --> 00:38:56,160 I love the fact that they used the round shape for the curtains. 808 00:38:56,160 --> 00:38:58,360 Just feels a lot more organic. Yeah. 809 00:38:58,360 --> 00:39:00,560 And it breaks up the rigidity of the layout. 810 00:39:00,560 --> 00:39:02,560 How do you feel about a ping pong table? 811 00:39:02,560 --> 00:39:06,520 I'm feeling this is almost veering us into cliche territory, isn't it? 812 00:39:06,520 --> 00:39:09,680 It's one too many ideas in a small space. 813 00:39:09,680 --> 00:39:12,960 Adding the benches, I want to just read it as a desk. 814 00:39:12,960 --> 00:39:14,840 Yeah. And think, oh, how clever, 815 00:39:14,840 --> 00:39:18,120 but the way he's set it up with the bats and the ball, 816 00:39:18,120 --> 00:39:20,560 I'm just thinking it's going to be so annoying for the person 817 00:39:20,560 --> 00:39:22,760 trying to read their book and have a bit of quiet time 818 00:39:22,760 --> 00:39:25,640 here with ping pong, ping pong! "Oh, can you get my ball, please?" 819 00:39:25,640 --> 00:39:29,160 But I love this screen adding another layer of texture and colour. 820 00:39:29,160 --> 00:39:32,240 You see, I just thought that was to stop you getting hit 821 00:39:32,240 --> 00:39:33,400 by a ping pong ball. 822 00:39:33,400 --> 00:39:35,840 Well, it's double function, I guess. 823 00:39:41,800 --> 00:39:43,480 I'm really happy with my space. 824 00:39:43,480 --> 00:39:46,560 I'd like them to notice my attention to detail and the ways 825 00:39:46,560 --> 00:39:49,080 I've used my background in surface pattern 826 00:39:49,080 --> 00:39:51,840 to make interesting 3D elements on the wall. 827 00:39:51,840 --> 00:39:54,720 And hopefully they're things they haven't seen before as well. 828 00:39:54,720 --> 00:39:56,040 That would be really nice. 829 00:39:56,040 --> 00:40:00,760 Charlotte's speciality is textile design, and last challenge 830 00:40:00,760 --> 00:40:04,440 I felt she was a bit lazy, so I definitely get the sense 831 00:40:04,440 --> 00:40:07,000 that that message got heard. Definitely. 832 00:40:07,000 --> 00:40:08,640 I love a feature wall. 833 00:40:08,640 --> 00:40:12,080 A feature ceiling as well, though! A feature ceiling, beautiful. 834 00:40:12,080 --> 00:40:15,680 And you can really feel the handmade nature of it, the brush strokes. 835 00:40:15,680 --> 00:40:18,240 I love this textured wall as well. 836 00:40:18,240 --> 00:40:22,920 Again, using the same patterns, but in a 3D way. 837 00:40:22,920 --> 00:40:26,240 This is an office for one brand, 838 00:40:26,240 --> 00:40:30,440 but there's little things that kind of grate with me, 839 00:40:30,440 --> 00:40:33,320 so I'm taking an exam over here. 840 00:40:33,320 --> 00:40:35,520 You have a ping pong table that doesn't quite fit. 841 00:40:35,520 --> 00:40:38,880 I think Charlotte's area feels very successful, though. 842 00:40:42,560 --> 00:40:45,200 Next to face the judges, Team Media. 843 00:40:51,200 --> 00:40:54,080 Elbow bump. It's like the Power Rangers. 844 00:41:01,600 --> 00:41:04,200 I'm really pleased with the wall art and the woodwork, 845 00:41:04,200 --> 00:41:06,920 I think they both came out as I wanted them to. 846 00:41:06,920 --> 00:41:10,640 I was really pleased with the overall aesthetic. 847 00:41:10,640 --> 00:41:12,320 Wow. 848 00:41:12,320 --> 00:41:15,600 You can immediately see a very clever use of materials. 849 00:41:16,640 --> 00:41:20,520 I love the ply on the walls, on the desks. 850 00:41:20,520 --> 00:41:23,640 One thing about hot desking is I think it denies people 851 00:41:23,640 --> 00:41:25,880 the ability to personalise their space. 852 00:41:25,880 --> 00:41:27,880 Just by putting this little triangle, 853 00:41:27,880 --> 00:41:29,920 I've got somewhere to put my Post-its. 854 00:41:29,920 --> 00:41:31,040 Yeah, no, absolutely. 855 00:41:31,040 --> 00:41:32,640 And I do love a good Post-it. 856 00:41:32,640 --> 00:41:35,040 And they have storage for each desk, 857 00:41:35,040 --> 00:41:36,600 which is very practical. 858 00:41:36,600 --> 00:41:38,680 The only thing I'm a little worried about 859 00:41:38,680 --> 00:41:40,760 is that this is completely unfinished. 860 00:41:40,760 --> 00:41:42,720 That's going to kind of mark. 861 00:41:42,720 --> 00:41:45,240 I agree, another coat of lacquer or something on it. 862 00:41:45,240 --> 00:41:47,280 Just to make it a bit more durable. Yeah. 863 00:41:53,680 --> 00:41:56,560 Obviously, I really want Michelle to love the space, 864 00:41:56,560 --> 00:41:59,920 and I don't want to be having to answer to her if she doesn't. 865 00:41:59,920 --> 00:42:02,760 However, I am so proud of what I've achieved 866 00:42:02,760 --> 00:42:04,960 that I feel like I've won anyway. 867 00:42:04,960 --> 00:42:08,160 I'm trying to envisage how people would use this space. 868 00:42:08,160 --> 00:42:11,600 This is clearly her big statement. Yeah, the big moment. 869 00:42:11,600 --> 00:42:15,600 But I just wonder about the comfort of sitting up there. 870 00:42:15,600 --> 00:42:19,000 Am I really going to clamber up there and brainstorm away? 871 00:42:19,000 --> 00:42:21,480 Because I think I'd be pretty uncomfortable 872 00:42:21,480 --> 00:42:23,680 within about five seconds. Do you want to try? 873 00:42:23,680 --> 00:42:25,840 No, I don't! 874 00:42:25,840 --> 00:42:28,280 It's an awful lot of space that it takes up as well 875 00:42:28,280 --> 00:42:30,120 when you see the depth of it. 876 00:42:30,120 --> 00:42:33,160 All of that space back there is not going to get sat on, is it? 877 00:42:33,160 --> 00:42:36,640 Yes, but I like the fact that it's also a division 878 00:42:36,640 --> 00:42:41,360 from the meeting spaces. The big idea was kind of there, 879 00:42:41,360 --> 00:42:43,600 but not thought through in the detail of 880 00:42:43,600 --> 00:42:45,480 how am I actually going to use this? 881 00:42:52,960 --> 00:42:56,240 I don't think there's anything in my space that doesn't meet the brief, 882 00:42:56,240 --> 00:42:59,280 and if I'm being supercritical on myself, the things that I wished 883 00:42:59,280 --> 00:43:02,360 had gone better are the volume of curtains that I've got 884 00:43:02,360 --> 00:43:05,320 because it doesn't have the impact of what I was hoping. 885 00:43:05,320 --> 00:43:08,520 So this is the other side of the amphitheatre. 886 00:43:09,760 --> 00:43:12,880 Immediately a bit of a lost opportunity to make 887 00:43:12,880 --> 00:43:14,360 all that access for storage here. 888 00:43:14,360 --> 00:43:17,680 Exactly, if you had doors here, you would have ample storage. 889 00:43:17,680 --> 00:43:21,120 And then we've got hard meeting, soft meeting kind of areas. 890 00:43:21,120 --> 00:43:24,200 I think it's quite nice using the fabrics to separate them 891 00:43:24,200 --> 00:43:26,240 because it just makes it a bit softer. 892 00:43:26,240 --> 00:43:29,040 Yeah. I guess it also means you could pull that all back 893 00:43:29,040 --> 00:43:32,840 and really have a big meeting here if you needed to. 894 00:43:32,840 --> 00:43:36,440 I'm not sure the sheers do enough for a meeting room. 895 00:43:36,440 --> 00:43:39,760 They won't create enough privacy, I don't think. 896 00:43:39,760 --> 00:43:43,600 There's just not enough acoustic separation between the rooms. 897 00:43:43,600 --> 00:43:46,320 If they'd been maybe thicker, less translucent. 898 00:43:46,320 --> 00:43:49,640 Overall, I feel like they've done a really, really good job. 899 00:43:49,640 --> 00:43:52,080 I mean, you can really see the communication 900 00:43:52,080 --> 00:43:54,120 from one end of the room to the other. 901 00:43:54,120 --> 00:43:55,720 And, look, they have the same fabric. 902 00:43:55,720 --> 00:43:59,280 Oh, that's nice, so actually Jon has pushed himself a little 903 00:43:59,280 --> 00:44:02,200 and done some upholstery, which is always nice to see. 904 00:44:02,200 --> 00:44:04,480 You want to see these designers learning something 905 00:44:04,480 --> 00:44:07,240 and growing every single challenge. Absolutely. 906 00:44:12,040 --> 00:44:13,320 Guys, we're done. 907 00:44:13,320 --> 00:44:15,280 Oh! We smashed it. 908 00:44:18,960 --> 00:44:22,080 I just want to go and have a glass of wine. 909 00:44:22,080 --> 00:44:25,520 Just relieved, so relieved that we managed to complete it. 910 00:44:25,520 --> 00:44:29,880 Oh, my God, this feels so different. 911 00:44:29,880 --> 00:44:33,800 Finally, the judges inspect the tech office. 912 00:44:33,800 --> 00:44:36,040 same brief, same budget, 913 00:44:36,040 --> 00:44:40,080 same time and same trade - different result. 914 00:44:47,160 --> 00:44:51,000 I didn't expect it to all come together just as well as it did, 915 00:44:51,000 --> 00:44:54,000 and it was very ambitious of us, but I think we nailed it. 916 00:44:54,000 --> 00:44:58,280 Paul loves wallpapers, but here at least he's contained it to one wall 917 00:44:58,280 --> 00:45:01,760 and just using it in a way that is really expressive and fun. 918 00:45:01,760 --> 00:45:05,000 That wallpaper must have been the starting point of their scheme. 919 00:45:05,000 --> 00:45:07,600 All the colours come back in other spaces 920 00:45:07,600 --> 00:45:09,800 and they recreated the same pattern. 921 00:45:09,800 --> 00:45:11,880 But it doesn't feel too laboured, does it? 922 00:45:11,880 --> 00:45:15,040 It feels actually just quite organic that it sort of happened 923 00:45:15,040 --> 00:45:17,280 quite naturally. It's not tried too hard. 924 00:45:17,280 --> 00:45:19,160 They have built dividers 925 00:45:19,160 --> 00:45:22,880 and yet it doesn't feel that I've blocked off huge bits of the office 926 00:45:22,880 --> 00:45:26,040 and you still get the sense that we're all one team. 927 00:45:26,040 --> 00:45:28,640 This does feel kind of like the future of office. 928 00:45:28,640 --> 00:45:31,240 Yeah, and it doesn't fall into cliches. No. At all. 929 00:45:37,440 --> 00:45:39,640 There's lots of things that I've learned this week. 930 00:45:39,640 --> 00:45:42,280 There's loads more that I need to learn, 931 00:45:42,280 --> 00:45:44,400 but I think it has given me a little bit of confidence 932 00:45:44,400 --> 00:45:48,200 just looking around the room thinking, wow, I did that. 933 00:45:50,680 --> 00:45:52,440 So this is their work space. 934 00:45:52,440 --> 00:45:54,120 Yes. It works. 935 00:45:54,120 --> 00:45:56,400 The layout is fundamentally right. 936 00:45:56,400 --> 00:45:59,080 You've got your team desking here and then you've got the option 937 00:45:59,080 --> 00:46:01,000 of solo desking as well. 938 00:46:01,000 --> 00:46:03,600 But with enough space around both of them. 939 00:46:03,600 --> 00:46:05,800 I rather love the wall art. 940 00:46:05,800 --> 00:46:09,360 The colours are tying in, there is an extraordinary attention 941 00:46:09,360 --> 00:46:11,400 to small details. Yeah. 942 00:46:16,880 --> 00:46:20,600 So Barbara has a more architectural way of thinking. 943 00:46:20,600 --> 00:46:24,480 But the last challenge, she just went a bit Bauhaus style mad, 944 00:46:24,480 --> 00:46:26,520 but you can tell her influence. 945 00:46:26,520 --> 00:46:29,600 I think she really drove the kind of partitioning details. 946 00:46:29,600 --> 00:46:32,880 I can just imagine people working there, doing their smaller tasks 947 00:46:32,880 --> 00:46:34,800 and having an impromptu meeting here 948 00:46:34,800 --> 00:46:37,240 or a more organised one there with the whiteboard. 949 00:46:37,240 --> 00:46:40,320 It's really clever to have incorporated the whiteboards, 950 00:46:40,320 --> 00:46:43,280 isn't it? Both sides. Because you need space like that in an office. 951 00:46:43,280 --> 00:46:46,440 This is a whole... It looks like if it was fitted out professionally. 952 00:46:46,440 --> 00:46:49,160 Completely. And they all used their own strengths 953 00:46:49,160 --> 00:46:51,120 to make this space so successful. 954 00:46:51,120 --> 00:46:53,080 The essence of teamwork, no less. 955 00:46:53,080 --> 00:46:54,120 Oh, yeah. 956 00:46:55,880 --> 00:46:58,680 Before the teams return to the design studio, 957 00:46:58,680 --> 00:47:00,920 a moment to eye up their competition. 958 00:47:02,080 --> 00:47:03,960 Is it safe? I hope so. 959 00:47:03,960 --> 00:47:06,560 I mean, imagine if it fell out with my big bum. 960 00:47:06,560 --> 00:47:09,440 It feels still quite spacious in here considering she's built this, 961 00:47:09,440 --> 00:47:10,840 which is huge. Yes. 962 00:47:10,840 --> 00:47:13,520 Massive, yeah. So these are curtains, so obviously you can 963 00:47:13,520 --> 00:47:15,400 move them and open and close the space. 964 00:47:15,400 --> 00:47:19,000 I prefer the way we've thought about how people would use our space. 965 00:47:19,000 --> 00:47:21,320 I've just never seen anything like this before. 966 00:47:21,320 --> 00:47:24,320 Not in an office. Would you actually go in there and close the curtains? 967 00:47:24,320 --> 00:47:26,480 I guess it depends what you were doing in there. 968 00:47:26,480 --> 00:47:28,160 THEY LAUGH 969 00:47:31,280 --> 00:47:32,600 Is this necessary? 970 00:47:32,600 --> 00:47:33,960 Would anyone actually use this? 971 00:47:33,960 --> 00:47:36,200 I don't think they would. Oh, wow. 972 00:47:36,200 --> 00:47:37,800 Look at the mural. It goes right up. 973 00:47:37,800 --> 00:47:39,960 Look at the skill involved in that, though. 974 00:47:39,960 --> 00:47:42,080 What are we thinking then, are we worried? 975 00:47:42,080 --> 00:47:45,520 Or are we still thinking that we're... Team win. 976 00:47:45,520 --> 00:47:48,160 Oh... They're lovely partitions. 977 00:47:48,160 --> 00:47:49,320 I thought we'd made a lot... 978 00:47:49,320 --> 00:47:52,160 I mean, we have still made a lot of wood, but they created 979 00:47:52,160 --> 00:47:54,080 cubbyholes and areas. 980 00:47:54,080 --> 00:47:57,040 I really, really like how they separated all the spaces. 981 00:47:57,040 --> 00:47:59,600 So we're not scared, but we're suitably impressed, 982 00:47:59,600 --> 00:48:00,840 I think it's fair to say. 983 00:48:00,840 --> 00:48:02,360 I think we've both hit the brief. 984 00:48:02,360 --> 00:48:05,560 Yeah. Yeah. There's nothing else we can do. Let's go. 985 00:48:15,600 --> 00:48:20,440 It's results day and the designers are back at Michelle's studio. 986 00:48:20,440 --> 00:48:23,160 This morning, feeling a little bit anxious, 987 00:48:23,160 --> 00:48:24,480 a little bit nervous, 988 00:48:24,480 --> 00:48:27,320 because any one of us could be on the sofa today, 989 00:48:27,320 --> 00:48:29,080 so I'm just keeping my fingers crossed. 990 00:48:29,080 --> 00:48:31,880 Hi! They're back! 991 00:48:31,880 --> 00:48:36,520 I'm quietly confident today that I will stand by my design 992 00:48:36,520 --> 00:48:38,360 and I'm happy with what I've achieved. 993 00:48:38,360 --> 00:48:40,000 Hi! Hello! Hi, guys! 994 00:48:42,160 --> 00:48:44,880 I'm just really nervous about the level of competition, 995 00:48:44,880 --> 00:48:49,760 but inside in that studio, I will be feeling quite queasy. 996 00:48:49,760 --> 00:48:52,560 Uh-oh.Hello! Hiya! 997 00:48:52,560 --> 00:48:55,080 I can smell fear! 998 00:48:55,080 --> 00:48:56,320 Yeah! 999 00:48:56,320 --> 00:49:00,320 Don't you all look nice in your glad rags? Get you! 1000 00:49:00,320 --> 00:49:04,840 Well, I can tell you, Michelle and Linda were absolutely wowed 1001 00:49:04,840 --> 00:49:07,400 by the level of design they saw. 1002 00:49:08,520 --> 00:49:10,680 So let's hear their verdict. 1003 00:49:12,160 --> 00:49:15,640 There was one team they felt went above and beyond 1004 00:49:15,640 --> 00:49:18,080 what they expected to see. 1005 00:49:19,800 --> 00:49:23,360 They both said it looked like it had been designed by professionals 1006 00:49:23,360 --> 00:49:25,640 and they would be happy to work there. 1007 00:49:30,040 --> 00:49:33,840 Paul, Siobhan, Barbara, you're through to next week, well done. 1008 00:49:33,840 --> 00:49:35,280 Well done! 1009 00:49:35,280 --> 00:49:36,840 Oh, that's really good. 1010 00:49:36,840 --> 00:49:38,560 Off you go. Well done. 1011 00:49:38,560 --> 00:49:41,680 Relax. Well deserved, guys. 1012 00:49:41,680 --> 00:49:44,680 I know how it felt last week. It was horrible being on the sofa, 1013 00:49:44,680 --> 00:49:47,280 so this just feels like all the hard work has paid off. 1014 00:49:47,280 --> 00:49:50,800 So for the remaining teams, Beauty and Media PR, 1015 00:49:50,800 --> 00:49:54,680 the judges thought two designers also did enough 1016 00:49:54,680 --> 00:49:56,520 to avoid elimination. 1017 00:49:56,520 --> 00:49:59,360 And those two are... 1018 00:50:00,720 --> 00:50:02,560 ..Lynsey 1019 00:50:02,560 --> 00:50:04,160 and Charlotte. 1020 00:50:05,640 --> 00:50:07,080 You can go. 1021 00:50:07,080 --> 00:50:08,640 Thank you. 1022 00:50:08,640 --> 00:50:09,800 Well done. 1023 00:50:09,800 --> 00:50:11,320 Bye, guys. Good luck. 1024 00:50:11,320 --> 00:50:14,200 And for the rest of you, the judges would like to talk to you 1025 00:50:14,200 --> 00:50:17,520 to find out which one of you will be going home. 1026 00:50:17,520 --> 00:50:18,920 Good luck. 1027 00:50:18,920 --> 00:50:20,120 Thank you. 1028 00:50:23,400 --> 00:50:24,640 Well... 1029 00:50:26,040 --> 00:50:27,560 ..here we are. Here we are. 1030 00:50:27,560 --> 00:50:30,280 Feeling really mixed emotions right now. 1031 00:50:30,280 --> 00:50:32,920 I feel really happy that I'm through, 1032 00:50:32,920 --> 00:50:34,960 but really gutted for Amy and Jon 1033 00:50:34,960 --> 00:50:38,160 because we were a team, and it kind of brings it home, 1034 00:50:38,160 --> 00:50:39,920 it's an individual competition. 1035 00:50:39,920 --> 00:50:43,040 Now, the office spaces were so impressive. 1036 00:50:43,040 --> 00:50:45,240 How did you whittle it down to these four? 1037 00:50:45,240 --> 00:50:47,000 It was really, really hard. 1038 00:50:47,000 --> 00:50:49,000 We had to judge them individually, 1039 00:50:49,000 --> 00:50:52,440 and yet we saw three really coherent office schemes. 1040 00:50:52,440 --> 00:50:54,200 So who should we start with? 1041 00:50:54,200 --> 00:50:55,800 Let's talk about Amy first. 1042 00:50:55,800 --> 00:50:57,480 That was a bold move. 1043 00:50:57,480 --> 00:51:00,040 It was like a plywood Stonehenge. 1044 00:51:00,040 --> 00:51:03,400 I felt like you should pray to it or sacrifice someone on it. 1045 00:51:03,400 --> 00:51:05,000 It was so huge. 1046 00:51:05,000 --> 00:51:08,240 There's a fine line, really, isn't there, between having a big idea... 1047 00:51:08,240 --> 00:51:10,680 Yeah. It worked really well to zone the space, 1048 00:51:10,680 --> 00:51:13,400 but I think there's always a point where you get into that space 1049 00:51:13,400 --> 00:51:15,520 and you have to be able to go, 1050 00:51:15,520 --> 00:51:18,360 "I think I need to change it a bit because it's just too much."Yes. 1051 00:51:18,360 --> 00:51:21,920 And I just worry with her that she doesn't do that. 1052 00:51:21,920 --> 00:51:25,280 Can we talk about Jon's meeting room? Functionality wise, 1053 00:51:25,280 --> 00:51:26,800 it wasn't very successful.No. 1054 00:51:26,800 --> 00:51:29,680 Even though the idea of curtains was really lovely, 1055 00:51:29,680 --> 00:51:32,400 the execution and the fact that they were sheers, 1056 00:51:32,400 --> 00:51:35,800 that just didn't quite make it for a successful meeting room. 1057 00:51:35,800 --> 00:51:39,680 Now, where do you both stand on Peter's ping pong table? 1058 00:51:39,680 --> 00:51:41,360 I'm not a fan of ping pong, 1059 00:51:41,360 --> 00:51:44,000 especially not in a small office like that 1060 00:51:44,000 --> 00:51:46,640 where it can be so loud and so distracting. 1061 00:51:46,640 --> 00:51:48,080 He could have been cleverer. 1062 00:51:48,080 --> 00:51:50,960 We could have had the language of ping pong without it literally 1063 00:51:50,960 --> 00:51:54,080 being a ping pong table, which is fun for five minutes 1064 00:51:54,080 --> 00:51:55,400 and then intensely annoying. 1065 00:51:55,400 --> 00:51:57,680 Let's talk about Micaela's space. 1066 00:51:57,680 --> 00:52:00,360 That room really wasn't working, layout wise. 1067 00:52:00,360 --> 00:52:03,760 Because I was thinking, "Oh, God, I've got to take an exam!" 1068 00:52:03,760 --> 00:52:06,640 Oh, yes! Because all the desks were lined up like that, 1069 00:52:06,640 --> 00:52:09,680 but also the whole lot facing away from the door. 1070 00:52:09,680 --> 00:52:12,440 Just visualise the customer journey because you are going to enter 1071 00:52:12,440 --> 00:52:14,640 into this space and who is going to greet you? 1072 00:52:14,640 --> 00:52:18,440 It's just this ability to stand back and read the whole space 1073 00:52:18,440 --> 00:52:19,840 that I think she just missed. 1074 00:52:19,840 --> 00:52:23,160 But we have actually got so many questions we want to ask them. 1075 00:52:23,160 --> 00:52:26,120 I don't envy you, it's going to be so tough, isn't it? 1076 00:52:26,120 --> 00:52:27,160 Yes. 1077 00:52:34,000 --> 00:52:35,720 Hi. Hi there. 1078 00:52:35,720 --> 00:52:41,280 I have to tell you, you are already making this incredibly hard for me 1079 00:52:41,280 --> 00:52:43,240 to call it between any of you. 1080 00:52:43,240 --> 00:52:45,680 You have to know that the standard 1081 00:52:45,680 --> 00:52:48,920 that you are hitting is just extraordinary. 1082 00:52:48,920 --> 00:52:52,360 Nevertheless, one person will go home today, 1083 00:52:52,360 --> 00:52:55,800 so this chat is about me really understanding 1084 00:52:55,800 --> 00:52:57,760 your individual designs. 1085 00:52:57,760 --> 00:52:58,800 Jon. Yes. 1086 00:52:58,800 --> 00:53:00,800 I'm going to start with you. OK. 1087 00:53:00,800 --> 00:53:04,400 This was a chance to reinvent the office for the 21st century. 1088 00:53:04,400 --> 00:53:06,240 Do you think you did that? 1089 00:53:06,240 --> 00:53:09,120 Erm, in terms of a reinvention, probably not. 1090 00:53:09,120 --> 00:53:12,680 And certainly when we were given the brief to start with, 1091 00:53:12,680 --> 00:53:17,160 I did go into office mode of this is what should be in these places. 1092 00:53:17,160 --> 00:53:20,880 On the flip side of it, my other big idea was to show how much 1093 00:53:20,880 --> 00:53:22,920 I've grown from the last challenge 1094 00:53:22,920 --> 00:53:25,960 and try and be forward thinking in terms of the brief. 1095 00:53:25,960 --> 00:53:28,320 So I don't work in an office that has curtains 1096 00:53:28,320 --> 00:53:31,280 and I thought actually to soften that area, being able to shift 1097 00:53:31,280 --> 00:53:34,760 that away so you could use the space in four ways. 1098 00:53:34,760 --> 00:53:37,400 The one thing I thought - if the curtains 1099 00:53:37,400 --> 00:53:39,360 would have been a little bit thicker, 1100 00:53:39,360 --> 00:53:41,200 a little bit more soundproofing. 1101 00:53:41,200 --> 00:53:43,480 Yeah, if I'm fortunate enough to carry on, 1102 00:53:43,480 --> 00:53:45,240 that's a great thing to take away. 1103 00:53:46,560 --> 00:53:51,440 Amy, you put a very big idea into your space. 1104 00:53:51,440 --> 00:53:54,600 When it was built, was it how you imagined? 1105 00:53:54,600 --> 00:53:56,920 I probably should admit at this stage, 1106 00:53:56,920 --> 00:53:59,160 it was originally going to be twice that size! 1107 00:53:59,160 --> 00:54:01,640 So I'm very glad that I took it down. 1108 00:54:01,640 --> 00:54:04,040 How could that have been twice as big? 1109 00:54:04,040 --> 00:54:05,400 Where would it all have gone? 1110 00:54:05,400 --> 00:54:08,200 It was originally going to come a little bit further towards 1111 00:54:08,200 --> 00:54:10,760 Lynsey's area, so it was just a sort of longer L-shape. 1112 00:54:10,760 --> 00:54:12,600 The point of it was to create drama. 1113 00:54:12,600 --> 00:54:15,320 I wanted to kind of create a space that felt fun, 1114 00:54:15,320 --> 00:54:17,560 but still had that sort of sophistication. 1115 00:54:17,560 --> 00:54:20,320 Do you think people would really use it, though? 1116 00:54:20,320 --> 00:54:22,480 It obviously is a grown-up space. 1117 00:54:22,480 --> 00:54:23,880 It's not a playground. 1118 00:54:23,880 --> 00:54:25,840 No, it was about trying to be bold, I guess, 1119 00:54:25,840 --> 00:54:28,080 answering that part of the brief. 1120 00:54:28,080 --> 00:54:30,360 It seemed like you've seen this picture somewhere 1121 00:54:30,360 --> 00:54:33,440 and you really liked the idea, but you perhaps didn't consider 1122 00:54:33,440 --> 00:54:36,320 the constraints of the space with the ceiling height 1123 00:54:36,320 --> 00:54:39,800 and the fact that you have a fairly small space to fill. OK. 1124 00:54:39,800 --> 00:54:42,200 I was just wondering if you guys have ever discussed 1125 00:54:42,200 --> 00:54:45,120 how it could be utilised further, perhaps for storage space? 1126 00:54:45,120 --> 00:54:48,280 Yeah, that's something that I need to consider for next time. 1127 00:54:48,280 --> 00:54:52,640 I feel it could have worked a lot harder and it was way too big. OK. 1128 00:54:54,600 --> 00:54:59,800 Micaela, you have got to stand back and look at your room as a whole, 1129 00:54:59,800 --> 00:55:02,200 because I felt I was on detention. 1130 00:55:02,200 --> 00:55:05,080 Oh! Because I'm sitting there, I've got someone behind me, 1131 00:55:05,080 --> 00:55:07,640 I've got someone in front of me, I'm not facing the door. 1132 00:55:07,640 --> 00:55:10,760 I thought, it's nicer to be looking towards the window than 1133 00:55:10,760 --> 00:55:13,400 staring immediately at a colleague all the time. 1134 00:55:13,400 --> 00:55:14,920 That was my preference. 1135 00:55:14,920 --> 00:55:17,360 That doesn't encourage collaborative working. 1136 00:55:17,360 --> 00:55:19,960 Also, if anyone ever visits this office, 1137 00:55:19,960 --> 00:55:22,920 how would they feel about entering the space? 1138 00:55:22,920 --> 00:55:25,960 Who would greet them or what would their journey look like? 1139 00:55:25,960 --> 00:55:29,120 I hoped that when you entered, you wouldn't feel like, 1140 00:55:29,120 --> 00:55:31,520 you know, I don't know, you felt awkward. 1141 00:55:31,520 --> 00:55:34,400 But in an ideal world, I don't think I would have put 1142 00:55:34,400 --> 00:55:35,960 any of the desks back in. 1143 00:55:35,960 --> 00:55:38,280 I would have had something more fluid and curved. 1144 00:55:38,280 --> 00:55:40,680 What do you mean by in an ideal world? This was your brief. 1145 00:55:40,680 --> 00:55:43,600 That's one of the biggest learning curves, I think, of being a designer 1146 00:55:43,600 --> 00:55:45,920 that you get in there and it's the ability to go, 1147 00:55:45,920 --> 00:55:48,000 "I've made a mistake. I need to change this." 1148 00:55:48,000 --> 00:55:50,680 Sometimes it's about the thing you take off. 1149 00:55:53,000 --> 00:55:54,920 Ready? Sure, why not? 1150 00:55:54,920 --> 00:55:57,720 The ping pong table. OK. 1151 00:55:57,720 --> 00:56:01,880 Why? It's a clip-on, so it can come down really quickly. 1152 00:56:01,880 --> 00:56:03,120 I upholstered the benches. 1153 00:56:03,120 --> 00:56:05,720 You could fit six people working collaboratively 1154 00:56:05,720 --> 00:56:08,160 and also it's on trestle legs that can come up so you can work 1155 00:56:08,160 --> 00:56:09,440 standing around it as well. 1156 00:56:09,440 --> 00:56:12,080 The ping pong side was just because the brief did mention 1157 00:56:12,080 --> 00:56:13,400 having fun in the space. 1158 00:56:13,400 --> 00:56:15,560 When you start to think about, oh, actually someone 1159 00:56:15,560 --> 00:56:18,120 is going to have a ping pong match here, how am I going to be able 1160 00:56:18,120 --> 00:56:20,400 to work next door or have a meeting in the other room? 1161 00:56:20,400 --> 00:56:21,640 Yeah, of course. Yeah. 1162 00:56:21,640 --> 00:56:24,920 I think maybe there could have been a cleverer way to do it, then. 1163 00:56:24,920 --> 00:56:28,480 If you really were taking the concept of the fun idea 1164 00:56:28,480 --> 00:56:32,440 but actually its primary function was to be a standing desk 1165 00:56:32,440 --> 00:56:33,800 or a work table. Yeah. 1166 00:56:33,800 --> 00:56:36,480 I just didn't read that. 1167 00:56:36,480 --> 00:56:40,400 It's been a really tough decision this week. 1168 00:56:40,400 --> 00:56:43,480 In the end, in design, I think it comes down to this balance 1169 00:56:43,480 --> 00:56:47,680 between originality, ambition and also execution. 1170 00:56:48,880 --> 00:56:51,720 Does it all work at the end of the day? 1171 00:56:53,400 --> 00:56:55,280 So this week... 1172 00:56:57,480 --> 00:56:59,480 ..the person that's going to go home... 1173 00:57:05,080 --> 00:57:06,720 ..I'm sorry, Amy, it's you. 1174 00:57:12,840 --> 00:57:15,320 Amy, it's only the beginning, love. 1175 00:57:15,320 --> 00:57:17,440 I'm really sorry, Amy. I am, 1176 00:57:17,440 --> 00:57:21,400 because you showed me ambition, you showed me a big idea. 1177 00:57:21,400 --> 00:57:25,960 Just on the balance of things, it needed more adaptation. 1178 00:57:25,960 --> 00:57:27,240 Well done, guys. 1179 00:57:32,080 --> 00:57:35,600 For someone of her skill to go in week two, 1180 00:57:35,600 --> 00:57:38,200 but she'll have an amazing career. 1181 00:57:38,200 --> 00:57:40,680 I'm feeling ridiculously emotional, 1182 00:57:40,680 --> 00:57:42,640 but, yeah, just gutted. 1183 00:57:42,640 --> 00:57:45,920 I had lots more tricks up my sleeve and stuff I wanted to showcase, 1184 00:57:45,920 --> 00:57:49,320 but I'll do that, just somewhere else. 1185 00:57:49,320 --> 00:57:53,960 Amy gave me the big idea that I was asking for, 1186 00:57:53,960 --> 00:57:58,400 but you have to be able to take your concept and adapt it 1187 00:57:58,400 --> 00:58:00,520 and flex it to the space that you're given 1188 00:58:00,520 --> 00:58:03,480 and I just didn't feel that she did that. 1189 00:58:05,040 --> 00:58:06,600 It's like Beauty and the Beast. 1190 00:58:06,600 --> 00:58:09,080 The designers take on hotel bedrooms... 1191 00:58:09,080 --> 00:58:11,560 My room is going to be a slap in the face. 1192 00:58:11,560 --> 00:58:14,280 ..in an historic Sussex wedding venue. 1193 00:58:14,280 --> 00:58:15,920 Very Romeo and Juliet. 1194 00:58:15,920 --> 00:58:17,920 This is game on for me now. 1195 00:58:17,920 --> 00:58:20,320 There's an awful, awful lot to do. 1196 00:58:20,320 --> 00:58:22,800 This is a bridal suite, you're doing a Punch and Judy show? 1197 00:58:22,800 --> 00:58:23,880 Yes, I'm going to try. 1198 00:58:23,880 --> 00:58:26,240 I definitely need to be done by the end of the day. 1199 00:58:26,240 --> 00:58:28,680 This is going to go down to the wire. 153482

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