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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,861 --> 00:00:04,077 PREVIOUSLY ON "THE 100"... 2 00:00:04,154 --> 00:00:06,038 RUSSELL: NO MORE FIGHTING, CLARKE. 3 00:00:06,048 --> 00:00:08,290 BE AT PEACE, A BETTER PLACE, JUST LIKE YOU SAID YOU WANTED. 4 00:00:08,366 --> 00:00:10,625 JOSEPHINE: NOW, THIS I CAN WORK WITH. 5 00:00:10,702 --> 00:00:13,170 WHO ARE YOU? 6 00:00:13,246 --> 00:00:15,723 JOSEPHINE LIGHTBOURNE. NICE TO MEET YOU. 7 00:00:15,799 --> 00:00:17,132 YOU'RE NOT CLARKE. 8 00:00:17,209 --> 00:00:18,559 ABBY: THAT WOMAN'S A MONSTER. 9 00:00:18,635 --> 00:00:20,135 WHAT'S THE MATTER, LEE-LEE? 10 00:00:20,212 --> 00:00:21,720 YOU DON'T RECOGNIZE YOUR BEST FRIEND? 11 00:00:21,731 --> 00:00:23,889 - JOSEPHINE? - SURPRISE. 12 00:00:23,965 --> 00:00:25,891 YOURS WAS THE LAST FACE I SAW BEFORE I FELL. 13 00:00:25,967 --> 00:00:27,517 NOW WE'RE EVEN. 14 00:00:27,594 --> 00:00:29,519 ECHO: BELLAMY, WHAT'S GOING ON? 15 00:00:29,596 --> 00:00:32,197 CLARKE'S DEAD. 16 00:00:33,909 --> 00:00:35,484 [GASPS] 17 00:00:35,560 --> 00:00:40,581 [ECHOING VOICES] 18 00:00:40,657 --> 00:00:42,583 I BLAME YOU BECAUSE MY FATHER'S DEAD, 19 00:00:42,659 --> 00:00:44,493 AND IT'S MY MOTHER'S FAULT. 20 00:00:44,569 --> 00:00:46,036 - WHO ELSE? - WELCOME BACK. 21 00:00:46,047 --> 00:00:47,662 I DON'T HAVE TO PRETEND ANYMORE. 22 00:00:47,673 --> 00:00:49,664 AAH! 23 00:00:49,741 --> 00:00:51,425 THE TRUTH HURTS. 24 00:00:51,502 --> 00:00:54,920 THIS IS THE ENERGY. 25 00:00:54,930 --> 00:00:57,380 I'M A COMMANDER. 26 00:00:57,457 --> 00:00:59,600 HOW MANY HAVE TO DIE? 27 00:00:59,676 --> 00:01:02,761 [VOICES CONTINUE] 28 00:01:02,772 --> 00:01:05,430 I'M SORRY, LEXA. 29 00:01:05,441 --> 00:01:08,850 IF I WAS WITH BELLAMY, I NEVER WOULD HAVE MET YOU. 30 00:01:08,927 --> 00:01:10,778 [VOICES CONTINUE] 31 00:01:15,734 --> 00:01:19,778 MAN: PRISONER 319, FACE THE WALL. 32 00:01:19,789 --> 00:01:22,289 [VOICES CONTINUE] 33 00:01:29,873 --> 00:01:31,915 THEY'RE ALL TAKING THEM. 34 00:01:31,992 --> 00:01:34,802 JAHA... 35 00:01:55,574 --> 00:01:56,615 HUH. 36 00:01:58,661 --> 00:01:59,451 DAD? 37 00:02:04,816 --> 00:02:06,616 HELLO, SWEETHEART. 38 00:02:06,693 --> 00:02:08,961 HUH...HUH. 39 00:02:15,202 --> 00:02:19,838 HOW IS THIS POSSIBLE? HOW ARE WE HERE? 40 00:02:19,915 --> 00:02:22,224 WHAT'S THE LAST THING YOU REMEMBER? 41 00:02:30,100 --> 00:02:32,359 I DIED. 42 00:02:33,762 --> 00:02:36,613 COME HERE A SECOND. COME ON. 43 00:02:39,869 --> 00:02:42,411 NOW YOU REST. 44 00:02:44,156 --> 00:02:47,282 IT'S OVER. 45 00:02:47,359 --> 00:02:49,784 I'VE BEEN FIGHTING FOR SO LONG. 46 00:02:49,861 --> 00:02:53,205 I KNOW YOU HAVE. 47 00:02:53,215 --> 00:02:55,382 I NEVER THOUGHT I'D SEE YOU AGAIN. 48 00:03:00,247 --> 00:03:02,881 I DIDN'T GET TO SAY GOOD-BYE 49 00:03:02,892 --> 00:03:07,636 TO MADI, TO MOM. 50 00:03:07,712 --> 00:03:10,889 [THUNDER] 51 00:03:10,900 --> 00:03:12,933 WHAT THE HELL? 52 00:03:12,943 --> 00:03:15,727 [RAIN FALLING] 53 00:03:15,738 --> 00:03:17,646 HUH. 54 00:03:17,722 --> 00:03:20,565 IT STARTED WHEN I GOT UPSET. 55 00:03:20,576 --> 00:03:25,028 CLARKE, LISTEN. WHAT DO YOU HEAR? 56 00:03:25,105 --> 00:03:27,664 - RAIN? - HA! I'M SERIOUS. 57 00:03:27,741 --> 00:03:31,534 FOCUS. BETWEEN THE RAINDROPS, 58 00:03:31,611 --> 00:03:33,078 WHAT ELSE DO YOU HEAR? 59 00:03:33,088 --> 00:03:36,748 [HEARTBEAT] 60 00:03:36,759 --> 00:03:40,302 A HEARTBEAT. 61 00:03:43,957 --> 00:03:46,883 I'M STILL ALIVE. 62 00:03:46,894 --> 00:03:49,102 NO. NO. 63 00:03:49,179 --> 00:03:52,722 I SAW IT. HE KILLED ME. 64 00:03:52,799 --> 00:03:53,815 DIDN'T. 65 00:03:56,636 --> 00:03:59,604 YOU'RE JUST IN MY HEAD. 66 00:03:59,615 --> 00:04:02,315 I LOVED BEING HERE WITH MADI, 67 00:04:02,392 --> 00:04:06,370 AND I LOVE YOU, SO HERE YOU ARE. 68 00:04:08,023 --> 00:04:10,540 OH, SWEETHEART... 69 00:04:13,778 --> 00:04:16,288 I DON'T UNDERSTAND. AM I DREAMING? 70 00:04:16,298 --> 00:04:19,374 THIS PLACE IS REACTING TO YOU, 71 00:04:19,385 --> 00:04:23,962 SO WE'RE JUST IN YOUR SUBCONSCIOUS SOMEHOW, 72 00:04:24,039 --> 00:04:26,965 BUT BEYOND THAT, 73 00:04:26,976 --> 00:04:30,218 THERE ARE NO ANSWERS FOR YOU HERE, CLARKE, 74 00:04:30,295 --> 00:04:33,054 SO GO ON. 75 00:04:33,065 --> 00:04:35,640 GO FIGURE THIS OUT. 76 00:04:35,651 --> 00:04:38,560 I'LL BE HERE IF YOU NEED ME. 77 00:04:38,636 --> 00:04:40,570 [KISS] 78 00:04:41,940 --> 00:04:43,940 I LOVE YOU, DAD. 79 00:04:43,951 --> 00:04:46,818 FOREVER. 80 00:04:46,829 --> 00:04:49,496 GO ON. 81 00:05:36,027 --> 00:05:37,210 [DOOR CLOSES] 82 00:05:37,287 --> 00:05:39,662 [GUNSHOTS] 83 00:05:39,739 --> 00:05:42,707 SANCTUM IS MINE! 84 00:05:42,718 --> 00:05:45,126 WHAT THE HELL IS GOING ON? 85 00:05:45,137 --> 00:05:48,055 [DOOR OPENS] 86 00:05:48,131 --> 00:05:50,098 IT IS REACTING TO ME. 87 00:05:56,932 --> 00:05:58,065 [ECHOING VOICES] 88 00:06:03,221 --> 00:06:05,280 HELLO, CLARKE. 89 00:06:05,357 --> 00:06:07,407 NO. 90 00:06:07,484 --> 00:06:10,985 I PULLED THE KILL SWITCH. I DESTROYED YOU. 91 00:06:11,062 --> 00:06:13,029 AND I SAVED YOU. 92 00:06:13,106 --> 00:06:15,115 WHY DO YOU THINK YOU'RE STILL HERE? 93 00:06:15,191 --> 00:06:17,367 I MAY BE GONE, 94 00:06:17,444 --> 00:06:19,160 BUT THIS PRECIOUS DEPOSITORY 95 00:06:19,237 --> 00:06:21,121 OF YOUR MEMORIES IS HERE 96 00:06:21,131 --> 00:06:23,206 BECAUSE OF ME. 97 00:06:23,217 --> 00:06:24,833 YOU'RE WELCOME. 98 00:06:24,909 --> 00:06:26,876 THE NEURAL MESH IS STILL IN MY HEAD. 99 00:06:26,953 --> 00:06:28,336 IT MUST HAVE INTERFERED WITH THE DRUG 100 00:06:28,413 --> 00:06:29,763 THEY USED TO WIPE MY MIND. 101 00:06:29,840 --> 00:06:32,215 CORRECT, AND SO, YOU SEE, 102 00:06:32,292 --> 00:06:35,885 YOU EXIST BECAUSE OF ME, 103 00:06:35,962 --> 00:06:38,221 BUT YOU WON'T IF THEY FIGURE OUT 104 00:06:38,298 --> 00:06:41,891 HOW YOU FREED RAVEN. 105 00:06:41,968 --> 00:06:44,519 WE EMP'D THE CHIP 106 00:06:44,596 --> 00:06:48,281 BUT ONLY IN RAVEN AND MOM, NOT ME. 107 00:06:48,358 --> 00:06:51,660 - UH! - AAH! 108 00:06:56,783 --> 00:07:00,785 IF I WERE YOU-- AND, IN A WAY, I AM-- 109 00:07:00,796 --> 00:07:03,797 I'D KEEP THIS MEMORY SAFE. 110 00:07:09,287 --> 00:07:11,087 THANK YOU, BUT FOR THE RECORD, 111 00:07:11,164 --> 00:07:12,797 YOU TRIED TO STEAL 112 00:07:12,808 --> 00:07:14,591 ALL THOSE MEMORIES YOU'RE NOW SAVING. 113 00:07:14,667 --> 00:07:16,926 I TRIED TO SPARE YOU THE PAIN AND HORROR 114 00:07:17,003 --> 00:07:19,804 OF YOUR EXISTENCE. 115 00:07:19,881 --> 00:07:22,140 THERE IS NOT JOY WITHOUT PAIN. 116 00:07:22,151 --> 00:07:24,901 I NEVER DID UNDERSTAND HUMANS. 117 00:07:24,978 --> 00:07:27,896 THOSE PAINFUL MEMORIES AREN'T EVEN HERE. 118 00:07:27,972 --> 00:07:30,356 THEY'RE CAST AWAY DEEP IN YOUR MIND, 119 00:07:30,433 --> 00:07:33,026 WHERE YOU DON'T HAVE TO FACE THEM, 120 00:07:33,102 --> 00:07:35,904 AND YET... 121 00:07:35,980 --> 00:07:38,072 YOU CAN'T LET THEM GO. 122 00:07:38,149 --> 00:07:40,241 WAIT. YOU SAID THIS IS A REPOSITORY 123 00:07:40,318 --> 00:07:42,160 - OF MY MEMORIES... - YES. 124 00:07:42,237 --> 00:07:45,163 BUT THERE'S SOMETHING THERE I'VE NEVER SEEN. 125 00:07:45,174 --> 00:07:48,917 - SANCTUM IS MINE! - COLLISION ALERT. 126 00:07:48,993 --> 00:07:52,212 [GUNSHOTS] 127 00:07:52,288 --> 00:07:55,089 [PEOPLE SCREAMING] 128 00:07:55,166 --> 00:07:57,133 [GUNSHOT] 129 00:07:57,210 --> 00:07:58,810 WOMAN: AAH! 130 00:08:02,191 --> 00:08:05,642 CLARKE GRIFFIN. IT'S NICE TO MEET YOU. 131 00:08:05,718 --> 00:08:07,852 I'VE HEARD SO MANY THINGS, 132 00:08:07,863 --> 00:08:09,696 MOST OF THEM MURDERY, BUT, YOU KNOW, 133 00:08:09,773 --> 00:08:11,364 NO JUDGMENT. 134 00:08:11,441 --> 00:08:13,983 - JOSEPHINE? - IN THE FLESH, 135 00:08:14,060 --> 00:08:15,952 BUT YOU SHOULDN'T HAVE OPENED THAT DOOR. 136 00:08:16,029 --> 00:08:18,997 THIS BODY IS NOT BIG ENOUGH FOR BOTH OF US. 137 00:08:25,789 --> 00:08:28,715 RUSSELL REALLY DID IT. HE STOLE MY BODY. 138 00:08:28,792 --> 00:08:32,126 AND CLEARLY MADE A MESS OF IT. 139 00:08:32,203 --> 00:08:35,004 IT'S BEEN HUNDREDS OF YEARS SINCE A MIND WIPE FAILED, 140 00:08:35,081 --> 00:08:37,549 BUT I GOT TO SAY, THIS ISN'T BAD, 141 00:08:37,625 --> 00:08:39,759 NOT AS ORGANIZED AS MY MINDSPACE, OF COURSE, 142 00:08:39,836 --> 00:08:42,971 BUT MILDLY IMPRESSIVE. 143 00:08:43,047 --> 00:08:45,065 MINDSPACE? 144 00:08:45,141 --> 00:08:46,399 THE BRAIN CREATES THESE CONSTRUCTS 145 00:08:46,476 --> 00:08:48,226 WHEN TWO MINDS SHARE A BODY, 146 00:08:48,303 --> 00:08:50,687 LIKE LUCID DREAMING ONLY NOT AS FUN. 147 00:08:50,763 --> 00:08:52,531 IT'S A SELF-PRESERVATION THING, TRYING TO KEEP 148 00:08:52,607 --> 00:08:55,575 THE MINDS SEPARATE SO THE BODY DOESN'T DIE. 149 00:08:55,652 --> 00:08:58,027 YOU KIND OF MESSED THAT UP WHEN YOU OPENED THE DOOR, 150 00:08:58,104 --> 00:08:59,654 SO, YOU KNOW, THANKS 151 00:08:59,731 --> 00:09:01,781 FOR THE ACCELERATED BRAIN DETERIORATION. 152 00:09:01,858 --> 00:09:03,992 WAIT. YOU'VE BEEN THROUGH THIS BEFORE? 153 00:09:04,068 --> 00:09:05,868 NEVER ANYTHING AS ADVANCED AS THIS, 154 00:09:05,879 --> 00:09:07,870 BUT, YEAH, BACK IN THE DAY 155 00:09:07,947 --> 00:09:09,914 BEFORE GABRIEL PERFECTED THE MIND WIPE, 156 00:09:09,991 --> 00:09:11,833 THERE WERE A FEW MISHAPS. 157 00:09:11,909 --> 00:09:13,334 I GOT JACKED INTO SOME PEOPLE'S MINDS 158 00:09:13,411 --> 00:09:15,169 WHILE THE LIGHTS WERE STILL ON. 159 00:09:15,246 --> 00:09:17,589 - THEY WERE SO AVERAGE. - WHAT HAPPENED? 160 00:09:17,599 --> 00:09:19,674 THE FIRST WAS A 6-MONTH-OLD. 161 00:09:19,751 --> 00:09:22,260 HER MIND WAS UNFORMED, FULL OF CHAOS, 162 00:09:22,271 --> 00:09:23,937 SHAPES AND SOUNDS. 163 00:09:24,014 --> 00:09:25,888 THEN THERE WAS SAVANNAH. 164 00:09:25,965 --> 00:09:29,142 I SWEAR I WAS NOT THAT OBNOXIOUS AT 15. 165 00:09:29,152 --> 00:09:30,602 AND THEN THEY DIED. 166 00:09:30,678 --> 00:09:32,112 BRAIN HEMORRHAGING LEADS TO STROKE, 167 00:09:32,188 --> 00:09:33,646 AND WE ALL FALL DOWN. 168 00:09:33,723 --> 00:09:36,783 IT'S MESSY AND HURTS LIKE A MOTHER, 169 00:09:36,860 --> 00:09:38,451 WOULD NOT RECOMMEND IT. 170 00:09:38,528 --> 00:09:42,196 TWO MINDS, ONE BRAIN NEVER ENDS WELL, 171 00:09:42,273 --> 00:09:46,451 SO THIS, IT'S A PROBLEM. 172 00:09:46,527 --> 00:09:48,578 HOW DID YOU EVEN SURVIVE? 173 00:09:48,655 --> 00:09:50,079 YOU JUST WANT TO KNOW SO YOU 174 00:09:50,156 --> 00:09:51,581 CAN FIGURE OUT HOW TO GET RID OF ME. 175 00:09:51,658 --> 00:09:53,041 OK. WEREN'T YOU LISTENING? 176 00:09:53,117 --> 00:09:55,293 IF WE DON'T DO SOMETHING, THIS BODY DIES. 177 00:09:55,304 --> 00:09:56,970 - THAT WHAT YOU WANT? - OF COURSE NOT. 178 00:09:57,047 --> 00:09:58,513 WHY CAN'T YOU JUST FIND A NEW BODY 179 00:09:58,590 --> 00:10:00,465 AND GIVE MINE BACK? 180 00:10:00,475 --> 00:10:03,551 I COULD, I SUPPOSE, BUT IT'S RISKY. 181 00:10:03,628 --> 00:10:05,970 THE LAST PRIMES WHO WENT ON ICE DIED FOREVER. 182 00:10:06,047 --> 00:10:07,430 I'M NOT REALLY INTO THAT. 183 00:10:07,507 --> 00:10:09,932 BESIDES, POSSESSION IS 9/10 OF THE LAW, 184 00:10:10,009 --> 00:10:12,319 AND, JUST BETWEEN US GIRLS, 185 00:10:12,395 --> 00:10:15,521 I KIND OF LIKE YOUR BODY. 186 00:10:15,598 --> 00:10:17,982 YOU'RE A SOCIOPATH. 187 00:10:18,059 --> 00:10:21,069 JUDGY. BESIDES, LIKE YOU'RE ONE TO TALK, 188 00:10:21,145 --> 00:10:23,738 WANHEDA. 189 00:10:23,815 --> 00:10:27,325 THE WAY I SEE IT, YOU HAVE TWO OPTIONS-- 190 00:10:27,336 --> 00:10:30,003 TELL ME HOW YOU SURVIVED SO I CAN FIX IT, 191 00:10:30,080 --> 00:10:31,454 AND I'LL MAKE SURE YOUR PEOPLE 192 00:10:31,465 --> 00:10:34,040 LIKE HAPPILY EVER AFTER OR DON'T, 193 00:10:34,117 --> 00:10:36,167 AND EVENTUALLY, WE'LL BOTH DIE, ANYWAY. 194 00:10:36,178 --> 00:10:38,586 THE DIFFERENCE IS, I'LL BE REBORN IN SOMEONE ELSE, 195 00:10:38,663 --> 00:10:40,180 TELL MY FATHER WHAT HAPPENED, 196 00:10:40,256 --> 00:10:42,423 AND HE'LL KICK YOUR PEOPLE OUT TO DIE IN THE WOODS. 197 00:10:42,500 --> 00:10:44,425 GO FLOAT YOURSELF. 198 00:10:44,502 --> 00:10:46,094 I HAVE NO IDEA WHAT THAT MEANS. 199 00:10:46,170 --> 00:10:48,471 IT MEANS THAT I'M NOT TELLING YOU ANYTHING, 200 00:10:48,548 --> 00:10:51,349 AND I DON'T GO DOWN EASY. 201 00:10:51,426 --> 00:10:55,770 WOW. YOU'RE SELFISH, NOT TO MENTION DUMB. 202 00:10:55,847 --> 00:10:58,773 YOUR MINDSPACE CONTAINS ALL YOUR MEMORIES, 203 00:10:58,850 --> 00:11:02,360 SO TRY NOT TO THINK OF WHERE YOU KEEP THEM. 204 00:11:02,437 --> 00:11:04,120 [DOOR OPENS] 205 00:11:07,117 --> 00:11:08,541 HELLO. 206 00:11:10,203 --> 00:11:12,537 YOU CONTROL YOUR MINDSPACE, CLARKE. 207 00:11:12,613 --> 00:11:15,206 TOO BAD YOU CAN'T CONTROL YOUR THOUGHTS. 208 00:11:15,283 --> 00:11:17,709 [ECHOING VOICES] 209 00:11:17,719 --> 00:11:21,888 I RESCIND MY COMPLIMENTS. THIS IS A DISASTER. 210 00:11:21,965 --> 00:11:23,673 DIDN'T ANYONE EVER TEACH YOU 211 00:11:23,750 --> 00:11:25,299 ABOUT ORGANIZATIONAL STRUCTURE? 212 00:11:25,376 --> 00:11:27,268 GET OUT OF MY HEAD. 213 00:11:27,345 --> 00:11:31,514 NOW, NOW, CLARKE. SHARING IS CARING. 214 00:11:31,591 --> 00:11:33,858 [VOICES CONTINUE] 215 00:11:35,979 --> 00:11:38,196 MADI'S VOICE: CLARKE! WATCH OUT! 216 00:11:38,273 --> 00:11:40,273 AAH! 217 00:11:40,349 --> 00:11:42,900 CLARKE'S VOICE: I WILL NOT LET YOU DIE IN THIS WAR. 218 00:11:42,911 --> 00:11:47,163 CHILD ABUSE DRESSED UP AS PROTECTION. COOL. 219 00:11:47,240 --> 00:11:49,657 - CLARKE, WAIT. - REALLY? 220 00:11:49,734 --> 00:11:53,035 ARE YOU HIDING A MEMORY FROM ME, CLARKE? 221 00:11:53,112 --> 00:11:56,998 - RUDE. - YOU'LL NEVER FIND IT. 222 00:11:57,074 --> 00:12:00,251 YOU KNOW, I STUDY ALL LIFE, BUT INSECTS 223 00:12:00,262 --> 00:12:03,254 ALWAYS FASCINATED ME MOST. 224 00:12:03,265 --> 00:12:06,340 THEY'RE MERCILESS, RUTHLESS. 225 00:12:06,417 --> 00:12:08,259 I RESPECT THAT. 226 00:12:08,336 --> 00:12:13,940 PEOPLE ARE SO MESSY, SO EMOTIONAL. 227 00:12:14,017 --> 00:12:17,310 BECAUSE OF THAT, THEY GIVE THEMSELVES AWAY. 228 00:12:17,386 --> 00:12:19,270 I COULD ALWAYS FIGURE PEOPLE OUT, 229 00:12:19,281 --> 00:12:20,855 EVEN AS A KID. 230 00:12:20,932 --> 00:12:22,315 I COULD TELL WHEN THEY WERE NERVOUS. 231 00:12:22,391 --> 00:12:24,358 THEIR PULSES WOULD BEAT FASTER. 232 00:12:24,435 --> 00:12:26,619 EYES WOULD DART. BREATH WOULD QUICKEN. 233 00:12:26,696 --> 00:12:29,489 IT'S PHYSIOLOGICAL. 234 00:12:29,499 --> 00:12:31,282 YOU KNOW WHAT MY SPIDEY SENSES 235 00:12:31,293 --> 00:12:33,451 ARE TELLING ME ABOUT YOU RIGHT NOW? 236 00:12:33,528 --> 00:12:35,495 THAT I'LL NEVER HELP YOU WIPE MY MIND? 237 00:12:35,571 --> 00:12:37,038 YOU THINK YOU'RE A BADASS, 238 00:12:37,114 --> 00:12:38,915 BUT YOUR BRAVADO COVERS SELF-DOUBT. 239 00:12:38,991 --> 00:12:40,583 YOU HAD TO PHYSICALIZE YOUR SECRET 240 00:12:40,660 --> 00:12:43,303 SO YOU COULD KEEP IT CLOSE, WHERE YOU HAVE CONTROL. 241 00:12:43,379 --> 00:12:47,131 I BET YOU HAVE IT ON YOU RIGHT NOW. 242 00:12:47,142 --> 00:12:49,258 NOW LET ME HAVE IT. 243 00:12:49,335 --> 00:12:51,394 [BOTH GRUNTING] 244 00:13:02,657 --> 00:13:03,823 OH, SH-- 245 00:13:05,160 --> 00:13:06,451 OH! 246 00:13:11,190 --> 00:13:12,999 UH! 247 00:13:20,166 --> 00:13:21,841 [CLARKE PANTING] 248 00:13:24,328 --> 00:13:25,419 [ZAP] 249 00:13:25,496 --> 00:13:29,015 [ALARM SOUNDING] 250 00:13:29,092 --> 00:13:32,519 VOICE: WARNING. COLLISION ALERT. 251 00:13:40,895 --> 00:13:44,146 JOSEPHINE: WE'RE BACK, BITCHES. 252 00:13:44,223 --> 00:13:45,648 - HOW? - COME ON. 253 00:13:45,725 --> 00:13:47,200 YOU'RE SMARTER THAN THAT. 254 00:13:47,277 --> 00:13:48,985 HOW DO YOU THINK WE'RE RESURRECTED? 255 00:13:49,061 --> 00:13:51,028 MY MIND DRIVE BACKS UP MY CONSCIOUSNESS. 256 00:13:51,105 --> 00:13:53,281 I CAN'T DIE IN THE MINDSPACE, 257 00:13:53,357 --> 00:13:55,992 BUT YOU CAN UNLESS WHATEVER FLUKE 258 00:13:56,068 --> 00:13:58,035 KEPT YOU HERE CAN BRING YOU BACK. 259 00:13:58,046 --> 00:14:00,121 YOU, MY FRIEND, ARE PLAYING FOR KEEPS. 260 00:14:00,197 --> 00:14:01,789 I TOOK A SEDATIVE ABOUT AN HOUR AGO, 261 00:14:01,866 --> 00:14:03,583 SO THAT GIVES ME ALL NIGHT 262 00:14:03,593 --> 00:14:06,002 TO KILL YOU IN HERE OR FIND THE MEMORY 263 00:14:06,078 --> 00:14:07,712 OF HOW I CAN KILL YOU OUT THERE. 264 00:14:07,788 --> 00:14:10,890 GOT A PREFERENCE? 265 00:14:13,562 --> 00:14:18,398 EASY OR HARD WAY, CLARKE, EITHER WAY, YOU DIE. 266 00:14:37,610 --> 00:14:39,752 [DOOR OPENS] 267 00:14:39,829 --> 00:14:43,164 WHAT ARE YOU DOING HERE? 268 00:14:43,240 --> 00:14:45,758 I JUST HAVE TO STAY AHEAD OF HER. 269 00:14:45,835 --> 00:14:47,418 - IF I CAN HIDE-- - YOU'RE GOOD AT THAT, 270 00:14:47,429 --> 00:14:51,422 AREN'T YOU, HIDING WHILE OTHER PEOPLE FIGHT. 271 00:14:51,433 --> 00:14:53,099 WHAT? 272 00:14:53,176 --> 00:14:55,435 YOU DID THAT DURING THE CONCLAVE. 273 00:14:55,511 --> 00:14:57,762 WHILE I WAS UP THERE FIGHTING FOR EVERYONE'S LIVES, 274 00:14:57,772 --> 00:15:03,267 YOU WERE DOWN HERE STEALING WHAT I BLED FOR. 275 00:15:03,278 --> 00:15:06,771 WHATEVER. FINE. YOU WROTE ME OFF, 276 00:15:06,847 --> 00:15:10,358 THE CONCLAVE AT TONDC--I GET IT-- 277 00:15:10,434 --> 00:15:13,361 BUT THE THING IS, I REALLY THOUGHT 278 00:15:13,437 --> 00:15:16,447 YOU CARED ABOUT BELLAMY. 279 00:15:16,458 --> 00:15:19,784 I CARE ABOUT BOTH OF YOU. 280 00:15:19,794 --> 00:15:21,869 BUT YOU LEFT HIM IN THE PITS TO DIE, ANYWAY. 281 00:15:21,946 --> 00:15:25,456 I HAD TO, AND HE UNDERSTANDS. 282 00:15:25,467 --> 00:15:27,416 HE FORGAVE ME. 283 00:15:27,493 --> 00:15:31,804 DID HE? 284 00:15:31,881 --> 00:15:34,715 THEN WHY ISN'T HE HERE IN THIS MEMORY? 285 00:15:34,792 --> 00:15:37,143 I'LL TELL YOU WHY. 286 00:15:37,220 --> 00:15:39,095 BECAUSE YOU'RE TOO AFRAID TO FACE HIM 287 00:15:39,171 --> 00:15:41,430 BECAUSE YOU KNOW HE THINKS YOU'RE A MONSTER 288 00:15:41,507 --> 00:15:43,683 WHO WILL ABANDON ANYONE. 289 00:15:43,693 --> 00:15:45,485 THAT IS NOT WHO I AM. 290 00:15:45,561 --> 00:15:47,895 I DON'T KNOW WHY YOU'RE ARGUING WITH ME, CLARKE. 291 00:15:47,972 --> 00:15:49,772 AFTER ALL, I'M JUST 292 00:15:49,849 --> 00:15:52,200 A SUBCONSCIOUS PROJECTION OF YOU. 293 00:15:52,276 --> 00:15:54,452 VOICE: WARNING. COLLISION ALERT. 294 00:15:54,529 --> 00:15:56,120 [ALARM SOUNDING] 295 00:15:58,941 --> 00:16:02,293 [SCOFFS] 296 00:16:02,370 --> 00:16:05,129 - HELP ME. - THAT'LL HAPPEN. 297 00:16:06,841 --> 00:16:10,593 HA HA! YOU LOOK FUN. 298 00:16:10,670 --> 00:16:14,639 HAVE AT HER. 299 00:16:14,716 --> 00:16:18,101 EVEN YOUR PROJECTIONS HATE YOU, CLARKE. 300 00:16:42,961 --> 00:16:45,545 MAYA? 301 00:16:45,621 --> 00:16:46,629 [EXHALES] 302 00:16:51,720 --> 00:16:53,720 HI, CLARKE. 303 00:16:53,796 --> 00:16:56,714 NO. I DON'T WANT THIS. I DON'T WANT ANY OF THIS. 304 00:16:56,791 --> 00:16:59,675 THAT'S THE THING, CLARKE. 305 00:16:59,752 --> 00:17:01,936 SOME PART OF YOU DOES WANT THIS, 306 00:17:02,013 --> 00:17:03,730 OR I WOULDN'T BE HERE. 307 00:17:03,806 --> 00:17:05,473 I HAVE A QUESTION OF YOU. 308 00:17:05,549 --> 00:17:09,101 WHY ARE YOU FIGHTING SO HARD TO STAY ALIVE? 309 00:17:09,178 --> 00:17:11,988 - I HAVE TO-- - SAVE YOUR PEOPLE. YES. I KNOW. 310 00:17:12,065 --> 00:17:16,025 TOO BAD I WASN'T IN THAT GROUP, HUH? 311 00:17:16,102 --> 00:17:18,745 I NEVER MEANT TO HURT YOU, MAYA. 312 00:17:18,821 --> 00:17:21,822 I'M SORRY. 313 00:17:21,899 --> 00:17:26,753 YOU KEEP SAYING THAT. 314 00:17:26,829 --> 00:17:31,749 TELL ME, ARE YOU SORRY ABOUT JASPER, TOO? 315 00:17:31,760 --> 00:17:33,542 AFTER ALL, KILLING ME IS WHAT SENT HIM 316 00:17:33,619 --> 00:17:35,544 OFF THE DEEP END. 317 00:17:35,621 --> 00:17:37,755 - JASPER MADE HIS CHOICE. - WRONG. 318 00:17:37,832 --> 00:17:40,341 HIS DEATH IS ON YOU, TOO. 319 00:17:40,417 --> 00:17:43,269 YOU DO THINGS, BUT OTHER PEOPLE PAY THE PRICE. 320 00:17:43,346 --> 00:17:44,937 OK. THAT'S ENOUGH. 321 00:17:45,014 --> 00:17:47,598 YOU'VE KILLED MORE PEOPLE THAN YOU'VE SAVED. 322 00:17:47,609 --> 00:17:49,391 DO YOU REALIZE THAT? 323 00:17:49,468 --> 00:17:51,185 IF YOU ACTUALLY CARED 324 00:17:51,262 --> 00:17:53,729 ABOUT SAVING PEOPLE'S LIVES, 325 00:17:53,806 --> 00:17:56,616 YOU'D WALK AWAY. 326 00:17:56,692 --> 00:17:58,442 YOU KNOW WHAT I THINK? 327 00:17:58,453 --> 00:18:00,569 YOU LIKE BEING THE SAVIOR. 328 00:18:00,646 --> 00:18:02,738 YOU LIKE PLAYING GOD. 329 00:18:02,749 --> 00:18:06,617 YOU'RE NOT SO DIFFERENT FROM THE PRIMES, YOU KNOW. 330 00:18:06,628 --> 00:18:09,411 VOICE: RADIATION ALERT. 331 00:18:09,488 --> 00:18:10,955 SHE'S COMING. 332 00:18:10,965 --> 00:18:12,957 WHY DON'T YOU JUST GIVE IN TO HER? 333 00:18:13,033 --> 00:18:14,875 JUST GIVE UP CONTROL FOR ONCE. 334 00:18:14,952 --> 00:18:17,044 [ALARM SOUNDING] 335 00:18:17,121 --> 00:18:20,014 CONTROL. 336 00:18:20,091 --> 00:18:23,267 I'M IN CONTROL. HUH. 337 00:18:26,815 --> 00:18:28,606 I HAVE AN IDEA. 338 00:18:33,971 --> 00:18:35,238 [DOOR OPENS] 339 00:18:39,685 --> 00:18:41,661 WHOA. 340 00:18:41,737 --> 00:18:44,655 YOU HAVE A LITTLE SOMETHING-- 341 00:18:44,666 --> 00:18:47,408 OH. HEH. 342 00:18:47,484 --> 00:18:49,034 SHE HID IT IN THE CAVE. 343 00:18:49,111 --> 00:18:51,504 ARE YOU KIDDING ME? 344 00:18:51,581 --> 00:18:55,583 I MEAN, YOUR PROJECTIONS ARE THE BEST. 345 00:18:55,659 --> 00:18:58,427 - CARE TO TAKE US? - MM-HMM. 346 00:19:01,516 --> 00:19:04,508 JOSEPHINE: THANK YOU, MELTY GIRL. 347 00:19:04,519 --> 00:19:06,978 NICE PARKING SPOT. 348 00:19:09,673 --> 00:19:11,473 [ZAP] 349 00:19:11,550 --> 00:19:13,100 UGH! UHH... 350 00:19:13,177 --> 00:19:14,902 GOTCHA. 351 00:19:14,979 --> 00:19:17,438 YOU HAVE NO CONTROL HERE. THIS IS MY MINDSPACE. 352 00:19:17,514 --> 00:19:19,857 TURNS OUT, I CAN CREATE WHATEVER I WANT, 353 00:19:19,934 --> 00:19:23,652 INCLUDING HER. 354 00:19:23,729 --> 00:19:26,655 CUTE. 355 00:19:26,732 --> 00:19:29,283 I WOULDN'T BOTHER. 356 00:19:29,360 --> 00:19:32,211 THE COLLAR IS GEOTAGGED TO THE CAVE. 357 00:19:32,288 --> 00:19:36,498 OK. WHAT'S YOUR PLAN HERE, STALL UNTIL I WAKE UP? 358 00:19:36,575 --> 00:19:41,462 I'LL JUST TRY AGAIN NIGHT AFTER NIGHT, 359 00:19:41,538 --> 00:19:43,297 AND THE MORE TIME I SPEND HERE, 360 00:19:43,374 --> 00:19:45,725 THE FASTER YOU DIE, AND LET ME TELL YOU, 361 00:19:45,801 --> 00:19:48,302 THAT DEATH AIN'T FUN OR PRETTY. 362 00:19:48,379 --> 00:19:50,471 YOU CAN'T WIN, SO WHY BOTHER? 363 00:19:50,547 --> 00:19:52,681 TO MAKE SURE YOU LOSE. 364 00:19:52,758 --> 00:19:54,850 ME, I'LL FIND A WAY TO SURVIVE. 365 00:19:54,927 --> 00:19:57,111 I ALWAYS DO. 366 00:19:57,188 --> 00:20:01,073 YOU GOT SPUNK. I'LL GIVE YOU THAT. 367 00:20:01,150 --> 00:20:04,526 THINGS WERE DIFFERENT, WE COULD HAVE BEEN FRIENDS, 368 00:20:04,603 --> 00:20:06,654 BUT I'M BORED NOW. 369 00:20:06,730 --> 00:20:07,905 [ZAP] 370 00:20:07,916 --> 00:20:10,950 NNGH! UGH! AAGH! 371 00:20:10,960 --> 00:20:15,663 UGH! AAGH! AAH! 372 00:20:15,739 --> 00:20:17,590 UGH! UGH! 373 00:20:20,119 --> 00:20:22,419 HEY, CLARKE, I MAY NOT BE ABLE 374 00:20:22,430 --> 00:20:24,263 TO CREATE ANYTHING IN YOUR MINDSPACE, 375 00:20:24,340 --> 00:20:26,048 BUT I CAN SURE BRING SOMETHING IN. 376 00:20:26,059 --> 00:20:28,684 LET'S SPLIT UP AND STOP PLAYING GAMES. 377 00:20:28,761 --> 00:20:30,511 YOU'RE NOT A CAT TOYING WITH A MOUSE. 378 00:20:30,587 --> 00:20:33,731 SHE'S DANGEROUS. KILL HER. 379 00:20:51,793 --> 00:20:54,460 RUSSELL: EVER TAKE ZOOLOGY 101, CLARKE-- 380 00:20:54,537 --> 00:20:56,996 HUNTING TACTICS OF PREDATOR SPECIES? 381 00:20:57,072 --> 00:20:59,540 NO? HOW ABOUT A QUICK LESSON, THEN? 382 00:20:59,616 --> 00:21:01,125 - THE MOST COMMON... - ...PURSUIT PREDATORS 383 00:21:01,135 --> 00:21:03,794 EXPEND ENERGY RUNNING DOWN SLOWER PREY, 384 00:21:03,871 --> 00:21:06,305 OR THEY PACE THEMSELVES AND LET THEIR PREY TIRE OUT. 385 00:21:06,382 --> 00:21:08,382 I'M PROPOSING A THIRD OPTION-- 386 00:21:08,459 --> 00:21:09,809 JUST SHOW ME WHERE YOU HID IT 387 00:21:09,885 --> 00:21:11,927 SO WE CAN BOTH KICK BACK AND REST. 388 00:21:12,004 --> 00:21:14,563 ALL THIS RUNNING IS PLAIN UNDIGNIFIED. 389 00:21:29,989 --> 00:21:33,824 WHY DID YOU AVOID THIS? 390 00:21:33,901 --> 00:21:36,118 HEH. 391 00:21:36,195 --> 00:21:37,920 "GO FLOAT YOURSELF." 392 00:21:40,174 --> 00:21:43,292 A-PLUS ZOOLOGY 101, CLARKE. 393 00:21:43,369 --> 00:21:46,045 THAT WAS VERY EFFECTIVE DISTRACTION DISPLAY, 394 00:21:46,055 --> 00:21:48,014 BUT I KNOW BETTER. 395 00:21:54,338 --> 00:21:55,813 YAHTZEE. 396 00:22:05,983 --> 00:22:08,075 LET ME GUESS. 397 00:22:10,071 --> 00:22:12,279 CLARKE: GET AWAY FROM THAT. 398 00:22:12,356 --> 00:22:14,165 YOU'RE GONNA BE OK. 399 00:22:16,869 --> 00:22:19,036 OH, HEY, CLARKE. 400 00:22:19,113 --> 00:22:21,413 THIS IS THE PLACE YOU WERE AVOIDING? 401 00:22:21,490 --> 00:22:24,583 IT'S NOT EVEN THAT SCARY. 402 00:22:24,660 --> 00:22:28,128 HUH. IT'S A LITTLE OMINOUS. 403 00:22:28,205 --> 00:22:30,056 YOU SHOULDN'T BE HERE. 404 00:22:30,132 --> 00:22:31,724 IT WAS CLEVER HIDING IT HERE, 405 00:22:31,801 --> 00:22:33,175 THE PLACE YOU WOULDN'T GO 406 00:22:33,252 --> 00:22:34,718 SO THE PLACE I WOULDN'T LOOK. 407 00:22:34,729 --> 00:22:37,346 MEMORY IS FUNNY, YOU KNOW? 408 00:22:37,423 --> 00:22:39,065 THE FORMATIVE STUFF-- THE TRAUMAS, 409 00:22:39,141 --> 00:22:42,142 THE THINGS WE CAN'T MOVE PAST-- 410 00:22:42,219 --> 00:22:44,311 THEY LIVE DEEP IN THE BRAIN STEM. 411 00:22:44,388 --> 00:22:47,231 THESE ARE THE WOUNDS WE PAY SHRINKS NOT TO FIX. 412 00:22:47,241 --> 00:22:50,025 THESE PLACES CONTROL US, 413 00:22:50,102 --> 00:22:52,078 MAKE US WHO WE ARE. 414 00:22:52,154 --> 00:22:54,154 IT'S ACTUALLY CONNECTED TO THE LOWER BRAIN FUNCTION-- 415 00:22:54,231 --> 00:22:56,415 BREATHING, REFLEXES. 416 00:22:56,492 --> 00:22:58,909 IT'S WHY YOU CRY WHEN YOU THINK OF LEXA. 417 00:22:58,920 --> 00:23:01,036 SHUT UP. 418 00:23:01,113 --> 00:23:03,923 ALL OF THIS IS GUILT FOR THE DEATHS YOU'VE CAUSED, 419 00:23:03,999 --> 00:23:06,258 BUT I DON'T GET IT. 420 00:23:06,335 --> 00:23:09,095 WHY ARE YOU SO TORN UP? 421 00:23:09,171 --> 00:23:11,389 EVERYTHING YOU DID WAS TO SAVE YOUR PEOPLE. 422 00:23:11,465 --> 00:23:14,216 - I'D DO THE SAME THING. - A RINGING ENDORSEMENT. 423 00:23:14,293 --> 00:23:18,345 THE THING I DON'T GET IS WHY YOU DON'T CARE 424 00:23:18,422 --> 00:23:20,139 ABOUT SAVING YOUR PEOPLE NOW. 425 00:23:20,215 --> 00:23:21,774 WHAT? 426 00:23:21,851 --> 00:23:23,109 LET'S SAY YOU COULD SOMEHOW FIGHT ME OFF 427 00:23:23,185 --> 00:23:25,436 AND GET YOUR BODY BACK. 428 00:23:25,446 --> 00:23:28,355 WHAT WOULD THAT DO TO YOUR FRIENDS AND FAMILY? 429 00:23:28,432 --> 00:23:31,450 DO YOU THINK MY FATHER WOULD JUST LET ME GO? 430 00:23:31,527 --> 00:23:34,787 WHAT YOU'RE DOING RIGHT NOW 431 00:23:34,864 --> 00:23:37,322 LEADS TO THE GENOCIDE OF YOUR PEOPLE, 432 00:23:37,399 --> 00:23:39,867 WHICH, I GUESS, IS PAR FOR THE COURSE WITH YOU. 433 00:23:39,943 --> 00:23:42,369 - I JUST WANT TO LIVE. - DO YOU, THOUGH? 434 00:23:42,446 --> 00:23:45,956 BECAUSE YOUR MIND SURE DOESN'T SEEM TO. 435 00:23:45,967 --> 00:23:48,792 HAVE YOU EVER EVEN ONCE CONSIDERED THAT 436 00:23:48,803 --> 00:23:51,962 THE SOLUTION IS TO SACRIFICE YOURSELF? 437 00:23:51,973 --> 00:23:56,258 YOUR PEOPLE ARE SAFE. BELLAMY MADE SURE OF IT. 438 00:23:56,335 --> 00:23:58,427 I MEAN, HE TOOK YOUR DEATH HARD, SURE, 439 00:23:58,504 --> 00:24:00,980 BUT HE KNEW THE ONLY THING A LEADER COULD DO 440 00:24:01,056 --> 00:24:03,474 WAS TO STRIKE A DEAL FOR PEACE. 441 00:24:03,550 --> 00:24:05,684 NOW IT'S TIME FOR YOU TO STEP UP. 442 00:24:05,761 --> 00:24:07,820 BOW OUT GRACEFULLY, AND YOUR PEOPLE 443 00:24:07,897 --> 00:24:09,989 GET TO LIVE HAPPILY EVER AFTER. 444 00:24:10,065 --> 00:24:11,648 YOU'RE LYING. 445 00:24:11,659 --> 00:24:14,109 BELLAMY WOULD NEVER MAKE A DEAL LIKE THAT. 446 00:24:14,186 --> 00:24:17,279 THE LACK OF TRUST HURTS ME, CLARKE, 447 00:24:17,356 --> 00:24:20,657 SO THAT'S WHY I BROUGHT THIS. 448 00:24:20,668 --> 00:24:23,243 YOU HAVE DRAWINGS. I HAVE BOOKS. DON'T JUDGE. 449 00:24:23,320 --> 00:24:27,339 HERE. TAKE IT. 450 00:24:27,416 --> 00:24:31,802 IT'S NOT A TRICK. I DON'T PLAY THAT WAY. 451 00:24:37,176 --> 00:24:39,843 I CAN GUARANTEE SAFETY FOR THE REST OF YOUR PEOPLE. 452 00:24:39,854 --> 00:24:41,553 WE'LL SHARE EVERYTHING WE'VE LEARNED 453 00:24:41,630 --> 00:24:43,555 ABOUT SURVIVING ON THIS MOON. 454 00:24:43,632 --> 00:24:47,860 I'LL TAKE YOUR DEAL BECAUSE IT'S THE SMART PLAY 455 00:24:47,937 --> 00:24:49,820 AND IT'S THE MOVE SHE WOULD HAVE MADE. 456 00:24:53,058 --> 00:24:54,358 IT'S TIME FOR YOU TO SACRIFICE 457 00:24:54,368 --> 00:24:57,069 FOR YOUR PEOPLE, CLARKE. 458 00:24:57,145 --> 00:25:00,331 DON'T START ANOTHER WAR THEY'LL HAVE TO FIGHT. 459 00:25:06,363 --> 00:25:08,288 I NEED THEM TO BE OK. 460 00:25:08,299 --> 00:25:10,832 BY MY WORD, YOUR PEOPLE WILL BE SAFE. 461 00:25:10,909 --> 00:25:12,384 BELLAMY IS MEETING WITH MY FATHER 462 00:25:12,461 --> 00:25:13,719 FIRST THING IN THE MORNING 463 00:25:13,796 --> 00:25:15,379 TO DISCUSS BUILDING THEM A COMPOUND. 464 00:25:15,389 --> 00:25:17,881 THEY'LL HAVE A NEW HOME, A NEW LIFE. 465 00:25:17,892 --> 00:25:20,551 MADI CAN GO TO SCHOOL JUST LIKE ANY OTHER KID. 466 00:25:20,561 --> 00:25:22,728 YOUR FRIENDS CAN SETTLE DOWN. 467 00:25:22,805 --> 00:25:26,357 EVERYONE CAN STOP FIGHTING, INCLUDING YOU. 468 00:25:37,436 --> 00:25:39,620 TELL MADI I LOVE HER... 469 00:25:41,231 --> 00:25:42,957 AND TELL ALL OF THEM. 470 00:25:53,961 --> 00:25:55,135 [SOBS] 471 00:25:56,580 --> 00:25:58,305 YOU FORGOT BELLAMY AND RAVEN. 472 00:26:11,145 --> 00:26:12,444 JAKE: SENIOR ENVIRONMENTAL ENGINEER, 473 00:26:12,521 --> 00:26:15,022 DEPUTY RESOURCE OFFICER. 474 00:26:15,098 --> 00:26:17,733 THAT MEANS I'M IN CHARGE OF THE MACHINES 475 00:26:17,809 --> 00:26:20,286 THAT KEEP OUR WATER SAFE TO DRINK 476 00:26:20,362 --> 00:26:24,206 AND OUR FOOD SAFE TO EAT. 477 00:26:26,276 --> 00:26:29,461 - UH! - AAH! 478 00:26:32,374 --> 00:26:35,083 AN EMP. 479 00:26:35,160 --> 00:26:37,761 COOL. 480 00:26:40,290 --> 00:26:42,725 IT'LL BE OVER SOON.... 481 00:26:45,295 --> 00:26:47,187 I PROMISE. 482 00:27:02,404 --> 00:27:04,371 [SOBS] 483 00:27:06,909 --> 00:27:09,710 [SOBBING] 484 00:27:12,581 --> 00:27:13,881 [SNIFFLES] 485 00:27:29,306 --> 00:27:30,856 [BIRD TWITTERS] 486 00:27:33,343 --> 00:27:35,477 [BIRDS SINGING] 487 00:27:35,554 --> 00:27:37,279 [DOOR OPENS] 488 00:27:39,617 --> 00:27:40,607 [DOOR CLOSES] 489 00:27:40,684 --> 00:27:42,826 DAD? 490 00:27:53,455 --> 00:27:54,880 OH, MONTY... 491 00:27:56,291 --> 00:27:58,583 HEH. 492 00:27:58,660 --> 00:28:00,886 YOU CALL THIS DOING BETTER? 493 00:28:04,800 --> 00:28:07,226 GIVING UP ISN'T BETTER. 494 00:28:07,302 --> 00:28:09,886 THAT'S NOT WHAT I'M-- 495 00:28:09,897 --> 00:28:12,556 I'M DOING THIS FOR THE OTHERS. 496 00:28:12,566 --> 00:28:16,226 - THEY'LL LIVE. - "IT'S ALL FOR MY PEOPLE"? 497 00:28:16,237 --> 00:28:18,186 LOOK. I'VE HEARD THAT BEFORE, CLARKE. 498 00:28:18,263 --> 00:28:19,646 IT'S JUST AN EXCUSE. 499 00:28:19,723 --> 00:28:22,149 YOU'RE THE ONE WHO TOLD ME I'M NOT GOD, 500 00:28:22,225 --> 00:28:25,652 THAT I DON'T GET TO DECIDE WHO LIVES OR DIES. 501 00:28:25,729 --> 00:28:28,321 WELL, YOU GOT YOUR WISH. 502 00:28:28,398 --> 00:28:30,541 I'M NOT DECIDING FOR ANYONE ELSE... 503 00:28:34,037 --> 00:28:36,004 JUST FOR ME. 504 00:28:38,241 --> 00:28:40,375 LOOK. 505 00:28:40,452 --> 00:28:42,586 I GET IT. IT'S BEEN ENDLESS. 506 00:28:42,596 --> 00:28:44,254 BEARING IT SO WE DON'T HAVE TO, 507 00:28:44,265 --> 00:28:46,890 ANYONE WOULD BE TIRED... 508 00:28:48,627 --> 00:28:50,853 BUT ARE YOU REALLY GONNA LEAVE HER? 509 00:28:54,966 --> 00:28:56,725 SHE'S BETTER OFF WITHOUT ME. 510 00:28:56,802 --> 00:28:58,736 I DON'T THINK THAT'S TRUE. 511 00:29:00,856 --> 00:29:03,282 MY MOM WILL TAKE CARE OF HER, 512 00:29:03,358 --> 00:29:05,400 AND BELLAMY ALREADY MADE A DEAL 513 00:29:05,477 --> 00:29:06,943 THAT KEEPS THEM ALL SAFE. 514 00:29:07,020 --> 00:29:09,321 THIS IS ABOUT BEING THE GOOD GUYS. YEAH. 515 00:29:09,397 --> 00:29:11,198 THAT DEAL MEANS OUR SIDE GETS TO LIVE, 516 00:29:11,274 --> 00:29:12,791 BUT AT WHAT COST? 517 00:29:12,868 --> 00:29:14,126 YOU'RE GIVING IN TO PEOPLE WHO 518 00:29:14,203 --> 00:29:15,794 MURDER HUMAN BEINGS TO LIVE FOREVER. 519 00:29:15,871 --> 00:29:18,371 THAT'S EASY TO SAY, BUT IN THE REAL WORLD, 520 00:29:18,448 --> 00:29:22,217 WE HAVE TO DO WHAT'S BEST FOR OUR PEOPLE. 521 00:29:22,294 --> 00:29:24,544 DOING THE WRONG THING IS NEVER WHAT'S BEST. 522 00:29:24,555 --> 00:29:26,138 THE ENDS DON'T JUSTIFY THE MEANS. 523 00:29:26,215 --> 00:29:27,422 YOU KNOW THAT. 524 00:29:27,499 --> 00:29:29,057 WHAT DO YOU WANT FROM ME, MONTY? 525 00:29:29,134 --> 00:29:30,550 IT'S TOO LATE. 526 00:29:30,627 --> 00:29:32,719 JOSEPHINE ALREADY HAS THE MEMORY. 527 00:29:32,796 --> 00:29:34,763 AS SOON AS SHE WAKES UP, 528 00:29:34,840 --> 00:29:36,523 SHE'LL KNOW HOW TO GET ME OUT OF MY HEAD. 529 00:29:38,486 --> 00:29:41,945 IT'S OVER. 530 00:29:46,810 --> 00:29:48,786 WE'LL SEE ABOUT THAT. 531 00:29:56,528 --> 00:29:58,837 [ECHOING VOICES] 532 00:30:03,460 --> 00:30:06,419 CLARKE: THIS IS JOSEPHINE'S MINDSPACE. 533 00:30:06,496 --> 00:30:08,129 SHE CONTROLS IT. 534 00:30:08,206 --> 00:30:10,599 WHAT SHE GONNA DO, KILL YOU? 535 00:30:10,676 --> 00:30:13,519 [VOICES CONTINUE] 536 00:30:16,640 --> 00:30:18,607 [VOICES CONTINUE] 537 00:30:36,860 --> 00:30:39,711 WOW. 538 00:30:39,788 --> 00:30:43,373 230 YEARS OF MEMORIES. 539 00:30:43,384 --> 00:30:45,333 [EXPLOSION] 540 00:30:45,410 --> 00:30:47,553 [RATTLING] 541 00:30:49,548 --> 00:30:51,056 GOOD NEWS IS, 542 00:30:51,133 --> 00:30:52,507 WE CAN AFFECT HER BODY IN HERE. 543 00:30:52,584 --> 00:30:54,217 BAD NEWS IS, 544 00:30:54,228 --> 00:30:56,052 JOSEPHINE SEEMS TO SENSE IT. 545 00:30:56,063 --> 00:30:58,346 COME ON. LET'S FIND SOMETHING WE CAN USE. 546 00:30:58,423 --> 00:31:00,315 [VOICES CONTINUE] 547 00:31:10,077 --> 00:31:12,569 CLARKE: THEY'RE ALL IN CHRONOLOGICAL ORDER. 548 00:31:12,580 --> 00:31:15,372 I LIKE YOUR DRAWINGS BETTER. 549 00:31:24,783 --> 00:31:26,499 LOOK. 550 00:31:26,576 --> 00:31:28,501 THIS MUST BE WHERE SHE KEEPS HER PRIMAL WOUNDS. 551 00:31:28,578 --> 00:31:30,637 SHE SAID THEY CREATE A PHYSICAL RESPONSE. 552 00:31:33,967 --> 00:31:37,218 WE COULD CONTROL MY BODY FROM THERE. 553 00:31:37,295 --> 00:31:40,772 ON IT. THIS'LL TAKE A MINUTE. 554 00:31:40,849 --> 00:31:42,933 FIND OUT WHO SHE IS WHILE I GET THIS OPEN. 555 00:31:43,009 --> 00:31:45,226 RUSSELL'S VOICE: ONE MORE TIME. 556 00:31:45,303 --> 00:31:49,031 JOSEPHINE'S VOICE: B-O-R-N-E-O. 557 00:31:52,361 --> 00:31:54,611 KAYLEE: YOU CAN ADMIT IT, JOSEPHINE. 558 00:31:54,622 --> 00:31:56,571 YOU HAVE A FIXATION. 559 00:31:56,648 --> 00:31:58,290 [CHUCKLES] 560 00:31:58,367 --> 00:32:00,325 IT'S CALLED APPRECIATION. 561 00:32:00,336 --> 00:32:01,501 OH. 562 00:32:01,578 --> 00:32:04,079 DON'T YOU MISS YOUR FIRST BODY? 563 00:32:04,155 --> 00:32:06,039 I'M ALL ABOUT LIVING IN THE NOW, 564 00:32:06,116 --> 00:32:07,457 FOCUSING ON THE PEOPLE THAT ARE HERE, 565 00:32:07,534 --> 00:32:10,251 NOT THOSE FADED INTO DUST. 566 00:32:10,328 --> 00:32:12,638 MAYBE IT'S TIME FOR YOU TO REFOCUS 567 00:32:12,714 --> 00:32:15,090 ON YOUR OWN KIND. 568 00:32:15,166 --> 00:32:16,642 SOME OF THESE PEOPLE AREN'T WORTH 569 00:32:16,718 --> 00:32:18,093 YOUR ATTENTION, LEE-LEE. 570 00:32:18,169 --> 00:32:21,721 WELL, WHAT CAN I SAY? I AM OPEN-MINDED. 571 00:32:21,732 --> 00:32:24,432 OHH! HUH! 572 00:32:24,509 --> 00:32:28,278 THIS JO JUICE IS REALLY GETTING ME TONIGHT. 573 00:32:28,355 --> 00:32:31,490 IS IT? HMM. 574 00:32:32,976 --> 00:32:35,160 KAYLEE: HUH. 575 00:32:43,078 --> 00:32:46,171 THIS ISN'T JUST J-JUICE. 576 00:32:47,499 --> 00:32:49,967 SHUIMIAN JIANGGUO? 577 00:32:52,629 --> 00:32:55,505 I THOUGHT IT WAS FITTING, GIVEN YOU CATALOGED THEM, 578 00:32:55,582 --> 00:32:57,215 THOUGH I STILL THINK THAT YOU COULD'VE BEAT 579 00:32:57,292 --> 00:32:58,800 "SLEEPING BERRIES." 580 00:32:58,877 --> 00:33:02,104 - HMM. - TELL ME WHY. 581 00:33:04,716 --> 00:33:07,693 YOU HAVE TO UNDERSTAND, LEE-LEE, 582 00:33:07,769 --> 00:33:09,477 ISAAC WAS A THREAT. 583 00:33:09,488 --> 00:33:12,480 HE'D NEVER HURT ANYONE, AND HE WAS MINE. 584 00:33:12,557 --> 00:33:14,482 WHAT, YOU COULDN'T STAND TO SEE ME HAPPY? 585 00:33:14,559 --> 00:33:15,909 HE DEFIED THE WILL OF THE PRIMES. 586 00:33:15,986 --> 00:33:18,194 HE DEFIED OBLATION. 587 00:33:18,205 --> 00:33:19,946 THAT'S NOT THE WILL OF THE PRIMES. 588 00:33:20,023 --> 00:33:21,957 THAT'S JUST YOU. 589 00:33:22,034 --> 00:33:24,993 ONLY TWO HOSTS HAVE BEEN BORN IN THE PAST 20 YEARS. 590 00:33:25,070 --> 00:33:27,454 THE NULLS ARE MUDDYING THE BLOODLINE. 591 00:33:27,530 --> 00:33:30,290 WITHOUT OBLATION, WE GO EXTINCT. 592 00:33:30,366 --> 00:33:33,209 HELL, YOU HELPED ME SPREAD THE WORD 593 00:33:33,286 --> 00:33:36,671 BEFORE YOU DECIDED TO HOP IN THE SACK WITH ISAAC. 594 00:33:36,748 --> 00:33:38,265 NOW YOU'RE SOUNDING LIKE RIKER. 595 00:33:38,341 --> 00:33:39,758 PEOPLE ARE MORE THAN THEIR BLOOD. 596 00:33:39,834 --> 00:33:41,342 I'M TALKING ABOUT THE BIGGER PICTURE HERE. 597 00:33:41,419 --> 00:33:43,186 YOUR ANSWER IS MURDER? 598 00:33:43,263 --> 00:33:45,388 DID YOU THINK I WOULDN'T NOTICE? 599 00:33:45,465 --> 00:33:46,973 I DON'T KNOW WHAT HAPPENED TO YOU, 600 00:33:46,984 --> 00:33:49,184 BUT THIS IS NOT WHO YOU ARE. 601 00:33:49,260 --> 00:33:51,394 I'M GETTING BORED. WHY THE HELL DID YOU DRUG ME? 602 00:33:51,405 --> 00:33:53,396 SO THEY BELIEVE THIS WAS AN ACCIDENT. 603 00:33:53,407 --> 00:33:54,647 LET GO OF ME. UH! 604 00:33:54,724 --> 00:33:56,524 AAH! 605 00:33:56,601 --> 00:34:00,287 [ECHOING VOICES] 606 00:34:03,366 --> 00:34:05,751 [BABY CRYING] 607 00:34:21,802 --> 00:34:24,352 JOSEPHINE: YOU MUST THINK VERY LITTLE OF ME, ISAAC. 608 00:34:27,590 --> 00:34:29,891 DID YOU THINK I WOULDN'T NOTICE 609 00:34:29,968 --> 00:34:32,018 MY OFFERING WAS GOING MISSING? 610 00:34:32,095 --> 00:34:34,312 THE FOREST DOESN'T FEED THAT QUICKLY. 611 00:34:34,389 --> 00:34:36,022 ARE YOU GIVING THEM TO GABRIEL? 612 00:34:36,099 --> 00:34:38,733 ISAAC: JOSEPHINE, I CAN EXPLAIN. 613 00:34:38,810 --> 00:34:40,360 OH, I GET IT. 614 00:34:40,436 --> 00:34:42,070 YOU THINK BECAUSE YOU'RE KAYLEE'S PET, 615 00:34:42,147 --> 00:34:43,905 YOU'RE MORE THAN WHAT YOU ARE. 616 00:34:43,982 --> 00:34:47,283 I AM. WE ALL ARE. 617 00:34:47,294 --> 00:34:48,794 JUST BECAUSE WE CAN'T BEAR A HOST 618 00:34:48,870 --> 00:34:49,828 DOESN'T MEAN WE'RE WORTHLESS. 619 00:34:49,904 --> 00:34:51,621 I AGREE. 620 00:34:51,632 --> 00:34:53,081 REALLY? 621 00:34:53,158 --> 00:34:56,251 WORTHLESS IMPLIES A SORT OF NEUTRALITY, 622 00:34:56,327 --> 00:34:59,129 SOMETHING WITH NO POSITIVE VALUE, 623 00:34:59,139 --> 00:35:02,974 BUT NULLS, YOU ARE LESS THAN USELESS. 624 00:35:03,051 --> 00:35:04,976 YOU DILUTE THE BLOODLINE. 625 00:35:05,053 --> 00:35:06,311 YOU MAKE IT LESS LIKELY 626 00:35:06,388 --> 00:35:07,762 THAT ANYONE WOULD BEAR A HOST. 627 00:35:07,773 --> 00:35:09,430 I CAN'T LET THAT HAPPEN. 628 00:35:09,507 --> 00:35:11,483 I HAVE TO THINK OF MY PEOPLE. 629 00:35:11,560 --> 00:35:14,435 ISAAC: WE ARE YOUR PEOPLE. 630 00:35:14,512 --> 00:35:16,229 WE COULD BE SO MUCH MORE. 631 00:35:16,306 --> 00:35:18,106 WE COULD DO SO MUCH MORE, IF ONLY WE WERE ALLOWED 632 00:35:18,183 --> 00:35:20,316 TO TRULY LIVE, IF YOU WOULD LET US 633 00:35:20,327 --> 00:35:22,652 BE MORE THAN JUST YOUR JANITORS OR GUARDS. 634 00:35:22,663 --> 00:35:24,830 THAT ARGUMENT WOULD CARRY A LOT MORE WEIGHT 635 00:35:24,906 --> 00:35:28,908 IF YOU WEREN'T DELIVERING SOLDIERS TO OUR ENEMIES. 636 00:35:28,985 --> 00:35:31,536 TELL ME, HOW IS GABRIEL? 637 00:35:31,613 --> 00:35:34,622 HIS LATEST HOST MUST BE 95 BY NOW. 638 00:35:34,699 --> 00:35:38,009 I'M JUST TRYING TO KEEP OUR PEOPLE ALIVE. 639 00:35:38,086 --> 00:35:40,420 OBLATION IS WRONG. 640 00:35:40,496 --> 00:35:42,463 WHY SHOULD THIS CHILD BE SACRIFICED? 641 00:35:42,540 --> 00:35:44,424 - HE'S DONE NOTH-- - MM! 642 00:35:44,500 --> 00:35:47,519 [ISAAC GAGGING] 643 00:35:50,173 --> 00:35:52,932 [BABY CRYING] 644 00:35:53,009 --> 00:35:54,359 DON'T WORRY, ISAAC. 645 00:35:54,436 --> 00:35:56,820 YOUR SPIRIT SHALL LIVE ETERNAL. 646 00:36:06,898 --> 00:36:09,908 YOU WERE RIGHT. WE CAN'T LET HER WIN. 647 00:36:09,918 --> 00:36:12,827 ALMOST GOT IT. 648 00:36:12,904 --> 00:36:13,953 [BEEP] 649 00:36:14,030 --> 00:36:15,338 YES! 650 00:36:19,077 --> 00:36:20,877 [BELL RINGS] 651 00:36:20,888 --> 00:36:25,048 WOMAN: ♪ GOD REST YE, MERRY GENTLEMEN ♪ 652 00:36:25,058 --> 00:36:28,301 ♪ LET NOTHING YOU DISMAY ♪ 653 00:36:28,378 --> 00:36:31,554 ♪ REMEMBER, CHRIST OUR SAVIOR... ♪ 654 00:36:31,631 --> 00:36:34,641 CLARKE: EARTH BEFORE THE BOMBS. 655 00:36:34,717 --> 00:36:37,527 HEY, CHECK IT OUT. 656 00:36:40,523 --> 00:36:43,325 NICE PLACE. 657 00:36:46,246 --> 00:36:48,571 WHY WOULD SHE KEEP THIS MEMORY LOCKED AWAY? 658 00:36:48,582 --> 00:36:50,165 MORE IMPORTANTLY, 659 00:36:50,242 --> 00:36:52,250 HOW DO WE GET CONTROL FROM HERE? 660 00:36:59,668 --> 00:37:01,843 COME ON. 661 00:37:03,913 --> 00:37:06,714 JOSEPHINE: UGH, I SWEAR, I'M TAKING HANLEN NEXT SEMESTER. 662 00:37:06,791 --> 00:37:09,050 I CAN'T DEAL WITH SILVESTRI ANYMORE. 663 00:37:09,127 --> 00:37:10,769 WOMAN: DOES THAT MEAN YOU'RE NOT GOING 664 00:37:10,845 --> 00:37:13,096 ON YOUR LITTLE, SECRET FAMILY PROJECT? 665 00:37:13,106 --> 00:37:15,390 I TOLD THEM NO. 666 00:37:15,466 --> 00:37:17,809 WELL, IF YOUR SIGNING UP FOR HANLEN, 667 00:37:17,885 --> 00:37:19,852 PULL OUT YOUR MINISKIRTS. 668 00:37:19,929 --> 00:37:22,113 HE GIVES A HALF-GRADE BUMP TO GIRLS HE LIKES TO LOOK AT. 669 00:37:22,190 --> 00:37:23,815 OH... 670 00:37:23,825 --> 00:37:25,525 [WIND WHISTLES] 671 00:37:25,601 --> 00:37:26,693 [DOOR CLOSES] 672 00:37:26,769 --> 00:37:28,036 HEY. 673 00:37:32,125 --> 00:37:34,084 I WAS LOOKING FOR YOU 674 00:37:34,160 --> 00:37:36,452 AT THE WATER RATIONING PROTEST, 675 00:37:36,463 --> 00:37:38,255 THOUGHT YOU POSTED SOMETHING ABOUT GOING. 676 00:37:41,301 --> 00:37:44,294 TOO MANY PEOPLE, YOU KNOW. 677 00:37:44,370 --> 00:37:47,430 AND IT'S REALLY DUSTY OUTSIDE. 678 00:37:49,000 --> 00:37:50,350 YEAH. SURE. 679 00:37:52,637 --> 00:37:55,388 UH, I ASKED, AND THERE'S PLENTY OF ROOM 680 00:37:55,465 --> 00:37:56,815 AT THE COMPARATIVE LINGUISTICS THING 681 00:37:56,891 --> 00:37:58,725 IF YOU WANT TO GO. 682 00:37:58,801 --> 00:38:00,318 I DON'T KNOW. 683 00:38:00,395 --> 00:38:03,488 I'M NOT REALLY FEELING THAT SOCIAL LATELY. 684 00:38:03,565 --> 00:38:04,948 HEH. 685 00:38:08,695 --> 00:38:12,455 YOU STILL THINK YOU'RE TOO GOOD FOR ME, HUH? 686 00:38:14,025 --> 00:38:16,909 - THAT'S NOT WHAT I-- - DON'T LIE. 687 00:38:16,986 --> 00:38:19,454 JUST ADMIT IT. 688 00:38:19,530 --> 00:38:22,507 STOP TOYING WITH ME AND JUST ADMIT WHAT YOU ARE. 689 00:38:22,584 --> 00:38:24,092 I--I DON'T-- 690 00:38:24,169 --> 00:38:26,419 I MEAN, I TRIED-- CALLS, TEXTS, 691 00:38:26,430 --> 00:38:30,015 YOU KNOW, BEING THOUGHTFUL. 692 00:38:30,091 --> 00:38:33,634 WHAT DO I GET? 693 00:38:33,711 --> 00:38:35,887 [GASPS] 694 00:38:35,897 --> 00:38:39,098 NOTHING. 695 00:38:39,175 --> 00:38:40,641 WHAT ARE YOU DOING? 696 00:38:40,718 --> 00:38:42,810 THINKING YOU SHOULD SHUT THE HELL UP. 697 00:38:42,887 --> 00:38:45,313 MESSAGE RECEIVED, YOU STUCK-UP BITCH. 698 00:38:45,324 --> 00:38:47,857 YOU DON'T WANT TO SEE ME. 699 00:38:47,934 --> 00:38:49,817 YOU CAN SEE THIS. 700 00:38:49,894 --> 00:38:51,202 [GUNSHOT] 701 00:38:51,279 --> 00:38:54,998 [PEOPLE SCREAM] 702 00:38:56,692 --> 00:38:59,044 MAN: LET'S GET OUT OF HERE! 703 00:38:59,120 --> 00:39:02,121 THIS IS THE THING SHE COULDN'T FACE. 704 00:39:02,198 --> 00:39:05,124 NO WONDER SHE CHANGED HER MIND ABOUT LEAVING. 705 00:39:05,135 --> 00:39:08,836 WE NEED TO USE IT TO CONTROL YOUR BODY. 706 00:39:08,913 --> 00:39:09,962 I HAVE AN IDEA. 707 00:39:09,973 --> 00:39:11,839 [SIREN] 708 00:39:11,916 --> 00:39:12,891 WOMAN ON P.A.: ALERT. INCOMING BOMBSHELLS. 709 00:39:12,967 --> 00:39:15,718 TAKE COVER IMMEDIATELY. 710 00:39:15,729 --> 00:39:18,229 QUICK, HIDE. 711 00:39:22,811 --> 00:39:24,977 YOU NEVER SHOULD HAVE COME HERE! 712 00:39:25,054 --> 00:39:27,572 GET OUT! 713 00:39:28,909 --> 00:39:31,493 [DOOR OPENS] 714 00:39:31,569 --> 00:39:34,987 AAH! I GAVE YOU THE CHANCE TO GO QUIETLY. 715 00:39:35,064 --> 00:39:36,989 I SAID I'D HELP YOUR PEOPLE. 716 00:39:37,000 --> 00:39:39,826 DEAL'S OFF. 717 00:39:39,902 --> 00:39:42,829 [GASPING] 718 00:39:42,905 --> 00:39:45,673 [COUGHS] 719 00:39:45,750 --> 00:39:48,009 SHE'S AWAKE. 720 00:39:52,766 --> 00:39:54,557 [CHUCKLES] 721 00:39:57,679 --> 00:39:58,812 I WIN. 722 00:39:58,888 --> 00:40:00,939 BELLAMY: ALL RIGHT. 723 00:40:01,015 --> 00:40:03,015 IN EXCHANGE FOR IGNORING THAT YOU MURDERED CLARKE... 724 00:40:03,092 --> 00:40:05,226 [DOOR CLOSES] 725 00:40:05,303 --> 00:40:07,862 YOU BUILD US A COMPOUND. 726 00:40:10,808 --> 00:40:13,109 WHAT ABOUT THE MOTHER AND CHILD? WILL THEY AGREE? 727 00:40:13,186 --> 00:40:15,653 I'LL HANDLE OUR PEOPLE. 728 00:40:15,664 --> 00:40:16,955 HOW LONG WILL IT TAKE TO BUILD? 729 00:40:17,031 --> 00:40:18,281 [CLEARS THROAT] 730 00:40:18,291 --> 00:40:20,741 JUST A MOMENT, SWEETHEART. 731 00:40:20,818 --> 00:40:22,743 WITH ALL OF OUR PEOPLE HELPING YOU, 732 00:40:22,820 --> 00:40:24,620 IT WILL GO MUCH FASTER. 733 00:40:24,631 --> 00:40:26,539 TALK TO RIKER ABOUT A WORK SCHEDULE, 734 00:40:26,616 --> 00:40:28,967 AND YOU'LL NEED A DETAIL OF ABOUT 50 OF YOUR OWN PEOPLE. 735 00:40:29,043 --> 00:40:30,760 YOU'LL BUILD A WALL THAT-- 736 00:40:50,106 --> 00:40:52,699 RUSSELL: BELLAMY. 737 00:40:54,736 --> 00:40:57,036 BELLAMY, ARE WE AGREED? 738 00:40:58,356 --> 00:41:00,832 YEAH. 739 00:41:00,909 --> 00:41:03,951 WE'RE GOOD FOR NOW. 740 00:41:03,962 --> 00:41:06,171 I'LL ORDER CONSTRUCTION TO BEGIN. 741 00:41:06,247 --> 00:41:07,505 LET'S GO. 742 00:41:10,868 --> 00:41:13,761 [DOOR OPENS] 743 00:41:17,500 --> 00:41:19,601 JOSIE... 744 00:41:19,677 --> 00:41:22,011 DID SOMETHING GO WRONG WITH THE TRANSFER? 745 00:41:22,022 --> 00:41:23,888 YOU COULD SAY THAT. 746 00:41:23,899 --> 00:41:27,517 SHE'S STILL IN MY HEAD, BUT DON'T WORRY. 747 00:41:27,527 --> 00:41:31,395 I KNOW HOW TO KILL HER ONCE AND FOR ALL. 748 00:41:31,406 --> 00:41:36,776 HEY, REMEMBER WHEN PIKE TAUGHT US MORSE CODE? 749 00:41:36,852 --> 00:41:39,362 I SLEPT THROUGH MOST OF EARTH SKILLS, SO-- 750 00:41:39,372 --> 00:41:42,990 OK. JOSEPHINE WAS TAPPING OUT MORSE CODE 751 00:41:43,067 --> 00:41:45,043 ON HER ARM. 752 00:41:49,382 --> 00:41:51,674 WHAT DOES IT MEAN? 753 00:41:51,751 --> 00:41:55,261 IT MEANS CLARKE'S ALIVE, AND WE'RE GONNA GET HER BACK. 57735

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