All language subtitles for Ripleys.Believe.It.or.Not.2019.S01E02.Invisible.Worlds.480p.x264-mSD[eztv]_Subtitles01

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish Download
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:08,430 --> 00:00:09,490 I'm taking extreme risks. 2 00:00:09,500 --> 00:00:12,000 I do put my life on the line. 3 00:00:12,000 --> 00:00:14,460 Some can squirt. Some can exude. 4 00:00:14,470 --> 00:00:17,430 Toxic, acidic... 5 00:00:17,440 --> 00:00:21,910 I shape energy, turning impossible into possible. 6 00:00:24,710 --> 00:00:27,940 His madness is beauty. 7 00:00:27,950 --> 00:00:30,510 This vehicle is hot. It's ready to explode and flip. 8 00:00:30,520 --> 00:00:33,820 ♪♪ 9 00:00:33,820 --> 00:00:35,050 Zach: Who's got to clean that up? 10 00:00:37,490 --> 00:00:40,860 Campbell: 100 years ago, robert ripley went on a quest 11 00:00:40,860 --> 00:00:43,260 To the farthest reaches of the globe 12 00:00:43,260 --> 00:00:47,330 In search of the extraordinary and unusual. 13 00:00:47,330 --> 00:00:50,570 Today, the adventure continues, 14 00:00:50,570 --> 00:00:52,940 Searching for the world's most bizarre, 15 00:00:52,940 --> 00:00:55,240 Astonishing secrets... 16 00:00:55,240 --> 00:00:58,240 ♪♪ 17 00:00:58,240 --> 00:01:02,710 ...On "ripley's believe it or not!" 18 00:01:02,710 --> 00:01:09,520 ♪♪ 19 00:01:09,520 --> 00:01:11,720 We rely on our vision for up to 80% 20 00:01:11,720 --> 00:01:14,020 Of the information we take in, 21 00:01:14,030 --> 00:01:18,900 And yet, there are whole worlds around us hidden in plain sight. 22 00:01:18,900 --> 00:01:20,230 I'm bruce campbell. 23 00:01:20,230 --> 00:01:23,270 Time to take a trip into the unseen. 24 00:01:23,270 --> 00:01:29,610 ♪♪ 25 00:01:29,610 --> 00:01:34,140 Millions of people walk the new york city streets every day, 26 00:01:34,150 --> 00:01:37,210 So many familiar sights 27 00:01:37,220 --> 00:01:41,350 And yet...So much uncharted territory. 28 00:01:41,350 --> 00:01:46,920 ♪♪ 29 00:01:46,930 --> 00:01:48,160 Invades: My name is vic invades, 30 00:01:48,160 --> 00:01:49,990 And I'm a brooklyn, nyc, photographer. 31 00:01:50,000 --> 00:01:57,300 ♪♪ 32 00:01:57,300 --> 00:02:00,040 Campbell: You never know where in new york's five boroughs 33 00:02:00,040 --> 00:02:02,810 Vic will turn up next, 34 00:02:02,810 --> 00:02:07,710 But you can be sure it will be hazardous to his health. 35 00:02:07,710 --> 00:02:09,310 Invades: Oh, my god. 36 00:02:09,310 --> 00:02:13,550 ♪♪ 37 00:02:13,550 --> 00:02:15,190 Campbell: Today, vic is taking on 38 00:02:15,190 --> 00:02:18,290 One of his steepest challenges yet, 39 00:02:18,290 --> 00:02:22,960 Confronting extreme heights and extreme weather 40 00:02:22,960 --> 00:02:28,100 To catch one moment in time, his next unbelievable photo. 41 00:02:28,100 --> 00:02:29,630 Invades: Look at that fog. 42 00:02:29,640 --> 00:02:31,100 You can't see [bleep] 43 00:02:31,100 --> 00:02:39,340 ♪♪ 44 00:02:39,340 --> 00:02:45,280 ♪♪ 45 00:02:45,280 --> 00:02:46,680 I developed a passion. 46 00:02:46,690 --> 00:02:49,250 ♪♪ 47 00:02:49,250 --> 00:02:50,450 When I'm hanging above the city, 48 00:02:50,460 --> 00:02:52,490 I get a feeling of being one with the city. 49 00:02:52,490 --> 00:02:56,490 [ camera shutter clicking ] 50 00:02:56,500 --> 00:02:58,230 I have a unique way of looking at the city, 51 00:02:58,230 --> 00:03:01,730 And I wanted to share it with the people around the world. 52 00:03:01,730 --> 00:03:04,400 When shooting from above, I love the way the buildings converge, 53 00:03:04,400 --> 00:03:06,070 And I love the bird's-eye view. 54 00:03:06,070 --> 00:03:08,940 ♪♪ 55 00:03:08,940 --> 00:03:12,580 I just love the way I see the people move below, 56 00:03:12,580 --> 00:03:14,780 And I see how the city is just moving right below me, 57 00:03:14,780 --> 00:03:17,250 And I see how life is just so continuous. 58 00:03:17,250 --> 00:03:21,120 ♪♪ 59 00:03:21,120 --> 00:03:23,020 I've always been a born adventurer. 60 00:03:23,020 --> 00:03:26,120 The only training I had was life training, 61 00:03:26,120 --> 00:03:30,390 Climbing on jungle gyms, you know, just being a kid. 62 00:03:30,400 --> 00:03:31,900 My friends and I, sometime we would go 63 00:03:31,900 --> 00:03:35,370 Into abandoned buildings. 64 00:03:35,370 --> 00:03:37,870 We were doing this at, like, 14, 16. 65 00:03:39,910 --> 00:03:41,370 Campbell: Born victor thomas 66 00:03:41,370 --> 00:03:43,570 In brooklyn's clinton hill neighborhood, 67 00:03:43,580 --> 00:03:48,310 Vic is an urban explorer, a breed of radical adventurers 68 00:03:48,310 --> 00:03:50,950 Who probe the city's secret spaces. 69 00:03:50,950 --> 00:03:56,750 ♪♪ 70 00:03:56,760 --> 00:04:00,160 These days, vic is elevating his game. 71 00:04:00,160 --> 00:04:07,400 ♪♪ 72 00:04:07,400 --> 00:04:09,800 Invades: I figured out that people are so into shock value, 73 00:04:09,800 --> 00:04:12,540 Sometimes people want to see you take risks, 74 00:04:12,540 --> 00:04:14,470 So I took the risk first, and I used the risk 75 00:04:14,470 --> 00:04:17,270 As a opportunity to get my talent out there. 76 00:04:17,280 --> 00:04:18,780 Campbell: The higher vic climbed, 77 00:04:18,780 --> 00:04:21,910 The more his social-media following grew 78 00:04:21,910 --> 00:04:25,180 And so did his need to up the ante. 79 00:04:27,320 --> 00:04:28,390 Invades: We on the bridge for real. 80 00:04:28,390 --> 00:04:32,820 Alright? Want to come back in? 81 00:04:32,820 --> 00:04:35,090 Hey, guys, go back in. 82 00:04:35,090 --> 00:04:38,030 Sometimes I feel more scared than excited 83 00:04:38,030 --> 00:04:39,760 Because I know what can happen. 84 00:04:39,770 --> 00:04:43,300 ♪♪ 85 00:04:43,300 --> 00:04:45,340 Campbell: Vic takes no precautions, 86 00:04:45,340 --> 00:04:49,570 No harness, no tether, no net. 87 00:04:49,570 --> 00:04:53,040 He chances death with each and every photograph. 88 00:04:53,050 --> 00:04:54,840 Invades: I'm taking extreme risks. 89 00:04:54,850 --> 00:04:56,850 A majority of the time, I do put my life on the line 90 00:04:56,850 --> 00:04:59,820 When I do put my foot over a ledge 91 00:04:59,820 --> 00:05:03,390 Or, like, even if I hold my camera over a ledge, 92 00:05:03,390 --> 00:05:05,520 It's, like, I'm still putting someone in danger. 93 00:05:05,520 --> 00:05:08,020 If I don't make sure I'm safe, I can kill myself, 94 00:05:08,030 --> 00:05:09,630 Or I can kill someone else. 95 00:05:09,630 --> 00:05:17,400 ♪♪ 96 00:05:17,400 --> 00:05:19,340 Campbell: Today, vic and a photographer friend 97 00:05:19,340 --> 00:05:21,740 Are on a mission to capture a view of new york 98 00:05:21,740 --> 00:05:23,510 No one has ever seen. 99 00:05:23,510 --> 00:05:26,810 ♪♪ 100 00:05:26,810 --> 00:05:28,910 Invades: I'm climbing 60 flights up. 101 00:05:28,910 --> 00:05:30,210 You know, I feel the burn in my knees. 102 00:05:30,220 --> 00:05:32,280 I feel fatigued. 103 00:05:32,280 --> 00:05:35,120 Sometimes I say to myself, "damn, what am I doing here?" 104 00:05:35,120 --> 00:05:36,150 But it's like, "nah, man. 105 00:05:36,150 --> 00:05:39,160 Sometimes the passion is in the work." 106 00:05:41,160 --> 00:05:42,860 Getting to that final entrance of the roof 107 00:05:42,860 --> 00:05:47,060 Is a feeling you can't necessarily describe. 108 00:05:47,070 --> 00:05:49,770 I feel like I just won the lottery. 109 00:05:49,770 --> 00:05:54,940 ♪♪ 110 00:05:54,940 --> 00:05:58,840 Like, that's just the orgasm right there. 111 00:05:58,840 --> 00:06:01,710 Take a picture of me if you see me up here. 112 00:06:01,710 --> 00:06:04,450 [ speaks indistinctly ] 113 00:06:04,450 --> 00:06:05,750 Good, you? 114 00:06:05,750 --> 00:06:07,250 It's adrenaline, but the adrenaline 115 00:06:07,250 --> 00:06:09,290 Comes from the image that I produce. 116 00:06:09,290 --> 00:06:10,620 [ camera shutter clicks ] 117 00:06:10,620 --> 00:06:11,820 Campbell: But this climb 118 00:06:11,820 --> 00:06:16,130 Is about to test vic like never before. 119 00:06:16,130 --> 00:06:20,130 Out of nowhere, a blanket of fog rolls in. 120 00:06:20,130 --> 00:06:21,870 Invades: Bro, look. Oh, my god. 121 00:06:21,870 --> 00:06:26,140 ♪♪ 122 00:06:26,140 --> 00:06:28,540 Can't see [bleep] 123 00:06:28,540 --> 00:06:29,970 Ooh. 124 00:06:29,980 --> 00:06:33,440 Campbell: Vic is trapped up on the ladder 60 stories up, 125 00:06:33,450 --> 00:06:35,010 Blinded by fog. 126 00:06:35,010 --> 00:06:41,850 ♪♪ 127 00:06:41,850 --> 00:06:45,290 But against the odds, he gets what he came for. 128 00:06:45,290 --> 00:06:48,220 ♪♪ 129 00:06:48,230 --> 00:06:49,790 [ camera shutter clicks ] 130 00:06:49,800 --> 00:06:53,060 ♪♪ 131 00:06:53,060 --> 00:06:54,530 Invades: I'm about to come down. 132 00:06:54,530 --> 00:06:59,970 ♪♪ 133 00:06:59,970 --> 00:07:03,010 I feel like the city is, like, in the palm of my hand. 134 00:07:03,010 --> 00:07:06,380 ♪♪ 135 00:07:06,380 --> 00:07:07,910 [ camera shutter clicks ] 136 00:07:10,320 --> 00:07:13,580 [ horns honking ] 137 00:07:13,590 --> 00:07:15,920 Far from the skyscrapers of new york, 138 00:07:15,920 --> 00:07:20,520 There's abandoned musicians that slow down time itself. 139 00:07:20,530 --> 00:07:28,800 ♪♪ 140 00:07:28,800 --> 00:07:30,000 Kulash: When you see an ok go video, 141 00:07:30,000 --> 00:07:31,100 I don't want you to say, 142 00:07:31,100 --> 00:07:32,570 "it's a cool idea, but I don't believe it." 143 00:07:32,570 --> 00:07:35,640 I want you to see it and go, "humans can do that?" 144 00:07:37,680 --> 00:07:40,240 Or "we live in a world where that's possible?" 145 00:07:40,250 --> 00:07:48,080 ♪♪ 146 00:07:48,090 --> 00:07:51,120 Spray paint rig is the same scene as this ideally. 147 00:07:51,120 --> 00:07:55,390 Campbell: Fans around the world love ok go's tunes. 148 00:07:55,390 --> 00:07:59,960 Now they're working on a project that aims to expand time itself, 149 00:07:59,970 --> 00:08:03,130 Stretching 4.2 seconds of stunts 150 00:08:03,130 --> 00:08:07,240 Into an action-packed 3 1/2-minute music video. 151 00:08:08,640 --> 00:08:10,310 Believe it... 152 00:08:10,310 --> 00:08:11,910 Man: Action. 153 00:08:11,910 --> 00:08:16,380 ♪♪ 154 00:08:16,380 --> 00:08:17,780 ...Or not. 155 00:08:17,780 --> 00:08:27,190 ♪♪ 156 00:08:27,190 --> 00:08:30,130 We've loved ok go for, like, 15 years-ish. 157 00:08:30,130 --> 00:08:31,430 When we were in middle school, yeah. 158 00:08:31,430 --> 00:08:32,830 When they came out, yeah, is sort of 159 00:08:32,830 --> 00:08:34,530 When we started getting into them. 160 00:08:34,530 --> 00:08:36,270 Ethan: This band has done a really great job 161 00:08:36,270 --> 00:08:40,600 Pushing the limits of what it means to make a music video... 162 00:08:42,810 --> 00:08:45,040 ...In a insane, creative way. 163 00:08:46,580 --> 00:08:48,110 I constantly have to tell my friends 164 00:08:48,110 --> 00:08:50,750 That those videos are not fake. 165 00:08:50,750 --> 00:08:52,820 [ cheers and applause ] 166 00:08:52,820 --> 00:08:57,720 ♪♪ 167 00:08:57,720 --> 00:09:00,560 ♪ you're right ♪ 168 00:09:00,560 --> 00:09:02,660 ♪ there's nothing more lovely ♪ 169 00:09:02,660 --> 00:09:04,530 Campbell: It all started decades ago 170 00:09:04,530 --> 00:09:07,000 On michigan's upper peninsula. 171 00:09:07,000 --> 00:09:12,870 ♪♪ 172 00:09:12,870 --> 00:09:14,600 My name is timothy nordwind, 173 00:09:14,610 --> 00:09:16,840 And I'm the bass player in ok go. 174 00:09:16,840 --> 00:09:18,310 Kulash: Tim and I have known each other 175 00:09:18,310 --> 00:09:19,480 Since we were 11 years old. 176 00:09:19,480 --> 00:09:23,480 When we first met at summer camp in the late '80s, 177 00:09:23,480 --> 00:09:27,780 We had an art teacher who would give really insane instructions, 178 00:09:27,790 --> 00:09:30,520 Like touch the paper with your mind, 179 00:09:30,520 --> 00:09:33,320 And touch the still life with your hand, 180 00:09:33,330 --> 00:09:34,720 And then draw the difference, man, 181 00:09:34,730 --> 00:09:37,760 And then he would wait over your shoulder 182 00:09:37,760 --> 00:09:39,830 For sometimes 5 or 6 minutes just going, 183 00:09:39,830 --> 00:09:43,600 "okay, okay, okay, go." 184 00:09:45,540 --> 00:09:46,970 It was an inside joke for a long time, 185 00:09:46,970 --> 00:09:50,070 And when we started the band I guess about 10 years later, 186 00:09:50,080 --> 00:09:52,280 It was the first choice for a name. 187 00:09:52,280 --> 00:09:54,480 Nordwind: Ok go's music, there's definitely 188 00:09:54,480 --> 00:09:58,250 An experimental aspect of what we do, 189 00:09:58,250 --> 00:10:03,420 Exploring the gray areas of everything, 190 00:10:03,420 --> 00:10:07,390 Going to the places that no one thinks to go to creatively. 191 00:10:07,390 --> 00:10:10,690 That's where we like to exist. 192 00:10:10,700 --> 00:10:14,400 Campbell: In 2016, lead singer damian kulash had a vision 193 00:10:14,400 --> 00:10:16,900 For the band's upcoming music video. 194 00:10:16,900 --> 00:10:19,300 ♪ so open your arms to me ♪ 195 00:10:19,300 --> 00:10:21,400 ♪ open your arms to me ♪ 196 00:10:21,410 --> 00:10:25,310 The song was sort of about how you can go through years 197 00:10:25,310 --> 00:10:27,740 And not all that much will happen, 198 00:10:27,750 --> 00:10:29,150 And then in an instant... 199 00:10:29,150 --> 00:10:30,910 [snaps fingers] ...Boom. 200 00:10:30,920 --> 00:10:34,920 Love happens or death happens or birth happens. 201 00:10:34,920 --> 00:10:36,450 In the moment of a car accident, 202 00:10:36,450 --> 00:10:40,920 Suddenly time slows down for you dramatically, 203 00:10:40,930 --> 00:10:42,960 And, of course, it's not slowing down, 204 00:10:42,960 --> 00:10:44,730 But you are packing in a million more memories, 205 00:10:44,730 --> 00:10:46,300 And, of course, you're experiencing it 206 00:10:46,300 --> 00:10:48,530 Much more differently, and your brain is flooded with chemicals 207 00:10:48,530 --> 00:10:52,570 That make you experience it much more differently. 208 00:10:52,570 --> 00:10:54,170 Campbell: When a person is scared, 209 00:10:54,170 --> 00:10:56,110 A region of the brain called the amygdala 210 00:10:56,110 --> 00:11:00,140 Becomes more active, laying down an extra set of memories, 211 00:11:00,150 --> 00:11:03,210 And the more memories we store of a frightening event, 212 00:11:03,210 --> 00:11:06,750 The longer and bigger the event grows in our minds. 213 00:11:06,750 --> 00:11:11,650 That's why one terrifying moment can feel like an eternity. 214 00:11:11,660 --> 00:11:14,520 In this moment, a million tiny things are happening. 215 00:11:14,530 --> 00:11:17,590 If you could get down into that level and choreograph that, 216 00:11:17,600 --> 00:11:19,100 Look what would happen. 217 00:11:19,100 --> 00:11:23,630 We realized pretty quickly that slow motion isn't one thing. 218 00:11:23,640 --> 00:11:27,740 Slow motion is everything that's too slow for us to normally see. 219 00:11:30,140 --> 00:11:33,640 But some things are 10 times too slow. 220 00:11:33,650 --> 00:11:37,050 Some things are a thousand times too slow. 221 00:11:37,050 --> 00:11:40,820 Some things are several hundred thousand times too slow. 222 00:11:40,820 --> 00:11:43,450 You've got this camera that's shooting 8,000 frames 223 00:11:43,460 --> 00:11:45,020 A second, which is many, 224 00:11:45,020 --> 00:11:47,820 Many hundreds of times faster than normal cameras, 225 00:11:47,830 --> 00:11:50,760 Meaning many hundreds of times slower than real life. 226 00:11:50,760 --> 00:11:52,730 Campbell: Damian's concept requires the band 227 00:11:52,730 --> 00:11:56,500 To film 325 distinct background stunts 228 00:11:56,500 --> 00:11:58,900 Using a range of props like watermelons 229 00:11:58,900 --> 00:12:00,900 Filled with colored liquid. 230 00:12:00,910 --> 00:12:04,540 Each of these millisecond-long stunts will then be slowed down 231 00:12:04,540 --> 00:12:08,810 20,000% to match the beat of the song. 232 00:12:08,810 --> 00:12:11,710 Kulash: When we are firing the projectiles 233 00:12:11,720 --> 00:12:12,880 Through the watermelons, 234 00:12:12,880 --> 00:12:15,380 That entire shot is 1/10 of a second long. 235 00:12:15,390 --> 00:12:18,820 The camera is going so fast. 236 00:12:18,820 --> 00:12:22,230 Campbell: Finally, it's time to record the band. 237 00:12:22,230 --> 00:12:23,460 Hey! 238 00:12:23,460 --> 00:12:24,530 Kulash: To keep things in time with the song, 239 00:12:24,530 --> 00:12:25,900 We need to be millisecond accurate. 240 00:12:25,900 --> 00:12:28,360 We have to be that specific. 241 00:12:28,370 --> 00:12:30,800 We thought we had been in the planning. 242 00:12:30,800 --> 00:12:33,400 But if the air pressure behind it is in decrease, 243 00:12:33,400 --> 00:12:35,740 It's just the differential between this and that. 244 00:12:35,740 --> 00:12:38,240 The last round of tests right before we shoot, 245 00:12:38,240 --> 00:12:40,680 We got there, and we were not... 246 00:12:40,680 --> 00:12:41,740 We weren't even close. 247 00:12:41,750 --> 00:12:43,180 And now they fall on me. 248 00:12:43,180 --> 00:12:44,480 [ loud thud ] 249 00:12:44,480 --> 00:12:47,550 Campbell: Will the pieces fall into place, 250 00:12:47,550 --> 00:12:49,820 Or is ok go finally out of time? 251 00:12:49,820 --> 00:12:53,290 ♪♪ 252 00:12:53,290 --> 00:12:57,460 They'll exude so much slime that you can't hold onto them. 253 00:12:57,460 --> 00:12:59,960 ♪♪ 254 00:12:59,960 --> 00:13:01,830 You see a boat smack into another boat, 255 00:13:01,830 --> 00:13:03,770 And they both explode... 256 00:13:03,770 --> 00:13:07,140 When you're engulfed in that fireball, that's horrific. 257 00:13:17,880 --> 00:13:20,650 ♪♪ 258 00:13:20,650 --> 00:13:24,420 The band ok go wants to show that every moment, 259 00:13:24,420 --> 00:13:28,320 Every second is packed with thousands of micro moments. 260 00:13:30,500 --> 00:13:32,160 And now they fall on me. 261 00:13:32,160 --> 00:13:33,260 [ loud thud ] 262 00:13:33,260 --> 00:13:37,870 I would like to have this camera there. 263 00:13:37,870 --> 00:13:41,000 It was so complex, we needed a scientist. 264 00:13:42,540 --> 00:13:44,510 Campbell: To reveal this hidden world, 265 00:13:44,510 --> 00:13:46,180 They're using high-tech cameras 266 00:13:46,180 --> 00:13:50,610 To make 4.2 seconds last for 3 1/2 minutes. 267 00:13:50,620 --> 00:13:52,450 The first one is going to very little. 268 00:13:52,450 --> 00:13:55,350 His name was fluffy, 269 00:13:55,350 --> 00:13:57,950 Which is obviously very exciting. 270 00:13:57,960 --> 00:14:00,860 I have a platform that I developed 271 00:14:00,860 --> 00:14:02,690 That allows me that flexibility. 272 00:14:02,690 --> 00:14:04,590 It has, you know, analog to digital input. 273 00:14:06,200 --> 00:14:07,500 Kulash: He also was like, "you know, last time 274 00:14:07,500 --> 00:14:09,000 I had to do something this accurate, 275 00:14:09,000 --> 00:14:11,730 I was working on nuclear bombs." 276 00:14:14,170 --> 00:14:16,740 Nordwind: The level and depth we go in 277 00:14:16,740 --> 00:14:21,140 To show these micro moments that the human eye can't see, 278 00:14:21,150 --> 00:14:25,580 I think, is really beautiful and feels profound. 279 00:14:25,580 --> 00:14:30,320 325 micro moments rolled into 4.2 seconds, 280 00:14:30,320 --> 00:14:34,460 That's what the boys in ok go are determined to do. 281 00:14:34,460 --> 00:14:36,890 Okay, go. 282 00:14:36,900 --> 00:14:38,430 Man: And action. 283 00:14:38,430 --> 00:14:43,730 [ explosions ] 284 00:14:43,740 --> 00:14:46,170 [ cheers and applause ] 285 00:14:47,470 --> 00:14:51,940 Now it's time to unpack those seconds into the one moment. 286 00:14:53,910 --> 00:14:58,250 ♪ there's nothing more profound ♪ 287 00:14:58,250 --> 00:15:00,220 ♪ than the certainty ♪ 288 00:15:00,220 --> 00:15:01,750 ♪ than the certainty ♪ 289 00:15:01,750 --> 00:15:04,620 ♪ that all of this will end ♪ 290 00:15:06,160 --> 00:15:09,430 Nordwind: You can't go back in the past or at least not yet, 291 00:15:09,430 --> 00:15:12,600 And you can't travel into the future or at least not yet, 292 00:15:12,600 --> 00:15:16,070 But what you do have is right now, 293 00:15:16,070 --> 00:15:21,570 And the best thing until we figure out time travel 294 00:15:21,570 --> 00:15:24,540 Is to make sure that the moments you're living in count. 295 00:15:24,540 --> 00:15:25,810 ♪ the one thing we remember ♪ 296 00:15:25,810 --> 00:15:28,840 ♪ and this will be ♪ 297 00:15:28,850 --> 00:15:31,750 Kulash: In a lot of ok go videos, the invisible world 298 00:15:31,750 --> 00:15:34,350 We're looking for is bigger than humanity, 299 00:15:34,350 --> 00:15:36,520 Bigger than our normal experience of humanity is. 300 00:15:36,520 --> 00:15:38,350 Like, this is what everyday life is like, 301 00:15:38,360 --> 00:15:40,590 But in this video, what's nice is that, 302 00:15:40,590 --> 00:15:41,860 Is the invisible world 303 00:15:41,860 --> 00:15:43,760 Is the one that's smaller than we are. 304 00:15:43,760 --> 00:15:49,100 ♪♪ 305 00:15:49,100 --> 00:15:50,530 If you're as mesmerized as I am 306 00:15:50,540 --> 00:15:53,170 By the slow-motion obliteration of fruit, 307 00:15:53,170 --> 00:15:55,770 Just wait until you see what comes up next -- 308 00:15:55,770 --> 00:15:59,180 A world of warfare few people ever lay eyes on 309 00:15:59,180 --> 00:16:00,780 Or would ever want to. 310 00:16:00,780 --> 00:16:03,550 Stand by for world war spew. 311 00:16:03,550 --> 00:16:13,190 ♪♪ 312 00:16:13,190 --> 00:16:15,460 Believe it or not, sharp teeth and claws 313 00:16:15,460 --> 00:16:18,330 Aren't the only way animals defend themselves. 314 00:16:18,330 --> 00:16:23,130 ♪♪ 315 00:16:23,130 --> 00:16:25,300 Some can squirt. Some can exude. 316 00:16:27,210 --> 00:16:31,540 Campbell: An arsenal of weaponized body fluids... 317 00:16:31,540 --> 00:16:34,740 They can also shoot fragments of their intestine. 318 00:16:34,750 --> 00:16:37,910 ♪♪ 319 00:16:37,920 --> 00:16:41,250 Campbell: One scientist has seen it all, 320 00:16:41,250 --> 00:16:45,250 And now he's ranking the top animal defense mechanisms. 321 00:16:45,260 --> 00:16:54,800 ♪♪ 322 00:16:54,800 --> 00:16:57,400 How gross can it get? 323 00:16:57,400 --> 00:17:00,800 What are the contents of each projectile fluid? 324 00:17:02,410 --> 00:17:04,170 Today, I've got a doctor with me 325 00:17:04,180 --> 00:17:07,180 Who knows all about creatures who spill their guts. 326 00:17:07,180 --> 00:17:17,250 ♪♪ 327 00:17:17,260 --> 00:17:22,120 I really love looking at bizarre, interesting behaviors. 328 00:17:22,130 --> 00:17:23,560 Campbell: This guy has spent his career 329 00:17:23,560 --> 00:17:24,990 Slogging through the muck, 330 00:17:25,000 --> 00:17:29,700 Searching out the hidden world of animal secretions. 331 00:17:29,700 --> 00:17:35,170 Consider the challenge of simply surviving and reproducing. 332 00:17:35,170 --> 00:17:37,470 You need defenses. 333 00:17:37,480 --> 00:17:39,210 One way to do that -- 334 00:17:39,210 --> 00:17:41,840 Bleed noxious chemicals, 335 00:17:41,850 --> 00:17:44,580 Shoot out projectile vomit. 336 00:17:44,580 --> 00:17:48,750 Another way -- to spew from specialized glands, 337 00:17:48,750 --> 00:17:53,160 Toxic, acidic, gooey chemicals. 338 00:17:53,160 --> 00:17:56,490 Campbell: How does dr. Klein rank this animal weaponry, 339 00:17:56,490 --> 00:18:00,260 A potent formula of factors that include the surprising, 340 00:18:00,260 --> 00:18:02,900 The disgusting and the toxic? 341 00:18:05,540 --> 00:18:08,500 Time to battle. 342 00:18:08,510 --> 00:18:12,740 Coming in last on our list at number 7, 343 00:18:12,740 --> 00:18:16,380 A body-melting saliva. 344 00:18:16,380 --> 00:18:19,520 Giant water bugs have this beak, this proboscis, 345 00:18:19,520 --> 00:18:22,950 This piercing, injecting mouth part, 346 00:18:22,950 --> 00:18:26,290 And what they do is, they can inject a saliva, 347 00:18:26,290 --> 00:18:31,960 And it can extract liquid-form food from its prey, 348 00:18:31,960 --> 00:18:36,330 And they're a delicacy in some parts of the world, 349 00:18:36,330 --> 00:18:40,840 So rich in proteins and a culinary delight to some. 350 00:18:40,840 --> 00:18:44,170 ♪♪ 351 00:18:44,180 --> 00:18:47,380 Campbell: The stench coming up at number 6 lasts for weeks 352 00:18:47,380 --> 00:18:51,550 Unless you chemically neutralize the sulfur. 353 00:18:51,550 --> 00:18:55,680 Number 6 on our list, a terrible odor. 354 00:18:55,690 --> 00:19:01,860 Skunks, classic examples, that black and white 355 00:19:01,860 --> 00:19:07,460 Is a high-contrast warning because shabango, 356 00:19:07,470 --> 00:19:11,730 Can eject this putrid-smelling defense 357 00:19:11,740 --> 00:19:13,670 From its anal glands, 358 00:19:13,670 --> 00:19:17,410 Those unforgettable anal scent glands. 359 00:19:17,410 --> 00:19:20,210 [ laughs ] 360 00:19:20,210 --> 00:19:27,180 ♪♪ 361 00:19:27,190 --> 00:19:29,690 Campbell: Synchronized spewing is part of what earns 362 00:19:29,690 --> 00:19:32,320 These ants a number-5 ranking. 363 00:19:32,320 --> 00:19:36,830 Spew type number 5, acid spray. 364 00:19:36,830 --> 00:19:38,190 Ants. 365 00:19:38,200 --> 00:19:40,800 These are formica ants. 366 00:19:40,800 --> 00:19:44,000 They make these massive nests. 367 00:19:44,000 --> 00:19:45,500 They don't have stingers. 368 00:19:45,500 --> 00:19:53,280 Instead, they spew this formic acid at great distances. 369 00:19:53,280 --> 00:19:56,050 Oh, that's marvelous, beautiful. 370 00:19:56,050 --> 00:19:59,950 ♪♪ 371 00:19:59,950 --> 00:20:02,120 Campbell: In a potentially deadly 372 00:20:02,120 --> 00:20:04,450 But respectable fourth-place finish, 373 00:20:04,460 --> 00:20:07,620 Voluminous body slime. 374 00:20:07,630 --> 00:20:09,360 The hagfish. 375 00:20:09,360 --> 00:20:12,430 Hagfish are bottom dwellers, 376 00:20:12,430 --> 00:20:15,330 And they're fish that can exude through their pores 377 00:20:15,330 --> 00:20:17,870 This ooze that, 378 00:20:17,870 --> 00:20:20,440 When it makes contact with water, 379 00:20:20,440 --> 00:20:24,810 Forms this frothy, quickly expanding goo 380 00:20:24,810 --> 00:20:28,310 That can suffocate or entrap a potential predator. 381 00:20:28,310 --> 00:20:32,780 They'll exude so much slime that you can't hold onto them, 382 00:20:32,780 --> 00:20:35,120 So much slime that volumetrically, 383 00:20:35,120 --> 00:20:37,690 It's far more than its own body volume. 384 00:20:37,690 --> 00:20:40,590 ♪♪ 385 00:20:40,590 --> 00:20:42,190 Seems impossible. 386 00:20:42,190 --> 00:20:46,060 ♪♪ 387 00:20:46,060 --> 00:20:50,870 Campbell: Checking in at number 3, puking up your guts. 388 00:20:50,870 --> 00:20:53,070 Ribbon worms. 389 00:20:53,070 --> 00:20:54,370 There are many species 390 00:20:54,370 --> 00:20:58,010 That can avert the front part of their digesta system. 391 00:20:58,010 --> 00:21:02,180 Let's see what we have here. 392 00:21:02,180 --> 00:21:03,910 Whoa, there we go. 393 00:21:03,910 --> 00:21:09,990 This gooey, sticky, sometimes toxic branching, 394 00:21:09,990 --> 00:21:14,120 And in some species, poison can be injected. 395 00:21:14,130 --> 00:21:15,360 Bung! 396 00:21:15,360 --> 00:21:16,960 Aah! 397 00:21:16,960 --> 00:21:21,330 ♪♪ 398 00:21:21,330 --> 00:21:23,700 Campbell: And the runner-up on our list of horrors, 399 00:21:23,700 --> 00:21:27,040 Boiling-hot toxins. 400 00:21:28,070 --> 00:21:30,070 Dr. Klein: Bombardier beetles have this remarkable defense 401 00:21:30,070 --> 00:21:32,710 Where they can swivel the tip of their abdomen 402 00:21:32,710 --> 00:21:35,040 In the direction of a potential predator 403 00:21:35,050 --> 00:21:37,680 And pa-pow... 404 00:21:37,680 --> 00:21:40,180 An explosion, 405 00:21:40,180 --> 00:21:42,220 A micro explosion. 406 00:21:42,220 --> 00:21:46,020 You can see this little cloud, this little puff. 407 00:21:46,020 --> 00:21:50,630 The chemical that can be, upon pulsing from their bodies, 408 00:21:50,630 --> 00:21:56,170 Nearly boiling, so this is, in fahrenheit, 212 degrees, 409 00:21:56,170 --> 00:21:59,540 So when they direct it to an ant and pop, pop, pop, 410 00:21:59,540 --> 00:22:02,170 Can potentially kill those predators. 411 00:22:02,170 --> 00:22:05,070 ♪♪ 412 00:22:05,080 --> 00:22:06,640 Campbell: Barrett's journey has led him 413 00:22:06,640 --> 00:22:08,540 Through smelly anal glands 414 00:22:08,550 --> 00:22:13,150 And boiling-hot toxic butt spray, 415 00:22:13,150 --> 00:22:16,150 But one contender remains, and you'll never believe 416 00:22:16,150 --> 00:22:19,790 What this lone-star badass does to defend itself. 417 00:22:19,790 --> 00:22:22,620 ♪♪ 418 00:22:22,630 --> 00:22:24,660 The first time you press a button, you're shaky. 419 00:22:24,660 --> 00:22:26,160 You're nervous. 420 00:22:26,160 --> 00:22:27,460 A lot could go wrong. 421 00:22:38,380 --> 00:22:41,880 ♪♪ 422 00:22:41,880 --> 00:22:44,080 We've followed dr. Barrett klein's journey 423 00:22:44,080 --> 00:22:47,120 Into the invisible world of animals that spew, 424 00:22:47,120 --> 00:22:49,320 Spray, ooze and exude, 425 00:22:49,320 --> 00:22:52,690 But one little-known phenomenon tops them all. 426 00:22:52,690 --> 00:22:59,090 ♪♪ 427 00:22:59,100 --> 00:23:01,430 This lizard stands out among spewers 428 00:23:01,430 --> 00:23:05,400 For its stunning precision and surprising execution. 429 00:23:05,400 --> 00:23:09,740 Phrynosoma -- texas horned lizard, spiky, 430 00:23:09,740 --> 00:23:13,640 Has really tough scales to protect itself, 431 00:23:13,640 --> 00:23:19,050 But texas horned lizards have another remarkable defense. 432 00:23:19,050 --> 00:23:21,920 Campbell: They spew a fluid we might be familiar with 433 00:23:21,920 --> 00:23:25,620 But in a totally new and toxic form. 434 00:23:25,620 --> 00:23:29,060 That's because these lizards eat venomous ants. 435 00:23:29,060 --> 00:23:32,430 Incredibly, the venom doesn't affect them at all. 436 00:23:32,430 --> 00:23:35,960 It's just stored in their blood like a gun in a holster, 437 00:23:35,970 --> 00:23:38,000 And when it's time for a quick draw, 438 00:23:38,000 --> 00:23:39,970 You can't believe what you're seeing... 439 00:23:39,970 --> 00:23:43,740 ♪♪ 440 00:23:43,740 --> 00:23:47,480 ...Projectile toxic blood shot from the eyes. 441 00:23:47,480 --> 00:23:50,710 Man, during "evil dead," why didn't we think of that? 442 00:23:50,710 --> 00:23:54,780 Dr. Klein: They can produce blood from the eye socket. 443 00:23:54,790 --> 00:23:58,450 They can shoot blood a fair distance 444 00:23:58,460 --> 00:24:01,290 That can also be somewhat acidic or toxic. 445 00:24:01,290 --> 00:24:06,060 ♪♪ 446 00:24:06,060 --> 00:24:09,830 A spewing defense should inspire respect, 447 00:24:09,830 --> 00:24:15,400 Fear, repulsion, admiration, an actual celebration. 448 00:24:15,410 --> 00:24:18,710 The diversity of life on planet earth is marvelous. 449 00:24:18,710 --> 00:24:23,310 ♪♪ 450 00:24:23,310 --> 00:24:25,880 Oh! Ew! Oh! 451 00:24:25,880 --> 00:24:29,380 The natural world has some disturbing weapons. 452 00:24:29,390 --> 00:24:31,350 We're about to meet a family of effects masters 453 00:24:31,360 --> 00:24:33,360 With a few weapons of their own, 454 00:24:33,360 --> 00:24:36,560 But if they do their job right, you'll never see them. 455 00:24:38,630 --> 00:24:41,030 The kutcher boys have worked on some of hollywood's 456 00:24:41,030 --> 00:24:43,500 Biggest projects, from "san andreas" 457 00:24:43,500 --> 00:24:46,900 To "tombstone," from "ncis" to "jackass." 458 00:24:49,170 --> 00:24:51,510 Man #2: Whoo! 459 00:24:51,510 --> 00:24:54,180 Now as they prepare for their next big film... 460 00:24:54,180 --> 00:24:58,250 ♪♪ 461 00:24:58,250 --> 00:25:00,320 ...They're testing out something bigger, 462 00:25:00,320 --> 00:25:04,620 Better and more hard-core than anything before, 463 00:25:04,620 --> 00:25:06,720 An explosion so dangerous, 464 00:25:06,720 --> 00:25:12,060 It could trim the kutcher family from a trio to a solo act. 465 00:25:12,060 --> 00:25:14,030 Can they pull it off? 466 00:25:14,030 --> 00:25:16,870 This vehicle is hot. It's ready to explode and flip. 467 00:25:16,870 --> 00:25:21,300 Or will a single miscalculation end in disaster? 468 00:25:21,310 --> 00:25:24,270 ♪♪ 469 00:25:24,280 --> 00:25:27,740 For this family, it's just another day at the office. 470 00:25:27,750 --> 00:25:29,280 Here we come. 471 00:25:29,280 --> 00:25:31,480 Believe it... 472 00:25:31,480 --> 00:25:33,350 Or not. 473 00:25:33,350 --> 00:25:43,560 ♪♪ 474 00:25:43,560 --> 00:25:45,260 Under the tutelage of their father, 475 00:25:45,260 --> 00:25:47,960 Veteran effects guru matt kutcher, 476 00:25:47,970 --> 00:25:50,770 Zach and matt jr. Have driven nose-first 477 00:25:50,770 --> 00:25:55,370 Into the hotbed of hollywood's stunts and special effects. 478 00:25:55,370 --> 00:25:57,210 Zach: If I had to describe my father to somebody 479 00:25:57,210 --> 00:26:01,480 Who had never met him -- determined, driven and crazy 480 00:26:01,480 --> 00:26:05,280 In a way that just builds success. 481 00:26:05,280 --> 00:26:09,120 His madness is beauty in everything he does. 482 00:26:09,120 --> 00:26:13,420 ♪♪ 483 00:26:13,420 --> 00:26:14,960 Campbell: The boys should know. 484 00:26:14,960 --> 00:26:17,090 They've had a front-row seat for their dad's work 485 00:26:17,090 --> 00:26:19,460 Since they were young. 486 00:26:19,460 --> 00:26:21,930 They lived in that environment with me, 487 00:26:21,930 --> 00:26:24,000 And they traveled to all the places 488 00:26:24,000 --> 00:26:26,770 I've been to for the most part with me on movie sets. 489 00:26:26,770 --> 00:26:30,840 I didn't really go to normal public-school system. 490 00:26:30,840 --> 00:26:32,980 I woke up every day and went to work with my dad, 491 00:26:32,980 --> 00:26:36,750 And he had tutors that would come out and educate us on set. 492 00:26:36,750 --> 00:26:39,580 Matt jr.: I think we've grown a lot as a family, 493 00:26:39,580 --> 00:26:41,620 And I think at the point in our careers, 494 00:26:41,620 --> 00:26:43,250 We're beginning to work with each other 495 00:26:43,250 --> 00:26:46,720 Rather than for each other, right? 496 00:26:46,720 --> 00:26:50,430 Man #3: And three, two, one, go. 497 00:26:50,430 --> 00:26:52,960 ♪♪ 498 00:26:52,960 --> 00:26:56,530 So if you see somebody go through the broken window, 499 00:26:56,530 --> 00:27:00,940 You see a car flip over and explode, 500 00:27:00,940 --> 00:27:02,640 You see a boat, you know, driving along 501 00:27:02,640 --> 00:27:04,740 And smacking into another boat, and they both explode... 502 00:27:07,010 --> 00:27:08,310 ...That's us. 503 00:27:10,710 --> 00:27:12,050 Full-time badass. 504 00:27:12,050 --> 00:27:14,150 [ laughs ] 505 00:27:16,190 --> 00:27:17,650 Campbell: Movie stunts got their start 506 00:27:17,660 --> 00:27:20,220 At the beginning of the 20th century 507 00:27:20,220 --> 00:27:21,960 With comedians like buster keaton 508 00:27:21,960 --> 00:27:23,230 And charlie chaplin. 509 00:27:23,230 --> 00:27:27,660 ♪♪ 510 00:27:27,670 --> 00:27:30,470 But it wasn't until the 1960s and '70s 511 00:27:30,470 --> 00:27:33,500 That the implementation of air-compression technology, 512 00:27:33,500 --> 00:27:37,470 Explosions and bullet squibs that modern-day stunts 513 00:27:37,470 --> 00:27:39,840 Began to take shape. 514 00:27:39,840 --> 00:27:42,640 By the 1980s, everything was bigger, 515 00:27:42,650 --> 00:27:44,750 Faster and even more dangerous 516 00:27:44,750 --> 00:27:49,120 With 21 stunt men dying on the job. 517 00:27:49,120 --> 00:27:50,990 Now in the 21st century, 518 00:27:50,990 --> 00:27:54,520 It's a whole new frontier thanks to cgi. 519 00:27:54,530 --> 00:27:56,930 Lots of planning goes in, but in the end, 520 00:27:56,930 --> 00:27:58,290 The hand of the stunt coordinator 521 00:27:58,300 --> 00:28:00,030 Should be totally invisible. 522 00:28:00,030 --> 00:28:04,030 ♪♪ 523 00:28:04,030 --> 00:28:07,770 Today, matt and his boys are allowing us under the hood 524 00:28:07,770 --> 00:28:10,210 As they test out their latest stunt. 525 00:28:12,280 --> 00:28:14,740 Matt: The gag is in the script is that the car comes sliding 526 00:28:14,750 --> 00:28:16,850 In at high speed, and a hand grenade gets thrown, 527 00:28:16,850 --> 00:28:20,680 And the car gets blown up and blows over in a spectacular way. 528 00:28:22,750 --> 00:28:25,050 Campbell: But can they pull off this killer trick 529 00:28:25,060 --> 00:28:28,020 Without exploding themselves in the process? 530 00:28:28,030 --> 00:28:29,760 Matt: I think the worst thing in this stunt 531 00:28:29,760 --> 00:28:31,930 Could be complete catastrophic failure, 532 00:28:31,930 --> 00:28:33,960 And it would prematurely detonate for some reason. 533 00:28:33,960 --> 00:28:37,400 When you're engulfed in that fireball, that's horrific. 534 00:28:39,600 --> 00:28:42,100 Alright. Effect is hot. 535 00:28:42,110 --> 00:28:44,640 [ explosion ] 536 00:28:57,790 --> 00:29:01,690 ♪♪ 537 00:29:01,690 --> 00:29:04,990 Wild car stunts are the holy grail of action films, 538 00:29:05,000 --> 00:29:06,560 And they have to look real. 539 00:29:06,560 --> 00:29:09,530 That's why there's an effects crew like the kutcher boys 540 00:29:09,530 --> 00:29:12,800 Pulling all the strings and pushing all the buttons. 541 00:29:12,800 --> 00:29:14,670 [ explosion ] 542 00:29:16,740 --> 00:29:20,640 This is the first time they've ever attempted this stunt. 543 00:29:20,640 --> 00:29:23,710 Everyone here knows the risks. 544 00:29:23,710 --> 00:29:27,950 At any one given time on these sets, a lot could go wrong. 545 00:29:27,950 --> 00:29:30,020 What we're about to do is dangerous. 546 00:29:30,020 --> 00:29:32,020 We're going to be smart about it, 547 00:29:32,020 --> 00:29:35,060 And then we're going to make sure we don't screw it up. 548 00:29:35,060 --> 00:29:38,260 ♪♪ 549 00:29:38,260 --> 00:29:40,160 Campbell: Matt sr. Is driving, 550 00:29:40,160 --> 00:29:42,500 And zach is in the passenger seat, 551 00:29:42,500 --> 00:29:45,270 But matt jr. Has the most vital role, 552 00:29:45,270 --> 00:29:47,440 Pushing the button on the flipper, 553 00:29:47,440 --> 00:29:50,210 A machine packed with highly compressed air 554 00:29:50,210 --> 00:29:52,710 That can launch a car 20 feet into the sky 555 00:29:52,710 --> 00:29:55,810 At the push of a button. 556 00:29:55,810 --> 00:29:57,780 The timing is critical. 557 00:29:57,780 --> 00:29:59,180 A few seconds off, 558 00:29:59,180 --> 00:30:01,750 And the flipper could launch the car on top of his father 559 00:30:01,750 --> 00:30:05,990 And brother, killing them instantly. 560 00:30:05,990 --> 00:30:08,390 The first time you press a button, you're shaky. 561 00:30:08,390 --> 00:30:09,830 You're nervous. 562 00:30:09,830 --> 00:30:13,630 If it wasn't my brother, I wouldn't trust it. 563 00:30:13,630 --> 00:30:15,460 You just don't want to mess it up. 564 00:30:17,730 --> 00:30:19,800 Campbell: The entire team is in place, 565 00:30:19,800 --> 00:30:23,100 But it will take pinpoint precision to get it right. 566 00:30:25,280 --> 00:30:26,880 Alright. Effects is hot. 567 00:30:26,880 --> 00:30:30,780 ♪♪ 568 00:30:30,780 --> 00:30:32,380 Here we come. 569 00:30:32,380 --> 00:30:41,420 ♪♪ 570 00:30:41,430 --> 00:30:50,800 ♪♪ 571 00:30:50,800 --> 00:30:52,000 ♪♪ 572 00:30:52,000 --> 00:30:53,740 Matt: The car is going a tremendous distance, 573 00:30:53,740 --> 00:30:55,600 Nice big fireball, but the flipper, 574 00:30:55,610 --> 00:30:57,670 It's off the ground 4 or 5 feet, 575 00:30:57,670 --> 00:30:58,910 But the computer is gonna go back 576 00:30:58,910 --> 00:31:01,410 And remove that flipper, so you don't see it. 577 00:31:01,410 --> 00:31:02,880 Unless you saw it in the slow motion, 578 00:31:02,880 --> 00:31:04,450 You wouldn't have known that happens. 579 00:31:04,450 --> 00:31:06,450 Your naked eye would never pick that up. 580 00:31:06,450 --> 00:31:11,450 ♪♪ 581 00:31:11,460 --> 00:31:12,890 I don't know that I wanted to get my children 582 00:31:12,890 --> 00:31:15,520 Involved in this business, but since they are now, 583 00:31:15,530 --> 00:31:17,990 And they're excelling at it at such a high rate of speed 584 00:31:18,000 --> 00:31:21,700 And at such a high level for their age, it's extraordinary. 585 00:31:21,700 --> 00:31:23,400 I love watching it every day. 586 00:31:23,400 --> 00:31:25,870 ♪♪ 587 00:31:25,870 --> 00:31:26,970 Zach: Who's got to clean that up? 588 00:31:26,970 --> 00:31:28,700 [ laughter ] 589 00:31:28,710 --> 00:31:31,510 ♪♪ 590 00:31:31,510 --> 00:31:35,040 The kutcher boys have a knack for tearing things apart. 591 00:31:35,050 --> 00:31:39,010 This next groovy guy uses good vibrations 592 00:31:39,020 --> 00:31:40,650 To put things together. 593 00:31:40,650 --> 00:31:45,520 ♪♪ 594 00:31:45,520 --> 00:31:49,660 Gravity glue is the glue that holds the cosmos together. 595 00:31:49,660 --> 00:31:52,590 It's also the glue that holds this together. 596 00:31:52,600 --> 00:31:58,430 ♪♪ 597 00:31:58,440 --> 00:31:59,970 Marker. 598 00:31:59,970 --> 00:32:01,870 My name is michael grab. 599 00:32:01,870 --> 00:32:04,110 Um... 600 00:32:04,110 --> 00:32:06,880 I balance rocks. 601 00:32:06,880 --> 00:32:08,180 [ laughs ] 602 00:32:08,180 --> 00:32:11,550 ♪♪ 603 00:32:11,550 --> 00:32:14,520 Well, I balance rocks on the surface. 604 00:32:14,520 --> 00:32:18,490 I would say a better answer is, I shape energy. 605 00:32:18,490 --> 00:32:20,320 I transform energy. 606 00:32:20,320 --> 00:32:26,190 ♪♪ 607 00:32:26,200 --> 00:32:28,230 Campbell: The first question people always ask -- 608 00:32:28,230 --> 00:32:30,470 Is it glued? 609 00:32:30,470 --> 00:32:34,000 Grab: My whole aesthetic with gravity glue is, like, 610 00:32:34,000 --> 00:32:36,000 It has to look like an alien did it... 611 00:32:38,510 --> 00:32:40,610 ...Something not of this world. 612 00:32:42,980 --> 00:32:44,410 Campbell: The next question is, 613 00:32:44,410 --> 00:32:48,280 How in the world did he do it? 614 00:32:48,290 --> 00:32:51,090 Believe it or not, michael creates these structures 615 00:32:51,090 --> 00:32:53,920 With nothing more than a collection of rocks, 616 00:32:53,920 --> 00:32:57,460 His two hands and an uncanny connection 617 00:32:57,460 --> 00:33:00,060 To the invisible forces around us. 618 00:33:00,060 --> 00:33:02,900 Grab: I don't really have time or space in my brain 619 00:33:02,900 --> 00:33:05,270 To think about all these different aspects. 620 00:33:05,270 --> 00:33:08,440 It's more like this almost universal process 621 00:33:08,440 --> 00:33:11,240 Is acting through me. 622 00:33:11,240 --> 00:33:14,580 Campbell: Now michael is raising the stakes again, 623 00:33:14,580 --> 00:33:18,310 Pushing those invisible forces to a whole new place. 624 00:33:18,320 --> 00:33:20,850 Grab: I'm trying to achieve something that I don't know 625 00:33:20,850 --> 00:33:22,720 If it's gonna work or not, 626 00:33:22,720 --> 00:33:25,790 Turning impossible into possible. 627 00:33:25,790 --> 00:33:29,860 ♪♪ 628 00:33:29,860 --> 00:33:33,430 I moved to boulder in 2002 to start going to college at cu. 629 00:33:35,100 --> 00:33:37,430 I went through kind of a psychedelic phase in my life, 630 00:33:37,430 --> 00:33:41,800 Where I was experimenting with that realm of experience a lot. 631 00:33:41,810 --> 00:33:44,510 ♪♪ 632 00:33:44,510 --> 00:33:45,970 I was hanging with a friend at the creek, 633 00:33:45,980 --> 00:33:49,140 And we're both just kind of losing our minds 634 00:33:49,150 --> 00:33:51,650 A little bit 635 00:33:51,650 --> 00:33:54,220 And kind of naturally fell into this activity 636 00:33:54,220 --> 00:33:56,890 Of stacking rocks. 637 00:33:56,890 --> 00:33:59,720 Love: When I first saw michael's work, 638 00:33:59,720 --> 00:34:01,860 It kind of felt unreal to me. 639 00:34:01,860 --> 00:34:04,330 I just couldn't quite wrap my head around 640 00:34:04,330 --> 00:34:05,830 How that was happening. 641 00:34:05,830 --> 00:34:07,760 Grab: It was just the first moment 642 00:34:07,760 --> 00:34:09,430 I realized, "hey, this is really cool. 643 00:34:09,430 --> 00:34:12,300 It's a great way to empty the mind." 644 00:34:12,300 --> 00:34:16,500 ♪♪ 645 00:34:16,510 --> 00:34:19,040 Campbell: Every rock is unique, 646 00:34:19,040 --> 00:34:21,780 Sculpted by time and the elements, 647 00:34:21,780 --> 00:34:24,380 And without flat, consistent surfaces, 648 00:34:24,380 --> 00:34:26,750 Balancing them is incredibly tricky... 649 00:34:26,750 --> 00:34:29,220 ♪♪ 650 00:34:29,220 --> 00:34:32,690 ...But michael sees and feels what most of us can't. 651 00:34:34,320 --> 00:34:37,660 Grab: My fingers kind of become like antennae, 652 00:34:37,660 --> 00:34:40,730 And I'm feeling literal vibrations 653 00:34:40,730 --> 00:34:43,030 That are coming through the rocks. 654 00:34:43,030 --> 00:34:48,340 It's basically like seismic waves but on a miniature scale. 655 00:34:48,340 --> 00:34:51,140 Campbell: When two continental plates slam into each other, 656 00:34:51,140 --> 00:34:54,310 Massive vibrations ricochet around the globe. 657 00:34:54,310 --> 00:34:57,480 Scientists measure these seismic waves on the richter scale, 658 00:34:57,480 --> 00:35:01,850 Assigning them a number based on their intensity. 659 00:35:01,850 --> 00:35:05,750 Michael's superhuman senses allow him to feel vibrations 660 00:35:05,760 --> 00:35:09,860 Too small to register on any scale. 661 00:35:09,860 --> 00:35:12,260 He uses these minute seismic waves 662 00:35:12,260 --> 00:35:16,760 To find the center of gravity for each stone. 663 00:35:18,300 --> 00:35:20,700 Grab: So every time a rock contacts another rock, 664 00:35:20,700 --> 00:35:23,840 You can feel the vibration travel through the rock, 665 00:35:23,840 --> 00:35:27,010 So I kind of triangulate the balance that way 666 00:35:27,010 --> 00:35:30,610 Just by feeling these subtle vibrations. 667 00:35:30,610 --> 00:35:35,850 ♪♪ 668 00:35:35,850 --> 00:35:38,450 Campbell: Michael started posting his work online, 669 00:35:38,460 --> 00:35:41,660 And within months, an audience started to grow. 670 00:35:41,660 --> 00:35:44,130 Grab: The internet caught wind of what I was doing, 671 00:35:44,130 --> 00:35:46,930 And it just spread all around the world. 672 00:35:49,170 --> 00:35:50,530 Campbell: Michael is commissioned to create 673 00:35:50,530 --> 00:35:52,800 Sculptures around the globe. 674 00:35:52,800 --> 00:35:59,910 ♪♪ 675 00:35:59,910 --> 00:36:04,710 Today, michael will construct another tower of impossibility. 676 00:36:04,710 --> 00:36:07,720 Will gravity hold his work together, 677 00:36:07,720 --> 00:36:09,320 Or will it drag him down? 678 00:36:11,820 --> 00:36:14,120 Hammermeister: We do live in a cave, 679 00:36:14,120 --> 00:36:16,490 But we're not necessarily neanderthals. 680 00:36:27,570 --> 00:36:31,270 ♪♪ 681 00:36:31,270 --> 00:36:32,810 34-year-old michael grab 682 00:36:32,810 --> 00:36:35,010 Has made a career out of balancing rocks 683 00:36:35,010 --> 00:36:38,150 By using the forces of gravity. 684 00:36:38,150 --> 00:36:40,080 Now michael has a new challenge. 685 00:36:40,080 --> 00:36:41,880 Let's see if he can keep it together. 686 00:36:41,890 --> 00:36:45,690 ♪♪ 687 00:36:45,690 --> 00:36:47,390 Grab: I have to lift this huge weight 688 00:36:47,390 --> 00:36:50,730 That's basically maxing out one of my arms 689 00:36:50,730 --> 00:36:52,990 And at the same time 690 00:36:53,000 --> 00:36:58,030 Keep this precarious structure stable with my other arm. 691 00:37:00,170 --> 00:37:04,040 And if I fail, then I have to start all over again. 692 00:37:04,040 --> 00:37:13,620 ♪♪ 693 00:37:13,620 --> 00:37:15,780 Love: That's when it becomes really magical, 694 00:37:15,790 --> 00:37:21,620 To see that silhouette with that little, tiny point. 695 00:37:21,630 --> 00:37:25,090 Michael has turned playing with rocks 696 00:37:25,100 --> 00:37:28,360 Into a very successful career and art form 697 00:37:28,370 --> 00:37:30,670 And inspirational medium. 698 00:37:30,670 --> 00:37:35,500 ♪♪ 699 00:37:35,510 --> 00:37:39,540 Michael's trip has taken him all around the world and beyond, 700 00:37:39,540 --> 00:37:42,340 But what better setting for a trip beyond belief 701 00:37:42,350 --> 00:37:44,610 Than the land of oz? 702 00:37:44,610 --> 00:37:48,480 ♪♪ 703 00:37:48,490 --> 00:37:50,850 The australian outback. 704 00:37:52,320 --> 00:37:56,460 Summer temperatures here can reach 118 degrees. 705 00:37:58,030 --> 00:38:00,730 In that kind of heat, the average person can sweat 706 00:38:00,730 --> 00:38:04,200 More than 2 quarts of liquid per hour, 707 00:38:04,200 --> 00:38:08,040 And once you're out of fluid, your organs start shutting down. 708 00:38:09,270 --> 00:38:12,870 If you're standing on the roof, you can definitely fry an egg. 709 00:38:12,880 --> 00:38:15,080 Campbell: How can people thrive 710 00:38:15,080 --> 00:38:18,510 In one of the most inhospitable places on the planet? 711 00:38:18,520 --> 00:38:22,250 The answer lies hidden underground, 712 00:38:22,250 --> 00:38:25,190 Believe it or not. 713 00:38:25,190 --> 00:38:33,700 ♪♪ 714 00:38:33,700 --> 00:38:36,130 The name coober pedy is aboriginal 715 00:38:36,130 --> 00:38:37,900 For "white man in a hole." 716 00:38:39,700 --> 00:38:42,800 Indeed, the landscape is riddled with pockmarks 717 00:38:42,810 --> 00:38:46,510 From over 100 years of mining. 718 00:38:46,510 --> 00:38:51,010 If you're not wary, you can fall down 60 feet straight down. 719 00:38:51,010 --> 00:38:52,310 There has been quite a few people 720 00:38:52,320 --> 00:38:55,950 Who have sort of fallen down shafts. 721 00:38:55,950 --> 00:38:57,190 Campbell: It's what you're not seeing 722 00:38:57,190 --> 00:39:00,090 That tells the real story of this place. 723 00:39:00,090 --> 00:39:01,720 Johnson: Opal. 724 00:39:01,730 --> 00:39:05,590 Campbell: 70% of the world's supply comes from right here. 725 00:39:07,600 --> 00:39:09,660 But that's not the only thing luring people 726 00:39:09,670 --> 00:39:11,730 To this dusty town. 727 00:39:11,740 --> 00:39:13,770 It's the subterranean life. 728 00:39:16,070 --> 00:39:17,310 Hammermeister: We do live in a cave, 729 00:39:17,310 --> 00:39:20,070 But we're not necessarily neanderthals. 730 00:39:20,080 --> 00:39:22,680 We don't roll the rock shut at night anymore. 731 00:39:22,680 --> 00:39:24,950 We do have doors. 732 00:39:24,950 --> 00:39:28,720 Campbell: Thomas hammermeister is one of 1,700 coober pedians 733 00:39:28,720 --> 00:39:32,290 Living under the desert and inside the ground. 734 00:39:32,290 --> 00:39:35,190 ♪♪ 735 00:39:35,190 --> 00:39:37,730 With all the amenities of a suburban neighborhood, 736 00:39:37,730 --> 00:39:40,460 The town today is a far cry from its hellish beginnings 737 00:39:40,460 --> 00:39:42,100 Over a century ago. 738 00:39:44,100 --> 00:39:47,900 In 1915, 14-year-old willy hutchison 739 00:39:47,900 --> 00:39:49,370 Was prospecting for gold 740 00:39:49,370 --> 00:39:52,370 With his family near coober pedy. 741 00:39:52,380 --> 00:39:54,410 Dehydrated by the scorching temperatures 742 00:39:54,410 --> 00:39:56,110 And running out of water, 743 00:39:56,110 --> 00:39:59,080 Willy's dad sent him to find a well. 744 00:39:59,080 --> 00:40:02,080 Willy not only came back with a full canteen 745 00:40:02,090 --> 00:40:04,250 But with a bag of gemstones. 746 00:40:06,120 --> 00:40:09,720 Coober pedy quickly became an important mining town, 747 00:40:09,730 --> 00:40:11,660 And for the next century, 748 00:40:11,660 --> 00:40:13,430 Fortune seekers from around the globe 749 00:40:13,430 --> 00:40:16,330 Set up camp in hopes of scoring big. 750 00:40:16,330 --> 00:40:20,330 ♪♪ 751 00:40:20,340 --> 00:40:23,600 Hammermeister: In our family, dad was an opal miner. 752 00:40:23,610 --> 00:40:26,540 When I was about 6 years old, he said, 753 00:40:26,540 --> 00:40:29,710 "boy, this is the garden of eden," 754 00:40:29,710 --> 00:40:32,310 And we looked outside, and there was a dust storm blowing, 755 00:40:32,320 --> 00:40:34,980 And I'm thinking, "yeah, I'm not getting it." 756 00:40:45,130 --> 00:40:48,060 ♪♪ 757 00:40:48,060 --> 00:40:51,070 Underneath the searing outback of australia, 758 00:40:51,070 --> 00:40:52,630 The inhabitants of coober pedy 759 00:40:52,640 --> 00:40:56,270 Have forged a mining community with a twist. 760 00:40:56,270 --> 00:41:03,110 ♪♪ 761 00:41:03,110 --> 00:41:05,310 Hammermeister: I know why my mum nearly died of fright 762 00:41:05,320 --> 00:41:08,380 When she saw the place because it was desperate. 763 00:41:08,380 --> 00:41:11,290 There was no trees, and nothing grows. 764 00:41:11,290 --> 00:41:12,450 There was no running water. 765 00:41:12,460 --> 00:41:15,890 You had a 44-gallon drum per family per week, 766 00:41:15,890 --> 00:41:17,760 Which was not a lot of water, 767 00:41:17,760 --> 00:41:20,460 So you got as much rainwater as you could when it rained, 768 00:41:20,460 --> 00:41:23,260 And sometimes it didn't rain for quite a few years. 769 00:41:25,300 --> 00:41:28,070 Campbell: Water shortage is no longer an issue, 770 00:41:28,070 --> 00:41:30,000 And these days, it's not just the homes 771 00:41:30,010 --> 00:41:32,740 That reside under the earth's crust. 772 00:41:32,740 --> 00:41:34,940 The crown jewel of coober pedy 773 00:41:34,940 --> 00:41:37,510 Is the serbian orthodox church... 774 00:41:37,510 --> 00:41:40,050 ♪ hallelujah ♪ 775 00:41:40,050 --> 00:41:42,650 Campbell: ...Measuring almost 100 feet long, 776 00:41:42,650 --> 00:41:47,190 17 feet wide with 23-foot-tall ceilings. 777 00:41:47,190 --> 00:41:49,460 ♪ hallelujah, hallelujah ♪ 778 00:41:49,460 --> 00:41:51,330 ♪ hallelujah ♪ 779 00:41:51,330 --> 00:41:54,560 Campbell: Living underground may seem like a hardship to some, 780 00:41:54,560 --> 00:41:58,630 But the residents of coober pedy wouldn't trade it for anything. 781 00:41:58,640 --> 00:42:01,240 Hammermeister: We get people that come through on a holiday, 782 00:42:01,240 --> 00:42:04,370 And 30 years later, they're still here because they love it. 783 00:42:04,370 --> 00:42:14,380 ♪♪ 784 00:42:14,380 --> 00:42:16,850 The unseen world is still a mystery, 785 00:42:16,850 --> 00:42:19,520 Sometimes scary, sometimes surprising, 786 00:42:19,520 --> 00:42:21,660 But like the miners from coober pedy, 787 00:42:21,660 --> 00:42:24,690 Dig deep enough, and you're sure to find treasure. 788 00:42:24,690 --> 00:42:29,530 ♪♪ 59260

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.