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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,380 --> 00:00:02,692 PREVIOUSLY ON "THE 100"... 2 00:00:02,726 --> 00:00:04,349 RUSSELL: NO MORE FIGHTING, CLARKE. 3 00:00:04,383 --> 00:00:08,422 BE AT PEACE, A BETTER PLACE, JUST LIKE YOU SAID YOU WANTED. 4 00:00:08,456 --> 00:00:11,494 JOSEPHINE: NOW, THIS I CAN WORK WITH. 5 00:00:11,528 --> 00:00:12,391 WHO ARE YOU? 6 00:00:12,426 --> 00:00:15,256 JOSEPHINE LIGHTBOURNE. NICE TO MEET YOU. 7 00:00:15,291 --> 00:00:16,326 YOU'RE NOT CLARKE. 8 00:00:16,361 --> 00:00:17,741 ABBY: THAT WOMAN'S A MONSTER. 9 00:00:17,776 --> 00:00:19,226 WHAT'S THE MATTER, LEE-LEE? 10 00:00:19,260 --> 00:00:21,124 YOU DON'T RECOGNIZE YOUR BEST FRIEND? 11 00:00:21,159 --> 00:00:22,815 - JOSEPHINE? - SURPRISE. 12 00:00:22,850 --> 00:00:25,577 YOURS WAS THE LAST FACE I SAW BEFORE I FELL. 13 00:00:25,611 --> 00:00:26,647 NOW WE'RE EVEN. 14 00:00:26,681 --> 00:00:29,098 ECHO: BELLAMY, WHAT'S GOING ON? 15 00:00:29,132 --> 00:00:32,480 CLARKE'S DEAD. 16 00:00:33,792 --> 00:00:35,104 [GASPS] 17 00:00:35,138 --> 00:00:39,625 [ECHOING VOICES] 18 00:00:39,660 --> 00:00:41,696 I BLAME YOU BECAUSE MY FATHER'S DEAD, 19 00:00:41,731 --> 00:00:43,698 AND IT'S MY MOTHER'S FAULT. 20 00:00:43,733 --> 00:00:45,252 - WHO ELSE? - WELCOME BACK. 21 00:00:45,286 --> 00:00:47,633 I DON'T HAVE TO PRETEND ANYMORE. 22 00:00:47,668 --> 00:00:49,256 AAH! 23 00:00:49,290 --> 00:00:50,809 THE TRUTH HURTS. 24 00:00:50,843 --> 00:00:54,606 THIS IS THE ENERGY. 25 00:00:54,640 --> 00:00:56,711 I'M A COMMANDER. 26 00:00:56,746 --> 00:00:59,197 HOW MANY HAVE TO DIE? 27 00:00:59,231 --> 00:01:02,545 [VOICES CONTINUE] 28 00:01:02,579 --> 00:01:04,443 I'M SORRY, LEXA. 29 00:01:04,478 --> 00:01:08,447 IF I WAS WITH BELLAMY, I NEVER WOULD HAVE MET YOU. 30 00:01:08,482 --> 00:01:11,416 [VOICES CONTINUE] 31 00:01:14,902 --> 00:01:19,389 MAN: PRISONER 319, FACE THE WALL. 32 00:01:19,424 --> 00:01:22,634 [VOICES CONTINUE] 33 00:01:29,261 --> 00:01:31,850 THEY'RE ALL TAKING THEM. 34 00:01:31,884 --> 00:01:35,440 JAHA... 35 00:01:55,667 --> 00:01:57,289 HUH. 36 00:01:58,532 --> 00:02:00,154 DAD? 37 00:02:04,434 --> 00:02:06,436 HELLO, SWEETHEART. 38 00:02:06,471 --> 00:02:09,646 HUH...HUH. 39 00:02:14,444 --> 00:02:18,966 HOW IS THIS POSSIBLE? HOW ARE WE HERE? 40 00:02:19,000 --> 00:02:22,832 WHAT'S THE LAST THING YOU REMEMBER? 41 00:02:30,253 --> 00:02:32,738 I DIED. 42 00:02:33,222 --> 00:02:37,329 COME HERE A SECOND. COME ON. 43 00:02:39,607 --> 00:02:43,163 NOW YOU REST. 44 00:02:43,991 --> 00:02:46,580 IT'S OVER. 45 00:02:46,614 --> 00:02:49,686 I'VE BEEN FIGHTING FOR SO LONG. 46 00:02:49,721 --> 00:02:52,482 I KNOW YOU HAVE. 47 00:02:52,517 --> 00:02:56,176 I NEVER THOUGHT I'D SEE YOU AGAIN. 48 00:02:59,558 --> 00:03:02,837 I DIDN'T GET TO SAY GOOD-BYE 49 00:03:02,872 --> 00:03:07,704 TO MADI, TO MOM. 50 00:03:07,739 --> 00:03:10,845 [THUNDER] 51 00:03:10,880 --> 00:03:12,916 WHAT THE HELL? 52 00:03:12,951 --> 00:03:15,850 [RAIN FALLING] 53 00:03:15,885 --> 00:03:17,024 HUH. 54 00:03:17,058 --> 00:03:19,889 IT STARTED WHEN I GOT UPSET. 55 00:03:19,923 --> 00:03:24,514 CLARKE, LISTEN. WHAT DO YOU HEAR? 56 00:03:24,549 --> 00:03:27,276 - RAIN? - HA! I'M SERIOUS. 57 00:03:27,310 --> 00:03:31,038 FOCUS. BETWEEN THE RAINDROPS, 58 00:03:31,072 --> 00:03:33,040 WHAT ELSE DO YOU HEAR? 59 00:03:33,074 --> 00:03:36,595 [HEARTBEAT] 60 00:03:36,630 --> 00:03:40,979 A HEARTBEAT. 61 00:03:43,809 --> 00:03:46,950 I'M STILL ALIVE. 62 00:03:46,985 --> 00:03:48,883 NO. NO. 63 00:03:48,918 --> 00:03:52,577 I SAW IT. HE KILLED ME. 64 00:03:52,611 --> 00:03:54,579 DIDN'T. 65 00:03:56,028 --> 00:03:59,031 YOU'RE JUST IN MY HEAD. 66 00:03:59,066 --> 00:04:01,758 I LOVED BEING HERE WITH MADI, 67 00:04:01,793 --> 00:04:07,247 AND I LOVE YOU, SO HERE YOU ARE. 68 00:04:07,937 --> 00:04:11,389 OH, SWEETHEART... 69 00:04:13,045 --> 00:04:15,772 I DON'T UNDERSTAND. AM I DREAMING? 70 00:04:15,807 --> 00:04:18,603 THIS PLACE IS REACTING TO YOU, 71 00:04:18,637 --> 00:04:23,953 SO WE'RE JUST IN YOUR SUBCONSCIOUS SOMEHOW, 72 00:04:23,987 --> 00:04:26,369 BUT BEYOND THAT, 73 00:04:26,404 --> 00:04:30,442 THERE ARE NO ANSWERS FOR YOU HERE, CLARKE, 74 00:04:30,477 --> 00:04:32,789 SO GO ON. 75 00:04:32,824 --> 00:04:35,067 GO FIGURE THIS OUT. 76 00:04:35,102 --> 00:04:38,554 I'LL BE HERE IF YOU NEED ME. 77 00:04:38,588 --> 00:04:41,419 [KISS] 78 00:04:41,729 --> 00:04:44,076 I LOVE YOU, DAD. 79 00:04:44,111 --> 00:04:46,803 FOREVER. 80 00:04:46,838 --> 00:04:49,979 GO ON. 81 00:05:36,094 --> 00:05:37,544 [DOOR CLOSES] 82 00:05:37,578 --> 00:05:39,546 [GUNSHOTS] 83 00:05:39,580 --> 00:05:42,445 SANCTUM IS MINE! 84 00:05:42,480 --> 00:05:45,414 WHAT THE HELL IS GOING ON? 85 00:05:45,448 --> 00:05:48,071 [DOOR OPENS] 86 00:05:48,106 --> 00:05:50,936 IT IS REACTING TO ME. 87 00:05:56,804 --> 00:05:58,910 [ECHOING VOICES] 88 00:06:03,501 --> 00:06:05,744 HELLO, CLARKE. 89 00:06:05,779 --> 00:06:06,883 NO. 90 00:06:06,918 --> 00:06:10,887 I PULLED THE KILL SWITCH. I DESTROYED YOU. 91 00:06:10,922 --> 00:06:12,613 AND I SAVED YOU. 92 00:06:12,648 --> 00:06:15,029 WHY DO YOU THINK YOU'RE STILL HERE? 93 00:06:15,064 --> 00:06:17,031 I MAY BE GONE, 94 00:06:17,066 --> 00:06:18,895 BUT THIS PRECIOUS DEPOSITORY 95 00:06:18,930 --> 00:06:21,450 OF YOUR MEMORIES IS HERE 96 00:06:21,484 --> 00:06:23,037 BECAUSE OF ME. 97 00:06:23,072 --> 00:06:24,453 YOU'RE WELCOME. 98 00:06:24,487 --> 00:06:26,489 THE NEURAL MESH IS STILL IN MY HEAD. 99 00:06:26,524 --> 00:06:28,008 IT MUST HAVE INTERFERED WITH THE DRUG 100 00:06:28,042 --> 00:06:29,596 THEY USED TO WIPE MY MIND. 101 00:06:29,630 --> 00:06:31,943 CORRECT, AND SO, YOU SEE, 102 00:06:31,977 --> 00:06:35,498 YOU EXIST BECAUSE OF ME, 103 00:06:35,533 --> 00:06:38,052 BUT YOU WON'T IF THEY FIGURE OUT 104 00:06:38,087 --> 00:06:41,780 HOW YOU FREED RAVEN. 105 00:06:41,815 --> 00:06:44,058 WE EMP'D THE CHIP 106 00:06:44,093 --> 00:06:48,580 BUT ONLY IN RAVEN AND MOM, NOT ME. 107 00:06:48,615 --> 00:06:52,653 - UH! - AAH! 108 00:06:56,243 --> 00:07:00,523 IF I WERE YOU-- AND, IN A WAY, I AM-- 109 00:07:00,558 --> 00:07:04,838 I'D KEEP THIS MEMORY SAFE. 110 00:07:08,945 --> 00:07:11,051 THANK YOU, BUT FOR THE RECORD, 111 00:07:11,085 --> 00:07:12,259 YOU TRIED TO STEAL 112 00:07:12,293 --> 00:07:14,088 ALL THOSE MEMORIES YOU'RE NOW SAVING. 113 00:07:14,123 --> 00:07:16,919 I TRIED TO SPARE YOU THE PAIN AND HORROR 114 00:07:16,953 --> 00:07:19,577 OF YOUR EXISTENCE. 115 00:07:19,611 --> 00:07:21,855 THERE IS NOT JOY WITHOUT PAIN. 116 00:07:21,889 --> 00:07:24,513 I NEVER DID UNDERSTAND HUMANS. 117 00:07:24,547 --> 00:07:27,516 THOSE PAINFUL MEMORIES AREN'T EVEN HERE. 118 00:07:27,550 --> 00:07:29,932 THEY'RE CAST AWAY DEEP IN YOUR MIND, 119 00:07:29,966 --> 00:07:33,107 WHERE YOU DON'T HAVE TO FACE THEM, 120 00:07:33,142 --> 00:07:35,696 AND YET... 121 00:07:35,731 --> 00:07:37,698 YOU CAN'T LET THEM GO. 122 00:07:37,733 --> 00:07:39,976 WAIT. YOU SAID THIS IS A REPOSITORY 123 00:07:40,011 --> 00:07:41,564 - OF MY MEMORIES... - YES. 124 00:07:41,599 --> 00:07:44,809 BUT THERE'S SOMETHING THERE I'VE NEVER SEEN. 125 00:07:44,843 --> 00:07:49,227 - SANCTUM IS MINE! - COLLISION ALERT. 126 00:07:49,261 --> 00:07:52,126 [GUNSHOTS] 127 00:07:52,161 --> 00:07:55,544 [PEOPLE SCREAMING] 128 00:07:55,578 --> 00:07:57,166 [GUNSHOT] 129 00:07:57,200 --> 00:07:59,858 WOMAN: AAH! 130 00:08:01,791 --> 00:08:05,519 CLARKE GRIFFIN. IT'S NICE TO MEET YOU. 131 00:08:05,554 --> 00:08:07,590 I'VE HEARD SO MANY THINGS, 132 00:08:07,625 --> 00:08:09,868 MOST OF THEM MURDERY, BUT, YOU KNOW, 133 00:08:09,903 --> 00:08:11,560 NO JUDGMENT. 134 00:08:11,594 --> 00:08:13,596 - JOSEPHINE? - IN THE FLESH, 135 00:08:13,631 --> 00:08:15,633 BUT YOU SHOULDN'T HAVE OPENED THAT DOOR. 136 00:08:15,667 --> 00:08:20,051 THIS BODY IS NOT BIG ENOUGH FOR BOTH OF US. 137 00:08:25,574 --> 00:08:28,611 RUSSELL REALLY DID IT. HE STOLE MY BODY. 138 00:08:28,646 --> 00:08:31,338 AND CLEARLY MADE A MESS OF IT. 139 00:08:31,372 --> 00:08:34,721 IT'S BEEN HUNDREDS OF YEARS SINCE A MIND WIPE FAILED, 140 00:08:34,755 --> 00:08:37,068 BUT I GOT TO SAY, THIS ISN'T BAD, 141 00:08:37,102 --> 00:08:39,760 NOT AS ORGANIZED AS MY MINDSPACE, OF COURSE, 142 00:08:39,795 --> 00:08:43,108 BUT MILDLY IMPRESSIVE. 143 00:08:43,143 --> 00:08:44,834 MINDSPACE? 144 00:08:44,869 --> 00:08:46,595 THE BRAIN CREATES THESE CONSTRUCTS 145 00:08:46,629 --> 00:08:47,906 WHEN TWO MINDS SHARE A BODY, 146 00:08:47,941 --> 00:08:50,081 LIKE LUCID DREAMING ONLY NOT AS FUN. 147 00:08:50,115 --> 00:08:52,048 IT'S A SELF-PRESERVATION THING, TRYING TO KEEP 148 00:08:52,083 --> 00:08:55,017 THE MINDS SEPARATE SO THE BODY DOESN'T DIE. 149 00:08:55,051 --> 00:08:58,054 YOU KIND OF MESSED THAT UP WHEN YOU OPENED THE DOOR, 150 00:08:58,089 --> 00:08:59,193 SO, YOU KNOW, THANKS 151 00:08:59,228 --> 00:09:01,333 FOR THE ACCELERATED BRAIN DETERIORATION. 152 00:09:01,368 --> 00:09:03,784 WAIT. YOU'VE BEEN THROUGH THIS BEFORE? 153 00:09:03,819 --> 00:09:05,821 NEVER ANYTHING AS ADVANCED AS THIS, 154 00:09:05,855 --> 00:09:07,650 BUT, YEAH, BACK IN THE DAY 155 00:09:07,685 --> 00:09:09,894 BEFORE GABRIEL PERFECTED THE MIND WIPE, 156 00:09:09,928 --> 00:09:11,378 THERE WERE A FEW MISHAPS. 157 00:09:11,412 --> 00:09:13,138 I GOT JACKED INTO SOME PEOPLE'S MINDS 158 00:09:13,173 --> 00:09:14,864 WHILE THE LIGHTS WERE STILL ON. 159 00:09:14,899 --> 00:09:17,384 - THEY WERE SO AVERAGE. - WHAT HAPPENED? 160 00:09:17,418 --> 00:09:19,351 THE FIRST WAS A 6-MONTH-OLD. 161 00:09:19,386 --> 00:09:22,320 HER MIND WAS UNFORMED, FULL OF CHAOS, 162 00:09:22,354 --> 00:09:23,942 SHAPES AND SOUNDS. 163 00:09:23,977 --> 00:09:25,668 THEN THERE WAS SAVANNAH. 164 00:09:25,703 --> 00:09:29,189 I SWEAR I WAS NOT THAT OBNOXIOUS AT 15. 165 00:09:29,223 --> 00:09:30,328 AND THEN THEY DIED. 166 00:09:30,362 --> 00:09:32,157 BRAIN HEMORRHAGING LEADS TO STROKE, 167 00:09:32,192 --> 00:09:33,262 AND WE ALL FALL DOWN. 168 00:09:33,296 --> 00:09:36,817 IT'S MESSY AND HURTS LIKE A MOTHER, 169 00:09:36,852 --> 00:09:38,198 WOULD NOT RECOMMEND IT. 170 00:09:38,232 --> 00:09:42,064 TWO MINDS, ONE BRAIN NEVER ENDS WELL, 171 00:09:42,098 --> 00:09:46,309 SO THIS, IT'S A PROBLEM. 172 00:09:46,344 --> 00:09:48,380 HOW DID YOU EVEN SURVIVE? 173 00:09:48,415 --> 00:09:49,865 YOU JUST WANT TO KNOW SO YOU 174 00:09:49,899 --> 00:09:51,383 CAN FIGURE OUT HOW TO GET RID OF ME. 175 00:09:51,418 --> 00:09:52,695 OK. WEREN'T YOU LISTENING? 176 00:09:52,730 --> 00:09:55,008 IF WE DON'T DO SOMETHING, THIS BODY DIES. 177 00:09:55,042 --> 00:09:56,768 - THAT WHAT YOU WANT? - OF COURSE NOT. 178 00:09:56,803 --> 00:09:58,908 WHY CAN'T YOU JUST FIND A NEW BODY 179 00:09:58,943 --> 00:10:00,116 AND GIVE MINE BACK? 180 00:10:00,151 --> 00:10:03,119 I COULD, I SUPPOSE, BUT IT'S RISKY. 181 00:10:03,154 --> 00:10:05,881 THE LAST PRIMES WHO WENT ON ICE DIED FOREVER. 182 00:10:05,915 --> 00:10:07,123 I'M NOT REALLY INTO THAT. 183 00:10:07,158 --> 00:10:09,850 BESIDES, POSSESSION IS 9/10 OF THE LAW, 184 00:10:09,885 --> 00:10:12,266 AND, JUST BETWEEN US GIRLS, 185 00:10:12,301 --> 00:10:15,442 I KIND OF LIKE YOUR BODY. 186 00:10:15,476 --> 00:10:17,686 YOU'RE A SOCIOPATH. 187 00:10:17,720 --> 00:10:21,275 JUDGY. BESIDES, LIKE YOU'RE ONE TO TALK, 188 00:10:21,310 --> 00:10:23,346 WANHEDA. 189 00:10:23,381 --> 00:10:27,005 THE WAY I SEE IT, YOU HAVE TWO OPTIONS-- 190 00:10:27,040 --> 00:10:29,870 TELL ME HOW YOU SURVIVED SO I CAN FIX IT, 191 00:10:29,905 --> 00:10:31,147 AND I'LL MAKE SURE YOUR PEOPLE 192 00:10:31,182 --> 00:10:33,736 LIKE HAPPILY EVER AFTER OR DON'T, 193 00:10:33,771 --> 00:10:35,289 AND EVENTUALLY, WE'LL BOTH DIE, ANYWAY. 194 00:10:35,324 --> 00:10:38,396 THE DIFFERENCE IS, I'LL BE REBORN IN SOMEONE ELSE, 195 00:10:38,430 --> 00:10:39,466 TELL MY FATHER WHAT HAPPENED, 196 00:10:39,500 --> 00:10:42,434 AND HE'LL KICK YOUR PEOPLE OUT TO DIE IN THE WOODS. 197 00:10:42,469 --> 00:10:44,229 GO FLOAT YOURSELF. 198 00:10:44,264 --> 00:10:45,714 I HAVE NO IDEA WHAT THAT MEANS. 199 00:10:45,748 --> 00:10:48,302 IT MEANS THAT I'M NOT TELLING YOU ANYTHING, 200 00:10:48,337 --> 00:10:50,960 AND I DON'T GO DOWN EASY. 201 00:10:50,995 --> 00:10:55,344 WOW. YOU'RE SELFISH, NOT TO MENTION DUMB. 202 00:10:55,378 --> 00:10:58,312 YOUR MINDSPACE CONTAINS ALL YOUR MEMORIES, 203 00:10:58,347 --> 00:11:02,731 SO TRY NOT TO THINK OF WHERE YOU KEEP THEM. 204 00:11:02,765 --> 00:11:05,285 [DOOR OPENS] 205 00:11:07,425 --> 00:11:09,807 HELLO. 206 00:11:10,083 --> 00:11:12,188 YOU CONTROL YOUR MINDSPACE, CLARKE. 207 00:11:12,223 --> 00:11:15,364 TOO BAD YOU CAN'T CONTROL YOUR THOUGHTS. 208 00:11:15,398 --> 00:11:17,331 [ECHOING VOICES] 209 00:11:17,366 --> 00:11:21,853 I RESCIND MY COMPLIMENTS. THIS IS A DISASTER. 210 00:11:21,888 --> 00:11:23,510 DIDN'T ANYONE EVER TEACH YOU 211 00:11:23,544 --> 00:11:25,374 ABOUT ORGANIZATIONAL STRUCTURE? 212 00:11:25,408 --> 00:11:27,100 GET OUT OF MY HEAD. 213 00:11:27,134 --> 00:11:31,967 NOW, NOW, CLARKE. SHARING IS CARING. 214 00:11:32,001 --> 00:11:35,108 [VOICES CONTINUE] 215 00:11:35,833 --> 00:11:38,939 MADI'S VOICE: CLARKE! WATCH OUT! 216 00:11:38,974 --> 00:11:40,009 AAH! 217 00:11:40,044 --> 00:11:42,529 CLARKE'S VOICE: I WILL NOT LET YOU DIE IN THIS WAR. 218 00:11:42,563 --> 00:11:47,189 CHILD ABUSE DRESSED UP AS PROTECTION. COOL. 219 00:11:47,223 --> 00:11:49,363 - CLARKE, WAIT. - REALLY? 220 00:11:49,398 --> 00:11:52,919 ARE YOU HIDING A MEMORY FROM ME, CLARKE? 221 00:11:52,953 --> 00:11:56,819 - RUDE. - YOU'LL NEVER FIND IT. 222 00:11:56,854 --> 00:12:00,236 YOU KNOW, I STUDY ALL LIFE, BUT INSECTS 223 00:12:00,271 --> 00:12:03,170 ALWAYS FASCINATED ME MOST. 224 00:12:03,205 --> 00:12:06,518 THEY'RE MERCILESS, RUTHLESS. 225 00:12:06,553 --> 00:12:08,175 I RESPECT THAT. 226 00:12:08,210 --> 00:12:13,802 PEOPLE ARE SO MESSY, SO EMOTIONAL. 227 00:12:13,836 --> 00:12:17,253 BECAUSE OF THAT, THEY GIVE THEMSELVES AWAY. 228 00:12:17,288 --> 00:12:19,531 I COULD ALWAYS FIGURE PEOPLE OUT, 229 00:12:19,566 --> 00:12:20,809 EVEN AS A KID. 230 00:12:20,843 --> 00:12:22,258 I COULD TELL WHEN THEY WERE NERVOUS. 231 00:12:22,293 --> 00:12:24,191 THEIR PULSES WOULD BEAT FASTER. 232 00:12:24,226 --> 00:12:27,091 EYES WOULD DART. BREATH WOULD QUICKEN. 233 00:12:27,125 --> 00:12:29,403 IT'S PHYSIOLOGICAL. 234 00:12:29,438 --> 00:12:31,198 YOU KNOW WHAT MY SPIDEY SENSES 235 00:12:31,233 --> 00:12:33,200 ARE TELLING ME ABOUT YOU RIGHT NOW? 236 00:12:33,235 --> 00:12:35,409 THAT I'LL NEVER HELP YOU WIPE MY MIND? 237 00:12:35,444 --> 00:12:36,997 YOU THINK YOU'RE A BADASS, 238 00:12:37,032 --> 00:12:38,896 BUT YOUR BRAVADO COVERS SELF-DOUBT. 239 00:12:38,930 --> 00:12:40,207 YOU HAD TO PHYSICALIZE YOUR SECRET 240 00:12:40,242 --> 00:12:43,210 SO YOU COULD KEEP IT CLOSE, WHERE YOU HAVE CONTROL. 241 00:12:43,245 --> 00:12:47,318 I BET YOU HAVE IT ON YOU RIGHT NOW. 242 00:12:47,352 --> 00:12:49,492 NOW LET ME HAVE IT. 243 00:12:49,527 --> 00:12:52,772 [BOTH GRUNTING] 244 00:13:03,368 --> 00:13:05,198 OH, SH-- 245 00:13:05,646 --> 00:13:07,890 OH! 246 00:13:11,618 --> 00:13:14,345 UH! 247 00:13:20,489 --> 00:13:23,216 [CLARKE PANTING] 248 00:13:24,873 --> 00:13:26,046 [ZAP] 249 00:13:26,081 --> 00:13:29,153 [ALARM SOUNDING] 250 00:13:29,187 --> 00:13:33,951 VOICE: WARNING. COLLISION ALERT. 251 00:13:40,923 --> 00:13:44,409 JOSEPHINE: WE'RE BACK, BITCHES. 252 00:13:44,444 --> 00:13:45,652 - HOW? - COME ON. 253 00:13:45,686 --> 00:13:47,136 YOU'RE SMARTER THAN THAT. 254 00:13:47,171 --> 00:13:48,931 HOW DO YOU THINK WE'RE RESURRECTED? 255 00:13:48,966 --> 00:13:51,071 MY MIND DRIVE BACKS UP MY CONSCIOUSNESS. 256 00:13:51,106 --> 00:13:53,280 I CAN'T DIE IN THE MINDSPACE, 257 00:13:53,315 --> 00:13:56,042 BUT YOU CAN UNLESS WHATEVER FLUKE 258 00:13:56,076 --> 00:13:58,009 KEPT YOU HERE CAN BRING YOU BACK. 259 00:13:58,044 --> 00:14:00,080 YOU, MY FRIEND, ARE PLAYING FOR KEEPS. 260 00:14:00,115 --> 00:14:02,220 I TOOK A SEDATIVE ABOUT AN HOUR AGO, 261 00:14:02,255 --> 00:14:03,497 SO THAT GIVES ME ALL NIGHT 262 00:14:03,532 --> 00:14:06,121 TO KILL YOU IN HERE OR FIND THE MEMORY 263 00:14:06,155 --> 00:14:08,330 OF HOW I CAN KILL YOU OUT THERE. 264 00:14:08,364 --> 00:14:12,299 GOT A PREFERENCE? 265 00:14:13,404 --> 00:14:19,893 EASY OR HARD WAY, CLARKE, EITHER WAY, YOU DIE. 266 00:14:37,117 --> 00:14:39,257 [DOOR OPENS] 267 00:14:39,292 --> 00:14:42,226 WHAT ARE YOU DOING HERE? 268 00:14:42,260 --> 00:14:44,607 I JUST HAVE TO STAY AHEAD OF HER. 269 00:14:44,642 --> 00:14:46,230 - IF I CAN HIDE-- - YOU'RE GOOD AT THAT, 270 00:14:46,264 --> 00:14:51,269 AREN'T YOU, HIDING WHILE OTHER PEOPLE FIGHT. 271 00:14:51,304 --> 00:14:52,236 WHAT? 272 00:14:52,270 --> 00:14:54,203 YOU DID THAT DURING THE CONCLAVE. 273 00:14:54,238 --> 00:14:56,585 WHILE I WAS UP THERE FIGHTING FOR EVERYONE'S LIVES, 274 00:14:56,619 --> 00:15:02,384 YOU WERE DOWN HERE STEALING WHAT I BLED FOR. 275 00:15:02,418 --> 00:15:06,008 WHATEVER. FINE. YOU WROTE ME OFF, 276 00:15:06,043 --> 00:15:09,425 THE CONCLAVE AT TONDC--I GET IT-- 277 00:15:09,460 --> 00:15:12,566 BUT THE THING IS, I REALLY THOUGHT 278 00:15:12,601 --> 00:15:15,673 YOU CARED ABOUT BELLAMY. 279 00:15:15,707 --> 00:15:18,676 I CARE ABOUT BOTH OF YOU. 280 00:15:18,710 --> 00:15:21,299 BUT YOU LEFT HIM IN THE PITS TO DIE, ANYWAY. 281 00:15:21,334 --> 00:15:25,234 I HAD TO, AND HE UNDERSTANDS. 282 00:15:25,269 --> 00:15:27,305 HE FORGAVE ME. 283 00:15:27,340 --> 00:15:30,722 DID HE? 284 00:15:30,757 --> 00:15:34,347 THEN WHY ISN'T HE HERE IN THIS MEMORY? 285 00:15:34,381 --> 00:15:36,211 I'LL TELL YOU WHY. 286 00:15:36,245 --> 00:15:38,075 BECAUSE YOU'RE TOO AFRAID TO FACE HIM 287 00:15:38,109 --> 00:15:40,663 BECAUSE YOU KNOW HE THINKS YOU'RE A MONSTER 288 00:15:40,698 --> 00:15:43,045 WHO WILL ABANDON ANYONE. 289 00:15:43,080 --> 00:15:44,081 THAT IS NOT WHO I AM. 290 00:15:44,115 --> 00:15:47,256 I DON'T KNOW WHY YOU'RE ARGUING WITH ME, CLARKE. 291 00:15:47,291 --> 00:15:49,017 AFTER ALL, I'M JUST 292 00:15:49,051 --> 00:15:51,433 A SUBCONSCIOUS PROJECTION OF YOU. 293 00:15:51,467 --> 00:15:54,056 VOICE: WARNING. COLLISION ALERT. 294 00:15:54,091 --> 00:15:56,576 [ALARM SOUNDING] 295 00:15:58,716 --> 00:16:01,512 [SCOFFS] 296 00:16:01,546 --> 00:16:05,412 - HELP ME. - THAT'LL HAPPEN. 297 00:16:06,517 --> 00:16:10,279 HA HA! YOU LOOK FUN. 298 00:16:10,314 --> 00:16:13,696 HAVE AT HER. 299 00:16:13,731 --> 00:16:18,598 EVEN YOUR PROJECTIONS HATE YOU, CLARKE. 300 00:16:42,863 --> 00:16:45,487 MAYA? 301 00:16:45,521 --> 00:16:47,213 [EXHALES] 302 00:16:51,562 --> 00:16:52,563 HI, CLARKE. 303 00:16:52,597 --> 00:16:56,049 NO. I DON'T WANT THIS. I DON'T WANT ANY OF THIS. 304 00:16:56,084 --> 00:16:58,810 THAT'S THE THING, CLARKE. 305 00:16:58,845 --> 00:17:01,365 SOME PART OF YOU DOES WANT THIS, 306 00:17:01,399 --> 00:17:03,194 OR I WOULDN'T BE HERE. 307 00:17:03,229 --> 00:17:04,540 I HAVE A QUESTION OF YOU. 308 00:17:04,575 --> 00:17:08,199 WHY ARE YOU FIGHTING SO HARD TO STAY ALIVE? 309 00:17:08,234 --> 00:17:11,202 - I HAVE TO-- - SAVE YOUR PEOPLE. YES. I KNOW. 310 00:17:11,237 --> 00:17:15,344 TOO BAD I WASN'T IN THAT GROUP, HUH? 311 00:17:15,379 --> 00:17:18,658 I NEVER MEANT TO HURT YOU, MAYA. 312 00:17:18,692 --> 00:17:21,557 I'M SORRY. 313 00:17:21,592 --> 00:17:25,837 YOU KEEP SAYING THAT. 314 00:17:25,872 --> 00:17:30,842 TELL ME, ARE YOU SORRY ABOUT JASPER, TOO? 315 00:17:30,877 --> 00:17:33,190 AFTER ALL, KILLING ME IS WHAT SENT HIM 316 00:17:33,224 --> 00:17:34,743 OFF THE DEEP END. 317 00:17:34,777 --> 00:17:37,194 - JASPER MADE HIS CHOICE. - WRONG. 318 00:17:37,228 --> 00:17:39,403 HIS DEATH IS ON YOU, TOO. 319 00:17:39,437 --> 00:17:42,716 YOU DO THINGS, BUT OTHER PEOPLE PAY THE PRICE. 320 00:17:42,751 --> 00:17:43,683 OK. THAT'S ENOUGH. 321 00:17:43,717 --> 00:17:47,204 YOU'VE KILLED MORE PEOPLE THAN YOU'VE SAVED. 322 00:17:47,238 --> 00:17:48,826 DO YOU REALIZE THAT? 323 00:17:48,860 --> 00:17:50,448 IF YOU ACTUALLY CARED 324 00:17:50,483 --> 00:17:53,520 ABOUT SAVING PEOPLE'S LIVES, 325 00:17:53,555 --> 00:17:56,178 YOU'D WALK AWAY. 326 00:17:56,213 --> 00:17:57,766 YOU KNOW WHAT I THINK? 327 00:17:57,800 --> 00:18:00,182 YOU LIKE BEING THE SAVIOR. 328 00:18:00,217 --> 00:18:01,459 YOU LIKE PLAYING GOD. 329 00:18:01,494 --> 00:18:06,223 YOU'RE NOT SO DIFFERENT FROM THE PRIMES, YOU KNOW. 330 00:18:06,257 --> 00:18:09,157 VOICE: RADIATION ALERT. 331 00:18:09,191 --> 00:18:10,261 SHE'S COMING. 332 00:18:10,296 --> 00:18:12,367 WHY DON'T YOU JUST GIVE IN TO HER? 333 00:18:12,401 --> 00:18:14,748 JUST GIVE UP CONTROL FOR ONCE. 334 00:18:14,783 --> 00:18:17,199 [ALARM SOUNDING] 335 00:18:17,234 --> 00:18:19,512 CONTROL. 336 00:18:19,546 --> 00:18:23,895 I'M IN CONTROL. HUH. 337 00:18:26,519 --> 00:18:29,349 I HAVE AN IDEA. 338 00:18:33,871 --> 00:18:35,838 [DOOR OPENS] 339 00:18:39,704 --> 00:18:41,154 WHOA. 340 00:18:41,189 --> 00:18:44,502 YOU HAVE A LITTLE SOMETHING-- 341 00:18:44,537 --> 00:18:46,849 OH. HEH. 342 00:18:46,884 --> 00:18:48,851 SHE HID IT IN THE CAVE. 343 00:18:48,886 --> 00:18:50,750 ARE YOU KIDDING ME? 344 00:18:50,784 --> 00:18:54,926 I MEAN, YOUR PROJECTIONS ARE THE BEST. 345 00:18:54,961 --> 00:18:59,172 - CARE TO TAKE US? - MM-HMM. 346 00:19:00,898 --> 00:19:04,281 JOSEPHINE: THANK YOU, MELTY GIRL. 347 00:19:04,315 --> 00:19:07,698 NICE PARKING SPOT. 348 00:19:09,769 --> 00:19:11,357 [ZAP] 349 00:19:11,391 --> 00:19:13,290 UGH! UHH... 350 00:19:13,324 --> 00:19:14,325 GOTCHA. 351 00:19:14,360 --> 00:19:16,672 YOU HAVE NO CONTROL HERE. THIS IS MY MINDSPACE. 352 00:19:16,707 --> 00:19:19,813 TURNS OUT, I CAN CREATE WHATEVER I WANT, 353 00:19:19,848 --> 00:19:23,783 INCLUDING HER. 354 00:19:23,817 --> 00:19:26,337 CUTE. 355 00:19:26,372 --> 00:19:28,615 I WOULDN'T BOTHER. 356 00:19:28,650 --> 00:19:31,342 THE COLLAR IS GEOTAGGED TO THE CAVE. 357 00:19:31,377 --> 00:19:35,726 OK. WHAT'S YOUR PLAN HERE, STALL UNTIL I WAKE UP? 358 00:19:35,760 --> 00:19:40,834 I'LL JUST TRY AGAIN NIGHT AFTER NIGHT, 359 00:19:40,869 --> 00:19:42,560 AND THE MORE TIME I SPEND HERE, 360 00:19:42,595 --> 00:19:45,011 THE FASTER YOU DIE, AND LET ME TELL YOU, 361 00:19:45,045 --> 00:19:47,703 THAT DEATH AIN'T FUN OR PRETTY. 362 00:19:47,738 --> 00:19:50,016 YOU CAN'T WIN, SO WHY BOTHER? 363 00:19:50,050 --> 00:19:51,983 TO MAKE SURE YOU LOSE. 364 00:19:52,018 --> 00:19:54,676 ME, I'LL FIND A WAY TO SURVIVE. 365 00:19:54,710 --> 00:19:56,471 I ALWAYS DO. 366 00:19:56,505 --> 00:20:00,302 YOU GOT SPUNK. I'LL GIVE YOU THAT. 367 00:20:00,337 --> 00:20:04,272 THINGS WERE DIFFERENT, WE COULD HAVE BEEN FRIENDS, 368 00:20:04,306 --> 00:20:06,584 BUT I'M BORED NOW. 369 00:20:06,619 --> 00:20:07,654 [ZAP] 370 00:20:07,689 --> 00:20:10,899 NNGH! UGH! AAGH! 371 00:20:10,933 --> 00:20:15,731 UGH! AAGH! AAH! 372 00:20:15,766 --> 00:20:18,389 UGH! UGH! 373 00:20:19,563 --> 00:20:21,737 HEY, CLARKE, I MAY NOT BE ABLE 374 00:20:21,772 --> 00:20:23,670 TO CREATE ANYTHING IN YOUR MINDSPACE, 375 00:20:23,705 --> 00:20:25,362 BUT I CAN SURE BRING SOMETHING IN. 376 00:20:25,396 --> 00:20:27,950 LET'S SPLIT UP AND STOP PLAYING GAMES. 377 00:20:27,985 --> 00:20:29,883 YOU'RE NOT A CAT TOYING WITH A MOUSE. 378 00:20:29,918 --> 00:20:34,509 SHE'S DANGEROUS. KILL HER. 379 00:20:50,041 --> 00:20:52,803 RUSSELL: EVER TAKE ZOOLOGY 101, CLARKE-- 380 00:20:52,837 --> 00:20:55,392 HUNTING TACTICS OF PREDATOR SPECIES? 381 00:20:55,426 --> 00:20:57,773 NO? HOW ABOUT A QUICK LESSON, THEN? 382 00:20:57,808 --> 00:20:59,465 - THE MOST COMMON... - ...PURSUIT PREDATORS 383 00:20:59,499 --> 00:21:01,674 EXPEND ENERGY RUNNING DOWN SLOWER PREY, 384 00:21:01,708 --> 00:21:04,780 OR THEY PACE THEMSELVES AND LET THEIR PREY TIRE OUT. 385 00:21:04,815 --> 00:21:06,886 I'M PROPOSING A THIRD OPTION-- 386 00:21:06,920 --> 00:21:08,370 JUST SHOW ME WHERE YOU HID IT 387 00:21:08,405 --> 00:21:10,372 SO WE CAN BOTH KICK BACK AND REST. 388 00:21:10,407 --> 00:21:14,411 ALL THIS RUNNING IS PLAIN UNDIGNIFIED. 389 00:21:28,632 --> 00:21:32,808 WHY DID YOU AVOID THIS? 390 00:21:32,843 --> 00:21:34,845 HEH. 391 00:21:34,879 --> 00:21:37,710 "GO FLOAT YOURSELF." 392 00:21:38,987 --> 00:21:41,610 A-PLUS ZOOLOGY 101, CLARKE. 393 00:21:41,645 --> 00:21:45,027 THAT WAS VERY EFFECTIVE DISTRACTION DISPLAY, 394 00:21:45,062 --> 00:21:47,823 BUT I KNOW BETTER. 395 00:21:53,553 --> 00:21:55,659 YAHTZEE. 396 00:22:04,875 --> 00:22:07,912 LET ME GUESS. 397 00:22:08,706 --> 00:22:11,364 CLARKE: GET AWAY FROM THAT. 398 00:22:11,399 --> 00:22:14,022 YOU'RE GONNA BE OK. 399 00:22:15,748 --> 00:22:17,577 OH, HEY, CLARKE. 400 00:22:17,612 --> 00:22:19,959 THIS IS THE PLACE YOU WERE AVOIDING? 401 00:22:19,993 --> 00:22:23,100 IT'S NOT EVEN THAT SCARY. 402 00:22:23,134 --> 00:22:26,828 HUH. IT'S A LITTLE OMINOUS. 403 00:22:26,862 --> 00:22:28,692 YOU SHOULDN'T BE HERE. 404 00:22:28,726 --> 00:22:30,418 IT WAS CLEVER HIDING IT HERE, 405 00:22:30,452 --> 00:22:31,729 THE PLACE YOU WOULDN'T GO 406 00:22:31,764 --> 00:22:33,455 SO THE PLACE I WOULDN'T LOOK. 407 00:22:33,490 --> 00:22:35,871 MEMORY IS FUNNY, YOU KNOW? 408 00:22:35,906 --> 00:22:37,597 THE FORMATIVE STUFF-- THE TRAUMAS, 409 00:22:37,632 --> 00:22:40,704 THE THINGS WE CAN'T MOVE PAST-- 410 00:22:40,738 --> 00:22:42,602 THEY LIVE DEEP IN THE BRAIN STEM. 411 00:22:42,637 --> 00:22:45,950 THESE ARE THE WOUNDS WE PAY SHRINKS NOT TO FIX. 412 00:22:45,985 --> 00:22:49,022 THESE PLACES CONTROL US, 413 00:22:49,057 --> 00:22:50,127 MAKE US WHO WE ARE. 414 00:22:50,161 --> 00:22:52,923 IT'S ACTUALLY CONNECTED TO THE LOWER BRAIN FUNCTION-- 415 00:22:52,957 --> 00:22:54,787 BREATHING, REFLEXES. 416 00:22:54,821 --> 00:22:58,100 IT'S WHY YOU CRY WHEN YOU THINK OF LEXA. 417 00:22:58,135 --> 00:22:59,170 SHUT UP. 418 00:22:59,205 --> 00:23:02,760 ALL OF THIS IS GUILT FOR THE DEATHS YOU'VE CAUSED, 419 00:23:02,795 --> 00:23:05,453 BUT I DON'T GET IT. 420 00:23:05,487 --> 00:23:07,627 WHY ARE YOU SO TORN UP? 421 00:23:07,662 --> 00:23:09,733 EVERYTHING YOU DID WAS TO SAVE YOUR PEOPLE. 422 00:23:09,767 --> 00:23:12,563 - I'D DO THE SAME THING. - A RINGING ENDORSEMENT. 423 00:23:12,598 --> 00:23:16,981 THE THING I DON'T GET IS WHY YOU DON'T CARE 424 00:23:17,016 --> 00:23:19,570 ABOUT SAVING YOUR PEOPLE NOW. 425 00:23:19,605 --> 00:23:20,468 WHAT? 426 00:23:20,502 --> 00:23:22,159 LET'S SAY YOU COULD SOMEHOW FIGHT ME OFF 427 00:23:22,193 --> 00:23:23,816 AND GET YOUR BODY BACK. 428 00:23:23,850 --> 00:23:26,784 WHAT WOULD THAT DO TO YOUR FRIENDS AND FAMILY? 429 00:23:26,819 --> 00:23:30,063 DO YOU THINK MY FATHER WOULD JUST LET ME GO? 430 00:23:30,098 --> 00:23:33,239 WHAT YOU'RE DOING RIGHT NOW 431 00:23:33,273 --> 00:23:35,724 LEADS TO THE GENOCIDE OF YOUR PEOPLE, 432 00:23:35,759 --> 00:23:38,244 WHICH, I GUESS, IS PAR FOR THE COURSE WITH YOU. 433 00:23:38,278 --> 00:23:40,798 - I JUST WANT TO LIVE. - DO YOU, THOUGH? 434 00:23:40,833 --> 00:23:44,526 BECAUSE YOUR MIND SURE DOESN'T SEEM TO. 435 00:23:44,561 --> 00:23:47,218 HAVE YOU EVER EVEN ONCE CONSIDERED THAT 436 00:23:47,253 --> 00:23:50,256 THE SOLUTION IS TO SACRIFICE YOURSELF? 437 00:23:50,290 --> 00:23:54,812 YOUR PEOPLE ARE SAFE. BELLAMY MADE SURE OF IT. 438 00:23:54,847 --> 00:23:56,849 I MEAN, HE TOOK YOUR DEATH HARD, SURE, 439 00:23:56,883 --> 00:23:59,679 BUT HE KNEW THE ONLY THING A LEADER COULD DO 440 00:23:59,714 --> 00:24:02,026 WAS TO STRIKE A DEAL FOR PEACE. 441 00:24:02,061 --> 00:24:04,235 NOW IT'S TIME FOR YOU TO STEP UP. 442 00:24:04,270 --> 00:24:06,583 BOW OUT GRACEFULLY, AND YOUR PEOPLE 443 00:24:06,617 --> 00:24:08,964 GET TO LIVE HAPPILY EVER AFTER. 444 00:24:08,999 --> 00:24:10,103 YOU'RE LYING. 445 00:24:10,138 --> 00:24:12,761 BELLAMY WOULD NEVER MAKE A DEAL LIKE THAT. 446 00:24:12,796 --> 00:24:15,937 THE LACK OF TRUST HURTS ME, CLARKE, 447 00:24:15,971 --> 00:24:19,043 SO THAT'S WHY I BROUGHT THIS. 448 00:24:19,078 --> 00:24:22,599 YOU HAVE DRAWINGS. I HAVE BOOKS. DON'T JUDGE. 449 00:24:22,633 --> 00:24:25,809 HERE. TAKE IT. 450 00:24:25,843 --> 00:24:31,849 IT'S NOT A TRICK. I DON'T PLAY THAT WAY. 451 00:24:35,612 --> 00:24:38,235 I CAN GUARANTEE SAFETY FOR THE REST OF YOUR PEOPLE. 452 00:24:38,269 --> 00:24:40,202 WE'LL SHARE EVERYTHING WE'VE LEARNED 453 00:24:40,237 --> 00:24:41,859 ABOUT SURVIVING ON THIS MOON. 454 00:24:41,894 --> 00:24:46,312 I'LL TAKE YOUR DEAL BECAUSE IT'S THE SMART PLAY 455 00:24:46,346 --> 00:24:49,867 AND IT'S THE MOVE SHE WOULD HAVE MADE. 456 00:24:51,731 --> 00:24:53,319 IT'S TIME FOR YOU TO SACRIFICE 457 00:24:53,353 --> 00:24:55,286 FOR YOUR PEOPLE, CLARKE. 458 00:24:55,321 --> 00:25:00,291 DON'T START ANOTHER WAR THEY'LL HAVE TO FIGHT. 459 00:25:05,227 --> 00:25:06,919 I NEED THEM TO BE OK. 460 00:25:06,953 --> 00:25:09,646 BY MY WORD, YOUR PEOPLE WILL BE SAFE. 461 00:25:09,680 --> 00:25:11,199 BELLAMY IS MEETING WITH MY FATHER 462 00:25:11,233 --> 00:25:12,338 FIRST THING IN THE MORNING 463 00:25:12,372 --> 00:25:13,960 TO DISCUSS BUILDING THEM A COMPOUND. 464 00:25:13,995 --> 00:25:16,307 THEY'LL HAVE A NEW HOME, A NEW LIFE. 465 00:25:16,342 --> 00:25:19,310 MADI CAN GO TO SCHOOL JUST LIKE ANY OTHER KID. 466 00:25:19,345 --> 00:25:21,278 YOUR FRIENDS CAN SETTLE DOWN. 467 00:25:21,312 --> 00:25:26,525 EVERYONE CAN STOP FIGHTING, INCLUDING YOU. 468 00:25:36,293 --> 00:25:39,745 TELL MADI I LOVE HER... 469 00:25:40,090 --> 00:25:43,024 AND TELL ALL OF THEM. 470 00:25:53,172 --> 00:25:55,277 [SOBS] 471 00:25:55,312 --> 00:25:58,315 YOU FORGOT BELLAMY AND RAVEN. 472 00:26:09,913 --> 00:26:11,811 JAKE: SENIOR ENVIRONMENTAL ENGINEER, 473 00:26:11,846 --> 00:26:13,675 DEPUTY RESOURCE OFFICER. 474 00:26:13,710 --> 00:26:16,609 THAT MEANS I'M IN CHARGE OF THE MACHINES 475 00:26:16,644 --> 00:26:19,232 THAT KEEP OUR WATER SAFE TO DRINK 476 00:26:19,267 --> 00:26:24,272 AND OUR FOOD SAFE TO EAT. 477 00:26:25,722 --> 00:26:29,691 - UH! - AAH! 478 00:26:31,935 --> 00:26:34,696 AN EMP. 479 00:26:34,731 --> 00:26:37,734 COOL. 480 00:26:39,114 --> 00:26:42,877 IT'LL BE OVER SOON.... 481 00:26:44,430 --> 00:26:47,295 I PROMISE. 482 00:27:02,034 --> 00:27:04,657 [SOBS] 483 00:27:06,176 --> 00:27:09,938 [SOBBING] 484 00:27:12,147 --> 00:27:14,080 [SNIFFLES] 485 00:27:26,437 --> 00:27:29,061 [BIRD TWITTERS] 486 00:27:30,441 --> 00:27:33,030 [BIRDS SINGING] 487 00:27:33,065 --> 00:27:35,412 [DOOR OPENS] 488 00:27:37,138 --> 00:27:38,242 [DOOR CLOSES] 489 00:27:38,277 --> 00:27:40,831 DAD? 490 00:27:51,014 --> 00:27:53,085 OH, MONTY... 491 00:27:53,982 --> 00:27:55,846 HEH. 492 00:27:55,881 --> 00:27:59,091 YOU CALL THIS DOING BETTER? 493 00:28:01,852 --> 00:28:04,199 GIVING UP ISN'T BETTER. 494 00:28:04,234 --> 00:28:06,857 THAT'S NOT WHAT I'M-- 495 00:28:06,892 --> 00:28:09,170 I'M DOING THIS FOR THE OTHERS. 496 00:28:09,204 --> 00:28:13,036 - THEY'LL LIVE. - "IT'S ALL FOR MY PEOPLE"? 497 00:28:13,070 --> 00:28:15,279 LOOK. I'VE HEARD THAT BEFORE, CLARKE. 498 00:28:15,314 --> 00:28:16,142 IT'S JUST AN EXCUSE. 499 00:28:16,177 --> 00:28:18,835 YOU'RE THE ONE WHO TOLD ME I'M NOT GOD, 500 00:28:18,869 --> 00:28:23,011 THAT I DON'T GET TO DECIDE WHO LIVES OR DIES. 501 00:28:23,046 --> 00:28:25,151 WELL, YOU GOT YOUR WISH. 502 00:28:25,186 --> 00:28:28,879 I'M NOT DECIDING FOR ANYONE ELSE... 503 00:28:31,330 --> 00:28:34,264 JUST FOR ME. 504 00:28:35,955 --> 00:28:37,267 LOOK. 505 00:28:37,301 --> 00:28:39,407 I GET IT. IT'S BEEN ENDLESS. 506 00:28:39,441 --> 00:28:41,305 BEARING IT SO WE DON'T HAVE TO, 507 00:28:41,340 --> 00:28:44,964 ANYONE WOULD BE TIRED... 508 00:28:45,447 --> 00:28:49,141 BUT ARE YOU REALLY GONNA LEAVE HER? 509 00:28:51,937 --> 00:28:53,524 SHE'S BETTER OFF WITHOUT ME. 510 00:28:53,559 --> 00:28:57,045 I DON'T THINK THAT'S TRUE. 511 00:28:57,874 --> 00:29:00,290 MY MOM WILL TAKE CARE OF HER, 512 00:29:00,324 --> 00:29:02,464 AND BELLAMY ALREADY MADE A DEAL 513 00:29:02,499 --> 00:29:03,880 THAT KEEPS THEM ALL SAFE. 514 00:29:03,914 --> 00:29:06,227 THIS IS ABOUT BEING THE GOOD GUYS. YEAH. 515 00:29:06,261 --> 00:29:08,436 THAT DEAL MEANS OUR SIDE GETS TO LIVE, 516 00:29:08,470 --> 00:29:09,851 BUT AT WHAT COST? 517 00:29:09,886 --> 00:29:11,128 YOU'RE GIVING IN TO PEOPLE WHO 518 00:29:11,163 --> 00:29:12,543 MURDER HUMAN BEINGS TO LIVE FOREVER. 519 00:29:12,578 --> 00:29:15,132 THAT'S EASY TO SAY, BUT IN THE REAL WORLD, 520 00:29:15,167 --> 00:29:18,826 WE HAVE TO DO WHAT'S BEST FOR OUR PEOPLE. 521 00:29:18,860 --> 00:29:21,414 DOING THE WRONG THING IS NEVER WHAT'S BEST. 522 00:29:21,449 --> 00:29:23,485 THE ENDS DON'T JUSTIFY THE MEANS. 523 00:29:23,520 --> 00:29:24,245 YOU KNOW THAT. 524 00:29:24,279 --> 00:29:26,350 WHAT DO YOU WANT FROM ME, MONTY? 525 00:29:26,385 --> 00:29:27,455 IT'S TOO LATE. 526 00:29:27,489 --> 00:29:30,147 JOSEPHINE ALREADY HAS THE MEMORY. 527 00:29:30,182 --> 00:29:31,528 AS SOON AS SHE WAKES UP, 528 00:29:31,562 --> 00:29:34,911 SHE'LL KNOW HOW TO GET ME OUT OF MY HEAD. 529 00:29:36,119 --> 00:29:40,054 IT'S OVER. 530 00:29:44,196 --> 00:29:47,164 WE'LL SEE ABOUT THAT. 531 00:29:53,930 --> 00:29:57,209 [ECHOING VOICES] 532 00:30:00,281 --> 00:30:03,836 CLARKE: THIS IS JOSEPHINE'S MINDSPACE. 533 00:30:03,871 --> 00:30:05,217 SHE CONTROLS IT. 534 00:30:05,251 --> 00:30:08,013 WHAT SHE GONNA DO, KILL YOU? 535 00:30:08,047 --> 00:30:11,948 [VOICES CONTINUE] 536 00:30:13,984 --> 00:30:16,987 [VOICES CONTINUE] 537 00:30:34,556 --> 00:30:36,973 WOW. 538 00:30:37,007 --> 00:30:40,873 230 YEARS OF MEMORIES. 539 00:30:40,908 --> 00:30:43,082 [EXPLOSION] 540 00:30:43,117 --> 00:30:45,982 [RATTLING] 541 00:30:46,983 --> 00:30:48,122 GOOD NEWS IS, 542 00:30:48,156 --> 00:30:50,193 WE CAN AFFECT HER BODY IN HERE. 543 00:30:50,227 --> 00:30:51,297 BAD NEWS IS, 544 00:30:51,332 --> 00:30:52,920 JOSEPHINE SEEMS TO SENSE IT. 545 00:30:52,954 --> 00:30:55,612 COME ON. LET'S FIND SOMETHING WE CAN USE. 546 00:30:55,646 --> 00:30:58,580 [VOICES CONTINUE] 547 00:31:07,003 --> 00:31:09,660 CLARKE: THEY'RE ALL IN CHRONOLOGICAL ORDER. 548 00:31:09,695 --> 00:31:13,872 I LIKE YOUR DRAWINGS BETTER. 549 00:31:22,535 --> 00:31:23,502 LOOK. 550 00:31:23,536 --> 00:31:25,400 THIS MUST BE WHERE SHE KEEPS HER PRIMAL WOUNDS. 551 00:31:25,435 --> 00:31:29,094 SHE SAID THEY CREATE A PHYSICAL RESPONSE. 552 00:31:31,027 --> 00:31:34,306 WE COULD CONTROL MY BODY FROM THERE. 553 00:31:34,340 --> 00:31:37,654 ON IT. THIS'LL TAKE A MINUTE. 554 00:31:37,688 --> 00:31:40,036 FIND OUT WHO SHE IS WHILE I GET THIS OPEN. 555 00:31:40,070 --> 00:31:42,279 RUSSELL'S VOICE: ONE MORE TIME. 556 00:31:42,314 --> 00:31:47,422 JOSEPHINE'S VOICE: B-O-R-N-E-O. 557 00:31:49,355 --> 00:31:52,220 KAYLEE: YOU CAN ADMIT IT, JOSEPHINE. 558 00:31:52,255 --> 00:31:54,153 YOU HAVE A FIXATION. 559 00:31:54,188 --> 00:31:55,430 [CHUCKLES] 560 00:31:55,465 --> 00:31:58,019 IT'S CALLED APPRECIATION. 561 00:31:58,054 --> 00:31:58,744 OH. 562 00:31:58,778 --> 00:32:01,195 DON'T YOU MISS YOUR FIRST BODY? 563 00:32:01,229 --> 00:32:03,162 I'M ALL ABOUT LIVING IN THE NOW, 564 00:32:03,197 --> 00:32:04,646 FOCUSING ON THE PEOPLE THAT ARE HERE, 565 00:32:04,681 --> 00:32:07,304 NOT THOSE FADED INTO DUST. 566 00:32:07,339 --> 00:32:10,376 MAYBE IT'S TIME FOR YOU TO REFOCUS 567 00:32:10,411 --> 00:32:12,171 ON YOUR OWN KIND. 568 00:32:12,206 --> 00:32:14,035 SOME OF THESE PEOPLE AREN'T WORTH 569 00:32:14,070 --> 00:32:15,174 YOUR ATTENTION, LEE-LEE. 570 00:32:15,209 --> 00:32:19,523 WELL, WHAT CAN I SAY? I AM OPEN-MINDED. 571 00:32:19,558 --> 00:32:21,387 OHH! HUH! 572 00:32:21,422 --> 00:32:25,771 THIS JO JUICE IS REALLY GETTING ME TONIGHT. 573 00:32:25,805 --> 00:32:30,051 IS IT? HMM. 574 00:32:30,672 --> 00:32:33,365 KAYLEE: HUH. 575 00:32:40,337 --> 00:32:44,376 THIS ISN'T JUST J-JUICE. 576 00:32:45,032 --> 00:32:48,449 SHUIMIAN JIANGGUO? 577 00:32:49,415 --> 00:32:52,177 I THOUGHT IT WAS FITTING, GIVEN YOU CATALOGED THEM, 578 00:32:52,211 --> 00:32:54,593 THOUGH I STILL THINK THAT YOU COULD'VE BEAT 579 00:32:54,627 --> 00:32:56,388 "SLEEPING BERRIES." 580 00:32:56,422 --> 00:33:00,599 - HMM. - TELL ME WHY. 581 00:33:01,807 --> 00:33:05,224 YOU HAVE TO UNDERSTAND, LEE-LEE, 582 00:33:05,259 --> 00:33:06,501 ISAAC WAS A THREAT. 583 00:33:06,536 --> 00:33:09,470 HE'D NEVER HURT ANYONE, AND HE WAS MINE. 584 00:33:09,504 --> 00:33:11,644 WHAT, YOU COULDN'T STAND TO SEE ME HAPPY? 585 00:33:11,679 --> 00:33:13,646 HE DEFIED THE WILL OF THE PRIMES. 586 00:33:13,681 --> 00:33:15,338 HE DEFIED OBLATION. 587 00:33:15,372 --> 00:33:17,616 THAT'S NOT THE WILL OF THE PRIMES. 588 00:33:17,650 --> 00:33:18,686 THAT'S JUST YOU. 589 00:33:18,720 --> 00:33:22,207 ONLY TWO HOSTS HAVE BEEN BORN IN THE PAST 20 YEARS. 590 00:33:22,241 --> 00:33:24,623 THE NULLS ARE MUDDYING THE BLOODLINE. 591 00:33:24,657 --> 00:33:27,419 WITHOUT OBLATION, WE GO EXTINCT. 592 00:33:27,453 --> 00:33:30,180 HELL, YOU HELPED ME SPREAD THE WORD 593 00:33:30,215 --> 00:33:33,770 BEFORE YOU DECIDED TO HOP IN THE SACK WITH ISAAC. 594 00:33:33,804 --> 00:33:35,461 NOW YOU'RE SOUNDING LIKE RIKER. 595 00:33:35,496 --> 00:33:36,669 PEOPLE ARE MORE THAN THEIR BLOOD. 596 00:33:36,704 --> 00:33:38,671 I'M TALKING ABOUT THE BIGGER PICTURE HERE. 597 00:33:38,706 --> 00:33:40,363 YOUR ANSWER IS MURDER? 598 00:33:40,397 --> 00:33:42,503 DID YOU THINK I WOULDN'T NOTICE? 599 00:33:42,537 --> 00:33:44,263 I DON'T KNOW WHAT HAPPENED TO YOU, 600 00:33:44,298 --> 00:33:46,127 BUT THIS IS NOT WHO YOU ARE. 601 00:33:46,162 --> 00:33:48,543 I'M GETTING BORED. WHY THE HELL DID YOU DRUG ME? 602 00:33:48,578 --> 00:33:50,821 SO THEY BELIEVE THIS WAS AN ACCIDENT. 603 00:33:50,856 --> 00:33:52,616 LET GO OF ME. UH! 604 00:33:52,651 --> 00:33:54,135 AAH! 605 00:33:54,170 --> 00:33:58,760 [ECHOING VOICES] 606 00:34:00,900 --> 00:34:04,387 [BABY CRYING] 607 00:34:18,711 --> 00:34:23,061 JOSEPHINE: YOU MUST THINK VERY LITTLE OF ME, ISAAC. 608 00:34:24,717 --> 00:34:27,272 DID YOU THINK I WOULDN'T NOTICE 609 00:34:27,306 --> 00:34:29,170 MY OFFERING WAS GOING MISSING? 610 00:34:29,205 --> 00:34:31,586 THE FOREST DOESN'T FEED THAT QUICKLY. 611 00:34:31,621 --> 00:34:33,312 ARE YOU GIVING THEM TO GABRIEL? 612 00:34:33,347 --> 00:34:36,591 ISAAC: JOSEPHINE, I CAN EXPLAIN. 613 00:34:36,626 --> 00:34:37,454 OH, I GET IT. 614 00:34:37,489 --> 00:34:39,353 YOU THINK BECAUSE YOU'RE KAYLEE'S PET, 615 00:34:39,387 --> 00:34:41,458 YOU'RE MORE THAN WHAT YOU ARE. 616 00:34:41,493 --> 00:34:44,461 I AM. WE ALL ARE. 617 00:34:44,496 --> 00:34:45,911 JUST BECAUSE WE CAN'T BEAR A HOST 618 00:34:45,945 --> 00:34:47,775 DOESN'T MEAN WE'RE WORTHLESS. 619 00:34:47,809 --> 00:34:49,397 I AGREE. 620 00:34:49,432 --> 00:34:50,295 REALLY? 621 00:34:50,329 --> 00:34:53,505 WORTHLESS IMPLIES A SORT OF NEUTRALITY, 622 00:34:53,539 --> 00:34:56,370 SOMETHING WITH NO POSITIVE VALUE, 623 00:34:56,404 --> 00:35:00,719 BUT NULLS, YOU ARE LESS THAN USELESS. 624 00:35:00,753 --> 00:35:02,548 YOU DILUTE THE BLOODLINE. 625 00:35:02,583 --> 00:35:03,687 YOU MAKE IT LESS LIKELY 626 00:35:03,722 --> 00:35:05,241 THAT ANYONE WOULD BEAR A HOST. 627 00:35:05,275 --> 00:35:06,759 I CAN'T LET THAT HAPPEN. 628 00:35:06,794 --> 00:35:08,899 I HAVE TO THINK OF MY PEOPLE. 629 00:35:08,934 --> 00:35:11,868 ISAAC: WE ARE YOUR PEOPLE. 630 00:35:11,902 --> 00:35:13,318 WE COULD BE SO MUCH MORE. 631 00:35:13,352 --> 00:35:15,458 WE COULD DO SO MUCH MORE, IF ONLY WE WERE ALLOWED 632 00:35:15,492 --> 00:35:17,494 TO TRULY LIVE, IF YOU WOULD LET US 633 00:35:17,529 --> 00:35:19,772 BE MORE THAN JUST YOUR JANITORS OR GUARDS. 634 00:35:19,807 --> 00:35:21,774 THAT ARGUMENT WOULD CARRY A LOT MORE WEIGHT 635 00:35:21,809 --> 00:35:26,400 IF YOU WEREN'T DELIVERING SOLDIERS TO OUR ENEMIES. 636 00:35:26,434 --> 00:35:28,781 TELL ME, HOW IS GABRIEL? 637 00:35:28,816 --> 00:35:31,750 HIS LATEST HOST MUST BE 95 BY NOW. 638 00:35:31,784 --> 00:35:35,892 I'M JUST TRYING TO KEEP OUR PEOPLE ALIVE. 639 00:35:35,926 --> 00:35:37,652 OBLATION IS WRONG. 640 00:35:37,687 --> 00:35:39,792 WHY SHOULD THIS CHILD BE SACRIFICED? 641 00:35:39,827 --> 00:35:42,174 - HE'S DONE NOTH-- - MM! 642 00:35:42,209 --> 00:35:46,282 [ISAAC GAGGING] 643 00:35:48,007 --> 00:35:50,493 [BABY CRYING] 644 00:35:50,527 --> 00:35:51,701 DON'T WORRY, ISAAC. 645 00:35:51,735 --> 00:35:55,532 YOUR SPIRIT SHALL LIVE ETERNAL. 646 00:36:01,987 --> 00:36:07,268 YOU WERE RIGHT. WE CAN'T LET HER WIN. 647 00:36:07,303 --> 00:36:09,512 ALMOST GOT IT. 648 00:36:09,546 --> 00:36:10,651 [BEEP] 649 00:36:10,685 --> 00:36:12,584 YES! 650 00:36:15,587 --> 00:36:16,484 [BELL RINGS] 651 00:36:16,519 --> 00:36:20,971 WOMAN: ♪ GOD REST YE, MERRY GENTLEMEN ♪ 652 00:36:21,006 --> 00:36:23,974 ♪ LET NOTHING YOU DISMAY 653 00:36:24,009 --> 00:36:27,495 ♪ REMEMBER, CHRIST OUR SAVIOR... ♪ 654 00:36:27,530 --> 00:36:30,809 CLARKE: EARTH BEFORE THE BOMBS. 655 00:36:30,843 --> 00:36:34,744 HEY, CHECK IT OUT. 656 00:36:36,780 --> 00:36:40,577 NICE PLACE. 657 00:36:41,958 --> 00:36:44,754 WHY WOULD SHE KEEP THIS MEMORY LOCKED AWAY? 658 00:36:44,788 --> 00:36:46,031 MORE IMPORTANTLY, 659 00:36:46,065 --> 00:36:49,517 HOW DO WE GET CONTROL FROM HERE? 660 00:36:56,352 --> 00:36:59,217 COME ON. 661 00:36:59,424 --> 00:37:02,599 JOSEPHINE: UGH, I SWEAR, I'M TAKING HANLEN NEXT SEMESTER. 662 00:37:02,634 --> 00:37:04,843 I CAN'T DEAL WITH SILVESTRI ANYMORE. 663 00:37:04,877 --> 00:37:06,672 WOMAN: DOES THAT MEAN YOU'RE NOT GOING 664 00:37:06,707 --> 00:37:09,641 ON YOUR LITTLE, SECRET FAMILY PROJECT? 665 00:37:09,675 --> 00:37:11,367 I TOLD THEM NO. 666 00:37:11,401 --> 00:37:13,886 WELL, IF YOUR SIGNING UP FOR HANLEN, 667 00:37:13,921 --> 00:37:15,474 PULL OUT YOUR MINISKIRTS. 668 00:37:15,509 --> 00:37:18,857 HE GIVES A HALF-GRADE BUMP TO GIRLS HE LIKES TO LOOK AT. 669 00:37:18,891 --> 00:37:20,030 OH... 670 00:37:20,065 --> 00:37:21,825 [WIND WHISTLES] 671 00:37:21,860 --> 00:37:23,275 [DOOR CLOSES] 672 00:37:23,310 --> 00:37:25,381 HEY. 673 00:37:28,556 --> 00:37:30,040 I WAS LOOKING FOR YOU 674 00:37:30,075 --> 00:37:32,353 AT THE WATER RATIONING PROTEST, 675 00:37:32,388 --> 00:37:35,598 THOUGHT YOU POSTED SOMETHING ABOUT GOING. 676 00:37:37,462 --> 00:37:40,327 TOO MANY PEOPLE, YOU KNOW. 677 00:37:40,361 --> 00:37:44,745 AND IT'S REALLY DUSTY OUTSIDE. 678 00:37:45,401 --> 00:37:47,679 YEAH. SURE. 679 00:37:48,507 --> 00:37:51,372 UH, I ASKED, AND THERE'S PLENTY OF ROOM 680 00:37:51,407 --> 00:37:53,063 AT THE COMPARATIVE LINGUISTICS THING 681 00:37:53,098 --> 00:37:54,927 IF YOU WANT TO GO. 682 00:37:54,962 --> 00:37:55,859 I DON'T KNOW. 683 00:37:55,894 --> 00:38:00,036 I'M NOT REALLY FEELING THAT SOCIAL LATELY. 684 00:38:00,070 --> 00:38:02,418 HEH. 685 00:38:04,523 --> 00:38:09,597 YOU STILL THINK YOU'RE TOO GOOD FOR ME, HUH? 686 00:38:09,839 --> 00:38:13,601 - THAT'S NOT WHAT I-- - DON'T LIE. 687 00:38:13,636 --> 00:38:15,327 JUST ADMIT IT. 688 00:38:15,362 --> 00:38:18,848 STOP TOYING WITH ME AND JUST ADMIT WHAT YOU ARE. 689 00:38:18,882 --> 00:38:20,090 I--I DON'T-- 690 00:38:20,125 --> 00:38:22,541 I MEAN, I TRIED-- CALLS, TEXTS, 691 00:38:22,576 --> 00:38:26,511 YOU KNOW, BEING THOUGHTFUL. 692 00:38:26,545 --> 00:38:30,100 WHAT DO I GET? 693 00:38:30,135 --> 00:38:32,448 [GASPS] 694 00:38:32,482 --> 00:38:35,451 NOTHING. 695 00:38:35,485 --> 00:38:36,624 WHAT ARE YOU DOING? 696 00:38:36,659 --> 00:38:38,764 THINKING YOU SHOULD SHUT THE HELL UP. 697 00:38:38,799 --> 00:38:41,491 MESSAGE RECEIVED, YOU STUCK-UP BITCH. 698 00:38:41,526 --> 00:38:44,114 YOU DON'T WANT TO SEE ME. 699 00:38:44,149 --> 00:38:46,393 YOU CAN SEE THIS. 700 00:38:46,427 --> 00:38:47,842 [GUNSHOT] 701 00:38:47,877 --> 00:38:52,468 [PEOPLE SCREAM] 702 00:38:52,709 --> 00:38:54,918 MAN: LET'S GET OUT OF HERE! 703 00:38:54,953 --> 00:38:57,956 THIS IS THE THING SHE COULDN'T FACE. 704 00:38:57,990 --> 00:39:01,028 NO WONDER SHE CHANGED HER MIND ABOUT LEAVING. 705 00:39:01,062 --> 00:39:05,377 WE NEED TO USE IT TO CONTROL YOUR BODY. 706 00:39:05,412 --> 00:39:06,792 I HAVE AN IDEA. 707 00:39:06,827 --> 00:39:07,724 [SIREN] 708 00:39:07,759 --> 00:39:09,139 WOMAN ON P.A.: ALERT. INCOMING BOMBSHELLS. 709 00:39:09,174 --> 00:39:12,142 TAKE COVER IMMEDIATELY. 710 00:39:12,177 --> 00:39:15,698 QUICK, HIDE. 711 00:39:18,908 --> 00:39:21,600 YOU NEVER SHOULD HAVE COME HERE! 712 00:39:21,635 --> 00:39:24,776 GET OUT! 713 00:39:25,501 --> 00:39:27,537 [DOOR OPENS] 714 00:39:27,572 --> 00:39:31,023 AAH! I GAVE YOU THE CHANCE TO GO QUIETLY. 715 00:39:31,058 --> 00:39:33,716 I SAID I'D HELP YOUR PEOPLE. 716 00:39:33,750 --> 00:39:36,443 DEAL'S OFF. 717 00:39:36,477 --> 00:39:39,480 [GASPING] 718 00:39:39,515 --> 00:39:42,103 [COUGHS] 719 00:39:42,138 --> 00:39:45,521 SHE'S AWAKE. 720 00:39:49,248 --> 00:39:51,768 [CHUCKLES] 721 00:39:54,219 --> 00:39:55,151 I WIN. 722 00:39:55,185 --> 00:39:56,255 BELLAMY: ALL RIGHT. 723 00:39:56,290 --> 00:39:59,535 IN EXCHANGE FOR IGNORING THAT YOU MURDERED CLARKE... 724 00:39:59,569 --> 00:40:01,744 [DOOR CLOSES] 725 00:40:01,778 --> 00:40:05,403 YOU BUILD US A COMPOUND. 726 00:40:06,680 --> 00:40:09,199 WHAT ABOUT THE MOTHER AND CHILD? WILL THEY AGREE? 727 00:40:09,234 --> 00:40:11,788 I'LL HANDLE OUR PEOPLE. 728 00:40:11,823 --> 00:40:13,721 HOW LONG WILL IT TAKE TO BUILD? 729 00:40:13,756 --> 00:40:14,757 [CLEARS THROAT] 730 00:40:14,791 --> 00:40:16,828 JUST A MOMENT, SWEETHEART. 731 00:40:16,862 --> 00:40:19,037 WITH ALL OF OUR PEOPLE HELPING YOU, 732 00:40:19,071 --> 00:40:20,694 IT WILL GO MUCH FASTER. 733 00:40:20,728 --> 00:40:22,109 TALK TO RIKER ABOUT A WORK SCHEDULE, 734 00:40:22,143 --> 00:40:25,146 AND YOU'LL NEED A DETAIL OF ABOUT 50 OF YOUR OWN PEOPLE. 735 00:40:25,181 --> 00:40:28,149 YOU'LL BUILD A WALL THAT-- 736 00:40:46,582 --> 00:40:50,102 RUSSELL: BELLAMY. 737 00:40:51,000 --> 00:40:54,555 BELLAMY, ARE WE AGREED? 738 00:40:55,142 --> 00:40:57,109 YEAH. 739 00:40:57,144 --> 00:41:00,009 WE'RE GOOD FOR NOW. 740 00:41:00,043 --> 00:41:02,977 I'LL ORDER CONSTRUCTION TO BEGIN. 741 00:41:03,012 --> 00:41:05,014 LET'S GO. 742 00:41:07,326 --> 00:41:11,192 [DOOR OPENS] 743 00:41:14,299 --> 00:41:15,714 JOSIE... 744 00:41:15,749 --> 00:41:18,545 DID SOMETHING GO WRONG WITH THE TRANSFER? 745 00:41:18,579 --> 00:41:19,822 YOU COULD SAY THAT. 746 00:41:19,856 --> 00:41:23,619 SHE'S STILL IN MY HEAD, BUT DON'T WORRY. 747 00:41:23,653 --> 00:41:27,277 I KNOW HOW TO KILL HER ONCE AND FOR ALL. 748 00:41:27,312 --> 00:41:32,800 HEY, REMEMBER WHEN PIKE TAUGHT US MORSE CODE? 749 00:41:32,835 --> 00:41:35,320 I SLEPT THROUGH MOST OF EARTH SKILLS, SO-- 750 00:41:35,354 --> 00:41:39,842 OK. JOSEPHINE WAS TAPPING OUT MORSE CODE 751 00:41:39,876 --> 00:41:42,638 ON HER ARM. 752 00:41:46,089 --> 00:41:47,194 WHAT DOES IT MEAN? 753 00:41:47,228 --> 00:41:52,786 IT MEANS CLARKE'S ALIVE, AND WE'RE GONNA GET HER BACK. 50930

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