All language subtitles for The Walking Dead_ Daryl Dixon - 03x04 - La Justicia Fronteriza.AMZN.FLUX.English.HI.C.orig.Addic7ed.com

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These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:05,000 - Synced and corrected by chamallow - - www.addic7ed.com - 2 00:00:12,206 --> 00:00:13,862 [DRAMATIC MUSIC PLAYS] 3 00:00:18,482 --> 00:00:20,274 DARYL: The town offers up one of your daughters, 4 00:00:20,275 --> 00:00:22,136 and in return, you get a truck full of guns? 5 00:00:22,137 --> 00:00:24,102 Fede calls it security. 6 00:00:24,103 --> 00:00:25,655 I call it extortion. 7 00:00:25,758 --> 00:00:28,206 - Alba. - [CROWD CHEERING] 8 00:00:28,310 --> 00:00:29,930 ANTONIO: Surviving six ofrendas... 9 00:00:29,931 --> 00:00:31,206 such luck. 10 00:00:31,310 --> 00:00:32,827 I have to do something. 11 00:00:35,103 --> 00:00:36,103 Justina? 12 00:00:42,379 --> 00:00:50,379 ♪ 13 00:00:55,896 --> 00:00:58,516 [GLASS SHATTERS, MAN SHOUTS] 14 00:00:58,517 --> 00:01:03,171 ♪ 15 00:01:03,172 --> 00:01:05,724 [MAN SPEAKING IN SPANISH, BANGING ON DOOR] 16 00:01:21,344 --> 00:01:22,757 Don't make me say it. 17 00:01:22,758 --> 00:01:25,516 [ROBERTO SHOUTING IN SPANISH] 18 00:01:25,517 --> 00:01:26,827 He will makes things worse. 19 00:01:29,344 --> 00:01:31,000 [DOOR OPENS] 20 00:01:42,379 --> 00:01:44,000 It's not our fight. 21 00:01:44,793 --> 00:01:46,793 [CHUCKLES] 22 00:01:51,137 --> 00:01:54,655 She loves me. She would never leave. She wouldn't. 23 00:01:55,380 --> 00:01:58,551 You are why we came back. And now she's gone. 24 00:01:58,552 --> 00:02:06,552 ♪ 25 00:02:40,587 --> 00:02:42,932 [INDISTINCT CONVERSATIONS] 26 00:02:56,690 --> 00:03:04,690 ♪ 27 00:03:20,897 --> 00:03:27,275 ♪ 28 00:03:27,276 --> 00:03:29,344 [PLATE CLATTERS] 29 00:03:29,345 --> 00:03:37,345 ♪ 30 00:03:38,725 --> 00:03:41,724 You think we'll ever stop moving? 31 00:03:41,725 --> 00:03:44,483 Sure. As soon as we make it back. 32 00:03:48,897 --> 00:03:52,172 The solar panel is outside. 33 00:03:52,173 --> 00:03:54,034 Take anything useful? 34 00:03:54,035 --> 00:03:56,206 Yeah, actually, I think we're pretty well stocked. 35 00:03:56,207 --> 00:03:58,621 Sticky Fingers Dixon there. 36 00:03:59,173 --> 00:04:00,586 I'll return these when we leave. 37 00:04:00,587 --> 00:04:02,241 Oh. 38 00:04:02,242 --> 00:04:05,137 And when do you think that will be? 39 00:04:05,138 --> 00:04:07,069 Um, once we fix the boat. 40 00:04:07,070 --> 00:04:10,345 If the weather holds up, maybe, uh, maybe a week. 41 00:04:11,897 --> 00:04:13,932 Oh. 42 00:04:17,518 --> 00:04:20,241 I didn't know... I just wanted to say... 43 00:04:20,242 --> 00:04:21,241 Please. 44 00:04:21,242 --> 00:04:24,413 I just wanted to say I'm sorry. 45 00:04:24,414 --> 00:04:29,137 I feel like us being here has, well, 46 00:04:29,138 --> 00:04:31,137 caused a lot of trouble. 47 00:04:31,138 --> 00:04:34,344 No. Justina and Roberto... 48 00:04:34,345 --> 00:04:37,551 that was a problem before you came. 49 00:04:37,552 --> 00:04:41,103 Why don't you want them to be together? 50 00:04:41,104 --> 00:04:46,069 Um, she's a sweet girl, she is. 51 00:04:46,070 --> 00:04:52,069 But it's no good, um, the two of them together. 52 00:04:52,070 --> 00:04:55,655 I don't even know how to explain. 53 00:04:55,656 --> 00:04:58,241 Where I come from, 54 00:04:58,242 --> 00:05:02,621 you can just say it's complicated. 55 00:05:04,690 --> 00:05:08,138 Yes, it's complicated. 56 00:05:12,001 --> 00:05:14,311 [INDISTINCT CONVERSATIONS] 57 00:05:16,450 --> 00:05:18,691 Come on. We're gonna put on that rudder today. 58 00:05:21,036 --> 00:05:22,622 You don't need my help. 59 00:05:25,381 --> 00:05:28,345 We wouldn't even have that thing if it wasn't for you. 60 00:05:28,346 --> 00:05:31,483 It doesn't matter now. 61 00:05:31,484 --> 00:05:33,587 What? You don't want to come with us anymore? 62 00:05:33,588 --> 00:05:36,449 ♪ 63 00:05:36,450 --> 00:05:38,621 I can't live without her. 64 00:05:38,622 --> 00:05:46,449 ♪ 65 00:05:46,450 --> 00:05:47,449 You ready? 66 00:05:47,450 --> 00:05:49,794 Yeah, let's go. 67 00:05:49,795 --> 00:05:56,691 ♪ 68 00:06:01,071 --> 00:06:06,518 ♪ 69 00:06:06,519 --> 00:06:08,587 [ENGINE REVVING] 70 00:06:08,588 --> 00:06:16,588 ♪ 71 00:06:31,312 --> 00:06:32,656 VALENTINA: Perfect, Carol. 72 00:06:32,657 --> 00:06:36,725 ♪ 73 00:06:36,726 --> 00:06:39,001 You need to reinforce this. Okay. 74 00:06:39,002 --> 00:06:46,414 ♪ 75 00:06:46,415 --> 00:06:49,070 Cross it over to the right like this. Yup. 76 00:06:49,071 --> 00:06:51,242 Bring that first end back around... 77 00:06:51,243 --> 00:06:54,828 Yup. ... and then pop it through the hole. 78 00:06:54,829 --> 00:07:01,104 So once the two suns are just right on top of each other. 79 00:07:01,105 --> 00:07:02,173 Boom! 80 00:07:02,174 --> 00:07:06,863 ♪ 81 00:07:06,864 --> 00:07:09,587 - Oh, here it comes, here it comes, here it comes. - Yes. 82 00:07:09,588 --> 00:07:11,001 I see it. 83 00:07:11,002 --> 00:07:19,002 ♪ 84 00:07:26,898 --> 00:07:28,621 Help me with that. Thank you. 85 00:07:28,622 --> 00:07:36,622 ♪ 86 00:07:48,726 --> 00:07:50,380 [CHEERING] 87 00:07:50,381 --> 00:07:52,966 [LAUGHTER] 88 00:07:52,967 --> 00:07:55,276 [CHEERS AND APPLAUSE] 89 00:07:55,277 --> 00:07:57,276 [SPEAKS SPANISH] 90 00:07:57,277 --> 00:08:01,518 ♪ 91 00:08:01,519 --> 00:08:04,036 [HAMMERING] 92 00:09:28,346 --> 00:09:36,345 ♪ 93 00:09:36,346 --> 00:09:37,897 [TOOL CLANKING] 94 00:09:37,898 --> 00:09:41,311 ♪ 95 00:09:41,312 --> 00:09:43,311 Pass me that hammer. 96 00:09:43,312 --> 00:09:45,518 ♪ 97 00:09:45,519 --> 00:09:46,966 Carol. 98 00:09:46,967 --> 00:09:48,552 Can you pass me that hammer? 99 00:09:48,553 --> 00:09:50,621 Sorry. 100 00:09:50,622 --> 00:09:54,518 ♪ 101 00:09:54,519 --> 00:09:58,104 [HAMMERING] 102 00:09:58,105 --> 00:09:59,414 You okay? 103 00:09:59,415 --> 00:10:04,035 It's my fault. It's my fault Justina's gone. 104 00:10:04,036 --> 00:10:06,001 I was trying to reassure her last night. 105 00:10:06,002 --> 00:10:08,345 I think I put the idea in her head. 106 00:10:08,346 --> 00:10:10,483 Stop it. 107 00:10:10,484 --> 00:10:12,552 Don't say hot dogs. 108 00:10:12,553 --> 00:10:15,759 We're finally going home. 109 00:10:15,760 --> 00:10:18,035 You gotta let that shit go. 110 00:10:18,036 --> 00:10:21,828 When I first saw him in the creek, 111 00:10:21,829 --> 00:10:24,967 they look so innocent, so in love. 112 00:10:27,588 --> 00:10:31,207 It was like a mirage. 113 00:10:31,208 --> 00:10:34,552 It's an endangered thing in this fucked up world. 114 00:10:34,553 --> 00:10:37,897 It made me kind of want to root for 'em. 115 00:10:37,898 --> 00:10:41,345 Yeah, well. That was your first mistake. 116 00:10:41,346 --> 00:10:44,345 I don't think you believe that. 117 00:10:44,346 --> 00:10:48,139 That shit that you're thinking is a mistake. 118 00:10:48,140 --> 00:10:51,345 The same mistake I made back in France. 119 00:10:51,346 --> 00:10:53,449 It's the same mistake we're always making. 120 00:10:53,450 --> 00:10:56,207 It's not a mistake. 121 00:10:56,208 --> 00:10:58,518 We're always fighting everyone's fights. 122 00:10:58,519 --> 00:11:01,552 Sometimes we have to fight for ourselves. 123 00:11:01,553 --> 00:11:03,656 If anything's worth fighting for, isn't it 124 00:11:03,657 --> 00:11:06,553 two young people that just want to be together? 125 00:11:08,657 --> 00:11:10,207 How can you not even care? 126 00:11:10,208 --> 00:11:12,552 What makes you think I don't care? 127 00:11:12,553 --> 00:11:15,414 Well, stop acting like there's nothing we can do. 128 00:11:15,415 --> 00:11:17,070 Justina's gone. 129 00:11:17,071 --> 00:11:18,828 There's nothing we can do about it. 130 00:11:18,829 --> 00:11:21,139 She ain't coming back. 131 00:11:21,140 --> 00:11:24,276 Hell, none of them coming back. 132 00:11:24,277 --> 00:11:25,690 Fuck. 133 00:11:25,691 --> 00:11:27,690 [CROWBAR CLATTERS] 134 00:11:27,691 --> 00:11:33,312 ♪ 135 00:11:38,071 --> 00:11:41,001 CAROL: 85 degrees and 12.3 minutes. 136 00:11:41,002 --> 00:11:43,519 I think I'm getting the hang of this, Daryl. 137 00:11:52,933 --> 00:11:58,345 Letting people have space when they need it is a skill. 138 00:11:58,346 --> 00:12:01,173 One I never mastered. 139 00:12:01,174 --> 00:12:03,345 Me neither. 140 00:12:03,346 --> 00:12:05,519 So I live alone. 141 00:12:07,484 --> 00:12:09,449 Yeah, I tried being on my own a few times. 142 00:12:09,450 --> 00:12:12,449 Thought it was the answer. It wasn't. 143 00:12:12,450 --> 00:12:15,966 I'm coming up on 10 years now in el faro. 144 00:12:15,967 --> 00:12:18,483 The lighthouse is the longest I've ever lived anywhere. 145 00:12:18,484 --> 00:12:20,483 - Really? - On land. 146 00:12:20,484 --> 00:12:23,621 Most of my adult life I spent at sea. 147 00:12:23,622 --> 00:12:25,932 - Sounds nauseating. - [CHUCKLES] 148 00:12:25,933 --> 00:12:30,242 Ah, the ocean is home to some of my greatest memories. 149 00:12:30,243 --> 00:12:31,863 Not me. 150 00:12:31,864 --> 00:12:34,276 Although I do love a blanket of stars. 151 00:12:34,277 --> 00:12:36,381 Mm. 152 00:12:40,829 --> 00:12:42,483 ♪ 153 00:12:42,484 --> 00:12:44,932 I feel the world is hard. 154 00:12:44,933 --> 00:12:47,725 No reason not to have companionship. 155 00:12:47,726 --> 00:12:49,587 ♪ 156 00:12:49,588 --> 00:12:52,242 Of course you understand that. 157 00:12:52,243 --> 00:13:00,243 ♪ 158 00:13:08,071 --> 00:13:13,276 Alright, so, the rabbit runs out the hole, 159 00:13:13,277 --> 00:13:15,207 runs around the tree, 160 00:13:15,208 --> 00:13:21,380 and then hops right back into its hole like so. 161 00:13:21,381 --> 00:13:23,587 Uh, great work, bro. 162 00:13:23,588 --> 00:13:26,519 - Now you got to do it with your eyes closed. - VALENTINA: Daryl! 163 00:13:29,071 --> 00:13:33,105 Yeah. Yeah, yeah. We can just finish this up later, I guess. 164 00:13:38,450 --> 00:13:40,070 Yeah. 165 00:13:40,071 --> 00:13:43,311 VALENTINA: How is it going with Cooper? 166 00:13:43,312 --> 00:13:44,690 He's got a lot to say. 167 00:13:44,691 --> 00:13:46,449 It's charming, isn't it? 168 00:13:46,450 --> 00:13:47,794 Yeah. 169 00:13:47,795 --> 00:13:50,380 But he knows a lot about sailing, 170 00:13:50,381 --> 00:13:52,656 and you could use an experienced hand. 171 00:13:52,657 --> 00:13:54,621 I told her Roberto's not coming. 172 00:13:54,622 --> 00:13:56,725 Cooper grew up on the California coast. 173 00:13:56,726 --> 00:13:58,932 He's been wanting to get back for a while, 174 00:13:58,933 --> 00:14:01,414 see who he can find. 175 00:14:01,415 --> 00:14:03,518 Nah, we'll be fine. 176 00:14:03,519 --> 00:14:04,794 Will you? 177 00:14:04,795 --> 00:14:06,449 I fixed the rudder, didn't I? 178 00:14:06,450 --> 00:14:08,552 Even if you were proficient sailors, 179 00:14:08,553 --> 00:14:12,794 which, no offense, you are not, 180 00:14:12,795 --> 00:14:15,380 crossing the Atlantic is a totally different story. 181 00:14:15,381 --> 00:14:16,828 Nah, we'll be alright. 182 00:14:16,829 --> 00:14:19,001 We didn't do so great last time. 183 00:14:19,002 --> 00:14:21,104 You think Cooper would have gotten us through that storm? 184 00:14:21,105 --> 00:14:23,242 Oh, he might have. 185 00:14:23,243 --> 00:14:25,001 Why don't you come? 186 00:14:25,002 --> 00:14:27,070 You know everything there is to know. 187 00:14:27,071 --> 00:14:29,449 I know you really miss being on the ocean. 188 00:14:29,450 --> 00:14:31,207 That's a really nice invitation. 189 00:14:31,208 --> 00:14:34,897 You and Cooper both. We'll have a full crew. 190 00:14:34,898 --> 00:14:37,035 There's a lot I miss about my old life. 191 00:14:37,036 --> 00:14:40,173 But things have changed. I've changed. 192 00:14:40,174 --> 00:14:43,587 I'm content here. 193 00:14:43,588 --> 00:14:46,483 But my point stands. Take Cooper. 194 00:14:46,484 --> 00:14:49,001 No, we'll be fine. We just had a little bit of bad weather, 195 00:14:49,002 --> 00:14:50,725 bad luck. 196 00:14:50,726 --> 00:14:55,518 Your boyfriend sure doesn't like taking advice, does he? 197 00:14:55,519 --> 00:14:58,656 No. It's... He's... We're not... 198 00:14:58,657 --> 00:15:01,311 - Really? - Really. 199 00:15:01,312 --> 00:15:02,587 You've never... 200 00:15:02,588 --> 00:15:03,587 Never. 201 00:15:03,588 --> 00:15:05,725 Nope. 202 00:15:05,726 --> 00:15:07,001 How's it looking? 203 00:15:07,002 --> 00:15:08,621 Okay. Anyway... 204 00:15:08,622 --> 00:15:11,552 - [SPEAKS INDISTINCTLY] - ... think about it. 205 00:15:11,553 --> 00:15:19,553 ♪ 206 00:15:22,105 --> 00:15:30,105 ♪ 207 00:16:58,002 --> 00:17:00,863 COOPER: Valentina said you guys want me to sail with you. 208 00:17:00,864 --> 00:17:02,449 Can I just say? 209 00:17:02,450 --> 00:17:04,070 I'm honored, bro. 210 00:17:04,071 --> 00:17:06,414 Truly. 211 00:17:06,415 --> 00:17:10,932 I've always dreamed of dipping my toes in Monterey Bay again. 212 00:17:10,933 --> 00:17:13,518 Yeah, I'm a banana slug. 213 00:17:13,519 --> 00:17:15,311 A what? 214 00:17:15,312 --> 00:17:17,242 Through and through. 215 00:17:17,243 --> 00:17:19,897 See if my mom made it through. 216 00:17:19,898 --> 00:17:22,656 But how the hell was I gonna do that? 217 00:17:22,657 --> 00:17:24,035 I had no idea. 218 00:17:24,036 --> 00:17:26,725 And then you showed up. 219 00:17:26,726 --> 00:17:29,311 With this beauty. 220 00:17:29,312 --> 00:17:30,656 Talk about dumb luck. 221 00:17:30,657 --> 00:17:33,001 Super dumb. 222 00:17:33,002 --> 00:17:35,104 You think you can help us get there, though? 223 00:17:35,105 --> 00:17:37,035 Yeah... Yeah. Sure thing. 224 00:17:37,036 --> 00:17:39,035 How long will that take? 225 00:17:39,036 --> 00:17:41,139 Two weeks, three, maybe, 226 00:17:41,140 --> 00:17:42,933 depending on the weather. 227 00:17:45,519 --> 00:17:47,105 [GRUNTS] 228 00:17:48,588 --> 00:17:53,587 Alright, let it out. 229 00:17:53,588 --> 00:17:55,690 - DARYL: How's it look? - Looks good. 230 00:17:55,691 --> 00:17:57,174 Tie it down. 231 00:18:00,933 --> 00:18:02,725 [ARROW THWACKS] 232 00:18:02,726 --> 00:18:09,828 ♪ 233 00:18:09,829 --> 00:18:11,828 [ARROW WHISTLES] 234 00:18:11,829 --> 00:18:15,725 [BATTLE CRIES] 235 00:18:15,726 --> 00:18:17,863 [GRUNTING] 236 00:18:17,864 --> 00:18:25,864 ♪ 237 00:18:31,002 --> 00:18:33,173 [ARROWS WHISTLING] 238 00:18:33,174 --> 00:18:35,828 ♪ 239 00:18:35,829 --> 00:18:37,173 Aah! 240 00:18:37,174 --> 00:18:38,207 Move! 241 00:18:38,208 --> 00:18:40,242 [GUNSHOT] 242 00:18:40,243 --> 00:18:43,449 ♪ 243 00:18:43,450 --> 00:18:46,173 [GUNSHOTS] 244 00:18:46,174 --> 00:18:48,656 ♪ 245 00:18:48,657 --> 00:18:51,276 [BATTLE CRIES] 246 00:18:51,277 --> 00:18:53,104 ♪ 247 00:18:53,105 --> 00:18:55,552 [ARROWS WHISTLING, GUNSHOTS] 248 00:18:55,553 --> 00:18:58,483 ♪ 249 00:18:58,484 --> 00:19:01,518 [PEOPLE YELLING, GRUNTING] 250 00:19:01,519 --> 00:19:09,519 ♪ 251 00:19:14,588 --> 00:19:17,828 Everybody okay? 252 00:19:17,829 --> 00:19:20,311 VALENTINA: Cooper. Where is Cooper? 253 00:19:20,312 --> 00:19:28,312 ♪ 254 00:19:39,691 --> 00:19:41,140 [WALKER GROWLING] 255 00:19:42,622 --> 00:19:50,622 ♪ 256 00:19:53,519 --> 00:19:56,414 [WALKER GROWLING] 257 00:19:56,415 --> 00:20:01,242 ♪ 258 00:20:01,243 --> 00:20:03,828 [GUNSHOT] 259 00:20:03,829 --> 00:20:11,829 ♪ 260 00:21:00,519 --> 00:21:04,415 [BELLS TOLLING] 261 00:21:07,105 --> 00:21:08,519 [PEOPLE SCREAMING] 262 00:21:19,381 --> 00:21:21,897 [CROWD CLAMORING, SCREAMING] 263 00:21:21,898 --> 00:21:27,276 ♪ 264 00:21:27,277 --> 00:21:29,449 [SHOUTING IN SPANISH] 265 00:21:29,450 --> 00:21:37,450 ♪ 266 00:21:38,140 --> 00:21:41,345 [BELLS TOLLING IN DISTANCE] 267 00:21:41,346 --> 00:21:42,932 ♪ 268 00:21:42,933 --> 00:21:45,242 - What is that? - I don't know. 269 00:21:45,243 --> 00:21:47,552 [BELLS CONTINUE TOLLING IN DISTANCE] 270 00:21:47,553 --> 00:21:55,553 ♪ 271 00:21:56,312 --> 00:21:58,897 Solaz. 272 00:21:58,898 --> 00:22:01,208 It's under attack. 273 00:22:07,553 --> 00:22:09,587 Try not to do anything stupid when we get there. 274 00:22:09,588 --> 00:22:11,380 Can't make any promises. 275 00:22:11,381 --> 00:22:12,552 Check on Roberto and Antonio, 276 00:22:12,553 --> 00:22:13,725 and we get the hell out, alright? 277 00:22:13,726 --> 00:22:15,690 - I get it. We're leaving. - Alright. 278 00:22:15,691 --> 00:22:18,035 [VEHICLE APPROACHING] 279 00:22:18,036 --> 00:22:20,035 ♪ 280 00:22:20,036 --> 00:22:21,242 DARYL: Come on. 281 00:22:21,243 --> 00:22:26,070 ♪ 282 00:22:26,071 --> 00:22:27,518 CAROL: The hell is that? 283 00:22:27,519 --> 00:22:34,207 ♪ 284 00:22:34,208 --> 00:22:37,139 [INDISTINCT SHOUTING] 285 00:22:37,140 --> 00:22:39,139 [BATTLE CRIES] 286 00:22:39,140 --> 00:22:42,001 [GUNSHOTS] 287 00:22:42,002 --> 00:22:50,002 ♪ 288 00:22:54,933 --> 00:22:59,345 [BATTLE CRIES, GUNSHOTS CONTINUE] 289 00:22:59,346 --> 00:23:02,001 [WALKERS GROWLING] 290 00:23:02,002 --> 00:23:04,139 ♪ 291 00:23:04,140 --> 00:23:06,276 [GRUNTING] 292 00:23:06,277 --> 00:23:09,725 ♪ 293 00:23:09,726 --> 00:23:12,173 [SCREAMING] 294 00:23:12,174 --> 00:23:18,276 ♪ 295 00:23:18,277 --> 00:23:20,518 [GUNSHOTS] 296 00:23:20,519 --> 00:23:24,208 ♪ 297 00:23:29,002 --> 00:23:31,725 ♪ 298 00:23:31,726 --> 00:23:34,518 [SCREAMING, GUNSHOTS CONTINUE] 299 00:23:34,519 --> 00:23:38,380 [WALKERS CONTINUE GROWLING] 300 00:23:38,381 --> 00:23:40,897 [YELLING] 301 00:23:40,898 --> 00:23:43,966 [INDISTINCT SHOUTING CONTINUES] 302 00:23:43,967 --> 00:23:46,587 [GRUNTING] 303 00:23:46,588 --> 00:23:49,380 [GRUNTING, INDISTINCT SHOUTING CONTINUE] 304 00:23:49,381 --> 00:23:57,381 ♪ 305 00:23:59,381 --> 00:24:01,621 [SCREAMING] 306 00:24:01,622 --> 00:24:09,622 ♪ 307 00:24:13,312 --> 00:24:16,140 [GUNSHOTS CONTINUE] 308 00:24:17,588 --> 00:24:25,588 ♪ 309 00:24:28,898 --> 00:24:30,828 [JEEP CRASHES] 310 00:24:30,829 --> 00:24:32,898 [BATTLE CRIES] 311 00:24:35,967 --> 00:24:38,140 [BATTLE CRIES, GUNSHOTS] 312 00:24:40,519 --> 00:24:42,483 [BATTLE CRIES, GUNSHOTS] 313 00:24:42,484 --> 00:24:44,414 [WALKER GROWLING] 314 00:24:44,415 --> 00:24:52,415 ♪ 315 00:24:55,726 --> 00:24:58,001 [SCREAMING CONTINUES] 316 00:24:58,002 --> 00:25:06,002 ♪ 317 00:25:27,450 --> 00:25:31,794 [GRUNTING, INDISTINCT SHOUTING CONTINUE] 318 00:25:31,795 --> 00:25:34,656 [GUNSHOTS CONTINUE] 319 00:25:34,657 --> 00:25:36,725 [WALKERS CONTINUE GROWLING] 320 00:25:36,726 --> 00:25:44,726 ♪ 321 00:25:51,864 --> 00:25:53,311 Alonzo, no. 322 00:25:53,312 --> 00:25:54,552 [WALKER GROWLING] 323 00:25:54,553 --> 00:25:56,001 Alonzo. 324 00:25:56,002 --> 00:25:58,242 [WALKER CONTINUES GROWLING] 325 00:25:58,243 --> 00:26:03,139 ♪ 326 00:26:03,140 --> 00:26:05,449 [GUNSHOT] 327 00:26:05,450 --> 00:26:08,276 ♪ 328 00:26:08,277 --> 00:26:11,725 [GUNSHOT] 329 00:26:11,726 --> 00:26:13,587 Alonzo. 330 00:26:13,588 --> 00:26:17,794 ♪ 331 00:26:17,795 --> 00:26:19,380 It was his nephew. 332 00:26:19,381 --> 00:26:22,035 ♪ 333 00:26:22,036 --> 00:26:24,828 I need to check on Roberto. Which way do I go? 334 00:26:24,829 --> 00:26:26,518 This way. I'm with you. 335 00:26:26,519 --> 00:26:27,932 Okay. 336 00:26:27,933 --> 00:26:30,070 I'll meet you at the square. 337 00:26:30,071 --> 00:26:31,277 Alright. 338 00:26:33,829 --> 00:26:36,276 [GRUNTING] 339 00:26:36,277 --> 00:26:44,277 ♪ 340 00:26:49,726 --> 00:26:52,552 [GUNSHOT] 341 00:26:52,553 --> 00:26:56,794 Roberto! 342 00:26:56,795 --> 00:26:59,207 [PRIMITIVOS YELLING] 343 00:26:59,208 --> 00:27:03,449 ♪ 344 00:27:03,450 --> 00:27:06,105 Antonio! 345 00:27:08,484 --> 00:27:10,483 [WALKER GROWLING] 346 00:27:10,484 --> 00:27:16,070 ♪ 347 00:27:16,071 --> 00:27:18,690 [PEOPLE GRUNTING, SCREAMING] 348 00:27:18,691 --> 00:27:26,691 ♪ 349 00:27:38,174 --> 00:27:40,483 [SCREAMING, GRUNTING CONTINUE] 350 00:27:40,484 --> 00:27:46,450 ♪ 351 00:27:51,140 --> 00:27:53,725 [INDISTINCT SHOUTING, SCREAMING, GRUNTING] 352 00:27:53,726 --> 00:28:01,726 ♪ 353 00:28:14,933 --> 00:28:20,552 [GUNSHOT] 354 00:28:20,553 --> 00:28:23,345 [GRUNTING, SCREAMING CONTINUE] 355 00:28:23,346 --> 00:28:26,276 ♪ 356 00:28:26,277 --> 00:28:28,276 [GUNSHOT] 357 00:28:28,277 --> 00:28:33,726 ♪ 358 00:28:35,243 --> 00:28:37,518 [GRUNTING] 359 00:28:37,519 --> 00:28:40,311 [SCREAMING] 360 00:28:40,312 --> 00:28:46,002 ♪ 361 00:28:49,312 --> 00:28:57,312 ♪ 362 00:29:09,174 --> 00:29:11,795 [MAN GRUNTING, KNIFE STABS] 363 00:29:13,174 --> 00:29:16,726 Let's load up on ammo and get back down there. 364 00:29:20,967 --> 00:29:22,002 I'll see you there. 365 00:29:24,657 --> 00:29:26,932 [INDISTINCT SHOUTING] 366 00:29:26,933 --> 00:29:29,897 ♪ 367 00:29:29,898 --> 00:29:31,587 We need to get you inside. 368 00:29:31,588 --> 00:29:33,242 No, I'm okay. We need to fight. 369 00:29:33,243 --> 00:29:35,690 No. No. Come on. Inside. 370 00:29:35,691 --> 00:29:38,276 [GRUNTING, GASPING] 371 00:29:38,277 --> 00:29:39,518 We're gonna get it fixed up. 372 00:29:39,519 --> 00:29:41,035 [MAN YELLS, GUNSHOT] 373 00:29:41,036 --> 00:29:42,139 [GUN CLICKS] 374 00:29:42,140 --> 00:29:44,518 Shit. Shit! 375 00:29:44,519 --> 00:29:46,759 [GUNSHOT] 376 00:29:46,760 --> 00:29:54,760 ♪ 377 00:30:07,898 --> 00:30:11,104 [INDISTINCT SHOUTING IN DISTANCE] 378 00:30:11,105 --> 00:30:15,036 ♪ 379 00:30:24,036 --> 00:30:27,104 ♪ 380 00:30:27,105 --> 00:30:29,174 It's quiet. 381 00:30:30,553 --> 00:30:33,276 Yeah. Something ain't right. 382 00:30:33,277 --> 00:30:36,345 ♪ 383 00:30:36,346 --> 00:30:38,518 [HORSE NEIGHS IN DISTANCE] 384 00:30:38,519 --> 00:30:46,519 ♪ 385 00:30:54,588 --> 00:30:57,621 [FIREBALL BOOMS] 386 00:30:57,622 --> 00:30:59,966 [WALKERS GROWLING] 387 00:30:59,967 --> 00:31:02,345 ♪ 388 00:31:02,346 --> 00:31:04,725 What the hell was that? 389 00:31:04,726 --> 00:31:07,345 [FIREBALL WHOOSHING] 390 00:31:07,346 --> 00:31:09,105 Dios... 391 00:31:14,208 --> 00:31:15,207 [FIREBALL WHOOSHES] 392 00:31:15,208 --> 00:31:16,449 Cover! 393 00:31:16,450 --> 00:31:23,173 ♪ 394 00:31:23,174 --> 00:31:25,863 [WALKERS GROWLING] 395 00:31:25,864 --> 00:31:28,863 ♪ 396 00:31:28,864 --> 00:31:31,276 [PEOPLE SPEAKING SPANISH] 397 00:31:31,277 --> 00:31:34,828 [WALKERS CONTINUE GROWLING] 398 00:31:34,829 --> 00:31:37,001 [INDISTINCT SHOUTING] 399 00:31:37,002 --> 00:31:45,002 ♪ 400 00:31:52,277 --> 00:31:54,346 [SCREAMING] 401 00:31:57,071 --> 00:32:00,035 [WALKERS GROWLING, PEOPLE GRUNTING] 402 00:32:00,036 --> 00:32:08,036 ♪ 403 00:32:20,105 --> 00:32:22,552 [GUNSHOT] 404 00:32:22,553 --> 00:32:24,656 ♪ 405 00:32:24,657 --> 00:32:26,828 [GUNSHOT] 406 00:32:26,829 --> 00:32:28,656 Quick mission, huh? 407 00:32:28,657 --> 00:32:30,001 Yeah. 408 00:32:30,002 --> 00:32:34,035 [GUNSHOT] 409 00:32:34,036 --> 00:32:41,863 ♪ 410 00:32:41,864 --> 00:32:44,552 [PEOPLE GRUNTING, SCREAMING] 411 00:32:44,553 --> 00:32:48,690 ♪ 412 00:32:48,691 --> 00:32:51,725 [WALKER GROWLING] 413 00:32:51,726 --> 00:32:53,690 ♪ 414 00:32:53,691 --> 00:32:55,242 [GUNSHOTS] 415 00:32:55,243 --> 00:32:58,140 [PEOPLE GRUNTING, WALKERS GROWLING] 416 00:33:03,691 --> 00:33:06,621 Carol, come with me. 417 00:33:06,622 --> 00:33:09,173 [GUNSHOTS CONTINUE] 418 00:33:09,174 --> 00:33:14,035 ♪ 419 00:33:14,036 --> 00:33:16,070 [PEOPLE GRUNTING, SCREAMING] 420 00:33:16,071 --> 00:33:19,207 ♪ 421 00:33:19,208 --> 00:33:21,690 [GUNSHOTS CONTINUE, WALKERS CONTINUE GROWLING] 422 00:33:21,691 --> 00:33:29,691 ♪ 423 00:33:31,657 --> 00:33:35,173 [GUNSHOTS CONTINUE, WALKERS CONTINUE GROWLING] 424 00:33:35,174 --> 00:33:37,070 [PEOPLE CONTINUE SCREAMING, GRUNTING] 425 00:33:37,071 --> 00:33:43,897 ♪ 426 00:33:43,898 --> 00:33:45,656 Daryl! 427 00:33:45,657 --> 00:33:49,552 ♪ 428 00:33:49,553 --> 00:33:51,552 [GUNSHOTS] 429 00:33:51,553 --> 00:33:59,449 ♪ 430 00:33:59,450 --> 00:34:01,759 [GUNSHOTS CONTINUE, WALKERS CONTINUE GROWLING] 431 00:34:01,760 --> 00:34:03,483 ♪ 432 00:34:03,484 --> 00:34:05,380 [GUNSHOTS CONTINUE] 433 00:34:05,381 --> 00:34:08,104 [PEOPLE CONTINUE GRUNTING] 434 00:34:08,105 --> 00:34:12,483 ♪ 435 00:34:12,484 --> 00:34:14,483 [GUNSHOTS CONTINUE] 436 00:34:14,484 --> 00:34:22,484 ♪ 437 00:34:27,450 --> 00:34:29,656 [GUNSHOTS CONTINUE] 438 00:34:29,657 --> 00:34:31,897 [WALKERS GROWLING, PEOPLE GRUNTING] 439 00:34:31,898 --> 00:34:39,898 ♪ 440 00:34:49,277 --> 00:34:52,035 [GUNSHOTS STOP] 441 00:34:52,036 --> 00:34:55,345 [SCREAMING IN DISTANCE] 442 00:34:55,346 --> 00:34:58,035 Daryl. Hurry! 443 00:34:58,036 --> 00:35:06,036 ♪ 444 00:35:15,415 --> 00:35:18,276 [SCATTERED CONVERSATIONS IN SPANISH] 445 00:35:18,277 --> 00:35:26,277 ♪ 446 00:35:33,760 --> 00:35:36,759 [CRYING] 447 00:35:36,760 --> 00:35:44,760 ♪ 448 00:36:02,450 --> 00:36:04,071 SERGIO: Si. 449 00:37:01,243 --> 00:37:03,207 DARYL: Hey, caught one! 450 00:37:03,208 --> 00:37:05,104 [INDISTINCT SHOUTING] 451 00:37:05,105 --> 00:37:13,105 ♪ 452 00:37:20,864 --> 00:37:23,276 [PRIMITIVO GRUNTS] 453 00:37:23,277 --> 00:37:26,036 [GROWLS] 454 00:37:35,864 --> 00:37:43,621 ♪ 455 00:37:43,622 --> 00:37:47,002 [PRIMITIVO GRUNTING] 456 00:39:26,588 --> 00:39:28,622 [SPITS] 457 00:39:30,312 --> 00:39:31,760 DARYL: What did he say? 458 00:39:33,657 --> 00:39:37,345 They know of El Alcazar, 459 00:39:37,346 --> 00:39:39,794 and the gifts they bring us. 460 00:39:39,795 --> 00:39:42,690 But why destroy everything? What... What's the point? 461 00:39:42,691 --> 00:39:45,656 The fuck do they want? 462 00:39:45,657 --> 00:39:47,864 To burn it all down. 463 00:39:56,071 --> 00:39:58,036 Someone is escaping. 464 00:39:59,208 --> 00:40:04,932 ♪ 465 00:40:04,933 --> 00:40:07,001 [ENGINE STARTS] 466 00:40:07,002 --> 00:40:15,002 ♪ 467 00:40:29,519 --> 00:40:32,070 [VEHICLE APPROACHING] 468 00:40:32,071 --> 00:40:40,071 ♪ 469 00:40:47,967 --> 00:40:49,449 It's Roberto. 470 00:40:49,450 --> 00:40:56,001 ♪ 471 00:40:56,002 --> 00:40:57,345 Hey! 472 00:40:57,346 --> 00:41:05,346 ♪ 473 00:41:18,791 --> 00:41:22,449 FEDE: Hey! You interfered with him. 474 00:41:22,450 --> 00:41:24,001 He was going to stop Roberto. 475 00:41:24,002 --> 00:41:25,553 Well, he was gonna shoot him. 476 00:41:27,208 --> 00:41:28,725 He was going to shoot the tires. 477 00:41:28,726 --> 00:41:30,414 - You're a fucking liar. - FEDE: Hey, hey, hey. 478 00:41:30,415 --> 00:41:32,863 Listen to me. You have made a huge problem. 479 00:41:32,864 --> 00:41:34,174 You should not have come... 480 00:41:48,208 --> 00:41:49,449 What happened? 481 00:41:49,450 --> 00:41:51,759 Roberto took a truck, got away. 482 00:41:51,760 --> 00:41:54,070 ♪ 483 00:41:54,071 --> 00:41:55,897 Well, we got to go after him. 484 00:41:55,898 --> 00:41:59,345 We need every person we have to keep the village protected. 485 00:41:59,346 --> 00:42:01,242 - If Roberto gets to El Alcazar... - I'll get him. 486 00:42:01,243 --> 00:42:02,828 ... he could destroy our alliance. 487 00:42:02,829 --> 00:42:05,553 - I'll go. - Unless he gets himself killed first. 488 00:42:07,140 --> 00:42:12,829 ♪ 489 00:42:17,484 --> 00:42:20,587 He is less able to survive out there than Roberto. 490 00:42:20,588 --> 00:42:22,070 [SPEAKS SPANISH] 491 00:42:22,071 --> 00:42:24,311 Actually, 492 00:42:24,312 --> 00:42:27,690 when was the last time you even left the village? 493 00:42:27,691 --> 00:42:30,380 Hmm? 494 00:42:30,381 --> 00:42:32,311 I'll go with him. 495 00:42:32,312 --> 00:42:34,415 We'll bring him back. 496 00:42:36,346 --> 00:42:40,208 Okay. Suit yourself. 497 00:42:44,243 --> 00:42:48,726 ♪ 498 00:42:51,208 --> 00:42:56,553 ♪ 499 00:43:01,071 --> 00:43:04,276 You don't have to do this. 500 00:43:04,277 --> 00:43:05,863 Your kid is missing. 501 00:43:05,864 --> 00:43:08,690 When that happens, having help is a good thing. 502 00:43:08,691 --> 00:43:12,173 ♪ 503 00:43:12,174 --> 00:43:14,518 Do you have children? 504 00:43:14,519 --> 00:43:18,104 ♪ 505 00:43:18,105 --> 00:43:20,828 No. 506 00:43:20,829 --> 00:43:22,828 Not anymore. 507 00:43:22,829 --> 00:43:27,276 ♪ 508 00:43:27,277 --> 00:43:31,794 I'll, uh, grab the ethanol from the shed. 509 00:43:31,795 --> 00:43:33,242 Meet you outside? 510 00:43:33,243 --> 00:43:34,966 Mm-hmm. 511 00:43:34,967 --> 00:43:42,967 ♪ 512 00:43:50,657 --> 00:43:54,035 CAROL: You gonna say what's on your mind? 513 00:43:54,036 --> 00:43:56,518 I think you should let Roberto go. 514 00:43:56,519 --> 00:43:58,725 Even if it gets him killed? 515 00:43:58,726 --> 00:44:00,449 He was gonna run off with Justina. 516 00:44:00,450 --> 00:44:02,828 You were alright with that. 517 00:44:02,829 --> 00:44:05,587 What's the difference? 518 00:44:05,588 --> 00:44:09,863 They were together, at least. And he wasn't acting crazy. 519 00:44:09,864 --> 00:44:11,276 He ain't gonna stop. 520 00:44:11,277 --> 00:44:13,794 He comes back here, nothing changes. 521 00:44:13,795 --> 00:44:16,518 Suddenly you're Roberto's champion? 522 00:44:16,519 --> 00:44:18,725 I just think he's old enough to make up his own mind. 523 00:44:18,726 --> 00:44:21,414 That's it. 524 00:44:21,415 --> 00:44:23,276 And if he dies? 525 00:44:23,277 --> 00:44:29,035 ♪ 526 00:44:29,036 --> 00:44:31,001 Are you ready? 527 00:44:31,002 --> 00:44:35,242 ♪ 528 00:44:35,243 --> 00:44:37,828 Guess I'll see you when we get back. 529 00:44:37,829 --> 00:44:43,276 ♪ 530 00:44:43,277 --> 00:44:45,656 Hey! Wait up. 531 00:44:45,657 --> 00:44:48,035 ♪ 532 00:44:48,036 --> 00:44:50,242 If you're going, I'm going. 533 00:44:50,243 --> 00:44:58,243 ♪ 534 00:45:37,553 --> 00:45:39,380 CAROL: Do you think he'll find Justina? 535 00:45:39,381 --> 00:45:42,139 ANTONIO: He won't stop till he does. 536 00:45:42,140 --> 00:45:50,140 ♪ 537 00:45:58,174 --> 00:46:06,174 ♪ 538 00:47:08,795 --> 00:47:10,932 [GRUNTS] 539 00:47:10,933 --> 00:47:18,933 ♪ 540 00:47:35,760 --> 00:47:38,828 There's tracks down both roads. 541 00:47:38,829 --> 00:47:42,518 Can you tell which way he went? 542 00:47:42,519 --> 00:47:44,139 That way. 543 00:47:44,140 --> 00:47:48,207 ♪ 544 00:47:48,208 --> 00:47:50,518 [WALKERS GROWLING] 545 00:47:50,519 --> 00:47:53,553 ♪ 546 00:48:10,277 --> 00:48:16,070 ♪ 547 00:48:16,071 --> 00:48:18,414 [GATE CLANKING] 548 00:48:18,415 --> 00:48:21,035 [WALKERS SNARLING] 549 00:48:21,036 --> 00:48:29,036 ♪ 550 00:48:30,381 --> 00:48:33,622 [PRIMITIVO SCREAMING, WALKERS GROWLING] 551 00:48:44,622 --> 00:48:52,622 ♪ 552 00:48:53,208 --> 00:48:55,242 [METAL CRASHING, GLASS SMASHING] 553 00:48:55,243 --> 00:49:00,276 ♪ 554 00:49:00,277 --> 00:49:06,725 Roberto! Shh! 555 00:49:06,726 --> 00:49:09,311 There might be somebody nearby. 556 00:49:09,312 --> 00:49:11,518 [MEN SPEAKING SPANISH] 557 00:49:11,519 --> 00:49:14,311 ♪ 558 00:49:14,312 --> 00:49:16,552 DARYL: What is that? 559 00:49:16,553 --> 00:49:19,242 Compass. 560 00:49:19,243 --> 00:49:21,966 Roberto gave that to her before we left. 561 00:49:21,967 --> 00:49:23,345 [PEOPLE SHOUTING, SCREAMING] 562 00:49:23,346 --> 00:49:24,656 So they're together. 563 00:49:24,657 --> 00:49:26,483 [GRUNTING] 564 00:49:26,484 --> 00:49:28,726 But where? 565 00:49:37,660 --> 00:49:38,725 What about Justina? 566 00:49:38,726 --> 00:49:40,140 Where's that convoy go next? 567 00:49:40,553 --> 00:49:41,588 MAN: Barcelona. 568 00:49:41,726 --> 00:49:43,450 ♪ 569 00:49:43,453 --> 00:49:44,518 [MOTORBIKE ROARS] 570 00:49:44,519 --> 00:49:45,795 ♪ 571 00:49:45,898 --> 00:49:46,897 [IN SPANISH] 572 00:49:46,898 --> 00:49:48,933 ♪ 573 00:49:49,036 --> 00:49:50,588 WOMAN: Bad men, they take our water. 574 00:49:51,277 --> 00:49:52,484 [IN SPANISH] 575 00:49:52,795 --> 00:49:54,346 DARYL: I'll go get your water. 576 00:49:55,040 --> 00:49:56,070 [GUNFIRE] 577 00:49:56,071 --> 00:49:57,208 We have to fight them. 578 00:49:57,660 --> 00:49:58,690 [SHOUTING] 579 00:49:58,691 --> 00:50:05,140 ♪ 580 00:50:05,277 --> 00:50:06,622 Your boyfriend sure doesn't like 581 00:50:06,760 --> 00:50:08,622 taking advice, does he? 582 00:50:08,760 --> 00:50:10,588 No. 583 00:50:10,726 --> 00:50:12,450 We're not... 584 00:50:12,588 --> 00:50:13,588 Really? 585 00:50:13,622 --> 00:50:14,760 Nope! 586 00:50:19,795 --> 00:50:21,553 DAVID ZABEL: When we wrote the scene 587 00:50:21,657 --> 00:50:23,622 where Valentina assumes that Daryl and Carol are a couple, 588 00:50:23,760 --> 00:50:25,795 I thought that Norman and Melissa 589 00:50:25,933 --> 00:50:27,381 would have a lot to say about it. 590 00:50:27,484 --> 00:50:28,795 They did not. 591 00:50:28,933 --> 00:50:30,657 They seemed to appreciate the humor 592 00:50:30,795 --> 00:50:34,243 and seem to recognize that it's a reasonable assumption. 593 00:50:34,346 --> 00:50:37,381 And at the moment, you know, I think works very charmingly. 594 00:50:37,484 --> 00:50:39,071 Ooh, fun. She's spunky. 595 00:50:39,174 --> 00:50:41,898 I like the camaraderie between Valentina and Carol, 596 00:50:42,002 --> 00:50:45,174 just kind of, eh, beginning friendship there. 597 00:50:45,312 --> 00:50:47,312 DAVID ZABEL: In this season, we were trying to move Carol 598 00:50:47,450 --> 00:50:49,381 a little bit more towards a place of peace. 599 00:50:49,484 --> 00:50:52,450 So we thought having a model of that was good 600 00:50:52,588 --> 00:50:53,795 and would be a good relationship, 601 00:50:53,933 --> 00:50:55,312 which I think it turned out to be. 602 00:50:55,450 --> 00:50:56,795 Irina, who plays Valentina, was fantastic. 603 00:50:56,933 --> 00:50:58,622 You hope things will play out well. 604 00:50:58,760 --> 00:50:59,933 If you're lucky, then things play out 605 00:51:00,071 --> 00:51:01,071 even better than you expected. 606 00:51:01,174 --> 00:51:02,277 How's it look? 607 00:51:02,381 --> 00:51:04,484 Looks good. Tie it down. 608 00:51:04,622 --> 00:51:06,519 [ARROW WHIRS] 609 00:51:06,657 --> 00:51:07,657 [GROANS] 610 00:51:07,691 --> 00:51:09,691 [DRAMATIC MUSIC PLAYS] 611 00:51:09,829 --> 00:51:11,450 - [BODY THUDS] - [PRIMITIVOS YELLING] 612 00:51:11,553 --> 00:51:15,002 Episode four... the title is "Frontier Justice." 613 00:51:15,140 --> 00:51:17,312 It really is an episode 614 00:51:17,450 --> 00:51:20,933 that centers around an attack on the town of Solaz del Mar. 615 00:51:21,036 --> 00:51:22,898 [DRAMATIC MUSIC PLAYS] 616 00:51:23,036 --> 00:51:25,726 ♪ 617 00:51:25,864 --> 00:51:28,450 And so it involves a story about a frontier town 618 00:51:28,553 --> 00:51:31,140 that's trying to defend itself from marauders, 619 00:51:31,277 --> 00:51:32,691 these primitivos. 620 00:51:32,829 --> 00:51:34,967 Yeah. They see Primitivos coming. 621 00:51:35,105 --> 00:51:37,829 Of course they have to go to battle. 622 00:51:37,967 --> 00:51:41,415 - 3... 2... 1. Action! - [PRIMITIVOS YELLING] 623 00:51:41,553 --> 00:51:43,166 DAVID ZABEL: The Primitivos was an idea 624 00:51:43,167 --> 00:51:44,167 that we had in the writers room 625 00:51:44,168 --> 00:51:45,381 that we had a lot of fun with. 626 00:51:45,519 --> 00:51:47,691 We just wanted a group that was completely amoral, 627 00:51:47,829 --> 00:51:51,381 that had almost no intent except destruction. 628 00:51:51,519 --> 00:51:53,622 JASON RICHMAN: Here's kind of a hopeless army. 629 00:51:53,726 --> 00:51:55,898 So it's kind of like a psycho criminal on the loose. 630 00:51:56,036 --> 00:51:57,519 DAVID ZABEL: We thought that would be really scary 631 00:51:57,657 --> 00:51:59,519 and it would be true to an apocalypse, 632 00:51:59,657 --> 00:52:01,622 especially some years down the road. 633 00:52:01,760 --> 00:52:04,036 And so out of that came this kind of idea 634 00:52:04,174 --> 00:52:05,450 of these wild primitivos, 635 00:52:05,588 --> 00:52:06,726 which obviously means primitive people. 636 00:52:06,864 --> 00:52:08,450 [GUNFIRE] 637 00:52:08,588 --> 00:52:12,036 We gave the primitives a very primal visual. 638 00:52:12,140 --> 00:52:14,691 They're dressed in animal skins, and they have horns. 639 00:52:14,795 --> 00:52:17,208 And it took quite a while to come up with a look 640 00:52:17,346 --> 00:52:20,208 that felt real and not too fantastical. 641 00:52:20,381 --> 00:52:23,071 ♪ 642 00:52:23,208 --> 00:52:24,933 Sebastien Fouassier: Today, I got really excited, 643 00:52:25,071 --> 00:52:28,450 'cause we have like 60 stunt people working on this scene. 644 00:52:28,588 --> 00:52:31,071 EDUARDO NORIEGA: You need so many people to be coordinated, 645 00:52:31,208 --> 00:52:34,140 just to be able to shoot a scene like this 646 00:52:34,277 --> 00:52:37,588 all together at the same time, doing the same specific shot. 647 00:52:37,726 --> 00:52:39,277 NORMAN REEDUS: It's a lot of chaotic movement. 648 00:52:39,415 --> 00:52:41,760 There's a lot of action and adrenaline. 649 00:52:41,898 --> 00:52:43,864 MELISSA MCBRIDE: It was, like, the longest action sequence 650 00:52:44,002 --> 00:52:45,277 maybe that I can remember. 651 00:52:45,415 --> 00:52:48,105 There were so many setups for that. 652 00:52:48,243 --> 00:52:49,760 SEBASTIEN FOUASSIER: We have, you know, vehicles. 653 00:52:49,898 --> 00:52:51,553 One is crashing through the gate. 654 00:52:51,691 --> 00:52:53,208 [ENGINE REVVING] 655 00:52:54,898 --> 00:52:57,346 We have primitivos fighting everywhere. 656 00:52:57,450 --> 00:52:58,933 We have Daryl and Carol 657 00:52:59,071 --> 00:53:00,381 also making their way through the gate. 658 00:53:00,519 --> 00:53:02,588 - Brawl. - Yeah. So... Exactly. 659 00:53:02,726 --> 00:53:03,726 And then... 660 00:53:03,760 --> 00:53:05,450 There's a fighting style 661 00:53:05,588 --> 00:53:10,622 that I've tried to sort of adapt and grow along the years. 662 00:53:10,760 --> 00:53:15,105 I choose to have fluid weapons to duck under arms and swing. 663 00:53:15,243 --> 00:53:16,691 And, you know, it's always 664 00:53:16,829 --> 00:53:18,795 how do I get from this point to that point 665 00:53:18,933 --> 00:53:22,484 with the least amount of effort in the smoothest way? 666 00:53:22,622 --> 00:53:24,381 Because we're always running through. 667 00:53:24,484 --> 00:53:25,795 [GROANS] 668 00:53:25,933 --> 00:53:27,519 I try to tell the story with the stunts. 669 00:53:27,657 --> 00:53:29,760 And our stunt team is really, really good. 670 00:53:29,898 --> 00:53:31,864 I love this choreography. 671 00:53:32,002 --> 00:53:35,002 Paz is so physical and has a lot of weapons, 672 00:53:35,140 --> 00:53:36,519 and she uses everything for the fight. 673 00:53:36,657 --> 00:53:39,484 So this is the most exciting part for me. 674 00:53:39,622 --> 00:53:40,771 MELISSA MCBRIDE: Really, it was one of the most 675 00:53:40,772 --> 00:53:44,829 difficult action sequences that I've ever shot. 676 00:53:44,967 --> 00:53:47,105 It was complex for the director to put together. 677 00:53:47,243 --> 00:53:48,967 Paco did a really good job. 678 00:53:49,105 --> 00:53:50,484 Cut, cut, cut! 679 00:53:50,622 --> 00:53:53,519 [DRAMATIC MUSIC PLAYS] 680 00:53:53,657 --> 00:53:55,450 Something ain't right. 681 00:53:55,588 --> 00:53:59,864 DAVID ZABEL: In our constant attempt to find new ways to use walkers, 682 00:54:00,002 --> 00:54:02,140 we talked about these catapults that are used 683 00:54:02,243 --> 00:54:05,553 to project the flaming walkers into the town. 684 00:54:05,691 --> 00:54:08,174 That was an idea of a medieval attack on a town. 685 00:54:09,933 --> 00:54:11,519 NORMAN REEDUS: They do it with a light effect. 686 00:54:11,657 --> 00:54:13,071 So there's a crane and a giant ball, 687 00:54:13,208 --> 00:54:15,312 sort of lantern that flies through the sky. 688 00:54:15,415 --> 00:54:16,829 You know, that's what that looks like. 689 00:54:19,484 --> 00:54:21,208 They hit, and then they spread out. 690 00:54:21,346 --> 00:54:22,484 And they show up, and they're already out. 691 00:54:22,622 --> 00:54:23,657 Now we're gonna roll 692 00:54:23,760 --> 00:54:25,346 for the last piece of the fight. 693 00:54:25,484 --> 00:54:28,002 We're gonna be shooting now in that direction, okay? 694 00:54:28,140 --> 00:54:29,691 We had a lot of people on fire. 695 00:54:29,829 --> 00:54:32,484 PACO CABEZAS: And fire, burning. 696 00:54:32,588 --> 00:54:34,691 We had nine zombies on fire at the same time, 697 00:54:34,829 --> 00:54:36,243 which was pretty good. 698 00:54:36,381 --> 00:54:37,657 [GRUNTS] 699 00:54:37,795 --> 00:54:39,726 PACO CABEZAS: Ready, ready. 700 00:54:40,519 --> 00:54:41,734 NORMAN REEDUS: They coat themselves in this gel, 701 00:54:41,735 --> 00:54:42,864 and the gel is freezing. 702 00:54:43,002 --> 00:54:44,760 It's a bunch of big stunt guys, 703 00:54:44,898 --> 00:54:46,071 like, you know, looking really scary, 704 00:54:46,208 --> 00:54:47,760 and they're freezing. 705 00:54:47,898 --> 00:54:51,726 We did a few tests with Greg and his team and my team 706 00:54:51,864 --> 00:54:55,415 where we kind of mix all this energy 707 00:54:55,553 --> 00:54:57,864 and experience together to make it look cooler. 708 00:54:59,484 --> 00:55:01,140 [WALKERS GROWLING] 709 00:55:01,277 --> 00:55:02,898 MAN: Time-out, time-out! 710 00:55:05,622 --> 00:55:07,277 SEBASTIEN TOUASSIER: The most challenging thing? 711 00:55:07,415 --> 00:55:09,588 Everything is a challenge. [LAUGHS] 712 00:55:15,829 --> 00:55:17,140 EDUARDO NORIEGA: In this town, there are some people 713 00:55:17,277 --> 00:55:19,588 who are against El Alcazar and La Ofrenda. 714 00:55:19,726 --> 00:55:21,898 But there are some of us 715 00:55:22,002 --> 00:55:25,208 who think that it's a price we have to pay, 716 00:55:25,312 --> 00:55:26,760 because they protect us. 717 00:55:26,898 --> 00:55:29,105 But after this massacre, 718 00:55:29,243 --> 00:55:33,036 there are lots of doubts about the real protection 719 00:55:33,140 --> 00:55:34,726 that we receive from El Alcazar. 720 00:55:37,140 --> 00:55:39,588 ♪ 721 00:55:39,726 --> 00:55:40,726 Hey! 722 00:55:40,795 --> 00:55:45,760 ♪ 723 00:55:45,933 --> 00:55:51,036 ♪ 724 00:55:56,760 --> 00:56:04,760 ♪ 725 00:56:04,761 --> 00:56:09,761 - Synced and corrected by chamallow - - www.addic7ed.com - 45755

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